Richmond Archives — Page 6 of 22 — San Francisco Bay Guardian Archive 1966

Chevron hit by lawsuit and mass march on anniversary of refinery blaze

Sasha Cuttler And Mary Magee

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August 2, 2013

Almost exactly a year ago, an explosion and chemical fire at Chevron’s Richmond refinery sent a toxic plume of smoke billowing into the air. Visible for miles, the blaze sent 15,000 to the hospital with respiratory and other health problems.

On the eve of the anniversary of that disaster, Chevron faces mounting pressure from all sides as everyone from city officials to environmentalists continue to seek accountability.

On Aug. 2, Richmond city officials held a press conference to announce that the city is suing the multinational oil giant for damages related to the refinery fire. Richmond Mayor Gayle McLaughlin joined other officials and representatives from the firm Cotchett, Pitre & McCarthy in announcing the legal action, which was unanimously approved by City Council.

The complaint charges that Chevron’s failure to address safety issues at the plant is reflective of a deeper problem.

“In our view, the incident on Aug. 6, 2012 was not an isolated incident – it really is one that followed a period of dozens of prior incidents” of harmful chemical releases, attorney Frank Pitre told the Guardian. “These aren’t coincidences, they’re indicative of a problem of corporate culture at Chevron that ignores safety.”

Pitre added that the very year that Chevron’s refinery blaze occurred, it recorded record profits with the Securities and Exchange Commission exceeding $26 billion, and its top executives were paid around $100 million apiece. Additionally, the company recorded about $10 million in spending on political campaigns and lobbying. Meanwhile, Chevron’s spending on City Council races in Richmond alone hovers at around $1 million, according to local activists.

The lawyer refused to speculate on how much Richmond plans to seek in damages, but noted that the city had been impacted by factors like mounting an emergency response to the blaze as well as “intangibles,” like the effect the incident had on the comfortable use and enjoyment of public spaces. “You had people who had to run into their homes, as if they were imprisoned.”

Pitre also said that the suit aims to correct Chevron’s lax attitude toward safety, and to “send a very loud and clear message into the corporate board room that they have to change their behavior.”

That message is also coming from grassroots organizations.

On Saturday, Aug. 3 at 10 a.m., activists with a broad coalition of Bay Area environmental and labor organizations will converge in Richmond for a march and rally to call on Chevron to improve its safety practices.

The event, which is expected to draw quite a crowd, is part of 350.org’s national Summer Heat campaign, which seeks to foster climate change activism at the local level. The march will by led by Idle No More, an indigenous rights organization, and organizers have hinted that there will be some form of civil disobedience at the refinery.

Andres Soto, a Richmond organizer with the environmental justice organization Communities for a Better Environment, explained that the safety issues at the refinery stem from Chevron’s failure to address pipe corrosion, which is worsened by the practice of refining dirty crude oil with high sulfur content. Roughly 80 percent of the crude that is processed in Richmond originates in the Persian Gulf, Soto said, and contains high levels of sulfur.

Refining this type of crude oil can result in worse air pollution, and also makes it harder for the company to predict the degree of corrosion that will result from processing.

This graph is from a report issued by the Chemical Safety Board, showing the steadily increasing levels of sulfur content in the piping circuit that failed and caused the refinery blaze.

“The blast on Aug. 6, 2012 was caused by a failed carbon steel pipe,” Soto explained. A report issued by the federal Chemical and Safety Board contained urgent recommendations directing the company to use pipes that are more resistant to corrosion, Soto said, but not all of those recommendations have been implemented, even after the failed unit was brought back into service.

The safety board report went into great detail about just how bad things were allowed to get before the blast occurred. “The 52-inch component where the rupture occurred had experienced extreme thinning,” the safety board found. “The average wall thickness near the rupture location was approximately 40 percent thinner than a dime.” (A dime.)

Soto regards this level of deterioration as par for the course at Chevron. “It’s about a management culture that allows the equipment to fail,” he told the Guardian. “They’re just waiting until the pipes fail, and then they’re going to replace them.”

New generation of Guardian leadership seeks community partnership

Sasha Cuttler

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July 18, 2013

52

San Francisco Print Media Company has named Marke Bieschke as publisher and Steven T. Jones as editor of the San Francisco Bay Guardian, elevating two longtime Guardianistas into the top spots, guaranteeing them editorial autonomy, and letting them work with the community to chart its future.

As a first step in that process, the Guardian will hold a public forum on July 31 from 6-8pm in the LGBT Center, 1800 Market Street, to solicit input and discuss the Guardian’s unique role in the Bay Area’s political and journalistic landscape. Helping to coordinate the forum is Guardian writer Rebecca Bowe, who has accepted the position of news editor. The forum and subsequent discussions will form the basis for a strategic plan that will help guide the Guardian into a new era.

The newspaper’s future was uncertain a month ago following the abrupt departure of longtime Guardian Editor-Publisher Tim Redmond in a dispute with the owners over layoffs and the Guardian’s autonomy. The company’s Vice President of Editorial Operations Stephen Buel, who is also editor of the San Francisco Examiner, was named interim Guardian publisher and Bieschke its interim editor.

Heeding concerns in the community about whether the Guardian would remain an independent, progressive voice in San Francisco, Bieschke and Jones negotiated terms with SF Print Media Company CEO Todd Vogt that guarantee them full editorial control, the addition of three new advertising sales positions and another staff writer, and guaranteed minimum staffing levels during a rebuilding period.

Bieschke and Jones, who are in their early 40s and have been with the Guardian for around 10 years each, say they are excited for the opportunity to work collaboratively with Guardian staff and its community to rejuvenate the paper, attract new readers, and achieve economic sustainability.

“Losing Tim’s leadership was hard on all of us at the Guardian, and we struggled with what to do next. But ultimately, the Guardian plays such an important role in San Francisco — particularly now, at a pivotal moment for this gentrifying city and its progressive movement — that we wanted to find a way to keep that voice alive, maintain our credibility, and reach out to a new generation of Bay Area residents,” Jones said.

The San Francisco Bay Guardian was founded in 1966 by Jean Dibble and Bruce B. Brugmann, who continues to blog and serve as editor-at-large for the Guardian. The couple retired from regular duties when the financially troubled paper was sold to Canadian investors headed by Vogt in the spring of 2012, a deal engineered by Redmond, who is always welcome in the pages of the Guardian as he pursues a new media venture.

“I’m stoked to bring a different energy and openness to innovation to the Guardian, while respecting our legacy and strengthening our bonds with the progressive, alternative community,” Bieschke said. “Obviously, Steve Jones and I stand on the shoulders of giants, and we’re so grateful to our Guardian family, past and present, for blazing a trail for world class progressive journalism, arts and culture coverage, and community-building in the Bay Area. In that spirit, I’m eager to reconnect with our readers and partner with them to amplify the Guardian voice and continue to change the Bay Area for the better.”

Vogt said he’s excited by the prospects of new generation of Guardian leadership: “I’m happy about this. I think it’s appropriate that two recognized leaders in the progressive community are in charge of the Guardian and I look forward to seeing what they do with it.”

Bieschke joined the Bay Guardian in 2005 as culture editor, coming on staff after covering nightlife in his Super Ego column, and he was made managing editor in 2010. His background includes online editorial and management level positions at Citysearch and PlanetOut Partners, as well as managing a bookstore in the Inner Richmond.

“I’m also excited to help diversify San Francisco’s media environment by bringing two decades of queer Arab-American activist experience to the role,” Bieschke said.

Jones is a Northern California native who was hired as the Guardian’s city editor in 2003, coming from Sacramento News & Review, where he served as news editor. Before that, he was a full-time staff writer for two other alternative newsweeklies, two daily newspapers, and one community weekly, all in California, since graduating from Cal Poly-SLO with a journalism degree in 1991.

Years of cutbacks have distilled the Guardian newsroom down to just a few excellent journalists: senior editor Cheryl Eddy, who has shaped the paper’s film and arts coverage since 1999; Bowe, an award-winning investigative reporter who returned to the Guardian in January from a one-year stint with the Electronic Frontier Foundation; and Music Editor Emily Savage, who knows the beats of this city better than anyone; with Art Director Brooke Robertson leading the Guardian’s creative presentation.

“We all hope you’ll help us to guard San Francisco’s values, appreciating all of its best cultural, artistic, and culinary offerings in the process,” Jones said. “We love the San Francisco Bay Area, in all its messy urban glory, and we think it’s worth fighting for.”

Hey, grill

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July 8, 2013

1

culture@sfbg.com

TABLEHOPPER Let’s celebrate carbs at new (and expanded) bakeries, and dive into Sunday poolside barbecues and spiffy suppers.

CHOW NOW

You have a taste for Frenchie baked goods? Bon. Hightail it over to the French-inspired Le Marais Bakery (2066 Chestnut, SF. www.lemaraisbakery.com) in the Marina. This brand new place is legit: owner Patrick Ascaso is a Paris native, and the bakery is a tribute to the boulangeries he grew up with. (Some guys get all the luck.) You’ll find croissants and French-style levain breads fed daily with natural starter from boulanger Justin Brown, who previously worked at Bien Cuit and Roberta’s in Brooklyn. And since more is more, there’s also a separate pastry program helmed by Phil Ogiela, formerly at Aziza and Presidio Social Club, with desserts like gâteau Basque with cream and apricots, fresh fruit tarts, and madeleines. The place is as good looking as the treats on your plate: Paxton Gate is behind the très charmant design, complete with vintage baking trays functioning as cabinets, light fixtures made from Bundt pans, and a floor featuring tile from the north of France.

More bakery news: the fine folks at Cassava Bakery and Cafe (3519 Balboa, SF. www.cassavasf.com) have reopened — yay! — and it’s even bigger and better than before. They recently finished expanding into the space next door, which means more seating, new dinner hours, and an augmented menu. Have you been there yet? Trust, you should go. Chef Kristoffer Toliao and co-owner Yuka Ioroi are also assembling a wine and beer list, with vino- and vermouth-based cocktails. In the works? This lovable Outer Richmond cafe plans to add a Parisian café–inspired sidewalk patio with heaters and a windshield; wish them luck, or even better, visit the website to see how you can help ’em out.

Since we’re in the neighborhood: fans of the xiao long bao (soup dumplings) and more at Shanghai Dumpling King (3319 Balboa, SF, 415-387-2088) will be happy to know they have reopened after renovations. Mmmm, dumplings.

A couple solid local spots have expanded into second locations: Ramen Underground (22 Peace Plaza, Suite 530, SF. www.ramenunderground.org) on Kearny now has a place in Japantown, in the former Sanuki Udon. And you can now score kati rolls and more at the new Kasa Indian Eatery (1356 Polk, SF. www.kasaindian.com) that just opened on Polk Street, where the relatively short-lived Fourth Wave Coffee was.

BALLIN’ ON A BUDGET

Poolside BBQ. Has a nice ring to it, right? Well, the great minds at Chambers Eat + Drink (601 Eddy, SF. www.chambers-sf.com) and the Phoenix Hotel have launched a new Summer Sunday Series every Sunday from 1pm–6pm. You’ll be able to kick it poolside for brunch (which runs until 2:30pm) and tuck into some barbecue from 2pm–6pm. Chef Trevor Ogden’s varied menu includes classic Southern barbecue dishes like brisket, ribs, and pulled pork, plus grilled burgers, hot dogs, and yakitori skewers (prices range from $7–$12). Throw in some mellow beats and alfresco cocktails, and you’ve got yourself a groovy little scene. And check this: future DJs will include Mark Farina and Afrolicious. Sweet. All we need is a repeat of last weekend’s gorge weather and we’re in business.

YOU GOTTA EAT THIS

While dining at the city’s oh-so-fabulous Quince isn’t within everyone’s reach, the casual offshoot Cotogna (490 Pacific, SF. www.cotognasf.com) next door is certainly more affordable, and just as delicious. But unless you receive the weekly Cotogna newsletter, you may not know about its fab Sunday Suppers ($55 for four courses). The menu changes weekly, featuring ingredients at the height of seasonality. One late spring menu included an extraordinary green gazpacho made with avocado, butter lettuce, and Dungeness crab; fagotelli pasta (go ahead, make jokes) with zucchini and squash blossoms; buttermilk fried rabbit from Devil’s Gulch Ranch; and oven-roasted peaches and lemon verbena ice cream for dessert. Yeah, four courses of hell yes. If you see a menu that sounds good to you, hop to it. Even if you can’t get a reservation, you can probably score seats at the bar and communal table. Buon appetito!

Marcia Gagliardi is the founder of the weekly tablehopper e-column; subscribe for more at tablehopper.com. Get her app: Tablehopper’s Top Late-Night Eats. On Twitter: @tablehopper.

Religious leaders celebrate Supreme Court decision upholding marriage equality

Sasha Cuttler And Mary Magee

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June 26, 2013

61

Photos by Rebecca Bowe

While proponents of the now-unenforceable Proposition 8 might have pointed to scripture to justify opposition to same-sex marriage, a group of religious leaders from throughout the Bay Area came together this afternoon to celebrate an historic Supreme Court ruling upholding marriage equality.

Clergy from a variety of faiths including Christianity, Judaism, Islam, Buddhism and the Church of Latter Day Saints gathered on the steps of Grace Cathedral on San Francisco’s Nob Hill on June 26 for a buoyant press conference held in celebration of the Supreme Court’s decision to strike down Prop. 8 and the Defense of Marriage Act (DOMA).

“The lies of separate but equal have no place on this holy hill,” said the Rev. Marc Handley Andrus of Episcopal Bishop of California. “Gay marriage is marriage, gay parents are parents, and all people are people.”

“For 20 years I’ve been marrying gay and lesbian couples, because in the eyes of God, that love and commitment was real, even when it wasn’t in the eyes of the state,” said Rabbi Michael Lerner of the Beyt Tikkun Synagogue. “We as religious people have to apologize to the gay community,” he added, for religious texts that gave opponents of gay marriage ammunition to advance an agenda of discrimination.

He added that the take-home message of the long fight for marriage equality is, “don’t be ‘realistic.’ Thank God the gay community vigorously fought for the right to be married – because they were not ‘realistic,’ the reality changed. Do not limit your vision to what the politicians and the media tell you is possible.” Their message caught on, he said, because “The theme of love touched people who had stony hearts in other respects.”

Mitch Mayne’s presence was especially significant.“I am an openly gay, active Mormon,” he explained to the crowd. “I am an optimist. I think you have to be, to be a gay Mormon,” he added, eliciting some chuckling from the crowd. “As a gay man, and as a Mormon, I believe Prop. 8 was one of the most un-Christlike things we have ever done as a religion,” Mayne stated. But he said he’d witnessed an unexpected outcome as a result. “Out of this troubling time has come a mighty change in heart from inside the Mormon community, with greater tolerance than ever before,” he said, adding that many Mormons had marched in solidary with gay and lesbian couples.

Rev. Kamal Hassan, pastor of Sojourner Truth Presbyterian in Richmond, said, “I am glad that DOMA was struck down, because it did not defend marriage – it exclusivized it, and defended heterosexual privilege.” But Hassan, like many other clergy members who spoke, seized on the Supreme Court’s decision striking down part of the Voting Rights Act the day before its ruling on same-sex marriage as yet another civil rights cause that needed to be fought.

“The work is not finished – it continues until the rights of all people are protected and defended,” he said. Referencing the famous quote by Dr. Martin Luther King that the arc of history is long but bends toward justice, Hassan said, “We’ve got to be some arc drivers. We should not be as patient as we’ve been so far. We have to push in order for these things to move forward.”

Music Listings

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June 25, 2013

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WEDNESDAY 26

ROCK/BLUES/HIP-HOP

AM and Shawn Lee, Chicano Batman, Giggle Party Rickshaw Stop. 8pm, $15.

Austra, Bestial Mouth Independent. 8pm, $20.

“Blue Bear School of Music Band Showcases” Café Du Nord. 7:30pm, $12-$20.

Guido vs Greg Zema Johnny Foley’s Dueling Pianos. 10pm, free.

HowellDevine Biscuits and Blues. 8 and 10pm, $15.

Rock Bottom, Jiffy Marker, Pleasure Gallows Hemlock Tavern. 8:30pm, $7.

Terry Savastano Johnny Foley’s. 10pm, free.

Shinobu, Great Apes, Wild, Daikon Thee Parkside. 8pm, $8.

Spyrals, Deep Space, Disappearing People, Al Love, Max Pain Brick and Mortar Music Hall. 8pm, $7.

Colin Stetson, Justin Walker Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $13-$15.

Valleys, Weeknight, Tall Sheep Bottom of the Hill. 8:30pm, $10.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley Burritt Room, 417 Stockton, SF; www.burrittavern.com. 6-9pm, free.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Darren Johnston Revolution Café. 8:30pm, free.

FOLK/WORLD/COUNTRY

Dominique Banuelos-Matz Rite Spot. 9pm, free.

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5.

Toast Inspectors Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

CODE Drum N Bass: Submorphics, Leory Pepper, Aphonic Monarch, 101 Sixth St, SF; (415) 335-6776. 9:30pm, $5.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Mark Pistel, Blk Rainbow and Crackwhore Elbo Room. 9pm, $7. BODYSHOCK night dedicated to Belgian New Beat and EBM.

THURSDAY 27

ROCK/BLUES/HIP-HOP

Mykki Blanco, matrixxman, Vin Sol, Stay Gold DJs Mezzanine. 9pm, $12-$15.

Bosnian Rainbows Great American Music Hall. 9pm, $17.

Dave Moreno and Friends Johnny Foley’s. 10pm, free.

New Diplomat, popscene DJs Rickshaw Stop. 9:30pm, $10.

Old Crow Medicine Show, Dale Watson Warfield. 8pm, $38.

Papi vs Jeff V Johnny Foley’s Dueling Pianos. 10pm, free.

Paper Route, HalfNoise, Via Coma Bottom of the Hill. 9pm, $12.

Permanent Collection, Courtneys, Crabapple Hemlock Tavern. 8:30pm, $7.

Johnny Vernazza Biscuits and Blues. 8 and 10pm, $16.

Warm Soda, Midnite Snaxxx, Primitive Hearts, Wild Ones Brick and Mortar Music Hall. 9pm, $8.

JAZZ/NEW MUSIC

Musical Art Quintet Yerba Buena Gardens Festival, Mission between Third and Fourth Streets, SF; www.ybgfestival.org. 12:30pm, free.

Shimmering Leaves Revolution Café. 8:30pm, free.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Karyn White Yoshi’s SF. 8pm, $39; 10pm, $29.

FOLK/WORLD/COUNTRY

Gigi Amos Tupelo, 1337 Grant, SF; www.tupelosf.com. 9pm.

Jascha Hoffman Rite Spot. 9pm, free.

Pa’lante! Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$8. With DJ Martin Perna, Vibrometers, DJ Jah Karma, and more.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Mods Vs Rockers Amnesia. 9pm, $5-$7.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto Sr. Saen, Santero, and Mr. E.

FRIDAY 28

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 10pm, free.

Defiance, Ohio, Japanther, Psilovision Bottom of the Hill. 9:30pm, $10.

Delta Wires Biscuits and Blues. 8 and 10pm, $20.

Iris Dement Great American Music Hall. 9pm, $30-$35.

Butch Whacks and the Glass Packs Bimbo’s. 8pm, $60.

Gram Rabbit, Steer the Stars DNA Lounge. 8:30pm, $12.

Mother Hips Independent. 9pm, $25.

Neon Neon, Seventeen Evergreen, Mohani Slim’s. 9pm, $16.

Richmond Sluts, Prima Donna, Cash for Gold Hemlock Tavern. 9:30pm, $8.

Stompin Riff Raffs from Japan Knockout. 7:30pm, $5. Teenage Dance Craze party.

Synthetic ID, Priests, Glitz, Manatee, Flesh Lights Thee Parkside. 9pm, $8.

Jeff V, Papi, Jason Marion Johnny Foley’s Dueling Pianos. 10pm, free.

Y La Bamba Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $12-$15.

JAZZ/NEW MUSIC

Jonathan Butler Yoshi’s SF. 8pm, $29; 10pm, $23.

Hammond Organ Soul Jazz, Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Wants and Want Nots Revolution Café. 9pm, free.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10.

Frisky Frolics Rite Spot. 9pm, free.

Elaine Ryan and Sebrina Barron Brainwash, 1122 Folsom, SF; www.brainwash.com. 8pm, free.

Secret Town Plough and Stars. 9pm.

Secret William Atlas Café. 8-10pm.

Sinister Dexter Tupelo, 1337 Grant, SF; www.tupelosf.com. 9pm.

Tall Sheep Grant and Green Saloon. 9:45pm, $5.

DANCE CLUBS

Drag Yourself to Pride Rickshaw Stop. 9:30pm, $5-$10.

Hella Gay Dance Party Brick and Mortar Music Hall. 9pm, $5. With GSTAR, DJ Black, Anu Jewn Ra, Balthazar.

Light House Café Du Nord. 10pm, $8. With DJs Warm Leatherette residents Justin, Jason P., Dreamweapon, and more.

Original Plumbing Elbo Room. 10pm, $10. Trans March After Party hosted by Rocco Katastrophe, Amos Mac, and more.

Paris Dakar Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5.

Trap and Bass DNA Lounge. 9pm, $20. With Alex Young, D Menis, Akuma.

SATURDAY 29

ROCK/BLUES/HIP-HOP

Adios Amigo Milk Bar, 1840 Haight, SF; www.milksf.com. 8pm.

Baths, Houses, D33J Great American Music Hall. 9pm, $16-$19.

Mark Bettencourt and the Aftermath Band Johnny Foley’s. 10pm, free.

Diego’s Umbrella, Super Adventure Club, izzy*wise Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $20-$25.

Flo, Dakila, Funkanauts Slim’s. 8pm, $14.

David J, Adrian H and the Wounds, Spiral Electric, Black Market Sunday Hemlock Tavern. 8:30pm, $15.

Low Riders Riptide Tavern. 9pm, free.

Mother Hips Independent. 9pm, $25.

Papi, Jason Marion, Jeff V Johnny Foley’s Dueling Pianos. 10pm, free.

Phenomenauts, Fracas, Go Time!, Bodice Rippers, Vans, Blank Spots Knockout. 5pm, $10 sliding scale. Benefit for Michael Scanland.

Royal Teeth, Colourist, Feral Fauna Bottom of the Hill. 9:30pm, $12.

Scorpios, Joey Cape, Jon Snodgrass, Travis Hayes Thee Parkside. 9pm, $8.

Juliet Strong, Mano Cherga, Fanfare Zambaleta Amnesia. 9pm, $8-$10.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $24.

Butch Whacks and the Glass Packs Bimbo’s. 8pm, $60.

White Barons, Wild Eyes SF Bender’s, 806 South Van Ness, SF; www.bendersbar.com. 9pm, $5.

Wildcat! Wildcat!, In the Valley Below, Maus Haus Brick and Mortar Music Hall. 9pm, $12.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Jonathan Butler Yoshi’s SF. 8 and 10pm, $29.

Hammond Organ Soul Jazz, Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

I’m Ensemble Revolution Café. 9pm, free.

North Beach Brass Band Tupelo, 1337 Grant, SF; www.tupelosf.com. 9pm.

FOLK/WORLD/COUNTRY

General Plough and Stars. 9pm.

Diana Gordon Emerald Tablet, 80 Fresno, SF; emtab.org. 7pm, $10.

“Hillbilly Hootenanny” Thee Parkside. 2pm, $8. With Rik Elswitt, Misisipi Mike, Pam Brandon, Toshio Hirano.

Mr. Lucky and the Cocktail Party Rite Spot. 9pm, free.

DANCE CLUBS

Bootie SF: Lady Gaga vs Madonna DNA Lounge. 9pm, $20. With A Plus D, Smash-Up Derby, Dada.

Cockblock’s Seventh Annual Dyke March After-Party Rickshaw Stop. 9pm, $12-$20.

Leroy Burgess Elbo Room. 9:30pm, $25. Sweater Funk anniversary.

EDEN Pride Signature Party Mezzanine. 9pm, $25-$35.

Paris Dakar Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5.

Pink Saturday Café Du Nord. 11:30pm, $10-$12. With Believe, DJ Heklina, Hostess Lady Bear, and more.

WE Party: Vogue Regency Center, 1300 Van Ness, SF; www.masterbeat.com. 9pm.

SUNDAY 30

ROCK/BLUES/HIP-HOP

Deltron 3030 Sigmund Stern Grove, 19th Avenue and Sloat Boulevard, SF; www.sterngrove.org. 2pm, free.

Lloyd Gregory Band Biscuits and Blues. 7 and 9pm, $15.

Bambi Lake, Carletta Sue Kay, Heidi Alexander Amnesia. 9pm, $10.

Johnette Napolitano, Benjamin Woods Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $22-$25.

La Luz Hemlock Tavern. 8:30pm, $7.

Memories, Boom!, Pookie and the Poodles Thee Parkside. 8pm, $5.

Mat Mchugh and the Seperatista Soundsystem Independent. 8pm, $15.

Old Man Markley, Truckstop Honeymoon, Three Times Bad Bottom of the Hill. 4pm, $12.

Terry Savastano Johnny Foley’s. 10pm, free.

Shook Twins, Brad Brooks, Kate Kilbane Café Du Nord. 7:30pm, $10.

We Are / She Is 50 Mason Social House, SF; www.50masonsocialhouse.com. 8pm, $5.

JAZZ/NEW MUSIC

Howell Devine Revolution Café. 8:30pm, free.

Irie Love, CRSB Yoshi’s SF. 7pm, $20.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Michael Beach and Friends Rite Spot. 9pm, free.

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

John Sherry, Kyle Thayer, and friends Plough and Stars. 9pm.

Sweet Chariot, E Minor and the Dirty Diamonds Thee Parkside. 4pm, free.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Robert Rankin, Spliff Skankin.

Hard French Hearts Los Homos Roccapulco, 3140 Mission, SF; hardfrenchpride2013.eventbrite.com. 4-11pm, $20-$65. With THEESatisfaction, Magic Mouth.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 1

FOLK/WORLD/COUNTRY

Barren Vines Tupelo, 1337 Grant, SF; www.tupelosf.com. 9pm.

Front Country Amnesia. 9pm.

DANCE CLUBS

Bass is Great Elbo Room. 10pm, $5. With Milo, Megabusive, Gel Roc, and Open Mike Eagle.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. With Decay, Joe Radio, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more

TUESDAY 2

ROCK/BLUES/HIP-HOP

July Talk, Grounders Bottom of the Hill. 8pm, $15.

Lloyd Family Players, Fresh Juice Party, Chaos Revolution Theory Elbo Room. 9pm, $5.

Los Headaches, Indian Wars, Gravy Drops Hemlock Tavern. 8:30pm, $7.

Los Vincent Black Shadows, Little Thin Dimes, Copper Gamins, Born Petrified Knockout. 9:30pm, $7.

Pure Bathing Culture, Cocktails, Cannons and Clouds, CoolGreg Brick and Mortar Music Hall. 9pm, free.

Kyle Rowland Biscuits and Blues. 8 and 10pm, $15.

JAZZ/NEW MUSIC

Terry Disley Burritt Room, 417 Stockton, SF; www.burrittavern.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Canzoniere Grecanico Salentino Café Du Nord. 8pm, $10.

Underground Nomas Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5.

Tablehopping

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June 19, 2013

0

CHOW NOW

There are a couple new spots to rock your sweet tooth — or grill, depending on how many teeth we’re talking about — starting with the brick-and-mortar Mission location of the Crème Brûlée Cart (3338 24th St., SF. www.cremebruleecart.com) that just opened by the 24th Street BART station. Yup, you can dive into a traditional crème brûlée (torched to order) or go new school with rotating flavors like the Tupac (with Champagne, cranberries, and pecans), plus other topping options. Also: pinball (fun), housemade drinks, and take-home dessert sauces in case you wanna get freaky with your honey. Hours for now are Wed–Thu and Sun 2pm–10pm and Fri–Sat 12pm–12am (closed Mon–Tue).

If you’re in the Richmond, you’re going to want to swing by the brand-new Heartbaker (1408 Clement, SF. www.theheartbaker.com) from Sybil Johnson. The name may sound sweet, but the look is definitely edgy, with creepy-cool large-format photographs by Merkley??? of Heartbaker pals wearing masks covered in cream puffs and other edible items. Whether you want to grab a baguette sandwich before heading the park, hang out at the marble bar over some baked goods and coffee, or sit down for a salad and dessert (uh huh), this place has you covered. There’s also beer and wine, how civilized. Hours are Tue–Wed 7am–10pm, Thu–Sat 7am–11pm, Sun 8am–10pm, closed Mon.

Let’s talk brunch, shall we? If you dig chicken and waffles, Soul Groove (422 Larkin SF. www.chickenandwafflesandwich.com) is now busting out a Southern-fried brunch on the weekend. Whatever damage you did Saturday night, I imagine a fried chicken–waffle sandwich, an eggs Benedict made with a waffle, or Bourbon Street waffles (banana cake waffles with praline butter, bourbon-maple syrup, and vanilla bean whipped cream) will help fix things. And since more is more, brunch also includes DJs spinning records from the Motown on Monday crew and Today’s Future Sound. If you’re a night owl, there are also late-night takeout hours, until 3am on Thu–Sat. Hours are Sun–Wed 10am–3pm and 5pm–10pm, Thu–Sat 10am–3pm and 5pm–11pm; takeout only 11pm–3am.

For a little bit of Mexico City sabór, there’s a new pop-up called Loqui (3609 18th St. SF. www.eatloqui.com) on Friday and Saturday nights from Tartine baker Cameron Wallace and Mexico City native Ari Ampudia. Think street food like mesquite-grilled carne asada tacos on handmade flour and corn tortillas, and pelonas (sandwiches) stuffed with birria, and other antojitos. Fri–Sat 7:30pm until they sell out (11pm or so).

BALLIN’ ON A BUDGET

If you dig barbecue, you’ll want to check out this upcoming pop-up on Tue/25, S&S Pop-Up from chefs Sarah Burchard and Spencer O’Meara, because these two know their way around some meats. They’ll be doing a Latin American night, with happy hour small bites (at 6pm) and dinner kicks in at 7pm with build-you-own barbacoa (goat) tacos, ceviche, feijoada, fried plantains, and three kinds of dessert. At Mission Rock Resort, 817 Terry A. Francois Blvd, SF. Tickets are $42 (not including drinks and gratuity): ss-shack.ticketleap.com.

YOU GOTTA EAT THIS

There’s fried rice, and then there’s the fried rice at Ramen Shop in Rockridge (5812 College, Oak. www.ramenshop.com). No rubbery pieces of egg in this bowl of bodaciousness: one night it came packed with plump oysters, squid, and little bites of chashu pork, plus wild nettles, cilantro, and a special, secret sauce: Siew’s spicy shrimp-chile paste (which gives it just enough vroom). The crisp texture, quality ingredients, and mad flavor make this bowl a steal for $12. Bonus: Ramen Shop is only a couple blocks from the Rockridge BART.

Marcia Gagliardi is the founder of the weekly tablehopper e-column; subscribe for more at www.tablehopper.com. Get her app: Tablehopper’s Top Late-Night Eats. On Twitter: @tablehopper.

Stage listings

Andrew Lam

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June 11, 2013

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Opens Sat/15, 8pm. Runs Sat, 8:30pm; Sun, 7pm. Through Aug 25. Solo performer Don Reed returns with a prequel to his autobiographical coming-of-age hits, East 14th and The Kipling Hotel.

Darling, A New Musical Children’s Creativity Museum, 221 Fourth St, SF; www.act-sf.org. $20. Opens Fri/14, 7:30pm. Runs Wed-Sat, 7:30pm (also Sat, 2pm); Sun, 2pm. Through June 29. American Conservatory Theater’s Young Conservatory performs Ryan Scott Oliver and Brett Ryback’s jazz-age musical.

BAY AREA

This Is How It Goes Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Previews Fri/14-Sat/15 and June 19, 8pm; Sun/16, 2pm; Tue/18, 7pm. Opens June 20, 8pm. Runs Tue and Sun, 7pm (also Sun, 2pm); Wed-Sat, 8pm. Through July 21. Aurora Theatre Company performs the Bay Area premiere of Neil LaBute’s edgy comedy about an interracial couple.

ONGOING

Arcadia ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-95. Wed/12-Sat/15, 8pm (also Sat/15, 2pm); Sun/16, 2pm. In Tom Stoppard’s now 20-year-old master work Arcadia, sex and science, and poetry and pastoralism crowd the otherwise uncluttered stage (designed by Douglas W. Schmidt), as two sets of characters separated by 200 years demonstrate themselves to be far more connected then even their immediate descendents suspect. As two modern academics (Gretchen Egolf and Andy Murray) vie over the contents of a country estate library in order to verify their own pet theories about the past occupants — including, briefly, Lord Byron — a 19th-century intellectual prodigy (Rebekah Brockman) discovers the principles of chaos theory more than a hundred years ahead of her time, impressing her raffish tutor (Jack Cutmore-Scott) while the rest of the household busies itself with the mundane intrigues that better typify their aristocratic caste. Although at times the pacing of the nearly three-hour play feels sluggish, the slow unfurling of key plot points and character reveals suits the intricacies of the text, while still allowing for much of Stoppard’s wry humor to shine, if not crackle, through the layers. The delightfully antagonistic chemistry between Egolf and Murray, and the more delicately cerebral connection between Brockman and Cutmore-Scott alone make this a production worth seeing, to say nothing of the rigorous crash course in Latin, landscaping, physics, and Romanticism. (Gluckstern)

Birds of a Feather New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 29. New Conservatory Theatre Center performs the San Francisco premiere of Marc Acito’s tale inspired by two gay penguins at the Central Park Zoo.

Black Watch Drill Court, Armory Community Center, 333 14th St, SF; www.act-sf.org. $100. Wed/12-Sat/15, 8pm (also Wed/12 and Sat/15, 2pm); Sun/16, 2pm. American Conservatory Theater presents the National Theatre of Scotland’s internationally acclaimed performance about Scottish soldiers serving in Iraq.

The Divine Sister New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Fri-Sat, 8pm; Sun, 2pm. Through June 29. Charles Busch’s latest comedy pays tribute to Hollywood films involving nuns.

Drunk Enough to Say I Love You? Costume Shop, 1117 Market, SF; www.therhino.org. $15-30. Wed/12-Sat/15, 8pm; Sun/16, 3pm. Theatre Rhinoceros performs Caryl Churchill’s play that asks, “Do countries really behave like gay men?” Included in the program are two one-act plays: Churchill’s Seven Jewish Children: A Play for Gaza and Deborah S. Margolin’s Seven Palestinian Children.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

410[GONE] Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Wed-Sat, 8pm. Through June 29. Crowded Fire Theater presents the world premiere of Frances Ya-Chu Cowhig’s fanciful, Chinese folklore-inspired look at the underworld.

Frisco Fred’s Magic and More Alcove Theater, 414 Mason, Ste 502, SF; www.thealcovetheater.com. $35-50. Thu-Sat, 7pm. Through June 29. Performer Fred Anderson presents his latest family-friendly show, complete with magic, juggling, and “crazy stunts.”

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Into the Woods Eureka Theatre, 215 Jackson, SF; www.rayoflighttheatre.com. $25-36. Thu-Sat, 8pm (check website for matinee schedule). Through June 29. Ray of Light Theatre performs Stephen Sondheim’s fairy-tale mash-up.

Krispy Kritters in the Scarlett Night Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. $10-50. Extended run: Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through June 23. For patrons of last year’s production of Annie Elias’ documentary theater piece Tenderloin, walking into Cutting Ball’s take on Andrew Saito’s Krispy Kritters in the Scarlett Night brings about a slight sensation of déjà vu. It’s not so much that the cast actually resembles that of Tenderloin (save the familiar face of Cutting Ball associate artist David Sinaiko), but there’s a similar atmosphere of decay and powerlessness that roils beneath a surface of surrealistic flash. Framed by Michael Locher’s versatile, split-level set, clad in Meg Neville’s savvy costumes, the trampled-upon characters hurl poetic invective around the stage, delight in fish heads and petrified gerbils, plot to torture, seduce, and murder, and form clumsy, temporary alliances in order to accomplish the above. David Sinaiko’s crass, legless patriarch Pap Pap and Marjorie Crump-Shears’ deceptively fragile-looking brothel proprietor Gran Ma Ma preside over the inexorable decline of their insular households while their immediate kin, the cheerfully morbid Drumhead (Wiley Naman Strasser) and the irresistible temptress, Scarlett (Felicia Benefield), desperately seek to break free of their overbearing elders and the stifling routines that chain them to their circumstances. Much like the fish heads beloved by the characters as food, the play isn’t easy to digest, and there are gaps left in the narrative that even heavy abstraction can’t explain away, but Saito’s topsy-turvy world is nonetheless one worth visiting, and inaugurates his three-year playwriting residency at Cutting Ball with a weird and wonderful flourish. (Gluckstern)

Oleanna Exit’s Studio Theater, 156 Eddy, SF; www.theexit.org. $18-25. Fri/14-Sat/15, 8pm (also Sat/15, 2pm); Sun/16, 4pm. True to the mission implied in its name, Spare Stage offers dramatic purity en lieu of flashy stage concepts in this beautifully calibrated, consistently stimulating production of David Mamet’s 1992 two-hander, about a university professor (Aaron Murphy) and the female undergrad (Frannie Morrison) who accuses him of sexual misconduct. The action takes place exclusively inside the small office where John, on the verge of gaining tenure and simultaneously closing a deal on a new house, meets with his failing student Carol, a young woman who, ironically enough, seems lost by the concepts her professor deploys in his lectures on the social underpinnings of higher education (insights he recycles from his recently minted book, which is naturally the assigned reading). What begins as a condescending tutorial by the distracted prof soon turns into a vaguely prurient extracurricular exercise and, then, a table-turning power struggle as the initially introverted and stumbling Frannie returns with serious and highly articulate charges of impropriety throwing John’s tenure and world into jeopardy. Now it’s his turn to try to explain and justify himself. The power struggle throughout is grippingly played by the remarkably potent team of Murphy and Morrison, who, under the shrewd direction of Stephen Drewes, lock into a dynamic battle of wills where minute changes in posture can say as much about the cloaked, institutionalized nature of power as anything in Mamet’s precise and heightened dialogue. (Avila)

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. Update: new episodes began May 15. (Avila)

Steve Seabrook: Better Than You Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Thu, 8pm; Sat, 8:30pm. Extended through June 29. Self-awareness, self-actualization, self-aggrandizement — for these things we turn to the professionals: the self-empowerment coaches, the self-help authors and motivational speakers. What’s the good of having a “self” unless someone shows you how to use it? Writer-performer Kurt Bodden’s Steve Seabrook wants to sell you on a better you, but his “Better Than You” weekend seminar (and tie-in book series, assorted CDs, and other paraphernalia) belies a certain divided loyalty in its own self-flattering title. The bitter fruit of the personal growth industry may sound overly ripe for the picking, but Bodden’s deftly executed “seminar” and its behind-the-scenes reveals, directed by Mark Kenward, explore the terrain with panache, cool wit, and shrewd characterization. As both writer and performer, Bodden keeps his Steve Seabrook just this side of overly sensational or maudlin, a believable figure, finally, whose all-too-ordinary life ends up something of a modest model of its own. (Avila)

Sylvia Fort Mason Theater, Fort Mason Center, Bldg C, Rm 300, Marina at Laguna, SF; sylvia.brownpapertickets.com. $20-45. Thu-Sat, 8pm; Sun, 7pm. Through June 30. Independent Cabaret Productions and Shakespeare at Stinton present AR Gurney’s midlife-crisis comedy.

Talk Radio Actors Theatre of San Francisco, 855 Bush, SF; www.actorstheatresf.org. $26-38. Wed/12-Sat/15, 8pm. Actors Theatre of San Francisco performs Eric Bogosian’s breakthrough 1987 drama.

Tinsel Tarts in a Hot Coma: The Next Cockettes Musical Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $30-35. Thu-Sat, 8pm. Extended through June 29. Thrillpeddlers and director Russell Blackwood continue their Theatre of the Ridiculous series with this 1971 musical from San Francisco’s famed glitter-bearded acid queens, the Cockettes, revamped with a slew of new musical material by original member Scrumbly Koldewyn, and a freshly re-minted book co-written by Koldewyn and “Sweet Pam” Tent — both of whom join the large rotating cast of Thrillpeddler favorites alongside a third original Cockette, Rumi Missabu (playing diner waitress Brenda Breakfast like a deliciously unhinged scramble of Lucille Ball and Bette Davis). This is Thrillpeddlers’ third Cockettes revival, a winning streak that started with Pearls Over Shanghai. While not quite as frisky or imaginative as the production of Pearls, it easily charms with its fine songs, nifty routines, exquisite costumes, steady flashes of wit, less consistent flashes of flesh, and de rigueur irreverence. The plot may not be very easy to follow, but then, except perhaps for the bubbly accounting of the notorious New York flop of the same show 42 years ago by Tent (as poisoned-pen gossip columnist Vedda Viper), it hardly matters. (Avila)

Vital Signs: The Pulse of an American Nurse Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Sun/16, 7pm. Registered nurse Alison Whittaker returns to the Marsh with her behind-the-scenes show about working in a hospital.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-50. Sun, 11am. Through July 21. Louis “The Amazing Bubble Man” Pearl returns after a month-long hiatus with his popular, kid-friendly bubble show.

BAY AREA

The Beauty Queen of Leenane Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $36-52. Wed/12, 7:30pm; Thu/13-Sat/15, 8pm (also Sat/15, 2pm); Sun/16, 2 and 7pm. Martin McDonagh wrote a rash of plays in the mid-1990s (six in all) that have had worldwide traction ever since, though I suspect it’s due less to any thematic depth or aesthetic polish than to the cool charm of McDonagh’s gritty and hilariously broad riffs on rural Irish life — a scene the London-born playwright (now filmmaker) gleaned from a distance, during vacations to County Galway as a child, and which serves as a ready vessel for all the pettiness, naiveté, cruelty, extreme violence, and loneliness of contemporary life in general. Of course, there’s usually a little passing tenderness along the way. All of these traits are on display in The Beauty Queen of Leenane, the first of McDonagh’s plays to win production (in 1996) and accolades in the UK and on Broadway. Marin Theatre Company offers a well acted if muted production of this bleakly humorous little drama about the bottled-up home life of a 40-year-old spinster, Maureen (Beth Wilmurt), and her manipulative semi-invalid mother, Mag (Joy Carlin). The sadomasochism inherent in Maureen and Mag’s daily battle of wits and wills over the porridge and the pee in the sink comes to a cringing climax eventually, but most of the drama sustains itself on the passive aggressive dialogue along the way, with buoying interjections from dim and sniping neighbor Ray (an amusingly snarky Joseph Salazar) and his brother Pato (a winningly bemused yet gallant Rod Gnapp), the latter presenting himself as the unlikely knight who might rescue Maureen from her mirthless seclusion. Wilmurt’s shy and desperate, vaguely unhinged Maureen and Carlin’s unassumingly treacherous Mag, carried helplessly away by the logic of her dependency, are nicely wrought and affecting in director Mark Jackson’s careful staging. However, the violence is oddly muffled as played, as is the claustrophobia that should be almost unbearable in the unchanging setting of the women’s dingy kitchen. As is, on MTC’s large stage and designer Nina Ball’s open set (which does away with the walls and front door en lieu of a larger expanse of gray), the actors are rarely right up against each other and the tension and sense of visceral disgust is accordingly too dispersed. (Avila)

Bubbles for Grown-Ups Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Wed, 8pm. Through June 19. Louis “The Amazing Bubble Man” Pearl presents a show aimed at adults.

By & By Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-30. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through June 23. Shotgun Players presents a new sci-fi thriller by Lauren Gunderson.

Dear Elizabeth Berkeley Rep’s Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $24-77. Wed and Sun, 7pm (also Sun and July 3, 2pm); Thu-Sat, 8pm (also Sat and Thu/6, 2pm; no show July 4). Through July 7. Berkeley Rep performs Sarah Ruhl’s play written in the form of letters between Elizabeth Bishop and Robert Lowell.

George Gershwin Alone Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; www.berkeleyrep.org. $29-77. Tue and Thu-Sat, 8pm (also Sat, 2pm); Wed and Sun, 7pm (also Sun, 2pm). Through June 23. Hershey Felder stars in his celebration of the music and life of composer George Gershwin.

The Medea Hypothesis Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Thu-Sat, 8pm; Sun, 3pm. Through June 23. Medea is perhaps one of the most problematic tragic protagonists in theater history, as even the most flexibly sympathetic viewpoint is severely challenged when faced with a filicidal mother. But at Central Works, rather than just updating an old tale of bloody vengeance, The Medea Hypothesis further takes a page from the pop science book of the same name written by Peter Ward, in which he speculates on the latent suicidal and self-destructive tendencies of the planetary superorganism. As the brittle, middle-aged Em, Jan Zvaifler dominates the stage, holding herself and her glamorous career in fashion together as her husband leaves her for a woman with a “perfect neck” and her daughter Sweetie (Dakota Dry), who appears only as a video projection, becomes contested property in an angry custody battle. Relentlessly egged on by her Mephistophelian flunky Ian (Cory Censoprano), and enraged by the interference of her ex-husband’s prospective father-in-law (Joe Estlack), Em does lash out at the happy couple in the Euripides-approved manner (though with flunky-provided “Plutonium 210” instead of plain old poison) but when it comes to the expected act of ultimate violence playwright Marian Berges provides a surprising twist to the familiar Grecian formula, giving Em a shot at a redemption never allowed the Euripidean matriarch. It’s still undeniably a tragedy, but concurrently, also a triumph. Kind of like the continued presence of multicellular life on earth. (Gluckstern)

Wild With Happy TheatreWorks at the Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $23-73. Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 30. TheatreWorks presents the West Coast premiere of Colman Domingo’s new comedy, starring the playwright himself.

PERFORMANCE/DANCE

“Bitter Queen” Garage, 715 Bryant, SF; www.brownpapertickets.com. Fri/14-Sat/15, 8pm; Sun/16, 2pm. $15. The Garage’s AIRspace residency program and the National Queer Arts Festival present this physical theater installation and contemporary dance performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/16, June 22, 30, July 13, 21, and 27, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Dream Queens” Aunt Charlie’s Lounge, 133 Turk, SF; www.dreamqueensrevue.com. Wed/12, 9:30pm. Free. Drag with Collette LeGrande, Diva LaFever, Sophilya Leggz, and more.

“Laughs at the Lookout” Lookout, 3600 16th St, SF; www.lookoutsf.com. Thu/13, 10pm. $5. Stand-up with host Valerie Branch and guests Charlie Ballard, Eloisa Bravo, Ronn Vigh, Shanti Charan, and Justin Lucas.

“Love and Light” Joe Goode Annex, Project Artaud, 401 Alabama #150, SF; www.brownpapertickets.com. Thu/13-Fri/14, 7:30pm. $10-18. Leigh Fitzjames performs her solo play about a yoga teacher who has a one-night stand with a famous guru.

“ImShift” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/14-Sat/15, 8pm. $8-20. Victoria Mata’s performance investigates what identity means for a Latin American in the diaspora.

LEVYdance Heron Street, off 8th St between Folsom and Harrison, SF; www.levydance.org. Wed/13, 7pm (opening night celebration); Fri/14-Sun/16, 8:30pm. $20-200. “Spring Season at Home” features favorite works from the company’s first ten years, presented on custom-built outdoor stages and catwalks.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Mortified SF” DNA Lounge, 375 11th St, SF; www.getmortified.com. Fri/14, 7:30pm. $21. Outrageous and awkward true tales, told by those who lived them.

“ODC Dance presents Global Dance Passport Showcase” ODC Theater, 3153 17th St, SF; www.odctheater.org. Fri/14-Sat/15, 8pm (also Sat/15, 5:30pm). $10. A sampler of dance styles from around the world.

“Randy Roberts: Live!” Alcove Theater, 414 Mason, Ste 502, SF; www.thealcovetheater.com. Fri-Sat through June 29 and July 9, 16, and 23, 9pm. $30. The famed female impersonator takes on Cher, Better Midler, and other stars.

Red Hots Burlesque El Rio, 3158 Mission, SF; www.redhotsburlesque.com. Wed, 7:30-9pm. Ongoing. $5-10. Come for the burlesque show, stay for OMG! Karaoke starting at 8pm (no cover for karaoke).

“San Francisco Ethnic Dance Festival: Weekend Two” Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF; www.sfethnicdancefestival.org. Sat/15-Sun/16, 2pm (also Sat/15, 3pm). $18-58. With Colective Anqari, Chaksam-Pa, Parangal Dance Company, and more.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

Amara Tabor-Smith Various locations (starts at 32 Page), SF; www.dancersgroup.org. Sat/15 and June 21-23, 3:30-8:30pm. Free. Dancers’ Group’s ONSITE Series presents the performer’s site-specific work, He Moved Swiftly But Gently Down the Not Too Crowded Street: Ed Mock and Other True Tales in a City That Once Was…

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest.

“Yerba Buena Gardens Festival” Yerba Buena Gardens, Mission between 3rd and 4th Sts, SF; www.ybgfestival.org. Through Oct 15. Free. This week: Na Lei Hulu I Ke Wekiu (Sat/15, 1-2:30pm).

BAY AREA

“Bloomsday in Berkeley” Garden Gate Creative Center, 2911 Claremont, Berk; www.wildeirish.org. Sat/15, 7pm; Sun/16, 2pm. $25. Staged readings from James Joyce’s Ulysses and other works.

“Ojai North!” Zellerbach Hall, UC Berkeley, Bancroft at Telegraph, Berk; www.calperformances.org. Wed/12-Sat/15, times vary. $20-110. The Ojai Music Festival makes a NorCal visit with performances that include the world premiere of Mark Morris Dance Group’s Stravinsky/The Rite of Spring.

“Swearing in English: Tall Tales at Shotgun” Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. Mon/17, 8pm. $15. Shotgun Cabaret presents John Mercer in a series of three stranger-than-fiction dramatic readings.

“Te’s Harmony” El Cerrito Performing Arts Center, 540 Ashbury, El Cerrito; tesharmonyencore.eventbrite.com. Fri/14-Sat/15, 6-9pm. $8-45. Spoken word theater written and performed by Richmond youth.

Foggy holiday

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June 4, 2013

2

culture@sfbg.com

COCKTAILS Having worked in retail for the past five years, I’ve had Memorial Day off precisely zero times in the past half-decade. That means never enjoying the pleasure of spending the unofficial start of Summer barbecuing in the park, leisurely sipping ice cold beers with friends as the sun gets higher and the shorts get shorter. So when I got the email from the CEO of my new gig telling us all to go out and enjoy the holiday, I was delighted. That is until, in pure San Francisco fashion, the fog rolled in and all my visions of patios, grills, and parks misted over. What to do? My friend. Danielle and I didn’t take too long to figure it out: um, bar crawl.

We started at the Blarney Stone (5625 Geary, SF. (415) 386-9914) in the Outer Richmond. Along with some guys aching to watch a baseball game, I found myself waiting promptly at 2pm for the doors to open. Yes, that’s dedication. After taking my seat, Nathan behind the bar mixed me me a Paloma with freshly squeezed grapefruit juice, and I pulled out my book, waiting for my habitually late partner to arrive.

I’m a Blarney regular (I live a couple blocks away) and over the past four years of frequent Stoning, I’ve gotten to know the bartenders, who have gladly introduced me to some new spirits. And friendly fellow patrons have creatively helped me dodge uncomfortable encounters with any creepy visitors, all while enjoying said spirits. Can’t complain with that.

After several Palomas (at $7 each) and an Irish coffee (which was paid for by a gentleman who was probably a might too caffeinated by Irish coffees himself) — and after Danielle finally showed up — we hit the road and headed for Trick Dog (3010 20th St., SF. www.trickdogbar.com) in the Mission. I’ve been longing to hit up the Dog for some time now. If you’re a cocktail enthusiast, you already know why. Owned by Josh Harris and Scott Baird, otherwise known as swashbuckling bar-consulting duo the Bon Vivants, it’s been the hot spot ever since it opened this January.

Although all the seats were taken, we were lucky enough to be able to grab a standing spot by the window immediately after walking in. Danielle shifted through the cocktail menu made to look like a paint color swatch, while I ordered the mezcal-based Polar Bear ($11). Along with the mezcal, the Polar Bear is made with dry vermouth and Creme de Menthe. It’s a bit like a Glacier mint served up in a stemmed cocktail glass: minty and clear, instantly refreshing and smoky at the same time. I loved it. Danielle ordered the Straw Hat ($11), a Calvados (French apple brandy) drink with chestnut honey, hard cider, vermouth, rosemary, and lime served on the rocks, and I could tell in an instant she was into it. I moved on to a Baby Turtle: reposado tequila, Compari, cinnamon, grapefruit, and egg white (a weakness of mine in cocktails). It was frothy, pink, and lovely.

Blackbird (2124 Market, SF. www.blackbirdbar.com) at Church and Market, has been one of my favorite bars for a while now. Here’s hoping it remains popular but doesn’t get too crowded once the new tenants of all the condos being constructed on Market move in.

I love that the artwork inside changes as much as the drink menu (although I’m longing for the day the amazing Grape Drink returns). But nothing can beat the happy hour special. $5 sours? Yes, please.

Already floating a heavy buzz, we strolled in and easily sat at the bar. Whiskey sours would top off our night just right. Even better, more egg whites topped the yummy sours. I believe I had about three of these frothy treats before our Sidecar arrived to take us home.

After squeezing 10 drinks into six hours, I don’t remember much about the ride home (and I don’t dare look at my bank statement). But a Memorial Day filled with new drinks and new friends — cheers to that.

No security

Andrew Lam

-

June 4, 2013

3

rebeccab@sfbg.com

To qualify for his job as a security officer, Jerry Longoria had to obtain a license, undergo a background check, and take a drug test. He’s required to wear a suit to work. He’s stationed at a downtown San Francisco high rise that houses Deloitte, a multinational consulting, finance, and real-estate firm that reported $31.3 billion in revenues last year. His employer is Universal Protection Services, a nationwide security contractor with a slick online marketing pitch emphasizing that all guards are “electronically supervised around the clock,” and “kept accountable on the job through our 24-hour command center.”

If an intruder showed up at his office building brandishing a firearm, it would be Longoria’s problem; that’s the job. Nevertheless, he says he doesn’t earn enough to cover rent for an apartment in San Francisco. Instead, he stays in a single room occupancy hotel near Sixth and Mission streets, an area known for a high rate of violent crime. Walking home still wearing the suit makes him stand out on the street.

He’s lived in the 150-unit building, which has shared bathrooms and a shared basement-level kitchen, for 11 years. “It’s affordable for me, and it allows me to be closer to work,” he explains. He can’t afford a car, and says a public transit delay could prove disastrous if he relocated outside the city. “If you’re late to your post, you get fired.”

At press time, about 7,000 security officers throughout the Bay Area and Los Angeles were gearing up for a strike that could begin any day. Members of United Service Workers West, affiliated with Service Employees International Union, authorized their bargaining committee to call for the work stoppage because officers have been without a contract since the end of 2012.

The starting wage for a security officer is $14 an hour in the city, which comes to slightly more than $29,000 a year before taxes. In some places that would be sufficient to meet basic needs. In San Francisco, where the median market rate on rental units recently peaked above $3,000 a month, it doesn’t go very far. “With the cost of living here in San Francisco, $14 an hour is simply not enough to make ends meet,” Kevin O’Donnell, a USWW spokesperson, told us.

The security officers’ threats to strike coincided with a second worker action in the Bay Area last week. Despite lacking any form of union representation, Walmart associates from stores in Richmond, Fremont, and San Leandro affiliated with the nationwide organization OUR Walmart joined 100 employees from across the country in walking off the job and caravanning to Bentonville, Arkansas to raise awareness about their poverty-level wages and insufficient benefits at Walmart’s annual shareholders’ meeting. But first, they paid a visit to the Four Seasons in downtown San Francisco, which houses the 38th floor penthouse apartment of Yahoo CEO Marissa Mayer, a Walmart director.

Despite seeking full-time working opportunities and staying with the company for years, a handful of associates we interviewed said they can’t earn enough at Walmart to cover basic needs, so they rely on government assistance or help from extended family to make ends meet. Some said they had witnessed their coworkers get fired after participating in OUR Walmart activities.

Walmart associates in the Bay Area are in a considerably more precarious situation than the security officers, earning lower hourly wages. But in the pricey Bay Area, security officers, Walmart employees, and scores of other low-wage private sector workers all share something in common. Despite reporting to work every day and working long hours in many cases, they’re forced into impoverished conditions due to economic circumstances, while a middle-class existence remains far out of reach.

FIGHTING FOR STABILITY

ABM Security and Universal Protection Services are the largest employers in the private security contractor industry; in the Bay Area, the majority of guards are stationed at office buildings in downtown San Francisco. On May 30, Supervisors John Avalos, David Campos, David Chiu, Jane Kim and Scott Wiener all voiced support for the guards at a rally outside City Hall. “Better working conditions for security officers mean more stable, family-supporting jobs, less turnover, and more ability to handle challenges at work,” Avalos said.

Matt Roberts has been working as a security officer for years, and originally moved into his unit in a San Francisco SRO in a financial pinch. “I figured, I’ll get out of this rut eventually. And here I am, seven years later, still paying $1,000 a month for a space that’s really not much bigger than a walk-in closet,” he told us. Roberts was terminated recently, and believes it’s because he spoke up to his site director about workplace issues his fellow guards felt needed to be addressed.

In Roberts’ view, the situation he’s found himself in is reflective of the broader erosion of the middle class, which is particularly acute in an area with a soaring cost of living. He was born and raised in San Francisco’s Crocker Amazon district, with a father who worked as a firefighter and a mother who worked as a clerk typist at the Cow Palace.

“They were able to achieve the American dream,” he said. “They had a house, they paid their mortgage off in 25 years, they were able to send me and all my three siblings to good schools. I realized when I was still in my 20s that I’m probably going to be a renter the rest of my life. The American dream is totally eclipsing my generation.”

Keven Adams, a security officer of 23 years who lives in Oakland, also attended the City Hall rally on May 30. “We’re fighting for wages, health care, and stability in the workplace,” Adams said. “We’re in a city we love so very much, but the community and the middle class is shrinking.” Adams said he was once held at gunpoint for four hours during a work shift. He’d love to live in San Francisco, he said, but can’t afford it.

According to a June 3 media advisory, unions throughout the Bay Area were preparing to demonstrate support for the security officers as they geared up to strike. “The support could come in the form of workers attending rallies, non-violent civil disobedience or perhaps even non-security workers refusing to cross picket lines,” according to USWW, “and walking off their own jobs in solidarity.”

‘STAND UP, LIVE BETTER’

Among the small group of protesters who had assembled on the sidewalk far below Mayer’s San Francisco penthouse on May 29 were associates who had taken the drastic and unusual step of going on strike from Walmart — the nation’s largest private employer. Clad in bright green shirts and waving signs, they chanted, “stand up, live better,” a play on Walmart’s slogan, and also, “What do we want? Respect.”

Dominic Ware, who works part-time at a Walmart in San Leandro, led chants and sounded off on a megaphone about the need for greater respect in the workplace. Ware, who’s been involved with OUR Walmart activities on a national level, said he earns $8.65 an hour and stays with his grandmother, since his paycheck isn’t enough to cover rent. He estimated that roughly half his earnings go directly back to Wal-Mart, where he purchases groceries and other basic items. Asked what motivated him to strike, Ware mentioned his daughter, who turned eight on June 1. “What if she has to work there some day?”

He added that some elderly colleagues were experiencing problems such as being unable to get a shift changed so as to catch a bus home at the end of the night. Another one of his coworkers was let go after it became clear to management that he was participating in OUR Walmart activities, Ware said.

While only a tiny fraction of Walmart’s 1.4 million workers took action to strike, their campaign appears to resonate in high places. A report recently released by the Democratic staff of the U.S. House Committee on Education and the Workforce seized on Walmart’s low wages, emphasizing that so many of its workers are forced to turn to government assistance that it is resulting in a collective drag on taxpayers.

“Rising income inequality and wage stagnation threaten the future of America’s middle class,” the report notes. “While corporate profits break records, the share of national income going to workers’ wages has reached record lows. Walmart plays a leading role in this story. Its business model has long relied upon strictly controlled labor costs: low wages, inconsiderable benefits and aggressive avoidance of collective bargaining with its employees. As the largest private-sector employer in the U.S., Wal-Mart’s business model exerts considerable downward pressure on wages throughout the retail sector and the broader economy.”

On the Cheap listings

Andrew Lam

-

June 4, 2013

0

WEDNESDAY 5

SF Peace and Hope reading Sacred Grounds Café, 2095 Hayes, SF. www.sfpeaceandhope.com. 7pm open mic signup, 8:15 reading, free. Online poetry journal SF Peace and Hope takes its cues from 1960s idealism — if you’re feeling that flower vibe stop by its third anniversary open mic night.

“Radar Superstar” San Francisco Main Library, 100 Larkin, SF. www.sfpl.org. 6pm, free. To celebrate the progressive, queer-minded, reading series 10 years of life, the minds behind Radar have assembled crazy-like-a-fox performer Jibz “Dynasty Handbag” Cameron, founder of black gay theater posse Pomo Afro Homos Brian Freeman, Vice Magazine masculinity expert Thomas Paige McBee, and high femme performance artist Maryam Rostami.

THURSDAY 6

Etsy Craft Lab Museum of Craft and Design, 2569 Third St., SF. www.sfmcd.org. 7-9:30pm, $10. Rick Kitagawa makes his bread and butter at his SF print shop Lords of Print (not to mention with the zombie-printed ties he designs at www.monkeyandseal.com) — but today, he’s giving back and teaching the crowd. Attend his screen-printing workshop sponsored by Etsy today and walk with your very own poster.

Local Protest, Global Movements: Capital, Community, and State in San Francisco The Green Arcade, 1690 Market, SF. www.thegreenarcade.com. 7pm, free. Author Karl Beitel hashes out his new book on the battles against gentrification here in San Francisco.

FRIDAY 7

“Headspace” Krowswork, 480 23rd St., Oakl. www.krowswork.com. Through July 13. Opening reception: 6-9pm, free. “thru her eyes/there is love/in/lifes quiet things/as we take time/to recreate/our realities” Oakland photographer Sasha Kelley dreamy photo portraits show black life in the Bay with more style than you’ll see pretty much anywhere else. Check out her First Friday opening, where they’ll be paired with video and verse.

“Travesia: Journey of the Gray Whale” SF Zoo, 1 Zoo Road, SF. www.acs-sfbay.org. Mandatory RSVP at acs.sfbay@gmail.com. 5pm. Mexican whale lovers Proyecto Ballena Gris present on their mission to protect the habitats of the migratory gray whale, which travels up and down the West Coast. Tonight’s event is a companion to the “Travesia” exhibit that’ll be open at the SF Zoo’s Pachyderm Building tomorrow, Sat/8.

Temescal Art Hop Rise Above Gallery, 4770 Telegraph, Oakl. www.riseaboveoakland.com. 6-9pm, free. The Temescal neighborhood is joining the First Friday fray — pick up a “passport” from one of the participating 20 businesses and get them stamped at the neighbors to win raffle prizes.

SATURDAY 8

Bromeliad Society plant sale SF County Fair Building, Ninth Ave. and Lincoln, SF. www.sfbromeliad.org. Also Sun/9. 9am-5pm, free. Green thumbs and casual park strollers will both find something to love at this annual expo of cacti, succulents, and bromeliads. Pick up a Tillandsia airplant or an African aloe — you can find growths here starting at just $2.

“The Future is Electric: Plug in and Get There” San Francisco Main Library, 100 Larkin, SF. www.energycenter.org/cvrp-events. 10:30am-2pm, free. Learn how you can get up to $10,000 from the government towards buying a plug-in electric car, plus all the new infrastructure and programs that might make owning one easier to manage.

Urban farm tours Various locations in Albany, El Cerrito, Richmond, El Sobrante. www.iuhoakland.com. 11am-6pm, $5 per location. The Institute of Urban Homesteading wants you to realize the power of a plot when it comes to feeding your family. See how others are making urban farming work for them at this week’s farm tour day — register on the site and you’ll receive a map of locations where you can drop by and see rainwater collection systems, bee hives, veggie gardens, goats, and more.

“Head Over Heels” White Walls Gallery, 886 Geary, SF. www.whitewallssf.com. Through June 29. Opening reception: 7-11pm, free. Fragmented, weathered collages that take off from fashion photography don the walls at Greg Gossel’s new show at White Walls. Gossel hired a photog to snap the base images he hand-printed on these works, creating sexy, billboard-esque results.

SUNDAY 9

Sunday Streets Bayview and Dogpatch Third St. between Newcomb and 22nd St. and surrounding area, SF. www.sundaystreetssf.com. 11am-4pm, free. Cruise from AT&T Park to the Bayview Opera House on car-free streets courtesy of this recurring street festival. Bayview and Dogpatch’s edition will feature all the yoga, live tunes, and local business festivities Sunday Streets runners, bikers, skaters, and strollers have become accustomed to.

Habitot Children’s Museum LGBTQ family open house 2065 Kittredge, Berk. www.habitot.org. 10am-2pm, free. Kick off Pride month with your babies at Berkeley’s kid museum. Little ones can clamber around the museum’s fire truck, art studio, wind tunnel, and waterworks area — plus settle in for a LGBTQ-themed story hour.

MONDAY 10

Nancy Morejón 2969 Mission, SF. www.answersf.org. 7pm, $8-10 donation suggested. Cuban poet, daughter of one of Habana’s old colonial neighborhoods, and winner of her country’s National Literature Prize Morejón reads from her chronicles of Cuba’s capital and its residents.

Björk plays the part of stunning mad scientist at the Craneway Pavilion

Tony Robles

-

May 23, 2013

19

With purple lightning bolts of electricity jagging toward one another in a steel cage center-stage, powerful pipes that reverberated through the pavilion and rippled out onto the sea, and a fuzzy Snow Cone wig of every color — cherry red, orange, lime green — Björk seemed like the mad scientist of the natural world last night at the relatively intimate Craneway in Richmond, Calif.

She also thanked the audience often, ‘t-ank you, Bay Area, gggrrrratitude!” (she rolls her Rs beautifully) and offered up a 16-piece coven of sequined and hooded Icelandic choir princesses, so you can assume she’s the benevolent type of creator.

The vibe was weird to start, with most of the audience confused as to where to go, do we sit or stand, what is this place, will she come out before dark even though the whole place is encased by floor-to-ceiling windows? Will I cry when she appears? There were a few poofy pink or orange wigs dotting the crowd, and at least one swan costumed fella, who, also benevolent, took time to pose for photos with fans after the show.

The Craneway only holds 4,000 people, which still seems like a lot until you realize that when Björk’s Volta tour came through, it went to the Shoreline Amphitheatre in Mountain View, which holds 22,500. And with the stage in the dead center and the aforementioned ripply waters just outside the windows, it did feel like the smallest possible way to view Björk. “Did she just look directly at me?” It must have been thought dozens of times throughout the night during this Biophilia stop.

The show itself began auspiciously enough, with a young woman stepping out onto the stage to patiently ask the crowd to put away its cell phones and cameras, to live in the moment for the night. People cheered, as concert-goers are sick of the constant interruption at shows (or maybe I’m projecting). Most got the point — hello, we were about to be in the presence of a legendary elf and sonic genius, live in the now — but plenty decided to shirk the suggestion, just too giddy with social media attention. (Full disclosure: I posted a photo of the empty stage long before the show started, but still, I admit to that tugging need to let people know I was there, near her.)

At 9pm, a National Geographic documentary-style voice (actually British broadcaster David Attenborough, narrating Biophilia‘s intro) came over the loudspeaker and explained the night would be about “NATURE, MUSIC, AND TECHNOLOGY.” It also asked us to expand our minds, and a few other ideas that I missed due to excitement. Just listen to the album introduction, it’s all there.

http://www.youtube.com/watch?v=MvaEmPQnbWk

The cloaked Icelandic choir — all blonde, Viking-esque, and vaguely Kirsten Dunst-looking, wearing oversized smocks of glittery green or velvety amber-brown with large hoods — marched out and stood in a hunched and humble circle on the already circular stage and began chanting. A sea of impressive vocals rose with immediacy.

And then Björk rose up like a bewigged phoenix from the ashes, and lightly shuffled near the Tesla coils as they crackled with purple electricity inside a human-sized bird cage (technically, a Faraday shield). She later called the Tesla coils her “fun new toy.” The set began with “Oskasteinar,” then electrifying “Thunderbolt,” which teetered between grinding techno thanks to arpeggios timed to the coils and passionate love song, given Björk’s leaping vocals. This was followed by “Moon” (large moons floating and shifting on the circle of TV screens surrounding the stage) and “Chrystalline” (crystal gems dance across said screens). Most songs had a visual component on those screens, a natural element growing and twisting like a video game or early web screen-saver. The image of the earth’s mantle cracking open looked straight out of a biology book.

Björk and the hooded Kirsten Dunsts sang their way through most of Biophilia — the main star of this tour — but also revisited old favorites like “Hidden Place,” which was matched to a neat video of colorful starfish frolicking underwater, and incredibly sexy Vespertine hit “Pagan Poetry,” which burst out of Bjork’s mouth like fire, filling the room with warmth. That powerful “I love him/I love him/I love him/I love him” breakdown felt almost too personal in such a small place. But then the choir piped up with that tender backup “She loves him,” and it brought us all back to the present.

While she sang, Björk one-two shuffled around in platform glitter shoes and a glittery beige haute couture dress that looked like it was covered in 3-D alien breasts. She pushed her body forward and back. She shot her hands out and spread her fingers like she was casting spells to the beats. She pulled out the iPad to play during a handful of songs, and was also backed by a live drummer, a musician on “computers and shit,” and a truly epic harpist, also wearing a glittery oversized smock. Large pendulums swung to and fro just off the stage.

http://www.youtube.com/watch?v=oZmMTonROmU

Björk and the Dunsts left the stage after an hour, returning a few short minutes later with “Possibly Maybe” off 1995’s Post, “Nattura,” and finally, closing with Volta’s “Declare Independence.” For that last song, she asked that everyone stand (VIP area was seated) and sing-along, “Declare independence/Don’t let them do that to you” and everyone obliged, hoping to please their mad scientist master with repeated declarations of independence. Make your own flag, raise your flag higher, higher.

Set list:
1. “Oskasteinar”
2. “Thunderbolt”
3. “Moon”
4. “Crystalline”
5. “Hollow”
6. “Dark Matter”
7. “Hidden Place”
8. “Heirloom”
9. “Virus”
10. “Sacrifice”
11. “Generous Palmstroke”
12. “Pagan Poetry”
13. “Mutual Core”
14. “Cosmogony”
15. “Solstice”
Encore
16. “Possibly Maybe”
17. “Nattura”
18. “Declare Independence”

Björkphilia

Andrew Lam

-

May 21, 2013

0

MUSIC Can you even recall your first run-in with the mythic, boundary-less creature that is Björk? Perhaps it was bounding through the neon blue forest with tiny crystals underneath her eyes as a giant paper-mache bear chased her through Michel Gondry’s video for “Human Behaviour,” off 1993 solo album Debut. Or maybe it was poised for the tabloids in an elegant swan dress, holding a large egg purse and preening for the worst dressed lists at the ’01 Academy Awards after her devastating performance in Dancer in the Dark (2000). Those long obsessed will likely point to first hearing ’88’s “Birthday” by the Sugarcubes, her early Icelandic act (post teenage punk bands), on international radio.

Whenever — and however — it went down, it left a lasting impression, the stunning shock of that otherworldly voice tends to permeate memories. Solo, Bjork has long coupled that voice with innovation, always grasping at new objects and sounds, or as she described it to me in conversation, she’s “like a kid in a toy shop.”

Her latest triumph was Biophilia, the ’11 album that paired science, nature, iPads, Tesla coils, and tinkling church bells. Since its release, she’s hopped the planet with her sonic education in tow, spreading pixie dust and learning tools at schools and museums along the way. Next up, she’ll play a trio of shows at the Craneway Pavilion in Richmond (Wed/22, Sat/25, and Tue/28). Also during that time, her Biophilia Education Program comes to the Exploratorium, which means interactive workshops exploring connections between music and technology, Wed/22 through Tue/28.

In her unassuming but confident way — with the most endearing accent I’ve ever heard — the avant-pop megastar opened up to the SF Bay Guardian about her song writing process (yes, there’s a new project in the works), early punk career, natural musicology, and how to keep it all DIY:

SF Bay Guardian How did you initially come up with idea to include apps for every song on Biophillia?

Björk It started in 2008. I wanted to use touch screens…though the iPads weren’t out ’till 2010 or something. But I’d been using touch screens on my Volta tour, but more just to perform on stage. When I started doing Biophillia, I was very determined that I wanted to write with [touch screens], not just perform. That’s when I started to map out, to visualize. I had to decide, what did I want to hear on the touch screen when I’m writing this song. That sent me back to my own music education as a child, when I felt the way they explained scales and rhythms and those basic musicology themes, was way too academic. It was like reading a book to learn to dance.

Music is something that doesn’t work that well in the written word, you know? Especially not explaining to kids. So I started making my own map…this is how I would I like to have scales and this is how I would like to have chords and this is how I would like to have arpeggios and this is how I would like to have counterpoint, and so on. This project became naturally educational. I was kind of like, repairing my own education. I was trying to cover what I thought was lacking when I was in music school. In that way, I was able to share it.

We [created] a different program for each song. For example, one song would feature arpeggios, and then I would pick an actual element that would be the simplest way for a kid to understand what an arpeggio is, to visualize it. So we took a pendulum to explain counterpoint, a little bit like how church bells swing back and forth, and that’s like a bass line that swings.

I wrote 10 songs and we did different programs for each song, and it came together using natural elements. For example, one song is called is called “Crystalline” and there are crystals kind of growing as the song changes.

In 2010, when we were programming this and were kind of almost done, the iPad arrived, so we were like, ‘wow!’ It’d be silly just to record these songs and put them on a CD because we’d already written all these programs, we might as well share the programs, and put them with some more poetic, natural things — the moons, the tides, things like this. It was a very gradual thing.

SFBG And now it’s been brought in to educate children at schools throughout Iceland, but also there are related events where you’re touring, as well?

Björk It differs from city to city. So far it’s been in Manchester, Iceland, New York, Buenos Aires, and Paris, and now it’s going to be in California. Some places, like for example, New York Library and the Children’s Museum of Manhattan, took on the curriculum for a few months, and the middle school of Reykjavik, the 10 to 12-year-olds, they have it now in their curriculum for the next three years. It’s looking like it’s going to go to more countries. It sort of keeps growing.

SFBG It seems like you’ve long been ahead of the curve, as far as creating music with new technology, is that something you grew up with as well?

Björk I’m actually really bad with technology. I think that’s why I’m so excited about, for example, the touch screen, because it’s like I waited until technology caught up with me, for it to be simple enough. You have your imagination, and whatever helps you express yourself, I’m all for it, if it’s the violin or piano or singing. Or what has been really helpful for me, since I started doing my own solo albums, the computer has made me a lot more self-sufficient. I guess that comes from being in bands for 10 years, where things are more democratic. It was always drums and bass and keyboards and guitars in every single song [laughs], which is great. But then when I started doing my own album, I was like a kid in a toy shop, I wanted to have every single noise. And this is great, using the computers to do this yourself. It’s quite empowering, especially for a girl. You don’t have to go through this whole hierarchy of whatever, you can just be self-sufficient.

SFBG Some of your early groups were punk bands [Tappi Tíkarrass, and KUKL, which toured with Crass], I was wondering how you discovered punk as a teen, and ended up working with Crass?

Björk I was hanging out with kids that were older than me, like the other guy who used to sing in the Sugarcubes and another guy who was friends with Crass. They played our country, and then we would go and visit them at their farm [Dial House in Essex], and for me what was most important was that one of the bands that was on Crass’ label, a band called Flux of Pink Indians, had a bass player called Derek Birkett and he helped the Sugarcubes release their first album, just from his bedroom. And he’s my manager still today. So I’ve worked with him for like, 30 years now.

It’s pretty much DIY, especially now when the labels are not really functional like they used to be. It’s pretty much just three of us that do most of my stuff.

SFBG Do you have any other long-term goals with Biophillia, or are you working on your next project?

Björk I think I will be doing that on the side, but when it comes to writing my own stuff, I always like the first couple of years to be kind of mysterious. It’s important to play around in the dark, blind-folded, not really knowing what you’re doing. Biophillia was very much like that the first two years, it was very intuitive and impulsive and having no idea what would come out of it. And I’m at that stage with my next album. I really enjoy that. As much as it’s rewarding when [an album] first sees the daylight, I think I even enjoy more the first half of the process, when it’s all still a mystery.

SFBG Were you living in New York during the early playing stage of Biophillia? It seems to have a real connection to natural elements, and science, so I assumed you were in Iceland?

Björk I’ve been living half the year in New York and half in Iceland. I think Biophillia addresses my life in Iceland and the financial crises in a direct way because it’s sort of very DIY. And one of my first dreams was that Biophillia would be a music house and each room would be a song — eventually these rooms became the apps. But it might be that we would be able to go back and make a musical house in Iceland that would serves also as a children’s’ museum and we would use one of the buildings that got kind of half-built in the financial crises and create jobs that way.

But also Biophillia is also about urban areas, because you could stay connected with the moon through your iPad, or to nature and natural structures with your phone.

SFBG My time is almost up but may I ask a few of your favorite things? Like your favorite songs currently, or music that’s helping inspire you creatively now?

Björk At the moment I’ve been listening to the new James Blake album a lot. These things change all the time!

SFBG Favorite mythological story or creature?

Björk I like Icelandic mythology, there’s a lot of amazing tales there.

SFBG And a favorite tour snack?

Björk Um, I like berries.

SFBG Any kind in particular?

Björk Mmmm, no, I like all of them.

BJÖRK

Wed/22, Sat/25, Tue/28, 8:30pm, $75

Craneway Pavilion

1414 Harbour Way, Richmond

www.craneway.com

Promo: Win Tickets to see Bjork at Craneway Pavillion

Maria Poblet

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May 21, 2013

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Promo: Win Tickets to see Bjork at Craneway Pavillion

Win tickets to see Bjork on Wednesday, May 22 at the Craneway Pavillion in Richmond, CA.

Follow this link to enter!

Heads Up: 7 must-see concerts this week

Tony Robles

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May 20, 2013

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Bjork is coming! She’ll bring Biophilia’s ambitiously in-the-round and touch screen app-filled show to Richmond, Calif. this week. Plus, the educational component of that tour will make its way to the Exploratorium via a handful of science and sound experiments.

The sparkly avant-pop star is the major music news this week in the Bay, however there also is the annual (and reliably well-curated) SF Popfest, plus a bunch of other shows you should be checking out as well, like Japanese doom masters Boris, Swedish indie popsters the Shout Out Louds, the gritty B-side soul goodness of the Detroit Cobras, and local rock’n’roller Mikal Cronin — high on the release of a celebrated new solo album, MCII.

Here are your must-see Bay Area concerts this week/end:

Boris
The experimental Japanese drone legends are playing two shows at the Rickshaw Stop this week — only one of those is sold out (that would be Tuesday). At Wednesday’s show, Boris will perform the four song, 70-minute masterpiece/“cult classic” album Flood, in its entirety. The ‘00 sludge-rock album hovers between psychedelic and doomy in all the right ways.
With deafheaven
Wed/22, 8pm, $18
Rickshaw Stop
155 Fell, SF
www.rickshawstop.com
http://www.youtube.com/watch?v=CvCLhq8okxc

Mortar and Pestle
On its self-titled new full-length, Oakland’s Mortar and Pestle sounds something like a trippier Little Dragon. There are bouncy keyboard lines and scattered upbeat found-sound touches boosted by the lush and dreamy vocals of lead singer Janaysa Lambert. On first single “U.V” there’s even the familiar ping-ping-ping of a classic pinball game, forcing you to picture the full Mortar and Pestle set-up placed neatly between games in a 1980s arcade. The tropical synth-pop trio is also one of the first acts to see release on Metal Mother’s new label-collective, Post Primal, so you know it has her stamp of approval.
With the Visibles (Record Release), Great Spirits
Wed/22, 9pm, $8
Brick and Mortar
1710 Mission, SF
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=wqEGK6li2rE

Bjork
Can you even recall your first run-in with the mythic, boundary-less creature that is Björk? Perhaps it was bounding through the forest with crystals underneath her eyes as a giant paper-mache bear chased her through Michel Gondry’s video for “Human Behaviour,” off 1993 solo album Debut. Or maybe it was poised for the tabloids in an elegant swan dress, holding a large egg purse at the ’01 Academy Awards after her devastating performance in Dancer in the Dark (2000). Those long obsessed will likely point to first hearing ’88’s “Birthday” by the Sugarcubes, her early Icelandic act (post teenage punk bands), on international radio. Whenever — and however — it went down, it left a lasting impression, the stunning shock of that otherworldly voice tends to permeate memories. Solo, Bjork has long coupled that voice with innovation, always grasping at new objects and sounds, or as she described it to me in conversation, she’s “like a kid in a toy shop.”
Wed/22, Sat/25, Tue/28, 8:30pm, $75
Craneway Pavilion
1414 Harbour Way, Richmond
www.craneway.com
http://www.youtube.com/watch?v=MvaEmPQnbWk

Shout Out Louds
“My favorite songs by this Swedish pop group have clear antecedents in ’80s New Wave. With Our Ill WIlls (2007) opener “Tonight I Have To Leave It” singer Adam Olenius was a ringer for Robert Smith at his most ebullient (read: “Just Like Heaven”) and “Impossible” hit on the Human League and Simple Minds. It could be derivative, but with the Joy Division via Interpol meets the B-52s sound of “Glasgow” on its latest album Optica, the system the group has is working, particularly the sparkling production. Opening band Haerts seems a perfect match, as its slick debut single “Wings” sees the SOLs referent for referent, and adds in some Spandau Ballet and Stevie Nicks vocals to great effect.” — Ryan Prendiville
With Haerts
Wed/22, 8pm, $19
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.slimspresents.com
http://www.youtube.com/watch?v=4dXpmbZDnRk

The Detroit Cobras
“Some bands you’ll just never be able to judge by their album cover(s). Some bands just don’t have time for all that studio nonsense. They wanna rock — and they wanna rock with you. Up close and personal. In your face. Get it? That pretty much describes the rough-and-ready Detroit Cobras method, after releasing a scant handful of albums, they’ve continued to tour extensively, bringing the husky, tough-girl vocals of Rachel Nagy and the gritty, jangling guitar riffs of Mary Ramirez to the people. Their reinterpretations of vintage, B-side rock, soul, and Motown give songs that could have been contenders a brash new life, while their relentless stage show gives their adoring fans a good, old-fashioned, foot-stomping workout.” — Nicole Gluckstern
With Pangea, the Chaw
Thu/23, 9pm, $16
Slims
333 11th St., SF
(415) 255-0333
www.slimspresents.com
http://www.youtube.com/watch?v=v8ZhLBO9NZY

Sea Lions
The pizza-loving Sea Lions (think a more beachy Vaselines) come to the Bay via Oxnard, Calif. courtesy of this weekend’s SF Popfest. And that fest lineup for the evening is rather ingenious, bookended with the awesome “stoner-punk” LA shredder Colleen Green — go now and check fuzzy “Heavy Shit” — along with distorted-pop maker Permanent Collection, and more.
With Still Flyin’, Burnt Palms
Fri/24, 9pm, $12
Café Du Nord
2170 Market, SF
www.cafedunord.com
http://www.youtube.com/watch?v=ko_FxbKq9PM

Mikal Cronin
“Mikal Cronin has been bouncing around the San Francisco music scene for a couple of years as an unsung hometown hero, collaborating with Thee Oh Sees, recording with Ty Segall and performing in the Ty Segall Band, while quietly releasing his own solo records and singles. Finally, Cronin is no longer sidekicking. This year’s full-length MCII has received rave reviews from major music publications (SPIN and Pitchfork have labeled it among the best new music of the year) and Cronin is enjoying a headlining slot on a national tour. Tonight’s gig at the Rickshaw Stop is a much-deserved album release-party, and I wouldn’t be too surprised if Cronin pulls up some old friends to help him celebrate.” — Haley Zaremba
With Audacity, Michael Stasis
Sat/25, 9pm, $12
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com
http://www.youtube.com/watch?v=0S2eTV2v3V0

Small Business Awards 2013: Shameless Photography

Andrew Lam

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May 14, 2013

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Y’all chose Shameless as your top small biz of the year, so I’m going to yield the floor for a moment to someone who voted for the photography outfit:

“Shameless is a female-owned and run business that promotes positive body image and self love while creating spectacular pin-up and boudoir images,” wrote one enraptured Bay Guardian reader. “Women (myself included) leave the studio feeling more beautiful and accepting of their bodies.”

Do you yearn for an Etta James glamour shot with tasteful cleavage, frothy updo, rhinestones dangling from your lobes? Perhaps a cheeky pose with your pumps in the air, gingham bikini and a “here comes trouble” gaze? Shameless would love to make those matinee daydreams a reality.

“We approach the photoshoot as an experience rather than just a means to an end,” founder Sophie Spinelle wrote in an email interview with the Bay Guardian. Photographers Spinelle and Carey Lynne are the minds behind the firm, whose aesthetic is firmly situated in high Hollywood glamour, sultry boudoir shots, and coquettish pin-up poses. It’s 1950s sexy, used to express the decidedly more inclusive ideals of beauty we revel in today. Thank goodness — we tend to think when it comes to satin bustiers, the more curves the better.

Spinelle holds that the primary aim of Shameless is to highlight the beauty of all women, regardless of whether the lady has a gap between her inner thighs. “In a culture where people, and feminine people in particular, are bombarded with advertisements designed to create feelings of inadequacy about our faces and bodies, we’re working to create a space where people can feel safe, beautiful, and empowered,” she wrote.

The space in question is a pink fortress of a building tucked away near the Legion of Honor in the Richmond District. Aspiring starlets, it is hard to miss — Spinelle describes it as “a cross between a wedding cake and the hotel that Kim Novak holes up in Vertigo.” Photoshoot packages start at $450, and include hair and makeup overhauls plus a pose-worthy loaner wardrobe.

It’s the stuff dreams are made of, and everyone’s welcome to play. “No model on a billboard nor the business she represents owns the realm of fantasy — we all do,” says Spinelle.

600 35th Ave., SF. (646) 448-8277, www.shamelessphoto.com

Editor’s notes

Andrew Lam

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May 7, 2013

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EDITORS NOTES It’s a good thing the Giants were at home Friday night, or I might have tried to drive across the Bay Bridge. Always a bad idea after work, always a worse idea on a Friday, when the backup starts somewhere around SF General Hospital. I spent almost two hours getting past Berkeley one Friday when I thought we could leave at 3:30 and beat the traffic. When the Giants are in town, it’s impossible.

It’s so crowded nobody drives there any more. Or something like that. I didn’t.

Instead, I got on my bike and rode to BART, took the Richmond train to North Berkeley, and rode a few blocks to a birthday party on University Avenue. Cost $7.70, I think, for the round trip. Took less than an hour each way, including biking home up Bernal Hill. The late train back was party central, with the bridge and tunnel crowd all decked out in club finery and a woman singing full-volume along with her phone.

“How was I?” she asked me. “Ready for American Idol,” I said.

I could have been stuck in traffic.

This is how life is going to have to be in the future, and it’s not a bad picture. One of the main reasons I like riding my bike in San Francisco, and I hate driving, is that I know exactly how long it’s going to take me to get somewhere on two wheels. On four, it could be 15 minutes, or it could be an hour.

The thing is, we’re so used to the idea that cars are the fastest way to get around — and in some places, sometimes they are. If we fixed up the city the way we should (which would mean changing not only the lane patterns but the directions of some streets) cars would almost always be the worst and slowest way to go most places.

Either way, in this Bike to Work Day issue, were explore the idea that speeding around town at 30 miles an hour in your personal can isn’t a natural right of all people. In fact, Jason Henderson, a professor at San Francisco state who I interviewed argues that the most environmentally sound thing we can do in urban areas might be to … slow down.

Hard to imagine, that. This city runs on speed: Tech speed, work speed, party speed, frenetic speed … I can’t imagine not being in a serious rush for a large part of my day. It’s nice, sometimes, to think about the alternative.

Don’t vent, organize and “primary” a Democrat near you

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May 2, 2013

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Don’t vent, organize and “primary” a Democrat near you

By Norman Solomon

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

Progressives often wonder why so many Republican lawmakers stick to their avowed principles while so many Democratic lawmakers abandon theirs. We can grasp some answers by assessing the current nationwide drive called “Primary My Congressman” — a case study of how right-wing forces gain ground in electoral terrain where progressives fear to tread.

Sponsored by Club for Growth Action, the “Primary My Congressman” effort aims to replace “moderate Republicans” with “economic conservatives” — in other words, GOP hardliners even more devoted to boosting corporate power and dismantling the public sector. “In districts that are heavily Republican,” the group says, “there are literally dozens of missed opportunities to elect real fiscal conservatives to Congress — not more ‘moderates’ who will compromise with Democrats. . .”

Such threats of serious primary challenges often cause the targeted incumbents to quickly veer rightward, or they may never get through the next Republican primary.

Progressive activists and organizations could launch similar primary challenges, but — to the delight of the Democratic Party establishment — they rarely do. Why not?

Here are some key reasons:

* Undue deference to elected Democrats.

Members of Congress and other elected officials deserve only the respect they earn. All too often, for example, plenty of Congressional Progressive Caucus members represent the interests of the establishment to progressives rather than the other way around.

* Treating election campaigns more like impulse items than work that requires long-term planning and grassroots follow-through.

The same progressives who’ve spent years planning, launching and sustaining a wide range of community projects are apt to jump into election campaigns with scant lead time. Progressives need to build electoral capacity for the long haul, implementing well-planned strategic campaigns with candidates who come out of social movements and have a plausible chance to win on behalf of those movements.

* Assuming that millions of dollars are necessary to win.

Yes, successful campaigns require effective fundraising — but money is often a less significant obstacle than a shortage of commitment and willingness to do painstaking grassroots organizing.

* Self-marginalization by ignoring elections.

Some on the left prefer to stay out of electoral contests while focusing on the next protest demonstration — thus leaving the electoral field to battles between corporate Democrats and Republicans. One sure result: a progressive won’t win.

* Self-marginalization with third-party efforts in partisan races.

In congressional races, Green Party and other progressive third-party candidates have a zero record of success in our lifetimes. In other races with party affiliations also on the ballot (such as governor and state legislature), victories have been almost nonexistent. In such races, the corporate-military complex is not in the slightest threatened by third-party candidates, who rarely get higher than a low single-digit percentage of the vote. In nonpartisan races, by contrast, there are examples of successful and uplifting campaigns by third-party candidates, as with Green Party member Gayle McLaughlin, the mayor of Richmond, California.

By changing just a few words in the Club for Growth’s “Primary My Congressman” manifesto, progressives have a road map for electoral progress: In districts that are heavily Democratic, there are literally dozens of missed opportunities to elect real progressives to Congress — not more of those who go along with the Obama White House as it keeps compromising with Republicans.

Anyone serious about getting genuine progressives elected to Congress next year should be engaged in developing campaigns now. To avoid the impulse-item syndrome, that means identifying key races where progressives have a real chance to win, while remaining mindful that election campaigns should be subsets of social movements and not the other way around.

If there’s a defining issue that now separates the Obama party leadership from social decency, it is the president’s push to cut Social Security benefits. Less ballyhooed but also crucial is his push to cut Medicare benefits and the ever-present danger of cuts to already woefully-underfunded Medicaid. Meanwhile, Democratic leaders are unwilling to seriously cut the enormous military budget.

Any incumbent Democrat who is not serving progressive interests should be weighed as a possible primary target. And the most fruitful primary challenges are beckoning in heavily Democratic districts where there are many progressive voters and incumbents aren’t measuring up.

By that standard, the Congress members who may be vulnerable to a primary challenge include the 44 who tout their membership in the Progressive Caucus but have refused to sign the letter (initiated by Congressmen Alan Grayson and Mark Takano) promising not to vote to cut Social Security, Medicare or Medicaid benefits.

A good starting point to consider launching a primary challenge in your area would be to look at those 44 members of Congress who continue to refuse to make such a promise, leaving themselves wiggle room to vote for cuts in three crucial programs of the social compact. To see the list of those self-described “progressives,” click here. (Meanwhile, wherever you live, you can let your Congress member and senators know what you think of proposals for such cuts by clicking here.)

It’s fair to say those 44 members of Congress are among the many Democratic incumbents showing themselves to be more afraid of the Obama White House and the Democratic Party hierarchy than they are of voters in their own districts. Progressives in and around those districts need to do less venting and more organizing.

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

Mean Greens

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April 30, 2013

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culture@sfbg.com

THE BLOB Good green goddess, we’re only midway through the season but your Blob is getting asparagused out! This year, that delectable spring stalk seems especially abundant on menus about the Bay, from the warming canh cua mang tay (crab and asparagus soup) at PPQ Dungeness Island (www.ppqcrab.com) in the Outer Richmond to the verdant asparagus ice cream served at a Blob friend’s garden party. Along the way: zingy asparagus lemon pizzetta with prosciutto at Per Diem (www.perdiem.com) in the FiDi, using Zuckerman Farm in Stockton’s trademark purple variety, and the snap of a Shattuck tempura roll with battered yam at Mission vegan Japanese go-to Cha-Ya (762 Valencia, SF).

The following treats are deliberately void of nubby spears — you can asparaguess why. Yet they’re pretty veg-tacular all the same.

WOLFGANG SALAD AT MARKET AND RYE

As the Blob was rolling through the diner-riffic wonderland that is West Portal — seriously, the bottomless coffee per square footage of this neighborhood is out of countrol — she remembered a sustainable, construct-your-own salad green spot had sprung up among the laden hash brown platters: Market and Rye. (There’s also one on Potrero Hill.) With choices like strawberries, flax seeds, crispy onions, and, yes, roasted asparagus, it was a lunch lock. It was also lunch rush, and the supercute staff seemed a might stretched to put together everyone’s picky orders, so the Blob chose a signature Wolfgang salad ($10.50) instead. It’s a twist on your old school Asian chicken salad, loaded with roasted chicken, red cabbage, carrots,

toasted sesame seeds, mandarin oranges, crunchy Asian trail mix, and hot mustard soy vinaigrette.

The dressing was just a might too creamy-thick for the Blob’s taste. But if there’s one thing

she loves, it’s a twisted Asian chicken salad. So she sat right down at the rustic space’s communal table with her Mason jar of strawberry water — and Wolfganged that ish right down. You can also order yummy premade salads like spring pea with lemon dressing or broccolini Waldorf by the scoop, like ice cream, which is neat.

68 West Portal and 300 De Haro, www.marketandrye.com

HAYES VALLEY FARM COCKTAIL AT ORBIT ROOM

The Orbit Room is such a special splice of atmospheric Europe cafe into artisanal SF cocktailia that the Blob hates to risk ruining it by overpromotion. Its spring drink menu is stunning ($10 each — add egg white for two more dollars, cluck cluck). The Blob stopped in with tasty amiga the Tablehopper (www.tablehopper.com), who recounted her scandalous Coachella exploits while enthusing over a Koriander — practically a salad in a glass, with leafy cilantro, tequila, ginger syrup, lime, and celery bitters. A Spring Shrub shapes a traditional American shrub (a colonial-era cocktail using sweetened vinegar syrup) with strawberry balsamic and black peppercorn base, vodka, lemon, a splash of rosé, and mint seltzer.

But the delicious Hayes Valley Farm coated the Blob’s gullet. It’s a classic bee’s knees cocktail, popular during Prohibition, with honey from the farm down the street, gin, lemon, celery juice, and rose water — all romantically garnished with dried rose petals. Sweet, but also bittersweet: sweet because the Hayes Valley farm honey came back after a massive bee die-off in 2010, bitter(ish) because the farm itself will be demolished next month for pricey condos. (The stalwart farmers claim to be OK with this, appreciating the brief time they had.) In 50 years, will people believe there was once a thriving farm there, not in 1813 but in 2013?

1900 Market, SF. www.orbitroomcafe.com

“LA FESTA DI TUTTE LE FESTE” AT CUPOLA

If you’re going to name something “the feast of all feasts” and price it at $30 per person, you know the Blob’s gonna check it out — even if it’s at a mall (in this case under the dome, thus “cupola,” at the Westfield Center). And yes, even though it does that awful phony four percent HealthySF surcharge thing, which the Blob didn’t know until she got the bill. Up to that point, she would have recommended it profligately.

Strap yourself in for eight or so random courses from handsome Lark Creek offshoot Cupola’s impressive Italian menu, decided by the kitchen. (A complementary “Festa Di Bacchus” wine journey can be had for $17.) As in: two-plus hours of well-portioned food — no flighty tasting menu flim-flam here, these are actual dishes. As in: the Blob and her companion Pinky received two whole Neapolitan pizzas (margherita and spice sopressata), a gloriously delicate handkerchief pasta with simple red sauce, a butter lettuce and gorgonzola salad, another salad of chopped veggies and wine-marinated croutons, an al dente squash and (sorry) asparagus dish, and frothy strawberry tiramisu. The highlight? A somehow feather-light artichoke lasagna — they do pasta soft here — accompanied by an arugula-cashew salad. Finally, the Blob was stuffed!

Westfield Center, 845 Market Street, fourth floor, www.cupolasf.com

Stage listings

Andrew Lam

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April 23, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Talk Radio Actors Theatre of San Francisco, 855 Bush, SF; www.actorstheatresf.org. $26-38. Opens Fri/26, 8pm. Runs Wed-Sat, 8pm. Through June 15. Actors Theatre of San Francisco performs Eric Bogosian’s breakthrough 1987 drama.

BAY AREA

The Dead Girl Avant Garde, 1328 Fourth St, San Rafael; www.altertheater.org. $25. Previews Wed/24, 7:30pm, and Fri/26, 8pm. Opens Sat/27, 8pm. Runs Wed, 7:30pm; Fri-Sat, 8pm; Sun, 3pm. Through May 19. AlterTheater performs 90-year-old playwright Ann Brebner’s new family drama.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm (May 11, show at 8pm). Through May 18. Playwright Lynne Kaufman invites you to take a trip with Richard Alpert, a.k.a. Ram Dass (Warren David Keith), as he recounts times high and low in this thoughtful, funny, and sometimes unexpected biographical rumination on the quest for truth and meaning in a seemingly random life by one of the big wigs of the psychedelic revolution and (with his classic book, Be Here Now) contemporary Eastern-looking spirituality. Directed by Joel Mullennix, the narrative begins with Ram Dass today, in his Hawaiian home and partly paralyzed from a stroke, but Keith (one of the Bay Area’s best stage actors, who is predictably sure and engagingly multilayered in the role) soon shakes off the stiff arm and strained speech and springs to his feet to continue the narrative as the ideal self perhaps only transcendental consciousness and theater allow. Nevertheless, Kaufman’s fun-loving and extroverted Alpert is no saint and no model of perfection, which is the refreshing truth explored in the play, but rather a seeker still, ever imperfect and ever trying for greater perfection or at least the wisdom of acceptance. As the privileged queer child of a wealthy Jewish lawyer and industrialist, Alpert was both insider and outsider from the get-go, and that tension and ambiguity makes for an interesting angle on his life as well as the complexities of his relationships with a homophobic Leary, for instance, and his conservative but ultimately loving father. Perfection aside, the beauty in the subject and the play is the subtle, shrewd cherishing of what remains unfinished. (Avila)

The Bereaved Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Wed/24-Sat/27, 8pm. Crowded Fire Theater launches its Mainstage season with Thomas Bradshaw’s wicked comedy about “sex, drugs, and the American dream.”

Boomeraging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Through May 28. Comedian Will Durst performs his brand-new solo show.

The Bus New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $32-45. Wed/24-Sat/27, 8pm; Sun/28, 2pm. NCTC performs James Lantz’s tale of two young men whose meeting place for their secret relationship is a church bus.

The Expulsion of Malcolm X Southside Theatre, Fort Mason Center, Marina at Laguna, SF; www.fortmason.org. $30-42.50. Fri-Sat, 8pm; Sun, 3pm. Through May 5. Colors of Vision Entertainment and GO Productions present Larry Americ Allen’s drama about the relationship between Malcolm X and Elijah Muhammad.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Ghostbusters: Live On Stage Dark Room Theater, 2263 Mission, SF; www.darkroomsf.com. $20. Thu/25-Sat/27, 8pm. Rhiannastan Productions brings the beloved 1984 comedy to the stage.

How To Make Your Bitterness Work For You Stage Werx Theatre, 446 Valencia, SF; www.bitternesstobetterness.com. $15-25. Sun, 2pm. Through May 5. Fred Raker performs his comedy about the self-help industry.

I’m Not OK, Cupid 🙁 Shelton Theatre, 533 Sutter, SF; www.leftcoasttheatreco.org. $15-35. Thu-Sat, 8pm. Through May 4. Left Coast Theatre Co., a new company formed in 2012 from the gay men’s writing group GuyWriters Playwrights, offers this rocky but sometimes clever evening of seven short gay comedies about love, relationships, getting it on, getting it off, and so forth. The evening begins with Andrew Black’s A Small Fishing Village Wedged Between Estonia and Latvia, set in the Castro, where a gay couple (Chris Maltby and Dene Larson) try to foil a mixed couple of would-be robbers (Laura Espino and Richard Sargent) by injecting some homoerotic tension between their otherwise heterosexual vibe. Directed by ShawnJ West, it’s drolly if inconsistently acted, but never very funny, and followed by three more non-starters: James A. Martin’s Lollipops, Rodney “Rhoda” Taylor’s Goodbye, Cupid, and Black’s verse-bound Arlecchino’s Last Prank. The second half of the bill proves more satisfying overall — Rich Orloff’s Chekhov-inspired That Bitch, directed by Joseph Frank and featuring the able trio of Hayley Saccomano, Laura Espino, and Danielle O’Dea; Joseph Frank’s wacky The Parenthetical Trap, directed by Frank and Saccomano, wherein sibling rivalry (i.e., the amusingly puerile duo of Kyle Glasow and Dawson Montoya) meets dysfunctional family (rounded out by Gabrielle Motarjemi and Frank) reunited in musical harmony; and Alex Dremann’s randy and well-acted Four Dry Tongues, directed by ShawnJ West, in which friends Ginny (Angela Chandra) and Tristan (Michael Erickson) compete for the affection of guest Matt (Robert Rushin) by flirting with his gorgeously haughty lesbian friend Laura (Danielle O’Dea). (Avila)

The Lost Folio: Shakespeare’s Musicals Un-Scripted Theater, 533 Sutter, Second Flr, SF; www.un-scripted.com. $10-20. Thu-Sat, 8pm. Through May 18. Un-Scripted Theater Company performs a fully-improvised, full-length musical inspired by Shakespeare.

The Lullaby Tree Phoenix Theater, 414 Mason, SF; www.secondwind.8m.com. $15-35. Thu-Sat, 8pm; Sun, 2pm. Through May 4. In the face of the ever more extensive and controversial spread of GMO foods worldwide — not to mention last year’s state battle over Prop 37 — Second Wind premieres founding member and playwright Ian Walker’s half-whimsical, half-hardheaded drama about a boy searching for his mother in the underworld and a small band of lawyers and environmentalists going toe-to-toe with a multinational over the ownership of a mysterious crop of genetically engineered corn. It will eventually become plain that the two stories are linked, but first a ten-year-old boy (Samuel Berston) befriends a somewhat shrunken giant (Davern Wright) in an attempt to find his mother (Evangeline Crittenden) in an enchanted and hostile land of dragons. Elsewhere, Tim (Walker) and law partner Nod (Wright) prepare to do legal battle with a modern-day dragon, in the person of a corporate attorney (Cheryl Smith) for the ominous Mendes Corporation (read: Monsanto). They will argue over the ownership of the corn that has sprung up on the banks of a drowned town, and which may spell environmental disaster for the nature preserve surrounding it. In this fight Tim and Nod are in uneasy, ultimately disastrous alliance with activist Callie (Crittenden), whom Nod distrusts and with whom Tim is hopelessly smitten. The result is a convoluted plot and a fitful production (co-directed by Walker and Misha Hawk-Wyatt) in which a three-pronged story precariously balances the fairy tale, the romance, and the legal battle. It’s the last prong that offers the more interesting if formulaic scenes, in which the politics of GMOs mesh with the swashbuckling machinations of the attorneys. But the less compelling strands converge and take precedence, forcing things down a sentimental and forgettable road. (Avila)

reasons to be pretty San Francisco Playhouse, 450 Post, Second Flr, SF; www.sfplayhouse.org. $30-100. Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm). Through May 11. Completing a trilogy of plays about body awareness and self-image (along with The Shape of Things and Fat Pig), Neil LaBute’s reasons to be pretty begins with a misconstrued remark that quickly gathers enough weight and momentum to tear three sets of relationships apart in the span of a two-hour play. The SF Playhouse production begins with a bang, or rather an awesomely knock-down, blow-out breakup fight between a righteously pissed-off Steph (Lauren English) and her awkwardly passive boyfriend Greg (Craig Marker), who has inadvertently referred to her as “regular” in a conversation with his jerkish buddy Kent (Patrick Russell), which she takes to mean he finds her ugly. English’s Steph is at turns ferocious and fragile, and her comic timing as she eviscerates Greg’s looks in a mall food court zings, while the hyperkinetic Russell elevates the condition of noxiously irredeemable douchebag to an art form. But terrific acting and polished design can only make up so much for a script that feels not only flawed, barely scratching the surface of the whys and wherefores each character has internalized an unrealistic view of the importance of conventional beauty standards, but also already dated, with its circa-2008 pop culture references. Ultimately it gives the impression of being a rerun of a Lifetime television drama that wraps itself up into a too-neat package just in time for the final credits to roll to its admittedly kickass soundtrack (provided by Billie Cox). (Gluckstern)

Sam I Am: A Processional of Short Plays and Prose About Samuel Beckett Bindlestiff Studio, 185 Sixth St, SF; www.pustheatre.com. $10-20. Fri-Sat, 8pm; Sun, 2pm. Through May 11. Performers Under Stress remounts and revamps its series of short plays and pieces by Samuel Beckett, this time staging it throughout the basement quarters of Bindlestiff Studio, where audiences are led around an economical maze of performance spaces. Opening weekend consisted of too much text and too little in way of staging ideas, especially with several spoken selections of Beckett prose (which have reportedly since been dropped from the program). The best of what remains (in a program of six short plays total) includes Valerie Fachman’s respectable performance as the disembodied “mouth” of the brilliant Not I; and James Udom and Geo Epsilany’s duet in Rough for Theatre I, in which a wheelchair-bound food-hoarder (a softly eccentric Epsilany) strikes up a doomed friendship with a blind beggar (a solid Udom) amid a colorless and barren landscape. The bucket of Beckett dreary gets less satisfying from there, though director Scott Baker’s wordless performance as the titular Joe in Eh Joe proves poised and the doubled voices in his head (by Melissa Clason and Allison Hunter Blackwell) both haunting and intriguing. (Avila)

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

Sheherezade 13 Exit Theatre, 156 Eddy, SF; www.wilywestproductions.com. $25. Thu/25-Sat/27, 8pm. Wily West Productions presents a short play showcase.

Show Me Yours: Songs of Innocence and Experience Alcove Theater, 414 Mason, Ste 502, SF; www.thealcovetheater.com. $27. Thu/25-Sat/27, 8pm. New Musical Theater of San Francisco performs a new musical revue written by Pen and Piano, the company’s resident group of writers and composers.

Steve Seabrook: Better Than You Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Thu, 8pm; Sat, 8:30pm. Extended through May 18. Self-awareness, self-actualization, self-aggrandizement — for these things we turn to the professionals: the self-empowerment coaches, the self-help authors and motivational speakers. What’s the good of having a “self” unless someone shows you how to use it? Writer-performer Kurt Bodden’s Steve Seabrook wants to sell you on a better you, but his “Better Than You” weekend seminar (and tie-in book series, assorted CDs, and other paraphernalia) belies a certain divided loyalty in its own self-flattering title. The bitter fruit of the personal growth industry may sound overly ripe for the picking, but Bodden’s deftly executed “seminar” and its behind-the-scenes reveals, directed by Mark Kenward, explore the terrain with panache, cool wit, and shrewd characterization. As both writer and performer, Bodden keeps his Steve Seabrook just this side of overly sensational or maudlin, a believable figure, finally, whose all-too-ordinary life ends up something of a modest model of its own. (Avila)

Stuck Elevator American Conservatory Theater, 415 Geary, SF; www.act-sf.org. $20-85. Wed/24-Sat/27, 8pm (also Wed/24 and Sat/27, 2pm); Sun/28, 7pm. As federal immigration reform captures the national spotlight, ACT premieres a dynamic and entertaining new musical by Byron Au Yong (score) and Aaron Jafferis (libretto) that privileges the real-life experience of an undocumented Chinese deliveryman Ming Kuang Chen, trapped for 81 hours in a Bronx elevator in 2005. Slickly directed by Chay Yew, the memories, fears, and fantasies of Guang (a sympathetic and mellifluous Julius Ahn) become the stuff of chamber opera, wherein the chamber is a malfunctioning elevator car in a dilapidated high-rise housing complex. Initially too afraid to call for help (lest his immigration status be discovered), Guang suffers at the thought of the precious dollars he is losing with each hour spent away from work, and distracts himself with thoughts of his wife (Marie-France Arcilla) and son (Raymond J. Lee) back home in China, his mean employer (Joseph Anthony Foronda in comical drag), and his Mexican friend and coworker (Joel Perez). With the undocumented immigrant’s precarious situation become a literal cell, Daniel Ostling’s impressively kinetic, expansive scenic design pivots between grimy naturalism and a multimedia canvas for the protagonist’s unbounded thoughts and imagination. Fantastical routines ensue, sometimes wistful and romantic, sometimes comical and outlandish, throughout a story and score that prove consistently engaging but also somewhat lacking in real suspense. The impressive cast is also a highlight here, and the 80 minutes go by pleasantly enough, even if the larger complexity of the subject — the social, racial, and class dynamics that produce the protagonist’s surreal situation — is itself somewhat confined by the genre of the romantic immigrant narrative. (Avila)

Tinsel Tarts in a Hot Coma: The Next Cockettes Musical Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $30-35. Thu-Sat, 8pm. Through June 1. Thrillpeddlers and director Russell Blackwood continue their Theatre of the Ridiculous series with this 1971 musical from San Francisco’s famed glitter-bearded acid queens, the Cockettes, revamped with a slew of new musical material by original member Scrumbly Koldewyn, and a freshly re-minted book co-written by Koldewyn and “Sweet Pam” Tent — both of whom join the large rotating cast of Thrillpeddler favorites alongside a third original Cockette, Rumi Missabu (playing diner waitress Brenda Breakfast like a deliciously unhinged scramble of Lucille Ball and Bette Davis). This is Thrillpeddlers’ third Cockettes revival, a winning streak that started with Pearls Over Shanghai. While not quite as frisky or imaginative as the production of Pearls, it easily charms with its fine songs, nifty routines, exquisite costumes, steady flashes of wit, less consistent flashes of flesh, and de rigueur irreverence. The plot may not be very easy to follow, but then, except perhaps for the bubbly accounting of the notorious New York flop of the same show 42 years ago by Tent (as poisoned-pen gossip columnist Vedda Viper), it hardly matters. (Avila)

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-50. Sun, 11am. Through July 21. Louis “The Amazing Bubble Man” Pearl returns after a month-long hiatus with his popular, kid-friendly bubble show.

BAY AREA

The Arsonists Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $35-60. Tue and Sun, 7pm (also Sun, 2pm); Wed-Sat, 8pm. Through May 12. There’s a lot of humor to be found in Alistair Beaton’s crackling translation of Max Frisch’s The Arsonists, playing now at the Aurora Theatre, but much of the laughter it elicits is of the nervous variety, as the play’s mostly protagonist, the effete, bourgeois Herr Biedermann (Dan Hiatt) inadvertently signs off on his own destruction when he invites an uncouth arsonist to come and stay in his attic (Michael Ray Wisely). “If we assume everyone is an arsonist, where does that get us?” becomes his standard deflection, as one arsonist becomes two (adding in the unctuous, nihilistic Tim Kniffin), and the empty attic a repository for giant drums of gasoline, a detonator, and fuse wire — arousing the suspicions of a chorus of firefighters (Kevin Clarke, Tristan Cunningham, Michael Uy Kelly), who act as the conscience and guardians of the township. Although on the surface the scenario is patently absurd, the message that passivity in the face of evil is like helping to measure out the fuse wire that will eventually claim your life, is relatively clear. “Not every fire is determined by fate,” point out the firefighters right in the first act. Hiatt, as Biedermann, strikes an admirable balance between loathsome and powerless, while Gwen Loeb shines as his socialite wife, Babette, as does Dina Percia as his agitated housemaid, Anna. (Gluckstern)

Being Earnest Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $23-73. Wed/24, 7:30pm; Thu/25-Sat/27, 8pm (also Sat/27, 2pm); Sun/28, 2 and 7pm. TheatreWorks performs the world premiere of Paul Gordon’s musical take on Oscar Wilde’s comedy.

The Coast of Utopia: Voyage & Shipwreck Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Shipwreck runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through May 5. Voyage runs Sat/27 and May 4, 3pm. Last year in the Shotgun Players’ production of Voyage, the first part of Tom Stoppard’s The Coast of Utopia trilogy (also playing in repertory through May 4), we were introduced to a tight circle of Russian thinkers and dreamers, chafing against the oppressive regime of Nicholas I. In the second part, Shipwrecked, we find them older, perhaps wiser, struggling to keep their revolutionary ideals alive while also juggling familial concerns and personal passions. Focused mainly on Alexander Herzen (Patrick Kelley Jones) and family, Shipwrecked travels from Russia to Germany, France, Italy, and the English Channel, buffeted from all directions by the forces of the uprisings and burgeoning political consciousness of the European proletariat. It’s an unwieldy, sprawling world that Stoppard, and history, have built (made somewhat more so by the Shotgun production’s strangely languid pace during even the most dramatic sequences) but it’s worth making the effort to spend time absorbing the singular world views of Russian émigré Herzen, his impulsively passionate wife Natalie (Caitlyn Louchard), the cantankerous, influential critic Vissarion Belinsky (Nick Medina), professional rabble-rouser Michael Bakunin (Joseph Salazar) and up-and-coming writer Ivan Turgenev (Richard Reinholdt) as they desperately seek to carve out both their personal identities and a greater, cohesive Russian one from the imperfect turmoil of Western philosophy. (Gluckstern)

A Killer Story Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Thu-Sat, 8pm (pre-show cabaret at 7:15pm). Through May 18. Dan Harder’s film noir-inspired detective tale premieres at the Marsh Berkeley.

The Language Archive Berkeley City Club, 2315 Durant, Berk; www.symmetrytheatre.com. $20-28. Thu/25-Sat/27, 8pm; Sun/28, 2pm. A linguist named George (a nerdy but sincere Gabriel Grilli), obsessed with collecting languages on the cusp of extinction, reels when his unhappy wife Mary (a captivatingly distraught but spirited Elena Wright) decides to leave him in Julia Cho’s heart-tugging comedy exploring the language of love and other ineffable things. As Mary, discouraged by George’s inability to voice a reason why she should stay, heads out to who knows where, George and his secretly smitten lab assistant Emma (Danielle Levin) try to interview an older married couple who are among the last speakers of a dying language. But the couple (played winningly, in vaguely Eastern garb, by Stacy Ross and Howard Swain) spends all their time fighting with one another — in English (the language of aggression and the noncommittal, as they at various points explain). In one of the best scenes, Mary meets a despairing older gentleman (Swain again, in one of several excellent supporting turns) on a railroad platform who will change the course of her life as, meanwhile, George copes with grief and the reexamination of his faith in language, including the unabashedly utopian Esperanto, his favorite. Cho’s narrative broaches an intriguing exploration of language’s underlying dialectic of joy and suffering, and the fact that perfect understanding lies finally beyond it. The play has strained aspects in its humor and dialogue, and Symmetry Theatre’s production doesn’t navigate every turn in the story equally well. But director Chloe Bronzan ensures an overall enjoyable and well-acted production (set in the small, intimate playing area at the Berkeley City Club), while making the most of several key scenes that mine the genuine pathos and wonder in the subject matter.

Love Letters Various Marin County venues; www.porchlight.net. $15-30. Through Sun/28. Porch Light Theater performs A.R. Gurney’s romantic play at four different Marin venues; check website for addresses and showtimes.

“Pear Slices” Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-30. Thu/25-Sat/27, 8pm; Sun/28, 2pm. Nine original short plays by members of the Pear Playwrights Guild.

Pericles, Prince of Tyre Berkeley Repertory Theatre, 2025 Addison, Berk; www.berkeleyrep.org. $29-77. Tue, Thu-Sat, 8pm (also Sat and Thu/25 and May 23, 2pm; no matinee Sat/27; no show May 24); Wed and Sun, 7pm (also Sun, 2). Through May 26. Mark Wing-Davey directs Berkeley Rep’s take on the Bard.

PERFORMANCE/DANCE

Alonzo King LINES Ballet LAM Research Theater, Yerba Buena Center for the Arts, 700 Howard, SF; www.linesballet.org. Wed/24-Thu/25, 7:30pm; Fri/26-Sat/27, 8pm; Sun/28, 5pm. $30-65. The company celebrates its 30th anniversary spring season with a collaboration between choreographer Alonzo King and composer Edgar Meyer.

“Dances from the Heart 2” Palace of Fine Arts Theatre, 3301 Lyon, SF; www.helpisontheway.org. Sun/28, 7:30pm. $40-60. Dancers from top Bay Area companies, including ODC Dance and Company C Contemporary Ballet, join forces to raise funds for the Richmond/Ermet AIDS Foundation and other AIDS charities.

David Dorfman Dance Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Thu/25-Sat/27, 8pm. $25-30. Performing Prophets of Funk, a work inspired by Sly and the Family Stone.

FACT/SF ODC Theater, 3153 17th St, SF; www.factsf.org. Thu/25-Sat/27, 8pm. $23-28. World premiere of Falling, an evening-length contemporary dance piece.

“Ghetto Klown” Orpheum Theatre, 1192 Market, SF; www.shnsf.com. Fri/26-Sat/27, 8pm. $40-95. John Leguizamo performs his latest autobiographical show.

“Journey of the Shadow” Herbst Theatre, 401 Van Ness, SF; www.sfchamberorchestra.org. Fri/26, 8pm. Also Sat/27, First Palo Alto United Methodist Church, 625 Hamilton, Palo Alto; Sun/28, 3pm, First Congregational Church, 2345 Channing, Berk. All performances free. The San Francisco Chamber Orchestra presents the world premiere of musical stories, spoken and sung, with special guests composer-in-residence Dr. Gabriela Lena Franke, and Pulitzer-winning playwright Nilo Cruz.

Kunst-Stoff Dance Company Old Mint, 88 Fifth St, SF; www.kunst-stoff.org. Tue/30 and May 1-2, 7pm, 7:40pm, and 8:20pm. Free. Yannis Adoniou and company celebrate 15 years of Kunst-Stoff with the world premiere of Rapport, presented at the historic Old Mint Building.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“The Naked Stage” Bayfront Theater, Fort Mason Center, Marina at Laguna, SF; www.improv.org. Sat/27, 8pm. $20. BATS Improv performs an improvised stage play.

Opera Parallele Z Space, 450 Florida, SF; www.operaparallele.org. Fri/26-Sat/27, 8pm; Sun/28, 2pm. $40-75. Performing a double bill of Leonard Bernstein’s Trouble in Tahiti and Samuel Barber’s A Hand of Bridge.

Red Hots Burlesque El Rio, 3158 Mission, SF; www.redhotsburlesque.com. Wed, 7:30-9pm. Ongoing. $5-10. Come for the burlesque show, stay for OMG! Karaoke starting at 8pm (no cover for karaoke).

“The Romane Event Comedy Show” Make-Out Room, 3225 22nd St, SF; www.pacoromane.com. Wed/24, 8pm. $10. With Sean Keane, Paco Romane, Kate Willett, Matt Lieb, and more.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“Tickled Pink!” Café Royale, 800 Post, SF; www.caferoyale-sf.com. Thu/25, 8pm. Free. Comedy night with Butch Escobar, Ryan Papazian, Dan “Gonzo” Mechanik, and more.

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest.

BAY AREA

Alvin Ailey American Dance Theater Zellerbach Hall, UC Berkeley, Berk; www.calperformances.org. Wed/24-Sat/27, 8pm (also Sat/27, 2pm); Sun/28, 3pm. $30-92. Four programs highlight the company’s annual Cal Performances residency, including two Bay Area premieres.

CubaCaribe Festival Laney College Theater, 900 Fallon, Oakl; www.cubacaribe.org. Fri/26-Sat/27, 8pm; Sun/28, 2 and 7pm. $25. Master artists performing music and dance from the Caribbean Diaspora.

“The Divine Game” Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. Mon/29, 8pm. $20. A spur to thought, to reading, to listening, to sparring over the meaning and magnitude of art — they’re all there in the brilliantly expansive, acute, and sometimes barbed observations of professor Vladimir Nabokov (a delighting, animated John Mercer), as he expounds on the subject of Russian literature in this simply staged but witty, well-honed dramatic reading from First Person Singular and adapter-director Joe Christiano. Presented as part of Shotgun’s Monday night Cabaret series, The Divine Game, drawing verbatim on Nabokov’s Cornell lectures of the 1950s, is an invitation to a heady walk down several byways in the land of great literary art, and there are few more discerning or inspiring guides whether or not you share in every conclusion about the relative merits and demerits of Chekhov (Joshua Han) or Dostoyevsky (Brian Quackenbush) — both of whom appear onstage alongside their idiosyncratic peers Gogol (Colin Johnson) and Tolstoy (Jess Thomas). There’s a frisson of mental joy in a distillation like, “Chekhov’s books are sad books for humorous people,” or the sweet-talking yet penetrating pronouncement that, “Of all the great characters that a great artist creates, his readers are the best,” and their cumulative impact over the course of 90 minutes offers enough inspiration for several reckless bookstore sprees. (Avila)

Nina Haft and Company Shawl-Anderson Dance Center, 2704 Alcatraz, Berk; ninahaftandcompany.wordpress.com. Fri/26-Sat/27, 8pm; Sun/28, 7pm. $20. World premiere of a performance installation of dance, sound, words, and food: To begin with the ending already in sight. *

Treats

Andrew Lam

-

April 16, 2013

5

culture@sfbg.com

THE BLOB Your globe-trotting Blob is currently in her bustling hometown Detroit, gorging on favorite treats, including the kick-ass fried bologna sandwich at Mercury Bar, served on an onion roll with grilled onions, mustard, and local brand Better Made potato chip “smosh.” And of course that Motown favorite, Coney Islands (hot dogs in white bread buns smothered in chili and raw onions) which is everywhere, but best at the old school Lafayette Coney Island downtown. She has some favorite recent treats in SF as well, which she can’t wait to get back to inhaling.

JOOK NOOK AT B STAR BAR

The Blob is calling it: in terms of adventurous flavors, cute and spicy Burma Superstar offshoot B Star in the Inner Richmond has the best brunch going in SF right now. The Zen-lovely space draws a diverse crowd, the prices are “nice brunch” (satisfying entrees, $8–$13, from 10am-3pm) without getting opportunistic about it, and the menu includes Mexican favorites with a Burmese twist.

First, a couple piquant Bloody Marys ($6.75 each) and a dive into a good-sized cauldron of justly renowned roasted Brussels sprouts ($6.75), savory with furikake, fish sauce, and parmesan, but perked up perfectly with crispy popped rice. The star of the dazzling B Star brunch menu is a duck hash quesadilla — probably the least Burmese thing you can think of (roasted potatoes and veggies topped with two eggs over easy and zingy radish slaw), until you notice the “quesadilla” is in fact a platha, a delicately fried and spiced flatbread related to Indian paratha, similar in texture to a tortilla, but both more oily and flaky, giving the shredded duck a hearty base.

If you’re not a duck brunch fan (or you have a share-friendly companion) head to B Star’s yummy “jook nook” menu. The Blob is forever addicted to the home style, DIY version of the steamy-hot, Asian rice porridge comfort food served at Outer Richmond faves like Ton Kiang or Jook Time. But B Star’s gussied up big-bowl selection, starting with base ingredients like shredded chicken with thousand year old egg or pork sung with pickled mustard greens and fried noodles, comes loaded with all the extras, including scallions, chili, ginger, and peanuts. A dash of soy and your day is made.

127 Clement, SF. (415) 933-9900, www.bstarbar.com

DUCK FLAUTAS AT CHILANGO

A recent return to this genteel Mexican hotspot near Church and Market confirmed the Blob’s addiction to the crispy, crema-smothered, incredibly popular duck flautas there. Three huge tubes of delectable shredded quacker with cabbage and cotija cheese ($9) are enough for a filling lunch, but don’t deny yourself the pleasures of the rest of the menu. Feeling light and pescaterian? Splash into tangy ceviche de pescado with chunks of mahi mahi, avocado, and orange ($10), but maybe skip the ceviche de camarones ($10) — the Blob, a ceviche snob freshly back from a tour of the Southern Mexican coast, found the generous bits of shrimp overpowered by a bland, ketchupy cocktail sauce.

Don’t skip, however, an incredible pambazo (Mexican white bread bun stuffed with potatoes and chorizo and dipped in red guajillo pepper sauce, $6) or, if the duck’s left any room, juicy brisket-loaded soft tacos de saudero ($6 for two). Then go back for the pambazo’s big sister, torta ahogado ($10), a carnitas and pickled onion sandwich drowned in mild red sauce and eatable only with a knife and fork, and several napkins.

235 Church, SF. (415) 552-5700, www.chilangorestaurantsf.com

L GNUDI ALLA COSIMO DE MEDICI AT FARINA PIZZA

The new Farina pizzeria at 18th and Valencia, immaculately white-tiled and accented with neat portraits of vintage Italian comics characters (think Mary Worth in Naples), has become one of the latest flashpoints of the ongoing gentrification debate. The Blob detests the Borg, and $15 personal pizzas are a bit of a stretch — although there are $22 ones, though worthy, at Una Pizza Napoletana down the way at SoMa. The Blob’s orifice, however, was soon spattered with an excellently fiery, soft crust pizza diavolo, with spicy salame, San Marzano tomatoes, fior di latte mozzarella, romano cheese, basil and EVOO.

But she was truly blown away by the L Gnudi Alla Cosimo De Medici, i.e. several large spinach ricotta dumplings ($15), hefty balls of al dente pasta sheets, with the slightly chewy give of mochi, stuffed with wonderfully grassy shredded spinach and bathed in butter-sage sauce, a vegetarian treasure worth its own trip (with a glass of Italian red, natch).

700 Valencia, SF. (415) 565-1900, www.farina-foods.com

By the numbers

Andrew Lam

-

April 16, 2013

16

rebecca@sfbg.com

77: Years before climate scientists say the Sierra Snowpack, the state’s largest reservoir, could dwindle to half its historic size. [Source: Fact Sheet, California Air Resources Board]

2,500,000,000,000: Barrels of “produced” wastewater generated by onshore oil and gas wells in California in 2011.

[Source: California Department of Conservation]

2,294: New oil and gas wells drilled in California in 2011.

[Source: California Department of Conservation]

565: Gigatons of carbon that can be burned before global average temperatures rise by 2 degrees Celsius, the ceiling target established by the Copenhagen Accord to avert the worst consequences of global climate change.

[Source: 350.org]

2,795: Gigatons of carbon held in reserves by the world’s oil and gas companies, which would emit five times the “safe” amount of carbon into the atmosphere if burned.

[Source: 350.org]

$26,200,000,000: Annual profit reaped by San Ramon-based Chevron last year — the oil company’s second-highest profit ever earned.

[Source: San Francisco Chronicle]

$1,000,000: Approximate amount Chevron was fined by state regulators for the Aug. 6, 2012 Richmond Refinery fire, which resulted in about 200 hospital visits due to exposure to toxic fumes.

[Source: LA Times]

656,576: Miles of waterways, representing 55 percent of all rivers and streams in the U.S., ranked in “poor” condition in the EPA’s latest assessment, meaning they can’t support healthy aquatic life.

[Source: US EPA]

13,144: Miles of U.S. waterways where fish are not safe for human consumption, due to high levels of mercury.

[Source: US EPA]

16: Inches sea level is expected to rise in the San Francisco Bay by 2050, according to climate change scenarios.

[Source: Bay Conservation and Development Commission]

55: Inches sea level is expected to rise in the San Francisco Bay by 2099, according to climate change scenarios.

[Source: Bay Conservation and Development Commission]

234,167: Metric tons of greenhouse gases Pacific Gas & Electric Co. reported emitting in San Francisco in 2011, from natural gas distribution.

[Source: U.S. EPA]

195,061: Acres of pine or fir forest it would take to absorb PG&E’s 2011 San Francisco greenhouse gas emissions, assuming CO2 absorption for one year. (Roughly 6.5 times the land area of SF.)

[Calculation based on California Air Resources Board million metric ton equivalents]

$500,000,000: Estimated San Francisco Employee Retirement System holdings in 81 fossil fuel companies including Chevron, BP, Exxon Mobil, Occidental Petroleum and Arch Coal.

[Source: SFERS]

San Francisco has a lot of money tied up in fossil fuels

Sasha Cuttler And Mary Magee

-

April 10, 2013

31

The San Francisco Employees Retirement System has more than $113 million in holdings in Exxon Mobil. It’s a lucrative investment in a dirty business. On March 29, Exxon’s Pegasus Pipeline ruptured, spilling as much as 7,000 barrels of oil in a toxic slick that coated a residential Arkansas neighborhood and prompted the evacuation of 21 homes.

SFERS also has $60 million invested in Chevron, which has its own checkered history. Environmentalists have long shamed the oil giant for its “toxic legacy” in Ecuador, but closer to home it was recently fined nearly $1 million for workplace violations arising from last year’s Richmond Refinery blaze. That incident sent a column of toxic smoke skyward, and resulted in about 200 hospital visits for respiratory problems from the fumes.

Further down the list of SFERS’ public equities holdings in fossil fuels is $28 million in Royal Dutch Shell, a company whose name, in some circles, is synonymous with human rights abuses in Nigeria. (Shell was also tapped to administer San Francisco’s CleanPower SF program, but that’s another story.)

The retirement system also has about $18 million tied up in Occidental Petroleum, a major player in the fracking industry that was responsible for drilling 675 new oil wells in California in 2011 alone, according to industry data. The retirement system portfolio includes about $5.4 million in BP, the company responsible for the infamous Deepwater Horizon explosion and epic oil spill in the Gulf of Mexico three years ago.

And the city’s retirement portfolio includes more than $1.2 million in Arch Coal, one of the largest coal suppliers in the U.S., which has faced millions in fines for Clean Water Act violations and was sued for firing a miner who complained about unsafe working conditions.

SFERS provided the Guardian with details of its energy company holdings in response to a public records request.

Earlier today, the Budget and Finance Subcommittee of the San Francisco Board of Supervisors took up a resolution, introduced by Sup. John Avalos, to urge SFERS to divest from fossil fuel companies.

The resolution is nonbinding; even if it unanimously passes at the full Board in a couple weeks, SFERS is under no legal obligation to tweak its investment portfolio. But support for such a strategy is gaining momentum as major environmental organizations seek to bring the issue of climate change to the forefront.

Avalos’ resolution was inspired in part by 350.org, an organization that has sowed the seeds for divestment campaigns at 260 colleges and universities nationwide. Celebrated 350.org founder and environmental writer Bill McKibben is betting that the kids are going to win. His campaign hinges on the idea that the planet can only sustain combustion of another 565 gigatons of carbon before things really go off the rails climate-wise; the industry has five times as much in reserve.

Despite San Francisco’s green reputation, change is likely to happen slowly, if at all. According to numbers shared by Retirement Board executive director Jay Huish at the April 10 hearing, SFERS has a total of some $500 million tied up in companies that deal in dirty energy. That’s substantial, and there could be more on the private asset side. “We gave them a list of 200 fossil fuel companies” targeted by environmentalists because they hold underground carbon reserves, noted Avalos aide Jeremy Pollock. “They had stock in 81.”

Avalos’ divestment resolution cleared the way to proceed to the full board, but only after Sup. Mark Farrell requested a couple amendments.

Farrell asked to add language making it clear that the retirement board could receive a lower return on investment if went through with divestment, and inserted another clause to underscore the point that the Board resolution shouldn’t infringe upon SFERS’ “fiduciary responsibility.”

The resolution is expected to go to the full Board on April 23.

FEAST: Home to table

Andrew Lam

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March 26, 2013

1

culture@sfbg.com

FEAST Even for fans of cutting edge culinary creations, there is something undeniably sublime about a simple homecooked meal. We here at the Guardian want you to know that even though your mom’s killer casserole may be miles away, the chance to nosh on quality family recipes is not. Here are five spots in San Francisco where tasty menu offerings have received generations of approval.

CINECCITTA RISTORANTE AND BAR’S BOSCAIOLA PIZZA

Romina Tiberia has been working and cooking at her grandfather’s restaurant in Rome since age six. Today, she’s the owner of Cineccitta Ristorante and Bar Tiberia, serving her family’s authentic Roman recipes in the intimate, cinema-themed North Beach spot.

Everything at Cineccitta is made from scratch, according to Tiberia. “We don’t buy anything from the can,” she told the Guardian. “We are really proud to say that. And not from the jar either!” To give her pizza an authentic Roman taste Tiberia imports her flour, yeast, oil, cheese, and meats from Italy.

For a taste of Tiberia’s family treasure, try the boscaiola pizza. It’s thin, buttery, nearly transparent crust is baked on a pizza stone imported from the motherland.

The boscaiola is topped with mushrooms, fresh tomato sauce, mozzarella, and the eatery’s specialty orange peel sausage. Of this last ingredient, Tiberia tells us, “that’s a very old tradition. It’s very unusual. That was my grandfather’s recipe.”

“I create an environment that feels like home,” says the North Beach restaurateur. “It’s simple food, but it’s good food, and that’s what I like to share with people.”

663 Union, SF. (415) 291-8830, www.cinecittarestaurant.com

MY FATHER’S KITCHEN’S PHO

Henry Nguyen opened the Lower Pacific Heights gem My Father’s Kitchen as a way to keep busy in his retirement. But since the 11-table eatery opened in 2010, it’s become the neighborhood’s go-to spot for traditional Northern Vietnamese comfort food, definitely providing enough work to keep Nguyen on the move.

Nguyen grew up in the city of Haiphong, where his father owned a restaurant. His family’s authentic pho recipe is a consistent favorite among his customers these days, served with a chicken or beef broth and laced with rice noodles and eye of round steak, brisket, and flank.

True to Nguyen’s heritage, My Father’s Kitchen specializes in Northern Vietnamese dishes, which are characterized as being less spicy, without the overpowering flavors found in their Southern counterparts. The tastes of My Father’s Kitchen are balanced, subtle, and soothing. Visitors to one of the many nearby medical facilities take note, Nguyen’s pho is superb if you’re feeling under the weather.

1655 Divisadero, SF. (415) 829-2619, www.myfatherskitchensf.com

TIA MARGARITA’S CHILE RELLENO

For 50 years, Tia Margarita has been an Inner Richmond favorite, with killer Mexican food. Fans might be surprised to learn that the family who owns the local haunt isn’t of Mexican descent.

Today, original owners Alex and Virginia Hobbs’ granddaughter and current manager of Tia Margarita Jennifer Corwin says today’s menu is nearly identical to the kitchen’s offerings from a half-century ago. The bestselling item from that original lineup is still the chile relleno.

“Personally I think it’s very hard to find a chile relleno made properly,” Corwin tells the Guardian. “Usually they are either flat or really greasy. I pride myself on ours. People love them.”

For the more calorie-conscious, Corwin recommends Jennie’s Special, a salad made of black beans, cheese, shredded lettuce, pounded chicken breast seasoned with asada spices, sliced jalapenos, with a creamy dressing — served on the side, of course.

300 19th Ave., SF. (415) 752-9274, www.tiamargaritasf.com

CATHEAD’S BBQ’S DANDELION GREEN POTATO SALAD

When we asked Richard Park if anything on his menu was derived from a family recipe his immediate response was, “oh yeah, basically all of it.” Park and his wife Pam Schafer are the owners of Cathead BBQ in the SOMA. Specializing in some good ‘ole Southern cooking, it seems almost impossible that the menu not include strong familial influences.

Giant buttery breads and Coca-Cola soaked meats are Down South traditions but as far as heritage dishes go, Park recommends his dandelion green potato salad — a fresh spin on one of his German family’s favorites. The dish, often made by her mother and grandmother, is traditionally a piping hot mix of mashed potatoes and dandelion greens. To compliment the finger lickin’ barbeque Cathead is known for, Schafer transformed his childhood favorite into a cold potato salad made with Yukon potatoes, creamy buttermilk, green onion and vinegar dressing, and fresh dandelion greens.

1665 Folsom, SF. (415) 861-4242, www.catheadsbbq.com

AN THE GO’S GARLIC NOODLES

Track down this bright red food truck parked somewhere in the city and expect to find an impressive line. What’s everyone waiting for? The truck’s signature dish: a generous serving of garlic-inflected noodles topped with a skewer of your choice (beef, pork, chicken, shrimp, or veggie). The recipe for these chewy noodles belong to the An family, who opened up one of San Francisco’s first Vietnamese restaurants Thanh Long back in 1971.

The technique involved in cooking the fresh and doughy noodles with a pungent garlic kick is a long-kept family secret. William Norling, who helps run the An the Go food truck, says “everyone always says ‘I tried to make it at home but I can’t make it taste same.’ They’re a funky texture.”

Self-billed as the purveyors of the first garlic noodle on the West Coast, the An family restaurant empire hinges on its family recipe. Maybe secrets don’t make friends, but it sure seems like secret recipes make plenty.

(415) 665-1146, www.facebook.com/AnTheGoSF

FEAST: Adventures in crabbing

Andrew Lam

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March 26, 2013

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brooke@bayguardian.com

FEAST I’ll admit, the prospect of DIY crabbing during our Bodega Bay camping trip was enough to give me pause. But the thought of a pot full of freshly caught crabs cooking over a campfire was enough to kick off a quest to add “amateur crabber” to my resume.

Taking a cue from our stomachs, my camping crew did some research. We needed advice and supplies, and a single trip to the Outer Richmond yielded both.

The owners of Gus’ Discount Fishing Tackle were happy to help some flailing first-time crabber, and outfitted my group with a circular crabbing net, rope, bait bag, and crab measuring gauge. Since we were venturing outside the city for our quarry, we opted to buy bait closer to our crabbing site (the better to avoid a fish-scented car.) Upon our arrival in Bodega Bay, we headed to Diekmann’s Bay Store for frozen mackerel and squid (for the crabs) and deli sandwiches (for the humans.)

Well armed, we made our way to the rock jetty that stretches past the harbor in Bodega Bay’s Doran Park. We picked out a sunny, unoccupied stretch of rock, chopped up some mackerel — the bloodier the better, we were advised, since crabs hunt with their noses — zip-tied our bait bag to the bottom of the net, and tossed it into the bay. Then we got busy chatting, snacking, and getting tips from other crabbers. (One entrepreneurial crab hunter suggested using a barely-open can of cat food as bait, but we stuck with the mackerel and squid to preserve the natural order of things.)

Every 20 minutes or so, we pulled our net in to see if it had snagged any crustacean treasures. We didn’t have much luck snagging specimens that met California Department of Fish and Wildlife size requirements — 5.75 inches for Dungeness (in season until June 30th), four inches for rock and red crabs (in season yearround.) We successfully netted one beefy Dungeness and one rock crab.

One of our neighbors (not the cat food guy) was a little more lucky, and managed to pull in what seemed like buckets of crabs. We begged for tips, but he was using the same trap and same bait that we were. We decided that staking out a good spot on the jetty was everything when it came to crabbing, and noted that many of our more-experienced peers took a more mobile approach to the hunt.

And then: seals. When the other crabbers saw them, they began to pack up and leave. We thought they were cute.

Pro crabbing tip: seals are not cute. If they arrive while your net is submerged, they are most likely after your bait and you are done crabbing for the day. If you stick around, you’d better be OK with your bait cage being dismantled by their nimble maws or losing your bait bag entirely. Or both.

When one of the seals was beelined for our net, we moved to the opposite side of the jetty, but to no avail. Five minutes later, it resurfaced, bait bag in mouth. To the excitement of a pack of squawking seagulls, the seal ripped it open and devoured its contents — the last of our bait.

Bait bag decimated, dreams of crab feast crushed, we headed home with the two crabbies we’d managed to catch.

They were delicious.

GUS’ DISCOUNT FISHING TACKLE

3710 Balboa, SF

(415) 752-6197

www.gusdiscounttackle.com

DIEKMANN’S BAY STORE

1275 Highway 1, Bodega Bay

(707) 875-3517

www.diekmannsbaystore.com

DORAN PARK

201 Doran Beach Road, Bodega Bay

Day use: open 7am to sunset; $7 per vehicle

Campsite: check-in 2pm, check-out 12pm; $26–$32 per campsite

(707) 875-3540