Independent

Solomon: Obama in Plunderland: Down the corporate rabbit hole

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By Norman Solomon

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

The president’s new choices for Commerce secretary and FCC chair underscore how far down the rabbit hole his populist conceits have tumbled. Yet the Obama rhetoric about standing up for working people against “special interests” is as profuse as ever. Would you care for a spot of Kool-Aid at the Mad Hatter’s tea party?

Of course the Republican economic program is worse, and President Romney’s policies would have been even more corporate-driven. That doesn’t in the slightest make acceptable what Obama is doing. His latest high-level appointments — boosting corporate power and shafting the public — are despicable.

To nominate Penny Pritzker for secretary of Commerce is to throw in the towel for any pretense of integrity that could pass a laugh test. Pritzker is “a longtime political supporter and heavyweight fundraiser,” the Chicago Tribune reported with notable understatement last week, adding: “She is on the board of Hyatt Hotels Corp., which was founded by her family and has had rocky relations with labor unions, and she could face questions about the failure of a bank partly owned by her family. With a personal fortune estimated at $1.85 billion, Pritzker is listed by Forbes magazine among the 300 wealthiest Americans.”

A more blunt assessment came from journalist Dennis Bernstein: “Her pioneering sub-prime operations, out of Superior Bank in Chicago, specifically targeted poor and working class people of color across the country. She ended up crashing Superior for a billion-dollar cost to taxpayers, and creating a personal tragedy for the 1,400 people who lost their savings when the bank failed.” Pritzker, whose family controls Hyatt Regency Hotels, has a vile anti-union record.

Commerce Secretary Penny Pritzker? What’s next? Labor Secretary Donald Trump? SEC Chairman Bernie Madoff?

The choice of Penny Pritzker to run the Commerce Department is a matched set with the simultaneous pick of Tom Wheeler — another mega-fundraiser for candidate Obama — to chair the Federal Communications Commission.

With crucial decisions on the near horizon at the FCC, the president’s nomination of Wheeler has dire implications for the future of the Internet, digital communications and democracy. For analysis, my colleagues at the Institute for Public Accuracy turned to the progressive former FCC commissioner Nicholas Johnson, who called the choice “bizarre.”

“There is no single independent regulatory commission that comes close to the impact of the FCC on every American’s life,” Johnson said. “That’s why Congress, in creating it, characterized its mission as serving ‘the public interest’ — an expression used throughout the Act.

But with countless billions of dollars at stake, the corporate fix was in. As Johnson pointed out, “Wheeler’s background is as a trade association representative for companies appearing before the Commission, a lobbyist in Congress for other FCC customers, and a venture capitalist investing in and profiting from others whose requests he’ll have to pass on. He has no record, of which I am aware, of challenging corporate abuse of power on behalf of consumers and the poor.”

But wait. There’s more. “Nor does Wheeler’s membership on the president’s Intelligence Advisory Board bode well for those who believe Americans’ Fourth Amendment privacy rights should be getting at least as much attention as the government’s perceived need to engage in even more secret snooping.”

To urge senators to reject the nominations of Pritzker and Wheeler, click here.

Meanwhile, at the Securities and Exchange Commission, Obama’s recent appointment of Wall Street insider Mary Jo White as SEC chair is playing out in predictable fashion. Days ago, in an editorial, the New York Times faulted her role in an SEC decision on regulating the huge derivatives market: “Last week, in her first commission vote, Ms. White led the commissioners in approving a proposal that, if finalized, could leave investors and taxpayers exposed to the ravages of reckless bank trading.”

We need to ask ourselves how the forces of corporate capitalism have gained so much power over government, to the extreme detriment of people who aren’t rich. Humpty Dumpty’s brief dialectical exchange with Alice is on point

“When I use a word,” Humpty Dumpty said, “it means just what I choose it to mean — neither more nor less.”

“The question is,” Alice replied, “whether you can make words mean so many different things.””The question is,” Humpty Dumpty responded, “which is to be master — that’s all.

Denunciations and protests against the dominant power structure are essential. And insufficient. For the body politic and the potential of democracy, accommodating to the Democratic Party leadership is a deathly prescription. So is failure to fight for electoral power by challenging that leadership, fielding genuinely progressive candidates and organizing to win.

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

(The Bruce Blog is written and edited by Bruce B. Brugmann, editor at large of the San Francisco Bay Guardian, and co-founder and editor and co-publisher with his wife Jean of the Bay Guardian, 1966-2012, now retired.)

Music listings

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Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 22

ROCK/BLUES/HIP-HOP

Atriach, Wild Hunt, Lycus, Caffa Thee Parkside. 8pm, $10.

Belle Noire, Great Work, Soonest Bottom of the Hill. 9pm, $10.

Boris, deafheaven Rickshaw Stop. 8pm, $18.

Matthew Dear Mezzanine. 8:30pm, $20.

Quinn DeVeaux Rite Spot. 8:30pm.

Gunshy Johnny Foley’s. 10pm, free.

Hanzel and Gretyl DNA Lounge. 8pm, $13.

Jason Marion vs Susan Johnny Foley’s Dueling Pianos. 10pm, free.

Mortar and Pestle, Visibles, Great Spirits Brick and Mortar Music Hall. 9pm, $8.

Nick Moss Biscuits and Blues. 8 and 10pm, $20.

Shout Out Louds Great American Music Hall. 8pm, $19.

Slippery Slope, Lady Elaine, Easy Reader Tupelo, 1337 Grant, SF; (415) 981-9177. 8pm, free.

Speck Mountain Hemlock Tavern. 8:30pm, $7.

Twin Trilogy, Tomb Weavers, Andrew Graham and Swarming Branch Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

Big Bones Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley Burritt Room, 417 Stockton, SF; www.burrittavern.com. 6-9pm, free.

29th Swingtet Tupelo, 1337 Grant, SF; www.tupelosf.com. 9:30pm.

FOLK/WORLD/COUNTRY

Quinn DeVeaux Rite Spot Café. 8:30pm.

Jesse y Joy Regency Ballroom. 8pm, $27.50-$40.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Jukebox Baby Monarch. 9pm, $8. With Actually, Silent Pictures, DJ Johnny the Boy, Jungle Sniff.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Stay Sick Monarch. 9pm, free. With DJ Omar.

Timba Dance Party Bissap Baobab, 3372 19 St, SF; www.bissapbaobao.com. 10pm, $5.

THURSDAY 23

ROCK/BLUES/HIP-HOP

Beets, Fine Steps, Tiaras Hemlock Tavern. 8:30pm, $8.

Black Cobra, Ken Mode, Judgement Day Thee Parkside. 9:30pm, $10.

Bobby Joe Ebola and the Children Macnuggits, Water Tower, Tornado Rider, Mystic Knights of the Cobra Great American Music Hall. 8pm, $16.

Cold War Kids, SUPERHUMANOIDS Regency Ballroom. 8pm, $25.

Craig and Meredith Rite Spot. 8:30pm.

Detroit Cobras, Pangea, Chaw Slim’s. 9pm, $16-$18.

Front Country, Laura Cortese, Mariel Vandersteel, Valerie Thomas, Roosevelt Dime Brick and Mortar Music Hall. 9pm, $10.

Infernoh, Permanent Ruin, Merdoso, Effluxus Knockout. 10pm, $8.

Sonny Landreth Yoshi’s SF. 8pm, $26.

Dave Moreno and Friends Johnny Foley’s. 10pm, free.

Jackie Payne Biscuits and Blues. 8 and 10pm, $20.

Sir Sly, JMSN, Dresses Bottom of the Hill. 9pm, $10.

Sons of Fathers, Builder and the Butchers Café Du Nord. 8pm, $10.

Susan vs Jason Marion Johnny Foley’s Dueling Pianos. 10pm, free.

Ted Tones Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, free.

Victoria and Vaudevillians, Unwoman, Blah Boutique DNA Lounge. 8pm, $13.

Youngblood Hawke, Pacific Air, popscene DJs Rickshaw Stop. 9:30pm, $13-$17.

JAZZ/NEW MUSIC

Craig and Meredith Rite Spot Café. 8:30pm.

Spencer Day Feinstein’s at the Nikko, 222 Mason, SF; www.ticketweb.com. 8pm, $55-$75.

Jack Curtis Dubowsky Ensemble: Current Events Luggage Store Gallery, 1007 Market, SF; www.outsound.org. 8pm, $6-$10.

Chris Sibert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Gigi Amos Tupelo, 1337 Grant, SF; www.tupelosf.com. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Foxy Monarch Lounge. 9pm, free. With DJ Kizmiaz.

Pa’lante! Bissap Baobab, 3372 19 St, SF; www.bissapbaobao.com. 10pm, $5. With DJs Juan G, El Kool Kyle, Mr. Lucky.

Pompeya, DJ Mykill, Matt Haze Monarch. 9pm, $8.

Psymbionic Mighty. 10pm, $10.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto Sr. Saen, Santero, and Mr. E.

FRIDAY 24

ROCK/BLUES/HIP-HOP

Black Moth Super Rainbow, Hood Internet, Oscillator Bug Fillmore. 9pm, $19.50.

Ian Franklin and Infinite Frequency Simple Pleasures, 3434 Balboa, SF; www.ianfranklinmusic.com. 7:30pm.

Inc., Dam Funk Mezzanine. 9pm, $15-$17.

Imperial Teen, Churches, Gone to Ground Bottom of the Hill. 10pm, $12.

Kinski, Phil Manley Life Coach Hemlock Tavern. 9:30pm, $10.

Gino Matteo Biscuits and Blues. 8 and 10pm, $20.

Presidents of the United States of America Independent. 9pm, $20.

Sea Lions, Still Flyin’, Burnt Palms Café Du Nord. 9:30pm, $10.

Sole Johnny Foley’s. 10pm, free.

Stornway Brick and Mortar Music Hall. 7pm, $15.

Tainted Love, Stung Bimbo’s. 9pm, $25.

TSOL, VKTMS, Rush and Attack Thee Parkside. 9pm, $13.

This Charming Band, Purple Ones, Jean Genies Slim’s. 9pm, $15.

Twin Shadow, Elliphant Great American Music Hall. 9pm, $23-$25.

Greg Zema, Susan, Jason Marion Johnny Foley’s Dueling Pianos. 10pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Spencer Day Feinstein’s at the Nikko, 222 Mason, SF; www.ticketweb.com. 8pm, $55-$75.

Dyadic Resonance: New Music by Zachary James Watkins Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $15.

Hammond Organ Soul Jazz, Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

James Moore Unitarian Universalist Society of San Francisco Chapel, 1187 Franklin, SF; www.tangentguitarseries.com. 7:30pm, $15.

Diana Reeves SF Jazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Peter White Yoshi’s SF. 8pm, $29; 10pm, $22.

FOLK/WORLD/COUNTRY

Sambada Brick and Mortar Music Hall. 10pm, $10.

Sinister Dexter Tupelo, 1337 Grant, SF; www.tupelosf.com. 9pm.

DANCE CLUBS

Fag Fridays DNA Lounge. 10pm, $10. Monthly gay dance party with Quentin Harris and David Harness.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Night Moves: Lazarao Casanova Monarch. 9pm, $10.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

120 Minutes Elbo Room. 10pm, $15. With Mater Suspiria Vision, How I Quit Crack, S4NtA MU3rTE, Chauncey CC.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

SATURDAY 25

ROCK/BLUES/HIP-HOP

Blue Diamond Fillups Riptide. 9:30pm, free.

BOAT, Gold Bears, Surf Club Hemlock Tavern. 9:30pm, $8.

Bobby Love and Sugar Sweet Johnny Foley’s. 10pm, free.

Mikal Cronin, Audacity, Michael Stasis Rickshaw Stop. 9pm, $10-$12.

Gentlemen’s Heroes, Who Does That?, Red Shift Thee Parkside. 3pm, free.

Kylesa, Blood Ceremony, White Hills, Lazer, Wulf Slim’s. 8pm, $16.

Presidents of the United States of America Independent. 9pm, $20.

Sudor, Kurraka, Replica El Rio 10pm, $7.

Susan, Jason Marion Johnny Foley’s Dueling Pianos. 10pm, free.

Tainted Love, Minks Bimbo’s. 9pm, $25.

Tera Melos, TTNG, Evkain Bottom of the Hill. 9:30pm, $14.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $24.

Twin Shadow, Elliphant Great American Music Hall. 9pm, $23-$25.

Warbringer, Hatchet, Vektor, Apothesary Thee Parkside. 9pm, $15.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Spencer Day Feinstein’s at the Nikko, 222 Mason, SF; www.ticketweb.com. 7pm, $55-$75.

Hammond Organ Soul Jazz, Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

North Beach Brass Band Brunch Tupelo, 1337 Grant, SF; www.tupelosf.com. 1:30pm.

Diana Reeves SF Jazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $35-$85.

Lavay Smith and her Red Hot Skillet Lickers, Big Bones Yerba Buena Gardens, Mission between Third and Fourth Streets, SF; www.ybgfestival.org. 1-2:30pm.

Voicehandler and Zeek Sheck Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $15.

Peter White Yoshi’s SF. 8pm, $29; 10pm, $25.

FOLK/WORLD/COUNTRY

Cradle Duende and Safiya Red Poppy Art House. 8pm, $10-$20.

Sambada Brick and Mortar Music Hall. 10pm, $10.

DANCE CLUBS

Bootie SF: Mashup Prom DNA Lounge. 9pm, $10-$15. With DJ Tripp, Faroff, Dada, Smash-Up Derby.

Claptone, Steve Huerta, Bells and Whistles Monarch. 9:30pm, $10.

Lights Down Low Seventh Anniversary Mezzanine. 9pm, $18-$22. With Azari and III, Lee Foss, Todd Terry, LDL DJs, BT Magnum.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Temptation Cat Club. 9:30pm. $5–<\d>$8. Indie, electro, new wave video dance party.

SUNDAY 26

ROCK/BLUES/HIP-HOP

Big Long Now, Adult Dude Hemlock Tavern. 9pm, $7.

Dave Moreno and Friends Johnny Foley’s. 10pm, free.

Goh Nakamura, Jane Lui, Paul Dateh Café Du Nord. 7:30pm, $10.

Tropical Popsicle, Bixby Knolls, Panic is Perfect Bottom of the Hill. 9:30pm, $9.

Qwel and Maker, Rec League, Genie, DJ Mr. Bean, Johnny 5 Brick and Mortar Music Hall. 9pm, $15.

JAZZ/NEW MUSIC

Gospel Gators of San Francisco State University Yoshi’s SF. 7 and 9pm, $25.

Diana Reeves SF Jazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19 St, SF; www.bissapbaobao.com. 6:30pm, free.

Marshall Law Tupelo, 1337 Grant, SF; www.tupelosf.com. 4-7pm, free.

Silver Threads, Sevon and the Lovesick Ramblers Thee Parkside. 4pm, free.

DANCE CLUBS

As You Like It Monarch. 9pm, $15. With Magic Mountain High, Move D, Dave Anju, Mossmoss, Rich Korach.

Beats for Brunch Thee Parkside. 11am, free.

Creeme Fraiche ft. Mrs. Blythe Monarch Lounge. 9pm, free.

Dub Mission Elbo Room. 9pm, $10. With Twilight Circus Dub Sound System.

Espirit du Monde Bissap Baobab, 3372 19 St, SF; www.bissapbaobao.com. 9pm, $5. Carnival after-party with DJs Cecil, Orfeu Negro, Son of Son.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

Stompy and Sunset, DJ Deep Café Cocomo, 650 Indiana, SF; www.cafecocomo.com. 2pm, $10-$20.

Trannyshack: Madonna Tribute DNA Lounge. 9:30pm, $15. With Heklina, Becky Motorlodge, Exhibit Q, Raya Light, Cookie Dough, and more.

MONDAY 27

ROCK/BLUES/HIP-HOP

Better Maker, An Isotope, Jordan River Brick and Mortar Music Hall. 9pm, $9.

Damir Johnny Foley’s. 10pm, free.

“Shit Kickin’ Memorial Day” El Rio. 4pm, $10. With 77 El Deora, Evangenitals, Kit and the Branded Men, Patsychords.

FOLK/WORLD/COUNTRY

Seva Kirtan Palace of Fine Arts Theater, 3301 Lyon, SF; www.seva.org. 7pm, $40-$150.

Slowpoke Tupelo, 1337 Grant, SF; www.tupelosf.com. 9pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. With Decay, Joe Radio, Meltin Girl.

DJ Jules, Jacob, Alden Monarch. 8pm, free.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 28

ROCK/BLUES/HIP-HOP

Asad Messiah, Burning Monk, Ironwitch, DJ D’sasster Knockout. 9:30pm, $6.

Big K.R.I.T., Smoke DZA DNA Lounge. 8pm, $24.

Fat Tuesday Biscuits and Blues. 8 and 10pm, $15.

Grouper, Danny Paul Grody, Irwin Swirnoff Hemlock Tavern. 8:30pm, $8.

Kids, Bodies, Neon Piss, Re-Volts, Cyclops Thee Parkside. 8pm, $12.

Whitney Myer, Lindsey Pavao, Odd Owl, Mad Noise Brick and Mortar Music Hall. 8pm, $8.

Radiation City, Cuckoo Chaos Rickshaw Stop. 8pm, $10-$12.

David Ramirez, Jay Nash, Max Porter Café Du Nord. 9pm, $10-$12.

Suuns, Wymond Miles, Foli Bottom of the Hill. 9pm, $12.

JAZZ/NEW MUSIC

Terry Disley Burritt Room, 417 Stockton, SF; www.burrittavern.com. 6-9pm, free.

sfSoundSalonSeries: Maggi Payne, Varese, John Ingle, sfSound Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $7-$10.

FOLK/WORLD/COUNTRY

Balkan Brass Elbo Room. 9pm, $3.

Toshio Hirano Rite Spot. 8:30pm.

DANCE CLUBS

DJ4AM Laszlo, 2526 Mission, SF; www.laszlobar.com. Boom bap hip-hop, beats, and dub.

Level Vibes Monarch. 9pm, free. With Now Time DJs.

Soundpieces Monarch. 10pm, $5. With Zeno, El Diablo.

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

ZouKizomba Bissap Baobab, 3372 19 St, SF; www.bissapbaobao.com. 8pm, $5-$10.

The Ro Khanna party

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When Ro Khanna, a young, energetic intellectual property lawyer, ran for Congress against Tom Lantos, he was the candidate of the progressives. I liked Khanna, and appreciated his willingness to take on the almost unheard-of task of challenging a longtime incumbent in a Democratic primary. At that point, in 2004, the big issues were the war and the PATRIOT Act, and Khanna was against both. Lantos, who was always hawkish on defense issues (and a die-hard supporter of Israel, no matter what the Israeli government was doing), was clearly out of touch with his district. But Khanna never got much traction, and he lost pretty badly.

Now he’s back, in a new era of top-two primaries (which has its own problems), and in a different district. He’s taking on Mike Honda, who, like Lantos, has been around a while, and hasn’t faced serious opposition in years.

And this time around, it’s not Matt Gonzalez and the left supporting Khanna — it’s Lite Guv Gavin Newsom, who beat Gonzalez for mayor of SF, along with Ron Conway and the tech industry. And  instead of talking about failed US military policies, he’s talking about bringing the interests of Silicon Valley to Washington:

“The premise of this campaign is quite simple,” Khanna told the crowd. “We’ve had quite brilliant people…use technology to change the world. And it’s time that we actually change politics, that Silicon Valley has the potential to do this.” “It’s not just about having a tech agenda. This is about something much deeper — our values, and our ability to use those values to change Washington and the world,” he told them.

Now: It’s not as if Mike Honda has been horrible to Silicon Valley. He’s been involved in all sorts of tech-related issues. But he’s of a different generation, and however stereotypical it may be to say it, there’s a certain level of ageism in the tech world right now. Honda is old; the wealth in the tech world is overwhelmingly young. Politico notes:

Khanna’s decision to take on Honda also reflects a long-standing frustration among many young California pols who have been patiently waiting for older members to exit the state’s congressional delegation. Last year’s induction of an independent redistricting committee and a jungle primary system in which the top two finishers in an open primary advance to the runoff regardless of party affiliation, helped push many senior members into retirement.

Oh, and Honda is very much a pro-labor guy. And tech firms are almost never unionized, and their owners and workers don’t tend to have the same sympathies for labor unions as young activists did 20 years ago.

Politico doesn’t give Khanna much of a shot; it’s going to be a tough battle. Honda’s been around the district forever, and has no apparent scandals or gaffes (and unlike poor Pete Stark, he doesn’t seem to be losing his marbles).

But money talks, and Khanna’s got a lot of it — and in some ways, this will be a new-money-v.-old-Democratic Party, tech v. labor kind of battle that will say a lot about where Bay Area politics are going as the region’s population, and wealth, are dramatically and rapidly changing.

Is Larkin Street Youth Services using public funds to fight a union organizing drive?

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Larkin Street Youth Services does great and important social work with homeless youth in San Francisco, for which it receives generous support from city taxpayers, as well as federal grants. That’s why its employees and some prominent local officials are questioning the organization’s aggressive, deceptive, and anti-union resistance to the request by a majority of its 88 employees to be represented by Service Employees International Union Local 1021.

A majority of employees submitted an organizing petition on April 8, asking LSYS Executive Director Sherilyn Adams to honor the request and recognize card check neutrality, as other local city-supported nonprofits have done, such as Tenderloin Housing Clinic. But SEIU organizer Peter Masiak said Adams refused to even discuss it, leading the National Labor Relations Board to set a mail-in ballot election that begins May 21.

“That was two months she was able to buy by forcing this election,” he told us.

Adams and LSYS management have used that time to try to undermine the organizing effort with staff meetings and mailers that criticize SEIU in particular and the labor movement in general, using misleading scare tactics about the costs of organizing.  

“In my view, if employees become represented by a union, our organization will be significantly impacted, and not for the better,” Adams wrote in an April 23 email to staff announcing the NLRB election. LSYS management has also posted flyers with inaccurate information on the costs of joining the union and dated information about a contentious contract impasse between Local 1021 and its workers that has [since been settled. CORRECTION: Local 1021 workers rejected that settlement, with negotiations scheduled to restart May 21].

“They have been engaged in an anti-union campaign and hired outside counsel to fight this,” Masiak told us, noting how inappropriate such actions are for an organization that gets the vast majority of its funding from government grants. “I think it’s a misuse of these funds.”

Some public officials agree, including Assembly member Tom Ammiano and Sup. John Avalos, who have written letters to LSYS criticizing the tactics and urging Adams to recognize the union.

“Their desire to have a voice on the job and develop professionally in a supportive environment should be celebrated by LSYS management,” Ammiano wrote to Adams on April 30, noting his long history of advocating for increased city funding of the organization. “Unions are an important voice for employees regarding salary, benefits, working conditions, and many other issues. I strongly encourage you to accept card check recognition, to remain neautral during your employees’ organizing efforts, and not to use public funds on anti-union attorneys or consultants, so that your employees may make their own decision on whether or not to form a union.”

Eva Kersey, who works in LSYS HIV-prevention programs and helped organize the union drive, said it was driven by concerns about low wages, poor benefits, and the belief that “we don’t have a meaningful voice in how our programs are run,” she told us.

Kersey said she was disappointed at how management has reacted to the organizing drive. “What was most surprising is the general lack of respect we’ve gotten as workers and an organizing committee,” Kersey said, citing belittling management statements about how employees were being manipulated by the desperate union. “We’ve put a lot of work into this and put ourselves out there in a lot of ways.”

But Kersey believes support for the union has only grown and that LSYS employees — who are used to cutting through the bullshit they hear from troubled teens — haven’t been swayed by the speeches, flyers, and emails from management.

“I don’t think they’re very effective. They’re pretty one-sided,” Kersey said.  

Adams did not return our calls for comment, but had LSYS spokesperson Nicole Garroutte respond by asking for questions in writing, and we provided a list raising the issues and concerns expressed in this article. She didn’t answer the questions directly but offered this prepared statement: “Thank you for your interest in Larkin Street and, in particular, the election process that is currently underway. Out of respect for all of our employees and to help ensure a fair and independent process, we will confine our response to reaffirming the high degree to which we value our staff and the faith that we have in their ability to make informed individual decisions regarding the election. We recognize that there are expected differences of opinions regarding the preferred labor-management model, but we are confident that we all share a mutual passion for our mission and, most importantly, for assisting to our fullest potential the vulnerable clients we serve. We would be happy to talk further after the election process is concluded.” 

Masiak said the ballots will be mailed out May 21, they must be returned by June 5, and they will counted June 6.

Small Business Awards 2013

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Welcome to a tradition we hold near and dear at the Guardian — our annual round-up of independent businesses that represent the best of entrepreneurship here in the Bay. From a local sweet shop that’s defied the Nestle odds to become the Bay’s best-loved ice cream treat to the Castro’s best new spot for punting and catching, read on for our favorite small businesses now.

 

>>WOMEN IN BUSINESS: MOTHERSHIP HACKERMOMS

>>COMMUNITY SERVICE: UNIVERSAL MARTIAL ARTS

>>CULTURE CHAMPION: HI TOPS

>>LEGACY AWARD: LA VICTORIA BAKERY

>>SMALL BUSINESS ADVOCATE: BUSINESS ALLIANCE FOR LOCAL LIVING ECONOMIES

>>EMPLOYEE-FRIENDLY BUSINESS: R & G LOUNGE

>>GOLDEN SURVIVOR: IT’S IT

>>LOCAL MANUFACTURING: BABETTE

>>READER’S CHOICE: SHAMELESS PHOTOGRAPHY

 

Rep Clock

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Schedules are for Wed/15-Tue/21 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. "Other Cinema:" "Notebook Filmmaking," book release party and screening with Bill Brown, Sat, 8:30.

BALBOA 3630 Balboa, SF; www.cinemasf.com/balboa. $7.50-10. Rockshow: Paul McCartney and Wings (1980), Thu, 7:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-13. "Harvey Milk 2013: Living the Legacy," free discussion and performance by the SF Gay Men’s Chorus, Wed, 7. •Happy Together (Wong, 1997), Thu, 7, and Fallen Angels (Wong, 1996), Thu, 8:55. "Midnites for Maniacs: Dirty Little Munchkins Triple Bill:" •The Bad News Bears (Ritchie, 1976), Fri, 7:30; Gummo (Korine, 1997), Fri, 9:30; and The Garbage Pail Kids Movie (Amateau, 1987), Fri, 11:30. Tickets are $13 for one or all three films. •Rear Window (Hitchcock, 1954), Sat, 2, 4:30, 7, and Body Double (De Palma, 1984), Sat, 9:10. Oz: The Great and Powerful (Raimi, 2013), Sun, 2, 5, 8. •Stoker (Park, 2013), Tue, 7, and Shadow of a Doubt (Hitchcock, 1943), Tue, 8:55.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. The Angels’ Share (Loach, 2012), call for dates and times. Blancanieves (Berger, 2012), call for dates and times. In the House (Ozon, 2012), call for dates and times. The Reluctant Fundamentalist (Nair, 2012), call for dates and times. Renoir (Bourdos, 2012), call for dates and times. Rockshow: Paul McCartney and Wings (1980), Thu, 7, and Sat, 1. This event, $15. Midnight’s Children (Mehta, 2012), May 17-23, call for times. Stories We Tell (Polley, 2012), May 17-23, call for times. "World Ballet on the Big Screen:" Giselle, from the Royal Ballet, London, Sun, 1; Tue, 6:30.

"HIMALAYAN FILM FESTIVAL" Various SF and East Bay venues; www.himalayanfilmfest.com. $8-25. First annual festival featuring narrative and documentary "films from the roof of the world," Wed-Sun.

JOE GOODE ANNEX 401 Alabama, SF; www.rawdance.org. $5-10. "One Night, Three RAWdance Films," dance films, Thu, 7:30.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, milibrary.org/events. $10 (reservations required as seating is limited). "CinemaLit Film Series: Paddy Chayefsky: Scenes from American Lives:" The Goddess (Cromwell, 1958), Fri, 6.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. $6-10. "New Parkway Classics:" Shaun of the Dead (Wright, 2004), Thu, 9pm. "Thrillville:" Foxy Brown (Hill, 1974), Sun, 6.

NINTH STREET INDEPENDENT FILM CENTER 145 Ninth St, SF; www.thespaceinvaders.org. $10. The Space Invaders: In Search of Lost Time (Von Ward, 2012), Sat, 8.

"PLAYGROUND FILM FESTIVAL" Various Bay Area venues; playground-sf.org/filmfest. $10-25. Showcasing Bay Area filmmakers and writers and their short work. Through May 25.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. PFA closed through June 5.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. The Source Family (Demopoulos and Wille, 2012), Wed-Thu, 7. Upstream Color (Carruth, 2013), Wed-Thu, 9. "I Wake Up Dreaming 2013:" •Bewitched (Oboler, 1945), Wed, 6:30, 9:45, and Five (Oboler, 1951), Wed, 8; •Undertow (Castle, 1949), Thu, 6:30, 9:40, and Shakedown (Pevney, 1950), Thu, 8; •Pickup (Haas, 1951), Fri, 6:15, 9:45, and Wicked Woman (Rouse, 1953), Fri, 8; •All Night Long (Dearden, 1961), Sat, 1:30, 5:30, 9:30, and Sweet Smell of Success (Mackendrick, 1957), Sat, 3:30, 7:30; •Female on the Beach (Pevney, 1955), Sun, 1:15, 5:30, 9:30, and Autumn Leaves (Aldrich, 1956), Sun, 3:15, 7:30; •Killer at Large (Beaudine, 1947), Mon, 6:40, 9:30, and Key Witness (Lederman, 1947), Mon, 8; •The Tattooed Stranger (Montagne, 1950), Tue, 6:40, 9:45, and My Gun is Quick (Victor and White, 1957), Tue, 8. Sun Don’t Shine (Seimetz, 2012), May 17-23, 7:15, 9:15 (also Sat-Sun, 5).

SAN FRANCISCO STATE UNIVERSITY McKenna Theater, Creative Arts Building, 1600 Holloway, SF; www.sffilmfinals.com. Free. "53rd Film Finals," Fri, 7. Award ceremony and reception follows.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. "Girls! Guns! Ghosts! The Sensational Films of Shintoho:" The Horizon Glitters (Doi, 1960), Thu, 7:30; •Vampire Bride (Namiki, 1960), Sun, 2, and Ghost Cat of Otama Pond (Ishikawa, 1960), Sun, 3:45.

Bye bye Briski

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marke@sfbg.com

SUPER EGO It’s been half a minute since I poked my stilettos through an extra-large Target bag and pulled it up to make an evening gown for hitting the town. I only have one sinus left over from the ’90s, so I have to pace my nightlife, ha AS IF. But lately sometimes it’s all like, “where’d everybody go?” when I go out. SF is definitely undergoing another of its periodic freak drains (although much wild unicorn magik still remains, as the Odyssey party proved last weekend).

In 1999 everyone was moving to NYC, in 2003 it was Portland, in 2007 it was Berlin, and now everyone’s either moving to Oakland or LA or beyond. Soon as I manage to turn around without falling down, someone’s gone: beloved DJ bear Claude VonStroke, party maniac Sleazemore, phantasmagoric art star boychild, radical queer activist Michael Lorin Friedman, future Ms. Drag Mess Universe Ambrosia Salad, almost all my tricks I didn’t want to leave…

Yes, it’s the economy, rising rents, influx of drones, lack of jobs or diversity or artistic opportunity, the outrageous wish to not live in a pantry with five other crazies. Also some people seem to think they want professional careers? What is this, “Star Search”?

Well, here’s another story of a beloved someone moving on — but unlike many others, this one’s a happy one (although it may reflect on just how high you can go in this town when it comes to dance music). “No, I’m not really afraid that once I move out of SF I won’t be able to afford moving back,” As You Like It crew resident and sweetest person ever DJ Briski, a.k.a. Brian Bejarano told me over the phone. “Someone will have a floor for me to crash on, and I’ve got family in Pacifica.” That’s where Briski grew up, but he spent a formative period raving in the UK in 2006, which cemented his transition from a psychedelic rock and punk fan to a deeper house sound. Minimal techno was breaking hard back then, but Briski cut his rave teeth at Back to Basics, the infamously gonzo darker-funk night in Leeds (now the longest running weekly in the world).

His signature groove is deep and somewhat tense, almost playfully post-punk — he’s great at ’80s rarities, too — and very consciously indebted to Bay psychedelic house legends the Wicked crew. In fact, his last gig here will be playing back to back with Wicked’s Jenö at the next As You Like It party, Fri/17 at Mighty.

Briski’s off to become the tour manager for one of tech-house’s biggies, Maceo Plex, who has basically achieved pop star status in Europe, and is now based in Barcelona. Briski met the Cuban-born Maceo in Dallas a few years ago, and grew close. “My girlfriend Mariesa [Stevens, also moving], became Maceo’s agent a few years back and we’ve been like a little rave family ever since. Our musical styles are very different, but I’ll be opening for him in some places, and have access to his studio and record label to continue developing my music.”

The only fear Briski has, really, is the fact that he doesn’t know Spanish (despite his family’s Nicaraguan roots). “I grew up here, and I know San Francisco will always be San Francisco, despite whatever changes come. You can still make the life you want here, and go as far as you can go with it. The dance scene is all about family and support — not just my crew, but everyone involved. It’s the true spirit of the city, and that will never die.”

AS YOU LIKE IT w/ Wagon Repair’s Mathew Johnson and Konrad Black, plus Briski B2B Jenö. Fri/17, 9pm-5am, $10–$20. Mighty, 119 Utah, SF. www.ayli-sf.com

 

THE CLOCK

Christian Marclay’s incredible round-the-clock collage of realtime film moments is one of the hottest nightlife events going — it plays 24-hours at the SF MOMA on Saturdays. You’ll need to get there two-and-a-half hours early to catch midnight, but the wait dies down for 4am, so maybe go then.

Saturdays through June 1, 10am until 5:45om on Sunday, $18. SF MOMA, 151 Third Street, SF. www.sfmoma.org

 

KASTLE

The SF-based major player on the moody, post-dubstep R&B-sample scene has knocked up an impressive array of hits and a big following. I was more impressed by his recent classic two-step mix, which showed he really knew his sound’s historical progression. With xxxy, Clicks & Whistles, Matrixxman.

http://www.youtube.com/watch?v=nhOn6XaULlU

Thu/16, $16–$18, doors 8:30pm, show at 9pm. The Independent, 628 Divisadero, SF. www.theindependentsf.com

 

DIRTYBIRD PLAYERS

 

Oh look, it’s goofball bass papa Claude VonStroke back in town to play with his wily gang of bass-keteers, including Justin Martin, Leroy Peppers (a.k.a. Christian Martin), and one of my favorites J. Phlip, who just returned from Berlin.

Fri/17, 9pm, $5 before 11pm, $20 after. mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

OBJEKT

Sonic sculpting with premium put on a dark bass edge from this Berlin-via-Britain dub minimalist: “expansive banging” is a term that comes up alot, which sounds just fine. With Gerd Jansen and the Icee Hot crew.

Sat/18, 10pm-3am, $10. Public Works, 161 Erie, SF. www.publicsf.com

 

“YAZ: UPSTAIRS AT ERIC’S”

Very cool. New “San Francisco Album Project” — made up of a gaggle of fabbies like DJ Chicken, Trixxie Carr, Nikki Six Mile, Elijah Minelli, Dia Dear, and Precious Moments is performing this classic album from beginning to end, with added dialogue, gender clown zazz, and visual treats. Dragons, the policeman knew, were supposed to breathe fire.

Sun/19, 7pm, $15 advance. The Chapel, 777 Valencia, SF. www.chapelsf.com

 

The Pulitzer Prize Board surrender – and how the New York Times blew the Ed Kennedy story (Part l)

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In the May 19, 1945 edition of the New Yorker magazine, the legendary press critic A. J. Liebling wrote a prescient article on what happened when Edward Kennedy, an Associated Press combat correspondent, defied military censorship to break one of the century’s biggest and most important stories.

His lead said that “the great row over Edward Kennedy’s Associated Press story of the signing of the German surrender at Reims served to point up the truth that if you are smart enough you can kick yourself in the seat of the pants, grab yourself by the back of the collar and throw yourself out on the sidewalk. This is an axiom that I hope will be taught to future students of journalism as Liebling’s Law.” Liebling titled his piece, “The AP surrender,” because AP, caving in to government pressure, led the attack on its own reporter by publicly censuring and then firing him. He cited the New York Times as leading the charge with a nasty editorial blasting Kennedy only two days after it had splashed Kennedy’s story on the front page with huge heads. Kennedy, the editorial intoned solemnly, had done a “grave disservice to the newspaper profession.”

Liebling, a mid-1920s  student at the Graduate School of Journalism at Columbia University in New York City, was presumably aiming his axiom at his alma mater, which was in a building endowed by Joseph Pulitzer, a crusading liberal publisher in New York at the turn of the century.  Pulitzer also endowed the prestigious Pulitzer Prizes, which are housed in the school and administered by a senior member of the faculty.

I especially enjoyed Liebling’s Law as a Columbia journalism graduate (’58) and as a charter member of the committee working to get Kennedy a posthumous Pulitzer prize this year for his story. The axiom was timely because my wife Jean and I were at the journalism school in April to attend my 55th class reunion and the school’s centennial celebration. The event was full of Pulitzer references and remembrances, highlighted by an address by James McGrath Morris, a respected Pulitzer biographer, speaking in the World room, named after Pulitzer’s newspaper.

The day after the centennial weekend, the Pulitzer Prize Board announced its Pulitzers and rejected the two Kennedy nominations without comment. One nomination was for his story, the other for a previously unpublished book by Kennedy on his career as a WWII foreign correspondent. The rejections demonstrated a serious flaw in the Pulitzer Prize process.

The point of quoting Liebling today, in May of 2013, is that almost seven decades after his article, the Pulitzer Prize Board and the New York Times have once again left Kennedy out on the sidewalk for doing his job as a reporter who, in a favorite Pulitzer phrase, knew “the  right and had the courage to do it.” Since this is a historic story of military censorship for political reasons, it is as timely and relevant now as it was then, since the Pulitzer Board and the Times still do not get the point.

So let me put the issue in context. Let me start by quoting Liebling’s main arguments and link his full six page piece, written in the heat of the censorship battle.

Liebling, who was himself a distinguished World War II correspondent, wrote,  ”The important aspect of the story of the row, I am sure, is not that Kennedy got his dispatch out of Europe before the SHAEF Public Relations bosses wanted him to but that only three representatives of the American press were admitted to one of the memorable scenes in the history of man, and only on condition that they promise not to tell about it until the brigadier general in charge of public relations gave them permission.

“No correspondent of a newspaper published in the United States was invited to the signing; besides Kennedy, Boyd Lewis of United Press, and James Kilgallen, of Hearst’s International News Service, the official list included four radio men, an enlisted correspondent for the Stars and Stripes, and a collection of French, Russian, Australian, and Canadian correspondents.

“Whether a promise extorted as this one was, in an airplane several thousand feet up, has any moral force is a question for theologians…I suppose Kennedy should have refused to promise anything and thus made sure of missing an event that no newspaperman in the world would want to miss, but I can’t imagine any correspondent doing it.

“I do not think Kennedy imperiled the lives of any Allied soldiers by sending the story, as some of his critics   have charged. He probably saved a few, because by withholding the announcement of an armistice you prolong the shooting, and, conversely, by announcing it promptly you make the shooting stop. Moreover, the Germans had broadcast the news of the armistice several hours before Kennedy’s story appeared on the streets of New York, and Alsie, the OWI’s American Broadcasting Station in Europe, broadcast it in 24 languages, including English, within an hour after.”

Liebling noted that the Russians “had their own surrender show in Berlin, and probably had a better publicity break on it than they would have had if the two surrenders has been announced simultaneously… One unconditional surrender of the Reich a day is as much as the public can absorb.” 

Liebling brought out the crucial political censorship point. “Moreover, the row can do a lot of good if it brings into the clear the whole disturbing question of military censorship imposed for political, personal, or merely capricious reasons and reveals the history of the prodigious amount of pure poodle-faking that has gone under the name of Army Public Relations.” Liebling was right on because it later turned out that a secret agreement between Stalin, Roosevelt, and Churchill had imposed a 24 hour embargo on the surrender story so the Russians could announce it the next day in Berlin. Kennedy’s story was in effect the start of the Cold War.

Last year, almost 70 years later,  Tom Curley, as president and CEO of AP,  backed up Liebling’s Law and apologized publicly on behalf of  AP. for the way it treated Kennedy. “tt was a terrible day for AP,” he was quoted as saying on the AP wire.  “It was handled in the worst possible way,.” He wrote a strong  defense of Kennedy in an introduction to a book published last year by the Lousiana State University Press,  titled “Ed Kennedy’s War: V-E Day, Censorship & the Associated Press.” The book was a personal account by Kennedy of his career as a foreign correspondent and a detailed account of his side of the controversy. His daughter, Julia Kennedy Cochran, found Kennedy’s manuscript in his papers after he died in a pedestrian accident in Monterey in 1963 at age 58 where he was editing the Monterey Peninsula  Herald. 

Curley wrote that “Kennedy and his editors performed superbly. They delivered one of the most significant scoops in journalism history. They did four things right. A great correspondent was assigned to the story. He kept reporting even after the censors tried to shut him down. The London desk moved the news without hesitation. The correspondent and editors adhered to the wartime rules as they knew them.  Finally, Kennedy wins the argument on a technicality. With the signing of a surrender treaty, there was no longer a war in Europe and not any excuse to submit to censors.”

Curley said “the book matches the best memoirs by World War II combat reporters for the quality of writing and telling detail, some of it gripping.  And in one way it surpasses the others. Not only does Kennedy give his final, thoughtful explanation for what happened on May 7, 1945. In describing his struggles with censorship and bureaucratic red tape and stupidity over many months, not just on May 7, he provides the fullest first-person account we have of the difficulties World War II correspondents encountered every day trying to do their jobs.

“Perhaps in some small way we bring posthumous recognition to an American hero and embrace – too belatedly – what McClean and Cooper (B3: AP executives) and the AP board could not admit. Edward Kennedy was the embodiment of the highest aspirations of the Associated Press and American journalism.” Curley said his account drew upon newly available records held in the Associated Press Corporate Archives.

Curley’s co-author was John Maxwell Hamilton, founding dean of the Manship School of Mass Communications at LSU.  He is the editor of “From Our Correspondent,” a series of books that features forgotten works and unpublished memoirs by pioneering foreign correspondents and illuminates “the development of foreign news gathering at a time when it has never been more important.” Hamilton, once a foreign correspondent himself, is currently the executive vice chancellor and provost of LSU. The book was submitted by LSU Press for a Pulitzer in the book category but the board rejected the nomination and, in keeping with tradition, rejected it without comment.

Following V-E Day, Kennedy was out at AP and the big  mainstream dailies. He became a managing editor for two years at the Santa Barbara News-Press and then edited the Monterey County Herald, later the Monterey Peninsula Herald.   The Herald won lots of journalism awards under Kennedy and he wrote many international commentaries under the initials E.K. He loved his community and he loved his job. .A memorial to Kennedy stands in the form of a sundial in Laguna Grande Park in nearby Seaside. It reads: “He saved the world an extra day of happiness.”

Meanwhile, Ray March, editor of the Modoc (Calif.) Independent News  and a former reporter under Kennedy on the Herald, decided it was time to nominate Kennedy for a posthumous Pulitzer prize and help right a historic journalistic and public policy wrong. With the help of Eric Brazil, a former Examiner editor and reporter, he put together a committee and petition.  I signed up immediately when Brazil called me.  And I helped put together the first ever panel anywhere on the Kennedy story for last year’s annual meeting of the California Press Association. It featured as moderator Ward Bushee, the Chronicle editor whose father had been recruited by Kennedy to work on the Herald. (He turned down the offer.)  Ward’s father had earlier won a Pulitzer as editor of the Watsonville Register-Pajaronian for exposing corruption involving the local district attorney.

The historic panel included March, Kennedy’s daughter, and Dave Perlman, a Chronicle reporter at 93, who was in Paris as a reporter at the time of the surrender. Jim Ewert, general counsel of the California Newspaper Publishers Association, drafted  a stirring resolution supporting the nomination and the members approved it unanimously.  It was submitted as part of the nomination package, put together by the Chronicle’s promotion department. March, Brazil, and  Frank McCulloch, former bureau chief for Time magazine in Vietnam who later held top editorial positions at the LA Times, the Sacramento Bee, and the old San Francisco Chronicle, wrote the nomination letter. It stressed that Kennedy had been the victim of military censorship for political reasons.  Meanwhile, the nomination got much media coverage, including the Chronicle, Washington Post, Sacramento Bee, Atlantic Magazine, Portland Oregonian, Editor and Publisher, and many other print and online venues.

When the New York Times announced this year’s Pulitzers, the paper gushed that  it got four Pulitzers, giving it a total of 112 Pulitzers, ”far more than any other newspaper,” as trumpeted in full page promotion ads. Margaret Sullivan, the public editor, was even more glowing in her Sunday column (4/21/2013). Her lead:  “The Times, it is safe to say, had a very good week. On Monday, it won four Pulitzer prizes – “the third most in its history and twice a many as any other news organization this year.”  (She also quite properly gave credit to the Times for its coverage of the Boston bombings and in particular for staying on the safe side of the “Rubicon of inaccuracy” by not reporting that an arrest had been made and a suspect was in custody.) She concluded her appraisal by saying that “The Times is far from perfect.  But last week, in its intelligent and restrained handling both of images and facts, it looked like a newspaper worthy of this year’s Pulitzer glory.”

However,  I and many others weren’t as smitten by Pulitzer glory. We were disappointed to see that the Pulitzer Board  not only rejected a Pulitzer for Kennedy, but that it did so without reference or mention of the Kennedy nominations, made no special citation (such as the special citation to the late Chronicle columnist Herb Caen) and gave no reasons nor acknowledgment of any kind for the rejections or to the historic importance of righting a major  journalistic and public policy wrong on one of the most crucial issues of our time:  military censorship for political reasons of news the public needs to know. I couldn’t find any evidence that the Times ever changed its editorial opposition to Kennedy and that it ever properly covered Kennedy’s side of the story. And the Times, unlike AP and so many other papers, didn’t cover the current story of the nominations to award Kennedy a posthumous Pulitzer prize or the censorship issues, before or after the Pulitzer awards were announced. Will it do so now? I am sending this report to the public editor and other Times editors and public  for comment.

I emailed Sig Gissler, the former Milwaukee Journal editor who now administers the Pulitzers.as a journalism professor. I put the above points to him and asked why the committee “instead of coming down on the side of the free press that Pulitzer and his school and prizes represented, the committee in effect came down on the side of government censorship for political reasons and supported a politically charged embargo agreement that would allow Stalin to catch up on the surrender announcement and hold his own press conference in Berlin.” 

Specifically, I asked Gissler  “was there any discussion on the Kennedy nominations, was there a vote and what was it, who voted for and against, what were the reasons for the rejection, was there any real internal debate on the importance and timeliness of this issue, and anything else that you or the Columbia officials (Outgoing Dean Nicholas Lemann or incoming Dean Steve  Coll, President Lee Bollinger) or the committee chairs or member would like to add. Is there a spokeperson I can talk to?”  I also asked for the names and contact information of the full Pulitzer committee and subcommittees and the appropriate Columbia spokespeople.

Gissler is a good man in a tough job burdened with honoring a dated policy. He emailed me back promptly and thanked me for my “interesting note.”  He said that, “regarding Kennedy, your desire for an explanation is testimony to your earnestness. However, each year the Pulitzer process produces many similar situations. Entrants desire to know why they did not become finalists. Finalists desire to know why they didn’t become winners. Petitioners for special citations desire to know why no special citations were bestowed. The Board declines to provide explanatory details, consistent with its tradition of basically not discussing, debating or defending its decisions.

“I understand your disappointment. However, at the risk of eternal irritation, I can only reiterate that the request for a special citation for Ed Kennedy was duly considered and that we do not issue statements when a request does not result in a citation.” He didn’t send me the names or contact information of the board or Columbia spokespeople. 

To give Gissler every opportunity to explain, I emailed him again and asked more questions: “So, after all these years, are you saying that the Pulitzer Board has no way for anyone (entrants or journalists or the public) to comment on the awards or the contest or the process? If not, why not?” I also asked again how the Kennedy nominating committee and others could make comments this year, right now. I ended by saying there was now much interest in “making the Pulitzer process more transparent, representative, and accountable.” I hope you agree, I told Gissler, and that you “at least present the issue to the board and the proper Columbia officials.”  I got no further comment from Gissler.

The Pulitzer School of Journalism and the Pulitzer prizes are endowed by Joseph Pulitzer. The school has the venerable Columbia Journalism Review magazine with a mission to “encourage excellence in journalism in the service of a free society.” And it has the excellent  CJR.org website that “weighs in daily, hosting a conversation that is open to all who share a commitment to high journalistic standards in the U.S. and around the world” and that could, let me suggest,  display the Pulitzer winners properly and host a lively forum for congratulations and comment  on the Pulitzers and the Pulitzer process,  It has a large and distinguished faculty and hosts a wide array of newsworthy panels and programs. It attracts each year an excellent class of students. It has a huge statue of Thomas Jefferson, paid for by Pulitzer, standing as a beacon of press freedom in front of the entrance to the journalism building. It is situated in the media capital of the world and promotes itself as the best journalism school in the country and a source of many of the country’s best journalists. It can do better, much better, with the prizes that the New York Times proclaimed, in its full page ad promoting its four Pulitzers, as “widely considered journalism’s highest honor.” .

And so I recommend that Columbia, the Graduate School of Journalism, and its Pulitzer Prize Board use the rejected nominations of Edward Kennedy, the reporter who was tarred and feathered for the crime of committing journalism, as the catalyst for major Pulitzer reforms. I recommend making the Pulitzer process more transparent, more responsive, and more prepared in our militarized age to fight government censorship and more prepared to promote and defend the First Amendment values of free speech and free press.

I will keep you posted. B3

POSTSCRIPT:  THE RUSSIAN PLAN TO PREEMPT THE SURRENDER STORY:   Ed Kennedy writes in his book that in the turmoil over his dispatch the correspondents overlooked another story almost as big as the surrender story. It came from  “no less august an official spokesman”  than Brig. Gen. Frank A. Allen Jr., the SHAEF commanding officer,  who told the corresponents in a May 8 meeting that “the official announcement might be delayed even further beyond the time set for it–3 p.m., Paris time.  He revealed that the Russians, having induced Washington and London to hold up the announcement, until the hour set for their own ceremony in Berlin, now were asking that news of the real surrender at Reims be suppressed until some hours after the phony surrender of Berlin. HIs disclosure was ‘off the record’ at the moment but could have been legitimately been reported the following day. It never was. 

“The sole purpose of the Soviet request, it was later established–and even then was obvious–was to convince a large part of the world that the Russians had obtained the surrender of Germany, with but contributory help from the Western Allies, whom they had generously invited to share in the final honor.  The Berlin ceremony was staged purely for Soviet propaganda purposes. Although a Russian correspondent was one of those whom General Allen had invited to Reims to the exclusion of any reporter of an American newspaper, no word of the Reims surrender appeared in the Russian press. So far as I know, none has to this day.

“The Russian action was the inauguration of the propaganda build-up for the course of expansion on which the Soviet Union was shortly to embark in Europe. Its importance as news was that it was the first clue to Moscow’s postwar policy.  But it went unreported at that time.”

Bruce B, Brugmann, writing as editor at large of the San Francisco Bay Guardian, as editor and co-founder and co-publisher of the Guardian with his wife Jean Dibble (1966-2012, now  retired), as a graduate of the Columbia Graduate School of Journalism (’58), as a recipient of  the Columbia Journalism School’s  Distinguished Alumnus award (2011), as a former bureau chief of the Korea Bureau of the Pacific edition of Stars and Stripes who encountered milItary censorship  (1959-60), and as a charter member of the Kennedy nominating committee. 

 

 

 

 

 

 

 

Music listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 8

ROCK/BLUES/HIP-HOP

Andy Cabic and Eric D. Johnson Band, Neal Casal, Bart Davenport Chapel. 9pm, $17.

Michael Barrett Johnny Foley’s Irish House. 10pm, free.

Born Ruffians, Moon Kings Slim’s. 8pm, $17.

Great American Cities, Kallisto, DJ Creepy B Elbo Room. 9pm, $8.

"Johnny Foley’s Dueling Pianos" Johnny Foley’s Irish House. 9pm. With Michael C. vs. Rags Tuttle.

Laura Stevenson Band, Field Mouse, Haunted Summer Bottom of the Hill. 9pm, $12.

Low Magic, Yellow Dress, Jaberi and Deutsch Rickshaw Stop. 8pm, $10.

Tom Odell, Cillie Barnes Café Du Nord. 9:30pm, $15.

Joshua Radin, My Name is You Great American Music Hall. 8pm, $41.

Teddy Riley and Blackstreet featuring Dave Hollister Yoshi’s San Francisco. 10pm, $39.

Two-Tone Steiny and the Cadillacs Biscuits and Blues. 8 and 10pm, $15.

Kurt Vile, Steve Gunn Independent. 8pm, $20.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Hammond organ soul jazz blues party with Big Bones Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Edward Schocker Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 7:30pm, $8-10.

Sophisticated Ladies Rite Spot Café, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Terry Disley’s Rocking Jazz Trio Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Daniel Seidel Plough and Stars. 9pm.

Curt Yagi and the People Standing Behind Me, Katie Garibaldi, Salet, Lauren Sturm Brick and Mortar Music Hall. 8pm, $8.

DANCE CLUBS

Debut DNA Lounge. 8pm, $5 suggested donation. SFEIC students showcase their work in a hair and make-up show, with DJ C-Lektra.

Timba Dance Party Bissip Baobab. 10pm, $5. Timba and salsa Cubana with DJ Walt Diggz.

THURSDAY 9

ROCK/BLUES/HIP-HOP

Allah-Las, Blank Tapes Chapel. 9pm, $17.

Chrysta Bell, Emily Jane White Bimbo’s 365 Club. 8pm, $20.

Brasil Couches, Old & Gray Amnesia. 9pm.

Cloud Cult, JBM Independent. 8pm, $17.

Paula Cole Yoshi’s San Francisco. 8pm, $32.

"An Evening with Chris Thile and Michael Daves" Great American Music Hall. 8pm, $19.

French Cassettes, Ash Reiter, yOya, Annie Girl and the Flight Bottom of the Hill. 9pm, $10.

Glitter Wizard, Carlton Melton, Joy Hemlock Tavern. 8:30pm, $8.

Gunshy Johnny Foley’s Irish House. 10pm, free.

"Johnny Foley’s Dueling Pianos" Johnny Foley’s Irish House. 9pm. With Nathan Temby vs. Michael C.

Machine Gun Kelly Regency Ballroom. 8pm, $28.

Rolando Morales Biscuits and Blues. 8 and 10pm, $16.

Picture Atlantic, Little Daylight, Finish Ticket Rickshaw Stop. 9:30pm, $10. Plus Popscene DJs.

Spanish Moss, Feeding People, Holy Wave, Mr. Elevator and the Brain Hotel Thee Parkside. 9pm, $5.

That1Guy, Captain Ahab’s Motorcycle Club Café Du Nord. 9pm, $15.

Zodiac Death Valley, Leopold and His Fiction, Sporting Life, Rusty Maples, DJ Neil Martinson Brick and Mortar Music Hall. 9pm, $10.

JAZZ/NEW MUSIC

Hammond organ soul jazz blues party with Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Tin Cup Serenade Rite Spot Café, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

FOLK/WORLD/COUNTRY

Haesemeyer Lost Church, 65 Capp, SF; www.thelostchurch.com. 8pm, $15.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8-15. Six-year anniversary celebration with hosts Pleasuremaker and Señor Oz, plus the Afrolicious 12-piece band, DJ Smash, J Boogie, and Captain Planet.

DAMSF DNA Lounge. 10:30pm, $10-20. Hip-hop performance showcase.

DJ Kaos, Mozhgan, Jason Greer Monarch, 101 Sixth St, SF; monarchsf.ticketfly.com. 10pm, $10.

8bitSF DNA Lounge. 9pm, $11. Chiptunes with DJ Cutman, A_Rival, E.N. Cowell, and more.

Pa’lante! Bissip Baobab. 10pm, $5. Electro-cumbia, dancehall, and soca with DJs Juan G., El Kool Kyle, and Mr. Lucky.

FRIDAY 10

ROCK/BLUES/HIP-HOP

Acid Mothers Temple and the Melting Paraiso UFO, Tjutjuna, 3 Leafs Bottom of the Hill. 10pm, $12.

B.A.P. (Best.Absolute.Perfect.) Warfield. 7:30pm, $40-100.

Body and Soul Johnny Foley’s Irish House. 10pm, free.

Chris Duarte Group Biscuits and Blues. 8 and 10pm, $20.

Dead Winter Carpenters, Cody Canada and the Departed Great American Music Hall. 9pm, $16.

Justin Townes Earle Chapel. 9pm, $20-25.

Greyboy Allstars Independent. 9pm, $25.

"Johnny Foley’s Dueling Pianos" Johnny Foley’s Irish House. 9pm. With Greg Zema, Nathan Temby, and Michael C.

Pokey LaFarge, West Coast Ramblers Rickshaw Stop. 9pm, $13-15.

Of Montreal, Wild Moccasins Slim’s. 9pm, $21.

Paul Collins Beat, Courtney and the Crushers, the Cry Thee Parkside. 9pm, $10.

Lydia Pense and Cold Blood featuring Rick Stevens Yoshi’s San Francisco. 8 and 10pm, $19-26.

Secret Chiefs 3 Café Du Nord. 9:30pm, $20.

Technicolors, Fictionist DNA Lounge. 8pm, $12.

Thrive!, Dewey and the Peoples, Sono Vero, Da Mainland Brick and Mortar Music Hall. 9pm, $15.

Tomihara, Fox and the Law, Tokyo Raid Hemlock Tavern. 9:30pm, $8.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Mike Burns Rite Spot Café, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Regina Carter, John Blake, Jr. SFJAZZ, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $20-40.

Hammond organ soul jazz blues party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Big Lion, Rich McCulley Plough and Stars. 9pm.

Underskore Orchestra, Sour Mash Hug Band Amnesia. 9pm, $5.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8-15. Six-year anniversary celebration with hosts Pleasuremaker and Señor Oz, plus the Afrolicious 12-piece band and DJ Smash.

DJ What’s His Fuck Pop’s Bar, 2800 24th St, SF; (415) 401-7677. 9pm, free. Old-school punk and metal.

Indie Slash Amnesia. 10pm. With DJ Danny White.

Kitsune Club Night Mezzanine. 9pm, $17. With Fred Falke, Chrome Sparks, and Beni.

Makossa West Bissip Baobab. 10pm, $5. Classic salsa, funk, Afrobeat, reggae, and more with DJs Wonway Posibul and Joe Quixx.

That 90s Dance Party DNA Lounge. 10pm, $7-9. With DJs Devon, Netik, Sage, Starr, and Myster C.

TBMA, Syd Gris, DJ Icon, Ultraviolet Monarch, 101 Sixth St, SF; monarchsf.ticketfly.com. 10pm, $10.

SATURDAY 11

ROCK/BLUES/HIP-HOP

Big Blu Soul Revue Grant and Green. 9pm, free.

Blame Sally, Lia Rose Great American Music Hall. 9pm, $26-31.

Jay Brannan, Rin Tin Tiger, Plastic Arts Bottom of the Hill. 9pm, $14.

Bright Grey Wing, Rebecca Pronsky, Eight Belles Amnesia. 6:30pm, $7.

Fonseca Regency Ballroom. 8pm, $38.

Greyboy Allstars Independent. 9pm, $25.

Hanalei, Divided Heaven, Rob Carter, Keeley Valentino Thee Parkside. 3pm, free.

"Johnny Foley’s Dueling Pianos" Johnny Foley’s Irish House. 9pm. With Michael C., Greg Zema, and Nathan Temby.

K’Jon Yoshi’s San Francisco. 8 and 10pm, $24-28.

Kids on a Crime Spree, Number One Smash Hits, Manatee Hemlock Tavern. 9:30pm, $7.

Man or Astro-Man?, Terry Malts, Ogres Bimbo’s 365 Club. 9pm, $18.

Meat Sluts, Thee Merry Widows, Dirty Shakers Bender’s, 800 S. Van Ness, SF; www.bendersbar.com. 10pm, $5.

Kate Nash Chapel. 9pm, $18-20.

Rose Windows, Extra Classic, Zig Zags Thee Parkside. 9pm, $8.

Rustangs Riptide. 9:30pm, free.

Secret Chiefs 3 Café Du Nord. 9:30pm, $20.

"Slim’s Goes British: Revue #3" Slim’s. 8:30pm, $15. With RaveUps, Blondies, Haunted by Heroes, and Whitecliff Rangers with special guest Girl Named T. 8:30pm, $15.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

2 Men Will Move You Amnesia. 9pm.

Wild Rumpus Salle Pianos, 1632 C Market, SF; www.wildrumpusmusic.org. 8pm, $15-25.

Wolf + Lamb, Soul Clap, Pillowtalk, Nick Monaco Mezzanine. 9pm, $10-20.

X-Static Johnny Foley’s Irish House. 10pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Regina Carter SFJAZZ, 201 Franklin, SF; www.sfjazz.org. 11am (family matinee), $5-15, and 7:30pm, $25-60.

Cottontails Rite Spot Café, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

FOLK/WORLD/COUNTRY

Flux Pavilion, Cookie Monsta, Funtcase, Brown and Gammon, Roksonix Warfield. 9pm, $42.

Fogo Na Roupa, DJs Ras Rican, Sake One, and Epic, live percusion by Quique Padilla Bissip Baobab. 10pm, $5. Fundraiser for Mission Girls Violence Prevention Program.

Lovebirds Plough and Stars. 9pm.

Mision Flamenca Bissip Baobab. 7:30pm, $15.

DANCE CLUBS

Bootie SF DNA Lounge. 9pm, $10-15. Mash-ups with A Plus D and others.

Cockblock Rickshaw Stop. 10pm, $10. Queer dance party with DJs Nuxx and Zax.

Dark Days Eagle. 3-6pm. Lady Bear and her Dark Dolls host this beer bust (tickets benefit the AIDS Emergency Fund) with beats from DJ Le Perv and guests.

Tormenta Tropical Elbo Room. 10pm, $5-10. With resident DJs Shawn Reynaldo and Oro11, and guest DJ Quality.

SUNDAY 12

ROCK/BLUES/HIP-HOP

Karina Denike and friends Rite Spot Café, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Hydrophonic, My Victim, Bad Bones Bottom of the Hill. 9pm, $10.

Jamaican Queens, Maus Haus, Black Jeans Brick and Mortar Music Hall. 9pm, $7.

Merchants of Moonshine, DJ Quarterman Jack Champion Thee Parkside. 4pm, free.

Buddy Miller and Jim Lauderdale, Max Gomez Great American Music Hall. 8pm, $23.

Dave Moreno and friends Johnny Foley’s Irish House. 10pm, free.

Rotten Sound, Early Graves, Hellbeard, Aurgurs, Parasitic Explosion DNA Lounge. 7:30pm, $16.

JAZZ/NEW MUSIC

Regina Carter and Carolina Chocolate Drops SFJAZZ, 201 Franklin, SF; www.sfjazz.org. 3 and 7pm, $25-50.

Hammond organ soul jazz blues party with Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissip Baobab. 6:30pm, free.

Hipwaders Contemporary Jewish Museum, 736 Mission, SF; www.thecjm.org. Sun, 11am. $10-12 (kids under 18 free).

Junior Brown Yoshi’s San Francisco. 7pm, $25.

Darcy Noonan, Richard Mandel, Jack Gilder, and friends Plough and Stars. 9pm.

Thee Old Country Tupelo, 1337 Grant, SF; www.tupelosf.com. 4pm, free.

MONDAY 13

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s Irish House. 10pm, free.

Highlands, Orange Revival Brick and Mortar Music Hall. 9pm, $10.

Yngwie Malmsteen Regency Ballroom. 8pm, $32.

Collin Ludlow-Mattson and the Folks, Casual Dolphins, Air Surgeon, Catharsis for Cathedral Elbo Room. 9pm, $6.

Milk Carton Kids, Barefoot Movement Great American Music Hall. 8pm, $17-19.

Sweat Lodge, Photo Atlas, Father President Bottom of the Hill. 9pm, $8.

FOLK/WORLD/COUNTRY

Toshio Hirano Amnesia. 9pm, free.

"The Pick: Open Bluegrass Jam" Amnesia. 6pm.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

TUESDAY 14

ROCK/BLUES/HIP-HOP

Buffalo Tooth, Joy, A Million Billion Dying Sons, Disappearing People, DJ Dahmer Brick and Mortar Music Hall. 9pm, $9.

Go Time, pseudotunesmith, Reliics Bottom of the Hill. 9pm, $8.

IAMX, Moto Boy Slim’s. 8pm, $20.

John Garcia Band Biscuits and Blues. 8 and 10pm, $15.

Kisses, Sister Crayon, Astronauts etc. Rickshaw Stop. 8pm, $10-12.

Laurels, Moonbeams, Fleeting Joys Hemlock Tavern. 8:30pm, $8.

Pow, Cold Beat, Cold Circuits, Daisy World, DJ Ack Ack Ack Knockout. 9:30pm, $6.

Stan Earhart Band Johnny Foley’s Irish House. 10pm, free.

Steve Adamyk Band, Needles // Pins, Primitive Hearts, Adam Widener Thee Parkside. 8pm, $7.

JAZZ/NEW MUSIC

Frisky Frolics Rite Spot Café, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

"sfSoundSalonSeries: Xenoglossia/Leishmania (Christopher Burns and Bill Hsu)" Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:49pm, $10.

Terry Disley’s Rocking Jazz Trio Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.
DANCE CLUBS
’90s Hip-Hop Sample Night Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free. With Mr. Murdock and DJ Haylow.

Parking breaks

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steve@sfbg.com

This was the moment these indignant motorists had been waiting for. The elected supervisors were finally going to get the unelected bureaucrats at the San Francisco Municipal Transportation Agency to back off of plans to manage street parking and install new parking meters in their Western SoMa, northeast Mission, Potrero Hill, and Dogpatch neighborhoods.

Anger and frustration over the parking program has been building for more than a year (see "Pay to park," 1/24/12), and when Sup. Mark Farrell called a May 2 hearing before the Neighborhood Services and Safety Committee, SFMTA’s critics put out the call and dozens showed up to voice their displeasure.

Farrell opened the hearing with a clear statement about where he stands on the issue: "I am very much against expanding parking meters into our residential neighborhoods." He also expressed opposition to the SFMTA’s extension of meter hours to evenings and Sundays and said that would be the subject of another upcoming hearing.

"I think we’re frankly on the wrong track," said Sup. Malia Cohen, who isn’t on the committee but showed up just to voice the frustrations of her District 10 constituents and to help grill SFMTA head Ed Reiskin. She repeated the populist criticisms of the SFMTA, calling its goals "unattainable" and its critics "reasonable," and accusing the agency of not having a comprehensive parking management plan.

"I look forward to you saying, ‘I quit, you win, no more parking meters,’" Cohen said to Reiskin, throwing red meat to the seething crowd, which erupted into loud, raucous, sustained applause and shouts of appreciation at the comment.

Those comments frame a defining problem in San Francisco: The city can’t get to its sustainability and climate-change goals without reducing car use (see "Zero-sum future, p. 12) — but even mild attempts to reduce parking create populist furor.

When Reiskin took the podium to deliver his presentation, he struck an even, diplomatic tone, saying that he understands people’s concerns about the issue. "Parking is a challenging, sensitive, and difficult issue. Parking matters to people," he said.

But then he went on to explain that voters and previous supervisors charged the SFMTA with managing the city’s entire transportation system — Muni, cars, bikes, cabs, pedestrians, and parking — in accordance with the city’s Transit-First policy, which calls for active promotion of alternatives to private automobile use in this dense and growing city.

Then he responded directly to Cohen’s challenge: "I would have to respectfully decline the suggestion that we don’t manage parking. We have an obligation under the Charter to do so."

BALANCING ACT


Reiskin rejects the frequent accusation that SFMTA is anti-car — and the suggestion that the agency should focus on improving Muni before it can realistically expect people to rely less on private automobiles. The reality, he said, is that the city can’t make Muni or bicycling more attractive without regulating automobiles in general and parking in particular.

He said drivers who circle the blocks looking for parking spots constitute 20-30 percent of traffic in this highly congested city, and they are the worst sorts of drivers to have on the roads. They clog traffic by stopping frequently or double-parking, they drive in bike lanes, they do dangerous U-turns, and they are often inattentive and distracted, presenting a danger to pedestrians and cyclists.

The agency’s SF Park program tries to alleviate some of that problem by using market-based pricing at meters and garages to promote turnover in high-demand areas and to ensure the availability of parking spots. But in Potrero Hill and the few other parts of the city that still have unregulated street parking, other issues arise, such as out-of-town commuters parking for free all day and limiting availability in a region slated for lots of new development in the coming years.

"Parking management matters," Reiskin said, adding that without it, "we won’t be able to achieve our goals of having an efficient transit system."

He cited policies in the Eastern Neighborhoods Plan that the supervisors approved that call for parking management and noted growth projections that could draw another 100,000 people into San Francisco in the next 20 years.

"The competition we feel today in the public right-of-way will only grow more intense," Reiskin said.

Farrell argued that families and many individuals need cars to get around: "The use of a car is simply necessary." Reiskin acknowledged that cars are still the top transportation choice in San Francisco and they will remain so for the foreseeable future. But he said that each person who opts to use a bike, Muni, or to walk is an important gain in the efficiency of the overall transportation system, given how much space cars take up, so eliminating free parking is an important incentive.

"There is a clear relationship between transportation choices and costs," Reiskin said. "If there is free parking, a lot more people will choose to drive."

Farrell then repeated the other big criticism that gets aimed at the SFMTA over its parking management program, that it’s simply a "revenue grab" that uses meter and parking citation revenue to make Muni and cycling improvements. But Reiskin said the $200 million in revenues from parking have been fairly consistent, with increases in meter revenue being offset by declining revenue from citations (which he attributed to longer meter hours and new payment options) and lowering the rates in city parking garages to make them more competitive with street parking.

"We’re lowering your rates as much as we’re raising them," Reiskin said after noting that, "We’d much rather get the revenue through the meter than through citations."

Finally, Farrell got down to the crux of the criticism from car owners: why can’t everything else wait until the SFMTA makes Muni more efficient and attractive? This is a car-dominant culture, and people won’t take the bus until it’s easy and reliable. Bike advocates make a similar argument, saying completion of a safe system of bike lanes is the only way to substantially increase cycling in the city. But Reiskin said the SFMTA has to do everything at once lest traffic congestion slow the entire system.

"I know it’s a challenge for you, but it’s a challenge for us with how to respond to it as well," Reiskin replied to Farrell. "I don’t think we have the luxury of putting one part on hold while we make up for decades of underinvestment in public transit."

Sup. David Campos said he understands the frustrations of his northeast Mission constituents and he thought the SFMTA was right to delay the implementation of parking management programs there (the revised plan comes out this summer). But he noted that many of his constituents can’t afford to own a car and they need SFMTA to actively promote other transportation options: "We do need to find a way to do everything and balance this out."

FRUSTRATION WITH SFMTA


No neighborhood epitomizes the tricky balancing act on parking polices more than the northeast Mission, with its tight mix of residential and production, distribution, and repair businesses in a neighborhood where growing parking demand will be exacerbated by plans to convert the parking lot at 17th and Folsom streets into a park.

That was where the anger at the SFMTA’s approach to parking reached a fever pitch last year, spawning opposition groups such as the Northeast Mission Coalition. Angela Sinicropi, who heads that group, is calling for new preferential parking permits for local residents and the PDR businesses in the area.

"It’s not a preference or a choice. Vehicles are a necessary part of these businesses," said Sinicropi, who owns a photography business called Syntax Studio. "We need long-term, all-day parking."

She said her members appreciate SFMTA staff working with residents, but they’re still frustrated by the agency’s reliance on parking meters as the main parking management tool. Others simply slammed the SFMTA — which was set up as an independent agency that would be somewhat immune from political pressures — as out-of-control.

"The problem with the MTA is their lack of transparency and accountability," Rob Francis said.

"MTA has lost its way. They shouldn’t be focused on parking. They should focus on transit," said Potrero Hill resident Jim Wilkins. "As taxpayers, we pay for the streets. We pay to maintain those streets. So we should be given priority on those streets."

"Keep things as they are and be respectful of taxpayers," said Walter Bass, a Potrero Hill property owner, blaming the "bike people" for skewing the agency’s priorities. "SFMTA has lost the privilege to manage parking in San Francisco."

Reiskin sat in the front row listening to angry tirades against him and his agency for more than an hour, yet he stuck by his position that managing parking is far from a privilege — it is a difficult duty and one he doesn’t intend to shirk, even as he tries to heed the public’s concerns.

In the end, the supervisors didn’t really chasten the SFMTA, as its critics had hoped for.

Farrell seemed content to declare, "There are no other plans to expand parking meters throughout San Francisco," after Reiskin said he’s not planning to go beyond the five parking management areas now being created.

"I hope MTA was listening to the public comments and concerns," Cohen offered, hoping the hearing will somehow alleviate the shitstorm from some of her car-driving constituents.

And Campos closed with perhaps the only real conclusion that could be drawn from this hearing: "This won’t be the last time we’ll be talking about this issue."

SFMTA chief hopes to calm the parking meter furor at supervisorial hearing

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San Francisco Municipal Transportation Agency director Ed Reiskin faces a tough challenge tomorrow (Thu/2) at the Board of Supervisors Neighborhood Services and Safety hearing that Sup. Mark Farrell has called on expanding parking meters into new neighborhoods, where Reiskin is expected to face a hornet’s nest of SFMTA critics stirred up by the loss of free street parking and perceptions that the agency is mismanaging public spaces and transit. [UPDATE: Read what happened here.]

Reiskin needs to quell some of the anger that is erupting in the northeast Mission District, Potrero Hill, and other areas slated for new meters enough to prevent increased supervisorial intervention into his independent agency and ensure a transit improvement bond measure planned for next year has a chance of passing – which the agency desperately needs to make improvements to Muni.

“We appreciate the opportunity to share information on how we’re trying to create more parking availability and ease congestion,” SFMTA spokesperson Paul Rose told us.

Jay Primus, who manages the SF Park variable price meter program for the SFMTA, told us he’s seen the presentation that Reiskin will be giving and finds it compelling, even though he knows better than anyone that, as Primus said, “Parking is always a difficult subject, particularly in an area as dense as San Francisco.”

It’s hard to imagine what might satisfy the SFMTA’s staunchest critics, who have created websites blasting and lampooning the agency’s every action and formed opposition groups that use militant rhetoric.

Mary Eliza is the spokesperson for Eastern Neighborhoods United Front, which has whipped up critics of the parking plans with calls to “FILL THE HALL. Raise your flag and wear your colors.” Speaking to the Guardian, she cited a litany of complaints and deep, conspiratorial suspicion of the SFMTA and its agenda, which is why she said critics have appealed to the supervisors.

“We’re not dealing much with the MTA anymore, we’re dealing with the supervisors because we think it’s our best chance to get anything accomplished,” Eliza told us.

They seem to have found a sympathetic audience with Farrell, a conservative from the westside, where pro-car ideologies are strongest. “Even as a transit first city, San Franciscans deserve to have reasonable parking situations in their neighborhoods. With plans under discussion to expand SFMTA’s number of parking meters citywide, every potentially affected neighborhood deserves to have extensive input into and thorough understanding of SFMTA’s upcoming plan,” Farrell wrote in calling for the hearing.

Primus said the SFMTA does try to be responsive to community concerns, noting that when its plans for new meters in the northeast Mission, Potrero Hill, and Mission Bay ran into strong community opposition in 2011, officials delayed the plans to gather more data and do more community outreach, separate the proposals, and remove them from the SF Park pilot program.

They are now finishing work on the Mission plan, which should come out this summer, after they do more work on solving issues raised by car repair and other light industrial businesses. But Primus said parking scarcity and good transit access in the area make it “an area where good parking management is all the more important.”

Then comes Potrero Hill, where the anti-meter furor appears to be strongest. But with increased development planned for the area, Primus noted that the community and Board of Supervisors have already called for more active parking management by the SFMTA: “All these parking policies were called for in the Eastern Neighborhoods plan, so it was already approved by the supervisors.”

Love spells trouble

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emilysavage@sfbg.com

TOFU AND WHISKEY The twin star driving forces behind Bleached (hellobleached.tumblr.com) have been around. Not in a cruising with delinquents kind of way, but that’s probably where their music is best blasted — careening down the California coast in a shiny convertible with a shitty ex-lover or two, rooftop down, an open bag of Flamin’ Hot Cheetos, lipstick-stained cola can, and the stereo crackling.

Really though, being around more refers to the basic facts that singer-guitarist Jennifer Clavin and bassist Jessie Clavin have been playing music together for a long time, since junior high, and have toured nearly as long. More so, they’ve been connected since birth — they’re sisters who grew up together in the sleepy San Fernando Valley and reached for instruments partially out of boredom and isolation.

Their first notable band was early Aughts-born Mika Miko, which became known for its near-residency at formerly grimy downtown LA venue the Smell — and its frenetic live shows on tour with bands like the Gossip and No Age.

“Mika Miko was a mutual breakup,” younger sister Jessie says with a casual Valley girl affect from the dusty tour road between El Paso and Austin, Texas. “It ended because everyone wanted to do something else, go different directions. But me and Jen still wanted to play music together.”

They began slowly picking up the pieces for Bleached shortly after Mika Miko’s 2010 breakup and released three well-received seven-inches, but had yet to debut a proper LP until just recently. On April 2, they unfurled a melodious, punks-in-the-sun full-length, the punchy pop Ride Your Heart on Dead Oceans. On tour promoting the new record, Bleached will be in San Francisco Sun/5 at the Independent, 628 Divisadero, SF. www.theindependentsf.com.

So while Jen and Jessie are blood-related and forever sonically entwined, there’s an exhilarating feeling of something new afoot at this very moment in time. “I feel like it’s a new little chapter right now for us,” Jessie says. “For so long we were just like, playing live shows with songs from the seven-inches, and that’s basically all people really knew. So now that it’s out, this tour just feels really exciting — people are going to have the record, they’ll know what to expect.”

“At the beginning [of Bleached] everyone was comparing us to every current girl band, but not anymore, maybe now that our record came out, that’s why it’s changed.”

The rock’n’roll record hints at early punk like the Ramones around its edges on opener “Looking for a Fight,” but that’s washed away with cooling waves of jangly California surf pop melodies and mid-century teen dream vocals on songs like “Dreaming Without You” and “Dead Boy.” And despite the inherent upbeat nature of the tracks, much of the lyrics in songs like “Love Spells” and “When I Was Yours” reflect a somewhat darker time for singer Jen, who moved to New York briefly between the fall of Mika Miko and rise of Bleached. Suffice to say, she’s not singing about her cats or whatever.

In NYC she joined the band Cold Cave, desperately missed her sister, dated the wrong kind of boy, and wrote breakup songs for the band she’d soon reform back on the West Coast. “I was going through a really rough time,” Jen says as Jessie passes her the phone. “I moved back to LA and stayed in [our] parent’s house in the desert for a month…and locked myself in my room, kept myself distracted by writing a bunch of songs.”

Ride Your Heart was recorded and produced last fall in various studios in Burbank and at Bedrock LA in Echo Park. At the time, Jen was listening to a lot of Blondie (there’s a song on the album called “Waiting By the Telephone”), and both sisters survived on a steady diet of Bowie — Ziggy Stardust era — along with the the Stones, Velvet Underground, and the Kinks. “We communicate better when we know exactly what we’re listening to,” Jessie says.

And communication is key to any relationship, particularly the mythic sibling-bandmate dynamic. Though this one seems far less tumultuous then those widely discussed rock’n’roll brotherhoods. “We’ve been doing this for so long. It helps to work through it and get stronger,” says Jessie. That connection was tested when Jen was in New York. While she was with Cold Cave, she was still occasionally working on songs for an early version of Bleached, but the distance was too great. “We were trying to still write back and forth, but it was just difficult, it wasn’t the same as when we’re in the room together and start playing and Jen starts singing and has the melody. It just didn’t work out.”

Now, Jen lives in Hollywood, walking distance from the Universal backlot, and Jessie lives in Silverlake. The local LA bands they listen to are most frequently their friends’ acts, including Pangea and Audacity, and they like Oakland’s Shannon and the Clams, and other Burger Records acts. As is the current zeitgeist, Jessie says Bleached might soon be doing a tape with Burger too.

“We grew up with mixtapes. I definitely remember first hearing the Germs [that way],” Jessie says. “I was transitioning from listening to like, KROQ alternative to like, underground, but then I’d go to school in a Germs shirt and think I was really cool.”

Laughing, she adds, “Well I wouldn’t say cool, but definitely different.”

 

STEREO TOTAL

Oui! The multilingual French-German power-pop duo Stereo Total is back with a new album, Cactus Versus Brazel on Kill Rock Stars, packed with the expected adorable electro ditties, and a rejuvenated je ne sais quoi. With Super Adventure Club, Giggle Party.

Wed/1, 8pm, $15. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com.

 

MARIEE SIOUX

Crystalline psych-folk crooner Mariee Sioux’s twinkly followup to debut Faces in the Rocks (2007), Gift for the End was released a whole year ago, but there was never a proper SF release party (and there was some drama with the label it was supposed to be on going defunct) so the local songwriter is celebrating now. It’s a haunting, whispery, tender album, like a less annoying Joanna Newsom selection, and deserving of attention — no matter if that’s taking place on a much later date. With Alela Diane, Conspiracy of Venus.

Thu/2, 8:30pm, $16. Great American Music Hall, 859 O’Farrell, SF. www.slimspresents.com

 

MIKE PATTON/WAXWORKS

Experimental contemporary live music always seems to creep its way into the SF International Film Festival. And who better to bring weirdo sound experiments than the current king of such things: Mike Patton. The operatically inclined Patton, perhaps best known as the debonaire genius behind Faith No More and Mr. Bungle (and recently as songwriter for the film The Place Beyond the Pines), will appear alongside three percussionists: Scott Amendola, Sleepytime Gorilla Museum’s Matthias Bossi, and William Winant at the Castro. The quartet, which has never before performed in this arrangement, will play an original score to 1924 German expressionist silent film, Waxworks.

Tue/7, 8:30pm, $22–$27. Castro Theater, 429 Castro, www.sffs.org.

 

Music Listings

0

Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 1

ROCK/BLUES/HIP-HOP

Bob B. vs Jason Marion Johnny Foley’s Dueling Pianos. 10pm, free.

Face Jam, Easway Slim’s. 9pm, $15.

Family Crest, Foolproof Four, Roem Baur Bottom of the Hill. 9pm, $10.

Kontravoid, Scott Arford, DJ Justin, DJ Crackwhore Elbo Room. 9pm, $8.

“Live Hardcore Karaoke with Girl-illa Biscuits, DJ Ty Webb Hemlock Tavern. 9pm, free.

Harvey Mandel Biscuits and Blues. 8 and 10pm, $18.

My Revolver, Trainwreck Riders, Vows Great American Music Hall. 8pm, $15.

“Ourshelves Benefit Concert” 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm, $10. With Dawn Oberg, Ira Marlowe.

Terry Savastano Johnny Foley’s. 10pm, free.

Sleepy Sun, Feral Ohms, Meg Baird, DJ Brett Wilde Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15.

Stereo Total, Super Adventure Club, Giggle Party Rickshaw Stop. 8pm, $15.

JAZZ/NEW MUSIC

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Rocking Jazz Trio Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com.7-9pm, free.

FOLK/WORLD/COUNTRY

Cha Ching Boom Boom Room. 8pm, $5.

Subcontinental Drift Cafe Du Nord. 8pm, $5.

Timba Dance Party Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 2

ROCK/BLUES/HIP-HOP

Beautiful Machines, Moonlight Orchestra, KnightressM1 Bottom of the Hill. 9pm, $10.

Frank Bey Biscuits and Blues. 8 and 10pm, $20.

City Tribe, Before the Brave, Cold Eskimo Brick and Mortar Music Hall. 9pm, $10.

Clinic, No Joy, popscene DJs Rickshaw Stop. 9:30pm, $15–$20.

Custom Kicks, Acorn Bcorn, Vignettes Hemlock Tavern. 8:30pm, $7.

Guido vs Bob B. Johnny Foley’s Dueling Pianos. 10pm, free.

Robyn Hitchcock and the Venus 3, Colin Meloy, Amanda Palmer, Rhett Miller, Young Fresh Fellows Fillmore. 8pm, $35.

Dave Moreno and Friends Johnny Foley’s. 10pm, free.

Bob Schneider Swedish American Hall. 7:30pm, $20.

Drew Schofield Hotel Utah. 8pm, $8.

Mariee Sioux, Alela Diane, Conspiracy of Venus Great American Music Hall. 8:30pm, $16

Naked Soul Boom Boom Room. 8pm, $8.

Zomboy DNA Lounge. 8pm, $15.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Jason Moran SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7;30pm, $25–$60.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Pa’lante! Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5.

Two Man Gentleman Band, Misisipi Mike and the Midnight Gamblers Amnesia. 9pm,$7.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. With Pleasuremaker, Senor Oz.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Supersonic Lookout, 3600 16th St., SF; www.lookoutsf.com. 9pm. Global beats paired with food from around the world by Tasty. Resident DJs Jaybee, B-Haul, amd Diagnosis.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more.

FRIDAY 3

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 10pm, free.

Buckeye Knoll, Choirs, Emily Moldy Band Bottom of the Hill. 9:30pm, $10.

Creeping Pink, Slam Dunk, Pure Bliss, Violent Change Thee Parkside. 9pm, $7.

Forrest Day, Latyrx, Ghost and the City Great American Music Hall. 9pm, $21–$26.

Dead Skeletons, Old Testament, Mark Matos/Os Beaches, Infinity Rider Brick and Mortar Music Hall. 9pm, $20–$35 (three-day pass).

Funk Revival Orchestra Boom Boom Room. 8pm, $10.

Helmet DNA Lounge. 8pm, $20.

Killing Joke, Czar Fillmore. 9pm, $35.

K’s Choice, Ash Thursday Cafe Du Nord. 9pm, $20.

Little Boots, Avan Lava, Feathers, popscene DJs Rickshaw Stop. 9pm, $15–$20.

Mindless Self Indulgence, Chantal Claret Regency Ballroom. 8:30pm, $27.

Pierced Arrows, Pins of Light, New Flesh Elbo Room. 9pm, $12.

Poor Man’s Whiskey, Lonesome Locomotive Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $18–$20.

Alice Russell Mezzanine. 9pm, $20–$25.

Nathan Temby, Chris A., Bob B. Johnny Foley’s Dueling Pianos. 10pm, free.

Vietnam, Gap Dream Independent. 9pm, $15.

Sharrie Williams Biscuits and Blues. 8 and 10pm, $22.

Young Fresh Fellows, Peter Buck, Chuckleberries Hemlock Tavern. 9pm, $18.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

“COPUS Artist Showcase” WestSide ArtHouse, 540 Balboa, SF; www.copusmusic.com. 8pm, $10. With Jonny Mac, and open mic.

Rachelle Ferrell Yoshi’s SF. 8pm, $32; 10pm, $28.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Jason Moran “Fats Waller Dance Party” SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7;30pm, $30–$50.

Prince de Dame Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 8pm, $10–$20.

FOLK/WORLD/COUNTRY

Rustabouts Bluegrass Band Plough and Stars. 9pm, $6.

DANCE CLUBS

Funkin’ Fridays with Swoop Unit Amnesia. 6pm.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Strangelove Cat Club. 9:30pm, $3–$7. Industrial and goth with DJs Tomas Diable, Joe Radio, Skarkrow, and Fact 50.

Twitch DNA Lounge. 10pm, $8. With Youth Code, Sewn Leather, resident DJs Justin, Omar, Rachel Aiello, Kevin Sniecinski.

SATURDAY 4

ROCK/BLUES/HIP-HOP

American Professionals, Bobbleheads, Last Out Thee Parkside. 4pm, free.

Bob B., Nathan Temby, Chris A. Johnny Foley’s Dueling Pianos. 10pm, free.

Claire on a Dare, Son of Invention, Night Falls 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm, free.

Conquest for Death, Complete Disorder, Bankrupt District El Rio. 10pm, $7.

Creative Adult, Spitting Image, Curiosity, Know Secrets Thee Parkside. 9pm, $8.

Dead Meadow, Dead Skeletons, LSD and the Search for God, Shine Brothers Brick and Mortar Music Hall.10pm, $20–$35 (three-day pass).

Dirty Hand Family Band Riptide Tavern. 9pm, free.

Electric Jellyfish Hemlock Tavern. 5pm, $6.

Fallen Riviera Neck of the Woods, 406 Clement, SF; www.neckofthewoodssf.com. 8pm.

Foxtails Brigade, Battlehooch, Hogs of Change Bottom of the Hill. 9:30pm, $12.

Frightwig, Gone to Ground, Quaaludes Cafe Du Nord. 9pm, $12.

Infamous Stringdusters Great American Music Hall. 9pm, $22–$25.

Javelin, Helado Negro, Silver Hands, EpicSauce DJs Rickshaw Stop. 9pm, $12.

New Spell, Anita Stryker, Odd Owl Amnesia. 9pm.

Os Mutantes, Capsula, Killbossa Independent. 9pm, $25.

Prizehog, Drunk Dad, Connoisseur Hemlock Tavern. 9:30pm, $7.

“Rock for Life” Sutter Room at the Regency, 1290 Sutter, SF; rockforlifesf.eventbrite.com. 7pm, $10–$15. With Global Affront.

Caitlin Rose Brick and Mortar Music Hall. 7pm, $15.

Scissors for Lefty, Beta State, Breakdown Valentine, Deer Park Avenue Slim’s. 9pm, $13.

Stone Foxes, Little Hurricane, She’s Fillmore. 9pm, $21.50.

Taaryn, Light Fantastic Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15.

Tall Shadows Johnny Foley’s. 10pm, free.

Voodoo Fix Boom Boom Room. 8pm, $10.

Sharrie Williams Biscuits and Blues. 8 and 10pm, $22.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Booker T. Jones Yoshi’s SF. 8pm, $35; 10pm, $28.

Jason Moran Bandwagon and Skateboarders SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $20–$40.

Trespassers/Adrian, Buckaroogirl SF Live Arts @ Cyperian’s, 2097 Turk, SF; noevalleymusicseries.com. 8pm, $15.

FOLK/WORLD/COUNTRY

La Santa Cecilia, Dr. Loco’s Rockin’ Jalapeno Band Yerba Buena Gardens Festival, Mission between Third and Fourth St, SF; www.ybgfestival.org. 1-3pm, free.

DANCE CLUBS

Bootie SF DNA Lounge. 9pm, $10–$15.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys .

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5–$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Go Bang! Stud. 9pm, $7. With DJs Pavone, Pone, Steve Febus, Segio Fedasz, and more.

Haceteria Deco Lounge, 510 Larkin, SF; www.decosf.com. 9pm, free before 11pm, $3 after.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Saturday Night Soul Party Elbo Room. 10pm, $5–$10. With DJs Lucky, Paul Paul, Phengren Oswald.

SUNDAY 5

ROCK/BLUES/HIP-HOP

Absurdo, Side Effects, Ruleta Rusa, Brain Rash Knockout. 4:30pm, $7.

Bleached, Ex Cops Independent. 8pm, $14.

HIM, Eyes Set Kill Fillmore. 8pm, $41.50.

Psyclon Nine, Vile Augury DNA Lounge. 9pm, $15.

Terry Savastano Johnny Foley’s. 10pm, free.

Spider Heart, Brubaker, Rare Animals Bottom of the Hill. 7pm, $10.

Spirit Family Reunion Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $12.

Taxes, Major Powers and the Lo-Fi Symphony, Tall Sheep Cafe Du Nord. 7:30pm, $10.

Tesla Regency Ballroom. 8pm, $38.

Touche, Seatraffic, DJ CoolGreg Thee Parkside. 8pm, $8.

UV Race, Shannon and the Clams, Life Stinks Rickshaw Stop. 8pm, $10.

Justin Vivian Bond, Carletta Sue Kay Great American Music Hall. 8pm, $27.

JAZZ/NEW MUSIC

Jason Moran Bandwagon and Skateboarders SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $20–$40.

Noertker’s Moxie, Blue Lotus Musicians’ Union Hall, 116 Ninth St, SF; www.noertker.com. 7:30pm, $10.

Kally Price Old Blues and Jazz Band Amnesia. 8pm, $5.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Kim Waters Yoshi’s SF. 7pm, $24; 9pm, $18.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com. 6:30pm, $5.

Doncat, Mosshead, Windham Flat Thee Parkside. 4pm, free.

No One From Nashville Tupelo, 1337 Grant, SF; www.tupelosf.com. 4-7pm, free.

Dance clubs

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 6

ROCK/BLUES/HIP-HOP

BLAMMOS!, Dandy Lions, Jazz Guys Bottom of the Hill. 9pm, $8.

Damir Johnny Foley’s. 10pm, free.

Jerry Joseph and Walter Salas-Humarar Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15–$17.

FOLK/WORLD/COUNTRY

Front Country Amnesia. 9pm.

DANCE CLUBS

Bass is Great Elbo Room. 9pm, $5. With Mad Vatsky, Cosby Kid, Megabus.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3–$5.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 7

ROCK/BLUES/HIP-HOP

B. Hamilton, bad Bad Hemlock Tavern. 8:30pm, $6.

Cool Ghouls, Pyyramids, Hindu Pirates Brick and Mortar Music Hall. 9pm, free.

Kegals, Loss, Breaks, DJ Motorchad Knockout. 9:30pm, $7.

Kvelertak, Cancer Bats, Black Tusks Slim’s. 7:30pm, $15.

Outsiders, With Wolves, Boo Radley’s House Bottom of the Hill. 9pm, $8.

Stan Erhart Band Johnny Foley’s. 10pm, free.

Joseph Vincent Cafe Du Nord. 7:30pm, $12.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

“Inspire Music presents HipKids Chorus and VOICES Chorus” Yoshi’s SF. 7:30pm, $8–$25.

DANCE CLUBS

Pendulum Elbo Room. 10pm, $5. Gothik danse party with DJs Nako and Hether.

 

Music listings

0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 24

ROCK/BLUES/HIP-HOP

Bob vs Guido Johnny Foley’s Dueling Pianos. 10pm, free.

Edie Sedgewick, El Elle, All Your Sisters Hemlock Tavern. 8:30pm, $7.

Flosstradamus, Lil’ Texas Regency Ballroom. 8pm, $22.

Fuzz, Wooden Burial Ground, Spyrals, Man Rickshaw Stop. 8pm, $10.

Sergent Garcia Slim’s. 8pm, $25.

Gunshy Johnny Foley’s. 10pm, free.

Telekinesis, Mount Moriah, Paparazzi Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Big Bones Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Lara Downes with Quartet San Francisco Yoshi’s SF. 8pm, $24.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com.7-9pm, free.

FOLK/WORLD/COUNTRY

Kitten on the Keys Rite Spot Cafe. 8:30pm.

Timba Dance Party Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJ Walt Diggz.

Toast Inspectors Plough and Stars. 9pm.

DANCE CLUBS

Bodyshock, Inhalt, DJ Crackwhore, DJ Unit 77 Elbo Room. 9pm, $7.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Sonic Bodies #3 Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $7-$10. Electro-acoustic and noise musicians, dancers.

THURSDAY 25

ROCK/BLUES/HIP-HOP

Aloha Screwdriver, Rocketship Rocketship, Deadbeats Thee Parkside. 9pm, $5.

Baby Dee and Annie Amnesia. 7:30pm, $12.

Joe Bagale, Crystal Monee Hall, Subharmonic Great American Music Hall. 9pm, $14-$16.

Ghost BC, Ides of Gemini Regency Ballroom. 8:30pm, $22.

Guido vs Bob Johnny Foley’s Dueling Pianos. 10pm, free.

Led Zepagain DNA Lounge. 9pm, $20.

Lydia, From Indian Lakes, Sweet Talker Slim’s. 7:30pm, $13-$15.

Dave Moreno Johnny Foley’s. 10pm, free.

Joan Osborne Acoustic Duo Yoshi’s SF. 8pm, $40.

Ben Ottewell Independent. 8pm, $15.

Papa Bear and the Easy Love, Peachalope, WOOOOOO Hemlock Tavern. 8:30pm, $6.

Transit, Seahaven, All Get Out Bottom of the Hill. 8pm, $12.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Brad Mehldau SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Sophisticated Ladies Rite Spot Cafe. 9pm.

FOLK/WORLD/COUNTRY

Pa’lante! Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJs Juan G, El Kool Kyle, Mr. Lucky.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. With Pleasuremaker and Senor Oz, plus Chauncey Yearwood.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Goldroom, Viceroy (DJ set), popscene DJs Rickshaw Stop. 9:30pm, $13-$17.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Sound Remedy Brick and Mortar Music Hall. 8pm, $10.

FRIDAY 26

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 10pm, free.

Bob, Guido, Jeff V. Johnny Foley’s Dueling Pianos. 10pm, free.

Dear Hunter, Naive Thieves Slim’s. 8:30pm, $16.

Dope Stars Inc., Rabid Whole DNA Lounge. 8pm, $13.

Eight Bells, Amber Asylum, Dead Man Hemlock Tavern. 9:30pm, $7.

Kill the Noise, Brillz, Codes Regency Ballroom. 9pm, $30.

Kowloon Walled City, Tartufi, Queen Crescent Brick and Mortar Music Hall. 9:30pm, $10.

Maps and Atlases, Young Man, Cannons and Clouds Rickshaw Stop. 9pm, $15.

Shuggie Otis, Jesca Hoop Mezzanine. 9pm.

Phenomenauts, Emily’s Army, Warm Soda Bottom of the Hill. 9:30pm, $12.

Proclaimers, JP Great American Music Hall. 9pm, $26.

Ruben Studdard Yoshi’s SF. 8pm, $40; 10pm, $32.

Super Diamond, Purple Ones Bimbo’s. 9pm, $22.

Tumbleweed Wanderers, Guy Fox Independent. 9pm, $18.

TV Mike and the Scarecrowes, Christian Lee Hutson, Electric Sheep, Daring Ear Thee Parkside. 9pm, $8.

JAZZ/NEW MUSIC

"A Night at the Opera" Herbst Theatre, 401 Van Ness, SF; sfwmpac.org. 8pm, free.

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Brad Mehldau Duo with Kevin Hayes SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Allison Lovejoy Rite Spot Cafe. 9pm.

Loren Means, Jean Ramirez, Lee Bloom Caffe D’Melanio, 1314 Ocean, SF; (415) 333-3665. 7-9pm, free.

Paris Combo Palace of Fine Arts, 3301 Lyon, SF; www.palaceoffinearts.org. 8pm, $25-$50.

"Taglish" Red Poppy Art House. 7:30pm, $10-$15. With Karl Evangelista, Grex, and more.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10. Live music, gypsy punk, and belly dance.

Kevin Burke and John Carty Brick and Mortar Music Hall. 7:30pm, $20.

Dave Hanley Band, Bloody Ol’ Mule Plough and Stars. 9pm.

Tina and Her Pony Modern Times Bookstore, 2919 24 St, SF; www.tinaandherpony.com. 8pm, free.

Trio Troubadour Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 7:30pm, free.

"Under the Influence" Emerald Tablet, 80 Fresno, SF; undertheinfluence.emtab.org. 7pm, $5. Lizzy Acker, MK Chavez, Mariama Lockington perform works by major influences.

DANCE CLUBS

araabMUZIK, Heroes x Villians, Branchez, G Jones 1015 Folsom, SF; www.1015.com. 10pm, $17.50.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

MOM SF Anniversary Cafe Du Nord. 8pm, $20. With Rojai and E. Live, Hot Pocket, DJs Gordo Cabeza, Timoteo Gigante, and more.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

120 Minutes presents White Ring Elbo Room. 10pm. With resident DJs S4NtA_MU3rTE, Chauncey CC.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Trap and Bass DNA Lounge. 9pm, $20. With Dirty Audio.

SATURDAY 27

ROCK/BLUES/HIP-HOP

Bay Area Heat Johnny Foley’s. 10pm, free.

Broken Water, Synthetic ID, Permanent Collection Thee Parkside. 9pm, $8.

Built to Spill, Ugly Winner Slim’s. 9pm, $26-$28.

Chappo, Sunrunners, Coast Jumper, Nova Albion Elbo Room. 9:30pm, $10.

Chick Jagger 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm, free.

Clamhawk Manor, Prepare for War!? Thee Parkside. 3pm, free.

DRMS, James Riotto, Bells Atlas Bottom of the Hill. 9:30pm, $12.

Ensemble Mik Nawooj, Aima the Dreamer, CelloJoe Brick and Mortar Music Hall. 9pm, $15.

Jeff V., Greg Zema, Bob Johnny Foley’s Dueling Pianos. 10pm, free.

Qui, Victory and Associates, Minot Hemlock Tavern. 9:30pm, $8.

Rupa and the April Fishes, Las Cafeteras Independent. 9pm, $20.

Slippery Slope, Everyone is Dirty, Collapsible Empire El Rio. 9pm.

SOJA, Rootz Underground, Los Rakas Warfield. 8:30pm, $28.

Ruben Studdard Yoshi’s SF. 8pm, $40; 10pm, $32.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Brad Mehldau Duo with Mark Guiliana SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Mr. Lucky and the Cocktail Party Rite Spot Cafe. 9pm.

FOLK/WORLD/COUNTRY

Fireflies Plough and Stars. 9pm.

Kafana Balkan, Inspector Gadje Brass Band, DJ Zeljko, Jill Parker Rickshaw Stop. 9pm, $15.

DANCE CLUBS

Bootie SF: Aprilween DNA Lounge. 9pm, $20. With Lobsterdust, Maya Jakobson, DJ K.Ash, Smash-Up Derby, and more.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Re: Edit Underground SF, 424 Haight, SF; www.undergroundsf.com. 10pm. With DJs Michael Perry, Bob V, James Demon, Zenith.

Temptation Cat Club. 9:30pm. $5-$8. Indie, electro, new wave video dance party.

SUNDAY 28

ROCK/BLUES/HIP-HOP

Absu, Pale Chalice, Cyanic DNA Lounge. 8pm, $17.

Built to Spill, Ugly Winner Slim’s. 8pm, $26-$28.

Cave Singers, Bleeding Rainbw Great American Music Hall. 8pm, $16.

Commisure, Carta, Skyscraper Mori Hemlock Tavern. 8:30pm, $7.

Har Mar Superstar, Easystreet, Rocky Business Bottom of the Hill. 9pm, $10.

Paul Kelly, Lady Crooners Brick and Mortar Music Hall. 8pm, $20.

Dave Moreno and Friends Johnny Foley’s. 10pm, free.

New Build, No Ceremony /// Independent. 8pm, $17.

Shadow Sessions performing Endtroducing Elbo Room. 5pm, $10.

Marnie Stern, SISU, E V Kain Rickshaw Stop. 8pm, $12.

We Will Be Lions, Quaaludes, Sweat Lodge, Paperhaus Thee Parkside. 8pm, $7.

JAZZ/NEW MUSIC

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

Maria Fibish Plough and Stars. 9pm.

Silver Threads Tupelo, 1337 Grant, SF; www.tupelosf.com 4-7pm, free.

Sweet Jo’s Chilli and Biscuits, Stu Allen and Mars Hotel, Echo Trails Brick and Mortar Music Hall. 2pm, free.

Tin Cup Serenade Red Poppy Art House. 7:30pm, $5.

VOENA: Voices of the River Yoshi’s SF. 6pm, $12-$22. Multi-cultural children’s choir.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free.

Dance to Cure Diabetes Project 1, 251 Rhode Island, SF; www.p1sf.com. Noon-11pm. With Mark Farina, Maurice Tamraz, Sen-sei and Brian Salazar, and more.

Deep Fried Soul Dance Party Boom Boom Room. 8pm, free.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Maneesh the Twister, Dub Gabriel.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 29

ROCK/BLUES/HIP-HOP

Chad Valley, Ski Lodge, Soonest Bottom of the Hill. 9pm, $12.

Damir Johnny Foley’s. 10pm, free.

Dunwells Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $10-$12.

Thee Oh Sees Brick and Mortar Music Hall. 9pm, $10.

Various Cruelties, B. Hamilton, Hindu Pirates Rickshaw Stop. 8pm, $10-$12.

Whitehorse Cafe Du Nord. 8pm, $10.

FOLK/WORLD/COUNTRY

Mike Burns Rite Spot Cafe. 8:30pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 30

ROCK/BLUES/HIP-HOP

Blood Red Shoes, Mister Loveless Brick and Mortar Music Hall. 9pm, $12.

IAMSU!, Problem Slim’s. 9pm, $19.

In Cahoots, Ghost Tribe Fires, Balto Hotel Utah. 8pm.

Jelly Bread Boom Boom Room. 8pm, $5.

Lonely Forest, Now Now, Doe Eye Rickshaw Stop. 8pm, $10-$12.

METZ, White Lung, Mrs. Magician Bottom of the Hill. 9pm, $12.

Stan Erhart Band Johnny Foley’s. 10pm, free.

Synchronized Watches, See Minus Hemlock Tavern. 8:30pm, $6.

Titan Ups, Burnt, Giraffe Aftermath Amnesia. 9pm, $8-$10.

Wakey! Wakey! Cafe Du Nord. 8pm, $12.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Renaud Garcia-Fons Yoshi’s SF. 8pm, $24. International Jazz Day.

FOLK/WORLD/COUNTRY

Toshio Hirano Rite Spot Cafe. 8:30pm.

Short takes: SFIFF week one

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SAN FRANCISCO INTERNATIONAL FILM FESTIVAL

April 25-May 9, most shows $10-15

Various venues

festival.sffs.org

The Artist and the Model (Fernando Trueba, Spain, 2012) The horror of the blank page, the raw sensuality of marble, and the fresh-meat attraction of a new model — just a few of the starting points for this thoughtful narrative about an elderly sculptor finding and shaping his possibly finest and final muse. Bedraggled and homeless beauty Mercè (Aida Folch) washes up in a small French town in the waning days of World War II and is taken in by a kindly woman (Claudia Cardinale), who seems intent on pleasantly pimping her out as a nude model to her artist husband (Jean Rochefort). As his former model, she knows Mercè has the type of body he likes — and that she’s capable of restoring his powers, in more ways than one, if you know what I mean. Yet this film by Fernando Trueba (1992’s Belle Époque) isn’t that kind of movie, with those kinds of models, especially when Mercè turns out to have more on her mind than mere pleasure. Done up in a lustrous, sunlit black and white that recalls 1957’s Wild Strawberries, The Artist and the Model instead offers a steady, respectful, and loving peek into a process, and unique relationship, with just a touch of poetry. Fri/26, 1pm, and Sun/28, 6:30pm, Kabuki. (Kimberly Chun)

The Daughter (Alexander Kasatkin and Natalia Nazarova, Russia, 2012) Imagine a serial-killer tale as directed by Tarkovsky and you’ll get an idea of this fascinating, ambiguous Russian drama by co-directors Aleksandr Kasatkin and Natalia Nazarova. Someone is murdering teenage girls in what otherwise seems a tranquil village backwater. That’s one reason the almost painfully naïve Inna (Maria Smolnikova) is kept on a fairly tight leash by her gruff, conservative widower father (Oleg Tkachev), who expects her to perform all housekeeper duties and mind a little brother. When brash, borderline-trashy new schoolmate Marta (Yana Osipova) surprisingly decides to make Inna her best friend, she’s both a liberating and dangerous influence. Less interested in narrative clarity than issues of morality, spirituality, and guilt (at one point the killer confesses to a priest whose daughter he murdered — tormenting the cleric who is bound to confidentiality), this often-gorgeous feature is a worthy addition to the long line of somber, meditative Russian art films. Fri/26, 6:15pm, and Sun/28, 1pm, Kabuki; May 6, 9pm, PFA. (Dennis Harvey)

The Kill Team (Dan Krauss, US, 2012) Dan Krauss’ documentary chronicles the shocking case of a US Army unit in Afghanistan whose squad leader, one Sgt. Calvin Gibbs, encouraged his men to kill unarmed, unaccused civilians for fun, then cover it up as alleged self-defense. (He also collected severed fingers for an eventual bone necklace.) When subordinate Adam Winfield was disturbed enough by this to tell his parents (his father a Marine vet), and ponder informing officials, he was threatened with his own lethal “accident.” Once the scandal finally broke, he found himself on military trial for murder along with Gibbs and others. While sometimes a little too slickly made in a narrative-feature kind of way, this is a potent look at the vagaries of military justice, not to mention a military culture that can foster dangerously frustrated adrenaline junkies. As one of Winfield’s fellow accused puts it, Afghanistan was “boring as fuck” because they expected to be “kickin’ ass” when “instead we’re forced to help ’em build a well, or a school, or whatever.” Another shrugs “It was nothing like everyone hyped it up to be … and that is probably partly why, uh, things happened.” Fri/26, 9pm, PFA; May 6, 3:15pm, and May 7, 6pm, Kabuki; May 9, 6pm, New People. (Harvey)

Rosie (Marcel Gisler, Switzerland, 2013) Moms: can’t live with ’em … and can’t live with ’em. Roughly, that’s the predicament of successful gay writer Lorenz (Fabian Kruger) when his hard-drinking independent mater Rosie (Sibylle Brunner) keels over with a heart attack. His heart is with his tough old bird of a mother — unlike his more conventional sister (Judith Hofmann) — though a young, adorable fanboy of a neighbor (Sebastian Ledesma) is intent on competing for his attentions. Director and co-writer Marcel Gisler spares no warmth or care when it comes to filling out the story fully, as when Lorenz discovers that he has more in common with his seemingly inaccessible late father than he ever imagined. While Rosie paints a rosier, slightly more sentimental picture, imagine a warmer and fuzzier yet still renegade Rainer Werner Fassbender nursing a wisecracking, headstrong Emmi post-1974’s Ali: Fear Eats the Soul. Fri/26, 9:30pm, Kabuki; Sun/28, 9pm, PFA; Tue/30, 6pm, Kabuki. (Chun)

You’re Next (Adam Wingard, US, 2011) The hit of the 2011 Toronto Film Festival’s midnight section — and one that’s taking its sweet time getting to theaters — indie horror specialist (2010’s A Horrible Way to Die, 2007’s Pop Skull, 2012’s V/H/S) Adam Wingard’s feature isn’t really much more than a gussied-up slasher. But it’s got vigor, and violence, to spare. An already uncomfortable anniversary reunion for the wealthy Davison clan plus their children’s spouses gets a lot more so when dinner is interrupted by an arrow that sails through a window, right into someone’s flesh. Immediately a full on siege commences, with family members reacting with various degrees of panic, selfishness, and ingenuity, while an unknown number of animal-masked assailants prowl outside (and sometimes inside). Clearly fun for its all-star cast and crew of mumblecore/indie horror staples, yet preferring gallows’ humor to wink-wink camp, it’s a (very) bloody good ride. Sat/27, 11:30am, Kabuki; May 1, 9:45pm, Kabuki. (Harvey)

Thérèse (Claude Miller, France, 2012) Both Emma Bovary and Simone de Beauvoir would undoubtedly relate to this increasingly bored and twisted French woman of privilege stuck in the sticks in the ’20s, as rendered by novelist Francois Mauriac and compellingly translated to the screen by the late director Claude Miller. Forbiddingly cerebral and bookish yet also strangely passive, Thérèse (Audrey Tautou) looks like she has it all from a distance — she’s married to her best friend’s coarse, hunting-obsessed brother (Gilles Lellouche) though envious of her chum’s affair with a handsome and free-thinking Jewish student. Turns out she’s as trapped and close to death as the birds her spouse snares in their forest, and the suffocatingly provincial ways of family she’s married into lead her to undertake a dire course of action. Lellouche adds nuance to his rich lunk, but you can’t tear your eyes from Tautou. Turning her pinched frown right side up and hardening those unblinking button eyes, she plays well against type as a well-heeled, sleepwalking, possibly sociopathic sour grape, effectively conveying the mute unhappiness of a too-well-bred woman born too early and too blinkered to understand that she’s desperate for a new century’s freedoms. Sat/27, 3pm, Kabuki; Mon/29, 6:30pm, New People. (Chun)

Ernest & Celestine (Stéphane Aubier, Vincent Patar, and Benjamin Renner, France/Luxembourg/Belgium, 2012) Belgian animators Vincent Patar and Stéphane Aubier are best known for the stop-motion shorts series (and priceless 2009 subsequent feature) A Town Called Panic, an anarchic, absurdist, and hilarious creation suitable for all ages. Their latest (co-directed with Benjamin Renner) is … not like that at all. Instead, it’s a sweet, generally guileless children’s cartoon that takes its gentle, watercolor-type visual style from late writer-illustrator Gabrielle Vincent’s same-named books. Celestine (voiced by Pauline Brunner) is an orphaned girl mouse that befriends gruff bear Ernest (the excellent Lambert Wilson), though their improbable kinship invites social disapproval and scrapes with the law. There are some clever satirical touches, but mostly this is a softhearted charmer that will primarily appeal to younger kids. Adults will find it pleasant enough — but don’t expect any Panic-style craziness. Sun/28, 12:30pm, and May 1, 7pm, Kabuki. (Harvey)

Marketa Lazarová (Frantisek Vlácil, Czech Republic, 1966) An extraordinary evocation of medieval life, this 1966 black and white epic — considered by some the greatest Czech film ever made — is being reprised at SFIFF in honor of the festival’s late board chairman and generous benefactor George Gund, for whom it was a personal favorite. The violent struggle between pagan feudalist clans and rising Christian political forces in 13th century Eastern Europe is dramatized in brutal yet poetical form here. You will be very glad you didn’t live back then, or suffer the privations director Frantisek Vlácil and his crew did during an apparently very tough rural, mostly wintertime shoot. But you won’t forget this cinematically dazzling if sometimes opaquely told chronicle based on a classic Czech novel. Sun/28, 12:30pm, PFA; May 3, 8:45pm, New People. (Harvey)

Museum Hours (Jem Cohen, US, 2012) Feature documentaries Benjamin Smoke (2000) and Instrument (2003) are probably Jem Cohen’s best-known works, but this prolific filmmaker — an inspired choice for SFIFF’s Golden Gate Persistence of Vision Award, honoring “a filmmaker whose main body of work is outside the realm of narrative feature filmmaking” — has a remarkably diverse resume of shorts, music videos, and at least one previous narrative film (albeit one with experimental elements), 2004’s Chain. Cohen appears in person to discuss his work and present his latest film, Museum Hours, about a guard at Vienna’s Kunsthistorisches Museum (“the big old one,” the man calls it) who befriends a Montreal woman visiting her comatose cousin. It’s a deceptively simple story that expands into a deeply felt, gorgeously shot rumination on friendship, loneliness, travel, art history and appreciation, and finding the beauty in the details of everyday life. Sun/28, 5:30pm, Kabuki. (Eddy)

The Patience Stone (Atiq Rahimi, France/Germany/England/Afghanistan, 2012) “You’re the one that’s wounded, yet I’m the one that’s suffering,” complains the good Afghan wife of Patience Stone in this theatrical yet charged adaptation of Atiq Rahimi’s best-selling novel, directed by the Kabul native himself. As The Patience Stone opens, a beautiful, nameless young woman (Golshifteh Farahani) is fighting to not only keep alive her comatose husband, a onetime Jihadist with a bullet lodged in his neck, but also simply survive on her own with little money and two small daughters and a war going off all around her. In a surprising turn, her once-heedless husband becomes her solace — her silent confidante and her so-called patience stone — as she talks about her fears, secrets, memories, and desires, the latter sparked by a meeting with a young soldier. Despite the mostly stagy treatment of the action, mainly isolated to a single room or house (although the guerilla-shot scenes on Kabul streets are rife with a feeling of real jeopardy), The Patience Stone achieves lift-off, thanks to the power of a once-silenced woman’s story and a heart-rending performance by Farahani, once a star and now banned in her native Iran. Mon/29, 6:30pm, and Tues/30, 8:45pm, Kabuki. (Chun)

Peaches Does Herself (Peaches, Germany, 2012) Canadian-born yet the quintessential modern Berlin act — transgressively sexed-up electroclash slash-performance artist — Peaches delivers an expectedly high-concept live show in this nimbly cinematic concert movie. The first 15 minutes or so are absolutely great: raunchy, hilarious, imaginatively staged (completely with an orgiastically inclined dance troupe). But after a while it really begins to bog down in prolonged appearances by elderly burlesque-type standup Dannii Daniels, stilted ones by Amazonian transsexual Sandy Kane, and an attempt at a quasi-romantic-triangle narrative that is meant to be funny and outrageous but just kinda lies there. Diehard fans will be thrilled, but most viewers will hit an exhaustion point long before the film reaches its (admittedly funny) fadeout. Mon/29, 9:45pm, and May 2, 9:15pm, Kabuki. (Harvey) *

The San Francisco International Film Festival runs April 25-May 9 at the Castro Theatre, 429 Castro, SF; New People Cinema, 1746 Post, SF; Pacific Film Archive, 2575 Bancroft, Berk; and Sundance Kabuki Cinemas, 1881 Post, SF. For tickets (most shows $10-15) and info, visit festival.sffs.org.

Bass and space

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arts@sfbg.com

DANCE Watching premieres by artists with track records is almost as satisfying as encountering pieces by those unknown to you. With the first, you wonder what else they have come with; with the second, you look for a voice that might grow to find even greater resonance.

Alonzo King, whose LINES Ballet celebrates its 30th anniversary this year, is clearly in that veteran group. We know his approach to dance; by now we even have a sense about the conceptual streams that feed his choreography. We recognize his predilections for small units within a larger context. We know his preferences for a certain type of spatial and temporal fluidity. Yet he still manages us to surprise and excite us.

King’s collaboration with composer-bass virtuoso Edgar Meyer, simply called Meyer, was full of unexpected physical turns and touches of narrative that rarely manage to insinuate themselves into King’s other choreography. Most gratifying were splotches of a light spirit, and a playful sense of presence. Not that there weren’t dark moments, but Meyer‘s sense of the complexities of human behavior floated much more to the surface than in many of King’s other works. Meyer is a friendly, welcoming piece that doesn’t play down to the audience. If that is a trend, let’s have more of it.

To see Michael Montgomery again and again tear up the space with such abandon was exhilarating. In the quartet, two couples actually competed with each other; they ended the stalemate by switching partners. In Meyer‘s somewhat enigmatic “Cards” segment, David Harvey — wonderful in a long off-balance moment — shuffled what I thought were letters, throwing them at an initially unperturbed but increasingly agitated Kara Wilkes, and spreading them around the stage to other dancers. I couldn’t help thinking about the damage that the indiscriminate dissemination of information can to do people. Harvey, somewhat obviously, then tried to eat the pieces of paper. Wilkes, who joined the company in 2011, did a star turn in this performance, turning herself inside out and upside down, ending crumpled.

For the pas de deux, Meyer went into the pit to play the piano. It was so refreshing after all those string sounds (Gabriel Cabezas on cello, Robert Moose on violin). Meredith Webster and Harvey, holding hands to support each other and keep the partner away, were wonderfully contentious and complementary. They deserved their ovation.

I believe that Meyer’s score — both new and assembled — and the musicians’ sensitive presence on stage are what made Meyer such a delightful experience. The dancers and the musicians worked with such ease that some of it looked as if had come about on the spur of the moment. Perhaps King decided to step out of the way and offer the performers a jazzy sense of freedom. Refreshingly, sometimes the dancers set a section going, and the musicians stepped into the picture. The large-scale finale, however, dragged on through several line dance formations. They were probably fun to do.

King choreographed the highly dramatic Writing Ground in 2010 for the Ballet de Monte Carlo. It’s a quintet for Webster and four men who manipulated her into becoming a tool that, at times, she acquiesced to but also desperately tried to escape from. At one point, she broke into a silent scream. The consistency with which her body was literally manhandled when it refused to cooperate was disturbing.

The program opened with two even older pieces. The six selections from the 2005 Handel, set to excerpts from the composer’s Concerto Grossi, did not make a satisfying new whole. They looked as if they had been slapped together. However, individually, they offered performance spotlights for dancers in a company that treasures and encourages independent thought.

In his solo, Paul Knoblauch, who joined LINES in 2012, proved himself as a technically assured perfumer with a wide reach and secure sense of space. Courtney Henry led the finale with a whippet’s speed and an almost desperate sense of volume. And all I could think of during the second reprise, the finale from the 1994 Ocean, was how fabulous that work looked with Pharoah Sanders and his extraordinary players in the pit. Couldn’t we please get all of Ocean back — including the musicians? *

ALONZO KING LINES BALLET

Wed/24-Thu/25, 7:30pm; Fri/26-Sat/27, 8pm; Sun/28, 1 and 5pm, $30-65

LAM Research Theater

Yerba Buena Center for the Arts,

700 Howard, SF

www.linesballet.org

 

Music listings

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Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 17

ROCK/BLUES/HIP-HOP

Bad Religion, Bronx, Polar Bear Club Regency Ballroom. 8pm, $20.

Bullet for My Valentine, Halestorm, Young Guns, Stars in Stereo Warfield. 6:30pm, $32.

Debra Iyall Group, Corner Laughers, Blake Jones and the Trike Shop, Andrew Griffin 50 Mason Social House, SF; www.50masonsocialhouse.com. 8pm, free.

He is We, Before the Brave, Dylan Jakobsen Swedish American Hall. 7:30pm, $15.

Lee Huff vs Jason Marion Johnny Foley’s Dueling Pianos. 10pm, free.

Joe Buck Yourself, Viva Le Vox, Blue Diamond Fillups Thee Parkside. 8pm, $8.

Laura Mvula Cafe Du Nord. 8:30pm, $14.

Night Beats, Cool Ghouls, Primitive Hearts, Big Drag Brick and Mortar Music Hall. 9pm, $10.

Mike Reeb Brainwash Cafe, 112 Folsom, SF; www.brainwash.com. 7:30pm, free.

Savages Independent. 8pm, $15.

Terry Savastano Johnny Foley’s. 10pm, free.

Sigur Ros Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconcerts.com. 8pm, $49.50.

Telescopes, LSD and the Search for God, Flavor Crystals Elbo Room. 9pm, $10.

Three O’Clock Great American Music Hall. 8pm, $30.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Mike Phillips Yoshi’s SF. 8pm, $26.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com.7-9pm, free.

FOLK/WORLD/COUNTRY

Blood and Dust Plough and Stars. 9pm.

Quinn DeVeaux Rite Spot Cafe. 8:30pm, free.

Timba Dance Party Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJ Walt Diggz.

 

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 18

ROCK/BLUES/HIP-HOP

Anadel, All My Pretty Ones, Passenger and Pilot Bottom of the Hill. 9:30pm, $9.

Call Slim’s. 8pm, $30.

Get Dead, Shell Corporation, Uncommonmenfrommars Hemlock Tavern. 8:30pm, $10.

Kaleidoscope feat. Peter Daltry Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15-$20.

Lynx, Becky Knox Brick and Mortar Music Hall. 9pm, $7-$10.

Jason Marion vs Lee Huff Johnny Foley’s Dueling Pianos. 10pm, free.

Nathan and Rachel Johnny Foley’s. 10pm, free.

Seatraffic, Silver Hands, Shortcircles DNA Lounge. 8pm, $10.

Shannon and the Clams, Memories, Emotional Thee Parkside. 9pm, $8.

Vacationer, EXRAY’S, DJ Aaron Axelsen, Epicsauce DJs Rickshaw Stop. 9pm, $10-$12.

JAZZ/NEW MUSIC

“Bill Frisell: Allen Ginsberg’s KaddishSFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7 and 9:30pm, $40-$80.

Guerrilla Composers Guild: Percussion Project Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $8-$15.

Zakiya Hooker feat. Chris James Yoshi’s SF. 8pm, $26.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Nick Rossi Rite Spot Cafe. 9pm, free.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Pa’lante! Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJs Juan G, El Kool Kyle, Mr. Lucky.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. With Pleasuremaker and Senor Oz.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 19

ROCK/BLUES/HIP-HOP

A Tribe Called Red, Brogan Bentley Thee Parkside. 9pm, $10.

Buffalo Tooth, Organs, Funs, Sweat Lodge Hemlock Tavern. 8:30pm, $6.

California Honeydrops, Freddie Hughes Band Great American Music Hall. 9pm, $16.

Cypress Hill, Berner Regency Ballroom. 8pm, $42.

Filligar Cafe Du Nord. 9:30pm, $12.

Gaslight Anthem, Matt Mays Warfield. 9pm, $32.

Keith Harken, Trace Bunday Swedish American Hall. 7:30pm, $18.

King Khan and BBQ Show Slim’s. 9pm, $16.

Lee Vilensky Trio Rite Spot Cafe. 9pm, free.

Mother Mother, Birdmonster, Yassou Benedict Bottom of the Hill. 9:30pm, $14.

Tambo Rays, Girls in Suede, Travis Hayes, DJ Emily Rose DNA Lounge. 9:30pm, $8.

Nathan Temby, Lee Huff, Jason Marion Johnny Foley’s Dueling Pianos. 10pm, free.

Tinariwen Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $55.

Top Secret Band Johnny Foley’s. 10pm, free.

Wombats, Colourist Fillmore. 9pm, $25.

Young Prisms, Sisu, Chasms Elbo Room. 9:30pm, $8.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Raquel Bitton, Rebeca Mauleon Yoshi’s SF. 8pm, $30.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Kyle Bruckmann, Aran Shelton, Anton Hatwich and Mark Clifford Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 8pm, $8-$12.

“Goodbye Taxes, Hello Mary Jane Music and Burlesque Party” Brick and Mortar Music Hall. 9pm, $10. With Jugtown Pirates, Three Times Bad, and more.

Hammond Organ Soul Jazz, Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Flamenco del Oro Emerald Tablet, 80 Fresno, SF; www.flamencodeloro.com. 8pm, $10. With Kina Mendez, Gopal Slavonic, and more.

Matt Jaffee and the Distractions Dolores Park Cafe, 501 Dolores, SF; www.doloresparkcafe.com. 7:30-10pm.

Bernie Jungle and Virgil Shaw Lost Church, 65 Capp, SF; www.thelostchurch.com. 8pm, $10.

Queer Cumbia Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 8pm, $3-$7. With DJs Adan Atl, Rosa La Rumorosa, Jiggles and Alumiux.

Renegade String Band, Samantha Harlow, Elli Perry Plough and Stars. 9pm.

DANCE CLUBS

Back to the USSR Retro Dance Party Rickshaw Stop. 9pm, $10-$15. With DJs Ze’ev, Luka, and more.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

OK Hole Amnesia. 9pm. With Bronze, Dangerous Boys Club, DJs.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Thirsty Third Fridays Atmosphere, 447 Broadway, SF; www.a3atmosphere.com. 10pm, $10.

SATURDAY 20

ROCK/BLUES/HIP-HOP

Beach Day, Chains of Love, Bam!Bam! Rickshaw Stop. 9pm, $10.

Black Clothes Pointy Shoes, Whoosie What’s It’s, Imperils Thee Parkside. 9pm, $7.

Freak Tank, Voco, Rad Thee Parkside. 4pm, free.

Fusion Johnny Foley’s. 10pm, free.

Lee Huff, Jason Marion, Nathan Temby Johnny Foley’s Dueling Pianos. 10pm, free.

Infected Mushroom, Randy Seidman, Liam Shy Regency Ballroom. 9pm, $35.

Phil Manley Life Coach, 3 Leafs, One and Future Band Hemlock Tavern. 9:30pm, $8.

Michael McIntosh Rite Spot Cafe. 9pm, free.

Moonalice Slim’s. 7:20pm, $4.20.

Rad Cloud, Massenger, No///Se Amnesia. 7pm.

Chuck Ragan, Dave Hause, Tim McIlrath, Jenny O. Great American Music Hall. 9pm, $20.

Shinobu, Wild Moth, Exquisites, Great Apes Bottom of the Hill. 9pm, $9.

Ronnie Size Independent. 9pm, $25.

Speed of Light, Burnt Reynolds Bender’s, 806 S. Van Ness, SF; www.bendersbar.com. 10pm, $5.

“Stepsister Fundraiser with Ty Segall (solo)” Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15

White Mystery, Warm Soda, Burnt Ones, Glitz, Cumstain, Sir Lord Von Raven Brick and Mortar Music Hall. 4:20pm, $10.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

“Bill Frisell: Hunter S. Thompson’s The Kentucky Derby is Decadent and DepravedSFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $40-$80.

Hammond Organ Soul Jazz, Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Kiss the Sky Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJs Nina Sol and Emancipacion.

Teruhiko Saigo Yoshi’s SF. 7pm, $35; 9pm, $25.

DANCE CLUBS

Bootie SF: Bootchella DNA Lounge. 9pm, $10-$15. With Smash-Up Derby, Monistat, Meikee Magnetic, and more.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Kinky Disko Underground SF, 424 Haight; www.kinkydisko.com. 10pm, $5. With DJs Rotten Robbie and Johnny Sonic.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 pm. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10.

Secret Society of the Sonic Six Cafe Du Nord. 11:30pm, $7. With Lady Bear and Her Dark Dolls, DJ Le Perv, Omar Perez, Rachel Tension.

Smiths Party Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, $5. Sounds of the Smiths, Morrissey, the Cure, and New Order.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 21

ROCK/BLUES/HIP-HOP

“A Wretched Hive of Scum and Villainy” DNA Lounge. 8pm, $10. With Ghost Town Gospel, Jerk Church Tabernacle Choir.

Beggar’s Jamboree, Serene Lakes, Gene Pool and the Shallow End Bottom of the Hill. 3pm, $10.

Jason Chen, Tiffany Alvord Great American Music Hall. 7pm, $12-$14.

Chop Tops, RevTones, Mad Mama and the Bona Fide Few Thee Parkside. 8pm, $12.

Chronic Town, Japanese Baby, Gang of Forty Make-Out Room. 7:30pm, $8.

Dead Western, Metacomet, Cookie Tongue Amnesia. 9pm.

Lee Fields and the Expressions, Lady, Bang Girl Group Revue Bimbo’s. 8pm, $25.

Legs, Chastity Belt, Cash for Gold Hemlock Tavern. 6pm, $6.

Red Jacket Mine Hotel Utah. 8pm, $8.

Junior Reid, Andrew Reid, and the Pure Roots Band, Wada Blood Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $25.

Queensryche, Voodoos Fillmore. 8pm, $40.

Terry Savastano Johnny Foley’s. 10pm, free.

Leah Tysse Yoshi’s SF. 7pm, $25.

JAZZ/NEW MUSIC

“Bill Frisell: Hunter S. Thompson’s The Kentucky Derby is Decadent and DepravedSFJazz Center, 201 Franklin, SF; www.sfjazz.org. 4 and 7:30pm, $35-$75.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 6:30pm, free. With Rebecca Kleinmann and friends.

Creak, Olde Belle Thee Parkside. 4pm, free.

Darcy Noonan, Richard Mandel, Jack Gilder Plough and Stars. 9pm.

Sweet Felony Tupelo, 1337 Grant, SF; www.tupelosf.com. 4-7pm, free.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Vinnie Esparza.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 22

ROCK/BLUES/HIP-HOP

Black Rebel Motorcycle Club, Bass Drum of Death Fillmore. 8pm, $32.50.

Cannons and Clouds, Bad Powers, Owl Elbo Room. 9pm, $7.

Damir Johnny Foley’s. 10pm, free.

Men, CCR Headcleaner, White Cloud Rickshaw Stop. 8pm, $12.

Medeski Martin and Wood (acoustic) Great American Music Hall. 8pm, $35.

Layla Musselwhite Rite Spot Cafe. 8:30pm, free.

Tennis System, Cruel Summer, Dead Leaf Echo, Slowness Bottom of the Hill. 9pm, $10.

FOLK/WORLD/COUNTRY

Earl Brothers, Pick Amnesia. 6pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Dead Guild DNA Lounge. 9:30pm, $5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 23

ROCK/BLUES/HIP-HOP

Acid Blast, Golden Mean, Mulch, Bar Fight Hemlock Tavern. 8:30pm, $7.

Arabs, Father President, Secret Secretaries Elbo Room. 9pm, $5.

Beach Fossils Slim’s. 8pm, $15.

Medeski Martin and Wood (acoustic) Great American Music Hall. 8pm, $35.

Palma Violets Independent. 8pm, $15.

Sense Fail, Such Gold, Real Friends, Major League Bottom of the Hill. 6:30pm, $19.

Stan Erhart Band Johnny Foley’s. 10pm, free.

Titan Ups, Satisfactions, DJ Revival Sound Selector Amnesia. 9pm, $8-$10.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Rene Marie’s Experiment in Truth Quartet Yoshi’s SF. 8pm, $20.

FOLK/WORLD/COUNTRY

Roem Baur Bazaar Cafe, 5927 California, SF; www.bazaarcafe.com. 7pm, free.

Dave Cory and Friends Plough and Stars. 9pm.

DANCE CLUBS

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane. Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

Selector: April 17-23, 2013

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WEDNESDAY 17

Night Beats

Seattle’s Night Beats has all of the fixings of a good psych-garage act; the lo-fi recordings, the raspy vocals with punctuated yelps, and the noisily manipulated guitar. But the band, which takes its name from Sam Cooke’s best record, has a direct link to the more soulful breeds of music the title suggests, such as R&B. “Dial 666” is simple, 12-bar blues, “High Noon Blues” borrows sentiment and structure from that genre, and “Puppet on a String” seems to call for some old-fashioned dance moves. With the combination of vigorous rock and sensuous roll, Night Beats’ show at Brick and Mortar promises to be satisfying. (Laura Kerry)

With Cool Ghouls, Primitive Hearts, Big Drag

9pm, $10

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

Bad Religion

Mixing aggressive guitar riffs with politically-savvy lyrics and harmony-laden vocals — which the band refers to as “oozin’ aahs” in its liner notes — Southern California’s Bad Religion has been going strong for more than three decades. It just released latest album, True North on founding member Brett Gurewitz’ iconic independent label Epitaph Records last January. And the punk rock stalwarts continue to be driven by singer-author-professor Greg Graffin’s powerful songwriting, which touches on everything from global politics and religion to more personal experiences and emotions that just about anyone can relate to and share in a sense of powerful catharsis. (Sean McCourt)

With the Bronx, Polar Bear Club

8pm, $27.50–$30

Regency Ballroom

1300 Van Ness, SF

www.theregencyballroom.com

 

The 2 Bears

I don’t need caffeine. My computer just starts playing “Work” by the 2 Bears at 7am, complete with rising organ, a pulsing groove, and motivational chorus: “We’ve got to work harder, for the future, my love we got to work.” It might not even be the best song on Be Strong from the 2 Bears (Hot Chips’s Joe Goddard and the Raf Daddy), as it faces stiff competition from hilarious, cuddly club anthem “Bear Hug” and the uplifting, romantic space dub on “Church.” But, it does the job of getting me moving, and by the time the disco queen vocals kick in I’m likely showered and downstairs having breakfast. (Ryan Prendiville)

With Sleazemore, Richie Panic (Lights Down Low)

10pm, $15 presale

1015 Folsom, SF

www.1015.com


THURSDAY 18

“Touching Art: Tribute to Judith Scott”

Skin, the largest organ, keeps our insides safe from the perils of the outside, but it is also the membrane through which we experience the world. In its tribute to Judith Scott, swissnex will explore this, looking at touch’s role in the creation of art. Scott, who could neither speak nor hear and therefore relied heavily on her sense of touch, made beautiful cocoon structures at Oakland’s Creative Growth Art Center for 20 years. Swissnex, in conjunction with Switzerland’s L’Art Brut, will screen a film about the artist, showcase some of her work, and host a talk by Dr. Sandra Weiss on the connection between touch and emotion. The night promises be a touching intersection of art and science. (Kerry)

6pm, $10

swissnex

730 Montgomery, SF

(415) 912-5901

www.swissnexsanfrancisco.org


FRIDAY 19

An evening with Manlio Argueta

While a hard punishment, exile can also be the place where great works of art are born. “I left with a closed fist and came back with an open hand,” said Rafael Alberti returning to Spain after 38 years of exile. Ostracized in Mexico, Pablo Neruda finished one of his masterpieces Canto General. Exiled in Costa Rica, acclaimed Salvadorean poet Manlio Argueta wrote his most celebrated novel, One Day of Life (Vintage Book, 1983). In line with his mentor, poet Roque Dalton, Argueta vividly writes about the 12-year civil war through a peasant family’s eyes. The book, available in 15 languages, was named one of the best 10 novels in Spanish of the 20th century by NY’s Modern Library. (Fernando Andres Torres)

7pm $10

ANSWER

2969 Mission, SF

(415) 902-4754

www.manlioargueta.com

 

“We Are Winning, Don’t Forget: Short works by Jean-Gabriel Périot”

Jean-Gabriel Périot developed a painstaking approach to making films. By carefully stitching together archival images, both still and moving, he creates political narratives that are poignant despite (or because of) their brevity. As a part of a US tour that begins at New York’s Museum of Modern Art, the filmmaker comes to the Bay with nine short films, with subjects ranging from Hiroshima to “politics and tomatoes.” The evening at Artist’s Television Access presents a great opportunity to see these stunning films and the man behind the camera. (Kerry)

8pm, $10

Artist’s Television Access

992 Valenica, SF

(415) 824-3890

www.atasite.org

 

Sheetal Ghandi: Bahu Beti Biwis

Deconstructing cultural artifacts is just about today’s lingua franca. Sometimes you might wish that artists left well enough alone. Yet, at its best it shows creative minds at work that are willing to take the risks inherent in changing lenses. Sheetal Ghandi is one of them. Even though her performance practices are already exceptionally broad —Kathak, modern and West African dance, plus Broadway as well as Cirque du Soleil — she took a lot of imaginative leaps for her solo show Bahu Beti Biwis (Daughter-in-law, daughter, wife), a series of both humorous and poignant portraits of women and the roles traditionally assigned to them. It’s a piece that has been described as empathizing with “Indian women across time and space.” (Rita Felciano)

Fri/19-Sat/20, 8pm; Sun/21, 7pm, $20–$25

ODC Theater

3153 17th St., SF

(415) 863-9834

odctheater.org/buytickets.php


SATURDAY 20

Mishap Psychic Fair

Nothing will make sense on 420 anyway (unless you snagged tickets for Snoop Lion at the Fillmore, in which case: jealous), so you may as well go to the goofiest damn event you can find. Surely the Mishap Psychic Fair is in the running for the honorific — the (is it?) satirical set-up will feature tongue-in-cheek booths where you can align your crystals via rock opera, attune to your inner “sexy anger,” and temper it all with cocktails if you’re not too bleary-eyed from the traditional mode of celebration on this international holiday. Buy tix to the fair in advance and you’ll snag a complimentary photo of your aura, a so-called magic elixir, or henna tattoo. Heal thyself, hippie. (Caitlin Donohue)

Sat/20, 8pm, $10

Geoffrey’s Inner Circle

410 14th St., Oakl.

www.mishapproductions.com

 

The Last Unicorn screening and birthday celebration

And now for something completely magical: Peter S. Beagle, author of beloved 1968 fantasy novel The Last Unicorn (among dozens of other works), turns 74 today, and he’ll journey from his home in Oakland for a pair of birthday- and unicorn-themed San Francisco events. (Hooves up if you ever had a unicorn-themed birthday party! I know I did … maybe more than once.) First is a screening of the 1982 animated film adapted from the book, with voices by Mia Farrow, Jeff Bridges, and Alan Arkin; Beagle will be on hand to answer questions and sign books. Diehards can continue the festivities at the Cartoon Art Museum, which hosts a reading and further signings by the author, plus an auction of some mighty nifty original artwork to benefit the museum and Beagle’s imminent multi-city tour. Costumes are encouraged, obvi. (Cheryl Eddy)

Screening, noon-3pm, $8.50

Castro Theatre

429 Castro, SF

VIP reception, 6-8pm, $25

Cartoon Art Museum

655 Mission, SF

www.cartoonart.org

 

“Bill Frisell presents Hunter S. Thompson’s The Kentucky Derby

Jazz guitarist Bill Frisell has tackled many an avant-garde project in his 40-plus year career, and his latest foray beckons fans of music, stage, and literature. Bringing life to Hunter S. Thompson’s memorable “The Kentucky Derby is Decadent and Depraved” this weekend, Frisell will be joined by narrator Tim Robbins in a multimedia production featuring set design by the iconic writer’s longtime collaborator Ralph Steadman. Considered the first of Thompson’s pieces to truly reflect his “Gonzo” style of journalism, the story and production will no doubt envelop audience members in an aural and visual way never before experienced. Buy the ticket, take the ride. (McCourt)

Sat/20, 7:30pm; Sun/21, 4 and 7:30pm, $35–$80

SF Jazz Center

201 Franklin, SF

www.sfjazz.org

 

Maria Minerva

Minerva was the Roman goddess of wisdom. That’s what I’ve found out on Wikipedia. What I’ve found out about Estonian lo-fi electronic chanteuse Maria Minerva is that she’s an art school graduate/critic/glossolalia expert/comedy student. But, all I really know is that her Bless EP on 100% Silk is excellent. “Soulsearchin’,” focuses on the anxiety of options, built around George Carlin’s “Modern Man,” but it’s the laid-back guitar, slightly off-kilter percussion, and circling vocals on “Symbol of My Pleasure” that stay with me. (Prendiville)

With Butterclock (live), Marco De La Vega, and more

9pm, $10 presale

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com


MONDAY 22

Oakland Veg Week

Perhaps you are deluged by the information regarding sustainable eating available today. This is completely understandable — at times, we feel as though we will surely perish under the mountainous weight of fair trade quinoa foisted upon us by Bay Area foodie culture. Luckily, Oakland Veg Week is going on, with its host of events meant to dispel myths about what to eat. Go on a farm field trip, take vegan cheese-making classes (both April 27), attend a talk by Paul Shapiro of the Humane Society on why eating animals is bad for the earth (April 25), snack your way through a delicious grand finale at the Lake Merritt Sailboat House (April 28), or check out the host of other, veg-friendly events this week. (Donohue)

Through April 28

Various Oakland locations

www.oaklandveg.com


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Warriors Arena proposal rouses supporters and opponents

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UPDATED Rival teams have formed in the last week to support and oppose the proposed Warriors Arena at Piers 30-32 as the California Legislature considers a new bill to approve the project, a new design is about to be released, and a trio of San Francisco agencies prepares to hold informational hearings.

Fresh off the collapse of two of the city’s biggest development deals, Mayor Ed Lee and his allies are pushing hard to lock in what he hopes will be his “legacy project.” A new group of local business leaders calling itself Warriors on the Waterfront held a rally on the steps of City Hall today, emphasizing the project’s job creation, community partnerships, and revitalization of a dilapidated stretch of waterfront.

That launch event followed last week’s creation of the San Francisco Waterfront Alliance, made up mostly of area residents and environmental organizations that oppose the project, including the Sierra Club and Save the Bay. The group today released a press release and artist’s rendering of how the 13-story arena and two condo towers may block views of the bay.

Last week, SFWA put out a press release criticizing Assembly Bill 1273 by Assembly member Phil Ting, claiming it would allow the project to avoid scrutiny by the Bay Conservation and Development Commission, which oversees and issues permits for waterfront projects. “One of the primary reasons we have regulatory agencies like the BCDC is so that local jurisdictions don’t run roughshod over the Bay and the waterfront,” group President Gayle Cahill said in the release. “The San Francisco Waterfront Alliance strongly believes that BCDC should retain its jurisdiction in this project to ensure independent oversight for the Bay and for all of us.”

Yet Ting and supporters of the project say the legislation doesn’t change BCDC’s oversight of the project, pointing to language that explicitly acknowledges the agency’s authority. While the legislation would remove the need for the three-member State Lands Commission to approve the project, proponents said approval by the full Legislature is a higher bar that ensures more public scrutiny and accountability.

“It does not waive BCDC. It goes through the same BCDC process,” Ting told us. “By going through the Legislature, you do have more hearings and public process. The idea was to make this more thoroughly vetted.”

The Port’s Brad Benson told us that State Lands staff is also still actively scrutinizing the project. “We’ve been working closely with State Land and BCDC staff to incorporate their concerns,” Benson said. For example, the arena configuration has already been moved closer to shore than originally proposed because of BCDC concerns about maritime access to a deep-water berth at the site.

In addition to approval by the Legislature and BCDC, the project must also be approved by the Port Commission and Board of Supervisors. The latest design for the project is scheduled to be released on May 6 and will be discussed by the Board of Supervisors Land Use and Economic Development Committee that day, said Gloria Chan of the Mayor’s Office of Economic and Workforce Development. The Planning Commission will then hold an informational hearing on the new design May 9, following by a May 14 hearing before the Port Commission. 

The project is proposed to include a 17,500-seat arena that would host more than 200 Warriors games, concerts, and other events per year, starting in 2017, on 13 acres of rebuilt piers. The adjacent, 2.3-acre Seawall Lot 330 would include up to 130 new condos, a hotel of up to 250 rooms, and 34,000 square feet of restaurants and retail space.

The whole project would include just 830-930 parking spaces, making its still-unfolding transportation plan key to the project’s approval. Opponents of the project also criticize the project’s height and its financing package and say this intensive development isn’t consistent with city plans or state laws that protect waterfront lands for maritime and public uses.

“We told the mayor before it was even announced that it is not a legal use of the pier,” Save the Bay Executive Director David Lewis told the Guardian. “There’s no reason that an arena has to be out on the water on a crumbling pier.”

Yet proponents tout the project’s economic benefits to the city and the need for an arena that size to host concerts and conventions, beyond the prestige of luring the Warriors away from Oakland and back to its original home city. “It will be privately financed and turn a crumbling pier and unsafe parking lot into a state-of-the-art venue that generates new revenue for the region and provides a spectacular new facility for the Bay Area’s NBA team.”Jim Wunderman, CEO of the Bay Area Council and an honorary co-chair of Warriors on the Waterfront, said in the press release.

UPDATE: Rudy Nothenberg, who served five SF mayors financing big civic projects and helped found SF Waterfront Alliance, disputes several assertions made by project proponents. “The first version of [AB 1273] unquestionably moved BCDC out of the way,” he said, claiming that bill language was altered after input from BCDC and the consultant to the Assembly Natural Resources Committee. BCDC has not yet returned a call from the Guardian on the issue. Nothenberg also says AB 1273 turns the deliberate fact-finding process required for the State Lands Commission to make its public trust determination into a political process that is a less thorough vetting of the project.

He also took issue with the statements by Wunderman and others that this is a privately funded project, noting that taxpayers will be paying $120 million to rebuild these piers and will give up future property taxes on the site, which will be diverted by a special tax district to help repay the bonds. Nothenberg told us, “Their continued assertion that there is no public money involved in blatantly untrue.”

 

Jessie Ware eats pizza at Little Star, connects with her fans at the Independent

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Last Thursday, when the lights came up on the stage at the Independent, they revealed a woman who was relishing the reverential shouts of the sold-out crowd. With a dramatic bun on top of her head, large hoop earrings, and tall heels, Jessie Ware appeared to embody the fully realized pop star that the world is starting to recognize in her.

Throughout the night, though, it became clear that what makes Ware so compelling isn’t the idolizing distance of pop-stardom, but its opposite. Between each song, she charmed the audience with candid and often self-deprecating banter. To a loud response of cheers and clapping, she spoke of her boyfriend who had joined her on tour and enjoyed planting himself in the audience to gauge its mood. “If someone comes up to you being a bit pervy, it’s just ‘cause he’s really proud of me,” she said, then laughed along with the crowd.

It’s tempting to say that the best part of the night was this sort of endearingly comedic chat, but that wouldn’t be doing justice to her performance. On Ware’s album, Devotion, the music has an understated ease, and though that is part of what makes it so good – in a world of over-the-top pop, restraint is refreshing – live music requires more than subtlety. Ware and her band delivered.

The music, already catchy on the album, achieved greater depth on stage. In the ballad-like “Wildest Moments,” added emphasis on the reverberant drums and Ware’s responding rhythmic changes gave the audience more to sink its teeth into, while the simplification of quieter tunes such as “Sweet Talk” emphasized the intimacy of Ware’s largely romantic repertoire.

The strength of Ware’s singing also came through more in a live venue than in the album, where the rule of restraint controls her voice, too. On Thursday, commercial but expressive vocals added the right amount of embellishment and variation to soulful tunes such as “What You Won’t Do For Love” (despite the four slices of Little Star Pizza and strawberry ice cream that she admitted to eating before the concert). She is a more talented singer than her recordings suggest.

Because of this, occasionally I wanted her voice to come through even more. On some songs, including that opener, “Devotion,” a jangly guitar and swirling synth that aspired to match their recorded versions obscured Ware and diminished the force of the singer.

This, however, is one complaint in a performance that was otherwise flawless – though “flawless” suggests a show more sterile, glossy, and lifeless than what happened that night. The best moments felt unpracticed and organic, enjoyable because of their imperfections. Ware reacted to the dance moves of the front row, rambled occasionally, and when she plugged her album, which comes out in the US on Tuesday, she gave a bashful look when caught herself clapping along with the audience. Flawlessness would imply that Ware has completely filled her newfound role as a pop-star, but instead, she seems both amused and humbled by it.

Maybe it isn’t enough to equate the quality of a show with how endearing the performer is, but I think it’s significant that the 500 people at the Indy had fun because Ware was so obviously having fun.
One sign of a successful show is its ability to evoke the sensation of a personal stake in the performer. Last Thursday, Ware’s audience became invested in her future career, which, with all of her talent and charm, will inevitably thrive.

British singer Jessie Ware on summer plans, being herself on stage, and flowers in SF

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I first heard Jessie Ware’s “If You’re Never Gonna Move” on the road from the East Coast. After that, the song averaged about five plays per state. Ware’s understated and soulful dance pop has the rare ability to adapt to any situation. It eases the tension in a car full of two people with almost irreconcilable taste in music; it works equally well as the soundtrack to a lazy afternoon, and a night out. And it feels good.

The formula, which has earned her recognition in her native UK, is gaining a following in the US. Though the breakthrough album Devotion won’t be released stateside until April 16, many of her concerts, including Thursday’s at the Independent, have sold out to audiences that sing along with every word. (Not to worry, she also has an in-store at Amoeba that day.)

Ware has transformed into a full-fledged pop star. But on the phone, she didn’t fit the stereotype. Pop-stardom doesn’t come naturally to the down-to-earth 28-year-old who was going to go to law school if the whole singing career thing didn’t work out. So far it has, though, and she spoke a bit about how delighted she is about it all:

SFBG How has the North America tour been so far?

Jessie Ware Really good. We started in New York, and I was doing lots of promos, doing gigs. The crowds were just amazing. We did the last show in New York and it was quite full on because MTV was live-streaming it. It was only my third proper gig in New York and I’m getting it streamed to whoever wants to watch it online. That was scary but also lovely.

https://www.youtube.com/watch?v=eblGD5yuid8

SFBG Your show at the Independent is sold out, so I take it that it went well the last time you were here a couple months ago.

JW I had the best show ever in San Francisco in that Rickshaw Stop. It was crazy — I got four bunches of flowers at that gig! I I loved it and I love San Francisco. We did a recording for Yours Truly, and we did it in this beautiful flower shop. I can’t wait to wander around again and see San Francisco. I’m told I’m to go to the Mission for good Mexican food.

SFBG Does performing come naturally to you?

JW No, it does not come naturally to me at all. I feel like I’m just starting to really give a performance now. At the beginning I didn’t know what I was doing. I didn’t know whether I was entitled to be a bit over the top. I didn’t feel that comfortable on stage, and I just had to learn. I guess it gets easier when you’re playing to people who have bought tickets to see you. That’s already a bit reassuring, you know?  

I want to kind of tap into the kind of person I play in my videos ever so slightly, but also be myself and really get to know the audience, have a nice conversation whenever I can. Usually, I ask a question and loads of people shout things back at me and I can’t hear what the bloody hell they’re saying. I get myself into trouble because I’ve asked a question and then I have to say, “Whoa!”

SFBG Do you think of genre when you write?

JW I don’t think of genre, I think more of a feel, whether it be upbeat or moody or a bit dramatic. I want the album to feel complete as a whole; all of the songs have to make sense together…I don’t know if the album’s telling a complete story, but I guess it’s quite a lot of romance. Really, it was me experimenting with how to be a songwriter, but thematically they make sense together.

https://www.youtube.com/watch?v=bMJkddvJ4L4

SFBG What is next for you?

JW
I just hope I can keep on playing, really. I’m going to try to be as creative as possible and then play festivals this summer — have a really fun summer and just celebrate that I’m getting to go around the world and perform and play at wonderful festivals that I’ve always wanted to go to anyways.

Jessie Ware
With MS MR, DJ Harry Duncan
Thu/11, 8pm, $18
Independent
628 Divisadero, SF
(415) 771-1421
www.theindependentsf.com

Thu/11, 6:30pm, free
Amoeba Music
1855 Haight, SF
(415) 831-1200
www.amoeba.com

Music listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 3

ROCK/BLUES/HIP-HOP

"Blue Bear School of Music Band Showcases" Cafe Du Nord. 7:30pm, $12-$20.

Creepers, Meat Market, DJs Primo, Popgang, Tenderlions Elbo Room. 9pm, free.

Fu Manchu, Bloodnstuff, Floating Goat, DJ Rob Metal Bottom of the Hill. 9pm, $12.

Kopecky Family Band, Eastern Sea, Evan P. Donohue Brick and Mortar Music Hall. 9pm, $7-$10.

Lectric Was House, Halcyonaire, Duckyousucker Hemlock Tavern. 8:30pm, $6.

"Paganfest" DNA Lounge. 6pm, $30. With Ensiferum, Tyr, Heidevolk, Trollfest, Helsott.

Terry Savastano Johnny Foley’s. 9pm, free.

Lindsey Stirling, Vibrant Sound Warfield. 8pm, $27.

Nathan Temby vs JC Rockit Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Portland Cello Project Yoshi’s SF. 8pm, $25.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com.7-9pm, free.

FOLK/WORLD/COUNTRY

Bluegrass Country Jam Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 4

ROCK/BLUES/HIP-HOP

Blue Soul Revue Grant and Green. 9pm, free.

Esben and the Witch, Heliotropes Brick and Mortar Music Hall. 9pm, $10-$13.

Dirtyphonics, Liquid Stranger, Nerd Rage Fillmore. 8pm, $25.

Ghostface Killah, Adrian Younge’s Venice Dawn 1015 Folsom, SF; www.1015.com. 10pm, $20.

Guido vs Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Misisipi Mike and the Midnight Gamblers Amnesia. 9pm, $7.

Dave Moreno and Friends Johnny Foley’s. 9pm, free.

San Cisco, Chaos Chaos, popscene DJs Rickshaw Stop. 9:30pm, $12-$14.

Station and the Monster Hemlock Tavern. 8:30pm, $6.

Swingrowers, Delachaux and the Klown, JsinJ Cafe Du Nord. 8pm, $15.

Weeks, Human Condition Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Hiromi: The Trio Project SFJazz, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $20-$40.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Pharoah Sanders Yoshi’s SF. 8pm, $25; 10pm, $21.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Shannon Ceili Band Plough and Stars. 9pm.

Craig Ventresco Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com. 7pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Supersonic Lookout, 3600 16th St., SF; www.lookoutsf.com. 9pm. Global beats paired with food from around the world by Tasty. Resident DJs Jaybee, B-Haul, amd Diagnosis.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 5

ROCK/BLUES/HIP-HOP

Bayonics, My Peoples, Sean Tabor, Shawn Megofna or TSMB Great American Music Hall. 8pm, $15.

Billy Cramer and Share the Land, Boars, TV Mike and the Scarecrows Hemlock Tavern. 9:30pm, $7.

Double Duchess, Micahtron, Hussyclub Elbo Room. 9:30pm, $8.

Ian Franklin and Infinite Frequency Simple Pleasures, 3434 Balboa, SF; www.simplepleasurescoffe.com. 7:30pm, free.

Let’s Spend the Night Together! First Church of the Sacred Silversexual, Hubba Hubba Revue Rickshaw Stop. 9pm, $13.

Mustache Harbor, Radar Love Bimbo’s. 9pm, $22.

Ivan Neville’s Dumpstaphunk Independent. 9pm, $25.

Papa Grows Funk, Dredgetown, Fillmore Wax Brick and Mortar Music Hall. 9pm, $15-$25.

Parlotones, Dinner and a Suit, Dangermaker Cafe Du Nord. 9pm, $12-$14.

Rue 66, Satin Chaps, Paradise Neck of the Woods, 401 Clement, SF; www.neckofthewoodssf.com. 8pm, $10.

Skin Divers Johnny Foley’s. 9pm, free.

Soilwork, Jeff Loomis, Blackguard, Hatchet Slim’s. 8pm, $21-$24.

Nathan Temby, Jason Marion, Chris A. Johnny Foley’s Dueling Pianos. 9pm, free.

Tontons, Cash for Gold, Bell Tower Thee Parkside. 9pm, $8.

Whiskerman, Decker, Kelly McFarling Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

George Washington High School Choir GWHS Auditorium, 30th Ave. and Anza, SF; gofundme.com/1su7dk. 7pm, $20. Benefit concert for Washington DC performance trip.

Hammond Organ Soul Jazz, Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Hiromi: The Trio Project SFJazz, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $25-$55.

Moonshine Cabaret Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15-$18.

Pharoah Sanders Yoshi’s SF. 8pm, $32; 10pm, $25.

FOLK/WORLD/COUNTRY

Outbound Plough and Stars. 9pm.

Chucho Valdes and Eddy Navia’s Pena Pachamama Band Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 7 and 9pm.

DANCE CLUBS

Haceteria Slate Bar, 2925 16 St., SF; www.slate-sf.com. 10pm, $5. With Kit Clayton and Earthman.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Mochipet Inner Mission, 2050 Bryant, SF; www.mochipet.com. 8pm, $15.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Shlohmo 1015 Folsom, SF; www.1015.com. 10pm, $17.

Strangelove Cat Club. 9:30pm, $3-$7.

Twitch: Nightmare Fortress DNA Lounge. 10pm, $8-$9. With Nightmare Fortress, Pressures, DJs Justin, Omar, and Rachel Aiello.

SATURDAY 6

ROCK/BLUES/HIP-HOP

Cum Stain, Pile, Fat History Month, Michael Beach Hemlock Tavern. 9:30pm, $7.

Cut Loose Band Johnny Foley’s. 9pm, free.

"Farewell Transmission: A Tribute to the Songs of Jason Molina" Amnesia. 8pm, $12-$25. With Tyson Vogel, Joanna Lioce, Alex Robins, and more.

Grayceon, Owl, Winter Teeth Thee Parkside. 9pm, $10.

Idiot, Blank Spots, Hewhocannotbenamed El Rio. 9pm, $7.

Netsky, Amtrac Regency Ballroom. 9pm, $35.

Angel Olsen, Villages, Kacey Johansing Rickshaw Stop. 8pm, $10-$12.

Papa Grows Funk, JeConte Band Brick and Mortar Music Hall. 9pm, $18-$25.

Petty Theft, Pretending Cafe Du Nord. 9pm, $15.

Phosphorescent Independent. 9pm, $15.

Polkacide, Fuxedos, Borts Minorts Bottom of the Hill. 9:30pm, $12.

Yes-Go’s, Connies Thee Parkside. 4pm, free.

Greg Zema, Jason Marion, Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Hiromi: The Trio Project SFJazz, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $25-$65.

Pharoah Sanders Yoshi’s SF. 8pm, $32; 10pm, $25.

FOLK/WORLD/COUNTRY

Chucho Valdes and Eddy Navia’s Pena Pachamama Band Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 7 and 9pm.

Whiskey and Women Plough and Stars. 9pm.

DANCE CLUBS

Bootie SF: DJ Tripp’s Birthday Bootie DNA Lounge. 9pm, $10-$15. With DJ Tripp, David X, and Airsun.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys.

DJ Audio1 Public Works. 1am, $20.

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, and Phengren Oswald.

SUNDAY 7

ROCK/BLUES/HIP-HOP

William Beckett, Jillette Johnson, Brandon Zahursky Cafe Du Nord. 8pm, $15.

Jonny Craig, Kurt Travis, Hail the Sun, Seeking Thee Parkside. 8pm, $12.

Hurry Up Shotgun, Bismarck Hemlock Tavern. 6pm, $6.

Necrosin, Infex, Iron Assault, Reckless Flesh, Dizastor, Frailed Sanity DNA Lounge. 5:30pm, $7.

Terry Savastano Johnny Foley’s. 9pm, free.

Sunbeam Rd., Matthew and the Arrogant Sea, Halsted Bottom of the Hill. 9pm, $9.

JAZZ/NEW MUSIC

Hiromi: The Trio Project SFJazz, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $25-$55.

Noertker’s Moxie/Holly Martins Musicians’ Union Hall, 116 Ninth St., SF; www.noertker.com. 7:30pm, $10.

Kally Price Old Blues and Jazz Band Amnesia. 8-11pm, $5.

Reza Rohani and Sara Naini Yoshi’s SF. 7pm, $35-$65.

Lavay Smith Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

FOLK/WORLD/COUNTRY

Carolina Lugo and Carole Acuna Pena Pachamama, 1630 Powell, SF; www.pachamamacenter.org. 6:15pm.

Cieran Marsden and Friends Plough and Stars. 9pm.

Rich Mcculley, Golddiggers Thee Parkside. 4pm, free.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Ludichris, and DJ Tomas.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 8

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

E and M, Julia Weldon, Kitten Grenade Bottom of the Hill. 9pm, $8.

Taddy Porter, Virgin Marys DNA Lounge. 8pm, $12.

FOLK/WORLD/COUNTRY

Toshio Hirano, Renegade String Band Amnesia. 9pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. With Decay, Joe Radio, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 9

ROCK/BLUES/HIP-HOP

Nick Cave and the Bad Seeds, Sharon Van Etten Bill Graham Civic Auditorium, 99 Grove, SF; www.apeconcerts.com. 8pm, $59.50.

Cock ESP, Thee Bringdownzz, Rubber O Cement, KROB Hemlock Tavern. 8:30pm, $8.

Trevor Garrod, Lech Wierzynski, Jillian Secor, Kiyosha Foster Brick and Mortar Music Hall. 9pm, free.

James McCartney (Band), Alyssa Graham Cafe Du Nord. 9pm, $15.

Sparks Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $35-$40.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Titan Ups Amnesia. 9pm.

JAZZ/NEW MUSIC

Bombshell Betty and Her Burlesqueteers Elbo Room. 9pm, $10.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Barry O’Connell Plough and Stars. 9pm.

DANCE CLUBS

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.