SF

Music Picks

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Future jazz farmers Jazzanova have finally gotten around to issuing volume two of their remixes, appropriately titled The Remixes 2002-2005 (Sonar Kollektiv). With re-rubs of tracks by Masters at Work and Nu Spirit Helsinki, the collection aptly captures J-nova’s move toward a harder, more electronic sound. In an appropriately forward-thinking touch, the CD also comes with a blank CD-R, which buyers can use to burn a copy for friends or record downloaded mixes from the Sonar Kollektiv site. One-sixth of the Berlin-based collective of DJs, producers, and engineers is in the Bay to get down with those wacky Culprits, Eug, Tokyo Component, and Hakobo. (Peter Nicholson)

JAZZANOVA

Pink, Fri/20, 9 p.m.-4 a.m.

2925 16th St., SF. $20. (415) 431-8889 www.pinksf.com

Class act

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With a new full-length on storied UK label Beggars Banquet in their present and a European tour with the National in their recent past, Bay Area band Film School might be assumed to have the world on a guitar string. But think again.

When I last spoke to them two years ago, founder-vocalist-guitarist Krayg Burton was bemoaning his broke state to guitarist-vocalist Nyles Lannon, beneath the posters of Malcolm "By Any Means Necessary" X and the other righteous underdogs at Café Macondo. Film School’s last recording, the EP Alwaysnever (Amazing Grease) had just come out, the tech bubble had burst, and the world was wide open, leaving Burton and Lannon to hawk their Web-related skills on their own.

Now here we are, in early January, tucked into the lamp-lit control room of drummer Donny Newenhouse’s Middle of the Mile basement studio in San Francisco’s Mission District, where Film School recorded about half of the new self-titled second album. The band has been awarded the gift-of-gab buzz at recent SXSWs, praised by NME, and described by BBC 6 host Steve Lemaq as his favorite new band. Next-level stuff. Now if only they can decide how best to approach a set list.

"We fight about the set list every night, every show," the laid-back Newenhouse says from behind the mixing board. He’s the A/V guy of Film School, according to his bandmates. "It’s like the A team – we’re pretty cool, unified, but …"

"We write the set list five minutes before we go on," interjects keyboardist Jason Ruck, Film School’s class clown. So there’s no room for dissention? "But then there is dissention, and we’re discussing it onstage when we’re supposed to be playing. That actually happened once in front of our label head." He looks pleased.

"It kind of ties into going to the next level," bassist Justin LaBo says, curled catlike in an easy chair in the corner. He’s the guy most likely to be expelled from Film School. "Not being, like, I don’t want to say, amateurs or rookies, but having your shit together, being confident and walking onstage knowing what you’re going to play, and not arguing onstage."

You’d be more pro and more polished, but perhaps less … interesting, I offer from the center of the Middle of the Mile booth. "That’s been the argument the whole time," Newenhouse exclaims, miming an irate bandmate. "<\!q>’I don’t want to be one of those fucking bands that has the same set every night and knows what they’re doing when they get onstage!'<\!q>"

"I kind of like winging it a bit," Burton mutters, the "tenured teacher with the vodka in the coffee cup" at this Film School.

"I want to have a rotating set list, written in stone," Newenhouse continues, half-self-mockingly pretending to carry stone tablets engraved with songs to a stage. "<\!q>’Here’s the 10 commandments’ – straight down from the dressing room every night. It’ll be like Spinal Tap’s Stonehenge – we can have midgets dance around them."

Spitballs aside, it’s comforting to know that some things never quite change – be it Film School’s collective, self-deprecating sense of humor or their honest, exploratory doubts – even as one chapter ends and the band appears to be on the brink of graduating into some sort of big time.
GENUINELY GORGEOUS

At first listen, the new Film School is almost off-puttingly polished: It’s one of the best-sounding self-produced, headphones-only albums by a local band I’ve heard of late, blending the poppier hook-and-groove singles-craft of "On and On" and the elastic, massive, 4AD-ish groove of "Pitfalls" with gorgeous wall-of-psych longer pieces such as the airy, multitextured, Floyd-drenched "He’s a Deep Deep Lake," and "11:11," which moves from an almost early U2-like twitch into glitched-up drone before finally ascending into a dervish of guitar noise.

The mixture of tones was deliberate. "We actually value a record that comes from different directions and has a different sound here and there, as long as it’s cohesive, and we spent a lot of time trying to make it cohesive," wise man on campus Lannon says, sprawled in a lounger. "The record actually has, I think, a unique flow to it. It kind of takes you on this ride."

Just don’t call them "shoegazer." "We just like [My Bloody Valentine’s Loveless] because it’s really textured and spacey, not because it’s guys in bowl cuts staring at their shoes," LaBo gripes.
LONG TIME COMING

Much like their six-minute singles, it took a while to get to Film School. The band that began in 2001 as a live ensemble charged with playing ex-Pinq member Burton’s first Film School self-released album, Brilliant Career, has since become a full-fledged collaborative entity, with plenty of production experience courtesy of Lannon, LaBo, and longtime Bottom of the Hill soundperson Newenhouse (who replaced Ben Montesano in Film School when the latter got married about a year ago). Lannon has worked as Azusa Plane and N.Lannon, LaBo has recorded as Technicolor, and Newenhouse has drummed with Holly Golightly and Hammerdown Turpentine.

They started working on Film School in 2004, turning to three different producers before finally deciding to do it themselves in Newenhouse’s studio, where they cut five newer songs and mixed in older dreamier material recorded in Lannon’s bedroom.

"We actually wasted six month’s worth of time on one song," Newenhouse says. "That was a real drag. Technically, it was difficult. I think [the producer’s] idea of what he wanted it to sound like didn’t really mesh with ours. That’s when we realized we should just do this ourselves."

"I haven’t been back here since we recorded," Burton marvels from the corner, a stocking cap pulled over his ears. "I’m starting to remember those eight-hour days, looking round here – it’s like, oh god."

Since the album spans such a long period, one wouldn’t expect the songs to have much in common with each other, though Burton swears they do: "Maybe there’s a little bit of a theme about trying to move forward and feeling a little stuck." And perhaps that has something to do with the long, drawn-out making of Film School? "Maybe!" he says. "I think it might be just getting older and trying to make those next steps in life."

Beggars Banquet first made contact with Film School’s manager two years ago when the band played with TV on the Radio in the UK. It took about a year of e-mails and talk before a deal was struck, around the time when the album was completed. "It took basically all of last year until the dust settled," Lannon says. "Is it even settled yet? I don’t even know. On this last tour we were like OK, it’s official, right? We’re spending money, this advance. I think once the money is in your account, the thing is really happening."

"It’s weird to be working with a label that isn’t worried about going out of business. Not having this dark cloud over you the whole time," Lannon continues, mimicking an imaginary imprint. "<\!q>’Urrrrr, rock music. Records just don’t sell like they used to.’ That’s every other label we talked to. It’s just a recurring theme that you hear as a person in the indie rock world. Every label you talk to has that, starts with that ‘Feel sorry for me, I’m a label’ sob story. But Beggars has figured it out; they’ve been around for a while – it’s a nice situation."

"We can exhale a little," Burton adds gently.

"Now we just have to play well every night!" Ruck cracks.

FILM SCHOOL  Jan. 26, 6 p.m.  Amoeba Music  1855 Haight, SF  Free  (415) 831-1200  With Sound Team and Citizens Here and Abroad  Jan. 26, 9 p.m.  Bottom of the Hill  1233 17th St., SF  $10  (415) 474-0365

In Melinda’s memory

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On her very first day at Next Door, a homeless shelter that occupies a nondescript building on Polk Street, Yalaanda Ellsberry met Melinda Lindsey.

"This is my first time in a shelter," Elsberry told us recently. "And I’ve found a lot of people are very closed off." Lindsey, however, was open and friendly, and they became fast friends.

Ellsberry knew that early on Christmas Eve, Lindsey was scheduled to catch a bus to go visit relatives near Monterey. So she was surprised to see Lindsey still in bed when the overhead lights were switched on at 6:30 a.m. She shook her friend’s shoulders, trying to rouse her.

"For some reason, this particular time, I just knew to check for rigor mortis," Ellsberry said. When Lindsey’s hand moved in response, "I thought, good – get that thought out of your head, girl." But when she touched her friend’s forehead, it felt cool.

Word of Lindsey’s questionable condition spread across the fourth floor of the shelter quickly. But, said Ellsberry and other residents we interviewed, staff members were slow to react and basically left the residents to try to revive Lindsey on their own. The residents summoned a woman who was staying there who happened to be a registered nurse, and she began to perform CPR.

The nurse, who asked us not to print her name, said she was dismayed to find that none of the standard medical equipment was available – neither face masks for performing CPR nor the defibrillator paddles that can sometimes shock a person back to life after a heart attack.

Forty-three-year-old Lindsey, who had serious heart problems, was pronounced dead soon after the paramedics arrived. Her body lay on the floor, covered by a blanket, for close to two hours before being picked up by the coroner.

Several Next Door residents told us they were horrified by the shelter’s response to the emergency. The nurse said that neither of the staffers who were there "would attempt CPR. They didn’t even go anywhere near her."

Ken Reggio, executive director of Episcopal Community Services (ECS), which holds the city contract to run Next Door, said that based on everything he’s reviewed, the shelter handled Lindsey’s death just fine: "I think we had a client who was seriously ill and passed away in her sleep." He added that residents stepped in to perform CPR while a staffer phoned the paramedics, but that the shelter’s whole staff is "trained in CPR and capable of administering it."

But no matter what exactly happened on Dec. 24, Lindsey’s death has prompted some residents to band together and demand that Next Door improve its plans for dealing with medical emergencies. They have appealed to outside groups and city government for help, saying they want to be treated more humanely.

"My thing is," Ellsberry said, "I want to see a change."

.  .  .

Next Door – which used to be known by the catchy name Multi-Service Center North – is one of San Francisco’s largest homeless facilities. City officials often hold it up as a model program.

Today the shelter has room for 280 people, divided by gender, and a 30-bed "respite care" program, run in partnership with the Department of Public Health, that’s meant for homeless people with health problems. In the past couple of years, Next Door has been transformed into a longer-term shelter where residents can stay up to six months. That alone makes it more appealing than most city shelters, where beds are typically rotated every one to seven days.

Residents we interviewed said their main concern about Next Door is that it doesn’t seem equipped to handle medical emergencies. But they had significant gripes about aspects of everyday life at the shelter, including cleanliness and food. And their many and varied complaints had an underlying theme: that staffers often treat residents callously, as though they are something less than human – even when they’re dying.

"Workers here talk to us any kind of way because we’re homeless," said LaJuana Tucker, who has been living at Next Door for three months. She added that many of the people staying at Next Door are struggling with health issues but that staffers are not very understanding: "If [residents] aren’t feeling well and want to lie down, they give them a hard time."

The women we spoke with said the disparaging attitude was also apparent in the shelter’s response to Melinda Lindsey’s death.

Three days after her apparent heart attack, they told us, shelter director Linzie Coleman set up a "grief meeting." But the residents who attended say that before their grief was addressed in any way, Coleman emphasized that related complaints were to be handled internally and that residents should not take their concerns to people outside of the shelter hierarchy.

Coleman disputed their account, telling us she stopped by merely "to say that I had gotten their complaints and their complaints would be investigated."

She said first-aid kits and CPR masks are usually available throughout the shelter and just needed to be "replenished" and that staffers treat Next Door’s clientele with "dignity and respect."

"I’ve been here nine years and four months, and we’ve only had seven deaths at the shelter," she said. "And every one but this last one, the staff has done CPR."

.  .  .

Undeterred by what they say were efforts to silence them, in early January Next Door residents approached the Shelter Monitoring Committee, an oversight panel created by the Board of Supervisors, about Lindsey’s death. After taking verbal and written statements from several of them, the committee tried to gather more information from the shelter.

According to a Jan. 9 letter the committee sent to several city agencies, "We immediately contacted the Director to confirm details. Our representative was met with an unprofessional and demeaning attitude and a generally hostile response to his inquiry."

Coleman said she doesn’t understand the characterization of her response, but Diana Valentine, who chairs the Shelter Monitoring Committee, told us point blank, "We were treated very hostilely."

More important, she said that when members of her committee visited Next Door on Jan. 6, they found no first-aid kits or other medical equipment on the floors where most residents stay. When they asked staff people whether they’d been trained in CPR, she added, several said no. And in the short time since Lindsey’s death, the committee has received another complaint about a medical emergency at Next Door that "resulted in injury to the resident."

"There’s been no training, and there’s absolutely no first-aid supplies available – and this is weeks after this woman’s death," Valentine said. "We haven’t seen any changes, consequences, or accountability."

In its letter, the committee asked the Human Services Agency, the DPH, and ECS to launch inquiries into Lindsey’s death, Next Door’s general policies and conditions, and how city-funded shelters are supposed to respond to emergency situations.

Dariush Kayhan, director of Housing and Homeless Programs for the Human Services Agency, told us he’s waiting to see a final report from ECS on the Lindsey incident but that, at this point, the HSA has no reason to think anything improper occurred.

Regardless, Kayhan said, "we’re going to use what happened as a springboard," by asking the DPH to do a thorough review of the medical protocols, training, and equipment at each and every city shelter.

www.ecs-sf.org/shelters.htm

Third time’s a charm

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It says so right there in the bio: A rock album that all others will be judged against this year was recorded in the same spot where Lionel Ritchie created "Dancing on the Ceiling."

Bear Creek Studios no longer has so much to answer for. To others, that name may conjure visions of an ex-Commodore tripping the light Astaire-style on some drywall. To me, it’s now known as the birthplace of Standing in the Way of Control (Kill Rock Stars).

In my household, up until now, the word on the Gossip has been that their recordings don’t catch the wildfire of their live shows. When Beth Ditto and company first toured the United States with Sleater-Kinney, Ditto was already hinting she could make punk’s great siren of the ’90s sound small, but you wouldn’t find proof in the pinched, monochromatic quality of the 2001 debut album, That’s Not What I Heard, on which each track largely resembled the one before or after it.

The first big hint of a difference came with 2003’s Movement. Some people think its songs aren’t as strong, but the first things I noticed were that the drums had more kick, Ditto’s voice didn’t sound like it had been shrunk by a cramped studio and crappy mic, and the ballad "Yesterday’s News" showed her blues were getting deeper and darker. C’mon, I thought. Bring it.

Then, early last fall, I walked from Bimbo’s 365 Club’s lush lobby into the main room and saw and heard the Gossip that you’ll find on their amazing new album. Ditto had ditched the swirl ’do and basic black fashions for shoulder-length straight hair and a striped, strapless dress. Together with guitarist Nathan Howdeshell and excellent new drummer Hannah Blilie, Ditto launched into what I now know is the title track, and it was obvious from the bumptious hooks and beats that the Gossip were communicating with post-punk disco’s rawest queer spirits, both alive (ESG) and dead (Arthur Russell). This was a band reborn.

Except "born again" doesn’t quite fit the Gossip, who’ve been true believers in a lot of great things like the power of a woman who says what she wants to say and does what she wants to do from day one of their life in the Arkansas swamplands. Strong enough to initially work over both Olympia labels that begin with a K, their guitar-drums-voice approach may have owed some spare change to the Spinanes, or come across as the fun flipside of Heavens to Betsy’s extreme angst, but when it first hit town, you best believe it scorched Fifth Avenue, Washington Street, and the heartless Martin.

Standing in the Way of Control isn’t rocket science just a recording by Guy Picciotto, of Fugazi, that finally captures the sweaty, untamed energy of Ditto and company in concert, letting you start your own dance party whenever and wherever. With a band this great this alive that’s no small feat. The strut of Ditto’s voice is lighter and there’s more snare happening in the rhythms. On "Listen Up!" a cowbell kicks in behind her as she schools children: "There’s some people that you just can’t trust … on the playground, you learn so much."

Ditto’s awesome voice is a source of pure energy and uplift there’s something wonderful about the way it acquires a razor’s edge as it reaches higher on a ferocious anthem like "Yr Mangled Heart." Yet while she sounds upbeat, her words on these songs are haunted. The title track’s stance of defiance amid the everyday-and-endless brainwash bullshit of the Bush era is typically stressed-out.

One song later, on the somewhat Romeo Void<\d>ish "Jealous Girls," Ditto’s wrestling with a feeling that kills girl love and doing so in way that goes beyond sloganeering she explores the pain of the emotion, and the paths that lead to and away from it, before tacking a declaration of independence ("No matter what the price, they can’t take me") to a chugga-chugga finale.

"Coal to Diamonds" could almost be a ballad by the Soul Queen of New Orleans, Irma Thomas from its empty nighttime atmosphere to its sudden, bereft ending. Even if the instrumentation doesn’t move beyond thrift-punk sparseness to include a string arrangement, Ditto is still more than equipped to carry the song on her own. One thing is for sure: There isn’t a more powerful or charismatic frontwoman frontperson in rock these days. Karen O? Please. Frankly, Ditto could teach most of today’s slick R&B ladies with the exception of Mary J. and Keyshia how to go rage as they race up and down the scales.

At the moment, the Gossip have 4,305 friends on MySpace. That number is about to grow. Listening to Standing in the Way of Control, I can only back up what one of those friends has to say: "It even got the little hair on the back of my neck dancin’."

THE GOSSIP CD-RELEASE SHOW

With Numbers, Tussle, and Dynasty Handbag

Jan. 27, 9:30 p.m.

Bottom of the Hill

1233 17th St., SF

$12

(415) 474-0365

SF weekly sold

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Bill gates bought the sf…

Poster child

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Biz News

Poster child

Artist Favianna Rodriguez makes history with her politically conscious graphics company.
By Momo Chang

IF YOU WENT to college in the Bay Area during the mid-to-late-’90s, chances are you’ve seen Favianna Rodriguez’s work. She’s the woman behind many of the ubiquitous peace and protest posters displayed on college campuses and in storefront windows, championing such issues as “No on Prop. 209” (the anti-affirmative action initiative) and demanding ethnic studies education.

She projects her radical messages onto high-contrast, boldly outlined figures, but she’s not just someone who rants and raves in a fist-in-the-air kind of way. The 27-year-old is clearheaded and visionary about her art. Though she follows in the traditions of Chicano poster-makers of the ’60s and ’70s, like Malaqu??as Montoya of Sacramento and the artists at Mission Cultural Center for Latino Arts’ Mission Grafica (2868 Mission, SF. 415-821-1155), she came of age in the digital era, when hundreds of posters can be designed and printed overnight.

Digital designing allows her company, Tumi’s Designs (3028 International, Oakl. 510-532-8267, www.tumis.com), to have a fast turnaround, which is important in these politically turbulent times. Rodriguez

Film: Critic’s Choice: ‘San Francisco’s Broken Promise’

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Thurs/29, Delancey Street Screening Room

WHEN A GROUP  of Modesto Junior College students began looking into what Bay Guardian editor and publisher Bruce B. Brugmann calls "the biggest scandal in American history involving a city," most of them knew nothing about Hetch Hetchy Valley, and none of them had ever heard of the Raker Act. But spurred by a series of Bay Guardian stories and led by their instructor, Carol Lancaster Mingus, a veteran public television producer, they spent 17 weeks researching the story, doing interviews, and putting together archival footage. The result, San Francisco’s Broken Promise, is a remarkably clear, cogent account of how Pacific Gas and Electric Co. kept public power out of San Francisco. In just half an hour, the documentary summarizes one of the great stories in the city’s history, hitting all the major points. It describes how the fight over the damming of Hetch Hetchy Valley was the first major nationwide environmental battle, how the Sierra Club and John Muir fought to save the spectacular twin of Yosemite Valley twin, and how Congress agreed to let San Francisco build the dam, but only with a very specific condition: The dam had to generate electricity, and that cheap, public power had to be used to keep PG&E’s monopoly out of town. Obviously, the Bay Guardian (and its editor-publisher) play a key role in the doc. But the real star is Joe Neilands, the retired UC Berkeley biochemistry professor who first got onto the story in 1969. Neilands describes in his calm, soft-spoken way how the entire premise behind the Raker Act has been actively violated for more than 80 years. In the end, the film is a bit soft on the "restore Hetch Hetchy" movement, which wants to tear down the dam (a move that would be a deadly blow to public power in the city). And I would have loved to see some Michael Moore-style confrontations of PG&E executives and key public officials (like US senator, and former SF mayor, Dianne Feinstein, who figures prominently in the story but gets away with simply "declining comment." But Mingus and the student crew do a fine job of telling a complex tale without the use of a narrator, just splicing together a series of interviews. The film provides a wonderful public service: It gives a solid primer on the immensely complicated story of a scandal involving hundreds of millions of dollars – and does it in a way that’s entertaining, understandable, and wrapped up in a 30-minute package. Screening this week as part of the San Francisco World Film Festival, San Francisco’s Broken Promise ought to be aired on KQED, on local cable, and in classrooms and meeting rooms all over the city, and it ought be considered a mandatory part of any local activist’s basic political education. Thurs/29, 5 p.m., 600 Embarcadero, SF. $10. Festival runs Thurs/29-Sun/2; call (415) 725-0009 or go to www.sfworldfilmfestival.com/festival.html for a complete schedule. (Tim Redmond)

Cruisin’ for a bruisin’

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EVER SINCE THAT fateful day on the family farm when our stud calf Beauregard threw me from his back and rammed me several times against a large oak, giving me one heck of a concussion, I knew I was destined to become a leather queen. I was only 11 at the time, and the options were few for actual experience, but dammit — if I couldn’t have the sex, then at least I’d have the outfits. “And what are you?” my innocent neighbors would ask when they opened their doors at Halloween. “I’m Freddie Mercury!” I’d reply with a wiggle of my little homemade chaps (Hefty bags and duct tape) for emphasis. And then they’d give me candy.

Nowadays everyone’s got to have at least one kinky fetish on their sexual resume — thanks, Madonna — yet often the men, women, and “other” of that twisted tribe known as the Leather Community still get a bad rap, especially among young gay club patrons. Part of this is fear, of course: Doesn’t all that pain hurt a little? And part of it is shame: The leather generation that came of age in the ’70s and ’80s has had to shoulder not just the burdens of age and rejection, but also a ridiculous cross between jealousy for living through the hedonistic homo heyday and blame for AIDS. And then, of course, there’s the primal terror of turning into one of those old men with cottage-cheese buttocks and a basketball belly who strut around the Eagle wearing nothing but rainbow flip-flops and a leash.

Oh sure, we’ll let them take us home and spank us on weeknights, but when we see them at the disco, we just shudder and throw shade.

In response, it seems, the leather queens closed ranks. No longer feeling welcome, they became a kind of secret society in the ’90s. Once-omnipresent social institutions like the Imperial Court of San Francisco and the Rainbow Motorcycle Club went underground ��� and, sadly, saw their profiles dwindle. Tight-knit contingents like Mama’s Family and the Men of Discipline sprang up, with their unique rituals and dress codes, shunning the clubs in favor of charity Golden Gate potlucks, cabaret fundraisers, and converted-garage play parties promoting safe-sex awareness. (Leatherfolk are all about the benefits, these days.) The sash circuit moved to the suburbs. Half the community morphed into bears. Even the dawn of the Internet connection only increased the generation gap.

But as the first Arab American leather hip-hop disco clubkid muppet queer San Francisco Drummer Boy 2001 (runner-up), I feel it’s my deep responsibility and honorable duty to reprazent my peeps in the hide. If there’s one thing my leather dad (love you, Ray) taught me, it’s respect, and if there’s another, it’s how to keep from passing out after hanging upside-down for 40 minutes. It’s time for all this nonsense to stop. This year may have seen three more local leather haunts — Loading Dock, My Place, and Club Rendez-Vous — close to become upscale, straight-type martini lounges; the baths are still outlawed; and creepy tweekers have invaded the sex clubs; but the leather lifestyle is still brilliant and vital, bouncing back up through the queer underground and swelling its ranks with curious alternaqueers and radical faeries, who fetishize being open-minded.

Today, the only places the whole queer community can come together regularly are our precious few leather bars. Daddy’s, Aunt Charlie’s, Marlena’s, and The Eagle have all undergone recent renaissances, fueled by a combo of renegade young promoters, indulgent owners, and a healthy new lust for the underground. Where else can beef and chicken meet? Not to mention old punks, baby dykes, hustlers, drag queens, bull daggers, grandpas, gymbots, ex-clones, Aberzombies, club kids, A-gays, bikers, circuit boiz, transgendered hotties, Log Cabin Republicans, and the odd closeted TV anchorman. It seems the more the mainstream media bleaches out our filthy abominations, the more we return to our fruitful past, when lust was the glue that held us together, and abomination was a kind of gang handshake. We may be more diverse than ever, but leather’s still our common ground.

Daddy’s. Daily, 9 a.m.-2 a.m., 440 Castro, SF. (415) 621-8732, www.daddysbar.com.

Marlena’s. Mon.-Fri., 3 p.m.-2 a.m.; Sat.-Sun., noon-2 a.m., 488 Hayes, SF. (415) 864-6672.

Aunt Charlie’s. Mon.-Fri., noon-2 a.m.; Sat.-Sun., 10 a.m.-2 a.m., 133 Turk, SF. (415) 441-2922, www.auntcharlieslounge.com.

The Eagle Tavern. Daily, noon-2 a.m., 398 12th St., SF. (415) 626-0880, www.sfeagle.com.

E-mail Marke B. at superego@sfbg.com.

Street fairs and fall festivals

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IF YOU’VE been wondering where all the headline acts and theater companies go in that long gloomy stretch before the fall season, take a look at some of the entertainment featured in the following fairs and harvest festivals. Not only do Bay Area late-summer and autumn celebrations provide space for artists, craftpeople and nonprofit organizations to peddle their wares, many feature performers like Maxine Howard, Modern Jazz Quartet, the Asian American Dance Collective and many, many more. In part two of our third annual guide to Bay Area street fairs, we’ve listed TK celebrations from the beginning of August through October. Unless otherwise noted, the fairs — and the entertainment — are free. For more information, or in case you’d like to participate, call the telephone number listed at the end of each festival description.

August 1-2

Nihonmachi Street Fair The streets of Japantown come to life with live entertainment, food booths, arts and crafts and games. Headliners on Saturday include the top-40 group Desire, while Sunday features jazz recording artist Deems Tsutakawa. On both days, Spirit of Polynesia, the Asian American Dance Collective and the Chinatown Lion Dance Collective perform ethnic dances. The event also features Children’s World, with activities and arts and crafts designed especially for two-to 12-year-olds. 11 am-5 pm in Japantown, Post and Buchanan, SF. 922-8700.

Aug 7-???

Festiva Latino ALL FURTHER INFORMATION TO COME ON MONDAY BECAUSE I LOST THE FOLDER THAT HAD ALL THE STUFF IN IT. I DON’T KNOW HOW I LOST IT BUT WE NEED AT LEAST TO MENTION ALL THE STARS THAT WILL APPEAR. PHONE NUMBER: 543-3030.

August 7-9

ACC Craft Fair From custom-made saddles and porcelain lamps to cedarwood desks and ornamental jewelry, this fair highlights the distinctive work of 300 artists from across the nation, including 75 from Northern California. All of the artists are chosen on the basis of integrity of design and excellence of execution, and the show’s organizers say they hope to elevate crafts into a major industry and an important art form. Adults, $4; children under 12 free. Fri., 11 am-8 pm; Sat., 11 am-6 pm; Sun., 11 am-5 pm. Fort Mason Center, Piers 2 and 3, Bay and Laguna, SF. 526-5073.

August 15

Reggae Explosion, ’87 Presented in the style and tradition of Jamaica’s famous annual Sun Splash concert, this event features Haitian art, Caribbean crafts and Jamaican cuisine, as well as dance, poetry, raffles and prizes. Musical artists include the internationally known Don Carlos and his Freedom Fighters Band, Strictly Roots and the sweet steel drums of Val Serrant. $8 in advance; $10 at the door. 1-11 pm, Fort Mason Center, Pier 3. Sponsored by the Western Addition Cultural Center. 921-7976.

August 22-23

Palo Alto Celebrates the Arts Festival Wine tasting and dancing in the streets will bring even more sunshine to Palo Alto’s University Avenue. Wares include high-quality ceramics and pottery ranging from dinnerware and stoneware as well as paintings, prints and one-of-a-kind furniture to decorate and distinguish the home. 10 am-6 pm, University Ave., Palo Alto. Sponsored by the Downtown Palo Alto Arts Fair Committee. 346-4446.

August 22-September 27

The Renaissance Pleasure Fairs A large grove of live oaks provides the setting for spirited pageants and merry parades that attempt to recreate a 16th-century Elizabethan country village. The Northern California Renaissance Fair is an autumn harvest festival, with music and dancing, hearty foods and rare hand-made crafts. Queen Elizabeth and her court are among the more than 1,000 costumed entertainers. Visitors are encouraged to arrive in period dress and join the fun. Adults, $10.50; seniors, $8.50; children under 12 free. Weekends and Labor Day, 10 am-6 pm. Located at the Blackpoint Forest in Novato, Hwy 37 to the Blackpoint exit. Sponsored by the Living History Center. 620-0433.

August 27-30

San Francisco Fair and International Exposition This year’s fair has an international flavor with its theme “San Francisco: Gateway to the Pacific.” San Francisco’s sister cities of Manila, Osaka, Shanghai, Sydney, Taipei and Hong Kong each have their own pavilion, to exhibit the individuality and heritage of each city and country, and highlight San Francisco’s thriving relationship with her sister cities. The fair also features a wine pavilion, a San Francisco history exhibit and, of course, the famous contest program, featuring such past favorites as the “Financial District Strut,” the “Impossible Parking Space Race,” the winners of the Bay Guardian Cartoon Contest and new additions including the “SF Safe Sex Button,” and “Freeways to Nowhere.” Adults, $5; seniors, $3; youth aged 5-15, $2; children under 5, free. Aug. 27th is “Youth Day” (all youth 15 and under admitted free); Aug. 28th is “Senior Day” (seniors admitted for $1.50). 11 am-9 pm, Civic Auditorium, Brooks Hall, Civic Center Plaza, SF. 557-8758.

September 4-6

122nd Annual Scottish Gathering and Games Come join 40,000 Scots for three days of music, dancing, food and contests. Highlights include the Highland Dancing Championships and the Caber Tossing Championship (a caber is a log the size of a telephone pole tossed end-over-end for accuracy). More than 50 clans are expected to set up tents and display their family tartans and coats of arms. Tickets for the Friday night Musical Pageant and Twilight Tattoo are $5 grandstand; $6 box seat, 8 pm, at the Sonoma County Fairgrounds. Sat. and Sun., adults, $11 one day, $16 both days; youth 11-16, $6 each day; seniors, $5 each day; children under 11, free. Sponsored by the Caledonian Club of San Francisco. 897-4442.

September 5-6

A la Carte, a la Park Here’s your chance to picnic with more than 60 top Bay Area restaurants — De Paula’s, Firehouse Bar-B-Q, Vanessi’s Nob Hill and Hunan, among others — presenting their specialties at special prices to benefit the San Francisco Shakespeare Festival’s Free-Shakespeare-In-The-Park program. Sample the great cuisines of the world while enjoying a series of classical and jazz performances and samplings from the drama of William Shakespeare. $2.50 voluntary donations encouraged. 11 am-6 pm, in Golden Gate Park’s Sharon Meadow on JFK Drive across from McClaren Lodge, SF. 441-4422.

September 5-7

Concord Fall Fest This fourth annual Labor Day weekend festival, held in Todos Santos Park, features grape stomps, chili cook-offs and a 10K run. Less energetic fairgoers can enjoy an open-air marketplace of arts and crafts, food booths and live music. 10 am-6 pm, Concord (take Willow Pass Road exit from 689). Sponsored by the Concord Chamber of Commerce. 346-4446.

September 5-7

Sausalito Art Festival One of Northern California’s largest outdoor fine arts exhibitions, the 35th annual art festival is held along the beautiful Sausalito waterfront. More than 100 artists and craftsmen from around the world exhibit a total of 4,000 works of art. A variety of non-stop entertainment will be provided, along with 26 international food booths. Festivities begin Friday night, Sept. 4th, with fireworks and a black-tie party. The Breakers to Bay run begins along the Pacific at Fort Cronkhite in Marin at 8:30 am (register by August 18th). Adults, $3; children 6-12, $2; under 6, free. 10 am-6 pm, Bridgeway and Litho, Sausalito. Sponsored by the Sausalito Chamber of Commerce. 332-0505.

September 7

Arts Explosion This Labor Day festival celebrates the end of summer with a bang (fireworks) and launches the fall arts season. Complementing the showcase of outstanding Bay Area musicians and dance companies will be original performance works; “art by the yard” and a sculpture “glue booth” for children of all ages; an “Arts Row” with a variety of opportunities to interact with local arts organizations. Children under 12 free; adults, $1. 11 am-9 pm, Estuary Park on Embarcadero West, Oakl. Sponsored by the Oakland Festival of the Arts. 444-5588.

September 12-13

Russian River Jazz Festival Bring your suntan lotion, beach chairs, blankets and swimsuits, and swing to the sounds of the legendary Nancy Wilson, Maynard Ferguson and High Voltage, the Wayne Shorter Quintet and a host of others. This year, the festival features two stages set at the river’s edge, with a spectacular backdrop of redwood-covered mountains. Food and crafts will also be available. $23 single day; $42 for both days. Located at Midway Beach near Guerneville. (707) 887-1502.

September 12-13

15th Annual San Francisco Blues Festival The oldest ongoing blues festival in the U.S. offers two days of performances by blues greats from around the country, an unmatched view of the Bay and a superb array of New Orleans and Louisiana cuisine. Saturday’s music lineup includes Johnny Winter, Lonnie Brooks and Oakland’s own Maxine Howard, and on Sunday Roomful of Blues, Albert Collins and Memphis Slim play. $10 in advance; $12 at the door; $16 for a special two-day ticket available in advance only. Noon-6 pm at the Great Meadow, Fort Mason Center, Marina at Laguna, SF. 826-6837.

September 13

24th Street Merchants’ Cultural Festival The 24th Street Fair celebrates Latin American Independence as well as creating a community gathering for artists, residents and merchants. Visitors can enjoy Latin American food and arts and crafts with a Latin theme. A plethora of information booths provides literature on community activities and five stages continuous entertainment by local groups. 11 am-6 pm, 24th St. from South Van Ness to Potrero, SF. Sponsored by the Mission Economic and Cultural Association. 826-1401.

September 18-20

30th Annual Monterey Jazz Festival Monterey Jazz Festival swings again, this year featuring more than 25 superstars, including Ray Charles, The Modern Jazz Quartet, B.B. King, Toshiko Akiyoshi, Etta James and Bobby McFerrin. The event also features food and merchandise booths, and the sponsor, MCI Communications, offers visitors the opportunity to call anywhere in the U.S. free of charge. Although the main stage events are sold out, grounds admissions tickets are still available and allow the bearer access to the outdoor Garden Stage and the indoor Nightclub, which host many of the headliners. $15 a day. Fri., 5 pm-midnight; Sat., noon-midnight; Sun., noon-10 pm. 775-2021.

September 19-20

Mill Valley Festival More than 100 artists, selected by a jury, exhibit their wares at this arts-and-crafts fair set in a beautiful redwood grove. Food, continuous on-stage entertainment and activities for children make this one of the premiere fine arts festivals in the country. Voluntary donations requested. 10 am-6 pm, Old Mill Park, Throckmorton and Old Mill, Mill Valley. 381-0525.

September 19-20

Pan-Pacific Exposition Art and Wine Festival This city-wide festival is held on the site of the 1915 World’s Fair. Horse-drawn carriages and vintage cars transport visitors to the glories of bygone days as the festival celebrates the highlights of San Francisco history. Enjoy ragtime music, a historic fashion show and pennyfarthing bicycle races. Several wine gardens offer premium wines from select California vineyards. 10 am-6 pm, Marina Green, Lyon and Marina, across from the Palace of Fine Arts, SF. Sponsored by the San Francisco Council of District Merchants. 346-4446.

September 20

Folsom: Dimension IV! Now in its fourth year, this fair has established itself as the “End of Summer” celebration. Staged on the equinox of 1987, the fair again features the mascot “Megahood,” who breathes fire and smoke over the crowds. Entertainment includes the Folsom All Stars, the Zasu Pitts Memorial Orchestra and Viola Wills. Expect high-energy performances and technological innovations and one of the most diverse display of local artistry and crafts. The fair is a benefit for the San Francisco Aids Emergency fund and the South of Market Community Association. 11 am-7 pm, Folsom between 7th and 12th St., SF. Sponsored by Budweiser Corporation. 863-8579.

September 26-27

The Pacific Coast Fog Fest Visitors to the Pacific coastline are treated to historical and humorous displays at the Fog Fest. Diners may feast on seafood and of course fogcutters are the featured cocktails. Vintage cars, arts, crafts, continuous entertainment and fog-calling contests make this a welcome new Bay Area event. 10 am-6 pm. Located on Palmetto Ave., between Shoreview and Santa Rosa in Pacifica, Hwy 1 to Paloma exit. Sponsored by the City of Pacifica. 346-4446.

October 2-4

Fiesta Italiana A weekend family event, this year’s fair promises to be the “Besta Festa.” The celebration of Italian-American culture features Italian cooking demonstrations, wine tasting and grape stomping. Mayor Dianne Feinstein is scheduled to cut the pasta ribbon to open the ceremonies, Sergio Franchi will headline with two shows a day and the Italian design Ford Concept Car is on display. Fireworks are scheduled for the end of each day. Adults $8; children $1.50; Seniors and disabled $5 (free from noon-6 pm on the 2nd). Noon-midnight, noon-10 pm on Sun. Pier 45, Fisherman’s Wharf, Shed A and C, SF. Sponsors include Pepsi, Ford Motor Co., Budweiser, Sony, Lucky Stores, EFS Savings and the Port of San Francisco. 673-3782.

October 4th

Castro Street Fair Started in the back room of Harvey Milk’s camera store in 1974, this neighborhood fair has become a city-wide event. Musicians, bellydancers and jugglers appear with prom queens, urban cowboys, visitors from outer space and the Gay Freedom Day Marching Band and Twirling Corps. A variety of music, comedy acts and more than 200 arts and crafts displays are also scheduled. Castro between Market and 19th, SF. Sponsored by the Castro Street Fair. 346-2640.

October 9-25

Harvest Festival For three weekends, the nation’s largest touring festival of handmade crafts, fine art, music, theater and cooking transforms Brooks Hall into a colorful 19th-century village. The event features bluegrass and country bands, continuous stage entertainment, jugglers, acrobats and wandering minstrels, as well as the hundreds of unique shops that line the walkways. Center Stage headliners include Riders in the Sky, and the famed musical comedians the Brass Band, winners of the top prize at the Edinburgh, Scotland Performing Arts Festival. Adults $5; children 6-11, $2.50; children under 6, free. Fri., noon-10 pm; Sat., 10 am-10 pm; Sun., 10 am-7 pm, Brooks Hall, Civic Center. 974-4000.

October 10-11

Art and All That Jazz on Fillmore A second-year revival in remembrance of Fillmore Street’s heyday of music, known in the 1940s, ’50s and ’60s for its hot jazz and blues clubs. Two days to celebrate San Francisco’s jazz roots with fine arts, fine food and fine wine in outdoor cafes. 10 am-6 pm, Fillmore between Post and Clay, SF. Sponsored by the Fillmore Street Merchants’ Association, the Pacific Heights Homeowners’ and Merchants’ Association. 346-4446.

October 11

Montclair Village Fair The winding streets of Montclair Village provide a charming locale for this neighborhood fair, where 50 artisans sell crafts and local schools, business and nonprofit organizations sell food. This year’s fair has a circus theme, with strolling flutists and meandering mimes helping to create a carefree atmosphere. A pancake breakfast kicks things off and is followed by hayrides in Montclair park. 11 am-5 pm, LaSalle at Mountain, Oakl. Sponsored by the Montclair Business Association. 339-1000.

October 17-18

Half Moon Bay Art and Pumpkin Festival Artists and craftspeople from across the United States display wares in more than 250 booths and all-day entertainment features blue grass to rock-and-roll at this “something for everyone” festival. As you might expect, pumpkin goodies abound and the fair kicks off with two pie-eating contests. Other events include a Pumpkin Festival Run and a pumpkin-carving contest. 10 am-5 pm, Main Street in Downtown Half Moon Bay. Sponsored by the Coastside Chamber of Commerce. 726-5202. *

Critic’s Choice

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CRITIC’S CHOICE/Music

Suzanne Vega

Mix Leonard Cohen’s lonely passion together with Laurie Anderson’s hypnotic flow, add part shy Joan Armatrading with word-conscious, whispy, youthful Joni Mitchell, and you’ve got the complex, vulnerable Suzanne Vega, who defies the insensitive ’80s angst with her thoughtful, sensitive style. With characteristic individualism, Vega’s tone is that of an isolated New Yorker, socially distanced but perceptively open. Her applauded 1985 debut album Suzanne Vega is delightfully followed by her recent Solitude Standing, on which she continues with sensual lyrics, mystical observances and resonous harmonies to make an uncategorizable blend of rock, jazz, folk and new age music.

— David Shaw

Suzanne Vega, Thurs/6 at 8 pm, Warfield Theater, 982 Market, SF. $16.50. 762-BASS.

CRITIC’S CHOICE/Film

Samuel Beckett, Silence to Silence

Samuel Beckett, one of the 20th century’s most intriguing and reclusive novelists and playwrights, is spotlighted in this insightful and thought-provoking documentary. Through a backdrop of still photographs and excerpts from many of Beckett’s works, including Murphy, Watt and Waiting for Godot, director Sean O Mordha traces Beckett’s childhood in Ireland, early years with the Surrealists in Paris, subsequent friendship with James Joyce, and later activity in the French resistance during WWII. Ultimately, myths of Beckett’s bleakness are dispelled, leaving us with a warm and honest vision of the man, and exposing the underlying simplicity in his complex and often misinterpreted work.

— Kate Kelly

Samuel Beckett, Silence to Silence. Fri/31-Sun/2 at 6:15, 8, 9:45 pm, with Sat. and Sun. matinees 2:45 and 4:30 pm. Roxie Cinema, 3117 16th St. $4.50; $3.50 members. 863-1087.

CRITIC’S CHOICE/Events

National Pipe Collector’s Expo

More than 60 collectors, dealers and craftsmen are scheduled to set up their wares at the National Pipe Collector’s Expo in Burlingame. Among them are Frank Burla, probably the foremost antique pipe collector in the U.S. and Michael Butera, a Texas craftsman whose classic-shaped pipes start at $150 at San Francisco’s Grant’s Pipe Shop. Pipe lovers can spot the exotic finds, the antiques and a whole range of meerschaums, the clay pipes that start out white and, as they’re smoked, slowly turn to pink, amber and rich ochre by absorbing the tobacco oils. Rick Hacker, author of The Ultimate Pipe Book, emcees the Saturday night awards banquet.

— Jean Field

The National Pipe Collector’s Expo. Sat/1 and Sun/2, 10 am-5 pm, Holiday Inn Crowne Plaza, 600 Airport Blvd., Burlingame. $3. 965-4773.

MICROFILMS

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Summer School

Just because the theme’s about underachieving, why did Carl Reiner have to make a movie to match? What could have been an ABC of lightweight summer entertainment rates only a C+ as gym coach Mark Harmon’s blackmailed by mean-minded vice principal Robin Thomas into giving up his vacation to teach remedial English. His not-making-the-grade students include Chainsaw Massacre fanatic Dean Cameron, pregnant Shawne Smith, can’t-stay-awake Ken Olandt, can’t-drive Kelly Minter and surfer Courtney Thorne-Smith, who has a crush on Thomas. The plot’s predictable: Harmon learns to outsmart his students, and they learn the rewards of higher-than-D-education, but first-time star Harmon is just, well, average, and so are the antics, with one exception. At the preview screening, the audience loved the students’ Chainsaw Massacre re-creation — pity the rest’s not as imaginative. Not that the movie should be flunked, but, like the students, it obviously could do better. (Regency 2, SF; Berkeley, Berk.; Showcase, Oakl.)*

Le Domino theory

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Are you ready for a fun French restaurant offering surprisingly good sauces and prices — at the corner of 17th Street and Florida? We’re talking about the darkest Mission here, one block from the new Autocenter, where baseball fans used to cheer at sunny Seal Stadium.

Le Domino has been at this site for what seems like forever. It has long been known as a gay hangout, a place to meet, have a drink and a meal far from the madding Castro crowd. But last September, Luc Pelletier, who has run Le Domino since 1974, changed his chef, his cuisine and his hours. Lighter dishes, with more finely crafted sauces, started to flow from Le Domino’s kitchen, and as an experiment Luc opened the restaurant for quite reasonably priced lunches, hoping to lure southward some of South of Market’s more peripatetic lunchgoers.

That experiment, as of this writing, has failed — Le Domino is once again open for dinner only. On the one occasion I was able to eat lunch at Le Domino, two of us dined for less than $30 on a (slightly over-) broiled ono steak in an elegant simple butter sauce and a wonderful spicy lamb sausage, with peppery meat and a crunchy skin, on a bed of too many onions. We had some wine, and finished the meal with what must be the world’s smallest cappuccino. The service was reasonable but not hurried, and we re-entered the workaday world refreshed.

One of the factors that makes that possible is Le Domino’s ambiance. This is not one of those restaurants that is one with the city’s streets; far from it. When you walk into Le Domino, you’re greeted with a cocktail lounge that has seen better times. But turn right and walk up the stairs and you’ll find yourself far from the Mission, in one of the city’s nice French dining rooms. It is, in fact, a room that could be in an inn in a small town in France, with old oil portraits on the walls, a massive chandelier hanging over the stairway and candle lamps flickering on tables set with while tablecloths above a deep burgundy carpet.

Where once Le Domino aped in a heavy-handed way the approach to French cooking of the Cordon Bleu, it now has found a lighter, more reasonable path that it pursues quite successfully. Consider two recent dinners:

One began with a shared dish of fettucine with mussels and shrimp in a crayfish sauce with dill ($5.75), a lovely presentation in which the black mussel shells ringed the mounded shellfish meats, presented over mixed white and green fettucine. The sauce was considerably lighter than it looked, well-crafted if a bit over-reflective of the onion in its preparation. The sauce was nonetheless the star of the dish, setting off the plump mussels to perfection and showing up the shrimp as less than fresh.

The entrees in that meal were a substantial portion of nicely grilled sockeye salmon, slightly burnt at the edges, set off by a rich, buttery pistachio “butter,” accompanied by an uninteresting rice pilaf and overcooked mixed vegetables ($14.50), and a slightly dry cut of rabbit in a wonderful light yet assertive and delightful cream/tarragon sauce, accompanied by sauteed “pommes frites ($13.25).”

The second, on a crowded Friday evening, began with a Pedro Domenq La Ina sherry and then a shared dish of beef tongue, chewy yet soft, in a nice vinegar/mustard/capers sauce that complemented the rich fattiness of the tongue. It was a dish that, in small servings, could grow on one.

The onion soup that followed was built on a solid stock base and was deeply onion-flavored, but suffered from excess saltiness, perhaps from the cheese melted on top, and a disjointed character.

The sweetbreads on the current entree menu (La Croustade de Ris de Veau, 13.50) are, in a word, magnificent: delicate and flavorful, lightly breaded and flavored with mushrooms and wine, served as a “sandwich” within triangles of puff pastry with pilaf rice and sauteed vegetables. The same, unfortunately, could not be said of the honey/ginger-sauteed veal chop (La Cotelette de Veau au Miel et Gingembre, $16), a striking single double-thick chop with a long, curving rib bone. While it was visually impressive, the milk-fed veal chop was flavorless, a bit too fatty and overshadowed by a sweet honey-based sauce.

In both meals, the apres-entree salad was a nice butter lettuce plate sporting a nice straight-ahead vinaigrette. The cappuccino was weak, but in the latter meal a nice lemon tart by Tarts rounded the meal out well.

Both dinners at Le Domino toted up at around $68, with wine and dessert included. While that’s a bit more than a couple of burgers will cost, Le Domino offers a pleasant, off-the-beaten-track dining experience that is likely to leave you feeling good about yourself and your partner, about Luc and about the world. That, if Luc keeps up the good work, puts Le Domino in a class with Le San Tropez, Camargue, Zola and a handful of others of the city’s better everyday French restaurants.

And who knows? If the outcry is loud enough, Luc may start lunches again. He says he thinks 17th and Florida is too far away from the action, and doesn’t believe people will come at noon from the South of Market and downtown. What do you think?*

LE DOMINO 2742 17th St., SF, 626-3095. Mon.-Thurs., 5-10 pm; Fri. and Sat., 5-11 pm.

Of Lenin and latecomers

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Lenin for lawyers

The 50-year-old San Francisco chapter of the National Lawyers Guild has long worked with local politicians to formulate legislation on issues from South Africa sanctions to rent control, but has always stopped short of endorsing candidates. Two recent events — the Jesse Jackson presidential campaign and Supervisor Harry Britt’s run for Congress — have prompted some members to suggest a policy change. The group’s latest newsletter includes a fascinating pro-and-con debate.

Doris Walker argues against endorsements, pointing to Britt’s divergence with the Guild over support for the PLO. But the choicest bit of writing is contained in a pro-endorsement argument by Thomas Steel, Nancy Clarence and Brian McAffrey: “A live and vibrant organization dealing with issues that matter will have disagreements. If we’re dead or irrelevant, we can avoid disagreement….

The idea that participation in electoral politics would “compromise’ a leftist organization was rejected by no less than Lenin himself 70 years ago. Indeed, he characterized this perspective as “an infantile disorder’ in his famous polemic, Left Wing Communism — An Infantile Disorder….

Lenin [said]: “While you lack the strength to do away with the bourgeois parliments and every other type of reactionary institution, you must work within them because it is there you will still find workers who are duped….

Otherwise you risk turning into windbags.’

“For lawyers, the risk of turning into “nothing but windbags’ is something of an occupational hazard, while infantile disorders are not exactly unprecedented. We should avoid these mistakes and take part in legislative and electoral reforms along with the communities in which we live.”

The Guild will hold a membership meeting to vote on the issue September 16th. Info.: 285-5066.

Mayoral alternatives

In San Francisco, politics has always been too important to leave to the politicians. So it comes as no surprise that a popular local comedian and a flamboyant newspaper columnist have joined nightclub owner Cesar Ascarrunz in the ranks of contenders who hope to start their political careers at the top. Examiner columnist Warren Hinckle symbolically swept the steps of City Hall Friday and submitted a letter of intent to the registrar of voters signifying his official entry into the mayor’s race. Hinckle has impeccable credentials as a Party Loyalist, but based on his record as a magazine editor, we’d hesitate to let him near the city treasury.

Political satirist Will “Vote for me or don’t” Durst, claiming he is “as incapable of doing the job as any other candidate,” has also filed a letter of intent and plans a rousing campaign kick-off at a Julia Morgan Theatre show in Berkeley Aug. 23rd. Durst told the Bay Guardian he is serious about the candidacy and hopes to “pimp the process” to show people the other candidates never say anything of substance. But he added he doesn’t expect to win and is proceeding “with tongue firmly planted in cheek.” Durst says his campaign proposals include turning Broadway, with its boarded-up sex clubs, into a city-subsidized entertainment district and returning Fisherman’s Wharf to those who fish. Was that supposed to be funny? For more information on Durst’s campaign opener, call the Julia Morgan Theatre at 548-2687.

AIDS quilt

NAMES Project organizers have proclaimed Aug. 17th-24th Aid Quilt Week, and are asking people to form quilting bees to make panels bearing the name of someone lost to AIDS. The 3-by-6 foot panels will be sewn into a massive memorial quilt to be displayed at the Capital Mall in Washington, D.C. Oct. 11th, in conjunction with the National March on Washington for Lesbian and Gay Rights. Completed panels must be sent before Sept. 15th to NAMES Project, PO Box 14573, SF 94114. Info.: 626-5725.

SFRG grows

After eight years of battling Manhattanization on its own, San Franciscans for Reasonable Growth has decided to offer public membership. The nonprofit, 13-member citizens board, a major force in the Prop M victory last fall and a successful defender of the measure in court, plans a public outreach campaign on such upcoming issues as Mission Bay, the 101 corridor and regional transit development. A $25 annual basic fee ($100 supporting membership) will entitle members to a quarterly report analyzing urban environmental issues. President Alan Raznick told the Bay Guardian, “New members should provide a solid base for us to disseminate information. We’re building on our past strengths.” For information, contact Alan Raznick or Esther Marks at 870 Market, Room 1119, SF 94102, or call 392-6760.

Short takes:

Sunday/2ndAttendance at the July 12th screening of Iran/Contra: The Story Behind the Scandal, the Christic Institute video about a secret team in the intelligence community and its operations from Cuba to Vietnam to Nicaragua, was so great the Democratic Socialists of America scheduled additional screenings that will also include a second video in which Christic’s lead attorney, Daniel Sheehan, analyzes recent related developments in Washington. 4:30 pm, Noe Valley Ministry, 1021 Sanchez, SF. $2 Info.: 552-1250….

Tuesday/4th — Katya Komisaruk, who damaged a computer at Vandenberg Air Force Base to protest weapons testing, will speak at a War Resisters League/West potluck that will include a discussion of demonstration tactics. 7:00 pm, 942 Market,

701, SF. 433-6676….

Wednesday/5th — Participants at a conference organized by the Center for Third World Organizing will discuss how toxic pollutants disproportionately affect minorities. 8:30 am-4:30 pm, St Paul’s Episcopal Church, Grand at Montecito, Oakl. $10-$15. Info.: 654-9601.

SF’s economic future

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Sometime early this spring, while most of Washington, D.C. was watching the cherry trees bloom and thinking about the impending Iran-contra hearings, a few senior administration officials began discussing a plan to help domestic steel companies shut down underutilized plants by subsidizing some of the huge costs of pension plans for the workers who would be laid off.

The officials, mostly from the Departments of Labor and Commerce, saw the plan as a pragmatic approach to a pressing economic problem. With the steel industry in serious trouble, they argued, plant closures are inevitable — and since the federal government guarantees private pension plans, some companies will simply declare bankruptcy and dump the full liability on the taxpayers. Subsidies, they argued, would be a far cheaper alternative.

But the plan elicited sharp opposition from members of the Council of Economic Advisors, who acknowledged the extent of the problem but said the proposal was inconsistent with the Reagan economic philosophy. The problem, The New York Times reported, was that “such a plan would be tantamount to an industrial policy, an approach the president has long opposed.”

For aspiring conservative politicians, the incident contained a clear message, one that may well affect the terms of the 1988 Republican presidential debate. To the right-wing thinkers who control the party’s economic agenda, the concept of a national industrial policy is still officially off-limits. In San Francisco, the ground rules are very different. All four major mayoral candidates agree that the city needs to plan for its economic future and play a firm, even aggressive role in guiding the local economy. The incumbent, Dianne Feinstein, has established a clear, highly visible — and often controversial — industrial development policy, against which the contenders could easily compare and contrast their own programs.

The mayoral race is taking place at a time when the city is undergoing tremendous economic upheaval. The giant corporations that once anchored the local economy are curtailing expansion plans, moving to the suburbs and in many cases cutting thousands of jobs from the payroll. The once-healthy municipal budget surplus is gone. The infrastructure is crumbling and city services are stressed to the breaking point.

By all rights, the people who seek to lead the city into the 1990s should present San Francisco voters with a detailed vision for the city’s economic future, and a well-developed set of policy alternatives to carry that vision out.

But with the election just three months away, that simply isn’t happening. Generally speaking, for all the serious talk of economic policy we’ve seen thus far, most of the candidates — and nearly all the reporters who cover them — might as well be sniffing cherry blossoms in Ronald Reagan’s Washington.

“San Francisco’s major challenge during the next 15 years will be to regain its stature as a national and international headquarters city. This is crucial to the city because much of its economy is tied to large and medium-sized corporations….The major source of San Francisco’s economic strength is visible in its dramatic skyline of highrise office buildings.”

—San Francisco: Its economic future

Wells Fargo Bank, June 1987

“In San Francisco, you have the phenomenon of a city losing its big-business base and its international pretensions — and getting rich in the process.”

—Joel Kotkin, Inc. Magazine, April 1987

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IN MUCH OF San Francisco’s news media and political and business establishment these days, the debate — or more often, lament — starts with this premise: San Francisco is in a bitter competition with Los Angeles. At stake is the title of financial and cultural headquarters for the Western United States, the right to be called the Gateway to the Pacific Rim. And San Francisco is losing.

The premise is hard to deny. If, indeed, the two cities are fighting for that prize, San Francisco has very nearly been knocked out of the ring. Just a few short years ago, San Francisco’s Bank of America was the largest banking institution in the nation. Now, it’s third — and faltering. Last year, First Interstate — a firm from L.A. — very nearly seized control of the the company that occupies the tallest building in San Francisco. The same problems have, to a greater or lesser extent, beset the city’s other leading financial institutions. A decade ago, San Francisco was the undisputed financial center of the West Coast; today, Los Angeles banks control twice the assets of banks in San Francisco.

It doesn’t stop there. Los Angeles has a world-class modern art museum; San Francisco’s is stumbling along. The Port of San Francisco used to control almost all of the Northern California shipping trade; now it’s not even number one in the Bay Area (Oakland is). Looking for the top-rated theater and dance community west of the Rockies? San Francisco doesn’t have it; try Seattle.

Even the federal government is following the trend. A new federal building is planned for the Bay Area, but not for San Francisco. The building — and hundreds of government jobs — are going to Oakland.

In terms of a civic metaphor, consider what happened to the rock-and-roll museum. San Francisco, the birthplace of much of the country’s best and most important rock music, made a serious pitch for the museum. It went to Cleveland.

For almost 40 years — since the end of World War II — San Francisco’s political and business leaders have been hell-bent on building the Manhattan Island of the West on 49 square miles of land on the tip of the Peninsula. Downtown San Francisco was to be Wall Street of the Pacific Rim. San Mateo, Marin and the East Bay would be the suburbs, the bedroom communities for the executives and support workers who would work in tall buildings from nine to five, then head home for the evening on the bridges, freeways and an electric rail system.

If the idea was to make a few business executives, developers and real estate speculators very rich, the scheme worked well. If the idea was to build a sound, firm and lasting economic base for the city of San Francisco, one could certainly argue that it has failed.

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NOT EVERYONE, however, accepts that argument. Wells Fargo’s chief economist, Joseph Wahed, freely admits he is “a die-hard optimist.” San Francisco, he agrees, has taken its share of punches. But the city’s economy is still very much on its feet, Wahed says; he’s not by any means ready to throw in the towel.

Wahed, who authored the bank’s recent report on the city’s economic future, points to some important — and undeniable — signs of vitality:

* San Francisco’s economic growth has been well above both the national and state average during the 1980s — a healthy 3.67 a year.

* Per-capita income in San Francisco is $21,000 a year, the highest of any of the nation’s 50 largest cities.

* New business starts in the city outpaced business failures by a ratio of 5-1, far better than the rest of the nation. * Unemployment in San Francisco, at 5.57, remains below national and statewide levels (see charts).

San Francisco, Wahed predicts, has a rosy economic future — as long as the city doesn’t throw up any more “obstacles to growth” — like Proposition M, the 1986 ballot measure that limits office development in the city to 475,000 square feet a year.

John Jacobs, the executive director of the San Francisco Chamber of Commerce, came to the same conclusion. In the Chamber’s annual report, issued in January, 1987, Jacobs wrote: “The year 1986 has been an amusing one, with both national and local journalists attempting to compare the incomparable — San Francisco and Los Angeles — and suggesting that somehow San Francisco is losing out in this artificially manufactured competition. Search as one might, no facts can be found to justify that assertion.”

Wahed and Jacobs have more in common than their optimism. Both seem to accept as more or less given the concept of San Francisco as the West Coast Manhattan.

Since the day Mayor Dianne Feinstein took office, she has run the city using essentially the policies and approach championed by Wahed and Jacobs. Before San Franciscans rush to elect a new mayor, they should examine those strategies to see if they make any sense. After nearly a decade under Feinstein’s leadership, is San Francisco a healthy city holding its own through a minor downturn or an economic disaster area? Are San Francisco’s economic problems purely the result of national and international factors, or has the Pacific Rim/West Coast Wall Street strategy failed? Is the economy weathering the storm because of the mayor’s policies, or despite them? And perhaps more important, will Feinstein’s policies guide the city to new and greater prosperity in the changing economy of the next decade? Or is a significant change long overdue?

The questions are clear and obvious. The answers take a bit more work.

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SAN FRANCISCO’S economy is an immensely complex creature, and no single study or analysis can capture the full range of its problems and potential. But after considerable research, we’ve come to a very different conclusion than the leading sages of the city’s business community. Yes, San Francisco can have a rosy economic future — if we stop pursuing the failed policies of the past, cut our losses now and begin developing a new economic development program, one based on reality, not images — and one that will benefit a broad range of San Franciscans, not just a handful of big corporations and investors.

Our analysis of San Francisco’s economy starts at the bottom. Wells Fargo, PG&E and the Chamber see the city first and foremost as a place to do business, a market for goods and a source of labor. We see it as a community, a place where people live and work, eat and drink, shop and play.

The distinction is far more than academic. When you look at San Francisco the way Wells Fargo does, you see a booming market: 745,000 people who will spend roughly $19.1 billion on goods and services this year, up from $15.4 billion in 1980. By the year 2000, Wahed projects, that market could reach $229 billion as the population climbs to 800,000 and per-capita income hits $30,000 (in 1986 dollars), up from $18,811 in 1980. Employment has grown from 563,000 in 1980 to 569,000 in 1986. When you look at San Francisco as a place to live, you see a very different story. Perhaps more people are working in San Francisco — but fewer and fewer of them are San Franciscans. In 1970, 57.47 of the jobs in San Francisco were held by city residents, City Planning Department figures show. By 1980, that number had dropped to 50.77. Although more recent figures aren’t available, it’s almost certainly below 507 today.

Taken from a slightly different perspective, in 1970, 89.17 of the working people in San Francisco worked in the city. Ten years later, only 857 worked in the city; the rest had found jobs elsewhere.

Without question, an increase in per capita income signifies that the city is a better market. It also suggests, however, that thousands of low-income San Franciscans — those who have neither the skills nor the training for high-paying jobs — have been forced to leave the city. It comes as no surprise, for example that San Francisco is the only major city in the country to post a net loss in black residents over the past 15 years.

The displacement of lower-income residents highlights a key area in which San Francisco’s economy is badly deficient: housing. San Francisco’s housing stock simply has not kept pace with the population growth of the past five years. Between 1980 and 1984, while nearly 40,000 more people took up residence in the city, only 3,000 additional housing units were built.

Some of the new residents were immigrants who, lacking resources and glad to be in the country on any terms, crowded in large numbers into tiny apartments. Some were young, single adults, who took over apartments, homes and flats, bringing five of six people into places that once held families of three or four.

But overall, the impact of the population increase has been to place enormous pressure on the limited housing stock. Prices, not surprisingly, have soared. According to a 1985 study prepared for San Franciscans for Reasonable Growth by Sedway Cooke and Associates, the median rent for a one-bedroom apartment in 1985 was $700 a month. The residential vacancy rate was less than 17.

Housing is more than a social issue. A report released this spring by the Association of Bay Area Governments warns the entire Bay Area may face a severe housing crisis within the next two decades — and the lack of affordable housing may discourage new businesses from opening and drive existing ones away. When housing becomes too expensive, the report states, the wages employers have to pay to offset housing and transportation costs make the area an undesirable place to do business.

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WAHED’S WELLS FARGO report shows a modest net employment gain in San Francisco between 1980 and 1986, from 563,000 jobs to 569,000. What the study doesn’t show is that the positive job growth statistic reflects the choice of the study period more than it reflects current trends. In the late 1970s and early 1980s, San Francisco experienced considerable job growth. By 1981, that trend was beginning to reverse.

According to a study by Massachusetts Institute of Technology researcher David Birch, San Francisco actually lost some 6,000 jobs between 1981 and 1985. The study, commissioned by the Bay Guardian, showed that the decline occurred overwhelmingly to large downtown corporations — the firms upon which the Pacific Rim strategy was and is centered. Since 1981, those firms have cost the city thousands of jobs. (See The Monsters that Ate 10,000 jobs, Bay Guardian DATE TKTKTK).

Some of the firms — B of A, for example — were victims of poor management. Some, like Southern Pacific, were caught in the merger mania of the Reagan years. Others, however, simply moved out of town. And no new giants moved in to take their places.

What drove these large employers away? Not, it would appear, a lack of office space or other regulatory “obstacles” to growth: Between 1980 and 1985, San Francisco underwent the largest building boom in its history, with more than 10 million square feet of new office space coming on line. In fact, the city now has abundant vacant space; by some estimates, the vacancy rate for downtown office buildings is between 157 and 207.

The decision to move a business into or out of a city is often very complicated. However, Birch, who has done considerable research into the issue, suggests in the April 1987 issue of Inc. magazine that the most crucial concerns are what he calls “quality of life” factors. Quality-of-life factors include things like affordable family housing for employees; easy, inexpensive transit options and good-quality recreation facilities and schools — and good-quality local government. In many cases, researchers are finding, companies that need a large supply of “back office” labor — that is, workers who do not command executive salaries — are moving to the suburbs, where people who are paid less than executive salaries can actually afford to live.

“Today the small companies, not the large corporations, are the engines of economic growth,” Birch wrote. “And more often than not, small companies are growing in places that pay attention to the public realm, even if higher taxes are needed to pay for it.”

For the past 20 years, San Francisco has allowed, even encouraged, massive new highrise office development, geared to attracting new headquarters companies and helping existing ones expand. In the process, some basic city services and public amenities — the things that make for a good quality of life — have suffered.

The most obvious example is the city’s infrastructure — the roads, sewers, bridges, transit systems and other physical facilities that literally hold a modern urban society together. A 1985 report by then-Chief Administrative Officer Roger Boas suggested that the city needed to spend more than $1 billion just to repair and replace aging and over-used infrastructure facilities. Wells Fargo’s report conceeds that that city may be spending $50 million a year too little on infrastructure maintenance.

Some of that problem, as Boas points out in his report, is due to the fact that many city facilities were built 50 or more years ago, and are simply wearing out. But wear and tear has been greatly increased by the huge growth in downtown office space — and thus daytime workplace population — that took place over the previous two decades.

To take just one example: Between 1980 and 1984, City Planning Department figures show, the number of people traveling into the financial district every day increased by more than 10,000. Nearly 2,000 of those people drove cars. In the meantime, of course, the number of riders on the city’s Municipal Railway also increased dramatically. City figures show more than 2,000 new Muni riders took buses and light rail vehicles into the financial district between 1981 and 1984. Again, city officials resist putting a specific cost figure on that increase — however, during that same period, the Muni budget increased by one-third, from $149 million to $201 million. And the amount of General Fund money the city has had to put into the Muni system to make up for operating deficits rose by some 737 — from $59 million to $102 million.

The new buildings, of course, have meant new tax revenues — between 1981 and 1986, the total assessed value of San Francisco property — the city’s tax base — increased 767, from $20.3 billion to $35.8 billion. But the cost of servicing those buildings and their occupants also increased 437, from $1.3 billion to to $1.9 billion. In 1982, San Francisco had a healthy municipal budget surplus of $153 million; by this year, it was down to virtually nothing.

The city’s general obligation bond debt — the money borrowed to pay for capital improvements — has steadily declined over the past five years, largely because the 1978 Jarvis-Gann tax initiative effectively prevented cities from selling general obligation bonds. In 1982, the city owed $220 million; as of July 1st, 1987, the debt was down to $151 million.

However, under a recent change in the Jarvis-Gann law, the city can sell general obligation bonds with the approval of two-thirds of the voters. The first such bond sale — $31 million — was approved in June, and the bonds were sold this month, raising the city’s debt to $182 million. And this November, voters will be asked to approve another $95 million in bonds, bringing the total debt to $277 million, the highest level in five years.

The city’s financial health is still fairly sound; Standard and Poor’s gives San Francisco municipal bonds a AA rating, among the best of any city in the nation. And even with the new bonds, the ratio of general obligation debt to total assessed value — considered a key indicator of health, much as a debt-to-equity ratio is for a business — is improving.

But the city’s fiscal report card is decidedly mixed. For most residents, signs of the city’s declining financial health show up not in numbers on a ledger but in declining services. Buses are more crowded and run less often. Potholes aren’t fixed. On rainy days, raw sewage still empties into the Bay. High housing costs force more people onto the streets — and the overburdened Department of Social Services can’t afford to take care of all of them.

What those signs suggest is that, in its pell-mell rush to become the Manhattan of the West, San Francisco may have poisoned its quality of life — and thus damaged the very economic climate it was ostensibly trying to create.

MAYOR DIANNE FEINSTEIN’S prescription for San Francisco’s economic problems and her blueprint for its future can be summed up in four words: More of the same. Feinstein, like Wells Fargo, PG&E and the Chamber of Commerce, is looking to create jobs and generate city revenues from the top of the economy down. Her program flies in the face of modern economic reality and virtually ignores the changes that have taken place in the city in the past five years.

Feinstein’s most visible economic development priorities have taken her east, to Washington D.C., and west, to Japan and China. In Washington, Feinstein has lobbied hard to convince the Navy to base the battleship USS Missouri in San Francisco. That, she says, will bring millions of federal dollars to the city and create thousands of new jobs.

In Asia, Feinstein has sought to entice major investors and industries to look favorably on San Francisco. She has expressed hope that she will be able to attract several major Japanese companies to set up manufacturing facilities here, thus rebuilding the city’s manufacturing base and creating jobs for blue-collar workers.

Neither, of course, involves building new downtown highrises. But both are entirely consistent with the Pacific Rim strategy — and both will probably do the city a lot more harm than good.

Feinstein’s programs represent an economic theory which has dominated San Francisco policy-making since the end of World War II. In those days, the nation’s economy was based on manufacturing — iron ore from the ground became steel, which became cars, lawn mowers and refrigerators. Raw materials were plentiful and energy was cheap.

By the early 1970s, it was clear that era was coming to a close. Energy was suddenly scarce. Resources were becoming expensive. The economy began to shift gears, looking for ways to make products that used less materials and less energy yet provided the same service to the consumer.

Today, almost everyone has heard of the “information age” — in fact, the term gets used so often that it’s begun to lose its meaning. But it describes a very real phenomenon; Paul Hawken, the author of The Next Economy, calls it “ephemeralization.” What is means is that the U.S. economy is rapidly changing from one based manufacturing goods to one based on processing information and providing services. In the years ahead, the most important raw materials will be ideas; the goal of businesses will be to provide people with useful tools that require the least possible resources to make and the least possible energy to use.

In the information age, large companies will have no need to locate in a central downtown area. The source of new jobs will not be in manufacturing — giant industrial factories will become increasingly automated, or increasingly obsolete. The highways of the nation’s commerce will be telephone lines and microwave satellite communications, not railroads and waterways.

IF SAN FRANCISCO is going to be prepared for the staggering changes the next economy will bring, we might do well to take a lesson from history — to look at how cities have survived major economic changes in the past. Jane Jacobs, the urban economist and historian, suggests some basic criteria.

Cities that have survived and prospered, Jacobs writes, have built economies from the bottom up. They have relied on a large number of small, diverse enterprises, not a few gigantic ones. And they have encouraged business activities that use local resources to replace imports, instead of looking to the outside for capital investment.

A policy that would tie the city’s economic future to the Pentagon and Japanese manufacturing companies is not only out of synch with the future of the city’s economy — it’s out of touch with the present.

In San Francisco today, the only major economic good news comes from the small business sector — from locally owned independent companies with fewer than 20 employees. All of the net new jobs in the city since 1980 have come from such businesses.

Yet, the city’s policy makers — especially the mayor — have consistently denied that fact. As recently as 1985, Feinstein announced that the only reason the city’s economy was “lively and vibrant” was that major downtown corporations were creating 10,000 new jobs a year.

Almost nothing the city has done in the past ten years has been in the interest of small business. In fact, most small business leaders seem to agree that their astounding growth has come largely despite the city’s economic policy, not because of it. That situation shows no signs of changing under the Feinstein administration; the battleship Missouri alone would force the eviction of some 190 thriving small businesses from the Hunters Point shipyard.

San Francisco’s economic problems have not all been the result of city policies. The financial health of the city’s public and private sector is affected by state and federal policies and by national and international economic trends.

Bank of America, for example, is reeling from the inability of Third World countries to repay outstanding loans. Southern Pacific and Crocker National Bank both were victims of takeovers stemming from relaxed federal merger and antitrust policies. In fact, according to Wells Fargo, 21 San Francisco corporations have been bought or merged since 1975. Meanwhile, deep cutbacks in federal and state spending have crippled the city’s ability to repair its infrastructure, improve transit services, build low cost housing and provide other essential services.

To a great extent, those are factors outside the city’s control. They are unpredictable at best — and over the next ten or 20 years, as the nation enters farther into the Information Age, the economic changes with which the city will have to cope will be massive in scale and virtually impossible to predict accurately.

Again, the experiences of the past contain a lesson for the future. On of San Francisco’s main economic weaknesses over the past five years has been its excess reliance on a small number of large corporations in a limited industrial sector — largely finance, insurance and real estate. When those industries took a beating, the shock waves staggered San Francisco.

Meanwhile, the economic good news has come from a different type of business — businesses that were small able to adapt quickly to changes in the economy and numerous and diverse enough that a blow to one industry would not demolish a huge employment base.

But instead of using city policy to encourage that sector of the city’s economy, Feinstein is proposing to bring in more of the type of business that make the city heavily vulnerable to the inevitable economic shocks that will come with the changes of the next 20 years.

THE CANDIDATES who seek to lead the city into the next decade and the next economy will need thoughtful, innovative programs to keep San Francisco from suffering serious economic problems. Those programs should start with a good hard dose of economic reality — a willingness to understand where the city’s strengths and weaknesses are — mixed with a vision for where the city ought to be ten and 20 years down the road.

Thus far, both are largely missing form the mayoral debate.

For years, San Francisco activists and small business leaders have been complaining about the lack of reliable, up-to-date information on the city’s economy and demographics. The environmental impact report on the Downtown Plan — a program adopted in 1985 — was based largely on data collected in 1980. That same data is still used in EIRs prepared by the City Planning Department, and it’s now more than seven years out of date.

In many areas, even seven-year-old data is simply unavailable. Until the Bay Guardian commissioned the Birch studies in 1985 and 1986, the city had no idea where jobs were being created. Until SFRG commissioned the Sedway-Cooke report in 1985, no accurate data existed on the city’s labor pool and the job needs of San Franciscans.

Today, a researcher who wants to know how much of the city’s business tax revenue comes from small business would face a nearly impossible task. That’s just not available. Neither are figures on how much of the city’s residential or commercial property is owned by absentee landlords who live outside the city. If San Francisco were a country, what would its balance of trade be? Do we import more than we export? Without a huge research staff and six months of work, there is no way to answer those questions.

Bruce Lilienthal, chairman of the Mayor’s Small Business Advisory Commission, argues that the city needs to spend whatever money it takes to create a centralized computerized data base — fully accessable to the public — with which such information can be processed and analyzed.

A sound economic policy would combine that sort of information with a clear vision of what sort of city San Francisco could and should become.

What would a progressive, realistic economic development platform look like? We’ve put together a few suggestions that could serve as the outline for candidates who agree with our perspective — and as an agenda for debate for candidates who don’t.

* ADEQUATE AFFORDABLE HOUSING is essential to a healthy city economy, and in the Reagan Era, cities can’t count on federal subsidies to build publicly financed developments. Progressive housing experts around the country agree that, in a city under such intense pressure as San Francisco, building new housing to keep pace with demand will not solve the crisis alone; the city needs to take action to ensure that existing housing is not driven out of the affordable range.

Economist Derek Shearer, a professor at Occidental College in Los Angeles and a former Santa Monica planning commissioner, suggests that municipalities should treat housing as a scarce public resource, and regulate it as a public utility. Rents should be controlled to allow property owners an adequate return on their investment but prevent speculative price-gouging.

Ideally, new housing — and whenever possible, existing housing — should be taken out of the private sector altogether. Traditional government housing projects have had a poor record; a better alternative is to put housing in what is commonly called a land trust.

A land trust is a private, nonprofit corporation that owns property, but allows that property to be used under certain terms and conditions. A housing trust, for example, might allow an individual or family to occupy a home or apartment at a set monthly rate, and to exercise all rights normally vested in a homeowner — except the right to sell for profit. When the occupant voluntarily vacated the property, it would revert back to the trust, and be given to another occupant. The monthly fee would be set so as to retire the cost of building the property over it’s expected life — say, 50 years. Each new occupant would thus not have to pay the interest costs on a new mortgage. That alone, experts say, could cut as much as 707 off the cost of a home or apartment.

* DEVELOPMENT DECISIONS should be made on the basis of community needs. A developer who promises to provide jobs for San Franciscans should first be required to demonstrate that the jobs offered by project will meet the needs of unemployed residents of the city. Development fees and taxes should fully and accurately reflect the additional costs the project places on city services and infrastructure.

Land use and development decisions should also be geared toward meeting the needs of small, locally owned businesses — encouraging new start-ups and aiding the expansion of existing small firms.

* ECONOMIC DEVELOPMENT programs should encourage local firms to use local resources in developing products and services that bring revenue and wealth into the city instead of sending it to outside absentee owners and that encourage economic self-sufficiency.

Cities have a wide variety of options in pursuing this sort of goal. City contracts, for example, should whenever possible favor locally owned firms and firms that employ local residents and use local resources. Instead of just encouraging sculptured towers and flagpoles on buildings, city planning policies should encourage solar panels that decrease energy imports, rooftop gardens that cut down on food imports and utilize recycled materials that otherwise would become part of the city’s garbage problem. (Using recycled materials is by no means a trivial option; if all of the aluminum thrown away each year in San Francisco were recycled, it would produce more usable aluminum than a small-to-medium sized bauxite mine.)

Other cities have found numerous ways to use creative city policies to encourage local enterprise. In Minneapolis-St. Paul, for example an economic development agency asked the U.S. Patent Office for a list of all the patents issued in the past ten years to people with addresses in the Twin Cities area. The agency contacted those people — there were about 20 — and found that all but one had never made commercial use of the patents, largely for lack of resources. With the agency as a limited partner providing venture capital, more than half the patent owners started businesses that were still growing and expanding five years later. Some of those firms had actually outgrown their urban locations and moved to larger facilities out of town — but since the Twin Cities public development agency had provided the venture capital, it remained a limited partner and the public treasury continued to reap benefits from the profits of the businesses that had left town.

* CITY RESOURCES should be used to maximize budget revenues. For example, San Francisco currently owns a major hydroelectric power generating facility at Hetch Hetchy in Yosemite National Park. A federal law still on the books requires San Francisco to use that facility to generate low-cost public power for its citizens; that law, the Raker Act, has been honored only in the breach. That means every year PG&E takes millions of dollars in profits out of San Francisco (the company is based here, but very few of its major stockholders are San Franciscans). The last time we checked, San Francisco was losing $150 million (CHECK) in city revenue by failing to enforce the Raker Act and municipalize its electric utility system.

Meanwhile, PG&E continues to use city streets and public right-of-ways for its transmission cables at a bargain-basement franchise fee passes in 1932 and never seriously challenged. Other highly profitable private entities, like Viacom cable television, use public property for private purposes and pay highly favorable rates for the right.

Those ideas should be the a starting point, not a conclusion for mayoral debates. But thus far, we’ve seen precious little consideration of the issues, much less concrete solutions, from any of the candidates.

The mayor’s race, however, is still very much open, and the candidates are sensitive to public opinion. If the voters let the candidates know that we want to hear their visions of the city’s economic future — and their plans for carrying those visions out — we may see some productive and useful discussions yet.*

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