Mission

Waiting for answers

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rebecca@sfbg.com

As word spread to San Francisco that police in Ferguson, Mo., were taking reporters into custody and firing tear gas at demonstrators outraged by the death of Mike Brown, a small group of writers and organizers with ties to the Mission District was gearing up to hold street demonstrations of its own.

On Aug. 21 and 22, they staged vigils and a march and rally in memory of a different shooting victim: Alejandro (“Alex”) Nieto, who died suddenly in Bernal Heights Park on March 21 after being struck by a volley of police bullets.

Despite palpable anger expressed during the events held to mark five months since Nieto’s death, it was a far cry from the angry demonstrations unleashed on the streets of Ferguson, where it was like something stretched too far and snapped.

People who knew Nieto gathered for a sunset vigil in Bernal Heights Park at the place where he was killed. They returned the following morning for a sunrise vigil, incorporating a spiritual element with Buddhist chanting. Hours later, in a march preceded by dancers who spun in the streets, donning long feathered headdresses and ankle rattles made out of hollowed tree nuts, they progressed from Bernal Hill to the San Francisco Federal Building.

Despite a visible police mobilization, the protests remained peaceful, with little interaction between officers and demonstrators. Instead, the focus remained on the contents of a civil rights complaint filed Aug. 22 by attorney John Burris, famous for his track record of representing victims of police violence.

Burris, who is representing Nieto’s parents, said he rejected the SFPD’s explanation of why officers were justified in discharging their weapons and killing Nieto. “What we will seek to do is to vindicate his interests, his good name, and to show through the evidence that the narrative put forth by the police was just flat-out wrong,” Burris said at the rally.

Nieto’s encounter with police arose because a 911 caller erroneously reported that he had a black handgun, leading police to enter the park in search of a gunman. In reality, Nieto possessed a Taser, not a firearm. On the night he was killed, he’d gone to the park to eat a burrito just before starting his shift as a part-time security guard at a nightclub, where all the guards carry Tasers. In addition to working at that job, Nieto, who was 28, had been studying administration of justice at City College of San Francisco in hopes of becoming a youth probation officer.

Days after the shooting, police said Nieto had pointed his Taser at officers when they approached. At a March 26 town hall meeting convened shortly after the incident, Police Chief Greg Suhr told attendees that Nieto had “tracked” officers with his Taser, emitting a red laser.

“When the officers asked him to show his hands, he drew the Taser from the holster. And these particular Tasers, as soon as they’re drawn, they emit a dot. A red dot,” Suhr said, adding that Nieto had verbally challenged officers when they asked him to drop his weapon. “When the officers saw the laser sight on them, tracking, they believed it to be a firearm, and they fired at Mr. Nieto.”

Yet attorney Adante Pointer, of Burris’s law office, told the Bay Guardian that a person claiming to be an eyewitness to the shooting has come forward with a different account. The witness, whose identity Pointer did not disclose, said he never saw Nieto draw his Taser and did not hear any verbal exchange prior to bullets being fired.

“To suggest that he’d engaged in the most ridiculous outrageous conduct, of pointing a … Taser at the police when they had guns drawn, is insulting,” Burris said at the rally.

The version of events included in the complaint, which Pointer said was based in part on witness accounts, differs greatly from the SFPD account.

“An SFPD patrol car entered the park and drove up a fire trail before stopping approximately 75 to 100 feet away from Mr. Nieto who at that time was casually walking down the jogging trail to the park’s entrance,” Burris’ complaint states. “Two officers emerged from the patrol car and immediately took cover using their car for protection. Several other officers had also gathered on the jogging path, appeared to be carrying rifle-type guns and were positioned behind Mr. Nieto. One of the officers behind the patrol car called out and ordered Mr. Nieto to ‘stop.’ Within seconds a quick volley of bullets were fired at Mr. Nieto. No additional orders or any other verbal communication was heard between the first officer yelling ‘stop’ and the initial volley of gunfire that rang out.”

SFPD spokesperson Albie Esparza told us the department was unable comment on the matter because “anytime there’s a lawsuit, we cease to speak to anybody about that.”

Adriana Camarena, an author and Mission District resident who helped organize the rally, decried the lack of transparency surrounding the Nieto case in comments delivered outside the Federal Building.

“For five months, city officials have kept sealed all records that could explain what happened on March 21 2014,” Camarena charged. “For five months, SFPD, the Police Commission, the District Attorney’s Office, the Medical Examiner’s Office, and the mayor have maintained in secrecy the names of the four officers who killed Alex Nieto, the original 911 calls, eyewitness reports, the number of bullets fired, and the autopsy report. For five months, the Nieto family has been kept in the dark about the facts that could ease some of their trauma about what happened the day that police killed their son.”

Mike Brown was shot and killed by a police officer in Ferguson on Aug. 9. On Aug. 11, following angry demonstrations, police said they would release the name of the officer who shot Brown — but declined to do so Aug. 12, citing fears over the officer’s safety and threats communicated via social media. Yet on Aug. 15, Officer Darren Wilson was identified by officials as the person who shot Brown.

In San Francisco, the names of the four officers who shot Nieto have not been released. Esparza told the Guardian that this was because “there’s specified credible threats against the officers’ lives,” citing a Supreme Court ruling determining that law enforcement agencies can withhold this information under such circumstances.

In addition to the federal civil complaint, friends and supporters of Nieto delivered a petition with almost 1,000 signatures to the U.S. Department of Justice, calling for a federal investigation into the shooting.

Multiple investigations are underway at the local level, but have been stalled due to one missing piece: an autopsy report to be issued by the San Francisco Medical Examiner. Despite the delay in releasing the formal autopsy results, “We did see the body and we did take photographs of it,” Burris noted, referring to his office’s review of the body after it was released to Nieto’s family for burial. Based on that review, Burris said attorneys determined that Nieto had been shot by police more than 10 times.

We placed multiple phone calls to the offices of the Medical Examiner and the District Attorney seeking details about the status of the investigation and to ask about the delay, but received no response.

However Bill Barnes, a spokesperson for the City Administrator’s Office, which the Medical Examiner’s Office reports to, told us the timing of the report is consistent with that of other complex homicide investigations. Barnes added that the Medical Examiner’s Office is waiting on the results of a second toxicology report. The initial results were inconclusive, he said, so another round of testing was initiated.

But that explanation does little to quell the anger of activists who say the SFPD is merely seeking to cover up an unjustified shooting. Pointer said he could see no reason for information being withheld for five months.

“There’s no reason as to why the information that this family deserves as to how their son — our brother, our friend, our leader, our organizer — met his death,” he said at the rally. “There’s just no reason why that story hasn’t been told. If you, the police department, had been justified, why not be transparent? Why not open up your files and let us inspect it so that we can see that what you’re saying is the truth?”

Your official Hardly Strictly Bluegrass lineup is here

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Ah, fall in San Francisco. The kids go back to school, the pumpkin beers and lattes make their first appearances, the leaves…um, mostly stay the same color, and the weather usually gets a little warmer.

OK, so maybe we don’t really do fall the way most of the country does fall. You know which part we do really well, though? Music. Art. Festivals. Excuses to drink pumpkin beers outside while taking in a live performance. Pick up this week’s big Fall Arts preview issue (on stands now!) for a guide to the best the Bay Area has to offer these next few months in music, theater, film, dance, visual art, and more.

If you want an easy tip, though? The jewel in the Pumpkin IPA Excuse crown is Hardly Strictly Bluegrass, now in its 14th year and free as ever, thanks to the legacy of one mister Warren Hellman. After a month of teaser medleys, the folks from the Slim’s/Great American Music Hall family (who book HSB) announced the full lineup today for this year’s party in Golden Gate Park, which runs Friday, Oct. 3 through Sunday, Oct. 5.

At first glance we’re seeing a lot of big-name veterans (Emmylou, of course, plus the irreplaceable Chris Isaak, Mavis Staples, and more) alongside a number of unexpected but very welcome newcomers, like Sun Kil Moon and LA punk legends X. Other top-shelf indie-folk young’uns adding fresh blood to the scene: Dawes, The Apache Relay, Sharon Van Etten, Waxahatchee. And we’ll never complain about seeing Ryan Adams, Lucinda Williams, Yo La Tengo, or Deltron for free.

We’ll have more to come in the weeks leading up to the fest, but for now — make sure you know where that cooler is. We’re gonna put on some Lucinda Williams. See you in the park.

HARDLY STRICTLY BLUEGRASS 2014

Emmylou Harris

Sister Sparrow & The Dirty Birds

The Apache Relay

The Time Jumpers Featuring Vince Gill

Kenny Sears

Dawn Sears and Ranger Doug Green

Blackie and The Rodeo Kings

Nitty Gritty Dirt Band

X Acoustic

Mavis Staples

Thao & The Get Down Stay Down

Whograss

Jessica Hernandez & The Deltas

Reckless Kelly

Willie Watso

Joe Russo’s Almost Dead

Carlene Carter

The Go To Hell Man Clan

Kevin Welch

Kieran Kane & Fats Kaplin

Sarah Jarosz

Dave Alvin & Phil Alvin with The Guilty Ones

Chris Smither

Justin Townes Earle

Lake Street Dive

Dave Rawlings Machine

Buddy Miller’s Cavalcade of Stars: Kate York

Striking Matches

Nikki Lane

Shawn Colvin

Tony Joe White

Buddy Miller & Friends

Poor Man’s Whiskey (Friday morning middle school program)

Chris Isaak

Robert Earl Keen

Ralph Stanley & The Clinch Mountain Boys

Holler Down The Hollow: A Hardly Strictly Salute To the Masters (Dickens, Hellman, Reed, Scruggs, Seeger, Watson & Winchester)

Built To Spill

John Prine

Ryan Adams

Buckwheat Zydeco

Dry Branch Fire Squad

The McCrary Sisters

Moonalice

Johnnyswim

Hot Rize Featuring Red Knuckles & The Trailblazers

Jerry Douglas Presents Earls of Leicester

The Flatlanders Featuring Joe Ely

Jimmie Dale Gilmore & Butch Hancock

Rising Appalachia

The Mastersons

Peter Rowan’s Twang An’ Groove

Dwight Yoakam

Red Baraat

Bad Luck Jonathan

Lukas Nelson & Promise of The Real

St. Paul & The Broken Bones

Chuck Prophet & The Mission Express ‘Strings In The Temple’

Jesse DeNatale

The Waybacks

The Felice Brothers

Caitlin Rose

Shelly Colvin

Bruce Cockburn

Alison Brown Quintet

Hurray For The Riff Raff

Béla Fleck & Abigail Washburn, Blue Rodeo

Lucinda Williams

The Lone Bellow

Steve Earle & The Dukes

Bill Kirchen & Too Much Fun

Malawi Mouse Boys

Parker Millsap

Rosanne Cash

Deltron 3030 with The 3030 Orchestra

Conor Brings Friends For Friday Featuring: Waxahatchee

The Good Life

Jonathan Wilson

Sharon Van Etten

Dawes

Conor Oberst

Sun Kil Moon

Chuck Cannon

Tweedy

Rose’s Pawn Shop

The Sam Chase

T Bone Burnett

Social Distortion

The High Bar Gang

The Aquabats! (Friday morning middle school program)

Laurie Lewis & The Right Hands

Cibo Matto

Jason Isbell

Robbie Fulks

Yo La Tengo

Evolfo Doofeht

 

Federal complaint filed over death of Alex Nieto as supporters vow to keep fighting

Protests have sprung up throughout the week in San Francisco, Oakland, and nationwide in response to the police shooting of 18-year-old Mike Brown in Ferguson, MO.

This afternoon [Fri/22], at the San Francisco Federal Building, a similar rally took place – only this one was in memory of a different shooting victim, Alejandro (“Alex”) Nieto, who was gunned down by San Francisco police officers five months ago. Nieto, who died at the age of 28, had been pursuing a career as a juvenile probation officer and studying at City College of San Francisco. 

There’s much to say regarding recent developments in this case – Attorney John Burris, who is representing Nieto’s parents, Refugio and Elvira Nieto, filed a federal civil rights lawsuit today alleging wrongful death and violation of civil rights.

Shortly before Nieto was killed on March 21, a person had dialed 911 to report seeing a man in Bernal Heights Park with a gun. In reality Nieto, who worked part-time as a security guard, had a Taser in his holster, not a firearm. But the call sent police vehicles racing into the park in pursuit of a gunman.

What transpired next is in dispute: Police say Nieto pointed his Taser at officers, causing them to mistake it for a firearm and discharge their weapons. Yet Burris offered a very different account in the federal complaint, based on the account of an eyewitness, audio recordings, and other information gathered independently by attorneys and community supporters. “Based upon the witnesses’ accounts there, in fact, was no justification for this unwarranted use of deadly force as contrary to the Defendants’ claims, they did not hear Mr. Nieto threaten anyone or see him attempt to grab or point any object at the officers prior to being shot,” the compaint charges.

Investigations currently underway at the local level have been delayed by a Medical Examiner’s report, according to attorney Adante Pointer, who works with Burris. The Medical Examiner’s office did not return phone calls from the Bay Guardian, but Bill Barnes, a spokesperson for the City Administrator, said in an interview that the Medical Examiner’s office is waiting on the results of a toxicology report. Initial results were inconclusive, Barnes added, so another round of testing is underway.

Look for a more in-depth story in next week’s Bay Guardian.

But for now, give a listen to what activism around issues of police violence sounds like when it’s coming out of the Mission District of San Francisco.

Longtime organizer Roberto Hernandez, who worked alongside his father and Cesar Chavez decades ago in the United Farm Workers’ movement, delivered some comments outside the San Francisco Federal Building today when activists who had marched from Bernal Heights Park gathered for a rally in memory of Nieto. Hernandez was there with his son, Tito, who also led the crowd in some chants.

Sixth at the Syc

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culture@sfbg.com

THE WEEKNIGHTER “This place sucks now. I mean what the fuck is going on in SF?” Chloe was visiting from either Portland or LA or wherever it was she was living that wasn’t San Francisco anymore. A few of us were sitting around, drinking in the 4pm light at the front window of The Sycamore (2140 Mission, SF. www.thesycamoresf.com). A handful of folks had come out to see Chloe since she was just around for a couple days and as usual when you don’t see someone for awhile, it became a “remember when…” conversation.

“I think San Francisco is better off since the Arrow Bar closed down,” I was telling Richie Panic. “Yeah,” he responded, “you didn’t hang out at the Arrow Bar, you did time there.” In the early and mid 2000s The Arrow Bar was the ultimate hipster den of vice and many of the people around the table had all met each other there and somehow survived. Considering the bar had been on Sixth Street near Market, someone at the table made a joke about more blow being done in the bar than crack being smoked outside it, to which we all laughed. It was probably true.

Somebody got up for another round of drinks. Since The Sycamore only has wine and beer he brought back a clutch of Miller High Lifes and we resumed the game of Cards Against Humanity that we weren’t really playing. The Sycamore is perfect for this kind of afternoon. Art lines the walls and beer handles that aren’t being used at the moment hang from the ceiling. Board games are conspicuously stacked so that anyone can play them and a jukebox is stuffed with all the right tunes. It’s good for place to while away an afternoon with friends and watch the wackjobs of Mission Street putter by at a laconic pace.

“Have you been over there lately?” I asked Chloe, bringing the conversation back to The Arrow Bar. “I mean, they’ve by no means cleaned it up, but it is actually getting slightly better.”

“Ha! Could you imagine that?” she laughed. “How many seismic cultural twists would San Francisco have to go through to see a cleaned-up Sixth Street? The day Sixth Street isn’t the shadiest street ever is the day San Francisco is officially dead.” She had a point.

I headed to the bathroom and along the way saw one of my stickers on the water cooler. I didn’t know if I’d put it there or if someone else had. It’s often hard to remember details about the last time you were in a bar. When I got back to the table I was excited to see that the magic trick had worked again. You know the magic trick: It’s when you come back to the table and the food that you’d ordered earlier is miraculously there. We all dived into the fries, sliders, and pork belly doughnuts like the drunk people we were.

After eating and drinking some more, people began to head off in their own directions on whatever adventure their day-drinking would lead them on. I said bye to whomever was still left and gave Chloe a hug. “It’s really weird,” she said. “I basically grew up here, and it’s like every time I come back to visit, it’s so drastically different that I barely recognize it.”

I walked out Sycamore’s door, turned around, and did my best Humphrey Bogart, “At least we’ll always have Sixth Street.” And then I went home.

Stuart Schuffman aka Broke-Ass Stuart is a travel writer, poet, and TV host. You can find his online shenanigans at www.brokeassstuart.com

 

Rep Clock: August 20 – 26, 2014

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Schedules are for Wed/20-Tue/26 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ANSWER COALITION 2969 24th St, SF; www.answersf.org. $5-10 donation. A Good Day to Die (Mueller and Salt, 2010), Fri, 7. With film subject and American Indian Movement (AIM) co-founder Dennis Banks in person.

BALBOA 3630 Balboa, SF; cinemasf.com/balboa. $10. “Thursday Night Rock Docs:” Anvil! The Story of Anvil (Gervasi, 2008), Thu, 7:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •We Are the Best! (Moodysson, 2013), Wed, 7, and Ladies and Gentlemen, the Fabulous Stains (Adler, 1981), Wed, 9. •Mr. X: A Vision of Leos Carax (Louise-Salomé, 2014), Thu, 6; Mauvais Sang (Carax, 1986), Thu, 7:25; and Before Sunset (Linklater, 2004), Thu, 9:35. Triple-feature, $12. •Streets of Fire (Hill, 1984), Fri, 7:30, and The Warriors (Hill, 1979), Fri, 9:20. “Peaches Christ’s Night of 1,000 Showgirls:” Showgirls (Verhoeven, 1995), Sat, 8. Annual celebration of the camp classic, with a “Volcanic Goddess” pre-show, special guest Rena “Penny/Hope” Riffel, and more; tickets ($25-55) at www.peacheschrist.com. •The Leopard (Visconti, 1963), Sun, 2:30, 7. •The Dance of Reality (Jodorowsky, 2013), Tue, 7, and Jodorowsky’s Dune (Pavich, 2013), Tue, 9:30.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Cannibal Holocaust (Deodato, 1979), Fri-Sat, midnight. With actor Carl Gabriel Yorke in person.

COURTHOUSE SQUARE 2200 Broadway, Redwood City; www.redwoodcity.org. Free. The Croods (De Micco and Sanders, 2013), Thu, 8:45.

EMBARCADERO One Embarcadero Center, SF; www.turkishfilmfestivals-usa.com. Free. “Turkish Film Festival:” Love Me (Gorbach and Bahadir Er, 2013), Wed, 7; Oh Brother (Uzun), Wed, 9; Only You (Yonat), Thu, 7; My World (Yücel, 2013), Thu, 9.

EXPLORATORIUM Pier 15, SF; www.exploratorium.edu. Free with museum admission ($19-25). “Off the Screen:” “Soundwave ((6)) (sub)mersion,” Thu, 7; “Imagine Science Film Festival,” Fri, 7 (this event, $5-10).

GOETHE-INSTITUT SF 530 Bush, SF; www.goethe.de/ins/us/saf/enindex.htm. $5 suggested donation. “100 Years After WWI:” Poll (Kraus, 2009/2010), Wed, 6:30.

JACK LONDON FERRY LAWN Clay and Water, Oakl; www.jacklondonsquare.com. Free. “Waterfront Flicks:” The Lego Movie (Lord and Miller, 2014), Thu, sundown.

NEW PARKWAY 747 24th St, Oakl; http://thenewparkway.com. $10. Mrs. Judo (Romer, 2012), Sun, 3. With filmmaker Yuriko Gamo Romer in person.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “The Brilliance of Satyajit Ray:” The Home and the World (1984), Wed, 7; Deliverance (1988), Sat, 6:30; An Enemy of the People (1989), Sun, 5. “Martin Scorsese Presents Masterpieces of Polish Cinema:” Man of Iron (Wajda, 1981), Thu, 7. “Over the Top and Into the Wire: WWI on Film:” Paths of Glory (Kubrick, 1957), Fri, 7. “Kenji Mizoguchi: A Cinema of Totality:” Princess Yang Kwei-Fei (1955), Fri, 8:45. “Rude Awakening: American Comedy, 1990–2010:” Zoolander (Stiller, 2001), Sat, 8:15; Knocked Up (Apatow, 2007), Sun, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. “Here and Far,” local shorts, Wed, 7. The Dance of Reality (Jodorowsky, 2013), Wed, 9. Kink (Voros, 2013), Wed-Thu, 7, 8:45. “Nippon Nights:” Akira (Otomo, 1989), Thu, 8. “SF Heritage: Reel San Francisco Stories,” screening and lecture, Thu, 6. This event, $10-15. Me and You (Bertolucci, 2012), Aug 22-28, 7, 9 (also Sat-Sun, 3, 5). Rich Hill (Tragos and Palermo, 2014), Aug 22-28, 7, 9 (also Sat-Sun, 3, 5). “Roxie Kids:” Astro Boy (Tezuka, 1980-81), Sun, 2. “This Must Be the Place: End of the Underground 1991-2012,” short films, Mon, call for time.

SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. Alive Inside (Rossato-Bennett, 2014), Wed-Thu, call for times. Frank (Abrahamson, 2014), Aug 22-28, call for times. “Alec Guinness at 100:” The Lavender Hill Mob (Crichton, 1951), Sun, 4:30, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “Invasion of the Cinemaniacs:” The Exile (Ophuls, 1947), Sun, 2. *

 

Live Shots: SF Street Food Fest fills us up quickly

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The weather was gorgeous, the lines weren’t too long, and the people were friendly — and hungry — at the sixth annual SF Street Food Festival last Saturday.

About those shorter lines, though — that meant we had access to pretty much any food we wanted in less than 10 minutes! (Except for the ever-popular ramenburger from Nombe, the line for which stretched almost the length of a block.) Uh oh, we were faced with unlimited choices, too many for our stomachs to bear, try as we might. And we might!

Highlights for us included the octo okono from Stones Throw (basically a fried octopus popsicle), excellent and tender turkey momos (Nepalese dumplings) from Bini’s Kitchen, Thai iced tea gelato from Secret Scoop, thickly wrapped beef pho rolls from Rice Paper Scissors (with awesome Vietnamese coffee), sharply spiced ahi tuna kitfo (a kind of tartare mixture) from Radio Africa Kitchen, and aquavit-cured salmon crostinis from Chef Pelle Nordic.

Things causing a general sensation: a huge portion of Berber-spiced lamb from The Whole Beast, Hella Vegan Eats‘ potsticker burrito, schnitzel sliders from Little Red Riding Truck, and a smoked salmon rueben from Fine & Rare.

This is supposedly the festival’s last year (at least in the Mission), partly due to neighbor complaints about parking (sigh), but I have a feeling we won’t see the last of it. Although you did just see the last of that schnitzel slider you left unattended on your plate, yoink.  

 

20th street soul

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esilvers@sfbg.com

LEFT OF THE DIAL It’s a common refrain among the bundled, peacoat- and scarf-sporting masses around this time of year that San Francisco doesn’t really have a summer. But those of us who’ve been here a while know this isn’t exactly accurate: Summer just kinda takes place during fall. If seasons were party guests, San Francisco’s summer would be the guy who shows up at 2am, bearing a bottle of good tequila, ready to dance. Unless you’re college-aged or younger and have to go back to school just as the weather turns toasty, only to stare longingly out the classroom window imagining the fun you could be having — my apologies, I’ve been there — there’s something really special, almost secretive-feeling about a warm September late afternoon.

On Saturday, Aug. 23, consider the 20th Street Block Party, brought to you by Noise Pop, to be your gateway — a kickoff, really — to “real summer.” This free annual shindig, now in its second year, will see a mighty fine lineup of local bands (ones that don’t usually play for free, like Rogue Wave, Cayucas, Melted Toys, The Bilinda Butchers, etc.) entertaining all afternoon long, while food from the veritable gourmet wonderland that has sprung up on 20th street in the Mission will be available in wallet-friendly, portable portions. What more you could ask for?

Among the acts we’re most excited for is Myron & E, a soul duo that’s had a pretty big year. After the release of Broadway last year — a 10-track powerhouse of a debut, featuring warm, plaintive vocals dancing the line between neo-soul and R&B from both singers, the Soul Investigators as a backing band, and the overwhelming sense of having arrived in a time machine from another era — the two have gotten used to life on the road during a whirlwind of touring, making fans in some surprising places. Russia, in particular, went well recently, says Eric “E da boss” Cooke.

Still, “[The record’s] been a slow-burner, a lot of people are just finding out about it. Which is great, it still has momentum, people are still discovering us,” says E, a New Jersey native known for his gargantuan record collection, who’s been producing hip-hop records in the Bay for nearly a decade and a half now — alongside DJ Nick Andre, he’s known in the Bay as the producer of more than a dozen on the Slept On label. E also doubles as a member of the Oakland independent hip-hop royal family Blackalicious; members of which guested on his underground 2007 hit, “Go Left,” while signed to the SF-based Om label.

When label heads there were interested in a follow-up using instrumentals instead of samples, he reached out to the Soul Investigators; they asked him to sing on one of their songs in return. E reached out to Myron (Glasper), a dancer-turned-singer who came up in LA (he cut his teeth dancing on In Living Color), another sometime member of Blackalicious, to join him on the track. Something clicked. Broadway had the sound of instant, organic hit when it dropped last summer on Stone’s Throw records, with disco basslines, bright horns, and classic soul grooves for days, anchored by the pair’s call-and-response vocals, which are by turns seductive, goofy, unconcerned with being perfect but somehow, simultaneously, almost too smooth. These are party starters, these are roller disco anthems, these are love ballads; they are everything in between. The live instrumentation gives the tunes an organic sensibility that’s (unfortunately) all too rare in soul/hip-hop hybrids as of late. Whatever the reason, you honestly can’t help but dance.

“Sometimes we write together, sometimes we write separately and come together after,” says E. As for how their relationship’s evolved after the last year of nearly non-stop touring together? Do they ever butt heads while writing?

“That’s maybe the only time we don’t butt heads,” says E with a laugh. “No, we have a certain chemistry. And, you know, we’re having fun. It just works.”

As for the rest of the year, E says they hope to get back into the studio to start working on a follow-up by December. Until then, we’d recommend taking advantage of any chance to see ’em you get.

MYRON & E

1pm on the main stage

Noise Pop’s 20th Street Block Party (with Rogue Wave, Cayucas, many others)

Aug. 23, noon – 6pm, free (unless you opt for the VIP package)

www.20thstreetblockparty.com

Oh, and food-wise? The workshop tent demands that you come both hungry and ready to learn. Maybe it’s because Chino’s bite-size, savory broth-filled soup dumplings have been haunting our dreams lately (in a delicious way), but we especially can’t stop looking at the workshop called “Dumplings with Brandon Jew.” He had us at “cooking secrets” and “techniques of dumpling creation.” That’s at 2:30pm in the Workshop Tent. Education never tasted so good.

Teachers prepared to strike

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rebecca@sfbg.com

The first day of school was Aug. 18 in the San Francisco Unified School District, but a group of teachers started the day with a press conference announcing the possibility that they could soon go on strike.

The teachers union, United Educators of San Francisco, announced the results of a strike authorization vote held the previous Thursday. The vote, which was the first of two required to authorize a strike, resulted with an overwhelming “yes” with 99.3 percent of teachers saying they would take that step if necessary.

UESF President Dennis Kelly noted that 2,251 teachers had voted, and all but 16 were in favor of authorizing the union to go on strike if contract negotiations with the school district do not result in an acceptable settlement. “It’s pretty unequivocal,” noted UESF spokesperson Matthew Hardy, “and it demonstrates the need for teachers to have a wage that allows them to live in San Francisco.

On Aug. 14, teachers streamed onto the grounds at George Washington High School to cast ballots for the first strike authorization vote. Among them was Kelly Lehman, a first grade teacher at Mira Loma Elementary, who said she’d recently been forced to leave her longtime Mission District residence under threat of eviction.

“I am one of those people who has been ‘Googled’ out of the city,” she said. “I used to be able to afford the city.”

Since she relocated in Marin County, Lehman said her commute has gone from 10 to 40 minutes each way. “It means either less time with my family, or less time with my class,” she noted, adding that she ended up purchasing a car and now drives to work.

Public school teachers’ contract ended June 30, but contract negotiations began months earlier, in February. In June, the negotiations went into impasse, which means the union and district were unable to meet without the presence of a mediator. If mediated negotiations now underway don’t result in a settlement, the process would move to fact finding, where parties on either side of the bargaining table would make presentations to a neutral party, who would in turn prepare a report and make recommendations. If that still doesn’t result in an agreement, the district could impose its last and best contract offer and the union could opt to go on strike, provided it wins approval in a second strike vote.

Hardy said it would likely take weeks before a final outcome is determined, but he stressed that “the goal is to get a settlement.”

While there are several issues of contention, the major point of disagreement comes down to teachers’ salaries. Teachers have demanded a 21 percent pay raise over three years, saying that amount is necessary for educators to be able to provide for themselves in San Francisco. But the district, which has made an offer that would raise pay by 8.5 percent instead, maintained in a statement that it “has not received increases in revenue sufficient to raise salaries enough to keep up with the high cost of living in San Francisco.”

Ken Tray, a UESF organizer and longtime social studies teacher at SFUSD, said he was alarmed by the trend of schoolteachers being forced out of the community. “Today there are many, many teachers facing eviction,” he said. “One of my oldest teacher friends, who was voted best teacher at Galileo High School and then at Lowell High School, is leaving San Francisco because he is losing his apartment. So that is a loss not only to him and his wife, but it’s a loss to his community. What kind of community drives its…best teachers out of town? What about the soul of San Francisco?”

The next mediation session is scheduled for Sept. 2. “We are currently in mediation with UESF and remain hopeful that we can resolve our differences and reach a fair and equitable compensation agreement,” SFUSD Superintendent Richard A. Carranza told the Guardian via email. “We are a public agency and our revenues and expenditures are carefully monitored and audited on a regular basis. Anyone can view our detailed budget and auditors reports online. We are committed to giving our employees much deserved raises but we are also committed to being fiscally responsible which means submitting a balanced three-year budget to the state with a minimum reserve.”

The SFUSD statement indicated that the district expects the total cost of salary and benefits for teachers to increase by at least 18.5 percent over the next three years. But Hardy was skeptical of those figures. “That’s crazy,” he said after reviewing the district statement. “I don’t know how they ran those numbers.”

Claudia Delarios Moran, a former paraprofessional at SFUSD and Restorative Justice coordinator, started her comments at the Aug. 18 press conference by saying she was excited to be taking her kids to their classrooms for the first day of school. “They’re so eager to find out who their teachers are, which of their friends are assigned to their class, and to settle back into the warmth and familiarity of their school site, which is filled with staff who are consistently affectionate toward them and interested in their academic and social development,” she said. “These days, that kind of environment for students and families is more crucial than ever, given what they’re up against. Many of our students and families are living on the margins, due to their immigration status, their language capability, and their limited income. They’re stressed out — due to fear that they’ll be displaced from their homes and never find another place in their neighborhoods that they can afford. … And though the work is hard, educators know that it is a great privilege to serve our children — to help the working families of San Francisco survive here.”

 

Alerts: August 20 – 26, 2014

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THURSDAY 21

 

Forum on Keystone XL Pipeline

The Commonwealth Club of California, 595 Market, SF. 6pm, $20 non-members, $12 members, $7 students (with valid ID). Join David Baker, energy reporter with the San Francisco Chronicle, and John Cushman, author of Keystone & Beyond and former New York Times reporter in this discussion on a controversial national pipeline project that’s given rise to one of the biggest political fights over energy in decades. With American oil production increasing and domestic demand in decline, does it make sense to build the Keystone XL pipeline?

 

 

Global Justice and Anti-Capitalism Party

Dr. Teeth & the Electric Mayhem, 2323 Mission, SF. tinyurl.com/globalhappyhour. 5:30-10:30pm, free. Ten percent of bar sales will be donated to Global Exchange. “Global Justice and Anti-Capitalism” might sound like a strange name for a party, but hey, that’s just what happens when you’re partying with international human rights organization Global Exchange.

 

FRIDAY 22

 

March against police violence

Alex Nieto Memorial, Bernal Heights Park, north side, SF. justice4alexnieto.org. Noon, free. Family and supporters of Alex Nieto, a Latino youth killed by the San Francisco Police Department earlier this year after his Taser was mistaken for a firearm, will march in his memory on the five-month anniversary of his death. In the wake of the Mike Brown shootings, the ongoing events in Nieto’s memory seek to inspire a new civil rights movement in the Bay Area against police violence. The march will proceed to the San Francisco Federal Building, 450 Golden Gate, where activists will hold a rally at 3pm.

 

SATURDAY 23

 

El Tecolote’s 44th Anniversary

Cesar’s Latin Palace, 926 26th St., SF. eltecolate.org. 8pm, $20. Celebrate 44 years of coverage with the San Francisco community newspaper El Tecolote. Featuring food, a raffle, and music from John Santos, Roger Glenn, Tito Gonzalez and Anthony Blea. All proceeds to benefit El Tecolote and community journalism.

SUNDAY 24 350 East Bay celebration and picnic Lake Merritt Amphitheater, Lake Merritt Blvd., Oakl. 350bayarea.org. Noon-3pm, free. Concerned about global warming but unsure how to make a difference? Drop in for 350 East Bay’s Climate Connection Celebration and get involved with a volunteer organization that’s dedicated to reducing carbon pollution in the Bay Area and beyond.

SF school board votes to aid Central American child refugees, hopes to spark national movement

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Waves of Central American child refugees are landing in San Francisco, fleeing violence in their home countries. A growing number of supporters are lending aid, and now the San Francisco Unified School District is the newest group to join the cause. 

Last night [Tues/12], the SFUSD Board of Education unanimously approved a resolution to bolster services in city public schools for child refugees fleeing Guatemala, El Salvador, and Honduras.

“We are a nation of immigrants, which is often forgotten when we talk about ‘those kids,'” SFUSD Superintendent Richard Carranza said to the board. “These are our children.”

To help them, he said, “we will move heaven and earth.” Carranza then pledged to forward the text of the resolution far and wide, saying he hoped the SFUSD’s efforts would cross the desk of President Barack Obama, and set an example for the rest of the country.

Child refugees coming to San Francisco face language barriers, inadequate city services, and major gaps in their education. The resolution, authored by board member Matt Haney, will beef up teaching resources for child refuegees, connect these children with counseling services, and enroll them in specific classes geared towards new English learners. The district will also soon hire an administrator to coordinate these new and existing services for refugees. This new administrator will need the qualifications of a social worker, the district said, and it’s easy to see why. 

One counselor put the kids’ needs this way: normal teenagers have it hard enough, but adjusting to school with the trauma of near-death behind you can be almost impossible.

“These kids have a set of needs which are at a higher level than any set of kids we deal with,” Haney said. 

Most of these new services will wrap into SFUSD’s Newcomer Pathways program, an already existing framework which bolsters the success of new immigrant children in San Francisco, who often face steep language and cultural barriers.The effort joins a rising tide of SF officials pledging to aid these refugees, including Supervisor David Campos, Mayor Ed Lee, Public Defender Jeff Adachi, and USF School of Law Dean John Trasvina.

The US Department of Health and Human Services reported 175 unaccompanied minors were released into custody of San Franciscans, though federal data shows many hundreds more wait in the wings for aidSome of these refugee children will join school in the new year, which starts Monday, but many are already in attendance.

Dawn Woehl, a counselor with the Newcomer Pathways program at Mission High School, told the board during public comment she started noticing more child immigrants who spent time in detention centers in New York and Texas. 

“We may not know much about each individual family, but we know enough about the trauma they’re facing,” she said. After she spoke to the board, she told the Guardian that wraparound services for mental health are most needed. 

“We take care of the basic needs first,” she said, “but counseling is where we get stretched.”

These children and teenagers often come from towns where gangs recruit new members through high schools. Those that refuse to join up meet violent fates: rape, dismemberment, and death. With those challenges, it’s no wonder that many of these kids show up in San Francisco with gaps in their learning, and significant need of counseling.

“The need for Spanish-speaking therapists is high,” Woehl told us. 

The Newcomer Pathways program is a successful one, and alumni of the program came to the board to laud the proposal to aid the refugees.

“I was born and raised in Guatemala, I emigrated here when I was 14 years old,” Anna Avalos Tizol, now 21, told the Board of Education. “I had to learn the language, the culture, and work to help my family back in Guatemala. It was a culture shock.”

But in the end, the young student found success at Mission High School. She’s now a senior at UC Santa Cruz, and interned in Washington DC, where she witnessed child refugees testifying before Congress, telling them of the cold hard floors and thin sheets of their detention centers.

“When we come here, we give up everything. Our home and our loved ones,” she said. “Remember: all children are sacred.”

Morning Gloryville

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Morning Gloryville – Rave your way into the day! is an immersive morning dance experience for those who dare to challenge morning culture and start their day in style! We’re on a soul-shaking mission to turn clubbing upside down and transform mornings into something truly remarkable, and you’re invited! 

When? 

Tickets are: $20
Wednesday, August 20th, 2014 
6:30 – 10:30 AM (PST) 

Enter to win a pair of tickets by emailing RSVP@sfbg.com with “Morning Glory” in the subject line.

Real estate speculators physically push out Ellis Act eviciton protesters

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Native San Franciscan Benito Santiago, 64, joined a protest Aug. 12 in an attempt to remind his evictors that he’s a human being – not a roadblock to profit.

Santiago is facing an Ellis Act eviction from his 47-year Duboce Triangle home, where his monthly rent is just below $600.

Clad in a stylish blue fedora, Santiago and a dozen or so protesters filed into Vanguard Properties to deliver a letter asking Vanguard co-founder Michael Harrison to rescind his eviction. Harrison initiated an eviction proceeding against Santiago last December through his corporation, Pineapple Boy LLC. But by the end of the protest, Santiago and other tenant activists were physically pushed out of the building by Vanguard representatives in a show of aggression.

Before it got to that point, protesters called out Harrison for exploiting the Ellis Act for profit.

From the letter:

“We do not believe that you, Michael Harrison, are ‘going out of business’ which is the purpose of using the Ellis Act. We know that instead you are exploiting a loophole in state law for your greed.”

Suffice to say, Vanguard representatives didn’t accept the letter. But the message still got across: The protesters brought a bullhorn.

“My name is Benito Santiago,” Santiago blared, standing at the front desk, but was soon interrupted. A young-looking man in a grey suit approached protesters and asked them to leave.

“I’m calling the San Francisco police,” he said. Santiago may have approached the business with a bullhorn, but he has much to lose. 

While Vanguard may perceive Santiago merely as someone who doesn’t offer monetary value, he’s of much value to the developmentally disabled children he teaches at San Francisco Unified School District. 

The protesters intended to make these points to the folks at Vanguard. But before words could be exchanged, a crowd of Vanguard workers (real estate agents or employees, perhaps?) swooped in and physically carried out the protesters.

Fred Sherbun-Zimmer held her protest sign and chanted as one Vanguard agent placed hands on her back and swiftly pushed her out. Peter Menchini, a videographer, held his camera high and away from the snatching hands of real-estate experts turned vigilantes. Poet and activist Tony Robles had a paper slapped out of his hand by a Vanguard employee, before protesters were pushed out in a wave behind him.

Vanguard Properties Employees Assault Photographers & Activists 12 Aug 2014 from Peter Menchini on Vimeo.

 

 

As you can see from the video, things turned downright nasty as the real-estate representatives shoved and pushed the anti-eviction protesters as well as journalists there to document the event. (They even tried to yank my phone out of my hand.)

By the time the SFPD arrived, things had settled down. No arrests were made, and after a few sidewalk declarations by bullhorn, the protesters cleared the scene.

Afterwards, Santiago told us his housing prospects aren’t looking good. The Bill Sorro Housing Program helped him file many affordable housing applications, but he hasn’t gotten any word back yet. The rent he pays now eats up a hefty chunk of his paycheck, leaving little for basic expenses by the end of the month.

“I’m getting lots of positivity from family,” he said. And he does have an extension, until December, to find a new apartment. But, he noted, with median rents almost reaching $4,000 in San Francisco (they’re actually at $3,200, but that’s still bad), his chances of staying in the city are slim.

“I might be bad at math,” he told us, “but that seems like shooting for the moon.”

Vanguard Properties co-founder Michael Harrison was dubbed a “property flipper” by the Anti-Eviction Mapping Project. 

From its brief on Harrison:

Michael Harrison is the co-founder of Vanguard Properties, where he specializes in “residential investment properties.” He is a property flipper: his shell company Pineapple Boy LLC bought the building in November 2013 and tried to evict Benito and the two other tenants immediately. Vanguard Properties is currently involved in a number of luxury property developments in the Mission District and Duboce Triangle area including the development at 19th and Valencia that in February 2014 set record sale prices for the neighborhood. 

Santiago did have some flickering hope when an in-law unit behind a garage next door went on the market for rent. His hope was deflated, though, when his friend told him the rent for the single room.

“Eduardo said, ‘guess how much it is?'” Santiago told us. “It’s going for $4,000 a month.” 

Shahum leaving SF Bike Coalition to study Vision Zero

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San Francisco cyclists are losing a key advocate — but this and other US cities may next year gain a knowledgable new leader for Vision Zero, the ambitious program for eliminating all pedestrian deaths — with today’s announcement by Leah Shahum that she is stepping down as executive director of the San Francisco Bicycle Coalition at the end of the year.

Shahum has been accepted into the German Marshall Fund Fellowship, a four-month program where she will study European success stories in the Vision Zero concept, focusing on cities in Sweden, the Netherlands, and Germany, before returning to the US to work on programs that reduce traffic-related fatalities.

“They’ve made huge progress after they started with Vision Zero in the late ‘90s,” Shahum told the Guardian. “I’m really passionate about the potential of Vision Zero in San Francisco and other US cities.”

At the SFBC, Shahum worked her way up from a volunteer to becoming executive director 12 years ago, presiding over the organization becoming the city’s largest grassroots, member-based advocacy organization, one that has a strong influence at City Hall.

Shahum has also sought to broaden the SFBC’s mission, working closely with organizations such as Livable City and Walk San Francisco to challenge paradigms and funding models that heavily favor the automobile on the streets of San Francisco.

“The work we’ve been doing at the Bike Coalition has long been broader than just biking,” Shahum said. “The work we’re doing benefits all road users and I think it’s important to bring everyone into this discussion.”

Walk SF Director Nicole Schneider said Shahum’s departure is bittersweet news.

“It’s really sad to see her go and we’ll dearly miss her tenacity and leadership in San Francisco,” Schneider told the Guardian. “But I’m thrilled that she’s working on Vision Zero and she’ll be a huge asset in this country.”

While the Board of Supervisors adopted the goals of Vision Zero earlier this year, that program has yet to be fully defined or funded, particularly after Mayor Ed Lee ditched a fall ballot measure that would have increased the local vehicle license fee, which would have dedicated some funding to pedestrian safety improvements.

“We need to really figure out what Vision Zero means for a US city, so we can learn a lot from European cities,” Schneider said. “In order to implement Vision Zero, we’re going to need funding to replace our obsolent traffic infrastructure that valued speed over safety.”

Shahum said it was a good time to make the transition and focus on Vision Zero, which will be the subject of an international conference she’ll attend this November in New York City, which has been leading the way on the concept among major US cities.    

“It’s at the valuable crossroads of injury prevention and sustainable transportation,” Shahum said. “I’m excited to take Vision Zero to the next level, not just in San Francisco, but around the nation.”

SFBC put out a statement commending Shahum for her 17 years of work with the SFBC and announcing it will be conducting a nationwide search for a new director.

“We thank Leah immensely for leading our community’s efforts to make San Francisco a safer, more inviting place to bike and a better place for all of us to live,” SFBC Board of Director President Lawrence Li said in the statement. “Leah leaves behind a legacy of one of the most bike-friendly big cities in America and one of the most well-organized and effective membership groups in the country.”

Shahum said she’s not sure exactly what form her post-fellowship work will take, but that she’s excited about the possibilities of this opportunity.

“I think it’s time for some new adventures,” Shahum told us. “As much as I love what we’re doing in San Francisco, things have to move faster to be meaningful.”

Call the Pope

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culture@sfbg.com

THE WEEKNIGHTER It’s a funny thing to be filling out a job application and have to put your previous employer as Tony the Pope. But that’s the name I know him by, and truthfully, I don’t wanna know his real last name, anyways. I prefer to have at least a little bit of mystery in my life.

I had been working at The Unresolved Love Life of Evelyn Lee, which may be the longest name for a bar ever, when I got news that the bar had been sold to Tony and would now be called Mission Hill Saloon (491 Potrero, SF. 415-552-5545)… again. It had been Mission Hill before it was Evelyn Lee, and apparently Tony was changing it back. Regardless, I came to love working at the place and didn’t care what it was called as long as I had a shift or two.

Depending on the bar, the regulars can either be the best or worst thing about it. The jury is still out about which category Mission Hill’s falls into. Or at least, that’s the kind of shit I’d talk to them while behind the bar. A bartender’s best weapon is his wit, and working at Mission Hill Saloon was a good test of mine every time I was at the stick. The crowd ranges from hipsters to cooks and construction workers — and all of them are prepared to give you a hard time for absolutely no reason at all. And that’s just how I like it.

I experienced one of my most ridiculous San Francisco moments ever while working there. I’d been chatting with a girl on OkCupid, and we had made plans to grab a drink on Sunday evening. We never discussed where I worked so we were both surprised when she came in on my Thursday night shift. Coincidently, she lived above the bar. That is some serious San Francisco shit right there. We went out once and decided it would be easier to just be friends considering she lived above the bar I worked at. [Good call — Ed.]

The Mission Hill Saloon is in an old building. I’m not sure of its age, but it’s old enough. One night, Raph, one of the regulars, told me — as I was closing the bar at 2am — that the place was seriously haunted and that he wouldn’t want to be in there all by himself at night. He gave me a wink as I ushered him out the door and locked it behind him. The asshole knew I had at least an hour of closing duties, by myself, in that old bar. I didn’t want him to know that his saying that shit really spooked me, and I put at least $5 in the jukebox so I wouldn’t hear any late night creepy old building sounds. Nothing ghostly ended up happening. Or if it did, I couldn’t hear it over the jams.

Unfortunately I only worked at Mission Hill Saloon for a little while. After Tony bought the bar he decided to work as many shifts on his own as he could, just to keep costs down. I completely understood, and I knew he’d be a great reference for whatever my next bar gig would be. Which is why I found myself filling out an application and using Tony the Pope as a previous employer. Tony may not be a religious man, but he sure does pour some strong-ass holy water. Plus, now it’s nice to be on the other side of the bar — so I can join the peanut gallery and give him shit.

P.S. This Weeknighter is dedicated to Ashley Dickinson who loves Mission Hill almost as much as I do.

Stuart Schuffman aka Broke-Ass Stuart is a travel writer, poet, and TV host. You can find his online shenanigans at www.brokeassstuart.com

Boxing lessons

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arts@sfbg.com

While still a child in early-’80s San Francisco, Boots Riley witnessed something he didn’t quite understand but that would stick with him for the rest of his life. Walking into a theater performance at the venerable Mission District art space Project Artaud, Riley saw actors in body paint writhing around him in apparent agony on all sides. It was meant as a simulation of the AIDS epidemic, with the actors portraying the afflicted. But it didn’t enlighten him much as a kid.

“It just scared the hell out of me,” Riley recalls. “You walk into this place, and it’s like a whole city, with people all around you.”

Given how Riley’s own work with long-running hip-hop group The Coup likewise mixes political activism with overwhelming performance energy, it’s fitting he would look back on this experience as the inspiration for The Coup’s new multimedia project, Shadowbox. Featuring the work of street artist Jon-Paul Bail, videographer David Szlasa, and a host of other bands and performers, Shadowbox casts the Coup’s music in the context of an all-encompassing artwork that attacks the audience from all sides. He’s debuting the project at the Yerba Buena Center for the Arts on Aug. 16, but he hopes to eventually take it on the road to wherever an art establishment is willing to fund it.

Riley prefers to remain secretive about what the performance actually entails. He’s described it in the past as featuring puppets, drones and “Guantanamo Bay go-go dancers,” whatever those may be. To Riley, having the audience come in blind is key to maximizing the impact of the show.

“Some of the things that would make people probably want to come to the performance are things I don’t want to talk about before they happen,” Riley says.

What we do know is that it’ll feature multiple stages and a dizzying roster of collaborators, from socialist hip-hop militants Dead Prez to dream-pop duo Snow Angel, comedian W. Kamau Bell, chamber orchestra Classical Revolution, and the New Orleans-style second line unit Extra Action Marching Band. All of it will be encased by Bail’s black-and-white artwork, which will give the audience the impression of being in an actual “box of shadows.”

Bail, a Bay Area street artist perhaps best known as of late for his “Hella Occupy Oakland” poster, was one of Riley’s early heroes on the Bay Area art scene. The two met in the late ’80s amid a wave of neo-Nazi skinhead activity in the Bay Area, which the two of them helped fight to counter.

“When I was in high school I would hang out at Alameda Beach,” Riley recalls. “Back then Alameda was still a navy town and they didn’t like a lot of black folks coming around. Police rolled up to harass us, and the police insignia on the car was covered in a swastika. The first thing I thought was: ‘Who the fuck did that?'”

It turned out to be Bail, and the two artists quickly bonded, putting up anti-Nazi posters around the city. They’ve remained friends through the years, but they haven’t collaborated on a large-scale project until now.

“He was the first artist I ever met who was trying to do something more with art than just make art,” Riley says. “He had a collective at California College of the Arts at the time, which had the slogan — ‘no art for art’s sake.'”

The Yerba Buena Arts Center connected Riley and Bail with videographer (and Theater Artaud collaborator) David Szlasa, who helped design the video elements of the project. Together, they form Shadowbox’s core creative axis, responsible for the aesthetically overwhelming experience Riley hopes the project will be.

Though Shadowbox contains elements of both a gallery exhibition and a theatrical performance, Riley ultimately hopes that Shadowbox will feel more like a show than anything else, in line with the Coup’s high-octane concerts.

“A lot of the time when you’re doing something theatrical people just want to stand around,” Riley says. “But our shows have always been known to be a dance party, and we’re keeping the audience with us and not just watching us.”

The performers and artworks are intended to surround an audience, which will be able to move around and examine the exhibit at first. But as the room fills, Riley hopes the crowd will solidify and focus on the music. The musical element of Shadowbox will mostly consist of Coup songs, but each of the additional musical performers will play one of their own songs in addition to collaborating with the band.

The Coup didn’t write songs specifically for the performance, rather choosing to perform works culled from the band’s six-album, 20-plus-year catalog — including a few unreleased tracks and songs they don’t generally perform live. Though calling Shadowbox an augmented Coup concert would surely sell the event and its collaborators short, it seems as if all the key elements of a Coup show will be there: the songs, the audience-bludgeoning power, and especially the politics.

Though the title Shadowbox primarily refers to the effect Bail’s artwork creates on the performance space, Riley sees multiple meanings to the title. Shadowboxing is the practice in boxing of “fighting” an imaginary opponent to prepare for a match, and Riley sees parallels between this practice and the way in which the Coup “prepares” its listeners to fight real-life injustices. He’s aware political art can’t always change the world on its own, but it can inspire listeners to take action.

This gives rise to a third, even more poignant meaning to the title: that the social issues depicted in the work are only shadows of what’s really happening in the world, contained within the clearly defined “box” of the performance space.

“There are a lot of terrible things happening in the world that we’re talking about in the performance,” Riley said. “But the artwork is just a shadow of what’s really going on.”

THE COUP’S SHADOWBOX

Saturday, Aug. 16, 5 and 9pm, $25-$30

Yerba Buena Center for the Arts

701 Mission, SF

(415)978-2700

www.ybca.org

Rep Clock: August 13 – 19, 2014

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Schedules are for Wed/13-Tue/19 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ANSWER COALITION 2969 24th St, SF; www.answersf.org. We Are the Palestinian People (CineNews, 1973), Wed, 7.

BALBOA 3630 Balboa, SF; cinemasf.com/balboa. $10. “Thursday Night Rock Docs:” Stop Making Sense (Demme, 1984), Thu, 7:30.

BERKELEY FELLOWSHIP OF UNITARIAN UNIVERSALISTS 1924 Cedar, Berk; www.bfuu.org. $5-10 (no one turned away for lack of funds). The Day After Trinity: Oppenheimer and the Atomic Bomb (Else, 1981), Thu, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •The Rover (Michod, 2013), Wed, 7, and A Boy and His Dog (Jones, 1975), Wed, 9. “Carax/Linklater:” •Mr. X: A Vision of Leos Carax (Louise-Salomé, 2014), Thu, 6; Boy Meets Girl (Carax, 1984), Thu, 7:25; and Before Sunrise (Linklater, 1995), Thu, 9:20. Triple feature, $12. •Mamma Mia! (Lloyd, 2008), Fri, 7, and Moulin Rouge! (Luhrmann, 2001), Fri, 9:10. “SF Sketchfest Summer Social:” The Muppet Movie (Frawley, 1979), Sat, 11am. With Dave Goelz (“Gonzo the Great” puppeteer and voice) in person. This event, $10. “SF Sketchfest Summer Social: The Benson Movie Interruption:” The Twilight Saga: Eclipse (Slade, 2010), Sat, 4:20. With comedian Doug Benson and friends. This event, $20. “SF Sketchfest Summer Social:” Office Space (Judge, 1999), Sat, 9. With Stephen Root (“Milton”) in person. This event, $12. “SF Sketchfest Summer Social:” Fred Armisen with special guest Ian Rubbish (Armisen’s English punk rock alter ego), Sun, 8. This event, $25. •The Lineup (Siegel, 1958), Sun, noon, and The Good, the Bad and the Ugly (Leone, 1966), Sun, 1:40. •Ida (Pawlikowski, 2013), Tue, 7, and Incendies (Villeneuve, 2010), Tue, 8:35.

COURTHOUSE SQUARE 2200 Broadway, Redwood City; www.redwoodcity.org. Free. The Secret Life of Walter Mitty (Stiller, 2013), Thu, 8:45.

EXPLORATORIUM Pier 15, SF; www.exploratorium.edu. Free with museum admission ($19-25). “Saturday Cinema: Experimental Films for Kids with Canyon Cinema,” Sat, 1, 3.

JACK LONDON FERRY LAWN Clay and Water, Oakl; www.jacklondonsquare.com. Free. “Sing-along Cinema:” The Wizard of Oz (Fleming, 1939), Wed, sundown.

NEW PARKWAY 747 24th St, Oakl; http://thenewparkway.com. $10. “Best of CineKink 2014,” sexy narrative and documentary shorts, Thu, 9:15; Fri, 9:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Over the Top and Into the Wire: WWI on Film:” Gabriel Over the White House (La Cava, 1933), Wed, 7; Arsenal (Dovzhenko, 1929), Sun, 5. “Kenji Mizoguchi: A Cinema of Totality:” The Taira Clan Saga (1955), Thu, 7; Sansho the Bailiff (1954), Sun, 7. “Martin Scorsese Presents Masterpieces of Polish Cinema:” A Short Film About Killing (Kieslowski, 1987), Fri, 7. “Rude Awakening: American Comedy, 1990–2010:” Best in Show (Guest, 2000), Fri, 8:50. “The Brilliance of Satyajit Ray:” The Kingdom of Diamonds (1980), Sat, 6:15. “Derek Jarman, Visionary:” The Tempest (1979), Sat, 8:35.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. “Arab Film Festival’s Summer Screening:” Mars at Sunrise (Habie, 2014), Wed, 7. Video release party for “We’re Here” by Future Twin, Wed, 9:30. Heli (Escalante, 2013), Wed-Thu, 7, 9:15. “Frameline Encore:” Valentine Road (Cunningham, 2013), Thu, 7 (free screening). Venus in Fur (Polanski, 2014), Thu, 9:30. Kink (Voros, 2013), Aug 15-21, 7, 8:30 (check website for Sat-Sun matinee times). Mi Casa No Es Su Casa (Yu and Jensen), Sat, 7. Slamdance presents: I Play With the Phrase Each Other (Alvarez, 2014), Tue, 7.

SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. “Monty Python Live (Mostly),” recorded at London’s O2 Arena, Thu, 7. This screening, $18. Horses of God (Ayouch, 2013), Wed, call for times. Alive Inside (Rossato-Bennett, 2014), Aug 15-21, call for times. “Alec Guinness at 100:” Kind Hearts and Coronets (Hamer, 1949), Sun, 4:30, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “The Exploitation of William Lustig:” •Maniac: Unrated Director’s Cut (1980), Fri, 7; Vigilante (1983), Fri, 9; Hit List (1989), Fri, 10:45. “Maniac Cop Trilogy:” Maniac Cop (1988), Sat, 7; Maniac Cop 2 (1990), Sat, 9; and Maniac Cop 3: Badge of Silence (1993), Sat, 10:45. With Lustig in person.*

 

Touch of class

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culture@sfbg.com

 

INPUT AS NOISE MUSIC WORKSHOP

Bask in the simplest element of electronic music — noise — and tickle your tech fancies simultaneously. This workshop is described as “not so much, or not only, a software workshop, but rather a composition course in electronic music which takes as its starting point the use of noise.” So treat your ears to the basics of sound and your imagination to the endless possibilities of music, without having to take your fingers off your precious electronics.

Aug. 23, noon, $10 suggested donation. NOHspace, 2840 Mariposa, www.tinyurl.com/noiseworkshop

 

HOMEMADE FETA

Have you stood in the cheese aisle at your favorite market, marveling at the choices, but feeling a little guilty for buying something you could make? 18 Reasons is offering a class that will give you the skills to finally create homemade creamy deliciousness. Cheese veteran Louella Hill, aka the San Francisco Milk Maid, will teach you everything you need — and want — to know about cheese and making feta.

Aug. 25, 6pm-9pm, $65 for non-members/$55 for members. 18 Reasons, 3674 18th St, www.tinyurl.com/homemadefeta.

 

LEATHERWORKING

Up your street cred by having your nice leather belt — and making it, too. The class, taught by SF crafter and owner of leather shop Tilt Adornments, will teach you to make a custom leather belt, totally personalized, with perfectly placed holes. All supplies for dyeing and assembling your belt are provided. Bonus points: There will be alphabet stamps and beer.

Sept. 4, 7pm-10:30pm, $68. Workshop SF, 1798 McAllister, www.tinyurl.com/makeabelt.

 

ACID TEST

Acid isn’t just for hippies. Editor, journalist, and two-time Pulitzer Prize-winner Tom Schroder will discuss psychedelic drugs’ ability to heal and help those with Post Traumatic Stress Disorder, depression, and addiction. Recent trials show that drugs now associated with trippy artwork, the 60s, and Ken Kesey may be the secret to mental health. This lecture will cover the past, present, and future of psychedelic therapy. Far out.

Sept. 25, 7pm-9pm, $20 for non-members, $15 for members at door. CIIS, 1453 Mission, www.tinyurl.com/acidlecture

 

NINJA ROLLING AND FALLING WORKSHOP FOR CYCLISTS

Cycling past backed-up car traffic in SF feels badass enough, but the danger adds an extra edge. Prepare mentally and physically for accidents, whether they’re car- or pebble-induced, in a padded environment. This workshop is designed to help cyclists save face (and limbs) in the event of a collision. Plus, what motorist would want to mess with a cyclist who has ninja skills?

Sept. 9/Oct. 5, 1pm-3pm, Free. Mission Yoga, 2390 Mission, www.tinyurl.com/ninjacyclist

 

WINE TASTING FUNDAMENTALS

Award-winning sommelier Eugenio Jardim will lead you through the wafting and sipping and lip smacking of wine tasting. This class promises to provide the necessary skills for enjoying great wines and being able to talk about them. Six wines will be tasted during the class. And after you’ve mastered the fundamentals, you can pour your skills into the SF Cooking School’s region-themed tastings, including New Zealand, France, and Italy.

Oct. 2, 5:30pm-7:30pm, $85. San Francisco Cooking School, 690 Van Ness,

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Science of inclusion

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news@sfbg.com

Tammie Jean Bellinger had been unemployed for 14 years, and when she was 48, she decided to enter the tech industry. “My son told me that if I wanted to start my life over, I should do it in San Francisco,” Bellinger said. “He said no one would notice my age, or anything about me.”

She’s Hispanic, Native American, a little bit Ashkenazi, and female. That doesn’t sound like the tech industry, where data illustrates the lack of workforce diversity. Between 60 and 70 percent of employees at Google, Facebook, LinkedIn, and Yahoo are men, while 91 percent of U.S. employees at Google, Facebook, and LinkedIn are white and Asian.

Bellinger, however, wasn’t setting her sights on the software or programming sectors but rather biotech, where female representation in major companies like Genentech is now over 50 percent, according to Fortune. In 2010, women held 46 percent of all positions in the biological and life sciences. A far cry from the frat boy image often associated with tech, things are different in the science-based field that tinkers with the building blocks of life.

First, though, Bellinger needed a way in. She found it at City College of San Francisco’s Bridge to Bio program, which accepts students who have no prior background in science. And it’s affordable. In-state students pay $46 per unit at City College, far below the $3,000 price tag for a full semester at San Francisco State University. Bellinger found herself learning alongside an eclectic mix of former school bus drivers, cooks, ballerinas, and bartenders. Many were female, people of color, and over 30.

Before long, Bellinger found herself completing internships in science labs where she cataloged human tissue, urine, and blood samples for cancer research.

“I know it sounds stupid, but a light bulb went off. My whole family has been affected by cancer,” Bellinger said. “I’ve been that family member. The doctor is on the other side, and there’s nothing you can do. I just hope that the person reading the tissue has as much passion as I do. That’s all I want.”

 

FUTURE SCIENTISTS

When Bellinger went to look for jobs, she was concerned about her age, but her worries vanished when she was offered a lab tech position at Genomic Health. “Biotech is different. Pretty much all … the recruiters are all women,” she said. “My knowledge is all new. If I talk the talk, and walk the walk, and it’s all updated, they’ll take me in.”

But even now, she has trouble seeing herself as a scientist. “I feel like an artist,” she said. “If you can stain a perfect nuclei and bring that cell to life when they’re performing cancer treatment, that’s kind of an art. The tissues come alive. They tell a story.”

Bellinger wants all young girls to see themselves as future scientists. This September, she’s going to start a program called Tech Bridge for those in the Livermore area. With a coral reef she built with her son, she’ll teach the Livermore Girl Scouts how to test water and play around with nitrates.

Tech Bridge is mirrored after Nexgene Girls, launched by Bridge to Bio graduates Jeanette Wright and Marlena Jackson. Through Nexgene Girls, young girls in Bayview-Hunters Point complete internships where they work alongside professional scientists and conduct their own experiments, like extracting DNA from bacteria in the salt marshes of Heron’s Head Park. By 2015, Nexgene Girls is looking to take a science field trip to Botswana.

Before Jackson became a scientist, she drove a school bus. In Hunters Point, where she grew up, breast cancer rates among women under age 50 are twice above average.

“I looked around and I thought, ‘I’ve got to do more’,” Jackson said. “You look around at the divisions in Bayview Hunters Point, and science seems like a way you can really change the community. My mother survived breast and cervical cancer. I know the power of medicine.”

After graduating from Bridge to Bio, Jackson got a job at Genentech in 2006. At that time, there weren’t many African Americans employed by the company. “I looked around, and I realized there weren’t many women that even looked like me,” she said. “That was how I started thinking about how I could go and give back to my community. I wanted to inspire young women to see themselves differently.”

Now, when young girls complete NexGene Girls programs, Jackson said, they have a different perception of what a scientist looks like. “They come in with the perception that a scientist is a guy, and he’s white,” Jackson said. “But when they’re done, and they’re asked to draw a scientist, they draw a girl. They’re not even drawing a woman. They’re drawing themselves.”

While Nexgene Girls focuses on inspiring young girls, another women-led biotech organization in the Bay Area — part of a larger, national network — is Women in Bio. For them, the mission is not to introduce more women to biology-related fields, where women already make up a substantial percentage of the workforce, but to bring females to leadership positions. Of the 18 Bay Area life sciences companies that had gone public since the start of 2012, women made up only 12 of the 129 board posts. Ten of the companies have no women on their boards.

Chris Meda, now CEO of medicine consulting firm RxDxLink and the chair of the San Francisco Chapter of Women in Bio, found herself struggling to find female mentors when she entered the industry 30 years ago. “If you look at my resume, you can see how many companies I’ve worked for. I wasn’t willing to wait around. If they didn’t want to give me the opportunity, I would find someone that would,” she said.

Now, her mission is to mentor young women through Women in Bio, which also runs monthly programs including workshops to help women network, start their own companies, and gain technical skills.

 

CURIOSITY AND GLOWING PLANTS

Others, like Sunny Allen, have found their bridge to biology outside of the industry and within DIY bio hackerspaces, like BioCurious in Sunnyvale. That’s where Allen learned how to make algae glow in the dark.

“I’m the poster child for the kind of girl all these STEM programs are trying to reach,” said Allen, who grew up in Kentucky. “In the seventh grade, I fell in love with the micro-science world. I wanted to be a marine biologist. I applied for this magnet school for high school. I got in. But then I hit a wall. I got kicked out of the program, and I thought, ‘This is too hard for me. I can’t do it.'”

Later, she fell for a programmer and followed him to the Bay Area, where she felt alienated by the male “brogrammer” culture. “You have guys making six figures and taking Adderall to see who can code the most,” Allen said. “And they have these girlfriends who aren’t programmers, because most girls aren’t programmers. Suddenly there’s this imbalance of power. Women take care of them like infants. They’re like coding monkeys.”

But at BioCurious, she said, it was different. “Out there, I finally felt like I could do something. Biology is accessible tech for women,” she said. “For me, what really happened was that a lot of succeeding in biology is not dependent on being able to do the problem sets, like the physics and the math, but a lot of it is reading comprehension. I could get in.”

She soon launched Biomonstaaar, an open source bioreactor project (a bioreactor is an engineered system that supports a biological environment). She now lives in a hacker house in Sunnyvale and has big dreams of escaping the service industry through the world of robotic sex toys. Indeed, she’s now the creative director of a yet-to-be-named robotic sex toy company with a launch date three weeks away and a crowdsourcing campaign on the horizon. She’s in charge of testing the sex toy, and critiquing it. The other two scientists involved are men.

“They needed a woman’s touch,” she said.

This robotic sex toy is like a vibrator that knows exactly what the user wants: It senses pressure and motion, and then reacts to it. After trying out the prototype, Allen wrote to other scientists involved, “Congratulations, we’ve invented a new kind of sex.”

Jihyun Moon is another female scientist who found her place in biology through DIY bio roots. When Moon saw an advertisement calling for scientists who might like to help make a glowing plant, she signed up.

Now, she works at the Glowing Plant Project, a controversial endeavor that uses synthetic biology with DNA laser printing to create plants that glow in the dark. The project raised more than $450,000 on Kickstarter and drew national media coverage, becoming the focal point of a debate over DNA modification. The bioengineered plants are expected to ship later this year. “I’m the scientist here,” Moon proclaimed from her lab in SoMa. “I make DNA.” Her job is to take the enzyme genes from fireflies and marine bacteria, and put those pieces of DNA into plants.

Moon says that as far as she’s concerned, DIY bio is the gateway to biology. For other women, biology is the door to biotech. And that’s the door to a whole lot else.