San Francisco

The Performant: Mean Streets and Matchsticks at the Vancouver Fringe

Sue Vaughan
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The Performant: Mean Streets and Matchsticks at the Vancouver Fringe

Here in Vancouver, the Fringe Festival has been in full swing since Sept. 5, and its early bustle has come as something of a welcome surprise. Shows have been selling out right and left, including those by the five-woman sketch comedy team Strapless, and the manic SNAFU Dance Theatre‘s survivalist romp Kitt & Jane. The buzz hangs as heavy in the air as the morning humidity. It’s interesting to compare the rowdy carnival atmosphere of the Edmonton Fringe, complete with sideshow attractions, tireless street performers, and mountains of cheap fried food and the people who eat it, with Vancouver’s more refined approach and oddience. The Vancouver Fringe is the biggest theater festival in town, I’m told, and therefore attracts a fairly large percentage of mainstream theater-goers.

But despite the fact that each show begins with an overly complicated spiel about sponsorship opportunities, the shows themselves have run the usual fringe-y gamut of content from heartfelt to hilarious, edgy to educational. Here are some of the standouts I’ve seen so far.

One of the bravest shows of the 2012 San Francisco Fringe was not actually a theatre piece at all, but an educational talk entitled The Revolution Will Not Be Circumcised, complete with video footage of infant (male) circumcisions that was decidedly not for the faint of heart. I see a lot of similarity in Tasha Diamant’s equally brave The Human Body Project, because when she takes the stage, naked and unscripted, the audience is immediately forced to examine their own reactions and assumptions around the act, the artist, and the body in general, leading to a tangibly cathartic yet thought-provoking collective experience.

Speaking of San Francisco Fringe, homegrown clown Summer Shapiro, whose Legs and All charmed at the festival in 2009, is here in Vancouver with a fun, interactive work, In the Boudoir; it’s a mostly silent comedy of a first date gone terribly awkward. In the same venue, the wry magic of Travis Barnhardt astounds in his mentalist routine Unpossible, during which he confesses several times that he hasn’t quite mastered the art before revealing that he clearly has.

Canadian storyteller Andrew Bailey, whose show Limbo I enjoyed in Edmonton, knocks one out of the metaphorical ballpark with his smart, compelling The Adversary. Matchstick, a two-person musical centered around a troubled, International love affair with political implications, impresses with its quick wit, inventive staging, and dynamic duo, despite some silly lyrics. Solo clown show Butt Kapinski follows a diminutive, speech-challenged “Pwivate Eye” down the mean streets and aisles of the small theater space, filled with cruel tenements, corrupt cops, and a bevy of working girls and murder victims (all unsuspecting oddience members), while the aforementioned Kitt & Jane wows with its energetic portrayals of a pair of angsty high school misfits who have one hour to save the world from itself.

Still looking forward to so much more, including Little Pussy, Model Wanted, Preacher Man, Kuwaiti Moonshine, Radio:30, The Cruelest Phone Book in the World, Against Gravity, Fools for Love, and 6 Guitars so I’d better get cracking. So little time. So many shows.

Smartphones trigger rise in crime rate as new iPhone features a fingerprint lock

Sasha Cuttler
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10
Smartphones trigger rise in crime rate as new iPhone features a fingerprint lock

Violent crime is on the rise in the Bay Area and the San Francisco Police Department chalks it up to smartphone snatchers, a trend that is being countered by an initiative from the District Attorney’s Office and today’s announcement by Apple of a new iPhone that requires the owner’s fingerprint to unlock.

The FBI’s 2012 Uniform Crime Report, released in June, documented surges in crime in cities across the Bay Area, including Berkeley, Oakland, San Jose, and Richmond. In San Francisco, violent crime increased 7.5 percent in 2012 and property crime spiked 18.3 percent. In 2013, those figures have climbed another 10 and 12 percent, respectively.

Asked for an explanation of the recent trend, SFPD spokesperson Tracy Turner told us that it’s due in large part to “increases in the theft or robbery of cell phones.”

“I can’t think of any other expensive item that people walk around with in their hand in public,” she said. “They’re more available to everybody and yet they’re slightly more expensive.”

Turner also cautioned that it’s not just iPhones that thieves go after, but all types of smartphones and also, more recently, tablets. “Those are the kind of items that people are absorbed in while they’re in a public place and they’re easy targets,” she explained.

Nathan Rapport, a resident of the Lower Haight, had his iPhone, iPod, and wallet stolen shortly before midnight last Wednesday as he approached the intersection of 14th and Sanchez on foot.

“I sent a text probably a block away. Who knows if they saw the light down the street,” he speculated of the pair of thieves who drew a gun on him and demanded his possessions less than a minute later. The responding officers remarked that similar altercations often escalate, ending in physical harm to the victim.

“They said that they were surprised that it wasn’t more violent based on what they’ve been seeing lately in the neighborhood. It’s not usually just a snatch. You get pistol-whipped or there’s something else attached to it,” commented Rapport, who felt fortunate that, in his case, the incident “was strictly a business transaction.”

In San Francisco, “over 50 percent of daily robberies have to do with smartphones and up to 67 percent of robberies include mobile devices of any sort,” said SFPD Officer Danielle Newman.

District Attorney George Gascón has taken these statistics to heart in a newly crafted crime reduction strategy. He is co-chair of the Secure Our Smartphones Initiative, which has been endorsed by law enforcement agencies in 17 states.

In a June press release, the coalition wrote, “It’s time for manufacturers and carriers to put public safety before corporate profits” and he called on them to implement a “kill switch,” which could remotely disable phones reported stolen.

“Unlike other types of crimes, manufacturers and carriers have the ability to end the growing number of smartphone thefts with a technological solution,” the statement continued. A purloined phone’s value “would be equivalent to that of a paperweight. As a result, the incentive to steal them would be eliminated.”

At a hotly anticipated product launch this morning in Cupertino, Apple unveiled two new iPhone models. One, the 5C, is a budget design developed mainly for distribution in overseas markets and the other, 5S, includes fingerprint scan technology in the home button as a security measure. Industry analysts have been abuzz for weeks with speculation as to whether the newly impregnable button would be an innie or an outie.

As expected, the flashy new feature resulted in a minor anatomical change to Apple’s most popular product. Its rollout will have an even broader impact, however, as it alters the distribution of security across different countries and socio-economic classes. In its next major product development, perhaps Apple will take a cue from Gascón and put as much effort into democratizing safety as it does to democratizing its brand.

 

Heads Up: 6 must-see concerts this week

Tony Robles
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Heads Up: 6 must-see concerts this week

Music can serve to fit your specific mood. If you can pinpoint an emotion you wish to heighten, you have the ability to explode the senses with a band or musical act playing live that night. You’re just that special.

This week, if you want to feel creepy, go to Death in June; for feel-good grooves, try Jimmy Cliff; to feel cultured, take in Julia Holter; to intensify a sense of ecstasy while engaging with the full scope of hip-hop today, grab passes to Rock the Bells.

Here are your must-see shows: 

Bleeding Rainbow
“Bleeding Rainbow has seen several incarnations since its 2009 formation as Reading Rainbow. Its third album, Yeah Right, includes two added band members, a new name (allegedly provoked by a remark from Carrie Brownstein), and as one would expect with a move from “Reading Rainbow” to “Bleeding Rainbow,” added shades of something sinister. Despite the changes, though, its signature sound remains: Out of the fuzzy noise of reverb and distortion emerges sweet pop melodies from Sarah Everton. The band’s transformed, but between the noise, the darkness, and the pop, it still promises a good time.” — Laura Kerry
With the Love Language
Tue/10, 8pm, $12
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com
http://www.youtube.com/watch?v=PL2uSm19aEU

Jimmy Cliff
“At age 65, reggae legend Jimmy Cliff is experiencing perhaps one of the greatest bursts of artistic productivity in all of his five-decade-long and counting career. He’s inspired countless other musicians over the years, including Bay Area punk rocker Tim Armstrong of Rancid and Operation Ivy, who was brought aboard to produce and perform on Cliff’s newest album, last year’s excellent Rebirth. The record includes an outstanding cover of the Clash’s “Guns of Brixton,” which references Cliff’s movie and song “The Harder They Come” in its lyrics — bringing the music full circle, as it were. Don’t miss the Rock and Roll Hall of Famer when he hits the Fillmore stage tonight.” — Sean McCourt
Wed/11, 8pm, $39.50
Fillmore
1805 Geary, SF
(415) 346-6000
www.thefillmore.com
http://www.youtube.com/watch?v=xGE4dnrPPZQ

Julia Holter
Julia Holter’s newest release, this month’s string-and-horn laced Loud City Song, is like the Weetzie Bat of music: a quirky, instantly classic retelling of the modern LA story. The chamber-pop multi-instrumentalist’s calling card is weaving lush, experimental compositions with her own dramatic vocals, creating compelling narratives and backstories through sound (previous records have focused on Greek mythology and French New Wave films). It’s charming to see the light, noise, and gossip of Los Angeles through the Holter lense.
With Nedelle Torrisi
Thu/12, 8pm, $16
Great American Music Hall
859 O’Farrell, SF
www.slimspresents.com
http://www.youtube.com/watch?v=IzzpkDPetZU

Death in June
“Extremely depressing neofolk band Death in June is stopping by San Francisco for its long-awaited US tour. Initially starting as a post-punk, industrial project in the 1980s, the band shunned pretty-boy rock ideals, often donning ghoulish masks and costumes on stage. Death in June has given influence to plenty of contemporary bands such as metal band Agalloch and darkwave horde Faun…And the group released Snow Bunker Tapes, guitar-backed versions of Peaceful Snow, on Neuropa this year. Get sad, get creepy, and slump over to the Mezzanine.” — Erin Dage
120 Minutes with oOoOO, DJ Omar, CHAUNCEY_CC
Fri/13, 9pm, $30
Mezzanine
444 Jessie, SF
(415) 625-8880
www.mezzaninesf.com
http://www.youtube.com/watch?v=myzNWd-Pp2g

Magic Trick
“If there’s anything supernatural about the band Magic Trick, it’s in frontperson Tim Cohen’s seeming ability to be in several places at once. Between the Fresh & Onlys, solo projects, and work with other bands, his prolificacy makes you wonder. But more than witchcraft, magic tricks usually involve sleight of hand. With Cohen’s signature deep voice and romantic songwriting, Magic Trick at times directly echoes the Fresh & Onlys. Don’t be fooled: With three added band members and a minimalism that makes the music more contemplative and a little stranger, Magic Trick surprises.” — Laura Kerry
With the Range of Light Wilderness, Pure Bliss, Cool Ghouls
Sat/14, 9pm, $12
Chapel
777 Valencia, SF
(415) 551-5157
www.thechapelsf.com
http://www.youtube.com/watch?v=Xj9mNkXD8U0

Rock The Bells
“The country’s pre-eminent hip-hop festival is coming to the Bay Area this Saturday and Sunday, bringing a large and diverse crew of rap acts. There’s something for every kind of hip-hop head at this festival. For fans of weird rap, there’s Danny Brown, for fans of ratchet rap, there’s Juicy J, for the homers, there’s a E-40-Too $hort duet and IamSu!, and for fans of hologram rap there will be performances from hologram Eazy-E and ODB. For those you taking Caltrain from the city, remember that the train only runs once a hour and takes more than a hour to get to Mountain View.” — George McIntire
Sat/14-Sun/15, 11am, $65–<\d>$239
Shoreline Amphitheater
One Amphitheatre Pkwy, Mountain View
(800) 745-3000
www.rockthebells.net
http://www.youtube.com/watch?v=h0boHcBFSR0

Grouplove talks Haight love, the Seesaw Tour, and spreading rumors

Tony Robles
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Grouplove’s existence is a strong argument for fate. In 2009, Hannah Hooper and Christian Zucconi met on the Lower East Side of Manhattan. Feeling an instant connection, Hooper invited Zucconi to an artist residency in Greece on the island of Crete, which she was heading to just a few days later, and he said yes. At this residency, in a remote mountain village, the pair formed a fast friendship with three other musicians. Within the year, Grouplove was formed.

Two years after that, the band exploded into the music scene with its cheekily titled, megacatchy album Never Trust a Happy Song. Touring constantly since its inception, Grouplove is still going at full sprint, with its second album, Spreading Rumors, coming out Sept. 17, accompanied by the ambitious Seesaw Tour, in which the band will spend two nights in every city at intimate venues, playing one electric and one acoustic show.

I caught up with Hooper during one of her rare moments of semi-downtime (if that’s what you call standing on a busy street corner waiting for Zucconi) to chat about hometown shows, Haight Street, and (group)love:
 
SF Bay Guardian I saw you play in San Francisco almost exactly two years ago to a nearly empty Bimbo’s, and it was an absolutely amazing show. There was this incredible energy and because there was a sparse audience, it felt truly special to be there. Now you’re playing to much bigger audiences and selling out two nights in a row in SF. How do you feel about this change in dynamics?
 
Hannah Hooper It’s really exciting! It’s kind of surreal in a lot of ways. When we get to play a show we’re excited no matter what, so the scale of it blows our minds. With the Seesaw Tour, we’re kind of underplaying and getting to actually see our fans again. And we’re playing the Independent, which is one of the first venues we played in SF.

We personally love playing any size, but there’s a level of intimacy that’s hard to capture [in a bigger venue]. It’s a very special thing. As a fan, I love to see high-energy bands in small venues. That’s what we want to do before we gear up to do a bigger tour.

http://www.youtube.com/watch?v=1x1wjGKHjBI
 
SFBG How did you come up with the idea for the Seesaw Tour? Why this format?
 
HH We were talking about bands. I love the Yeah Yeah Yeahs, I’m a big fan, but I’ve never had the opportunity to get close to them. I’m always in the back behind like thousands of people. I had this vision of how cool it would be to see them play one night electric and one night acoustic.
It will be a challenge for us because we’re definitively an electric band.
 
SFBG Grouplove has a very vigorous touring schedule. How do you keep from getting burned-out?
 
HH That’s a good question! We stopped to record our album that’s about to come out, which is really the first time we’ve stopped touring in three years. But recording is not that different from touring — we still are living in tight quarters and spending all our time together.

If you stay in motion you don’t notice how exhausted you are. Even when you’ve traveled halfway around the world and you’re like, “are we going to be able to do this?” When you get up on stage, you just respond to the audience. It’s a back and forth. When you see people there screaming your name, you just have to bring it. It’s so fulfilling to give all that you have every time you get on stage. We just get into a trance friendship mode.
 
SFBG Do you all really love each other as much as your name and your live show suggests?
 
HH We do! We really love each other. We have this ability to share this crazy experience together; we’re vulnerable and we’re funny together; we’re stronger together than we are separate. It really works.

There was a freedom when we first got together because we didn’t know each other. We all got to be exactly who we are. We met at a really special time and our friendship really shows that. We write a lot of songs on the road and we genuinely go out together…You have to want to make it work. This is our dream, this is what we want to do. It’s an outlook that we all quietly agreed to have.
 
SFBG There is a unique pressure associated with sophomore albums. Have you felt a need to prove that you’re not a one hit wonder with this record?
 
HH Coming from a painter background I didn’t really realize the “pressure of the second album.” We had this catalogue of songs we had written on the road and we basically drew straws to see which songs made the album. We’re really lucky. We make a point never to combine fear of success with making artwork and writing songs. There’s nothing you can do — you can’t predict whether people will like the songs. All you can really do is be genuine.

http://www.youtube.com/watch?v=VGvHnDeS12o
 
SFBG What does the title of the album Spreading Rumors mean?
 
HH We’re kind of bringing it back to the way that people used to talk about bands and spread the word before the Internet. Despite all of the Internet attention we got for [2011 single] “Tongue Tied,” people were also telling their friends about us and our live shows. The rumor that keeps spreading…we really are this crazy bunch of wild animals let loose.
 
SFBG Since you’re playing two nights in a row here, you’ll have some time to spend in the city. Any special SF plans?
 
HH Well, my brother, sister, mom, and dad live here. I grew up in Upper Haight. I really miss SF. I just like walking down Haight Street. Thrift stores in SF are the best. I can’t tell you how much I love San Francisco.

[Playing here is] like playing a hometown show which is always secretly the most nerve-wracking. It’s always funny to see people you’ve known your whole life in the audience. You really get a sense of how far we’ve come. I’ll probably get emotional up there.
 
SFBG Anything else you feel that people need to know about Grouplove? Any parting words?
 
HH [I’ve learned] through all this touring and meeting all these bands that everyone has their own flavor. We have love, heart, honesty, and passion. Our goal is to have people see that there’s no bullshit up there [on stage] and leave feeling happy. We’re not trying to be cool or sexy. We want to inspire kids to not to care what they look like or whether they’re cool and just be themselves.
 
Grouplove
With the Rubens
Sat/14, 9pm, $20
Independent
628 Divisadero, SF
(415) 771-1421
www.theindependentsf.com

Grouplove (acoustic)
Sun/15, 9pm, $22
Chapel
777 Valencia, SF
(415) 551-5157
www.thechapelsf.com

The NSA made the most boring and controversial Tumblr in the United States; also, best news reads on spying

Erica Hanna
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The NSA made the most boring and controversial Tumblr in the United States; also, best news reads on spying

Tumblr is a hub for social media literate millenials, a magical place for Doctor Who animated GIFs, reblogged Instagram photos of your lunch and an endless sea of porn. But Director of National Intelligence James Clapper has a new use for it: boilerplate press releases meant to stem the tide of negative news against the National Security Agency’s spying practices.

Here’s an excerpt from their Tumblr blog addressing their bad press: 

“While the specifics of how our intelligence agencies carry out this cryptanalytic mission have been kept secret, the fact that NSA’s mission includes deciphering enciphered communications is not a secret, and is not news. Indeed, NSA’s public website states that its mission includes leading ‘the U.S. Government in cryptology … in order to gain a decision advantage for the Nation and our allies.'”

Well of course it’s not news that the NSA spies on folks, that’s their purpose. But when the federal government can read the emails and digital records of ordinary citizens without so much as a constitutional please-and-thank you, something is definitely wrong. And thanks to a bombshell dropped by The UK Guardian, the New York Times and Pro Publica partnering to release Edward Snowden’s newest leak, we now know that the NSA can decrypt just about anything on the internet. 

And sometimes the NSA uses it to spy on their love interests. 

Luckily, there are folks who are on this. The Electronic Frontier Foundation just achieved a major victory by suing the government under the Freedom of Information Act, known as FOIA, to get their hands on documents related to the government’s secret interpretation of Section 215 of the Patriot Act, the law the NSA has used to justify searching through the digital lives of Americans. 

You can read more about their victory here.

The EFF is based in San Francisco, which of course means that there is a video of them at Comic-Con.

And the EFF even outlined ways citizens can help: 

“Faced with so much bad news, it’s easy to give in to privacy nihilism and despair. After all, if the NSA has found ways to decrypt a significant portion of encrypted online communications, why should we bother using encryption at all? But this massive disruption of communications infrastructure need not be tolerated. Here are some of the steps you can take to fight back:

  • Sign the petition to stop NSA spying. Let Congress know that It’s time for a full accounting of America’s secret spying programs—and an end to unconstitutional surveillance. If you are not in the US, please take the time to sign our international petition.
  • In addition to signing our petition, take the time to call your elected representative using the dedicated call line: 1-STOP-323-NSA (1-786-732-3672) to voice your opposition.
  • Use secure communications tools (read some useful tips by security expert Bruce Schneier). Your communications are still significantly more protected if you are using encrypted communications tools such as messaging over OTR or browsing the web usingHTTPS Everywhere than if you are sending your communications in the clear.
  • Finally, the engineers responsible for building our infrastructure can fight back by building and deploying better and more usable cryptosystems.

The NSA is attacking our secure communications on many fronts and we must oppose them using every method we have at our disposal. Engineers, policy makers, and netizens all have key roles to play in standing up to the unchecked surveillance state. The more we learn about the extent of the NSA’s abuses, the more important it is for us to take steps to take back our privacy. Don’t let the NSA’s attack on secure communications be the end game. Let it be a call to arms.”

Get educated, and bone up on the most recent news on the NSA’s spying tactics and policies:

 

Pro Publica, New York Times, Guardian UK  

Revealed: The NSA’s Secret Campaign to Crack, Undermine Internet Security

http://www.propublica.org/article/the-nsas-secret-campaign-to-crack-undermine-internet-encryption

 

Electronic Frontier Foundation

NSA Spying on Americans, Full timeline of events

https://www.eff.org/nsa-spying

 

Guardian.co.uk

The NSA Files — All UK Guardian stories on the NSA spying program

http://www.theguardian.com/world/the-nsa-files

And until everything gets better, I’m going to keep using Tumblr the way it was intended: reblogging GIFs of the best Doctor, David Tennant.

Screen shot of Doctor Who Tumblr post

Campos urges SF to explore using Richmond’s eminent domain plan

Erica Hanna
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Campos urges SF to explore using Richmond’s eminent domain plan

Sup. David Campos is urging the board of supervisors to explore using eminent domain to save San Francisco resident’s underwater mortgages, a plan pioneered by the city of Richmond and its mayor Gayle McLaughlin.

The plan uses the power of eminent domain to seize underwater mortgage loans from banks and investors, saving homeowners from being booted out onto the street when they’re behind on their ballooning payments. The plan is controversial and under attack by Wells Fargo and other Wall Street interests, which we explored in last week’s cover story, “Not For Sale.” They say that the plan puts money into the pockets of Richmond and Mortgage Resolution Partners, the group that engineered the plan. 

Campos plans to introduce his resolution at tomorrow’s board meeting, but importantly it only asks The City to explore whether or not the plan could work in San Francisco. The resolution would not enact a plan at this point in time.

At a press conference this morning, housing activists and Campos trumpeted the plan as a way to save the homes of San Franciscans. Often those targeted with predatory loans have been people of color, they noted. 

“Our strategies have been, lets be honest, ‘Let’s see what the federal government or the banking industry will do to help these folks,’” Campos said at the steps of City Hall. “We’ve waited long enough.”

Campos rattled off surprising numbers, saying 58 homeowners in his district alone had underwater mortgages at risk of foreclosure, and that 16 percent of homeowners in neighborhoods like Visitacion Valley were underwater. 

Bernal Heights homeowner and activist Ross Rhodes was there supporting the action.

“Dave (Campos) helped me save my home when I was getting nowhere with the banks but frustration,” Rhodes said. 

He was making his payments which were up to $3,500 a month, but while on disability and going through a divorce, it was tough. Campos got Rep. Nancy Pelosi’s office involved, and they talked to the banks on his behalf. In the end, he finally got a principal reduction and what he calls a “real good” modification. “I’m not asking for a handout, I’m asking for help,” he said. 

Now his payments are $1,600 a month. “It just shows the banks can do what they want to do, they control it all, they can work with if you if they want to.”

Campos’ resolution also proclaims San Francisco’s support for Richmond’s eminent domain effort.

The bank asked him why he went to Pelosi and Campos for help, instead of going through them. He was incredulous, as he’d been fighting for a principal reduction on his own for two years. “I’ve been trying to work with you for months,” he told them. “It took that political muscle to get you to move. I went through five different loan agents.” 

The victory made him a convert, going to rallies and speaking to help others suffering with their loans. 

The hounds are coming for Richmond though, and the political muscle needed to enact the controversial plan is at risk. 

Wells Fargo already filed suit against Richmond over its use of eminent domain, saying the plan puts money in the pockets of the city and would put a chill on investments. A Richmond bond with an A- rating was already rejected by Wall Street, finding no financiers, putting Richmond in a possible bind when it comes to public works projects. 

In response, Richmond councilmember Nathaniel Bates has a resolution for tomorrow’s Richmond city council meeting to stall the plan. If it’s voted in, Richmond will withdraw all the offers to buy underwater loans and withdraw the plan to use eminent domain to seize them. 

If Bates’ resolution is approved, the whole plan would tank. 

A petition from the Home Defenders League to sand with Richmond’s eminent domain effort has over 7,000 signatures. 

To contact Wells Fargo’s CEO yourself, follow the link here.

The Guardian wrote to the Mayor Ed Lee’s office to see if he is in support of Campos’ plan, but didn’t hear back before press time, which was admittedly quick. 

Update 2:20 pm: We asked supervisor Campos’ aide Hilary Ronen if San Francisco would be at risk for a lawsuit from Wells Fargo, similar to Richmond, if the city enacted an eminent domain plan. In response, she said “All that we’re doing is asking the city attorney’s office as well as the budget and legislative analyst, ‘if we did something similar, what does it look like? What are the financial risks for the city?’ This way we can make an educated assessment. After having that information he’ll have to balance what the risks are. We’re not there yet.”

Supervisors to grill Mayor Lee over CleanPowerSF sabotage

Sasha Cuttler
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112
Supervisors to grill Mayor Lee over CleanPowerSF sabotage

Mayor Ed Lee will be on the hot seat for his unqualified support of Pacific Gas & Electric Co. and his related opposition to the CleanPowerSF renewable energy program, which his appointees to the San Francisco Public Utilities Commission are trying to sabotage, when he shows up for the monthly mayoral question time at the Board of Supervisors meeting on Tuesday.

Hopefully the boring, scripted question time format that Lee created in collaboration with Board President David Chiu will finally give way to what the voters intended when they required the mayor to engage with the legislative branch: an actual, substantive, back-and-forth policy discussion meant to illuminate issues of public concern.

Because that’s what’s needed on this important issue. After more than a decade in the making, the board last year cast a historic vote to create the project on a veto-proof 8-3 vote. But the SFPUC is now refusing to set the maximum rate for the program, which should be a fairly technical and pro forma action, instead raising unrelated issues that the supervisors have already considered. In other words, unelected mayoral appointees have decided to veto a hard-won democratic gain, creating something akin to a constitutional crisis in a city that values public process and input. 

So for the first time ever, all the of the supervisors scheduled to ask questions (it rotates because odd- and even-numbered districts each month) have focused various aspects of a single important issue. Even though Lee has mastered the politicians’ dark art of speaking without saying anything, this one should still be a doozy as supervisors ask the following questions:

1. Mayor Lee – As you know, San Francisco has set ambitious goals to combat climate change. In many ways, the City is making great strides in this direction, from increasing bicycling, to pursuing zero waste goals, to hiring a new, excellent environmental policy advisor in Rodger Kim who has a strong background in environmental justice and community engagement. However, the Public Utilities Commission has repeatedly failed to set rates for CleanPowerSF, the most impactful local proposal yet designed to curb carbon emission. This program was adopted by the Board of Supervisors, the legislative body of the City. However, there are some allegations that your office is stalling its implementation. What specifically are you doing, as the City’s head executive, to implement this policy in a timely fashion? (Supervisor Mar, District 1)

2. Mr. Mayor, can you please outline your objections to the CleanPowerSF program as approved last year on an vote 8-3 by the Board of Supervisors? (Supervisor Chiu, District 3)

3. Recognizing the constraints imposed by state law, particularly with respect to opt-out provisions, how would a clean power program need to be structured in order for you to support it? Are you willing to work with the Board of Supervisors, and have your staff and commissioners work with the Board of Supervisors, to revise CleanPowerSF so that you can support it? Can we come to the table and make clean power a reality without any further delay? (Supervisor Breed, District 5)

4. The Board of Supervisors has been very supportive of CleanPowerSF. Do you think it is appropriate for a City Commission to go against the policy the Board of Supervisors set when it approved CleanPowerSF? (Supervisor Campos, District 9)

5. Days after the one-year anniversary of the 2010 PG&E San Bruno pipeline explosion, you called PG&E a “great local corporation” and a “great company that gets it.” However, the examples of PG&E’s immoral, illegal, and greedy behavior are legion:

– PG&E avoided admitting fault in the San Bruno explosion, failed to cooperate with the investigation, fought against paying a fair fine, and hopes to make ratepayers pay for the fine.

– PG&E’s current electric mix is only 20% California-certified renewable.

– Outages of PG&E-owned streetlights have increased over 400% in recent years, and PG&E wants to increase by $600,000 a year the amount it charges the City for streetlight maintenance without committing to improved service.

– Despite the fact that PG&E already has some of the highest electric rates in the country, PG&E is seeking to further increase rates in each of the next three years.

– While PG&E has proposed a new Green Tariff program, it remains only a vague proposal and there is no guarantee that it will ever be implemented.

– PG&E’s previous green campaigns-such as ClimateSmart and “Let’s Green This City”-have proven to be short lived and ineffective public relations stunts. Multiple public surveys conducted by the PUC to gauge the level of support for CleanPowerSF have all found that a substantial number of San Franciscans want the opportunity to pay a slight premium for a 100% renewable alternative to PG&E.

Why does your office continue to oppose providing City ratepayers with an alternative to PG&E’s monopoly by implementing CleanPowerSF? (Supervisor Avalos, District 11) 

Action franchise junkie Vin Diesel returns … and more new movies!

Sue Vaughan
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Action franchise junkie Vin Diesel returns … and more new movies!

Who dares to challenge the box-office supremacy of Vin Diesel, who returns yet again to play the titular night vision-gifted (but really socially awkward) escaped con in sci-fi actioner Riddick?

For masochists, there’s Brian De Palma’s latest, Passion, which checks in for a brief Castro run (Dennis Harvey gets bored talking about it here); there are also a couple of docs, a MILF drama, and a South Korean disaster-by-numbers flick about a disease that, shockingly, doesn’t spawn zombies, just bloody coughs and rapid death. Read on for our short takes (and take note of your best-bet new flick: “charming seriocomedy” Afternoon Delight).http://www.youtube.com/watch?v=_KWyEbmKHsY

Adore This glossy soap opera from director Anne Fontaine (2009’s Coco Before Chanel) and scenarist Christopher Hampton, adapted from a Doris Lessing novella, has had its title changed from Two Mothers — perhaps because under that name it was pretty much the most howled-at movie at Sundance this year. Lil (Naomi Watts) and Roz (Robin Wright) are lifelong best friends whose hunky surfer sons Ian (Xavier Samuel) and Tom (James Frecheville) are likewise best mates. Widow Lil runs a gallery and Roz has a husband (Ben Mendelsohn), but mostly the two women seem to lay around sipping wine on the decks of their adjacent oceanfront homes in Western Australia’s Perth, watching their sinewy offspring frolic in the waves. This upscale-lifestyle-magazine vision of having it all — complete with middle-aged female protagonists who look spectacularly youthful without any apparent effort — finds trouble in paradise when the ladies realize that something, in fact, is missing. That something turns out to be each other’s sons, in their beds. After very little hand-wringing this is accepted as the way things are meant to be — a MILF fantasy viewed through the distaff eyes — despite some trouble down the road. This outlandish basic concept might have worked for Lessing, but Fontaine’s solemn, gauzily romantic take only slightly muffles its inherent absurdity. (Imagine how creepy this ersatz women-finding-fulfillment-at-midlife saga would be if it were two older men boning each others’ daughters.) Lord knows it isn’t often that mainstream movies (this hardly plays as “art house”) focus on women over 40, and the actors give it their all. But you’ll wish they’d given it to a better vehicle instead. (1:50) (Dennis Harvey)

http://www.youtube.com/watch?v=DQpXyke3VC4

Afternoon Delight It takes about five seconds to suss that Kathryn Hahn is going to give a spectacular performance in Jill Soloway’s charming seriocomedy. Figuring to re-ignite husband Jeff’s (Josh Radnor) flagging libido by taking them both to a strip club, Rachel (Hahn) decides to take on as a home- and moral-improvement project big-haired, barely-adult stripper McKenna (Juno Temple). When the latter’s car slash-home is towed, bored Silver Lake housewife and mother Rachel invites the street child into their home. Eventually she’s restless enough to start accompanying McKenna on the latter’s professional “dates.” Afternoon Delight is a better movie than you’d expect — not so much a typical raunchy comedy as a depthed dramedy with a raunchy hook. It’s a notable representation of no-shame sex workerdom. It’s also funny, cute, and eventually very touching. Especially memorable: a ladies’ round-table discussion about abortion that drifts every which way. (1:42) (Dennis Harvey)

http://www.youtube.com/watch?v=cQlWgnerTRc

Far Out Isn’t Far Enough: The Tomi Ungerer Story Fairy tales really do come true — even when they’re as strange as the one lived by Hans Christian Andersen Award-winning illustrator, writer, and activist Tomi Ungerer. As a child, he was torn between Nazi Germany and occupied France, growing up in the Alsace region; as an artist, Ungerer possesses a creative fire fueled by the trauma of war and a bisected identity — his native Strasbourg, as he paints it with archetypal vivid colors, “is the sphincter of France. When France has indigestion, we’re the first to feel it.” In keeping with that free spirit, director Brad Bernstein playfully, beautifully captures Ungerer’s early years, from the artist’s preteen renderings of Nazi horrors, to his formative artistic inspirations, to the outpouring that followed during NYC’s golden age of illustration. In Big Apple, children’s classics like Crictor (1958), Adelaide (1959), and The Three Robbers (1961) inspired colleagues like Maurice Sendak (here in one of his last interviews) and Jules Feiffer. No niche branding and self-censorship for Ungerer, who happily fed the midcentury’s appetite for his drawings; imbued his kids tales with absurdity, fear, and his lifelong fascination with death; and created powerful anti-war posters and iconic illustrations reflecting the struggles of the ‘60s (and very adult “Fornicon” erotica as well). The latter finally ushered in a kind of closing chapter to Ungerer’s American success story, when word spread that the “kidso” favorite also did porno and his children’s books were blacklisted from libraries. Bernstein generally hastens through the decades of “exile” that followed — staying so far from some of Ungerer’s personal particulars that we never even get the name of his wife (or is it wives?) — but the time he takes to give the viewer a sense of the witty, quirk-riddled artist’s personality keeps a viewer riveted. (1:38) (Kimberly Chun)

The Flu As a shipping crate stuffed with illegal immigrants creeps into a ritzy Seoul suburb, one poor soul within stifles a cough; before long, everyone’s dead — save a crusty-eyed youth who’s apparently resistant to the disease yet still capable of kick-starting a devastating epidemic. Can the headstrong doctor (Soo Ae) save her sassy tot (Park Min-ha) from certain, blood-spewing death? Will the cocky EMT (Jang Hyuk) be able to help her, and win her heart in the process? Will the muckety-mucks in power get their shit together in time to prevent mass panic and a global outbreak? Zzzzz. Save some gnarly third-act visuals (you won’t believe what the government does with the bodies of the afflicted), this disaster movie from writer-director Kim Sung-su fails to innovate on the template laid down by films like 2011’s Contagion or 1995’s Outbreak. Also, for all the gory drama, the central storyline (re: the sick kid and the nascent couple) is completely devoid of tension, trudging for two hours toward the most predictable ending imaginable. (2:00) (Cheryl Eddy)

http://www.youtube.com/watch?v=Od8DhL1hyfw

I Give It a Year This glossy feature writing-directing debut from longtime Sacha Baron Cohen collaborator Dan Mazer has been called the best British comedy in some time — but it turns out that statement must’ve been made by people who think the Hangover movies are what comedy should be like world-wide. Rose Byrne and Rafe Spall play mismatched newlyweds (she’s stiff-upper-lippy advertising executive, he’s a manboy prankster novelist) who worry their marriage won’t last, in part because everyone tells them so — including such authorities as her bitchy sister (Minnie Driver), his obnoxious best friend (Stephen Merchant), and their incredibly crass marriage counselor (Olivia Colman). Also, they’re each being distracted by more suitable partners: she by a suave visiting American CEO (Simon Baker), he by the ex-girlfriend he never formally broke up with (Anna Faris). This is one of those movies in which you’re supposed to root for a couple who in fact really don’t belong together, and most supporting characters are supposed to be funny because they’re hateful or rude. There’s plenty of the usual strained sexual humor, plus the now-de rigueur turn toward earnest schmaltz, and the inevitable soundtrack stuffed with innocuous covers of golden oldies. Some wince-inducing moments aside, it all goes down painlessly enough — and Mazer deserves major props for straying from convention at the end. Still, one hopes the future of British comedy isn’t more movies that might just as well have starred Vince Vaughn and Jennifer Aniston. (1:37) (Dennis Harvey)

http://www.youtube.com/watch?v=rTw4OHsh9so

Riddick This is David Twohy’s third flick starring Vin Diesel as the titular misunderstood supercriminal. Aesthetically, it’s probably the most interesting of the lot, with a stylistic weirdness that evokes ’70s Eurocomix in the best way — a pleasing backdrop to what is essentially Diesel playing out the latest in a series of Dungeons & Dragons scenarios where he offers his wisecracking sci-fi take on Conan. Gone are the scares and stakes of Pitch Black (2000) or the cheeseball epic scale of The Chronicles of Riddick (2004); this is a no-nonsense action movie built on the premise that Riddick just can’t catch a break. He’s on the run again, targeted by two bands of ruthless mercenaries, on a planet threatened by an oncoming storm rather than Pitch Black’s planet-wide night. One unfortunate element leaves a bitter taste: the lone female character in the movie, Dahl (Katee Sackhoff), is an underdeveloped cliché “Strong Female Character,” a violent, macho lesbian caricature who is the object of vile sexual aggression (sometimes played for laughs) from several other characters, including Riddick. (1:59) (Sam Stander)

http://www.youtube.com/watch?v=JbSUyYXH8hs

Spark: A Burning Man Story A few months after kicking off DocFest — and mere days after the flames of Burning Man ’13 were extinguished — doc Spark: A Burning Man Story opens for a theatrical run. With surprisingly open access to Burning Man’s inner-circle organizers, San Francisco filmmakers Steve Brown and Jessie Deeter chronicle the organization’s tumultuous 2012 season, a time when the group was forced to confront concerns both practical (a stressful ticket-sale snafu) and philosophical (why are they selling tickets in the first place?) Spark doesn’t shy away from showing the less-graceful aspects of Burning Man’s exponential growth and transformation, but at its core it’s a fairly starry-eyed celebration of the event’s allure, reinforced by subplots that focus on artists who view “the playa” as their muse. (1:30) (Cheryl Eddy)

Live Shots: Asteroid #4 and the Richmond Sluts at Brick and Mortar Music Hall

Tony Robles
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By Brittany M. Powell

Brick and Mortar Music Hall may have had some noise complaint troubles with the San Francisco Sound Commission earlier this summer, but that hasn’t kept the venue or Kymberli Jenson, of Kymberli’s Music Box Presents, from putting on great shows.  Last Saturday’s bill included the Asteroid #4 and the Richmond Sluts. It was a handful of loud rock’n’roll bands that blasted us back through the decades with sounds echoing 1960s and ‘70s psychedelia and punk, but also hints of the late ‘90s and early 2000s , when these bands were fresh on the music scene. 

They’ve all been around the block, or as frontperson-guitarist Scott Vitt of the Asteroid #4 put it, these are all “old heads” and “mainstays” at this point.

The Asteroid #4, which recently transplanted to the Bay Area from Philadelphia, released its first EP in 1995.  Its music is a blend of classic psychedelic rock, with a little melodic folk and shoe gaze tremor, and strong influences from late ‘60s psych rock bands like Love, and early ‘90s British bands like Spacemen 3. 

When I asked Vitt how he felt living in California was influencing his band’s sound, he responded, “living and breathing the natural beauty, the mountains, the forests and, of course, the ocean, first-hand, I think it’ll be very evident on our next record that we’ve become a California band.”

And the group sounded plenty at home on Saturday night, as if the packed music hall was its own cozy living room. The set was vibrant and full of the precise kinds of melodies and riffs that can only come from a band that’s been playing together as long as it has — and is more than comfortable in its own skin. When asked about this, Vitt quoted Miles Davis, “you have to play a long time to be able to play like yourself.”

The Asteroid #4’s set included personal favorites, “Hold On,” which seems to have a Brian Jonestown Massacre influence, “The Unknown,” and “I Want to Touch You,” a Catharine Wheel cover.  For the final song, Joel Gion of BJM joined the band on stage for “Into the Meadow.”

After the Asteroid #4, the Richmond Sluts went on, which was an excellent transition into an upbeat set closing out the night.

The Richmond Sluts formed in 1998, in the Richmond District. Imagine the NY Dolls on LSD, with a little bit of the Cramps and the Rolling Stones thrown in to keep it both weird and glammy. I have vague memories of hearing this band play at a few parties back in the day, but I have to say I don’t remember it sounding nearly as tight as it did the other night.

Frontperson Shea Roberts also looks nothing like the Stiv Baters (of the Dead Boys) gaunt 20-year-old look-alike I remember either. While the Sluts don’t really have the same excuse for playing trashy, angsty, garage rock about sex, drugs, and rock’n’roll as their post-pubescent selves did back in the late ‘90s, it doesn’t really matter, cause their talent has matured enough to take the material to whole other level. 

Said Shea, “I know some of the lyrics are a little goofy sometimes and the stuff I’m writing now tends to be a bit more serious…but they were all sparked by some emotion I was feeling at the time and I’m OK with that.  Maybe we shouldn’t take ourselves so seriously.”

We shouldn’t.  Not when we can rock out to music like this to keep it in perspective. 

Their set included tracks like “Sweet Something,” “Sad City,” and “Paddy Wagon” off their 2001 self-titled release. Shea says that he hopes to keep playing with the new Sluts and that’s the plan “until it’s not fun anymore.”

The big Hardly Strictly roster reveal

Tony Robles
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After weeks of teasers, Hardly Strictly Bluegrass released its full 2013 lineup this week, and it boasts some fresh young artists and a great many cross-generational acts.

The free weekend-long festival in Golden Gate Park will feature appearances by Nick Lowe, Conor Oberst and friends (including First Aid Kit), Gogol Bordello, Natalie Maines, Emmylou Harris and Rodney Crowell, Bettye LaVette, Allah-Las, Father John Misty, Steve Martin and Steep Canyon Rangers (featuring Edie Brickell), and Bonnie Raitt, among dozens of others.

Hardly Strictly Bluegrass takes place Oct. 4-6 in Golden Gate Park, SF.

Here’s the full roster:

Mike Farris & The Roseland Rhythm Revue

The Brothers Comatose

Mike Scott & Steve Wickham of The Waterboys

Loudon Wainwright III

The Handsome Family

Jesse Dee

The Jerry Douglas Band

Alison Brown

Sallie Ford & The Sound Outside

Justin Townes Earle

The String Cheese Incident

Sonny & The Sunsets

Buddy Miller

The Deep Dark Woods

Pieta Brown

The Flatlanders featuring Joe Ely

Jimmie Dale Gilmore & Butch Hancock

Shovels & Rope

LP

Gogol Bordello

Mark Lanegan

Steve Earle & The Dukes

Supermule

Natalie Maines

Evolfo Doofeht

Calexico

Robert Ellis

Chris Isaak

Conor Brings Friends For Friday Featuring: Whispertown, The Cave Singers, The Felice Brothers, The Evens, First Aid Kit, Conor Oberst

Nick Lowe

Low

The Warren Hood Band

Della Mae

Martha Wainwright

Robert Earl Keen

Holler Down the Hollow: A Hardly Strictly Salute to the Masters

Kieran Kane, Kevin Welch & Fats Kaplin

Buddy Miller & Jim Lauderdale

Ralph Stanley & The Clinch Mountain Boys

Emmylou Harris & Rodney Crowell

The Time Jumpers featuring Brad Albin, Larry Franklin, Paul Franklin, Vince Gill, “Ranger Doug” Green, Andy Reiss, Dawn Sears, Kenny Sears, Joe Spivey, Jeff Taylor & Billy Thomas

Spirit Family Reunion

Nicki Bluhm & The Gramblers

Steve Martin and Steep Canyon Rangers featuring Edie Brickell

Poor Man’s Whiskey (Friday morning middle school program)

Trampled By Turtles

G. Love & Special Sauce

Ryan Bingham

Patty Griffin

The Devil Makes Three

Kat Edmonson

Peter Rowan Bluegrass Band featuring Yungchen Lhamo

Paul Kelly

Dry Branch Fire Squad

Bonnie Raitt

Laurie Lewis & The Right Hands

Boz Scaggs

Seldom Scene

Tumbleweed Wanderers

Manchester Orchestra

Elvin Bishop

The Go To Hell Man Clan

Richard Thompson

Tift Merritt

Jon Langford & Skull Orchard acoustic / FREAKONS

Father John Misty

Billy Bragg

Bettye LaVette

Allah-Las

Tim O’Brien with Bryan Sutton & Mike Bub

Sturgill Simpson

Freakwater

Dave Alvin with Greg Leisz

Moonalice

MC Hammer (Friday morning middle school program)

The Forest Rangers with Katey Sagal

The Wood Brothers

Los Lobos Disconnected

Kate McGarrigle Tribute with Martha & Sloan Wainwright & Special Guests

Jesse DeNatale

Tim O’Brien & Darrell Scott

Joy Kills Sorrow

For more info, see www.hardlystrictlybluegrass.com.


Kim calls for hearing on how SFPD investigates cyclist fatalities UPDATED

Sasha Cuttler
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Kim calls for hearing on how SFPD investigates cyclist fatalities UPDATED

UPDATED In the wake of revelations of shoddy and insensitive police work related to the Aug. 14 death of 24-year-old bicyclist Amelie Le Moullac, who was run over by a commercial truck driver who turned right across her path as she rode in a bike lane on Folsom Street at 6th Street, Sup. Jane Kim today called for a hearing on how the SFPD investigates cyclist fatalities.

The issue has lit up the Bay Guardian website with hundreds of reader comments after we wrote a series of blog posts and our “Anti-cyclist bias must stop” editorial, including our revelation that the SFPD failed to seek surveillance video of the crash even as its Sgt. Richard Ernst showed up at an Aug. 21 memorial to Le Moullac to denigrate cyclists and make unfounded statements about the fatal collision.

Police Chief Greg Suhr later apologized for Ernst’s behavior and the flawed investigation and said that surveillance video unearthed by cycling activists led to the conclusion by a police investigation that the driver who killed Le Moullac was at fault, according to Bay City News and SF Appeal, which also reported on Kim’s call for a hearing.

As we reported, motorists are rarely cited in collisions with cyclists or pedestrians, even when there’s a fatality involved and the motorist didn’t have the right-of-way, which appears to the case in Le Moullac’s death. The District Attorney’s Office, which did not immediately return a call from the Guardian, is considering whether to bring criminal charges in the case.

UPDATE: We just heard from DA’s Office spokesperson Stephanie Ong Stillman, who said, “The San Francisco Police Department has delivered a preliminary investigative package and we are in the process of reviewing it to determine what additional investigation is necessary.”

UPDATE 9/5 5pm: San Francisco Bicycle Coalition Executive Director Leah Shahum says she welcomes Kim’s hearings, which are long overdue. “We’re really thankful to Jane for bringing this forward,” Shahum told the Guardian, saying she hopes the hearing results in changes to how the SFPD investigates cyclist fatalilties. “We want to make sure there is ongoing accountability.”

She also said the San Francisco Municipal Transportation Agency has indicated to SFBC that it is working on near-term and long-term improvements on both Folsom and Howard streets, where cyclists in bike lanes must regularly contend to drivers cutting them off. The city does seem committed to a significant pilot of better bikeways there.”

Meanwhile, as the San Francisco Examiner reported today, Le Moullac’s family has filed a civil lawsuit against the driver who killed her, Gilberto Oriheaula Alcantar, as well as the company that he was driving for, Daylight Foods Inc., alleging that he was negligent in driving too fast and failing to pulled into the bike lane before making a right turn from Folsom onto 6th Street.

Still secret

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Still secret

news@sfbg.com
A high-profile local civil rights ordinance passed last year to shine light on the San Francisco Police Department’s joint activities with the FBI has been undermined by the SFPD’s refusal to disclose its surveillance activities. This comes at a time when the public is learning more than ever about the federal government’s intrusion into the privacy of law-abiding US citizens.

In May 2012, the Board of Supervisors unanimously passed the Safe San Francisco Civil Rights Ordinance, which Mayor Ed Lee signed in a photo-op ceremony with Police Chief Greg Suhr and the activists who supported it. They claimed the board’s passage of the ordinance ushered in a new era of transparency over the SFPD’s previously secretive work with the FBI-led Joint Terrorism Task Force.

“The ordinance basically requires three things,” Nasrina Bargzie, a civil rights attorney at the Asian Law Caucus who worked on the measure, told the Bay Guardian. “The first part requires that the Police Department work with the JTTF has to follow the California constitutional rights of privacy, so they’re not following the lax standards of the [US] Department of Justice. The second part is that they can no longer enter into any secret agreements with the FBI; it has to go before the Police Commission in a public setting. The final part of the ordinance exists to make sure the rules are being followed, so there is a requirement for a yearly report.”

At the time of its passage, activists told the Guardian that the ordinance was only as strong as the SFPD’s willingness to disclose its activities (see “Mayor Lee signs watered-down limits on SFPD spying,” 5/9/12). But the SFPD’s refusal to disclose even minimal, basic information calls into question the ordinance’s value.

After the release of multiple reports earlier this year that activists called inadequate, Suhr is now maintaining silence regarding the JTTF, while claiming the department is in full compliance with the ordinance. According to Bargzie, Suhr told her the FBI is barring him from disclosing the requested information.

Following multiple efforts by the Guardian to get a comment out of SFPD about the ordinance and whether the department was indeed taking a subservient role to the FBI, SFPD Sgt. Dennis Toomer told us, “We’re not talking about that at all.”

LACK OF RESPONSE

Activists have sparred with Chief Suhr over implementation of the ordinance and its required annual report since at least the beginning of 2013.

Deputy Chief John Loftus presented the first report to the Police Commission on Jan. 23, which claimed the SFPD was in “full compliance” with the ordinance without providing any details. Activists and the public quickly demanded a real response.

“The commission presented this short oral report, which was a little short of two minutes long,” Bargzie told us. “There was no data that we were not already aware of. It was just basic statements claiming that they were complying with the ordinance.”

Suhr apologized for the omissions while stating his department was still in compliance with the ordinance’s guidelines, pledging to be more forthcoming. At this time, SFPD Sgt. Michael Andraychak told the Guardian: “The Chief’s Office is in the process of scheduling meetings with Nasrina Bargzie [of the Asian Law Caucus] to develop a report with more detail so those concerned and the public can be as informed as possible. Chief Suhr is committed to remain in compliance with the ordinance.”

The Coalition for Safe San Francisco, an activist group consisting of Muslim Legal Fund of America, Asian Law Caucus, and dozens of other groups, met with Suhr to discuss setting up a template for the reports.

Suhr then released a second report, which contained more relevant information, stating that SFPD officers did not act as informants in 2012 and three full-time SFPD officers were assigned to the JTTF.

But the report still omitted key oversight information, such as whether any prosecutions resulted from JTTF and SFPD investigations, which would allow the Muslim Legal Fund of America and other groups to determine who the SFPD is arresting and why.

Last year, Suhr told a San Francisco Examiner reporter that his officers followed up on 2,000 tips regarding counterterrorism activities. However, this information curiously did not make it into the official report.

“We contacted the chief to let him know we were not okay with this. We had another meeting with him and he said he’d think about it and get back to us and now he is claiming he cannot honor a basic component of the ordinance,” Bargzie told us. “He asserts in writing this is because the FBI will not let him share the basic information.”

WEAKENED LEGISLATION

The weak efforts behind the implementation of the SSFCRO date back to Mayor Lee’s veto of a stronger ordinance in April 2012, which would have codified privacy protections and given the Police Commission more power to stop FBI-SFPD activities that did not comply with Department General Order (DGO) 8.10, the 1990 policy aimed at protecting First Amendment activities. After Lee’s veto, the Board of Supervisors passed a weaker version. Both were sponsored by Sup. Jane Kim.

John Crew, a former police practices expert with the Northern California American Civil Liberties Union, raised concerns to the Guardian about the weakened legislation. “It is a step in the right direction, there’s no doubt it’s progress,” Crew told us at the time. “But whether it’s real progress depends on the implementation. Ultimately, it will come down to political will at the Police Commission to enforce privacy protections.”

Much of the ordinance’s failure stems from the apparent lack of real intent to disclose what the activists sought. Critics painted the SSFCRO signing ceremony as a hollow symbolic act, a way for Mayor Lee and Chief Suhr to publicly promote civil rights and progressive ideals with an ordinance they purposefully weakened.

“My sense is that [the SFPD] is not taking this seriously,” Bargzie told us. “I think they probably believe that they are providing as much information as the FBI will let them and Chief Suhr thinks it’s fine that the FBI can tell him to share what they tell him to.”

The lack of transparency regarding the JTTF’s work with the SFPD requires the public to trust the federal government to safeguard civil liberties. But in the wake of whistleblower Edward Snowden’s leak exposing the expansive surveillance system by the National Security Agency and the SFPD’s notorious history of illegal surveillance and racial profiling, the public has little reason to trust the authorities.

HISTORY OF SPYING
The passage of the SSFCRO is the latest effort to counter a long history of racial profiling, spying on radical political groups, and other constitutional violations, episodes that have been followed by progressive reforms in San Francisco.
Prior to the passage of DGO 8.10 in 1990, the SFPD notoriously participated in the surveillance of non-criminal, pacifist political organizations. During the 1984 Democratic National Convention, the SFPD carried out surveillance on law-abiding organizations and, throughout the 1980s, it created files on civil, labor, and special interest groups in the Bay Area, revelations that led to the adoption of DGO 8.10.
But even after that, disclosures surfaced showing that the SFPD was blatantly violating its own rules. They included then-Police Chief Tony Ribera admitting that files on non-criminal political activity were not destroyed (as required by the ’90s reforms), the selling of confidential intelligence material to foreign governments and private entities, and the actions of SFPD Intelligence Officer Tom Gerad, who informed on local political groups for the FBI.
In the subsequent years following the Gerad scandal, San Francisco sought to strengthen DGO 8.10, requiring more transparency and oversight. But this progress was undercut in 2007 when the SFPD secretly signed a secret JTTF Memorandum of Understanding (MOU) undermining DGO 8.10.
San Francisco’s Human Rights Commission held hearings in which the community voiced concerns over illegal police and federal surveillance. In response, the SFPD said they were unable to discuss arrangements with the JTTF without the permission of the FBI.
In 2011, the previously secret MOU was unearthed by the ACLU (see “Spies in blue,” 4/26/11), prompting Suhr to issue Bureau Order #2011-07, which reinforced that SFPD personnel were under the jurisdiction of local and state privacy protections and did not spy on law-abiding groups. SFPD Public Information Officer Albie Esparza said the order reversed the language of the 2007 memo.
Part of Suhr’s amendment to SFPD policy at the time included the necessity of a predicate offense in all SFPD investigations. Thus, the SFPD could not investigate or spy on those who were not suspected of violating the California Penal Code or federal law.
Activists wanted those protections enshrined in city law, which resulted in last’s vetoed ordinance and passage of the watered down Safe San Francisco Civil Rights Ordinance in 2012, which activists now say they feel duped by.
“We have been extremely disappointed at the lack of information that has been included in the reports,” Summer K. Hararah, Regional Director for the Greater San Francisco Area Muslim Legal Fund of America told us. “If the SFPD is going to violate rights of Arab-Americans, the police chief has a responsibility to stand up to the FBI.”

POST 9/11 WORLD
Lax federal guidelines for counterterrorism have been building since the Bush Administration began implementing emergency measures after 9/11 terrorist attacks in 2001. In San Francisco’s case, the FBI has subjected local law enforcement to these rules.
Since 9/11, both the ACLU of Northern California and the Human Rights Commission have publicized cases of racial profiling and surveillance of pacifist, non-criminal Muslim and Middle-Eastern groups in San Francisco. A 2007 FBI memorandum illustrated a prominent instance of this profiling in which FBI agents attended Ramadan Iftar dinners in San Francisco purportedly as part of the FBI’s mosque outreach program. Under this guise, the agents collected data on certain attendants, including names, the content of conversations, and other information covered by the First Amendment. According to the FBI Domestic Investigations and Operations Guide, the JTTF is permitted to conduct surveillance of this nature, by identifying “locations of concentrated ethnic communities in the Field Office’s domain, if these locations will reasonably aid in the analysis of the potential threats and vulnerabilities, and, overall assist domain awareness for the purpose of performing intelligence analysis.” These policies directly contradict SSFCO, DGO 8.10, and the California Constitution’s privacy protections. In Portland, Ore., the local government successfully fought this issue by bifurcating local law enforcement from the JTTF after the public and the ACLU raised concerns over similar constitutional violations and racial profiling. This Portland model is now a precedent for activist groups nationwide, seeking to end the lack of oversight permeating their local police departments. “Portland has been a great model,” Hararah told us. “When the FBI began to interview Muslim men in mass after 9/11, Portland was one of the few that said ‘absolutely not.'” But in San Francisco, Lee (whose office also didn’t respond to our request for comment) and Suhr’s symbolic promotion of civil rights has diminished into a case of them basically bullshitting the public. “Civil rights is not a symbolic issue,” Hararah told us. “The mayor backed this legislation and we want to see that the commitment is put forth with global insurance. The first step is having info about what the JTTF is doing to be sure it abides by human rights protections and is appropriate.”

Are Yee’s anti-tenant votes about courting contributions from landlords?

Sasha Cuttler
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Are Yee’s anti-tenant votes about courting contributions from landlords?

Sen. Leland Yee has never been a vote that renters could count on, from his days on the San Francisco Board of Supervisors to his representation of San Francisco’s westside in the California Legislature. But now that he’s preparing a statewide campaign for Secretary of State, tenant advocates say he’s more squirrely that ever.

They’ve been rankled by a couple of key Yee votes this year — and by Yee’s apparent unwillingness to engage with them or explain any concerns he might have — particularly Yee’s vote yesterday against legislation that would allow cities and counties to reinstate requirements that developers include some affordable rental units in their housing projects, which the California Supreme Court took away in 2009 with its infamous Palmer v. Los Angeles decision.

That legislation, Assembly Bill 1229, was narrowly approved by the California Senate yesterday despite an aggressive opposition campaign by landlords and developers who initially got overwise supportive Democrats to take a walk and abstain from voting, although tenants groups were finally able to stiffen enough spines to win passage. It now awaits the signature of Gov. Jerry Brown, who hasn’t yet taken a position on the measure.

“It directly overturns [the Supreme Court’s ruling on local inclusionary housing laws] and puts us right back where we were before the Palmer decision. It’s a hugely significant affordable rental housing measure,” Dean Preston, head of the statewide Tenants Together, told the Guardian.

But Yee, who provided the Guardian with a written statement in response to our questions, dismisses the bill’s significance: “SB 1229 is a piecemeal solution, offering a chance at lotteries in housing developments scattered randomly throughout the state. I’m proud to stand by my record of supporting effective legislation to provide affordable housing, supporting inclusionary housing and protecting rent control.”

Preston told us the statement “makes no sense and it doesn’t explain why he supported the same thing two years ago that he now opposes,” referring to Sen. Mark Leno’s SB 184, which died in the Senate two years ago.

But Preston did say that he’s happy to hear Yee explain himself, something that he’s been unwilling to do so far this year, including on his vote against Leno’s SB 603, who would have created sanctions for landlords that illegally withhold security deposits from their renters. It stalled in the Senate back in May.

“SB 603 would have invited lawsuits against landlords throughout the state, honest and otherwise, which would inevitably lead to property owners taking units off the market and driving up prices,” is how Yee now explains that vote to the Guardian.

But Preston said that explanation also doesn’t make sense, noting that Leno’s bill is already law in Alabama. “There’s no disincentive whatsoever for landlords to illegally withhold deposits,” Preston said, noting the he and other activists have fruitlessly tried for months to reach Yee on the issue. “It’s good to finally hear any explanation for his vote, months later.”

“There’s a pattern emerging with him where he won’t even explain his votes,” Preston said, noting that Yee “is running for statewide office and he’s trying to appeal to landlords and developers.”

Indeed, Yee will need to raise buckets of cash to reach a statewide audience, and he certainly understands who has the money these days. But Yee denies that he is carrying water for landlords, citing other pro-tenant votes: “I’ve always been proud to fight for tenants. Earlier this year, I cast the deciding vote for SB 391 which directs an estimated $720 million in state funds annually to the construction, rehabilitation and continued preservation of low and affordable affordable housing for everyone, families, seniors, veterans, people with disabilities, the unemployed, and the homeless. I spent years fighting for redevelopment agencies, one of only three Democrats to do so, which put a billion dollars a year into providing affordable housing throughout the state. These are programs that have been proven to be effective, an example of good results rather than just good intentions.”

UPDATE 3pm: Leno just returned our call from the floor of the Senate, where he said that Yee mischaracterized SB 603. “Those are the talking point of the industry and they’re just plain wrong,” Leno told us.

Leno said he modified the bill significantly to win support, including removing provisions that would have required landlords to keep deposits in separate accounts and pay interest on them. “All that remained is the penalty for a landlord that is was determined by the courts had illegally kept a deposit,” Leno told us. “And it still stalled. It’s the power of that lobby.”

Music Listings: September 4-10, 2013

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WEDNESDAY 4
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. City Deluxe, The Insufferables, RocketShip RocketShip, 9 p.m., $8.
Cafe Du Nord: 2170 Market, San Francisco. Lawson, The Beggars Who Give, Breakaway Patriot, 9 p.m., $10-$12.
The Chapel: 777 Valencia St., San Francisco. King Dude, 9 p.m., $15.
El Rio: 3158 Mission, San Francisco. Red Hands Black Feet, Iconoplasty, The Severely Departed, 8 p.m., $5.
Elbo Room: 647 Valencia, San Francisco. Vinyl Spectrum, The Dandy Lions, 9 p.m., $6.
Hemlock Tavern: 1131 Polk, San Francisco. All Your Sisters, Roses, Here Come the Saviours, 8:30 p.m., $6.
The Knockout: 3223 Mission, San Francisco. 20 Sided Records Compilation IV Release Show #1, w/ One Hundred Percent, Breathing Patterns, Buzzmutt, 9 p.m., $7 (or $10 including CD).
Milk Bar: 1840 Haight, San Francisco. Joshua Cook / The Key of Now, Down & Outlaws, Drivers, Witch Baby, 8:30 p.m., $2.
DANCE
The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8 p.m., free.
Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30 p.m., $5-$10.
Club X: 715 Harrison, San Francisco. “Electro Pop Rocks,” 18+ dance party with Downlink, 9 p.m.
F8: 1192 Folsom St., San Francisco. “Housepitality,” w/ Signal Flow, Aquarius Heaven, Fil Latorre, Nick Gynn, 9 p.m., $5-$10.
Harlot: 46 Minna, San Francisco. “Qoöl,” w/ Dan Sherman, 5 p.m.
The Independent: 628 Divisadero, San Francisco. Chet Faker, Lawrence Rothman, Devonwho, 8 p.m., $13-$15.
Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10 p.m.
Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7 p.m.
Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9 p.m., free.
MatrixFillmore: 3138 Fillmore, San Francisco. “Innov8,” 8 p.m.
Monarch: 101 6th St., San Francisco. “Couchsurfing First Wednesdays,” w/ Anthony Mansfield, Sneak-E Pete, more, 8 p.m.
Public Works: 161 Erie, San Francisco. Zomby, DJ Dials, Manitous, 9 p.m., $12-$20.
Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9 p.m., $3.
HIP-HOP
Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, 10 p.m., free.
Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9 p.m., $5.
ACOUSTIC
Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7 p.m., free.
Johnny Foley’s Irish House: 243 O’Farrell St., San Francisco. Terry Savastano, Every other Wednesday, 9 p.m., free.
Plough & Stars: 116 Clement, San Francisco. Jeanie & Chuck’s Bluegrass Country Jam, First Wednesday of every month, 9 p.m., free.
Slim’s: 333 11th St., San Francisco. “Both Sides of the Story,” Cody Canada & Jason Boland acoustic song swap, 8 p.m., $16.
JAZZ
Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7 p.m., free.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7 p.m., free.
Oz Lounge: 260 Kearny, San Francisco. Hard Bop Collective, 6 p.m., free.
Pier 23 Cafe: Pier 23, San Francisco. Grant Levin Trio, 6 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. “Cat’s Corner,” 9 p.m., $10.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30 p.m., $5.
Zingari: 501 Post, San Francisco. Brenda Reed, 7:30 p.m., free.
INTERNATIONAL
BeatBox: 314 11th St., San Francisco. “Salsa-XS,” queer salsa night, 8 p.m.
Bissap Baobab: 3372 19th St., San Francisco. Timba Dance Party, w/ DJ WaltDigz, 10 p.m., $5.
Boom Boom Room: 1601 Fillmore, San Francisco. Cha-Ching, First Wednesday of every month, 9 p.m., $5.
Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7 p.m., $5-$10.
Pachamama Restaurant: 1630 Powell, San Francisco. “Cafe LatinoAmericano,” 8 p.m., $5.
Union Square Park: 333 Post, San Francisco. Kulintronica, 12:30 p.m., free; Los Boleros, 6 p.m., free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Southern Hospitality, 8 & 10 p.m., $20.
SOUL
Lexington Club: 3464 19th St., San Francisco. “Secret Lovers,” w/ DJs Ponyboy, Lil MC, Katie Duck, and Durt, First Wednesday of every month, 9 p.m., free.

THURSDAY 5
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. 20 Sided Records Compilation IV Release Show #2, w/ Li Xi, Wild Pack of Canaries, Cannons & Clouds, Mosshead, 9 p.m., $10 including CD.
S.F. Eagle: 398 12th St., San Francisco. Thursday Nite Live: Imperials, Reliics, Cassowary, 9 p.m., $8.
Hemlock Tavern: 1131 Polk, San Francisco. Teepee, Moonbell, Red Traces, 8:30 p.m., $7.
The Knockout: 3223 Mission, San Francisco. The Grannies, Nasalrod, Butt Problems, 9:30 p.m., $7.
Milk Bar: 1840 Haight, San Francisco. Al Lover, Taxes Romero, DSTVV, Vampire Slayer, 8:30 p.m., $7.
Rickshaw Stop: 155 Fell, San Francisco. “Popscene,” w/ Tesla Boy, Night Moves, Queen Kwong, DJs Aaron & Omar, 9:30 p.m., $13-$15.
Slim’s: 333 11th St., San Francisco. Saves the Day, Into It. Over It., Hostage Calm, 8 p.m., $16.
Thee Parkside: 1600 17th St., San Francisco. Terry Malts, Synthetic ID, Pinhead, 9 p.m., $9.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The Zombies featuring Colin Blunstone & Rod Argent, Et Tu Brucé, 8 p.m., $39-$60.
DANCE
1015 Folsom: 1015 Folsom St., San Francisco. Anticon Records 15-Year Anniversary, w/ Baths, Why?, Jel, D33J, Daedelus, Doseone, Alias, Serengeti, Odd Nosdam, Sodapop, Low Limit, 10 p.m., $20 advance.
Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10 p.m., free.
Audio Discotech: 316 11th St., San Francisco. “Phonic,” w/ Congorock, Ron Reeser, 9:30 p.m.
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9 p.m., $5-$7.
BeatBox: 314 11th St., San Francisco. “Jukebox,” w/ DJ Page Hodel, 9 p.m., $10.
The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9 p.m., $5.
Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9 p.m., $6 (free before 9:30 p.m.).
The Cellar: 685 Sutter, San Francisco. “XO,” w/ DJs Astro & Rose, 10 p.m., $5.
Club X: 715 Harrison, San Francisco. “The Crib,” 9:30 p.m., $10, 18+.
Elbo Room: 647 Valencia, San Francisco. “Afrolicious,” w/ DJs Pleasuremaker, Señor Oz, and live guests, 9:30 p.m., $5-$8.
The EndUp: 401 Sixth St., San Francisco. EDMSF Thursdays, 10 p.m., $10 (free before midnight).
F8: 1192 Folsom St., San Francisco. “Beat Church,” w/ resident DJs Neptune & Kitty-D, First Thursday of every month, 10 p.m., $10.
Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10 p.m., $10.
Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9 p.m., $5 after 10 p.m.
MatrixFillmore: 3138 Fillmore, San Francisco. “Fusion,” w/ DJ Big Bad Bruce, 9 p.m., $5.
Mezzanine: 444 Jessie, San Francisco. Gold Fields, Rush Midnight, Honeymooon, 9 p.m., $18-$20.
Monarch: 101 6th St., San Francisco. “Common Ground,” w/ Steve Loria, Andre Lucero, Joey Alaniz, Dino Velvet, Fil Latorre, Greg Yuen, 9 p.m., $10.
Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9 p.m., free.
Raven: 1151 Folsom St., San Francisco. “1999,” w/ VJ Mark Andrus, 8 p.m., free.
The Tunnel Top: 601 Bush, San Francisco. “Tunneltop,” DJs Avalon and Derek ease you into the weekend with a cool and relaxed selection of tunes spun on vinyl, 10 p.m., free.
Underground SF: 424 Haight, San Francisco. “Bubble,” 10 p.m., free.
Vessel: 85 Campton, San Francisco. “Base,” w/ Jay Haze, 10 p.m., $5-$10.
HIP-HOP
Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9 p.m., free.
John Colins: 138 Minna, San Francisco. “The Premiere,” video hip-hop party with VDJ T.D. Camp, First Thursday of every month, 9 p.m., $5.
Park 77 Sports Bar: 77 Cambon, San Francisco. “Slap N Tite,” w/ resident Cali King Crab DJs Sabotage Beats & Jason Awesome, free.
The Parlor: 2801 Leavenworth, San Francisco. “Locals Night Out,” w/ DJ Illy D, 9 p.m., free.
Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10 p.m., free.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Sparrows Gate, Assateague, Misisipi Mike & The Midnight Gamblers, 9 p.m., $7.
Cafe Du Nord: 2170 Market, San Francisco. Hiss Golden Messenger, Date Palms, Meg Baird, 8 p.m., $10-$12.
Hotel Utah: 500 Fourth St., San Francisco. Songwriters in the Round with Heather Combs, First Thursday of every month, 8 p.m., $8.
Musicians Union Local 6: 116 Ninth St., San Francisco. San Francisco Singer-Songwriters’ Workshop, hosted by Robin Yukiko, First Thursday of every month, 6:30 p.m., $25 (free for AFM members).
Plough & Stars: 116 Clement, San Francisco. The Shannon Céilí Band, First Thursday of every month, 9 p.m., free.
JAZZ
Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30 p.m., free.
Bottle Cap: 1707 Powell, San Francisco. The North Beach Sound with Ned Boynton, Jordan Samuels, and Tom Vickers, 7 p.m., free.
Cigar Bar & Grill: 850 Montgomery, San Francisco. Jimmy Grant Quartet, First Thursday of every month, 8 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. Steve Lucky & The Rhumba Bums, 7:30 p.m.
Pier 23 Cafe: Pier 23, San Francisco. Dick Fregulia Group, 7 p.m., free.
The Royal Cuckoo: 3202 Mission, San Francisco. Chris Siebert, 7:30 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eddy Ramirez, 7:30 p.m., $5.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30 p.m., $10.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. NaJe, in Yoshi’s lounge, First Thursday of every month, 6:30 p.m., free.
Zingari: 501 Post, San Francisco. Anne O’Brien, First Thursday of every month, 7:30 p.m., free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10 p.m., $5.
Pachamama Restaurant: 1630 Powell, San Francisco. “Jueves Flamencos,” 8 p.m., free.
Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9 p.m., $10-$15.
Yerba Buena Gardens: Fourth St. & Mission, San Francisco. Essence, 12:30 p.m., free.
REGGAE
Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9 p.m., free.
BLUES
50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30 p.m., free.
Biscuits and Blues: 401 Mason, San Francisco. Lucky Peterson, 8 & 10 p.m., $25.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.
Lou’s Fish Shack: 300 Jefferson St., San Francisco. Little Wolf & The HellCats, 8:30 p.m.
COUNTRY
Atlas Cafe: 3049 20th St., San Francisco. The Country Casanovas, 8 p.m., free.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Wayne “The Train” Hancock, 9 p.m., $15.
The Independent: 628 Divisadero, San Francisco. Brokedown in Bakersfield, Nocona, 8 p.m., $20.
EXPERIMENTAL
Center for New Music: 55 Taylor St., San Francisco. “The Killer Squirrel and Other Feral Airs,” w/ Amy Foote and Matt Holmes-Linder, 8 p.m., $10-$15.
The Luggage Store: 1007 Market, San Francisco. Aaron Oppenheim, The Hurd Ensemble, 8 p.m., $6-$10.
FUNK
Boom Boom Room: 1601 Fillmore, San Francisco. Delta Nove, 9:30 p.m., $7-$10.
SOUL
50 Mason Social House: 50 Mason, San Francisco. The Reefer Twins, 10 p.m., free.

FRIDAY 6
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Crüella, The Hormones, The Killer Queens, 10 p.m., $10.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Buffalo Tooth, Creepers, Mondo Drag, Earthdance, 9 p.m., $5-$7.
Cafe Du Nord: 2170 Market, San Francisco. No, Cosmic Suckerpunch, Great American Cities, 9:30 p.m., $10.
The Chapel: 777 Valencia St., San Francisco. The Shrine, Hot Lunch, Carlton Melton, 9 p.m., $12.
Hemlock Tavern: 1131 Polk, San Francisco. Broncho, Mozes & The Firstborn, Hindu Pirates, 9:30 p.m., $8.
The Independent: 628 Divisadero, San Francisco. Murder by Death, Larry & His Flask, The 4onthefloor, 9 p.m., $16.
Milk Bar: 1840 Haight, San Francisco. “Blues for Pops,” American Cancer Society benefit with The Sam Chase, Bonnie & The Bang Bang, Hibbity Dibbity, 8:30 p.m., $13.
Rickshaw Stop: 155 Fell, San Francisco. Guy Fox, Harper Blynn, The Visibles, 9 p.m., $10.
Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. 20 Sided Records Compilation IV Release Show #3, w/ Frozen Folk, Chung Antique, Couches, Quiet Americans, 9 p.m., $7 (or $10 including CD).
Thee Parkside: 1600 17th St., San Francisco. Moses, Western Addiction, Creative Adult, Bad Antics, 9 p.m., $8.
DANCE
1015 Folsom: 1015 Folsom St., San Francisco. “The Afterburn,” w/ ƱZ, Opiuo, An-Ten-Nae, Valentino Khan, Morri$, Filastine, Christian Martin, Lil Silva, Worthy, Ardalan, UltraViolet, Napsty, WolfBitch, many more, 9 p.m., $25-$30 advance.
Amnesia: 853 Valencia, San Francisco. “Brass Tax,” w/ resident DJs JoeJoe, Ding Dong, Ernie Trevino, Mace, First Friday of every month, 10 p.m., $5.
BeatBox: 314 11th St., San Francisco. “Werq,” w/ DJs Rodolfo Bravat & Andrew Gibbons, 10 p.m., $5-$50.
Cafe Flore: 2298 Market, San Francisco. “Kinky Beats,” w/ DJ Sergio, 10 p.m., free.
The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9 p.m., $5.
Cat Club: 1190 Folsom, San Francisco. “Strangelove: A Tribute to Nine Inch Nails,” w/ DJs Tomas Diablo, Joe Radio, Lexor, and Unit 77, 9:30 p.m., $7 ($3 before 10 p.m.).
The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10 p.m.
DNA Lounge: 375 11th St., San Francisco. “New Wave City: 21-Year Anniversary Party,” w/ DJs Skip, Shindog, Brian Raffi, Andy T, Prince Charming, Donimo, and Alisson Gothz, 9 p.m., $12.
The EndUp: 401 Sixth St., San Francisco. “Fever,” 10 p.m., free before midnight.
F8: 1192 Folsom St., San Francisco. “Vintage,” w/ DJ Toph One & guests, 5 p.m., free.
The Grand Nightclub: 520 4th St., San Francisco. “We Rock Fridays,” 9:30 p.m.
Harlot: 46 Minna, San Francisco. Sébastien Léger, Pedro Arbulu, MFYRS, 9 p.m., $10-$15 advance.
Infusion Lounge: 124 Ellis, San Francisco. “Escape Fridays,” 10 p.m., $20.
Lookout: 3600 16th St., San Francisco. “HYSL,” 9 p.m., $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “Dirty Rotten Dance Party,” w/ Kap10 Harris, Shane King, guests, First Friday of every month, 9 p.m., $5.
Manor West: 750 Harrison, San Francisco. “Fortune Fridays,” 10 p.m., free before 11 p.m. with RSVP.
MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9 p.m.
Mezzanine: 444 Jessie, San Francisco. “Future Fridays,” w/ Myndset & Panic City, 9 p.m., free-$20.
Mighty: 119 Utah, San Francisco. “Back2Back2Back,” w/ Mr. V, Marques Wyatt, and David Harness, 10 p.m., $10-$20.
Monarch: 101 6th St., San Francisco. “Smoke N’ Mirrors,” w/ Monika Kruse, Galen, Shiny Objects, Trev Campbell, 9:30 p.m., $10-$20.
Neck of the Woods: 406 Clement St., San Francisco. Penguin Prison (DJ set), Touch Sensitive, Lane 8 (DJ set), 9 p.m., $13-$15.
OMG: 43 6th St., San Francisco. “Release,” 9 p.m., free before 11 p.m.
Powerhouse: 1347 Folsom, San Francisco. “Nasty,” First Friday of every month, 10 p.m., $5.
Public Works: 161 Erie, San Francisco. “Dust Off,” w/ DJ Dan, Sydney Blu, Syd Gris, Matt Kramer, Dex Stakker, Silas Lang, Dulce Vita, 9:30 p.m., $10-$20.
Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9 p.m., $3.
Ruby Skye: 420 Mason, San Francisco. Digitalism, Nick G, 9 p.m., $20 advance.
Slate Bar: 2925 16th St., San Francisco. “Haçeteria,” w/ Hauser/Quaid, Doc Sleep, Jason P, Smac, Tristes Tropiques, and Nihar, 10 p.m., $5-$7.
Underground SF: 424 Haight, San Francisco. “Bionic,” 10 p.m., $5.
Vessel: 85 Campton, San Francisco. Firebeatz, St. John, Loud Mouth, 10 p.m.
Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10 p.m., free; “Depth,” w/ resident DJs Sharon Buck & Greg Yuen, First Friday of every month, 10 p.m., free.
HIP-HOP
EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9 p.m.
Nickies: 466 Haight, San Francisco. “First Fridays,” w/ The Whooligan & Dion Decibels, First Friday of every month, 11 p.m., free.
ACOUSTIC
50 Mason Social House: 50 Mason, San Francisco. Leland Sundries, Matt Frye, Renee Findley, 7 p.m.
Plough & Stars: 116 Clement, San Francisco. Benjamin Brown, Aaron Ford, 9 p.m.
The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10 a.m., $5.
St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. First Fridays Song Circle, First Friday of every month, 7 p.m., $5-$10.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8 p.m., free.
Bird & Beckett: 653 Chenery, San Francisco. Don Prell’s SeaBop Ensemble, First Friday of every month, 5:30 p.m., free.
Center for New Music: 55 Taylor St., San Francisco. Best Coast Jazz Composers Series #2: Phillip Greenlief, 7:30 p.m., $12-$15.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7 p.m., $8.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9 p.m., $10.
Zingari: 501 Post, San Francisco. Joyce Grant, 8 p.m., free.
INTERNATIONAL
Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30 p.m., $15 (free entry to patio).
Cigar Bar & Grill: 850 Montgomery, San Francisco. Rumbache, 8 p.m.
Elbo Room: 647 Valencia, San Francisco. Brazilian Independence Day Celebration with Môfo, DJs Lucio K & Carioca, 10 p.m., $10.
Little Baobab: 3388 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m.
Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15 p.m., $15-$18.
The Ramp: 855 Terry Francois, San Francisco. “Salsa Soirée,” w/ DJs Jose Ruiz y Carlitos Way, 6 p.m.
Red Poppy Art House: 2698 Folsom, San Francisco. Lulacruza, 7:30 p.m.
REGGAE
Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30 p.m., free.
Showdown: 10 Sixth St., San Francisco. “How the West Was Won,” w/ Nowtime Sound, First Friday of every month, 10 p.m., free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Lucky Peterson, 8 & 10 p.m., $25.
Boom Boom Room: 1601 Fillmore, San Francisco. Bill Phillippe, 6 p.m., free.
Lou’s Fish Shack: 300 Jefferson St., San Francisco. Willie G, 8:30 p.m.
Pier 23 Cafe: Pier 23, San Francisco. Pugsley Buzzard, 8 p.m., free.
FUNK
Amnesia: 853 Valencia, San Francisco. Swoop Unit, First Friday of every month, 6 p.m.
Boom Boom Room: 1601 Fillmore, San Francisco. Robert Walter’s 20th Congress, Adrian Hibbs, DJ K-Os, 9:45 p.m., $20 advance.
El Rio: 3158 Mission, San Francisco. Friday Live: Liquid Girlfriend, DJ Emotions, 10 p.m., free.
Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, & Tom Thump, 10 p.m., $5.
SOUL
Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10 p.m., free.
The Knockout: 3223 Mission, San Francisco. “Oldies Night,” w/ DJs Primo, Daniel, Lost Cat, friends, First Friday of every month, 10 p.m., $5.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. All-4-One, 8 & 10 p.m., $28-$35.

SATURDAY 7
ROCK
Amnesia: 853 Valencia, San Francisco. 20 Sided Records Compilation IV Release Show #4, w/ Ash Reiter, Thralls, Upstairs Downstairs, 9 p.m., $7 (or $10 including CD).
Bottom of the Hill: 1233 17th St., San Francisco. Sundowner, Kevin Seconds, Great Apes, The Started-Its, 9 p.m., $10.
Hemlock Tavern: 1131 Polk, San Francisco. Midnite Snaxxx, Youthbitch, Glitz, 9:30 p.m., $6.
Red Devil Lounge: 1695 Polk, San Francisco. State Line Empire, 9 Electric, The Butlers, Amongst Thieves, Ratchet, 9 p.m., $10.
Rickshaw Stop: 155 Fell, San Francisco. Judgement Day, Black Map, Death Valley High, King Loses Crown, 8 p.m., $10.
Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. The Ferments, At Our Heels, The Residuals, Survival, Wrath, 7 p.m., $5.
DANCE
BeatBox: 314 11th St., San Francisco. “Bears in the Dark,” w/ DJ Nick Bertossi, 10 p.m., $5-$10.
Cafe Flore: 2298 Market, San Francisco. “Bistrotheque,” w/ DJ Ken Vulsion, 8 p.m., free.
Cat Club: 1190 Folsom, San Francisco. “Leisure,” w/ DJs Aaron, Omar, & Jetset James, First Saturday of every month, 10 p.m., $7.
DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ DJ Entyme, DJ Tripp, DJ Fox, Kool Karlo, Haute Toddy, Hubba Hubba Revue performers, more, 9 p.m., $10-$15.
The EndUp: 401 Sixth St., San Francisco. “Play,” w/ Noah Pred, Nick Williams, more, 10 p.m., $15-$20.
Infusion Lounge: 124 Ellis, San Francisco. “Volume,” First Saturday of every month, 10 p.m., $10-$20.
The Knockout: 3223 Mission, San Francisco. “Debaser,” w/ resident DJs EmDee, Jamie Jams, and Stab Master Arson, First Saturday of every month, 10 p.m., $5 (free before 11 p.m. if wearing flannel).
Lookout: 3600 16th St., San Francisco. “Bounce!,” 9 p.m., $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “The Prince & Michael Experience,” w/ DJs Dave Paul & Jeff Harris, First Saturday of every month, 9 p.m., $5.
Mezzanine: 444 Jessie, San Francisco. “Lights Down Low,” w/ Skream, L-Vis 1990, Miracles Club (DJ set), Sleazemore, Richie Panic, Robert Jeffrey, Dabecy, 9 p.m., $22.
Mighty: 119 Utah, San Francisco. “Crush,” w/ Minnesota, Pumpkin, jPod, Fista Cuffs, Zeb Early, Slayers Club, Ma Yeah, 10 p.m., $15-$20.
Monarch: 101 6th St., San Francisco. “No Way Back,” w/ Garth, Conor, Jenö, and Solar, 10 p.m., $5-$10.
Public Works: 161 Erie, San Francisco. “Re-Entry,” w/ Ryan Crosson, Pezzner, PillowTalk (DJ set), Future Boogie, Dax Lee, Anthony Mansfield, Josh Vincent, 9:30 p.m., $10-$20.
Q Bar: 456 Castro, San Francisco. “Homo Erectus,” w/ DJs MyKill & Dcnstrct, First Saturday of every month, 9 p.m., $5.
Ruby Skye: 420 Mason, San Francisco. “World Town,” w/ Daddy’s Groove, Trevor Simpson, 9 p.m., $20 advance.
The Stud: 399 Ninth St., San Francisco. “Go Bang! Celebrates Sylvester,” w/ DJs Paul Goodyear, Sergio Fedasz, and Steve Fabus, 9 p.m., $7 (free before 10 p.m.).
Temple: 540 Howard, San Francisco. Teen Wolf, Cuervo, SwitchBlade, Eddy Santana, Ross.FM, Mario Dubbz, Mr. Brandon, Lee Portal, Mr. Kitt, A2D, 10 p.m., $20.
Underground SF: 424 Haight, San Francisco. “Push the Feeling,” w/ Exray’s, Yalls, Yr Skull, Epicsauce DJs, 9 p.m., $6.
Vessel: 85 Campton, San Francisco. Tiger Records Showcase, w/ Plastik Funk, Pheeko Dubfunk, 10 p.m., $10-$30.
HIP-HOP
John Colins: 138 Minna, San Francisco. “N.E.W.: Never Ending Weekend,” w/ DJ Jerry Ross, First Saturday of every month, 9 p.m., free before 11 p.m.
Milk Bar: 1840 Haight, San Francisco. Ensemble Mik Nawooj, Eliquate, The Go Ahead, DJ Centipede, 8:30 p.m., $10-$12.
Slate Bar: 2925 16th St., San Francisco. “Touchy Feely,” w/ The Wild N Krazy Kids, First Saturday of every month, 10 p.m., $5 (free before 11 p.m.).
ACOUSTIC
Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco & Meredith Axelrod, Saturdays, 4-6 p.m., free.
Bazaar Cafe: 5927 California, San Francisco. RonDre., 7 p.m.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Roem & The Revival, Jeff Campbell, The Stages of Sleep, 9 p.m., $10-$15.
The Chapel: 777 Valencia St., San Francisco. “Bluegrass Freak Show,” w/ Supermule, Arann Harris & The Farm Band, T Sisters, 9 p.m., $12-$15.
Make-Out Room: 3225 22nd St., San Francisco. Heidi Alexander, James Finch Jr., 7:30 p.m., $8.
Plough & Stars: 116 Clement, San Francisco. “Americana Jukebox,” w/ The Littlest Birds, The Shelby Foot Three, 9 p.m., $6-$10.
Revolution Cafe: 3248 22nd St., San Francisco. Seth Augustus, First Saturday of every month, 9 p.m., free/donation.
JAZZ
Biscuits and Blues: 401 Mason, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7:30 & 10 p.m., $20.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Charles Unger Experience, First Saturday of every month, 8 p.m.
Yerba Buena Gardens: Fourth St. & Mission, San Francisco. Marcus Shelby Orchestra featuring the Healdsburg Freedom Jazz Choir, world premiere of Blues and the Pursuit of Freedom, 1 p.m., free.
Zingari: 501 Post, San Francisco. Barbara Ochoa, 8 p.m., free.
INTERNATIONAL
1015 Folsom: 1015 Folsom St., San Francisco. “Pura,” 9 p.m., $20.
Cigar Bar & Grill: 850 Montgomery, San Francisco. Fito Reinoso, 8 p.m.
Little Baobab: 3388 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m.
Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” Latin dance party with DJs Roger Mas & El Kool Kyle, 10 p.m., $5.
Pachamama Restaurant: 1630 Powell, San Francisco. Peña Eddy Navia & Pachamama Band, 8 p.m., free.
The Ramp: 855 Terry Francois, San Francisco. Orquesta La Clave, 5:30 p.m.
Roccapulco Supper Club: 3140 Mission, San Francisco. Brazilian Independence Day Celebration, w/ Danilo Hudson, Sotaque Baiano, Julio Remelexo, Aquarela, DJ Kblo, 9 p.m.
San Francisco Botanical Garden: Martin Luther King Jr., San Francisco. Lulacruza, 5 p.m., $25.
BLUES
Lou’s Fish Shack: 300 Jefferson St., San Francisco. Eldon Brown, 8:30 p.m.
EXPERIMENTAL
Center for New Music: 55 Taylor St., San Francisco. The Memory Table, 8 p.m., $10-$15.
FUNK
Boom Boom Room: 1601 Fillmore, San Francisco. Robert Walter’s 20th Congress, Sal’s Greenhouse, DJ K-Os, 9:45 p.m., $20 advance.
Pier 23 Cafe: Pier 23, San Francisco. Vinyl, 10 p.m., $10.
SKA
Slim’s: 333 11th St., San Francisco. Hepcat, The Champions Inc., The Cover-Ups, The Selecter DJ Kirk, 9 p.m., $24.
SOUL
El Rio: 3158 Mission, San Francisco. “Hard French,” w/ DJs Carnita & Brown Amy, First Saturday of every month, 2 p.m., $7.
Elbo Room: 647 Valencia, San Francisco. “Saturday Night Soul Party,” w/ DJs Lucky, Phengren Oswald, & Paul Paul, First Saturday of every month, 10 p.m., $10 ($5 in formal attire).
The Independent: 628 Divisadero, San Francisco. Cody ChesnuTT, Jarell Perry, DJ Harry Duncan, 9 p.m., $16.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. All-4-One, 8 & 10 p.m., $35.

SUNDAY 8
ROCK
America’s Cup Pavilion: 27 Pier, San Francisco. NexusRock, 3:30 p.m., free.
Bottom of the Hill: 1233 17th St., San Francisco. Rivals, Dance Party Boys, Belligerator, 8:30 p.m., $8.
Contemporary Jewish Museum: 736 Mission, San Francisco. UnderCover Presents: Bob Dylan’s Highway 61 Revisited, 2 p.m., $15-$20 (includes museum admission).
El Rio: 3158 Mission, San Francisco. Callow, Former Friends of Young Americans, Sweat Lodge, 8 p.m., $5.
Rickshaw Stop: 155 Fell, San Francisco. Nobunny, Colleen Green, The Monster Women, The Shanghais, 8:30 p.m., $12-$15.
Slim’s: 333 11th St., San Francisco. Ed Roland & The Sweet Tea Project, Kingsborough, 8 p.m., $21.
DANCE
Cafe Cocomo: 650 Indiana, San Francisco. “2nd Sunday,” w/ Bad Boy Bill, WhiteNoize, Ralph Berr, Galen, Rooz, Mario Dubbz, David Kim, Bardia F, ThuyVu, Lucas Med, Dan & Glen Hammarstrom, noon, $15 advance.
The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9 p.m., free.
The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8 p.m.
Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ DJ Sep & Maneesh the Twister, 9 p.m., $6 (free before 9:30 p.m.).
The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6 a.m.-6 p.m.; “The Rhythm Room,” Second Sunday of every month, 8 p.m.; “Sunday Sessions,” 8 p.m.
F8: 1192 Folsom St., San Francisco. “Stamina Sundays,” w/ DJs Lukeino, Jamal, and guests, 10 p.m., free.
Holy Cow: 1535 Folsom, San Francisco. “Honey Sundays,” w/ Honey Soundsystem & guests, 9 p.m., $5.
The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10 p.m., free.
Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8 p.m., $2.
Monarch: 101 6th St., San Francisco. “Stretch Sunday,” w/ Kill Frenzy, Andrew Kelsey, Lisbona, more, 9 p.m., free-$20.
Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9 p.m., $5 (free before 11 p.m.).
The Parlor: 2801 Leavenworth, San Francisco. DJ Marc deVasconcelos, 10 p.m., free.
Q Bar: 456 Castro, San Francisco. “Gigante,” 8 p.m., free.
Ruby Skye: 420 Mason, San Francisco. DJ Pauly D, E-Rock, Miles Medina, 9 p.m., $25-$40 advance.
Temple: 540 Howard, San Francisco. “Sunset Arcade,” 18+ dance party with bar games and video arcade, 7 p.m., $5.
HIP-HOP
Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30 p.m., free.
ACOUSTIC
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Kelley James, Sam Johnson, 8 p.m., $9-$12.
Cafe Du Nord: 2170 Market, San Francisco. Jill Tracy, This Way to the Egress, Vagabondage, 7:30 p.m., $10.
The Chapel: 777 Valencia St., San Francisco. Alela Diane, Vikesh Kapoor, 9 p.m., $15-$18.
Hemlock Tavern: 1131 Polk, San Francisco. Matty Charles, 8:30 p.m., $7.
The Lucky Horseshoe: 453 Cortland, San Francisco. Sunday Bluegrass Jam, 4 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8 p.m., free.
Neck of the Woods: 406 Clement St., San Francisco. “iPlay,” open mic with featured weekly artists, 6:30 p.m., free.
Pier 23 Cafe: Pier 23, San Francisco. Chris Ford Band, 5 p.m., free.
Plough & Stars: 116 Clement, San Francisco. Seisiún with Darcy Noonan, Richard Mandel, and Jack Gilder, 9 p.m.
St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5 p.m., free.
JAZZ
Amnesia: 853 Valencia, San Francisco. Slim Jenkins, Second Sunday of every month, 9 p.m., $7-$10.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10 p.m., free.
Martuni’s: 4 Valencia, San Francisco. Madame Jo Trio, second Sunday of every month, 4-6 p.m., free.
Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4 p.m., free/donation.
The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Vocal Jam with Benn Bacot, 7 p.m., $5.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. A Tribute to Art Porter & George Howard, w/ Tony Exum Jr. & Dee Lucas, 7 p.m., $21-$25.
Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30 p.m., free.
INTERNATIONAL
Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30 p.m., $10 ($15-$20 with dance lessons).
Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30 p.m., free.
El Rio: 3158 Mission, San Francisco. “Salsa Sundays,” Second and Fourth Sunday of every month, 3 p.m., $8-$10.
Oasis Bar & Grill: 401 California Ave., San Francisco. “El Vacilón,” 4 p.m., $10.
The Ramp: 855 Terry Francois, San Francisco. Grupo da Sete, 5:30 p.m.
Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30 p.m.
Union Square Park: 333 Post, San Francisco. Tango No. 9, 2 p.m., free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Two Tone Steiny & The Cadillacs, 7 & 9 p.m., $15.
Lou’s Fish Shack: 300 Jefferson St., San Francisco. Shad Harris, 4 p.m.
Revolution Cafe: 3248 22nd St., San Francisco. HowellDevine, 8:30 p.m., free/donation.
The Saloon: 1232 Grant, San Francisco. Blues Power, 4 p.m.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 9 p.m., free.
COUNTRY
The Riptide: 3639 Taraval, San Francisco. Joe Goldmark & The Seducers, Second Sunday of every month, 7:30 p.m., free.
Tupelo: 1337 Green St., San Francisco. “Twang Sunday,” 4 p.m., free.
EXPERIMENTAL
Legion of Honor: 100 34th Ave., San Francisco. Soundwave ((6)) SonicLAB: Impressions on Water, w/ Christen Lien, Kriika, 1 p.m., free.
SOUL
Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10 p.m., free.

MONDAY 9
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Ewert & The Two Dragons, The Family Crest, Steer the Stars, 9 p.m., $10-$12.
Elbo Room: 647 Valencia, San Francisco. Grill Cloth, The Death Medicine Band, Sex Snobs, Jungle Cat, DJ Dahmer, 9 p.m., $5.
The Independent: 628 Divisadero, San Francisco. Sick Puppies, Candlelight Red, Charming Liars, 8 p.m., $22.
Slim’s: 333 11th St., San Francisco. Minus the Bear, Tera Melos, The New Trust, 8 p.m., $25.
DANCE
DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30 p.m., $3-$5.
Milk Bar: 1840 Haight, San Francisco. Molly Nilsson, Strube Jackson, 8:30 p.m., $8.
Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9 p.m., free.
Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10 p.m., free.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. The Pick Bluegrass Jam, Second Monday of every month, 6 p.m., free; Toshio Hirano, Second Monday of every month, 9 p.m., free.
Cafe Du Nord: 2170 Market, San Francisco. Denison Witmer, Amy Stroup, Michelle Malone, 7:30 p.m., $12.
The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7 p.m., free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30 p.m., free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Open mic with Brendan Getzell, 8 p.m., free.
Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7 p.m., free.
The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4 p.m.
JAZZ
Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7 p.m., free.
The Union Room at Biscuits and Blues: 401 Mason, San Francisco. The Session: A Monday Night Jazz Series, pro jazz jam with Mike Olmos, 7:30 p.m., $12.
Zingari: 501 Post, San Francisco. Nora Maki, 7:30 p.m., free.
REGGAE
Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10 p.m., free.
BLUES
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.
The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30 p.m.
EXPERIMENTAL
The Knockout: 3223 Mission, San Francisco. Son Fish; The Electric Noodle; Eyes, Wings, and Many Other Things; Lily Taylor, 9 p.m., $5.
SOUL
Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8 p.m., free.

TUESDAY 10
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. That Ghost, Fleeting Trance, Rybalko, 9 p.m., $8.
Cafe Du Nord: 2170 Market, San Francisco. On an On, Hands, Dangermaker, 9 p.m., $10-$12.
DNA Lounge: 375 11th St., San Francisco. Hed PE, Short Fuse, 7:30 p.m., $12-$15.
El Rio: 3158 Mission, San Francisco. Turn Me On Dead Man, Twin Trilogy, Brubaker, 8 p.m., $8.
Hemlock Tavern: 1131 Polk, San Francisco. Diesto, Hellbeard, Bedrücken, 8:30 p.m., $7.
The Independent: 628 Divisadero, San Francisco. Tobacco, Zackey Force Funk, 8 p.m., $13-$15.
The Knockout: 3223 Mission, San Francisco. Mob 47, Koszmar, Replica, Ritual Control, DJ Ken Prank, 9:30 p.m., $8.
Rickshaw Stop: 155 Fell, San Francisco. Bleeding Rainbow, The Love Language, Permanent Collection, 8 p.m., $12.
Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. No Bone, Screaming Queens, Lunchlady, This or That, 8 p.m., $5.
DANCE
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10 p.m., $2.
MatrixFillmore: 3138 Fillmore, San Francisco. “TRL,” w/ DJ Big Bad Bruce, 10 p.m.
Monarch: 101 6th St., San Francisco. “Soundpieces,” 10 p.m., free-$10.
Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9 p.m., $3.
Underground SF: 424 Haight, San Francisco. “Shelter,” 10 p.m., free.
Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8 p.m., free.
HIP-HOP
Double Dutch: 3192 16th St., San Francisco. “Takin’ It Back Tuesdays,” w/ DJs Mr. Murdock and Roman Nunez, Second Tuesday of every month, 10 p.m., free.
Skylark Bar: 3089 16th St., San Francisco. “True Skool Tuesdays,” w/ DJ Ren the Vinyl Archaeologist, 10 p.m., free.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Songwriter-in-Residence: Nina Jo Smith, 7 p.m. continues through Sep. 24.
Plough & Stars: 116 Clement, San Francisco. Seisiún with Vinnie Cronin & Barry O’Connell, 9 p.m.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7 p.m.
Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7 p.m., free.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.
Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7 p.m.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. M.B. Hanif & The Sound Voyagers, 7:30 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7 p.m.
Oz Lounge: 260 Kearny, San Francisco. Emily Hayes & Mark Holzinger, 6 p.m., free.
Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5 p.m., free.
Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9 p.m., $10-$12.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8 p.m., $22.
Zingari: 501 Post, San Francisco. Sherri Roberts, 7:30 p.m., free.
INTERNATIONAL
The Cosmo Bar & Lounge: 440 Broadway, San Francisco. “Conga Tuesdays,” 8 p.m., $7-$10.
F8: 1192 Folsom St., San Francisco. “Underground Nomads,” w/ DJ Amar, FatChanceBellyDance, 9 p.m., $5 (free before 9:30 p.m.).
REGGAE
Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10 p.m.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Bex Marshall Band, 8 & 10 p.m., $15.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Tab Benoit, Chris Cobb Band, Kris Lager Band, 9 p.m., $20-$25.
EXPERIMENTAL
Center for New Music: 55 Taylor St., San Francisco. sfSoundSalonSeries, w/ The San Francisco Tape Music Collective, 7:49 p.m., $7-$10.
FUNK
Madrone Art Bar: 500 Divisadero, San Francisco. “Boogaloo Tuesday,” w/ Oscar Myers & Steppin’, 9:30 p.m., free.
SOUL
Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30 p.m., free.

The Selector: September 4 – 10, 2013

Michael Redmond
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WEDNESDAY 4

The Zombies

When their single “Time of the Season” was released in 1968, the Zombies had already broken up and the album that featured the now-classic tune almost wasn’t released. Even if that seminal song hadn’t hit the airwaves, the band would still be considered one of the best groups of the 1960s based on the strength of its earlier hits such as “She’s Not There” and “Tell Her No.” Original members Colin Blunstone and Rod Argent have re-formed the group and are bringing back the classic sound — and catch opening band Et Tu Bruce, featuring Jamie White, son of Zombies’ founding member Chris White. (Sean McCourt)

8pm, $39–$60

Yoshi’s Oakland

510 Embarcadero West, Oakl.

 

Thu/5, 8pm, $39–$60

Yoshi’s SF

1330 Fillmore, SF

www.yoshis.com

 

FRIDAY 6

Everything is Terrible!

Everything Is Terrible! began as a blog compiling hilariously bizarre video clips, plucked from tapes rescued from garage sales, thrift stores, and wherever else VHS carcasses, particularly copies of 1996’s Jerry Maguire, go to die. The seven-member collective’s found-footage efforts soon spawned multiple viral sensations (including “So Your Cat Wants a Massage?”, which has over two million YouTube hits) and 2009’s Everything Is Terrible! The Movie! Now, there’s a live show to accompany a pair of new films: Comic Relief Zero! (“a comedy special that’s the opposite of special”) and EIT! Does The Hip-Hop!, which promises “white rappers promoting hamburgers,” among other delights. (Cheryl Eddy)

Fri/6, 9:30pm, $15

Roxie Theater

3117 16th St, SF

Sat/7, 8pm, $10

New Parkway

474 24th St, Oakl.

www.everythingisterrible.com

 

Agave Baroque

I’m throwing my yearly pitch for the fantastic concerts that take place regularly at Old First Church: an entrancing mélange of programs by seasoned and younger musicians that covers centuries of “classical” music — and an ocean of styles, too. (Sitting in the surprisingly comfy pews, I’ve enjoyed everything from contemporary Celtic-tango hybrids to Liberace-dramatic Brahms.) The lively, Bay Area-based Agave Baroque quartet — Aaron Westman, violin; Shirley Hunt, viola da gamba; Kevin Cooper, baroque guitar; JungHae Kim, harpsichord — takes us back, way back, to the 17th century, with selections from Bach, Biber, Buxtehude, and more. Intimate evening music in a gorgeous church — hard to beat it, Baroque or no. (Marke B.)

8pm, $17

Old First Church

1751 Sacramento

www.oldfirstconcerts.org

 

Traditions

Considering that Shiva, the god of dance and one of the most important figures in Hindu mythology, is represented as male, you’d think that Bharata Natyam, India’s most popular classical dance, would have produced male dancers galore. In fact, it hasn’t. Part of the reason is that Bharata Natyam originated with women temple dancers. Today, much as in the West, Indian parents apparently still discourage their sons to take up dance professionally. For Ganesh Vasudeva this was never an issue. Though the only boy in class when he started at age 10, he says that dancing makes him feel “like nothing else in his life.” For his one-night only Traditions program, he has researched “male oriented compositions” both within and outside the common practice. (Rita Felciano)

8pm, $20

CounterPULSE

1310 Mission St., SF

(415) 626-2060

www.counterpulse.org

 

The Shrine

This LA-based outfit’s aptly titled debut album Primitive Blast is a raw slice of seething thrasher rock that dares you to throw the devil horns up and head bang til dawn. Borrowing heavily from Black Sabbath, Black Flag, and maybe some black magic, the Shrine’s youthful fuzz and manic energy are the soundtrack to a Venice Beach endless summer. Born out of a Santa Monica high school and the discovery of a shared love for Thin Lizzy at a beach party (you can’t make this shit up) the Shrine has been steadily moving up the ranks, graduating from sweaty house shows to its current headlining tour. If you’re looking for good, dirty fun or a sweet logo to stencil onto your skate deck, this is your band. (Haley Zaremba)

With Hot Lunch, Carlton Melton

9pm, $12

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

SATURDAY 7

Filmage

Milo Aukerman from the Descendents went to college, and got his “Suburban Home” with his “Silly Girl,” and now there’s a film about him and fellow bandmates and their efforts in achieving “ALL.” Tired Descendents puns aside, there’s cause for Bay Area fans of the band to rejoice again after its early August performance at America’s Cup Pavillion. Recently released Descendents-centric documentary, Filmage, serves as a love letter to the band as well as its offshoot group, ALL. As a two-year do-it-yourself effort by filmmakers Matt Riggle and Deedle LaCour, Filmage tells the story of the band with interviews from members of the group and through artists such as Dave Grohl of Foo Fighters and Nirvana, Mike Watt of Minutemen, and Keith Morris of early Black Flag and Circle Jerks fame. Making a one-day appearance, this will be the film’s SF premiere. (Erin Dage)

Sat/7, 12pm, $7.50

Roxie Theater

3117 16th St, SF

(415) 863-1087

www.roxie.com

 

Sammy Hagar

Celebrating a 40-year-plus music career, Sammy Hagar is back in the Bay Area this week, where he first came to prominence as a member of Montrose before heading out solo and eventually (controversially) joining Van Halen. The shaggy-haired Red Rocker is out on the road with a band featuring old cohorts, including ex-VH bassist Michael Anthony, ahead of the release of his new album, Sammy Hagar and Friends, which sees release later this month. And know that while you’re rocking out and having a blast, you’ll be helping along a good cause too — Hagar has announced he’ll give the San Francisco and Marin Food Banks $2,500 during the tour stop. (Sean McCourt)

7:30pm, $39.50–$85.

America’s Cup Pavilion

Piers 27/29, SF

www.livenation.com

 

SUNDAY 8

Total Burger Bub Showcase

If the Internet is any indicator of real world trends, cats are pretty in right now — and so is garage rock. So why not combine the two? Lil Bub, Burger Records, and Total Trash Booking are working together as a team to bring together a full day and night of unabashed camp, cats, and rock ‘n’ roll with the Total Burger Bub Showcase. Lil Bub, arguably one of the most famous smushed-face “perma-kittens” on the market right now, is coming to the Bay Area along with some garage rock friends. At the tender age of 2, she has reportedly penned a book, Lil Bub’s Lil Book, and invites you to see her live and get your copy of the book signed! She’ll be at the Rickshaw Stop from 3 to 7:30pm (and there’ll also be a screening of the Vice.tv doc film on her during that time). Shortly thereafter, at 8:30pm, garage rock artists such as pervy rabbit man Nobunny, Colleen Green, Monster Women, and the Shanghais will be playing at the same venue in honor of Lil Bub. If you’re interested, the price of admission to see Lil Bub is $12, and the rock show is $12, respectively. (Dage)

3pm, $12; 8pm, $12 Rickshaw Stop 155 Fell, SF (415) 861-2011

www.rickshawstop.com

 

Vikesh Kapoor

There’s something earnest and sweet about Vikesh Kapoor, who offers a refreshing take on acoustic songwriting. The musician’s simple finger-picking style carries his rough sing-talk vocals quite well, and rounds out the candid quality of his singing. Kapoor’s songwriting conveys something so basic and human, and his unkempt pipes are at times reminiscent of Bob Dylan (just wait till he brings out the harmonica). The young performer seems to have carved out a very specific niche of folk singing and songwriting, as shown in “I Dreamt Blues,” which Kapoor once described as a ballad about love, work, technology, government, and apathy. The ballad is the first track off his upcoming concept album The Ballad of Willy Robbins, out Oct. 15. Kapoor is bringing his enlightened sound to the Chapel very soon — just in time to make you a fan. (Hillary Smith)

With Alela Diane

9pm, $18

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

Titus Andronicus

About nine months ago, I went to see Titus Andronicus at the Great American Music Hall. My expectations were high, since it’s one of my favorite bands, but I was totally unprepared for the onslaught of earnest rock ‘n’ roll, 500+ person gang vocals, and the entrancing vulnerability of frontperson Patrick Stickles. Titus Andronicus’ recorded work is extremely calculated. Its grandiose story arcs and complicated orchestration are both impressive and mind-blowingly neurotic in their attention to detail. (2010’s Civil War concept album The Monitor comes with a hefty “suggested further reading” list of historical texts.) However, the band still captures a raw energy and soulful sincerity that pushes it over the line into greatness. If you like high energy shows and high register lyricism, this is not a show to miss. (Zaremba)

With Lost Boy

8pm, $17

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

TUESDAY 10

Tab Benoit

This Louisiana native reminds me of the raw, electrifying power of a classic Fender. His wallowing vocals paired with bluesy guitar create a sound both soulful and unique. All of Tab Benoit’s songs include smooth, high-toned blues notes during which he seems to melt right into his guitar. His raspy, sometimes bleak vocals seem to hang in the air like a thick cloud of smoke. And with that voice, Benoit capitalizes on the ability of blues music to address those carnal feelings of lust, loss, and heartache, deep within us. His smoky sound has been sifting onto stages all over the West Coast this past month, and Brick and Mortar Music Hall is next. Check out the talented musician before he heads back out to the South. (Smith)

With Chris Cobb Band, Kris Lager Band

9pm,$25

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

“Frederick Marx Documentary Series”

Though he’s traveled the world making films, Frederick Marx — best-known for co-producing, writing, and editing 1994 doc Hoop Dreams — lives in Oakland, and hometown venue New Parkway has programmed a three-part series with Marx (who now runs nonprofit Warrior Films) in person to introduce and discuss his work. Influential, critically-acclaimed basketball tale Hoop Dreams kicks things off tonight; future editions will showcase Marx’s short films, as well as 2010’s Richard Gere-narrated Journey From Zanskar, about youths who leave Tibet in an effort to preserve their culture. (Eddy)

Also Oct. 15 and Nov. 12

7pm, $10 (series pass, $25)

New Parkway

474 24th St, Oakl.

www.thenewparkway.com

 

Bleeding Rainbow

Bleeding Rainbow has seen several incarnations since its 2009 formation as Reading Rainbow. Its third album, Yeah Right, includes two added band members, a new name (allegedly provoked by a remark from Carrie Brownstein), and as one would expect with a move from “Reading Rainbow” to “Bleeding Rainbow,” added shades of something sinister. Despite the changes, though, its signature sound remains: Out of the fuzzy noise of reverb and distortion emerges sweet pop melodies from Sarah Everton. The band’s transformed, but between the noise, the darkness, and the pop, it still promises a good time. (Laura Kerry)

With the Love Language

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011 www.rickshawstop.com

Theater Listings: September 4 – 10, 2013

Michael Redmond
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0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Opens Fri/6, 8pm. Runs Fri, 8pm; Sat, 8:30pm. Through Oct 12. Lynne Kaufman’s acclaimed play returns to the Marsh, with Warren David Keith reprising the titular role.

“San Francisco Fringe Festival” Exit Theatreplex, 156 Eddy, SF; www.sffringe.org. $12.99 or less (passes, $45-75). Sept 6-21. The 22nd SF Fringe presents 36 shows that explore the boundaries of theater and performance.

BAY AREA

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Previews Fri/6-Sat/7, 8pm; Sun/8, 2:30pm. Opens Tue/10, 7:30pm. Runs Wed, 7:30pm; Thu-Sat, 8pm (also Sept 28 and Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Woman in Black — A Ghost Play Douglas Morrison Theatre, 22311 N. Third St, Hayward; www.dmtonline.org. $10-29. Previews Thu/5, 8pm. Opens Fri/6, 8pm. Runs Fri-Sat and Sept 26, 8pm (also Sept 21, 2pm); Sun, 2pm. Through Sept 29. Douglas Morrison Theatre performs Stephen Mallatratt’s adaptation of Susan Hill’s spooky story.

ONGOING

American Dream New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $35-45. Wed-Sat, 8pm; Sun, 2pm. Through Sept 15. A recently divorced and recently out architect falls in love with his Spanish teacher — and tries to bring him from Mexico to California — in this world premiere by Brad Erickson at the New Conservatory Theatre Center.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Sat/7, 8:30pm; Sun/8, 7pm. (Runs Sept 14-Oct 27 at the Marsh Berkeley.) Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

In Friendship: Stories By Zona Gale Z Below, 470 Florida, SF; www.zspace.org. $20-50. Wed-Thu, 7pm (also Sept 11, 3pm); Fri-Sat, 8pm; Sun, 3pm. Extended through Sept 13. Word for Word performs Zona Gale’s “comedy of American manners.”

God of Carnage Shelton Theater, 533 Sutter, SF; www.sheltontheater.com. $26-38. Thu/5-Sat/7, 8pm. Shelton Theater performs Yasmina Reza’s award-winning play about class and parenting.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Opens Thu/5, 6pm. Runs Thu-Sun, 6pm. Through Oct 6. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

Macbeth Main Post Parade Ground Lawn, Presidio of San Francisco, SF; www.sfshakes.org. Free. Sat-Sun, 2pm. Through Sept 15. In its 31st season, Free Shakespeare in the Park also takes on one of the Bard’s major tragedies.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Previews Wed/4, 8pm. Opens Thu/5, 8pm. Runs Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Sept 29. Aurora Theatre opens its 22nd season with the Bay Area premiere of Amy Herzog’s family drama.

All’s Well That Ends Well Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 28; visit website for performance schedule. Marin Shakespeare Company continues its outdoor season with the Bard’s classic romance.

A Comedy of Errors Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 29; visit website for performance schedule. Marin Shakespeare Company presents a cowboy-themed spin on the Bard’s classic.

Good People Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Tue and Thu-Sat, 8pm (also Thu/5, 1pm; Sept 14, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Sept 15. Marin Theatre Company performs the Bay Area premiere of David Lindsay-Abaire’s Broadway triumph about class and poverty.

Lady Windermere’s Fan Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-62. Wed/4-Thu/5, 7:30pm; Fri/6-Sat/7, 8pm (also Sat/7, 2pm); Sun/8, 4pm. California Shakespeare Theater performs Oscar Wilde’s comedy.

Orlando Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. $10-30. Thu-Sat, 8pm; Sun, 5pm. Through Sept 15. TheatreFIRST performs Sarah Ruhl’s gender-shifting comedy, which takes place over a span of 300 years.

Other Desert Cities Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Sept 15. TheatreWorks performs Jon Robin Baitz’s family dramedy, a Broadway hit making its regional premiere here.

PERFORMANCE/DANCE

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/7, Sept 15, 21, Oct 6, 12, 20, 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

Christine Ebersole Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.ticketweb.com. Thu/5-Fri/6, 8pm; Sat/7, 7pm. $40-85. The two-time Tony winner performs classic standards and Broadway favorites.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil–like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“Padme: The Lotus” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Sat/7, 8pm; Sun/8, 7pm. $15-25. The 25-member Vishwa Shanthi Dance Company, choreographed by Shreelata Suresh, explores the symbolism of the lotus via south Indian classical dance form Bharatantyam.

“Pandora Boxx: Lick This Boxx!” Rebel, 1760 Market, SF; www.brownpapertickets.com. Fri/6-Sun/8, 7:30 and 10pm. $22.50. The RuPaul’s Drag Race alum performs an evening of comedy, stories, and song.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“Traditions” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/6, 8pm. $20. Dancer Ganesh Vasudeva presents a solo exploration of south Indian classical dance form Bharatantyam.

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest. *

 

Elegant alchemy

Michael Redmond
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0
Elegant alchemy

cheryl@sfbg.com

MUSIC Though San Francisco musician Jill Tracy is deeply fond of the macabre, “gloomy” is not an accurate word to describe her personality. The day I speak to her, she’s in exceptionally high spirits, having just wrapped up a hugely successful Kickstarter campaign.

“It’s really special to feel like it’s a big group effort,” she says. The funds will help complete a pair of videos lensed by Jeremy Carr, who directed Tracy in the 2006 thriller Ice Cream Ants. Appropriately, key scenes were filmed on a spooky night in Red Hook, Brooklyn — former ‘hood of horror author H.P. Lovecraft.

“[Carr] wanted to shoot me walking through these mysterious alleyways, but there was this sudden, intense thunderstorm. Hail coming down the size of golf balls, flooding — it was so dangerous it was like, how are we gonna do this?” she recalls. “But the universe intervened, and the rain finally tapered off. And it was so gorgeous, because there was still lightning in the sky. A lot of that will be kept in the video.”

Also caught on tape was intervention of another kind. “At one point there was this glowing amber light swirling around. I look over — and it was the cops, wondering what we were up to,” she says. “They were really nice and let us keep going, and it turned out that they were responsible for the most beautiful shot.”

Happy accidents, strange coincidences, unexplained phenomena: These are all things the composer-singer-pianist welcomes with delight. Her distinctive sound — she’s often described as a “neo-cabaret artist” — sparked a recent twist of fate, when Showtime contacted her about using a song to promote the final season of Dexter.

“That came out of the blue,” she says. “They said, ‘We think that your music would be perfect for this.’ That’s when being an independent musician is a great thing — because I own my song and my publishing. They just have to contact me and I can give permission [to use it].”

She continues. “I didn’t know what they were going to do with the song. I was so excited — are they just gonna use five seconds of it? But it ended up that it’s almost like a music video. I sing, ‘I’ll tie you up,’ and you see [star] Michael C. Hall tying up a body! I was really thrilled with what they did.”

It’s a testament to Tracy’s unique style that the Dexter song, “Evil Night Together,” dates back to her 1999 sophomore album, Diabolical Streak. (Her diverse discography also includes 2002’s Into the Land of Phantoms, a score for 1922 silent film Nosferatu; and last year’s holiday-themed Silver Smoke, Star of Night.)

“I strive for timelessness in my music,” Tracy says, noting that the Dexter exposure made some listeners assume that “Night” was a brand-new song. “It meant a lot to me because that’s [my intention], that it could be played at any time and still sound unique.”

Without trends to guide her, Tracy has sought inspiration elsewhere. After years of incorporating on-the-spot compositions (she calls it “spontaneous musical combustion”) into her live shows, she had an idea: why not test the vibes at a more off-kilter venue? At one memorable gig, both performer and audience experienced something … extraordinary.

“I was in Victoria, BC at Craigdarroch Castle, which is supposedly haunted,” she says. “At one point, someone in the audience is like, ‘Look at that lamp!’ And this old, brocade-shaded lamp had just started to flicker. So who knows! Strange things will happen like that.”

Tracy’s repertoire also includes “musical séances,” in which audience members bring in objects of personal significance to help her channel music. Along with violinist Paul Mercer, she hosted one such event earlier this year in Los Angeles, “at the mansion of a murderer from the 19th century.” (Clearly, she ain’t no fraidy-cat.) She’s hosted similar events at the Conservatory of Flowers in Golden Gate Park.

“We did a beautiful night tour of the Conservatory, followed by a performance,” she says. “People bring these items — we’ve had everything from cremated remains, to antlers, to a toothbrush. Swords! Haunted portraits! It’s almost like Antiques Roadshow for the netherworld. But the one thing I’ve learned through all of this is that every object, every place, and every person has a story to tell that will break your heart.”

Some of her most memorable tales come courtesy of the Mütter Museum, a medical-oddities collection that’s part of the College of Physicians of Philadelphia. She’s the first musician to receive a grant to compose inside the museum.

“This whole project is, like, the total goth girl dream come true,” Tracy laughs. “I was able to spend nights alone in the museum, writing music among the collection, and I just fell in love with the place. You look around, and you see all these skeletons and specimens in jars, but you don’t realize at first that these were all lives — brave souls who endured these rare afflictions, many of which you never see today. I was so moved, and I wanted to know their stories.”

Not only did the museum allow Tracy overnight access, it also let her do research in its library. She hopes to to spend the next year transforming her Mütter encounters — with subjects like conjoined twins Chang and Eng, and “Ossified Man” Harry Eastlack — into an album as well as an accompanying storybook. “It will probably be the biggest project that I’ve done to date,” she says. “It’s been almost like an excavation, digging into this information and creating pieces to honor these individuals. I want to give emotional context to the people in the collection.”

With all of her site-specific events and ongoing endeavors — in brief: a perfume line; a 7-inch split with Blixa Bargeld based on the writings of a 19th century Polish occultist; a set at Sat/7’s “ManulFest” benefit for wild cats held at a temple in Geyserville; a speaking engagement at LA’s Death Salon later this fall — it’s advisable for SF fans to hit up Café du Nord for what’s becoming an increasingly rare rock-club gig.

“I’m doing fewer shows at places like the du Nord, because I want to do more of a theatrical performance,” she says. “Today, my work is all about honoring the mystery, the beauty, and the romance of the dark side. I strive to transport people into what I refer to as ‘the elegant netherworld,’ and I find that music, that emotion, creates the portal for you to go there. Doing what I do, I feel like kind of a gatekeeper to this other place.”

JILL TRACY

With This Way to Egress and Vagabondage

Sun/8, 7:30pm, $12

Café du Nord

2170 Market, SF

www.cafedunord.com

 

Art 111

Michael Redmond
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2
Art 111

arts@sfbg.com

NIGHTLIFE In 1993, before SOMA officially became one of San Francisco’s big art districts, 111 Minna Gallery opened for business on a quiet downtown backstreet. Eiming Jung, a young entrepreneurial student of rhetoric, had ambitious plans, “I had an idea for a rather unconventional gallery,” recalls Jung on the eve of 111 Minna’s 20th anniversary, “I wanted to support local artists but I also wanted to create an environment for the broader art community.”

The original gallery space had a bar serving wine and beer and a monthly schedule of exhibitions which attracted curious scenesters. By night, the gallery transformed into a much needed venue for the underground music scene, with raucous parties that fostered some of SF’s biggest talents. It was a crossover concept that breathed new life into San Francisco’s art agenda, perfect for showcasing more “urban” styles like those of soon-to-be-famous spray paint artists Doze Green and Chor Boogie, and members of the Mission School.

The expense of running an art gallery was daunting but Jung was innovative and diversified further, offering the space for one-off events: film screenings, award ceremonies, book signings, product launches, and even weddings.

In 2000, the next-door retail unit became available and Jung took the plunge, tripling the size of the gallery. The new space was renovated to include a fully licensed bar and a luxurious expanse of pristine white walls. Looking in through the gallery’s large shop windows on Second Street, passersby see the high-ceilinged gallery awash with natural light, patrons comfortably viewing the art, having meetings or working on their laptops while enjoying the gallery’s latest offering: Fourbarrel coffee and Josie of the Mill’s scrumptious hot toast.

“We thrive on creativity and work hard to create new possibilities for the space,” says Michelle Delaney, the gallery’s longtime manager, of 111’s latest rep as a laidback idea incubator for the downtown tech and business crowd.

A close collaboration with Last Gasp, the lauded local publishers of graphic art and comics, has been especially rewarding, bringing recognition and exposure to artforms marginalized in more conventional galleries. Legends were made here: During the first dot.com boom, the Wednesday night mixer, Qoöl, was the essential meeting-place for newcomers who networked and partied from happy hour until closing. Pumping underground techno tunes and attracting scrappy art world figures helped save the place from any dot-com tackiness.

The quintessential 111 Minna event is Sketch Tuesdays, a monthly happening since 2006: Artists come and make art in the gallery, finished pieces are pinned to a board and priced affordably from $5 to $30. Passing by tables cluttered with paints, inks, and brushes on a recent evening, one could hear experimental jazz from the turntablist mingle with the sociable clink of glasses and hum of conversation. On the board a little pen and ink study’s price tag read, “Yours for a whiskey on the rocks.” Perfectly cheeky, and epitomizing 111 Minna’s unpretentious ethos.

111 MINNA 20TH ANNIVERSARY SHOW AND PARTY with DJ Toph One and Hyper D Fri/6, 5pm-late, free. 111 Minna, SF. www.111minnagallery.com

 

On the Cheap: September 4 -10, 2013

Michael Redmond
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0

On the Cheap listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 4

“The Neuroscience of Magic” SoMa StrEat Food Park, 428 11th St, SF; www.askascientistsf.com. 7pm, free. Buy yourself some tasty food-truck vittles, then settle in for Ask a Scientist’s lecture and demonstration with the brain-expanding duo of neuroscientist Adam Gazzaley and magician Robert Strong.

Mark Brennan Rosenberg Books Inc., 601 Van Ness, SF; www.booksinc.net. 7pm, free. The Single Life blogger shares his new memoir, Eating My Feelings: Tales of Overeating, Underperforming, and Coping with My Crazy Family.

THURSDAY 5

Michael Shea Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The author reads from his apocalyptic, Hollywood-tinged thriller Assault on Sunrise.

FRIDAY 6

“Word/Play” Booksmith, 1644 Haight, SF; www.booksmith.com. 7pm, $10 (includes drinks). Two teams of writers (including Eric Berkowitz and Sarah Griff) do battle in “made-up games of literary ridiculata.”

SATURDAY 7

“Bone Brewfest and Street Fair” Pyramid Alehouse, 901 Gilman, Berk; bonebrewfest2013.eventbrite.com. Noon-4pm, free (beer-tasting tickets, $30). Pyramid Alehouse and 107.7 the Bone team up for this street fair featuring live music (Van Halen tribute band Hot for Teacher and Led Zeppelin tribute band Custard Pie), food trucks, beer tastings, and more.

Crucible Fall Open House Crucible, 1260 7th St, Oakl; www.thecrucible.org. Noon-5pm, free. The industrial-arts space’s seasonal open house is themed “Tools to Table,” so you know what that means: fire meets food! In addition to the obligatory food trucks, look for flame workers crafting chopstick rests and swizzle sticks, “kinetic cocktail machines,” handmade dinnerware sets, an auction for a totally unique “Crucible Picnic Basket,” and more.

Bruce Neuburger Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 1pm, free. The author reads from his memoir and labor-movement commentary Lettuce Wars: Ten Years of Work and Struggle in the Fields of California.

“Urban Gardens and Heavy Metal: Keeping Lead off the Menu” Spiral Gardens, 2850 Sacramento, Berk; www.ecologycenter.org. 10am-noon, free. The Ecology Center hosts this lecture and demo on avoiding lead exposure for urban gardeners with Daniel Miller, executive director of Spiral Gardens Community Food Security Project.

SUNDAY 8

Theron Humphrey Booksmith, 1644 Haight, SF; www.booksmith.com. 2pm, free. The author of Maddie On Things: A Super Serious Project About Dogs and Physics presents a talk and slide show with the help of his Internet-famous dog, Maddie — who’ll be “pawtographing” copies of Humphrey’s book.

“KUSF’s Rock ‘N’ Swap Record Fair” McLaren Hall, University of San Francisco, 2130 Fulton, SF; www.kusf.org. 10am-3pm, $3 (USF students get in free; “early bird shopping special,” 6-10am, $10). Calling all collectors: this long-running event features vendors with rare vinyl, CDs, DVDs, posters, books, and more. You need it all!

“Sunday Streets” Western Addition, SF; www.sundaystreetssf.com. 11am-4pm, free. Portions of Fulton, Fillmore, Grove, and other nearby streets close down for this sprawling block party; there’ll be live music, an REI rock climbing wall, a “re-imagine Fulton Street” project, a “History of Wrestling” exhibit, pet activities, and more.

MONDAY 9

Lucy Corin Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from One Hundred Apocalypses and Other Apocalypses, her latest collection of short stories.

TUESDAY 10

David Bacon Books Inc., 601 Van Ness, SF; www.booksinc.net. 7pm, free. The journalist and photographer discusses The Right to Stay Home, his new book about how economic politics and free trade agreements have affected Mexican immigrants.

Mitchell S. Jackson Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The African American author, who grew up in one of America’s whitest cities (Portland, Ore.), reads from his autobiographical novel, The Residue Years.

Laurie R. King Books Inc., 3515 California, SF; www.booksinc.net. 7pm, free. The New York Times best-selling author reads from her new thriller, The Bones of Paris.

“Poetry Tuesday” Jessie Square, Yerba Buena Gardens, 4th St at Mission, SF; www.ybgfestival.org. 12:30-1:30pm, free. The senior wordsmiths known as the TODCO Poets read works on romance, family, aging, politics, and more. *

 

Put the Warriors Arena atop CalTrain

Michael Redmond
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21

OPINION Numerous problems with the proposed location of a new Warriors stadium and surrounding complex are obvious. What we need is a better solution, not just laments about the folly of it all. Is there a better solution for everyone?

We can take a page from Warriors co-owner Peter Guber’s book, “Tell To Win.” He explains how a business proposal lives or dies in terms of the story it embodies. The story trumps piles of statistics or litanies of problems. This is what tries men’s souls and glazes eyes. But there is an alternative story to tell in this case, one that is win-win for everyone.

Let’s create a great sports complex at the heart of our public transportation system. We don’t need to clog the waterfront when we can build a great sports mecca elsewhere. Let’s take a cue from New York City and how Madison Square Garden perches directly above Penn Station.

Right now CalTrain has an ideally located terminus in the core of the city, but it’s unsightly. Why not put the new stadium directly above the CalTrain station? The same solution is being applied right now to the new Time Warner headquarters at Hudson Yards on the west side in New York: several skyscrapers will rise on platforms above an existing rail yard.

Consider the advantages: CalTrain passengers can walk upstairs to see a game! Muni and BART riders can take a short walk to the stadium. Soon they’ll be able to ride the Central Subway to it as well. It’s the perfect place for a major indoor arena that could host diverse events.

AT&T Park is just a block away and already lends enormous appeal to this entire area. The train yard extends from 4th to 7th St and the space above this great expanse could house a sizeable parking garage, less than a block from the 280 access ramp, as well as a hotel, restaurants, condos, offices and perhaps a shopping complex.

It’s everything Peter Guber and his partners dream of, that the city needs, and that we can embrace, now that it’s in the right place.

Let’s welcome the Warriors by all means. But do we want a Titanic on the waterfront when we can have a jewel above the CalTrain station that will simultaneously overcome the gulf that now exists between the western part of SOMA and Mission Bay?

This location could establish a sports complex the rival of any in the country. An essential, but dreary space turns into a great sports oasis, like Cinderella at midnight but in reverse. Perhaps the city will even want to include a large, well-equipped community recreation center for all of us who like to play as well as watch.

Bill Nichols is a consultant for documentary filmmakers and has published a dozen books related to the cinema. He lives in San Francisco.

Slipping away

Michael Redmond
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10
Slipping away

By Amy Yannello

Note: This article has been corrected from an earlier version.

As she had done countless times before, Gloria Davidson sat and waited for her son to be brought into the courtroom. His hands and feet were shackled, and his blue uniform branded him as different — someone to be judged apart from the rest of the crowd in this room.

His crime? Aaron Davidson has schizophrenia.

On that day earlier this year, which Gloria recounted and shared with the Guardian in a recent interview, he faced charges for violating one of five restraining orders against him — but he didn’t understand what he’d done to deserve them, his mother said.

“The neurons and synapses in his brain fire inappropriately and he sees and hears things that are not really there,” Gloria explained. “As a result, his responses to his perceived reality are often unwarranted or make no sense,” she continued, “or frighten the people around him.” Aaron could neither speak coherently nor acknowledge that his actions had led to restraining orders, she said.

In his case, the judge deemed Aaron “incompetent to stand trial” and sent him to Napa State Hospital for treatment. He remains there, where he’ll turn 36 later this month.

Davidson is one of three Bay Area mothers with adult sons at NSH to push for full, statewide implementation of Laura’s Law.

Known formally as “assisted outpatient treatment” (AOT), the law is named for Laura Wilcox, a 19-year-old college student who lost her life when Scott Harlan Thorpe, a man with a persistent and severe mental illness who had stopped taking his medication, shot and killed her and a coworker at a Nevada City mental health clinic.

While Thorpe, then 41, was in too deep of a state of psychosis to benefit from AOT at the time of the shootings, his family, psychiatrist, and the Wilcoxes all believed that if the legislation had been in effect even six months earlier, when Thorpe’s family first noticed he’d stopped taking medication, the tragedy could have been averted.

 

DEBATE ON INVOLUNTARY TREATMENT

Through AOT, an individual’s family, doctor, or trusted third party may advocate to a judge that a patient is at risk of decompensation — serious psychological deterioration making it impossible to function independently — if left untreated. In very narrow circumstances, a judge may order a person to receive AOT as a condition of being allowed to continue living independently.

Currently, only Nevada, Los Angeles and Yolo counties have embraced the law, which allows courts in very limited circumstances to compel into treatment those residents who are too ill to know they are ill.

This “lack of insight” — a neurological condition known as “anosognosia” — is said to affect upward of 40 percent of people with serious mental illnesses.

Gloria Davidson and Teresa Pasquini, another mother of a mentally ill NSH patient, are now pushing for Laura’s Law implementation in Contra Costa County. They’re joined by a third mother, Candy DeWitt, who founded a project called Voices of Mothers Project to bring together parents of people suffering from anosognosia. Alameda County’s Behavioral Health Care Services has issued a report recommending to its Board of Supervisors that it approve a one-year AOT pilot project. The issue is expected to be taken up at the BOS’ Oct. 28 meeting, where it would need a majority vote to be approved, DeWitt said. 

Laura’s Law isn’t without its detractors. “Where does it end?” asked Dan Brzovic, an attorney based in the Oakland office of Disability Rights California. “Pretty soon, we’ll have people saying that anyone with a mental illness cannot think for themselves.”

“The moral issue is that people who are competent to make choices for themselves must be given that right,” he continued. “That’s if they have the capacity. If they don’t, then there are involuntary treatment options already on the books, like conservatorship.”

But the debate surrounding Laura’s Law and mental health service delivery goes deeper, since underlying questions remain about whether dedicated funding has translated to sufficient levels of care. Each of the three mothers told the Guardian that their sons — all deemed to be suffering from “serious mental illness” — never received adequate treatment as they moved through California’s fragmented and broken public mental health system, despite the advent of Proposition 63, the 2004 ballot initiative that created California’s Mental Health Services Act.

A staggering report released in mid-August by State Auditor Elaine Howle brings this claim into focus. According to the audit, the California Department of Mental Health and the Oversight and Accountability Commission have exercised such “minimal oversight” since MHSA went into effect that the state has “little assurance” that $7.4 billion has been used “effectively and appropriately.” That amount represents the total funding generated by the MHSA — which imposes a 1 percent tax on personal income in excess of $1 million — from 2006 to 2012.

In response to these revelations, Rose King, a co-author of Prop. 63 who previously served as a consultant for then-Attorney General Bill Lockyer, stated, “No county has been required to demonstrate its accountability for any spending or program choices. The public — and state officials — have no idea whether counties have improved county mental health systems, whether spending complies with the law, and whether private contractors have delivered promised services.”

 

“WASTE, FRAUD, MISMANAGEMENT”

The MHSA ramped up services for some 600,000 adults and children in the public mental health system, bringing in $1 billion per year in dedicated funding for the treatment of serious mental illness.

But beyond patients tracked via Medi-Cal, no one tracks the true number of uninsured patients served. There isn’t a data system capturing all the clients or services tied to MHSA funds, making outcomes impossible to track with accuracy.

Some funding has gone to client advocacy groups who actively oppose Laura’s Law. Disability Rights California and the California Network of Mental Health Clients, both opponents of AOT, received $3 million and $1.5 million in MHSA grants respectively. These groups believe voluntary services should be the only programs to receive funding through MHSA and have actively threatened to sue counties that have tried to implement Laura’s Law.

Some of the very people who campaigned hardest for MHSA have since become watchdogs monitoring its implementation. They include King, who lost both a husband and son to suicide due to lack of treatment for their severe mental illnesses, and Pasquini — whose only son is languishing in NSH with a diagnosis of schizophrenia and a felony charge for an alleged assault on a fellow patient while on the incorrect medication.

These embattled mothers say they’ve observed a system awash in “waste, fraud and mismanagement.” They also charge that the system results in disproportionate services for what King terms the “worried well” — people merely experiencing life’s ups and downs — in many cases to the neglect of those struggling with what’s classified as “serious mental illness.”

 

MISSPENDING OF FUNDS DESIGNATED FOR PREVENTION?

Under the MHSA, only a specified population may receive treatment using these funds. Patients must have been diagnosed with “serious mental illness,” amounting to psychological problems that are severe enough to prevent an individual from functioning independently without assistance should they go untreated.

But critics like King and DJ Jaffe of the Mental Illness Policy Org. (MIPO), a national think tank that has been critical of California’s management of MHSA monies, contend that the 20 percent of MHSA funds designated for Prevention and Early Intervention (PEI) programs are instead being funneled into programs with little connection to mental illness treatment.

The MHSA specifically limits PEI dollars to programs that “prevent mental illnesses from becoming severe or disabling” or that “limit the duration of untreated mental illness.”

Yet King contends that these funds have been used instead to underwrite social service programs ranging from domestic violence prevention and parenting classes, to social skills for disadvantaged youth — all good causes that are nevertheless “not legitimate recipients” of money intended for mental illness treatment, King says.

 

CONFLICT-OF-INTEREST ALLEGATIONS

Jaffe’s organization has seized on the PEI expenditures as a violation of the MHSA, turning a skeptical eye on the 16-member Mental Health Services Oversight and Accountability Commission.

In 2011, according to a MIPO analysis, more than $23 million in PEI grants went to advocacy organizations and service providers with direct financial ties to both OAC commissioners and committee members. MIPO characterized it as “insider dealing” and a violation of California conflict-of-interest laws.

OAC committee member Rusty Selix, a lobbyist and Prop. 63 co-author, dismissed the MIPO report, saying, “I don’t see any conflict.”

Selix added that unpaid OAC board members recuse themselves from voting whenever it’s deemed to be necessary. And he defended a system where stakeholders, such as consumers and family members, also serve on committees, saying, “You can’t expect to include them in the process without crisscrossing some stakeholders who also receive MHSA grants.”

Jaffe took a different tack. “The problem, besides the blatant conflict-of-interest,” countered Jaffe, “is how these PEI monies are being spent. And they’re not being spent to help the seriously mentally ill,” he continued. “Yet year after year, they’re getting approved. Millions and millions of taxpayer dollars that were supposed to go to treat the sickest among us are being spent on social programs.”

 

NOT ENOUGH BEDS

Some believe the broad issue of funds not making it to the intended target population might be playing out within the microcosm of San Francisco. In 2010-11, the most recent available data, San Francisco County received $23 million in MHSA funding, 75 percent of which was earmarked for direct services.

But that money hasn’t gone toward ensuring that there are enough beds for treating mentally ill patients, according to Geoff Wilson, president of the Physicians’ Organizing Committee. Wilson’s organization reported that as of August, San Francisco General Hospital had dropped to 19 emergency psychiatric beds, down from 88 two years ago.

“It’s unconscionable. We’ve got the highest 5150 rate in the state,” Wilson told The Guardian, referring to 72-hour psychiatric holds imposed by law enforcement. We’re not saying ‘lock everyone up,’ we’re just saying that for people who need it, the beds need to be there, and there’s barely any left in the city.”

Wilson explained the cuts by saying that when Medi-Cal stopped paying for the care — essentially “raising the bar” for what it took to keep someone in a psychiatric inpatient bed — the county slashed the number of beds because it “simply wasn’t profitable” to keep them open.

Asked to respond to this claim, SFDPH spokesperson Eileen Shields told the Guardian that only Barbara Garcia, the agency director, was in a position to respond. But Garcia was out of town and unavailable for comment.

According to the POC’s Dr. Cameron Quanbeck, it costs $250 per day to house inmates in jail, compared with $1,700 per day for hospital care. In March, Sheriff Ross Mirkarimi testified before the Mental Health Board that the jail system had become the “default” place for people with mental illness, identifying more than 70,000 contacts with Jail Psychiatric Services in 2012 alone.

 

LAW ENFORCEMENT AND LAURA’S LAW

According to the U.S. Department of Justice, 16 percent of inmates have a severe mental illness, making jails and prisons the largest de facto psychiatric treatment facilities. The National Sheriff’s Association has come out in support of AOT laws in all 50 states.

Pasquini says her son could have benefited from AOT, and she believes that “AOT should be a mandated MHSA program in every county to prevent tragedy and intervene with the criminalization of mental illness.”

Since his initial diagnosis of schizo-affective disorder at 16, Pasquini’s 31-year-old son has had more than 70 emergency contacts with law enforcement and/or ambulance personnel, most of them resulting in 5150 holds.

He is now a patient at NSH, where “he wants to die every day, and I don’t blame him,” continued Pasquini. “It’s a reality for him. His illness has progressed, because every time you have a ‘break,’ you get a little worse. He’s the perfect candidate for Laura’s Law.”

 

Alerts: September 4 – 10, 2013

Michael Redmond
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0

THURSDAY 5

Dems feeling blue Trace Bar, W San Francisco Hotel, 181 Third St, SF. www.sfyd.org. 7-9pm, $40. RSVP. Join the San Francisco Young Democrats for a swanky soiree, the Ball in Blue. SFYD is a passionate group of young people, ages 18 to 35, working to promote the interests of San Franciscans 35 and under. Comprising one of the largest clubs in SF, the group is made up of young professionals, students, legislative staff members, and organizers invested in San Francisco. For more information, send an email to sfydpresident@gmail.com.

FRIDAY 6

Memorial for Absolute Empress I de San Francisco Grace Cathedral, 1100 California Street, SF. 11am. Legendary San Francisco drag queen Jose Julio Sarria, aka The Widow Norton, died Aug. 19, and his memorial is sure to be packed with followers mourning the loss. Sarria, who was performing in drag in North Beach in the 1950s and 60s, became the first out gay person to run for San Francisco supervisor in 1961. Immediately following the memorial, Sarria will be interred in his final resting place, beside famed 19th Century San Francsican Emperor Joshua Norton, whose Colma gravesite Sarria led annual pilgrimages to. Cemetary services will be followed by a reception at San Francisco’s The Lookout.

SATURDAY 7

POWERful Bayview 2145 Keith Street, SF. power@peopleorganized.org. 1:30-4:30pm, free. RSVP. People Organized to Win Employment Rights (POWER) is hosting an office warming at its new space in San Francisco’s Bayview Hunter’s Point neighborhood. This is an opportunity to view POWER’s new space, meet the neighbors, and learn about upcoming campaigns. For years, POWER’s Bayview Organizing Project (BVOP) has sought to aid low-income residents and workers in shaping decisions that are made on issues ranging from affordable housing to environmental justice, all within the context of a ferocious attempts to gentrify the community.

SUNDAY 8

Sunday Streets Western Addition Fillmore from Geary to Fulton; Fulton from Fillmore to Baker, SF. sundaystreetssf.com. 11am-4pm, free. In partnership with Livable City and the City of San Francisco, Sunday Streets opens up main thoroughfares to pedestrians, cyclists and community members. The Western Addition edition will feature a climbing wall, SF Skate Club exhibit, and a project of re-imagining Fulton Street that will tap community imagination to create a lightweight model of the street, six feet long by 30 inches wide, capturing the street’s historical topography and urban form.

 

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