San Francisco

Alerts: August 13 – 19, 2014

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WEDNESDAY 13

 

Expert forum on California drought

The Commonwealth Club of California, 595 Market, SF. tinyurl.com/cwcwed13. 6pm, $20 for non-members, $12 for members, $7 for students. California manages its groundwater loosely, and that’s a problem. Drought has caused many, including farmers, to access more of their water from below ground. This creates sinkholes and results in saltwater leaking into aquifers. Join experts Debbie Davis, community and rural affairs advisor at the California Office of Planning and Research; Felicia Marcus, chair of the State Water Resources Control Board, and Barton Thompson Jr., professor of natural resources law at Stanford Law School, in this important discussion.

THURSDAY 14

 

PUBlic transit crawl

Various locations; begin at Mr. Smith’s, 34 Seventh St., SF. tinyurl.com/sftrucrawl. 5-9pm, $2 or $40. Join the San Francisco Transit Riders Union for a bar crawl and fundraiser, taking Muni to a new stop every hour on the hour. The crawl will start near Civic Center and wind up in the Inner Sunset. Join the whole time, or meet up with the crawl in your neighborhood. $40 gets you four drink tickets plus a yearlong membership to SFTRU; or just go along for the ride with just your bus pass. All participants are responsible for tips, transit fares, and thanking the bus driver.

 

FRIDAY 15

 

Film screening: Climate Refugees

Berkeley Ecology Center, 2530 San Pablo, Berk. ecologycenter.org. 7-9pm, free. Environmental refugees are now more prevalent than political refugees. Sea level rise, floods, droughts, desertification, famine, and other climate change impacts are forcing people across the globe to abandon their homelands and the lives they know, even when they have no clear destination. Filmed in 10 different countries, from Bangladesh to the Maldives, and featuring interviews with leading scientists, relief workers, security consultants, and major political figures, Climate Refugees sheds light on the human face of climate change.

 

SATURDAY 16

 

HeART of the Mission art show and fundraiser

Global Exchange, 2017 Mission, SF. globalexchange.org. 4-9pm, suggested donation $5–$10. The Mission is synonymous with great art, and Saturday’s gathering offers an opportunity to take some home, while supporting Global Exchange — a San Francisco nonprofit that works to advance social, environmental, and economic justice. Prints will be sold for as little as $20, and Precita Eyes will lead free mural tours. Manuel Mendive, Isis Hockenos, and Rob Schwarzenbach are among the many artists who will have pieces at the show. Live acoustic music will be provided by Tre Burt and Robert Downey Jr. Jr.

Islam and media portrayals of American Muslims Islamic Cultural Center of Northern California, 1433 Madison, Oakl. snikooei@islamicscholarshipfund.org. 6:30-8:30pm, free. RSVP required. Hollywood producer and author Tariq Jalil will speak about his new book Islam Plain and Simple: Women, Terrorism and Other Controversial Topics, and what American Muslims can do to improve media portrayals of them. Organized by the Bay Area-based Islamic Scholarship Fund, this event will be moderated by award-winning filmmaker Michael Wolfe. Jalil will sign books after the talk.

Public hospitals are too Lean

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OPINION

The San Francisco Department of Public Health is paying Rona Consulting Group, an out-of-state consulting firm, $1.3 million of taxpayer dollars to implement a program called “Lean,” allegedly to improve patient services. The “Lean” program is based on the Japanese Toyota automobile production model.

Hospital quality improvement schemes such as the Lean promise decreased waiting times, improved communication, more satisfied patients, and safer care. Quality care should also decrease the incidence of hospital-acquired conditions so that patients leave the hospital without getting new infections, falling, or getting pressure ulcers such as “bed sores.”

Hospital administrators are telling health care workers and patients that Lean will achieve these widely shared goals. Yet despite years of efforts, there is no evidence that it works, and growing concern that resources must be increased rather than prescribing the Lean diet to an already starving public health infrastructure.

Health care should be based on the best available science — not corporate sales. The Lean program encourages the hospital staff to consider its workplace as a factory shop floor, and to consider their patients and work as a product. The competition for well-insured patients and improved satisfaction for reimbursement has caused hospital administrators and Lean consultants to propose surgical clinics that resemble Nordstrom or the Hyatt Regency.

Lean’s management methodology, based on Toyota’s selected Japanese words, is used to mystify and dazzle. Instead of the pharmacy window, we are told that all staff must go to the “gemba,” which the consultants (not the dictionary) say is Japanese for “where the work happens.” Many highly paid hospital administrators and even clinical staff have been re-named as “kaizen promotion office” leaders. Those who have completed advanced training are awarded a “black belt.” The use of Japanese terms is clearly meant to add a sense of authority.

Evidence-based medicine and nursing have been examining high-quality studies of the effectiveness of improvement schemes such as Lean. According to “Guiding Inpatient Quality Improvement: A Systematic Review of Lean” (The Joint Commission, 2012), “the true impact of these approaches is difficult to judge, given that the lack of rigorous evaluation or clearly sustained improvements provides little evidence supporting broad adoption.” This leads to very expensive, wishful thinking. When consultants are paid from $4,700 to $25,000 a day from public funds intended to construct a seismically sound hospital (see “Toyota work methods applied at General Hospital” San Francisco Bay Guardian, May 7, 2014) it seems important to consider what randomized controlled trials tell us. The taxpayers have a right to know what to expect from this scheme, but there are no controlled scientific studies to tell us.

Despite more than 10 years of multiple published studies, very few consulting firms even report statistics. Those that do show weak evidence of effectiveness, and none show sustained improvement. If Lean were a medication, it would never receive approval from the Food and Drug Administration, as we don’t know if it helps or hurts the care of patients. As it is, hospitals are performing a single-group intervention study without ethical approval or consent from the workers and the patients.

Hospitals should be providing their patients with the best care, not the cheapest. Even if Lean didn’t come with a price tag to taxpayers ranging in millions of dollars for consultants to do the work that administrators should be doing, the underlying notion of speed is dangerous in health care. Public health patients are even more vulnerable with increased prevalence of poverty-related co-morbidities, from diabetes to tuberculosis. If there were a way to more quickly cure our population of its many ills, we would embrace Lean.

Nobody likes to wait around, but the human connection between caregiver and patient takes time. Efficiency should not be valued over safety. Furthermore, many patients would be unhappy to learn that they are being viewed as inanimate products on an assembly line. Nor does it please health workers to think of themselves as robots.

Hospital safety under Lean is being modeled after the same automobile corporation that was just forced to pay $1.2 billion for concealing safety defects (“Toyota Is Fined $1.2 Billion for Concealing Safety Defects” New York Times, March 19, 2014). The safety defects were implicated in unintended acceleration of some Toyota vehicles that led to injury and death. Speed was certainly not helpful in that situation. Perhaps DPH should critically examine Lean before prescribing a diet to our vulnerable safety-net patients. Maybe we need more, not faster, health care workers.

Ed Kinchley has worked for DPH for 30 years, after spending nine years in Japan.

Guardian Intelligence: August 13 – 19, 2014

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CALLING ALL BEATLEMANIACS

As Beatles lovers and Candlestick fans gear up for Sir Paul McCartney’s show there Thu/14 — a performance that will serve as a farewell to the stadium, and a callback to the Beatles’ last-ever concert, which took place at the park Aug. 29, 1966 — a group of filmmakers led by Ron Howard is asking for help with a new documentary that charts the rise, world domination, and eventual combustion of the Fab Four. The film, which reportedly has secured McCartney, Yoko Ono, Ringo Starr, and Olivia Harrison as producers, is looking for stories from fans who attended that last Beatles show — bonus points if you’re there on Thursday as well. Drop ’em a line at BeatlesLive@whitehorsepics.com.

SQUISHY SUPERSTARS

Certain animals have spiked in popularity thanks to the magic that happens when their cuteness combines with the power of the internet, including sloths, cats that play musical instruments, and pugs. The Pugs for Mutts Summer Carnival (Sun/17 at the perfectly named Dogpatch WineWorks) offers a chance to see Minnie and Max — “YouTube famous head-tilt pugs” — in panting, grunting real life, plus a costume contest, a “Wiggliest Pug” contest, a pug kissing booth, and more. Pugs (and friendly dogs of other breeds) are welcome to join the festivities at this benefit for a very worthy cause: Muttville Senior Dog Rescue. PugsForMuttville.Eventbrite.com

LIT A-QUAKIN’

The lineup for this year’s LitQuake Festival (October 10-18) has been announced, and it’s a real potboiler. Headliners of the 15th annual free literary extravaganza include Chinelo Okparanta, Emma Donoghue, Nicholson Baker, Paolo Giordano, Marc Maron — and dozens of other local and international scribes. Of course, there’s also the raucous Litcrawl, 10/18, which turns everything from Laundromats to your favorite bars and bookstores into 99 buzzing reading spaces — the Guardian will be presenting its annual Celebrity Twitterature event (during which the city’s best known drag queens, led by D’Arcy Drollinger, hilariously break down infamous social media blunders), 7:15-8:15 at the Mission’s Beauty Bar. www.litquake.com

FAREWELL, ROBIN WILLIAMS

It seems like everyone in San Francisco had a Robin Williams sighting at some point. He was an Oscar-winning A-lister who excelled in both dramatic and (especially) comedic roles, but he was also a regular dude who happened to live in and love the Bay Area. He’d be spotted riding his bike, shopping in local stores, attending Giants games, and popping up at comedy shows — his unannounced appearances were legendary, and never failed to delight audiences who were lucky enough to catch him in the act. As we all mourn his passing, we can take comfort in the fact that the performances he left behind will never diminish. Our personal favorites follow:

Steven T. Jones: Good Morning, Vietnam (1987) — a nice early combo of his manic comedy and dramatic acting abilities. And his first comedy album, Reality … What a Concept (1979)

Rebecca Bowe: Mrs. Doubtfire: It’s so much easier to laugh about divorce when there’s a fake boob costume involved.

Joe Fitzgerald Rodriguez: Hook (1991). “Bangarang!”

Cheryl Eddy: Mrs. Doubtfire (“It was a run-by fruiting!”); Aladdin (1992); Dead Poets Society (1989)

Brooke Ginnard: Dead Poets Society: A couple of months ago, my friend woke up to find me enraptured by it, and sobbing into her cat’s fur. Also Jumanji (1995), even though I’m still terrified of spiders.

Emma Silvers: Dead Poets Society (1989), The Birdcage (1996), Aladdin (1992). I knew every single word to his songs in Aladdin, including lots of jokes that went way over my head until five or six years later.

Marke B: Mrs. Doubtfire (1993), but recut via the magic of YouTube into a stunning horror movie trailer

PRINCIPAL PUMPS UP THE VOLUME

Ever been sent to the principal’s office? What if you got there and the principal started playing hip-hop? It’s happening. Academy of Arts and Sciences Assistant Principal Joe Truss joined with two friends to form a rap group, Some of All Parts. When kids who get kicked out of class are sent his way, he said, “We’ll talk for 15 or 20 minutes about rap, and then I’ll be like, ‘So. Why did you get kicked out of class? How can we get you back in?'” Truss’ creative approach to reaching kids — even producing a music video for the track “Rappers Ain’t Sayin Nothin'” — follows recent outcry over the number of students facing suspensions at SF Unified School District. “There’s too many African American students failing and getting pushed out of schools,” he said. Now that more educators are seeking to address it, “We’re much more understanding of where kids come from and where they want to go.”

MEMORIAL VANDALIZED

Alejandro Nieto was killed after a hotly debated, horrifying confrontation with the SFPD nearly five months ago. Since his death, his family and loved ones often gather at a memorial on Bernal Hill to remember him. Now, however, Nieto’s memorial has been repeatedly vandalized, and one suspect (who was seen kicking down part of the memorial) was caught on video by a bystander. For more, see the Politics blog at SFBG.com.

TECH BLOWS UP BRIDGE

It isn’t enough for the tech folks to blow up our nightlife and real estate, now they’re blowing up our damn landmarks — again! Gun-happy gamers are frothily anticipating the newest shoot-em-up, Call of Duty: Advanced Warfare. But the latest iteration of the game franchise that-wouldn’t-go-away (there are almost as many COD games as there are Bond films) is exploring new territory by blowing up the Golden Gate Bridge in its newest trailer. Thanks, Foster City-based developers Sledgehammer Games, we really more symbolism for tech’s destruction of the city like a (digital) hole in the head.

 

Airbnb must work with SF

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EDITORIAL

Airbnb and other companies that facilitate illegal short-term apartment rentals to tourists visiting San Francisco need to engage in a more honest and direct dialogue with this city’s political leaders and stakeholders, something that became clear during last week’s Planning Commission hearing on legislation that would legalize and regulate short-term sublets.

This is a complicated, vexing issue that defies simple solutions, as Board of Supervisors President David Chiu learned as he and his aides spent more than year developing the legislation. They did a pretty good job at striking a balance between letting people occasionally rent out their homes and preventing Airbnb from being used to remove apartments from the already strained local housing market.

A key provision for striking that balance was to limit rentals to no more than 90 nights per year, but the Planning Commission — dominated by appointees from Mayor Ed Lee, who has long coddled Airbnb’s scofflaw approach to the city (see “Into thin air,” 8/6/13) — removed that provision, which the Board of Supervisors should reinstate.

The commission also seemed to side with landlords who want to prevent their tenants from renting out rooms, calling for landlords to be notified when their tenants seek to become Airbnb hosts, another provision the board should reject. Landlords using Airbnb to get around rent control laws is at least as bad as tenants who violate their leases by subletting rooms, and this legislation shouldn’t favor one group over the other.

If the city decides to end its decades-old ban on short-term apartment rentals, it should have a compelling reason to do so. Maybe we want to allow struggling city residents to make some extra money while they’re out of town, or to have some flexibility in renting out rooms without taking on permanent tenants, which are legitimate if difficult policy questions.

But it seems like much of the discussion is about how to rein in the widespread violation of city housing and tax laws caused by Airbnb, which has refused requests to share more of its occupancy data, dodged its obligation to collect the city’s transient occupancy tax, and failed to even send a high-level representative to last week’s hearing. Yet the legislation would require the company’s cooperation to help enforce the regulations.

If Airbnb and its hosts want the city to legalize lucrative short-term rentals in San Francisco, then the company should be willing to engage in high-level public discussions with city leaders to shape this important legislation, rather than simply whipping its hosts into a libertarian frenzy with deceptive public relations campaigns.

Airbnb CEO Brian Chesky has gotten rich with a business model that is illegal in its home city, so the very least he can do is show up at City Hall next month to make a good faith effort to help solve the divisive problems that his company is creating.

 

Chinese youth rally for a brighter future

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High school students with Youth Movement of Justice Organizing (Youth MOJO), a teen leadership program affiliated with the Chinese Progressive Association, rallied at San Francisco City Hall Aug. 7 in a show of support for two citywide measures slated to appear on the November ballot.

The first would raise the city’s minimum wage to $15 an hour by 2018. The second, known as the anti-speculation tax, would impose a steep financial penalty on real estate investors who sell apartment buildings within five years of purchase, an effort to reverse the rising trend of Ellis Act evictions and limit skyrocketing rental prices.

High school student Alice Kuang, who has been active with Youth MOJO since last year, said she felt the effort to preserve affordability was critical for Chinese families who typically earn low wages. “I lived in an SRO in Chinatown for 13 years,” she explained, referring to a single-room occupancy hotel, a dormitory-style housing complex. Throughout the city, thousands of low-income tenants rely on SROs for affordable housing, but these units have been subjected to price increases and have started to become lost as affordable housing stock when they’re listed as short-term rentals on Airbnb.

“In the SRO, it was like one big community,” Kuang said. “Everyone supported each other. Like my mom knew exactly who was boiling water and then, to make sure the water didn’t spill over, she would run up to knock on people’s doors and be like, hey, your food’s done. It was a really strong community. I remember living there since I was born. It was a very small room. The four of us lived in it — we had a bunk bed, and another bunk bed, basically.”

Jessica Ng, a recent high school graduate and Youth MOJO member, said she was focused on advocating for the minimum wage proposal. “One of my parents became unemployed last year so it really took a toll on me, and made me realize that I have to also help,” she said, “like paying my part of the bill, or paying for groceries even.”

She said an internship with Young Asian Women Against Violence helped her earn some supplementary household income. “When I started getting a paycheck every three weeks or so, I started to pay my part of the bill,” she said. “With an increase in the minimum wage, it would really help with people who are my age who are going to college and want to help their families.”

 

Gaza protests continue

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Bay Area demonstrations held in response to the Israeli-Gaza conflict continued last week, and planning is underway for more.

Activists with Arab Youth Organization joined other coalition members at an Aug. 6 rally outside the San Francisco Federal Building, where Rep. Nancy Pelosi’s office is located, to call upon the U.S. government to end aid to Israel.

“We’re here because humans are dying,” said Linda Ereikat, a 17-year-old Palestinian American who was born and raised in the Bay Area and recently spent a month visiting her grandparents in the West Bank. “We’re not here because we’re part of a political party. We don’t care about Hamas. We care that our people are dying, and our people are under siege. And it’s just crazy.”

Ereikat said her travels opened her eyes to the stark contrast between her carefree life in America and her extended family’s day-to-day reality in the West Bank. During one night of her visit, she said, Israeli soldiers raided her grandparents’ village. “It was in the middle of the night. We heard tear gases,” she said. “We heard dogs, because they brought their dogs to search. There were so many soldiers in our city.” Her fellow activist Samha Ayesh, a 21-year-old organizer with AYO, said he had family in Palestine and had lost some friends in the conflict.

On Aug. 16, a coalition of pro-Palestine activists plans to stage a protest at the Port of Oakland — which could involve blockading a ship with ties to the Israeli government.

These aren’t the only Bay Area street demonstrations being held in response to the Israeli-Gaza conflict. Hundreds turned out for a pro-Israel march in San Francisco last weekend. And on Aug. 3, pro-Israel activists staged an action where they sounded a long emergency whistle while activists threw themselves face-down on the ground in Union Square, as someone on a microphone intoned: “In Israel, you get 15 seconds to run for your life before a rocket from Gaza strikes.”

Trans former prisoner honored as civil rights hero

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For 38 years, the Harvey Milk LGBT Democratic Club has celebrated queer progressive politics in San Francisco with its annual Dinner and Gayla, held this year at the Mission campus of the endangered City College of San Francisco.

A slew of awards went out to commemorate the contributions of elected officials and advocates who went to battle to save City College from losing its accreditation, a fate that would bring the college’s 79-year history to a grinding halt while leaving 90,000 students in the lurch with few other options. Activists from San Francisco’s Housing Rights Committee also won accolades for organizing to defend long-term tenants from eviction.

The evening’s keynote speaker and guest of honor was CeCe McDonald, a transgender African American woman who served a 17-month prison term for what she’s described as an act of self-defense in response to a transphobic attack. She was with friends in Minneapolis in July 2011 when an attacker made racist and homophobic comments and then assaulted her; in the end, he was fatally stabbed with her pair of scissors.

A campaign clamoring for McDonald’s freedom drew nationwide attention as supporters rallied in her defense, saying she shouldn’t have been incarcerated for surviving a hate crime. Her story is now the subject of a documentary that’s being co-produced by actress Laverne Cox, who portrays an incarcerated trans woman in Orange is the New Black.

Honored with the Milk Club’s Bayard Rustin Civil Rights Award, McDonald gave an emotional speech.

“I never thought I would make it past the age of 16, and to know that I’m here, 10 years later, really means a lot to me,” she said. “It’s really important for me to have a voice. There is a revolution brewing, and I’m so glad that I’m a part of it. … For me, I’ve been through so much, and I would never regret one part of it, because it made me a stronger person. It made me realize that I’m worth something. It made me realize I’m put on this planet for a reason. Nothing is ever going to take that away from me. I swear I’m going to fight the fight to the end.”

The school principal who raps

Picture your former principal in a rap video. Oh, mama. It hurts, psychologically and emotionally, doesn’t it? That’s because, following the guidelines set by many mainstream rap videos, said principal is probably wearing a gold necklace the size of a newborn baby, performing a circus act of smoking weed, simultaneously taking a bubble bath with scantily clad women while also, somehow, driving a flashy red Jaguar.

OK, that’s an exaggeration. Not all rap videos are like that. But Rappers Ain’t Sayin’ Nothin’ is indeed a far cry from the norm. The music video features Academy of Arts and Sciences Assistant Principal Joe Truss, proving that it’s possible for school principals to be in touch, talented — maybe even hip.

With two of his former Lowell High School classmates, Carlos Teasdale and Daniel Velarde, Truss formed rap group Some of All Parts back in 2007. Now, when kids are sent out of class and walk into his office, he plays his rap for them. “And they’ll be like, ‘Is that you rapping?’” Truss laughed. “We’ll talk for fifteen or twenty minutes about rap, and then I’ll be like, ‘So. Why did you get kicked out of class? How can we get you back in?’”

His attempts to connect with students through music follows recent outcry over the number of students facing suspensions at the SFUSD. This past February, the Board of Education voted unanimously to shift their policy of suspension for “willful defiance” to a new system featuring restorative practice, positive behavior intervention, and support for teachers over a three year span. All that might sound like throwing happy, feel-good keywords into the air and seeing what happens, but according to recent reports, suspensions really are decreasing throughout the SFUSD.

“There’s too many African American students failing and getting pushed out of schools,” Truss said. “Now teachers are talking about it a lot more. Principals are talking about it and saying, ‘How do we get kids to stay in class? Maybe they’re tired of these old books. Maybe they want to read books written 5 years ago by someone who looks like them. We’re much more understanding of where kids come from and where they want to go.”

In the video for ‘Rappers Ain’t Sayin Nothin’, a wannabe rapper throws his corn row wig off his head, his leather jacket on the ground, and realizes that the messages in many rap songs are idiotic. Some of Truss’ students at the Academy appear in the video, doing the Bernie Lean together in harmony.

Most of Some of all Parts’ songs are heartwarming like that. ‘On the Block’ talks about growing up in the Tenderloin and in the Fillmore. It’s also about heartbreak, relationships, and…everything. “We wrote a song about Oscar Grant and police brutality. We have a song about working out, because that’s what we do,” Truss said. “We have a song about riding bikes, song about going green, the environment, and the economy. If it’s a social issue, it comes up in our songs.”

Truss recently got funding at the Academy for a music studio, including sweet mixers, mics, and editing software. He plans on teaching kids how to rap.

Students can connect to that. And, on the whole, it seems like there’s less of a disconnect between students and staff in the SFUSD.

A recent report by the San Francisco Board of Education revealed that student suspensions had decreased significantly, from 2,311 in 2011 to to 1,177 in 2012. African American and Latino student suspensions decreased by 50 percent that same year. These decreases even occurred before schools officially removed “willful defiance” as a reason to suspend students in San Francisco, under the new Safe and Supportive School Policy set to kick in this fall.

Who knows? Maybe some of the rowdy students are even being deferred to Assistant Principal Joe Truss, where making beats, writing rhymes, and becoming rap stars might just be the new meaning of getting sent to the principal’s office.

On September 12th, Some of All Parts will be performing in Hip Hop for Change’s “Fire from the Underground!” show in San Francisco’s Elbo Room. Allegedly, it’ll be fat, or is it phat? Ask Principal Truss. Check out more of Some of All Parts music here.

Locals Only: Tom Rhodes

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There are artists who are known for being shy and reclusive — for producing their best work while holed up in their room, or in a cabin in the woods, or on a solo bender.

And then there are those who feed off the energy of an audience. The magic of a live performance is in the interaction, right? In the knowing that, though you’re just a face in a crowd at a venue like thousands of others across the country, the experience you’re having with a musician live on stage is unique to that evening; whether it’s a drum coming in a millisecond later than it did the previous night or banter that changes based on what the band drank backstage.

With Or Without, the fourth self-released album from East Bay singer-songwriter Tom Rhodes, has taken the concept of a live album — the attempt to capture that specific face-to-face, performer-audience magic — and distilled it like a fine whiskey. Created over the course of four separate live performances in November in front of intimate studio audiences at San Francisco’s own Coast Recorders, the resulting music sounds like you’ve been snuck into something secret and awesome: There’s a particularly liberated-sounding husk in Rhodes’ voice (one could guess he falls into the latter camp of artists), an excitingly un-tucked feeling behind pedal steel man Tim Marcus’ guitar, and the overall feeling of the band playing directly to you; this album would be particularly welcome on a solo road trip.

Perhaps relatedly, Rhodes has traveled extensively, and also swerved between genres a good deal. Ahead of his show with fellow local alt-country/folk heavyweights The Lady Crooners (who also appear on his album) and Kelly McFarling this Wednesday, Aug. 13 at the Freight and Salvage Coffeehouse, we caught up with Rhodes to hear about the inspirations for this album and, of course, his favorite foods.

SF Bay Guardian How and when did you first start playing music? Who are the songwriters you look to for inspiration? What’s the first record you really remember loving?

Tom Rhodes I have been playing music for as long as I can remember. As a very young child I remember my mother teaching me piano, singing at home and at church; instruments were all over the house and I was never told that I was too young or clumsy to experiment with them. My mother is a classically trained singer and multi-instrumentalist (she played the oboe, clarinet, piano, and guitar) and my father is an incredibly passionate music collector. So I wound up in this perfect environment for creating a child who would grow up to be a musician: A kid in a house filled to the brim with instruments and parents who were constantly listening to music on top of the line stereos, and discussing that music with parents who really dove into it themselves. My dad’s record collection numbered in the thousands, we had a room that was filled with shelves of records and I would play them all the time. Then it was tapes, then CDs.

The music that I came of age to was so diverse that I can’t begin to list even my favorites…it’s everything…they all had pretty equal weight, but the first “songwriter” that I remember falling in love with lyrically and musically was (and still is) Paul Simon. It’s really a toss-up between him and the older Jackson Browne stuff for me when it comes to a benchmark that I have always tried to get close to. The first record that opened up huge doors in my head as far as songwriting goes was Paul Simon’s Graceland. It has this scope, and tenderness, and insight that continues to this day to have new and deeper meanings to me, and it was like nothing I had ever heard.

SFBG From your bio, it sounds like you’ve lived all over. Do you think your style has changed with geographic location? How are you influenced by the place you live? What led to the fuller band sound on this album?

TR Living in lots of places has definitely affected my style. Everywhere I go I try to find the music that makes that spot special and dig into it. In the Bahamas I would follow around the musicians in the Calypso bands trying to figure out how their crazy rhythms worked. In New Orleans I fell in love with Zydeco and Second Line…I played with local cats and tried to catch their vibe. I’ve busked everywhere I have lived, and I always check out the local buskers…they will tell you where the heart of the city is quicker than any overpriced bar. San Francisco is a bit different on its influence on me. It has been less musical and much more intellectual. For the first time in a long time I have had the social freedom to explore some concepts about humanity and myself by being surrounded by other people on a similar quest. San Francisco has such a diverse and transplanted population that it’s style seems to be more about what you’re saying than how you are saying it. That has rubbed off on me a bit. 

As far as the fuller sound on the album, that has come from the amazing musicians that I am surrounded by.  The musicianship in the Bay Area is top notch right now, and some very special stuff is going to start emerging from it very soon.  I look at SF as a town on the brink of being a center of music in the next 5-10 years.

SFBG Can you tell me a bit about how the way this album was recorded, using live sessions? How do you think it affects the overall sound/feel of a record?

TR This album was a concept before the first note was recorded. The concept was to create a record that would be the most real and honest piece of art I had ever made.

The record is self-financed, and even the crowd funding was done in a way that didn’t ask for donations but rather I asked people to hire me to do work with the knowledge that the money I made was going into making this album. I wanted to walk away from the process with a piece of art that I would pay $15,000 for, and I have it.

To create that we had to do everything the hard way (i.e. the right way). I brought in Charlie Wilson (SonicZen Records) to help me build a band around these songs that I had labored over for almost three years and record them live in a top shelf studio. We rented out Coast Recorders for four days, invited in a small audience each night, and played the album for them live. We took the best takes and that’s the record that you hear.

Recording live is very hard and very risky, so it is very rare to see artists attempting it these days, unless they are trying to make a record on the cheap.  There are so many variables that can go wrong (you can lose your voice, there can be technical issues that take up recording time, the band can make mistakes, some small thing can be out of tune) and if any of them happen, you wind up with a bad sounding album and no back-up plan.  Most records are tracked separately these days to avoid that, but to me it takes all of the real life out of it, and it tells me almost nothing about the person who recorded it.

Another thing is doing it in front of an audience. I am a live performer by trade really, I spend 90 percent of my time in music with a guitar strapped to my chest and singing to real, live, human beings (and sometimes my dog). Performing is what I do best, so why go into a studio and do anything other than that? I find tracking vocals in a booth takes all of the emotion out of it for me, and I have to put it back into the music in some fake kind of way. Why not just do it the right way and record it? (The answer most producers and engineers would tell you is that most people can’t do that. They make too many mistakes, don’t know their songs, it’s hard to isolate the voice and guitar from each other to edit them later.) One of the amazing things that Charlie Wilson did in this whole process was to not back down from those challenges.

So in the end we have this album.  It is exactly what I wanted.  It is a collection of songs that say exactly what I want them to say, and it doesn’t just sound like what we sound like when we play as a band… it IS us playing as a band.  Performing these songs with our hearts wide open.  But when someone hears the record I hope that they don’t hear that it’s live, I hope that they FEEL that it’s real.

SFBG How do you describe your genre, when forced to? (Sorry.) There have been some pretty real shifts from album to album — is that conscious/intentional/inspired by anything in particular?

TR I’m ok with this [question] now…This album is Americana. It’s a weird term, but it’s where this record sits, probably the last one too. The stylistic shifts aren’t just from album to album, they are from song to song inside of those albums. Those shifts aren’t actually purposeful (other than being strongly guided to have more of a rock record for “No Apologies”) as much as they are a byproduct of the way that I write. I don’t write music to fit a genre, I just write the songs that come to my mind in the most effective way that I can to get the idea across. Sometimes that requires a completely different feel than other songs that I write. Each song needs to be served to the best of my abilities, regardless of what sort of music is expected of me. I grew up listening to and learning such a diverse collection of music that I have a pretty broad pallet in my head to choose from. It’s actually pretty coincidental that this album has such a singular vibe that way. Even on this album there are some genre swings; “Dying is Easy” is what I would call an R&B tune, “Nobody’s Listening” is pretty poppy, but the band and the circumstances gave this record a much more specific vibe, and we recorded it live so we couldn’t go back later and alter that feel. Not that I would do that in a million years.

SFBG Plans for the coming year?

TR This year is all about trying to spread the word about this record. That is the absolute hardest part about being an independent musician, just getting in front of new eyes and ears.  There are some big shows lined up, some tours in the works, music videos to be released…hopefully I can find people who can help me with that. That is my goal for this year, find a team of people who can help to spread this music around. I think that this album has what it takes, now I just need to show it to the world.

SFBG Where in the Bay do you live? What’s the one Bay Area meal/food item you couldn’t live without?

TR I live in the East Bay, in the Emeryville/Oakland area. There is a Mexican place out here that has the best burritos in the area, called Chili Jalapeño. It’s a hole in the wall, but I honestly daydream about their food.

SFBG Other Bay Area bands you love?

TR I love The Lady Crooners (not just because they are on my album!). They have some of the best harmonies in the business, and they make me smile every time I see them. Con Brio is an absolute must-see if you like to dance. Quiles and Cloud destroy me with their tight two-part harmonies and dark beautiful songs. When it comes to local songwriters, Lia Rose, Andrew Blair, Kelly McFarling…there is an awesome scene in this city right now, it’s bubbling under the surface, and someone smart is going to come along and figure that out. When the top blows off of the kettle I just hope to be around to see it.

Tom Rhodes, Kelly McFarling and the Lady Crooners

Wednesday, Aug. 13, 8pm, $17

Freight & Salvage Coffehouse

2020 Addison, Berk.

www.thefreight.org

Locals Only is our shout-out to the musicians who call the Bay Area home — a chance to spotlight an artist/band/music-maker with an upcoming show, album release, or general good news to share. To be considered, drop me a line at esilvers@sfbg.com.

Chiu’s proposed Airbnb regulations clear Planning Commission

Board President David Chiu’s proposed legislation regulating short-term rentals facilitated by tech companies Airbnb and VRBO won approval from the San Francisco Planning Commission on Aug. 7.

At the start of a public hearing, Chiu gave an overview, explaining that it would allow permanent residents – defined as San Franciscans dwelling in the city for at least nine months out of the year – to legally post their residences for short-term rent up to 90 days out of the year, legitimizing a practice that is technically prohibited under a city law prohibiting rentals of less than 30 days.

Under the proposed regulations, hosts would be required to register with the city, pay all associated taxes and sign up for liability insurance.

Anyone in violation, for example by posting a unit on Airbnb.com without registering, could be subjected to fines. While Chiu noted that he thought short-term rentals ought to be regulated to limit the threat Airbnb rentals pose to affordable housing in pricey San Francisco, he sought to strike a balance, saying, “Home sharing has allowed struggling residents to live in our expensive city.”

Public comment on the measure lasted for several hours. A host of speakers came out to share stories about how short-term rentals had helped them earn supplementary income and remain in San Francisco (as the Guardian previously reported, Airbnb sought to line up supporters via an online campaign effort called Fair to Share).

Yet opponents of the measure raised concerns that the new rule legitimizing short-term rentals via Airbnb could exacerbate San Francisco’s tremendous affordability crisis, by allowing residential spaces to be further commodified.

“There’s no hope we’re going to be able to control the adverse impacts of this legislation,” said Doug Engmann, a former planning commissioner. “This ill-conceived way of rezoning the city … causes all sorts of problems about how you’re going to be able to regulate this going forward.”

Ian Lewis, of hotel workers’ union Unite Here Local 2, warned of the impact on those employed by the city’s hotel industry.

“This legislation in one fell swoop is a green-light to legalizing short-term rentals,” said Lewis. “No one is more affected by this than hotel workers.”

Land use attorney Sue Hestor warned that Mayor Ed Lee’s proposal to construct 30,000 housing units “will be a farce … without a requirement that they really be rented or occupied as housing,” and suggested prohibiting the new units envisioned under this plan from being listed as short-term rentals on Airbnb.

Others raised concerns about the regulation’s lack of enforceability, and were critical of the provision allowing for 90 days of short-term rentals (many believed it was too permissive, but advocates who came out expressing support for Airbnb said it should be increased to 180 days).

The Board of Supervisors will take up the legislation in September after returning from August recess.

Gaza protests this week and next

Activists with Arab Youth Organization and a number of other entities staged a protest Aug. 6 outside the San Francisco Federal Building, where Rep. Nancy Pelosi’s San Francisco office is located, calling on U.S. government to end aid to Israel.

“We’re here because humans are dying,” said Linda Ereikat, a 17-year-old Palestinian American who was born and raised in the Bay Area and recently spent a month visiting her grandparents in the West Bank.

“We’re not here because we’re part of a political party. We don’t care about Hamas. We care that our people are dying, and our people are under siege. And it’s just crazy. Regardless of politics, regardless of how you feel, humans are dying. And that’s what really gets me.”

Arab youth organizers and other supporters also planned to hold an Aug. 7 candlelight vigil at 7:30pm in San Francisco’s Union Square, in memory of Palestinians who had been killed during the conflict.

And next week, on Aug. 16, a coalition of organizers is planning to move ahead with a protest against violence in Gaza at the Port of Oakland – which could involve blockading a ship.

According to a flier announcing the Aug. 16 event:

“In 2010, after a Turkish flotilla was attacked by Israel for attempting to bring humanitarian aid to Gaza, we built on ILWU’s history [from the movement against apartheid in South Africa] and successfully blocked the Israeli Zim ship from being unloaded at the Port of Oakland – the first time in US history an Israeli ship was blocked. We will be continuing this legacy by organizing to block the Israeli ship once again.”

It seems the exact plans are still under discussion. Asked about it, AYO organizer Samha Ayesh told the Bay Guardian, “We’re trying to work with the port workers to make it successful.”

These events aren’t the only examples of Bay Area street demonstrations held in response to the Israeli-Gaza conflict. A group of demonstrators staged a pro-Israel march in San Francisco last weekend.

Talking Gaza, sharing falafel

By Roni Krouzman

Twenty years ago, I walked into a Palestinian restaurant in occupied East Jerusalem with my Israeli cousin. He was one year into his military service, clad in IDF military fatigues and carrying an M-16. Uncomfortable, to say the least.

This week, 10,000 or so miles away and just before the cease-fire in the latest round of war was announced, I walked into my favorite Middle Eastern restaurant in the San Francisco Bay Area. As I approached the counter, I noticed I was having trouble looking the owner in the eyes. He is Palestinian, and I am a Jewish American with Israeli roots. Not exactly an amicable time for our people, yet again.

But I summoned the courage to look up, and I ordered the food I love and enjoyed so much on those summer trips to Israel (and on a few occasions, to Jordan and the Israeli occupied West Bank): falafel, tomato cucumber salad, humus, fried eggplant and pita.

I asked the man, who appeared to be my mother’s age (she lives in Tel Aviv), “Do you have any family in the Middle East?”

“Yes,” he said, looking down. “I have a sister in Gaza.”

‘Shit,’ I thought.

“Oh wow,” I said.

“This morning I called her and suddenly I heard a loud boom in the background,” he said, gesturing with his hands. “She told me that the house next door had just been hit by an Israeli shell.” I exhaled. His voice rose, and grew tighter. “Then she told me she had to go, and hung up the phone.”

He was visibly upset, of course, this kind man in his late 60s, my mother’s age. “I’m so sorry,” I said.

“This is a massacre. This doesn’t make any sense.”

“I know,” I said. “I’m Israeli and I agree with you.”

We commiserated on how sad and stupid it all was. He came around the counter and stood next to me.

“We want to live in peace,” he said earnestly. “Let’s sit around the table and work it out. We’ll have to give some land, the Israelis will have to give some settlements. We’ll work it out.”

I know that. If only I had the power. But unfortunately, the way I see it, Israel, the dominant force, hasn’t been keeping its end of the bargain. It didn’t when I was 17 and it isn’t 20 years later.

I sat at a table outside and ate my falafel, tomato cucumber salad, humus, fried eggplant and pita. I thought of this man and his sister, and her neighbor’s home. And my heart felt heavy.  

Had her neighbors survived? Had she? One story of so many thousands. But now, after weeks of seeing unconscionable images of grieving parents, terrified children, bloodied bodies and neighborhoods in rubble, the war suddenly had a very personal face.

But my heart also remembers that food we love, Arabs and Jews. My heart remembers how this Palestinian restaurant owner in Marin always greets me with a smile when I ask in my Israeli accent, “Kif h’alek?” (How are you?) My heart remembers how those young Palestinian guys who sold my cousin and I our falafel 20 years ago asked if we were Israeli, and when we said we were, they said, “Peace my friends,” and smiled.

“How can they not hate us after what we’ve done to them?” I thought back then. I wonder that less today. I know some do, and I honestly can’t blame them. 

But the vast majority don’t. Because the vast majority see past the governments and the extremists, and past even majorities when they go astray, and know we are all human and hold a vision of peace. They tell me we are cousins. Maybe, if enough people hold this vision, we’ll all sit down to falafel some day and live like cousins again.

Roni Krouzman is an American Jew born to Israeli parents. His articles on Israel and Palestine have been published by the Middle East Report and the Washington Report on Middle East Affairs. His mother, cousins, aunts and uncles live in Israel.

Marc E. Bassy on breaking down musical boxes

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As a member of 2AM Club and a songwriter for artists like Chris Brown and Sean Kingston, San Francisco-raised Marc Griffin is an experienced pop music craftsman. But as Marc E. Bassy, solo artist, he’s a forward-thinking R&B auteur with more of an ear towards the genre’s growing experimental fringe. Only The Poets, Vol. 1, his new solo debut mixtape-EP (out July 29), features psychedelic, distinctly modern-sounding productions alongside hooks that could have come from any period in contemporary R&B history. Atop it all is his voice, an affable croon that tiptoes the ever-blurring line between rapping and singing.

Griffin currently resides in L.A., whose omnipresent pop industry has influenced his craft and helped him sharpen it. But he’s a Bay Area boy to the bone, and most of his collaborators hail from his hometown — from producer and namesake Count Bassy to rising Richmond rapper Iamsu! We caught up with Griffin the week his album dropped.

https://www.youtube.com/watch?v=S2aTzUiNN6o

San Francisco Bay Guardian You’ve said your manifesto is “there are no more boxes.” Could you elaborate on this?

 Marc E. Bassy My manifesto is that when it comes to being creative musically there are no more boxes as pertains to genre, sound, style. It’s like that classic question — “what style of music do you make?” I make every style of music. 

SFBG When do you think those boxes started falling apart?

MEB I’d say since the dawn of the Internet age. Kids listen to songs they relate to and pick up on the vibe rather than the style. When I was growing up as a kid in San Francisco it was very black and white. You either listened to Tupac and liked Michael Jordan or you listened to Green Day and liked skateboarding. It was divided like that, and nowadays rap culture, skateboarding culture, punk culture has kind of swirled into one thing. Unless you’re going for a particular radio format. I’m a songwriter [for other artists] so I’ve thought about different radio formats, but I’m not making songs for the radio right now.

SFBG When you write for other artists do you write from your own perspective or try to inhabit a persona?

MEB The best songs I’ve written for other people I initially wrote for myself. When I’m writing for someone else I try to tap into the most honest feeling I have — it’s usually gonna be about love, or sex, drugs, and rock ‘n’ roll, what every song is about. Once I catch the vibe of the song I can change the lyrics.

SFBG Why did you decide to use a stage name for your solo work?

MEB I’ve kind of stepped away from my band. While my band was on hiatus I was writing songs for other people, and the response I kept getting was “we love this song, but we don’t know who would do it.” So that turned into me deciding to make my own project. I got the name because my biggest collaborator on Only The Poets, Vol. 1 is a producer out of San Francisco named Count Bassy, and every since I was a little baby my family called me Marc E. So I just went by Marc E. Bassy. It’s not a persona — it’s just me, everything I write has some personal resonance.

DB Are there other Bassys?

MEB Nah, it’s just the two of us. But the movement’s growing — I’m sure we’ll have some more. 

Alternative event to National Night Out shifts focus away from surveillance

Aug. 5 marks National Night Out, an annual event promoted by local governments and law enforcement agencies geared toward ending neighborhood violence and promoting public safety.

In San Francisco, Mayor Ed Lee is scheduled to join Police Chief Greg Suhr and District Attorney George Gascon at a Visitacion Valley playground for a National Night Out gathering. A host of other neighborhood block parties are scheduled throughout San Francisco and Oakland as well.

National Night Out gatherings, which are sponsored by the National Association of Neighborhood Watch, are scheduled to take place nationwide. Block party attendees are encouraged to come out and meet their neighbors as a way of banding together against crime. Yet some have questioned the heavy emphasis this event places on suspicion and surveillance as tools for promoting neighborhood safety.

To offer a different perspective, the Ella Baker Center for Human Rights has organized a community gathering Aug. 5 at the Lake Merritt amphitheater, billed as the Second Annual Night Out for Safety and Democracy.

“We still want to have a celebration of the community – but we really want to reframe the message that it’s not all about setting up a neighborhood watch program,” said Maria Dominguez, a community organizer with the Ella Baker Center. She added that a mass effort to encourage suspicion and neighborhood surveillance can lead to unintended consequences, such as actions that are unnecessarily based in fear, or racial profiling.

Instead, the Ella Baker Center hopes to emphasize restorative justice practices, youth job training programs, and reentry services as tools for promoting community safety. The group is also highlighting the need for more resources to be dedicated toward these programs as state funding becomes available.

“Safety really goes hand in hand with the lack of economic opportunity in our communities,” Dominguez said. This coming fall, she noted, the Alameda County Board of Supervisors will begin discussing allocation of some $30 million in state realignment funding. Historically, only about a fourth of this has gone toward community-based organizations focused on efforts such as reentry services, with the rest being devoted mainly to law enforcement agencies.

“We want to make sure there’s more funding allocated for community based organizations providing restorative justice initiatives, and other organizations that focus on employment and workforce development opportunities,” Dominguez said.

“With the recent rise in local surveillance initiatives and private patrols, it’s more important than ever to encourage neighbors to build connections with one another so that they can see each other,” said Ella Baker Center executive director Zachary Norris, “rather than watch each other.”

The evening’s event will feature talks by practitioners in restorative justice practitioners and representatives from organizations working around reentry programs. There will also be food, art, voter information, and a performance by Turf Feinz. They’re turf dance performers whose moves – consisting of “elaborate footwork, gliding, gigging, contortion and acrobat,” according to the event description – have been known to liven up BART commutes. 

“Rain,” Turf Feinz’ video from 2009 created in memory of a friend, got more than six million YouTube hits.

This Week’s Picks: August 6 – 12, 2014

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sockhop in a sheet-metal factory

THURSDAY 7

 

Post:Ballet’s Five High

Most choreographers start small, slowly developing skills — and an audience for their work. In 2010 Robert Dekkers’ Post:Ballet burst onto the local scene like a comet. Dekkers hasn’t stopped since. His choreography can flow like warmed honey; he works with excellent collaborators and, above all, being a very fine dancer himself, he choreographs with the ballet trained body in mind. He doesn’t — yet — have a permanent ensemble, but he gets exceptional dancers who seem to thrive in his contemporary choreography. This year they include four from Smuin Ballet, and two LINES Ballet alumni. The new ourevolution (with a score by Matthew Pierce) will be joined by field the present shifts (2013) — with Robert Gilson and Catherine Caldwell’s spectacular set — and the 2012 quartet Mine is Yours. (Rita Felciano)

Through Sat/9, 8pm, $30+

YBCA Theater

700 Howard, SF

(415) 978-ARTS (2787)

www.tickets.ybca.org

 

 

 

Mikal Cronin

Mikal Cronin is one of the San Francisco garage-rock scene’s most omnipresent figures. Though he was once best-known for his frequent collaborations with Ty Segall (they played together in Epsilons and Ty Segall Band, and they’ve got a collab album awesomely titled Reverse Shark Attack), he’s got two very good solo albums of muscular yet shamelessly catchy power pop that have established him as a formidable presence on the scene in his own right. Unlike most of the scene he’s associated with, Cronin actually moved to San Francisco from Los Angeles, and as such, he’s showing no signs of abandoning his hometown fans. If you can’t catch him at Outside Lands this year, this night show at The Independent might be slightly more intimate. (Daniel Bromfield)

9pm, $20

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

 

 

“Mythological Bird”

Birds in San Francisco are usually nothing special. Pigeons? Please. But when it comes to the parrots of Telegraph Hill, you admittedly revere them. Extinct birds, for the most part, are cast in the same mould. Under the careful eye of some local artists, they’ve majestically flown back to life. The exhibition is a multimedia experience characterized by digital projection — which creates an alternate world for the birds that viewers can step into and thoroughly engage with the art — and more conventional art mediums. The last time the birds were alive may’ve been in the distant past, but the exhibition is a proper modern tribute to their beauty, spirit, and memory. (Amy Char)

Through Sept. 7

6pm, free

Incline Gallery

766 Valencia, SF

(415) 879-6118

www.inclinegallerysf.com

 

 

 

Beardyman

Beardyman isn’t just a beatboxer. While the London-based performer can lay down rhythmically astonishing beats and juxtapose his lines with melodic or bizarre vocal elements, his ability to use live loops is what makes him such an exhilarating live act. Often, Beardyman will start with a simple pattern that, after some fooling with his one-of-a-kind live rig, the Beardytron 5000 mkll, will grow into a layered and almost impossibly complex musical collage. He still is working on transferring his live chops to recording — uploads of his performances have garnered far more attention than his one album to date — but his new project, the long-awaited Directions, may very well change that. After being forced to cancel his last Mezzanine show because of illness, Beardyman looks to pull out all the stops this time; don’t be surprised if costumes, political invective, and incisive cultural commentary make their way into the act. (David Kurlander)

8pm, $18

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

 

 


FRIDAY 8

 

Crocodiles

One of the key figures in the noisy San Diego rock scene, Crocodiles have come a long way from their Jesus and Mary Chain-aping early days, with four albums and a feud with notorious Arizona sheriff Joe Arpaio under their belt. The band has released an album every year since 2009 (except 2011, but they put out an extra EP in 2010 to make up for it) and are showing no signs of slowing down, gigging relentlessly with a variety of bands. A live Crocodiles show tends to sound like a sockhop in a sheet-metal factory, with rock ‘n’ roll riffs and yelps bouncing around a nightmarish industrial landscape. Their upcoming show on August 8 with Tweens is their second time at the Chapel. (Bromfield)

$15, 9pm

The Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

 

 

Youth for Asian Theater’s Perfect Pairs

Following what must be an age-old tradition, adults often don’t take teens seriously. However, this theater company, completely comprised of local youth from a range of ethnic backgrounds, explores different cultures and the experience of growing up Asian-American through writing, directing, and performing original plays — these youth have already accomplished so much more than some adults have! In the midst of a productive summer, the company’s 14th annual production includes promising plays, such as one described as “Austen-tatious” that follows “prideful, sometimes prejudiced” characters. The theater scene is in good hands with these talented — and well-read — teens. (Amy Char)

6:30pm, free

San Francisco LGBT Center

1800 Market, SF

(415) 865-5555

www.yfat.org

 

SATURDAY 9

 

Woods

Mix Best Coast with mid-’70s Eno and you’re left with Woods, the lo-fi Brooklyn outfit that has released a prolific seven albums over seven years. The band’s most recent, With Light and With Love, is their most melodic work yet — generally known for their rampant experimentation and unpredictability, the group isn’t entirely eschewing their eccentricity, but are making their work more accessible. Lead singer Jeremy Earl, whose nasal vocals don’t exactly scream pop, is surprisingly adept at more smooth and singable melodies. The group will likely still be high from their annual Woodsist Festival in Big Sur, which features their friends and occasional collaborators Foxygen and Real Estate. Steve Gunn, the former guitarist in Kurt Vile’s The Violators, will open with cuts off of his acoustic and meditative 2013 release Time Off. (Kurlander)

10pm, $15

Brick & Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

 

 

Gold Panda

Gold Panda hit post-Dilla paydirt five years ago with “Quitter’s Raga,” a brief, volatile single that remains one of the most fascinating works of 21st-century producer music. Since then, he’s established himself as one of the most singular and intriguing producers in the electronic world, merging pristine minimal techno with loping hip-hop rhythms and influences from South and East Asian music. His debut, Lucky Shiner, remains a high-water mark of the last half-decade of electronic music, featuring the absolutely devastating lead single “You” and a host of other speaker-ready songs. Though last year’s Half Of Where You Live found him taking a more Spartan approach to his craft, it’s still comfort-food music, accessible across a wide spectrum of genres, demographics, and consumed substances. (Daniel Bromfield)

10pm, $20

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

 

SUNDAY 10

 

 

Darlene Love

Just in case you weren’t already in love with the unsung ’60s girl group singer — who repeatedly got the shaft from producer Phil Spector when she tried to launch a solo career as opposed to singing backup for very little money and even less glory (Spector actually released her work under a different girl group’s name) — last year’s award-winning documentary 20 Feet From Stardom likely did the trick. Her voice sounds strong and joyful as ever, and the warmth and effusiveness that pour from her live performances are undeniable. If the masses at Outside Lands aren’t quite your thing, this free show should bring out a different kind of mass, indeed. (Emma Silvers)

With the Monophonics

2pm, free

Stern Grove

19th Ave. and Sloat, SF

www.sterngrove.org

 

MONDAY 11


The NBA’s Jason Collins

At the end of the 2013 basketball season, after becoming a free agent, with one of the most-discussed Sports Illustrated cover stories of all time (that wasn’t a swimsuit issue), 35-year-old NBA center Jason Collins became the first publicly gay pro athlete in any of the four major American sports leagues. Lauded for his honesty and bravery, Collins signed with the Nets in February, but we’re guessing that little in his life has returned to “normal.” This event, hosted by the Commonwealth Club as part of the 2014 Platforum series The LGBT Journey, will see Collins in conversation with Jose Antonio Vargas, producer-director of the documentary Documented, who has been open about his status as a gay, undocumented Filipino American, for a discussion of American identity that doesn’t fit neatly into any one box. (Silvers)

6:30pm, $10-$20

Castro Theatre

429 Castro, SF

(415) 621-6350

www.castrotheatre.com


TUESDAY 12


The Coathangers

Joking ideas can be surprisingly fruitful. Rather than forming a band to appeal to their musical dreams, these four Atlanta-based women just wanted to have a good time while playing shows (conveniently ignoring how none of them knew how to play a musical instrument), which helps explain why their live energy is just as raw eight years later. The Coathangers eventually warmed up to the musical intricacies behind writing songs. Their efforts culminated in Suck My Shirt, the band’s fourth album, which reflects the newfound, thoughtful spirit while retaining their well-honed DIY garage-punk sound. They’re still as flippant as ever with their song titles: “Love Em and Leave Em.” (Amy Char)

With White Fang, Twin Steps

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

Rep Clock: August 6 – 12, 2014

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Schedules are for Wed/6-Tue/12 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. “Southern Lights: Films by Pablo Marin,” Sat, 7:30.

BALBOA 3630 Balboa, SF; cinemasf.com/balboa. $10. “Thursday Night Rock Docs:” 20 Feet from Stardom (Neville, 2013), Thu, 7:30. Dragon Ball Z: Battle of Gods (Hosoda, 2013), Sat-Sun, 10:30am, 12:30; Mon, 7, 9.

BAY MODEL CENTER 2100 Bridgeway, Sausalito; www.tiburonfilmfestival.com. Free. Tiburon Film Society presents: The Trials of Muhammad Ali (Siegel, 2013), Tue, 6.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •A Hard Day’s Night (Lester, 1964), Wed, 5:30, 7, and The Knack … And How to Get It (Lester, 1965), Wed, 9:15. •Do the Right Thing (Lee, 1989), Thu, 7, and In the Heat of the Night (Jewison, 1967), Thu, 9:15. The Wizard of Oz (Fleming, 1939), presented sing-along style, Fri-Sun, 7 (also Sat-Sun, 2:30). •Only Lovers Left Alive (Jarmusch, 2013), Tue, 7, and The Hunger (Scott, 1983), Tue, 9:15.

COURTHOUSE SQUARE 2200 Broadway, Redwood City; www.redwoodcity.org. Free. The Wizard of Oz (Fleming, 1939), Thu, 8:45.

EXPLORATORIUM Pier 15, SF; www.exploratorium.edu. Free with museum admission ($19-25). “Saturday Cinema: Things,” Sat, 1, 2, 3.

GRAND LAKE CENTER 3200 Grand, Oakl; www.renaissancerialto.com. $15 (all-day pass, $25). Last Chance for Eden (Lee, 2003), Thu, 1; The Color of Fear (Lee, 1994), Thu, 3:30; If These Halls Could Talk (Lee, 2014), Thu, 7.

JACK LONDON FERRY LAWN Clay and Water, Oakl; www.jacklondonsquare.com. Free. “Waterfront Flicks:” Man of Steel (Snyder, 2013), Thu, sundown.

MARTIN LUTHER KING JR. CIVIC CENTER PARK 2151 MLK Jr. Wy, Berk; www.newbelgium.com/clips. Free (beer samples, $1.25-5). New Belgium Brewing presents: “Clips and Beer Film Tour,” short films, Sat, 7:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Rude Awakening: American Comedy, 1990–2010:” The Royal Tenenbaums (Anderson, 2001), Wed, 7. “Alternative Visions: Animation:” “Films by Sally Cruikshank (1971-1996),” Thu, 7. “Derek Jarman, Visionary:” Wittgenstein (1993), Fri, 7. “Over the Top and Into the Wire: WWI on Film:” Grand Illusion (Renoir, 1937), Fri, 8:30. “The Brilliance of Satyajit Ray:” The Elephant God (1977), Sat, 6; The Chess Players (1977), Sun, 6. “Martin Scorsese Presents Masterpieces of Polish Cinema:” The Constant Factor (Zanussi, 1980), Sat, 8:35. “Picture This: Classic Children’s Books on Film:” “Idle Time,” short films, Sun, 3:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. The Dance of Reality (Jodorowsky, 2013), Wed, 9:15. Happy Christmas (Swanberg, 2014), Wed-Thu, 7, 8:45. Life Itself (James, 2014), Wed, 6:45; Thu, 9:15. Heli (Escalante, 2013), Fri, 7, 9:45; Sat, 6, 9; Aug 10-14, 7, 9:15. “Bay Area Docs:” Brown Bread: The Story of an Adoptive Family (Gross, 2013). Sun, 4:30.

SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. “Monty Python Live (Mostly),” recorded at London’s O2 Arena, Wed and Aug 14, 7. This screening, $18. San Francisco Jewish Film Festival, Fri-Sun. For complete program and ticket info, visit www.sfjff.org. Horses of God (Ayouch, 2013), Aug 11-13, call for times.

TEMESCAL ART CENTER 511 48th St, Oakl; www.shapeshifterscinema.com. Free. “Shapeshifters Cinema:” Works by tooth, Sun, 8.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “Invasion of the Cinemaniacs:” Death Wish 3 (Winner, 1985), Sat, 7:30; Madame Freedom (Han, 1956), Sun, 2. *

 

NUDE BEACHES 2014

2

culture@sfbg.com

NUDE BEACHES 2014 Well, it’s been 40 years since I turned over on my side and asked a totally naked woman at Red Rock nude beach, near Stinson Beach, if she knew of any other clothing-optional beaches in Northern California.

Don’t worry, she didn’t slap me. Jane and I were on our third date — we’d met at a bus stop in downtown Berkeley — which she had casually suggested take place at the beach. “Sure, where’d you like to go?” I asked. “How about Red Rock?” she replied. “Red Rock?” I asked. “I’ve never heard of it.” “It’s a nude beach,” responded Jane.

I didn’t want to sound like a wuss, so, I immediately agreed — and about an hour later, we were walking down a long, moderately steep trail that led us to a beautiful cove. When we arrived, I couldn’t believe what I saw: dozens of people clothed only in their birthday suits. They acted as if being stark naked was no big deal. And so did Jane. She threw down a towel, immediately stripped down, and asked if I would put some sun tan lotion on her back. 

It was a beautiful summer day. People were enjoying themselves. Some were reading, while others were sunning, walking, wading in the chilly but invigorating surf, playing Frisbee, or socializing with friends. Pretty soon, I took off my swimsuit too. Around 30 minutes later, when my eyeballs began to recede back into their sockets, I started wondering how many other nude beaches were in the Bay Area. Jane knew of a half dozen and suggested I speak with her roommates. “They probably know about four or five more,” she said.

And that’s how the annual Bay Guardian Nude Beach Guide was born. From covering a dozen or so beaches, lakes, ponds, skinny-dipping holes, and other clothing-optional spots in 1975, we’ve soared to 130 today, when you include our complete online listings. They include places where you can camp nude (North Garberville, in Humboldt County), take off your clothes at a waterfall (Alamere Falls, near Bolinas), soak in hot springs (Sykes, near Big Sur, and Steep Ravine, in Marin County), play bare-bottom volleyball (San Francisco’s North Baker Beach), or sunbathe naked at a state park (Gray Whale Cove, in San Mateo County).

Who knows, maybe someday we’ll be able to get everything from sundaes to massages on a nude beach, like those offered at sprawling Haulover Nude Beach, just north of Miami, Fla., which I checked out in June. It draws up to 7,000 visitors a day. The site is part of a park that also has a non-nude beach and even a separate dog play area.

In the meantime, we’ve got plenty of clothing-optional recreation choices right here, especially with the reopening of the nude section of Muir Beach, which, along with the main part of the beach, was closed most of last summer and part of the fall. Want to hike naked through the East Bay hills, guided by a member of the Bay Area Naturists group? America’s only “Full Moon Hikes” will continue this season with a walk starting in Castro Valley on Aug. 10 (see our listing below for Las Trampas under Contra Costa County for details). In Lake Tahoe, at Secret Harbor Creek Beach (also in the Internet version of our guide), you can take part in an “only wear a hat” day Aug. 17. And on Sept. 20, fans of Santa Cruz’s popular Bonny Doon Beach will be getting together to help remove trash from the sand.

Speaking of help, to help beachgoers and naturists, please send me your new beach discoveries, trip reports, and improved directions (especially road milepost numbers), along with your phone number to garhan@aol.com or Gary Hanauer, c/o San Francisco Bay Guardian, 835 Market, Suite 550, San Francisco, CA 94103.

Our ratings: “A” stands for a beach that is large or well-established and where the crowd is mostly nude; “B” signifies a spot where fewer than half the visitors are nude; “C” indicates a small or emerging nude area; and “D” depicts places that are in use, but not recommended.

 

SAN FRANCISCO

NORTH BAKER BEACH, SAN FRANCISCO

RATING: A

Complete with nude volleyball that’s open to anyone, driftwood “art trees” (last year’s was called Sea Hag), and occasional live music performed by beachgoers — mostly guitar and drums — almost anything goes on the north end of Baker, where the atmosphere is playful and increasingly social. Over the winter, storms washed away a chunk of the sand (which is starting to return) and all the wooden objects. But Baker’s regular visitors, led by the local street fair organizer who prefers to be called Santosh, have erected a new tree. If you join in a game on the sand, don’t expect the rules to necessarily be the same ones you followed as a kid. For example, it’s considered fair and in play if a ball touches one of the site’s driftwood poles. Of course, you don’t need to do anything at Baker — it’s a great place to relax and be yourself. Or you could go exploring! For a treat, wait until low tide and try finding the beach’s “secret” tidepools by walking around the big rocks at the far north side of the beach. One thing that’s not tolerated at Baker: gawkers. “People let them know we don’t like it,” says Santosh. “We want to keep things mellow.”

Directions: Take the 29 Sunset bus or go north on 25th Avenue to Lincoln Boulevard. Turn right and take the second left onto Bowley Street. Follow Bowley to Gibson Road, turn right, and follow Gibson to the east parking lot. At the beach, head right to the nude area, which starts at the brown and yellow “Hazardous surf, undertow, swim at your own risk” sign. Some motorcycles in the lot have been vandalized, possibly by car owners angered by bikers parking in car spaces; to avoid trouble, motorcyclists should park in the motorcycle area near the cyclone fence. Parking at Lincoln’s 100 or more nearby parking spaces is limited to two hours.

 

LANDS END BEACH, SAN FRANCISCO

RATING: A

Want to star in your own picture-perfect postcard? Lands End’s lovely vistas are just the start of an outing you may wish to call Swim Suit’s End. Law enforcers seldom visit the cove off Geary Boulevard, where some visitors doff their togs, often to the surprise of tourists who walk down the beach path, hoping for some good photo opportunities. The site is super small, so on summer weekends, try to stake out a claim to some towel space by late morning. For the best sand, use one of the unoccupied rock-lined windbreaks traditionally made by previous visitors or look for a dab of soft soil further away from the beach entrance. Bring a sweatshirt for sudden fog or wind.

Directions: Follow Geary Boulevard to the end, then park in the dirt lot up the road from the Cliff House. Take the trail at the far end of the lot. About 100 yards past a bench and some trash cans, the path narrows and bends, then rises and falls, eventually becoming the width of a road. Don’t take the road to the right, which leads to a golf course. Just past another bench, as the trail turns right, go left toward a group of dead trees where you will see a stairway and a “Dogs must be leashed” sign. Descend and head left to another stairway, which leads to a 100-foot walk to the cove. Or, instead, take the service road below the El Camino del Mar parking lot 1/4 mile until you reach a bench, then follow the trail there. It’s eroded in a few places. At the end, you’ll have to scramble over some rocks. Turn left (west) and walk until you find a good place to put down your towel.

 

GOLDEN GATE BRIDGE BEACH, SAN FRANCISCO

RATING: A

On hot summer days, Golden Gate Bridge Beach’s mix of rocks and sand swarms with dozens or even hundreds of gay males. You can also find others here too, either sunbathing or enjoying dips in the usually cold surf. If you’re brave enough to swim here, please use caution: the area’s known for its riptides. Three side-by-side coves line the somewhat rocky shoreline, so if you want to do a little exploring, feel free. And don’t forget to look up and soak in a view of the glistening edifice for which the beach is named.

Directions: From the toll booth area of Highway 101/1, take Lincoln Boulevard west about a half mile to Langdon Court. Turn right (west) on Langdon and look for space in the parking lots, across Lincoln from Fort Winfield Scott. Park and then take the beach trail, starting just west of the end of Langdon, down its more than 200 steps to Golden Gate Bridge Beach, also known as Marshall’s Beach. Despite recent improvements, the trail to the beach can still be slippery, especially in the spring and winter.

 

FORT FUNSTON BEACH, SAN FRANCISCO

RATING: C

Barely a bare beach, we include “Fort Fun,” as some naturists call it, in our listings because a few diehard suitless sunbathers can occasionally be found on the shore, hidden between some of the dunes. You’ll likely be busted or given a warning, though, if a ranger spots your naked body or if somebody uses their cell phone to call in a complaint. Weekdays are the best times to avoid hassles from authorities, but you should still be prepared to suit up fast. Did we mention the dogs? If you like them, then be prepared for a nice bonus: The cliffs above the beach attract a never-ending parade of pooches and their human companions.

Directions: From San Francisco, go west to Ocean Beach, then south on the Great Highway. After Sloat Boulevard, the road heads uphill. From there, curve right onto Skyline Boulevard, go past one stoplight, and look for signs for Funston on the right. Turn into the public lot and find a space near the west side. At the southwest end, take the sandy steps to the beach, turn right, and walk to the dunes. Find a spot as far as possible from the parking lot.

 

CONTRA COSTA COUNTY

LAS TRAMPAS REGIONAL WILDERNESS, CASTRO VALLEY

RATING: C

Have you ever been on a naked hike — at night? Now’s your chance to sign something off your Bucket List that you probably never knew should be on it: taking a guided walk by the light of the silvery moon — and your flashlight — along a somewhat challenging, but, participants say, “doable” East Bay ridge just after sunset and then returning for a dip in the hot tub of the Sequoians Naturist Club, in Castro Valley. These “Full Moon Hikes” usually take place in July, August, and September (next one is Aug. 10) with a potluck held at the club before Dave Smith, of the Bay Area Naturists group, takes fully clothed walkers up a trail just as darkness begins to fall. When the moon rises, the hikers come back down the path — usually naked, with their duds stored in their backpacks, after what some trekkers describe as an epic, almost spiritual adventure.

Directions: Contact the Sequoians (www.sequoians.com) or the Bay Area Naturists (www.bayareanaturists.org) for details on how to join a walk. Meet at the Sequoians. To get there, take Highway 580 east to the Crow Canyon Road exit. Or follow 580 west to the first Castro Valley off-ramp. Take Crow Canyon Road toward San Ramon 0.75 mile to Cull Canyon Road. Then follow Cull Canyon Road around 6.5 miles to the end of the paved road. Take the dirt road on the right until the “Y” in the road and keep left. Shortly after, you’ll see The Sequoians sign. Proceed ahead for about another 0.75 mile to The Sequoians front gate.

 

SAN MATEO COUNTY

DEVIL’S SLIDE, MONTARA

RATING: A

A state park that tolerates nude sunbathing? It’s not officially designated that way, but officials in charge of Gray Whale Cove remain steadfast in their toleration of nudies, some of whom have been coming here for decades, as long as complaints are not received. Even if phoned-in objections were received, it’s doubtful whether rangers, who are seldom present, could reach the sand in time to catch an offender. Over the last few years, GWC, more commonly known as Devil’s Slide, has been attracting so many visitors to its 100-yard long seashore that park staff recently added a second parking lot. But only one in every two or three dozen people go nude on the north end of the stunning shoreline, which draws tourists from around the world. You’ll usually find plenty of space here, even on a hot summer day.

Directions: Driving from San Francisco, take Highway 1 south through Pacifica. Three miles south of the Denny’s restaurant in Linda Mar, at 500 Linda Mar Blvd., Pacifica, and just past and south of the Tom Lantos Tunnels, turn left (inland or east) on an unmarked road, which takes you to the beach’s parking lots on the east and west sides of the highway and to a 146-step staircase that leads to the sand. Coming from the south on Highway 1, look for a road on the right (east), 1.2 miles north of the old Chart House restaurant in Montara. Most naturists use the north end of the beach, which is separated by rocks from the rest of the shore. Wait until low tide to make the crossing to the nude area. Otherwise, you may face waves crashing against you, which could cause you to slip and lose your footing.

 

SAN GREGORIO NUDE BEACH, SAN GREGORIO

RATING: A

Nearly 50 years old, the USA’s longest-operating clothing optional beach is located next to, but remains distinctly different from San Gregorio State Beach. For a view of conditions, check out its web cam at www.freewebs.com/sangregoriobeach. Skinny-dippers started flocking here by 1966 after a “Committee For Free Beaches” was formed by a San Francisco State College student who, along with a few pals, distributed fliers at colleges in the San Francisco Bay Area announcing the start of a “free beach,” as they called it. Soon, up to 500 persons were showing up on the sand on weekends. A court case to try to stop the venture failed, but that hasn’t stopped the private operation from remaining controversial. The main rub: Not everyone likes the driftwood structures on the slope leading down to the beach (a T-shirt hanging from a pole means the site is occupied), where open sex often occurs. Catering to mostly gay visitors, both nude and nonnude straight couples, singles, and families also visit the huge beach.

Directions: From San Francisco, drive south on Highway 1, past Half Moon Bay, and, between mileposts 18 and 19, look on the right side of the road for telephone call box number SM 001 0195, at the intersection of Highway 1 and Stage Road, and near an iron gate with trees on either side. From there, expect a drive of 1.1 miles to the entrance. At the Junction 84 highway sign, the beach’s driveway is just .1 mile away. Turn into a gravel driveway, passing through the iron gate mentioned above, which says 119429 on the gatepost. Drive past a grassy field to the parking lot, where you’ll be asked to pay an entrance fee. Take the long path from the lot to the sand; everything north of the trail’s end is clothing-optional (families and swimsuit-using visitors tend to stay on the south end of the beach). The beach is also accessible from the San Gregorio State Beach parking area to the south; from there, hike about a half-mile north. Take the dirt road past the big white gate with the Toll Road sign to the parking lot.

 

SANTA CRUZ COUNTY

GARDEN OF EDEN, FELTON

RATING: C

Nude spelled backwards is Edun, so it’s little wonder that California’s Garden of Eden would attract scads of clothing-optional users. It’s located on the San Lorenzo River between San Jose and Santa Cruz. Nudity is technically illegal in Henry Cowell Redwoods State Park, where this creekside skinnydipper’s delight is nestled. Not everyone likes the nudists, who often shock the many swimsuit-wearing visitors who like to take a dip here on hot days. Other bummers include slippery, poison oak-lined trails and surprise visits by rangers. To discover your own personal Eden and several other nude swimming holes, as you drive north along Highway 9 near Fulton look for cars pulled over on the side of the road. Directions: From Santa Cruz, drive north on Highway 9 and look for turnouts on the right side of the road, where cars are pulled over. The first, a wide turnout with a tree in the middle, is just north of Santa Cruz. Rincon Fire Trail starts about where the tree is, according to reader Robert Carlsen, of Sacramento. The many forks in the trail all lead to the river, down toward Big Rock Hole and Frisbee Beach; Carlsen says the best area off this turnout can be reached by bearing left until the end of the trail. Farther up the highway, 1.3 miles south of the park entrance, is the second and bigger pullout, called the Ox Trail Turnout, leading to Garden of Eden. Park in the turnout and follow the dirt fire road downhill and across some railroad tracks. Head south, following the tracks, for around 0.5 miles. Look for a “Pack Your Trash” sign with park rules and hours and then proceed down the Eden Trail. Or, about three miles south of the park entrance, look for a dirt parking lot, park there, and take the path from there to some beaches that attract fewer people than the Garden.

 

BONNY DOON NUDE BEACH, BONNY DOON

RATING: A

Fans of this beautiful cove were pleased to learn last year that state officials plan to allow nudity, unless there are complaints, to continue on the north end of the beach, despite warning signs that were erected but taken down just a few weeks later. A big rock separates the clothing-optional side of the shore from the area traditionally used by families and other clothed visitors to the south. While some visitors joke on social media message boards about the increase in gray-haired beachgoers on the sand (a Redwood City woman recently told Yelp the beach needs “some hot dudes” and a female from San Jose compared the women there to those on the “Golden Girls” tv show), others have posted more serious remarks about the gawkers and rude males who occasionally show up. Most visitors, though, relish the tranquil, almost idyllic atmosphere they encounter. Directions: From San Francisco, go south on Highway 1 to the Bonny Doon parking lot at milepost 27.6 on the west side of the road, 2.4 miles north of Red, White, and Blue Beach, and some 11 miles north of Santa Cruz. From Santa Cruz, head north on Highway 1 until you see Bonny Doon Road, which veers off sharply to the right just south of Davenport. The beach is just off the intersection. Park in the paved lot to the west of Highway 1; don’t park on Bonny Doon Road or the shoulder of Highway 1. If the lot is full, drive north on Highway 1, park at the next beach lot, and walk back to the first lot. Or take Santa Cruz Metro Transit District bus route 40 to the lot; it leaves the Metro Center three times a day on Saturdays and takes about 20 minutes. To get to the beach, climb the berm next to the railroad tracks adjacent to the Bonny Doon lot, cross the tracks, descend, and take a recently improved, sign-marked trail to the sand. Walk north past most of the beach to the nude cove on the north end. Alternately, Dusty suggests parking as far north as possible, taking the northern entrance, and, with good shoes, following a “rocky and steep” — and less desirable — walk down to the sand. It can be slippery, so wear good shoes.

 

PANTHER BEACH, SANTA CRUZ

RATING: B

“This is my all time favorite spot,” reported a Redwood City resident after a visit this April. This “is (also) a nude beach,” added Taylen, on Yelp, who’s even seen naked people fishing at this modestly sized but gorgeous beach, some 10 miles north of Santa Cruz. Bring a beach umbrella, a windbreaker in case the weather changes, and sturdy walking shoes for the path to the sand. Pick from such activities as reading, sunbathing, rock climbing, swimming, exploring the shore, picnicking, birding, whale watching, or doing absolutely nothing at all.

Directions: Panther Beach is between mileposts 26.86 and 26.4 on Highway 1, some 10.6 miles north of the junction of Highway 1 and 17 in Santa Cruz and 40.7 miles south of the intersection of Highways 1 and 92 in Half Moon Bay. Drive slowly so you can make a sharp right turn onto a small dirt road on the west side of the highway, which is difficult to see when approaching from the north. The road leads to a rutted parking area that lies on a ridge between the highway and some railroad tracks. From the north end of the lot, cross the tracks and, while watching for poison oak, follow the steep, sloping, somewhat crumbly path about five minutes to the sand. Visitors this season suggest holding onto rocks or ledges along the trail’s more slippery spots for extra support.

 

2222 BEACH, SANTA CRUZ

RATING: A

Delightful but difficult to reach, 2222 takes its name from the address of the nearest house on West Cliff Drive, just north of Santa Cruz’s popular wharf and Boardwalk areas. It’s also one of the smallest clothing-optional beaches. You’ll be lucky to encounter more than a half dozen persons in the cove — often you’ll be alone — which mainly attracts nearby residents and local college students. A bonus is that walkers on the road above can’t see the beach from there. Yup, a visit here is like having your own private nude beach, unless you count the juggler who likes to practice on the sand. But the beach path is only suitable for people who are agile enough to handle a scary-looking, very steep slope. Leave children and anything that doesn’t fit in a backpack at home.

Directions: The beach is a few blocks west of Natural Bridges State Beach and about 2.5 miles north of the Santa Cruz Boardwalk. From either north or south of Santa Cruz, take Highway 1 to Swift Street. Drive .8 miles to the sea, then turn right on West Cliff Drive. 2222 is five blocks away. Past Auburn Avenue, look for 2222 West Cliff on the inland side of the street. Park in the pullout with eight parking spaces next to the cliff, on the west side of the road. If it’s full, continue straight and park along Chico Avenue. Bay Area Naturists leader Rich Pasco suggests visitors use care and then follow the path on the side of the beach closest to downtown Santa Cruz and the Municipal Wharf.

 

PRIVATES BEACH, SANTA CRUZ

RATING: A

One of Northern California’s best nude beaches, Privates (yes that’s the name) gets almost a unanimous thumbs up from visitors for its clean sand, shelter from the wind, and friendly vibes. New this year: During the summer, the gate to the beach is only open until 7 or 8pm. And dogs are no longer always allowed: They’re banned on weekends 10am-5pm and must always be leashed. Most users pay a fee of $50–$100 (depending on if you live in the neighborhood) to buy a gate key that allows entrance, past a security guard at the top of the beach stairs, through May 31. But we list three ways to go for free below under “Directions.” Nudists, families, and local residents love the cove, which is divided into two parts — clad and unclad. Surfers, in particular, can be found by the dozens on the sand or paddling out. Want to play nude Frisbee? At the end of the staircase to the sand, turn left and keep walking until you come to the clothing-optional area.

Directions: 1) Some visitors walk north from Capitola Pier in low tide (not a good idea since at least four people have needed to be rescued). 2) Others reach it in low tide via the stairs at the end of 41st Avenue, which lead to a surf spot called the Hook at the south end of a rocky shore known as Pleasure Point. 3) Surfers paddle on boards for a few minutes to Privates from Capitola or the Hook. 4) Most visitors buy a key to the beach gate for $100 a year at Freeline (821 41st Ave., Santa Cruz, 831-476-2950) 1.5 blocks west of the beach. Others go with someone with a key or wait outside the gate until a person with a key goes in, provided a security guard is not present (they often are there). “Most people will gladly hold the gate open for someone behind them whose hands are full,” says Bay Area Naturists leader Rich Pasco. The nude zone starts to the left of the bottom of the stairs.

 

MARIN COUNTY

BASS LAKE, BOLINAS

RATING: B

Although it is not visited by as many nudists as a decade ago, skinny-dippers still inspire some visitors in what’s usually a mostly clothed crowd to join in the fun at Bass Lake, which true to its name, has lots of bass. Natalie, of San Francisco, described a day here as “unreal” on Yelp last summer. “The hike is super mellow.” She brought floaters, but found others left in the water. Another summer visitor, Julia, borrowed floaties from some women at the site. “It was so relaxing,” she says. San Leandro’s Dave Smith, who usually even walks naked to the lake — expect a nearly hourlong, fairly easy, 2.8 mile hike — says he “loves” spending time in Bass’ clear, refreshing waters. Rangers once halted and ticketed a clad man who had an unleashed dog, but let a group of nude walkers continue. On hot days the trailhead’s parking lot fills quickly, so come early — by 9:30 a.m., according to Steve, of Newark, who used the trail this June, or possibly as late as 10:30 a.m., reported by another June visitor, Addi, of El Cerrito.

Directions: Allow about an hour for the drive from San Francisco’s Golden Gate Bridge. From Stinson Beach, go north on Highway 1. Just north of Bolinas Lagoon, turn left on the often-unmarked exit to Bolinas. Follow the road as it curves along the lagoon and eventually ends at Olema-Bolinas Road. Continue along Olema-Bolinas Road to the stop sign at Mesa Road. Turn right on Mesa and drive four miles until it becomes a gravel road and ends at the Palomarin parking lot. Arrive as early as possible. Says Smith: “We once saw hundreds of cars.” A sign at the trailhead next to the lot will guide you down scenic Palomarin Trail to the lake. For directions to incredibly beautiful Alamere Falls, 1.5 miles past Bass Lake, which empties onto a beach at the sea, please see “Elsewhere In Marin” in our online listings.

 

RED ROCK BEACH, STINSTON BEACH

RATING: A

The Bay Area’s most popular nude beach is in good shape this year. “It’s in great condition,” says frequent visitor Fred Jaggi. “Winter storms didn’t knock down the terraces (above the beach). And the sand is really nice this season.” Warmer than usual weather has been sending crowds of up to 100 persons to the picturesque cove, up from 80 last year, but about the same number as 2012. If you arrive too late in the day to find space on the sand, try visiting on a Monday to join a small group of regular visitors for what they call “Club Day.” If possible, bring a folding beach chair. Save about 10-15 minutes to take a moderately steep but three-to-five-foot-wide trail to the beach, which is usually kept in great shape by volunteers. Even so, the last few feet of the path may sometimes be a bit slippery.

Directions: Go north on Highway 1 from Mill Valley, following the signs to Stinson Beach. At the long line of mailboxes next to the Muir Beach cutoff point, start checking your odometer. Look for a dirt lot full of cars to the left (west) of the highway 5.6 miles north of Muir and a smaller one on east side of the road. The lots are at milepost 11.3, one mile south of Stinson Beach. Limited parking is also available 150 yards to the south on the west side of Highway 1. Or from Mill Valley, take the West Marin/Bolinas Stage toward Stinson Beach and Bolinas. Get off at the intersection of Panoramic Highway and Highway 1. Then walk south 0.6 mile to the Red Rock lots. Take the path to the beach that starts near the Dumpster next to the main parking lot.

 

MUIR NUDE BEACH, MUIR BEACH

RATING: A

After being closed to the public most of last summer and fall, Muir Beach has reopened with improvements galore, including a relocated parking lot (it’s now parallel with the beach road, called Pacific Way), new restrooms, and a new, 400-foot long walkway to the sand. Most important of all, access to the gorgeous, clothing-optional cove just north of the main beach has also been reopened. “The walk takes a little longer,” says recent visitor Michael Velkoff, of Lucas Valley. “But the beach was fine.” Known for its peace and quiet, Muir is a less social beach than nearby Red Rock. It’s also less crowded (even on warm summer days, you’re more apt to see 30-40 people instead of hundreds) and far easier to reach, without any trail to take or any poison oak to ruin your day: You park at the main Muir lot, walk north along the water, cross over some rocks (in very low tide, try to cross closer to the water), and you’re there. Women, in particular, seem to like the vibes of Muir, which attracts fewer gawkers — often none — than most sites.

Directions: From San Francisco, take Highway 1 north to Muir Beach, to milepost 5.7. Turn left on Pacific Way and park in the Muir lot (to avoid tickets, don’t park on Pacific, even if other vehicles are parked there). Or park on the street off Highway 1 across from Pacific and about 100 yards north. From the Muir lot, follow a path and boardwalk to the sand. Then walk north to a pile of rocks between the cliffs and the sea. You’ll need good hiking or walking shoes to cross; in very low tide, try to cross closer to the water. The nude area starts north of it.

 

RCA BEACH, BOLINAS

RATING: A

Are you looking for a place to restore your sanity and recharge you from the stress of everyday life? Then you may want to visit RCA Beach, which is never crowded and averages just 5-20 visitors per day. Plus they’re usually spread out along the milelong shoreline, which gives the site an almost deserted feeling. “It’s a quiet place,” says one regular user. “And most people there are nude.” The site is somewhat exposed, so some regulars usually look for sunbathing nooks that are a little protected from the wind or even build windbreaks from driftwood they find on the sand. There are two beach trails from which to pick: one that’s long and steep or a shorter path that’s less steep but crumbling and slippery.

Directions: From Stinson Beach, take Highway 1 (Shoreline Highway) north toward Calle Del Mar for 4.5 miles. Turn left onto Olema Bolinas Road and follow it 1.8 miles to Mesa Road in Bolinas. Turn right and stay on Mesa until you see cars parked past some old transmission towers. Park and walk 0.25 miles to the end of the pavement. Go left through the gap in the fence. The trail leads to a gravel road. Follow it until you see a path on your right, leading through a gate. Take it along the cliff top until it veers down to the beach. Or continue along Mesa until you come to a grove of eucalyptus trees. Enter through the gate here, then hike 0.5 miles through a cow pasture on a path that will also bring you through thick brush. The second route is slippery and eroding, but less steep. “It’s shorter, but toward the end there’s a rope for you to hold onto going down the cliff,” tells the veteran visitor.

 

LIMANTOUR BEACH, OLEMA

RATING: B

Want to know a secret about Point Reyes National Seashore? Rangers usually won’t issue citations for nude sunbathing unless you’re close to a clothed visitor or someone complains. “You shouldn’t rip your clothes off right after you’ve left your car and then walk nude through a picnic area on the way to the beach,” former Point Reyes district Ranger Marc Yeston told us. “Usually, nobody hassles you,” says Marin County resident Michael Velkoff. “I knew it was going to be hot, so I went to Limantour. It’s a really mellow place. I just love the open space.” The more than two miles of shoreline are perfect for walking, birding, or whale and seal-watching. Dogs are okay on the south end of the beach. Naturists suggest walking at least 10 minutes away from the parking lot and more than 300 feet away from fellow beachgoers before even considering disrobing. Others prefer the sand dunes on the north side.

Directions: From San Francisco, take Highway 101 north to the Sir Francis Drake Boulevard exit, then follow Sir Francis through San Anselmo and Lagunitas to Olema. At the intersection with Highway 1, turn right onto 1. Just north of Olema, go left on Bear Valley Road. A mile after the turnoff for the Bear Valley Visitor Center, turn left (at the Limantour Beach sign) on Limantour Road and follow it 11 miles to the parking lot at the end. Walk north a half-mile until you see some dunes about 50 yards east of the shore. Nudists usually prefer the valleys between the dunes for sunbathing.

 

MENDOCINO COUNTY

LILIES BEACH, MENDOCINO

RATING: A

If you’re visiting the town of Mendocino, a stopover at Lilies can be a real treat. Even with lower water than usual this year, the clothing-optional swimming hole here is simply delightful. “I like it because it keeps getting sunlight late into the day and has a nice gravel sand bar,” says Jeanne Coleman, education director of the Mendocino Woodlands Camp Association, which offers great group camping facilities just a few minutes from this Big River treasure. Best times to visit are summer or early fall. Even when it’s foggy in downtown Mendo, temperatures may be in the 80s at Lilies, where there’s usually a mix of men and women and up to 50 percent of them nude. “I often see people stop off who have been mountain biking,” adds Coleman.

Directions: Take Highway 1 north to Mendocino, then turn right on Little Lake Road, the first right turn past the main Mendocino turnoff sign. Drive four or five miles east on Little Lake until you see a sign for Mendocino Woodlands. Follow the dirt road that starts there for about three miles. When you see the Woodlands retreat, go right about 0.3 miles, until the dirt road ends next to Big River. Park just off the road, where you see other cars pulled over. Follow the trail that begins there a quarter mile to the beach. Or, to save 1.5 miles, from Mendocino drive 3.5 miles east on Little Lake until you spot a dirt road with a yellow Forest Service gate. Follow the road to a second yellow gate. Just past the gate, at the juncture of several roads, turn right and take the dirt road to the parking area. The walk from the Woodlands only takes about 20 minutes.

 

HUMBOLDT COUNTY

NORTH GARBERVILLE NUDE BEACH, GARBERVILLE

RATING: C

A nude beach where you can camp near a river or enjoy an afternoon of reading, tanning or swimming? Just five miles from Garberville, off Highway 101 at Exit 645 (Avenue Of The Giants), there’s a beach on the south fork of the Eel River that’s so secluded some visitors stay overnight. Its existence was kept secret by users until we unveiled directions to it in 2011. “It’s an awesome place,” says a recent visitor. “This sandy beach has become a local hangout.” “The beach is excellent for tents,” says reader Dave. “It’s really private and fun.” Nestled among some shade trees, the beach can’t be seen from the road. Some visitors bring tubes or floaties. The skinny-dipping hole measures about 100 feet across, with both deep and shallow swimming areas.

Directions: Go north on Highway 101. About five miles north of Garberville, take Exit 645 (Avenue Of The Giants), turn left, and head south a half mile on the river frontage road there to the spot mentioned below. Or from the north, take Highway 101 south to Exit 645. Take the exit to Hooker Creek Road and continue straight for about 100 feet, where you will see the frontage/service road. You can only go one way onto the service road. Follow it in front of the old Sylvandale Gardens store less than a half mile south along the river. Then park at the orange arrow on the pavement or where you see cars pulled over along the street. Look for a path there (recently marked by a rainbow streamer) and follow it as it curves to the right and takes you about 30 yards to the beach. Local nudies and campers tend to stay on the far right end of the beach.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Locals only: Outside Lands edition

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esilvers@sfbg.com

LEFT OF THE DIAL Can you smell it in the air? It’s that late-summer, chilled pinot grigio-tipsy, organic ice cream-sticky scent of Outside Lands, just around the corner.

Yes, it’s that time in our fair city’s annual trip around the sun when we get the chance to show Austin and Indio and those warm summer New York nights exactly what we here in San Francisco are made of when it comes to music festivals: Namely, expensive, gourmet food, wine, and beer stands, a commitment to slapping the word “green” in front of everything; and a beautiful, natural outdoor venue in which, should you forget to bring three extra layers in an oversized bag, you will absolutely freeze your ass off by nightfall.

All snark aside, one thing I’ve always appreciated about OSL in its six short summers is that, nestled amongst the sometimes overwhelmingly corporate feel of the thing — something that was maybe inevitable, as Another Planet Entertainment grew from little-promoter-offshoot-that-could into perhaps the most influential promotions company in the Bay Area music biz — is a commitment to bringing local bands along for the ride whenever possible.

Sure, everyone’s excited to see Kanye. I’m excited to see Kanye. Anyone who’s going to see Kanye and tries to say anything more intellectual about it than “I’m really fucking amused in advance and very excited to see Kanye” is lying. But nothing fills me with more hometown pride than watching a band I’ve been rooting for since they were playing living rooms or parklets take the stage in Golden Gate Park in front of thousands of paying, attentive potential new fans.

With that in mind, here’s your guide to a few of our favorite local folks representing the Bay Area at this year’s fest. Show up for ’em. In most cases, they’ve been working toward this for a long time. And if you don’t have the funds to make it to this year’s OSL? Lucky for us — unlike Kanye — these kids play around the Bay all year round.

Nicki Bluhm and the Gramblers

The unofficial queen of Bay Area alt-folk has had a good year since August 2013, when her band’s debut LP took to the airwaves and then to the national stage, with Bluhm’s killer vocals and long, tall mishmash of Stevie/Janis appeal at the helm. Fri/8 at 4pm, Sutro Stage

Tycho

SF’s own Scott Hansen has also been riding high this year, since the release of Awake in March propelled him from bedroom artist to something else entirely with its lush, ambitious landscapes of color and sound. We still think we prefer him in headphones to outdoor festival-style, but we’ll take it. Sat/9 at 3:40pm, Twin Peaks Stage

Mikal Cronin

If you don’t know his solo stuff (and you should; last year’s MCII was one of the best local records of the year), you probably know him as Ty Segall’s right-hand man. Either way, Cronin is one of the most authentic voices in the Bay Area’s indie scene right now, with just enough power-pop sweetness and strings coloring even his scratchiest garage-punk anthems. Fri/8 at 4:30pm, Panhandle Stage

Christopher Owens

Did you love Girls (the SF indie powerhouse, RIP, not the HBO show)? Of course you did. Did you love Christopher Owens’ solo debut, Lysandre? We did too. He’s giving us another one in September; now’s your chance for a sneak preview of some likely highly emotional and lushly orchestrated songs. Sat/9 at 2:30, Sutro Stage

Watsky

This 27-year-old rapper and SF University High School graduate has been gaining attention with his whiplash-inducing flow, which he honed in his teens as a slam poetry champion. His most recent album, June’s All You Can Do, is poised to take him from Internet and Ellen-famous to just famous-famous. Sun/10, 2pm, Twin Peaks Stage

Trails & Ways

Bossa nova dream pop, Brazilian shoegaze, whatever you call it: This Oakland quartet (and Bay Guardian Band on the Rise from 2012) draws inspiration from all over the globe for its undeniably catchy, never predictable, harmony-drenched melodies. Sat/9 at 12:40pm, Twin Peaks Stage

Beso Negro

“This is not your father’s gypsy jazz,” warns Beso Negro’s bio, which — while we’re pretty sure our dad doesn’t have a kind of gypsy jazz — does a pretty good job of explaining the modern sounds infused into this Fairfax five-piece’s musical vocabulary. Hell Brew Revue Stage, all three days, check the website for details

Tumbleweed Wanderers

As if we didn’t have a big enough soft spot for this East Bay alt-soul-folk outfit already, there’s the fact that they got their start busking outside of festivals for their first few years — including Outside Lands. Seeing them on the inside will be sweet. Sat/9 at noon, Sutro Stage

El Radio Fantastique

With horns, theremin, and just about every kind of percussion you can think of, this Point Reyes-based eight-piece is a mish-mash of everything dark and dancey and nerdy and weird, describing themselves as “part rumba band in purgatory, part cinematic chamber group, part shipwrecked serenade.” Serious cult following here. Hell Brew Revue Stage, all three days

Slim Jenkins

Sultry, jazzy, rootsy — we’re excited to see what this mainstay of “voodoo blues” nights at small rooms like Amnesia can do on a bigger stage. Hell Brew Revue Stage, all three days

Marty O’Reilly & the Old Soul Orchestra

O’Reilly, a singer-songwriter who’s clearly done his Delta roots, gospel, and traditional folk homework, played OSL last year — well before putting out a debut studio album, the aptly titled Pray For Rain, in March of this year. This is a three-piece with arrangements that make the band seem much bigger. Hell Brew Revue Stage, all three days

Rise up singing

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cheryl@sfbg.com

FILM A remarkably effective — and remarkably simple — form of music therapy pioneered by New York social worker Dan Cohen finds a strong advocate in filmmaker Michael Rossato-Bennett, whose documentary Alive Inside benefits greatly from its awesomely cinematic results. The doc sprang from a 2011 YouTube video, “Man In Nursing Home Reacts to Hearing Music from His Era,” a six-minute clip that went viral after a Reddit post. (It’s since garnered nearly 1.5 million views.)

The scene is a typically depressing nursing home, where an elderly man named Henry sits hunched over in a wheelchair. But once he’s given a pair of headphones and an iPod loaded with the gospel songs he used to love, he lights up. His eyes open wide. He boogies in his chair. He croons along at the top of his lungs. Even more incredibly, after the headphones are lifted, he’s able to converse with Rossato-Bennett, enthusing about Cab Calloway and his long-ago job as a “grocery boy.” In just seconds, the music he’d long forgotten seemingly zapped Henry with fresh life, enabling him to connect with his memories and express himself with surprising energy.

No wonder Rossato-Bennett, who filmed numerous examples of this phenomenon over the three years he followed Cohen, chose to make Alive Inside his first feature-length doc. Even though we know what to expect after seeing Henry’s reaction, the before-and-afters are intensely moving with every patient: the bipolar schizophrenic whose constant distress is alleviated, however briefly, by a spontaneous encounter with a funky tune; the man with dementia who sparks with his healthy wife, to her teary-eyed delight, as they listen to the Shirelles; the middle-aged woman whose frustration with her forgetfulness is soothed by a much-needed dose of the Beach Boys. And it’s not just the pleasure of hearing the music, Alive Inside suggests; it’s the regained sense of identity and emotion that music triggers in people whose memories have been essentially wiped clean.

Though the film could’ve probably sustained interest just based on these small yet monumental moments, Rossato-Bennett widens his focus to include neurology — Dr. Oliver Sacks explains how music is “a back door into the mind” for patients with Alzheimer’s and related diseases — and the history of American elder care, expanded upon by physicians and others who think the current system favors efficiency over nurturing. (It also struggles against a culture where youth is prized, and aging people are seen as something to be hidden away.) Care facilities emphasize regimented schedules, and most patients are overly medicated. As activist and geriatric medicine specialist Dr. Bill Thomas points out, the big bucks in health care are in pharmaceuticals. One social worker’s dream of distributing iPods filled with big band jams and other music tailored specifically to each patient is a fringe idea at best, no matter how effective it’s proven to be.

Alive Inside also investigates music’s primal powers, with Bobby “Don’t Worry, Be Happy” McFerrin and Musicians for World Harmony co-founder Samite Mulondo offering their expertise. More of an enigma is Cohen (Rossato-Bennett handles the occasionally over-sentimental narration), a lanky, soft-spoken man who cares deeply about the people he’s trying to help, even doing an awkward shuffle with a patient enjoying her first iPod experience. Cohen’s nonprofit, Music & Memory, came about as a result of his volunteer work in nursing homes, which he describes as a “life-changing experience.” Unfortunately, not everyone shares his point of view. We see him networking at a long-term care conference with some success, but he’s also shown pleading his case to facilities that refuse to accommodate him, and prodding deep-pocketed corporations that decline to donate.

Alive Inside‘s delighted chronicling of its own viral origins — Henry and his gospel awakening — caps the movie with a sense of hope that maybe The Kids can be bothered to care about The Olds, after all. One way to start: At screenings across America, including at San Francisco’s Opera Plaza, Cohen’s Music & Memory will have donation boxes to scoop up working iPods for its cause. *

 

ALIVE INSIDE opens Fri/8 in Bay Area theaters.

Alerts: August 6 – 12, 2014

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THURSDAY 7

 

The Harvey Milk LGBT Democratic Club’s 2014 Dinner and Gayla

City College of San Francisco’s Mission Campus, 1125 Valencia, SF. milkdinner.eventbrite.com. 6-9pm, $40 and up. Join the Harvey Milk LGBT Democratic Club to celebrate 38 years of progressive politics in San Francisco and proudly honor our City College champions. Honorees include Congresswoman Jackie Speier, City Attorney Dennis Herrera, City College Trustee Rafael Mandelman, Student Trustee Shanell Williams, Former President AFT 2121 Alisa Messer, and Keynote Speaker and Bayard Rustin Civil Rights Award Recipient CeCe McDonald. Enjoy dinner by City College culinary program graduates and celebrate a host of other Milk Club honorees.

 

Rally for Affordability

San Francisco City Hall, SF. 2-3:30pm. Youth Movement of Justice Organizing (aka YouthMOJO) is a youth program of the Chinese Progressive Association that collected over 800 pledge cards in support of a campaign to fight for the $15 minimum wage, and the anti-speculation tax. At this rally, members will share stories about their families’ struggles to live in San Francisco. Featuring guerilla theater performances, and more.

 

FRIDAY 8

 

Book Talk with Tony Serra

Book Passage, San Francisco Ferry Building #42, SF. 6pm, free. Tony Serra, a sometimes resident of Bolinas who’s been in the news recently for defending Raymond “Shrimp Boy” Chow against the federal government, will talk about his latest book, Tony Serra — The Green, Yellow and Purple Years in the Life of a Radical Lawyer, at an event sponsored by Marin’s Book Passage (at its San Francisco location). This work is billed as “a chromatic, metaphoric autobiography” of Serra’s defense of the Black Panthers, S.L.A., New World Liberation Front, Nuestra Familia, Earth First, Hells Angels, Mafia and Native Americans, intertwined with his anti-establishment ideology. “Forgive my romanticized and self-indulgent propositions in the forthcoming pages,” Serra says of the book. “Recall that such were written at Lompoc Federal Prison camp during my incarceration for U.S. tax resistance. … Mine is not a quest for accuracy. Mine is a flight into whimsy and caprice, a retrospective twinkle in the eyes of memory: In short, confinement escapism.”

 

SUNDAY 10

 

Bay Area Civil Liberties Coalition Meeting & Documentary Screening

First Unitarian Universalist Center Chapel, 1187 Franklin, SF. bayareacivilliberties.org. 6-9pm, free. This meeting of the Bay Area Civil Liberties Coalition includes a free screening of the documentary “The Internet’s Own Boy,” the story of “programming prodigy and information activist” and Reddit co-founder Aaron Swartz. There will also be an opportunity to join grassroots efforts against mass surveillance.