Emily Savage

Heads Up: 7 must-see concerts this week

Tony Robles
-
0

The Grammys are over – did you watch? I was busy with a very important tiki cocktail at Smuggler’s Cove at the time of the actual broadcast, but I got all the pertinent data and watched all the non-lip synced performances post-show. Another year of meh, with some ostentatious pop sprinkled throughout. I’m more excited about Future|Perfect with Holly Herndon, and live shows by Beak>, Graveyard, and EELS, all of which take place in the Bay Area this week.

Go, support oddball creative talent at its finest, and perhaps next year we’ll get the weirdos on the main stage.

Here are your must-see Bay Area concerts this week/end:

Beak>
Beak> is at one once unsettling and charming; its Krautrock backbone and angular guitars create eerie, paranoid grooves, à la Silver Apples — you know the itchy, building beats — but those mumbly vocals soothe the senses. Drummer-singer Geoff Barrow, keys-guitarist Matt Williams, and bassist Billy Fuller, are all members of other bands (including Barrow’s Portishead), so they split their time between acts, but have already released two albums in the few short years they’ve been able to get together, including critically-lauded 2012 full-length, >>.
With Vex Ruffin, Peanut Butter Wolf
Wed/13, 8pm, $20
Independent
628 Divisadero, SF
www.theindependentsf.com
http://www.youtube.com/watch?v=KTeRpmBVPPo

Stone Foxes
“Launching into experimentation from strong roots in blues, the Stone Foxes plays a range from the catchy interpretation of Edgar Allen Poe’s gothic, “The Tell-Tale Heart,” (“Everybody Knows”) to the elegy in minor, “Battles, Blades and Bones,” which repeats, “We need someone to sing/’Cause we’ve turned everything/To battles, blades, and bones.” In their third album, Little Fires (out Tue/12), collaboration with Girls’ producer Doug Boehm proves that polish doesn’t mean sterility, that good production doesn’t mean overproduction, and that good old rock’n’roll lives on.” — Laura Kerry
With Mahgeetah, Black Cobra Vipers
Wed/13, 9pm, free
New Parish
579 18th St., Oakl.
(510) 444-7474
www.thenewparish.com
http://www.youtube.com/watch?v=s9qRW-KMGXw

Holly Herndon
There will be plenty more on experimental electronics manipulator/hushed vocalist Holly Herndon in this coming issue (Feb. 13). But for now, you just need to know this: the “Movement” singer is blowing up, and this party should not be missed.
Future|Perfect with NGUZUNGUZU, DJs Marco de la Vega and Loric Sih
Thu/14, 9pm, $10-$15 (pre-sales)
Public Works
161 Erie, SF
www.publicworkssf.com
https://www.youtube.com/watch?v=kanNN4RPrgY

Graveyard
Scuzzy Swedish foursome Graveyard is playing two nights at Slim’s, in what should be an impossibly loud and raucous weekend – especially considering openers like thrashy LA punk band the Shrine and new local psych band, Golden Void. The fried-’70s-rock-meets-early-heavy-metal band, which sounds Southern, but again, is full of Swedes, returns on its third full-length, Lights Out. This is an actual quote from the Wall Street Journal, forward by Graveyard’s representation, too amusing to ignore: “Wall Street Journal says ‘[Lights Out] rips by like a boulder kicked over a cliff.’ What does that mean? Go find out.
Fri/15-Sat/16, 9pm, $20 ($33 for two-day pass)
Slim’s
333 11th St., SF
www.slimspresents.com
http://www.youtube.com/watch?v=k8jqUHYiSl0

The Dirty Dozen Brass Band
Funky Louisiana jazz ensemble the Dirty Dozen Brass Band – formed way back in ’77 – has been going strong strong for 35-plus years now, and will showcase its stamina with two spirited, wailing-horn-filled shows this weekend at the Independent. Note: Fri/15’s show opens with  Toubab Krewe – which mixes “rock, Malian rhythms, surf-rock and Appalachian folk.”
Fri/15-Sat/16, 9pm, $22
Independent
628 Divisadero, SF
www.theindependentsf.com
http://www.youtube.com/watch?v=sM7TlkksKa4

EELS
When you see E live, you just want to give him a hug. The scruffy leader of long-running poetic indie rock band EELS, E has an openness and vulnerability about him that undeniably draws in listeners with softly croaked classic lyrics like, “you’re such a beautiful freak/I wish there were more just like you.” The band followed up ’96’s Beautiful Freak with deeply personal Electro-Shock Blues (a record about E’s sister’s suicide and his mom’s cancer), Souljacker, a handful of fuzzy, lovely records in between, and most recently, Wonderful, Glorious (Feb. 2013).
With Nicole Atkins
Sat/16, 9pm, $30
Fillmore
1805 Geary, SF
www.livenation.com
http://www.youtube.com/watch?v=_vS_By_ZZ0g

Johnny Render
Johnny Render is: “a longtime Hollywood-based musician and entertainer,” “[The] President of Rock and Roll,” and sounds like “the Ramones meets the Carpenters.” Most importantly, I have a bunch of cardboard coasters with his face on them, if any of you desire such a cockamamie treasure? First person to email me with the sentence “I need Johnny Render coasters,” gets ’em.
Sat/16, 9pm, $7
Hemlock
1131 Polk, SF
www.hemlocktavern.com
http://www.youtube.com/watch?v=jivECvAyRWo

Freak show

-
0
Freak show

emilysavage@sfbg.com

TOFU AND WHISKEY As Homer Flynn describes to me the Bay Area musical landscape during the time when iconic, experimental music-arts collective the Residents first rolled into town in 1966, I can’t help but picture a tiny gold hammer cracking the earth wide open like it was a piñata, with glitter, powdered wigs, freakish masks, oversized eyeballs, and gingerbread men spewing out in a magnificent tangle.

“A lot of what attracted the Residents to the Bay Area was the psychedelic music scene of the mid-to-late ’60s,” he says, with a pleasant Southern drawl. “What was so interesting about that era, was that it was wide open. Because the money was not as big, there was a lot more freedom.”

Flynn’s talking to me as a van carrying the current members of the Residents careens through the New Mexico desert on their first tour in two years, their 40th anniversary tour, which crawls to San Francisco on Feb. 24 (8pm, $35. Bimbo’s, 1025 Columbus, SF. www.bimbos365club.com).

Looking back at the beginning of the band’s career, he includes early FM radio as part of that equation: “FM radio was really getting its start, in terms of broad exposure, and it was wide open. You would turn on KSAN Radio at that time, [and] you could hear Mozart, the Grateful Dead, Bob Dylan, swing music. It was very eclectic, and that’s what made it interesting.”

He could be describing the Residents themselves with that last descriptor. The mysterious band (always covered in the face, often in whimsical dada-tastic costumery) might have been lured to the Bay by the psychedelia scene, but they took cues from far broader reaches of sound. There was cosmic jazz composer Sun Ra — “I mean, Sun Ra said he was from the planet Saturn.”

“There was a lot of mystery about Sun Ras…and when he spoke, everything was all poetic and enigmatic. He was a huge influence on the Residents, in terms of style and music presentation, although, they never really tried to emulate him in terms of music. But there was a lot of respect and influence.”

Musically, and composition-wise, there was influence from Captain Beefheart, more on the fringes of psychedelia, and far weirder than the acts that made it exponentially bigger by decade’s end. But the Residents have staying power — releasing 60 albums and multimedia CD-ROMs over four decades, including first single Santa Dog (1972), and milestone records like Eskimo (1979) and Freak Show (1990).

This is probably a good time to point out that we the listeners don’t exactly know who the band members are, or who Flynn is.

This much is true: the Cole Valley neighborhood resident is part of the band’s two-person management team, Cryptic Corporation. He’s also the art director who created most of their album covers, and who ushered in the concepts for the Residents’ many memorable faceless looks (specifically, and most well-known, the eyeball masks, though his original concept for that was giant silver globes).

The heavy globes were a no-go, so someone suggested eyeballs (the better to see you with).

“It was like, well if you have an eyeball, what goes with that? At this time it was still hippie to some extent. What was in for bands was sloppy and slovenly — which, of course, it still is at this time — so the idea of tuxedos they thought, that’s cool and classy. And then the top hat was just the perfect compliment to the eyeball and the tuxedo.”

He may also be in the band, and the band’s main lyricist, but claims to this day otherwise. It’s been a long debate, as to who is actually a member of the Residents, because, again, they all wear masks.

However Flynn’s connected with the group, he’s certainly been along for the journey — the Shreveport, La.-native has long been in that bumpy Residents bus, not least for this tour, the 40th anniversary special, which began a day before our conversation.

The live show this time around is a retrospective of the Residents entire career, laying out the colorful story of the band, with monologues and musical bits throughout. The show kicks off — where else? — with “Santa Dog.” Flynn says it’s meant to paint a broad and entertaining picture of the band.

To add a punctuation mark to the anniversary, the group is offering an ultimate box set: a 28 cubic-foot refrigerator containing releases from the group’s entire career, 100 different first pressings including 40 vinyl LPs, 50 CDs, DVDs, and a signature eyeball-with-top-hat mask. Asking price? A cool $100,000 to the lucky buyer.

On the road, the group is also bringing more practical merch, such as t-shirts and commemorative coins. Hopefully there’ll be plenty left at the Bimbo’s show near the end of the tour. While there will still be a couple more dates after it, Flynn considers the SF show to be the big return home.

“I’ve traveled around quite a bit, I’ve seen a lot of places that I like, I’ve never seen any place else that I’ve wanted to live. In terms of the Residents, best thing I can say is that they’ve been happy to call the Bay Area home.,” Flynn says dreamily. “I know it will feel really good to pull up in front of Bimbo’s and take all our stuff in, our well-worn crew at that point, coming to play the show.”

 

GHOST BEACH

Are you familiar with the term “tropical grit-pop.” Neither was I, but listen to the NYC band Ghost Beach’s Modern Tongues EP, and it should all come together. Or better yet, see it live this weekend. It’s all electronic burps and yacht rock vocals, from a pop duo (possibly?) named after a Goosebumps book, with ’90s-baiting lyrics, and ’80s synth layers. With ONUINU, popscene DJs.

Thu/7, 9:30pm, $10. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com.

 

BIG FREEDIA

If you’re celebrating Mardi Gras without Big Freedia, you’re doing it wrong. Lights Down Low is bringing the New Orleans bounce queen out especially for you, the sexy people. Oh, and don’t forget to twerk. With MikeQ, Hard French DJs.

Fri/8, 9pm, $16 (advanced tickets). Mezzanine, 444 Jessie, SF. www.mezzaninesf.com.

 

BEAK>

Beak> is at one once unsettling and charming; its Krautrock backbone and angular guitars create eerie, paranoid grooves, à la Silver Apples — you know the itchy, building beats — but those hushed, mumbly vocals soothe the senses. Drummer-singer Geoff Barrow, keys-guitarist Matt Williams, and bassist Billy Fuller, are all members of other bands (including Barrow’s Portishead), so they split their time between acts, but have already released two albums in the few short years they’ve been able to get together, including critically-lauded 2012 full-length, >>. And their albums are all live recorded improv sessions in the same room, which translates well to shows, making the appearances mesmerizing extensions of previous jam sessions. With Vex Ruffin, Peanut Butter Wolf.

Feb. 13, 8pm, $20. Independent, 628 Divisadero, SF. www.theindependentsf.com

 

SF’s Cocktails shout ‘Hey Winnie’

Tony Robles
-
4

I’m loving this video by newish San Francisco power-pop (or “power-slop”) band Cocktails for “Hey Winnie,” off the group’s debut self-titled EP.

The video has the playful vibe of 1990s alternative spots (when power-pop was king), and looks to be set in Tenderloin store, Vacation actually was filmed at the No Shop in the Mission.

Released a week from today (Feb. 12) on local Father/Daughter Records, the seven-inch was recorded at Fuzz City Studio with Matthew Melton, of Warm Soda and Bare Wires fame. Cocktails’ next show is Feb. 23 at the Night Light, 311 Broadway, Oak. www.thenightlightoakland.com.

Hello goodbye

-
0
Hello goodbye

emilysavage@sfbg.com

TOFU AND WHISKEY While it’ll be hard to say goodbye, Brass Menažeri’s founder Peter Jaques might have the best possible reason for dissolving his decade-old, San Francisco band. He got a Fulbright grant to study traditional Greek music — in Greece.

He’ll be traversing the Grecian island of Crete, coastal Epiros, mountainous Florina, and capitol city Athens, studying with Greek master musicians. So yeah, don’t cry for Jaques. It’ll more be the Bay Area Balkan scene’s loss than his, given the group’s influence on the local set, lo these past 12 years. (Remember that Tofu and Whiskey column on the bumping Bay Balkan scene a few weeks back? That wouldn’t have happened without it.)

With two full sets of Balkan dance music, the band will bid adieu at a final show this Fri/1 (New Parish, 579 18th St., Oakl. www.thenewparish.com. 9pm, $15). That night will include four-part horn melodies, special guest dancer Zoe Jakes of Beats Antiques, and the debut of trumpeter eO’s new DJ set of “glitch-seasoned, heavy Balko-electronic compositions and remixes.”

With that in mind, I asked Jaques to give me the rundown on the highlights — and low points — in the life of Brass Menažeri.

There are those less-than-ideal band situations: “the sound guy who insists he needs to boost the ‘kick drum’ (we don’t have one) in a room with overwhelming bass resonance. We could hear nothing at all aside from the drum; playing an outdoor festival at Civic Center 100 feet from a techno stage; getting stiffed for a measly $200 when a venue said they’d paid our money to the other band (why?) and the other band denied it.”

And then there are the inspiring moments that kept the band humming: “collaborating with Boston MC Mr. Lif at the Seattle Folk Fest in 2010; playing for Ruth Hunter’s 50th birthday party while the sun was setting on a beachfront in Seattle; crowd surfers at Amnesia; the 2008 CD release at Great American Music Hall with Aphrodesia, and returning there for Kafana Balkan last year with Fishtank Ensemble; crowd reactions at the Sebastopol Apple Blossom Festival; chasing Rupa around the Mission during her birthday procession a few years ago; double bill Balkan brass afterparty for the Goran Bregovic show, with Inspector Gadje last year; the first Kafana Balkan at ArtSF in the Mission, with people hanging from the rafters”

Wouldn’t you know it, there’s a Kafana Balkan night this weekend as well. As Jaques mentioned, Brass Menažeri played the first of these raucous Balkan dance parties. This Sat/2 is the club night’s sixth anniversary show, with Inspector Gadje, Jill Parker and Foxglove Sweethearts, and DJ Zeliko (Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com. 9pm, $15).

So yes, you can pretty much spend your whole weekend reveling in the Balkans.

 

PETRA HADEN

For those more interested in the scores than the moving pictures on the screen, indie rock icon — and master jazz spawn — Petra Haden has done something quite unique with her newest album, Petra Goes to the Movies, released last week on Anti-. She’s rearranged classic film scores — think Psycho, A Fistful of Dollars, Superman, and 8 1/2 — mainly using her extraordinary voice to flesh out the formerly instrumental sections. For “Psycho,” that means high, layered a capella vocals creating that haunting paranoia so associated with the film’s theme. “Goldfinger” is a fun one as it also features Haden’s sultry lyric singing, and bum-da-bum “Hand Covers Bruise” from The Social Network stands out as an unexpected new gem. “When I saw the film Social Network, I thought it was a great movie but it was the music that really drew me in,” Haden said in a statement to her record label. The former That Dog vocalist’s interpretations on this album have minimal instrumental contributions courtesy of her famous father, jazz bassist Charlie Haden, pianist Brad Mehldau, and guitarist Bill Frisell.

 

PUSSY RIOT LIBERATION NIGHT

To celebrate the release of new book, Pussy Riot! A Punk Prayer for Freedom (Feminist Press), City Lights is hosting an evening of reading, declarations, and manifestos, with Frightwig (Deanna Mitchell, Mia Simmans, Cecelia Kuhn, Eric Drew Feldman), Daphne Gottlieb, Penelope Houston (of the Avengers), Deborah Iyall (of Romeo Void),Sophia Kumin, and Michelle Tea. Pull up some neon tights, tug a hot pink ski mask over your head, and join the movement.

Wed/30, 7pm, free. City Lights, 261 Columbus, SF. www.citylights.com.

 

JACKIE-O MOTHERFUCKER

Experimental, ’90s-born Portland act Jackie-O Motherfucker live at Mexican restaurant Casa Sanchez, where I can also eat chips and salsa during the set? That’ll do just fine, thank you. With You Nori, Cuttle Buttle, Baus.

Thu/31, 7:30pm, free. Casa Sanchez, 2778 24 St, SF. www.casasanchezfood.com.

 

BAGEL RADIO ANNIVERSARY SHOW

Ted Leibowitz has been doing Internet radio far longer than the majority of your favorite podcast hosts. His indie rock-oriented Internet radio station, BAGel Radio, is turning 10 this year. So the station founder-music director is throwing this show with local rock bands including Pixies-honoring Mister Loveless, angsty Churches, and tender Birdmonster. A lineup worth showing up early for.

Fri/1, 9:30pm, $12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com.

It’s the end of Brass Menažeri, the 10th anniversary of BAGel Radio, and the start of Petra Haden’s foray into a capella film scores. Plus: Pussy Riot Night at City Lights!

Music Listings

Andrew Lam
-
0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 30

ROCK/BLUES/HIP-HOP

Big Bones and Chris Siebert Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Cellar Doors, Spyrals, POW! Bottom of the Hill. 9pm, $8.

Dandelion War, Caledcott Elbo Room. 9pm.

Jeremy Jones Band Boom Boom Room. 8pm, $5.

Judy Experience, Miss Massive Snowflake, Little Debbie Brick and Mortar Music Hall. 9pm, $5-$8.

Keith Crossan Blues Showcase Biscuits and Blues. 8pm, $15.

Rin Tin Tiger, Lower 48, Standard Poodle Cafe Du Nord. 8:30pm, $8.

Spanish Channel Hotel Utah. 8pm, $7.

Testament, Overkill, 4Arm, Butlers Fillmore. 6:45pm, $32.50.

Mycle Wastman, Austin Jenckes Yoshi’s SF. 8pm, $20.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $40-$45.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com. 7pm,free.

FOLK/WORLD/COUNTRY

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Obey the Kitty: Miss Kittin, Justin Milla, Dang Dang Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

THURSDAY 31

ROCK/BLUES/HIP-HOP.

Roem Baur Hotel Utah. 9pm, $10.

Ben Fold Five, Nataly Dawn Warfield. 8pm, $42-$45.

Bill Champlin Yoshi’s SF. 8pm, $24.

Dengue Fever, Maus Haus Independent. 8pm, $8.

Fox and Woman, Brooke D, Indianna Hale Amnesia. 9pm, $7-$10.

Kyle Glass Band, Adversary, Shaufrau Brick and Mortar Music Hall. 9pm, $10-$15.

John Nemeth Biscuits and Blues. 8 and 10pm, $20.

Radar Bros, Michael Zapruder Hemlock Tavern. 8:30pm, $10.

Struts, New York City Queens, Wicked Mercies Thee Parkside. 9pm, $8.

Aly Tadros 50 Mason Social House, SF; www.50masonsocialhouse.com. 9pm.

Team Candy, Cure for Gravity, Hope Chest Bottom of the Hill. 9pm, $10.

Urban Cone, In the Valley Below, Tom Odell Rickshaw Stop. 9pm, $12.

JAZZ/NEW MUSIC

Ralph Carney’s Serious Jazz Project Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, free.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $40-$45.

Two Sides of Joshua Raoul Brody Lost Church, 65 Capp, SF; www.thelostchurch.com. 8pm.

FOLK/WORLD/COUNTRY

Bluegrass and old time jam Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm, free.

Irvin Dally, Aly Tadros Hotel Utah. 9pm, $10.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $10. With Senor Oz and Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Worthy, Ambey Reyn Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Darling Nikki Slate Bar, 2925 16th St, SF; www.slate-sf.com. 9pm, free. Queer dance party.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 1

ROCK/BLUES/HIP-HOP

Aristocrats Biscuits and Blues. 8 and 10pm, $30.

Tommy Castro and the Painkillers, Paul Thorn Slim’s. 9pm, $20.

Bart Davenport, Hot Lunch, Lenz, Puce Moment, DJ Neil Martinson Cafe Du Nord. 9pm, $8-$10.

Destroyer (Kiss tribute), Butlers, Cruella Great American Music Hall. 9pm, $12.

Funkin’ Fridays with Swoop Unit Amnesia. 6pm.

Hammond Organ Soul Blues Party Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

He’s My Brother She’s My Sister, Sioux City Kid, Song Preservation Society Independent. 9pm, $15.

Jrod Indigo 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm, $5.

Chris M, Nathan Temby, Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

Mister Loveless, Churches, Birdmonster Bottom of the Hill. 9pm, $15.

Rappin’ 4-Tay, Black C, Cellski, Berner Brick and Mortar Music Hall. 9pm, $5-$8.

Porter Robinson, Seven Lions, Penguin Prison Warfield. 9pm, $30-$40.

Robert Walter’s Brand New Slang Boom Boom Room. 8pm, $15.

Warm Soda, Cocktails, DSTVV Hemlock Tavern. 9:30pm, $6.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Leela James: In the Spirit of Etta Yoshi’s SF. 8pm, $30; 10pm, $25.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 7 and 9:30pm, $40-$45.

Neurohumors, SF Latin Jazz Society Connecticut Yankee. 9pm, free.

FOLK/WORLD/COUNTRY

Canyon Johnson Plough and Stars. 9pm, $6.

Kardash Red Poppy Art House. 8pm, $10-$15.

Lagos Roots AfroBeat Ensemble Elbo Room. 10pm.

DANCE CLUBS

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Twitch DNA Lounge. 10pm, $5-$8. With Max and Mara, Vice Device, resident DJs Justin, Omar, and more.

SATURDAY 2

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 9pm, free.

Marco Benevento, Mike Dillon Independent. 9pm, $16.

Jules Broussard Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Chris Cain Biscuits and Blues. 8 and 10pm, $20.

Dos Four, Mestiza, DJ Walt Digz Brick and Mortar Music Hall. 9pm, $7-$10.

Adam Green and Binki Shapiro, Rage of Light Wilderness Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15-$18.

Paul Kelly, Kail Baxley Cafe Du Nord. 9pm, $17-$20.

Mad Maggies 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm, free.

Reckless Kind Riptide. 9pm, free.

Shady Maples, Goodnight Texas, Heavy Guilt Bottom of the Hill. 9:30pm, $10.

Nathan Temby, Chris M, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Two Gallants, Akron/Family Fillmore. 9pm, $22.50.

Ultimate Bearhug, Josh Hoke Amnesia. 9pm.

Robert Walter’s Brand New Slang Boom Boom Room. 8pm, $15.

Wood Brothers, Seth Walker Great American Music Hall. 9pm, $22-$25.

Wounded Lion Hemlock Tavern. 9:30pm, $8.

Zeparella, Gretchen Menn Band, Stars Turn Me On Slim’s. 9pm, $16.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 7 and 9:30pm, $40-$45.

FOLK/WORLD/COUNTRY

Kafana Balkan sixth anniversary, Inspector Gadje Rickshaw Stop. 9pm, $15.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 4-6pm, free.

DANCE CLUBS

Bootie SF: West Coast DJ Battle DNA Lounge. 10pm, $15. With DJs Tripp, ShyBoy, Destrukt, and more.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys.

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Haceteria Deco Lounge, 510 Larkin, SF; www.decosf.com. 9pm, free before 11pm, $3 after.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With Lucky, Paul Paul, Phengren Oswald, and more.

Swank: Pheeto Dubfunk and Friends Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

SUNDAY 3

ROCK/BLUES/HIP-HOP

DJ Horizons Hemlock Tavern. 10pm, free.

Hammond Organ Soul Blues Party Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

JAZZ/NEW MUSIC

Cyril Guiraud American Quartet Bliss Bar, 4026 24 St, SF; www.blissbarsf.com. 4:30pm, $10.

Kally Price Old Blues and Jazz Band Amnesia. 8pm, $5.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 9pm, free.

Vieux Farka Toure, Markus James Yoshi’s SF. 7pm, $25.

Cieran Marsden and Friends Plough and Stars. 9pm, $6.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Maneesh the Twister

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 4

ROCK/BLUES/HIP-HOP

Love Dimension, SXO, Victoria Victrola and the Vaudevilles Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

"Cool Music – Clear Water" SF Conservatory of Music, 50 Oak, SF; www.leftcoastensemble.org. 8pm, $15-$30.

FOLK/WORLD/COUNTRY

Roy Schneider Osteria, 3277 Sacramento, SF; www.kcturnerpresents.com. 7pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $5. With Decay, Joe Radio, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 5

ROCK/BLUES/HIP-HOP

Alvon Biscuits and Blues. 8 and 10pm, $15.

Suzanne Cronin and Friends Plough and Stars. 9pm, $6.

Hey Ocean! Cafe Du Nord. 8pm, $8.

JRo Project Boom Boom Room. 8pm, $5.

Benjamin Francis Leftwich, We Became Owls, Owl Paws Bottom of the Hill. 9pm, $12.

Painted Palms, Yalls, Doom Bird, Ears of the Beholder (DJ) Brick and Mortar Music Hall. 9pm, free.

Rec-League, Illusion of Self, Genie, Zig Zag Robinson, Cozmost, DJ Mr Bean Elbo Room. 9pm, $7.

Replica, Diehard, Light, New Flesh Knockout. 9:30pm, $6.

Sean Smith Amnesia. 9:30pm.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

"Three Men and a Baby…Grand!" Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $35.

FOLK/WORLD/COUNTRY

Chris Amberger and Aaron Garner Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com. 7pm,free.

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8:30pm, $5-$12.

Ultra World X-Tet Yoshi’s SF. 8pm, $15.

Heads Up: 7 must-see concerts this week

Tony Robles
-
2

This week holds big, anticipated-return shows like Local Natives at the Fox and Cody ChesnuTT at the Independent, new pairings like Adam Green and Binki Shapiro at the Chapel, an anniversary celebration at BAGel Radio’s locally curated Bottom of the Hill night with Mister Loveless and CHURCHES, legendary Malian offspring Vieux Farka Touré at Yoshi’s, and a possible faux listing (Jackie-O Motherfucker is supposedly playing Casa Sanchez).

Only time will tell. Go out, Bay Area music lovers, into the chilly night, and report back to us.

Here are your must-see Bay Area concerts this week/end:

Cody ChesnuTT
The soul troubadour returns. Aside from his debut double-album, The Headphone Masterpiece (Ready Set Go), Roots collaboration, and brief 2010 EP Black Skin No Value (Vibration Vineyard), singer-songwriter Cody ChesnuTT just hasn’t been on the radar enough, given his powerful pipes. He brought it all back in late 2012, releasing socially-conscious soul gem, Landing on a Hundred (Redeye Label), which he’s touring on now.
Tue/29, 8pm, $15
Independent, 628 Divisadero, SF
www.theindependentsf.com
https://www.youtube.com/watch?v=CAlAmbewaZo

Local Natives
“Local Natives stole our collective hearts in 2009 with their self-funded debut Gorilla Manor, an irresistible slice of unearthly folk rock, before cruelly fading into the background. Finally, four years later, they’ve resurfaced with a sophomore effort, Hummingbird. Though the Orange Country-bred group recorded the album in Brooklyn, the California sunshine still shines through its meandering, ethereal soundscapes. The band’s songs draw heavily from indie peers Grizzly Bear and Fleet Foxes, but manage to add a refreshing, summery glow to the reverb-heavy pop murk. The album, which was produced by Aaron Dessner of the National, promises to translate well to a live format, keeping the band’s trademarked harmonies in place while also allowing vocalist Kelcey Ayer’s dreamy falsetto to soar.” — Haley Zaremba
With Superhumanoids
Wed/30, 8pm, $25
Fox Theater
1807 Telegraph, Oakland
(510) 302-2250
www.thefoxoakland.com
https://www.youtube.com/watch?v=L1dFjloBZYo

Jackie-O Motherfucker
[Disclaimer: I’ve found this show on two different punk listservs, yet nowhere else thus far. Got a call in to the shop.] Experimental, ’90s-born Portland act Jackie-O Motherfucker live at Mexican restaurant, Casa Sanchez, where I can also eat chips and salsa during the set? That’ll do just fine, thank you.
With You Nori, Cuttle Buttle, Baus.
Thu/31, 7:30pm, free
Casa Sanchez
2778 24 St, SF.
www.casasanchezfood.com

Brass Menažeri
The 12-year-old Balkan dance party band bids farewell at this final concert, with two live sets. Check this week’s issue (Wed/30) for more on the group’s demise.
Fri/1, 9pm, $15
New Parish
579 18th St., Oakl.
www.thenewparish.com
https://www.youtube.com/watch?v=twGgff89eno

BAGel Radio Anniversary Show
Ted Leibowitz has been doing Internet radio far longer than the majority of your favorite podcast hosts. His indie rock-oriented Internet radio station, BAGel Radio, is turning 10 this year. So the station founder-music director is throwing this show with local rock bands including Pixies-honoring Mister Loveless, angsty Churches, tender Birdmonster. A lineup worth showing up early for.
Fri/1, 9:30pm, $12
Bottom of the Hill,
1233 17th St., SF
www.bottomofthehill.com.
https://www.youtube.com/watch?v=n990CcF_uuA

Adam Green and Binki Shapiro
“Opposites do attract. Adam Green is a so-called “anti-folk” Manhattanite with an extensive catalog of foul-mouthed, tongue-in-cheek ballads and admirably humble beginnings as Kimya Dawson’s counterpart in the Moldy Peaches. Binki Shapiro hails from LA, is a retro fashion icon and former member of Brazilian-American supergroup Little Joy, along with her ex-boyfriend and Strokes drummer Fabrizio Moretti. The duo’s vastly different backgrounds and musical leanings don’t seem compatible at first glance, but in practice they blend beautifully. During the writing of the record, both Green and Shapiro were going through romantic rough patches, which ultimately pushed the musicians to help write each other’s breakup albums, creating a finished product rife with earnestness and vulnerability.” — Haley Zaremba
With the Range of Light Wilderness
Sat/2, 9pm, $18
The Chapel
777 Valencia, SF
(415) 551-5157
www.thechapelsf.com
https://www.youtube.com/watch?v=WrbeDDiU92g

Vieux Farka Touré
“It should be enough to say that Vieux Farka Touré follows the footsteps of his father, the late, Grammy-winning Ali, or that he’s known as “the Hendrix of the Sahara.” But not quite. In “Gido (featuring John Scofield)” — yes, of jazz-rock fame — an acoustic guitar expertly noodles in a Malian scale, a bend on an electric cues bass and drums, then the two guitars continue to converse. It’s tempting to fashion this into some metaphor about the melding of African music and Western rock, and though this wouldn’t be misplaced, the main takeaway from “Gido” and the whole album, The Secret (2011), is that it sounds great. As Yoshi’s will prove, Touré creates his own breed of music, and he does it well.” — Laura Kerry
With Markus James
Sun/3, 7pm, $25
Yoshi’s
1330 Fillmore, SF
(415) 655-5600
www.yoshis.com
https://www.youtube.com/watch?v=YMI46WhdjRE

Music Listings

Andrew Lam
-
0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 23

ROCK/BLUES/HIP-HOP

Buckeye Knoll, These Old Wounds, Creak Bottom of the Hill. 9pm, $10.

Gojira, Devin Townsend Project, Atlas Moth Fillmore. 8pm, $20.

Guido vs Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Headnodic, Skins and Needles, DJ Zeph Boom Boom Room. 8pm, $5.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

"Jason Becker Not Dead Yet 2" Slim’s. 8pm, $31. With Steve Morse, Uli Jon Roth, Richie Kotzen, and more.

Jhameel, Coast Jumper Cafe Du Nord. 8:30pm, $10.

Mumlers, Ohioan, Whiskerman Hemlock Tavern. 8:30pm, $7.

Panic is Perfect, Institution, Red Valley Trappers Elbo Room. 9pm, $6.

Terry Savastano Johnny Foley’s. 9pm, free.

Tambo Rays, Evil Eyes, Moonbell, Jesus Songs Brick and Mortar Music Hall. 9pm, $6.

Midge Ure Red Devil Lounge. 8pm, $25-$30.

JAZZ/NEW MUSIC

Shawn Colvin Yoshi’s SF. 8pm, $35.

Quinn DeVeaux Rite Spot. 9pm, free.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 24

ROCK/BLUES/HIP-HOP.

Anthem Johnny Foley’s. 9pm, free.

"BB King Tribute" with Billy Big Daddy Cade Biscuits and Blues. 8 and 10pm, $20.

Brand New Trash, TV Mike and the Scarecrows, Ottomobile and the Moaners Amnesia. 9pm, $7.

Nate Currin, Brian Fuente, Jason Patrick Stevens Cafe Du Nord. 8pm, $10.

Dangermaker, Lessons, San Francesca DNA Lounge. 9pm, $8.

Earphunk Boom Boom Room. 8pm, $7.

Ever Ending Kicks, Natural Harbors Hemlock Tavern. 8:30pm, $6.

Hammond Organ Soul Blues Party with Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

La Panique, Greater Sirens, La Montagne Bottom of the Hill. 9pm, $8.

"Music for Mutts" with Purple Ones Red Devil Lounge. 9:30pm, $25. Benefit for Muttville Senior Dog Rescue.

"Red Bull Thre3style" Independent. 8pm, $15. With Hot Pocket, DJ Sharp, J Espinosa, and more.

Ken Stringfellow, Maldvies, Will Sprott (Mumlers) Brick and Mortar Music Hall. 9pm, $12-$15.

Nathan Temby vs Guido Johnny Foley’s Dueling Pianos. 9pm, free.

"Voices of Latin Rock Benefit for Autism" Bimbo’s. 6pm. With Tierra, Generation Esmeralda, and more.

Walkmen, Father John Misty Fillmore. 8pm, $25.

JAZZ/NEW MUSIC

Shawn Colvin Yoshi’s SF. 8pm, $40.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

JimBo Trout and the Fishpeople Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass. [every Thursday]

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 25

ROCK/BLUES/HIP-HOP

Ash Thursday Bazaar Cafe, 5927 California, SF; (415) 831-5620. 7pm, free.

"BB King Tribute" with Billy Big Daddy Cade Biscuits and Blues. 8 and 10pm, $20.

Body and Soul Johnny Foley’s. 9pm, free.

Brian Jordan Band, Afrofunk Experience Slim’s. 9pm, $13.

Daniel Castro Band, Chris Cobb Band Great American Musical Hall. 9pm, $15.

Fake Your Own Death, Happy Fangs, Vela Bottom of the Hill. 10pm, $10.

Hammond Organ Soul Blues Party with Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Inferno of Joy, Tunnel Hemlock Tavern. 9:30pm, $7.

KRS-One Yoshi’s SF. 10:30pm, $25.

Johnny Lawrie El Rio. 9pm, $5.

Midtown Social, Myron and E, Selecter DJ Kirk and DJ Ren Elbo Room. 10pm, $10.

Modern Kicks, Cumstain, Mud Mouth, Dead Waste, Banshee Boardwalk, Gladys Brick and Mortar Music Hall. 9pm, $5.

Mike Realm’s Ghetto Blaster, D-Sharp, Miles the DJ Independent. 9pm, $15.

Sensations, Jackpot, Prairiedog Chapel, 777 Valencia, SF. www.thechapelsf.com. 9pm, $12.

Solwave, Trophy Fire, Via Coma Rickshaw Stop. 9pm, $10-$12.

Greg Zema, Randy, Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9Pm, $10.

Shawn Colvin Yoshi’s SF. 8pm, $45.

"Disappear Incompletely: The Music of Radiohead" Red Poppy Art House. 8pm, $10-$15. Electro-jazz arrangements.

Michael McIntosh Rite Spot. 9pm, free.

Rival Sons Cafe Du Nord. 9pm, $10.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10. Live music, gypsy punk, belly dancing.

Oarsman, Grenade Hand, Progress Band 50 Masion Social House, SF; www.50masonsocialhouse.com. 7pm.

Trio Troubadour Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 7pm, free.

DANCE CLUBS

Cool Story Bro DNA Lounge. 9pm, $20. With Crizzly, Atom One, Sam F, Freefall.

Illumination: Envision Festival Fundraiser 1015 Folsom, SF. 10pm. With Gladkill, Surgarpill, Nominous, and more.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Moguai, G-Stav Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

SATURDAY 26

ROCK/BLUES/HIP-HOP

Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

Conspiracy of Beards Riptide Tavern. 9:30pm, free.

Exhausted Pipes Red Devil Lounge. 7pm, $13.

Foreverland, Minks Bimbo’s. 9pm, $22.

Hammond Organ Soul Blues Party with Lavay Smith, Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Katdelic feat. RonKat Spearman, Groove Session, DJ Fillmore Wax Boom Boom Room. 8pm, $12.

Locura, Shake Your Peace!, Makru Great American Musical Hall. 9pm, $17-$20.

Niki and the Dove, Vacationer, DJ Aaron Axelsen Independent. 9pm, $15.

"SF Rock Project’s Tribute to Black Sabbath, Frank Zappa, and Captain Beefheart" Thee Parkside. Noon, $5.

Stellar Corpses, Rocketz, Memphis Murder, Limnus Slim’s. 8:30pm, $13-$15.

Sunbeam Rd., Casey Chisolm Thee Parkside. 9pm, $7.

Nathan Temby, Chris A., Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

Ticket to Ride Johnny Foley’s. 9pm, free.

Trainwreck Riders, Porkchop Express, Joseph Childress El Rio. 10pm, $8.

Tsar, Radishes, Custom Kicks Hemlock Tavern. 9:30pm, $7.

Vinyl and special guests Lebo, Bo, Jeconte and Friends Brick and Mortar Music Hall. 9pm, $15-$20. FunkRaiser for Mali.

Wovenhand, Vir, Yassou Benedict Bottom of the Hill. 9:30pm, $14.

Zodiac Death Valley, Hollow Mirrors, Peach Kings, Down and Outlaws Milk Bar. 9pm, $10.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Mr. Lucky and the Cocktail Party Rite Spot. 9pm, free.

Frederic Yonnet Yoshi’s SF. 8pm, $26; 10pm, $22.

FOLK/WORLD/COUNTRY

Americano Social Club Red Poppy Art House. 8pm, $15-$20.

"Aswang – a Tagalog Song Cycle" Bindlestiff Studio, 185 Sixth St, SF; www.kularts.org. 8pm, $15.

Sonya Cotton, Kelly McFarling, Mana Maddy, Rebecca Cross Community Music Center, 544 Capp, SF; www.kangarooconcerts.com. 7:30pm. Benefit for the Marine Mammal Center.

Gaucho, Kally Price and the Old Blues and Jazz Band, Craig Ventresco St Cyperian’s Church, 2097 Turk, SF; www.noevalleymusicseries.com. 8pm, $12.

International Guitar Night Brava Theater, 2781 24th St, SF; www.omniconcerts.com. 8pm, $38. With Martin Taylor, Solorazaf, and more.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bearracuda Rickshaw Stop. 9pm, $6-$8.

Bootie SF: ’90s Mashup Night DNA Lounge. 9pm, $10-$15. With A Plus D, DJ Tyme, Dada.

Cazzette Ruby Skye. 9pm.

Dark Room 2.0 Anniversary Cafe Du Nord. 9:30pm, $7. Katabatik, Nezzy Id, Zania Morgan, DJ Identity Theft, and more.

120 Minutes Elbo Room. 10pm, $12. With Vatican Shadow, resident DJs S4NtA_MU3rTE and Nako.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Temptation Cat Club. 9:30pm. $5-$8. Indie, electro, new wave video dance party.

SUNDAY 27

ROCK/BLUES/HIP-HOP

Before the Brave, Glossary, Travis Hayes Thee Parkside. 8pm, $8.

Tyler Bryant and the Shakedown, Lea Grant Brick and Mortar Music Hall. 8pm, $12.

DJ Teddy Ted Hemlock Tavern. 8:30pm, $7.

Pentatonix Warfield. 8pm, $28.

Terry Savastano Johnny Foley’s. 9pm, free.

"SF Rock Project’s Tribute to Black Sabbath, Frank Zappa, and Captain Beefheart" Bottom of the Hill. 2pm, $5.

JAZZ/NEW MUSIC

Belinda Blair Bliss Bar, 4026 24th St, SF; .www.blissbarcom. 4:30pm, $10.

FOLK/WORLD/COUNTRY

"Aswang – a Tagalog Song Cycle" Bindlestiff Studio, 185 Sixth St, SF; www.kularts.org. 3pm, $15.

Brazil and Beyond with Rebecca Kleinmann Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

"Mexico City and Beyond" Community Music Center, 544 Capp, SF; www.sfcmc.org. 4pm, $10-$15. Bernal Hill Players’ concert of Latin American Chamber Music.

Twang Sunday Thee Parkside. 4pm, free. With Laura Benitez Band.

Western Swing with Heel Draggers Amnesia. 8pm, $5-$10 (with dance lesson).

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free. With Chef Josie and DJ Matt Haze.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, J. Boogie, and DJ Alarm.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 28

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

Mike Olmos Jazz Pro Jam Biscuits and Blues. 7:30 and 11:30pm, $12.

JAZZ/NEW MUSIC

Mike Burns Rite Spot. 8:30pm, free.

FOLK/WORLD/COUNTRY

Open bluegrass jam Amnesia. 6pm.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 29

ROCK/BLUES/HIP-HOP

Tia Carroll and Hardwork Biscuits and Blues. 8 and 11:30pm, $15.

Cody ChesnuTT Independent. 8pm, $15.

ESMK, CYPH4, Ruff Draft, Demigod Bastards Elbo Room. 9pm, $6.

Good Gravy, Neckbeard Boys Brick and Mortar Music Hall. 9pm, $7-$10.

Willy Mason Chapel, 777 Valencia, SF. www.thechapelsf.com. 9pm, $12-$14.

One Hundred Percent, Mosshead, Couches Amnesia. 9pm, $7.

Poor Luckies, 1906, Unmanned Pilots, DJ Alberto Knockout. 9:30pm, $5.

Tristan Prettyman Great American Musical Hall. 8pm, $17-$19.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Tropics Boom Boom Room. 8pm, $5.

Vintage Trouble Cafe Du Nord. 8:30pm, $12.

JAZZ/NEW MUSIC

Helen Jane Long and the London Players Yoshi’s SF. 8pm, $35.

FOLK/WORLD/COUNTRY

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8:30pm, $5-$12.

Toshio Hirano Rite Spot. 8:30pm, free.

Heads Up: 7 must-see concerts this week

Tony Robles
-
0

What a momentous way to kick off the week: Barack Obama’s second inauguration falling on MLK Jr. Day, and with tear-inducing performances by Beyonce and James Taylor, to boot. It doesn’t get much more U-S-A than that. Oh, and there was that whole SF football win on Sunday.

Celebrate your fleeting pride swell with a week-long journey through challenging live music; stop by former local Jhameel’s return concert, the annual SF Tape Music Festival, Luke Sweeney’s Wet Dreams Dry Magic at Mission Creek Oakland, Blond:ish at Monarch, and Gaucho at Cyprian’s, as the group recognizes Django Reinhardt’s birthday.

Also, it’s technically sold out, but “UnderCover presents Joni Mitchell’s Blue” at Freight and Salvage tonight (Mon/21) may have some standing room tickets at the door ($24.50). Plus, there are still some presale available for tomorrow night’s show (Tue/22).

Here are your must-see Bay Area concerts this week/end:

Jhameel
Jhameel, our beloved multi-instrumentalist On the Rise star, returns from LA – for the night at least. The formerly Bay Area-based pop songwriter has been hard at work down south in the sun, polishing his futuristic Michael Jackson vibes, writing a new album, and recording more drunk videos for his devoted followers. For this show, he promised those fans he’d sing his damn heart out.
With Giraffage, Coast Jumper
Wed/23, 8:30pm, $10
Cafe Du Nord
2170 Market, SF
www.cafedunord.com
http://www.youtube.com/watch?v=HiN8CWzNNPI

The Tambo Rays
“If you’re looking for a San Francisco-based band to adore in the new year, keep your eye on the Tambo Rays. The punkish young chillwave foursome released Kaleidoscope, its debut EP, last summer and has speedily garnered an enthusiastic audience. The group — a collaboration between brother and sister Brian and Sara DaMert along with friends Greg Sellin and Bob Jakubs — makes catchy, introspective pop music characterized by B. DaMerts’ crooning vocals and a hazy wall of dissonance.” — Mia Sullivan
With Evil Eyes, Moonbell, Jesus Sons
Wed/23, 9pm, $6
Brick and Mortar
1710 Mission, SF
(415) 371-1631
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=1p4WNQaBpAg

Luke Sweeney and Wet Dreams Dry Magic
Luke Sweeney recently released his solo debut, Ether Ore, the album name a reference to the singer-guitarist’s spirit animal, Elliot Smith. It’s a sweet, fresh start for Sweeney as an indie solo artist (“recorded on 1/2″ tape in a living room…over the span of a few days in April 2012”), but you likely know his previous work in VOWS and his excellent current band, lo-fi pop dreamers Wet Dreams Dry Magic, headlining tonight as part of the Mission Creek Oakland Music and Arts Festival.
With Soft Bombs, French Cassettes
Thu/24, 9pm, $10
Uptown
1928 Telegraph, Oak.
www.uptownoakland.com
http://www.youtube.com/watch?v=VVVhS1xOVc4&feature=plcp

The Walkmen and Father John Misty
The sonic gods have blessed us with this lineup. Separately, both acts would be worthy of a Heads Up shout-out, together they’re an emotional goldmine – bringing together the tender post-punk of the Walkmen, and hip-swinging indie-folk of singer-songwriter Father John Misty (a.k.a. J. Tillman of Fleet Foxes).
Thu/24, 8pm, $25.
Fillmore
1805 Geary, SF
www.livenation.com
http://www.youtube.com/watch?v=6QaFK_GvO_s

San Francisco Tape Music Festival
The Tape Music Festival reminds us of the more idiosyncratic San Francisco of yore, the one we’re all desperately trying to hold on to, despite blooming micro-apartments, bans on nudity, and the like. Go, support this, “America’s only festival devoted to the performance of audio works projected in three-dimensional space.” This year, there will be a retrospective of the works of Bernard Parmegiani – an influential Parisian composer of acousmatic tape music – along with a piece by Japanese sound artist Ryoji Ikeda, classics by Luciano Berio and Hugh Le Caine, local composers Pamela Z and Andrea Williams, and more.
Fri/25-Sun/27, 8pm, $15 ($35 festival pass)
ODC Theater
3153 17th St., SF
sfsound.org/tape
http://www.youtube.com/watch?v=cXAevrYhicI

Blond:ish
“In a section of the music industry where club promoters and marketers all too frequently rely on glamor headshots layered over photoshopped neon clouds, London based but Montreal bred Anstascia D’elene and Vivie Ann Bakos have smartly chosen a name that immediately undercuts appearances. (Plus the tag-line: “not all dumbs are blonde.”) With that out of the way, this posh, Kompakt-approved duo has spent the last couple of years making a real name for itself, releasing credible 4×4 house sets and EPs with callbacks to ’60s psychedelia and ’80s new wave, while providing remixes for Todd Terje, Pete Tong, and Tomas Barfod.” — Ryan Prendiville
With DJ M3, Anthony Mansfield
Sat/26, 9pm, $10-20
Monarch
101 Sixth St., SF
(415) 284-9774
www.monarchsf.com
http://www.youtube.com/watch?v=qtjQTHZ4Wrg

Gaucho: Django Reinhardt’s birthday
If you play any form of gypsy jazz, you have Django Reinhardt to thank for that. Popular local band, Gaucho – which recently passed the decade mark as a group together, no small feat in band-land – recognizes this relationship with an evening dedicated to Reinhardt, during the week of what would have been his 102nd birthday (he was born Jan. 23). If you’d like to wish bonne anniversaire to the master, there’s no better spot this weekend for hot gypsy jazz, ragtime, and pre-war blues.
With Kally Price and the Old Blues and Jazz Band
Sat/26, 8pm, $12
SF Live at Cyprian’s
297 Turk, SF
www.noevalleymusicseries.com
http://www.youtube.com/watch?v=Mn5WWGnggkw

Localized Appreesh: Adios Amigo

Tony Robles
-
3

Localized Appreesh is our thank-you column to the musicians that make the Bay. To be considered, contact emilysavage@sfbg.com.

What began life as a side-project for Il Gato drummer Johnny Major has grown into a hyper melodic, can’t-miss, feel-good group to know. Or as I breathlessly wrote after catching an early show at the Hemlock: Adios Amigo is pure indie-pop bliss, in the vein of Broken Social Scene and the Shins. 

In this one, Major leads as singer-songwriter-guitarist, backed by guitarist Rahi Kumar, bassist Alex Coehn, drummer Stephen Wills, Claire Grinton on keys and fiddle, and percussionist Catalina Atria – along with warm multi-part harmonies put forth by all those involved.

The band released Dos last year, and starts 2013 off right with a headlining gig at Cafe Du Nord. Learn more about Adios Amigo below, but first check out the video for plucky “Chicken” and see how long you can hold out without cracking a grin.

http://www.youtube.com/watch?v=G4X7QxfE2jw
Video Credit: Caitlyn Adkins

Year and location of origin: 2011, San Francisco

Band name origin: Sitting in a cubicle in SOMA, dreaming of escaping to South America, I came up with the name.  It means ‘Goodbye Friend’.

Band motto: “¡Hasta la victoria siempre!” – “Until victory, always!”

Description of sound in 10 words or less: Grandiose, jangly, guitar-driven, harmonic psych-pop

Instrumentation: Two Guitars, one bass, one keyboard, one drum set.

Most recent release: Dos EP – June, 2012.

Best part about life as a Bay Area band: Living in one of the most beautiful cities in the world, being a part of one of the best music scenes in the world, playing awesome venues, great food, liberals.  

Worst part about life as a Bay Area band: The rent.  Too high.

First album ever purchased: Green Day’s Dookie, or the Forrest Gump soundtrack.

Most recent album purchased/downloaded: Tame Impala, Lonerism.

Favorite local eatery and dish: The Little Chihuahua — Garlic Shrimp Burrito. Everyday.

Adios Amigo
With City Tribe, Ghost Tiger
Thu/17, 9pm, $10
Cafe Du Nord
2170 Market, SF
www.cafedunord.com

Music Listings

Andrew Lam
-
0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 16

ROCK/BLUES/HIP-HOP

Blues Organ Party with Big Bones and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Gunshy Johnny Foley’s. 9pm, free.

Lee Huff vs Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Michael Hurley, Cass McCombs, Jessica Pratt Great American Music Hall. 8pm, $15.

Jerry Joseph, Shelley Doty, Fred Torphy, Marc Friedman Brick and Mortar Music Hall. 8pm, free.

Keith Crossan Blues Showcase with Terry Hanck Biscuits and Blues. 11:30pm, $15.

Parquet Courts Hemlock Tavern. 8:30pm, $8.

Paulie Rhyme, Sweet Hayah, Aisha Fukushima, Bottom Hammer Elbo Room. 9pm, $7.

Todd Sickafoose’s Tiny Resistors, Erik Deutsch Band, Adam Levy Cafe Du Nord. 8pm, $10-$12.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Latin Jazz All-Stars feat. Steve Turre, Chembo Corniel, Arturo O’Farrill, Nestor Torres Yoshi’s SF. 8pm, $25.

Reuben Rye Rite Spot. 9pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 17

ROCK/BLUES/HIP-HOP.

Adios Amigo, City Tribe, Ghost Tiger Cafe Du Nord. 9pm, $10.

Big Tree, Strange Vine, Bonnie and the Bang Bang, Owl Paws Bottom of the Hill. 8:30pm, $10. "Songs for Sandy: Hurricane Relief Show."

Broadway Calls, Silver Snakes, Civil War Rust Thee Parkside. 9pm, $10.

Eskmo Independent. 9pm, $20.

Hammond Organ Soulful Blues Party with Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Lawton Trio Johnny Foley’s. 9pm, free.

Knocks, Gemini Club, popscene DJs Rickshaw Stop. 9:30pm, $13-$15.

Mark Matos and Os Beaches, Van Allen Belt, Sasha Bell, Crushed Out, DJ Neil Martinson Brick and Mortar Music Hall. 9pm, $6-$10.

Run Amok, Parae, Scarlet Stoic Sub-Mission. 8:15pm, $8.

Eric Sardinas Biscuits and Blues. 8 and 10pm, $20.

Nathan Temby vs Lee Huff Johnny Foley’s Dueling Pianos. 9pm, free.

Trampled By Turtles Fillmore. 8pm, $25.

JAZZ/NEW MUSIC

Latin Jazz All-Stars feat. Steve Turre, Chembo Corniel, Arturo O’Farrill, Nestor Torres Yoshi’s SF. 8pm, $25.

Midnight Flyte Rite Spot. 9pm, free.

SF Jazz Hotplate Series Amnesia. 9pm.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Get Down Boys Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker and Senor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Pan-Pot, Alex Sibley Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 18

ROCK/BLUES/HIP-HOP

Asesino, Verbal Abuse, Embryonic Devourment, Psychosomatic DNA Lounge. 7pm, $16.

Back Pages Johnny Foley’s. 9pm, free.

"Bands4Bands Showcase" Slim’s. 8pm, $13. With Kaos, Potential Threat, Mystic Rage, Star Destroyer.

Black Cobra, Glitter Wizard, Lecherous Gaze Brick and Mortar Music Hall. 9pm, $10-$13.

Jake Bugg, Valerie June, popscene DJs Rickshaw Stop. 9pm, $15-$17.

Commissure, Let Fall the Sprarrow, Skyscraper Mori Hemlock Tavern. 9:30pm, $7.

Fidlar Amoeba Music, 1855 Haight, SF; www.amoeba.com. 6pm, free.

Fidlar, Pangea, Meat Market Bottom of the Hill. 9pm, $10.

Hammond Organ Soul Blues Party Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Lee Huff, Jeff V., Rags Tuttle Johnny Foley’s Dueling Pianos. 9pm, free.

Native Elements, Jah Yzer Elbo Room. 10pm, $10.

Johnny Rawls Biscuits and Blues. 8 and 10pm, $20.

Ty Segall Fillmore. 9pm, $22.50.

Tell River, Anju’s Pale Blue Eyes, Hang Jones, Gayle Lynn and the Hired Hands Cafe Du Nord. 9pm, $8.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9Pm, $10.

George Duke Yoshi’s SF. 8pm, $32; 10pm, $24.

Lee Vilenski Rite Spot. 9pm, free.

FOLK/WORLD/COUNTRY

Alex Pinto Trio Red Poppy Art House. 8pm, $8.

Queer Cumbia Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8pm, $3-$7. Musica tropical, cumbia, merengue.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern. 9pm, free.

Hella Tight Amnesia. 10pm, $5.

Sebastien Drums, Justin Milla Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

"Save KUSF Benefit" Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 9pm, $5. With KUSF in Exile DJs Zoe, Stoo Odom, Brian Springer.

SATURDAY 19

ROCK/BLUES/HIP-HOP

Chris A., Jeff V., Lee Huff Johnny Foley’s Dueling Pianos. 9pm, free.

Bay Area Heat Johnny Foley’s. 9pm, free.

Buttercream Gang, Youth of the Beast, Apopka, Darkroom Thee Parkside. 9pm, $7.

Hammond Organ Soul Blues Party Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Kowloon Walled City Hemlock Tavern. 9:30pm, $7.

Femi Kuti and the Positive Force Fillmore. 9pm, $35.

London Souls, Major Powers and the Lo-Fi Symphony, Wake Up Lucid Bottom of the Hill. 9:30pm, $12.

Maria Muldaur Biscuits and Blues. 8 and 10pm, $20.

Mustache Harbor Slim’s. 9pm, $20.

Paperplanes Riptide Tavern. 9:30pm, free.

Pinback, Judgement Day Bimbo’s. 9pm, $25.

Trails and Ways, Tremor Low, My Satellite Cafe Du Nord. 9pm, $10.

Turtle Rising Thee Parkside. 3pm, free.

Wayne Wonder, Joshua, Selecta Dans-One, DJ Rob Roots Brick and Mortar Music Hall. 9pm, $20-$25.

Yo La Tengo Amoeba Music, 1855 Haight, SF; www.amoeba.com. 3pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

George Duke Yoshi’s SF. 8 and 10pm, $32.

Project Pimento Rite Spot. 9pm, free.

FOLK/WORLD/COUNTRY

Steph Macpherson Brainwash Cafe. 8pm.

Razteria a.k.a Renee Asteria Neck of the Woods. 9pm, $10-$15.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bootie SF: SF vs LA vs NYC DNA Lounge. 9pm, $10-$15. With Mykill, Faroff, Billy Jam, and more.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Oakland Faders dance party Rickshaw Stop. 9pm, $5.

OK Hole Amnesia. 9pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Scotty Boy Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, Phengren Oswald.

Smiths Party Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, $5. Sounds of the Smiths, Morrissey, the Cure, and New Order.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 20

ROCK/BLUES/HIP-HOP

Beso Negro, Sage, Steakhouse Cafe Du Nord. 8:30pm, $10.

Down, Warbeast Regency Ballroom. 8pm, $25.

Easway, King Pin, Ellie Cope Slim’s. 8pm, $15.

Giggle Party, Bella Novela, Spider Heart Bottom of the Hill. 9pm, $8.

Hammond Organ Blues Party with Lavay Smith and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Lawton Trio Johnny Foley’s. 9pm, free.

Harvey Mandel and the Snake Crew Biscuits and Blues. 7 and 9pm, $20.

Mike Giant and DJ Dougernaut Hemlock Tavern. 10pm, free.

JAZZ/NEW MUSIC

Collaboration feat. Dee Lucas, Joel Del Rosario, Sure Will Yoshi’s SF. 8pm, $32; 10pm, $24.

Linda Kosut, Benn Bacot Bliss Bar, 4026 24 St. SF; www.blissbarsf.com. 7pm, $22.

FOLK/WORLD/COUNTRY

Brazil and Beyond with Sandy Cressman Trio Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

Paula Frazer, Rusty Miller, New Family Band Rite Spot. 9pm, free.

Hillbilly Swing with B Stars Amnesia. 9pm, $7.

Twang Sunday Thee Parkside. 4pm, free. With Nobody From Nashville.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free. With Chef Josie and DJ Motion Potion.

Dub Mission Elbo Room. 9pm, $8-$11. With Nickodemus, Spy from Cairo, DJ Sep.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 21

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

White Cloud, Tears Club, Spectre, Grill Cloth Elbo Room. 9pm, $5.

Quicksand, Title Fight Regency Ballroom. 8pm, $28.

JAZZ/NEW MUSIC

Craig and Meredith Rite Spot. 8:30pm, free.

Mike Olmos Jazz Biscuits and Blues. 7:30pm, $12.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. With Decay, Joe Radion, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 22

ROCK/BLUES/HIP-HOP

Dubious Ranger, Sunrunners, Grahame Lesh, Midnight Snackers Elbo Room. 9pm, $8.

Fat Tuesday Band Biscuits and Blues. 8 and 10pm, $15.

God Module, Mordacious, Flesh Industry DNA Lounge. 9pm, $12.

Hot Fog, Buffalo Tooth, Wild Eyes, DJ D’Sasster Riptide Tavern. 9:30pm, $6.

Li Xi, Former Friends of Young Americans, Ash Reiter Amnesia. 9pm, $7.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Muriel Anderson with Tierra Negra Yoshi’s SF. 8pm, $20.

FOLK/WORLD/COUNTRY

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8:30pm, $5.

DANCE CLUBS

KPT F8, 1192 Folsom, SF; www.feightsf.com. 9pm, $5.

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

Sacred space

Jesse Hawthorne Ficks
-
5
Sacred space

emilysavage@sfbg.com

MUSIC There will be no bad seats at the new SFJazz Center in Hayes Valley; or at least, that’s the goal.

The brand new jazz venue in the heart of town, a three-story, glass-encased structure with a circular concrete stadium bowl of an auditorium, educational components, rehearsal spaces, a cafe run by the Slanted Door’s Charles Phan, and multiple bars opens Mon/21. It’s a $63 million, 35,000-square-foot addition to Performing Arts Row, near Van Ness-adjacent locations such as the Davies Symphony Hall, and the War Memorial Opera House. It’s the birth of a nonprofit jazz institution.

In the auditorium, 700 seats encircle and hover above a central stage — chairs behind the stage, up in the balcony, and practically up in the artists’ faces on the ground level. Because the room so surrounds the stage, there’s a direct sight line for every instrument being played, every hand grasping a horn, tickling keys, or plucking strings. There are platforms that can accordion and retract, making that enviable space near the stage open up into a temporary dance floor.

And all the seats have cup-holders. We’re a long way from the smoke-filled, underground jazz clubs of the past.

 

EXCITING AS ALL HELL

And from those seats in the Robert N. Miner auditorium, patrons will see an impressive first season of SF Jazz at its new home. Fans already have high expectations, given SF Jazz’s 30 years of hosting concerts and festivals at other venues like the Paramount in Oakland, and smaller clubs like Amnesia. Now with its own multi-use facility, the nonprofit has taken eclectic routes with its programming and contributions.

“This first season, when you look at some of the things we’re doing here, it’s just exciting as all hell,” says founder and executive artistic director Randall Kline, barely able to contain that excitement, clad in a hardhat and reflective vest on the first level of the still-under-construction building. “[These events] fully take advantage of what we can do with the theater — something we couldn’t do when we didn’t have our own place.”

For starters, there’s a sold-out opening night celebration Jan. 23, hosted by Bill Cosby, along with a grand opening week of shows spotlighting McCoy Tyner, the SFJazz Collective, and more, followed by a week of big band with the Realistic Orchestra (Jan. 31), and swing with Lavay Smith and Her Red Hot Skillet Lickets (Feb. 3).

In March, virtuoso Indian percussionist Zakir Hussain will perform four nights, and in April there will be a Weimar Germany themed weekend with Ute Lemper, Max Raabe and the Palast Orchester, and a screening of the classic Metropolis (1927), with live music by the Clubfoot Orchestra.

But even more to Kline’s point: there will be five resident artistic directors for the 2013 through ’14 season (along with Kline’s overall vision). The five — Jason Moran, Regina Carter, Bill Frisell, John Santos, and Miguel Zenon — are musicians with distinctive backgrounds and viewpoints, programming four days of thematic events.

 

ENCOMPASSING GEOGRAPHIES

For his days, Santos hand-picked colleagues and artists working and performing in the Caribbean style. He chose De Akokan, a duo made up of Cuban singer-songwriter-composer Pavel Urkiza and Puerto Rican saxophonist-composer Ricardo Pons, because “they’re phenomenal artists…and they rarely come here.” He also invited cutting edge trombonist-composer Papo Vazquez, who lives in New York but is steeped in the Afro-Puerto Rican tradition.

During a phone call a few hours before my hard-hatted venue walk-through with Kline, architect Mark Cavagnero, and Marshall Lamm, who does public relations for the center, Santos discusses his anticipation and interest in the upcoming schedule.

The Bay Area bred percussionist will also be premiering his own Filosofia Caribena II, which refers to Caribbean philosophies and traditions — those that have informed his entire body of work. “[It] blends all the experiences of Black American music with Caribbean traditions, and it goes into the whole socio-political aspect of how the music really represents resistance and the identity of a whole group of people that identify culturally, even though we don’t live in Cuba or Puerto Rico, but we certainly grew up in and maintained those traditions.”

Adding, “Jazz was born in that environment, in New Orleans, in the Caribbean community. We’re making those connections between jazz and the Caribbean roots.”

Frisell’s batch of shows, beginning April 18, will include multimedia pieces with projections and orchestras, readings of Allen Ginsber’s Kaddish, and Hunter S. Thompson’s The Kentucky Derby is Decadent and Depraved (the latter of which is rumored to be narrated by Tim Robbins).

Moran’s residency likely represents the scope of the auditorium’s versatility best: he’ll open with a solo acoustic piano night (May 2), followed by a “Fats Waller Dance Party” with Meshell Ndegeocello that utilizes the dance-floor, then break out the inspired, possibly nutty, concept of a skateboarding jazz piece. There will be an actual half-pipe on the lower level of the room — seats pushed back — with professional skateboarders riding back and forth in the curved structure to Moran’s musical accompaniment.

 

FOCAL POINT

It’ll be one of many configurations for that striking room. The specifics of the auditorium were big challenges for architect Cavagnero — the acoustics, the balance of sound (such as making sure solo piano and thundering skateboarding dips both fill the space equally), isolating street noise, creating those excellent sight lines from every angle.

“The idea of the building was to make the big concrete room the sacred space for music, the focus space,” says Cavagnero, walking up the stairs in the building’s glass-encased entryway. “That was going to be the closed, sacred space, [and] everything else would wrap around it and be as open and public as we could make it.”

To that end, the rest of the building has floor-to-ceiling glass, and the staircase has no columns supporting it, just thin titanium rods that double as the guardrail. The second floor has bars on either ends and terraces with glass doors that fully open, along with tiled murals representing the history of jazz in the city, with long-gone clubs painted throughout.

It’s clear that this building is meant to be more than a standard music venue, the goal is to be an institution.

“So, if the paradigm is: clubs are harder to run and have live music, well, if we could have the same kind of vibrant music in an institution that supported that kind of thing, to build up a community of people that cared about that kind of thing — which is the gamble I guess we’re making here in this building — we can build it for the jazz community,” says Kline. “[The goal is to have] a great place to hang out and hear live music, where new artists can grow and premiere, and be nurtured.”

And it is hard to run live jazz venues in the city. Nearing the end of 2012, the owners of Oakland’s Yoshi’s filed for involuntary bankruptcy to put its San Francisco location in Chapter 11 if it couldn’t meet an agreement with its partners, the Rrazz Room switched venues under a cloud of controversy stemming from an allegedly racist former manager of its then-location, and Savanna Jazz had to fight off foreclosure.

“We have not seen an increased interest for the art form [recently] primarily because the economy is down significantly and the arts are usually the first to suffer,” says Savanna Jazz co-owner Pascal Bokar.

Because of this, I ask Bokar if other jazz club owners in the city see the center as a contentious new rival. He categorically denies that assertion.

“Jazz is an art form and it has no competition, every club and club owner adds to the fabric of our community and SFJazz is the big brother. I know how hard it is to promote jazz and [Kline] has been working at it for several decades,” he says. “He deserves tremendous credit for bringing this to San Francisco. SFJazz is a very powerful organization and I think that there is an opportunity for [it] to partner with the smaller venues like Savanna Jazz. The smaller venues are the incubators of local talent and I think that they would benefit from a closer relationship, which in turn would solidify community commitment.”

It may be the older sibling to smaller clubs, but given the economy, and the tough climate for all music venues in San Francisco really, the SF Jazz Center does also feel like a gamble itself. But to extend and belabor the metaphor, Kline’s got a good hand.

Santos describes the center to me as a “bold experiment.”

“The amount of money that it has taken to build that place and keep the doors open is phenomenal, and in a lot of ways, it’s a step out into the darkness,” he says. “But I see the potential of it as just limitless. It can be such an incredible thing, if the community supports it. That’s what I’m hoping will happen.”

 

NATIONAL ART FORM

Santos points out that the jazz center is unique in its fans and patrons differing from the typical performing arts donor, and will have specific obstacles because of that.

“In a way, it’s abstract, when you think of it like, OK, there it is, next door to the symphony hall, to the ballet, to the opera, within one block of those institutions. It’s wonderful to have jazz there, and standing toe-to-toe with those institutions, and getting the respect it deserves. Getting public support from the city and the country and the state, as it should be, because jazz is our national art form. The symphony and the ballet and the opera are not.”

“The difficult part is that the opera and the symphony and the ballet have traditional well-heeled audiences of supporters. Jazz does not. Jazz is grassroots; it’s working class. The audience for jazz and the community from where jazz comes out of is not a deep-pocket kind of community. And that’s where the challenge lies.”

If anyone can face that, it’s Kline. It’s part of his whole bootstrapping essence, how he’s kept SFJazz up, running, and prominent for the better part of three decades. From its humble beginnings as the three-day Jazz in the City festival, promoted solely by Kline, to the Summerfest, the SFJazz High School All-Stars group, the monthly Hotplate series, and finally, the SFJazz Center.

Leaning against the guardrail on the second floor of the building, gazing out through the wall of glass to the greater Hayes Valley neighborhood, Kline smiles as he talks of the city’s history with jazz, his own life mirroring it for quite some time. “I’ve been here since 1976, and I’ve seen a lot of patterns in the scene; it ebbs and flows, the economy changes. This building is a reflection of the sociology; we’re trying to be relevant, so we’ve chosen a different model, we’ve chosen institution.”

It’s one of a few times that will come up in my conversations with those involved with the center.

“Could we apply that older model for culture to a younger, vibrant art form that’s relevant to the city?” he asks, rhetorically. “That’s the aim here, to try something that’s of our time.”

Jazz hands: Some SFJazz season highlights

 

MCCOY TYNER

A rare old school jazz legend in the center’s inaugural season — stunning and dapper pianist Tyner will “consecrate” the space by performing with the SFJazz house band.

Jan. 24, 7:30pm, $50–$150

 

MONTCLAIR WOMEN’S BIG BAND

Swing is still huge in SF, and this celebration of the classic big band sound pairs the 17-member Montclair Women with the 20-member Realistic Orchestra (who’ve big-banded Bjork) for a wall of swingin’ sound. The SFJazz High School All-Stars Orchestra opens.

Jan. 31, 7:30pm, $25

 

AFRO-CUBAN ALL STARS

Oh heck yes.

Feb. 22-24, 7:30pm, $25–$65

 

MARIZA

The gorgeous longing of Portuguese fado washes over the Bay in the form of the wonderfully voiced Mariza, a spellbinding star whose repertoire spotlights acoustic melancholy melodies from Brazil, Cape Verde, North Africa, and beyond.

Mar. 14-17, 7:30pm, $25–$65

 

“JOHN SANTOS: FILOSOFÍA CARIBEÑA II”

Beloved Bay Area bandleader and jazz evangelist digs deep in his knowledge of Cuban, Latin, and indigenous Caribbean styles to deliver a heady trip through ancient Iberian influences and contemporary island expressions.

Mar. 23, 7:30pm, $25–$65

 

METROPOLIS

San Francisco’s Club Foot Orchestra performs its renowned futuristic soundtrack to Fritz Lang’s silent sci-fi masterpiece.

Apr. 14, 7:30pm, $20–$40

 

“ALLEN GINSBERG’S KADDISH” AND “HUNTER S. THOMPSON’S THE KENTUCKY DERBY“

Überhip guitarist Bill Frissell, an SFJazz resident artistic director, applies his downtown cool pedigree to two überhip literary iconoclasts. He’ll be conducting an ace team of musicians for multimedia presentations of Ginsberg’s epic poem of mourning and Thompson’s notorious, uproarious 1970 article about the grand horse race. With visual design by Ralph Steadman for both programs, classic counterculture will be out in force.

Ginsberg: Apr. 18, 7pm and 9:30pm, $35–$80

Thompson: Apr. 20, 7:30pm and Apr. 21, 4pm and 7pm, $35–$80

 

BANDWAGON AND LIVE SKATEBOARDING

“Jazz wild card” and MacArthur Genius pianist Jason Moran gets contemporary with new trio Bandwagon, performing a rolicking set as a who’s-who of SF skateboarders shows off the flexibility of the new center.

May 4, 7:30pm, $20–$40

 

Actual pain

-
0
Actual pain

emilysavage@sfbg.com

TOFU AND WHISKEY Ah, the tormented love song. Chelsea Wolfe does it well. Vocally, she transfixes, sometimes sounding like she’s calmly wringing every ounce of blood from a relationship totem, at other points whispering cries of help from a enveloping darkness, the vibrations of the plucked-hard guitar strings reverberating in the distance. This rush of gloom and pain, in a genre she’s past described as “doom folk,” came forth in a fierce package in 2011’s electric Apokalypsis, and steadily zigzags beautifully through 2012’s meandering Unknown Rooms: A Collection of Acoustic Songs.

This weekend, the LA-via-Sacramento singer-guitarist comes to SF with a fellow dark folk spirit, King Dude (Fri/11, 9pm, $15. Great American Music Hall, 859 O’Farrell, SF. www.slimspresents.com). The two once recorded a split seven-inch together, and have played a few shows here and there, but this will be their first full tour together, which surprises King Dude, as tells me via phone from his homebase in Seattle, because they’re longtime pals who “got on like a house on fire” when they first met.

They’re both on the spectrum of a bubbling rebirth of neofolk and gothic Americana roots, inspired by acts like Death in June, and seen elsewhere in musicians like Emily Jane White and Father John Misty, but really driven recently by Wolfe and Dude, in unique ways.

Though King Dude — a.k.a Seattle’s T.J. Cowgill of black metal bands Teen Cthulhu and Book of Black Earth, and clothing label Actual Pain — also has some experience with tortured love songs. His baritone vocals often sound as if there’s a gravelly demon inside, clawing to get out. The lyrics of his 2012 release, Burning Daylight, tend to reflect inner, unearthly struggles, the occult, fears of death, and tragic old world tales. Or as he told another publication, he’s inspired by “death, religion, love, Lucifer, nature, primal feelings.” Most of the tracks have fully imagined narratives.

There’s the song “Barbara Anne” in which he growls, “I’ll shoot that man in the head if he hurts you, Barbara Anne” and “I’ll run away with you if you’ll have me, Barbara Anne.” It’s the tale of small-town love, set in 1940s, around two characters — a boy and the girl he wants, who’s been wronged by the town. “I think it’s probably the best love song I’ve ever written,” Cowgill says. “The kid is like: ‘I’ll kill everybody in the town for you, if that’s alright with you.’ That’s the most loving thing I think anybody can say for somebody else.”

In his reality, his allegiances lie with his musician wife, Emily, and their seven-year-old black lab, Pagan, the latter of which is currently at the vet getting checked before King Dude heads out on tour with Wolfe, just to make sure everything is OK.

For the complete King Dude interview, see sfbg.com/noise.

 

UNCHAINED MELODIES

There have been countless articles dissecting every shot of Quentin Tarantino’s newest revenge fantasy, Django Unchained. From “the Django moment” (when white people laugh) to Kerry Washington’s costume designer’s secrets to “Why Django Had to Be a Spaghetti Western,” bloggers and squawkers have been raising important, sometimes frivolous theories about the controversial, often brutal film, set in an alternate version of the antebellum era of the Deep South. But what stood out to me, was the Django Unchained soundtrack; no big shocker, given the director.

The music takes over and transports immediately, with “Django (Main Theme)” by Luis Bacalov and Rocky Roberts, a powerful, full-throated song that was also the title track to the 1966 Spaghetti Western, Django. The opening credits are startling enough, setting a vividly emotional tone, but the song adds the outlining whomp, the exclamation mark. The dusty plucking and Elvis-like vibrato of “Jane-gooo” just stick in your brain. While on “Little Steven’s Underground Garage” show on Sirius Radio, Tarantino discussed his reasoning behind the music in the film. Of the theme he said, “When I came up with the idea to do Django Unchained, I knew it was imperative to open it with this song.”

The soundtrack weaves through ominous and plucky original Spaghetti Western themes, Brother Dege’s twangy stomper “Too Old To Die Young,” John Legend’s funky blacksploitation-style anthem “Who Did That To You” (which ended up on the soundtrack after Legend recorded it on cassette and mailed it to Tarantino), and pummeling hip-hop bangers, “Unchained (the Payback/Untouchable)” — a mashup of James Brown’s “The Payback” and 2Pac’s unreleased “Untouchable” — and “100 Black Coffins” by Rick Ross and Jamie Foxx.

Tarantino said on the radio show that this was the first time he’d included new music in one of his films, and it was thanks to the star and title character, Jaime Foxx, who ran into rapper Rick Ross at the BET Awards and invited him back to the set to work on a song together. The song is clearly influenced by the surroundings, with a Western whistle underneath a molasses beat and lyrics like “revenge is the sweetest.” and “I need 100 black coffins for 100 bad men/…I need 100 black bibles while we send ’em all to hell.”

There’s also the deceivingly calmer moments thanks to songs like Jim Croce’s “I Got a Name,” as Django is given his freedom, which left another lump in my throat. That track also has the needle drop and minimal fuzz of the record collector nerd Tarantino is. He’ll often use his own vinyl on the soundtracks. It’s a “whole record experience,” as he describes it. “Pops and crackles be damned.”

 

NEVER SLOWING DOWN?

It’s true, prolific garage rocker Ty Segall has yet another new band. This one’s called Fuzz, and it includes Segall on drums and vocals (just like in his pre-Ty Segall Band band, Traditional Fools!) and longtime collaborator-pal Charlie Moothart on guitar. The dudes just released new single “This Time I Got a Reason,” played Vacation last weekend, and will be a part of Noise Pop 2013: Feb. 28 at the Knockout ($8).

 

CANNIBAL OX

After a period of moody silence, underground Harlem rap duo Cannibal Ox has returned — to the stage, at least. Vast Aire and Vordul Mega announced a one-off reunion show in NY late last year, and that must have gone well, ’cause now they’re heading our way on a full tour. Also noteworthy: Aire and Mega only put out one album as Cannibal Ox, 2001 indie hit The Cold Vein, produced by El-P. Now they’re working on a 2013 followup on Iron Galaxy Records.

With Keith Masters, Double AB, Kenyattah Black, I Realz

Sun/13, 9pm, $15. Brick and Mortar Music Hall, 1710 Mission, SF. www.brickandmortarmusic.com.

Dark side of the Dude

Tony Robles
-
3

More than a year ago, in his rundown on “top substances that have influenced music,” promoter-DJ Marco De La Vega said this: “I…raid my own medicine cabinet, take a couple Vicodin, and listen to a stack of records including [Girls],Tamaryn, King Dude, Chelsea Wolfe, and Zola Jesus.”

Already a fan of the others mentioned in that paragraph, I sought out King Dude (a.k.a T.J. Cowgill) and found that I’d already known his previous work, intimately. I’d seen his black metal band Teen Cthulhu in high school, and for many years had the band’s sticker plastered on my black Nissan Maxima, later discovering his band that rose from the ashes of Teen Cthulhu: Book of Black Earth.

It was his turns as founder-creative director of his own clothing label, Actual Pain (Kanye has worn it, OK?), and solo “darkly spiritual acoustic-folk” singer-songwriter that have been the most surprising. Like previous King Dude releases, 2012’s Burning Daylight (Dais) is a desolate affair, with subtle plucking and Cowgill’s darkly raspy vocals meditating on death, murder, spirituality, and love – or as I wrote in this week’s Tofu and Whiskey print music column (Jan. 9 issue), it sounds like “a gravelly demon inside, clawing to get out.”

Yet, behind that gloomy facade, Cowgill was friendly as hell during our phone call, even in the face of adversity. While his beloved dog was going through tests at the vet, he chatted about the occult, personal influences (John Lomax, prison songs, Death in June), his musical relationship with tour-mate Chelsea Wolfe (they arrive at the Great American Music Hall this Fri/11), the differences between his many bands, and deep-seated psychological fears:

San Francisco Bay Guardian Where are you right now?

T.J. Cowgill  I’m at the vet with my dog, everything’s OK. She’s been dog aggressive a little lately, so we’re just making sure. Dogs don’t have a way to tell you when they’re sick. My dog is really nice. She’s a big black lab, and she’s usually nice but she tried to bite a dog yesterday. She’s seven, and hasn’t been to the vet in a long time, but I’m about to leave on tour, so I want to make sure she’s OK before I go.

SFBG What’s her name?

Cowgill Her name’s Pagan.

SFBG OK, so that leads into my first real question: where did you find this interest in the occult?

Cowgill It’s just how I was raised. My dad and his wife were Born Again Christians – they got saved at this church in a small town in Oregon, and that was probably when I was six or seven. Before that they were basically atheists. My mom though has always been a neo-Pagan Witch, her own breed or religion. She would teach me how to meditate, she had healing crystals. So my mother taught me that stuff sometimes out of the year, and then my dad would be telling me that it’s all devil worship. It was back and forth.

I just had to figure out why all these adults in my life were crazy. And I just had a profound interest in the history of religion in general, because of it. Where do these beliefs come from? How are people so fractured when it comes to spirituality? 

https://www.youtube.com/watch?v=BiSnI8vyxx0

SFBG Can you tell me about the process for ‘Burning Daylight?’ What was influencing you at the time you were making it?

Cowgill That record in particular, I was listening to a bunch of early field recordings, by like, John Lomax, a lot of prison songs, and a lot of early American country-blues. But it’s across the board; some of it is influenced by country stars like Roy Orbison and Johnny Cash. John Lee Hooker, a lot of his guitar playing influenced how I played guitar on that record. In all, I was just going for an early American, turn of the century vibe. An alternate score to maybe There Will Be Blood.

SFBG It does have a little bit of a darker feel to it…

Cowgill Totally, it’s really dark. I thought when I recorded like, ‘this isn’t that dark.’ But then I play it and some songs are the darkest, most depressing shit. When I was writing it, it didn’t feel like that at all. Then of course you send it off to press, to the labels, and you don’t think about it anymore, because you’re sick [of hearing it]..I record, mix, and master everything that I release, or I have so far. And so it’s like, I don’t want to hear those fucking songs for a good amount of time. It was almost three months before I listened to it again, and I was like, ‘Jesus Christ, this is the darkest fucking record.’ Who wants to sit around and listen to this?

SFBG People are drawn to the darker stuff.

Cowgill Definitely. It represents a side of every single human being. The themes were like, love causing people to murder, the need to accomplish something, preventing your own death by any means necessary. And while working on the record, I was going to this incredibly dark place. My wife noticed, everybody noticed. I would get into arguments with people, or fistfights, I got arrested, you know? I’m like, how bad am I trying to get myself into trouble to understand this, or to get this narrative correct. I’m not normally like that.

SFBG Each song does feel like its own narrative, a vignette with a scene of specific characters, like in ‘Barbara Ann,’ there’s a story of murdering for love, but is it really a love song?

Cowgill I think it’s probably the best love song I’ve ever written. Just simply because it is this character, this young kid. It’s from the perspective of this 12-year-old kid singing to another 12-year-old, this girl Barbara Anne. In my mind it takes place in a small town in the ’40s and it’s this kid who’s wildly in love but doesn’t really even know what love is.

He’s more in love than anybody has been in love before, and is willing to do anything for Barbara Anne, who’s not even a bad person but she has had some bad things happen to her in the town. So the kid is like: I’ll kill everybody in the town for you, if that’s alright with you. That’s the most loving thing I think anybody can say for somebody else.

To get into a character, if you’re trying to tell a story – and all my songs have a fairly strong narrative – it helps to give some life to the characters that you might not even talk about in the song.

SFBG How different is that from the way you’d write for your other bands like Teen Cthulhu and Book of Black Earth?

Cowgill Completely different. I have to take into consideration the feelings and religious or political stances of the people I’m in a band with. I don’t feel, in the past, that I’ve ever been able to just write whatever I wanted; there was a bit of a filter – and it’s not like they were asking me, don’t write songs about this or censoring, but I was sort of self-censoring, to not associate them with something they didn’t want to affiliate with.

SFBG Is this the first time then that you’ve really been able to write exactly how you wanted?

Cowgill Exactly. I realized early on the power of that for me, and how much I liked it. I love it. My creativity or output is much higher than it is in other bands. It’s a far more difficult process with a band. I’m in another band called CROSS with Travis [Namamura] from Teen Cthulhu and my friend Larry [Perrigo], who was in Wormwood, and that’s a collaborative band. It’ll take us months to write a single song and with King Dude, I could do a song a day.

Granted, the songs are completely fucking different. My songs are blues and folk-influenced, so the framework’s already there. In CROSS, it’s inspired a lot by Finnish black metal, so it’s a weirder process. Everybody in that band CROSS looks at it as a different band. I look at it as complete Bathory worship as a guitar player, the bass player [Perrigo] listens to Finnish Black Metal, and then [drummer Namamura] listens to hardcore and heavy metal. 

SFBG So how did you choose folk and blues as the direction for your personal project?

Cowgill It just kind of came out that way, I think. I have a strange guitar tuning I use, it’s just a little different than a normal tuning and it forces everything into a minor key, and it makes the song sound sadder, somber, with a sense of longing. When you strum an acoustic guitar with a C chord, it just sounds kind of folky.

Plus I was listening to like, a lot of British folk at the time when I started it. I listened to bands like Trees and Fairport Convention and even Krautrock too. Death in June obviously, and all the neofolk stuff was greatly influential on me.

Although, I didn’t ever really consider myself part of that scene, I just knew a little bit about. I just started discovering it around that time. Actually, I started King Dude before I heard Death in June. My friend Mary – who is a lifelong goth [laughs] –  heard the recording I did and said, ‘This sounds like Current 93 and Death in June.’ And I was like, ‘what are those bands?’ And just dived in and fell in love with both of those bands and it really influenced what I was writing.

SFBG How did you end up working with Chelsea Wolfe? This is your first tour together, but you’ve also recorded together in the past?

Cowgill We recorded a split seven-inch, we wrote two songs together and performed on each other’s material. My wife, Emily, played drums on both of the songs. And Ben Chisholm, her boyfriend who plays bass in the band, played on both songs. So it was very collaborative. That was a year and a half or two years ago. We’ve only done a couple of shows together in our lives. That’s so weird, I’ve known them for so long.

SFBG How did you first meet?

Cowgill There’s this guy Todd Pendu, Pendu Sound Recordings. He put out her early stuff. He also was a big King Dude fan. He thought I should met Chelsea and that we should do a split together. It was weird, meeting Chelsea with a pretense. It was that awkward moment when your friend is trying to set you up with someone.

I was like, I don’t know if she’s an asshole, I don’t know if she’s on heroin. I don’t know anything about her. There’s all kinds of things that would make me not want to work with someone. But as luck would have it, we got on like a house on fire. We’re similar in a lot of aesthetics and things, and Tom was right.

SFBG For the record, she’s not an asshole or a heroin addict...

Cowgill It’s really good that’s she’s not. It’s beyond just, ‘oh she’s cool.’ We’re friends. Ben wrote the intro for my last record, Love. We share music with each other before it comes out. It’s a great friendship. We’re really stoked [for the tour].

https://www.youtube.com/watch?v=bP-MBHdka90

SFBG What else do you have planned for 2013?

Cowgill I have a record called Fear. It’s a lot different than Burning Daylight. The songs are a lot more ’60s pop rock, British Invasion type of stuff. But lyrically it’s much much darker.

Burning Daylight is about death, an angry emotion, but Fear is about your deepest, darkest fears – the things that keep you awake at night; I’m exploring deep-seated psychological stuff. It’s been enlightening. The lyrics are more personal, maybe not such fictional characters. So that’s a huge step for me, I’ve never done that before. Lyrically and musically, I think it’s the best stuff I’ve written.

I’m about to tour for two months, so it’ll probably be a fall release. About a record a year is what I aim for.

SFBG And you’re still doing the Actual Pain [clothing line]?

Cowgill That’s a full-time operation as well. Luckily, [Emily] helps so much. We’re partners in the business as well as in life. And we have a couple of employees now. So it’s a little easier for me to leave and tour. For the past couple of years, it’s been too hard for me to leave for more than a week. Actual Pain is doing really well and growing a lot, and in that growth I experience a little more freedom.

King Dude
With Chelsea Wolfe
Fri/11, 9pm, $15
Great American Music Hall
859 O’Farrell, SF
www.slimspresents.com

Heads Up: 6 must-see concerts this week

Tony Robles
-
0
Heads Up: 6 must-see concerts this week

It’s likely your first full week back to work after the holidays – and just how does that feel? Painful? Like a dull, numbing pain creeping up your neck? Fix it with fun, like the kind you’ll have seeing former Das Racist, Kool A.D. at Elbo Room, doom folk friends Chelsea Wolfe and King Dude at the Great American Music Hall, or producer Jerome LOL at Rickshaw Stop, punk act Kicker at Bender’s, or club night Push the Feeling’s one-year anniversary show at Underground SF.

Cheer up, Bay Area. There’s plenty to hear in 2013.

Here are your must-see Bay Area concerts this week/end:

Kool A.D.
Fresh off that announcement that his group, Das Racist, broke up (though it technically fizzled months earlier), Kool A.D., a.k.a Victor Vazquez, seems to be reinvesting himself in Bay life. The rapper-producer grew up here, and in 2012, he reconnected with his roots: releasing a mixtape (51) recorded in Oakland, littered with Bay notables and local references. Here’s to new projects on 2013.
With Safe, Trill Team 6, Trackademicks
Wed/9,  9pm, $10
Elbo Room
647 Valencia, SF
www.elbo.com
https://www.youtube.com/watch?v=ycPbYqLDq4w

Jerome LOL
Remember when Rihanna played SNL and transformed the stage into an IRL URL with a green screen of floating GIFs and animated graphics while singing “Diamonds?” And around the same time Azealia Banks (recently involved in more controversy) released a ’90s-copping video for “Atlantis” as a seapunk mermaid priestess riding a Lisa Frank-like digital dolphin? Those aesthetics were largely reminiscent of LA’s Jerome LOL and his kind of early web archeologist-producers. Jerome has since come out as saying those takes on his flashy style were complimentary, though perhaps not the right formats, as they are void of substance and context. If you want to see the cursor starting point, you’ll make it to his show tonight. Plus, he does a chirpy club remix of “Diamonds.”
With RL Grime, popscene DJs
Thu/10, 9:30pm, $13-$15
Rickshaw Stop
155 Fell, SF
www.rickshawstop.com
https://www.youtube.com/watch?v=oCxkuoRPQJA

Chelsea Wolfe
Ah, the tormented love song. Chelsea Wolfe does it well. Vocally, she transfixes, sometimes sounding like she’s calmly wringing every ounce of blood from a relationship totem, at other points whispering cries of help from a enveloping darkness, the vibrations of the plucked-hard guitar strings reverberating in the distance. This rush of gloom and pain, in a genre she’s past described as “doom folk,” came forth in a fierce package in 2011’s electric Apokalypsis, and steadily zigzags beautifully through 2012’s meandering Unknown Rooms: A Collection of Acoustic Songs.
With King Dude
Fri/11, 9pm, $15
Great American Music Hall
859 O’Farrell, SF
www.slimspresents.com
https://www.youtube.com/watch?v=mgWb1d001FI

Push the Feeling with Yacht (DJ set)
Push the Feeling, Kevin “epicsauce” Meenan’s affordable dance night at Underground SF – which I profiled in last year’s “Post-Everything” cover story – is turning one-year-old this weekend. Over the past 12 months the Lower Haight party has seen live performances and DJ sets from the likes of Les Sins (Toro Y Moi), High Places, Shock, Blackbird Blackbird, Heathered Pearls, Silver Hands, Yalls, and Chautauqua. This time, there’s a Yacht DJ set, and a live Jeffrey Jerusalem along with resident DJs YR SKULL and epicsauce.
Fri/11, 9pm, $5-$8
Underground SF
424 Haight, SF
facebook.com/pushthefeeling
https://www.youtube.com/watch?v=vHNtMWKqMeg

Mister Lies
“Nick Zanca played in several punk bands in high school until he was introduced to electronic music and production in college. This happened about a year ago. Since then he’s caused quite the stir, catching a record deal and tour as Mister Lies. The deep, almost spiritual electronica, or “experimental avant-garde pop” as he prefers, draws inspiration from diverse artists — spanning Steve Reich to Missy Elliot.“ — Molly Champlin
With Some Ember
Fri/11, 9:30pm, $12
Bottom of the Hill
1233 17th St., SF
(415) 621-4455
www.bottomofthehill.com
http://www.youtube.com/watch?v=xc1u9X4HFAE

Kicker
Newish Bay Area band Kicker features members of Neurosis, Filth, and Dystopia, and sounds like late ’70s anarcho-punk à la Subhumans. Which makes perfect sense, really, as lead vocalist Pete the Roadie grew up in England, went to the same school as Subhumans and Organized Chaos, and has been a part of the worldwide punk scene since that formative year of ’77. Really need another reason to go to this $5 Bender’s show? OK: Bad Cop/Bad Cop — the LA rock’n’roll band with members of Cocksparrer tribute act Cunt Sparrer — opens the whole thing up.
With Pang!
Sat/12, 10pm, $5
Bender’s
800 S. Van Ness, SF
(415) 824-1800
www.bendersbar.com
http://www.youtube.com/watch?v=2MPFQE5h-lE

Music Listings

Andrew Lam
-
0

Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

Keith Crossan Blues Showcase Biscuits and Blues. 8pm, $15.

Jason Marion vs JC Rockit Johnny Foley’s Dueling Pianos. 9pm, free.

Nathan and Rachel Johnny Foley’s. 9pm, free.

Lia Rose, Danny Paul Grody, Deep Ellum Brick and Mortar Music Hall. 8pm, $7-$10.

Royal Teeth, Gentlemen Hall, Mister Loveless Rickshaw Stop. 8pm, $10-$12.

Weather Side Whiskey Band, Creak, Jessi Philips Cafe Du Nord. 9:30pm, $8.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Roy Hargrove residency Yoshi’s SF. 8pm, $26; 10pm, $16.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Cha-Ching Boom Boom Room. 8pm, $5. Salsa, cumbia, Cuban funk.

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm.

THURSDAY 3

ROCK/BLUES/HIP-HOP.

Anthony B Independent. 9pm, $25.

Ron Hacker Biscuits and Blues. 8 and 10pm, $15.

John Lawton Trio Johnny Foley’s. 9pm, free.

Daniel Krass vs Rags Tuttle Johnny Foley’s Dueling Pianos. 9pm, free.

Pops, Beggars Who Give, Posole Brick and Mortar Music Hall. 9pm, $5-$8.

JAZZ/NEW MUSIC

Roy Hargrove residency Yoshi’s SF. 8pm, $26; 10pm, $16.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Country Casanovas Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm.

Misisipi Mike and the Midnight Gamblers Amnesia. 7pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Supersonic Lookout, 3600 16th St., SF; www.lookoutsf.com. 9pm. Global beats paired with food from around the world by Tasty. Resident DJs Jaybee, B-Haul, amd Diagnosis.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 4

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 9pm, free.

Dandelion War, In Letter Form, Catharsis For Cathedral, Tracing Figures Cafe Du Nord. 8:30pm, $10-$12.

Easy Leaves, Tiny Television, Misisipi Mike Great American Music Hall. 9pm, $15.

Funkin’ Fridays with Swoop Unit Amnesia. 6pm.

Good Luck Thrift Store Outfit, Human Condition, Fox and Woman Independent. 9pm, $15.

Happy Body Slow Brain, Gavin Castleton, Case in Theory, Belmont Lights Bottom of the Hill. 9pm, $12.

Love Dimension, Free Moral Agents, Saything, Buzzmutt Brick and Mortar Music Hall. 9pm, $5-$8.

Steve Lucky and the Rhumba Buns Biscuits and Blues. 8 and 10pm, $20.

"Tip Your Hat to the Blues: West Coast Songwriter Session" Slim’s. 8pm, $15. With Ron Hacker, Steve Freund and Jan Fanucci, and more.

Violent Change, Swiftumz, Wet Spots Hemlock Tavern. 9:30pm, $7.

Greg Zema, Daniel Krass, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Roy Hargrove residency Yoshi’s SF. 8pm, $28; 10pm, $22.

FOLK/WORLD/COUNTRY

Sarah Cabrel Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 7pm, free. Live Brazilian lounge music.

Eddy Nava and Pena Pachamama Band Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 8:30pm. $15-$19.

DANCE CLUBS

All Night Long with Peter Blick Public Works. 10pm, $5.

DJ Audio1 Cellar, 685 Sutter, SF; www.cellarsf.com. 10pm, $10.

Go Bang! Stud. 9pm, free before 10pm. With Michael Serafini, Tyrel Williams, Steve Fabus, Sergio Fedasz.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Ron Reeser, Adam Cova Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Twitch DNA Lounge. 10pm, $5-$8. With Red Red Red, Excuses, DJs Justin, Omar, and more. .

Zing DNA Lounge. 9pm, $10. With Tranz Am, Frank Nitty, Krishna, Taj, and more.

SATURDAY 5

ROCK/BLUES/HIP-HOP

"Bowie and Elvis Birthday Bash" Edinburgh Castle, 950 Geary, SF; www.castlenews.com. 9pm, $5.

Fever Charm, False Priest, Rin Tin Tiger, Everyone is Dirty Bottom of the Hill. 8:30pm, $10.

French Cassettes, Coast Jumper, A Yawn Worth Yelling, Mr. Kind Brick and Mortar Music Hall. 9pm, $5-$8.

Future Twin, Pamela, Deep Teens, Standard Poodle, Skunks, Dancer Thee Parkside. 9pm, $5.

Gypsy Moonlight Band Riptide Tavern. 9:30pm, free.

Hope Chest, Astral, Tomihira Rickshaw Stop. 8pm, $10.

Jesus and the Rabbis Boom Boom Room. 8pm, $12.

Daniel Krass, Greg Zema, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Marissa Nadler Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $12-$15.

EC Scott Biscuits and Blues. 8 and 10pm, $20.

"SF Cares: Hurricane Sandy Benefit" Cafe Du Nord. 9pm, $8. With Elena Ovalle, Liz O Show, Katie Gribaldi, Gyasi Ross.

Skin Divers Johnny Foley’s. 9pm, free.

VKTMS, Meat Sluts, Scrapers Hemlock Tavern. 9:30pm, $7.

Zoo Station: Complete U2 Experience, Petty Theft Slim’s. 9pm, $15-$20.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Roy Hargrove residency Yoshi’s SF. 8pm, $28; 10pm, $22.

FOLK/WORLD/COUNTRY

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bootie SF DNA Lounge. 9pm, $10-$15. Mashups.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys .

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Haceteria Deco Lounge, 510 Larkin, SF; www.decosf.com. 9pm, free before 11pm, $3 after.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, Phengren Oswald.

Tall Sasha, Jason Kwan, Ks Thant Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

SUNDAY 6

ROCK/BLUES/HIP-HOP

John Lawton Trio Johnny Foley’s. 9pm, free.

Jugtown Pirates, Dylan Chambers and the Midnight Transit, Highway Poets Brick and Mortar Music Hall. 8pm, $5-$8.

Kally Price Old Blues and Jazz Band Amnesia. 8pm, $5.

Reel Big Fish, Pilfers, Dan Potthast Regency Ballroom. 8pm, $22.

Sad Boys, Drapetomania, Neon Piss, Kommplex Knockout. 3:30-8pm, $5.

Some Ember, Excuses, Believe Hemlock Tavern. 6pm, $6.

JAZZ/NEW MUSIC

Charles Hamilton, Eric Hunt Bliss Bar, 4026 24th St, SF; www.blissbarsf.com. 4:30pm, $10.

Roy Hargrove residency Yoshi’s SF. 7 and 9pm, $22.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free. Brazilian music with La Dee Da and Ro-Z.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free. With Chef Josie and DJ Motion Potion.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Vinnie Esparza, and Mexican Dubwiser.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 7

ROCK/BLUES/HIP-HOP

Augustana, Lauren Shera Independent. 8pm, $15.

Damir Johnny Foley’s. 9pm, free.

Guntown, Dulldrums, Treemotel, Brasil Elbo Room. 9pm, $6.

FOLK/WORLD/COUNTRY

Belle Monroe and Her Brewglass Boys Amnesia. 9pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $5. Gothic, industrial, and synthpop with Decay, Joe Radio, Melting Girl, and more.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop.

TUESDAY 8

ROCK/BLUES/HIP-HOP

Blank Tapes, Treemotel, Travis Marks Amnesia. 9pm.

Bombshell Betty and Her Burlesqueteers Elbo Room. 9pm, $10.

Daneil Castro Biscuits and Blues. 8 and 10pm, $15.

Coyote Trickster Boom Boom Room. 8pm, $5.

NslashA, Starskate, ilona Staller Bottom of the Hill. 9pm, $10.

Shape, Mountain Tamer, Midnight Snackers Hemlock Tavern. 8:30pm, $6.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Tender Buttons, Bitter Fruit, No Bone Knockout. 9:30pm, $6.

JAZZ/NEW MUSIC

Elliott Yamin Yoshi’s SF. 8pm, $22.

Gentle mosh

-
0
Gentle mosh

TOFU AND WHISKEY Vetiver and Howlin Rain have both been haunting around the Bay for the better part of a decade. Sonically split, playing tender Americana folk and 1970s-tinged psychedelic rock, respectively, the bands share a common thread of superior musicanship and drive — each releasing a landmark album in the past year or so (Howlin Rain’s The Russian Wilds and Vetiver’s The Errant Charm). The other link? Mutual admiration.

The two bands will play a series of three concerts together this weekend (Fri/28, Sat/ 29, Mon/31, 9pm, $20–$35, Cafe Du Nord, 2170 Market, SF. www.cafedunord.com). In anticipation of those, we did a sort of round-robin of interviews. I asked the musicians — Vetiver band leader and chief songwriter Andy Cabic and Howlin Rain’s Ethan Miller — a few general questions, then they took their conversation adrift, discussing literary influences, favorite Bay Area bands, and “the softest mosh pit in history.” Here are some hearty pieces of the conversation. There’ll be more up on SFBG.com/Noise.

SFBG What compelled you to create music in San Francisco, initially? What keeps you here?

AC I was playing music before I moved here and just gradually found folks to play with here in SF. Bands like Thinking Fellers Union and Caroliner were an initial inspiration. I’ve been here a while and have an apartment with reasonable rent, so that along with the weather, food, community and landscape of the city keeps me here.

EM Initially I moved up from that haunted little paradise that is Santa Cruz to be with my band at the time, Comets On Fire. The rest of the guys had all started migrating to the city and I was finishing up school there, I knew I needed to be with the band and San Francisco had a real buzz of excitement and electricity in the air for us at that time, we were moving toward a dark magic both in the atmosphere of San Francisco and the creative work that was ahead of us.

I actually live in Oakland. I love it here. I stay for my bands, the culture, access to the art museums, the food, the music, the airports, the architecture, the weather, the outlying and incorporated nature, the people, my friends, the work opportunities — I could go on and on, I really don’t have any incentive to leave. After 10 years of living in the metropolitan Bay Area I think my romance with these cities and all they have to offer is stronger than ever and my engagement with their mythologies is increasing daily.

AC [Ethan,]I know you are a voracious reader, and someone who is a fan of epic and oftentimes challenging works of fiction, like Valis, Gravity’s Rainbow, and War and Peace. What is the attraction to committing to a lengthy or monumental work, and how does this impact your songwriting?

EM I started to get into some pretty dark head places when we were making the last record The Russian Wilds. As it dragged into year three, I realized I really needed some highly focused activities outside of music in my life to dismantle stress/anger/exasperation/despair etc. I began jogging religiously to beat these emotions out of my body on the pavement and I took on some heavy books to beat them out of my mind. Moby Dick and War and Peace were the two big ones that began to clear the mental air for me.

Even though we’d finished the album and life moved on to a different kind of pace and substance, I loved the challenge and grandiosity of those works and continued on with the epics. I read Gravity’s Rainbow this year while on the road near the end of our tour cycle and loved it. It is a work that has taunted, haunted, and eluded me for years and now I can say it’s one of my all time favorites; it just took some relatively hard work and time to begin to engage properly with it. It is a true and singular masterpiece but it plays by a different set of rules than most of us are used to dealing with in literature.

AC Can you talk a little bit about your relationship with Tim Green and his role in the recording process of ‘The Russian Wilds’?

EM Tim worked for months and months, perhaps dedicated half his year to The Russian Wilds. I can’t say enough about his focus and enthusiasm for the making of that album. Tim and I have been working together on records for 13 years now and we have a pretty telepathic level of communication at this point. I always learn from him, a true professional and an incredible mix of artist and scientist and a great friend. The songs that you hear on that album were chosen and shaped by Rick in their basic forms but the sounds and the “album” that you hear is Tim Green. That’s his blood, sweat, and tears along with ours.

EM Stylistically, perhaps the thing Vetiver is most famous for is your “hushed”/”understated” delivery. Your singing, phrasing, and various levels of serene projection really are the mechanism that delivers Vetiver’s artistic manifesto. When you first began to sing, was what we now know as your style already there by intention or default? Was there a conscious decision to build that style?

AC I think I’ve always sung in a soft way. I had a band in college where I tried yelling and shouting and in that context it worked alright, but never quite clicked for me. I was usually hoarse by the end of those songs. I have a predilection for jangly, poppy sounds and melodic singing, and having never been trained or really taught how to sing correctly, I don’t sing with a very strong voice.

Getting an acoustic guitar and learning to fingerpick allowed me to bring the volume of the performance in line with my voice, and helped me develop a songwriting style that felt easier and more natural.

EM I’m keen to know what kind of literary influences move your musical mind…favorite books or authors that you go back to for musical inspiration year after year? Do you often cross-pollinate influences for songwriting inspiration? Cinema, poetry, visual art?

AC I worked for some years as a buyer for a used bookstore (Aardvark Books on Church at Market…the best!), and though it was one of my favorite jobs, it kind of ruined my ability to stick to one book at a time, hence my reading taste is a bit divided. I read a lot of non-fiction, history, and biographies.

As far as fiction goes, I’m a fan of authors who imbue their writing with their own personal voice. Charles Portis, Robert Walser, Eric Ambler, Paul (and Jane) Bowles, Donald Barthelme and Gertrude Stein are a few of my favorite authors. I’m inspired by economy of language and simplicity, when a lot is communicated with just a few well-chosen words. Conviction of conception is important to me. Bold ideas executed with modesty. The artwork and lived life of Wallace Berman and Marcel Duchamp is a big inspiration for me as well.

EM When we were backstage at a show a while back you told me about a mosh pit that broke out at a Vetiver gig last year. You or someone in the conversation described it as one of the softest mosh pits in history…

AC This was earlier this year, at Pitzer College, during their Kohoutek Festival. It was a blow-out for the students at the end of their term, and we were asked to play last, which is unusual as Vetiver’s sound isn’t exactly of a climactic nature, let’s say. Kids were definitely tripping balls and the prior electronic pop acts had raised the bar to where everyone was ready to go.

A significant portion of the people up front were mesmerized by the dancer twirling her LED hula hoop. That kind of thing. And basically when we began, some folks started pushing around and trying to make it more than it probably was. Some loose student with large pupils got on stage and strained inanities into the microphone between songs, and we were told after a few tunes that the police had arrived and asked to turn ourselves down. We’re probably the only band that has no problem turning down.

EM There are great rolling layers of ambience beneath the more attention grabbing pop and rock elements of ‘The Errant Charm.’ It’s almost as if another dimension has slipped into the world we know and casts a dream state on the listener. A subtle overthrow of pop consciousness. What is that ambient world? Is it of a Machiavellian nature? And why or how is it there flowing effortlessly and breeze-like in and out of a more familiar pop world?

AC This ambient world is a reflective space for me. The Errant Charm may have more of this as the album began with myself and Thom Monahan building layers of keyboards and effects as a substrate for the tunes. I love catchy melodies as well as slow moving ambiences and tried to create opportunities for both to coexist.

AC What’s your favorite underrated Bay Area band of all time and why?

EM Man, this is a tough one between Icky Boyfriends and Monoshock. Probably Icky Boyfriends. Their reunion gig at the Hemlock this year was really something else. I’ve been super into the Public Nuisance record that just got reissued, but they are a lost group from Sacramento and that may be a little too far out from the Bay. Still worth checking out!

 

Emily Savage’s Top 10 Albums and Shows of 2012

Tony Robles
-
37

For our annual Year in Music issue, I asked local musicians, rappers, producers, and music writers to sound off on the year’s best songs, album releases, shows – pretty much anything they wanted, music-wise. For the next few days, I’ll be posting them up individually on the Noise blog. You can also check the full list here.

So, I (Emily Savage, Guardian music editor) included my top albums list in my Ty Segall cover story (also a part of the Year in Music issue). For easier access, here’s that list below, along with my “Top Live Shows That Created The Most Post Memories in 2012” list. Whew, what a year:

Emily Savage, Guardian

New Albums I Listened to Endlessly in 2012
1. Grass Widow, Internal Logic (HLR)
2. Cloud Nothings, Attack on Memory (Carpark)
https://www.youtube.com/watch?v=6X1URP5eg6I
3. Ty Segall, Slaughterhouse (In the Red)
4. Dum Dum Girls, End of Daze EP (Sub Pop)
https://www.youtube.com/watch?v=q3f9ZiH6Euw
5. Frankie Rose, Interstellar (Slumberland)
6. Godspeed You! Black Emperor, Alleluja! Don’t Bend! Ascend! (Constellation)
https://www.youtube.com/watch?v=IEsdiiYkhT8
7. The Fresh and Onlys, Long Slow Dance (Mexican Summer)
8. THEESatisfaction, awE naturalE (Sub Pop)
https://www.youtube.com/watch?v=qGWFBt_IPOg
9. Terry Malts, Killing Time (Slumberland)
10. Guantanamo Baywatch, Chest Crawl (Dirtnap Records)

 

Live Shows that Created the Most Posi Memories in 2012
1. Feb. 14: Black Cobra, Walken, Yob at New Parish
https://www.youtube.com/watch?v=33TPqjurEsE
2. Feb. 23: Budos Band and Allah-Lahs at the Independent
3. March 30: Hot Snakes at Bottom of the Hill
https://www.youtube.com/watch?v=VOj3sW6Tm38
4. April 10: Jeff Mangum at the Fox Theater
5. July 21: Fresh and Onlys and La Sera at Phono Del Sol Music Fest
6. July 28: Total Trash BBQ Weekend at the Continental Club
7. Aug. 11: Metallica at Outside Lands
https://www.youtube.com/watch?v=hjfpBPItgoM
8. Aug. 31: Eyehategod at Oakland Metro
9. Oct. 9: Saint Vitus at the Independent
10. Oct. 27: Coachwhips and Traditional Fools at Verdi Club
 

Music Listings

Andrew Lam
-
0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 19

ROCK/BLUES/HIP-HOP

Greg Adams East Bay Soul: Sweet Soul Christmas Yoshi’s SF. 8pm, $25.

Another Funky Reggae Party Milk Bar. 9pm, $5. With Creation, Ceasar Myles, Dreaded Truth.

Black Rebel Motorcycle Club Slim’s. 7pm, $31.

Burnt Ones, Violent Change, Cumstain, Cheap Bliss Brick and Mortar Music Hall. 9pm, $7.

Chronic Town Make-Out Room. 7:30pm, $5.

Fuzz (with Ty Segall) Hemlock Tavern. 8:30pm, $7.

Gunshy Johnny Foley’s. 9pm, free.

Charlie Hunter and Scott Amendola Duo Independent. 8pm, $20.

Keith Crossan Blues Showcase with Mark Karan Biscuits and Blues. 8pm, $15.

Psychic Ills, Wymond Miles, 3 Leafs Bottom of the Hill. 9pm, $12.

Jill Tracey DNA Lounge. 9pm, $10.

Rags Tuttle vs Papi Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Gennaro’s Wax Trio 144 King Art Cafe, SF; www.144kingcafe.com. 6-9pm, $10.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Justin Ancheta Pena Pachamama, 1630 Powell, SF; www.pachammacenter.org. 8pm.

"Timba Dance Party" Bissap Baobab, 3372 19th, SF; www.bissapbaobab.com. 10pm, $5. With DJ Walt Diggz.

DANCE CLUBS

Aisle 45 Elbo Room. 9pm, $5. With DJs Sureshot, Romanowski, Mauby, DJ Mauricio Aviles.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 20

ROCK/BLUES/HIP-HOP.

"A Very Castle Face Christmas: Benefit for the Coalition on Homelessness" Chapel, 777 Valencia, SF; www.thechapelsf.com. 8:30pm, $15. With Thee Oh Sees, Mallard, Blasted Canyons, Warm Soda.

Blank Tapes, Electric Shepherd, Black Oscillators, Down Dirty Shake, DJ Neil Martinson Brick and Mortar Music Hall. 9pm, $7-$10.

Capital Cities, Jerffrey Jerusalem, popscene DJs Rickshaw Stop. 9:30pm, $15-$17.

Chrystian Rawk, Rin Tin Tiger Amnesia. 9pm.

Dredg, Judgement Day, Strange Vine Great American Music Hall. 8pm, $20.

Girls in Suede, Of Shape and Sound, Coast Humper, Wes Leslie Leafs Bottom of the Hill. 8:30pm, $10.

John Lawton Trio Johnny Foley’s. 9pm, free.

King City, Aloha Screwdriver, Business End Thee Parkside. 9pm, $5.

Lenny Lashley’s Gang of One, Tater Famine Knockout. 10pm, $8.

Laurie Morvan Band Biscuits and Blues. 8 and 10pm, $15.

"Nat Keefe Concert Carnival" Independent. 8pm, $20-$35. With Allie Krall, Reed Mathis, Sharon Gilchrist, and more.

Papi vs Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Powder, Rain Parade, Bang Cafe Du Nord. 8pm, $7.

Space Waves, Venus Beltran, In Letter Form Hemlock Tavern. 8:30pm, $6.

This Can’t End Well, Victoria and the Vaudevillians, Vagabondage DNA Lounge. 9pm, $8.

JAZZ/NEW MUSIC

David Lanz: Solo Holiday Show Yoshi’s SF. 8pm, $25.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Eddy Ramirez Savanna Jazz. 7:30pm, $5.

SF Jazz Hotplate Series Amnesia. 9pm.

FOLK/WORLD/COUNTRY

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Holiday Special Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

Ital, Loric, Hawa Public Works Loft. 10pm, $12. Presented by Future|Perfect.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 21

ROCK/BLUES/HIP-HOP

"A Very Bowie Glampocalypse" Cafe Du Nord. 9:30pm, $12-$15. With First Church of the Sacred Silversexual, Straight-Ups, Coo Coo Birds, and more.

"Beatrock Music Anniversary" Brick and Mortar Music Hall. 9pm, $9-$12. With Bambu, Prometheus Brown, Rocky Rivera, Otayo Dubb, Power Struggle, Bwan, DJ Roza, DJ Tanner.

Fishbone Inner Mission SF, 2050 Bryant, SF; www.fishbone.net. 8pm, $20-$25.

Karen Lovely Biscuits and Blues. 8pm, $20.

Maysa Yoshi’s SF. 8pm, $35; 10pm, $27.

Mother Hips, Jackpot Great American Music Hall. 9pm, $23.

Murder City Devils, Mallard Slim’s. 9pm, $22.

Music Box: Tribute to Genesis Regency Ballroom. 9pm, $45-$55.

Sambada Independent. 9pm, $15.

Scissors For Lefty, Solwave, Trims, DJ Taylor Fife Bottom of the Hill. 9:30pm, $10.

Sole Johnny Foley’s. 9pm, free.

Nathan Temby, Papi, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

"The End" DNA Lounge. 10pm, $25. With Zion I, Mochipet, Stephan Jacobs, CandyLand, Robotic Pirate Monkey, Sound Remedy, and more.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Benn Bacot Savanna Jazz. 7:30pm, $8.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.


FOLK/WORLD/COUNTRY

Queer Cumbia Bissap Baobab, 3372 19th, SF; www.bissapbaobab.com. 8pm, $3-$7.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern. 9pm, free.

Hella Tight Amnesia. 10pm, $5.

Joe Lookout, 3600 16th St,SF; www.lookoutsf.com. 9pm. Eight rotating DJs.

Ken Loi, Elephant Guns Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

120 Minutes: End of the World Party Elbo Room. 10pm, $8. With NGUZUNGUZU, oOoOO, Boychild, resident DJs S4NtA MU3rTE, Chauncey CC.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

SATURDAY 22

ROCK/BLUES/HIP-HOP

Bayonics Brick and Mortar Music Hall. 9pm, $7-$10.

Cafe R&B Biscuits and Blues. 8 and 10pm, $20.

"California Holiday Show" Elbo Room. 9pm, $10. With Z-Man, Eddie K, Grand Invincible, Oh Blimey, Marshall Payne, Deuce Eclipes and Caipo of Bang Data, and more.

Churches, Tijuana Panthers, Toshio Hirano Bottom of the Hill. 9pm, $12.

Cut Loose Band Johnny Foley’s. 9pm, free.

Bootsy Collins and the Funky Unity Band, Motion Potion Independent. 9pm, $49.50.

Dark Hollow Riptide Tavern. 9:30pm, free.

High on Fire, Goatwhore, Lo-Pan Slim’s. 9pm, $21.

Lost Dog Found Inner Mission, 2050 Bryant, SF; www.lostdogfound.com. 9pm, $15.

Maysa Yoshi’s SF. 8pm and 10pm, $35.

Mother Hips Great American Music Hall. 9pm, $23.

Music Box: Tribute to Genesis Regency Ballroom. 9pm, $45-$55.

Papi, Jason Marion, Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Rule in Exile, James Conner Thee Parkside. 3pm, free.

Vagabond Lover’s Club with Slim Jenkins, 29th Street Swingtet Cafe, burlesque with Szandora LaVey, Roxy Reve, Bunny Pistol Cafe Du Nord. 9pm, $12-$15.

Yassou Benedict Hemlock Tavern. 9:30pm, $6.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Savanna Jazz Group Savanna Jazz. 7:30pm, $8.

FOLK/WORLD/COUNTRY

Savanna Blue, Get Off My Lawn Plough and Stars. 9pm.

"Noel Soley" Bissap Baobab, 3372 19th, SF; www.bissapbaobab.com. 7-9pm, free. Afoutayi Dance Music and Company, live Haitian drum and dance performances.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bootie SF: Post-Apocalypse Party DNA Lounge. 9pm, $10-$15. With A Plus D, midnight mashup show, Keith Kraft, and more.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Public Works Holiday Bash Public Works. 9pm, $12. With Juan Maclean (DJ set), No Regular Play, and more.

Scooter and Lavelle, Chris Clouse Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Temptation vs Fringe Cat Club. 9:30pm, $5-$8. Video dance party, bad sweater edition.

SUNDAY 23

ROCK/BLUES/HIP-HOP

"Battle of the Bands" DNA Lounge. 5:30pm, $12. With Miles of Machines, Refuge, Oceans and Odysseys, and more.

Tia Carroll Biscuits and Blues. 7 and 9pm, $15.

John Lawton Trio Johnny Foley’s. 9pm, free.

Dave Koz and Friends, David Benoit, Sheila E., Javier Colon, Margo Rey Warfield. 8pm, $39.50-$125.50.

Mermen Christmas Show Slim’s. 8pm, $15.

Moonfox, Prize, Mammoth Life, Liz O Show, DK Christian Joun Brick and Mortar Music Hall. 8pm, $5-$8.

Naive Melodies Boom Boom Room. 8pm, $5.

Papi vs Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Campilongo Quartet Yoshi’s SF. 7pm, $20.

Jazz Jam with Savanna Jazz Band Savanna Jazz. 7pm, $5.

Sophisticated Ladies, Bluebelles Red Poppy Art House. 7pm, $5.

FOLK/WORLD/COUNTRY

Heel Draggers Amnesia. 8pm, $5-$10.

Twang Sunday Thee Parkside. 4pm, free. With Hoboagogo.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. With DJs Sep, Maneesh the Twister, guest DJ Deevice.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 24

ROCK/BLUES/HIP-HOP

Clairdee’s Christmas: Soulful Sounds of the SeasonYoshi’s SF. 8pm, $20.

Damir Johnny Foley’s. 9pm, free.

FOLK/WORLD/COUNTRY

Oakland Interfaith Gospel Ensemble Slim’s. 7 and 9:30pm, $15.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $5. Goth/industrial with Decay, Melting Room, Daniel Skellington, Sage, and Lexor.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 25

ROCK/BLUES/HIP-HOP

Craig Horton Band Biscuits and Blues. 7 and 9pm, $15.

"Black X-Mass" Elbo Room. 9:30pm, $10. With Metro Mictlan, Death Medicine Band, Skozey Fetisch, Amphibious Gestures, Theremin Wizard Barney.

Major Power and the Lo-Fi Symphony Amnesia. 9pm.

DANCE CLUBS

Death Guild X-Mess Night DNA Lounge. 9pm, $5.

Balkan brass blowup

-
0
Balkan brass blowup

emilysavage@sfbg.com

Tofu and Whiskey If you’re going to book a Balkan-influenced band, don’t expect the crowd to stay put. The Bay Area’s Inspector Gadje, an offshoot of the Brass Liberation Orchestra, usually packs in around 15 players, including 12 on horns and three percussionists. When the raucous group came marching through the wilderness (read: Golden Gate Park) during Outside Lands, it filled in crevices between trees, and created an instant party atmosphere between the main stages. Those fast-walking through the thoroughfare of Choco Lands stopped in their tracks, surrounded the group, and started dancing, against everyone’s better judgment. It all happened in the blink of a dirt-lodged eye.

“A lot of Balkan music has a great ‘party’ feel to it…even when the music includes moments or textures that might have a darker feel, the music is played with an undeniable exuberance,” says Oakland’s David Murray. “The rhythms of the Balkans; Greece, Macedonia, Serbia, Bulgaria, etc., include many unusual time signatures that are compelling and especially attractive to musicians.”

Murray, a graphic designer by trade, is one of those musicians — he’s been playing bouzouki in Greek Rebetika band Disciples of Markos since 2004, and also plays fiddle in the Squirrelly Stringband, which is the house band for the North Oakland square dance (a “monthly underground hillbilly dance party,” as he describes it). As a combination of his art and music backgrounds, he also produces and designs albums for the Dust-to-Digital record label, which specializes in reissuing obscure folk and world music.

His newest project, however, is all about the music of the Balkans. He began the Berkeley Balkan Bacchanal (berkeleybalkanbacchanal.com) music series at Berkeley’s Starry Plough in October 2011. He got the idea after meeting like-minded acts in the Bay Area, with affinities for Southeastern European styles of music. In the past year or so, the monthly Balkan showcase has seen performances by Murray’s band, along with Inspector Gadje, Zoyres, Veretski Pass, Janam, Gadjitos, and a dozen or so more.

The last Berkeley Balkan Bacchanal of 2012 takes place this week, with Fanfare Zambaleta, “Middle Eastern marching band” MWE, and Helm, a group that specializes in Turkish classical and pop music (Thu/20, 8pm. Starry Plough, 3101 Shattuck, Berk. www.starryploughpub.com). Murray says MWE, which includes three or four horns and the wailing Turkish reed (zurna), is known to play in the middle of the dancefloor with the crowd dancing around them. See? Instant party music.

I asked Murray if it’s been challenging to track down acts for this series, as it has such specific influences but he shut that down quick: “No, it hasn’t been difficult at all. There are a lot of great bands around here that fit into the theme of our series. At one point there were no less than three Balkan brass bands in town…And because we don’t mind pushing the boundaries of the Balkans to include neighboring influences, we’ve been able to feature bands that play Algerian music, Persian, and more.”

He added in some historical links, for good measure: “The Bay Area has a very vibrant Balkan music scene, which has some interesting origins in the 1960s, with bands like Kaleidoscope. The early California Renaissance Fairs provided an early outlet for many Balkan musicians, and music camps, such as Lark Camp in Mendocino, have been inspiring and teaching musicians for generations.”

As a novice listener, I’ve (admittedly) grown interested in Balkan sounds via more mainstream bands that have remote influences from the regions, acts like Balkan Beat Box and early Beirut, which typically blend sounds and instruments from a variety of places with pop and folk influences; but also thanks to Gogol Bordello and, more recently, Inspector Gadje, which is more purely influenced by the Balkan style.

“I tend to avoid bands that are actively ‘fusion,’ it doesn’t interest me much, especially bands that combine many styles,” Murray says. “It seems, to me, to usually dilute the very thing that makes the music interesting to begin with. But I’m sure there’s a wide range of opinions on this subject among the various bands and audience members.”

He says he’s more interested in bands that dig deep into the music they play, understanding the history and playing it in an authentic style. He brings up local bands such as Veretski Pass, which plays klezmer with accordion, fiddle, and bass, but also has studied the Jewish music of the Carpathian mountains, noting that the band will be back to the Starry Plough Jan. 17 for an all-klezmer night with the Gonifs.

But Murray points out that this doesn’t mean the acts of the Berkeley Balkan Bacchanal are rigid. “…that’s not to say that these bands are stuffy academics or that they don’t play with styles to some degree. On the contrary, most of the players are young and bring the music to life in a vibrant way that gets heads bobbing and feet dancing.”

“A great example is the Mano Cherga band, which played in September, and sounds like a Serbian party band you’d hear at a drunken wedding bash.”

Bring on the brass and vodka.

 

A VERY CASTLE FACE CHRISTMAS

There are a number of reasons why A Very Castle Face Christmas is an obvious choice. There’s performances by Thee Oh Sees, Blasted Canyons, Warm Soda, and recent GOLDIES winner the Mallard. Plus, it’s a benefit for the Coalition on Homelessness in SF, a very worthy cause. There’s also the added bonus of the venue itself. I just this week finally made it to a show at newish Mission venue the Chapel, and it was, frankly, charming — from the dark-wood high beam arched ceiling, to the multiple bars (three), to the band-watching angles (you can see from the main room, the balcony, and the soon-to-be-restaurant, plus there are flatscreens linked to cameras fixed on the stage). Win-win-win. Thu/20, 8:30pm, $15. Chapel, 777 Valencia, SF; www.thechapelsf.com.

 

HIGH ON FIRE

Following front person Matt Pike’s treatment for alcohol addiction, Oakland’s beloved stoner metal act High on Fire is back. Well, technically, the band has been back for about a month, touring the country on most recent release De Vermis Mysteriis. But this will be it’s first big show back in the Bay, where it belongs. With Goatwhore, Lo-Pan. Sat/22, 9pm, $21. Slim’s, 333 11th St., SF. www.slimspresents.com.

CHURCHES

Remember this summer, when distortion-loving East Bay act CHURCHES was Kickstarting a record written for the pro-marriage equality cause? The band — led by Caleb Nichols of Port O’Brien and Grand Lake, Pat Spurgeon of Rogue Wave, and Dominic East — exceeded its goal, and that seven-inch (LOVELIFE) will see release at Bottom of the Hill this week. The trio also released a music video in conjunction with the record: interspersed with the band playing is a classic family portrait set-up with scenes of smiling families, and CHURCHES with their friends and loved ones, including Nichol’s fiance, Grand Lake drummer John Pomeroy. With Tijuana Panthers, Toshio Hirano. Sat/22, 9pm, $12. Bottom of the Hill, 1233 17th St., SF; www.bottomofthehill.com

Tycho’s Top Bay Area and Bay Area-Affiliated Acts

Tony Robles
-
2

For our annual Year in Music issue, I asked local musicians, rappers, producers, and music writers to sound off on the year’s best songs, album releases, shows – pretty much anything they wanted, music-wise. For the next few days, I’ll be posting them up individually on the Noise blog. You can also check the full list here.

Tycho deals in vivid imagery. From blustery waves and bleached sands below orange sunsets to retro film cells, the graphic designer-producer blends sight and sound in mesmerizing live shows – two of which he’ll perform next month at the Independent (Jan. 18 and 19). This year, he gained fans touring the world thanks to shows built on 2011’s Dive (Ghostly International). This winter, he began work on a followup record.

I picked him as a one of 12 Bay Area acts On the Rise in a special issue at the start of 2012, so I asked him back as the year came to a close:

Tycho, aka Scott Hansen
Favorite Bay Area and Bay Area-Affiliated Music Acts

1. Toro Y Moi
http://www.youtube.com/watch?v=O0_ardwzTrA
2. Christopher Willits
3. Blackbird Blackbird
http://www.youtube.com/watch?v=EyHG_CPOqnw
4. Jessica Pratt
5. Sam Flax
https://www.youtube.com/watch?v=q7NhHbREvoI
6. Ty Segall
7. Yalls
https://www.youtube.com/watch?v=VOpnOgaomOk
8. Doombird
9. Little Foxes
10. Dusty Brown

And here’s a video from Tycho’s Dive:
http://www.youtube.com/watch?v=m94Dhu8gUDw

1...678...22Page 7 of 22

48hills.org is the official publication of the non-profit San Francisco Progressive Media Center.
Contact us: info@48hills.org