Displacement

Special occasion eviction

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STREET SEEN “My customers are Latin,” says the owner of Latin Bridal Silvia Ferrusquia, entertaining a crowd of mamas, grandmas, and our photographer while we wait for the models for our photoshoot to get their hair and makeup done, and don the massive, fairytale quinceañera dresses and tiaras they bought from her shop for their big days.

“They may not have a lot of money, but they have good taste. There’s nobody that serves this community the way we do.”

Sadly, the community may have to look for other options. After a decade in the Mission Street storefront, Ferrusquia — whose crowded, colorful shop is one of the last of its kind in the neighborhood — has been served an eviction notice.

In the spring of 2012, in the middle of the shop’s busy season, a damaged sewage pipe caused 11 ceiling tiles to fall, ruining close to a hundred of Ferrusquia’s ornate bridal, communion, and quince dresses with foul liquid. She says a representative from Prado Group, her landlord, told her to hold her rent payments until damage could be assessed and reparations made.

“What are we going to do without you?” customer Veronica Ortiz wonders, when she hears of the shop’s predicament. Ortiz was picking up her daughter’s communion dress, with its skirt of carefully-curled tulle roses. Like her sisters and sisters-in-law, Ortiz also bought her wedding dress from Latin Bridal. An extravagant gown inspired by Princess Diana’s famous nuptials, it had 6,000 crystals sewn to it, and a 20-meter train that Ortiz says was mistaken by guests at her hometown wedding in Durango, Mexico for the church aisle’s carpet as she said her vows.

Things went further south for the shop when the Prado representative with which they were communicating was fired. Ferrusquia was told by the company that she had to pay up the three months’ back rent in short order. After the losses sustained while her shop was smattered with sewage, mildew, and subsequent discovery of asbestos during its busy months, she was forced to file for bankruptcy.

After multiple warnings to pay the back rent (which has ballooned to a figure over $25,000 — a number representing six months’ rent that Ferrusquia does not understand and went unexplained by the Prado Group, who declined to comment when contacted for this feature), she was served with a final eviction notice this month. She tells me the building’s other tenants are being pushed out, that the Prado Group would only renew the shoe store next door’s commercial lease for a year and a half, and that she worries for the residential tenants upstairs.

The shop may be gone by the time you read this, if small business advocates are unable to help. At the very least we will have these photos of young customers in the Latin Bridal dresses they wore on the heretofore most important day of their lives — proof positive of Latin Bridal’s importance in a neighborhood that seems to have decided to change. “At least we’ll have gone out big,” says Ferrusquia’s son Eddie, thanking the shoot crew after the lights and curling irons are packed out.

“Don’t worry about anything on your day,” Ferrusquia says in Spanish to one of our customer-models, for whom the shoot is a test drive for her quinceañera next week. “Don’t let anyone rush you! This day will never happen again.” 

Latin Bridal 2631 Mission, SF. (415) 647-4200, www.latinbridal.com

 

Models: Amaris Tenorio, Brenda Diaz, Michelle Trejo

Art direction: Caitlin Donohue

Photography: Shot in the City

Makeup: Sarina Martinez/porcelainglow@gmail.com

Hair: Vivien Brown/Salon Miel

Assistant: Dick Van Dick

 

Boom life: Mattilda Bernstein Sycamore talks about ‘The End of San Francisco’

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A picture of Brian Goggin’s iconic site-specific sculpture “Defenestration” (that 16-year-old “furniture leaping out of an abandoned building” piece in SoMa that may be demolished soon) is pictured on the cover of Mattilda Bernstein Sycamore’s latest book, The End of San Francisco — which I reviewed in this week’s Guardian.

It’s an almost too-perfect image to represent the book’s contents — “Defenestration” cheekily channeled the out-the-window frustration of the dawning of the first Internet boom, with its hordes of tech gold-rushers pushing out old San Francisco culture. (And now, in the middle of another tech boom, the artwork itself will be pushed aside to make way for affordable housing — the term for anything under $2500 per month rent pretty much at this point.) The End of San Francisco takes us on an atmospheric, highly personal through the turbulent period of the ’90s and early 2000s, while asking some hard questions about the queer activism, participatory gentrification, and “alternative culture” of the period. Along the way, Mattilda intimately delves into issues like her recovered memories of sexual abuse as a child at the hands of her father; the rampant drug use, mental illness, and hostile attitudes of Mission queer culture; the gynophobia and transphobia of many “underground” scenes, and much, much more. 

I asked Mattilda a few questions over email in advance of her appearances here at City Lights (April 30) and the GLBT Historical Society (May 9) to help set her book in the context of what was happening then, and what’s still happening now. As always, she pulled no punches. 

MATTILDA BERNSTEIN SYCAMORE reads Tue/30, 7pm, free at City Lights Bookstore, 261 Columbus, SF. www.citylights.com, and Thursday, May 9, 7pm, free at the GLBT History Museum, 4127 18th St., SF. www.glbthistory.org

SFBG What was the impetus for writing such a wide-ranging memoir? You cover almost your entire life, from some of your earliest memories to when you officially moved away from San Francisco. Was there a specific purpose when you sat down to write it?

MATTILDA BERNSTEIN SYCAMORE
With my anthologies, I always have a specific purpose in mind, a political intervention, but for this kind of personal writing – I write to stay alive. So it’s a different kind of intervention. I started with 1200 pages of material, and then separated different sections into themes. So, for example, the chapter called “The Texture of the Air,” originally that was something like 200 pages of writing about cruising and its limitations, about trying to regain a sense of hope in my own sexuality. Now it’s 15 pages. At some point I realized that the book centered around the myths and realities of San Francisco as a refuge for radical queer visions in community building. I first moved to San Francisco in 1992, when I was 19, and it’s where I figured out how to challenge the violence of the world around me, how to embrace outsider visions of queer splendor, how to create love and lust and intimacy and accountability on my own terms. I left San Francisco in 2010, and in some ways this book is an attempt to figure out why or how this city has such a hold on me, in spite of the failure of so many of my dreams, over and over and over again.

SFBG I think the most fascinating parts of the End of San Francisco are your spot-on description of life here in the 1990s, and your detailing of the excruciating decline of that era in the dot-com boom. Now
that we’re undergoing another dot-com boom, what are some of your thoughts as to how that’s once again affecting “alternative culture.” Is there any such thing as “alternative culture” anymore?

MBS Oh, it’s so sad! The way gentrification has progressed over these last 20 years. The displacement, the homogenization, the transformation of cultures of resistance into commodities. The way all of this limits people’s imaginations. At the same time, I don’t want to romanticize the past. In the early-‘90s, it felt like everywhere people were dying of AIDS and drug addiction and suicide; it was a desperate time, even if in some ways there were more possibilities for choosing a life outside status quo normalcy. But, no matter when we are living in this country so responsible for genocide, endless war, the destruction of the environment, we are living in a desperate time and we still need to come up with radical alternatives to giving up.

SFBG I figure a lot of the people who were here in that era (me included) will recognize a lot of truth in what you describe, including some pretty scathing but deadly accurate words about the people who thought they were on the forefront of alternative culture back then — how a lot of it was “vintage store glamour” and the “strung-out junkie look.” Have you had any reactions from anyone about that? Or from any of the people who were close to you back then that you’ve written about?

MBS I offered the manuscript ahead of time to everyone in the book who plays a major role. A few people didn’t respond. Some offered detailed feedback. And some, of course, are featured in conversations about the book, in the book – while The End of San Francisco is about my memories, of course these memories exist in the context of the relationships I’m describing. I want to challenge the notion of one true story, while at the same time I obsess about figuring out all these formative moments for me – politically, socially, sexually, ethically, emotionally. One of the funniest responses was from the first person who I trusted, we moved to San Francisco together in 1992. She wanted me to take out the parts where we do drugs, so she could show her kids!

SFBG Another fascinating part is your account of the rise and peter-out of Gay Shame [the guerilla anti-assimilationist co-founded by Mattilda]. You’ve talked about this before in previous books, like the anthology That’s Revolting — how did you approach writing about it within the context of this memoir?

MBS This writing is more self-critical. It’s more about the relationships I formed through activism, the gaps between our rhetoric of inclusiveness and the more complicated realities. Ultimately I’m looking at this activist group that meant so much to me, that challenged and inspired me in so many ways, but ultimately failed me. I’m not saying that it failed, but it did fail me and I’m trying to figure out why.

SFBG Do you think there’s any space now, in SF or anywhere else, for a true queer resistance movement?

MBS
There never is space. We have to create it. There is so much self-congratulatory rhetoric in San Francisco, especially in radical-identified queer spaces, and we’re never going to get to something beyond a cooler marketing niche unless we can examine the ways that so often in radical queer spaces people treat one another just as horribly as in dominant straight culture or mainstream gay culture, and it hurts so much more when this kind of viciousness comes from people you actually believe in.

SFBG I loved your take on the Eagle even while I disagreed with some of it. Have you been following the whole return of the Eagle thing, spearheaded by probably our loudest current voice in queer anti-assimilationism, Glendon Anna Conda Hyde?

MBS In the book, mostly I’m talking about how the Eagle, a bar entrenched in mainstream gay norms of mandatory masculinity, objectification without appreciation, racial exclusion, and fear of all things feminine without beards, became a hipster hotspot without changing its core values. I can’t comment specifically on Glendon Anna Conda Hyde, but I will say that it depresses me when people embrace tragic gay institutions as “community,” as if they have ever offered us anything meaningful beyond a place to get smashed with people we’ll hate in the morning. Yes, it’s also depressing that public sex cultures that used to exist South of Market have basically disappeared, but I think we need to envision new possibilities instead of fetishizing the past.

SFBG You write so boldly and candidly about sexual abuse, drug will addiction, illness, relationships, politics … were there any memoir models you worked off of, and were there any rituals you went through to be able to open up so much?

MBS I think most memoirs take the most fascinating, multifaceted, complicated lives and turn them into Choose Your Own Adventure books without the choice. I wanted to create something more layered and honest — I was drawn to exploring the places where my analysis stops, to using those gaps as openings into something more spontaneous and incisive. As a teenager I needed to create a facade of invulnerability in order to survive, in order to find other kids like myself, in order to go on living. But now that façade leaves me feeling shut off rather than connected. Now I’m drawn towards expressing vulnerability, I think that’s what will save me.

SFBG
I felt like you left us with a cliffhanger in terms of your father reconciling with you over memories of your childhood sexual abuse. Was there ever any resolution?

MBS
I love that it felt like a cliffhanger for you even though the part about visiting my father before he died was right at the beginning. That was an incredibly intense moment for me, to visit him on his deathbed, to go to the house where I grew up with all that violence and still be able to express everything, to sob and tell him that I loved him, something I would never have imagined I would even want to say, but it’s what I felt in the moment and so I figured why not, he’ll be dead soon and I don’t want to hold anything in. For me that felt really powerful: it meant that all this work I’d done to become someone other than the person my parents wanted me to be, it really had worked. That was a certain kind of closure, that openness. But no, he refused to acknowledge anything. He wouldn’t even tell me that he loved me.

SFBG In terms of queer relationships and friendships, The End of San Francisco speaks insightfully about pain, desire, co-dependence, processing, betrayal, apathy, need, and abuse. Was there ever any love? Could there be?

MBS Yes, there was so much love – I hope that comes through in the book! And nothing has let me down more than love.

“It just gets different”: Ali Liebegott on her third book ‘Cha-Ching!’

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When you’ve spent long, smelly months in a bus traveling the world sharing words with pockets of alternative community, the issue of place takes the fore. As she releases her third book Cha-Ching!, and as her decades-old Sister Spit collective embarks upon yet another tour of spoken word, queer revelry, and cramped living conditions, author Ali Liebegott is getting academic about it.

“I’m kind of obsessed with how artists can live,” she tells me in a SoMa coffeehouse. She had texted me for clarification the night before on whether it was okay to look “scummy” at our interview, but she looks pretty neat in her white tee, motorcycle helmet sitting next to her on a bench. “And how queer people can live. I always think, where would I live if I couldn’t live in San Francisco or New York?”

Liebegott teaches Sarah Schulman’s Gentrification of the Mind — a book that looks at how economic displacement changes our brain’s wiring — in her fiction class at Mills College. And in Cha-Ching!, the economy is an ever-present force, guiding protagonist Theo into shitty apartments in both NY and SF neighborhoods where there are few out gay people. (Not to mention a ludicrously depressing janitor job at a junk mail factory.) The book is Liebegott’s third after The Beautifully Worthless and The IHOP Papers

When I ask whether they’re getting easier to write as time goes on she just laughs. “If I had been a plumber, I’d be able to fix things in my sleep. It doesn’t get easier, it just gets different.”

Liebegott reads from Cha-Ching! at City Lights in October

In an ever-more-caffeinated manner, she and I discuss how those higher rents are coinciding with an era in which publishing houses are more hesitant about what they throw their weight behind. “[Queer literature] is the first to go,” Liebegott says. “All the queer books at Barnes and Noble are behind a potted plant, there’s like four of them, and one of those is Best Lesbian Erotica 1994.”

So it’s good that, as poor queers and creatives and poor creatives and queers get kicked out of their urban homes and prime shelf space, Sister Spit is on the rise. Once restricted to queer female writers, the tour now includes a variety of genders, and different kinds of artists.  

Liebegott’s book is one of the first to come out on the imprint that the group’s founder Michelle Tea was able to start through City Lights Books in the fall of 2012 — The Beautifully Worthless was also released through the imprint, as well as the amazing Sister Spit anthology from earlier this year. Tea’s fantastical young adult novel Mermaid in Chelsea Creek, set to drop this summer, is delicious. The collective’s gig at the main library on Sun/31 is in advance of yet another of its fabled tours. This time the path lies up and down the coasts, up to Canada, and into the Mid-West. 

>>LISTEN TO CITY LIGHTS BOOKS’ RECENT PODCAST INTERVIEW WITH ALI LIEBEGOTT 

Along the way, the Sister Spit artists will meet audience members in places where there is no queer community, places where people fundraised to get them there. 

“I don’t want to say we’re a beacon of hope, but it is nice to give people this connection that they might not have,” Liebegott says. 

And that connection, more and more, may not be associated with any specific urban area. San Francisco, for example, would be beyond Liebegott’s reach as a home if it weren’t for her and her girlfriend’s rent control. “I kind of feel like we’re headed towards hell,” Liebegott muses, taking in our swank, caffeinated surroundings. “I feel like we’re already there.”

Regardless, art. Cha-Ching! deals in gambling addiction, drug addiction, poverty, ennui, animal abuse, powerlessness — but nonetheless, can be laugh out loud funny even, especially, when characters hit their low points.

She’s already planning her next book, about a war vet obsessed with feeding ducks. “I feel like I’m so mired in depressing things!” Liebegott says. “My threshold for that is much higher than most people.”

Cha-Ching!‘s ending, though, leaves room to hope that queers can triumph over today’s adversities. Or does it? At any rate, you have ample chances to buy the book at this week’s readings (Liebegott is one of the featured artists at the Sister Spit reading on Sun/31 as well.)

In other news, Liebegott’s big into Sizzler. She told me to write that.

Ali Liebegott’s Cha-Ching! release party

Wed/27, 7pm, free

City Lights Bookstore

261 Columbus, SF

www.citylights.com

 

Sister Spit tour kick-off reading

Sun/31, 2-5pm, free

San Francisco Main Library

100 Larkin, SF

www.sfpl.org

Gentrification’s simple math

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Chuck Nevius is big into gentrification these days. He thinks it’s a dandy thing and “no longer a dirty word,” says the even longtime residents of the Mission love it, and has a nice photo of a person walking in Dogpatch, where two really cool dive bars just shut down — thanks to the gentrication that’s such a great thing.

Nevius quotes Randy Shaw, who has a bizarre statement:

In the ’70s and ’80s there was massive displacement of residents in the Haight, Noe Valley and the Castro,” says Randy Shaw, executive director of the Tenderloin Housing Clinic. “But now you are seeing a massive influx of upper-income people into previously unoccupied areas.”

What? “Previously unoccupied?” Like the Mission and Soma and Dogpatch? Unoccupied by the wealthy, maybe, but there are people living in almost every square inch of San Francisco, and in some parts of town, they are low-income people, and richer people force them out. That’s happening on the same scale today that it did in the 1980s, except worse: In the 80s, if you werer priced out of the Haight or Noe Valley or the Castro you could move to the Western Addition or the Mission or Soma. Now prices are so high everywhere in town that your only move is out of San Francisco altogether.

And while ol’ Chuck does admit there are downsides, he seems to think that somehow you can move wealthier people and more upscale establishments into existing lower-income areas without anything bad happening, as long as you respect “the delicate balancing act.”

But it isn’t a balancing act at all — it’s a zero-sum game. There’s finite space in this city, and when when something or someone comes in, something or someone has to leave. (Yes, you could build a lot more housing, but nobody’s building housing for working-class people.) But you can’t build more storefronts on Valencia or Mission; force out the existing community serving businesses and they have noplace else to go.

San Francisco has failed spectacularly at the fundamental challenge facing a city under this kind of pressure. First, before you allow more development, more upscaling, more of what C.W. Nevius loves, you have to protect existing vulnerable populations. That’s not a balancing act; that’s a mandate. If you don’t do it, you lose the character of the city and San Francisco becomes another sterile, corporate community.

Jesus. Why is this so hard to understand? I’ve lived through it several times, these booms that people like Mayor Lee and Nevius always celebrate, and every time, the pattern has been the same, the city has been damaged, and community institutions have been lost. I’m not one of those preservationists opposed to all change, but again: First protect existing vulnerable populations.

 

 

City considers making building owners do seismic upgrades

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City Hall sources have confirmed the basic details of a San Francisco Public Press report from Friday afternoon that the Board of Supervisors will consider requiring the owners of soft-story buildings of three stories or more to seismically retrofit them by 2020 – at the expense of building owners, something sure to rouse controversy.

The legislation was developed and introduced by the Mayor’s Office and it’s being sponsored by the board’s two most prolific and effective supervisors, Board President David Chiu and Sup. Scott Wiener, which is probably a signal that city officials know this one is going to be “challenging,” as one source told us.

Details are still being hammered out before the measure is introduced at tomorrow’s board meeting, including some of the financing options that would be open to property owners. But after voters in 2010 narrowly rejected Measure A, a bond that would have provided low-cost loans for the seismic retrofits, property owners could be forced to dig deep to ensure their buildings don’t collapse in an earthquake.

Wiener confirmed that the legislation would be mandate on building owners without public money attached: “It would be a mandate that they within a certain time frame do an earthquake retrofit,” Wiener told the Guardian.

As the Public Press reported, the legislation would apply to all wood-framed buildings of three stories or more built before 1978, with smaller buildings and single-family homes exempted. In the most recent print edition of the Public Press, extensive coverage of the city’s earthquake vulnerabilities estimated that about 58,000 San Franciscans live in the nearly 3,000 soft-story buildings deemed dangerous places to be when the next big earthquake hits.

Wiener said city officials have been deeply involved with negotiations with various effected groups, including building owners and their tenants, who could face displacement as the work is done or higher rents if landlords pass through those costs. Wiener said the legislation is bound to evolve as talks and hearings continue: “There are a lot of variables and the introduction is really just a preliminary step.”

Ed Lee’s State of the City: What evictions? What displacement?

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Mayor Ed Lee punctuated his State of the City speech with a nice little quip: “Every San Franciscan deserves a clean, safe place to call home.” I agree.

So why, in a speech lasting more than an hour, did the mayor not once mention that thousands of San Franciscans are facing the loss of their homes — and will be forced out of the city — because of the same policies that he’s proudly promoting?

These things are always self-congratualtory and full of the requisite bullshit. But Lee’s description of the State of the City was nothing more than a fantasy to the two-thirds of San Franciscans who live in rental housing, many of whom are living with an unacceptable level of insecurity. Much of the city’s rental stock — and the effectiveness of rent control — is at risk at speculators are buying up properties, tossing the tenants out with the Ellis Act, and converting them to tenancies in common. This is a massive civic crisis, brought on in part by the boom in tech jobs and the consequent boom in high-paid young people who want to live in a city that has virtually no vacant housing.

We saw this before, under Mayor Willie Brown; we called it the Economic Cleansing of San Francisco. It was awful, and it’s happening again.

But you wouldn’t know that to hear the mayor completely ignore the issue.

Oh, Lee gave it a toss-off line; gee, the rent is too high, but we can’t ignore the laws of supply and demand. Gee, we’re going to build 45,000 new housing units, and that will fix everything.

But Lee, of all people, ought to know that housing in San Francisco has never followed the laws of supply and demand. This is a highly irregular market, because demand is essentially unlimited. Housing fills us as fast as you build it. And none of the new housing that’s currently under construction or in the pipeline will be affordable to current SF residents who live in rent-controlled units and are at risk for eviction.

When you’re evicted under the Ellis Act in San Francisco today, to make room for someone with more money, you wind up having to leave the city. That’s the bottom line. And everywhere you turn, tenants are facing that ugly prospect.

The mayor spent much of his time talking about jobs. That’s fine; he’s proud that the unemployment rate in the city has fallen to 6.5 percent, but he insists he won’t rest until everyone has a job. Actually, most economists would say that’s impossible; capitalism, by its nature, exists with a structural unemployment rate that rarely falls below 4 percent. In fact, 4 percent is generally considered “full employment.”

More important, the overall rate is 6.5 percent, but it’s way higher for people without college degrees, for youth, and for African Americans. (It’s above 50 percent for transgender people.) The tech boom isn’t providing jobs for all of the unemployed current San Francisco residents; a lot of the jobs are going to people who don’t live here and are moving here for employment. They are putting pressure on the existing housing stock. That always leads to displacement.

None of this is to say that tech jobs are bad or that we shouldn’t have companies that pay high wages locate in San Francisco. What it means is that the city first has to protect its existing vulnerable populations — and that’s not happening.

I would encourage Mayor Lee to talk to the Housing Rights Committee, or the Tenderloin Housing Clinic, or any of the other tenant lawyers who are fighting desperately every day to state off evictions. He’d get a very different picture of the state of the city.

New steps

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arts@sfbg.com

THEATER/DANCE Choreographer Mary Armentrout’s itinerant, site-specific performance installation, reveries and elegies, passed through CounterPULSE last weekend. A post-solstice meditation on dislocation and flux, it was also the harbinger of a striking new season at the SOMA performance incubator. In fact, reveries and elegies, true to its theme of displacement, can be considered the odd one out among programming whose defining structure is the duet.

A broad range of interpretation and subversion of that basic form comprises CounterPULSE’s Queer Series, running January through March and showcasing new work from artists as diverse and far-flung as New York’s Faye Driscoll, the Minneapolis-based BodyCartography Project, San Francisco’s Annie Danger, Berlin-based American Jeremy Wade, and conjoined local choreographic dynamo Jarry (aka Jesse Hewit and Laura Arrington).

If you’ve followed the vicissitudes of programming at CounterPULSE even intermittently, a glance at this year’s calendar prompts a double take for the careful concentration of work and the thematic consistency it evinces, in addition to its impressive international lineup. The rigorous queering of the duet structure underlined by the series, for instance, comes further elaborated through complimentary work like DavEnd’s well-received 2012 debut, F.A.G.G.O.T.S.: the Musical! (which turns on a duet of sorts with a wall mirror) as well as some rich auxiliary events.

The latter include a talk on gender by Judith Butler (on February 16) and, on February 28 (the eve of Danger’s genuflection to sexual healing and empowerment, The Great Church of the Holy Fuck), a screening of Community Action Center (2010), the aesthetically and politically astute, 69-minute, queer, trans, women-centered celebration/subversion of 1970s porn by A.K. Burns and A.L. Steiner. (That program includes a post-screening Q&A with Steiner, whose film was recently acquired by the Museum of Modern Art).

The duet form (and the act of reimagining it) is an apt metaphor for the programming model behind the season too, which represents something of a departure from business as usual.

CounterPULSE’s Julie Phelps, central in the development of the season and currently serving as interim artistic and executive director for Jessica Robinson Love (who is on sabbatical), explained that the Queer Series and the season as a whole had emerged from some serious rethinking at the organizational level.

“We were sort of primed to embark on this new season, which [comes directly] after our strategic planning process, where we really identified who we are, how we do what we do, and what limits we still have on our impact.”

Phelps says one limit they identified was a single-minded commitment to the bottom line that was keeping certain kinds of work almost permanently out of reach — for example, much work by touring artists from out of the state or country, for which there is relatively little foundational money available for tapping.

“We’re actually, financially, a very conservative organization,” says Phelps, “which has brought with it a lot of stability — very important especially in the young years of an organization, but ultimately stopping us from taking risk on vision. We were always on a break-even model. Either it needs to be some mix of foundation support or some other kind of funding with some tickets sales. The bottom line always has to equal zero. So we’ve been pushing ourselves to think bigger about the types of risks that we can take.”

That’s far from inviting recklessness, Phelps stresses, but it does mean modifying notions of financial success and failure, bringing them in line with an artistic spirit of experimentation and what might be thought of as the useful flop.

“Actually, failure is just as valid a result as success,” says Phelps. “When we had been building failure out of every income model we had, we’d also been building out risk from some of the artistic selections, and from the way we were making artistic selections. We’ve really only just recently moved into curating in the first place. Before we were like, we have a space, if you want to do a show, come ask us and we’ll work it out. [In this] season, every artist was someone we approached and worked with, found out ways that they could intersect with CounterPULSE, what was financially viable for us and for them, what was artistically interesting for us and for them — actually build something from the inside out, instead of the outside in.”

Despite the considerate design in the program, Phelps calls it more art than science and insists it’s all “still a very organic process,” noting that the queer label is at least partly one of sheer convenience.

“I mean, ‘queer’ is basically the only banner that you could fly over that season, and only because it is so indistinct — because actually each of these works is hugely different. So there’s still a patchwork element to it, but it’s a little bit more deliberate [than usual],” she explains, laughing at the metaphor carrying her away. “At least the patches were picked out, and the fabric was cut to shape before they were added to the quilt this time.” *

www.counterpulse.org

 

Was it a great year?

149

At noon Dec. 19, a group of about 50 housing activists led by the Housing Rights Committee gathered at 18th and Castro, next to the giant Shopping Season Tree, to discuss the wave of evictions tenants are facing at the end of 2012. Tommi Avicolli Mecca held up a list of 26 buildings that are currently being clear of tenants under the Ellis Act, a state law that allows landlords to evict all their tenants and sell the property as a single-family home or tenancies in common. With him was a long line of tenants who are facing holiday homelessness thanks to landlord greed.

“There are too many tenants being evicted to fit in front of the tree,” he said.

We heard story after story: A man living with AIDS facing the loss of his home after 17 years. A family being forced out after 18 years. Seniors, kids, disabled people … all of them almost certainly displaced from San Francisco.

“San Francisco is becoming a city of the rich, and we are being pushed aside,” said Lisa Thornton, who works at Rainbow Grocery and is losing her home.

“This,” Mecca said, “is an epidemic of evictions.”

And we all know why: As the second tech boom roars in to San Francisco, high-paid young workers are able to afford to buy TICs or single-family homes, and long-term rent-control-protected tenants simply can’t compete. It’s not a pretty pciture.

So I almost barfed when I say Randy Shaw’s glowing paen to Mayor Ed Lee. “San Francisco had one of its greatest years in 2012, as the city’s job growth and vibrancy outpaced nearly everywhere else,” he wrote.

Oh, gee, he says, there are some problems:

Few want San Francisco to become a city where only the rich and subsidized poor can live. But these same fears were felt in the 1980’s. When I was moving to San Francisco in 1979, the lines for vacant apartments were just as long and the competition for vacant units as fierce as what we read about in 2012. We couldn’t believe we had to pay $375 for a Mission one bedroom apartment, a rate that is less than half the cost of an SRO room without private bathroom today. San Francisco has long been an expensive city that keeps getting pricier.

So what — because we were worried about displacement in the 1980s means we shouldn’t be worried today? Those worries were real — gentrification of San Francisco neighborhoods has been rampant for decades. It’s changed the city, for the worse.

In the 1980s, Shaw was part of a broad coalition that fought to get rent control laws and eviction protections and limits on condo conversions. Now he’s acting as if none of that was worth the fight, as if protecting affordable housing wasn’t, and isn’t, the most critical issue in the city today.

A great year? Fantastic vibrancy and job growth? Not if you’re one of the growing numbers of people who are losing their homes to Ed Lee’s vision of economic development.

 

Vote early and often

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The most expensive, ugliest, longest and most money-dominated election in my memory is finally winding down, and unless something really weird happens, Obama’s going to win another term. It’s likely the Democrats will control the Senate and the GOP will retain a narrow edge in the house, meaning four more years of gridlock (and possibly the end of Rep. Nancy Pelosi’s career).

But the real message will be the role of big money — not just ordinary big money, but billionaire money — in California and San Francisco elections.

The state ballot has become a billionaire playground, with four of the ten initiatives created, written, put on the ballot and funded by stinking rich individuals who have their own personal and political agendas. In San Francisco, billionaires Ron Conway and Thomas Coates are trying to buy the District 5 election. An Arizona group linked to the Koch brothers is trying to shut down Prop. 30 (and leave the state in fiscal disaster).

And I’ve never seen as much real-estate money go into one supervisorial district.

We know both presidential campaigns are billion-dollar operations, and a lot of the same bad money is going into each of them. But on the local level, it’s a very different situation. There’s a concerted campaign here to drive progressives out of local office and install people more friendly to landlords and developers — at a time when the city’s going to be facing the greatest displacement pressure since the first dot-com boom. You don’t see the Association of Realtors putting hundreds of thousands of dollars into local races very often; there’s an opportunity here and they see it and they want to weaken tenant protections so they can make more money.

One of the best arguments in favor of district elections is that money doesn’t necessarily buy electoral success. In a district with roughly 30,000 voters, it’s possible to practice old-fashioned grassroots retail politics, to win by knocking on doors and going to house parties and meeting people. It’s not all about TV ads. And if that holds up with this election, Sup. Eric Mar — with a far superior field operation — will survive the blistering assault he’s under in District 1. If David Lee — who has taken the Mitt Romney approach and refused to speak to reporters (they might ask him a question or two about his inaccurate campaign dirt) — wins, it will be the greatest blow to democracy in San Francisco that we’ve seen in years.

On the other hand, if the D1 voters reject all that money and sleaze and Mar wins — and if the District 5 voters reject the billionaire money and someone other than London Breed wins — San Francisco will be sending a profound message: We don’t want your dirty money here, and our votes are not for sale.

Polls are open until 8. Vote early and often.

SF Stories: Tiny

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46TH ANNIVERSARY SPECIAL I have a Vision..(Too!)

of poor people-led revolutions and clan mothers wit solutions including the many colored, many spirited, humble people who still remain in San Francisco even though we are systematically incarcerated, profiled, shot or just hated Used by akkkademic institutions, Nonprofiteering, complex over-funded government collusions — From gang ijunctions to sit-lie laws —

Arresting poor folks of color for no just cause

From Ambassador security guards to Stop ‘ n’ Frisk-

using code words like”cleaning up streets”

so frisko is only for the white ‘ n’ Rich The Afrikan population Out-migration caused by Negro Removal, Redlining, Re-Devil-opment and Lennar displacement La Raza en la mission replaced, displaced by condominiums and Eastern Neighborhood Plans, making room for wheatgrass juice and gourmet coffe stands-

And then let’s go back to the Original removal — !st Peoples of the Ohlone Nation — rarely remembered, considered, spoken about or even named..

Caring for Pachamama, mother Earth in a good way, by the teachings of our ancestors every day

So where does this leave us folx who refuse to be cleaned out, incarcerated, profiled or Wheat-grasserated…

We still here, aqui estamos y no nos vamos —

You can’t Frisk, me, Injunct me or incarcerate me cuz let me be clear.

I am staying in my hood, on my corner

and gonna stay seated in my newly gentrifuked park

.. and to Google buses, condominium, devil-opers and un-conscous new-comers,

we will be a thorn in your side for life and up-end your corporate, money-driven hustle

with our feet, our love, our actions …and our ancestors at our side…

“Where we supposed to go, us po’ folks born here, raised here?” said Vietnam vet, disabled, poverty skola and panhandler reporter at POOR magazine, Papa Bear, arrested three times in one day under Sit-lie. “Going to Hell,” thats my vision (of the city) — when they killed the black community — the soul of this city was gone,” said Tony Robles, PNN co-editor, poet, author and organizer and revolutionary son of San Francisco natives of Manilatown. “I don’t care if I’m the last Mexican in the Mission,” said Sandra Sez, indigenous warrior mama and organizer born and raised in the Mission District.

I was born in the back seat of a car, dealt with houselessness and criminalization since I was 11. Ended up in the Bay Area when I was 14. Can’t say San Francisco is my town. But I have had the blessing of meeting and being in family with some of the most powerful revolutionaries from both sides of this beautiful bay. From the I-Hotel resistance to Mission Anti-displacement Coalition to HOMIES to PODER, from The Bay View Newspaper, Idriss Stelley Foundation to the Coalition on Homelessness. Me and my houseless mama along with other landless revolutionaries launched revolutionary projects, POOR Magazine/Prensa POBRE, PeopleSkool, the Po Poets/Poetas POBRE’s , the welfareQUEENs and Theatre of the POOR, to name a few.

I have also been houseless, incarcerated, evicted, profiled, poverty-pimped, gentriFUKed and welfare deformed in the Bay. I have seen beauty and felt resistance in this place in ways I don’t believe would have been possible anywhere else. And yet now it seems like the struggle is just to remain.

Should one fight to stay in a party that no longer includes most of your friends? Neighborhoods filled with people you don’t know and don’t want to know. Schools stripped of their color and cultures. Corporate streets filled with shiney white buses for people who can’t put their deliecate feet on a public bus. Bike lanes filled with $3,000 bicycles and coffee shops that only sell $4 cups of coffee and $3 vegan donuts.

My humble vision for SF includes reparations for black peoples in the Bay View, giving back stolen vacant land to Original Peoples, makng the more than 30,000 empty units in San Francisco available for poor, houseless, and foreclosed on peoples to live in. For landlords to rent at least one apartment per building to families in poverty at reduced or no rent, for doctors and dentists to see at least three patients per practice for a sliding scale starting at $0 — and for people to not question “where their money is going” when they give 50 cents to a panhandler/street newspaper vendor while never questioning where their tax dollars go to politricksters and CEOs of corporations. For the SFPD to arrest, profile, and harass drunken white people who spill out of Bay to Breakers and Golden Gate Park concerts with the same voracity that they do poor youth of color — cause then maybe it would actually have to stop.

And finally for all racist, classist laws that target us poor folks, like sit-lie, gang injunctions and stop and frisk be repealed for their flagrant and disgusting unconstitutionality so that public space will remain truly public and people might truly be free.

Tiny, aka Lisa Gray-Garcia, is a founder of POOR Magazine.

Happy Birthday Occupy

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Occupy celebrates its one-year anniversary Monday, and many of the groups who have gotten involved over the past year will be going all out. These groups’ goals–  including ending unjust foreclosures,  fighting displacement of queer people and homeless people, and taking back power from banks and the one percent– are a lot to achieve in one year. But they’ve made great stride. They’ll celebrate, and commit to another year of action, on Monday. 

Occupy Bernal, Occupy Noe and Alliance of Californians for Community Empowerment will put the pressure on banks that continue to foreclose on San Franciscans despite widespread evidence of fraud and a city resolution calling for a moratorium on foreclosures. At noon, they will hold a rally highlighting the ways that the foreclosure crisis disproportionately affects seniors, veterans and disabled people- find them at 401 Van Ness. At 3pm they will rally One Market Plaza, the officers of Fortress Investment Group board co-chair Peter Briger, infamous amongst the “foreclosure fighters” for his role in selling off distressed home mortgage debt.  

In the Castro, Community Not Commodity, the coalition that formed around an Occupride march protesting the corporate takeover of the Gay Pride Parade and continues to fight “increased rent, foreclosures and evictions, and the displacement of queer and homeless youth.”  They will meet up at 2pm at 18th and Castro for a speak-out, followed by a march on the banks at 3 and a sit-in protesting sit-lie at Harvey Milk Plaza. 

Also at 2pm, Occupy Oakland is throwing a street party. They’ll converge at Embarcadero and Market at Justin Herman Plaza (renamed Bradley Manning Plaza by the people from Occupy San Francisco, whose encampment stood there for three months last fall.) Organizers advise: stay tuned for Oct. 10, the one-year anniversary of Occupy Oakland. 

But Occupy San Francisco didn’t start at Justin Herman Plaza. It started Sept. 17, 2011 at 555 California, outside the building that houses the Bank of America west coast headquarters along with Goldman Sachs offices. It’s there that everyone will converge at 5pm for a raucous casserole-style march with the Brass Liberation Orchestra, followed by guerilla movie screenings, food to share, and a debt burning: “bring dept papers (BYOD) to burn symbolically,” say organizers.

Can’t wait for tomorrow? Occupy SF hosts a day of poetry and speakers at Justin Herman Plaza today. The Human Be In, the unpermitted music and skillshare festival that brought hundreds to play music, teach workshops, and “transform space” in a dusty spot near Ocean Beach yesterday continues through tonight.  Occupy Bay Area United is also throwing a rally and teach–in focused on corporate greed starting outside 555 California at 7pm. 

Occupy is dead! Long live Occupy!

Alerts

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WEDNESDAY 22

Lockout ruling victory march Castlewood Country Club, 707 Country Club Circle, Pleasanton; www.endthelockout.org. 5-6pm, free. Castlewood Country Club workers have been out of work and replaced by low-paid, non-union workers for two years. They haven’t stopped fighting to get their jobs back, and on Aug. 17, the National Labor Relations Board ruled that the lockout is illegal and Castlewood Country Club must reinstate their jobs. Come march for victory for the workers. Also, come march for support on the road ahead, as the country club will likely appeal or delay the process.

FRIDAY 24

Heal the Streets graduation celebration Nile Hall, Preservation Park, 668 13th St., Oakl; www.ellabakercenter.org. 5-7pm, free. "If we truly want to address violence, we must engage youth impacted by it so they can heal, have positive alternatives, and take action." That’s the philosophy of the Ella Baker Center’s Heal the Streets program, where young people spend 10 months in theater workshops and conversation, coming up with practical and creative ideas. Friday, they will be graduating from the program, presenting their theater piece and their findings. Come celebrate with them.

SATURDAY 25

American Indian market and pow wow 56 Julian, SF; www.friendshiphousesf.org. 10am-6pm, free. This eighth annual street festival features a pow wow, dance, hand drum contest and dance contests (both with cash prizes), and vendor booths with arts and crafts and food. In 1953, Congress passed a resolution to seize more than a million acres of American Indian land. This resulted in massive displacement and movement of Native Americans to major cities, including the Bay Area. To provide support and a community center, Friendship House was founded in San Francisco. Now, it still provides several programs, including this annual street festival.

SUNDAY 26

National day of action for women’s rights 24th and Mission, SF; www.defendwomensright.org. 12pm, free. On this day in 1920, the 19th Amendment passed, finally giving women the right to vote. This year, attacks on women spread throughout the country. The day before the Republican and Democratic national conventions, protests will be held in several cities nationwide to show that the people will not tolerate attacks on reproductive rights. Women Organized to Resist and Defend asked dozens of women why they will be marching, and the answers, shown in photos on their website, range from "to shut down sexual assault" to "women’s health is not secondary" to "ICE and homeland security perpetuate violence against women." Will you march?

Shifts in feminism in Japan’s anti-nuke movement Omiiroo Gallery, 400 Franklin, Oakl; nonukesaction.wordpress.com. 6pm, free. After the Fukushima nuclear disaster last year, a movement of Japanese parents who no longer trusted the government’s word that the nuclear industry was safe took root. Parents formed study groups on radiation and used their own Geiger counters at home and at their children’s schools. Mari Matsumoto, a Tokyo writer who was in the middle of it, focuses on feminism and reproductive labor in the context of nuclear radiation. She will be speaking at this event, along with a screening of the film "How nukes got to Japan." The event is a potluck, and seating is available, but organizers recommend you bring a pillow to sit on the floor in case it runs out.

MONDAY 27

Eyewitness from Tahrir Square Audre Lorde Room, The Women’s Building, 3543 18th St., SF; www.occupyforumsf.org. 6pm, free. Gihan Abou Zeid had years of experience working to end violence against women and coordinating with various UN efforts before she became involved in the Egyptian Revolution. She has since helped to found Mayadin Al-Tahrir (Liberation Places), an effort to bring the liberation that was found in Tahrir Square to new places all over Egypt. After the successful ousting of Hosni Mubarak, many women have continued to protest sexual assaults and other violence. Zeid will speak on women’s experiences in the revolution and the ongoing fight for gender justice.