SF

Leave the occupiers alone

Andrew Lam
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EDITORIAL With all of the police raids and arguments over messages and demands and tactics, it’s easy to forget that the Occupy Wall Street movement has a clear political point — and it’s right.

The movement is about the devastating and unsustainable direction of the American economy, about the fact that a tiny elite controls much of the nation’s wealth, that virtually all of the income growth over the past 20 years has gone to the very top, about the collapse of the middle class and the rise of economic inequality that would have been unthinkable a generation ago. Those are the central issues facing the United States, the state of California and the cities of San Francisco and Oakland today — and instead of trying to crack down on the protests, city officials ought to be endorsing the occupy movement and talking about cracking down on the financial institutions and the wealthy.

A few things worth noting:

1. The protesters are almost entirely nonviolent. Although there have been a few isolated incidents in Oakland and SF, the overwhelming majority of the thousands of people at Justin Herman Plaza and Frank Ogawa Plaza are actively promoting and insisting on nonviolence. This is not a crowd that is a threat to anyone.

2. There’s a precedent for long-term political protest camps in San Francisco. The AIDS Vigil remained at U.N. Plaza — with tents, tarps, and cooking gear — for ten years, from 1985 to 1995.

3. The city of San Francisco’s citations — reported without question in the daily newspapers — about health and sanitation problems are way overblown. The OccupySF protesters are making extraordinary efforts to keep the place clean. When the city failed to live up to its promise to provide portable toilets, the protesters ordered (and paid for) their own. As state Sen. Leland Yee (not known as a crazy radical) noted after a visit Oct. 26: “While hundreds gathered, there was not one incident of violence. If the interim mayor thinks there are health issues, I certainly didn’t see them.” We visited Oct 31, and the place was clean and peaceful.

4. The cat-and-mouse game with the San Francisco police is the equivalent of psychological warfare; protesters have to be on edge at all times for fear of a crackdown that may or may not come.

5. Mayor Jean Quan made a bad mistake sending in the cops to roust Occupy Oakland. Nothing good at all can come of any further police eviction action.

Frankly, we don’t see why the protesters — who are well-behaved, represent no threat to anyone, and are doing a huge civic and national service by bringing attention to an issue that the powers that be in Washington, Sacramento and (sadly) San Francisco have largely ignored — can’t stay where they are. If there are health issues, let the Department of Public Health work with the occupiers. If there’s a problem with a portable kitchen, let the Fire Department show the protesters how to run it safely and legally (there are portable cooking devices at every street fair, in dozens of food trucks and in probably 100 other places around town).

The people at OccupySF and Occupy Oakland have done an amazing job of building a safe, respectful and inclusive community. They are the political heros of 2011. If there’s anyplace in America where the movement ought to be allowed to grow and thrive, it’s here in the Bay Area.

Alerts

Andrew Lam
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alert@sfbg.com

 

WEDNESDAY 2

Occupy Oakland General Strike

In response to last week’s police crackdown, Occupy Oakland called for a general strike on Nov. 2, urging workers and students to shut the city down and join the movement. Convene with neighbors, community members .and affinity groups to take part at a moment when “the whole world is watching Oakland.” Banks and corporations that don’t close will be marched on. The Strike Coordinating Council will begin meeting every Wednesday at 5pm in Oscar Grant Plaza before the daily General Assembly at 7pm. All participants are welcome.

All Day, free

Oscar Grant Plaza

14th & Broadway, Oakland

www.occupyoakland.org

 

THURSDAY 3

Transgender Film Festival

This year at the 10th Annual Transgender Film Festival, watch the captivating collection on defiance, bullying, romance, relationships, sex, and so much more. International filmmakers journeyed from across the globe. Be sure to buy your tickets before they sell out, which it is expected to.

8-10 p.m., $12-15

CounterPULSE

1310 Mission, SF

Contact Eric Garcia: intern@freshmeatproductions.org

www.sftff.org

 

FRIDAY 4

Sacred Sites Peacewalk

The Berkeley Fellowship of Unitarian Universalists Social Justice Committee will provide overnight shelter space for participants in Sacred Sites Peacewalk for a Nuclear Free World. All are welcome for a potluck dinner, speak out and discussion featuring a Buddhist teacher and peace activist. The walk began Oct. 22 at Diablo Canyon and ends Nov. 6 at Glen Cove, Vallejo.

6-9 p.m.

Berkeley Fellowship of Unitarian Universalists’ Hall

1924 Cedar, Berkeley

(510) 841-4824

www.bfuu.org

 

SATURDAY 5

Occupy Wells Fargo

The marginalized in the 99 percent are fed up with austerity, especially these 67 Suenos, a collective of undocumented youth and allies that refuse to be passive about violence in the Bay Area community. Stand in solidarity against banks who aggressively invest and profit off anti-immigrant laws like Arizona’s AB 1070. Come and join in planning preparations.

10 am- 1 p.m., free

Contact: 67suenos@gmail

Oscar Grant Plaza/Downtown Wells Fargo 1 block away

14th St. and Broadway, Oakl.

 

Marxism Conference

From Athens to Cairo to San Francisco, capitalism has proven its instability and people are fighting back. With the Occupy Wall Street phenomenon, it’s the perfect time to further understand the Marxist philosophy on exploitation and how the working class can liberate the oppressed. Featured speakers include Alan Maass, editor of Social Worker newspaper and Keeanga Yamahtta Taylor, editorial board member of International Socialist Review.

10 am- 6 p.m., free

UC Berkeley

Rooms 220 Wheeler and 126 Barrows

Telegraph and Bancroft, Berk

iso@norcalsocialism.org

www.norcalsocialism.org

 

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Localized Appreesh: The Sandwitches

Tony Robles
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Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. Each week a band/music-maker with a show, album release, or general good news is highlighted and spotlit. To be considered, contact emilysavage@sfbg.com.

The Sandwitches are all about high highs and low lows. The vocals of Heidi Alexander and Grace Cooper (both former back-up singers for Fresh & Onlys) defy the bounds of San Francisco garage, piping up from low and fuzzed out to high-pitched and near theatrical. The music strays similiarly from convention, with an underlying garage-pop root that sometimes hits close to country-folk, other times lends itself more toward dewy trophy love song/doo-wap. It’s a sound that takes a minute to digest – and that’s a good thing.

You can check it out for yourself. The trio’s upcoming seven-inch single The Pearl is streaming now, here. And then you can go see it live. The Sandwitches will fill the opening slot of a pretty righteous show this week at the Fillmore, with headliners/Australian indie poppers Architecture in Helsinki and lo-fi American rockers DOM.

You may protest, “but that’s not how you spell sandwiches!” Yes, spelling wizards, it’s a play on words. Sand-witches. Witches of bread. Meaning sourdough with warts, or something less gross. Spooky PB&J? Bubbling cauldrons of BLT? Or as you’ll see below, the name simply came from “a process of elimination.”  It’s also way easier to Google.

Year and location of origin: 2009, Frisco, baby.
Band name origin: A process of elimination
Band motto: “More feeling”
Description of sound in 10 words or less: dingy, pingy, bumpy, pumpy, lumpy, brash, sophisticated, and smooth.
Instrumentation: Mexican telecaster, Mexican stratocaster, drum set
Most recent release: The Pearl/Benny’s Memory Palace 7″, Hardly Art
Best part about life as a Bay Area band:  The buds [ed note — double entendre?]
Worst part about life as a Bay Area band: The fog?
First record/cassette tape/or CD ever purchased:  Queen Greatest Hits I & II, Blue Beatles hits collection on tape.
Most recent record/cassette tape/CD/or Mp3 purchased/borrowed from the Web: Jackie Gleason, Music for Lover’s Only.
Favorite local eatery and dish: Chevys and fried chicken.

Sandwitches
With Architecture in Helsinki and DOM
Thurs/3, 8 p.m., $20-$29
Fillmore
1805 Geary, SF
(415) 346-6000
www.livenation.com

Guardian editorial: Leave the occupiers alone!

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As the world watches, San Francisco and Oakland should set the standard by supporting  Occupy San Francisco and Occupy Oakland and supporting  their goals and peaceful tactics.  B3

 With all of the police raids and arguments over messages and demands and tactics, it’s easy to forget that the Occupy Wall Street movement has a clear political point — and it’s right.

The movement is about the devastating and unsustainable direction of the American economy, about the fact that a tiny elite controls much of the nation’s wealth, that virtually all of the income growth over the past 20 years has gone to the very top, about the collapse of the middle class and the rise of economic inequality that would have been unthinkable a generation ago. Those are the central issues facing the United States, the state of California and the cities of San Francisco and Oakland today — and instead of trying to crack down on the protests, city officials ought to be endorsing the occupy movement and talking about cracking down on the financial institutions and the wealthy.

A few things worth noting:

1. The protesters are almost entirely nonviolent. Although there have been a few isolated incidents in Oakland and SF, the overwhelming majority of the thousands of people at Justin Herman Plaza and Frank Ogawa Plaza are actively promoting and insisting on nonviolence. This is not a crowd that is a threat to anyone.

2. There’s a precedent for long-term political protest camps in San Francisco. The AIDS Vigil remained at U.N. Plaza — with tents, tarps, and cooking gear — for ten years, from 1985 to 1995.

3. The city of San Francisco’s citations — reported without question in the daily newspapers — about health and sanitation problems are way overblown. The OccupySF protesters are making extraordinary efforts to keep the place clean. When the city failed to live up to its promise to provide portable toilets, the protesters ordered (and paid for) their own. As state Sen. Leland Yee (not known as a crazy radical) noted after a visit Oct. 26: “While hundreds gathered, there was not one incident of violence. If the interim mayor thinks there are health issues, I certainly didn’t see them.” We visited Oct 31, and the place was clean and peaceful.

4. The cat-and-mouse game with the San Francisco police is the equivalent of psychological warfare; protesters have to be on edge at all times for fear of a crackdown that may or may not come.

5. Mayor Jean Quan made a bad mistake sending in the cops to roust Occupy Oakland. Nothing good at all can come of any further police eviction action.

Frankly, we don’t see why the protesters — who are well-behaved, represent no threat to anyone, and are doing a huge civic and national service by bringing attention to an issue that the powers that be in Washington, Sacramento and (sadly) San Francisco have largely ignored — can’t stay where they are. If there are health issues, let the Department of Public Health work with the occupiers. If there’s a problem with a portable kitchen, let the Fire Department show the protesters how to run it safely and legally (there are portable cooking devices at every street fair, in dozens of food trucks and in probably 100 other places around town).

The people at OccupySF and Occupy Oakland have done an amazing job of building a safe, respectful and inclusive community. They are the political heroes of 2011. If there’s anyplace in America where the movement ought to be allowed to grow and thrive, it’s here in the Bay Area.

 

Superviors and labor leaders challenge Lee’s OccupySF stance

Sasha Cuttler
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Superviors and labor leaders challenge Lee’s OccupySF stance

Mayor Ed Lee has put the city and its police force on a collision course with not only OccupySF, but also several members of the Board of Supervisors and top labor leaders who support the movement and want the city to allow its encampment to continue.

They spoke at a special hearing of the City Operations and Neighborhood Services Committee that was convened by Chair John Avalos this morning, supporting a resolution that Avalos created to allow OccupySF to have tents and other infrastructure that Lee opposes. The resolution – which is co-sponsored by Sups. Eric Mar, David Campos, and Jane Kim – was approved by the committee and is set to be considered by the full Board of Supervisors tomorrow (Tues/1).

“It is something I am wholeheartedly supporting because it is an expression of great frustration and concern about the economic system,” Avalos said. “We need to speak with a greater voice about changing our economic system so it works for the many and not just the few,” Avalos said, explaining why he is “wholeheartedly supporting” the OccupySF movement.

But Avalos said he’s been frustrated that Lee and the police have raided the camp twice and are threatening more, something that Avalos has been trying to mediate since the first raid on Oct. 5. He also said the city should learn from Oakland that using the police force to stop the movement only makes it stronger.

“If we were to try to stop it from happening, it would just encourage more people to take part in it,” he said, noting that more midnight raids are dangerous for both police and protesters. “We have to figure out as a city how we’re going to facilitate, encourage, and accommodate this movement.”

But instead, Avalos said Lee’s stand against allowing tents or an kind of encampment, while claiming to support the message OccupySF, has created a tense standoff. “I’ve seen very mixed messages come out of this administration,” Avalos said, adding that nobody believes police statements that the massing of SFPD cops in riot gear on Oct. 26 was only a training exercise.

Mar said OccupySF deserves tremendous credit for holding the space and being responsive to the health and safety concerns raised by city officials. “I’ve seen a transformation in the movement in the last three weeks that is truly impressive,” Mar said. “I’ve also seen, during the General Assemblies, an incredible exercise in democracy.”

He also disputed accusations that the camps are dirty and that the movement is unfocused. “Don’t believe the hype from the mainstream media but look at the messages coming out of this movement,” said Mar, who was wearing a “We are the 99 percent” sticker.

“We should allow OccupySF to do what they’re doing,” Campos said. “It’s good for San Francisco.”

Campos also called out Lee and Oakland Mayor Jean Quan for ordering violent raids on the peaceful encampment, disputing the idea that “somehow it’s okay for us to spend the limited resources we have on these kinds of police actions…I hope we don’t have Mayors Quan and Lee wasting resources that could be better spent elsewhere.”

During the public comment portion of the hearing, each of the more than two dozen speakers supported the resolution.

“What this resolution does is it calls on the other supervisors and the mayor to decide how they want to deal with OccupySF,” said Gus Feldman of SEIU Local 1021.

Representatives of several labor unions and the San Francisco Labor Council that have voted to endorse OccupySF spoke at the hearing, include Ken Tray with United Educators of San Francisco, who gave a rousing speech in support of the movement.

“The times have changed and the political landscape has shifted,” Tray said, ticking off a long list of reasons for supporting the movement, from San Francisco’s long tradition of advocating for progressive change to the fact that “the schoolchildren of San Francisco are being denied resources because the 1 percent refuse to pay their fair share.”

Frank Martin del Campo of the SF Labor Council displayed the bruises on his arm inflicted by police during the raid on the Occupy Oakland, saying “this was an attempt to criminalize dissent…It represents the politicization of the police.”

Labor Council Executive Director Tim Paulson said, “I just want to be clear that we are the 99 percent….We want Occupy San Francisco to be there 24/7.” He and others say the Occupy movement is highlighting deep economic inequities that the labor movement has long been raising as well. “OccupySF has called the question on really important issues we’ve been struggling with for years,” said Gabriel Haaland of SEIU Local 1021

“Here is a peaceful protest being answered with violence,” said Pilar Schiavo of California Nurses Association, which has been supporting the occupations. This is an important political struggle, she said, and “It’s time for the mayor to decide what side he’s on.”

Many speakers focused their criticism on Lee, such as Brad Newsham, who said, “Any official who would send in the riot police to deal with this camp does not deserve to be mayor of San Francisco.” He said the city should set an example for the country by formally allowing the encampment to continue, and he turned to the young protesters in the room and said, “Hold your ground and we’ll try to get your back.”

Sean Semans, an active member of OccupySF since the beginning, thanked Avalos and the other progressive supervisors for “saving us when nobody would,” and he expressed frustration with the Mayor’s Office.

“The mayor still doesn’t recognize us, he won’t come down and see the work we’re doing,” Semans said. “We can do all kinds of work when we’re not fighting to protect our First Amendment rights.”

He was part of an OccupySF delegation that met with Lee last week, and Semans said the mayor offered to help get the protesters rooms in SRO hotels or meals from local soup kitchens, showing that he has a fundamental misunderstanding about what this occupation is about.

As Semans said, “It shows what we’re dealing with here.”

The Hangover: Oct.23-28

Andrew Lam
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0

Fever dreams and wardrobe malfunctions: all about Halloween Weekend 2011 (and it’s still not over!)

**It’s a little nerve-wracking going out in costume for a show when it’s not  quite yet Halloween. What if no one else dresses up and it’s a scene out of  Legally Blonde? Luckily the bands at Brick and Mortar (Zulus, Uzi Rash, Apache, Nobunny, Ty Segall)  were slated to perform costumed covers, so I figured it would be safe. (Plus, I  spent enough money making the damn thing to ensure I’d be living with my dad for an additional month — so I was gonna milk it.) Still, when I got inside the venue, I scouted to find some other outfits among black  clothes and leather. A guy was wearing a 1994 USA Olympic Dream Team  windbreaker (“Carl Mullen” he told me, pointing to one of the figures  with a basketball) and a still priced-tagged Batman cap, so I assume that he was the first of many Tyler the Creators, despite his refusal. Another guy was dressed as Middle Aged Business Man Who Has Too Much To Drink, Tries To Mosh Too Early, And Is Never Seen Again, but this was easily topped by the best costume of the night: Totally Trashed Crazy Girl (Ryan Prendiville)

**If you were in the back of the Prospector in Long Beach, Calif. on Saturday night, you likely saw my glowing light saber sharking through moshing bodies up front for the Shitfits, a Misfits cover band (actually, the members of now-defunct math rock act the Valley Arena) that comes together just once a year at this special time. The musicians, who are now spread out across the U.S. in San Francisco, New York City, and Long Beach, have been dressing up as the Shitfits for the past six or so Halloweens, though they claimed this perhaps could be their last. My saber disappeared sooner than I’d hoped, when an angry, long-haired, ratfink tried to start some shit in the pit. This is Halloween, man, we’re here to celebrate ghoulish punk, not incite brocious pummeling. No matter, the sweaty set tore it up, kicking off with “Where Eagles Dare” and ending bittersweetly with “Last Caress. (Emily Savage) 

** South by Southwest favorites White Denim helped draw a sizable crowd in support of Manchester Orchestra to the Regency Ballroom on the Friday before Halloween. The Austin, Texas locals did not, however, save for a few ripping solos and a lap around the stage that coincided with some lyrics about running (I think), perform memorably for the sparsely costumed audience. White Denim played jammy, hip indie rock with, albeit, some interesting twists and breakdowns, and certainly with no lack of musicianship, but the set failed to deliver any standout moments. Instead, it seemed to fade into a background noise of other, similar bands with able musicians at the helm playing decent rock’n’roll to the Coachella generation. (Cooper Berkmoyer)

**There were art shags aplenty (and some lovely folks haven’t shown their faces on the nightlife scene in a while) at the tongue-through-cheek orgiastic spectacle that was Thursday’s “Ann Magnuson plays David Bowie and Jobriath, or, the Rock Star as Witch Doctor, Myth Maker, and Ritual Sacrifice” at the SF MoMA’s Halloween installment of its nighttime Now Playing series. While the live show featuring the beloved New York performance artist and Bongwater singer — backed by a fantastic four-piece live band — wasn’t quite as long as its title, it did covera whole lot of ground. Practically David Bowie’s entire career catalog got a glance, refracted through a bloody Mayan-type ritual enactment, with piñata even. But that was just the first bit. Jobriath, revered gay glam rock cult star who burnt out early and later died of AIDS, was resurrected and his tunes reverently trotted out by the always mesmerizing Ann. But in the end it was Beelzebub, the half-naked gogo “acolyte” dancing onstage throughout the entire show, who won. Imagine a wide-eyed Eyeore on ecstacy and you’re halfway there. (Marke B.)

**Santa Cruz did what it does best this weekend: dress up like crazies. Also: Peewee Herman! And motorcycle riders. And a Goldigger (why is that still a costume?). They had to, so that the surfers could be distracted from the fact that the Santa Cruz Coldwater Classic hit a weekend of sub-par waves in front of the town’s lighthouse. Not disappointing at all: the grin on eventual winner, Brazilian Miguel Pupo. Or the fish taco truck. No lines! (Caitlin Donohue)

**The season was in full effect Friday night at Kimo’s, with three costumed bands and quite a few creatively-attired audience members, including a dead-on Jack White. (It seemed all of Polk Street was in the Halloween spirit, for that matter, though the girls dressed as “slutty Teenage Mutant Ninja Turtles” really should’ve known better.) Anyway, rockers Heavy Action — with ghostly back-up dancer — took the stage first with a raft of 70s covers (including “Boris the Spider,” complete with a prop spider), followed by punk-band-with-songs-about-Van-Damme-movies Dalton (all members were dressed as Wayne’s World characters). Headliners Street Justice moonlighted as “Sesame Street Justice” for the night. Turns out that in addition to teaching children about friendship, Bert and Ernie are also capable of throwing down big time. Who knew?(Cheryl Eddy)

**Trannyshack Halloween: A Party was OK on Saturday. Most of the drag numbers were recycled and a little tired, although a neatly choreographed dance number by several of our finest Asian zombie queens, the Rice Rockettes, to “Heads Will Roll” was cuuute. Hostesses Peaches Christ and Heklina seemed to be in a bad mood — and when secret guest costume contest judge Tommy Lee failed to show up, their wrath exploded. Playing his apology voicemail over the PA (he claimed he had “a show tomorrow so really need my rest … rock on, ladies!”) they could barely conceal their disappointment. And usually ace retro DJ Omar seemed a bit on autopilot — although Oingo Boingo’s “Dead Man’s Party” sounds great right now, and Mary J. Blige’s first album is really making a comeback through a wide variety of DJs. Some of the costumes were dope and we still danced to the wee hours. (Marke B.)

 

Live Shots: Soulwax at the Independent

Tony Robles
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Whether more or less true in other places, the crowds at shows in the Bay Area can be disappointingly savvy regarding encores. They know that if the band says goodnight and leaves the stage, the show is only possibly over. Or if recorded music comes over the speakers, the show is likely over. And (of course everyone knows) that when the house lights come on, the show is definitely over. It’s a convention that the bands and audience both understand, but robs everyone of some fun. Which was why it was wonderfully surprising that the majority of the people at the Independent Thursday night stuck around clapping, shouting, and making noise ’till it hurt in an attempt to get Soulwax to come back out on stage.

Didn’t happen. The staff of the club kept cranking the volume of the music louder, finally getting on the mic to announce that it was really over, everyone actually had to leave. Anyone that wants more will need to check out the Live 105 Subsonic Halloween Ball at the Regency Ballroom tonight, where the Dawaele brothers will be headlining as one of their many other aliases/projects, 2manydjs. Which may be confusing for anyone outside of Belgium, the UK, or Soulwax’s extremely dedicated fan base.

Essentially, what the folks at the show on Thursday (many of whom seemed to have traveled to be there and may have paid hefty sum to the scalpers outside) got was Soulwax, the four-part electronic rock band, which is a bit of an oddity in that its last conventional album was 2004’s Any Minute Now. Nonetheless it’s continued to tour and perform the earlier material, reworking and tightening it up. Which basically means that as a group, Soulwax has its act down: matching suits, tons of strobes to go with them, and the music, a no-nonsense succession of synthed out, percussive tracks that go from brooding to funky to electro without ever stopping. (Maybe part of the reason that people wanted an encore so bad – shortly after a screaming sing-along rendition of “NY Excuse” – was that without the breaks the ending just snuck up on them.) When I say they don’t stop, I mean it; for a band, Soulwax transitions seamlessly, with the skill of great DJs.

Which the Dawaele brothers are, primarily under that other name: 2manydjs. That’s been their focus the last couple of years, culminating in the creation of Radio Soulwax, an ongoing collection of 24-hour long theme mixes available online, accompanied by some pretty crafty visuals created from the sampled album covers. (I’ve found listening to it to be a great way to power through the work day, assuming 5 Hour Energy, coffee, or cocaine doesn’t work for you.) As Soulwax, the band put on a hell of a show–supported by Goose, a group that understands everyone can switch from keyboards to guitars as much as they want, provided that the drummer kicks hard and lays down some tommy gun fills–but 2manydjs may be able to top it. According to an avowed fan I talked to last night (the kind that has the white label vinyl and wears black glasses without lenses–hopefully as an early Halloween costume,) 2manydjs is the “real deal.” Somehow, as an encore, it might be the rare case where the DJ set is better than the band.

Live 105’s 3rd Annual Subsonic Halloween Ball
With 2manydjs, Fake Blood, Bag Raiders, Classixx, Tenderlions, Aaron Axelson, and more
Mon/31, 5:45 p.m., $25-$90
Regency Ballroom
1300 Van Ness, SF
(800) 745-3000
www.theregencyballroom.com

Dick Meister: Respect for car wash workers

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RESPECT FOR CAR WASH WORKERS – AT LAST

By Dick Meister

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.

Few workers are more poorly treated and generally ignored than those swift moving and hard-working employees of the country’s many thousands of car washing facilities. But finally, there’s genuine hope that the carwash workers will win much better conditions.

Workers at a major Southern California carwash have won what could very well be just the first of many union contracts in California and elsewhere that will guarantee them decent treatment. The workers are significantly strengthened by their membership in a local of the powerful United Steelworkers union.

Their initial contract, with a major Southern California carwash, is what could be only the first of many union contracts in California and elsewhere that will promise carwash workers decent treatment.

As they had in winning the contract, it’s certain they’ll have strong backing from a coalition of the Steelworkers, AFL-CIO and hundreds of community and faith organizations that began a unionizing drive three years ago.

The contract terms are modest, but they’re an important, badly needed start toward correcting the carwash workers’ truly deplorable conditions. As one Steelworkers official said, they generally are treated “like workers in a third-world country.”

Most carwash workers are immigrants, many undocumented. A successful organizing drive among them undoubtedly would lead to stepped-up organizing drives among the nation’s millions of other immigrant workers, particularly janitors, nursing home aides and security guards.

The AFL-CIO noted that the car wash workers generally “are without the power to fight back against the horrible conditions in which they work.” The New York Times reported that “they are to scared to speak out or give their bosses any excuse to fire them.”

A veteran car washer, Oliverio Gomez, said bosses at the now unionized firm “didn’t treat us like people. What I hope is that future generations who come to work here aren’t treated as badly as we were – that they’re no longer humiliated, but respected.”

Car washers often work 10-hour days, six days a week, often for as little as less than half the legal minimum wage, often for as little as $30 to $40 a day. Some work before, after or even during their scheduled shifts strictly for tips. Many aren’t paid for the time they spend waiting for customers to drive in.

The work is dangerous. As the AFL-CIO reported, employers commonly violate health and safety laws, exposing workers to “a variety of toxic chemicals without adequate protective gear and frequently work for extended periods under the sun without rest or shade.”

An investigation by the Los Angeles Times estimated that two-thirds of the car washing facilities that have been investigated by California’s Labor Department over the past eight years were violating one or more laws. That included underpaying workers, hiring child labor, going without workers compensation insurance and denying workers meal breaks.

Meanwhile, the employers were doing well. Their profits in Los Angeles, for instance, were averaging $1 million a year.

The monetary terms of the car washers’ two-year union contract include a modest raise of only about 2 percent, and cover only 30 workers. But whatever the terms, they are an important foundation for better terms in later contracts covering far more workers at other car washing firms.

There are other terms in the contract, however, that are more important than pay raises. The contract guarantees badly needed health and safety protections, prohibits employers from disciplining or firing workers without just cause, including firing those who complain openly about unsafe conditions. And it sets up a formal procedure for settling grievances and a procedure to settle disputes by arbitration.

Although it shouldn’t be necessary, but certainly is, the contract requires employers to follow the labor laws that many have been openly violating. Among other things, that will require breaks for workers and paying them for time spent awaiting customers rather than just for their time working.

Above all, as car wash worker Olivereo Gomez declared, the union contract means “we finally get respect as workers.”

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.

Gear up: Trevor Traynor’s lowrider captures cruise into the Mission

Andrew Lam
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Photographer Trevor Traynor is moved by lowriders. And he says he’s not the only one.

“Lowriders move people,” he wrote to the Guardian in an email interview. “Literally and figuratively. When you’re cruising people smile, wave, they take pictures. The cars connect people of all walks of life and the clubs enjoy it as well. It keeps people productive with a strong passion in cars.”

You can tap into his love for the low on Thu/3, when Traynor’s photo show “Low Life” opens at The Summit SF in the Mission.

Though the Mac-sprouting coffeeshop might seem like an odd venue for a show that celebrates the Mission’s Latino car clubs, the San Francisco-based shutterbug’s exhibition will be hanging just a few blocks away from where his passion for lowriders was first spawned on Cinco de Mayo in 2010. 

“As a native New Yorker, seeing 30-plus lowriders cruising low and slow, hopping on three wheels down Mission Street was something new and exciting and the energy [could] not be ignored,” Traynor recalls. The sight was enough to get him in a ride. “I remember hanging out of the back of a mint 1969 yellow [author’s note: he’s also described it as “flan-colored”] Buick Skylark Convertible while Lexxx from the Padrinos Car Club drove nice and slow for me to steady my camera.”

Traynor’s body of work has tended to specialize in hip-hop culture — he’s shot everyone from Mos Def and E-40 to Lil’ B and N.E.R.D. over the years. But since that Cinco, Traynor has ridden with a score of Bay Area clubs: The Inspirations (the only cars people are stoked to see when Sunday Streets hits the Mission), Padrinos, Pachuco, Aztecas, Excandalow, Frisco’s Finest, Bay Riders, and Fo’ Fifteen Car Club among others. The images from the show come from outside the Bay, too — places like Santa Fe and Sacramento make appearances. On opening night, they’ll be accompanied by shifting motion visuals from John Coyne, and DJs bumping lowrider anthems from the Summit sound system.  

It’s clear from looking at the shots of the cars and their riders that result that he digs the aesthetic (craziest thing he’s ever seen airbrushed on a ride: “A nude angel goddess holding two smoking guns riding a fire-breathing dragon above the pits of hell”) but he insists that these are more than just pretty machines. 

“Lowriders hold history in the Chicano community. [The cars’ purpose is] a sense of pride, passion, and respect. Car clubs are a small community, a family, a group of friends that are all car-loving aficionados.” He’s even seen car clubs that do youth outreach programs and toy drives. 

“Some people wake up on a sunny Sunday and go golfing, go to the park, go to the courts, go hiking. Car clubs cruise. Lowriding is a lifestyle.”

 

“Low Life”

Through Dec. 1

Opening reception: Thu/3 7-10 p.m., free

The Summit

780 Valencia, SF

(415) 861-5330

www.thesummit-sf.com

 

Potrero Hill History Night: a special occasion for a special neighborhood

Gen Fujioka
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Potrero Hill History Night: a special occasion for a special neighborhood

Scroll down for Potrero Hill History Night photos

And so Country Joe McDonald ambled on to the stage Saturday night at the International Studies Academy on Potrero Hill and told an full auditorium full of history night groupies  that since he was playing in a school he would open with a spelling lesson.

“Give me an F,” he roared,  and the audience roared back with an F.

“Give me a U, give me a C, give me a K,” and the audience roared back again and again  with knowledge of the lyrics of the anti-war song “I Feel Like I’m Fixing To Die” that Country Joe made famous during the Vietnam war and has been singing as his trademark song ever since.

He would pause and the audience would continue on with the words. Country Joe was in top form, the audience loved him, and it was a stunning beginning to the 12th annual Potrero Hill History Night.  And the fact that Occupy SF and Occupy Oakland were fixing to explode sooner or later in nearby neighborhoods  only gave some timely poignancy to the occasion.

But Country Joe wasn’t at History NIght to perform as a singer or political activist. He explained that he was there as a turnaround artist to interview Joel Selvin, the veteran San Francisco Chronicle pop culture reviewer and author of “Smart Ass,” a collection of 40 years of Selvin’s music journalism. Significantly, Selvin also happens to be a longtime Potrero Hill resident. The latter phrase is the key, because the point of History Night is to focus on the rich history and colorful personalities of Potrero Hill and put them together into a lively program. In this segment, Joe the performer interviewed Joel the reviewer/reporter who had been writing about Joe for years.

The two made a splendid team and it turned out that Joel was as good onstage in this format as Country Joe. It was good fun, instructive at times, particularly with the stories about Bill Graham’s antics and angry outbursts and how each dealt with him. The audience had fun trying to figure out through questions just how rock n’ roll and Country Joe from Berkeley connected to the hill. Well, one answer was that Jann Wenner, the founder of Rolling Stone magazine, claimed three different addresses on Rhode Island Street.

The program this year was the best ever. A barbecue outside the building serviced by a platoon of History Night  groupies on a warm and wondrous Potrero Hill evening. And a program featuring a formal presentation of a chunk of goat hoofprints embedded in concrete, an interview with the woman who tended the goats decades ago, a surprise appearance by the lady who found and preserved the hoofprints for years, and a starring role by Phillip DeAndrade of Goat Hill Pizza who was given the goat hill hoofprints as a surprise gift because he once had goats in the back of his Goat Hill pizza parlor and because, well, he’s Phil DeAndrade.

DeAndrade is a Potrero Hill version of the Scarlett Pimpernel (he’s here, he’s there, he’s everywhere). For this evening, he was doing triple duty as the worthy receiver of goat hoofprints in concrete, as master of ceremonies, and as the Hot Interviewer of the Colorful Potrero Hill Veteran, the key finale of every history night event.

DeAndrade was specially eloquent in explaining the importance of history night. It is, he said, a special event (nobody else in town has one) that showcases Potrero Hill.as a special place and its people as special people who live in a special neighborhood with a special culture and a special history and such institutions as the Neighborhood House built in the 1920s  with Julia Morgan as the architect.

The goat hoofprints in cement  made his special point. The artifact dates from 1925 or so and was found and preserved by Rose Marie Ostler, a Potrero Hill native. She kept the hoofprints for years and then decided they should go to DeAndrade of Goat Hill for his historic connection with goats.  She presented them at the ceremony, with help from Dr. Frank Gilson, a local chiropractor wearing a Halloween type goat hill mask.

This year’s Potrero Hill veteran was Josephine Firpo Alioto, who was born on Potrero Hill 90 years ago, and now lives in San Jose.  She married Frank Alioto, son of Police Capt Calogero and Vincenza Alioto.  The Alioto family moved to 755 Carolina St. around 1930, just around the corner from Josephine’s house. There were no houses on the cornerin those days,  so they had a clear view of one another’s houses. Josephine and Frank were friends for 80 years and married for 65 and a half years.  They were married at nearby St. Theresa’s Church.  With expert coaching from DeAndrade, she was most articulate and provided the details of life and times of growing up on the hill in the 1920s and 1930s.

Perhaps the most “newsworthy” comment came when she took the audience by surprise when she mentioned that her cousin, Luis  Firpo, known as the Raging Bull of the Pampas in Argentina, knocked Jack Dempsey out of the ring in a  championship fight. (My google check showed she was right. Firpo did knock Dempsey out of the ring in the  famous 1923 heavyweight championship fight at the Polo Grounds in New York City and Dempsey’s head hit a reporter’s typewriter. But Dempsey got back in the ring on a contested long count and won the fight in the third round in what many think is the greatest fight of all time. It was Dempsey’s last successful defense of his title. The fight is on UTube and googleable under Firpo.)

As is the history night custom, there were lots of Firpos and Aliotos in the audience to help fill in Josephine Alioto’s story and answer questions from the audience and provide the evidence of a very special neighborhood.

All in all, it was a most memorable event and all to the credit of Peter Linenthal, the founder and impresario of Potrero Hill History Night. His event even got a nice writeup in Leah Garchik’s Chronicle column. UCSF at Mission Bay was the sponsor of the event and the Parkside, Chat’s Coffee, and Bottom of the Hill donated to the barbecue.  Linenthal  is also the curator of the Potrero Hill Archives project, assisted by Abigail Johnston. The two co-authored an excellent book on Potrero Hill.  For more on the archives project, go to potreroarchives.com.  You may find out more about Potrero Hill than you need to know.

I think Linenthal has done what every impresario dreams of doing:  making his event so special and so memorable that it will live on and on.  B3

history night 2

Rose Marie Ostler formally  presents the goat hoofprints in cement to Goat Hill Phi.

history night 4

The audience of History Night groupies.

history night 5

Selvin expands, Country Joe listen.

history night 6

Josephine and Phil,  a dynamic duo, 

history night 7

Josephine and Phil, getting ready for prime time.

history night 8

The Apollo  jazz group in concert at History Night.

history night 9

A student from the International Studies Academy selling tickets for the barbecue.  The money goes to the ISA student travel program.


 

 

Poet of dissonance: Anna Moschovakis at Meridian Gallery

Sue Vaughan
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0

I bought Oprah’s O Magazine in March — my first — after learning it had 24 glossy pages to honor (or degrade, depending on how you look at it) National Poetry Month. In the issue, among other things, was a photo spread of eight female poets modeling the latest spring fashion. “Spring Fashion Modeled by Rising Young Poets” was one of those rare occasions when mainstream culture and poetry awkwardly attend the same party. It’s the kind of thing that makes poets and scholars blink in disbelief and send heavy sighs over the Internet. One of the poets featured in O was Anna Moschovakis: the author of two books of poems, a translator, and an editor at Ugly Duckling Presse. (Moschovakis, who lives between Brooklyn and Delaware County, NY, reads at San Francisco’s Meridian Gallery Sat/29.) She was modeling a pink Candela dress ($359) and an Haute Hippie jacket ($995). 

It started something of an Internet brawl.

David Orr for the New York Times: “It’s impossible to say what Moschovakis was thinking during this shoot — I certainly hope one of her thoughts was ‘I better get to keep this damn jacket’.”

Jessica Winter for Slate Magazine: “How have eight lady poets and their outfits managed to put Orr in such a despondent frame of mind?”

Orr’s criticism of Moschovakis was warranted in some respects. Her latest book of poems, You and Three Others Are Approaching a Lake (Coffee House Press 2011), which was awarded the 2011 James Laughlin Poetry Prize, is a critique of gluttonous contemporary culture — a culture she arguably sold into.

So, naturally, you do wonder what she was thinking. In the stark, analytical poems that make up You and Three Others Are Approaching a Lake, Moschovakis assualts materialism, waste, and the internet and repossesses elements of that culture in her poems — Craigslist ads, Wikipedia articles, and MySpace posts — in such a way that proves how demoralizing it can all be. Her style is somewhat similar to Rae Armantrout’s. Both poets are infinitely curious, and not only do they approach each poem with a question, but they often end the poem with a question. There’s rarely a straight answer. Nonetheless, the poems manage to tear down our comfortable preconceptions anyway. Here’s an excerpt from “The Tragedy of Waste”:
  
Human wants:

First the necklace of bone
then the shift of leather

tea, tobacco, and gambling

in other words

Ten men could live on the corn
where only one can live on the beef

Emily Warn, writing for the Poetry Foundation blog, called Moschovakis to ask her about the feature in O Magazine and to see whether Moschovakis could resolve her “cognitive dissonance.”

Warn writes: “[Moschovakis] asks whether ‘cognitive dissonance’ — mine or Orr’s — is necessarily a bad thing, if it might lead us to be more critical of our assumptions.” In essence, this is what Moschovakis’ poems do: challenge our assumptions. A quote from the poet by her photo in O reads: “Poems allow us to hold two ideas that don’t hold up.”
 
Perhaps this doesn’t resolve the overwhelming question. I myself cannot say for certain what Moschovakis was thinking. But I enjoy and appreciate her philosophically bent poetry, her austere use of language, and the sense of violence that charges her poems. She is always second-guessing herself and I like that, too. Besides, dark times call for a dark poet like Moschovakis.

With John Sakkis
Sat/29, 7:30 p.m., $10
Meridian Gallery
535 Powell, SF
(415) 398 7229
www.meridiangallery.org

Spellbound

Jesse Hawthorne Ficks
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0
Spellbound

Harry Houdini: the name conjures up a multitude of images and ideas about what a magician and escape artist should be. The Contemporary Jewish Museum in San Francisco is currently celebrating that rich and long-lasting legacy with Houdini: Art and Magic, a new exhibit featuring a collection of vintage photographs, event posters, archival film, original props, art installations, and more, focusing on the world’s most famous magician — who died in 1926, on Halloween.

“The genesis for the show was just really seeing how Houdini’s relevance still remains today in popular culture, and how despite being born in 1874, he still is so visible in the culture, visible in contemporary art. His celebrity has really transcended three centuries,” says CJM curator Dara Solomon.

The exhibition was originally put together by the Jewish Museum in New York, with the CJM also getting involved early on in the process, as local organizers felt that there would be a strong interest in Houdini from the Bay Area — after all, the legendary icon had performed in San Francisco several times; he appeared at the Orpheum Theater, broke out of locked box lowered into the bay at Aquatic Park, and hung off the side of the Hearst Building to perform his famous straitjacket escape stunt.

Tracing Houdini’s life from his birth as Erich Weiss in Budapest in 1874 and following his family’s immigration to the United States, his upbringing as the son of a rabbi, and the eventual evolution of his performing talents and ascension to the world stage, the exhibit tells Houdini’s story through displays of rarely-seen personal photographs, handwritten journals, and what may be the biggest draws for fans — a trunk, milk can, straitjacket, and handcuffs that actually belonged to the magician and were used in his shows.

What visitors to the exhibit won’t see are any explanations or descriptions revealing Houdini’s secrets — something that organizers wanted to avoid.

“It would be seen as the ultimate sort of betrayal if the exhibition set out to reveal Houdini’s tricks,” says Solomon. “He worked so hard at making his body this sort of instrument to do these performances, he was in such amazing physical shape — that was what really allowed him to do these amazing feats of strength.”

Another aspect to the exhibit is the exploration of the impact of Houdini and his mystique on contemporary artists — paintings and other installations from artists such as Deborah Oropallo and Raymond Pettibon add to the survey of his legacy.

“So many artists in the past 20 or 25 years have really been taken by Houdini as inspiration and as a model for how an artist works; they find this real connection with the art of the magician and the art that they make, that they are both illusionists,” says Solomon.

For 10 years after his death, Houdini’s widow Bess conducted séances on Halloween attempting to contact and communicate with him from beyond the grave — with his ever-growing popularity, and a new fan base with each new generation, somebody, somewhere in the world will undoubtedly be trying to do the same on Monday night.

“I think that there has been nobody else like him — he was such a master of communications and a marketing genius that he ensured that he left this incredible legacy,” says Solomon. “When people think of the world of magic, he is still the one and only.”

 

HOUDINI: ART AND MAGIC

Through Jan. 16, 2012

Thurs., 1-8 p.m.; Fri.-Tues., 11 a.m.-5 p.m.

$5–<\d>$12 (18 and under free)

Contemporary Jewish Museum

736 Mission, SF

(415) 655-7800

www.thecjm.org

Progressive group stands out as the lone Lee endorser

Sasha Cuttler
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86
Progressive group stands out as the lone Lee endorser

Mayor Ed Lee’s support by the wealthy power brokers and his checkered history with the Willie Brown administration has caused most progressive groups to shun him in this election, with one notable exception. San Francisco Rising Action Fund, a grassroots organization for working class people of color, gave Lee its second place endorsement, right after progressive favorite John Avalos. It’s the only slate that the two political opposites appear on together.

The San Francisco Democratic Party, Sierra Club, San Francisco Labor Council, the Bay Guardian, and other progressive groups have all issued endorsement slates that generally include Avalos, Dennis Herrera, and sometimes Leland Yee. But Lee has been almost entirely shut out on the left – except for a third place endorsement by the San Francisco Bicycle Coalition, which is generally left but mostly single issue – making SFRAF the rare exception.

Alex Tom, one of the directors of SFRAF, clarified that its endorsement “ is not about Ed, but about the larger progressive movement.” Going against the endorsement grain, he said SFRAF consolidates the Asian, Latino, and Black communities— a strategy to compensate the divided nature in the political left.

“We need to step back in general and have a conversation with how people of color engage with politics and the progressive movement,” Tom told us.

Like many liberal groups, SFRAF is at the front lines of OccupySF and supports progressive bills like the Health Care Security Ordinance, which was the subject of Lee’s first veto this week, angering progressive groups who sought to close a loophole that lets businesses raid the health savings accounts of their employees.

But Tom points out that “there is an assumption in SF that to get progressive things passed you need to go to District 5, 6, and 9— you don’t go to the Southeast,” or other lower income neighborhoods. SFRAF is trying to reframe the broad spectrum of progressives, to “civically engage [voters of color and lower incomes] and [include them] in the electorate.”

Voters of color don’t engage in the same spaces that other progressive do. “We are not insiders, we are not even inside the progressive circle,” Tom says.

SFRAF’s Board of Directors includes Joel Aguilar, who recently left SF Day Labor Program; Chelsea Boilard with Coleman Advocates for Children and Youth; Antonio Diaz of People Organized to Demand Environmental and Economic Rights; Ariana Gil of Mujers Unidas y Activas; Adam Gold of Causa Justa: Alex Tom with the Chinese Progressive Association; and Steve Williams of People Organized to Win Employment Rights (POWER).

The Directors promote Ed Lee’s platforms on local hire, summer school, fight against wage-theft, and facilitating equitable budget process. Lee’s a viable candidate for a new type of progressive, says SFRAF, who doesn’t “agree with the insider game” in regards to Rose Pak and Willie Brown, Lee’s closest associates.

SFRAF doesn’t believe the company Lee keeps makes him untrustworthy. While many progressives see a politician’s connections as good indicators of their future actions and allegiances, SFRAF doesn’t seem to place much emphasis on this. Indeed, Lee seems to be an obstacle to much of the group’s agenda.

Take the SFRAF’s 10-point platform, which is diametrically opposed to many of Lee’s recent actions. In the matters of health care, SFRAF’s promotes, “policies that require employers to provide quality, affordable healthcare coverage to their employees and their families,” something that Lee’s recent veto seemed to weaken, letting businesses take about $50 million per year that city law required them to set aside for employee health care.

The next day, Lee faced the same groups he voted against— at a labor union rally— and explained his veto was an act of diligence to protect jobs. But the sponsor of the vetoed legislation, Sup. David Campos, said the veto was an setback for workers’ rights and consumer protection. “It’s a defining issue for us at City Hall,” Campos told us.

But Tom disagrees with progressive assessments that “pay to play” is a major force in City Hall politics, although to did say it is important to “acknowledge your power structure.” To SFRAF, the progressive sector cannot duplicate a city run by a few insiders— a fear SFBG expects to be a reality with Ed Lee as mayor. Instead, he says a progressive City Hall must bring a “multi-sectored” people into the decision-making process.

And he think Lee will be an ally in doing so.

Steven T. Jones contributed to this report.

Guardian editorial: Let OccupySF and Oakland stay

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With all of the police raids and arguments over messages and demands and tactics, it’s easy to forget that the Occupy Wall Street movement has a clear political point — and it’s right.The movement is about the devastating and unsustainable direction of the American economy, about the fact that a tiny elite controls much of the nation’s wealth, that virtually all of the income growth over the past 20 years has gone to the very top, about the collapse of the middle class and the rise of economic inequality that would have been unthinkable a generation ago. Those are the central issues facing the United States, the state of California and the cities of San Francisco and Oakland today — and instead of trying to crack down on the protests, city officials ought to be endorsing the occupy movement and talking about cracking down on the financial institutions and the wealthy.

A few things worth noting:

1. The protesters are almost entirely nonviolent. Although there have been a few isolated incidents in Oakland and SF, the overwhelming majority of the thousands of people at Justin Herman Plaza and Frank Ogawa Plaza are actively promoting and insisting on nonviolence. This is not a crowd that is a threat to anyone.

2. The city of San Francisco’s citations — reported without question in the daily newspapers — about health and sanitation problems are way overblown. The OccupySF protesters are making extraordinary efforts to keep the place clean. When the city failed to live up to its promise to provide portable toilets, the protesters ordered (and paid for) their own. As state Sen. Leland Yee (not known as a crazy radical) noted after a visit Oct. 26: “While hundreds gathered, there was not one incident of violence. If the interim mayor thinks there are health issues, I certainly didn’t see them.”

3. The SF Mayor’s Office and the police have made no serious effort to work with or negotiate with the protesters. Even the five supervisors who arrived Oct. 26 (and good for them) when there were rumors of a police action, had no idea what the cops were up to — and Police Chief Greg Suhr wasn’t responding to their phone calls. It’s the equivalent of psychological warfare; protesters have to be on edge at all times for fear of a crackdown that may or may not come.

4. Mayor Jean Quan made a bad mistake sending in the cops to roust Occupy Oakland. Nothing good at all can come of any further police eviction action.

Frankly, we don’t see why the protesters — who are well-behaved, represent no threat to anyone, and are doing a huge civic and national service by bringing attention to an issue that the powers that be in Washington, Sacramento and (sadly) San Francisco have largely ignored — can’t stay where they are. If there are health issues, let the Department of Public Health work with the occupiers. If there’s a problem with a portable kitchen, let the Fire Department show the protesters how to run it safely and legally (there are portable cooking devices at every street fair, in dozens of food trucks and in probably 100 other places around town).

The people at OccupySF and Occupy Oakland have done an amazing job of building a safe, respectful and inclusive community. They are the political heros of 2011. If there’s anyplace in America where the movement ought to be allowed to grow and thrive, it’s here in the Bay Area.

Guardian editorial: Let OccupySF and Oakland stay

Zelda Bronstein
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18
Guardian editorial: Let OccupySF and Oakland stay

With all of the police raids and arguments over messages and demands and tactics, it’s easy to forget that the Occupy Wall Street movement has a clear political point — and it’s right.

The movement is about the devastating and unsustainable direction of the American economy, about the fact that a tiny elite controls much of the nation’s wealth, that virtually all of the income growth over the past 20 years has gone to the very top, about the collapse of the middle class and the rise of economic inequality that would have been unthinkable a generation ago. Those are the central issues facing the United States, the state of California and the cities of San Francisco and Oakland today — and instead of trying to crack down on the protests, city officials ought to be endorsing the occupy movement and talking about cracking down on the financial institutions and the wealthy.

A few things worth noting:

1. The protesters are almost entirely nonviolent. Although there have been a few isolated incidents in Oakland and SF, the overwhelming majority of the thousands of people at Justin Herman Plaza and Frank Ogawa Plaza are actively promoting and insisting on nonviolence. This is not a crowd that is a threat to anyone.

2. The city of San Francisco’s citations — reported without question in the daily newspapers — about health and sanitation problems are way overblown. The OccupySF protesters are making extraordinary efforts to keep the place clean. When the city failed to live up to its promise to provide portable toilets, the protesters ordered (and paid for) their own. As state Sen. Leland Yee (not known as a crazy radical) noted after a visit Oct. 26: “While hundreds gathered, there was not one incident of violence. If the interim mayor thinks there are health issues, I certainly didn’t see them.”

3. The SF Mayor’s Office and the police have made no serious effort to work with or negotiate with the protesters. Even the five supervisors who arrived Oct. 26 (and good for them) when there were rumors of a police action, had no idea what the cops were up to — and Police Chief Greg Suhr wasn’t responding to their phone calls. It’s the equivalent of psychological warfare; protesters have to be on edge at all times for fear of a crackdown that may or may not come.

4. Mayor Jean Quan made a bad mistake sending in the cops to roust Occupy Oakland. Nothing good at all can come of any further police eviction action.

Frankly, we don’t see why the protesters — who are well-behaved, represent no threat to anyone, and are doing a huge civic and national service by bringing attention to an issue that the powers that be in Washington, Sacramento and (sadly) San Francisco have largely ignored — can’t stay where they are. If there are health issues, let the Department of Public Health work with the occupiers. If there’s a problem with a portable kitchen, let the Fire Department show the protesters how to run it safely and legally (there are portable cooking devices at every street fair, in dozens of food trucks and in probably 100 other places around town).

The people at OccupySF and Occupy Oakland have done an amazing job of building a safe, respectful and inclusive community. They are the political heros of 2011. If there’s anyplace in America where the movement ought to be allowed to grow and thrive, it’s here in the Bay Area.
 

Hot sexy events: October 27-November 1

Andrew Lam
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Friday evening of the Folsom Street Fair saw a throng gathered in a second-story SoMa apartment for an art opening. The space was owned by a one Mark I. Chester, a man who counts as one of the city’s many hubs of sex culture. Chester tends towards the art side of rough sex — regularily hosting drawing sessions where men pose in various states of disarray — a harness here, a dog mask there, and not much else. But tonight, the crowd was more diverse. It was there to witness the opening of “Fear No Art,” the sex and power exhibition that you watch close its doors on Sun/30 this week.

Black-and-white photographs hung densely on Chester’s walls, but the opening party was 3D. On”stage” (the front of the living room), a man in a gold lamé thong performed comedic showtunes describing his life as a D-List porn star. Soliciting audience interaction, he neatly displayed his aptitude for deep-throating. Lucky banana. 

Any lingering effects of his levity was appreciated for the next act (at least, your hemophobic reporter appreciated them). Next up was Leland of the San Francisco girls of Leather, who announced to the crowd that she’d be etching the exhibition’s name onto the back of the helper she’d brought to the front of the cramped room with her. 

“Don’t be afraid to move in closer, it’s actually really quite beautiful,” she counseled the audience. A handful of art lovers obliged, pushing in for a closer look at her razor-thin lines that blossomed into strips of blood before their eyes as the woman who the back belonged to squirmed in agony — particularly when Leland went back over the lines for a more pronounced look. 

“Fear No Art” advises you in a similar manner — not to be afraid to look at sex in all its forms, and to consider what every kind of eroticism says about us as humans. It closes Sun/30, an excellent chance to take in 2D representations of human beauty, lust, and love. 

 

Naked Girls Reading: Neil Gaiman edition

So lit-sexy it’s scary, this regular reading event — hosted by the area’s hottest female sex activists in their alltogether — welcomes to its featured artist slot Rain DeGrey, professional bondage rigger, Kink.com star, and sex educator. She and the regular crew of NGR will be reading from the works of Neil Gaiman, a novelist whose children’s book featured a young orphan being raised by a graveyard, if that gives you any idication of the creepiness of his canon of work. C. Theodore Walker will perform a “half play, half ritual” based on the works of Aleister Crowley.

Thu/27 8-10:30 p.m., $15

Center for Sex and Culture

1349 Mission, SF

www.sexandculture.org

 

Steam’s one-year anniversary party

Powerhouse kicks off Halloween weekend with the 12-monther of its bathhouse revival shindig, Steam. It’ll be garaunteeing that the ghouls drop their sheets with a wet towel contest (winner gets $100, which will buy a zombie Amy Winehouse-sized load of vodka-Red-Bulls. Go-gos, power showers, hot boys — oh, boo. 

Fri/28 10 p.m.- 2 a.m., $5

Powerhouse

1347 Folsom, SF

www.powerhouse-sf.com

 

XXX Haunted Fun House

Halloween at Mission Control is like Christmas Day in Santa’s Workshop — all the work from around the year pretty much leads up to this one big spectacular. Do these swingers have mad flair game? Obviously. Pack more than a sheet with holes in it when you go to this two-night extravaganza featuring performances to fuck to from DJs Jocelyn and Cyril Noir, seances, zombie strippers, and virgin sacrifices (yeah right). 

Fri/28 10 p.m.-late, $25-$35 free membership required

Mission Control

www.missioncontrolsf.org

 

“Building Our Own White Picket Fences”

In a sex events column gone by we talked about Femina Potens’ plans for an art exhibit that re-envisioned what family and home meant in the alt sex-LGBT community. It’s opening on Fri/28, a multi-media presentation featuring artists Midori, Monica Canilao, Harrison Bartlett, Mev Luna, Amelia Reiff Hill, and Madison Young. Go to reflect on your own notion of what the future holds, and be inspired by the imaginings of others. 

Fri/28 7:30 p.m., free

Michele O’Connor gallery

2111 Mission, SF

www.feminapotens.org


“Fear No Art” closing party

“Things I Have Fucked Someone With: An Incomplete Collection” is photographic round-up of just those things by Patti Beadles. It looks like one of those kitchen posters that show you all the different kinds of chili peppers, and at this sex art exhibition she also displays a similarly-configured of things she has not fucked anyone with (shape seems to be the defining factor between the two). Pair this with Jim Duvall’s BDSM romance novel cover of a woman being used as a harp by a lover, Shilo McCabe’s pussy-baring fetish art, and others and you have yourself a panoramic view of human sexuality at local sex luminary Mark I. Chester’s SoMa apartment. 

Sun/30 2-5 p.m., donations suggested

1229 Folsom, SF

www.markichester.com

How OccupySF thwarted a police raid

Zelda Bronstein
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9
How OccupySF thwarted a police raid

More than 1,000 people amassed at the OccupySF camp last night based on word that police would be raiding the camp. At 4:30 am, there were still 500 gathered in Justin Herman Plaza when OccupySF organizer Ryan Andreola finally announced: “We just got a report from an official police statement that the raid has been called off because there were not enough police for the number of people here,” as the crowd erupted in applause.

It was the end of what was for many protesters a long — and remarkably successful — day. Word began circulating of possible police altercation at 6 a.m. October 26, when police passed through the encampment handing out notices titled “You are subject to arrest,” which claimed that the protest was in violation of several city and state laws and had become a public health hazard.

On Oct 19, city officials had communicated to OccupySF that they would provide portable toilets, but a week later had not followed through; to deal immediately with public health concerns, protesters acquired them on their own.

Around 8:00, having received various tips and seen a document warning nearby businesses of police activity that night, OccupySF put out a call for supporters, saying police raid was confirmed. Justin Herman Plaza officially closes at 10 p.m., so protesters mobilized to be ready for an attack then.
At 9:00, hundreds of people were at the encampment and were meeting about tactics in case the raid occurred. For the next several hours, as hundreds more continued to pour into camp, supporters practiced formations to defend the camp and separate those who were willing to risk arrest from those who weren’t.

At 9:30, photos began circulating social media of scores of police in riot gear waiting with six muni buses near the police operations building in Potrero Hill. Many feared that they were gearing up to descend on Justin Herman Plaza.

Different groups, including a group of clergy, SF Labor Council representatives, a meditation circle and groups practicing blockade formations met throughout the camp. Drum circles continuously pounded, and the Brass Liberation Orchestra jammed throughout the night.

Nurses and medic volunteers distributed materials to protect from and relieve the effects of tear gas, and National Lawyers Guild volunteers scoured the camp making sure protesters had their legal hotline phone number. Talk of the violence and mass arrests at Occupy Oakland that had happened the past few days permeated the group.

The BART stations closest to the OccupySF and Oakland camps were closed last night due to “civil disturbance,” but many supporters still crossed the Bay to swell the OccupySF ranks.

At 10:00, between 500 and 600 people had gathered at the camp. Protesters danced to the constant music and chanted political cries to the beat: “This system has got to die, hella hella occupy!”

Others waited in defense formation around the camp. After spotting Supervisor John Avalos, many began imploring him to sit down in the ranks, which he did.

As the night went on, sightings of police with buses continued. Some protesters joked, “the police are on the way, but they’re taking Muni so it will be a few hours.”

At 12:40, though much of the camp’s kitchen supplies and food had been moved offsite, protesters continued to serve free food. A young man serving up salad and bread gestured to several cases of food, saying “this has all been donated within the last hour.”

At 1 a.m., the group had reached its peak numbers. All sides of Justin Herman Plaza were blocked by masses of people, who also spilled out into the street on Steuart and Market, attracting virtually all passers-by into the crowd. Organizers urged supporters to stay prepared, but as one woman emphasized on a bullhorn “Remember, 99 percent means we are all individuals. It’s your choice how you respond.”

At 1:30, an impromptu speak-out began as protesters, amplified by the Peoples Mic, explained who they were and why they were there that night. Ten minutes later the group decided to allow a makeshift press conference, giving a formal space for five city officials present to speak.

Supervisors John Avalos, Jane Kim, David Campos, David Chiu and Eric Mar, along with state Senator Leland Yee, professed their support for OccupySF and commitment to protecting it from raids. The group was met with mixed responses. Many cheered their support, and one woman said, “I’m from Oakland and I wish Oakland supervisors had done what San Francisco supervisors have done tonight.” Others were less receptive, crying “I don’t trust you!” and “remember, these are the same supervisors that helped pass sit-lie!”

After the politicians finished speaking at 2:00, many supporters left the camp. One man declared, “I’m glad they came, but they do not represent us.”
About 30 minutes later, new reports were coming in that police were massing at Treasure Island. Protesters surveyed their drastically reduced numbers, and voted on what new formations to practice. As the group discussed, drummers punctuated each point, keeping energy high.

Protesters organized new strategies, but by 3:38 there was still no sign of cops. Representatives of labor organizations began a spontaneous rally, speaking to why they supported OccupySF. Mentions of Occupy Oakland’s vote to call for a general strike on Wednesday November 2 circulated, and one labor rep recalled the 1934 general strike.

At 4 a.m., hundreds were still awake and prepared in the camp. Said protester Robert Duddy, “I’m tired. I stayed up last night until 5:30 after getting the notice that we might be evicted. I think they’re trying to wait us out and have our numbers dwindle.” Duddy added that he did not expect the police to show up that night.

Won-Yin Tang wasn’t convinced. “I won’t feel [that we’ve won] until 7 a.m. when they’re not waiting in riot gear anymore. We have to stay focused. When everyone leaves, that’s when they’ll come.”

At 4:30, the long-awaited announcement of victory came. The crowd cheered, and many headed to nearby Muni stations, now open for the morning. Said protester Sam Miller, waiting exhausted in Embarcadero Station, “Tonight was a great triumph of the human sprit. It was the middle class showing we can’t be beaten down anymore. We’re not the zombies that they think we are.”

Protester Sean Semans also celebrated. Said Semans, “We won tonight. Now we just have to sure, if we need to, we can do the same thing tomorrow.”
Staying up until 5 a.m. on weeknights is no easy call to action. But it seems thousands throughout the Bay Area are willing to step up to the plate.

Strength of song

Jesse Hawthorne Ficks
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Strength of song

In Cuba, there is just one group that specializes in traditional Haitian songs — the Creole Choir of Cuba. “Some of the songs in our repertoire are those we learned from our parents or grandparents, others we learned during the many visits we have made to Haiti,” says choir director Emilia Diaz Chavez, through translator Kelso Riddell.

Riddell is the group’s tour manager for this journey, which is the choir’s fifth trip through the U.S. The vibrant ensemble — featuring Creole vocals and percussion — appears in San Francisco at the Herbst Theatre on Nov. 3, through the California Institute of Integral Studies’ public programs and performances series.

Diaz Chavez created the group in 1994 in Camagüey, Cuba. The core ten members — Rogelio Torriente, Fidel Miranda, Teresita Miranda, Marcelo Luis, Dalio Vital, Yordanka Fajardo, Irian Montejo, Marina Fernandes, Yara Diaz, and Diaz Chavez — were already part of the Regional Choir of Camaguey, which Diaz Chavez also directs (and has for the past 32 years). “The Haitian descendents of the Regional Choir got together to form the Desandann or the Creole Choir of Cuba with the objective of promoting the songs of our ancestors,” she explains.

Desandann literally translates to “descendents.” The choir is made up of the descendents of a people twice displaced, first from West Africa, then from Haiti. Some of their ancestors escaped slavery in Haiti near the end of the 18th century, others came to Cuba more recently to work in the coffee and sugar plantations.

Diaz Chavez was born in Camagüey, and remembers nights at home singing — she says her whole family enjoys song and dance. She studied music at the School of Arts in Camagüey, then completed her studies in Havana. “After graduating, I became particularly interested Haitian music and bringing it to the rest of the world,” she says.

While the journey of her people may have included displacement and sorrow, the songs the group sings are mostly uplifting — lyrics include messages of love, humor, and happiness, along with struggle. “These make us all laugh and cry and sing and dance,” say Diaz Chavez. And the consistent hand percussion and moving vocal compositions maintain an air of excitement, urgency. Live, the group dresses in colorful prints and engages audiences in participation. On this tour, which includes 30 performances during a six-week period, the choir also has been holding workshops at schools throughout the country.

“We hope people leave our concerts knowing more of our Haitian music, and that they have received our messages of love and friendship,” Diaz Chavez says, “And [we hope] they enjoy a little Cuban music too.” *

CREOLE CHOIR OF CUBA

Nov. 3, 8 p.m., $25–$65 Herbst Theatre

401 Van Ness, SF

(415) 621-6600

www.cityboxoffice.com

 

ADDITIONAL GLOBAL MUSIC EVENTS

The annual San Francisco World Music Festival, now in its 12th year, will premiere “The Epic Project: Madmen, Heroines & Bards from Around the World.” The performances bring together singers, musicians, and epic chanters from Azerbaijan, Kyrgyzstan, and the Tamil Nadu rivers of India, among other worldwide locations. Performers include Azerbaijani kamancha master Imamyar Hasanov, Chinese nanguan master Wang Xin Xin, North Indian tabla master Swapan Chaudhuri, South Indian carnatic violinist Anuradha Sridhar, and more.

Fri/28-Sun/30, 8 p.m., $20

Jewish Community Center of San Francisco

3200 California, SF

(415) 292-1233

www.jccsf.org

 

Riffat Sultana, daughter of legendary singer Ustad Salamat Ali Khan, performs traditional and modern music including Sufi, folk, and love songs from Pakistan and India. The vocalist is backed by an ensemble playing tabla, bansuri flute, and 12-string guitar. Sultana, who comes from eleven generations of master vocalists, is the first woman of her lineage to perform publicly and to tour the West. Since moving to the US, she has performed with Shabaz (previously known as the Ali Khan Band) — an acoustic group of world musicians — and more recently, her own Riffat Sultana & Party, a paired down group focused mainly on her velvety vocals.

Fri/28, 8pm, $12–$15

Red Poppy Art House

2698 Folsom, SF

(415) 826-2402

Big victory for OccupySF, Occupy Oakland reconvenes after crackdown (VIDEO)

Sasha Cuttler
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36

(UPDATED/CORRECTED AT 11:30 AM)The Occupy movements in San Francisco and Oakland reportedly scored big victories last night, with huge numbers of people overcoming police crackdowns and the shutdown of public transit stations, turning back city efforts to clear the OccupySF encampment and voting in the General Assembly in Oakland to call a general strike for Nov. 2.

We’ll have a full reports later today. Occupy Oakland protesters showed up outside a cordoned-off Frank Ogawa Plaza to figure out how to respond to the previous day’s aggressive police raid, which made national news and left Iraq War veteran Scott Olsen in the hospital with a fractured skull after apparently being hit by a tear gas canister or some other projectile fired by police.

In San Francisco, Mayor Ed Lee and the SFPD threatened to shut down the OccupySF encampment over alleged public health problems – which the movement tried to address by bringing in their own porta-potties because the city refused to provide them at night – but the camp swelled with supporters. Among them were mayoral candidates John Avalos, Leland Yee, Jeff Adachi, and David Chiu, as well as Sups. Jane Kim, Eric Mar, and David Campos.

Video by Rebecca Bowe

They spoke to the crowd around 2 a.m., expressing their support and saying that neither police nor Lee had responded to requests for information about the city’s intentions. Other notables on the scene included writer Rebecca Solnit, SF Democratic Party Chair Aaron Peskin, Shawn San Liu of the Chinese Progressive Association, and local labor leaders Tim Paulson, Gabriel Haaland, and Mike Casey. Spirits were high, and protesters were ready to link arms and form a human blockade in the event that police showed up.

SF police reportedly massed nearby in the early morning hours, preparing to clear Justin Herman Plaza, and there were rumors that hundreds more were on the way. BART stations in the area were shut down to prevent more arrivals, while police in Oakland also reportedly stopped protesters there who tried to cross the bay to support OccupySF. But the raid was then reportedly called off because police were outnumbered and possibly to avoid a repeat of the violence and mass arrests that have plagued Oakland since the decision to clear the encampment there, and protesters sent out jubilant messages of victory.

Check back later for video and eyewitness details of what went down, from the the Guardian’s Rebecca Bowe (who contributed to this report) and Yael Chanoff, as well as information on what comes next. Or follow the Oakland live stream here or San Francisco live stream here.

Unknown Mortal Orchestra returns to the Bay, digs Dolores Park

Tony Robles
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No one could have predicted what was about to happen when Ruban Nielson uploaded a single  track – the fuzzy, undeniably catchy “Ffunny Ffriends” – to Bandcamp in late 2010.  A mere 24 hours later, Pitchfork had seized upon “Ffunny Ffriends,” posted the song on its site, and bloggers were going nuts for the new project, Unknown Mortal Orchestra.

When Nielson recorded the track that launched a thousand blog posts, he’d essentially given up any serious pursuit of a musical career. The New Zealand native had resigned to a job as an illustrator in his adopted home of Portland, Ore., after ending a lengthy stint as guitarist in the semi-successful noise rock outfit the Mint Chicks.

Despite its mysterious lack of identity, live gig offers for Unknown Mortal Orchestra started pouring in. Neilson recruited veteran Portland producer Jacob Portrait to play bass, enlisted wunderkind Julian Ehrlich on drums, then took his pet project on the road. The band ran out of money during the early stages of touring, so Nielson succumbed to relentless courting by Fat Possum and handed his recordings over to the label. With its clear psychedelic influences, glimpses of early Motown soul, and tripped out basement beats, Unknown Mortal Orchestra’s self-titled debut is one of the most entrancing albums of 2011.

When I speak with Nielson, he’s laid out on a friend’s couch, throttled to exhaustion by the rigorous performing schedule of CMJ. “I just need to sleep for, like, four days,” he says. Though he clearly needs it, sleeping for four days is beyond the bounds of possibility for Nielson. Unknown Mortal Orchestra is embarking on yet another national tour, this time bringing up-and-coming shout-pop duo Gauntlet Hair along for the ride. Unknown Mortal Orchestra has already hit up a bunch of local venues this year, and will return next week to play at the Rickshaw Stop on Nov. 3. “San Francisco is maybe our favorite place to play,” says Nielson. “We always go to Dolores Park for some reason and buy drugs and stuff. It seems kind of cheesy, [but] we always end up taking acid.”

Amidst the acid trips and endless touring itinerary, Nielson’s been steadily developing material for his next album. “I just write things down in the notepad on my phone and hum things into the recorder,” he says. The severely fatigued Nielson perks up a little when he tells me the writing of the album is almost complete.

He’s just purchased a house in Milwaukie  (a suburb of Portland), and is setting up a recording studio in the basement. Much of Unknown Mortal Orchestra’s debut was recorded in a similar location. “I didn’t have my own basement,” Nielson explains. “Some friends of mine went on tour and I would borrow their basement.”

“It’s just a nice place to get away from people,” he says. “I feel like I work better by myself.” With his crackly, witchy voice and a talent for arranging weirdly addicting instrumentals, a shadowy underground recording lair seems all too appropriate.

UNKNOWN MORTAL ORCHESTRA
With Gauntlet Hair and Popscene DJs
Nov. 3, 9 p.m., $12-14
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com

With Gauntlet Hair
Nov. 7, 9 p.m., $8-10
The New Parish
579 18th St., Oakland
(510) 444-7474
www.thenewparish.com

Check it: “Ffunny Ffriends”
http://www.youtube.com/watch?v=c-36lCKovBg

A quick and spooky guide to haunted San Francisco

Jesse Hawthorne Ficks
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“Even in their graves Californians are happy,” posits a 1922 Chronicle article. “[Ghosts] don’t go at all with a land of sunshine and flowers.” This may have been a slight simplification. With a history full of calamity and a climate ruled by fog, San Francisco seems a good spot for a haunting or two. In fact, our city holds a multitude of spooky spots. From golf course to aircraft carrier, some of San Francisco’s less expected haunts continue to incite shivers. (Lucy Schiller)

 

1. SUTRO BATHS

By day, the site of Adolph Sutro’s ill-fated bathhouse is eerie enough, a crumbling ruin swamped by fog. Nighttime transforms it into a pitch-black abyss. It is rumored that a few unlucky souls were once sacrificed in the nearby cave, and that their spirits will come calling when a candle is lit.

Geary Avenue and Great Highway, SF.

 

2. LINCOLN PARK GOLF COURSE

“Whenever we find a bone we put it right back,” says a gardener working around the course. “We don’t want any bad luck.” Indeed, skulls and femurs are common discoveries at Lincoln Park, once the site of City Cemetery. Thousands of bodies remain a few feet beneath the manicured turf, and for the past decade workers have reported everything from feeling uneasy to ghostly shoulder-tapping.

300 34th Ave., SF.

 

3. COLUMBARIUM

If anywhere in San Francisco were to be truly haunted, this would be the place — the Columbarium houses the urns of some 30,000 deceased San Franciscans. It’s surprising that so few ghost stories come out of the place. A little girl, according to caretaker Emmit Watson, is the sole specter, roaming the Columbarium’s hallways at night.

1 Loraine Court, SF.

 

4. STOW LAKE

A hooded statue ominously stands near the entrance to Stow Lake, the spot of more than one ghostly legend. Details and characters vary, but stories revolve around the deaths-by-drowning of a young woman and her child. Visit the statue under cover of darkness, watch it change positions, and wait for a weeping apparition to appear.

Golden Gate Park, SF.

 

5. SAN FRANCISCO ART INSTITUTE BELL TOWER

Inexplicable footsteps, electrical surges, and slamming doors have been commonplace since the bell tower’s construction in 1927. The odd occurrences led to a 1968 séance, which determined the real culprit: not a ghost, but the terrible psychic energy amassed by decades of young artistic frustration.

800 Chestnut, SF.

 

6. USS HORNET

Active during both World War II and the Vietnam War, the USS Hornet has seen its share of death. More than 300 on-deck lives have been lost to war, accident, and suicide. The aircraft carrier is now decommissioned and docked in Alameda, where it revels in its paranormal appeal. Crew and visitors alike report the specters of sailors, lost belongings, and the sensation of being invisibly shoved.

707 W. Hornet Ave., Alameda

 

7. MANROW HOUSE

Dubbed by a 1902 Chronicle article as “the most fiercely haunted house in San Francisco,” the Russian Hill mansion has been replaced by two apartment buildings, later used in the shooting of the noir classic “Dark Passage”. But once upon a time, the Manrows were plagued by an apparition who threw hatchets, pulled hair, and ransacked rooms.

1080 and 1090 Chestnut, SF.

 

The great Pacific Heights Ghost Hunt

Jesse Hawthorne Ficks
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0
The great Pacific Heights Ghost Hunt

With his bedazzled fanny pack, kerosene lantern, Civil War-era boots, calf-brushing leather jacket and windswept gray mane, Jim Fassbinder looks like any weathered San Francisco character. Listen to him wax poetic on Mary Ellen Pleasant or Gertrude Atherton, though, and you’ll realize you’re talking to a man with a serious passion. To Fassbinder, these gals aren’t only appealing for their work as (respectively) an abolitionist and a feminist novelist. Their lingering spirits are the real draw.

“I’m basically a fishing guide,” Fassbinder asserts early in his three-hour ghost hunt on the streets surrounding Alta Plaza Park in Pacific Heights. “I tell you about the kinds of fish, take you to all the spots, set you up with the right gear.” The fish in this extended metaphor are ghosts, friendly for the most part, who Fassbinder believes roam through the houses and streets of this bone-chillingly cold neighborhood.

Along the year-round tour, Fassbinder uncovers, displays, and recounts evidence of the neighborhood spirits. One likes to pelt ghost hunters with eucalyptus seed pods, or as Fassbinder calls them, “gum nuts.” One will visibly and eerily turn a metal key over in your open hand. One will cross California Street, her body only visible as a cylinder of mist.

Fassbinder seems to be met with very little skepticism and a great deal of genuine interest. Cold-afflicted and with his voice a grave octave below normal, Fassbinder addressed a recent tour of nearly fifteen people in the lobby of the Queen Anne Hotel. Those enraptured by the ghost hunter’s words included several tourist families and two grinning grandmothers hopped up on painkillers (I quickly learned) for their bad backs.

“My goal is for each of you to have a real supernatural encounter,” he said, and was met with a camera flash, which may or may not have also captured a telltale ghostly orb. The chandelier flickering above the listening party garnered nervous glances and a burgeoning murmur, which Fassbinder soon quelled. “It’s just the wires,” he said, but not everyone seemed convinced. (Lucy Schiller)

San Francisco Ghost Hunt, Weds-Mon, 7 p.m., $20.Queen Anne Hotel, 1590 Sutter, SF. (416) 922-5590, www.sfghosthunt.com.

Boo ya!

Jesse Hawthorne Ficks
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0
Boo ya!

culture@sfbg.com

Hell’s bells, our very own high unholy day approaches — and the fact that Halloween’s on a Monday this year means an entire weekend of insane. Oh, why not just make it a whole week. Surely you have a week’s worth of slutty Rick Perry toupee costumes in your closet? Tape ’em on crooked and check out some of the eee-vil events below, from fiendishly family friendly to naughtily “adult.”

WEDNESDAY 26

“Death in Parallel” fundraiser and preview Mission Cultural Center, 2868 Mission, SF. (415)821-1155, www.missionculturalcenter.org. 6:30 p.m.–9:30 p.m., $50. Get your dead on a little early at this sneak preview of the epicenter of SF’s Dia de los Muertos celebration.

Dream Queens Revue: Halloween Spooktacular Show Aunt Charlie’s Lounge, 133 Turk, SF. www.dreamqueensrevue.com. 9:45 p.m., free. The dreamy weekly drag show goes ghoulish with SF’s sole goth queen, Sophilya Leggz.

THURSDAY 27

“Ann Magnuson plays David Bowie and Jobriath, or, the Rock Star as Witch Doctor, Myth Maker, and Ritual Sacrifice San Francisco Museum of Modern Art, 151 Third St., SF. (415) 357-4000, www.sfmoma.org. 6 p.m.-9:45 p.m., free with museum admission. Fierce hero of the 1980s New York performance underground (and familiar face as sitcom television sidekick-boss-neighbor), Magnuson returns to her fabulous roots in this piece that include incorporate “dreams, Jung, human sacrifice, Aztec shamanism, and all things dark, bloody, and beautiful.” And it’s a costume party! In the SF MoMA! Creativity abounds.

“Halloween! The Ballad of Michele Myers” CounterPULSE, 1310 Mission, SF. www.counterpulse.org. 8 p.m., also Fri/28-Sun/30, $20. Gear up for a drag-studded slasher musical taking cues from “Heathers” and “The Facts of Life,” starring the perfectly horrific Raya Light. She’s a-scary!

Naked Girls Reading: Neil Gaiman Center for Sex and Culture, 1349 Mission, SF. www.sexandculture.org. 8 p.m., $15. Costumes and masks are encouraged at this semi-participatory, all-but-traditional reading of Sandman creator Gaiman’s darker work.

TheaterPop SF: SuperNatural, Red Poppy Arthouse, 2698 Folsom, SF. www.redpoppyarthouse.org. 7 p.m., $10. Local performers skip the tacky underchin flashlights and dry ice for carefully composed, intricate explorations of the macabre.

“Unmasked! The 2011 GLBT Historical Society Gala” Green Room, San Francisco War Memorial, 401 Van Ness, SF. www.unmaskedgala.org. 6 p.m.-9 p..m., $60/$100. A star-studded affair featuring fabulous (of course) entertainment, yummy food, and some of the most revered names in the queer community, including Phyllis Lyon, Jose Sarria, and Armistead Maupin.

Zombie Nightlife with Peaches Christ California Academy of Sciences, 55 Music Concourse Dr., Golden Gate Park, SF. www.calacademy.org. 6 p.m.-10 p.m., $12. The undead are by no means unfashionable — get a zombie makeover, dance with similarly festering folks, sample the latest zombie video games, and listen to a presentation by the Zombie Research Society at the ever-popular, always good-looking weekly Nightlife event at the Cal Academy of Sciences. With Peaches Christ as hostess, it’s a zombie no-brainer.

FRIDAY 28

The Big Nasty: 10th Anniversary Party with Too $hort Mezzanine, 444 Jesse, SF. www.mezzaninesf.com. 8 p.m., $30. A $1000 best costume prize is sure to put the kibosh on those perennially popular nurse get-ups. As if legendary Bay legend Boo $hort, er, Too $hort weren’t enough of an incentive to ditch tired costumes and go as your favorite classic rapper.

Haunted Hoedown, Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com, 9 p.m., $10. Rin Tin Tiger and Please Do Not Fight headline the second annual hoedown at this live rock showcase; expect a barn-burner.

Jason Webley’s Halloween Spectacular Slim’s, 333 11th St., SF. www.slims-sf.com. 9 p.m., $14. After once faking his own death at a Halloween show and then disappearing for six months, accordionist Webley’s full-band show this year promises excitement, to say the least.

Night of the Living Shred Club Six, 66 Sixth St., SF. www.clubsix1.com. 9 p.m.-4a.m., $10. This hip-hop and electro throwdown is one where we’ll let the WTF press release speak for itself: “four rooms, five bands, five of the Bay’s best DJs including The Whooligan and Richie Panic, a Paradise Wheels half-pipe and best skate trick contest” — all catered by Mission Chinese Food and Bar Crudo and hosted by two of our favorite people ever, Kelly Kate Warren and Parker Day.

“Rhythm of the 90s” Ultimate Halloween Party Café Cocomo, 650 Indiana, SF. www.fivestarunited.com. 9 p.m.-2 a.m., $45. Break out the Clueless costume and the ketchup bottle; Café Cocomo’s massive dance floor has plenty of room to turn back the clock. Macarena, anyone?

Salem 103 Harriet, SF. www.1015.com, 10 p.m., free. The biggest and scariest name in the witch house dance music movement swoops in from Michigan for a free show, with Tearist, Pfang, Gummybear, Dials and Whitch providing gallows support.

Scaregrove, Stern Grove, 2750 19th Ave., SF. www.sfrecpark.org. 4 p.m.-9 p.m., $8. ‘Tis the season for bouncy castles — bring the kids out for hayrides, carnival activities, a haunted house, and (fingers crossed) funnel cake at the park.

Speakeasy’s Monsters of Rock Halloween Festival Speakeasy Ales and Lagers, 1195 Evans, SF. www.goodbeer.com. 4 p.m.-9 p.m., free. Parties centered upon the theme of good beer never really get old — especially when there are food trucks, live music, and heady costumes.

Sugar Skull Decorating Workshop Autumn Express, 2071 Mission, SF. www.autumnexpress.com. 5 p.m.–6 p.m., $20. Sugar skulls are provided (so you can keep licking away at last year’s) at artist Michele Simon’s decorative exploration of the Dia de los Muertos tradition.

Third Annual Zombie Prom Verdi Club, 2424 Mariposa, SF. www.zombiepromsf.com. 9 p.m., $20. Costume contest, coffin photo booth, live music, and a scary thought: the dancers on the floor tonight may have been doing that move for hundreds of years. Hey, our prom was kind of like night of the living dead, too.

SATURDAY 29

BiBi SF: Queer Middle East Masquerade 4 Shine, 1337 Mission, SF. www.bibisf.org, 9 p.m., $10. The charitable and extremely sultry BiBi SF throws a great party that combines Arabic, Persian, Pan-African, and Latin sounds with hip-shaking belly dancers, lovely drag performances, and an unbelievably hot crowd. All are welcome to this fourth installment of marvelous masquerading.

Club 1994 Halloween Special Vessel, 85 Campton Pl., SF. www.vesselsf.com. 9 p.m.-3 a.m., $18.50 advance.  Sexy electro glamour throwdown for Halloween, anyone? The gorgeous crew behind Blow Up is resurrecting its super-popular, Nintendo-rrific tribute to the pop sounds of the early ’90s (oh yes boy bands and TERL classics!) for a Halloween dress ’em up. With Stretch Armstrong, Jeffrey Paradise, and Vin Sol. The awesome Ava Berlin hosts.  

Circus Center’s Haunted House Circus Center, 755 Frederick, SF. www.circuscenter.org. Tours from 6-7 p.m., show at 7:30. Putting your body in the hands of a practicing student is sometimes not the best idea (see: haircuts, dental exams), but the Circus Center’s students have thrown together an extensive haunted house sure to turn your stomach in only the best way.

Dark Room does Halloween Hot Spot, 1414 Market, SF. 10 p.m., $5. “It’s like Debbie Does Dallas for freaks!” Quoth the undead hosts of this cute monthly queer goth and industrial party at a the little-known but awesome Hot Spot club on Market. Throw on your sheet and twirl. 

Ghost Ship IV: The Afterlife Treasure Island. www.spacecowboys.org. 9 p.m.-4 a.m., $50 tickets (extremely limited) on site. A massive, Halloween-themed arm of Burning Man, Ghost Ship mashes together DJs, art cars, food trucks, a stroboscopic zoetrope, and thousands of people.

GO BOO! Deco Lounge, 510 Larkin, SF. www.decosf.com, 9 p.m.-late, $5. If you want to experience some really sexy underground disco energy with a fantastically diverse crowd, the monthly Go Bang! Party is one of your best bets — this Halloween edition brings in DJ Glenn Rivera and Mattski to join residents Sergio and Steve Fabus of the storied Trocadero Disco. Pop on a costume and hustle on down.

Halloween Freakout with Planet Booty Café du Nord, 2170 Market, SF. www.planetbooty.org. 9 p.m., $12. It’s hard to imagine a more extreme Planet Booty, but this would be the night for it: swap your standard neon unitard for a black velvet version.

Halloween Masquerade with Zach Deputy The Independent, 628 Divisidero, SF. www.theindependentsf.com. 8:30 p.m., $20. Deputy’s “gospel-ninja-soul” provides the soundtrack to an unorthodox masquerade, followed by a free (with ticketstub) Boom Boom Room afterparty.

Halloween 2011: A Red Carpet Runway Massacre Jones, 620 Jones, SF., www.juanitamore.com. 9 p.m., $35. “I prefer the glamour to the gore on Halloween,” quoth ever-poised (even while double-fisting shots) drag ruler Juanita More. Join her at recently opened rooftop bar Jones for dancing and fashionable fun with Djs Delachaux and Sparber, club Some Things hilarious Project Runtover amateur design contest, treats from farm:table and Gimme Shoes, and More, More, More.

“Hallowscreen” cartoon screening Walt Disney Family Museum, 104 Montgomery, Presidio, SF. www.waltdisney.org 11 a.m., 1 p.m., 3 p.m., 4 p.m., 5 p.m. Also Sun/30, Mon/31. $7 adults, $5 children. Catch “Hell’s Bells” and other early, strange Disney shorts that show Walt’s more uncanny side. If you haven’t been to the excellent museum yet, here’s a great occasion.

Horror Costume Party, SUB-Mission, 2183 Mission, SF. www.sf-submission.com. 9 p.m., $4 in costume. Get your gore on with Meat Hook and the Vital Organs; after an earsplitting set, zombiewalk down the street for a taco at Cancun.

Foreverland Halloween Ball Bimbos 365 Club, 1025 Columbus, SF. www.bimbos365club.com. 9 p.m., $22. The Thriller dance is only the beginning at this costume-intensive, 14-piece tribute to M.J. himself.

Jack O’Lantern Jamboree Children’s Fairyland, Oakl. www.fairyland.org. 10 a.m. — 5 p.m., also Sun/30. $10. From juggling and puppets to rides and parades, Oakland’s Fairyland puts on a gentle All Hallow’s weekend.

Lights Down Low Halloween SOM Bar, 2925 16th St., SF. www.som-bar.com. 9:30 p.m., $10 advance. One of the city’s finest, wildest parties brings in bass music star Pearson Sound a.k.a. Ramadanman with DJ Christian Martin, Manaré, Sleazemore, and Eli Glad.

Mansion Madness: Official Playboy Halloween 2011 Mist Ultra Club, 316 11th St., SF. 9 p.m., $40-$80 Find your haunted honey bunny among the bodacious playmate hostesses at this hoppin’ Slayboy event.

Monster Bash on the U.S.S. Hornet 707 W. Hornet, Pier 3, Alameda. www.uss-hornet.org. 7:30 p.m., $25. What better place to celebrate spooks than among the 300 ghosts haunting the crannies of Alameda’s ancient aircraft carrier?

Spooktacular Japantown Halloween Party and Trick-or-Treat Japantown Peace Plaza, Post at Buchanan, SF. www.sfjapantown.org. 12 p.m.–4 p.m., free. Uni-nigiri and candy corn: the perfect combination. Trick-or-treat in the light of day through the Japan Center Malls.

32nd Annual Spiral Dance, Kezar Pavilion, 755 Stanyan, SF. www.reclaimingspiraldance.org. 7:30 p.m., $10–$20 (sliding scale). The witches of San Francisco gather for a huge participatory dance honoring those who have passed.’

Trannyshack Presents: Halloween: A Party DNA Lounge, 375 11th, SF. www.dnalounge.com. 11 p.m., $25. Anything but the traditional drag, the 5th incarnation of Peaches Christ and Heklina’s annual costumed throwdown features a fantastically horrific secret (and “big!”) guest judge. Oh, and the usual genius-creative bevy of outré drag performers, including Fauxnique, Becky Motorlodge, Toxic Waist, and Exhibit Q.

Wild Side West Costume Contest and Party Wild Side West, 424 Cortland, SF. 8 p.m., free. Try not to get your t.p. body cast caught on a shrub in the Bernal hotspot’s beer garden.

Wicked Gay! Halloween Bash Lexington Club, 3464 19th St., SF. www.lexingtonclub.com. 9 p.m., free. The happily hectic Mission dyke bar holds a costume party and contest with live beats.

SUNDAY 30

All Hallow’s Eve DNA Lounge, 375 11th St., SF. www.dnalounge.com. 9 p.m.-afterhours, $13, 18+. Great goth and industrial music parties Meat and Death Guild form an unholy alliance with the gorily titillating Hubba Hubba revue burlesque dancers for what’s sure to be a night to dismember. DJs Decay, devon, Joe Radio, Netik, and more tear you apart on the dance floor

Ceremony Halloween Tea, City Nights, 715 Harrison, SF. www.industrysf.com. 5 p.m.-midnight, $40. The name sounds genteel; the shirtless gay dancing to Freemasons and others will likely be raucous.

Fruitvale Dia de los Muertos Festival Fruitvale Village, Oakl. www.unitycouncil.org. 10 a.m.-5 p.m., free. Oakland’s Day of the Dead festival, falling a bit before SF’s, features dancers, gloriously fragrant food, huge crowds, and, of course, compelling tributes to loved ones who have passed.

Halloween Family Dance Class, ODC Dance Commons, 351 Shotwell, SF. www.odcdance.org. 1 p.m-2 p.m., $5/person, $20/family. Britt Van Hees allows kids and folks who’ve already mastered the Sprinkler to add the Thriller dance to their repertoire.

The Holy Crow Holy Cow, 1535 Folsom, SF., www.honeysoundsystem.com. 8 p.m.-2 a.m., $5. Quaffingly queer electronic music collective Honey Soundsystem throw one of the best weekly parties in the city — the Halloween edition of Honey Sunday should be a total scream, queen. 

Midnight Monster Mayhem, Rockit Room, 406 Clement, SF. www.rock-it-room.com. 9 p.m., $10 before 11 p.m. The live hip-hop dance party (costumed, of course) may well be the perfect nightcap to pumpkin pork stew at nearby Burma Superstar.

PETNATION 5 Public Works, 161 Erie, SF. www.publicsf.com. 9 p.m., $5 before 10 p.m., $10 after. Dance to Fido’s memory — Public Works honors deceased pets with soul-shaking beats, a DDLM art exhibit and a commemorative altar (plus, proceeds go to OccupySF).

MONDAY 31

Classical at the Freight Freight and Salvage Coffeehouse, 2020 Addison, Berk. www.freightandsalvage.org. 6:30 p.m., $10.50 for adults, under 12 free. The Bellavente Wind Quintet breathes chilling strains to a kid’s costume parade and candy-filled celebration.

Halloween at El Rio El Rio, 3158 Mission, SF. www.elriosf.com. 8 p.m., $7. Two Ohioans under the stage name “Mr. Gnome” take over the inclusive, ever-popular dive for Halloween.

Teatro ZinZombie, Teatro ZinZanni, Pier 29, SF. www.love.zinzanni.org. 6 p.m.-11 p.m., tickets start at $117. Tonight might be the one to finally catch SF’s cabaret mainstay, which for a few precious hours transforms into a zombie-laden spectacle.

Viennetta Discotheque: Halloween! UndergroundSF, 424 Haight, SF. 10 p.m., free. One of SF’s cutest underground queer Monday weekly parties will claws you to reel in horror at the frightful fantasticity of its drag denizens. Your body hits the floor with DJ Stanley Frank, Alexis Blair Penny, and Jason Kendig on the decks.

 

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