Mission

Learned

Andrew Lam
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1
Learned

ONGOING

Rockin’ Kids Singalong

Licensed clinical social worker and former punk rock singer-guitarist Stephanie Pepitone leads this musical play group for kids of all ages. Stephanie “leads families in about an hour’s worth of singing, dancing, music-making, and fun/chaos” with original tunes and familiar favorites.

Fridays, 10:30-11:30am, $10 per family. La Pena Cultural Center, 3105 Shattuck, Berk. www.lapena.org

JAN 12

Haitian Folkloric Dance

Live drumming accompanies instructor Portsha Jefferson’s class for all levels, which promises that “you will experience the meditative Yanvalou, the fiery rhythms of Petwo, the playful and celebratory dances of Banda and Rara. Expect a high energy class in celebration of a rich, spiritual tradition. Bring a long, flowy skirt if you have one.”

1:30-3pm, $13. Dance Mission Theater, 3316 24th St., SF. www.dancemission.com

JAN 16

Feeding Your Soul: Mindful Cooking and Eating in the New Year

Let the onslaught of New Year’s resolution-keeping commence. Kick off the year with an intro to mindful eating, and get away from psychologically compulsive, physically harming habits when it comes to nourishing yourself. Life coach Carley Hauck and chef Greg Lutes (known for his uni crème brulee!) team up deliver a lecture and cooking demo — aimed at helping you recognize wasteful food behaviors and reinvigorate your love for creating and enjoying healthful dishes.

$25 18 Reasons members, $35 others. 18 Reasons, 3674 18th St., SF. www.18reasons.org

JAN 17

Understanding Chinese Medicine

A six-week course at the American College of Traditional Chinese Medicine that will introduce you to the basic life force concept of Qi, and then broaden your knowledge into acupuncture, Chinese herbs, tongue and pulse diagnostics, yin and yang, five elements, and the Chinese concept of internal organs.

Thursdays, 6pm-8pm, $120. Pioneer Square and Shuji Goto Library, 555 De Haro, SF. www.actcm.edu

JAN 19

New Year, New Poems: Celebrate Your Muse!

“In our day together we’ll read and talk about an array of accessible, provocative poems by fine writers including current poet laureates Kathleen Flenniken, Juan Felipe Herrera, and Natasha Trethewey, and we’ll do some whimsical, illuminating writing exercises to bypass our inner critics and experiment with themes and tones, phrases and rhythms. We’ll listen closely and encouragingly to each other’s voices. By the end of the day we’ll have shaped a handful of budding poems and sharpened our vision for future writing projects,” says Writing Salon teacher Kathleen McClung.

10am-4pm, $95 Writing Salon members, $110 others. Writing Salon, 720 York, SF. www.writingsalons.com

JAN 19

Kongolese Contemporary Dance

Extremely charismatic instructor Byb Chanel Bibene revisits his Congolese roots, in which contemporary and traditional movements intertwined to produce a unique, exhilarating style. No experience in dance is necessary for this warm, fun, and inviting workshop.

10am-noon, $12-15 sliding scale. Also Jan. 20. Counterpulse, 1310 Mission, SF. www.counterpulse.org

 

JAN 25

 

Exploring San Francisco District Six

Sometimes education begins with looking more closely at your community. Supervisor Jane Kim leads a tour of her district — including South of Market, Mid-Market and Tenderloin neighborhoods — highlighting some of the recent successes and challenges affecting its residents’ quality of life.

3:30pm, $10. See www.spur.org/events for more info.

JAN 27

Bagel Making Workshop

Hole yes! You’ll never need complain about the state of West Coast bagelry again when the good folks of Sour Flour workshops lead you through the basics. You’ll begin by mixing flour, starter, salt, and water and then learning to develop the glutens through various techniques. Finally you’ll find out about boiling and baking techniques. Bring a plate to roll your creation home.

12:30-2:30pm, $80. La Victoria Bakery, 2937 24th St., SF. www.sourflour.org/workshops

FEB 2

Introduction to Coptic Bookbinding

The Coptic style of bookbinding allows a book to be laid open flat, making it ideal for sketchbooks and journals. Offered at Techshop, the epicenter of hands-on DIY yumminess, this seminar allows you to take home your own handmade journal! (To blog about?)

10am-4pm, $95 TechShop members, $110 others. TechShop, 926 Howard, SF. www.techshop.ws

FEB 5

Basic Mysteries

Revered Beat poet, former New College professor, and Guardian GOLDIE Lifetime Achievement Award-winner David Meltzer takes us on a uniquely persona tour of poetry and poetics, exploring “the roots of poetry, the invention and mythology of writing systems, divination, Kabbalah, and the page.” The four-week course (Tuesdays through February) will cover a lot of transcendent ground.

7:00-9:30pm, $200. Mythos, 930 Dwight Way #10, Berk. Contact julmind@mtashland.net for more info.

FEB 8

Career Toolbox with Suzanne Vega

The acclaimed neo-folk singer introduces us to her concept of the “career toolbox,” which “contains a unique mix of creative, strategic and marketing skills that helped her in the early stages of her career.” Honest self-reflection and an understanding of necessary skills to survive a competitive marketplace are key. Plus, hello, Suzanne Vega.

11am-2pm, $52 CIIS members, $65 others. California Institute of Integral Studies, 1453 Mission, SF. www.ciis.edu

FEB 19

Wild Oakland: Nature Photography Basics at Lake Merritt

Amid its passel of no-cost classes, including weekly courses on Eskrima, the Filipino combat system and herbal medicine, the East Bay Free Skool offers great one-off tutorials. Nature group Wild Oakland hosts a few of these that entail happy tromps about Lake Merritt. Today’s is a wildlife photography class taught by Damon Tighe, whose freelance shots appear in Bay Nature and other publications.

Noon, free. Meet in front of Rotary Nature Center, 600 Bellevue, Oakl. eastbayfreeskool.wikia.com

MARCH 17

Introduction to Neon

Surely there are few among us who could not use a custom-made neon sign. Perhaps you would like it to be clear that you are open for business. Maybe your roommate could use a permanent reminder that please Buddha Christ our savior we don’t leave our coffee mugs on the dining room table (ahem.) At any rate, this is one of this West Oakland metal mecca’s entry-level courses — check its online course schedule for more offerings in blacksmithing, welding, jewelry, glass, and more.

Sundays through 10am-6pm, $400. The Crucible, 1260 Seventh St., Oakl. www.thecrucible.org

 

Dapper down

Andrew Lam
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3
Dapper down

caitlin@sfbg.com

CAREERS AND ED When Ford Models announced that its newest menswear model was a woman — Olympic swimmer and New York artist Casey Legler — in the same month that Yves Saint Laurent chose Saskia de Brauw as the face of its spring-summer 2013 menswear collection, it became clear that men’s fashion was opening itself to the fact that not all people who wear suits and sport rugged looks are male-identified.

But not every butch looking for a fly three-piece has the gamine, broad-shouldered physique of Legler and de Brauw. What’s a dapper gent to do?

Enter the new wave of menswear (or, “masculine of center,” as we’ve seen the look defined on some style blogs) brands specifically tailored to the female-born or identified. Happily, downtown San Francisco’s Crocker Galleria will be the site of the first permanent menswear store to cater to the genderqueer.

“My mother started teaching me [to sew] when I was eight,” Tomboy Tailors’ 48-year-old, butch-identified owner Zel Anders writes me in an email interview. Anders has long been a fan of suits over dresses when it came to formal occasions, but was frustrated that she could never find a well-fitting outfit — even here in the Bay Area, where she’s lived since she was 17. She says the process of suit shopping grew painful, and found it necessary to steel herself before hitting the dressing rooms.

No such toughening up will be necessary at the new shop, which has already garnered a loyal Internet following despite the fact that it won’t open its doors until February 2nd. Tomboy Tailors’ staff will help customers find suits that fit right across the chest, hips, thighs, and seat, customizing them so that each garment fits its new owner.

The store will stock not only its in-house line (Anders especially touts its three-button, notch lapel suit for heavier clientele), but items from other brands selected for a pangender crowd — including a selection of men’s shoes in smaller sizes, like a Dalton wing-tip lace-up Oxford and saddle shoes from Carlos Santos and Walk-Over.

“I am having so much fun just watching people ponder and choose from the several hundred fabrics that they have as options,” Anders says about her Tomboy Tailors experience to date. ” Not only do they have to think about what color they want their suit to be, but they have to decide if they want a solid, herringbone, pinstripe, chalk stripe, plaid, or even a bird’s eye, nail’s head, or houndstooth check pattern to the fabric.” Finally, options.

Tomboy Tailors is hardly the only option for fly transpeople, dapper dames, and other genderqueers — transgressive men’s fashion site dapperQ (www.dapperq.com) recently published a list of fab online labels like Marimacho (www.marimachobk.com), The Original Tomboy (www.theoriginaltomboy.com), Saint Harridan (www.saintharridan.com), and Androgynous (www.androgynousfashion.com) that all have a mission to provide fashion for all points on the gender-fashion spectrum.

TOMBOY TAILORS OPENING PARTY

Feb. 2, 2-6pm, free

Tomboy Tailors

Crocker Galleria

50 Post, first floor, SF

www.tomboytailors.com

 

Actual pain

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0
Actual pain

emilysavage@sfbg.com

TOFU AND WHISKEY Ah, the tormented love song. Chelsea Wolfe does it well. Vocally, she transfixes, sometimes sounding like she’s calmly wringing every ounce of blood from a relationship totem, at other points whispering cries of help from a enveloping darkness, the vibrations of the plucked-hard guitar strings reverberating in the distance. This rush of gloom and pain, in a genre she’s past described as “doom folk,” came forth in a fierce package in 2011’s electric Apokalypsis, and steadily zigzags beautifully through 2012’s meandering Unknown Rooms: A Collection of Acoustic Songs.

This weekend, the LA-via-Sacramento singer-guitarist comes to SF with a fellow dark folk spirit, King Dude (Fri/11, 9pm, $15. Great American Music Hall, 859 O’Farrell, SF. www.slimspresents.com). The two once recorded a split seven-inch together, and have played a few shows here and there, but this will be their first full tour together, which surprises King Dude, as tells me via phone from his homebase in Seattle, because they’re longtime pals who “got on like a house on fire” when they first met.

They’re both on the spectrum of a bubbling rebirth of neofolk and gothic Americana roots, inspired by acts like Death in June, and seen elsewhere in musicians like Emily Jane White and Father John Misty, but really driven recently by Wolfe and Dude, in unique ways.

Though King Dude — a.k.a Seattle’s T.J. Cowgill of black metal bands Teen Cthulhu and Book of Black Earth, and clothing label Actual Pain — also has some experience with tortured love songs. His baritone vocals often sound as if there’s a gravelly demon inside, clawing to get out. The lyrics of his 2012 release, Burning Daylight, tend to reflect inner, unearthly struggles, the occult, fears of death, and tragic old world tales. Or as he told another publication, he’s inspired by “death, religion, love, Lucifer, nature, primal feelings.” Most of the tracks have fully imagined narratives.

There’s the song “Barbara Anne” in which he growls, “I’ll shoot that man in the head if he hurts you, Barbara Anne” and “I’ll run away with you if you’ll have me, Barbara Anne.” It’s the tale of small-town love, set in 1940s, around two characters — a boy and the girl he wants, who’s been wronged by the town. “I think it’s probably the best love song I’ve ever written,” Cowgill says. “The kid is like: ‘I’ll kill everybody in the town for you, if that’s alright with you.’ That’s the most loving thing I think anybody can say for somebody else.”

In his reality, his allegiances lie with his musician wife, Emily, and their seven-year-old black lab, Pagan, the latter of which is currently at the vet getting checked before King Dude heads out on tour with Wolfe, just to make sure everything is OK.

For the complete King Dude interview, see sfbg.com/noise.

 

UNCHAINED MELODIES

There have been countless articles dissecting every shot of Quentin Tarantino’s newest revenge fantasy, Django Unchained. From “the Django moment” (when white people laugh) to Kerry Washington’s costume designer’s secrets to “Why Django Had to Be a Spaghetti Western,” bloggers and squawkers have been raising important, sometimes frivolous theories about the controversial, often brutal film, set in an alternate version of the antebellum era of the Deep South. But what stood out to me, was the Django Unchained soundtrack; no big shocker, given the director.

The music takes over and transports immediately, with “Django (Main Theme)” by Luis Bacalov and Rocky Roberts, a powerful, full-throated song that was also the title track to the 1966 Spaghetti Western, Django. The opening credits are startling enough, setting a vividly emotional tone, but the song adds the outlining whomp, the exclamation mark. The dusty plucking and Elvis-like vibrato of “Jane-gooo” just stick in your brain. While on “Little Steven’s Underground Garage” show on Sirius Radio, Tarantino discussed his reasoning behind the music in the film. Of the theme he said, “When I came up with the idea to do Django Unchained, I knew it was imperative to open it with this song.”

The soundtrack weaves through ominous and plucky original Spaghetti Western themes, Brother Dege’s twangy stomper “Too Old To Die Young,” John Legend’s funky blacksploitation-style anthem “Who Did That To You” (which ended up on the soundtrack after Legend recorded it on cassette and mailed it to Tarantino), and pummeling hip-hop bangers, “Unchained (the Payback/Untouchable)” — a mashup of James Brown’s “The Payback” and 2Pac’s unreleased “Untouchable” — and “100 Black Coffins” by Rick Ross and Jamie Foxx.

Tarantino said on the radio show that this was the first time he’d included new music in one of his films, and it was thanks to the star and title character, Jaime Foxx, who ran into rapper Rick Ross at the BET Awards and invited him back to the set to work on a song together. The song is clearly influenced by the surroundings, with a Western whistle underneath a molasses beat and lyrics like “revenge is the sweetest.” and “I need 100 black coffins for 100 bad men/…I need 100 black bibles while we send ’em all to hell.”

There’s also the deceivingly calmer moments thanks to songs like Jim Croce’s “I Got a Name,” as Django is given his freedom, which left another lump in my throat. That track also has the needle drop and minimal fuzz of the record collector nerd Tarantino is. He’ll often use his own vinyl on the soundtracks. It’s a “whole record experience,” as he describes it. “Pops and crackles be damned.”

 

NEVER SLOWING DOWN?

It’s true, prolific garage rocker Ty Segall has yet another new band. This one’s called Fuzz, and it includes Segall on drums and vocals (just like in his pre-Ty Segall Band band, Traditional Fools!) and longtime collaborator-pal Charlie Moothart on guitar. The dudes just released new single “This Time I Got a Reason,” played Vacation last weekend, and will be a part of Noise Pop 2013: Feb. 28 at the Knockout ($8).

 

CANNIBAL OX

After a period of moody silence, underground Harlem rap duo Cannibal Ox has returned — to the stage, at least. Vast Aire and Vordul Mega announced a one-off reunion show in NY late last year, and that must have gone well, ’cause now they’re heading our way on a full tour. Also noteworthy: Aire and Mega only put out one album as Cannibal Ox, 2001 indie hit The Cold Vein, produced by El-P. Now they’re working on a 2013 followup on Iron Galaxy Records.

With Keith Masters, Double AB, Kenyattah Black, I Realz

Sun/13, 9pm, $15. Brick and Mortar Music Hall, 1710 Mission, SF. www.brickandmortarmusic.com.

Sunday metering begins in SF but few notice

Sasha Cuttler
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Sunday metering begins in SF but few notice

Yesterday, after years of heated conflicts over the issue, San Francisco officially began charging motorists to use metered parking spaces between noon and 6pm on Sundays – and nobody seemed to notice.

For the first few weeks, parking control officers with the San Francisco Municipal Transportation Agency are going to be issuing warnings rather than expensive parking tickets. But as Streetsblog SF reported today, even that didn’t seem to be happen. Its street survey in the Haight and Mission districts found that most parkers didn’t pay, and they received no warnings that they were supposed to.

SFMTA spokespersons that didn’t respond to Streetsblog inquiries also haven’t responded to questions from the Guardian about what happened and how many warnings were issued (UPDATED BELOW).

Sunday metering is intended to create more parking turnover in busy commercial corridors and bolster the SFMTA’s budget, capturing more money for Muni. But for now, it seems that everyone involved is still trying to shake off their holiday hangovers and get up to speed.

UPDATE 5:45: SFMTA spokesperson Paul Rose just returned our call to say parking control officers were indeed busy issuing warnings yesterday. “We issued about 4,000 warnings yesterday. That’s part of getting the word out,” he said. As far as Streetsblog’s observations, he said it could have been a fluke of timing or the fact that meters don’t indicate when someone pre-pays or pays by cell phone. “In the Haight, specifically, we issued about 600 warnings, and about 1,000 in the Mission,” he said. In addition to the direct warnings, the SFMTA has been publicizing the Sunday metering on billboards and Muni posters, through merchant groups, in the media, and on the meters themselves. 

Enforcement with actual tickets begins on Jan. 27.

“Weren’t they all circus shots?” Weegee’s crime scene photography

Andrew Lam
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1

In a slight departure from his job as founder of the Noir City film festival (coming up at the Castro Theater Jan. 25-Feb. 3), Eddie Muller pays homage to a dark auteur of a different medium with a talk at the Contemporary Jewish Museum on Thu/10. The object of Muller’s affection is famed crime scene photographer Arthur Fellig, a.k.a. Weegee. Weegee introduced artistry — often by way of extra-journalistic manipulation — into the documentation of extra-legal happenings during the 1930s and ’40s, so perhaps Muller’s fascination with the subject should come as no surprise. We caught up with Muller via the Interwebs to find out more about why he wants to draw upon Weegee’s dark arts in this week’s presentation.

San Francisco Bay Guardian: Why Weegee? What initially drew you into his work?

Eddie Muller: It’s about time I paid some public lip service to the guy. I’ve been fascinated by his images and the man himself since I was in high school and first saw his work — about the same time I became interested in film noir. The initial attraction to his photos is their grotesque aspect, the death, and the despair. But when you wise up a little and look deeper into the images, you see the incredible humanity … and the humor. And for many years unseen work would surface, so he’s remained fascinating. 

“Their First Murder” by Weegee

SFBG: How were his shots different from those of other crime scene photographers at the time?

EM: He was a storyteller. Other shooters were just looking for the cold facts, a documentary record of an event. Weegee was on the prowl for stories, ones you could grasp in a glance — and of course he wasn’t above manufacturing a news photo to get the story he wanted. There is a lot of editorializing in his work, so he wasn’t lying when he described himself as an artist. I love that bit in The Public Eye — in which Joe Pesci essentially plays Weegee in a film noir version of his career — he’s shooting a murder victim and he tells the cop “put the guy’s hat in picture. People like to see the dead guy’s hat.” He was a newspaper photographer whose singular style brought out the deeper meaning in his images. That was his art. What’s curious is that when he quit journalism to focus exclusively on his art, the work became less interesting, less humane.

“The Critic” by Weegee

SFBG: What about his circus shots? How would you characterize the kinds of themes that Weegee worked with?

EM: Weren’t they all circus shots? His nocturnal images of Manhattan are evidence of high-wire acts gone wrong. Not a bad description of life in the big city at 3am. I think his theme, if you want to call it that, was capturing the dread and danger lurking right below the surface of everyday life — but his genius was focusing as often on the people around the murder, the suicide, the tenement fire. The observers, the survivors. That’s where you see the courage, the determination, and the humor in “Weegee’s People.”

SFBG: Do you think he’s had a lasting impact on photography? How so?

EM: Absolutely! More than practically any photographer I can think of. Weegee was doing irony way ahead of that curve. He wasn’t only influencing news photography, he was influencing movie cinematography. I believe his vision of the big city after dark has a direct impact on the development of film noir in Hollywood. And not just on the camerawork, but on writers. He influenced the way other artists looked at the city, and the people in it. And he brought an entirely new attitude along with the good eye. He was a poor street kid who didn’t trust the rich and wanted to rub their noses in all the stuff they’d find impolite and inappropriate for public consumption. I think his attitude, the acceptance of humor and grace and grit amongst the horror and despair has been a huge cultural influence, as much on writing as on any other medium. Weegee was a writer, of sorts. Here’s a thumbnail of how he’d work: he wanted the perfect photo of street drunk, so he’d always be on the lookout for guys passed out in the gutters. But it had to be perfect! One night he finds a guy, flat on his back, under the awning for a funeral home. He gets the shot, and of course titles it: Dead Drunk. That’s not a news photographer at work. That’s not an artist with a camera—the picture isn’t even that good. That’s a writer—one who uses a camera, not a pen.

“Eddie Muller on the Art and Legacy of Weegee”

Thu/10, 6:30pm, $5 museum admission

Contemporary Jewish Museum

736 Mission, SF

www.thecjm.org

Music Listings

Andrew Lam
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0

Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

Keith Crossan Blues Showcase Biscuits and Blues. 8pm, $15.

Jason Marion vs JC Rockit Johnny Foley’s Dueling Pianos. 9pm, free.

Nathan and Rachel Johnny Foley’s. 9pm, free.

Lia Rose, Danny Paul Grody, Deep Ellum Brick and Mortar Music Hall. 8pm, $7-$10.

Royal Teeth, Gentlemen Hall, Mister Loveless Rickshaw Stop. 8pm, $10-$12.

Weather Side Whiskey Band, Creak, Jessi Philips Cafe Du Nord. 9:30pm, $8.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Roy Hargrove residency Yoshi’s SF. 8pm, $26; 10pm, $16.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Cha-Ching Boom Boom Room. 8pm, $5. Salsa, cumbia, Cuban funk.

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm.

THURSDAY 3

ROCK/BLUES/HIP-HOP.

Anthony B Independent. 9pm, $25.

Ron Hacker Biscuits and Blues. 8 and 10pm, $15.

John Lawton Trio Johnny Foley’s. 9pm, free.

Daniel Krass vs Rags Tuttle Johnny Foley’s Dueling Pianos. 9pm, free.

Pops, Beggars Who Give, Posole Brick and Mortar Music Hall. 9pm, $5-$8.

JAZZ/NEW MUSIC

Roy Hargrove residency Yoshi’s SF. 8pm, $26; 10pm, $16.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Country Casanovas Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm.

Misisipi Mike and the Midnight Gamblers Amnesia. 7pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Supersonic Lookout, 3600 16th St., SF; www.lookoutsf.com. 9pm. Global beats paired with food from around the world by Tasty. Resident DJs Jaybee, B-Haul, amd Diagnosis.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 4

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 9pm, free.

Dandelion War, In Letter Form, Catharsis For Cathedral, Tracing Figures Cafe Du Nord. 8:30pm, $10-$12.

Easy Leaves, Tiny Television, Misisipi Mike Great American Music Hall. 9pm, $15.

Funkin’ Fridays with Swoop Unit Amnesia. 6pm.

Good Luck Thrift Store Outfit, Human Condition, Fox and Woman Independent. 9pm, $15.

Happy Body Slow Brain, Gavin Castleton, Case in Theory, Belmont Lights Bottom of the Hill. 9pm, $12.

Love Dimension, Free Moral Agents, Saything, Buzzmutt Brick and Mortar Music Hall. 9pm, $5-$8.

Steve Lucky and the Rhumba Buns Biscuits and Blues. 8 and 10pm, $20.

"Tip Your Hat to the Blues: West Coast Songwriter Session" Slim’s. 8pm, $15. With Ron Hacker, Steve Freund and Jan Fanucci, and more.

Violent Change, Swiftumz, Wet Spots Hemlock Tavern. 9:30pm, $7.

Greg Zema, Daniel Krass, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Roy Hargrove residency Yoshi’s SF. 8pm, $28; 10pm, $22.

FOLK/WORLD/COUNTRY

Sarah Cabrel Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 7pm, free. Live Brazilian lounge music.

Eddy Nava and Pena Pachamama Band Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 8:30pm. $15-$19.

DANCE CLUBS

All Night Long with Peter Blick Public Works. 10pm, $5.

DJ Audio1 Cellar, 685 Sutter, SF; www.cellarsf.com. 10pm, $10.

Go Bang! Stud. 9pm, free before 10pm. With Michael Serafini, Tyrel Williams, Steve Fabus, Sergio Fedasz.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Ron Reeser, Adam Cova Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Twitch DNA Lounge. 10pm, $5-$8. With Red Red Red, Excuses, DJs Justin, Omar, and more. .

Zing DNA Lounge. 9pm, $10. With Tranz Am, Frank Nitty, Krishna, Taj, and more.

SATURDAY 5

ROCK/BLUES/HIP-HOP

"Bowie and Elvis Birthday Bash" Edinburgh Castle, 950 Geary, SF; www.castlenews.com. 9pm, $5.

Fever Charm, False Priest, Rin Tin Tiger, Everyone is Dirty Bottom of the Hill. 8:30pm, $10.

French Cassettes, Coast Jumper, A Yawn Worth Yelling, Mr. Kind Brick and Mortar Music Hall. 9pm, $5-$8.

Future Twin, Pamela, Deep Teens, Standard Poodle, Skunks, Dancer Thee Parkside. 9pm, $5.

Gypsy Moonlight Band Riptide Tavern. 9:30pm, free.

Hope Chest, Astral, Tomihira Rickshaw Stop. 8pm, $10.

Jesus and the Rabbis Boom Boom Room. 8pm, $12.

Daniel Krass, Greg Zema, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Marissa Nadler Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $12-$15.

EC Scott Biscuits and Blues. 8 and 10pm, $20.

"SF Cares: Hurricane Sandy Benefit" Cafe Du Nord. 9pm, $8. With Elena Ovalle, Liz O Show, Katie Gribaldi, Gyasi Ross.

Skin Divers Johnny Foley’s. 9pm, free.

VKTMS, Meat Sluts, Scrapers Hemlock Tavern. 9:30pm, $7.

Zoo Station: Complete U2 Experience, Petty Theft Slim’s. 9pm, $15-$20.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Roy Hargrove residency Yoshi’s SF. 8pm, $28; 10pm, $22.

FOLK/WORLD/COUNTRY

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bootie SF DNA Lounge. 9pm, $10-$15. Mashups.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys .

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Haceteria Deco Lounge, 510 Larkin, SF; www.decosf.com. 9pm, free before 11pm, $3 after.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, Phengren Oswald.

Tall Sasha, Jason Kwan, Ks Thant Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

SUNDAY 6

ROCK/BLUES/HIP-HOP

John Lawton Trio Johnny Foley’s. 9pm, free.

Jugtown Pirates, Dylan Chambers and the Midnight Transit, Highway Poets Brick and Mortar Music Hall. 8pm, $5-$8.

Kally Price Old Blues and Jazz Band Amnesia. 8pm, $5.

Reel Big Fish, Pilfers, Dan Potthast Regency Ballroom. 8pm, $22.

Sad Boys, Drapetomania, Neon Piss, Kommplex Knockout. 3:30-8pm, $5.

Some Ember, Excuses, Believe Hemlock Tavern. 6pm, $6.

JAZZ/NEW MUSIC

Charles Hamilton, Eric Hunt Bliss Bar, 4026 24th St, SF; www.blissbarsf.com. 4:30pm, $10.

Roy Hargrove residency Yoshi’s SF. 7 and 9pm, $22.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free. Brazilian music with La Dee Da and Ro-Z.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free. With Chef Josie and DJ Motion Potion.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Vinnie Esparza, and Mexican Dubwiser.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 7

ROCK/BLUES/HIP-HOP

Augustana, Lauren Shera Independent. 8pm, $15.

Damir Johnny Foley’s. 9pm, free.

Guntown, Dulldrums, Treemotel, Brasil Elbo Room. 9pm, $6.

FOLK/WORLD/COUNTRY

Belle Monroe and Her Brewglass Boys Amnesia. 9pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $5. Gothic, industrial, and synthpop with Decay, Joe Radio, Melting Girl, and more.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop.

TUESDAY 8

ROCK/BLUES/HIP-HOP

Blank Tapes, Treemotel, Travis Marks Amnesia. 9pm.

Bombshell Betty and Her Burlesqueteers Elbo Room. 9pm, $10.

Daneil Castro Biscuits and Blues. 8 and 10pm, $15.

Coyote Trickster Boom Boom Room. 8pm, $5.

NslashA, Starskate, ilona Staller Bottom of the Hill. 9pm, $10.

Shape, Mountain Tamer, Midnight Snackers Hemlock Tavern. 8:30pm, $6.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Tender Buttons, Bitter Fruit, No Bone Knockout. 9:30pm, $6.

JAZZ/NEW MUSIC

Elliott Yamin Yoshi’s SF. 8pm, $22.

On the Cheap Listings

Andrew Lam
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On the Cheap listings by Caitlin Donohue. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

Westin St. Francis sugar castle Westin St. Francis, 335 Powell, SF. www.westinstfrancis.com. Through Thu/3. 24 hours/day, free. There’s still time (until tomorrow, to be precise) to visit this sugar-spun site in the lobby of these venerable Union Square lodgings, a yearly tradition that for the first time this year features the movers and shakers of our times – Gavin Newsom and Lady Gaga are included, if not exactly within hand-shaking distance of each other.

Brooklyn Visits Heath Heath Ceramics, 2900 18th St., SF. www.heathceramics.com. Through Jan. 13. Today: 5-8pm, free. Brooklyn-based craftspeople have trundled their wares out to the West Coast for a six-week showing at Heath Ceramics’ SF location. An excellent chance to check out East Coast design, and to visit the venerable Sausalito ceramics company’s relatively new showroom in the Mission.

THURSDAY 3

Litquake’s Epicenter Tosca Cafe, 242 Columbus, SF. www.litquake.org. 7-8:30pm, $5-10 suggested donation. Looking for a cultured Thursday? This manifestation of the city’s favorite year-round lit fest should do the trick. Author Stuart Neville will be on hand to discuss Ratlines, his rip-roaring whodunnit featuring JFK, Jr., the Irish government, and a handful of dead Nazis.

FRIDAY 4

“Speak Your Peace” SOMArts Cultural Center, 934 Brannan, SF. www.somarts.org. Through Jan. 24. 6-9pm, free. Nathera Mawla’s take on sex and identity should not be missed at this group exhibition of Bay Area-based artists of all medias. The Iranian-born artist provides a much-needed perspective of a Persian women in an era when we hear more about Middle-Eastern femininity than from it.

SUNDAY 6

Free first Sunday at the Oakland Museum of California 1000 Oak, Oakl. www.museumca.org. Museum hours: 11am-5pm. The perfect day to enjoy art, natural science, and history under one soaring roof – today’s free admission to OMCA will gain you entrance to the California studio glass exhibit, the “we/customize” open studio workshop from 1-4pm, and of course, time to sit and reflect on the many wonders in the lovely little Blue Oak Cafe.

MONDAY 7

The Imperfectionists book club Commonwealth Club office, 595 Market, Second floor, SF. www.commonwealthclub.org. 5:30pm, free to members, $5 general public. The comic debut novel by Brit author Tom Rachman takes place in the offices an English language newspaper in Rome. Come prepared with discussion questions – the Commonwealth Club crowd at this book club meeting should be rife with the involved, informed sort of city-dweller.

TUESDAY 8

“Breaking News” SOMArts Cultural Center, 934 Brannan, SF. www.somarts.org. 7:30-9pm, $5. Have you heard The News? Kolmel WithLove’s year-old monthly exploration of queer artists is one of the most consistently unpredictable performance series in the city, which means that this extravaganza version curated by experimental performer Laura Arrington will be some kind of explosive. The list of artists reads as a who’s-who of queer SF art today, and includes some of our faves: drag monster Vain Hain, “No Fags on the Moon” provocateur Philip Huang, and 2012 Goldies winner Mica Sigourney.

The Debt-Free Spending Plan: An Amazingly Simple Way to Take Control of Your Finances Once and For All The Booksmith, 1644 Haight, SF. www.booksmith.com. 7:30pm, free. We love you, author Joannah Nagler. You have not only overcome the crushing ubiquity of debt in this American life, but written a to-the-point guide so that others can do the same. Today, you will share secrets in the charming back area of The Booksmith, and we can only hope you don’t throw too much math at us.

 

No headbutting?

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No headbutting?

tredmond@sfbg.com

LIT/FILM The folding travel toothbrush is a central element in every Jack Reacher novel. It’s his only possession, the only thing the wandering ex-military cop takes with him when he throws away his old clothes and buys new ones, the only thing that ties him directly to his old life in the U.S. Army. It’s part of the Reacher formula, one that consistently works through 17 books by Lee Child.

It’s not in the Jack Reacher movie.

That was the first sign that one of the best trash-lit characters to come on the scene since John D. MacDonald invented Travis McGee hasn’t translated so well to the big screen. (McGee never did, either; the only McGee movies ever made were disasters, and MacDonald hated all of them.)

But the esoteric musings of McGee, on everything from Florida real-estate development to the demise of San Francisco, were the charm that held those modest plots together. Child, who has a background in television production, offers more action-packed stories with all the elements that ought to make a great movie.

Like MacDonald, though, Child goes a bit deeper than the traditional trashy thriller writer. His books have themes of violence and redemption, of freedom and responsibility, of wanderlust and homesickness that can’t just be shoehorned into a fast-paced screenplay with Tom Cruise. This may not be Shakespearean literature, but it isn’t Mission Impossible, either.

To make it more challenging, there are long periods of silence in the Reacher book, and those don’t work will in today’s mainstream cinema — but without them, the pacing is all wrong.

I showed up at the movie ready to be let down. The diminutive and emotional Cruise seemed all wrong as the tall, taciturn Reacher; I was hoping for a more Daniel Craig approach. Child, on the other hand, was totally down with the casting, so I was ready to give it a shot. (Or, as the book title from whence this flick emerged put it, One Shot.)

The book is a classic of the Reacher oevre, with a tiny bit of 2007’s Shooter mixed in. There’s a former Army sniper named James Barr (Joseph Sikora) who gets charged with an apparently random killing spree; the evidence is overwhelming, the cops have him nailed, and the execution-mad district attorney tells him if he doesn’t confess, he’s going to get the death penalty.

Barr refuses to talk; he just takes a legal pad and writes “Get Jack Reacher.” Which turns out to be tricky; Reacher has no address, no credit cards, no car, no driver’s license … nothing to pin him down. He’s almost impossible to find.

But he shows up on his own — not to help save Barr but to tell the cops that the guy once murdered a bunch of civilian contractors in Iraq. Reacher had him nailed, but the Army, for political reasons, let the case go. He’s ready to send the guy to the chair, if he doesn’t kill him with his own hands first.

But then the DA’s daughter, Helen Rodin (Rosamund Pike), who is representing Barr, convinces Reacher to take another look, and together they discover a fiendish plot involving an 80-year-old mob capo from the old Soviet Gulag.

Nice movie plot. And the film version doesn’t take too many liberties with the general idea of the book.

But there’s no headbutting, which is Reacher’s trademark fighting technique. And he never has sex with the female protagonist, which is disappointing.

That and the fact that the movie’s about 20 minutes too long — and the car chase scene alone is about five minutes too long (and car chases are not part of the Reacher mix) and there’s an embarassing scene where Cruise takes his shirt off just so we can see him with his shirt off left me wondering: did Lee Child really sign off on this screenplay?

So that’s the bad news. The good news is that the film is entertaining, Cruise does the best he can under the circumstances, and he delivers the key lines nicely. Pike does a fine job of being sexy without being movie-star beautiful. The fight scenes are lively and fun and not too overdone.

And Werner Herzog is just spectacular as the evil Zec, a man so tough that he chewed his fingers off in prison to avoid getting gangrene. Watching Herzog sneer and be scary, horrible, and fascinating at the same time is worth the price of admission.

No nudity. Five people beaten near death. Three cops cars destroyed. Sniper porn. Fight to the death in the pouring rain. Not a great tribute to a great character, but I’ll take it. *

JACK REACHER is now playing in Bay Area theaters.

We go together

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We go together

APPETITE A celebratory or comforting drink is just what we crave at this time of year. When it comes with an excellent bite, even better. Here are a few of the most noteworthy drinks, winter cocktail menus, and dishes in SF as 2012 passes into 2013.

 

AME

It’s not a cocktail, and its blowfish base has long been known as dangerous… but in skilled hands, is entirely safe. Ame Restaurant in The St. Regis serves this fugu (blowfish) fin sake, the most adventurous drink on order this winter. Yes, it’s infused with an actual toasted fugu fin resting in the bottom of a ceramic mug ($15 for 6 oz.), filled with warm Honjozo-style “Karatamba” sake from Japan’s Hyogo prefecture. In Japan, this torafugu is considered to be of the highest quality, the fins traditionally roasted and steeped in warm sake. I couldn’t miss a chance to taste the rarity when it came on the menu a few weeks ago — and it will be available through February 2013. On a brisk, clear winter’s night, it warmed me from within with rich, layered, funky, even umami notes.

Eat with: Sit at Ame’s small bar with a mug of blowfish fin sake accompanied by Ame’s now classic Lissa’s Staff Meal ($16.50), an artful bowl of cuttlefish noodles, appropriate soft and muscled, tossed with brightly fresh sea urchin and quail egg in soy and wasabi.

In the St. Regis Hotel, 689 Mission, SF. (415) 284-4040, www.amerestaurant.com

 

BLACKBIRD

Launched on December 17, Blackbird’s winter menu offers the most sophisticated, satisfying cocktails in the Castro. Owner Shawn Vergara has been filling this needed niche on Market Street since opening Blackbird in 2009. This brand-new menu features some of Blackbird’s best drinks yet. I adore Italy’s sexy, sparkling red wine, Lambrusco. Here it’s a vibrant aperitif with pear-infused gin in the Poached Pear ($8), balanced by honey and lemon. Crimson King ($9) is another rosy, cool sipper of hibiscus-infused brandy, house pistachio orgeat, cranberry, and lemon. My tops on the new menu just might be Harvest Moon ($10). It’s a Bols Genever and Nocino (green walnut liqueur) base, sweetened with maple and pumpkin butter, balanced by lemon and Angostura bitters, softened with egg whites.

Eat with: Blackbird’s six different bar jars smeared on crispy crackers make for playful snacks, whether you opt for the smoked trout or deviled ham jars. I lean towards the pimento cheese jar laden with piquillo peppers and cheddar.

2124 Market, SF. (415) 503-0630, www.blackbirdbar.com

 

15 ROMOLO

Running through the first week of January, 15 Romolo’s Sherry Christmas! explores the wonders of sherry in cocktails that don’t taste merely of sherry. The impressive range is no surprise from what has consistently remained one of the best cocktail menus in San Francisco — with damn great food, too. The menu features all sherry styles from fino to oloroso, which act as shining stars or subtle unifiers. Manzanilla sherry subtly backs gin in Gardner’s Delight ($10) next to celery bitters, Dolin blanc vermouth, lemon, and a house thyme shrub — a lively “delight”. White Elephant ($9) illumines white port, sherry vinegar. and spiced liqueur with manzanilla sherry, a dash of absinthe tying this refresher together. Typically when I see rye whiskey, Cynar, and amontillado sherry together, I expect a musky, fall-spiced drink. In the case of a Solstice Sour ($10), these elements are mixed with a light hand, touched with lemon and cinnamon syrup, a cocktail that manages to capture winter in an almost spring-like way. Here’s hoping these sherry beauties stay on past January.

Eat with: Chef Justin Deering added on a few Spanish inspired dishes to accompany sherry cocktails or half bottles of sherry, like gambas a la plancha (shrimp in garlic and lemon), juicy albondigas (beef-pork meatballs), and sherried mushrooms ($5-8).

5 Romolo Place, SF. (415) 398-1359, www.15romolo.com

 

JASPER’S CORNER TAP

Bar manager Kevin Diedrich and crew produced another all-star cocktail menu this season at Jasper’s Corner Tap. One of the most unusual, savory drinks you’ll run into anywhere is Diedrich’s Genki ($13), inspired by a dish he recently had at Makoto in DC. With a base of Del Maguey Vida mezcal balanced by Partida Blanco tequila and Combier orange liqueur, Diedrich adds Togarashi syrup, lime, egg white and Matcha salt. Genki is simultaneously spicy, perky, refreshing.

Though there’s many a joy (don’t miss the creamy-but-light, floral Rum Shaker, seamlessly mixing Bacardi 8 Rum, Shipyard Pumpkin Ale, lime, pumpkin syrup, cream, egg white, orange flower water), one of the most playful drinks is a bottled Here Comes the Fuzz! ($11). Charred peach is infused in Jasper’s house bourbon, bottled with Manzanilla sherry (sherry dominates this season!), honey, lemon, pomegranate molasses, peach bitters and Angostura Bitters. Fizzy and vivacious, charred peaches and sherry imbue a gorgeous, nutty hue.

Eat with: With the invigorating drinks above, a trio of deviled eggs ($8 or $4 each) is appropriately light but satisfying. Though deviled eggs seem to be everywhere the last couple years, this trio stays fun with heirloom tomato caprese, “Caesar salad”, chipotle-romesco.

401 Taylor, SF. (415) 775-7979, www.jasperscornertap.com

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

 

Particle returns to Mezzanine

Maria Poblet
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Particle returns to Mezzanine

Particle returns to Mezzanine for another special late night set, playing alongside a host of special guests all the way until 4am.
 
Particle’s psychedelic, funktronic rock will be matched by Mezzanine’s award winning production, featuring live video projections, lasers, and a full light show. The venue is conveniently located a short walk from Bill Graham Civic Auditorium, just off Sixth Street, between Market and Mission.
 
Keyboardist Steve Molitz shared, “With so many great bands playing earlier shows in SF over the holiday weekend (Further at Bill Graham Civic, Karl D/Robert Randolph at The Regency, Trombone Shorty at The Fillmore, etc.), we wanted to create a unique and immersive atmosphere for people who want to keep the late night dance party rolling.”
 
Particle’s last late ngitht Mezzanine show sold out, so get your tickets early for this late night extravaganza! Support from Josh Clark & The Holdouts and MOM DJs. Get your tickets here.
 
Saturday, December 29 from 9pm-4am @ Mezzanine, 444 Jessie, SF | $15

Respect your elders

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Respect your elders

By Sara Maria Vizcarrondo

arts@sfbg.com

YEAR IN FILM Before Bruce Willis saved Bonnie Bedelia at Nakatomi Plaza, he was David Addison, detective-agency foil to Cybill Shepherd on Moonlighting. Then, after some multi-genre foreplay (1987’s high pedigree rom-com Blind Date, an iffy pop album), Willis charmed the pants off America in 1988’s Die Hard, sliding — gritty and glistening — down an air duct to escape the film’s fiery climax.

It’s been a hero’s journey ever since, so appropriately enough, the 57-year-old co-stars in next year’s G.I. Joe: Retaliation. According to the trailer, he’ll mow down villains triumphantly, then annoy some hottie with TMI about the pains of aging. Maybe Willis’ action-hero persona has come full circle, but the movies haven’t exactly evolved with him. With the exception of the mercifully MIA Steven Seagal, the 1980s’ biggest action stars spent 2012 doing the shtick they perfected long before latter-day idols like The Amazing Spider-Man star Andrew Garfield and The Avengers star Chris Hemsworth (both born in 1983, which makes them one year older than The Terminator and one year younger than First Blood) entered the third grade.

>>Read more from our Year in Film 2012 issue here.

But unlike more spandex-y saviors, the leathery hunks who’ve been making films for a generation aren’t asking us to grow with them; instead, they’re growing old in front of us. (In The Dark Knight Rises, Christian Bale’s Batman is just pushing 40, but he spents half the movie in post-injury, old-man wobble mode.) If we wanna watch these guys be badasses, we’d better mind our touchy-feely instincts, because aging is rougher than a hailstorm of bullets and nowhere near as pretty. At least the flashy shit happens quickly.

Usually, an actor demonstrating frailty provokes viewers to confront their own weaknesses — the goal there is identification, poignancy. So what are we to make of the unstoppable Expendables series? The movies are as one-note as the best glossy shoot-’em-ups, which is relevant because Sylvester Stallone couldn’t have cast Willis, Dolph Lundgren, or Arnold Schwarzenegger as the cockroaches of the mercenary world without their stone-cold legacies. This epic Viagra ad of a franchise is built on the same single-mission structure of the classics that made its stars famous in the first place. The Expendables 2 pads its cast with Chuck Norris and Jean-Claude Van Damme (as a villain named “Vilain”) — but adds a “kid” (Liam Hemsworth) and a woman (Yu Nan) to the mix. Of course, the film atones for these updates making a plutonium mine the center of the film. (Also, it’s set in an old Russian military base — ah, sweet memories!)

But Stallone, Willis, and co. aren’t the only geezers attached to the aging-heroes trend. Think of Liam Neeson, sizzling anew at age 60 thanks to the Taken films. His career has only gotten hotter as he’s aged and started embracing lower-brow roles — does anyone look more fierce fighting wolves than Neeson? Tom Cruise, who turned 50 this year, doesn’t need a career reboot, even after Rock of Ages; his action-man streak continues apace with the upcoming Jack Reacher, plus 2013’s Oblivion and an inevitable fifth Mission: Impossible film.

James Bond may have shagged half of Europe, but he’s a lone wolf (no cubs) by design, and when the character turned 50 (current Bond Daniel Craig is 44), the plight of post-middle age was all his 23rd movie could talk about. Skyfall, a.k.a. The Best Explosive Marigold Hotel, features a Bond that fights for Britain and his own relevance at the same time — while the series does the same, making the bad guy a hacker and aiming for poignancy with a back story the 1960s Bond would have been too busy sexing around the globe to indulge.

According to the rules of the cowboy — speaking of, is Clint Eastwood still out there somewhere, talking to that empty chair? — the silver star goes to the next in line. But these cowboys ain’t going nowhere, no matter how many Channing Tatum clones start lurking around the box office. The Expendables 3 has already been announced (two words, casting directors: Nic Cage). No word if Willis is in that cast, but he does have G.I. Joe: Retaliation, Red 2 (another series about “retired, extremely dangerous” operatives), and A Good Day to Die Hard on the docket. Terrorists, Cobra Commanders, JCVD, wolves: 2012’s mature action heroes fear not these things. Their only true adversary is time. And possibly gravity.

On the cheap

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Event listings compiled by George McIntire. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 26

Kwanzaa Celebration Bay Area Discovery Museum, 557 McReynolds, Sausalito. www.baykidsmuseum.org. 9am-5pm, free. A traditional Kwanzaa altar will greet you upon arriving at the kids museum’s celebration of African American community, featuring two performance (at 11am and 1pm) by African Roots of Jazz.

7th Annual San Francisco Celebration City Hall Rotunda, 1 Dr. Carlton Goodlett, SF. www.kwanzaasanfrancisco.com. Noon, free. Head on over to City Hall to celebrate the umoja (unity) day of Kwanzaa, the 150th anniversary of the Emancipation Proclamation. Keynote speeches from the likes of Dr. Amos C. Brown, pastor of Third Baptist Church and district vice president of YMCA San Francisco Gina Fromm.

Soul Sessions Era Art Bar and Lounge, 19 Grand, Oakl. www.oaklandera.com. 9pm-1am, $5-10. Live performance from the Antique Naked Soul collective, painting by Bushmama & Smokie, and DJs spinning deep house, trap, hip-hop, and R&B.

Stay Gold Public Works, 161 Erie, SF. www.publicsf.com, (415) 932-0955. 10pm-1am, $3-5. It’s going to be a raucous holi-gay par-tay at Public Works tonight where DJ Pink Lightning will be throwing down the sick, bass-throbbing beats. Bring pastel lipstick and chandelier earrings.

THURSDAY 27

DIY Zine Making Workshop Rock Paper Scissors Collective, 2278 Telegraph, Oakl. www.rpscollective.org. 6-8pm, $1. This is your chance to become the next big media mogul. The good folks at the Rock Paper Scissors Collective are being gracious enough of to provide you with a workshop and your own materials to create your own zine, take them up on it.

FRIDAY 28

Dam-Funk 1015 Folsom, SF. www.1015.com. 10pm-3am, free with RSVP on website. No one in the world is as committed to the funk than super-funkateer Dam Funk. Get your boogie on as he shreds his keytar with his electro-synth jams. Be on the look out for the new album dropping in the spring of 2013.

Free Muni Day SF Muni stops. www.sfmta.com. All day, free. Take the L-line to the zoo or ride a cable car for the first time ever — today all Muni services are on the house to celebrate the agency’s 100th anniversary.

SATURDAY 29

Treasure Island Flea Market Great Lawn, Ave of the Palms, Treasure Island, SF. www.treasureislandflea.com. 10am-4pm, $3. Looking to pick up some Christmas or Chanukah presents? Then head over to the Island of Treasure for its monthly open-air flea market. Enjoy awesome views of the Bay Area while perusing goodies from local designers, collectors, and other makers.

SUNDAY 30

Instant Camera Photo Walk Photobooth SF, 1193 Valencia, SF. www.photoboothsf.com. 1-3pm, free. This event is for analog photographers only, so Instagrammers need not apply. Join the staff of the Mission’s Photobooth gallery for a photowalk down Valencia corridor. Be sure to bring a Polaroid/Land or Frankenstein instant camera along. No worries if you don’t have one, Photobooth will be happy to lend you one for the occasion.

SF Zoo Lights 1 Zoo, SF. www.sfzoo.com, (415) 753-8141. 4-8pm, $5. Stuck with the family all week? May we recommend taking them to the last night of the San Francisco Zoo Lights extravaganza? The zoo will be a bastion of animal-themed, family-friendly holiday fun complete with a splendid light show, 30-foot Christmas tree with animal decorations, and free rides on the carousel.

MONDAY 31

Holiday 3D Light Show Westfield SF Centre, 865 Market, SF. www.westfield.com/sanfrancisco. 5pm, free. Tonight’s your last chance to catch the holiday magic of the Illuminique Under the Dome show, which transforms the Westfield mall’s glass dome, built in 1908, into a surround-sound wonderland of scenes sure to get your little (and not-so-little) ones in an eggnog froth.

 

On the Om Front: Where to breathe deeply this holiday season

Andrew Lam
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Do you feel like the world is always about to end? I do. Maybe it’s because we’ve been in a recession almost my entire adulthood. Or because I still remember everyone stocking up on toilet paper and batteries for Y2K. Or because it seems these days like there is always a natural disaster happening somewhere in the world, and if a hurricane or tornado or tsunami isn’t tearing apart a city or a village, some crazy dude is shooting people or devising a shoe bomb or proselytizing that everyone is going to hell in a hand basket lest we give up our immoral ways and fast.

But I have hope. Because dark cannot exist without light. And often, the darker things get, the lighter they’re bound to become. 

Just look at the cycles of the planet. This week, we are approaching the darkest day of the year. And what happens after the darkest day of the year? It gets lighter. This is the way our planet rolls.

So, sure, if you want to get all nihilistic, you can certainly think of these as apocalyptic times. But yogis all over the world are actually juiced about the end of this era. We hope it means the end of the self-centered society, and the beginning of a more unified, global awareness. Conscious conspirators are doing all kinds of things to bring light into our dark world. Recently a group of people came together to create UNIFY, a movement to unite people across cultures all over the world.

One UNIFY event is right here in San Francisco on Fri/21. It’s a flash meditation mob at Union Square that synchs up with meditation mobs throughout the planet (details below). Imagine thousands of people meditating all over the world — from Giza, Egypt to Jerusalem to Times Square — at the same time. If that doesn’t create cosmic shift, I don’t know what will.

I’m going to Union Square to join the crowds and meditate amongst my people. But if you can’t, you can still close your eyes and send good mojo out to the world Friday at noon. We can clean this mess up — but everyone’s got to get some hands dirty and say a prayer. That prayer can be to a deity or a child or a tree, but say it, and say it like you mean it.

In the meantime, check out our short holiday class list below for some of the yoga hot spots for solstice, Christmas, and New Year’s. And remember: It can be tempting to shop, overeat, and weep on your sofa as the days whittle down to their shortest. But if you find yourself in this unfortunate dilemma, pause, click your heels three times, and get thee to the yoga mat. Om.

>>SOLSTICE EVENTS

MC Yogi at Open Secret

Join MC Yogi and The Sacred Sound Society for an evening of light and sound to celebrate the end of an era, and the beginning of a new one, hip-hop yoga style.

Fri/21, 5-7pm vegan feast, 8-9:30pm concert, $15. Open Secret Bookstore, 923 C St., San Rafael. www.opensecretbookstore.com

Winter Solstice Celebration For The Turning Of The Mayan Calendar

Drum-in, sing-in, chant-in, dance-in, and ring-in the new millennium with Daniel Paul and Gina Sala. This sacred ceremony will include taiko drumming, ecstatic kirtan singing and tabla drumming and dancing.

Fri/21, doors open at 6:30pm, program at 7pm, $15 in advance/$20 at door. Nexxus Post Industrial Temple, Craneway Pavilion, 1414 Harbour Way, Richmond. www.ginasala.com

UNIFY Med Mob

Head to Union Square for a globally synchronized flash mob meditation at noon, a part of the worldwide UNIFY movement. People all over the planet will be meditating at the same time to usher in peace and unity for the new era. Bring a blanket and a big dose of zen—it’s going to be packed!

Fri/21, noon, free. Union Square, SF. www.unify.org

>>CHRISTMAS YOGA CLASSES

Hot Vinyasa

Get your sweat on before holidazing in this steamy, fun celebratory class with Brad.

Tue/25, 11am, donations suggested. Urban Flow, 1543 Mission, SF. www.urbanflowsf.com

Hatha Flow

Groove with a mindful, strong flow class with Om Front writer Karen Macklin, and prepare your body and soul for a conscious Christmas Day.

Tue/25, 10:15am, $19 or class card. Yoga Garden, 286 Divisadero, SF. www.yogagardensf.com

>>NEW YEAR’S EVE EVENTS

New Year’s Eve Yoga Celebration & Groove Party

Mark Morford and DJ Eric Monkhouse lead this awesome night of Vinyasa yoga, music, and celebration. Two hours of deep flowing yoga practice, intention-setting, and partying. Yeah.

Dec. 31, 10pm-midnight, $35. Yoga Tree Castro, 97 Collingswood, SF. www.yogatreesf.com

New Years Eve Sacred Celebration

Get down with Jasmine and Astrud of Laughing Lotus, in this celebration of yoga, chanting, music, and dancing.

Dec. 31, 9:30pm-11:55pm, $20. Laughing Lotus, 3271 16th St., SF. sf.laughinglotus.com

>>NEW YEAR’S DAY EVENTS

Iyengar New Year’s Day Class

Join Nora Burnett for an auspicious beginning to the New Year in this annual class of active and restorative poses. After class, chai and light snacks will be served.

Jan. 1, noon-2pm, $40-$50. Iyengar Institute, 2404 27th Ave., SF. www.iyisf.org

Stepping Forward With Purpose

What do you want from your life right now? Make clear intentions for the New Year in this two-hour practice with Darcy Lyon that weaves together asana, meditation, and creative exploration.

Jan. 1, 10am-noon, $25. Yoga Tree Hayes Valley, 519 Hayes, SF. www.yogatreesf.com

The Performant: Unsilent is the night

Andrew Lam
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The Performant: Unsilent is the night

Ring the bells

Observant or not, there’s no escaping the Festivus Chrismakwanzakah season, and while you might be grinching it alone with the holiday spirit best known as Kentucky Bourbon, you can’t entirely avoid the pervasive influence that is holiday music. Music, after all, is one of our best tools for communicating intangibles such as emotion, faith, and belief in supernatural beings, and there’s hardly anyone sentient who could fail to be momentarily moved by a rendition of the haunting “Coventry Carol” or Handel’s “Messiah”.

Somewhat unfortunately, Chanukah’s contributions to the seasonal playlist are relatively sparse as compared to those of the big blockbuster holiday it shares the month with: mostly bland, grade school assembly-style songs about dreidels and goofily adolescent ones by Adam Sandler and the Maccabeats.

A pity the Jewish liturgical tradition has failed to produce a Johann Sebastian Bach or even a Benjamin Britten, but at least there’s latkes, which make up for a lot. And also, the material music world does not lack for gifted Jewish bards, so celebrating the sixth night of Chanukah at the Contemporary Jewish Museum with Leonard Cohen cover chorus The Conspiracy of Beards was actually about as perfectly Jewish as it gets.

The Beards have been performing a capella versions of the poetic works of the “High Priest of Solitude” for almost 10 years. Not Cohen impersonators so much as interpreters, the Beards’ approach to the music of Leonard Cohen has always been one of playful exploration — adding simple harmonies, basso profundo, and falsetto trills to Cohen’s weathered range, expanding his often solitary focus into one more piercingly universal. Ensconced in the CJM’s vaulted Goldman Hall, which has recently hosted appearances by Literary Death Match, the Porchlight storytelling series, Dischord Records founder Ian MacKaye, and a screening of The Big Lebowski, the Beards joyfully sang a treasured clutch of favorite Cohen tunes — mostly classics such as “Famous Blue Raincoat” and “Chelsea Hotel No. 2”. For their signature song, “Bird on a Wire” they all broke formation, and stood in a single line, arms wrapped around each other’s shoulders in a show of camaraderie, even as they sang of the freedom of the solitary rambler.

Building on the theme of camaraderie, San Francisco’s tenth annual edition of Phil Kline’s twenty year-old “Unsilent Night” went off without a hitch on Saturday, despite the incessant rain of the day and the small clusters of belligerent Santas that still dotted the chilly Mission District landscape. With the rain serendipitously vanished just before the scheduled go-time of 7pm, a relatively small but hardy group showed up to the corner of Dolores and 18th Street, boomboxes at the ready.

“Unsilent Night” is a four-part soundscape for multiple speakers, the more the merrier, and as the 45-minute piece plays, the four separate tracks weave together into a lustrous tapestry of ambient sound interspersed with golden threads of angel choirs and purposeful bells. Combining the conviviality of a caroling party with the secular appeal of experimental noisemaking, we strolled through the narrow corridors of the Mission’s more tranquil side streets, encouraging stares, smiles, and even spontaneous joiners (including a few Santas who played James Brown at a low volume in conceptual counterpoint). We spent the piece’s final phrases perched hillside in Dolores Park, contemplating the view of sparkling lights and wet pavement, as the music trailed off to whatever realm spent notes are relegated to—the sacred and profane alike.

For pictures and more info of San Francisco’s Unsilent Night check out Mission Loc@l’s slideshow

 

Was it a great year?

Zelda Bronstein
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Was it a great year?

At noon Dec. 19, a group of about 50 housing activists led by the Housing Rights Committee gathered at 18th and Castro, next to the giant Shopping Season Tree, to discuss the wave of evictions tenants are facing at the end of 2012. Tommi Avicolli Mecca held up a list of 26 buildings that are currently being clear of tenants under the Ellis Act, a state law that allows landlords to evict all their tenants and sell the property as a single-family home or tenancies in common. With him was a long line of tenants who are facing holiday homelessness thanks to landlord greed.

“There are too many tenants being evicted to fit in front of the tree,” he said.

We heard story after story: A man living with AIDS facing the loss of his home after 17 years. A family being forced out after 18 years. Seniors, kids, disabled people … all of them almost certainly displaced from San Francisco.

“San Francisco is becoming a city of the rich, and we are being pushed aside,” said Lisa Thornton, who works at Rainbow Grocery and is losing her home.

“This,” Mecca said, “is an epidemic of evictions.”

And we all know why: As the second tech boom roars in to San Francisco, high-paid young workers are able to afford to buy TICs or single-family homes, and long-term rent-control-protected tenants simply can’t compete. It’s not a pretty pciture.

So I almost barfed when I say Randy Shaw’s glowing paen to Mayor Ed Lee. “San Francisco had one of its greatest years in 2012, as the city’s job growth and vibrancy outpaced nearly everywhere else,” he wrote.

Oh, gee, he says, there are some problems:

Few want San Francisco to become a city where only the rich and subsidized poor can live. But these same fears were felt in the 1980’s. When I was moving to San Francisco in 1979, the lines for vacant apartments were just as long and the competition for vacant units as fierce as what we read about in 2012. We couldn’t believe we had to pay $375 for a Mission one bedroom apartment, a rate that is less than half the cost of an SRO room without private bathroom today. San Francisco has long been an expensive city that keeps getting pricier.

So what — because we were worried about displacement in the 1980s means we shouldn’t be worried today? Those worries were real — gentrification of San Francisco neighborhoods has been rampant for decades. It’s changed the city, for the worse.

In the 1980s, Shaw was part of a broad coalition that fought to get rent control laws and eviction protections and limits on condo conversions. Now he’s acting as if none of that was worth the fight, as if protecting affordable housing wasn’t, and isn’t, the most critical issue in the city today.

A great year? Fantastic vibrancy and job growth? Not if you’re one of the growing numbers of people who are losing their homes to Ed Lee’s vision of economic development.

 

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