Music video

Roe v. Wade anniversary inspires flash mob, pro-choice rally, and pro-life march in SF

Remember when a dance revolution broke out in Justin Herman Plaza during Occupy San Francisco? This coming Saturday, the same choreographers behind that flash mob for economic justice plan to reignite the public square, this time with a flash mob organized in collaboration with the Silver Ribbon Campaign to commemorate the 40th Anniversary of Roe v. Wade.

“Roe v. Wade is an invitation to really celebrate women, women’s rights and women’s reproductive rights,” says Magalie Bonneau-Marcil, director of Oakland nonprofit Dancing without Borders, who will direct the Jan. 26 flash mob. She expects between 400 and 500 dancers to descend upon the plaza.

The performance is part of a larger event, Women Life & Liberty, organized to commemorate the landmark Supreme Court decision that made abortion legal in the United States. The Trust Women Silver Ribbon Campaign is organizing the free celebration in tandem with the National Organization for Women and a coalition of more than 20 local partners.

“Our sense was, it’s an opportunity to claim and reclaim, and revive our activism around the issues that this event is about,” Silver Ribbon Campaign Director Ellen Shaffer told the Guardian. The rally is part of a national effort that has also launched an “online march” for reproductive rights.

Birth control champion Sandra Fluke, who became the center of a firestorm after being lambasted by Rush Limbaugh for testifying before Congress on the need for access to birth control, will speak at the rally.  Other speakers will include filmmaker and Webby Awards Founder Tiffany Shlain, and San Francisco Supes Malia Cohen, David Campos, David Chiu and Eric Mar, who joined the board in adopting a December resolution commemorating the 40th anniversary of Roe v. Wade.

Meanwhile, an international campaign to end violence against women will also play a role in this weekend’s events. Upon returning to the Bay Area after a dance festival in Europe, Bonneau-Marcil says she saw Eve Ensler’s music video promoting VDay’s 1 Billion Rising Campaign, created to spark a global movement to end violence against women. “I was so moved,” she says.

Inspired, she began making preparations for the Jan. 26 performance and an upcoming Feb. 14 flash mob, to be staged in front of San Francisco City Hall in league with VDay’s global movement.

With recent outrage fueled by the rape and fatal attack in India, the public performances are timely. Bonneau-Marcil describes the public dance gatherings as a way for participants to “share a prayer to create a world free of violence and sexual oppression.” 

But there’s likely to be drama, as the Women Life & Liberty celebration is one of two dueling events. Walk for Life West, essentially the polar opposite of the Trust Women Silver Ribbon Campaign, is being spearheaded by San Francisco pro-lifers Dolores Meehan and Eva Muntean. Now in its ninth year, the annual event will bring hordes of anti-abortion activists to San Francisco, wielding dead fetus photos. They’ll travel from as far away as Nevada, Canada and “all over the Midwest,” according to Muntean. “We have 200 buses coming from all over the West Coast,” she said.

The anti-abortion rally will feature speakers such as Rev. Clenard Childress, who has built a career out of telling right wing Christians that the pro-choice movement is racist. (Seems Childress also spends his spare time penning inflammatory columns suggesting that acceptance of LGBT rights is “a sign of the end times.”)

The pro-life rally will converge at Civic Center Plaza and progress to – where else? – Justin Herman Plaza. There, according to the event page, revelers from the transformative flash mob may still be celebrating. Expect an awkward buzz kill.

This being San Francisco, plans are already being hatched to counter-protest the anti-abortion event. (Muntean emphasized that Walk for Life West should not be interpreted as counter-protest to the Women Life & Liberty event, by the way.)

Stop Patriarchy, made of up activists who are pro-choice, anti-Democratic party, and even anti-pornography since they deem it to be part of the war on women, plans to stage “boisterous and confrontational political protests throughout the week, taking on the Pro-Lifers who will be in San Francisco,” according to a press release. They’ll be there counter-protesting the Walk for Life with banners and signs declaring, “Abortion On Demand and Without Apology!”

Bonneau-Marcil, the flash mob director, says she’s trying to stay out of any back-and-forth that may come from warring factions. “We’re not pointing fingers,” she says. Instead, she’s on a mission to help dancers move in harmony to “access a place where, it’s not about opinions. It’s just about remembering who we are as human beings.”

The Women, Life & Liberty rally will be held at Justin Herman Plaza from 10 a.m. to noon. The Dancing Without Borders flash mob performance will take place at 11:30. Anyone can join the flash mob after attending two rehearsals: more info here. The Walk for Life West rally will converge at 12:30 at Civic Center Plaza and begin the procession to Justin Herman at 1:30. More info here, here and here.

Music Listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 16

ROCK/BLUES/HIP-HOP

Blues Organ Party with Big Bones and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Gunshy Johnny Foley’s. 9pm, free.

Lee Huff vs Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Michael Hurley, Cass McCombs, Jessica Pratt Great American Music Hall. 8pm, $15.

Jerry Joseph, Shelley Doty, Fred Torphy, Marc Friedman Brick and Mortar Music Hall. 8pm, free.

Keith Crossan Blues Showcase with Terry Hanck Biscuits and Blues. 11:30pm, $15.

Parquet Courts Hemlock Tavern. 8:30pm, $8.

Paulie Rhyme, Sweet Hayah, Aisha Fukushima, Bottom Hammer Elbo Room. 9pm, $7.

Todd Sickafoose’s Tiny Resistors, Erik Deutsch Band, Adam Levy Cafe Du Nord. 8pm, $10-$12.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Latin Jazz All-Stars feat. Steve Turre, Chembo Corniel, Arturo O’Farrill, Nestor Torres Yoshi’s SF. 8pm, $25.

Reuben Rye Rite Spot. 9pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 17

ROCK/BLUES/HIP-HOP.

Adios Amigo, City Tribe, Ghost Tiger Cafe Du Nord. 9pm, $10.

Big Tree, Strange Vine, Bonnie and the Bang Bang, Owl Paws Bottom of the Hill. 8:30pm, $10. "Songs for Sandy: Hurricane Relief Show."

Broadway Calls, Silver Snakes, Civil War Rust Thee Parkside. 9pm, $10.

Eskmo Independent. 9pm, $20.

Hammond Organ Soulful Blues Party with Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Lawton Trio Johnny Foley’s. 9pm, free.

Knocks, Gemini Club, popscene DJs Rickshaw Stop. 9:30pm, $13-$15.

Mark Matos and Os Beaches, Van Allen Belt, Sasha Bell, Crushed Out, DJ Neil Martinson Brick and Mortar Music Hall. 9pm, $6-$10.

Run Amok, Parae, Scarlet Stoic Sub-Mission. 8:15pm, $8.

Eric Sardinas Biscuits and Blues. 8 and 10pm, $20.

Nathan Temby vs Lee Huff Johnny Foley’s Dueling Pianos. 9pm, free.

Trampled By Turtles Fillmore. 8pm, $25.

JAZZ/NEW MUSIC

Latin Jazz All-Stars feat. Steve Turre, Chembo Corniel, Arturo O’Farrill, Nestor Torres Yoshi’s SF. 8pm, $25.

Midnight Flyte Rite Spot. 9pm, free.

SF Jazz Hotplate Series Amnesia. 9pm.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Get Down Boys Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 8-10pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker and Senor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Pan-Pot, Alex Sibley Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 18

ROCK/BLUES/HIP-HOP

Asesino, Verbal Abuse, Embryonic Devourment, Psychosomatic DNA Lounge. 7pm, $16.

Back Pages Johnny Foley’s. 9pm, free.

"Bands4Bands Showcase" Slim’s. 8pm, $13. With Kaos, Potential Threat, Mystic Rage, Star Destroyer.

Black Cobra, Glitter Wizard, Lecherous Gaze Brick and Mortar Music Hall. 9pm, $10-$13.

Jake Bugg, Valerie June, popscene DJs Rickshaw Stop. 9pm, $15-$17.

Commissure, Let Fall the Sprarrow, Skyscraper Mori Hemlock Tavern. 9:30pm, $7.

Fidlar Amoeba Music, 1855 Haight, SF; www.amoeba.com. 6pm, free.

Fidlar, Pangea, Meat Market Bottom of the Hill. 9pm, $10.

Hammond Organ Soul Blues Party Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Lee Huff, Jeff V., Rags Tuttle Johnny Foley’s Dueling Pianos. 9pm, free.

Native Elements, Jah Yzer Elbo Room. 10pm, $10.

Johnny Rawls Biscuits and Blues. 8 and 10pm, $20.

Ty Segall Fillmore. 9pm, $22.50.

Tell River, Anju’s Pale Blue Eyes, Hang Jones, Gayle Lynn and the Hired Hands Cafe Du Nord. 9pm, $8.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9Pm, $10.

George Duke Yoshi’s SF. 8pm, $32; 10pm, $24.

Lee Vilenski Rite Spot. 9pm, free.

FOLK/WORLD/COUNTRY

Alex Pinto Trio Red Poppy Art House. 8pm, $8.

Queer Cumbia Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8pm, $3-$7. Musica tropical, cumbia, merengue.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern. 9pm, free.

Hella Tight Amnesia. 10pm, $5.

Sebastien Drums, Justin Milla Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

"Save KUSF Benefit" Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 9pm, $5. With KUSF in Exile DJs Zoe, Stoo Odom, Brian Springer.

SATURDAY 19

ROCK/BLUES/HIP-HOP

Chris A., Jeff V., Lee Huff Johnny Foley’s Dueling Pianos. 9pm, free.

Bay Area Heat Johnny Foley’s. 9pm, free.

Buttercream Gang, Youth of the Beast, Apopka, Darkroom Thee Parkside. 9pm, $7.

Hammond Organ Soul Blues Party Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Kowloon Walled City Hemlock Tavern. 9:30pm, $7.

Femi Kuti and the Positive Force Fillmore. 9pm, $35.

London Souls, Major Powers and the Lo-Fi Symphony, Wake Up Lucid Bottom of the Hill. 9:30pm, $12.

Maria Muldaur Biscuits and Blues. 8 and 10pm, $20.

Mustache Harbor Slim’s. 9pm, $20.

Paperplanes Riptide Tavern. 9:30pm, free.

Pinback, Judgement Day Bimbo’s. 9pm, $25.

Trails and Ways, Tremor Low, My Satellite Cafe Du Nord. 9pm, $10.

Turtle Rising Thee Parkside. 3pm, free.

Wayne Wonder, Joshua, Selecta Dans-One, DJ Rob Roots Brick and Mortar Music Hall. 9pm, $20-$25.

Yo La Tengo Amoeba Music, 1855 Haight, SF; www.amoeba.com. 3pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

George Duke Yoshi’s SF. 8 and 10pm, $32.

Project Pimento Rite Spot. 9pm, free.

FOLK/WORLD/COUNTRY

Steph Macpherson Brainwash Cafe. 8pm.

Razteria a.k.a Renee Asteria Neck of the Woods. 9pm, $10-$15.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20 St, SF; www.atlascafe.net. 4-6pm.

DANCE CLUBS

Bootie SF: SF vs LA vs NYC DNA Lounge. 9pm, $10-$15. With Mykill, Faroff, Billy Jam, and more.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Oakland Faders dance party Rickshaw Stop. 9pm, $5.

OK Hole Amnesia. 9pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Scotty Boy Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, Phengren Oswald.

Smiths Party Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, $5. Sounds of the Smiths, Morrissey, the Cure, and New Order.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 20

ROCK/BLUES/HIP-HOP

Beso Negro, Sage, Steakhouse Cafe Du Nord. 8:30pm, $10.

Down, Warbeast Regency Ballroom. 8pm, $25.

Easway, King Pin, Ellie Cope Slim’s. 8pm, $15.

Giggle Party, Bella Novela, Spider Heart Bottom of the Hill. 9pm, $8.

Hammond Organ Blues Party with Lavay Smith and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Lawton Trio Johnny Foley’s. 9pm, free.

Harvey Mandel and the Snake Crew Biscuits and Blues. 7 and 9pm, $20.

Mike Giant and DJ Dougernaut Hemlock Tavern. 10pm, free.

JAZZ/NEW MUSIC

Collaboration feat. Dee Lucas, Joel Del Rosario, Sure Will Yoshi’s SF. 8pm, $32; 10pm, $24.

Linda Kosut, Benn Bacot Bliss Bar, 4026 24 St. SF; www.blissbarsf.com. 7pm, $22.

FOLK/WORLD/COUNTRY

Brazil and Beyond with Sandy Cressman Trio Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

Paula Frazer, Rusty Miller, New Family Band Rite Spot. 9pm, free.

Hillbilly Swing with B Stars Amnesia. 9pm, $7.

Twang Sunday Thee Parkside. 4pm, free. With Nobody From Nashville.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free. With Chef Josie and DJ Motion Potion.

Dub Mission Elbo Room. 9pm, $8-$11. With Nickodemus, Spy from Cairo, DJ Sep.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 21

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

White Cloud, Tears Club, Spectre, Grill Cloth Elbo Room. 9pm, $5.

Quicksand, Title Fight Regency Ballroom. 8pm, $28.

JAZZ/NEW MUSIC

Craig and Meredith Rite Spot. 8:30pm, free.

Mike Olmos Jazz Biscuits and Blues. 7:30pm, $12.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. With Decay, Joe Radion, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 22

ROCK/BLUES/HIP-HOP

Dubious Ranger, Sunrunners, Grahame Lesh, Midnight Snackers Elbo Room. 9pm, $8.

Fat Tuesday Band Biscuits and Blues. 8 and 10pm, $15.

God Module, Mordacious, Flesh Industry DNA Lounge. 9pm, $12.

Hot Fog, Buffalo Tooth, Wild Eyes, DJ D’Sasster Riptide Tavern. 9:30pm, $6.

Li Xi, Former Friends of Young Americans, Ash Reiter Amnesia. 9pm, $7.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Muriel Anderson with Tierra Negra Yoshi’s SF. 8pm, $20.

FOLK/WORLD/COUNTRY

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8:30pm, $5.

DANCE CLUBS

KPT F8, 1192 Folsom, SF; www.feightsf.com. 9pm, $5.

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

Still the fairest

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arts@sfbg.com

FILM One of the few upbeat by-products of the increasing infantilization of popular movies is that the same impulse to dumb down live action for permanently adolescent tastes also raises the bar for animation, which no longer has to target grade schoolers as its primary audience. Even not-so-special 2012 had more sophisticated and interesting animated features than you’d find in any given year a couple decades or more ago. Wreck-It Ralph won’t win the Best Picture Oscar. But it will almost certainly be better than whatever movie does.

The notion that adults actually want to see full-length cartoons, however, seemed preposterous to myriad soon-to-be-crow-eating people 75 years ago. That was when Walt Disney unleashed Snow White and the Seven Dwarfs on the public — to an enormous success no one had predicted. In fact, all bets were placed on “Disney’s folly” sinking the studio that had foolishly invested all its resources (and a lot of borrowed money) in a venture whose cost overruns and dim prospects had been the talk of Hollywood. (No doubt a few studio heads were happily anticipating hiring Walt’s newly at-liberty talent at cut rates for their own animation divisions.)

http://www.youtube.com/watch?v=5kWr9e4JN5I

Of course, the naysayers were proven wrong — opening up the floodgates to more cartoon features, then Disney live-action films, nature documentaries, TV series, theme parks … a whole empire of “brand” that for better and worse has shaped American culture (and its perception abroad) ever since. The double-disc 2009 DVD release of Snow White features, among its extras, one latter-day observer calling the film “one of the great American success stories of all time.” (The official Disney history offered up in such self promotional products is relentlessly hyperbolic. The same package also offers an “all-new music video” rendition of “Someday My Prince Will Come” by one Tiffany Thornton that is so horrifyingly kitsch you can be sure it will be erased from the official Disney history forthwith.) Snow White would set a record for being the highest-grossing film of all time — but not for long, since a little thing called Gone with the Wind came out in 1939 and stole that title for another quarter-century.

I doubt Mr. Disney could have imagined the world in which his Snow White — which plays the Castro in a newly restored digital print this week, by the way — would be celebrating that septuagenarian anniversary. One in which prevailing tastes decreed two big-budget live-action spins on that same Bavarian fairy tale would be among 2012’s major releases for grown-ups; a mass murder of his target demographic would dominate year-end news; and the unions he famously opposed would be popularly vilified.

That ripple effect is more than this movie should have to bear — let alone that it was apparently Hitler’s favorite. Because Snow White is still a charmer, gorgeous in the depth and detail of its backgrounds, seamless in traversing the bridge between score and song, and timelessly adorable (to use the heroine’s favorite adjective).

It seems less dated than just about any other movie from 1937, even if Snow White herself remains an insipid blank with the voice of Betty Boop doing operetta. (Subsequent Disney cartoon heroines would be feistier, though heroes would remain problematic — Walt’s animators found Snow’s Prince Charming so difficult to depict they wound up simply cutting his screen time to the bone.) The most one can say for her is that she seems to have majored in Home Ec, though the evil queen hooked on being “fairest of them all” kick-started a fine legacy of excellent Disney villains. (Notably absent were such grisly original fairy-tale details as the step mum’s death from dancing in red-hot iron shoes at Snow’s wedding.)

You can blame Snow White for cementing Disney’s transition from the rambunctious to the harmless. But 75 years later that formula still works — in this instance, at least. The art itself remains near-timeless, even if the subsequent Pinocchio (1940) and Bambi (1942) are arguably much better films. Few movies had anywhere near the same impact, on the medium’s development or life in general.

It had a more direct impact on the Radio City Music Hall, whose seats had to be replaced after a record-breaking run because children kept wetting themselves during the scarier sequences. Adorable! 

SNOW WHITE AND THE SEVEN DWARFS

Wed/2-Sun/6, 1:30, 3:45, 6, and 8:15pm

Castro Theatre

429 Castro, SF

www.castrotheatre.com

 

Balkan brass blowup

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emilysavage@sfbg.com

Tofu and Whiskey If you’re going to book a Balkan-influenced band, don’t expect the crowd to stay put. The Bay Area’s Inspector Gadje, an offshoot of the Brass Liberation Orchestra, usually packs in around 15 players, including 12 on horns and three percussionists. When the raucous group came marching through the wilderness (read: Golden Gate Park) during Outside Lands, it filled in crevices between trees, and created an instant party atmosphere between the main stages. Those fast-walking through the thoroughfare of Choco Lands stopped in their tracks, surrounded the group, and started dancing, against everyone’s better judgment. It all happened in the blink of a dirt-lodged eye.

“A lot of Balkan music has a great ‘party’ feel to it…even when the music includes moments or textures that might have a darker feel, the music is played with an undeniable exuberance,” says Oakland’s David Murray. “The rhythms of the Balkans; Greece, Macedonia, Serbia, Bulgaria, etc., include many unusual time signatures that are compelling and especially attractive to musicians.”

Murray, a graphic designer by trade, is one of those musicians — he’s been playing bouzouki in Greek Rebetika band Disciples of Markos since 2004, and also plays fiddle in the Squirrelly Stringband, which is the house band for the North Oakland square dance (a “monthly underground hillbilly dance party,” as he describes it). As a combination of his art and music backgrounds, he also produces and designs albums for the Dust-to-Digital record label, which specializes in reissuing obscure folk and world music.

His newest project, however, is all about the music of the Balkans. He began the Berkeley Balkan Bacchanal (berkeleybalkanbacchanal.com) music series at Berkeley’s Starry Plough in October 2011. He got the idea after meeting like-minded acts in the Bay Area, with affinities for Southeastern European styles of music. In the past year or so, the monthly Balkan showcase has seen performances by Murray’s band, along with Inspector Gadje, Zoyres, Veretski Pass, Janam, Gadjitos, and a dozen or so more.

The last Berkeley Balkan Bacchanal of 2012 takes place this week, with Fanfare Zambaleta, “Middle Eastern marching band” MWE, and Helm, a group that specializes in Turkish classical and pop music (Thu/20, 8pm. Starry Plough, 3101 Shattuck, Berk. www.starryploughpub.com). Murray says MWE, which includes three or four horns and the wailing Turkish reed (zurna), is known to play in the middle of the dancefloor with the crowd dancing around them. See? Instant party music.

I asked Murray if it’s been challenging to track down acts for this series, as it has such specific influences but he shut that down quick: “No, it hasn’t been difficult at all. There are a lot of great bands around here that fit into the theme of our series. At one point there were no less than three Balkan brass bands in town…And because we don’t mind pushing the boundaries of the Balkans to include neighboring influences, we’ve been able to feature bands that play Algerian music, Persian, and more.”

He added in some historical links, for good measure: “The Bay Area has a very vibrant Balkan music scene, which has some interesting origins in the 1960s, with bands like Kaleidoscope. The early California Renaissance Fairs provided an early outlet for many Balkan musicians, and music camps, such as Lark Camp in Mendocino, have been inspiring and teaching musicians for generations.”

As a novice listener, I’ve (admittedly) grown interested in Balkan sounds via more mainstream bands that have remote influences from the regions, acts like Balkan Beat Box and early Beirut, which typically blend sounds and instruments from a variety of places with pop and folk influences; but also thanks to Gogol Bordello and, more recently, Inspector Gadje, which is more purely influenced by the Balkan style.

“I tend to avoid bands that are actively ‘fusion,’ it doesn’t interest me much, especially bands that combine many styles,” Murray says. “It seems, to me, to usually dilute the very thing that makes the music interesting to begin with. But I’m sure there’s a wide range of opinions on this subject among the various bands and audience members.”

He says he’s more interested in bands that dig deep into the music they play, understanding the history and playing it in an authentic style. He brings up local bands such as Veretski Pass, which plays klezmer with accordion, fiddle, and bass, but also has studied the Jewish music of the Carpathian mountains, noting that the band will be back to the Starry Plough Jan. 17 for an all-klezmer night with the Gonifs.

But Murray points out that this doesn’t mean the acts of the Berkeley Balkan Bacchanal are rigid. “…that’s not to say that these bands are stuffy academics or that they don’t play with styles to some degree. On the contrary, most of the players are young and bring the music to life in a vibrant way that gets heads bobbing and feet dancing.”

“A great example is the Mano Cherga band, which played in September, and sounds like a Serbian party band you’d hear at a drunken wedding bash.”

Bring on the brass and vodka.

 

A VERY CASTLE FACE CHRISTMAS

There are a number of reasons why A Very Castle Face Christmas is an obvious choice. There’s performances by Thee Oh Sees, Blasted Canyons, Warm Soda, and recent GOLDIES winner the Mallard. Plus, it’s a benefit for the Coalition on Homelessness in SF, a very worthy cause. There’s also the added bonus of the venue itself. I just this week finally made it to a show at newish Mission venue the Chapel, and it was, frankly, charming — from the dark-wood high beam arched ceiling, to the multiple bars (three), to the band-watching angles (you can see from the main room, the balcony, and the soon-to-be-restaurant, plus there are flatscreens linked to cameras fixed on the stage). Win-win-win. Thu/20, 8:30pm, $15. Chapel, 777 Valencia, SF; www.thechapelsf.com.

 

HIGH ON FIRE

Following front person Matt Pike’s treatment for alcohol addiction, Oakland’s beloved stoner metal act High on Fire is back. Well, technically, the band has been back for about a month, touring the country on most recent release De Vermis Mysteriis. But this will be it’s first big show back in the Bay, where it belongs. With Goatwhore, Lo-Pan. Sat/22, 9pm, $21. Slim’s, 333 11th St., SF. www.slimspresents.com.

CHURCHES

Remember this summer, when distortion-loving East Bay act CHURCHES was Kickstarting a record written for the pro-marriage equality cause? The band — led by Caleb Nichols of Port O’Brien and Grand Lake, Pat Spurgeon of Rogue Wave, and Dominic East — exceeded its goal, and that seven-inch (LOVELIFE) will see release at Bottom of the Hill this week. The trio also released a music video in conjunction with the record: interspersed with the band playing is a classic family portrait set-up with scenes of smiling families, and CHURCHES with their friends and loved ones, including Nichol’s fiance, Grand Lake drummer John Pomeroy. With Tijuana Panthers, Toshio Hirano. Sat/22, 9pm, $12. Bottom of the Hill, 1233 17th St., SF; www.bottomofthehill.com

GOLDIES 2012: WATERS

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GOLDIES “It’s been a great year for me,” says Van Pierszalowski, slightly out of breath after pushing his bicycle up a seriously steep hill. “It’s been the first year that I’ve lived anywhere in a long time.”

Pierszalowski has been part of the San Francisco indie rock scene for years, first with Port O’Brien and now with WATERS, but he hasn’t actually lived in the Bay Area since his days at UC Berkeley. He’s been mostly out on the road, couch-hopping at friends’ houses upon return, spending summers fishing in Alaska with his father — or in Oslo with his European girlfriend, Marte Solbakken, who also plays in WATERS.

But in 2012, following positive reviews for 2011’s Out In The Light (TBD Records), his debut album as WATERS, he’s finally on dry ground. He’s got a somewhat permanent structure — an apartment he shares with Solbakken — on the top of Potrero Hill, and a part-time job at the bottom of those hills, at Four Barrel.

“I haven’t had a job, other than music and fishing, since college,” he says with a laugh. “Finally I’m not touring for a little while, and I’m just concentrating on writing songs, and I wanted my days to have a little more structure. So I sought out a job — I love coffee and I love Four Barrel.”

Java-brewing skills aside, Pierszlawski’s been garnering notice from music fans for other reasons: his earnest, salty sea-referencing lyrics; matured and more aggressive vocals; grungy, fuzzed out guitar-work; and seriously tripped-out music videos. As far as imagery goes, there’s a lot to take in with the video for “For the One” — flaming dream catchers, creepy convenience store clerks, acid-laced dreams, purplish starry nightscapes that look like screensavers for Windows 95, extras fleeing through smoke machine fog, and Pierszalowski riding his bicycle through a tunnel full of trash and glitter. https://www.youtube.com/watch?v=JIOJkUFTiwY

It’s kind of what WATERS is all about, the light and the dark, the weird and the weirdly confident, the grungier moments of the ’90s, soulful voyages through choppy seas, the hooks (pop and otherwise), a fisherman in a flannel.

Then there’s the more straightforward tour video for sparkly, garage-punk standout track “Back to You,” and two for moodier, yearning acoustic single “Mickey Mantle” — one clip that’s of Pierszalowski with a guitar on a rooftop, and the other a zoomed-in snapshot of his day — created for the 48-hour Music Video Race this spring. Live, the song’s a crowd-pleaser in which he pleads, “forever, forever” and gets the audience chanting the word back to him. https://www.youtube.com/watch?v=izgmACVXVBA

Pierszalowski also toured a whole lot with WATERS this year, opening for Delta Spirit across the US and Nada Surf throughout Europe. But WATERS’ biggest moment came this summer, when the band topped a bill at Brick and Mortar Music Hall.

“It was the first WATERS headlining show and I was super nervous and anxious about it. I thought no one was going to come. I could feel that my mood for the next while was dependent on how it would go,” he says. “To my great surprise, it was an amazing turnout. It was packed, and people knew the songs and were singing along and dancing. It just really felt like almost a solid year of promoting the album had paid off. And I know that’s not a huge deal, but it kind of is to me. It felt like the start of something new.”

With a boyish gleam of hope in his eyes, he adds, “Getting to play for people in San Francisco, on our own, felt infinitely more powerful than any of those [previous] experiences.”

Plus, now that he’s got his own apartment in SF, it probably didn’t take him too long to find his way home after the show.

That special Christopher Owens show at the Lodge

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The show was being filmed for a music video, and the crew told people in the front row that they might get photographed for reaction shots. When I mentioned to the couple next to me that a sure fire way to get on camera was to cry, the apparent director turned around from where he was kneeling near the stage and said, “I’ll pay $500 dollars if you do it,” before adding, “but I think you might cry anyway.” In his first performance since breaking up his former band, Girls, Christopher Owens was set to debut an entire album of new material, and it sounded like a tear-jerker.

Having never been to the room before – the “Lodge” at the Regency Ballroom – I arrived early, expecting a dark basement packed with 300 sweaty bodies jockeying for a spot up near the stage. Instead, what I found on the third floor was an experience similar to the Swedish American: a clean, well-lit room in which to listen to live music.

Seats were set out for the show, and on each one was a dated program for the evening, complete with a setlist and band credits, a special theatrical touch that invoked high-art rather than pop rock. Clearly, along with the taping, Owens meant for it to be a special – or at least different – occasion, and had special requirements of the crowd, which some people did not appreciate.

The stage was set with a large backdrop of a dusty road leading out between a forest. Lysandre is a concept album (which Owens has already explained) based around the first Girls tour in 2008. The backdrop signaled the travelogue aspect, as well as a classical element. It could have been a leftover from a community Shakespeare troupe, and when the show began with a theme that would repeat throughout, complete with Jethro Tull-esque flute from Vince Meghroni, there was a definite old world feel.

This theme alternated with roots rock Americana for the first half of the show, a rising energy that then mellowed out. On one track, Owens detailed the rush of arriving in NYC with the band, singing a chorus of “Here we are in New York City, everybody’s listened to me / Rock and roll in NYC” with a Banana Splits meet “New York, New York” upbeat simplicity.

As it switched over to one of the obviously sad songs, “A Broken Heart,” there was a definite comedown. On the first listen, Lysandre is beset with conflicting emotions, the highs of being on the road and meeting sudden popularity, compete with falling in love, and subsequent breakups occur with both. At times, it seems like personal issue ruined what should have been a great time.

On “Here We Go Again,” the album’s fight song, Owens warns, “Don’t try to get me down, don’t try to harsh my mellow” as the guitar player kicks the theme into its highest pitch, angrily stretching the notes out. But elsewhere, it’s the exact opposite: in closing the album, there are a succession of goodbyes, with the lament that there were always “a couple hundred people in the way.”

In the show’s encore, Owens resisted falling to his back catalogue, and instead played what seemed to be obvious influences on the sound and themes of Lysandre: into the great wide open of Cat Steven’s “Wild World,” the triumphant loneliness of NYC in Simon and Garfunkel’s “The Boxer,” pining for love with “Let It Be Me,” and breaking up on Bob Dylan’s “Don’t Think Twice, It’s All Right.”

Against these songs, Lysandre at times risked seeming overly saccharine. (“Kissing and hugging is the air that I breathe/ I’ll always make time for love,” was pushing it in this regard.) But the sunken-eyed Owens – who spoke with an endearing twinge of nervousness between songs – seemed well aware of the risk.

“What if everyone thinks I’m a phony? What if no one gets it? What if everyone gets sick of love songs?” he asks midway through Lysandre. But with a shrug he continues on to the chorus, “Beauty is in the eye of the beholder, love is in the ear of the listener.”

Our Weekly Picks: November 7-13

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WEDNESDAY 7

Twin Sister

At times romantic and sultry but also plenty psychedelic, Twin Sister will bring its energetic, upbeat dream-pop back to San Francisco this week. Singer, Andrea Estella, an artist who also works in water color and sculpture, is decidedly nymph-like with her hypnotic voice and pixie features. And if that’s not entrancing enough, she’s backed by a collaboration of Brooklyn musicians who handle their instruments (keyboards, synths, and melodica to name a few) with thoughtful precision. If you’re lucky, they may throw in some acoustic versions, but you’ll have to come and find out for yourself. (Molly Champlin)

With Melted Toys, Some Ember, and Yalls (DJ set)

8pm, $10

Rickshaw Stop

115 Fell, SF

(415) 861-2011

www.rickshawstop.com


THURSDAY 8

San Francisco Transgender Film Festival

With Cloud Atlas co-director Lana Wachowski (and her fab pink hair) all over pop culture media these days, trans filmmakers have never enjoyed a higher profile. But the artists who’ve participated in the San Francisco Transgender Film Festival, now in its 11th year, don’t need Hollywood to assure them of their talent. The 2012 fest is the biggest ever, with three nights of globally-sourced short films (“enticing tales of defiance, bullying, relationships, sex, humor, enchantment, romance, and zombies”), plus a performance spectacular (with Sean Dorsey Dance, Eli Conley and the Transcendence Gospel Choir, and more). Previous fests have sold out lickety-split, so buy your tickets ASAP. (Cheryl Eddy)

Thu-Sat, 8pm; Sun, 7pm, $12–$15

CounterPulse

1310 Mission, SF

www.sftff.org

 

Wet Paint

Contrary to popular belief, the Beats were not just an old boys’ club. Bay Area painter Jay DeFeo stands as a contradiction to the flat female characters you’ll encounter in a Kerouac novel. She pushes boundaries alongside all persuasions of painters. Her work lays the paint thick, looking at light, nature, and the body to find the abstract in the real and vice versa. In conjunction with her retrospective at SFMOMA will be a performance of Wet Paint by Kevin Killian (maybe you know him as a poet, editor, and award-winning author of gay erotic fiction). The play about DeFeo’s life will be performed by the Poets’ Theater and should be a great way to learn the background of her art and ties with the beat movement. (Champlin)

7pm, $10

San Francisco Museum of Modern Art

151 Third St., SF

(415) 357-4000

www.sfmoma.org

 

Maya Jane Coles

If London producer and DJ Maya Jane Coles has made a statement in her so far short and rapid ascension in the dance music world, it was with the title of her 2011 EP, Don’t Put Me in Your Box. Whether under her own name, dubstep alias Nocturnal Sunshine, or as part of dub duo She Is Danger, Coles has resisted the contrived hooks and familiar samples that promise EDM success, instead forging a path through deep house, delivering independent productions with her personal stamp on everything from vocals to visual design. Noted in the press for being both a breakthrough artist and still quite young, Coles is worth paying attention to as she prepares her eagerly awaited full-length album. (Ryan Prendiville)

With Moniker, Brian Bejarano

9pm, $20

Monarch

101 Sixth St., SF

(415) 284-9774

www.monarchsf.com


FRIDAY 9

“Flamenco en Movimiento”

The emphatic swirl of voluminous skirts, the pounding of heels against the floorboards, the mesmerizing stop-start rhythms, the rose gripped in the teeth, the ache of tight pants … Spanish flamenco dancing and music, bursting with full-throated emotion and thrilling restraint, can be addictive. The Bay Area certainly loves it: flamenco has been eliciting hearty “olé!”s in a new wave of wine bars, beer halls, and Spanish restaurants over the last few years. We’re also home to some incredible flamenco troupes, especially Theatre Flamenco of San Francisco, led by brilliant director Carolyn Zertuche and celebrating its 46th year. Her company’s annual show (this year called “Flamenco in Motion” in English) blew me away last year: the passion, technique, and gorgeous live music emanating from the stage were spellbinding. And I’m no drama queen! If you need a shot of strings-free emotional beauty in these trying times, here’s your best bet. (Marke B.)

8pm (also Sat/10 at 8pm and Sun/11 at 2pm), $20–$40

Cowell Theater, Fort Mason

Marina Blvd, SF.

(415) 826-1305

www.theatreflamenco.org

 

Christopher Owens

It was only in July that with a few tweets Christopher Owens announced the break up of his breezy, garage rock infused pop band Girls. Owens cited personal reasons — as if there were any other kind — but promised that he would continue to make music in some other form. Just as quickly as that news came, the songwriter has turned around and scheduled a solo date, premiering an entirely new road-trip themed album called Lysandre, at an intimate performance above the Regency Ballroom. A special peek at the album due for release in January, this show will also be filmed for a music video. (Prendiville)

9pm, $20

The Lodge at the Regency Ballroom

1300 Van Ness, SF

(800) 745-3000

www.theregencyballroom.com

 

“Forever Natalie Wood”

Natalie Wood was a child star (1947’s Miracle on 34th Street) turned teenage Oscar nominee (1955’s Rebel Without a Cause) turned Hollywood legend (1961’s West Side Story; 1961’s Splendor in the Grass) turned celebrity tragedy (after her mysterious 1981 drowning death at age 43). Marc Huestis curates a special tribute to the gone-but-never-forgotten icon with three days of films (all of the above save Miracle, plus 1966’s This Property is Condemned; 1962’s Gypsy; 1963’s Love With the Proper Stranger; 1969’s Bob & Carol & Ted & Alice; and 1965’s Inside Daisy Clover), including an appearance by Natalie’s sister (and Bond girl) Lana Wood before the Saturday night centerpiece screening of Splendor. (Eddy)

Through Sun/11

Castro Theatre

429 Castro, SF

www.castrotheatre.com


SATURDAY 10

Jon Spencer Blues Explosion

Jon Spencer has been pushing the boundaries of modern rock for nearly 30 years now, first with Pussy Galore, which brought new meaning to the union of the words noise and art, and he has continued to light up stages with his electric live presence with several other projects, notably Boss Hog, Heavy Trash, and the Jon Spencer Blues Explosion. With its first new record in eight years, Meat and Bone, dropping earlier this year, Blues Explosion — which also features Judah Bauer and Russell Simins — is hitting the road once again to testify to the power of rock’n’roll. (Sean McCourt)

With Quasi.

9pm $21–$23

Great American Music Hall

859 O’Farrell St., SF

(415) 885-0750

www.slimspresents.com

 

La Sera

These jangly, melancholic pop songs might sound a bit familiar to you. Brooklyn singer-songwriter Katy Goodman, the woman behind La Sera, is also “Kickball Katy,” one third of the indie rock band Vivian Girls. This year’s Sees the Light is Goodman’s second solo release under the La Sera moniker. It’s a rollicking break-up album that leaves you, after many powerfully emotional highs and lows, feeling not downtrodden, but empowered. Layers of distorted sound create a dreamy, escapist pop landscape, at times blurring the lines between pop and punk rock. La Sera is one of the first indie artists to perform at the Chapel, the Mission’s brand new music venue. (Haley Zaremba)

9:30pm, $10

Preservation Hall West at the Chapel

777 Valencia, SF

www.thechapelsf.com


SUNDAY 11

“Animating Dark Dreams: The Films of Jan Svankmajer”

Some of the creatures by Czech animator and puppeteer, Jan Svankmajer, seem like they were plucked out of David Bowie’s Labyrinth. If you were into the flying gremlins in Magic Dance and Escher-world ending, this double feature should be a no-brainer. Svankmajer’s films are a bit more gruesome than stealing someone’s baby, though, and are deepened with inspiration from classic stories. Lunacy (2000), based on several shorts by Edgar Allen Poe, goes for the philosophical horror while Little Otik (2005), based on a Czech folktale, shockingly captures the gore of child-rearing. A few things to look forward to: dancing slabs of meat, hair eating, and a devious tree-stump baby. (Champlin)

2pm, 4:30 p.m., $10 each

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org


MONDAY 12

Titus Andronicus

Titus Andronicus stunned everyone in 2010 when The Monitor, a ridiculously ambitious civil war-themed concept album, turned out not to be meandering celebration of its own complexity, but a powerful, masterfully written opus. Now, with 2012’s Local Business, Titus Andronicus is eschewing high-brow theatrics and multi-instrumental recordings for a simple, down-and-dirty rock album, intended as a marriage of its recorded work and its remarkably energetic, guitar-heavy live sound. In Local Business singer and driving force Patrick Stickles howls about stigmatized subjects relevant to his own life, like deteriorating mental health, and male eating disorders. 2012’s Titus Andronicus may not be grandiose, but it’s definitely badass. (Zaremba)

With Ceremony

8pm, $19

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

Napalm Death

Hailing from Birmingham, England — the same industrial city that gave birth to Black Sabbath — British grindcore pioneer Napalm Death has been pummeling listeners since the mid 1980s. Though the band has gone through a multitude of lineup changes over the years, key members, including Shane Embury and Mark Greenway, continue to lead the group to success. Returning to the US in support of its new album, Utilitarian, its 15th release, the quartet joins local rockers Municipal Waste, Exumed, Attitude Adjustment, and Impaled at what is guaranteed to be a most brutal night of extreme music.(McCourt)

7pm, $12–$16

Oakland Metro

630 Third St., Oakl.

www.oaklandmetro.org

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Lightning strikes twice

0

emilysavage@sfbg.com

TOFU AND WHISKEY If experimental artist Nick Zammuto was pulling from a storied sample library after all those years with beloved former band the Books, he’s now building from scratch with his new band, Zammuto. The first Zammuto record sprang from a more angsty place, a fear of the unknown after the breakup of the Books. Skyping from a McDonald’s in Springfield, Mass., a humble Zammuto admits to fears about “lightning striking twice,” regarding his musical evolution.

His fears are unwarranted; the Zammuto self-titled debut (Temporary Residence, 2012) is as invigorating as it is multifaceted; mixing classic pop sensibilities with digital burps, buzzy electronics, sampled found objects, and still a more traditional band set-up than the Books, the artist has again found his own creative niche: the mad scientist family man, digging through crates of toys and creating emotional connections with the sounds he squeezes out of them. And he’s kept his humor in tact, with tracks titled “Zebra Butt,” “Groan Man, Don’t Cry,” and “FU C-3PO.”

Zammuto, the band, travels to the Independent this week (Sat/3, 9pm, $15. 628 Divisadero, SF. www.theindependentsf.com) but it’s been to SF once before. It came out west this spring to open for Explosions in the Sky at the Palace of Fine Arts. And after that show, Zammuto met some young Australian rockers. I’ll let him tell the story:

Nick Zammuto I was at the merch table, and this group of Australians comes up and buys everything on the table. I’m like, ‘you guys look like you’re in a band or something.’ And they’re like, ‘oh yeah, we’re Gotye.’ And I’m like, ‘cool, I’ve never heard of you, I’ll check it out.’ Literally, in that moment, they had the number one single in like, eight countries. I felt like a moron. Two weeks later I got a call from Wally [De Backer] to come tour with them, so we ended up playing seven shows with them. I live under a rock, I don’t have time for anything except working in my studio, and playing with my kids.

San Francisco Bay Guardian Has having children has affected your music?

NZ I have all boys, three sons, who are six, three, and one, you can’t help but live vicariously through them, because they experience life in such directness. I think it’s tuned me in to a simpler way of looking at things, and to be around that kind of innocence is inspiring. Just the sense of wonder they have is infectious.

SFBG How has your approach to songwriting shifted with Zammuto, as compared to the Books?

NZ I’ve never really been part of a band, I sort of came to that realization when we started rehearsing the [Zammuto] material. The Books was really a meta-band in a lot of ways, and at the end I was starting to think of it as a sort of glorified karaoke; we’d get up on stage and have all these electronic rhythms going on and we would just kind of play along with it. With the new project I really wanted to make something that was meant to be played live.

Key to that was finding a great drummer, and I think I found just an amazing drummer [in Sean Dixon]. Having a live time keeper on stage has been the biggest difference between the new project and the Books. And for me it’s been the most fun, to play with him, and see what he does. We really connected over this idea of polyrhythms. He helps me find these grooves that are really unusual. And I think the reason why I shied away from drums for so long is that it’s a very kind of genre-fying instrument. It’s hard to do anything out of the ordinary because it all sounds too ubiquitous. But Sean’s the kind of guy who sounds like nobody else. It’s a real balance with Sean between precision and heart.

I have [Dixon, Gene Back, and brother Mike Zammuto] up for sessions and we record things in a very loose way and then I go through those recordings later and pull out the parts that can go beyond expectation and build from those elements, rather than the sample library that the Books were drawing from.

SFBG But you’re still creating your own instruments out of found objects.

NZ It’s such a weird habit, and it’s something I’ve been doing a long time. My interest in music came out of recording these sculptures back in college…I started to make these sculptures that had this sound component, and I needed a way to record those sculptures. So it’s kind of been in the backdrop of everything I’ve done for a long time.

One of the first things I started doing was cutting into vinyl, cutting patterns into the circle at the end of each side of a record, and using that as a percussion. That sound sounds like clicks and pops, but if you take those impulses and put them through various environments you get amazing sounds, so playing them through PVC pipes or through filing cabinets with subwoofers installed in them you get these really strange but kind of naturalistic sounds at the same time, where you can’t put your finger immediately on what they are, and I think that’s why I’m interested in them. They have this mysterious quality.

SFBG What about the thematic elements, lyrically, on the record, it seems like it’s coming from a lot of new beginnings, new experiences, “The Shape of Things to Come” and so forth?

NZ The end of the Books was a harrowing experience, it took a very long time for it to go through its death throes. Lots of frustrations, then finally giving up and being like, ‘OK, what the hell do I do now?’ I’m asking lightning to strike twice, starting another band at this point in my life, so the lyrics are coming out of a very angsty place on this record. And I think I’m getting out of it, finally. Now that the band has come together in such an amazing way. I’m not in such a dark mood anymore [laughs].

I think I was writing about my own experiences, but in the frame of something more universal, for somebody who is frustrated out of their minds and in need of a new beginning. Just a general expression of having this need to move forward, but also going into unexplored territory.

ENDLESS SUMMER

San Francisco’s own Future Twin (soundcloud.com/futuretwin) released the second of its Summer Single series tracks last week. Angular “Sara” is tethered by a driving guitar line, and singer Jean Yaste’s caramel-coated vocals. Lyrically, it’s a testament to Yaste’s personal female heroes, and a call to action to all women to question the status quo and explore alternative experiences.

WOODKID (CANCELLED DUE TO TRAVEL CONDITIONS AFTER THE STORM)

French composer-artist Woodkid (a.k.a Yoann Lemoine) creates sounds that bloom like live-action role-playing background music. Or, video game music using entirely classical orchestration, strings, and Lemoine’s low octave, accented pipes. (You could easily picture Link chasing after Zelda during “Iron.”) Each track builds like a sassy, page-turning epic, which make his two EPs feel like brief odysseys. That’s right, he’s yet to release a full-length, but that record — The Golden Age — is coming. Though you might have seen his stylish videos for Agyness Deyn-featuring “Iron” or “Run Boy Run.” Or hell, you may know him from his other life as a music video director: Katy Perry’s “Teenage Dream,” anyone? With Pacific Air.

Fri/2, 9pm, $20

Bimbo’s

1025 Columbus, SF

www.bimbos365club.com

Candy apples and razor blades

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emilysavage@sfbg.com

TOFU AND WHISKEY While I don’t miss living in Long Beach, Calif. too much (save for some particular pals and the endless flat biking roads), I do sorely yearn for the yearly costumed Halloween performance — at steak restaurant/dive bar the Prospector — of the Shitfits, a Misfits cover band made up of local musicians. Luckily, in San Francisco, there are numerous bands-costumed-as-other-bands shows in late October, including at least one Misfits tribute: Astrozombies, a full-time tribute act, which will do the horror-punk legends right at Hemlock Tavern (Oct. 31, 8:30pm, $7. 1131 Polk, SF; www.hemlocktavern.com).

“The band was essentially formed to be a Halloween act,” Astrozombies’ vocalist-guitarist Kevin Amann, a.ka. Doyle Vonn Danzig, tells me.

Because what is Halloween without a Danzig-alike howling “Hallow-e-e-e-e-en?” Prefaced by, “Bonfires burning bright/Pumpkin faces in the night/I remember Halloween.” Doesn’t that make you itchy to slick down your devil-lock, and paint your face like the quintessential skull?

I ask Amann if his band’s Misfits (and some Danzig/Samhain) repertoire is constraining, and he says, nope: “I think, because there is some pretty serious diversity within the Misfits catalog, it really doesn’t ever feel limiting. We can go from a lightening fast punk song like ‘Demonamania’ to a brooding slow tempo rock song like ‘London Dungeon’.”

An aside: The actual Misfits — or, their current incarnation, minus Danzig — are playing the Oakland Metro on Nov. 16, but that’s still a few weeks away.

http://www.youtube.com/watch?v=lpENY3nEAx8

Let’s get back to the Halloween tribute show in general. It’s often the peak of the year’s nights out, the pinnacle when one might revert to early show-going wonder and moshpittery. Everyone is feeling creepy, and the only true nerds are the kids who come in street clothes, or as something “ironic” or “thought-provoking.” This year, some friends and I hope to go out as Pussy Riot, as both a fun fashion choice, and in solidarity. Wait, is that thought-provoking? Well, my partner will be a bearded man in a hot dog suit, so it’s not all politics.

Along with the Astrozombies, another local year-round tribute act, Bob Saggeth, will play Halloween again: two Black Sabbath-ish nights at Amnesia (Oct. 30-31, 10pm, $7–$10. 853 Valencia, SF; www.amnesiathebar.com.).

Then there’s the kind of once-a-year special mashup tribute night I was blathering on about above at Thee Parkside (Oct. 31, 8pm, $8. 1600 17th St., SF; www.theeparkside.com), with Glitter Wizard “Pushin’ Too Hard” as the Seeds, Twin Steps as the Cramps, Meat Market as G.G. and the Jabbers, and excellent new local bluegrass band the Parmesans as the Kinks.

There’s also a few Total Trash Booking monster mashes, which are pretty much always guaranteed to be raucous, punkish blowouts. There’s the pre-party at the New Parish (Nobunny, Shannon and the Clams, who will also be the Misfits, Pangea, Audacity, Uzi Rash. Fri/26, 8pm, $12–$14. 579 18th St., Oakl.; www.thenewparish.com) and two totally exciting Coachwhips reunion shows.

Coachwhips of course being John Dwyer’s pre-Thee Oh Sees noise punk outfit. One of the reunion nights (Sat/27 at Verdi Club) is totally sold out, and you’re bummed because there’s going to be a haunted house inside the venue. I’m stoked because that’s where I’ll be Pussy Riot-ing.

The other (Sun/28, 7pm, $12. Lobot Gallery, 1800 Campbell, Oak.) espouses another epic blend of Total Trash and totally touring bands: the aforementioned Coachwhips, Pangea, Fidlar, Guantanamo Baywatch, and White Mystery. I can only imagine all the blood-soaked costumes and sweaty brows.

You can find tons more freak shows in the Halloween concerts and parties guide elsewhere in this issue. But for an entirely different kind of year-round showmanship (holidays be damned), there’s SSION, performing with House of Ladosha and DJs from High Fantasy at this freaky-colorful installment of Future | Perfect at Public Works (Thu/25, 9pm, $10-$15. Public Works, 161 Erie, SF; www.publicsf.com).

SSION, pronounced “shun,” is hard to take your eyes off of, a confetti-puke electro-art-pop party collective from Kansas City, Missouri, led sultry androgynous vocalist Cody Critcheloe, who now resides in Brooklyn, with the aesthetic of early John Waters oeuvre meets Pee-wee’s Playhouse. While the recorded music is often relegated to pre-party pump-ups, live is where SSION really shines, as some may have witnessed at DNA Lounge’s Blow Up night earlier this year.

CRYPTS

The people were weary at first of Seattle’s Crypts, a synth-based (specifically a rewired CR-8000) darkwave electro act led by Steve Snere. For Snere was already known and beloved as a former member of Kill Sadie and post-hardcore geniuses These Arms are Snakes, in an angular realm of post-punk proficiency. But Crypts is enticing in a new, much gloomier fashion, and yes, Snere still kills it, and it maintains a paranoid frenzy vibe. Check deep, dark, and ghoulish “Breathe,” off the band’s self-titled debut LP (Sargent House, Sept. 4). The band played SF this summer, but this time it’s much closer to Halloween, plus they’re opening for Omar Rodríguez-López, of At the Drive-In and Mars Volta fame.

Wed/24, 8pm, $15

New Parish

579 18th St., Oakl.

www.thenewparish.com

CONVERGE

If you had told me 15 years ago that I’d be almost 30 and still recommending Converge, I’d of called you a liar or a time jumping cheat. And yet, after a forceful return listen, suggested by a fellow music nerd, I too must admit it: new record All We Love We Leave Behind (Epitaph Records, Oct. 9) is the thinking person’s heavy metal album. It’s still the blistering axes of hardcore and heavy metal, with melodic guitar riffs, rapid-fire drums, and pained chants, but with a more grown up, complex sensibility — or maybe that’s just me?

With Torche, Nails, Kvelertak

Fri/26, 8pm, $18

Slim’s

33 11th St., SF www.slimspresents.com

HUNK OF BURNING LOVE

And then there’s Hunx, or H.U.N.X., of Hunx and His Punx. In the past few weeks, Seth Bogart released an insta-classic Halloween music video for his track “I Vant to Suck Your Cock” — full of gothy late night cable access details, sexy vampires, lime-green wigs, and tombstone booty thumping — and announced both a new variety show, Hollywood Nailz, and his own record label, Wacky Wacko Records, which is releasing “I Vant to Suck Your Cock” as a single. According to the release, the label will be “an outlet to release novelty records, children’s music, holiday themed hits, songs from…Hollywood Nailz, and other bizarre things that most labels wouldn’t bother with.” Bogart is currently living in LA (as his variety show moniker would suggest) but still visits his store in the Bay, Down at Lulu’s, often. He’s doesn’t have any local shows booked as of press time, but he knows we vant to see him.

www.wackywacko.com

 

 


Music Listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 17

ROCK/BLUES/HIP-HOP

Bob Dylan Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconconcerts.com. 7:30pm, $59.50-$125.50.

First Aid Kit, Dylan LeBlance Fillmore. 8pm, $22.50.

Scott Holt Biscuits and Blues. 8 and 10pm, $15.

Lee Huff vs JC Rockit Johnny Foley’s. 9:30pm.

Imperative Reaction, Everything goes Cold, Ludovico Technique, Witch Was Right DNA Lounge. 9pm, $18.

Sonny Landreth, Danny Click Great American Music Hall. 8pm, $22.

Sarah McQuaid Biscuits and Blues. 8:30pm, $10.

Minus Gravity, Headlines, James Cavern Brick and Mortar Music Hall. 9:30pm, $10-$12.

Moral Crux, Deadones, Antizocial Hemlock Tavern. 8:30pm, $8.

Rocket Queens, Beer Drinkers and Hell Raisers Elbo Room. 9pm, $8.

Terry Savastano Johnny Foley’s. 9pm, free.

Seatraffic, Real Numbers, American Professionals Bottom of the Hill. 9pm, $8.

Soul Train Revival Boom Boom Room. 8pm, $5.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Orlando Cela Frankenart Mall, 515 Balboa, SF; www.orlandocela.com. 8pm, $10.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Frisky Frolics Rite Spote Cafe. 9pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Radney Foster, Misisipi Mike Cafe Du Nord. 8pm, $15.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Mercedez Munro, and Ginger Snap.

Obey the Kitty: Justin Milla Vessel, 85 Campton Place, SF; www.vesselsanfrancisco.com. 10pm, $5.

THURSDAY 18

ROCK/BLUES/HIP-HOP.

Adam Ant, Brothers of Brazil Regency Ballroom. 8pm, $32.

Emily Bonn and the Vivants, Howell Devine, Stephanie Nilles Amnesia. 9pm, $7-$10.

Chris Cohen, Ashley Eriksson, Coconut Hemlock Tavern. 8:30pm, $10.

Bob Dylan Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconconcerts.com. 7:30pm, $59.50-$125.50.

Freelance Whales, Geographer Mezzanine. 9pm, $20.

Generators, Sore Thumbs, Shell Corporation, Bastards of Young Thee Parkside. 9pm, $8.

Jon Gonzalez 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm.

Iron Lung, Process, Effluxus, Hunting Party Knockout. 10pm, $8.

Jane’s Addiction, Thenewno2 Warfield. 8pm, $52.50-$62.50.

John Lawton Trio Johnny Foley’s. 9pm, free.

Mansfield Aviator, Butterfly Knives, Capkins El Rio. 8pm, $5.

Meters Experience, Dredgetown Brick and Mortar Music Hall. 9pm, $15-$20.

Minibosses, Crashfast, Gnarboots Bottom of the Hill. 9pm, $10.

Poi Dog Pondering Great American Music Hall. 8pm, $21.

Rudy Columbini Band Biscuits and Blues. 8 and 10pm, $15.

Soft Pack, Crocodiles, Heavy Hawaii Slim’s. 9pm, $16.

Tift Merrit, Amy Cook Cafe Du Nord. 8pm, $16-$18.

Rags Tuttle vs Lee Huff Johnny Foley’s. 9:30pm.

Van She, popscene DJs Rickshaw Stop. 10pm, $13-$15.

JAZZ/NEW MUSIC

Cheryl Bentyne Rrazz Room. 8pm, $35.

Science Fiction Jazz 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Emily Anne Rite Spot Cafe. 9pm, free.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-$7. With DJ-host Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of 80s mainstream and underground.

Base: Sasha Vessel, 85 Campton Place, SF; www.vesselsanfrancisco.com. 10pm, $5-$10.

Hubba Hubba Revue: Asylum DNA Lounge. 9pm, $12-$15.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 19

ROCK/BLUES/HIP-HOP

Bleached Palms, Radishes Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 9pm, $5.

Bombay Bicycle Club, Vacationer Fillmore. 9pm, $22.50.

Coo Coo Birds, Electric Shepherd, Electric Magpie Thee Parkside. 9pm, $7.

Aaron Freeman Independent. 9pm, $25.

Lee Huff, Rome Balestrieri, Nathan Temby Johnny Foley’s. 9pm.

John Brown’s Body, Kyle Hollingsworth Band Great American Music Hall. 9pm, $20.

Kids on a Crime Spree, GRMLN, Manatee Hemlock Tavern. 9:30pm, $8.

Jason Lytle, Sea of Bees Swedish American Hall. 8pm, $18-$20.

Meters Experience, Tracorum, Swoop Unit Brick and Mortar Music Hall. 9pm, $15-$20.

Mixers Johnny Foley’s. 9pm, free.

Mustache Harbor, Sean Tabor Bimbo’s. 9pm, $22.

Night Hikes, Correspondence School, Houses of Light Amnesia. 7pm.

Bill Ortiz Biscuits and Blues. 8 and 10pm, $22.

Beth Orton, Sam Amidon Regency Ballroom. 8pm, $30.

Stolen Babies, Fuxedos, Darling Freakhead Bottom of the Hill. 9pm, $12.

Tiger Army, Goddamn Gallows, Death March Slim’s. 8:30pm, $23.

Whigs, Record Company, Fake Your Own Death Rickshaw Stop. 9pm, $12-$15.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9Pm, $10.

Harold Melvin’s Blue Notes Rrazz Room. 8pm, $30-$37.50.

FOLK/WORLD/COUNTRY

Bluegrass Bonanza Plough and Stars. 9:30pm, $6-$10. With Roseman Creek.

Kaweh Monroe, 473 Broadway, SF; www.kaweh.com. 9:30pm, $15. Flamenco rumba salsa.

Lee Vilensky Trio Rite Spot Cafe. 9pm, free.

DANCE CLUBS

Albino! Fela Kuti Birthday Celebration Show Elbo Room. 9pm, $10.

DJ What’s His Fuck Riptide Tavern. 9pm.

Fedorable Queer Dance Party El Rio. 9pm, free.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs.

Odyssey with Neon Leon Public Works. 10pm, $10.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Peaches (DJ set) 103 Harriet, SF; www.1015.com. 9pm.

Rage By the Pound DNA Lounge. 9pm, $25. With Funtcase, High Rankin, Schoolboy, Nerd Rage.

Toolroom Knights: Paul Thomas, David Gregory Vessel, 85 Campton Place, SF; www.vesselsanfrancisco.com. 10Pm, $20-$30.

SATURDAY 20

ROCK/BLUES/HIP-HOP

Bassnectar, Ghostland Observatory, Gramatik, Gladkill Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconconcerts.com. 8pm, $40.

Rome Balestrieri, Nathan Temby, Lee Huff Johnny Foley’s. 9pm.

Yasiin Bey (formerly known as Mos Def) Regency Ballroom. 9pm, $38.

Bottle Kids, Loose Cuts 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm.

Cheap Time, Unnatural Helpers, Warm Soda, Krells Hemlock Tavern. 9pm, $10.

Zach Deputy Boom Boom Room. 8pm, $15.

Willis Earl Beal, Terese Taylor, Sean Smith Bottom of the Hill. 9pm, $10.

Foreign Exchange Mezzanine. 9pm.

GoKart Mozart Biscuits and Blues. 8:30 and 10:15pm, $10.

Jorma Kaukonen Swedish American Hall. 7 and 10pm, $32-$35.

Love Songs, Bar Feeders, Cyclops Bender’s, 800 S. Van Ness, SF; www.bendersbar.com. 10pm, $5.

Oak Creek Band Hotel Utah. 9pm, $8.

Pre Legendary, Chingadero Thee Parkside. 3pm, free.

Skin Divers Johnny Foley’s. 9pm, free.

Lavay Smith Biscuits and Blues. 8 and 10pm, $20.

Stars, Diamond Rings, California Wives Fillmore. 8pm, $29.50.

Rodger Stella, Bren’t Lewiis Ensemble, Jencks Hemlock Tavern. 5pm, $6.

Tea Leaf Green, Mahgeetah Independent. 9pm, $20.

Tiger Army, Suedehead, God Module Slim’s. 8:30pm, $23.

Nick Waterhouse, Allah-Las Bimbo’s. 9pm, $18.

Michael Ward with Dogs and Fishes Riptide Tavern. 9:30pm, free.

Wax Idols, Wymond Miles, Evil Eyes Brick and Mortar Music Hall. 8pm, $7-$10.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Harold Melvin’s Blue Notes Rrazz Room. 7 and 9:30pm, $30-$37.50.

"UP: San Francisco Street Festival and Exposition" 5M, Fifth and Mission, SF; sf.urbanprototyping.org. With Mark Fell, Aaron David Ross, Afrikan Sciences, Brian Hock, Loric, and more.

FOLK/WORLD/COUNTRY

Go Van Gogh Revolution Cafe, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Tony Ybarra Red Poppy Art House. 7:30pm.

DANCE CLUBS

Bootie SF: More Cowbell DNA Lounge. 9pm, $15.

Dancing Ghosts Hot Spot, 1414 Market St., SF; www.dancingghosts.com, 9:30 pm, $5, free before 10. DJs Xander and Le Perv host this darkwave dance party.

"DSF Clothing Co. and Art Gallery Anniversary" Public Works. 9pm, free with RSVP. With Motown on Monday DJs, Nickodemus, Afrolicious.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Masquerotica Concourse Exhibition Center, 636 Eighth St, SF; masquerotica2012.eventbrite. 8:30pm. With Stanton Warriors, Ron Kat’s Katdelic, Action Jackson, Hubba Hubba Revue, and more.

Nickodemus and Afrolicious Public Works Loft. 10pm, $5.

OK Hole Amnesia. 9pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, Phengren Oswald.

Smiths Party Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, $5. Sounds of the Smiths, Morrissey, the Cure, and New Order.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 21

ROCK/BLUES/HIP-HOP

Babmu Station, Inna Vision Independent. 9pm, $18.

Craig Horton Biscuits and Blues. 7 and 9pm, $15.

Tony Lucca, Justin Hopkins Cafe Du Nord. 8:30pm, $15.

Macklemore and Ryan Lewis, Dee-1 Fillmore. 8pm, $25.

Mako Sica, Brandon Nickel, Jeff Zittrain Band Hemlock Tavern. 6pm, $6.

Terry Savastano Johnny Foley’s. 9pm, free.

Socionic Rockit Room. 8pm, $8.

Allen Stone, Yuna, Tingsek Great American Music Hall. 8pm, $17.50.

Mike Stud Slim’s. 8:30pm, $13-$16.

Taking Back Sunday, Man Overboard Regency Ballroom. 7:30pm, $27.

JAZZ/NEW MUSIC

Kaki King Yoshi’s SF. 7pm, $20; 9pm, $15.

Harold Melvin’s Blue Notes Rrazz Room. 7pm, $30-$37.50.

Rob Reich Trio Bliss Bar, 4026 24 St, SF; .www.blissbarsf.com. 4:30pm, $10.

FOLK/WORLD/COUNTRY

Hillbilly Swing, B Stars Amnesia. 9pm, $7.

Sofia Talvik Hotel Utah. 8pm, $8.

DANCE CLUBS

Daytime Realness El Rio. 3pm, $8-$10. With Heklina, Stanley Frank, and DJ Carnita.

Dub Mission Elbo Room. 9pm, $6 after 9:30pm. With DJs Sep, Ludichris, Silver Back.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 22

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

Shiny Toy Guns, MNDR, Of Verona Rickshaw Stop. 8pm, $17.

Allen Stone, Yuna, Tingsek Great American Music Hall. 8pm, $17.50.

Ultraista, Astronauts, etc. Independent. 8pm, $18.

JAZZ/NEW MUSIC

Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.

Gregg Marx Rrazz Room. 8pm.

Philippe Petit, Xambuca Cafe Du Nord. 8pm, $16.

Reuben Rye Rite Spot Cafe. 8:30pm, free.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 23

ROCK/BLUES/HIP-HOP

Bitch Magnet, Life Coach, Gold Medalists, Imperils Rickshaw Stop. 7:30pm, $15.

Calexico, Dodos Fillmore. 8pm, $25.

Tim Cohen, Jessica Pratt, Dylan Shearer Amnesia. 9:15pm.

Dan Deacon, Height with Friends, Chester Endersby Gwazda, Alan Resnick Great American Music Hall. 8pm, $16.

Nick Halstead Cafe Du Nord. 8pm, $16.

Moonbell, Golden Awesome, Indian Summer Knockout. 9:30pm.

Mt Hammer, Ash Thursday, Manzanita Falls El Rio. 7pm, $5.

Room of Voices, Broun Fellinis Elbo Room. 9pm, $10.

Rusted Root Independent. 8pm, $25.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Qumran Orphics, Bill Orcutt, Marissa Anderson Hemlock Tavern. 8:30pm, $6.

End of days for Uzi Rash

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Finito. Doneski. Kaput. Well, that may be putting it harshly, but Uzi Rash’s five years of fame is just about up. So says frontman Max Nordile who is winding down this East Bay band with two last hurrahs.  They’ll simultaneously release one last LP, Coreless Roll Can-Liner (1234 Go! Records) as they kick off “Uzi Rash (2007-2012) End Days Last Tour” on Oct. 28. There is also word that a final, final cassette release, The Garbageman’s Uniform is near completion.

In the meantime you should go bananas and watch this Dan Shaw-directed, lo-fi video shot on a giant, grainy, camcorder that actually records using full-size VHS tapes (full disclosure: I make a cameo appearance — my music video debut right around the 1:30 mark).

Trust me, it wasn’t always sunshine and lollipops between the two of us. Nordile once stared me down and confronted me at a show after I had ignorantly mislabeled his band as a side project. I wised up. Still, he should be ashamed of himself for picking on a pipsqueak like me. But what else would you expect from a Neanderthal? Surely not good music. Here’s hoping for another day and a new dawn for him and any of his associate’s musical endeavors.

Only a few more chances to see Uzi Rash live in the Bay Area:

October 21st Indie Mart at Thee Parkside with White Mystery, Greg Ashley (formerly of Gris Gris) and Cracked Ice

October 26th Total Trash Halloween Bash pre-party at the New Parish in Oakland (Uzi Rash performs as The Fall) with Nobunny, Shannon and the Clams and Audacity

October 28th at 1234 Go! Records with Unnatural Helpers, Stillsuit and Synthetic ID

November 29th (Last show ever!) at Sugar Mountain in Oakland with Terry Malts, Apogee Sound Club, Yogurt Brain and Karen 

 

 

Hunx’s Halloween wish list

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Our very own Hunx (you know, of and His Punx) has officially got me excited for Halloween with this new video to an older song in the grand spooky holiday tradition of “Monster Mash,” anything by the Cramps, and other such gems. Or maybe it’s nothing like that.

It’s “I Vant to Suck Your C**k,” which features a pulsing beat, grave dancing, awesome tights, lime green wigs, and Hunx dressed as a Dracula type vampire, casually letting you know what he vants to do this October. Happy Halloweiners! 

 

Our Weekly Picks: September 26-October 2

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WEDNESDAY 26

Amanda Palmer and the Grand Theft Orchestra

Massachusetts singer-songwriter Amanda Palmer has had a busy year. Well, actually she’s had a busy career. Palmer is a previous high school thespian, street performer, co-founder of the Dresden Dolls, subject of a coffee table book, half of musical duo Evelyn Evelyn, and a prolific blogger — and she’s just getting started. This year alone she’s written a song and produced a music video in defense of pubic hair, starred in a Flaming Lips video, released a new solo album, and now she’s back on the road. When Palmer decided to fund her second solo album Theater is Evil on Kickstarter earlier this year, few would have guessed over $1 million would pour in, shattering the site’s record with more than 24,000 individual donations. It looks like she won’t be slowing down any time soon. (Haley Zaremba)

With The Simple Pleasure, Jherek Bischoff, Ronald Reagan

8pm, $25

Fillmore

1805 Geary, SF

(415) 346-3000

www.thefillmore.com

 

Ghost Parade

Over the past six months, San Francisco-based progressive rock band Ghost Parade has steadily revealed its inaugural tracks, including the particularly catchy “Reach,” whose chorus features the group’s tagline: “we are fast and real.” Intense at times and always poetic, Ghost Parade encourages you to get lost in its hard and fast wall of sound while, simultaneously, inviting you into its stories. These musicians are no strangers to Bottom of the Hill, but this time around they’re headlining. Come for the energy, come for the nascent artistic merriment and, if that’s not enough, come for vocalist-guitarist Justin Bonifacio’s hair. It ranks among the best in San Francisco. Hands down. (Mia Sullivan)

With Stomacher, Soonest

9pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

Obituary

It may be hard to believe, but pioneering death metal titan Obituary has been grinding out tracks such as “Chopped In Half” and “Turned Inside Out” for more than 25 years now. The Florida based quartet just wrapped up a series of festival shows in Europe, and is now back for its first tour of the US in several years, part of the epic Carnival of Death tour, slaying stages alongside Broken Hope, Decrepit Birth, Jungle Rot, Encrust, and Feast. The band is promising a fan-favorite set, comprised largely of songs off of its first three classic albums, Slowly We Rot, Cause of Death, and The End Complete. (Sean McCourt)

With DJ Rob Metal

6:30pm, $14–$18

DNA Lounge, 375 11th St., SF.

(415) 626-1409

www.dnalounge.com


THURSDAY 27

“Shocktoberfest 13: The Bride of Death”

The Thrillpeddlers have been killing it lately, with endlessly extended runs of Cockettes revivals and a recent hit production of Marat/Sade. Now the company is poised to kill it again — live! Onstage! With gruesome gore! — in its annual “Shocktoberfest” production. This year’s lucky 13th incarnation includes a classic Grand Guignol one-act (Coals of Fire by Fredrick Whitney, which caused a scandal in 1922 Britain); two contemporary world premieres about mad scientists (The Bride of Death by Michael Phillis and The Twisted Pair by Rob Keefe); and Scrumbly Koldewyn’s “musical spectacle” Those Beautiful Ghouls. And if you think you’re safe just sitting in the audience, wait until the uniquely terrifying spook-show finale — if you’re not afraid of the dark, you will be! (Cheryl Eddy)

Through Nov. 17

Opens Thu/27, 8pm; runs Thu-Sat, 8pm, $25-35

Hypnodrome

575 10th St., SF

www.thrillpeddlers.com


FRIDAY 28

“Animate Your Night: Where It’s AT-AT”

As part of the Walt Disney Family Museum’s new “Animate Your Night” series of after-hours events, tonight’s “Where It’s AT-AT” party celebrates the opening of a new exhibit, Between Frames: The Magic Behind Stop Motion Animation, which looks at the innovative ideas and technical wizardry of the art form that has brought life to a host of magical characters and creations. Among the items party-goers will be able to get a first look at is a classic Gumby figure, the armature of the “Robot Chicken” mascot, and a model of the awesome AT-AT Imperial Walker made by Phil Tippett, as seen in The Empire Strikes Back. (McCourt)

7-10pm, $5–$10

Walt Disney Family Museum

104 Montgomery, SF

(415) 345-6800

www.waltdisney.org

 

Vir

While “on” Vir, I can’t decide if I’d rather take mass quantities of psychedelics and, well, gaze at my shoes, or embark on an epic, intergalactic quest with a few of my closest tribesmen. Luckily, these options aren’t mutually exclusive. This Oakland-based experimental noise pop trio originally hails from New Zealand and cites Kiwi post-punk groups Gordons, Bailter Space, and HDU as chief influences. Characterized by driving, tribal beats, sardonic, echoing lyrics, and ample fuzz pedal, Vir’s music is, at times, like marching through a lush jungle-like space field and, at other times, like My Bloody Valentine. Could it get much better? (Sullivan)

With Here Come the Saviours, Erik Blood

9:30pm, $7

Hemlock

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com


SATURDAY 29

Balboa Skatepark opening ceremony

Shredding (on a skateboard) and shredding (with a guitar) go together like pizza and hot dogs — which, incidentally, there will be a whole lot of at the Balboa skateboard park opening this week. While skaters grind their newly opened park behind, local thrasher act Haunted By Heroes — a.k.a. the world’s youngest rock band — along with the Nerv, and Big Shadows will perform out front. Plus, the free event includes the aforementioned ultimate snack foods, skateboard accessory giveaways, and the Youth DJ Collective with DJ/MC Ace, of Reality Check TV. Make like the ramp locals of Thrashin’ (1986) and bring your board, check out frenetic live music, munch cheesy pizza, and relive youth, glorious youth. (Emily Savage)

Noon-5pm, free

Balboa Skatepark

San Jose Avenue and Ocean Avenue, SF

Facebook: BalboaSkateparkOpening2012

 

Vintage Couture Ball

Let’s hear it for the grown and sexy. While the rest of us drink beer and chug from flasks in the bathroom, they drink Manhattans (up) and sip from nicer flasks, out in the open because unlike some, the motion only serves to make their surroundings more G&S. Class it up and join their ranks for this weekend’s openair fashion gala in the Fillmore — the Vintage Couture Ball (once called the Black Couture Ball) brings Chicago step dancing, a vintage car show, burlesque and swing dancing to SF’s jazz district. Most importantly, heed the dress code — everyone’s fancy black gowns and suits should make the evening pop. (Caitlin Donohue)

7pm-1am, $20

Fillmore between Eddy and Geary, SF

(800) 352-4315

www.vintagecoutureball.com


SUNDAY 30

Hot Water Music

It’s been an exciting year for post-hardcore. It marks the release of industry pioneer Hot Water Music’s first album in nearly a decade and the 19th anniversary since the band’s foundation in 1993. In these two decades, the band has broken up and reunited three different times, taking years off to explore side projects and family life. Though it has been touring sporadically since 2008, the Gainseville band’s eighth album Exister truly marks its triumphant return to the rock scene. The first single off the album, “State of Grace,” tackles the issue of the additives that we ingest every day in our over-processed foods. Whether you care about GMOs or not, you’ll want to catch this tour before Hot Water Music disbands again. (Zaremba)

With Dead To Me, Heartsounds

8pm, $21

Slim’s

333 11th St., SF

(415) 255-0333

www.slimspresents.com

 

Bebel Gilberto

New York City and Rio de Janeiro are a potent combination. As proof, we offer you Bebel Gilberto, daughter of famed bossanova boss João Gilberto and international star in her own right. Bebel’s 2009 release All in One relies less heavily on the electronic bends and flourishes of her past, its mainly acoustic, gentle guitar strums and chimes behind Brazilian coos. In other words, go to this concert to lower your blood pressure, it will smooth you out. In fact, we’d be hard pressed a better soundtrack to your weekend comedown, or swayfest with that new boo you picked up on last night’s dancefloor. (Donohue)

7pm, $35-70

Herbst Theater

401 Van Ness, SF

www.cityboxoffice.com

 

Maria Minerva

Like a ’90s TRL countdown as envisioned by Peaking Lights, Maria Minerva’s fuzzed-out hypnagogia is the stuff of bygone pop anthems, filtered experimentally and relentlessly through Macbooks, cheap software, and a boatload of filters and effects. Commended by The Wire for her contribution to the blossoming meta-pop movement, the elusive Estonian producer strikes a captivating balance between high art and radio trash, traditional top-40 conventions and anarchic nonconformity. Minerva’s newly released Will Happiness Find Me? might be her most accessibly structured statement yet, but that doesn’t stop her dubby sonic fog from enshrouding everything in its path. Fans of electronic hooliganism everywhere: meet your new pop diva. (Taylor Kaplan)

With Father Finger, Bobby Browser, EpicSauce DJs

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com


MONDAY 1

Garbage

When it first arrived on the alternative rock scene back in the mid ’90s, Garbage could have been some sort of pre-fabricated hit machine, considering its members consisted of some of the biggest producers of the time — Butch Vig, Steve Marker, and Duke Erikson — with ex-Angelfish singer Shirley Manson joining the fold. As fans know, however, it quickly became evident that they were much more than that, a band that coalesced as one and produced some of the most memorable tunes of the era. After a series of hiatuses, the quartet is back with an excellent new album, Not Your Kind of People, and a welcome return to the live stage. (McCourt)

With Screaming Females

8pm, $38–$48

Warfield

982 Market, SF

(415) 345-0900

www.thewarfieldtheater.com

 

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Dream of the ’90s

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emilysavage@sfbg.com

MUSIC By now, Antwon’s mug has probably nestled somewhere in your brain. It’s hard to take your eyes off him in the Brandon Tauszik-directed video for Antwon’s song “Helicopter,” slowly spitting rhymes over a screaming alarm of a beat, wandering Oakland, drinking on porches, pouring hot sauce on breakfast in between scenes from the classic film, Bullit (1968). Or as one media outlet breathlessly noted, “Malt liquor, Steve McQueen, and Sriracha!”

There he is in the Mission District, in the flesh, taking time out to chat with me; the San Jose-based rapper (who’s more often found in Oakland) travels to the city twice a week to work at vintage clothing shop New Jack City, an eye-popping gem of a store, stuffed with letterman’s jackets, button-downs, and gently worn Mickey Mouse sweatshirts, mostly plucked from the 1980s and ’90s.

Now here’s his sturdy frame — which, along with his voice, has inspired not-inaccurate comparisons to Biggie — in a warped movie clip run through a VHS player in yet another music video, this time looking straight out of a ’90s positive hip-hop video for his song “Living Every Dream.”

The track, produced by witch house term-coiner Pictureplane, is on Antwon’s newest mixtape, End of Earth. It’s his third since last September’s Fantasy Beds, which produced “Helicopter.”

“Living Every Dream,” the wobbly reworking of Suzanne Vega’s a capella cinematic earworm, “Tom’s Diner” (Christian Slater with the baboon heart!) is doubtless one of the standout tracks on End of Earth, an album frankly full of surprising turns.

“I had been wanting to sample that song to make a hip-hop song for really as long as I can remember, [since] high school maybe,” says Travis Egady a.k.a Pictureplane. “It is just a great tempo and loop. I wanted to hear Antwon’s voice on it.”

“He is really relatable… no bullshit artist,” Pictureplane says of Antwon. “[He’s] a rapper you want to be friends with. He is a hip-hop everyman.”

Another side of the everyman comes out on End of Earth‘s more playful “Diamond and Pearls,” produced by his longtime DJ Sex Play (formerly Bad Slorp), who produced all of Antwon’s December 2011 release, My Westside Horizon.

Other tracks on End of Earth such as “Laugh Now,” produced by Wounderaser, and Rpldghsts-produced “Cold Sweat” more recall the hardcore scene Antwon grew up in. A scene he credits with teaching him how to perform. “I learned how to play shows by going to hardcore shows,” he says from his post in New Jack City. There are indeed mosh pits and sweaty dogpiles at his shows, which is unexpected at traditional hip-hop club nights, though those lines seem to be blurring across the board.

In particular “Laugh Now” blurs genre and scene, with themes of isolation, anxiety, and personal demons, tethered by actual howls and dragged out vocals growling “La-a-a-gh now,” and lyrics like “This for the people that talk shit about you/But when they see you they walk around you.”

Antown grew up in Sunnyvale — his mom’s from the Philippines and his dad is from Fresno. In middle school he recorded mixtapes with a friend through a karaoke machine, and sold them at school.

He later performed as his own one-man noise act, warping sound on a SP-303 and running his vocals through distortion pedals. In 2009 he traveled to Philadelphia to join the punk band Leather, but he then returned to his roots. He had rapped before, but really got started again when he came back to California. “It really kind of like, took on a life of its own.”

While for now he’s still based in San Jose, he’s most often found in Oakland, where he hangs out with Trill Team 6 (a loose crew of Oakland DJs, producers, and musicians, including figurehead Mike Melero) who rifle through jackets at New Jack City as we talk. He points to the shoppers and says he’s a part of the East Bay scene, “because of those dudes.”

“I played shows in San Jose, but it was really boring,” he adds, eyes widening. “I like the energy more in Oakland. It feels like when I was younger and just threw parties and it was about having fun and shit. It seems like that same energy is in Oakland now.”

While he’s clearly more connected to the East Bay, some of his biggest and most memorable shows yet have been in San Francisco — he opened last month for Theophilus London at the Mezzanine (flashiest) and played in the sandy Sutro Baths caves earlier this summer (unforgettable) as part of the Ormolycka Cave Series.

“That was my favorite,” he says of the beach cave show. “It was real crazy.”

Up next is his first ever show with Pictureplane — the two will play a Future | Perfect and #Y3K-presented show at Public Works. (The first time they met in person was at a massive EDM fest in the Bay Area, says Pictureplane: “We walked around and took pictures of all the teenage ravers. We watched David Guetta along with like, 50 thousand people together”).

After that Public Works date, a Mission Creek show at the Uptown in Oakland with Cities Aviv, Friendzone, and Chippy Nonstop. But then he may go back underground, or at least, play less frequently in the Bay Area for a bit. His mug might be less on your radar for a hot minute, while he gathers tracks for another full-length, just him and DJ Sexplay this time around.

ANTWON

With Pictureplane, Chippy Nonstop

Fri/14, 9pm, $15-$20

Public Works

161 Erie, SF (415) 932-0955

www.publicsf.com

 

Heads Up: 7 must-see concerts this week

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The long-predictable MTV Music Video Awards aired last week, and I’d venture a guess that many of you didn’t tune in, and perhaps an even greater number didn’t know it was on. For those who missed it, you didn’t miss much, just a lot of vanilla pop stars and one awesome Frank Ocean.

For every big name, shiny-toothed act, there are hundreds better – and weirder – under the radar. Imagine if the award show was packed with acts like Chelsea Wolfe (this week at the Rickshaw Stop), legendary punk band the Zeros (at Brick and Mortar Hall), or Oakland’s Metal Mother (at the Rock Make Festival), instead of Taylor Swift, One Direction, Demi Lovato and their ilk. Speaking of the latter, how is “Best Video With a Message” an actual category these days?

There are always the exceptions at events like these, the Rihannas, if you will. Still, things would certainly be more entertaining if Burnt Ones were on the screen, or YACHT, or Los Straitjackets. Lucky you, all those mentioned (save for Rihanna) will be here, playing live shows around the Bay in the foreseeable future.

Here are your must-see Bay Area concerts this week/end:

YACHT
Headliner Hot Chip is certainly worth seeing at some point in your life, but opener YACHT is what made this whole show package a must-see. The shiny retro-futurist duo behind perennially underrated art project YACHT (formerly the solo project of Jona Bechtolt) can be summed up in the following Youtube comment, “they make strange, interesting music. I guess that’s why I admire them so much.” Truth.
With Hot Chip
Tue/11, 8pm, $35
Fox Theater
1807 Telegraph, Oakl.
(510) 302-2250
www.thefoxoakland.com
http://www.youtube.com/watch?v=vHNtMWKqMeg

Chelsea Wolfe
Breathy, textured vocalist Chelsea Wolfe – in particular black-gossamer-swaddled Chelsea Wolfe in the video for “Mer” off groundbreaking Apokalypsis –  is basically that scene in The Craft when the four high school goth-witches gather on the beach to call manon and wake to a sandy funeral for endless sea creatures.
With Crypts, Dia Dear, DJ S4NtA-MU3rTE
Wed/12, 9pm, $12
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com
http://www.youtube.com/watch?v=sjSkktZL7zk

Nommo Ogo
“The Bay Area is overloaded with ambient electronic acts inviting you to lose yourself in their Pink Floyd-on-codeine haze, but Nommo Ogo’s attention to detail sets it apart from the pack. Balancing old-school, Cluster-meets-Zelda synth tones with live guitars, field recordings, jittery percussion, and the occasional buried vocal track, its records are unusually dynamic, and compositionally advanced, for “ambient” fare.  — Taylor Kaplan
With Candle Labra, Secret Sidewalk
Thu/13, 9pm, $10
Bottom of the Hill
1233 17th St., SF
(415) 621-4455
www.bottomofthehill.com
https://www.youtube.com/watch?v=ine2G-YU2Ok

The Zeros
So many bands have claimed it, but the Zeroes truly were early pioneers at the forefront of a burgeoning movement; the LA born Chicano punk band was in an elite league in the late 1970s with the likes of the Plugz and few others. Looking at their snarling baby faces – “Don’t Push Me Around” (!) – on warped tape from all those years ago, it’s hard to believe they’ll be at Brick and Mortar Music Hall this weekend, in the flesh.
Fri/14, 9pm, $14
With Wimps, Midnite Snaxxx
Brick and Mortar Music Hall
1710 Mission, SF
(415) 371-1631
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=bdeGc04sKio
http://www.youtube.com/watch?v=ZrgVDwHXGYo

Earlimart
LA’s thoughtful Earlimart is back after a four-year recording gap with new album System Preferences. The arresting indie band (which sounds something like deceased friend Elliot Smith meets tourmates Grandaddy), you’ll recall, is made up of boy-girl duo Aaron Espinoza and Ariana Murray. System Preferences sees release this month on Espinoza’s own Ship Records.
Fri/14, 9pm, $15
Independent
628 Divisadero,SF
(415) 771-1421
www.theindependentsf.com
https://www.youtube.com/watch?v=9sIiwwYu39s

Rock Make Street Festival
I say it every year – the Rock Make Street Festival is annually the best bang for your buck. Your buck being nominal ($3 to $5 donation!), and the bang provided by local up-and-comers from the ever-widening net of indie rock. Led again by co-organizer Tartufi, this year’s bang-up lineup includes John Vanderslice, Exray’s, Burnt Ones, Metal Mother, Will Sprott (the dreamy, crystal-throated vocalist of the Mumlers), Yalls, Oakland’s Twin Steps (members of Religous Girls), Permanent Collection, Kids on a Crime Spree, and DRMS. Now in its fifth year, the street fest continues to shine as a beaming beacon of hope for good clean fun on the asphalt.
Sat/15, noon-7pm, $3-$5 donation
Treat and 18th Street, SF
www.rockmake.com
http://www.youtube.com/watch?v=AyUpLM4sE04

Los Straitjackets
“Nashville, Tenn.’s Los Straitjackets have been pairing genuine musicianship with over-the-top gimmick for more than 20 years and 11 studio albums. True, quality songwriting and matching costumes sounds oxymoronic, but Los Straitjackets defy common sense. The foursome plays instrumental, surf-inspired rock music, with an extensive list of covers, including “Deck the Halls” and “Smells Like Teen Spirit,” but their original material is where the band shines.”– Haley Zaremba
With Daddy-O Grande, Big Sandy and His Fly-Rite Boys
Sat/15, 9pm, $20
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.slimspresents.com
https://www.youtube.com/watch?v=Ls9-smAgSRI

SF Shorts: Come watch films rub up against one another

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The annual international film festival mixes genres, subjects, styles, and cultures to reveal larger themes. Films include drama, documentary, experimental, music video, and animation – while many span multiple of these.

The 2012 films explore secrets, music, immigration, death, drugs, dance, orgasms, youth, trains, drunken grandmas, mental patients, wrestling, and smell. 

The short films hail from all parts of the globe, representing over 20 countries, including Norway, Switzerland, Austria, USA, UK, Canada, Philippines, Australia, Ireland, Belgium, Poland, Estonia, Japan, Kyrgyzstan, Spain, Indonesia, Argentina, Ecuador, and Thailand. For more information and tickets, visit this link.

Thursday, September 6 at 7pm and 9pm | Friday, September at 7pm and 9pm | Saturday, September 8th at 3pm, 5pm, 7pm, and 9pm @ Roxie Theater, 3117 16th St., SF

Don’t blink

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FALL ARTS If there’s such a thing as seasonal themes in the art world, then we’re about to see the summer of performance art gradually give way to the autumn of geography. Look for big institutional shows and smaller gallery projects that present ideas about places and spaces. To that point, this roundup starts with two exhibits that should get you out of the city.

 

Barry McGee Arguably the most famous and influential visual artist to emerge from the Bay Area in the last few decades, McGee is getting the mid-career survey treatment at the Berkeley Art Museum. His activist-leaning work pulls from graffiti, comics, sign painting, and hobo art, usually in ways that interrupt and transform the spaces where they’re installed. The exhibition promises a broad retrospective sampling from early work to new projects, and if for some reason you haven’t already heard of Barry McGee, this is your chance to get up to speed. Through Dec. 9; bampfa.berkeley.edu

ZERO1: Seeking Silicon Valley ZERO1, the Silicon Valley-based (and funded) art and tech biennial, is curated this year to showcase international perspectives on place and placelessness in the post-Internet world. Over 150 artists from 13 countries will participate. Take heart, commute-averse, projects will be hosted at venues throughout (and in the sky above) the Bay Area. Among those, Nelly Ban Hayoun’s space opera music video penned by Bruce Sterling and performed by NASA employees; ISHKY’s Pi in the Sky, which utilizes skywriting planes to remind you of what comes after 3.14; and Rafael Lozano-Hemmer’s interactive pirate radio station. Sept. 12-Dec. 8; www.zero1biennial.org

Six Lines of Flight: Shifting Geographies in Contemporary Art Comparing six global cities that are important regional cultural centers but not global art commerce centers, Six Lines of Flight brings together progressive artists from San Francisco; Beirut, Lebanon; Cali, Columbia; Cluj, Romania; Ho Chi Minh City, Vietnam; and Tangier, Morocco. If it’s as good as I hope, the exhibition will showcase possible models for social art making that bridge regional and transnational identities. Sept. 15-Dec. 31; www.sfmoma.org.

re(collection) In the wake of the March 2011 tsunami that devastated northern Japan, volunteers and cleanup workers salvaged and preserved more than 750,000 family snapshots and photos, a community performance both defiant and touching. Some of those photos make up this exhibition, alongside collaborations and new work by Mark Baugh-Sasaki, Ariel Goldberg, Mayumi Hamanaka, Taro Hattori, Sean McFarland, Kari Orvik, and Kelli Yon. Sept. 12-Nov. 3; www.theintersection.org

Guy Overfelt: Blacklight I confess. I’m sending you on a blind date to Guy Overfelt’s October show. I have no idea what he has planned, but if recent work — which usually involves burning rubber, inflating stuff, and performance — is any indicator, the 2012 SECA nominee will not disappoint. Oct. 6-Nov. 3; www.evergoldgallery.com

The Parade: Nathalie Djurberg and Hans Berg Dazzling, funny, and unsettling, “The Parade” combines kaleidoscopic, person-sized bird sculptures with five stop-motion animated films by Djurberg featuring ingenious synchronized soundtracks scored by Berg. I caught this in a rush at the New Museum in New York; can’t wait to spend more time with it here. Oct. 12-Jan. 27; www.ybca.org

Liam Everett Liam Everett’s lovely and haunting minimal abstract paintings usually incorporate alcohol, paint, and salt to distress and age unstretched canvases, making vibrant palimpsests and riffing on color field painting and installation work. Nov. 1-Dec. 22, www.altmansiegel.com

Jasper Johns: Seeing with the Mind’s Eye Elder statesman of the American post-war period and pop art master sees a new major retrospective at the San Francisco Museum of Modern Art. Organized with Johns and spanning the last 60 years, this latest survey of Johns’ work will include 85 paintings, works on paper, and sculptures, many of them from Bay Area collections. Nov. 3-Feb. 3; www.sfmoma.org

Localized Appreesh: The Seshen

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Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact emilysavage@sfbg.com.

As is often the case these days, the Seshen grabbed attention with a video. The Bay Area band’s first official music video – for its song “Oblivion” off the self-titled LP released earlier this year –  has gained more than 10,000 views since it went up in June.

The black and white clip is like a mini art film, with a fuzzy countdown clock ticking off cerebral scenes of shadowy figures, singer Lalin St. Juste in an abandoned alleyway, and close ups of blinking eyes.

And then there’s the song itself, a beat-driven pop song, with these echoing, soulful vocals, bouncy keys, and hypnotic layers of electro effects. Given all those harrowing echoes, you could picture the song (which has a sort of Little Dragon meets Erykah Badu feel) featured in horror flick, as the heroic female lead tears away from the chaos, running to safety. 

This week, the Seshen plays for a good cause in Oakland: a fundraiser for the Women’s International Fund for Education (W.I.F.E).

http://www.youtube.com/watch?v=gOkubxzD4gY

Year and location of origin: March of 2010 in El Cerrito, Calif. We all met or re-connected at Aki (bass player and producer)’s and his girlfriend Lalin (lead singer)’s house parties in El Cerrito. Lots of like minded musicians jamming in their basement led to the first incarnation and lineup of the Seshen.
 
Band name origin: Egyptian for blue lotus, a symbol of the sun and creation or rebirth. That, and it also sounds like “session”.
 
Band motto: In the absence of an official motto, we’d say “Roast Beef”.
 
Description of sound in 10 words or less: Beat driven electronic music that balances pop and abstraction.

Instrumentation: Vocals, keyboards, bass, drums, percussion and samples. Almost everybody has some kind of MIDI device or effects pedal in order to reproduce the layered electronic sounds of the studio album in a live situation.
 
Most recent release: Our self-titled debut dropped on February 28, 2012. It streams for free here.
 
Best part about life as a Bay Area band:
Eclectic audiences, amazing musicians, great venues, different scenes (East Bay vs. San Francisco).
 
Worst part about life as a Bay Area band: Trying to be heard and remembered amongst all the other awesome musicians the Bay produces.
 
First album ever purchased: (Aki) I think the first album I purchased was Green Day’s Dookie, which I got in the 5th grade.
 
Most recent album purchased/downloaded: (Aki) The last album I downloaded was TNGHT by Hudson Mohawke and Lunice.
 
Favorite local eatery and dish: In the year and a half it took to record the first album, we ordered the large veggie from Americana Pizza and Taqueria in San Pablo probably a million times. Honorable mention to the multiple bottles of Sriracha we topped them with.

Seshen
With Fast Piece of Furniture, DJ Black
Fundraiser for Women’s International Fund for Education
Fri/24, 9pm, $10-$20 sliding scale
Geoffrey’s Inner Circle
410 14th St., Oakl.
www.wifeducation.org