BART Archives — Page 2 of 29 — San Francisco Bay Guardian Archive 1966

San Francisco Democratic Party decides on endorsements for November election

Sasha Cuttler And Mary Magee

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August 14, 2014

San Francisco Democratic Party decides on endorsements for November election

At a meeting lasting about four hours last night [Wed/13], the San Francisco Democratic County Central Committee, the steering committee of the city’s Democratic Party, decided on its endorsements for the Nov. 4 election.

A lengthy round of voting followed nearly two hours of public comment, in which San Franciscans chimed in on everything from school board nominations to Proposition L, a motorist-friendly proposal that amounts to a step backward for the city’s transit-first policy. (The formal oppositional campaign slogan is “No on Gridlock, No on L,” but opponents who spoke at the meeting shortened it to the edgier “’L No.”).

Prop. L went down handily. Prop. E, the sugary-beverage tax, easily won the DCCC’s endorsement, as did Prop. J, the proposal to increase the city’s minimum wage.

But Prop. G – a measure crafted to stem the tide of Ellis Act evictions, known as the anti-speculation tax – was a close contest.

Before the DCCC members got down to the business of voting, many local advocates voiced support for Prop. G.

Housing activists lined up across the room while Dean Preston, executive director of Tenants Together, called for meaningful action on the city’s housing affordability crisis.

But the proponents’ show of support was followed by the opposite plea from a second group, which included a contingent of Asian property owners, who crowded into the front of the room to tell DCCC members that they felt the proposed increase was unfair. “We don’t deserve this!” A speaker said, conveying anger and frustration. “Look at our faces, we work hard for our properties.”

In the end, the vote came down to four abstentions, 13 votes for “no endorsement,” and 15 votes in support, tipping the scales in favor of Prop. G by a tiny margin.

Among those who abstained on that vote were Rep. Nancy Pelosi, Rep. Jackie Speier, and Assemblymember Phil Ting, all of whom voted by proxies. Sup. Scott Wiener voted “no endorsement,” while Sup. Malia Cohen abstained.

Decisions in the races for Board of Education and the city’s Community College Board were time-consuming, since it took several elimination rounds before the final candidate lists were settled.

The school board candidates to emerge with DCCC endorsements were Shamann Walton, Emily Murase, and Trevor McNeil. Notably, that list didn’t include Hydra Mendoza, an incumbent who also serves as education advisor to Mayor Ed Lee.

Endorsements for Community College Board, meanwhile, went to Amy Bacharach for a two-year term, and Thea Selby, Anita Grier, and Rodrigo Santos for four-year terms.

Things got interesting in the contest for BART board of directors, between longtime Republican director James Fang and a well-funded Democrat, Nick Josefowitz, who is in his early 30s.

The vote was complicated since SEIU Local 1021, a labor union with a long history of backing progressive causes in San Francisco, is pulling for Fang, who supported workers during last year’s BART strike. Yet Josefowitz has the backing of other progressive organizations, including the Sierra Club. “I think that BART needs new blood,” Sierra Club representative Rebecca Evans said during public comment.

In the end, the DCCC voted “no endorsement,” with that selection getting 17 votes, five abstaining, and 10 voting in favor of Josefowitz. The votes followed a round of comments.

“The Democratic Party is a means to an end,” DCCC member Rafael Mandelman said. “And the end that we are using the Democratic Party to achieve is a more socially just and better world… There are few local entities [to advance that] than SEIU Local 1021. I think it is acceptable for us to take ‘no’ position in this race.”

Several piped up to say they thought Josefowitz deserved the endorsement of the Democratic Party simply because he’s a viable candidate and registered Democrat in a race against a Republican.

But DCCC member Arlo Hale Smith weighed in to critique of Fang’s performance as a director. “I used to hold this BART Board seat 24 years ago,” Smith said. “He’s missed a third of the meetings and he doesn’t return phone calls. He hasn’t returned my calls in a year. This is not the kind of person who should be reelected. Period.”

In races for the San Francisco Board of Supervisors and citywide offices, endorsements went to incumbents Carmen Chu for assessor-recorder, Jeff Adachi for public defender, Sups. Mark Farrell for District 2, Katy Tang for District 4, Jane Kim for District 6, Wiener for District 8, and Malia Cohen for District 10. No second- or third-place endorsements were made in the Board of Supervisors races despite multiple challengers.

Just before voting for endorsements began, DCCC member Alix Rosenthal admonished her colleagues for scant attendance during the candidate endorsement interviews, which were held the previous Saturday. “Only 12 out of 32 people showed up for interviews,” she noted. Half-jokingly, she added, “I know Outside Lands was happening.”

Who will San Francisco Dems back in November?

Sasha Cuttler And Mary Magee

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August 12, 2014

6

Who will San Francisco Dems back in November?

In a city dominated by Democrats, the endorsements of the San Francisco Democratic Party carry a lot of weight. Its slate card mailer, showing candidates’ headshots and the party’s positions on local measures, can serve as a cheat sheet for Dems heading to voting booths on Nov. 4.

At tomorrow’s [Wed/13] meeting, the Democratic County Central Committee (DCCC), the steering committee of the city’s Democratic Party, will vote on endorsements for the upcoming election – and while some votes may be predictable, others will be closely contested and could go either way.

Here are a few items we’ve been keeping an eye on:

Prop. G: “Anti-speculation tax”

Earlier this year, hundreds crowded into the Tenderloin Elementary School for a daylong Tenant Convention that sought to find ways to curb the tide of evictions sweeping San Francisco. Emerging out of that was the “anti-speculation tax,” a measure that will appear on the November ballot as Proposition G. Sponsored by Sups. Eric Mar, John Avalos, David Campos, and Jane Kim, the formally titled Additional Transfer Tax on Residential Property Sold Within 5 Years of Purchase seeks to discourage real estate speculators from buying up properties with the aim of flipping them, a process that tends to involve bringing down the hammer of the Ellis Act to evict long-term tenants.

Some tenant activists are concerned that the DCCC won’t throw its considerable weight behind this tenant-friendly initiative, crafted as a direct response to the city’s affordability crisis and ongoing displacement problem. “Many of the members of the Democratic Central Committee seem to have forgotten the core values of the Democratic Party,” tenant activists with the San Francisco Anti-Displacement Coalition wrote in a Facebook post, urging supporters of the anti-speculation tax to turn out at tomorrow’s meeting.

Mary Jung, who chairs the DCCC, also serves as a paid lobbyist for the San Francisco Association of Realtors, which strongly opposes the anti-speculation tax. Following the June election, Jung came under fire for authorizing funds to be used for last-minute voter calls opposing Prop. B, a measure that was ultimately adopted, requiring voter approval for increasing waterfront building height limits. The DCCC came down against Prop. B, putting the party in line with developers and real-estate interests. Will the DCCC’s vote on the tenant-friendly Prop. G reflect this same allegiance?

For Prop. G, “I have a really hard time believing that the Realtors will put together a coalition for a ‘no’ vote,” said DCCC member Alix Rosenthal. “I’m sure the Realtors would settle for a ‘no endorsement,’” on that measure, she added, but said that outcome seemed doubtful too. Last June’s vote on Prop. B shouldn’t serve as a guide, she added. “Because the Warriors made the Prop. B vote very complicated, I think you’re not going to see the same voting coalition against Prop. G.”

BART Board: Fang vs. Josefowitz

As the Guardian noted in last week’s print edition, there are some fascinating political dynamics at play in the DCCC’s endorsement vote for BART’s Board of Directors. Longtime member James Fang, a Republican, faces a challenge from a well-funded newcomer in his early 30s, Nick Josefowitz, who’s a Democrat. That might sound like a no-brainer for the Dems, but there’s a catch. The city’s largest public employee union, SEIU Local 1021, is rooting for Fang over Josefowitz.

Organizer Gabriel Haaland says that’s because the Fang made a show of support for BART employees by walking the picket line last year during the BART strike. “It’s a priority for us to elect Fang,” Haaland told us. Plus, he pointed out, Josefowitz is in line with Mayor Ed Lee and has been championed by leaders in the tech sector, serving as a mayoral appointee to a city commission and benefitting from a fundraiser organized by Lyft cofounder Logan Green.

But DCCC member Matt Dorsey sounded a different note. “I get that some of my DCCC colleagues may have loyalties that may prevent them from supporting Nick,” he said. “But I’d plead with them not to make our party an instrument for Republican empowerment — because that’s exactly what a ‘no endorsement’ in the BART race will do.”

The DCCC can’t endorse Fang outright, because of his political affiliation, but it can decide whether to help or hurt Josefowitz by choosing to back him or vote “no endorsement.” The latter would limit his exposure as a candidate in a race where incumbent Fang has both wide name recognition and the backing of many prominent San Francisco Democrats.

District 10 race

Based on questionnaires submitted by candidates in the upcoming Board of Supervisors’ races, District 10 Sup. Malia Cohen has lined up a much longer list of endorsements than her challenger in that race, Tony Kelly.

But Kelly does have some prominent supporters, including former San Francisco Mayor Art Agnos, Assemblymember Tom Ammiano, Sups. John Avalos and David Campos, and the Sierra Club.

While both Kelly and Cohen stated on their questionnaires that they are supportive of ranked-choice voting, Cohen has evidently requested a sole endorsement from the DCCC for her reelection. While there seems to be little doubt that Cohen will secure the DCCC’s backing, there’s a possibility that Kelly – or for that matter, any other District 10 candidate – could be added to the slate with a second- or third-place endorsement. Rosenthal, who is friends with Cohen, said this is unlikely since state and federal elected officials who send proxies to the DCCC tend to back incumbents to maintain existing working relationships.

Cohen also happens to sit on the DCCC, which means she can cast a vote for her own endorsement.

This perk is actually a reason why many politicians opt to get involved with the Democratic Party in the first place. “One of the reasons to get involved on the DCCC,” Rosenthal said, “is to help ensure that you yourself get endorsed by the Democratic Party.”

Check back here on Thu/14 for an update on how the votes went down.

Alternative event to National Night Out shifts focus away from surveillance

Sasha Cuttler And Mary Magee

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August 5, 2014

8

Alternative event to National Night Out shifts focus away from surveillance

Aug. 5 marks National Night Out, an annual event promoted by local governments and law enforcement agencies geared toward ending neighborhood violence and promoting public safety.

In San Francisco, Mayor Ed Lee is scheduled to join Police Chief Greg Suhr and District Attorney George Gascon at a Visitacion Valley playground for a National Night Out gathering. A host of other neighborhood block parties are scheduled throughout San Francisco and Oakland as well.

National Night Out gatherings, which are sponsored by the National Association of Neighborhood Watch, are scheduled to take place nationwide. Block party attendees are encouraged to come out and meet their neighbors as a way of banding together against crime. Yet some have questioned the heavy emphasis this event places on suspicion and surveillance as tools for promoting neighborhood safety.

To offer a different perspective, the Ella Baker Center for Human Rights has organized a community gathering Aug. 5 at the Lake Merritt amphitheater, billed as the Second Annual Night Out for Safety and Democracy.

“We still want to have a celebration of the community – but we really want to reframe the message that it’s not all about setting up a neighborhood watch program,” said Maria Dominguez, a community organizer with the Ella Baker Center. She added that a mass effort to encourage suspicion and neighborhood surveillance can lead to unintended consequences, such as actions that are unnecessarily based in fear, or racial profiling.

Instead, the Ella Baker Center hopes to emphasize restorative justice practices, youth job training programs, and reentry services as tools for promoting community safety. The group is also highlighting the need for more resources to be dedicated toward these programs as state funding becomes available.

“Safety really goes hand in hand with the lack of economic opportunity in our communities,” Dominguez said. This coming fall, she noted, the Alameda County Board of Supervisors will begin discussing allocation of some $30 million in state realignment funding. Historically, only about a fourth of this has gone toward community-based organizations focused on efforts such as reentry services, with the rest being devoted mainly to law enforcement agencies.

“We want to make sure there’s more funding allocated for community based organizations providing restorative justice initiatives, and other organizations that focus on employment and workforce development opportunities,” Dominguez said.

“With the recent rise in local surveillance initiatives and private patrols, it’s more important than ever to encourage neighbors to build connections with one another so that they can see each other,” said Ella Baker Center executive director Zachary Norris, “rather than watch each other.”

The evening’s event will feature talks by practitioners in restorative justice practitioners and representatives from organizations working around reentry programs. There will also be food, art, voter information, and a performance by Turf Feinz. They’re turf dance performers whose moves – consisting of “elaborate footwork, gliding, gigging, contortion and acrobat,” according to the event description – have been known to liven up BART commutes.

“Rain,” Turf Feinz’ video from 2009 created in memory of a friend, got more than six million YouTube hits.

Snap sounds

Michael Redmond

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August 5, 2014

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TOM PETTY & THE HEARTBREAKERS

Hypnotic Eye

(Reprise)

Of all the rock singers who could truly be considered “legends,” Tom Petty is perhaps the least oligarchic. His records under his name alone are producer-driven affairs that put his voice at the center, but with the Heartbreakers, he’s merely a frontman, a central cog in a machine that’s been churning out unpretentious rock for almost forty years. On this latest Heartbreakers record, he’s even more understated than usual. For much of the album, he sings through a tinny, almost Strokes-like filter that serves to both give his voice an appealing grit and bring out the sounds of the band around him.

But aside from that, Hypnotic Eye is almost devoid of producerly interference. It sounds above all else like a garage jam, cycling through rock, blues, psychedelia, and even some peaceful ballads. The album’s worst moment, the overwrought “Shadow People,” is the only one that sounds like a conscious effort to make something “good.” But it’s the only bad song here, and the fact that Petty can still make good music with so little effort gives me an odd kind of hope for this rock institution whose best albums should, by all logic, be long behind them.

MOON B

II

(People’s Potential Unlimited)

Moon B makes largely the same sort of proudly analog neo-boogie as Dam-Funk, but while Dam-Funk’s music is starry-eyed and optimistic, Moon B’s is dark and unsettling. His music has never been gnarlier than on II. Though the universe B conjures on his second album is contained within only 31 minutes of music, it seems huge and labyrinthine, filled with darkened streets and dimly lit windows. The drums beat cautiously like nervous footsteps, and the ghostly synth chords that form the melodic core of the music seem to watch you from the shadows. A good aesthetic reference point is the Simpsons episode “Bart Sells His Soul,” in which Bart wanders panicked through a deserted, beautifully rendered labyrinth of quiet skyscrapers.

Though this might make II sound too scary for everyday listening, it’s surprisingly great chillout music. The music is never frightening, just spooky, and it’s got a Boards of Canada-like ability to fade into the background while still keeping you on your toes. Its length also prevents the album from devolving into monotony — all the songs follow the same sonic template, but not to their detriment. This is some of the best mood music I’ve heard this year so far.

HERBERT

Part 6 EP

(Accidental)

Matthew Herbert’s ability to write great songs is almost a liability. Under the mononym Herbert, the British producer released the holy trinity of Around The House, Bodily Functions, and Scale between 1998 and 2006, each containing a phenomenal, almost absurdly good second track. These songs — “So Now…,” “It’s Only,” and “The Movers And The Shakers,” respectively — cast long shadows not only over the rest of their parent albums but the increasingly conceptual work Herbert’s been producing under his full name lately. In dropping his first name from his new Part 6 EP, he’s made things a lot harder for himself given how much he has to live up to. Part 6 doesn’t quite live up to those albums, but it’s still exemplary house music. Its vocally-oriented track “One Two Three” would be maybe the fifth-best song on any of his great Herbert albums, and perhaps the second-best on most decent-quality house albums. The others are pummeling club bangers that would sound great in the club but aren’t quite as hospitable for casual listening as most of Herbert’s work. But each track is layered with peculiar, welcome details that remind you one of house’s all-time greats is back in action. (Daniel Bromfield)

The last Republican

Michael Redmond

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August 5, 2014

34

steve@sfbg.com

BART Director James Fang is San Francisco’s only elected official who is a registered Republican, yet over the last 24 years, he has somehow managed to easily win election after election in a city dominated by the Democratic Party, often with the endorsements of top Democrats.

But this year, Fang is facing a strong and well-funded challenge from investor and former solar company entrepreneur Nicholas Josefowitz, a Harvard graduate in his early 30s. Thanks in part to support from the tech community — Lyft cofounder Logan Green is one of several prominent figures in tech to host fundraisers for him, according to Re/Code — Josefowitz has managed to amass a campaign war chest of about $150,000.

Josefowitz has also secured some key political endorsements, including from Sups. John Avalos, Eric Mar, and Scott Wiener, BART Director Tom Radulovich, former SF Mayor Art Agnos, and the Sierra Club.

After Josefowitz sold his solar company, RenGen, almost two years ago, “I got more and more involved in sustainable community advocacy,” he told us. “Then the BART strike happened and I was like, wow, this shouldn’t be happening.”

Josefowitz cited BART’s history of worker safety violations, last year’s unnecessarily divisive labor contract negotiations, the district’s massive deferred maintenance budget, property devoted to parking lots that could be put to better uses (he sees potential there for real-estate development), corrupt cronyism in its contracting, and lack of cooperation with other transit agencies as problems that urgently need correcting.

Fang is being challenged by well-funded Democratic newcomer Nicholas Josefowitz.

“BART does a terrible job at coordinating with other transit agencies,” Josefowitz told us, arguing the transit connections should be timed and seamless. “James has been there for 24 years, and if he was going to be the right guy to fix it, then he would have done it by now.”

But perhaps Josefowitz’s strongest argument is that as a Republican in liberal San Francisco, Fang’s values are out-of-step with those of voters. “Why is someone still a Republican today? … He’s a Republican and he’s a Republican in 2014, with everything that means,” Josefowitz told us. “He hasn’t been looking out for San Francisco and he’s out of touch with San Francisco values.”

We asked Fang why he’s a Republican. After saying it shouldn’t matter as far as the nonpartisan BART board race is concerned, he told us that when he was in college, he and his friends registered Republican so they could vote for John Anderson in the primary election.

“Some people feel the expedient thing for me to is switch parties,” Fang said, but “I think it’s a loyalty thing. If you keep changing … what kind of message does that send to people?”

Fang said he thought the focus ought to be on his track record, not his political affiliation. It shouldn’t matter “if it’s a black cat or a white cat, as long as it catches mice,” he said. He pointed to programs such as seismic upgrades, completing the BART to the airport project, and instituting a small-business preference for BART contractors as evidence of his strong track record. “I’m a native San Franciscan — I’ve gone through all the public schools,” Fang added. “It’s very important to get people from a San Francisco perspective and San Francisco values.”

Josefowitz supporters say he has perhaps the best shot ever at defeating Fang, largely because of his prodigious fundraising and aggressive outreach efforts on the campaign trail. “He is doing all the things that someone should do to win the race,” Radulovich, San Francisco’s other longtime elected representative on the BART board, told us. “There’s a lot of unhappiness with BART these days.”

But in an interesting political twist, Fang has the endorsement of Service Employees International Union Local 1021, a champion of many progressive causes in San Francisco, after he walked the picket line with striking BART employees last year and opposed the district’s decision to hire a high-priced, union-busting labor consultant.

“It’s a priority for us to elect Fang,” SEIU 1021 organizer Gabriel Haaland told us. “When we needed him on the strike, he walked our picket line.”

SEIU Political Chair Alysabeth Alexander sounded a similar note. “In the middle of one of the most important and highest-profile labor fights in the nation, when two workers had to die to prove that safety issues were the heart of the struggle, Fang was the only board member who took a position for safety,” she said. “Every other member shut out the workers and refused to acknowledge that serious safety issues put workers lives at risk every day. If more BART Board members has the courage of Fang, two workers would be alive today.”

BART got a series of public black eyes last year when its contract standoff with its employees resulted in two labor strikes that snarled traffic and angered the public. Then two BART employees were killed by a train operated by an unqualified manager being trained to deliver limited service to break the strike, a tragedy that highlighted longstanding safety deficiencies that the district had long fought with state regulators to avoid correcting. Finally, after that fatal accident helped force an end to the labor standoff, BART officials admitted making an administrative error in the contract that reopened the whole ugly incident.

“One of the things that really opened my eyes in this labor negotiation is that often we get told things by management, and we just assume them to be true,” Fang said, noting that he’d questioned the agency’s plan to run train service during last year’s strike.

Yet Josefowitz said the BART board should be held accountable for the agency’s shortcomings in dealing with its workers. “It starts with having a genuine concern over worker safety issues, and not just at bargaining time,” he said. “If the board had acted early enough, that strike was totally avoidable.”

Indeed, BART’s decisions that led to the tragedy have been heavily criticized by the National Transportation Safety Board, California Division of Occupational Safety and Health, and the California Assembly Committee on Labor and Employment.

Fang also has the support of many top Democrats, including Attorney General Kamala Harris, US Rep. Nancy Pelosi, and former state legislator and current Board of Equalization candidate Fiona Ma, who told us: “I have endorsed one Republican in my political history, and that is James Fang for BART Board.” Noting that Josefowitz “just moved here,” Ma said, “The BART system is one of our jewels, and I don’t think we should elect first-time newcomers in San Francisco to manage it.”

Radulovich said he was mystified by prominent San Francisco politicians’ support for Fang, saying, “In this solidly Democratic town, this elected Republican has the support of these big Democrats — it’s a mystery to me.”

One reason could be Fang’s willingness to use newspapers under his control to support politicians he favors, sometimes in less than ethical ways. Fang is the president of Asian Week and former owner of the San Francisco Examiner, where sources say he shielded from media scrutiny politicians who helped him gain control of the paper, including Willie Brown and Pelosi (see “The untouchables,” 4/30/03).

But political consultant Nicole Derse, who is working on the Josefowitz campaign, told us that she thinks support for Fang among top Democrats is softening this year, noting that US Sen. Dianne Feinstein and state Sen. Mark Leno haven’t endorsed Fang after doing so in previous races.

“[Fang] has longstanding relationships with folks, but Nick is challenging people in this race to stop supporting the Republican,” Derse told us. “It’s now up to the Democratic Party and it’ll be interesting to see what they do.”

She was referring to the San Francisco Democratic County Central Committee, which plans to vote on its endorsements on Aug. 13. While DCCC bylaws prevent the body from endorsing a Republican, Ma and other Fang allies have been lobbying for no endorsement in the race, which would deny Josefowitz a key avenue for getting his name and message out there.

“This is going to be one of the most expensive races in BART’s history. He will kill me on money,” Fang said of Josefowitz. He suggested that his opponent’s candidacy underscores tech’s growing influence in local politics, and urged voters to take a closer look. “People are saying oh, it’s all about Fang. What about this gentleman?” Fang asked. “Nobody’s questioning him at all.”

Derse, for her part, noted the importance of having a well-funded challenge in this nonpartisan race. “It allows him the resources to get his message out there,” she said of Josefowitz. “Most San Franciscans wouldn’t knowingly vote for a Republican.”

Events: July 30 – August 5, 2014

Michael Redmond

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July 29, 2014

0

Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 30

“We are CA: Yosemite Stories with Latino Outdoors” California Historical Society, 678 Mission, SF; www.californiahistoricalsociety.org. 6:15pm, $5. Panel discussion featuring Latino Outdoors founder Jose Gonzalez and others sharing stories about Yosemite and other national parks.

THURSDAY 31

“Pretty in Ink: The Trina Robbins Collection” Cartoon Art Museum, 655 Mission, SF; www.cartoonart.org. 6-8pm, free. Reception for the exhibit with a curator-led tour, featuring highlights from the personal archives of comics “herstorian” Trina Robbins. The focus is on North American woman cartoonists from the early 20th century.

FRIDAY 1

“Jack’s Night Market” Webster Plaza, Jack London Square, Broadway at Embarcadero, Oakl; www.jacklondonsquare.com. 6-10pm, free. Outdoor bazaar with street performers celebrating Oakland artists, music, and food. All beer and wine sales benefit the Sustainable Business Alliance and Oakland Grown.

SATURDAY 2

Art + Soul Oakland Downtown Oakland (adjacent to the 12th St/City Center BART station); www.artandsouloakland.com. Noon-6pm, free. Through Sun/3. Live music is Art + Soul’s main draw, but a new event — the Oaktown Throwdown BBQ competition — will surely be a popular addition.

Bay Area Aloha Festival San Mateo County Event Center, 1346 Saratoga, San Mateo; www.pica-org.org. 10am-5pm, free. Through Sun/3. The Pacific Islanders’ Cultural Association showcases Polynesian dance and island cuisine at its annual event.

“Baycation Day” Classic Cars West, 411 26th St, Oakl; http://oaklandartmurmur.org/events/baycation-day. 1-5pm, free. Oakland Art Murmur and Broke-Ass Stuart present this afternoon of beer garden-ing, with arts and crafts by local artists, photo workshops, a display of classic cars, and food and drink, followed by the Saturday Stroll Art Walk at nearby galleries.

“Carnival of Stars” Richmond Auditorium, 403 Civic Center Plaza, Richmond; www.carnivalofstars.com. 10am-10pm (also Sun/3, 10am-8pm), $6-15. Family-friendly fantasy festival with classic horror films, belly dancing, magicians, live music, comics, and more.

Nihonmachi Street Fair Post between Laguna and Fillmore, SF; www.nihonmachistreetfair.org. 11am, free. Through Sun/3. This long-running community event celebrates Asian-Pacific American life with performances, food, activities for kids, and more. Plus: the crowd-pleasing dog pageant and accompanying parade.

“19th Annual Wienerschnitzel Wiener Nationals — Bay Area Regionals” Santa Clara County Fair, 344 Tully, San Jose; http://wwnraces.com. Noon (check-in); 2:30pm (prelims); 4pm (finals). Free for participants (fair admission, $5-8; parking, $5). Dachshunds waddle their way to the finish in the hopes of being crowned “Bay Area’s Top Dog.” The winning wiener gets a trip to the 2014 Wiener National Finals in San Diego.

SUNDAY 3

“Cupcakes and Muffintops v6.0” Humanist Hall, 390 27th St, Oakl; cupcakesandmuffintops.wordpress.com. Noon-4pm, $10 suggested donation (no one turned away). Dance company Big Moves, “fat queer community” NOLOSE, and the FatFriendlyFunders co-host this benefit sale of gender-inclusive clothing — with an emphasis on “size large and up, up, and up” — and baked goods. Bargains galore!

Jerry Day Jerry Garcia Amphitheater, McLaren Park, 45 John F. Shelley, SF; www.jerryday.org. 11:30am, free (donate for reserved seating). Live music (with Melvin Seals and JGB, Stu Allen and Mars Hotel, Tea Leaf Trio, and more) honors the legacy of the Grateful Dead star, who grew up on nearby Harrington Street in the Excelsior.

“Poetry Unbound #15” Art House Gallery, 2905 Shattuck, Berk; http://berkeleyarthouse.wordpress.com. 5pm, $5 (no one turned away). Poetry reading with Daniel Yaryan, Hollie Hardie, and Gary Turchin, plus open mic.

MONDAY 4

“From Ignorance to Acceptance: How the LGBTQ Movement Has Evolved in a Lifetime” Commonwealth Club, 595 Market St, Second Flr, SF; www.commonwealthclub.com. 6pm, $7-20. Political activist and author James Hormel discusses how LGBTQ Americans have gained visibility since 1945.

TUESDAY 5

“Litquake’s Epicenter” Hotel Rex, 562 Sutter, SF; www.litquake.org. 7pm, $5-15. Literary event hosting the launch of Edan Lepucki’s new novel, California. *

Homeless in transit

Michael Redmond

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July 29, 2014

25

joe@sfbg.com

For most people, the Bay Area Rapid Transit system’s stations are just that: transitory. Walk into Powell Station, zip down the escalator and glide out on a train, destination somewhere. But for homeless people drawn to BART stations, the agency is a place to be stationary, a home and safe haven from the elements, muggings, and other hazards of sleeping on streets.

But now, BART intends to reclaim the T in its name. It wants the homeless to be transitory and get out of the stations.

Last week, the agency announced new enforcement of existing safety regulations that ensure people can evacuate a BART station in an emergency. BART argues homeless people sleeping or sitting in BART station hallways are in the way of a swift evacuation.

This legal interpretation gave BART carte blanche to scoop the homeless up and out. On the first day of the new rules, 17 homeless people were removed from Powell Station, which the agency justified to news media by repeatedly showing a video of a smokey accident that sent passengers fleeing.

“We had places where a big puff of smoke would fill the station very quickly,” Jeffrey Jennings, BART Police’s deputy chief, told the Guardian. “People were running not knowing what happened, very fearful. Other people were lying down, tripping folks. We could have had significant injuries occur because of that.”

First time offenders get a verbal warning, the second offense garners a citation, and the third offense jail time, all in the name of safety.

But the idea that homeless sleepers in all parts of a BART station may be trampled seems a little silly. Sure, there are sections of BART that are narrow and should be kept clear, but a walk through Powell Station shows 20-foot wide hallways throughout. This is where the homeless often sleep and sit.

At 8pm on a Wednesday, Powell Station is quiet and mostly empty, except for Charles T. He’s sitting in a chair right by the Powell Street entrance, strumming a guitar (skillfully), singing Otis Redding’s “Dock of the Bay.”

His voice is a dead ringer for Redding’s: “Sitting on the dock of the Bay, wasting my good time… I have nothing to live for, looks like nothing’s going to come my way. So I’m just going to sit on the dock of the Bay.”

Some still sat in Powell Station that night, flouting the new ban. A woman in baggy clothes sat by the Fourth and Market streets stairwell, cuddling her very big, very droopy-faced Rottweiler. A bald man in soiled gray pants sat along the hallway to the next exit. Slightly past him lay a man with long black hair snoring next to the wall. And at the end of that hallway, two men stayed in each other’s orbit: a slender one in a red jacket and blue jeans slept with his dirt-caked hands folded over his stomach, while a portly man sat nearby on cardboard boxes, tapping his fingers to a silent tune.

The last man we saw sat with his feet pulled under his knees by the entrance to the Westfield Centre, studiously reading his Bible as he underlined passages from Revelations. The would-be scholar, Henry Terry, 59, greeted us with a smile.

Terry was born in Los Angeles, a child of Watts who was a kid during the violent 1965 riots when 34 people died, over 1,000 people were injured, and the neighborhood burned. Terry’s mother sent him to Alabama with his father.

Terry fondly recalls growing corn, peas, watermelon, okra, squash, and sugar cane. That’s food he doesn’t have ready access to nowadays.

After bouts with the bottle and drugs, Terry cleaned himself up and got a place to live at the Hotel Essex, part of the city’s Community Housing Partnership. But alcohol lured Terry back. While in rehab, he missed an important court date, and he was evicted.

Now he spends his nights holding his Bible sitting in a BART station, seeking guidance and shelter. “The only thing getting me back to functioning is reading God’s word,” he said.

Terry’s already been ousted due to BART’s new rules. But on this day, some of the officers were more lenient. “[The officer] told me to cross my legs the entire time I’m here,” he said, “so people walking don’t trip over you.”

They also asked him to leave the commuters be. “I don’t ask for food or money,” Terry said. He just wants shelter until he can appeal his eviction.

Counterintuitively, BART Police officers who already threw Terry out once are the reason he stays there. He said the streets are dangerous, and muggings by other homeless people are common. The gates to the station go down at 12:30am, and Terry sleeps next to them because he knows the BART police will keep the muggers away.

BART argues the new rule is about safety of the passengers. California Building Code 433.3.2.2 states, “There shall be sufficient means of exit to evacuate the station occupant load from the station platforms in four minutes or less.”

Though Terry was glad the officers left him alone to sit, the Guardian saw BART police apply the law to other homeless people: usually the ones mumbling to themselves, or, frankly, the dirtiest ones.

The two men in each other’s orbit were ousted. One tall and broad-shouldered officer woke the man sleeping in the red jacket.

“Excuse me sir, excuse me. Do you know about the new rules at BART?” he asked. After explaining the ban, he said “This is the first time, so I’ll give you a warning, the second time I will cite you. The third time, you go to jail.”

The officer recommended services they could call, together. He spoke kindly, even sweetly, but the result was the same as if he had been cruel: The man in the red jacket picked up his cardboard and went out into the streets.

We told Deputy Chief Jennings about the apparent selective enforcement, questioning the law had anything to do with safety. From our four hours of observation at Powell Station, it seemed to be applied only to the dirtiest or rowdiest people, or the ones specifically sleeping, we told him.

“Our policy is someone needs to be conscious, awake, and aware of their surroundings,” Jennings told us. “There’s no selective enforcement. We only have so many officers, so officers will be drawn more to someone who is not being quiet, or having a problem.”

He also told us they had never enforced the building code before because no one had ever thought to, until the idea occurred to a newly promoted sergeant.

To its credit, BART is making inroads to help the homeless. First, transit officials went to Bevan Dufty, the director of the Mayor’s Office on Homelessness.

“I was honest and said we don’t have on demand resources and our shelters are full,” Dufty told us. The Homeless Outreach Team is stretched to the limit. Dufty suggested BART hire its own help, which it did.

Its first full time Crisis Intervention Training Coordinator, Armando Sandoval, helps pair the homeless at BART stations with housing and other services. He targets his efforts on what BART calls its 40/40 list, which tracks the 40 homeless people that generate the most service calls to BART police. A BART press release said it placed 22 people with services within the last year.

“[Sandoval] hunts them down to see if he can work his magic with these folks,” Jennings said.

Supervisor Jane Kim is working with Dufty’s office to revamp BART’s new policy. “They clearly stretched safety concerns,” Kim told us. “It’s one thing to offer services, but another to force people out.”

BART’s Quality of Life service calls doubled from 2013 to 2014, according to a BART quarterly report, generated by complaints like public urination and disturbing the peace.

A BART police officer, who did not want to be named, told us he thinks BART has a hard choice: to let riders feel harassed and unsafe, or to oust people clearly in need of compassion. He said he saw the homeless population in the station swell with “the weather and the economy.”

“We have to do what we have to do,” he told us. But on the other hand, he said, “It’s not against the law to stink.”

He’s half right. Though being homeless and dirty may not be illegal, it may get you thrown out of a BART station.

Guardian Intelligence: July 23 – 29, 2014

Michael Redmond

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July 22, 2014

0

J-POP ROCKED

The annual J-Pop Summit in Japantown drew a lively crowd of anime and other Japanese pop culture treasures to Japantown last weekend (including Shin, pictured). This year’s festivities included a Ramen Festival portion, featuring noodle cooks from around the world — and lines up to two hours long to sample their rich, brothy creations. PHOTO BY REBECCA BOWE

DA LOBBYIST

Former San Francisco Mayor and current Chronicle columnist Willie Brown, often just called Da Mayor, is widely acknowledged to be one of the most politically influential individuals in San Francisco. But until recently, he’d never registered as a lobbyist with city government. Now it’s official: Brown has been tapped as a for-real lobbyist representing Boston Properties, a high-powered real-estate investment firm that owns the Salesforce Tower. News outlets (including the Bay Guardian) have pointed out for years that despite having received payments for high-profile clients, Brown has never formally registered, leaving city officials and the public in the dark. Da Mayor, in turn, has seemed unfazed.

GAZA PROTEST

On July 20, marked as the deadliest day yet in the Israeli-Gaza conflict, hundreds of pro-Palestinian protesters gathered in San Francisco to march against the ongoing violence. Waving flags, participants chanted “Free, free Palestine!” and progressed from the Ferry Building to City Hall. It was just one of hundreds of protests staged worldwide in response to the bloodshed. As of July 21, the Palestinian death toll had risen to about 500, while 25 Israeli soldiers were killed. PHOTO BY STEPHANY JOY ASHLEY

PET CAUSE

Last year, the SF SPCA (www.sfspca.org) assisted with over 5,000 cat and dog adoptions. With its new adoption center near Bryant and 16th Streets, which opened June 13, it aims to increase capacity by 20 percent — saving 1,000 more furry lives in the process. The new facility features improved condo-style enclosures rather than cages, a small indoor dog park, and SF-themed climbing structures for cats. (So far, there’s a Golden Gate Bridge, a Transamerica Pyramid, a cable car, the Sutro Tower, and the SF Giants logo; a Castro Theatre design is in the works.) These improvements make the shelter life more comfortable for the animals, but they also help entice visitors, making the adoption process “a fun, happy experience,” says SF SPCA media relations associate Krista Maloney. See more kitties and puppies at the Pixel Vision blog at www.sfbg.com. PHOTO BY CHERY EDDY

MIX IT UP

The quarterly SF Mixtape Society event brings together people of all, er, mixes with one thing in common: a love of the personally curated playlist. This time around (Sun/27, 4pm-6pm, free. The MakeOut Room, 3225 24th St, SF. www.sfmixtapesociety.com) the theme is “Animal Instinct.” You can bring a mixtape in any format to participate — CD, USB, etc. (although anyone who brings an actual cassette will “nab a free beer and respect from peers.”) Awards will be given in the following categories: best overall mixtape, audience choice, and best packaging. Hit that rewind!

CODERS FOR KOCH

This week San Francisco plays host to the Libertarian conference/slumber-party Reboot 2014, aimed at — you guessed it — tech workers. Conservatives and government-decrying libertarians are natural allies, wrote Grover Norquist, scion of the anti-tax movement, in the pages of the Wall Street Journal. Uber swerves around transportation regulations, Airbnb slinks under housing regulations. It’s no wonder politically marginalized libertarians are frothing at the mouth to ally with Silicon Valley’s ascendant billionaires. Reboot 2014 speaker Rand Paul’s recent meeting with Mark Zuckerberg, Sean Parker, and Peter Thiel should have liberals all worried.

BART CLEANSING

BART announced via a press release they’d begin “ensuring safe evacuation” of downtown BART stations. By this they mean they’ll start sweeping out anyone sitting or laying down in the stations, clearly targeting the homeless. Deflecting those accusations, BART said they are one of the few transportation agencies with a dedicated outreach and crisis intervention coordinator, as if that gives them a pass.

CLIFF JUMPING

At 66, Jimmy Cliff put on one of the most energetic live shows we’ve ever seen on Saturday, July 19 at the Fillmore, high-kicking through newer songs, like “Afghanistan,” an updated version of eternal protest song “Vietnam,” as well as the classics: “The Harder They Come,” “Many Rivers to Cross,” etc. Check the Noise blog at www.sfbg.com for a full review.

Motorists fight back

Michael Redmond

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July 15, 2014

233

Believing that they’re somehow discriminated against on the streets of San Francisco, a new political coalition of motorists, conservatives, and neighborhood NIMBYs last week [Mon/7] turned in nearly twice the signatures they need to qualify the “Restore Transportation Balance in San Francisco” initiative for the November ballot.

It’s a direct attack on the city’s voter-approved “transit-first” policies, which prioritize alternatives to the car, and efforts to reduce automobile-related pollution and greenhouse gas emissions. It would prevent expanded parking meter enforcement unless requested by a neighborhood petition, freeze parking and permit rates for five years, require representation of motorists on the SFMTA board and create a Motorists Citizens Advisory Committee within the agency, set aside SFMTA funds for more parking lot construction, and call for stronger enforcement of traffic laws against cyclists.

“I think it’s been building for a long, long, long time, but the real catalyst was the Sunday and holiday parking meters,” political consultant David Looman — the 74-year-old Bernal Heights resident who is one of three official proponents of the measure — said of the motorist anger that led to the campaign. “That’s the straw that broke the camel’s back.”

Yet he also said the meetings that led to the measure began in March, after Mayor Ed Lee had already called for a repeal on charging for parking meters on Sundays. The SFMTA voted to repeal Sunday meters in April, a month before the measure was certified to begin gathering signatures — an effort paid for by tech titan Sean Parker (founder of Napster and a top investor in Facebook) and the city’s Republican Party, which kicked in $49,000 and $10,000 respectively.

But Looman fears the repeal of Sunday meters could be temporary and that a small minority of road users are dictating transportation policy in a way that unfairly discriminates against motorists.

“The bike lobby is running transportation policy in San Francisco,” Looman said, even though motorists “are the overwhelming majority and we make this society run.” He said the city needs to do more to facilitate driving “so the economy can continue to function, so people can continue to shop.”

But given that drivers already dominate the space on public roadways, often enjoying free parking on the public streets for their private automobiles, transportation activists say it’s hard to see motorists as some kind of mistreated population.

“Anyone looking at how street space is allocated in our city or at the fact that a mere 1 percent of transportation funding is focused on biking improvements knows that we have a long way to go toward creating real balance on our streets,” San Francisco Bicycle Coalition Executive Director Leah Shahum told us. “City leaders are making up for decades of lost time by rightfully investing in safe, affordable and healthy transportation options.”

“The idea that anyone who walks or cycles or takes public transit in San Francisco would agree that these are privileged modes of transportation is rather absurd,” Tom Radulovich, executive director of Livable City and an elected member of the BART board, told the Guardian.

He said this coalition is “co-opting the notion of balance to defend their privilege. They’re saying the city should continue to privilege drivers.”

But with a growing population using a system of roadways that is essentially finite, even such neoliberal groups as SPUR and the San Francisco Chamber of Commerce have long promoted the idea that continued over reliance on automobiles would create a dysfunctional transportation system.

“This balance measure would be a terrible step backward for San Francisco, and it misunderstands what makes cities work,” SPUR Executive Director Gabriel Metcalf told the Guardian.

But the revanchist approach to transportation policy in San Francisco has been on the rise in recent years, starting with protests against parking management policies in the Mission and Potrero Hill, and continuing this year with the repeal of Sunday meters.

The coalition behind this ballot measure includes some of the combatants in those battles, including the new Eastern Neighborhoods United Front (ENUF) and old Coalition of San Francisco Neighborhoods. Other supporters include former westside supervisors Quentin Kopp, Tony Hall, and John Molinari, and the city’s Republican and Libertarian party organizations.

They seem to be banking on the idea that motorists are a majority of the population and should be able to dictate transportation policy.

“With 79 percent of San Francisco households owning or leasing an automobile and nearly 50 percent of San Franciscans who work outside of their homes driving or carpooling to work, it is time for the Mayor, the Supervisors, and the SFMTA Board to restore a balanced transportation policy for all San Franciscans,” the group claims on its petition.

Walk SF has long advocated transportation policies that would better protect pedestrians, focused largely on trying to slow down automobiles and create safer street crossings using curb bulbouts and other tools, all of which proponents of the initiative criticize for making the streets less “efficient” for cars.

“Between bulbouts and bike lanes, the space given to cars has been drastically reduced,” Looman said.

Walk SF Executive Director Nicole Schneider told the Guardian that any effort to bring “balance” to the city’s transportation policy would help those who walk, which includes all San Franciscans at times.

“Pedestrian safety is something that accounts for 50 percent of all traffic fatalities in San Francisco and has traditionally been given 1 percent of the transportation budget,” Schneider said.

While some city officials have embraced pedestrian safety after a recent record 20 pedestrians were killed by cars in San Francisco last year, joining New York City with Vision Zero goals that seek to eliminate pedestrian fatalities, that program still hasn’t been fully funded.

Schneider said that addressing pedestrian safety means slowing down cars, citing studies showing that the chance of a collision causing a death increases exponentially with a vehicle’s speed: “There is a direct connection between slowing down traffic and reducing all deaths.”

But the initiative criticizes the “increased travel time for motorists” and calls for this official city policy: “Any proposed re-engineering of traffic flows in the City should aim to achieve safer, smoother-flowing streets.”

It’s hard to see how the initiative does anything to create “safer” streets, particularly when one listens to the rhetoric and standards of proponents of the measure.

For example, Looman considers Valencia Street to be “a disaster” after taking away a car lane to create bike lanes more than a decade ago. Yet many cyclists and city officials see Valencia as a well-functioning transportation corridor, with its “Green Wave” timed stoplights that allow both bikes and cars not to get caught in any red lights if they travel at 13 mph. Obviously, good transportation policy is a matter of perspective.

“Any city that has a Costco has to make substantial accommodation for automobiles. It’s not realistic for this to be a transit and bike town,” Looman told us, calling for the city to cater more to shoppers, families, and others that he says need to drive.

But Metcalf said it’s not realistic for San Francisco to continue catering primarily to automobiles in its transportation policy, which was the approach adopted in the bland and environmentally unsustainable suburbs that simply doesn’t work in big cities.

“Cities are crowded, diverse, and messy. There is not a great city in the world where it is easy to park,” Metcalf said. “What we need to be doing is ramping up our investments in transit, walking, and biking, not ramping it down. We need to be moving toward a city where there is less driving.”

At its core, the initiative calls for a revanchist approach to transportation policy, conjuring up a bygone era of unfettered automobility even as the number of residents and workers using the finite street grid increases substantially.

Asked what he’d like to see in transportation policy for San Francisco, Looman told us, “Let’s go back 10 years, before the proliferation of bike lanes and increased parking fees.”

“Prioritization of the single modes of transportation isn’t a matter of ideology, it’s a matter of geometry,” counters Radulovich. “We’re all better off, including motorists, if we prioritize other modes of transportation and encourage people to get out of their cars.”

Yet many San Franciscans resent being told there are limits to how much transportation policy can prioritize free parking and fast-moving streets. Radulovich said that while conservatives are driving this coalition, anger over the city’s transportation policies is based more on a sense of entitlement than conservative principles (for example, the SF Park program criticized by the coalition uses market-based pricing to better manage street parking and encourage turnover in high-demand areas).

As Radulovich said, “There are certain people who believe in the welfare state, but only for cars and not for humans.”

Live Shots: Phono del Sol 2014

Steven T. Jones

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July 14, 2014

0

So, what did you get up to on Saturday?

From an abundance of flamingo decorations to the sight of skateboarders with a penchant for performing dangerous acrobatics off stage barricades, July 12’s Phono del Sol — the hometown pride-filled music festival thrown with a new level of fervor each year by the Bay Bridged at Potrero del Sol Park — showcased a variety of genres and kept the musical midsummer blues at bay.

Here’s the best of Phono del Sol 2014.

Best dark horse: Yalls
Hands down, sickest set of the day — literally. Berkeley-based musician Dan Casey battled a bout of bronchitis but delivered a powerful performance, taking the microphone as if there were no tomorrow for his bronchial tubes. Admittedly, I was a little wary of his set before it began. I first saw him perform as an opener for chillwave superstars Small Black back in March. Yalls reigns as king in venues such as the Rickshaw Stop, where the smoky stage and club lighting complement his beats well. However, he successfully conquered the unfamiliar territory of a sunny, outdoor stage in the middle of the day. I was impressed (his doctor probably isn’t) — not even his slightly nasally vocals could detract from his songs.

Best ’90s throwback: Tony Molina
Tony Molina’s biggest strength can easily backfire on him and become his biggest weakness. Making the perfect mixtape for a friend is tough — even tougher when you had to work with an actual cassette tape without the help of iTunes’ drag-and-drop features. It’s important to include a varied selection of songs that also flow into each other. Local musician Molina only halfheartedly hit the mark on Saturday. While he found the delicate balance between grunge and pop in each song, he seemed like he’d simply forgotten to spice his set up a bit. He’s known for exceedingly short songs (none of the tracks on his latest album exceed two minutes) that all flowed into each other a little too well during his afternoon set. Oftentimes, it was difficult to figure out when a song would end and when a new one would begin, which wasn’t a problem when I listened to his 2013 EP Dissed and Dismissed.

Best dressed: Blackbird Blackbird
Blackbird Blackbird’s Mikey Maramag has come a long way since he opened for Starfucker in 2013, when I overheard someone in the audience murmur “It’s a wall?” after he asked us to sing along to his song “It’s a War.” Although security cut his set off, Blackbird Blackbird was a notable highlight due to his impeccable sartorial splendor, persistence in trying to connect with the audience, and ethereal vocals. Effortlessly clad in a Hawaiian shirt, he alternated between requesting that “everyone get fucking closer” and enveloping the crowd with dreamy vocals that occasionally battled for dominance over the synth.

(Das Bus photo by Amy Char)

Best German thing (Das beste deutsche Ding): Das Bus
Two disappointments: the World Cup final took place the day after Phono del Sol and Sportfreunde Stiller’s unofficial World Cup anthem from years past is far too trite to appreciate unironically. Otherwise, the German national football team could’ve claimed this title as well. Das Bus is the Bay Area’s mobile Volkswagen photo booth. In this modern age, we’re both obsessed with photos of ourselves and anything vintage, so Das Bus is simply a rad match made in heaven. A chalkboard outside the van even proclaimed that the experience was pet-friendly, so the family dachshund can jump in with you.

Best audience participation: Nick Waterhouse
Watching this set from a distance while enjoying the food trucks’ offerings, my friend and I marveled at the wall of audience members who swung their bodies along to Nick Waterhouse’s soulful, old-timey tunes. We were impressed by how the number of participants grew steadily throughout the set and the demographics of the dancers. Coachella gets a bad rap these days because some of its most notorious attendees are rich college kids in hipster headdresses. But because Phono del Sol takes place in a small, neighborhood park, it caters more to music aficionados of all ages — ones who don’t pretend to recognize “bands … so obscure that they do not exist” à la Jimmy Kimmel Live. The toddler swaying to Nick Waterhouse’s “This Is a Game” in his mother’s arms and the multitude of well-behaved dogs should remind us that we’re damn lucky to have an annual festival like this just a mere Muni or BART ride away from our neighborhoods.

Best snippets of stage banter: Bill Baird
As the first act of the day, Bill Baird’s sense of humor was appropriately low key and easy to miss if you trickled into the park late. “We’re Bill Baird,” he announced, in a deadpan voice, before a spiel about the presence of deodorant as one of his stage decorations and how heavily he himself relies on deodorant. (Practical, yes, but I never knew deodorant could be trendy.) Introducing the second lo-fi song, “Your Dark Sunglasses Won’t Make You Lou Reed,” he confessed that the song was originally about talking shit about himself, but the meaning evolved over time; the track now talks shit about one of his bandmates. He may not confess this (if he did, I missed it because I wandered away early to catch the Tiny Telephone tour) but he could very well be talking shit about a pretentious festival-goer…

(Marvin the studio cat photo by Amy Char)

Best hidden gem: Tiny Telephone tour and Marvin the studio cat
Musical magic happens in a small, unassuming corner tucked away behind the park the other 364 days of the year. I couldn’t tell if the Tiny Telephone recording studio tour was poorly advertised or capped at a certain number of people, but it was worth sacrificing the opportunity to see a couple of artists. We explored the studio with owner John Vanderslice, who must be one of the most genuine professionals involved in the music business. His enthusiasm was infectious — he spoke about the difficulties behind monetizing art, the aesthetics of reclaimed wood, and his preference for analog recording (as opposed to something computerized, which is commonplace today).

We even met Marvin the studio cat, who snoozed on top of the console in studio A’s control room. (Adorable, but not affectionate.) I quickly forgot about the studio’s proximity to 280; it felt like I was walking around a cozy cabin in the woods. Still, the studio was weird enough to justify its location in the city — studio B used to be the home of a weed-selling auto shop before it went out of business amidst the rise of dispensaries.

Best all-around: Thao & the Get Down Stay Down
Hometown heroes Thao & the Get Down Stay Down kickstarted their headlining set with Thao Nguyen’s sincere welcome: “Hello, my hometown.” From the 50-minute-long set alone, I could tell that she’s one of the most talented and down-to-earth modern indie musicians, from her expertise on at least three instruments (not including her impromptu takeover of the drums and her beatboxing prowess) to her introduction of John Vanderslice, “a.k.a. the nicest man in indie rock — it’s a fact.” (The band recorded its last album at Tiny Telephone.) Thao’s energy and stage presence was intoxicating; it was evident how much all the band members love what they’re doing when they lost themselves in the music. The set easily transcended genres even within the first two songs of the set, with a folkier emphasis on the violin on “Know Better Learn Faster” and a louder, rock sound on “City.”

Best festival ending: A little boy’s jam session on the drums under Thao’s helpful eye

“There’s a lot to be proud of living in San Francisco and I hope we remember that,” Thao remarked in between songs. As the crowd slowly dispersed after the band’s encore, I ruminated on her words as I watched her lead a little boy from backstage over to the drums, where she grabbed two pairs of drumsticks: one for her and one for him. She taught by example; whenever he successfully imitated whatever she had done, Thao joyfully raised her arms up and cheered. What was left of the audience quickly followed with an enthusiastic round of applause. I overheard someone behind me mention how this must be the most adorable festival ending ever.

Clutching the setlist I requested from Thao as temperatures steadily returned to normal San Francisco averages, her words rang true. All Phono del Sol attendees should be proud that a festival like this, whose inaugural event was free just three years ago, happens right in our very city…not to mention that it’s a steal compared to Outside Lands.

(Set list photo by Amy Char)

Motorists fight back in “transit-first” San Francisco

Sasha Cuttler

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July 8, 2014

78

Motorists fight back in “transit-first” San Francisco

Believing that they’re somehow discriminated against on the streets of San Francisco, a new political coalition of motorists, conservatives, and neighborhood NIMBYs yesterday [Mon/7] turned in nearly twice the signatures they need to qualify the “Restore Transportation Balance in San Francisco” initiative for the November ballot.

It’s a direct attack on the city’s voter-approved “transit-first” policies and efforts to reduce automobile-related pollution and greenhouse gas emissions. It would prevent expanded parking meter enforcement unless requested by a neighborhood petition, freeze parking and permit rates for five years, require representation of motorists on the SFMTA board and create a Motorists Citizens Advisory Committee within the agency, set aside SFMTA funding for more parking lot construction, and call for stronger enforcement of traffic laws against cyclists.

“With 79 percent of San Francisco households owning or leasing an automobile and nearly 50 percent of San Franciscans who work outside of their homes driving or carpooling to work, it is time for the Mayor, the Supervisors, and the San Francisco Municipal Transportation Agency (SFMTA) Board to restore a balanced transportation policy for all San Franciscans,” the group claims on its petition.

But given that drivers already dominate the space on public roadways, often enjoying free parking on the public streets for their private automobiles, transportation activists say it’s hard to see motorists as some kind of mistreated population.

“The idea that anyone who walks or cycles or takes public transit in San Francisco would agree that these are privileged modes of transportation is rather absurd,” Tom Radulovich, executive director of Livable City and an elected member of the BART board, told the Guardian.

He said this coalition is “co-opting the notion of balance to defend their privilege. They’re saying the city should continue to privilege drivers.”

But with a growing population using a system of roadways that is essentially finite, even such neoliberal groups as SPUR and the San Francisco Chamber of Commerce have long promoted the idea that continued overreliance on automobiles would create a dysfunctional transportation system.

“Prioritization of the single modes of transportation isn’t a matter of ideology, it’s a matter of geometry,” Radulovich said. “We’re all better off, including motorists, if we prioritize other modes of transportation and encourage people to get out of their cars.”

Still, the revanchist approach to transportation policy in San Francisco has been on the rise in recent years, starting with protests against parking management policies in the Mission and Potrero Hill, and continuing this year with Mayor Ed Lee successfully pushing the repeal of charging for parking meters on Sundays.

The coalition behind this ballot measure includes some of the combatants in those battles, including the new Eastern Neighborhoods United Front (ENUF) and old Coalition of San Francisco Neighborhoods. Other supporters include former westside supervisors Quentin Kopp, Tony Hall, and John Molinari, and the city’s Republican and Libertarian party organizations.

Spokespersons for the coalition didn’t return Guardian calls, but we’ll update this post if and when we hear back, and we’ll have a longer analysis of this issue in next week’s Guardian.

But Radulovich said that while conservatives are helping drive this coalition, anger over the city’s transportation policies is more of a throwback to a bygone era than it is based on conservative principles (for example, the SF Park program criticized by the coalition uses market-based pricing to better manage street parking and encourage turnover in high-demand areas).

As he said, “There are certain people who believe in the welfare state, but only for cars and not for humans.”

Jury rejects civil claim of Oscar Grant III’s imprisoned father

Sasha Cuttler

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July 3, 2014

20

Jury rejects civil claim of Oscar Grant III’s imprisoned father

When a jury in San Francisco this week rejected the civil lawsuit claims of Oscar Grant Jr., the imprisoned father of Oscar Grant III — who was shot to death by then-BART Police Officer Johannes Mehserle on the platform of Fruitvale Station on New Year’s Day 2009 — were jurors exhibiting a bias against convicted criminals?

That’s the contention of Grant’s attorney, Waukeen McCoy, who tells the Guardian, “I think they were trying to find something to not give him anything because he’s in prison,” adding that, “The jury clearly did not understand the evidence.”

The elder Grant is in prison in Solano County for a 1985 murder in Oakland, and McCoy said he could be granted parole as soon as next year. McCoy said any financial gain in the case would have gone to restitution for the family of Grant’s victim, to help his granddaughter, and to help ease his own transition into civilian life if paroled.

Grant was divorced from his son’s mother, Wanda Johnson, but McCoy said both the mother and son visited Grant regularly in prison. The civil suit and its “loss of familial relations” standard required Grant Jr. to show he was affected by Mehserle killing his son and that the shooting wasn’t justified, as the courts have already concluded.

“The mom clearly wanted her son to bond with the father, and one reason was to keep him out of trouble,” McCoy said, who said prison logs showed Johnson visiting Grant 82 times.

But McCoy said Mehserle’s attorney, Michael Rains, used the log — which didn’t contain the younger Grant’s name — to sow doubts about the father-and-son relationship and deny Grant joined the visits, even though McCoy say Grant III was along on every visit and that was the purpose of Johnson visiting her ex-husband.

“There was a relationship there,” McCoy said.

That prison log was one of a few possible grounds for appeal, McCoy told us, although they haven’t yet made the decision whether to appeal. Another was possible jury bias after jurors were told of previous civil settlements totaling about $3 million that Johnson and the slain man’s girlfriend, daughter, and friends received from BART and Mehserle, who was convicted of involutary manslaughter in the killing and served about a year in prison.

“There were a lot of things going on here. I think the jury knew about the previous settlements,” McCoy said, “and they didn’t want to award any more.”

Barring a successful appeal, this verdict would seem to end the emotionally wrenching saga involving Mehserle killing Grant, which was dramatized in the film Fruitvale Station and which led to several raucous street demonstrations against police abuse and racism in Oakland, some of which turned into riots (and some of which resulted in their own civil settlements), and state legislation finally creating limited civilian oversight over BART Police.

Protest against “Prison of Love” Armory party leads to arrests

Sasha Cuttler

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June 30, 2014

23

Protest against “Prison of Love” Armory party leads to arrests

At least six people were arrested and taken into custody shortly before midnight on Saturday at the 16th Street Mission BART Plaza following a raucous protest of Kink.com’s pre-Pride party, according to San Francisco Police Department spokesman Albie Esparza.

The protest, put on by LGBTQ activist group Gay Shame, totaled around 150 people who were unhappy with the theme of the Kink.com party, “Prison of Love.” They allege that the company used sexual assault in prisons as a means of revenue, saying it has “turned these genocidal practices into a cash-making joke.” (Tickets to the party were as much as $175.)

Though a statement from Gay Shame said the protesters were arrested “without provocation,” Esparza told us they stemmed from alleged assaults on the security guards at the party by protesters. According to an account of the protest compiled by Armory facilities manager Andrew Harvill and provided by Kink.com CEO and Armory owner Peter Acworth, “protesters were largely peaceful, though unruly. Having said that, at least a dozen were highly militant.”

Witnesses recalled seeing a Kink.com security guard follow protesters to 16th Street roughly 30 minutes after the protest ended and begin “targeting people who were casually standing on the sidewalk getting ready to go home.” According to the witnesses, “the arrests and police violence were reportedly in retaliation for the night’s protest.”

Esparza confirmed that a security guard followed the protesters down to the plaza, though for the purpose of identifying the offenders when the police arrived. One protester reportedly threw a metal object and made threats toward a security guard during the protest, both of which are being charged as felonies, while another allegedly through an egg and spit on a security guard. When the police attempted to arrest the protester for the alleged felonies, Esparza said two other protesters tried to intervene. They were arrested and charged with lynching—a violation of Penal Code 405a, defined as “the taking by means of a riot of any person from the lawful custody of any peace officer.”

Two other protesters were cited for interfering with an officer and resisting arrest, and released, according to Esparza. The protesters who allegedly threw the egg was cited for battery and released, he said. But those involved in the protest see it a bit differently.

“A friend of mine was standing with a bicycle and they arrested her seemingly at random,” said protester Erin McElroy, who was at the BART station and said the police were simply searching for someone with a bike, which led to her friend’s arrest. Similarly, another person was arrested because the police “were looking for an Asian woman with short hair,” according to McElroy, and the woman was “identified as somebody who had been with a provocateur.”

Those arrested and facing felony charges are Prisca Carpenter, Sarai Robles-Mendez, and Rebecca Ruiz-Lichter, although District Attorney George Gascón is unlikely to pursue the lynching charges, according to Rachel Lederman, president of the San Francisco Bay Area Chapter of the National Lawyers Guild.

“I can pretty much guarantee that the DA will not be proceeding on those charges. It is the DA who makes the charging decision…[the protesters are] being subjected to preemptive punishment right now,” Lederman wrote in an email.

Video of the Prison of Love pride party provided by Kink.com.

Harvill’s account of the events stated that protesters “used a slingshot to propel objects at security,” and punched and spat in the face of the Armory’s manager of security. The Armory guards reportedly did not retaliate or detain anyone, though they had to “block/deny intrusion onto property a few times.”

In his account, Harvill also wrote, “There was a decent contingent of protesters who were militant and provoking. Our own security was extremely professional in face of numerous provoking acts and assaults. Any claims of police brutality would be highly unlikely, but I will confirm exact details of those arrested.”

Those involved with the protest were unsurprisingly dismayed by the night’s proceedings, including members of Gay Shame.

“Like the Stonewall rebellion 45 years ago, last night’s attack reminds us how trans and queer people of color are criminalized and arrested for simply gathering in public space, like the 16th Street BART plaza,” said Gay Shame representative Mary Lou Ratchet in a statement.

Attorney John Viola, sent as an observer from the National Lawyers Guild, was also arrested, according to Lederman. The NLG is “appalled by all of the arrests…particularly that three people have been held in jail since Saturday night on groundless charges, in violation of their constitutional rights,” wrote Lederman in her email.

Four arrestees have since been released, including Viola, and all were initially medically cleared, indicating that they likely did not sustain injuries. Nevertheless, Lederman said the NLG is still working to get the three women released, with their bail currently set at a combined $178,000, Chief Deputy Kathy Gorwood told the Guardian. (Carpenter’s bail is set at $78,000, while Robles-Mendez and Ruiz-Lichter are each at $50,000.)

Acworth expressed his thoughts about his party in an open letter, stating he believes that “if a group wants to organize a particular kind of party, they should be free to do so without shame,” though conceding that “the extent to which some groups find this theme offensive because the party is happening during the San Francisco Pride weekend has given me cause to reflect.”

The Kink.com CEO has also voiced his support for the protesters’ contention, writing in an email, “I attempted to negotiate directly with the crowd, but this proved unsuccessful. This was frustrating, because I agree with the underlying issue that we are in need of prison reform,” adding, “Had it been possible to change the theme, we would have done so.”

Guardian Intelligence: June 25 – July 1, 2014

Michael Redmond

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June 24, 2014

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The Bay Guardian is moving — into the mall. Yeah, we know, it struck us the same way initially. But the space we’ll be sharing with our sister newspapers within San Francisco Media Company, San Francisco Examiner and SF Weekly, on the fifth floor of the Westfield Mall is a nice, sprawling sets of offices that previously housed the San Francisco State University extension program. As we make our move on the afternoon of June 27, however, our SFBG.com website will be down for a few hours in the evening while our servers transition to their new digs. And the next time you’re in the mall, you can wave to us from the food court.

ARCHIVES IMPERILED

A sad note during Pride celebrations: The vast and essential GLBT Historical Society this week sent word out that its building’s rent had jumped an unaffordable 30 percent, and that it would have to find a new home within 18 months. The nonprofit society’s historical archives contains more than 80,000 photographs dating from the 1880s, 5,000 posters, 4,000 magazines, and tens of thousands of other artifacts. Anybody got a free basement? For more info and to see how you can help, see www.glbthistory.org.

ALL THE ‘T’

Award-winning documentary What’s the T?, which follows five local transgender women and allows them to tell their own stories, is streaming on Hulu.com as part of the Web TV site’s Pride week. “To understand the ladies of What’s the T? is to love them,” says San Francisco-based filmmaker Cecilio Asuncion of his film’s subjects. Look for all five to be riding in the Pride parade Sun/29.

FREE LUV

The ULUV Music Day Sat/21 saw more than 100 musicians performing in parklets, BART stations, coffee shops, and other public locations in every neighborhood in San Francisco. Culminating in a musician flash mob at Dolores Park and a proclamation from the city, the day was organized by Michael Starita and Robin Applewood of ULUV, a charitable organization designed to build community and financial support for Bay Area musicians (ie, let’s stop them from feeling the need to move to LA). The organization’s next event will be a happy hour on July 16 featuring Nathan Blaz of Georgrapher, location TBA. Check www.uluvmusic.com for more.

SAVE LOST WEEKEND!

Dateline: San Francisco. Chilling news, via Facebook, on the “all the cool shit is in danger” front, with a post by Valencia Street stalwart Lost Weekend Video. “Times are tough at Lost Weekend Video! We’ve seen business suddenly drop by 30 percent just in the last few months, on top of the 60 percent hit we’ve already taken over the last few years. This has thrown us into a pretty immediate crisis.” The post went on to say the video store is hoping to bring in a co-tenant to share costs (similar to the partnership between Le Video and Green Apple Books) and ended on a cautiously optimistic note: “We’re a year away from 20, it’d be nice to see it!” Reached at Lost Weekend Monday afternoon, co-owner David Hawkins said, “We realize that you can’t probably sustain a full-scale video store in the city the way you used to. So it’s just a matter of trying to come up with the right formula.” See www.sfbg.com/pixel_vision for more.

MARTHA DOES THE MISSION

What kind of San Francisco dining establishments are good enough for a notoriously choosy lifestyle guru worth $300 million? The same ones populated by 20-something Missionites, it turns out: After checking out Mission Chinese on her last jaunt through town, Martha Stewart was spotted this past Thursday and Friday at Ichi Sushi and Tartine; she posted a photo of a ham and cheese croissant from the latter, noting it was “worth the wait.” Fifty bucks to anyone who gets her drunk at 500 Club next time.

DAM RIGHT

It’s obvious why the recent eco-activist documentary DamNation has won so many dam(n) awards. Last week, the David Brower Center in Berkeley screened the film, which was released May of this year. The “powerful film odyssey across America” explores how dams affect rivers, fish, the environment and more. The cinematography feels like a Wes Anderson film, and Ben Knight’s witty yet informative narration is laced with sass. And if the politics and beautiful images aren’t enough to draw you in, the interviews, photo montages of activists running naked through pre-dam Glen Canyon, and videos of the crew trespassing to graffiti dams and film explosions will. Go to damnationfilm.com to learn more or to host a screening.

COFFEE SPIES

You love Philz. We love Philz. Everybody loves Philz! Apparently, Phils loves us too, enough to peer deep into customers’ data anytime they connect to its Wi-Fi — and to sell it to the highest bidder. Specifically, news outlets have reported, the hand-pour masters partnered with Euclid Analytics to track and sell the Media Access Control (MAC) address of devices connected to its Wi-Fi. After the news blew up on ABC 7, Philz backed down, and announced it’d sever its icky Big Brother partnership. We’d like that Turkish with no sugar and no spying, please.

GOLDEN NO MORE?

Basketball news site the RealGM is reporting a spicy rumor: that the Golden State Warriors will change their name to the San Francisco Warriors after their move across the Bay. The team’s new Mission Bay stadium might have something to do with the switch. RealGM tweeted the photos, too, with a big SF over a basketball as the new logo.

ILLEGAL MONKEYS

An iPhone app that lets users auction off their parking spots might sound like a novel idea, especially in parking-deprived San Francisco. Unfortunately for Paolo Dobrowolny, co-founder and CEO of the MonkeyParking app that does exactly that, the practice is also illegal. City Attorney Dennis Herrera issued a cease-and-desist demand against MonkeyParking. “Technology has given rise to many laudable innovations in how we live and work — and Monkey Parking is not one of them,” Herrera said in a statement. “It’s illegal, it puts drivers on the hook for $300 fines, and it creates a predatory private market for public parking spaces that San Franciscans will not tolerate.”

Sex behind bars

Michael Redmond

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June 24, 2014

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Kink.com’s pre-Pride party “Pride at the Armory: Prison of Love” on Sat/28 promises to create the “world’s largest megaclub prison yard” as a backdrop for the festivities. However, this party is doing more than raising the roof — it’s raising concerns about incarceration rates and prison assaults of LGBTQ peoples. Critics argue that the party fetishizes sexual assault in prisons.

The argument is that the Prison of Love theme is turning sexual assault in prisons into a commodity. With tickets ranging from $50 to $175, there’s definitely something being sold. Since the party can be seen as selling BDSM and prison fantasies, critics worry that it condones prison rape and makes it seem sexy. That’s causing an uproar in the LGBTQ community, especially since statistics show that being LGBTQ is a main risk factor of prison rape.

According to the National Center for Transgender Equality, transgender adult inmates are sexually abused 13 times more often than other inmates and nearly 1 in 6 transgender people have been incarcerated at some point in their lives. The US Department of Justice reports that juvenile LGBTQ prisoners report sexual assault 12 times more often than straight youths. And that’s just what’s reported.

The BoycottSFPride letter posted on Tumblr criticizes the party’s theme and states that one of the main issues with the party is the way it’s marketed. The letter argues that “the party…fetishizes prison sexual assault, a form of violence that primarily affects low-income people of color, particularly LGBTQ people.” But what about sexual fetishes and preferences on a personal level? “While it is certainly appropriate for individuals to participate in scenes, or even larger events that explore prison fetishes, throwing a major event billed as the city’s largest Pride party is inappropriate.”

The Transgender Gender Variant, Intersex Justice Project also posted an open letter in response to the event. The letter is, most notably, signed by this year’s SF Pride Grand Marshal, Miss Major. The letter states that it’s not the kinkiness of the party that’s an issue — it’s the theme. “It’s not that we don’t love sex, sex parties, sex workers, and kink. It’s that we love it as much as we love justice, and are appalled by the casual use of the Prison Industrial Complex.”

(A protest march to the Armory during the party is planned by Gay Shame and others, Sat/28, 10pm, starting from the 16th St. BART station. More details at www.gayshamesf.org.)

Kink.com CEO Peter Acworth told the Guardian that his company tries to draw the line between reality and fantasy, sexual justice issues and sexual fantasies. He points out the structural differences between fantasy and reality and, in our interview, pointed out that BDSM has parameters to ensure that it’s consensual: “The notion of consent is central in BDSM—that is, no one is held against their will, everything must be negotiated, there are safe words. None of that exists in actual prison.”

In regards to the marketing issue, Acworth said that Kink is contractually bound to the theme and it’s too late to order new costumes, sets, and props. The closest Acworth gets to saying whether or not the theme is appropriate is this statement: “Had I thought that a prison fantasy party would detract from the very serious issue of the prison industrial complex in this country, I would have insisted on another theme.”

Acworth said that he was particularly chagrined by the protest because “the LGBTQ communities are strongly represented and cherished at the core of Kink.com.” That point was echoed by Andrew Harvill, the main coordinator of the party. Not only does Harvill identify with the LGBTQ community, he worked with prisoners and Death Row inmates as a missionary in Georgia. When asked about his feelings on the theme, Harvill described the prison as a backdrop to the party, as scenery that’s no different from that of the Netflix series Orange is the New Black or gay bars such as Cell Block in Pennsylvania. Harvill also stressed that there are two parts to the theme: “Our detractors skip over the whole love part of the theme. Everyone just wants to talk about one part of a two-part theme.”

We talked to Courtney Trouble, a local indie pornographer, about sexual fantasies involving transgressive realms such as rape, which she said can be useful and enjoyable. Trouble points out that “millions of people in this world are survivors of abuse, and those of them with kinks or fetishes may find solace in their BDSM practice.”

She said an abuse survivor could queer something that happened to them in order to gain control of the situation, but sexual fantasies aren’t limited to victims. “It may be that the person is attracted to the edge, pushing their own boundaries into unsafe space in order to disconnect from the real world and heighten their focus on sexual pleasure.”

So how can the issues with the theme be fixed? Acworth promises that Kink is changing the invitation to add links to highlight the political issue and remove words like “incarceration” and “arrested.” Regarding the economic aspects of the event, Acworth says that Kink is “happy to talk with any groups about ways we can help support them.” Trouble suggests creating a space that allows attendees to define the surroundings themselves. “That way, those queers with prison fantasies could play out their desires in a safe space, while also making space for people who may actually be quite triggered by sexual prison fantasy, but still want to participate in a kinky pride play space. “

Although the party’s theme is controversial, it’s at least opening the discussion around the incarceration rate and prison-related violence toward LGBTQ people. The BoycottSFPride letter provides great facts about sexual assault in prisons and the party invitation will soon help educate as well. Harvill stated that “the point of the party is to have fun, more than it is intended to raise consciousness of a political issue.”

Now, maybe it will do both.

Happy Hour: The week in music

Steven T. Jones

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June 20, 2014

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Hey you. Yeah, you. Are you still sitting at your desk, despite it being a beautiful day outside, and despite the proximity of large-screen TVs tuned to the World Cup inside multiple alcohol-serving establishments within three blocks of you in every direction?

Give yourself a pat on the back. You deserve it. And you have less than an hour to go!

To help kill those last few minutes of clock-watching, here are some musical highlights of the past week, and a thing or two to do this weekend:

1. YouTube is about to fuck up 95 percent of what you and I use YouTube for. Sorry, not cat videos; I meant listening to audio and watching videos from independent artists. An executive from the Google-owned giant recently told the Financial Times that YouTube was prepared to remove videos from labels that didn’t sign their contract for the new YouTube Music Pass (a paid licensing program) “within days.” Reps from a lot of these labels (like 4AD — see ya, The National, tUnE-yArDs, Deerhunter, et al) have said they’ve been offered the extraordinarily shitty end of the terms stick.

2. If you’re sticking around the Bay Area this weekend — unlike the 8 out of 10 musicians I’ve talked to in the past few days who are all taking off for Hickey Fest — you could do a lot worse than to check out the ULUV Music Day, a festival of free music featuring more than 100 bands playing throughout the day at parklets, BART stations, and other public locations in every neighborhood in the city from noon to 5pm. At 6pm, head over to Dolores Park for a “music flash mob” and official proclamation from the City of San Francisco.

3. New owners for Yoshi’s SF (following bankruptcy under the current ownership) signal “an all-but-final blow to the original aims of the Fillmore Jazz Preservation District,” says SF Weekly.

4. Biopics are in the works about NWA and Aaliyah, though the latter’s family is none too happy about it. By contrast, Ashanti has hit the county fair circuit.

5. Jack White (who’ll be at the Bill Graham Civic Auditorium Aug. 22 and 23) debuted his latest, Lazaretto, at #1 on the Billboard charts, selling 138,000 copies in its first week — some 40,000 of them vinyl. That broke Pearl Jam’s record for the largest sales week for a vinyl album, a title that previously went to 1991’s Vitalogy. Let’s compare and contrast (quick, before YouTube takes them down).

Now then. Beer time?

Free Sunday meters challenge rejected, SFMTA board’s independence questioned

Erica Hanna

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June 17, 2014

92

Free Sunday meters challenge rejected, SFMTA board’s independence questioned

The San Francisco Board of Supervisors voted to reject an environmental appeal of the decision to repeal paying for parking meters on Sundays, which was voted on by the San Francisco Municipal Transportation Agency in April as part of the agency’s annual budget approval.

It was a hotly contested decision, as competing interest groups fought for their slice of Muni’s funding. SFMTA Chairman Tom Nolan told us at the time, “As long as I’ve been on the SFMTA board I’ve never felt more pressure.”

This week’s appeal to the Board of Supervisors focused on one aspect of the overall SFMTA budget: the repeal of paid Sunday meters.

“I appreciate there is frustration,” SFMTA Director Ed Reiskin said to the board. That was an understatement.

The Sunday meters benefit many, the appeal’s filers contended: Less cars circled around looking for parking (because more drivers could actually find spots) meant reduced congestion and safer streets for bicyclists and pedestrians. It’s a sign of the strength of the argument that the appeal was filed by transit advocacy group Livable City (whose executive director is BART board member Tom Radulovich) and Mario Tanev, a very bright policy wonk over at the San Francisco Transit Riders Union.

“The SFMTA’s own data proves the Sunday meters were good for the city,” Cynthia Crews of the League of Pissed Off Voters said to the board. “We need to stop playing chicken with public safety.”

But despite the environmental benefits of paid meters, the appeal was rejected. The reasons are buried in political gobbledygook, but untangling the complex story reveals the mayor’s power, and his missteps.

Firstly, the environmental appeal wasn’t exactly aimed at the meters themselves, but at the SFMTA budget as a whole. That’s because the SFMTA board didn’t vote to repeal Sunday meters directly, but stuffed it into their approved budget, which is exempt from California Environmental Quality Act review. It was like serving up a distasteful Sunday meter fruitcake with the Muni budget holiday meal: You’d better eat the whole dinner, or else you’re not eating at all.

Budgets are statutorily exempt from environmental review (otherwise there’d be an EIR with every major financial decision). So the Sunday meters were approved through a politically tactical move, shielded by the environmental exemption cloak of the budget.

This meant the environmental appeal yesterday targeted not just the meters, but it could effectively challenge the entire SFMTA’s right to environmental review exception for its budgets, supervisors said. They also warned such a challenge may set a precedent for other budgets from other agencies to not be exempt from environmental review, an onerous burden. That was too big of a pill for the board to swallow, which is likely why only two supervisors voted against granting the SFMTA the CEQA exemption: John Avalos and Eric Mar.

Yet most of the political maneuvering wasn’t from the board, but from Mayor Ed Lee, a problem Supervisor David Campos used this review hearing to highlight. “Even if you do or don’t want to see Sunday meter parking, irrespective of the issue,” Campos said, “I think the way this matter was handled by the SFMTA, respectfully, is not something anyone should be happy with.”

He continued: “Let’s be clear: The reason why the SFMTA budget included an item that did not provide for funding from Sunday meters is because the mayor wanted it that way. We have a budget system that is essentially run by decisions made in the Mayor’s Office.”

We posed this idea in our story “Politics over Policy” [4/22], contending that because the SFMTA is appointed by the mayor (meaning, he picks and chooses who is on the board), the board members are therefore politically beholden to the mayor.

Campos drove this point home at the meeting: “I think there’s something to be said when the appointment of one official (on the SFMTA board) is entirely dependent on [the mayor], who can disagree or agree with the decisions you made.”

The night before our last story went to print, SFMTA Board Chariman Tom Nolan told us that was in fact exactly what happened on the Sunday meter issue. The SFMTA board, whose directors vote on resolutions every week, received a phone call from the mayor asking for a specific vote. And he got it.

“Ed Resikin, myself, and a few others in a conference call [with the Mayor’s Office],” Nolan said. He told us the central message of the call was this: The mayor wanted to put a vehicle license fee increase on the city’s November ballot. In order to do that, the mayor contended, car drivers needed to feel like they weren’t being nickled and dimed. Paid Sunday meters had to go.

“That was where they advanced the idea that the mayor wanted to do that,” Nolan told us. “That call was right before the mayor’s State of the City message.”

Nolan is an affable, straightforward person. The budget the SFMTA passed came on the heels of a fiery meeting, filled to the gills with activists from the senior and persons with disabilties communities. They asked for free Muni for those same groups, which would cost less money than the Sunday meters would bring in — many at the meeting said the meters could pay for the free Muni service. The need is dire, as some seniors said they regularly made the choice between groceries and a Muni pass.

Nolan sounded deeply effected by their stories.

“Muni is for everybody, especially those who need it most,” he said. “The testimony was very heartbreaking. It’s expensive to live in this city.”

But in the end, he told us, the mayor felt it was best to kibosh the Sunday meters, which deprived the SFMTA of funding to make Muni free for qualified seniors. We asked Nolan if the mayor had outsized influence on the SFMTA board.

“I think people are aware that we are quasi-independent,” he said. “We are clearly part of the city family. I can assure you that this happens very seldom that we get this pressure from the Mayor’s Office. He’s a very open-minded guy, really, and he has a high tolerance for ambiguity, which I like.”

“But,” you don’t turn him down, he said, because, “he’s the mayor.”

SFMTA Board Director Cheryl Brinkman supported paid Sunday meters. But when justifying her vote to repeal them, she told the packed board meeting the “best political minds” in the Mayor’s Office said it was the right thing to do in order to pass the VLF increase ballot measure.

But in a move that outraged Sup. Scott Wiener and many others, just this month Lee dropped the VLF ballot measure altogether for this year, eventually agreeing to support its placement on the November 2016 ballot.

So to pave the way for success at the ballot box the board rejected free Muni for seniors and lost over $10 million in Muni funding. And in the end, the mayor threw all the justification for his compromises out the window.

Best political minds, indeed.

Stage Listings: June 11-17, 2014

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June 10, 2014

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

“The Bakla Show 3” Bindlestiff Studio, 185 Sixth St, SF; http://baklashow3.bpt.me. $10-20. Opens Thu/12, 8pm. Runs Thu-Sat, 8pm. Through June 28. Three short works focusing on the struggles of Pinoy LGBT youth.

Body of Water Southside Theater, Fort Mason Center, Bldg D, Third Flr, Marina at Laguna, SF; www.brownpapertickets.com. $15-35. Opens Fri/13, 7:30pm. Runs Fri-Sat, 7:30pm; Sun, 2:30pm. Through June 28. A Theatre Near U presents an original indie-rock teen musical, with songs by Jim Walker.

The Weir Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. $38. Opens Thu/12, 8pm. Runs Thu-Sat, 8pm. Through July 12. Shelton Theater performs Conor McPherson’s acclaimed tale about a spooky night in an Irish pub.

BAY AREA

American Buffalo Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Previews Fri/13-Sat14 and June 18, 8pm; Sun/15, 2pm; Tue/17, 7pm. Opens June 19, 8pm. Runs Tue and Sun, 7pm (also Sun, 2pm); Wed-Sat, 8pm. through July 13. Aurora Theatre closes its 22nd season with David Mamet’s powerful drama.

ONGOING

Brahmin/I: A One-Hijra Stand-Up Comedy Show Thick House, 1695 18th St, SF; www.crowdedfire.org. $15-35. Wed-Sat, 8pm. Through June 28. Crowded Fire Theater presents Aditi Brennan Kapil’s “outrageous play masquerading as a stand-up comedy routine.”

The Crucible Gough Street Playhouse, 1620 Gough, SF; www.custommade.org. $10-35. Thu/12-Sat/14, 8pm; Sun/15, 7pm. Custom Made Theatre Co. performs Arthur Miller’s drama.

Devil Boys From Beyond New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through June 28. New Conservatory Theatre Center performs Buddy Thomas and Kenneth Elliot’s campy sci-fi saga.

Each and Every Thing Marsh San Francisco Main Stage, 1062 Valencia, SF; www.themarsh.org. $20-50. Previews Thu/12-Fri/13, 8pm. Opens Sat/14, 8:30pm. Runs Thu-Fri, 8pm; Sat, 8:30pm. Through July 12. Dan Hoyle presents his latest solo show, about the search for real-world connections in a tech-crazed world.

Feisty Old Jew Marsh San Francisco Main Stage, 1062 Valencia, SF; www.themarsh.org. $25-100. Sat-Sun, 5pm. Extended through July 13. Charlie Varon performs his latest solo show, a fictional comedy about “a 20th century man living in a 21st century city.”

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

God Fights the Plague Marsh San Francisco Studio Theater, 1062 Valencia, SF; www.themarsh.org. $15-100. Previews Sat/14, 8:30pm; Sun/15, 7pm. Opens June 21, 8:30pm. Runs Sat, 8:30pm; Sun, 7pm. Through Aug 10. The Marsh presents a solo show written by and starring 18-year-old theater phenom Dezi Gallegos.

Homo File CounterPULSE, 1310 Mission, SF; www.counterpulse.org. $20-35. Fri/13-Sat/14, 8pm; Sun/15, 7pm. Writer-designer-director Seth Eisen’s homage to queer rebel Samuel Stewart (1909–1993), whose polymorphous career spanned the better part of the 20th century, was last seen at CounterPULSE in a trim and appealing 40-minute version that capped his artistic residence there in 2012. Since then the work has ballooned across two acts and, unfortunately, lost its focus. What was a compact but meaningful exploration of a polymath and sexual rebel, boldly negotiating the social hierarchies of a deeply repressive and homophobic culture, has become a vague, sometimes difficult to follow story with little more to recommend it than a hedonistic joie de vivre (though even the raunch feels listless and somewhat perfunctory). The expanded production still sports the playful puppetry (shadow and otherwise), overhead and video projections, and aerial choreography of the original — and these do produce some interesting or enjoyable moments — but the show’s polyphonic elements get drastically watered down in a sprawling, lumbering, and unevenly performed dramatic narrative. This is marked by a lot of leaden dialogue and underwhelming songs in scenes that feel either unnecessary or under-explored. The subject (played dutifully but without much illumination by Brian Livingston), along with a seven-actor ensemble of supporting characters, traverses the mutually exclusive worlds of academia and the literary avant-garde (where Michael Soldier as both sexologist Alfred Kinsey and Gertrude Stein is a notable treat); the working-class homosexual underworld of sailors and tattoo parlors; and even the conventionality of a part-time heterosexual romance (where a nicely understated Katharine Otis as Emmy Curtis begins to cast an intriguing angle on Stewart’s complex makeup). But the import of Stewart’s unique vantage and influence on it all as well as his peculiar aloofness in the midst of everything are fuzzily evoked at best. For all the media employed to depict him and his world, we come away with little sense of either. (Avila)

The Homosexuals New Conservatory Theatre Center, Decker Theatre, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through June 28. This mildly intriguing and fitfully engaging drama from rising Chicago playwright Philip Dawkins (whose Failure: A Love Story is currently having its Bay Area debut at Marin Theater Company) explores the tensions — sexual, generational, and otherwise — among a small circle of mostly gay friends via a central figure, Evan (a sharp Robert Rushin), who ends up in relationships with almost everyone. Beginning in 2010, as 29-year-old Evan breaks up with older histrionic theater director Peter (a drolly world-weary Matt Weimer), each successive scene jumps back two years and one relationship, until the final scene unites the entire circle as they welcome naïve Iowa teen Evan out of the closest and to the big city. It’s also a new millennium, of course, some distance now from Stonewall and the first wave of the AIDS crisis, and one of the more interesting aspects of the drama (which benefits from an overall strong cast under the direction of Arturo Catricala) is the generational divide between Evan and his circle. This divide feels downright political in the aggressive showdown between Evan and the apathetic art teacher and predatory libertine Mark (a persuasive Keith Marshall), but there’s a political edge at the outset, in Evan’s pointed refusal to join Peter in referring to himself as a “homosexual,” insisting instead on the word “gay” tout court. Despite this underlying issue and some witty dialogue, however, there’s little of interest in most of the dynamics between Evan and his circle. The play’s structure accordingly becomes a slightly tedious countdown, at least until the final scene, which cashes in on the power of hindsight to produce a limited, wistful tremor of reflection. (Avila)

In the Tree of Smoke Great Star Theater, 636 Jackson, SF; www.brownpapertickets.com. $25. Thu-Sat, 8pm. Through June 28. Circus Automatic performs an new evening of immersive, experimental circus.

Macbeth Fort Point (beneath the Golden Gate Bridge), SF; www.weplayers.org. $30-75. Thu-Sun, 7pm. Through June 29. We Players’ latest site-specific undertaking is nothing less than the Scottish play at San Francisco’s historic Civil War-era Fort Point, under the southern base of the Golden Gate Bridge. And a better location for Shakespeare’s brooding, bloody, and spooky civil war drama is hard to imagine. The grandeur of the multi-story red-brick edifice with its mammoth steel doors, magnificent inner courtyard, graceful arches, spiral stairwells, mysterious passageways, canon casemates looking onto the Pacific — as well as old canons and cannonballs — add up to a deeply atmospheric setting. Moreover, directors Ava Roy and John Hadden and their production team make good use of it, moving the audience around the grounds for the better part of three hours amid picturesque staging of scenes, a wonderfully powerful quartet of musicians (made up of percussionist Brent Elberg, trumpeter Aaron Priskorn, saxophonist Charlie Gurke, and trombonist Mara Fox alternating with Rick Brown), and reverberant cries from the weyard sisters (Julie Douglas, Maria Leigh, Caroline Parsons), the enraged MacDuff (Dixon Phillips), or usurper Macbeth’s hapless victims. As the titular hero-villain, John Hadden is generally imposing if not always convincing, while Ava Roy’s forceful Lady M cuts an elegant, at times ethereal figure in her magnificent black gown (the admirable costumes throughout are by Julia Rose Meeks and Master Seamstress Dana Taylor). In general, the acting proves the weakest link, but the overall spectacle makes this a unique and rather compelling outing. (Avila)

The Orphan of Zhao ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-120. Opens Wed/11, 8pm. Runs Wed-Sat and June 24, 8pm (also Wed and Sat, 2pm); Tue/17, 7pm. Through June 29. Tony winner BD Wong stars in James Fenton’s acclaimed Chinese-legend adaptation at American Conservatory Theater.

Pearls Over Shanghai Hypnodrome Theatre, 575 10th St, SF; www.thrillpeddlers.com. $30-35. Thu-Sat, 8pm. Extended through June 28. Five years ago, Thrillpeddlers breathed new life into a glitter-dusted piece of Sixties flotsam, beautifully reimagining the Cockettes’ raunchy mock-operetta Pearls Over Shanghai (in collaboration with several surviving members of San Francisco’s storied acid-drag troupe) and running it for a whopping 22 months. Written by Cockette Link Martin as a carefree interpretation of a 1926 Broadway play, the baldly stereotyped Shanghai Gesture, it was the perfectly lurid vehicle for irreverence in all directions. It’s back in this revival, once again helmed by artistic director Russell Blackwood with musical direction by Cockette and local favorite Scrumbly Koldewyn. But despite the frisson of featuring some original-original cast members — including “Sweet Pam” Tent (who with Koldewyn also contributes some new dialogue) and Rumi Missabu (regally reprising the role of Madam Gin Sling) — there’s less fire the second time around as the production straddles the line between carefully slick and appropriately sloppy. Nevertheless, there are some fine musical numbers and moments throughout. Among these, Zelda Koznofsky, Birdie-Bob Watt, and Jesse Cortez consistently hit high notes as the singing Andrews Sisters-like trio of Americans thrown into white slavery; Bonni Suval’s Lottie Wu is a fierce vixen; and Noah Haydon (as the sultry Petrushka) is a class act. Koldewyn’s musical direction and piano accompaniment, meanwhile, provide strong and sure momentum as well as exquisite atmosphere. (Avila)

Seminar San Francisco Playhouse, 450 Post, Second Flr, SF; www.sfplayhouse.org. $20-100. Wed/11-Thu/12, 7pm; Fri/13-Sat/14, 8pm (also Sat/14, 3pm). San Francisco Playhouse performs Theresa Rebeck’s biting comedy.

“Sheherezade 14” Exit Theater, 156 Eddy, SF; www.playwrightscentersf.org. $25. Thu-Sat, 8pm. Through June 21. The Playwrights’ Center of SF and Wily West Productions host this annual festival of fully-produced short plays.

Shit & Champagne Rebel, 1772 Market, SF; shitandchampagne.eventbrite.com. $25. Fri-Sat, 8pm. Open-ended. D’Arcy Drollinger is Champagne White, bodacious blond innocent with a wicked left hook in this cross-dressing ’70s-style white-sploitation flick, played out live on Rebel’s intimate but action-packed barroom stage. Written by Drollinger and co-directed with Laurie Bushman (with high-flying choreography by John Paolillo, Drollinger, and Matthew Martin), this high-octane camp send-up of a favored formula comes dependably stocked with stock characters and delightfully protracted by a convoluted plot (involving, among other things, a certain street drug that’s triggered an epidemic of poopy pants) — all of it played to the hilt by an excellent cast that includes Martin as Dixie Stampede, an evil corporate dominatrix at the head of some sinister front for world domination called Mal*Wart; Alex Brown as Detective Jack Hammer, rough-hewn cop on the case and ambivalent love interest; Rotimi Agbabiaka as Sergio, gay Puerto Rican impresario and confidante; Steven Lemay as Brandy, high-end calf model and Champagne’s (much) beloved roommate; and Nancy French as Rod, Champagne’s doomed fiancé. Sprawling often literally across two buxom acts, the show maintains admirable consistency: The energy never flags and the brow stays decidedly low. (Avila)

The Speakeasy Undisclosed location (ticket buyers receive a text with directions), SF; www.thespeakeasysf.com. $65-100 (gambling chips, $7-10 extra; after-hours admission, $10). Wed-Sat, 7:30, 7:40, 7:50, 8pm, and 9pm admittance times. Extended through June 21. Boxcar Theater’s most ambitious project to date is also one of the more involved and impressively orchestrated theatrical experiences on any Bay Area stage just now. An immersive time-tripping environmental work, The Speakeasy takes place in an “undisclosed location” (in fact, a wonderfully redesigned version of the company’s Hyde Street theater complex) amid a period-specific cocktail lounge, cabaret, and gambling den inhabited by dozens of Prohibition-era characters and scenarios that unfold around an audience ultimately invited to wander around at will. At one level, this is an invitation to pure dress-up social entertainment. But there are artistic aims here too. Intentionally designed (by co-director and creator Nick A. Olivero with co-director Peter Ruocco) as a fractured super-narrative — in which audiences perceive snatches of overheard stories rather than complete arcs, and can follow those of their own choosing — there’s a way the piece becomes specifically and ever more subtly about time itself. This is most pointedly demonstrated in the opening vignettes in the cocktail lounge, where even the ticking of Joe’s Clock Shop (the “cover” storefront for the illicit 1920s den inside) can be heard underscoring conversations (deeply ironic in historical hindsight) about war, loss, and regained hope for the future. For a San Francisco currently gripped by a kind of historical double-recurrence of the roaring Twenties and dire Thirties at once, The Speakeasy is not a bad place to sit and ponder the simulacra of our elusive moment. (Avila)

36 Stories by Sam Shepard Z Below, 470 Florida, SF; www.36stories.org. $35-55. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 3pm. Through June 22. Word for Word has been at the business of putting literature on the stage, verbatim, for some time, and far from slowing down, this new production shows the company operating at the height of its powers. Among the best manifestations of the company’s particular concerns and talents, 36 Stories by Sam Shepard not only shows off the considerable virtues of Shepard’s short-story writing (usually overshadowed by his justly acclaimed plays) but unfolds as a stellar piece of theater in its own right. Shrewdly adapted and directed by company charter member Amy Kossow, the production repeatedly finds opportunities in the writing for dramatic transmission and exchange among the performers — a kick-ass ensemble composed of Patrick Alparone, Carl Lumbly, Delia MacDougall, JoAnne Winter, and Rod Gnapp as “The Writer” — the latter a sleepless wanderer crisscrossing the country by car, from whose head and manual typewriter the low characters, tall tales, and electrical encounters issue forth with sharp, sometimes zany humor; smoldering sexual heat; and a shapeless foreboding. Word for Word’s loyal fans need little encouragement, but all interested in a gratifying night in the theater will want to catch this one before it goes. (Avila)

Too Much Light Makes the Baby Go Blind Boxcar Theatre, 505 Natoma, SF; www.sfneofuturists.com. $11-16. Fri-Sat, 9pm. Ongoing. The Neo-Futurists perform Greg Allen’s spontaneous, ever-changing show that crams 30 plays into 60 minutes.

Triassic Parq Eureka Theater, 215 Jackson, SF; www.rayoflighttheatre.com. $25-36. Wed-Sat, 8pm (also June 21 and 28, 2pm). Through June 28. Ray of Light Theatre presents the Bay Area premiere of Marshall Pailet’s musical involving “dinosaurs, show tunes, and sex changes.”

Walk Like A Man Costume Shop, 1117 Market, SF; www.therhino.org. $15-35. Wed/11-Sat/14, 8pm; Sun/15, 3pm. Falling in love with your boss, surviving child abuse, losing a loved one in war, dealing with your straight daughter’s shame around her mom’s butch wardrobe — these are only a few of the circumstances encountered in a raucous and affecting evening of celebrating desire and being true to yourself, as Theatre Rhinoceros presents 10 stories of love and sex among a diverse set of African American women. Culled from the titular collection of erotic fiction by Atlanta-based author Laurinda D. Brown, the evening unfolds with a pert and playful finesse thanks to director John Fisher and a strong, charismatic five-women ensemble (made up of Alexaendrai Bond, Kelli Crump, Nkechi Emeruwa, Daile Mitchum, and Desiree Rogers). Sexy and brazen, raunchy and wrenching, this series of vignettes, spread out over two acts, comes with nary a dull moment and plenty of climaxes. (Avila)

BAY AREA

Candida Town Hall Theatre, 3535 School, Lafayette; www.townhalltheatre.com. $20-32. Thu/12-Sat/14, 8pm. Town Hall Theatre performs the Shaw classic.

The Crazed Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Thu-Sat, 8pm; Sun, 5pm. Through June 23. Central Works performs Sally Dawidoff’s play, based on Ha Jin’s novel about coming of age in Communist China.

Daylighting: The Berkeley Stories Project Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm (June 22, show at 2pm). Through June 22. Shotgun Players present Dan Wolf’s new play inspired by real-life tales from Berkeley residents past and present.

Dead Man’s Cell Phone Masquers Playhouse, 105 Park Place, Point Richmond; www.masquers.org. $22. Fri-Sat, 8pm; Sun, 2pm. Through June 28. Masquers Playhouse performs Sarah Ruhl’s imaginative comedy.

Failure: A Love Story Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Tue and Thu-Sat, 8pm (also Sat/14 and June 28, 2pm; June 19, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through June 29. Marin Theatre Company performs Philip Dawkins’ play about love and loss, with puppets and live music.

Hershey Felder as Leonard Bernstein in Maestro Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; www.berkeleyrep.org. $29-87. Tue and Thu-Sat, 8pm (also Sat, 2pm); Wed and Sun, 7pm (also Sun, 2pm). Through June 22. Juno-winning actor and musician Hershey Felder (George Gershwin Alone) performs his latest solo show.

The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $14.50-89. Tue, Thu-Sat, 7:30pm (also Sat and June 26, 2pm); Wed and Sun, 7pm (also Sun, 2pm). Through June 29. Berkeley Rep’s Tony Taccone, a comrade of Tony Kushner’s from way back in the Angels in America days, directs this revised version of the playwright’s 2009 play, whose long title is a riff on an earlier one by George Bernard Shaw. It concerns the fractured Italian American family of a diehard Communist longshoreman named Gus (Mark Margolis in an impressive, anchoring performance), now retired, who has announced his intention to kill himself and leave his Brooklyn brownstone to the grown children to sell and divide among themselves. In today’s inflated real estate market, that’s not chump change either. His announcement plunges the family into chaos, though truth be told they were all kind of a mess already. Son Pill (Lou Liberatore) is a married gay high school history teacher having a torrid affair with a young hustler (Jordan Geiger), which has already cost him $30,000 of his sister’s hard-earned money. His sister, Empty (Deidre Lovejoy), meanwhile couldn’t care less about the baby to whom her partner (Liz Wisan) is about to give birth, courtesy of the donated sperm from her kid brother Vito (Joseph J. Parks) — who comes across as the contrarian of the family: he’s neither gay nor a Communist. Other significant others are on hand, as well as Gus’s sister Clio (an effective, comically deadpan Randy Danson), a onetime nun who later became a Maoist in Peru and now seems some sloshy mix of the two. And for that reason she, along with Gus, symbolizes more than most the real dilemma here: a lack of something to believe in, of a structure for explaining and shaping experience and modeling action toward a better (post-capitalist) world. At nearly four hours, the play is Kushner’s version of the great American three-act family drama — those personal yet prophetic portraits by your O’Neills, your Millers, your Shepards. Tracy Letts made a similar bid with 2007’s August: Osage County. I don’t think either play really makes it into the pantheon, but while Letts’ play was ultimately slicker, more entertaining, Kushner’s has more in it, more to talk about of real relevance. Not that the production isn’t also entertaining — stage business with pregnant lesbians and mysterious briefcases buried in the wall are deployed to elating effect. But the play’s various subplots and characters are not equally interesting and the machinations of the plot and the sometimes-overlapping dialogue can be overwrought. But despite the tedium this produces, the political questions opened up here are liable to continue rattling around the brain after the curtain comes down, leaving one with a small but worthwhile buzz. (Avila)

Marry Me A Little Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 8pm); Sun, 2 and 7pm. Through June 29. TheatreWorks performs Stephen Sondheim’s intimate musical.

Nantucket Marsh Berkeley MainStage, 2120 Allston, Berk; www.themarsh.org. $25-100 (all tickets include a picnic dinner). Thu and Sat, 7pm. Extended through July 19. Nantucket Island, a wisp of shifting sand 30 miles off the coast of Cape Cod, Mass., is the evocative setting for this autobiographical story from writer-performer Mark Kenward — less the tourists’ Nantucket of summer holidays, mind you, than the inhabitants’ gray and isolated winter. And just as its bleak weather stood for the tempestuous mood of Herman Melville’s Ishmael before he sets sail again in Moby Dick, so the environment for Kenward’s coming-of-age darkly foreshadows a terrible downward spiral. The only son and oldest child of two in a nuclear family from Normal, Ill., that really seemed to fit the bill — complete with a dad who, “in his entire life, only missed four days of shaving” — Mark becomes the odd-boy out upon the Kenwards’ relocation to the remote island. An affable, poised, physically demonstrative performer with a residual Midwestern charm, Kenward describes an upbringing in a household overshadowed by a high-strung, controlling, deeply unhappy mother who, as luck would have it, also becomes his high school English teacher. This relationship is the ground for much of the play’s humor, but also a trauma that blows in like a winter squall. Directed keenly, if perhaps a little too stiffly, by Rebecca Fisher, and accompanied at points by a watery island backdrop (courtesy of video designer Alfonso Alvarez), Nantucket discharges some of its messy human themes a bit too neatly but maintains an inescapable pull. (Avila)

Other Desert Cities Barn Theatre, 30 Sir Francis Drake, Ross; www.rossvalleyplayers.com. $10-26. Thu/12, 7:30pm; Fri/13-Sat/14, 8pm; Sun/15, 2pm. Ross Valley Players perform Jon Robin Baitz’s Pultizer-nominated drama about a tense family holiday.

South Pacific Cushing Memorial Amphitheater, 801 Panoramic Hwy, Mill Valley; www.mountainplay.org. $20-60. Sun/15, 2pm (arrive one hour prior to show time). Mountain Play Association performs the classic Rodgers and Hammerstein musical.

The 25th Annual Putnam County Spelling Bee Lesher Center for the Arts, 1601 Civic, Walnut Creek; www.centerrep.org. $37-65. Wed, 7:30pm; Thu-Sat, 8pm (also Saturdays in June, 2:30pm); Sun, 2:30pm. Through June 21. Center REP performs the Tony-winning musical by William Finn and Rachel Sheinkin.

PERFORMANCE/DANCE

“Bitch and Tell: A Real Funny Variety Show” Kunst-Stoff Arts, One Grove, SF; www.brownpapertickets.com. Fri/13-Sat/14, 8pm. $8-10. Footloose presents this variety show with Bob McIntyre, Nick Stargu, Carolina “CoiCoi” Duncan, and others.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. June 22, 29, July 12, 19, and 27, 6:30pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Dash: Improv in a Flash” Un-Scripted Theater Company, 533 Sutter, Second Flr, SF; www.un-scripted.com. Sat, 10pm. $15. Ongoing through Aug 30. A late-night, free-form improv show with Un-Scripted Theater Company.

“Dream Queens Revue” Aunt Charlie’s Lounge, 133 Turk, SF; www.dreamqueensrevue.com. Wed/11, 9:30pm. Free. Drag with Collette LeGrande, Ruby Slippers, Sophilya Leggz, Bobby Ashton, and more.

Feinstein’s at the Nikko 222 Mason, SF; www.feinsteinssf.com. This week: “Judy Kaye Sings Bernstein and Sondheim,” Thu/12-Fri/13, 8pm, $35-50; Christine Ebersole in “Strings Attached,” Sat/14-Sun/15, 7pm, $60-85.

“Global Dance Passport Showcase” ODC Dance Commons Studio B, 351 Shotwell, SF; www.odctheater.org. Sat/14, 8pm; Sun/15, 4 and 7pm. $10. ODC presents a sampler of world dance.

“Hubba Hubba Revue’s Burlesque Nation” DNA Lounge, 375 11th St, SF; www.dnalounge.com. Fri/13, 9:30pm. $15-30. Burlesque performers from NY, Miami, LA, Germany, Australia, and more.

“Imaginary Activism: The Role of the Artist Beyond the Art World” Modern Times Bookstore Collective, 2919 24th St, SF; (415) 282-9246. Sat/14, 8pm. Free. A new monologue by acclaimed performance artist Guillermo Gomez Peña.

“Magic at the Rex” Hotel Rex, 562 Sutter, SF; www.magicattherex.com. Sat, 8pm. Ongoing. $25. Magic and mystery with Adam Sachs and mentalist Sebastian Boswell III.

Natasha Carlitz Dance Ensemble Dance Mission Theater, 3316 24th St, SF; www.carlitzdance.org. Fri/13-Sat/14, 8pm. $15-18. Performing Momentum, dance works exploring the magic of mathematics.

“Out of Line Improv” Stage Werx, 446 Valencia, SF; outoflineimprov.brownpapertickets.com. Sat, 10:30pm. $12. Ongoing. A new, completely improvised show every week.

“Rites and Passages” Nourse Theatre, 275 Hayes, SF; www.cityboxoffice.com. Sat/14, 8pm. $18-36. The San Francisco Girls Chorus closes its season with a concert of music by Eastern European composers (Bartók, Stravinsky), plus performances by the Joe Goode Performance Group and pianists Kanoko Nishi and Sarah Cahill.

“San Francisco Comedy College” Purple Onion at Kells, 530 Jackson, SF; www.purpleonionatkells.com. $5-10. “New Talent Show,” Wed-Thu, 7. Ongoing. “The Cellar Dwellers,” stand-up comedy, Wed-Thu, 8:15pm and Fri-Sat, 7:30pm. Ongoing.

“Sojourners” Commonwealth Club of California, 595 Market, SF; www.magictheatre.org. Mon/16, 6pm. Free. Staged reading of Nigerian storyteller Mfoniso Udofia’s new work. Presented as part of the Magic Theatre’s Martha Heasly Cox Virgin Play Series.

“This Lingering Life” Z Space, 450 Florida, SF; www.theatreofyugen.org. Previews Thu/5, 7pm. Opens Fri/6, 8pm. Wed/11-Thu/12, 7pm; Fri/13-Sat/14, 8pm. $15-50. Theatre of Yugen performs the world premiere of Chiori Miyagawa’s drama, inspired by nine Japanese Noh plays from the 14th century.

“Yerba Buena Gardens Festival” Yerba Buena Gardens, 760 Howard, SF; www.ybgfestival.org. Free. Through Oct 26. This week: Destani Wolf, Thu/12, 12:30-1pm; Venezuelan Music Project, Fri/13, 11-11:30am; “The Art of the Descarga” with the John Santos Sextet, Sat/14, 1-2:30pm; Native Contemporary Arts Festival, Sun/15, noon-3pm; “Poetic Tuesday,” Tue/17, 12:30-1:30pm.

BAY AREA

“Immigrant Stories: Personal Stories Honoring the Immigrant Experience” La Peña Cultural Center, 3105 Shattuck, Berk; www.livingartsplayback.com. Sat/14, 8pm. $18-20. Playback Theater presents an evening dedicated to honoring the experiences of immigrants, with audience input guiding the performance.

“MarshJam Improv Comedy Show” Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. Fri, 8pm. Ongoing. $10. Improv comedy with local legends and drop-in guests.

“The Next Big Thing” Laney College Theater, 900 Fallon, Oakl; www.bigmoves.org. Sat/14, 8pm; Sun/15, 2pm. $18. Big Moves presents its all-new dance and music spectacular, featuring residence dance company emFATic DANCE.

“Precious Drop: Our Relationship to Water” Malonga Casquelourd Theater, 1428 Alice, Oakl; www.afriquesogue.com. Sat/14, 7pm; Sun/15, 2pm. $10-15. Live music, dance, and multimedia elements contribute to this contemplation of water and culture, inspired by African folklore.

“Virago Theatre Company New Play Reading Series” Flight Deck, 1540 Broadway, Oakl; www.theflightdeck.org. Wed/11, 5:30pm; June 18, 25, and July 2, 7pm. Wed/11, $10-25; other dates free. This week: Danii Kharms: A Life in One Act and Several Dozen Eggs by Nancy Cooper Frank. *

Muni sickout: Q&A with transit union president

Erica Hanna

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June 5, 2014

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Muni sickout: Q&A with transit union president

It’s fair to say San Francisco is sick of the sickout.

Three days after hundreds of Muni workers called in sick to work, crippling the city’s transit system, City Attorney Dennis Herrera filed a legal action against Muni workers’ union to end the pseudo-strike.

Just as Herrera announced his intentions, the Bay Guardian sat down at the Transit Workers Unit local 250-A for an interview with Eric Williams, president of Muni’s worker union.

Here are William’s answers to our questions. Pick up a copy of next week’s paper for a broader story on the Muni sickout and union backlash in San Francisco.

San Francisco Bay Guardian: Thanks for sitting down with me. This is obviously a contentious time for Muni workers. But let’s hear how this all started: What’s the nitty-gritty contract disagreement between the SFMTA and the union?

Eric Williams: We don’t have a problem paying our pension, despite what’s being said. We would like a fair even swap, just like everyone else had. The police, the fire department, every union in this city got a fair swap to help pay their own pension. Right now they want to offer us a bump to pay our own pension, but once we got our CPA to crunch the numbers, it’s all negative.

The city wants you to beleive it’s cost-neutral, but that’s not the case. Our members will be making $1.10 less an hour due to this negotiation.

SFBG So you’ve said before that certain laws and codes have “stacked the deck” in negotiations against the union, in favor of the SFMTA. How does that work?

EW You have to read Prop G [regarding Muni operators’ salaries] and code A8.409 [prohibiting strikes] and say “is this fair?”

We’re struggling, we’re coming into a negoatiaion with our hands tied behind our back. The beauracracy and the spinning of the words and statements is alive in the agency.

It’s unfortunate the public thinks it’s the common workers’ fault on any of these issues. Our members have to take care of our families, our children, paying for college, just like you.

[Proponents of Prop. G said] “Well, it will make everything fair.” Actually, it’s not.

A ten-minute video interview with TWU Local 255-A President Eric Williams, as he explains the motivations behind the sickout.

SFBG Let’s get into that a bit more. So you walk into a negotiation, you bring a proposal. The way most union negotiations work is two parties sit down and present proposals, but the Muni worker/SFMTA negotiation is unique. You have to prove something to the arbitrator. What do you have to prove?

EW Basically, we have to show we’re not going to be costly to the agency. But inflation is going up, how could we not be costly?

We just want restrooms, but those are costly. We want raises, those are costly. We want better parking, that’s costly.

The arbitrator must side with the city if they feel the cost burden will be too high on the city. All SFMTA employees are under the same deal. I’ve been at four tables in the past few months and negotiated two contracts with parties other than the SFMTA. We had to go to mediation, those mediators told us to talk it over again (offering compromise). You take this proposal, you take this one. That’s not the case with the SFMTA negotiations.

SFBG Can Muni workers afford to live in San Francisco?

EW Definitely not. The only members that live inside the city are those who purchased a home 20 or so years ago. The majority of our members live outside the city. That’s what leads to the issue of transportation and parking. If you’re pulling a bus run at 5:30 in the morning, guess what, there’s no bus at 4am to get them there. They need parking. It’s poor or rich in this city, there’s no in between. That’s no secret.

SFBG How far back would you have to go to say a good strong bloc of members lived in the city?

EW At least 20-30 years. Early ’90s, ’80s.

SFBG Let’s talk about the atmosphere with riders out there. We recently saw a BART strike, did you take a read on the reaction? The sickout, which seems similar … people seem to not be siding with the union on this. There’s a lot of animosity.

EW We thought people understood who were in charge of the economics. It’s unfortunate the public may believe it’s the common workers’ fault on the issues.

If you look at the bargaining with BART, yes it caused frustration. Yes it did. But when you see them empathizing with the power, “yes we know this hurts, but we have a family too.” The only thing we can do is ring the bell and say “this is unfair.”

SFBG Do you feel there is a backlash against Muni workers for the sickout?

EW Honestly i couldn’t tell the difference, we’ve been drug over the coals for so long. The frustration you’ve seen the past few days, not brought by the union itself, but by the members, is real.

But in reality our members encounter something different with the everyday riders. The mothers, the fathers, [they have] a different attitude. Of course we have that 10, 20 percent that no matter what we do, who say we’re wrong. But we have to take a stand as well. We’re important here. We take our jobs seriously, and we should be treated as such.

[Those who disagree with us] need to challenge the agency on everything the agency tells them. The system is still not on time, you still don’t have enough employees to drive the buses on the ground. The SFMTA spends all this money but we’re not on time, we don’t have enough people.

Those 10-20 percent [who disagree with the workers] need to read the charter. Any person with common sense, any person with a heart, ask themselves if that process is fair.

SFBG You don’t think part of it is the view that Muni workers make much more than private sector workers?

EW There’ve always been good private sector employers out there. But unions got us weekends, unions got us better working hours, unions got you sick leave. But go out and ask how they feel, what they think the public’s issue with us because we’re making $60,000 a year, and you went to college for four years. Maybe it’s because we’re making a living, and you’re struggling. Well hey, come get a job as a bus driver if it’s that bad out there.

Guardian Intelligence: June 4 – 10, 2014

Michael Redmond

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June 3, 2014

0

TREASURE HUNTING

In less than two weeks, @HiddenCash, the anonymous millionaire who is stashing money around and then using Twitter to post context clues, has amassed a social media following of more than 441,000. On June 2, an update on the masked money fairy’s feed showed no signs that his “social experiment for good” would be slowing down. “Our only event this week is in San Francisco,” confirmed @HiddenCash, responding to rumors that wads of dough would be stashed elsewhere. Also: “We have copycats. But more exciting news coming soon!” As this game unfolds, what’s it mean that it’s being played in a city where income inequality is highest in the nation? See www.sfbg.com/politics for more.

#YESALLWOMEN

Activists gathered outside 24th and Mission streets on May 30 for a rally to speak out against sexual violence against women. The action was inspired by the #YesAllWomen online meme. While the outpouring of anger about violence against women stemmed from the deaths of Isla Vista victims killed by 22-year-old Elliot Rodger, who was obsessed with punishing women who rejected his affections, #YesAllWomen is also meant as an answer to #NotAllMen, a commonly uttered phrase in conversations about male sexist behavior.

MIME 55

The venerable San Francisco Mime Troupe has announced the play it will be performing throughout the Bay Area this summer: “Ripple Effect.” Says the troupe’s release: “Skyrocketing rents. Loss of diversity. Evictions, Google Glass wearing nouveau riche, The War on the Poor. What is The City coming to? The Tony Award-winning San Francisco Mime Troupe (www.sfmt.org) opens its 55th season with ‘Ripple Effect,’ a musical comedic tale of intersecting lives and cultures that reflect the familiar neighborhood tensions that are polarizing San Franciscans today.”

STOP BEING POOR

“Google Google Apps Apps” was the quintessential jam of summer 2013 — simultaneously a call to the dance floor and a call to arms against rapidly gentrifying San Francisco. Now, gender-defying musicians Daddie$ Plastik and Persia are ready to release their follow-up, “Stop Being Poor.” They’re kicking it off with a Stop Being Poor art show featuring more than 20 artists and performers exploring the wealth divide in today’s San Francisco. Opening party Fri/6, 6-10pm, free. Runs through June 8 at Incline Gallery, 766 Valencia, SF. www.inclinegallerysf.com.

LIGHT IT UP

Sometimes BART and Muni trains can be heard moving under the streets of Market, but soon you’ll see them move too — with lights. A new proposed art installation called Lightrail would string thousands of LEDs along Market street which would light up, mirroring movement of underground trains. “By beautifully visualizing the real-time movement of underground trains, LightRail will transform San Francisco’s preeminent thoroughfare—our Champs-Elysées– into a scene of wonder and awe for millions of people, re-establishing Market Street as a place of destination rather than a mere route of passage,” say those proposing of the project.

BOTTLEROCK, REBOOTED

The Cure playing for over two hours Friday night (6/31) was a highlight of this year’s re-booted BottleRock Napa Valley festival — that is, until the bummer of a 10pm curfew kicked in and organizers cut the band off. Still, the 40,000+ crowd sang along to “Why Can’t I Be You” with aplomb. On Saturday, classic hip-hop act Outkast received a rather tame reaction from the (rather pale) crowd despite putting on a stellar show. Still, popular consensus suggests that the three-day festival deserves a grade of Way Better Than Last Year. More coverage on at www.sfbg.com/noise

DRINK FOR CHARITY

Nothing like supporting good causes simply by bellying up to the bar: Negroni Week, from June 2 through June 8, will see more than 1200 bars around the world serving up the classic gin-vermouth-Campari cocktail and donating $1 or more from each Negroni sold to local charities. At Tosca and 15 Romolo your mild alcoholism can help fund the SF-Marin Food Bank; Blackbird, the American Diabetes Association, and so on. See www.negroniweek.com for more. Tosca Negroni pic by Tablehopper

BOOZY TREAT

Our cover story this week points out more than 50 local treats for under $10. But we had to put in a good word for one of our favorite summer treats of all that fell a bit out of that price range. For $9–$12, nothing beats the boozy kick of a one of Ice Cream Bar‘s “remedies.” The cool Cole Valley hotspot mixes booze into shakes and fountain drinks, yielding genius items like the “Angostura Phosphate” (pictured) — Angostura bitters, lemon juice, fountain syrup, acid phosphate, gum foam, and soda. Yum. Photo by ??

Q NO MORE

Oh noes! That 16-year-old shrine to funky homestyle eats, Q Restaurant (www.qrestaurant.com), recently announced it’s closing shop permanently, leaving many Inner-Richmond residents crying out “We’re still cool, we swear!” In a farewell letter to the neighborhood, owners Andrew and Brinn said they decided it’s “time to move on to life’s next adventure…we will miss you tremendously. Now, go out and save the world!”

Muni sickout continues for second day

Erica Hanna

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June 3, 2014

58

Update: At 2:23pm the SFMTA sent an update on shortened Muni Metro service. See our guide to Muni sickout service below.

Muni delays are expected for a second day as the sickout continues through Tuesday, the San Francisco Municipal Transportation Agency confirmed early this morning.

The reduction in service is slightly alleviated by an additional 100 buses in service, bringing the scheduled running fleet of buses to 300 out of 600.

The continued absence of hundreds of Muni drivers and other workers through simultaneous requested sick leave comes on the heels of an overwhelming vote by the Transport Workers Union Local 250-A to reject a contract proposal by the SFMTA. The main dispute in the contract is around pensions.

In a statement to press, the union said the wage increases SFMTA is offering wouldn’t cover the pension increases.

“Rather than improving wages and benefits, under the transit agency’s proposal,” the union wrote, “the vast majority of drivers would be paid less in real wages over the life of the agreement than they make now.”

“This is a great city, but a very difficult place to operate a bus, streetcar or cable car,” said TWU 250-A President Eric Williams. “This also is a very expensive city and while SFMTA’s ridership and revenues are on rising, the agency seeks to cut wages and benefits and convert full-time positions to part time.”

The union said they offered to return to the bargaining table but were rejected, and anticipate arbitration will begin to help negotiate the contract.

In the meantime, there’s no indication when the sickout will end.

“I apologize to San Francisco residents and visitors for the continuing disruption to our transit service,” said Ed Reiskin, SFMTA Director of Transportation, in a statement to press. “We are doing everything we can to get operators back to work and mobilizing all of our resources to keep as much service moving as we can.”

In a memorandum issued to Muni workers last night, the SFMTA warned drivers that strikes and slowdowns aren’t allowed in the contract betwen workers and the SFMTA, and that abuse of sick days for a sickout may result in not being paid for their absence, or even termination.

The Bay Guardian tried contacting the unions for a response, but were unable to reach them by press time.

In the meantime, Muni advised transit riders walk, bus, bike, or take any form of transit that isn’t, well, Muni. BART will accept Muni transfers for the day.

The SFMTA also issued a list of cancelled and delayed Muni lines for the day:

Muni Service

All routes and lines continue to experience missed and delayed service. Customers should expect crowding and waits of up to 60 minutes. Some routes may be turned back mid route to help minimize crowding. Announcements will be made via NextBus, on vehicles or in Metro stations.

Muni Metro (J Church, K Ingleside, L Taraval, M Ocean View, N Judah, T Third)

New! – As of 3 p.m., Tuesday: the J, L, M & N will operate on short routes with limited bus shuttles to the terminals. Customers should allow extra time for transfers. See details below.

J Church—will operate between Embarcadero Station and 30^th Street. Limited bus shuttle service will be provided between 30^th Street and Balboa Park Station. Customers traveling between Balboa Park Station and 30^th are encouraged to use BART or Mission Street routes.
K Ingleside—will operate on its regular route
L Taraval—will operate between Embarcadero Station and 22^nd Avenue. Limited bus shuttle service will be provided between 22^nd Avenue and the Zoo.
M Ocean View—will operate between Embarcadero Station and SF State. Limited bus shuttle service will be provided between 19^th Avenue and Holloway and Balboa Park Station.
N Judah—will operate between Embarcadero Station and 19^th Avenue. Limited bus shuttle service will be provided between 19^th Avenue and Ocean Beach. T Third trains will provide service from Embarcadero to Caltrain at 4^th and King.
T Third—will operate on its regular route

Muni Bus Service

No limited-stop service on the 5L, 9L, 14L, 28L, 38L and 71L routes
The following routes will not operate:
- 1AX/BX, 31AX/BX, 38AX/BX
- 16X, 88
- 3 Jackson – The majority of stops on this route are covered by the 2 Clement
8AX Bayshore Express and 8BX will operate without changes.

Below we’ve embedded tweets and twitter photos from yesterday’s #munisickout.

Catbuses would NEVER have a #munisickout pic.twitter.com/oEQ6M8E78j

— Greg Dewar (@njudah) June 2, 2014

The scene at West Portal station. I was able to get on a shuttle. How was your commute home? #munisickout #muni pic.twitter.com/3BdWvosmRM

— Jerold Chinn (@jchinn84) June 3, 2014

2 Clement already PACKED at Front Street! #Diarrhea #munisickout #SF pic.twitter.com/WwMm8iN7rC

— Patrick Connors (@uppityfag) June 3, 2014

This #njudah train is crowded. Hope the kitten doesn’t get squished. #munisickout pic.twitter.com/GEzUPNa1TE

— Chris Phipps (@CPbike) June 3, 2014

The weary workers waiting on limited buses during #munisickout @sfmta_muni #sf pic.twitter.com/WDUW2gJxxI

— Samantha Moore (@TheLilSammie) June 3, 2014

This is how riding Muni looks like today! #munisickout pic.twitter.com/EvNCRm8gMF

— Mina Doroud (@MMiiina) June 3, 2014

Oakland roundabout

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May 27, 2014

0

arts@sfbg.com

THEATER Read. Think for yourself. Speak your mind. Map the wide world. Just don’t leave your house.

Those are the parameters for a hungry young mind in a black male body in Oakland in 2008 — at least according to Watts (Michael Wayne Turner III), who has been living by them for years. Watts became a shut-in after his 10-year-old self took in the cold fact and wider implications of the 1991 Rodney King beating. Seventeen years later — which is how many dead young black men later? How many incarcerated bodies? — Watts lives a life of restless confinement with his sometimes prodding but understanding mother, Willie (Halili Knox).

Quick, a little acerbic but generally kind, Watts (played with a frank charm by Turner) is a voracious reader and a self-styled cartographer, aware of every square mile of his city and yet afraid to physically set foot in any corner of it. As if to underscore the danger he perceives outside, his siblings are more or less MIA. As if to underscore the impossibility of holding it all at bay, he eventually finds a guilt-ridden white guy (Dan Wolf) living as a tenant in his own small bedroom. More ironically still, the New Year’s Day he resolves to finally leave the house is the day a BART policeman named Johannes Mehserle (in what was later deemed an accident) takes Oscar Grant’s life at Fruitvale Station.

Like her main character, playwright and poet Chinaka Hodge is mapping her world here with a keen, obsessive focus. In Chasing Mehserle, Hodge, an Oakland native, picks up again the lives of the Oakland family she introduced in Mirrors in Every Corner, her 2010 debut. Once again, too, she teams up with Intersection for the Arts, Campo Santo, and Youth Speaks’ Living Word Project to realize her sure, capacious imagination in what directors Marc Bamuthi Joseph and Sean San José ensure is an overall vibrant transposition to the stage.

Act II is somewhat less sure and consistent in its unfolding than the strong opening act, and some of the staging (especially the video projections against a slack fabric wall) is less effective than it might be. But throughout Chasing Mehserle is strong acting, lyrical yet rooted dialogue, redolent ensemble movement, and scenes that range from effortlessly funny to startlingly potent.

Unfolding on and around a makeshift playing area at Intersection (where a rolling set of wooden stairs, courtesy of designers Evan Bissell and Tanya Orellana, serves variously as stoop, bedroom, and jail cell), the story comes narrated by a series of characters beginning with Watts, who tells us "his" play is not about Oscar Grant but about himself. Then again, we come to see that Watts’ vision of things is skewed by his long isolation. He may be well-read, he may have intricately mapped his city, but once he steps out in it there is much that eludes him, and much he gets wrong, even tonally — his fictional sidekick and co-narrator, Puck (Danez Smith), balks sometimes at the 10 dollar words he’s made to speak. A chorus of four (Tristan Cunningham, Tommy James Shepherd Jr., Isiah Thompson, and Johnathan Williams), that channels the human landscape in some spare and evocative choreography, also serves as a casual, no-nonsense counterpoint to Watts’ rhetorical flourishes and emotional extremes.

This is all the more crucial a corrective when Watts, learning of the death of Grant, takes it upon himself to track down and kill Mehserle, who has fled the Bay Area and gone into hiding. Watts, in other words, addresses his longstanding fear of white authority, and specifically the police, by turning the tables. But the road he sets down is complicated and confused. His unwanted partner is Lyle (the aforementioned white guy bunking in his bedroom). His perspective is in some ways fresh, in others myopic and deeply problematic. We root for him, and recoil from him. Hodge has created a wonderfully flawed hero, around whom a more complicated topography presents itself, and with whom we encounter a truer and more compassionate grasp of our fraught, divided, unequal, haunted, absurd, yet yearning environment.

CHASING MEHSERLE

Thu/29-Sat/31, 8pm; $15-$25

Z Space

450 Florida, SF

theintersection.org/chasing-mehserle

BART delays progress on wheelchair access in Fleet of the Future

Erica Hanna

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May 22, 2014

8

BART delays progress on wheelchair access in Fleet of the Future

A group of wheelchair users and others from the disability community plan to speak out against BART’s new “Fleet of the Future” at tonight’s BART Board of Directors meeting — again.

They’ve rallied for months, but so far, it seems the shiny new trains will be worse off for people with disabilities than the current fleet.

The Fleet of the Future has a number of futuristic bells and whistles: stop arrival video screens, cockpit touch screens, multi-bike racks, and digital outer signage. The new trains will roll out in 2015, and by 2017 BART’s fleet will begin to be fully replaced.

So the new trains are the new gold standard, but they won’t serve everyone well. A three pronged pole near the center of the car has the disability community up in arms, because they say it is so close to the doorway that it would obstruct powered wheelchairs entering the cars.

“We understand the poles are for people who may need more balance or support,” said Peter Mendoza, a community organizer at the Independent Living Resource Center. We spoke with him for a longer piece on Bay Area transit issues, “Waiting for Transit, [5/6].”

But for Mendoza, the issue is one of equity. The Americans with Disability Act guarantees equal access to public transit for people with disabilities, and the new poles make entry difficult for those with motorized wheelchairs.

“We don’t feel they should be in the path of travel of the BART train,” he said. Mendoza uses power wheelchairs regularly.

The advocates from the Disability Organizing Network plan on speaking at the BART Board of Directors tonight, they said on their Facebook event page.

“Pain day, but I think I can get there,” wrote one member on the Facebook event’s wall. Apparently even chronic pain won’t stop the community from advocating.

But despite several recent protests from the disability community, there’s been little change to the position of the poles, though the three columns were raised some.

The board had aimed to discuss the Fleet of the Future at tonight’s meeting, but it has since been pushed back till June, BART spokesperson Alicia Trost told us.

“The BART Accessibility Task Force is meeting today and will be discussing the Fleet of the Future,” Trost said. But this is far from the first time they’ve considered disability access problems relating to the Fleet of the Future.

“From day one, [the task force] identified the pole as being a problem,” BART Access Coordinator Ike Nnaji told us, but apparently, the engineers and the BART board didn’t listen.

The Guardian asked BART board member Tom Radulovich if the pole will be removed. He responded, “I don’t know,” though he said he never liked the poles.

“And,” he said, “I have let BART know that.” For now though, the jury is still out.

Shortly before we went to press, we talked to Mendoza yet again, just as he left the Accessibility Task Force to travel to attend the board meeting tonight. When he got off his train at 19th street BART station, he had to go back to the 12th street station, delaying his plan to speak for disability access.

The elevators were out of service.

Summer fairs and festivals

Michael Redmond

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May 20, 2014

0

MAY 24-25

Carnaval San Francisco Festival: Sat/24-Sun/25, entertainment begins at 11am, free, Harrison between 16th and 24th Sts, SF. Parade: Sun/25, 9:30am, free, starts at 24th and Bryant Sts, SF; www.carnavalsf.com. The theme of the 36th annual event is “La Rumba de la Copa Mundial,” so prepare to catch World Cup fever as part of this spangly, sparkly celebration of international music, dance, cuisine, crafts, and more.

San Francisco International Beer Festival Festival Pavilion, Fort Mason Center, SF; www.sfbeerfest.com. 7-10pm, $75 (“Brewmaster” early entry ticket, 5pm, $175). More than 100 international and local craft brewers showcase their wares at this 31st annual event. Plus: pizza, sausages, beer-infused gelato, and other treats to soak up the suds. All proceeds benefit the Telegraph Hill Cooperative Nursery School.

MAY 31

Chocolate and Chalk Art Festival Shattuck between Rose and Vine, Berk. www.anotherbullwinkelshow.com/chocolate-chalk-art. 10am-5pm, free. Chalk artists compete for prizes while turning the sidewalks into eye candy — and speaking of candy, sweet tooth-ers can pick up ticket packs ($20 for 20) to sample chocolate items galore, including exotic treats like picante habañero chocolate gelato.

MAY 31-JUNE 1

Castroville Artichoke Food and Wine Festival Monterey County Fair and Events Center, 2004 Fairground, Monterey; www.artichokefestival.org. May 31, 10am-9pm; June 1, 10am-7pm. $5-10. See why Castroville is “the Artichoke Capital of the World” at this fest, which has grown so big it shifts locations this year to the fairgrounds in nearby Monterey. Try the fan favorite, artichoke cupcakes.

JUNE 7

Philippine Independence Day Celebration: Lumago Lampas (Grow Beyond) Rhythmix Cultural Works, 2513 Blanding, Alameda; www.rhythmix.org. 7pm, $15-25. Celebrate with performances by Parangal Dance Company, musician Ron Quesada, artist Kristian Kabuay, and more. Presented by the American Center of Philippine Arts.

Yerba Buena Art Walk Between Market and Folsom and Second and Fifth Sts, SF; yerbabuena.org/artwalk. 12:30-6pm, free. Yerba Buena Alliance presents this neighborhood showcase, highlighting galleries, exhibitions, and institutions throughout the downtown cultural center.

JUNE 7-8

Union Street Festival Union between Gough and Steiner, SF; www.unionstreetfestival.com. 10am-6pm, free (tasting tickets, $30-35). This 38-year-old festival features tasting pavilions highlighting Bay Area craft beers and wines. Each block of the fest will also have a themed “world,” centered around fashion, culinary arts, tech, locals, crafts, and fitness.

JUNE 7-15

San Mateo County Fair San Mateo County Event Center, 1346 Saratoga, San Mateo; www.sanmateocountyfair.com. June 7-8, 10, and 14-15, 11am-10pm; June 9 and 11-13, noon-10pm, $8-10. All the classics (horse show, the Zipper, funnel cakes), plus modern touches like hip-hop dance performances, poetry readings, pig races, and concessions geared toward health-conscious fairgoers. Evening concerts include Air Supply, Brian McKnight, and War, plus tributes to Neil Diamond, Journey, and the Beatles.

JUNE 8

Haight Ashbury Street Fair Haight between Stanyan and Masonic, SF. www.haightashburystreetfair.org. 11am-8:30pm, free. Live music on two stages, plus over 200 vendor booths, highlight this groovy tradition.

JUNE 14-15

Crystal Fair Fort Mason Center, 2 Marina, Bldg A, SF; www.crystalfair.com. June 14, 10am-6pm; June 15, 10am-4pm. $8. The one-stop shop for all your crystal needs, for both jewelry and healing-arts purposes.

Live Oak Park Fair Live Oak Park, 1301 Shattuck, Berk; www.liveoakparkfair.com. 10am-6pm, free. The 44th annual fest hosts over 100 artists and craftspeople selling jewelry, clothing, contemporary art, quilts, pottery, and more, plus tastings of food by local artisans.

North Beach Festival North Beach neighborhood, SF. www.sresproductions.com/north_beach_festival.html. 10am-6pm, free. Historic North Beach hosts its 60th annual festival, with 125 arts and crafts booths, 20 gourmet food booths, live entertainment, and more, plus the ever-popular blessing of the animals (2-3pm both days at the National Shrine of Saint Francis of Assisi, 610 Vallejo).

JUNE 20-AUG 9

Stanford Jazz Festival Venues and prices vary; www.stanfordjazz.org. Both legends (Chick Corea, Arturo Sandoval, Joe Louis Walker) and up-and-comers (Taylor Eigsti, Meklit, Pacific Mambo Orchestra) fill the schedule at this annual fest.

JUNE 28-29

San Francisco Pride Venues and prices vary; www.sfpride.org. Amid the zillion parties, performances, and events that’ll go down this week, the biggest are the celebration (June 28, noon-6pm; June 29, 11am-6:30pm, $5, Civic Center), and the parade (June 29, 10:30am, starts at Market and Beale). This year’s theme is “Color Our World with Pride.”

JUNE 28-SEPT 21

Free Shakespeare in the Park Venues and times vary; www.sfshakes.org. Free. Get thee to a park (including the Presidio, Aug 30-Sept 14) for a free, professional production of The Taming of the Shrew.

JULY 4

Fourth of July at the Berkeley Marina Berkeley Marina, 201 University, Berk; www.anotherbullwinkelshow.com. Noon-10pm, $15. Family-friendly fun with live entertainment, pony rides, arts and crafts, and fireworks (9:30pm).

JULY 4-5

“The Ripple Effect” Opening weekend: Dolores Park, 19th St at Dolores, SF; www.sfmt.org July 4-5, 2pm, free (donations accepted). Continues through Sept 1 at various NorCal venues. The veteran San Francisco Mime Troupe stays current by skewering San Francisco’s ever-dividing economy; think rising rents, tech-bus protests, and (natch) Glassholes.

JULY 5-6

Fillmore Jazz Festival Fillmore between Jackson and Eddy, SF. www.fillmorejazzfestival.com. 10am-6pm, free. The largest free jazz fest on the West Coast fills 12 blocks with music, arts and crafts, gourmet food, and more.

JULY 17-27

Midsummer Mozart Festival Venues, times, and prices vary; www.midsummermozart.org. Two weeks paying tribute to Wolfgang Amadeus, with highlights like a San Francisco Boys Chorus guest appearance, and (in honor of the fest’s 40th season), a performance of Symphony No. 40 in G minor.

JULY 19-20

Renegade Craft Fair Fort Mason Center Festival Pavilion, 2 Marina, SF; www.renegadecraft.com. 11am-6pm, free. DIY crafters unite at this celebration of indie design. Hey, it’s never too early to get a jump on your holiday shopping.

JULY 25-27

Gilroy Garlic Festival Christmas Park, Gilroy; www.gilroygarlicfestival.com. 10am-7pm, $10-20. Garlic is the pungent star of this annual food fair. Garlic ice cream gets all the press, but don’t sleep on the garlic fries, 2012’s most popular purchase (13,401 servings!)

JULY 26-27

Berkeley Kite Festival Cesar E. Chavez Park, Berkeley Marina. www.highlinekites.com. 10am-6pm, free. Because where else are you gonna see the world’s largest octopus kite?

Vintage Paper Fair SF County Fair Building, Ninth Ave. and Lincoln, SF; www.vintagepaperfair.com. July 26, 10am-6pm; July 27, 11am-5pm. Free. Relive the days before digital ruined everything with this showcase of vintage postcards, photographs, labels, sports memorabilia, and “all manner of curious, beautiful, and interesting old paper.”

JULY 27

Up Your Alley Fair Dore between Howard and Folsom, SF; www.folsomstreetfair.com/alley. 11am-6pm, $7 suggested donation. Folsom Street Fair’s naughty little brother fills Dore Alley with leather-clad shenanigans.

AUG 1-3

Eat Drink SF Fort Mason Center, 2 Marina, SF; www.eatdrink-sf.com. Times and prices TBD. Formerly known as SF Chefs, this Golden Gate Restaurant Association-hosted event brings together food, wine, and spirits. Foodies, start your engines.

AUG 2-3

Art + Soul Oakland Downtown Oakland (adjacent to the 12th St/City Center BART station); www.artandsouloakland.com. Noon-6pm, free. Live music is Art + Soul’s main draw, but a new event — the Oaktown Throwdown BBQ competition — will surely be a popular addition.

Bay Area Aloha Festival San Mateo County Event Center, 1346 Saratoga, San Mateo; www.pica-org.org. 10am-5pm, free. The Pacific Islanders’ Cultural Association showcases Polynesian dance and island cuisine at its annual event.

Nihonmachi Street Fair Post between Laguna and Fillmore, SF; www.nihonmachistreetfair.org. Times TBD. This long-running community event celebrates Asian-Pacific American life with performances, food, activities for kids, and more. Plus: the crowd-pleasing dog pageant and accompanying parade.

AUG 3

Jerry Day Jerry Garcia Amphitheater, McLaren Park, 45 John F. Shelley, SF; www.jerryday.org. 11:30am, free (donate for reserved seating). Live music (lineup TBD) honors the legacy of the Grateful Dead legend, who grew up on nearby Harrington Street in the Excelsior.

AUG 16

Stumptown Brewery Beer Revival and BBQ Cook-off Stumptown Brewery, 15045 River, Guerneville; www.stumptown.com. 1-6pm, $75-100. Over 30 breweries and 30 BBQ teams await at this event, which makes the following claim: “If you can’t have fun at this one … you can’t have fun.” ‘Nuff said. AUG 23-24 Bodega Seafood, Art, and Wine 16885 Bodega Highway, Bodega; www.winecountryfestivals.com. Aug 23, 10am-6pm; Aug 24, 10am-5pm, $8-15. It’s there in the name, folks: tasty seafood, a juried art marketplace, and wine (and beer) tastings. Plus: three stages of live entertainment. Golden Gateway to Gems SF County Fair Building, Ninth Ave. and Lincoln, SF; www.sfgemshow.org. 10am-6pm, check website for price. It’s the diamond jubilee (60th anniversary) of this San Francisco Gem and Mineral Society event, and the 2014 theme is “Heavy Metal” — so prepare for face-melting encounters with rock, gem, and jewelry dealers; educational lectures and demos; and a “stump the expert” mineral ID station. Rock on! *