Volume 42 [2007–08]

PG&E’s attack on CCA

0

EDITORIAL It’s a bit odd (if not terribly surprising) that the San Francisco Chronicle ran a front-page story April 16 on public power and alternatives to Pacific Gas and Electric Co. — and almost entirely ignored what’s going on in the paper’s hometown. And it’s striking (if, again, not surprising) that the story, by Kelly Zito, allowed a dubious expert from the University of California at Berkeley, who never supported public power and generally supports private sector and deregulation efforts to undermine, without rebuttal, the community-based anti-PG&E efforts.

But in the midst of this journalistic train wreck was the nut of a fascinating story: PG&E is on the ropes as communities try to find more renewable energy supplies — and is fighting back in ways that are demonstrably illegal.

There’s a message here for San Francisco, where plans for community choice aggregation are moving along slowly but steadily. The giant private utility will be trying to sabotage the efforts here, and City Attorney Dennis Herrera needs to be moving — now — to make sure there’s no illegal interference.

The focus of Zito’s story was Marin County, where there’s an active and aggressive move to create a CCA (community choice aggregation) system that would replace PG&E as an energy supplier in 11 cities. The program would function as a buyers’ co-op, purchasing electricity in bulk for all of the businesses and residents in those communities, then using PG&E’s lines to transmit the power to customers. Marin is pushing the environmental angle: PG&E uses at most 12 percent renewable power, and Marin Clean Energy can offer consumers 100 percent green power. While that option might cost a bit more (an additional $5 per month for the average customer) Marin’s CCA also says it can offer a 50 percent renewable option that meets or beats PG&E’s rates.

The Chronicle‘s expert, UC Berkeley professor Severin Borenstein, is quoted as saying that it’s risky for cities to get into the electricity business. But that’s just horse pucky: cities have been in the power business for as long as there’s been electric power. In the Bay Area, Alameda, Palo Alto, and Santa Clara all have established successful public power agencies — and all have cheaper rates than PG&E.

The state law authorizing CCA programs bars PG&E, a regulated utility, from lobbying against their implementation. In fact, in hearings before the state Pubic Utilities Commission, the company promised it would be neutral toward CCAs and wouldn’t try to discourage its customers from joining the public programs.

But in the Central Valley, where a group called the San Joaquin Valley Power Authority has been trying to create a broad-based CCA, PG&E has admitted it illegally tried to scotch the deal. Lawyers for the SJVPA filed a complaint with the CPUC, and on April 10, PG&E settled in a way that clearly admitted guilt. The company agreed to cease its illegal lobbying and pay the SVJPA $450,000 in legal fees.

It was a significant victory for public power — and San Francisco needs to make it clear right now that it will fight just as vigorously to stop PG&E interference in its own CCA efforts. The CPUC is accepting comments on the settlement, and Herrera should file a statement supporting SVJPA, in effect putting PG&E on notice that it will face immediate, furious legal action if it dares try to undermine a San Francisco CCA. Herrera also needs to put a legal team together to prepare to fight PG&E as the city’s own plan moves forward.

It’s embarrassing that San Francisco — the only city in the United States with a congressional mandate to run a public power system — is behind Marin County and the Central Valley in getting its own CCA up and running. But the process is moving forward€. And the city needs to be starting its own marketing campaign to inform the public that cheaper, greener power is on the way.

Marin has been sending out fliers showing how effectively the CCA can replace fossil-fuel and nuclear generation with greener energy options. The county has clear information about lower prices and consistent efforts to fight global warming. San Francisco is lagging here — and it’s time to get on the stick.

The floating peakers

0

EDITORIAL The political fight over siting four city-owned power plants is heating up, and creating strange alliances. The San Francisco Public Utilities Commission wants to put three of the plants — which are small natural-gas-fired turbines — in the southeast part of the city, adjacent to the pollution-belching Mirant power plant at the foot of Potrero Hill. The commission argues that the city-owned plants would run only at peak hours (thus the term "peaker plants") and would generate lower carbon emissions and noxious fumes than Mirant does. Supporters of the plants argue that the state’s Independent System Operator (Cal-ISO), which controls the electricity grid, won’t allow Mirant to shut down unless the peakers are in place.

Sup. Aaron Peskin says the peakers will not only reduce emissions, but will give public power a kickstart. But Sup. Michela Alioto-Pier, who normally supports Mayor Gavin Newsom’s plans, opposes the plants on environmental grounds, and Sups. Ross Mirkarimi and Chris Daly, who say the southeast has been a toxic dumping ground for years, appear to be siding with her. Add to this the cost of building a structure to house the turbines, which has varied from as high as $500 million to as low as about $250 million, and you have a confusing mess.

But as Amanda Witherell reports in this issue, there’s another solution, one Mirkarimi floated several months ago: why not put the peakers on barges and site them offshore?

It’s a fascinating idea. Floating power plants are common all over the world; Manhattan alone has more than 30. Putting the plants on a barge would, by some estimates, cost half as much as building a home for them on land — and they could be moved around so no one neighborhood has to suffer all the impacts. (The plants, for example, could spend some time in the Marina, maybe upwind of Mayor Newsom’s house, so the southeast doesn’t have to take all the emissions.) If the city follows its own plans and builds enough renewable energy to obviate the peakers in a few years, they could easily be shipped off and sold elsewhere. Or the city could lease them to other communities (bringing in some nice cash) when they aren’t needed here. And floating plants won’t face the serious seismic issues that plants on the unstable southern San Francisco shoreline do.

There are, of course, other issues with this, including the obvious problem of putting barges in the bay, which the Bay Conservation and Development Commission would probably object to. And where, exactly, would they go? This might not be the best idea in the end.

But given the lack of good options here, this is at least worth a second look. Mirkarimi needs to push his resolution calling on the city to review that option. It’s well worth a full study. In fact, the board ought to put all final consideration of the combustion turbines on hold until the SFPUC looks at the barge proposal.

Editor’s Notes

0

› tredmond@sfbg.com

I like Muni. I always have. I know that makes me strange and sick, but I’ve always enjoyed riding the buses and trains, and my kids love riding the buses and trains, and in the end, despite all the problems, it’s one of the great things about San Francisco.

Then there are days like April 20.

It wasn’t an unusual Sunday; sunny, a bit chilly. There was, of course, the grand stoner holiday, and people were flocking toward a 4:20 convergence in Golden Gate Park, but one would think the folks at Muni would realize such a cosmic event was in the offing and plan for it.

One would be wrong.

We joined a small group waiting for a westbound bus at Haight and Divisadero. The sign told us the next bus was coming in five minutes; Michael and Vivian sat on the horribly uncomfortable seats designed to keep homeless people from sleeping on them, and in about 10 minutes along came a 6 Parnassus. It slowed down enough for us to see that it was standing room only (but nowhere near as bad as the 14 Mission is every day), then pulled away without taking on passengers.

Okay: bus too crowded. Driver decides no more passengers can fit safely aboard. It’s called "passing up" a stop, and it happens. Typically there’s another, emptier bus just behind. And sure enough, the sign said a 71 Haight/Noriega would be along in three minutes.

Well, seven minutes, actually — and then the same thing happened again: full bus, no stop. At this point there were maybe 30 people at the bus stop, and some had been waiting quite a while and were getting pissed. After a while, along came another 71 … and passed us up. The corner was getting crowded; people were yelling at the bus, chasing it, running into the street, and trying to climb in the back door when it stopped in traffic. Not exactly safety first.

Eventually we walked, which was fine, except that Vivian, who at six is already a slave to fashion, was wearing shoes that looked lovely but weren’t exactly designed for a hike so she wound up with blisters, and I had to stop and get her some Band-Aids and beg for new socks at a shoe store. Such is life in the big city; I can’t really complain that much.

But there’s an issue here that intrigues me: What is Muni supposed to do in this situation? It doesn’t seem as if this should be an impossible management problem. A Muni controller could, for example, radio the next five buses on the Haight Street line and tell them each to pass up alternate intersections so everyone gets a chance to ride eventually.

I called Judson True, a nice guy who has the unfortunate job of handling press calls for Muni this week, and he told me Muni does the best it can at line management — that in theory, someone watching the Haight Street line should have radioed in the problem (I think the drivers ought to do that too) and a controller should have been able to shift more buses to that line. I suspect this may have been a screw-up. But one thing that happens when you keep cutting the Muni budget is that the ranks of controllers and line managers — those middle-management "bureaucrats" Matier and Ross and the like always whine about — start to thin out. And this shit happens.

You wonder: how often do these people who complain about government spending actually ride the bus?

Bay Area National Dance Week

0

PREVIEW Can dance save the world? Those of us who are hooked on it like to think so. At the very least, it makes you feel more alive as a human being. But in the cultural pecking order, dance often gets the short stick: you can’t buy or own it, hang it on a wall, or sell thousands of DVDs of it. You pretty much have to depend on bootlegs or YouTube to get your fix. Maybe that’s why such fervor surrounds Bay Area National Dance Week and its 10 days of dance madness. This year, BANDW celebrates its 10th year with a throw-open-the-doors event designed to give all comers a chance to see or try all manner of free moves: hula hooping, belly dancing, salsa, body orchestration, Scottish country dance, Sufi dancing, Greek dancing, swing, fire twirling, and more. Some 300 participants are on board, the majority from dance companies and studios. For us working stiffs, weekday classes take place mostly in the evening, but ODC Dance Commons will offer Dance Week–related classes throughout the day. For those who prefer watching, there will be many free performances as well, ranging from San Jose’s sjDANCEco, to Mill Valley’s RoCo Dance with Oakland’s Axis Dance Company, to San Francisco’s Mark Foehringer Dance Project. Get the details of what the good people at BANDW have in store for us from their 24-page brochure, available at select cafés, libraries, and most dance studios. The kickoff conga line event starts Friday at 11:30 a.m. in Union Square.

BAY AREA NATIONAL DANCE WEEK April 25–May 4, free. www.bacndw.org

Calvin Harris

0

PREVIEW With youthful bravado and a cocksure attitude, it might be easy to dismiss the one-man electro entity and MySpace phenom Calvin Harris as an overconfident knob-twisting kiddo. Judging from the playfully self-aggrandizing title of his debut, I Created Disco (2007), or his slinky banger "Girls," which is about the wide assortment of females on his jock — a fictional harem that rivals the likes of R&B lothario R. Kelly’s — Harris might be accumuutf8g as many enemies as he is groupies.

But there’s more to the sassy 23-year-old Dumfries, Scotland, musician-producer than feigned egoism. On Disco, Harris presents a modernized and exuberant take on electro, giving the once-clichéd genre a laddish makeover full of cheeky hyperbole and a "taking the piss" mentality — a key element missing in so much electronic music nowadays. With a heavy arsenal of crunchy beats, soulful-yet-robotic synths that sound like they’ve been appropriated from an ’80s Nintendo game, and a L’Trimm-esque booming bass line, Harris proves he’s got the chops to make the dance floor erupt. Flitting between an expressive faux-Cockney drawl and an un-ironic white boy falsetto, Harris has a knack for making pill-popping in Vegas, smoking neon-hued rocks, and an irrational love for the ’80s sound downright discolicious.

Most recently the young Mr. Harris lent his sonic aesthetic to the pint-sized pop vixen Kylie Minogue. The disco sprites hooked up after an Aussie producer discovered Harris’ MySpace page, and the rest was pop perfection history. Animated by a club-ready cacophony of handclaps, saucy softcore voice-overs, and trilling keys, the Harris penned-and-produced Minogue number "In My Arms" is the highlight of her recent X (EMI). A string of top 10 singles in the United Kingdom, production credits for pop princesses Sophie Ellis-Bextor and Róisín Murphy, and a sophomore album slated for late 2008 — is there anything this kid can’t do?

CALVIN HARRIS Thurs/24, 8 p.m., $12–$13. Popscene, 330 Ritch, SF. www.popscene-sf.com

M.A.N.D.Y.

0

PREVIEW Patrick Bodmer and Philipp Jung have known each other for 22 years. But according to Jung, the two DJs behind Berlin minimal house outfit M.A.N.D.Y. "sometimes lose each other" amid their various musical commitments. The most recent solution to this problem was pretty chilling: an extended stint in Iceland, where they spent three weeks recording in the wintry cold of February. Staying an hour outside of Reykjavík, they sketched out songs with help from Lopazz, a signee to their Get Physical label whose vintage equipment and field recordings of Mongolian sheep came in handy for M.A.N.D.Y.

"You don’t have the time to sit down and write songs in Berlin," Jung said over the phone from Berlin. "It was good to be isolated, but we weren’t sure if we could survive out there." Survive they did, but don’t be fooled by their frigid choice of studio. It’s the glowing warmth of their remixes and skillful manipulation of the clean 4/4 beat at house music’s foundation that has reaped them so much admiration as producers at home and abroad. Their original productions — which include the bassy synth sparkle of 2004 hit "Body Language," a co-production with Booka Shade — and their remixes for such artists as Röyksopp and the Knife bring into spare focus each track’s pliable, underlying blip-pulse, carefully giving the melody the space to kick one’s space-disco synapses into joyous movement.

They primarily have been engaged in remixes during the past couple of years, most recently releasing a mix disc for the Fabric imprint in January. Their present tour, which showcases the Get Physical roster, pushes forth into a year that will see the release of a new 12-inch and a return to the 10- to 12-hour nights they customarily spin in Europe. "We like playing really long sets," Jung explained excitedly. Clearly there’s little sleep to be had in M.A.N.D.Y.-land.

GET PHYSICAL NORTH AMERICAN TOUR with M.A.N.D.Y., Booka Shade, and Heidi. Fri/25, 10 p.m. doors, $22 advance. Mezzanine, 444 Jessie, SF. (415) 625-8880, www.mezzaninesf.com

Sibling rivalry

0

REVIEW This week most San Francisco cineastes will be focused on the International Film Festival — but please don’t let this Italian import, one of the best in years, leave town before you catch it. Cowritten (with director Daniele Luchetti) by Sandro Petraglia and Stefano Rulli of the fantastic Best of Youth (2003), the film shares that four-hour epic’s ability to pare decades of roiling postwar Italian political history into an absorbing personal drama. Accio (Elio Germano) is the youngest child, perpetually at odds with everyone in his poor family. He is a natural contrarian and zealot — first as a divinity student too self-righteously pious even for the priests to bear, then as an avid member of the Fascist Party. (His hometown is the small central Italian city Latina, a one-time party stronghold founded during the Mussolini era that previously had been an undrained swamp.) Those proclivities, not exactly fashionable in the story’s 1960s and ’70s setting, particularly exasperate Accio’s brother Manrico (Riccardo Scamarcio, one of those Italian men who are so good-looking they almost constitute a traffic hazard), a charismatic born leader who becomes increasingly involved in the Communist Party and underground radical actions. Still, blood is thicker than water — and by the end we realize this famiglia‘s constant yelling and slapping are as much forms of affection as anything else. And the siblings do have something else in common, namely a jones for Manrico’s upper-class girlfriend Francesca (Diane Fleri). My Brother has been compared to Italian leftist classics like Marco Bellochio’s Fist in His Pocket (1965) and Bernardo Bertolucci’s Before the Revolution (1964), no doubt largely because its manically malcontent protagonist — an indelible performance by Germano — and almost too-hyperactive imagery echo their restless intellectual agitprop. Fortunately, this is too warmly human a drama to share those films’ Godardian paternity.

MY BROTHER IS AN ONLY CHILD opens Fri/25 in Bay Area theaters.

A tisket, a tasket

0

It’s Spring Break! No, not for students. They had theirs last month. This one’s for all of us: that blissful time between winter’s chill and early summer’s gloom when the sun shines its light (and sometimes even warmth) on our fair city. Which means bike rides without GoreTex, dresses without tights, torsos without shirts, and, best of all, picnics in the park.

In honor of this glorious season of backyard barbecues and patio parties, we’ve dedicated this FEAST to all kinds of sunny delights. We’ve got places to take a May Day date, bars where you can sip a tequila sunset while actually watching one, and a guide to the perfect places for carry-along cuisines.

But don’t forget we’re still the city of near-perpetual autumn. So we’ve added a couple places where you can turn up the culinary heat on those chilly nights when the fog’s rolling in — not to mention quite a few places to wet your whistle in the style of that bastion of cold weather cuisine: Manhattan.

Time to get yourself some new shades, pull your sandals out of storage, and get your ass outside, before academic calendars and weather patterns have us all going "back to school" shopping and supping.

Bon appetit, and don’t forget the sunscreen,

Molly Freedenberg

Feast Spring 2008 editor

› molly@sfbg.com

7 spring flings

0

San Francisco is such a gosh darn charming place, it often seems as if there are more romantic dining options than available dates. To which we say: Never! Spring has sprung and frisky hormones are back in motion after cozy hibernation. Grab the nearest eligible and hit up the following delightfully intimate (and reasonably priced) eateries, if only to test-drive the menu.

BAR BAMBINO


Mouth-watering charcuterie for your cutie, an extensive wine list to revel in, and an atmosphere that, while occasionally heavy on the decibel level, will douse any diminished conversation expectations in attractive lighting — so at least the potential partner across the table will look irresistible. Factor in a nifty little patio in back and an olive oil tasting menu to lubricate the cooing (plus a plethora of lip-smacking Italian dishes) and the mood is set for, if not love, then perhaps a memorable evening in the Mission.

2931 16th St., SF. (415) 701-8466, www.barbambino.com

CAFÉ ANDRÉE


You, of course, have absolutely no problem "closing the deal" — but it’s always good to have a secret weapon on hand, just in case. Café Andrée is mine. Every time I usher a hottie into Andrée’s intimate, well-appointed librarylike setting in the Rex Hotel downtown (bookshelves line the walls and there are globes galore), I know the rest of the evening will be silky smooth. Executive chef Evan Crandall creates incredible pan-global dishes that never fail to tickle. And his new spring menu is on fire. The best part: if your date bores you to tears, you don’t have to bring a book. Café Andrée does it all!

562 Sutter, SF. (415) 217-4001, www.jdvhotels.com/dining/sanfrancisco_cafeandree

COULEUR CAFÉ


Perfect for a leisurely luncheon prelude to any early-evening nuzzling, this Portrero Hill café’s generous outdoor patio and savory dishes may be responsible for more than a few calls into work begging for the afternoon off. The theme is laidback French with some Mediterranean kick, which is actually the description of many a dream date as well. A come-hither combo that always works for me: assiette de merguez with harissa for starters, followed up by the mussels mariniere and pommes frites. Enjoy.

300 De Haro, SF. (415) 255-1021, www.couleurcafesf.com

1550 HYDE CAFÉ AND WINE BAR


Nob Hill: the dating double-entendres are endless. So is the romance, especially if you duck into the intensely cozy 1550 Hyde for an adventurous wine flight and delectable cheese plate or main dish. (If 1550 is featuring its wondrous Provençal fish stew while you’re there, try it and thank me later). The emphasis here is on locally produced goods — the better to draw you closer — and the restaurant discourages cell phones, so your tête-à-tête is guaranteed to be restricted to sweet nothings.

1550 Hyde, SF. (415) 775-1550, www.1550hyde.com

L’ARDOISE


I can’t lie to you. I’m eating a can of Campbell’s tomato soup while I write this, but I’m dreaming of the escargots in garlic parsley sauce and almond-crusted barramundi at this brand-spanking new French delight near Duboce Park. Needless to say, I’ve already spent many a cherished hour there with my lover-of-the-moment. The space is warm and inviting, and the friendliness of the service puts any haughty stereotypes of the French to rest. "L’Ardoise" means chalkboard, so be sure to check the specials, which usually include a number of creamy cheeses as well as unique entrées that’ll have you’re your date shouting "oui, monsieur."

151 Noe, SF. (415) 437-2600, www.lardoisesf.com

TANGERINE


"Tangerine — she is all they claim / With her eyes of night and lips as bright as flame." So begins the famous jazz song, "Tangerine" — and the Castro restaurant of the same name seduces with an equal amount of yummy crepuscular abandon. Asian influences dot chef Sean Pattansuvoranun’s menu — and a recent pairing of the lemongrass lamb lollipops appetizer with a drunken duck entrée had me begging for Pattansuvoranun’s home phone number. But he knows better. Tangerine’s decor is crisp-yet-amiable, and the service is fluid, allowing you enough privacy to lick each other’s plates.

3499 16th St., SF. (415) 626-1700, www.tangerinesf.com

BITTERSWEET CHOCOLATE CAFÉ


If "bittersweet" describes the tenor of your evening together so far, tune up the ol’ heartstrings with a chocolate-flavored valentine at this cute café, with locations in Upper Fillmore and Oakland. A cocoa cornucopia of tastings, pastries, and specialty drinks — hello, hot steaming cup of chocolate chai — Bittersweet stays open pretty late, and will end any evening on a sumptuous note (even if your sheets remain uncrumpled).

2123 Fillmore, SF. (415) 346-8715; 5427 College Ave, Oakl. (510) 654-7159, www.bittersweetcafe.com *

7 spicy suppers

0

It’s true. Sometimes I can’t help but crave the unforgettable feeling of burning my lips and tongue with my food. Some people call it masochism, but I can’t help it. Eating real spice that makes my glands swell is heavenly — it’s all I could ask for in a meal. Need a better reason? There’s a saying that eating spicy food gives you a fiery personality. Follow that logic and fiery people make for spicy relationships. And what do you suppose comes from spicy relationships? I’ll let you decide. Mmm, tasty. So what are you waiting for? Amp up your life and get your fire on at one of these gems.

SPICES II


Fire fiends all over the Bay Area will tell you that one of the spiciest cuisines is Sichuanese, which is what Spices II in the Richmond District specializes in. They’ll have your sweat glands working on overload with their mapo tofu, cumin lamb, and spicy Chinese bacon. Beware, though. Sichuanese dishes are made with a special tongue-numbing peppercorn. Don’t be surprised if you leave a bit teary.

291 Sixth Ave., SF. (415) 752-8885

MY TOFU HOUSE


If you’re more in the mood for something hearty to fill you up, then move on from the flames of southern China and to My Tofu House’s Korean delights, like its whip-ass kimchi, soondubu, or an order of kalbi. While it can be tough to get a table during peak hours, waiting guarantees a great meal that warms you from the inside out. The stewlike soft tofu soup is especially adept at combating those foggy, wet city nights.

4627 Geary, SF. (415) 750-1818

INDIAN OVEN


Every fire-lover knows that a staple mascot for spiciness is curry, and there’s no better place to find it than at Indian Oven in Hayes Valley. Tikka masalas of all kinds will bowl you over with their exquisite balances of tongue-searing and flavorful. Also be sure to sample its tandoori and samosas. You can even bring friends with mild palates here; just make sure you specify the level of heat when you order.

237 Fillmore, SF. (415) 626-1628

CHABAA THAI


Thai cuisine makes a strong showing in the ring of fire with Chabaa Thai in the Sunset District. Taking no prisoners, Chabaa’s tom yum soup, pad see yu, or any of its curries leave lasting impressions. I admit this is one cuisine I was cowed by after asking for "as spicy as possible," and was soon brought close to tears as I feebly attempted to lift the chili oil–covered chopsticks to my lips. You win, Chabaa. You win.

2123 Irving, SF. (415) 753-3347

EL CASTILLITO


Not in the mood for Eastern-influenced fare? Mosey over to El Castillito in the Castro, which boasts some murderously hot avocado salsa. Add its gigantic super burritos and mouth-wateringly good quesadillas to the other noteworthy tongue sensations of its many meat selections — the carne asada is a winner — and you’ll be begging for more, even with a food-baby ready to be birthed as you walk out the door.

136 Church, SF. (415) 621-3428

CAFÉ COLUCCI


If you’re looking for a more hands-on approach to your spice adventures, Café Colucci offers a kick in the pants with its spicy green lentil soup; the chicken, shrimp, and lamb tibs; and injera for some doughy goodness to balance out the flames. Ethiopian cuisine also gives you a chance to really dig in, using your manos to scoop up the goodies. Vegetarians will find plenty to satisfy their cravings and given such huge portions, consider bringing friends.

6427 Telegraph, Oakl. (510) 601-7999

CHINA VILLAGE


East Bay residents rally around this fabulous addition to the Bay Area spice race. An ideal location for large dining parties, China Village excels at all the typical provincial goodies that make hotheads ecstatic. Their water-boiled beef, appetizer beef tripe and flank (featuring the tongue-numbing peppercorns), and the West-style fish soup with "1,000" chilies will have you crossing the bridge again and again.

1335 Solano, Albany. (510) 525-2285 *

Sunshine on my shoulder

0

Products featured: 2006 Solorosa Napa Valley Wine, Church Street Groceteria; Anchor Steam Beer, Anchor Brewing Company; filone di grano duro baguette, Metropolis Baking Company; salami, potato salad, and Greek olive mix, Lucca Delicatessen; brie cheese, Marin French Cheese Co.; crackers and organic strawberries, Rainbow Grocery; bamboo plates and silverware, Cole Hardware; FIFTY24SF Morning Breath pillow, UP Accessories wood tote bag, and custom quilt, Upper Playground

Models (left to right): Lawrence Cuevas, Camille Schindler, Marivel Mendoza, Bethany Wells, and Blaine Merker.

Guardian photo by Pat Mazzera

8 spots for outdoor dining

0

San Francisco and dining al fresco aren’t necessarily allies. But they’re not exactly enemies. We do have those gorgeous sunny spring days and plenty of places to enjoy them while we drink and dine. If you’ve been heartbroken over the closed kitchen at Zeitgeist, or if the rooftop deck at Medjool feels more like a frat party gone wrong than an afternoon social gathering, you can rest assured there are even places outside of the Mission that serve food and cocktails outside. So hop on your Yamaha, Bianchi, or Muni and check out some of these fabulous places to catch some sun with your buzz. Keep in mind these spots are best for brunch and lunch. And bring a hoodie in case the sun subsides — San Francisco fog is about as forgiving as a hangover.

PIER 23 CAFE


Check out views of the Bay Bridge and Coit Tower from this waterfront café with surfboard decor. Rain or shine, this dive gets packed with beer guzzlers and sunbathers. Enjoy buckets of Pacificos and top-shelf margaritas alongside pub grub like burgers, nachos, and the best fish tacos in town, until your vision’s blurred and skin is blistered. Then enjoy the live music on warmer nights and heat lamps on cooler ones.

The Embarcadero, SF. (415) 362-5125, www.pier23cafe.com

CAFÉ FLORE


The faint of heart need not attempt Café Flore — sharking a table here takes more nerve than buying booze underage. But there’s a reason to steel one’s resolve: this Castro hotspot, voted Best Café in our 2004 Readers’ Poll, is ideal for any occasion, be it brunch, coffee, or an afternoon brew. With breakfast served daily until 3 p.m. and a full bar, there’s no better spot for sun-drenched boozing and cruising.

2298 Market, SF. (415) 621-8579, www.caféflore.com

LA NOTE


The garden patio at La Note is worth the wait — and wait you will, because they don’t take reservations for weekend brunch. Grab a java beforehand to stave off caffeine withdrawal as you watch other patrons enjoy their succulent crème fraîche pancakes. And don’t worry, you’ll get your turn. Complete with blue-and-white checkered tablecloths, this is the perfect spot for brunch bliss or an afternoon assiette de charcuterie.

2377 Shattuck, Berk. (510) 843-1535, www.lanoterestaurant.com

PARK CHALET


If bike rides through Golden Gate Park leave you craving a wet one to quench your thirst, this spot — located behind the oceanfront Beach Chalet and just steps from Queen Wilhelmina’s Windmill — offers the perfect spot to rest on your laurels and soak up some sun. Choose from an extensive list of beers from the onsite brewery, and when the fog rolls in, head inside to cozy up to the stone fireplace in the glass-ceilinged dining room. On weekends you can nurse a hangover and get a head start on your day’s drinking with crab benedict and a Bloody Mary.

1000 Great Highway, SF. (415) 386-8439, www.beachchalet.com

CAFÉ CLAUDE


Located in a secluded alley between Union Square and the Financial District, Café Claude is a scrumptious substitute to the crowded Belden Lane. This quaint sidewalk café is reminiscent of Parisian bistros, and is therefore the perfect spot to nosh on a Niçoise salad and sip Sancerre. Plus there’s jazz on weekends.

7 Claude, SF. (415) 392-3505, www.cafeclaude.com

EL RIO


For those days in deep summer when everywhere but the Mission District is covered in heavy fog, there’s no reason to look farther than El Rio for a bit of sunny respite. Its multilevel back deck, barbeques, margaritas, and live salsa bands draw a mostly gay male crowd on Sundays, but you can get down with the ladies every fourth Saturday of the month, when the line to get in snakes down the block.

3158 Mission, SF. (415) 282-3325, www.elriosf.com

SAM’S ANCHOR CAFE


If the summer fog has taken even the Mission captive, escape to Sam’s via the Tiburon ferry. From here, you can sip margaritas on the waterfront deck while viewing the cloud-engulfed city. Snack on fried calamari or head inside post-sunset for fine dining and seafood.

27 Main, Tiburon. (415) 435-4527, www.samscafe.com

PILSNER INN


The Pilsner doesn’t serve food, but its state-of-the-art cooling system, which keeps draft beers chilled to 31 degrees, makes this Park Chow neighbor a Castro gem for gay and straight clientele. Expect to throw back a few on the garden patio with cleated patrons just back from the fields, because Pilsner Inn supports a handful of sports teams, including softball, soccer, bowling, and pool.

225 Church, SF. (415) 621-7058, www.pilsnerinn.com *

9 Manhattans in the Mission

0

I’d burned out on vodka sodas. Straight tequila was making me nuts. And I couldn’t seem to find a decent margarita. I needed to find a drink with a punch, but one that didn’t lead to the dark under-eye circles the next morning. I didn’t think I’d love a cocktail again. That is, not until my friend handed me my first Manhattan.

Oh, the Manhattan. So simple and bold, with its combination of whiskey, vermouth, bitters, and a cherry. And so very American, with its East Coast name and Southern origins (the first versions in the 1870s were made with Kentucky bourbon, and most still are). I now have a patriotic devotion to this concoction, as well as an impressive ability to balance a martini glass in a crowded bar.

THE LIBERTIES


This Irish pub’s version of the Manhattan is strong and pure, tasting almost like straight Maker’s Mark. The only reason I knew there was vermouth included is because I caught a flash of green glass as the bartender mixed it. It was even served, unapologetically, without the drink’s trademark cherry (which, honestly, is fine by me). I guessed this particular formula was cultural — the Irish don’t monkey with their whiskey — but I was proved wrong when we tested our anthropological theory at the Phoenix, whose version is cloyingly sweet. If you really like your whiskey, stick with Liberties.

998 Guerrero, SF. (415) 282-6789, www.theliberties.com

LASZLO


When you can’t get a sunny day seat at Revolution Cafe (hey, they only serve beer and wine anyway), head to Laszlo around the corner. Not only does it always have outdoor tables available, but it served one of the best cocktails on my tour: a smooth Maker’s Manhattan. It was stirred, not shaken — which the bartender said keeps the drink from getting watered down — and came with a brandied cherry. An extra bonus for daytime visits? You get to skip the North of Market nighttime crowd.

2526 Mission, SF. (415) 401-0810, www.laszlobar.com

BLOWFISH SUSHI


Need to show your out-of-town friends the Mission? Get them the neighborhood’s namesake drink at Blowfish, made with Ka No Ko Japanese whiskey. Served with a brandied cherry to balance the cocktail’s smoky taste, this Manhattan is certainly a crowd pleaser. Once you’ve liquored up your visitors in style, then you can take them to your favorite Mission Street dive.

2170 Bryant, SF. (415) 285-3848, www.blowfishsushi.com

CONDUIT


The new swankfest on Valencia and 14th streets might break your bank and leave you hungry after dinner, but it’s a great place to treat yourself to sexy cocktails without fear of running into any of your financially-challenged friends. Conduit’s souped-up Manhattan, called the Heart of Islay, is made with Black Bottle 10-year-old Scotch, vermouth, Cointreau, and a splash of blood orange juice. The sweet ingredients help the cocktail go down smooth without overpowering the smoked wooden barrel flavor of the Scotch. Conduit’s classic Manhattan is great too, as it’s made with Old Overholt rye. Have one of each and you might even get the guts to taste the lamb tongue or pay a visit to the coed translucent glass restroom.

280 Valencia, SF. (415) 552-5200

RANGE


The Third Rail is Range’s hybrid version of the classic pre-1940s Manhattan, made with Bulleit bourbon, Lillet Blanc (sweet wine), orange bitters, and lemon. This fusion blend is perfect for beginners, but it ain’t no classic. But a version made with Woodford Reserve, sweet vermouth, Angostura bitters, and a brandied cherry is as good as it gets. If you can find a seat at the bar, order two — but stop there. A wise friend once said, "Manhattans are like breasts: two are perfect, but three are too many — and just plain weird."

842 Valencia, SF. www.rangesf.com

NIHON WHISKY LOUNGE


On the list of Nihon’s special happy hour cocktail, salad, and appetizer menu, where everything’s half price, is the Devil’s Manhattan. This cocktail is made with 100-proof Rittenhouse Kentucky Rye, SoCo, sweet vermouth, and bitters — and for a mere six bucks, is definitely worth it. Sure, Nihon’s out of the way, but you probably need something from Rainbow anyway.

1779 Folsom, SF. (415) 552-4400, www.nihon-sf.com

LATIN AMERICAN CLUB


If you want to test your Jedi glass-balancing skills, order a Manhattan here on a weekend. The Manhattan here was by far the best dive bar version I tried — made with Jim Beam, sweet vermouth, bitters, and a maraschino cherry, it was neither too sweet nor too strong.

3286 22nd St., SF. (415) 647-2732

CASANOVA LOUNGE and ELBO ROOM


These staple Mission bars serve reasonably priced, decent Maker’s Manhattans. You might not even notice how sweet they are by your second one.

Casanova Lounge, 527 Valencia, SF. (415) 863-9328, www.casanovasf.com

Elbo Room, 647 Valencia, SF. (415) 552-7788, www.elbo.com. Not wheelchair accessible. 2

1,001 cookbooks you must spatter before you die

0

› paul@sfbg.com

Not that there’s anything wrong with pornography, but does everything have to be pornography now? Was a law passed in the dead of night, like a Congressional pay raise? In pondering undue pornography, I don’t mean to indict certain of our favorite Web sites (exemption granted!) or gay newspaper ads for auto repair in which a cute shirtless mechanic smiles insinuatingly while holding a big wrench — silly but harmless, and one turns the page to the cosmetic dentistry ad with the shirtless boy holding a big toothbrush. I do mean, at the moment, cookbooks, which over the past 10 or 15 years have gone from being rather austere and text-heavy tomes full of learning and encouragement to lurid encyclopedias of full-color photographs whose subjects are sprawled and splayed in poses worthy of Hustler or Drummer.

Are these objets d’titillation meant to be used or ogled? On my shelves sit a battered battery of old-timers, including The Fanny Farmer Cookbook (1979), The New York Times Cookbook (1961), and The New Joy of Cooking (1997) — the last a revised classic published barely more than a decade ago. All are rich in fine recipes, and I know this because many of their pages are stained and spattered: evidence that I use them often. The pages open automatically to recipes I’ve consulted before and will doubtless consult again.

None of these worthy volumes have much by way of illustration beyond the occasional charcoal sketch. This has never been an issue. It’s possible that a voluptuous photograph of a lemon tart will fill you with a desire to make said tart by using the recipe on the preceding page, but it’s also possible that the photo will fill you with frustration and embarrassment when your own tart turns out to be not quite so photogenic as the one in the book. You might even decline to make the tart again. It’s important to believe that when you make a recipe and the result is acceptable, you’ve done it the way the recipe writer meant you to.

There is a lovely photograph of a lemon tart in Gerald Hirigoyen’s Bistro (Sunset Books, 1995), one of the dozen or so cookbooks by local chefs I use all the time despite the overwhelmingly sensual photography that fills them. My lemon tarts never look quite as fancy as the one in Hirigoyen’s book, mainly because I skip the step that involves candying very thin slices of lemon and baking them into the center of the tart as decoration. But my lemon-tart-for-dummies version tastes good and is easier and less messy to make — and guests never decline leftover pieces to take home for breakfast. Hirigoyen, incidentally, who grew up in French Basque country, is the founder of Fringale (which he’s no longer involved with) and Pipérade, which began its life in the mid-1990s as Pastis.

Of the many esteemed local chefs who publish cookbooks, I esteem none higher than Joyce Goldstein, whose recipes use straightforward techniques, don’t rely too heavily on odd ingredients, and always work. For the home cook, her only peer is the late Pierre Franey, who wrote the "60-Minute Gourmet" column for the New York Times for years and turned those many columns into a pair of sublime cookbooks, The Sixty Minute Gourmet and Cuisine Rapide (both Times Books; 2000, 1989). My copies of Franey have the hors de combat look of soldiers’ boots after a long tour at the front. And while they probably wouldn’t command much in the used-book market, their condition does tell the discerning eye that they’re probably well worth having.

Due to an administrative error, I never acquired a copy of Goldstein’s first and probably best-known cookbook, The Mediterranean Kitchen (1989), which she published while running her famous and wonderful Barbary Coast restaurant, Square One. I rely, instead, on her Back to Square One (Morrow, 1992) and have made her versions of Mexican cauliflower soup and spicy Indian lentils from that book so often that I no longer need to consult the recipes. The soup recipe, in particular, is quintessential Goldstein: a brief list of easy-to-get ingredients, a few steps briskly described, and a beguiling result that’s more than the sum of its parts.

If you just can’t face cauliflower and you have stale bread in the house — onions too — try Goldstein’s recipe for Italian onion soup with bread and sage, from Kitchen Conversations (Morrow, 1996). This simple soup resembles its more famous French cousin — onions caramelized in butter, sage, melted cheese on top — and is yet another example of Italian cleverness about not wasting food, in this case stale bread. (Hint: the soup is mighty fine when made strictly according to the recipe, but it’s a little richer if you use beef stock instead of plain water.)

My copy of the original Greens cookbook, The Greens Cookbook (Bantam, 1987), is more than 20 years old now and has spatters even on the frontispiece. Inexplicable. The book’s author is Deborah Madison, who will be recalled by those with elephant memories as the restaurant’s first chef when it opened in 1979. The book was my first vegetarian cookbook, and it still has a favorite-blanket aura in that respect. But the recipe I still use over and over is the one for bread — focaccia, to be precise. The would-be baker of bread in this cold city is beset by terrors and frustrations, mainly having to do with the lack of the fabled "warm, draft-free place" bread dough must be placed in if it’s to rise properly. But Greens’ focaccia is hardiness itself: it rises even in gray winter, it’s soft, it takes dimpling beautifully, it bakes quickly, pops right out of the pan when done, and everybody loves it no matter what you put on top.

Cindy Pawlcyn has launched some of the Bay Area’s most beloved and durable restaurants (including Fog City Diner and Mustards Grill), but lately she’s been revealing herself to be an excellent recipe writer for the home cook. My copy of her Big Small Plates (Ten Speed, 2006) has a big spatter on the gougères page and another on the papas bravas page. Gougères are tasty little cheese puffs and are, with some champagne, a wonderful treat to serve guests before dinner, at least if you serve them warm, but their glory is of the brief, summer-in-Antarctica variety, and they cool all too quickly to forgettability. The papas bravas (paprika-scented Spanish-style potatoes), though less finger-friendly, are a little more forgiving; they cool along a gentler arc and are still perfectly fine even when approaching room temperature.

For meat cookery, I rely on Bruce Aidell’s The Complete Meat Cookbook (Houghton Mifflin, 1998). It manages to be both authoritative and friendly, it’s full of wonderful recipes that aren’t complicated (including bulletproof versions of the venerable Tuscan pork roast called arista and charcoal-grilled Florentine beef). Even in years gone by, when I cooked a lot more meat than I do now, I never felt the need to seek out guidance elsewhere. It’s as canonical as a cookbook can be.

Cookbook canons tend to be narrow, in part because of personal taste and because shelf space is limited, but occasionally a new entrant does join the elect. One such recent addition, for me, is The Spanish Table Cookbook (The Spanish Table, 2005) by Steve Winston, who not coincidentally is one of the owners of The Spanish Table in Berkeley, a rich resource not only for seekers after pimentón and piquillo peppers but paella pans and cazuelas. The book itself, with its simple black-and-white sketches, is a refreshing throwback to pre-porn days. It is also full of wisdom and tips about Iberian cooking, which, having never found a popular Anglophone exponent as French cuisine did in Julia Child, remains faintly exotic in this country. Naturally the book gives several good paella recipes, including one with prawns, chickpeas, and ñora peppers, as well as several interpretations of the pasta brought to Iberia by the Arabs and known to the Spanish as fideo. The paella-like dish made with this pasta (if you can find it, and you can find it at The Spanish Table) is called fideuá.

No discussion of cookbooks would be complete without mention of at least one volume consecrated to dessert. For me that volume is Emily Luchetti’s Four Star Desserts (HarperCollins, 1996), the title referring to her long run as pastry chef at Stars. (She’s had a comparable run at Farallon.) My copy: gravely spattered. Many are the times I’ve made the bitter-orange crèmes caramels (though often not with bitter orange but some other interesting citrus), not to mention the banana tarte tatin and Key lime pie. Although the book features a fair amount of vivid photography, the recipes I like the most and use most often do not include photographs. For a more sweeping compendium of Luchetti recipes, there’s Classic Stars Desserts (Chronicle Books, 2007), a kind of greatest-hits album that includes the secrets of Stareos, the famous Stars cookies. A discreet aside here to you inveterate porndogs: Stareos and other cookies can be eaten with one hand. *

7 places to BYOB

0

Remember that old college chant, "Beer before liquor, never been sicker. Liquor before beer; you’re in the clear"? I propose we change that to: "Markups on liquor, never been sicker. Bring your own beer; you’re in the clear."

Seriously, San Francisco is a city that likes its liquor with a side of food, and no one knows that more than restaurant owners — from the outright avaricious to those just trying to stay above their astronomical overhead in this real estate-deprived city. Haven’t you been to a dinner where the bar tab doubles that of the food? And did you know that a martini usually costs the restaurant a tenth of what it charges you?

We’ve rarely been a city to sit by and tolerate injustice. But in this case, there’s no need to go on a hunger strike about it: in fact, quite the opposite. Join the BYOB movement with a sit-in demonstration at any of these restaurants. (Interestingly, many are in the Tenderloin, which makes sense considering that the entire TL is pretty much a BYOB zone.) Refuse to pay ridiculous drink prices and sip the sweet nectar of freedom from bar tabs. It tastes kind of like Charles Shaw.

And remember: bring cash along with your booze. These places don’t have liquor licenses — or credit card machines. But you can swing most of these places at around $10 per person, so I trust you’ll work it out.

SHALIMAR


Shalimar is the Starbucks of the city’s BYOB Indian places, boasting two locations within eight blocks of each other. I prefer the one on Jones Street. The ambiance is group-therapy-room-at-a-public-clinic: wood laminate tables, green and white linoleum checked floor, institutional yellowed-cream walls. The service is fast, though never brusque. The food? Transcendent. The chicken tikka masala consists of plump balls of good-quality white meat chicken swimming in a delightful pool of clarified butter and masala. The garlic naan is heaven — doughy, buttery, and flavorful. Also delectable is the palak paneer — spinach and cheese sweetly spiced with cinnamon, cumin, cloves, and bay leaf. After dinner, cross the street to speakeasy-themed Bourbon and Branch for the ultimate lowbrow/highbrow evening.

Pairing: Try a sparkling wine — like Italian Prosecco or Spanish cava — with the dense multilayered spice of Shalimar’s cuisine. Or bring along any of these Indian beers: Flying Horse Royal Lager Beer, Kingfisher, Himalayan Blue Lager, or Maharaja Lager.

532 Jones, SF. (415) 928-0333;

1409 Polk, SF. (415) 776-4642, www.shalimarsf.com

TAJINE


The orange walls of Tajine denote a more cheerful atmosphere than Shalimar, but this Nob Hill gem is tiny … er, cozy. I meant to say cozy. If you do BYOB here, make sure you keep it mellow — no flailing, weaving, or expansive hand gestures in this tight space. As for dinner, start with the chicken bastilla to share — phyllo dough stuffed with chicken and almonds and topped with cinnamon and powdered sugar. For less than $10, the lamb or kufta kebab dinners come with zalook (eggplant, tomatoes, garlic, and parsley sautéed in olive oil), shalada (tomatoes, green onions, and parsley dressed in olive oil and lemon juice), and Moroccan bread. Or try the eponymous tajines — the name for both a Moroccan clay slow cooker and the stews made inside it — which have the same melt-in-your-mouth meat- and vegetable-infused flavor as your standard Crock-Pot dish. The chicken is cooked with lemon and olive; the lamb stewed with prunes and almonds. Tajine warns that if you BYOB, you must also buy a beverage from them.

Pairing: Morocco’s native beer, Casablanca, is hard to find in the States, so opt for a full-bodied, fruity New World pinot noir instead.

1338 Polk, SF. (415) 440-1718, www.tajinerestaurant.com

PAKWAN


I’ll give Pakwan, the ridiculously inexpensive Indian and Pakistani favorite in the Mission, this over Shalimar: it has seating right outside. Which, on a sunny Mission day with a six-pack of beer from the liquor store across the street, has a certain allure. And … sigh … I must give Pakwan its due for having tandoori fish on the menu. (But Shalimar has brains! Brains masala!) Pakwan also does justice to Indian standards like saab gosht (lamb curry), bhengan bartha (eggplant), and aloo palak (spinach and potatoes). And its garlic naan gives Shalimar’s a run for its money. But, I keep reminding myself, it’s not a competition if both are supporting the common cause — cheap food and cheaper liquor.

Pairing: The recommendations for Shalimar will work here, but if you’re going with the tandoori fish, try the citrusy notes of a muscadet.

3180 16th St., SF. (415)215-2440, www.pakwanrestaurant.com

TAWAN’S THAI


Two reasons to take the bus to this Inner Richmond favorite: parking is notoriously sparse and, two bottles of wine in, you probably shouldn’t be driving anyway. Tawan’s Thai is named after the owners’ son, whose childhood drawings decorate its walls. On the front of the menu, Tawan (meaning little sun) warns that his mom’s food is "the best, just be sure not to order it too hot unless you can handle it" — and he’s right. Consider yourself warned. Start with the thung thong appetizer — chicken, potatoes, and spices fried in rice paper. Then share the tom yung gung soup, a spicy, sour chicken soup flavored with lemongrass and lime. The gaeng khiaw-warn — chicken, beef, or pork simmered in green curry and coconut milk with bamboo shoots, bell pepper, and basil — also is divine. And for you insane people who don’t like spicy food, you can never go wrong with pad thai.

Pairing: An Alsatian wine, like a Gewürztraminer or Riesling, goes nicely with Thai food. A reliable alternative is a Thai beer like Singha, Phuket Lager, or Chang Lager.

4403 Geary, SF. (415)751-5175

CORDON BLEU VIETNAMESE RESTAURANT


Don’t come to Cordon Bleu expecting its namesake cuisine. Don’t come expecting French food at all. Instead, expect to gorge on this Vietnamese BBQ joint’s highly touted five-spice chicken. Seven bucks will get you half a chicken (not half a breast or leg, half a bird) rubbed with spice and grilled until its blackened, spicy, crisp skin seals in the juicy, tender meat. That comes with "salad," a deep-fried imperial roll, and another delicious enigma — a meat sauce (ingredients unknown, but who cares when it’s this freaking good?) poured over rice. Suggestions: ask for extra meat sauce and lock your valuables in your trunk.

Pairing: Cordon Bleu’s meat-centric delectability needs beer; wine is just not going to cut through the greasy vittles. Try a regional beer such as Singha, Red Horse Dark or San Miguel Dark from the Philippines, or Singapore’s Tiger Gold Medal Lager.

1574 California, SF. (415)673-5167. Not wheelchair accessible.

DE AFGHANAN KEBAB HOUSE


The number one reason I could never be a vegetarian: kebabs, those seasoned, juicy, sizzling, glistening, dripping, perfect little skewered morsels of meat rotating hypnotically in restaurant windows, expelling wafts of their spicy, meaty aroma. (Try to wax that poetic about soysages.) If you too hold the kebab in high esteem, count on De Afghanan Kebab House to do it justice. There also are veggie options, like the borani badenjan (eggplant sautéed with tomato, garlic, peppers, and topped with yogurt) — or the borani kadoo (pumpkin sautéed with garlic, peppers, and also topped with yogurt). And De Afghanan Kebab has mantu, those steamed dumplings stuffed with beef and onions topped with (you guessed it) yogurt and a spicy tomato sauce. Yum.

Pairing: The Middle Eastern flavor of De Afghanan Kebab House would do well with the crisp fruitiness of a Sauvignon Blanc or the spiciness of a Zinfandel. An offbeat, oft-ignored, and underrated choice might also be a rosé; its brightness pairs well with yogurt-heavy items and grilled meats.

1303 Polk, SF. (415) 345-9947;

1160 University, Berk. (510) 549-3781;

37405 Fremont, Fremont. (510) 745-9599, www.deafghanan.net

HAN IL KWAN


All I’ve heard about Korean food in the Richmond is, "You have to go to Brothers!" Well, here’s why Outer Richmond’s Han Il Kwan might make you want to break free of the siblings’ sovereignty: food so authentic that San Francisco’s Korean Tour Buses make a daily stop here; better ventilation, so you don’t need a dry cleaner to get the funk of smoke and bulgogi out of your jacket; much easier parking than in the Inner Richmond; no wait for a table; and, for the win, you can bring your beverage of choice. It’ll be hard to choose between the wonderful kalbi — marinated short ribs cooked at the table and served with rice, tofu soup, and banchan — and the equally killer bulgogi — tender BBQ beef cooked like the kalbi.

Pairing: Korean food and wine just don’t mix. Maybe it’s the acidity of the kimchi competing with the acidity of the wine; maybe it’s just that the cold bite of a beer is the only thing that’ll make your mouth stop burning. Either way, try the Korean beer, OB Lager, or another East Asian brew — like China’s Tsingtao, Harbin Lager, or Macau Beer.

1802 Balboa, SF. (415) 752-4447 *

6 African feasts

0

If there’s one thing I learned while traveling in Africa, it’s that you can never predict the sublime. With little to guide you except your nose and your gut, eating "out" usually means perching on the side of the road in front of an unprepossessing stall and entrusting your appetite’s fate to the dish of the day. Luckily it seems there’s no end to the possibilities created from a handful of humble ingredients — tomatoes, onions, legumes, and yams — and the deft talents of a multitude of unsung culinary geniuses. Even luckier, in San Francisco, traveling gastronomically around an entire continent is as easy as hopping the bus to the next neighborhood, proving that even local travel can broaden one’s horizons — not to mention waistline.

TAJINE


Ever the sentimentalist, I have been known to wax nostalgic about Tajine’s former gritty Jones Street location, which was so tiny it only had two or three tables and a bustling to-go trade among the city’s taxi drivers. But because I consciously strive to embrace change (no, really!), I am able to appreciate their newer, bigger, and admittedly more expensive Polk Gulch location. Though its menu includes kebab plates, flaky bastilles (savory phyllo dough pastries), and an array of salads, it’s the hearty, meaty, one-pot stews (tajines) that really get my tastebuds tingling.

1338 Polk, SF, (415) 440-1718, www.tajinerestaurant.com

BISSAP BAOBAB/LITTLE BAOBAB


From the national dish of Senegal (thiebou djen, a tilapia-based stew, served with red rice) to the regional specialties of yapou khar (a melt-in-your-mouth lamb dish from the city of Thiès) and yassa chicken from Casamance, Bissap Baobab dishes up pan-Senegalese cuisine with friendly flair. The not-to-be missed drinks, mixed with bissap (hibiscus), ginger, and tamarind juices inspire smooth (and otherwise) moves on the dance floor of Little Baobab once the tables have been pushed away and the rotating lineup of DJs comes out to play at 10 p.m.

2323 Mission, SF. (415) 826-9287

3388 19th St., SF. (415) 643-3558

www.bissapbaobab.com

AXUM CAFÉ


The axis of the San Francisco Ethiopian restaurant "scene" for many years, Axum Café serves a fine, spicy kifto (Ethiopia’s version of steak tartare), tender lamb tibsie, and an array of vegetarian options that would make even a diehard carnivore’s mouth water. Tucked behind an unpretentious facade on Haight Street, what Axum might lack in slickster glamour it more than makes up for with its solid menu and neighborhood-friendly prices. Plus, you can mistake their injera for a tablecloth — it’s that big (though much tastier).

698 Haight, SF. (415) 252-7912, www.axumcafe.com

A TASTE OF AFRICA


If you’ve come down, as I’ve been known to, with a persistent craving for fufu and egusi soup, you’ll be relieved to know that your hankering can be satisfied at A Taste of Africa without having to jump on the next plane to West Africa. This cheerful Cameroonian establishment also serves steamed corn koki (call ahead for availability) and a variety of savory vegetable dishes and meat stews. For an even more accurate taste of Africa, their food truck at the Ashby BART flea market definitely reminds me of the open air food stalls where I sampled so many of these dishes the first time around.

3015 Shattuck and Ashby BART station, Berk. (510) 981-1939

NEW ERITREA RESTAURANT


Though the cuisines are virtually identical, you don’t want to confuse Eritrea for Ethiopia in polite company. Still, for those who love their Ethiopian restaurant experiences, the drill at New Eritrea Restaurant will be familiar. Receive platters of flavorful food, plunge in sans silverware, and chase with copious amounts of Harar beer or steamed milk with honey. For the frugal and adventurous alike, they offer the familiar vegetarian sampler platter and a less usual meat one, plus three varieties of sambusas (stuffed East African fritters).

907 Irving, SF. (415) 691-1288

TROPICAL PARADISE


I love eating out in Berkeley period. You never have to stand in hipster hell waiting for admittance to food heaven, even on weekends. And for my money, as far as heavenly goes, you can’t beat the Ghanaian grub at Tropical Paradise. Try the tastiest fried plantains in the Bay, served piping hot alongside delicately seasoned black-eyed peas — a deceptively simple dish known as Red Red. The ubiquitous fermented corn dumplings (kenkey), hearty waachi, and a blood-warming "light" soup with fufu and generous portions of goat, chicken, or salmon bring Ghana to life in your mouth — especially when pleasantly washed down with a spicy sweet blend of fruit and ginger.

2021 University Avenue, Berkeley, (510) 665-4380 *

You’ll go blind doing that

0

> a&eletters@sfbg.com

ISBN REAL Nobody knows better than writers that there’s nothing inherently special or ennobling about reading a book. Fiction abounds with infatuated references to studious ritual, yet there’s also no shortage of passages that portray reading as a distraction, or an ingredient in a tedious bourgeoisie mating dance. The Great Gatsby (1925) may stroke the ego with its halfwits who treat books as props, but Somerset Maugham’s The Moon and Sixpence (1919) and Edmund Wilson’s Memoirs of Hecate County (1946) get straight to the point and portray reading as a fool’s pastime.

It still brings me down a bit when I think of that blip of a minor character in Wilson’s book martyred to this belief: a sort of intellectual Margaret Dumont. Here was a woman who undoubtedly read millions of words — and good ones — and all it got her was the position of deluded gadfly.

Meta-masochism is hardly required to appreciate the point that books ain’t all that. There are plenty of sad reminders in the three-dimensional world, like an acquaintance of mine during college who sported on his backpack a button with the mating call "I STILL READ BOOKS." Clearly we had an enlightened soul on our hands, one with an intellect of such dexterity, no less, that he somehow pulled off the Orphean mental journey necessary to think Pay It Forward was a high-quality movie. The world is so full of bookworm poseurs and onanists it’s hard not to question one’s own motives for curling up by the fire.

Mikita Brottman’s new book, The Solitary Vice: Against Reading (Counterpoint, 224 pages, $14.95) takes a crack at this question on our behalf, attempting a scholarly treatise against the assumption that reading, in and of itself, makes you a better person. Brottman, a language and literature professor at the Maryland Institute College of Art, wonders if perhaps our faith in the alchemical power of the practice "draws its power from a toxic brew of magical thinking, narcissism, and nostalgia."

Them’s fightin’ words. Unfortunately, Brottman’s punches don’t land nearly as often as they should. It would be hard to find the academic who could give the hyper-literate life a sound thrashing. But to maintain a modicum of fidelity to one’s thesis, not to mention one’s doubly barbed title, seems a modest expectation. The articulate introduction of Brottman’s book, sprinkled with aperitif-caliber evidence, lugs behind it 200-plus pages of disposable items from the trove of idiosyncrasies that is modern readership. Equal parts trivia, anecdotal digression, and halfhearted cautionary tale about the perils of culture-sanctioned solipsism, the result is not easily distinguishable from a valentine to reading.

I picked up Solitary Vice expecting to intermittently yell, "Preach it!" and have my opinions about literary fetishism fortified with case studies and garnished with academic authority. I don’t buy the spiritual democratization argument put forth in books such as Mark Edmundson’s 2004 Why Read? (Bloomsbury USA, 160 pages, $12.95). A book’s availability is the democratizing factor, not its contents. It seems wise that we’re introduced in our dumb-ass youth to the many types of intellectual life ripe for the plucking if we ever become so inclined. What’s not wise is assuming that students shouldn’t shuck those disciplines they find obnoxious immediately upon leaving school — that the best examples of literature aren’t at their core well-executed indulgences of an impractical enthusiasm. My reading life has helped the world only inasmuch as the world has to put up with a much less cranky person.

I will not fault you, Mikita Brottman, if you humbly disagree.

Guide to greener living

0

Click here for even more green businesses and services, including Green Citizen, Green Zebra, PLANTSF and more!

ERECYCLE CAMPAIGN


Want to obey the bumper stickers and kill your television? That’s OK. But be careful where you bury it. TVs, as well as computers, DVD players, and all kinds of electronics, have no business in landfills. They’re made of plenty of metal which can be recycled, along with plenty of chemicals that are hazardous to the public. The eRecycle campaign, sponsored by the California Integrated Waste Management Board, maintains a Web site of local pickup and drop-off services for your e-waste — and thankfully, just in time for the high-def TV changeover in 2009.

www.erecycle.org

ECO HOME IMPROVEMENT


Want a greener home from the ground up? This is your one-stop shop. From flooring and cabinets to decor and lighting, everything here is natural, sustainable, and eco-friendly.

2617-2619 San Pablo, Berk. (510) 644-3500, www.ecohomeimprovement.com

DR. NAMRATA PATEL


Finding the right dentist is tough. But Dr. Namrata Patel makes your decision easier with her new LEED-certified (that’s Leadership in Energy Efficiency and Design) office. Patel uses nontoxic products — keeping PVC, formaldehyde, and chlorine out of everything from floors to cabinetry. She’s careful about reducing waste. She uses minimal radiation and a special filtration system for dealing with mercury fillings. Even her office furnishings are made with recycled materials. And yes, she accepts insurance!

360 Post, Suite 704, SF. (415) 433-0119, www.sfgreendentist.com

SAN FRANCISCO GREEN BUSINESS PROJECT


Want to make sure your favorite restaurant or preferred electrician uses green practices? This online resource will point you toward businesses in SF, from bars to baby clothes retailers, who are committed to the environment.

www.sfenvironment.com/greenbiz

LUSCIOUS GARAGE


The actual act of driving isn’t the only reason having a car is hard on the environment. Maintaining it is too. But Luscious Garage is trying to help on both accounts. This woman-owned and operated facility specializes in hybrids, and runs the whole business as sustainably as possible, from the machine shop to the office. And for these luscious ladies, sustainably goes beyond chemicals and objects — they also sustain their community by hosting classes and a hybrid car club in their beautiful facility.

459 Clementina, SF. (415) 875-9030, www.lusciousgarage.com

PAT’S GARAGE


Like Luscious Garage’s brother, Pat’s also focuses on environmentally friendly business practices. Bring your Honda, Acura, or Subaru for services you can feel good about. Or, if you have a hybrid, you can work with Pat’s partners, Green Gears, to upgrade your hybrid with plug-in capabilities. Bonus? They offer free car classes for women.

1090 26th St., SF. (415) 647-4500, www.patsgarage.com, www.greengears.com

KEETSA


This SF-based business wants you to rest easy with their eco-friendly mattresses. With recycled steel in the coils, bamboo and unbleached natural cotton for fabrics, nonchemical odor-controlling and antibacterial treatments, and ingenious use of scrap memory foam bits, every mattress is as kind to the earth as it is to your body. Keetsa further reduces its carbon footprint with its innovative mattress compression technique, allowing for easier and more efficient transport. But are they good mattresses? They must be. After less than a year in business, they’re already opening a store in Fairfield.

271 Ninth St., SF. (415) 252-1575, www.keetsa.com

ECOHAUL


Just bought a new Keetsa and want to get rid of your tired old Sealy? Don’t just throw it in the trash. If you don’t live on one of those SF streets where a stranger will pick up your stuff from the sidewalk within an hour, call San Rafael–based Ecohaul. This nationwide service will pick up your furniture, appliances, yard waste, and just about anything else you can think of. Then they’ll reuse, recycle, and repurpose everything they can, diverting as much from the landfill as possible.

1-800-ecohaul, www.ecohaul.com

THE ORCHARD GARDEN HOTEL


You’ve greened up your home, so why not find an eco-friendly home away from home? The Orchard Garden was the third hotel in the United States to be given LEED certification for its key card energy control system (SF’s first — it’s based on the European model), organic bath products, natural materials, and general commitment to sustainability. Also check out its sister hotel, the Orchard, on Union.

466 Bush, SF. (415) 399-9807, www.theorchardgardenhotel.com

EPI CENTER MEDSPA


Ten years ago, Epi Center was the first spa in the country to combine traditional spa treatments and medical procedures. Now it celebrates its anniversary with a new innovation: the ecomedspa. This LEED-certified arm of the original spa combines regular procedures with organic treatments in a healthy environment, all according to the principles of William McDonough’s "Cradle to Cradle."

450 Sutter, SF. (415) 362-4754, www.skinrejuv.com

NEPALESE PAPER


Based in Penngrove, this company imports handmade Nepali paper made from bark of a white shrub called lokta, which regrows after pruning. Not only does this mean no trees are cut down, it also means employment for many women in Kathmandu Valley and financial support for village regions of Nepal. Plus, the paper’s gorgeous. Order online, or find it at Stylo, Autumn Express, Kinokuniya Stationery and Gifts, or San Francisco State University.

(707) 665-9055, www.nepalesepaper.com

MORE DIRT


Make a fashion statement with these simple, 100-percent organic T-shirts by Heidi Quante. The shirts, which are brown with white lettering saying "More Dirt" on the front are meant to capture attention and send people to Quante’s Web site, which shows people how to combat global warming through planting trees, establishing community gardens, and using permaculture techniques. Inks are made without PVC or phthalates, and shirts come in sizes for men, women, and babies.

www.moredirt.org

A. MACIEL PRINTING


Family owned and operated since 1984, A. Maciel specializes in recycled and tree-free papers as well as soy-based inks. What’s even better? The shop is completely wind-powered. Though the print shop is capable of doing corporate jobs, A. Maciel caters to nonprofits and community groups like the American Land Conservancy, Forest Ethics, and Greenpeace. They’re also part of Northern California Media Workers/Typographical Union. Sure beats Kinko’s.

50 Mendell, Unit #5, SF. (415) 648-3553, www.amacielprinting

TRANSPORTEDSF


All aboard the ecobus! This organization takes Das Frachtgut, the veggie oil–fueled bus Jens-Peter Jungclaussen uses as a mobile classroom, on an ecofriendly party tour. Movie nights are all about watching modern classics and then doing some kind of relevant outdoor activity (e.g., see The Big Lebowski, then bowl outside). Dance nights turn the bus into a mobile DJ booth and an instant, impromptu club. It’s fun, safe (no drunk driving, kids!), and above all, Earth friendly.

www.transportedsf.com

The seeds of health

0

› culture@sfbg.com

One warm winter day at Ruus Elementary in south Hayward, Chef Tiffany sweeps a roomful of second-graders into their only cooking class of the year. Before long, they’re shouting out the names of body parts that benefit from fresh veggies: "Eyes!" "Teeth!" "Heart!" And even if Swiss chard elicits a wary silence, the kids already know spinach from bok choy, and Chef Tiffany, known to adults as Tiffany Chenoweth, smoothly transitions from her talking points about leafy greens into the hands-on section of the class (after delivering a squirt of antibacterial gel onto the palms of each child). Meanwhile, out past the bustling blacktop, garden instructor Rachel Harris walks an ethnically diverse group of third graders through the concept of soil enrichment. They reluctantly tear down a lush patch of fava beans that reaches over their heads, pretending to pull nitrogen out of the air (hands up!) and deposit it into the soil to benefit spring crops (hands down!). This is school garden time.

If there’s a downside to teaching children how to nurture a green, nutritious school garden, it’s hard to fathom. The list of touted benefits is lengthy: students reap fresh air and physical exercise, hands-on participation, awareness of the natural environment, so called "school bonding," and an unprecedented taste for raw spinach. For school faculty, there are welcome breaks in the classroom regimen, an engaging outlet for unruly pupils, and a bridge to involvement with volunteers in the community. And parents get to share skills and experience, from farm expertise to carpentry, that once felt irrelevant to an academic setting.

But in an educational realm where standards reign supreme, the benefits of gardens can be tough to quantify. In promotional literature, the Network for a Healthy California, a funder of Hayward Unified School District’s program, stresses connections that reflect common sense, like the idea that making fresh vegetables readily accessible to low-income families will reduce the growing rate of obesity. But the future of garden instruction in the long term, when inroads against sprawling ills like obesity might become broadly measurable, is unpredictable when grants and appropriations change from year to year. Even in the Bay Area, where strawberry patches and kale flourish beside asphalt schoolyards, garden educators continually scramble to afford basic supplies, sometimes spending more time cultivating donors than mulching vegetables.

That’s how it often feels to Miriam Feiner, program director for the Willie Brown Jr. Academy Garden. "We’re pretty much our own two-person nonprofit," Feiner says of herself and assistant Joti Levy at an Arbor Day work party on March 8, where dozens of native seedlings — coffeeberry, sticky monkey flower, and other species attractive to bees — awaited planting on a weedy slope.

The duo’s fundraising efforts have been rewarded with sizable grants from SF Environment’s Environmental Justice Grant Program and Alec Shaw of the Shaw Fund, as well as partnerships with San Francisco Beautiful and Friends of the Urban Forest.

Even more rewarding though, Feiner says, weekly garden-based classes at Willie Brown have students literally begging for kale. But she concedes that ultimately the current model, which is based on constant fundraising, is "not sustainable."

Difficulties in funding aside, people like Abby Jaramillo, the youthful director of San Francisco nonprofit Urban Sprouts, will gladly explain why it’s important to find a way to sustain such programs. When Jaramillo and her team took over the Excelsior Garden, shared by the June Jordan School for Equity and Excelsior Middle School, she said she was "up to her armpits in fennel."

But the overgrown herbs weren’t the only sign of disrepair. "It was a struggling middle school desperately in need of something that would make the students have a stake," she said. Describing the community’s "food environment," a term of art in nutrition education, she listed liquor store fare and junk food as the most prevalent options. Five years and six new school gardens later, Jaramillo thinks school administrators and teachers are genuinely on board with Urban Sprouts, whose mission is to serve low-income youth in San Francisco. "When the kids come outside; they are leaders, teaching each other how to plant," she says. "We need to make the garden a core, that will remain here and make a difference."

Whether that happens depends on whether garden education becomes institutionalized, not just a supplemental benefit reliant on the assiduousness of leaders like Jaramillo and Feiner. "My dream," Jaramillo says, "is that it would be like gym." That is to say, an expected feature of the precollege landscape. I asked her if there were models for this kind of integration. She, and everyone else I spoke with, pointed to the Edible Schoolyard, the celebrated collaboration between local-food pioneer Alice Waters and Martin Luther King Jr. Middle School in Berkeley. At the Schoolyard, a beneficiary of the Chez Panisse foundation, the perpetual cycle of seasons meshes with the academic year as rising eighth graders ceremonially plant corn for incoming sixth graders to harvest in the fall, suggesting a garden practice that is truly rooted in the school experience.

According to the San Francisco Unified School District, out of 104 K-12 school sites in the city, 36 maintain "green schoolyards," with 45 new gardens planned over the next four years. Statewide, $10.8 million from Sacramento was awarded in the form of California Instructional School Garden Program grants in October. It’s not nearly enough to fulfill the California Department of Education’s stated goal of "a garden in every school." But as Jordan students prepare to sow enough lettuce to provide the entire school with a lunch salad for one day, Jaramillo is hopeful that showing even a small percentage of kids where food comes from will have a lasting effect, with lessons about healthy eating rippling out through them to their families and into the community.

With the infrastructure of garden education still in its founding stages, assessing its efficacy poses a conundrum. The kind of life-changing transformations that green schoolyard proponents hope for might not be apparent in the short term, while slashed budgets threaten to endanger the longevity of even the most lovingly planted plots. Still, educators like Harris aren’t daunted by the relative nonstandardization of their field. She’s seen the results first-hand — like the student at a Hayward school barbecue who traded a Butterfinger for a second helping of grilled zucchini. After our interview, as Harris left the grocery store where she’ll teach her class to distinguish between processed and fresh food, a Ruus student in pigtails greeted her excitedly. "Miss Rachel!" she cried, throwing her head back with a wide grin. "I like garden!"

Alligators, man

0

TOOTHY CINEMA Alligators, man. As James Bond, Indiana Jones, and Peter Pan will tell you, meeting a gator is a surefire way to add insta-peril to your script, or at least supply a pun-tastic one-liner (Arnold Schwarzenegger to recently expired gator in 1996’s Eraser: "You’re luggage!") Last year’s pseudo-political Primeval was a disappointment, and Rogue, Aussie director Greg Mclean’s follow-up to Wolf Creek (1995), never quite made it into theaters stateside. Fortunately, Mother Nature’s cuddliest predator takes center stage in a few flicks well worth your Earth Day perusal. (Note: Scientists will tell you that head shapes, saltwater tolerance, and other factors separate alligators and crocodiles. But as far as Hollywood’s concerned, same difference.)

Lake Placid (1999) Directed by Steve Miner — who helmed two Friday the 13th sequels (including the one in 3-D), C. Thomas Howell blackface classic Soul Man (1986), multiple episodes of Dawson’s Creek, and Jessica Simpson’s soon-to-be-straight-to-video Major Movie StarLake Placid has the advantages of an agreeable cast (Bill Pullman, Bridget Fonda, Brendan Gleeson, and a memorably foulmouthed Betty White) and a script by Emmy darling David E. Kelley. Lake Placid doesn’t quite achieve the critter-tastic heights of 1997’s Anaconda, but it’s adequately gruesome and campy. Trivia: the made-for-TV sequel subs in Cloris Leachman for Betty White and features laughably bad special effects, as well as way more boobs than the original.

Alligator (1980) You know how New York City is supposed to have alligators in its sewers? Chicago has a similar problem. This creature-horror sorta-classic pits Robert Forster against a gator named Ramon. Alligator would double-feature well with swamp-sploitation ‘Gator Bait (1974), which features Cajuns, incest, hick-tastic accents, and quite a few slimy reptiles — most of them human.

Eaten Alive (1977) Tobe Hooper’s follow-up to The Texas Chainsaw Massacre (1974) also concerns an isolated house populated by "a family of Draculas" that’s stumbled upon by Marilyn Burns, Chainsaw‘s blond screamer. But in Eaten Alive, the dwelling resembles a redneck Bates Motel, with a hungry croc lurking in muddy waters that abut its porch. Veteran tough-guy actor Neville Brand glowers atop a cast of horror notables — including Carolyn "Morticia Addams" Jones, Kyle Richards (one of the kids Laurie Strode babysits in 1977’s Halloween), and Robert "Freddy Krueger" Englund.

Crocodile Dundee (1986) Granted, much of the wildlife in this film is supplied by Times Square — but you gotta love that scene where Paul Hogan brains a baddie with a can of peaches.

Destination unknown

0

> a&eletters@sfbg.com

Jeff Greenwald has done his show Strange Travel Suggestions dozens if not hundreds of times and still has no idea where it’s going. No wonder he and his audience keep coming back for more. The unknown, an aphrodisiac to the traveler, also makes great catnip for the storyteller.

Still, there are consistent elements. There is no need to reinvent the wheel — or the impressive Wheel of Fortune that sits just off center stage, painted with a map of the globe and ringed with symbols abstract and evocative enough to conjure up myriad adventures, peak experiences, and humbling encounters from the vivid grab-bag memory of an accomplished travel writer and inveterate globe-trotter. There’s also a real grab bag, just in case, and an oversize Tarot card, a sort of visual aid cum talisman sporting a classic image of the Fool, patron saint of the traveler’s heedless leaps of faith. In the end, Greenwald’s show, as reliable as it is unpredictable, mimics a genie-from-a-bottle experience: what you get is three spins, three stories, and a lot of unexpected truth.

Greenwald is the author of several travel books, including 1996’s Shopping for Buddhas (which began as a staged monologue), 1997’s Size of the World, and 2002’s Scratching the Surface. He’s also cofounder of Ethical Traveler, a human rights and environment-conscious grassroots alliance of travel lovers who act as "freelance ambassadors" worldwide. Strange Travel Suggestions takes its title from a key authorial and ethical influence, Kurt Vonnegut, whose 1963 book Cat’s Cradle declared that "strange travel suggestions are dancing lessons from god." The current revival of the show, which originated at the Marsh back in 2003, coincides with the recent demise of another important influence, science fiction writer and futurist Arthur C. Clarke, who was a close friend of Greenwald’s since Greenwald was 16 and first met the longtime Sri Lanka–based author during a stint in New York City.

Last weekend, the first spin of the wheel sent Greenwald reminiscing briefly about his late friend, including Clarke’s surprise at humankind’s recent slight retreat from space exploration, which Clarke viewed as a promising new and necessary growth in species consciousness. Greenwald invoked Clarke’s love of scuba diving as the best earthbound analogy for space travel. After landing on the glyph for Rites of Passage (by tradition, the wheel is given a whirl by an audience member), Greenwald recalled a trip he made after turning 40, a milestone he says made him want "to rediscover the size of the world" by avoiding the homogenizing and distance-compressing effects of airports and airplanes entirely. The trip, which began with passage on a freighter from Red Hook, Brooklyn, to Dakar, Senegal, included an incredible predawn dive off an island in the Philippines that perfectly captured the extraterrestrial venture Clarke had in mind.

From there, the strange grew stranger, climaxing with a tale about a road trip (inspired by a wheel spin that landed on an Outlaw symbol) that might have been out of a movie codirected by Quentin Tarantino and the late Spalding Gray. Greenwald’s stories possess more than a fine sense of humor and knack for shrewd detail and telling observation. They also contain a Zen-inflected homespun wisdom no doubt born of leaving home on a regular basis. If slightly self-conscious at times, these stories are always genuine and appealing.

Throughout Strange Travel Suggestions, Greenwald sits on a high stool or slowly paces the stage, wearing comfortable shoes and casual clothes with ready pockets that quietly suggest the seasoned voyager. But this is hardly a costume, and Greenwald the performer is not really an actor. He is instead a talented storyteller, with a mellow, easy, and sure delivery. Even if the stories he delivers on any given night have been told before (he selects from more than 50), spontaneity keeps them fresh and limber. The only time his delivery strained was when he recited from memory a passage from one of his books. The recall was perfect, but the prearranged words forced a histrionic note. Then again, the passage itself (a scene set at the rail of a ship, describing the character of the open sea) was eloquent and apt. Ultimately, anywhere Jeff Greenwald wants to take you is worth the detour. *

STRANGE TRAVEL SUGGESTIONS

Thurs.–Sat., 8 p.m., through April 26 (no show Sat/19); $15–$35

The Marsh

1062 Valencia, SF

(415) 826-5750 information; (800) 838-3006 tickets

www.themarsh.org

CO2 stew

0

› kimberly@sfbg.com

SONIC REDUCER It’s not easy being green, music lover. Because I’ve tried to shove my big fat cultural consumption hoof into a smaller carbon footprint, but I can’t dance around the numbers.

I’ve ponied up the green stuff for nonprofits, come correct at the composting and recycling bins, and threatened to finally get the crusty Schwinn into shape despite the near-death horror stories from bike messenger chums back in the day. But what can a music-gobbling gal do when faced with the hard if rough facts spat out by, for instance, the free online Carbon Footprint Calculator? After selecting "I often go out to places like movies, bars, and restaurants," I watched my print soar to Bigfoot proportions — thanks to my nightlife habit I supposedly generate around the US average of 11 tons of CO2 per person — rather than the mere 8.5 tons if I indulged in only "zero carbon activities, e.g. walk and cycle." Even if this out-late culcha vulcha flies on zero-emission wings to each show, I’m still feeding a machine that will prove the undoing of the planet, since the Calculator estimates that hard-partying humanoids need to reduce their CO2 production to 2 tons to combat climate change. We won’t even get into the acres of paper, publications, and CDs surrounding this red-faced, would-be greenster. I’m downloading as fast as I can, but I wonder whether my hard drive can keep up: hells, even MP3s — and the studios and servers that eke them out — add to my huge, honking footprint. Must I resign myself to daytime acoustic throw-downs within a walkable radius from my berth? Can I get a hand-crank laptop? Just how green can my music get?

Well, it does my eco good to know that a local venue like the Greek Theatre has gone green all year round: Another Planet has offset an entire season’s 113 tons of CO2 emissions; composted over two tons of cups, plates, and utensils; used recycled paper and soy-based ink on all their printed materials; and offered a $1 opt-in to ticket-buyers to offset their environmental impact. I can feel my tonnage shrinking just staring at the numbers. And while gatherings such as last year’s Treasure Island Music Festival sported zero-emission shuttles and biodiesel generators and this year’s Coachella Valley Music and Arts Festival will team with Amtrak to provide a free train that will move campers from Los Angeles’ Union Station to Empire Polo Field sans smog-spewing traffic jams, artists like José González have embarked on green tours, adding 50 cents to tickets to support nonprofits. Yet such efforts might prove more consciousness-raising than anything else, González concedes: "For me, playing mostly solo and touring with a small crew, I feel like the actual cut down on emissions is marginal comparing it to major artists, so it’s more about the symbolic value of it, and the ripple effect it might bring."

Still, CO2 spendthrifts like me need a swift kick in our waste-line. Lining up to deliver are such music-fueled events as the free South Lake Tahoe Earth Day Festival April 19 and the Digital Be-In 16 April 25 at Temple nightclub, organized by the Cyberset label with an "ecocity" theme aimed at sustainable communities. Green practices, Be-In founder Michael Gosney says, "may not be huge in of themselves, but they set an example for communities to take these practices back into their own lives." One such community-oriented musician is String Cheese Incident mandolin player Michael Kang, who’ll perform at the Digital Be-In and appear with Dan Hicks and the Hot Licks at the free Green Apple Festival concert April 20 in Golden Gate Park.

Organizing seven other free outdoor Earth Day shows throughout the country on April 20 as well as assorted San Francisco shows that weekend, the Green Apple Festival is going further to educate artists and venues — the usual suspects that inspire me to make my carbon footprint that much bigger — by distributing to participating performers and clubs helpful Music Matters artist and venue riders: the former encourages artists to make composting, recycling, and offsets a requirement of performances; the latter suggesting that nightspots consider reusable stainless-steel bottles of water and donating organic, local, fair-trade and/or in-season food leftovers to local food banks or shelters.

But how green are the sounds? Musicians like Brett Dennen, who also performs at SF’s Green Apple event, may have grown up recycling and composting, but he confesses that environmentalism has never spurred him to craft a tune: "Things as big as global warming have never moved me to write about it, even though I’m doing what I can." And Rilo Kiley’s Blake Sennett, who plays April 17 at the Design Center Concourse, may describe himself as a "recycling animal — I love it! I go through trash at other people’s houses!", yet even he was unable to push the rest of the his group to make their latest CD, Under the Blacklight (Warner Bros., 2007) carbon neutral.

So maybe it comes down to supporting those leafy green rooms, forests, and grasslands we otherwise take for granted. Parks are the spark for ex–Rum Diary member Jon Fee’s Parks and Records green label in Fairfax, which wears its love of albums on its hand-printed, all-recycled-content sleeves and plans to donate a percentage of all its low-priced CD sales to arboreal-minded groups like Friends of the Urban Forest. Fee and his spouse Mimi aren’t claiming to have all the answers in terms of running a low-carbon-footprint imprint, but they are pragmatic ("In order to support bands, labels need to give them something they can sell to get gas money," Fee says) and know their love of the outdoors segues with many musicians. "You develop that camping mentality from touring," he offers. "You’re not showering, and you’re hanging out for long periods of time. Everyone loves to be outside." That’s the notion even those too cheap to buy offsets can connect with — until the weird weather is at their doorstep.

Microhoo!

0

› annalee@techsploitation.com

TECHSPLOITATION For weeks now, analysts and armchair financial nerds have been mulling over what it will mean if software megacorp Microsoft buys Web monkey farm Yahoo! Would Microsoft-Yahoo! (known forevermore as Microhoo!) challenge Google to some kind of Web domination duel and win? Probably not. As much as I would love to see Bill Gates, Sergey Brin, and Jerry Yang in some kind of unholy three-way Jell-O wrestling match, I know it will never come to pass.

Microhoo! won’t ever have what Google has right now. Sure, Microhoo! will have some solid assets: control of most PC desktops with the Windows OS, Microsoft Office crap, and the Internet Explorer browser. After chomping up Yahoo!, Microhoo! will have a second-rate search engine used by a forlorn 22 percent of Web searchers, followed by a very confused 10 percent who use Microsoft search — I bet you didn’t know Microsoft even had a search engine, did you? It would also have a giant mess of users on free Yahoo! mail, as well as Yahoo! instant messenger. Plus it would acquire a host of Yahoo! things you also didn’t know existed, like Yahoo! Buzz and Yahoo! Answers. Along with about 8 percent of the Web advertising market.

What does Google have? Sure, it has a million things like Android and Orkut and Gmail and Reader and Blogger and Scoop and Zanyblob. But what it really has is Search. Fifty-nine percent of online searches go through Google servers. And if it can sell ads to 59 percent of the billions online? It owns the attention of the majority of the market. Google wins. That’s why the company isn’t worrying so much about Microhoo! and instead is doing things like investing in alternative energy research and letting its employees make psychotically long, company-wide e-mail arguments about whether it’s Earth-friendly to provide plastic bottles of water in the lunchrooms.

I shouldn’t be so glib. Google is making a halfhearted attempt to prevent Microhoo! from being born. The company offered Yahoo! an ad-sharing partnership where the two could pool their networks, put more ads in front of more eyes, and come out as an even more giant advertising machine. They’re doing a very limited test of the ad partnership over the next couple of weeks. Maybe we’ll see a Goohoo! after all.

I don’t think so. Most business pundits think the Goohoo! deal is just Yahoo!’s last-ditch effort to get a bigger offer from Microsoft. Apparently Yahoo! wants about $50 billion to become Microhoo!, and Microsoft is currently offering a little more than $40 billion. No matter what the price tag, my bet is that we’re going to see Microhoo! by this time next year. Microsoft is even contemputf8g a hostile takeover — that’s how serious the situation is.

So what does Microhoo! mean for us, the little guys, who just want a nice search engine that helps us find "hot XXX pussy" or "free MP3" on the Web? For one thing, it means we’ll have fewer options when it comes to online searches, using Web mail, and just plain goofing around online. Microsoft actually considered bringing News Corp, owners of MySpace, in on the Microhoo! deal. That would mean MySpace, Hotmail, Yahoo! mail, and your PC software would all come from a merged corporate entity.

Let’s say we did get a Micronewshoo! It’s online offerings, combined, would be very much a version of Google’s online offerings: mail, social networking, search, Web fun. There would be no cool new thing, no sudden breakthrough application that would transform our relationship to the Web the way Search did. It would be more of the same stuff, but from fewer players — and therefore blander and bigger, like Hollywood blockbusters. New applications and content creators on the Web will be incredibly hard to find unless they have a deal with Microhoo! or Google.

Then in 20 years, a woman in a physics graduate program in China will come up with an idea for the next cool communications network. At last, we’ll say, we finally have a network free from advertising! A place where we can share information without Big Business intruding! Not like the Web, which is all corporate content and has no place for the little guy.

Annalee Newitz (annalee@techsploitation.com) is a surly media nerd who thinks Google should start recycling dinosaur bones.