Event

Supreme Court same-sex marriage decisions: DOMA invalidated, Prop 8 case dismissed, SF reacts [UPDATED]

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Watch this space throughout the day for breaking news on the decision and reactions. Tonight there will be a celebration of the Court’s decisions at Castro and Market Streets at 6:30pm. (Join  the Guardian beforehand, 6-9 at the Pilsner in the castro, at its annual pre-Pride event.) 

DOMA INVALIDATED

The Supreme Court released its ruling this morning that the Defense of Marriage Act, which denies federal recognition of same-sex marriage, “is unconstitutional as a deprivation of the equal liberty of persons that is protected by the Fifth Amendment.”

“DOMA singles out a class of persons deemed by a State entitled to recognition and protection to enhance their own liberty,” according to the majority opinion. “DOMA’s principal effect is to identify a subset of state sanctioned marriages and make them unequal.” The Court voted 5-4, with Justice Kennedy, who wrote the majority opinion, as the decisive vote along the usual liberal/conservative lines. You can read the full opinion here

This means that same-sex marriages performed in states that have legalized such marriages will be recognized by federal law.  

PROP 8 DISMISSED ON STANDING

As for Hollingsworth v. Perry, the Prop 8 case, it was dismissed on standing, due to the fact that the State of California refused to defend the case that would uphold Prop 8 (which denied same-sex marriage).That meant private citizens were left to defend a state statute, which was unprecedented, and the Court refused to rule on those grounds.

We have never before upheld the standing of a private party to defend the constitutionality of a state statute when state officials have chosen not to. We decline to do so for the first time here,” the majority Court statement (which broke along the typical 5-4 line) said. That means there is no specific decision from the Court regarding Prop 8, and the previous ruling, by Judge Vaughan Walker and upheld by the Ninth Circuit Court, that invalidated Prop 8 as discriminatory, stands.

This may mean that same-sex marriages in California can resume as early as July.

You can read the full Prop 8 ruling here.

Scene this morrning at SF City Hall, with Mayor Ed Lee and Lt. Gov. Newsom. Photo by Dan Bernal.

[UPDATE] REACTIONS AT CITY HALL

Steven T. Jones reports from SF City Hall:

City Hall was totally packed at 7am when the US Supreme Court convened — tons of journalists, lots of couples, many signs in the crowd. Two screens were set up, one with a live blog from court chamber, the other with the CNN live feed. Huge cheers erupted at 7:11 when the decision was announced striking down DOMA and forcing the federal government to recognize the rights of same-sex married couples.  Then at 7:38, when the Prop 8 statement came down, the room went nuts. 

A moment later, an array of current and former city officials appeared at the top of the City Hall main staircase. Mayor Ed Lee and Lt. Gov. Gavin Newsom escorted a fragile Phyllis Lyon down the stairs — she, along with the late Del Martin, were the first same-sex couple to get legally married in California in 2004 — flanked by the rest of the city family, all with big smiles.

“Welcome to the people’s house of San Francisco,” Mayor Lee said, thanking the crowd “for sharing in this historic moment.”

“It feels good to have love triumph over ignorance,” he said.

At 7:44, City Attorney Dennis Herrera and Chief Deputy City Attorney Terry Stewart, who had been on the City Hall steps addressed reporters’ question on the legal details of the ruling, joined the crew to sustained applause as Lee recognized them. He then introduced Newsom, who in 2004 as San Francisco mayor allowed same-sex marriages to be performed, as “one person who used the power of this office to make history and show his love for the city.”

“San Francisco is not a city of dreamers, but a city of doers,” Newsom said. “Here we don’t just tolerate diversity, we celebrate our diversity.” He thanked Herrera and everyone who contributed to this moment. “It’s people with a true commitment to equality that brought us here.”

Newsom introduced Kate Kendall with the National Center for Lesbian Rights, who has led the coalition of groups that have push for marriage equality. She looked around the crowd and said, “Fuck you, Prop 8!”

The crowd roared, and she said that she had scanned the room for children, and promised to “put a dollar in the swear jar” if necessary. But she said that, “We have lived for too many years under that stigmatizing piece of crap.”

Then Herrera took the podium, turned to Newsom, and said, Now you can say, ‘Whether you like it or not!'” — a joking reference to Newsom’s same-sex marriage rallying cry, which some blamed for boosting the anti-same-sex marriage cause.

“We wouldn’t be here today if it wasn’t for Gavin Newsom’s leadership,” Herrera continued. ““I remember in 2004 when people were saying it was too fast, too soon, too much.”

But today, that long effort has been vindicated, Now, he said, “It’s about changing the hearts and minds of people and educating them.” He also pledged to continue the fight that began here in City Hall more than nine years ago: “We will not rest until we have marriage equality throughout this country.”

Gavin Newsom being interviewed inside City Hall. Photo by Steve Jones

Finally Stewart, who has argued cases related to San Francisco’s stand before both the US and California Supreme Courts, praised both the Prop. 8 and DOMA rulings and the precedents they set. “In the DOMA case decision, the Supreme Court expressed a stong equal protection philosophy…that will help legalize same sex marriage in other states.”

Three members of the Board of Supervisors were also invited by Kendell to address the huge City Hall crowd: Board President David Chiu and Sups. David Campos and Scott Wiener, the only two current supervisors who are gay.

Chiu noted that the bust of slain Sup. Harvey Milk is prominently positioned outside the Board Chambers, a reminder of the long struggle for gay rights that San Franciscans have led. “That work lives on today,” he said.

He added the hope that the work done here will ripple out of across the country because, he said, “As goes San Francisco, so goes California, so goes the rest of the country.”

Campos, an attorney who has long been in a committed relationship, said, “It’s a very emotional moment for those of us who are part of the LGBT community.” He said this Supreme Court ruling is the first time it has really acknowledged “that we are people and we have dignity,” and that the rulings sends a clear message to Congress that legislation like DOMA is unconstitionally discriminatory.

Wiener praised the resilience of the LGBT community, from the early days of enduring the AIDS crisis and fighting for federal support through the current campaign for marriage equality. And he cheered the fact that, “Those marriages that we see under the rotunda [in City Hall] will get a little more diverse.”

11:30 AM UPDATE: Style and substance

While Newsom strutted around like a proud peacock in front of City Hall — clearly the leading man in this epic story with the happy ending, much in demand by the television crews — Herrera and Stewart briefed various reporters on the details of the case that they had just won.

Gavin Newsom outside City Hall. Photo by Steve Jones.

“I wanted a merits ruling, but a standing ruling is a victory too,” Herrera told us, making the distinction between the court ruling that banning same-sex marriage is unconstitutional on the grounds of equal protection under the law — which it did not do — and the 5-4 ruling it did issue: that those who appealed the Ninth Circuit Court ruling invalidating Prop. 8 lack proper legal standing to do so.

The standing ruling leaves same-sex marriage opponents more wiggle room to argue that the ruling might only apply to the couples named in the suit, or in just the counties that took part, which also included Alameda and Los Angeles, positions they were already signaling in press statements.

But Herrera said that he would vigorously contest that kind of challenge, which he considers to be without merit, telling us, “The injunction is not limited in its scope.”

UPDATE: SFPD isn’t worried

Police Chief Greg Suhr, who attended the City Hall event, said the timing on the ruling during Pride Week couldn’t be better. “It’s nice that it all lined up for us,” he told us. “This town is going to rock ‘til the wheels come off.”

Asked whether he has any heightened security concerns about the Pride Parade in the wake of a ruling that is controversial to some, Suhr said that he’s not worried. He said SFPD is now fully staffed and all available personnel working this weekend, although he will try allow many of his gay and lesbian officers to join the celebration if they want.

“We’re going to police what’s likely to be the biggest party this city has ever seen,” Suhr said, adding that his policing philosophy is, “We plan for the worst and hope for the best.”

 

Our Weekly Picks

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WEDNESDAY 26

Dita Von Teese

With a seductive and sexy nod to the past, modern pin-up and burlesque queen Dita Von Teese has been at the forefront of reviving a nearly lost art form for two decades now. Bringing back the sense of classic style and glamour of the golden days of Hollywood and meshing it with the tantalizing teasing of the old-time burlesque circuit, Von Teese returns to the city this week with her “Burlesque: Strip, Strip, Hooray!” show, a live revue featuring not only her own titillating talents, but a host of other performers as well, including Dirty Martini, Catherine D’Lish, and Lada Nikolska from the legendary “Crazy Horse Paris.”

(Sean McCourt)

Through Fri/28, 7:30pm, $40

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com


“Harvey Milk 2013”

The San Francisco Gay Men’s Chorus, the world’s first chorus comprised of openly gay men, had its first unofficial public performance at a candlelight vigil for Harvey Milk. The group has since become known for its dazzling holiday concerts, but its historical origins mean it’s fitting that — as part of its 35th anniversary celebration — SFGMC is presenting the world premiere of I Am Harvey Milk. Starring its composer Andrew Lippa as Milk, with guest soprano Laura Benanti, this blend of theater and choral works traces the courageous life of the slain politician, with accompaniment by the Bay Area Rainbow Symphony. (Cheryl Eddy)

Wed/26-Fri/28, 8pm, $25-60

Nourse Theatre

201-299 Hayes, SF

www.sfgmc.org

 

THURSDAY 27

Clay Shirky

“I’m trying to figure out what difference communications technologies makes to society,” Clay Shirky remarked in a 2011 interview. “What is it about the Internet, what is it about mobile phones, applications built on top of them, that changes how we behave.” The New York University professor has become one of the world’s foremost authorities on gauging how technology has shifted social action. His 2010 book Cognitive Surplus: Creativity and Generosity in a Connected Age outlined how web tools have provided new opportunities for creation in place of consumption, pointing out dynamics such as self-publication and charitable crowdfunding. Shirky has championed government transparency in recent editorials exploring the high-profile leaks of US surveillance programs. (Kevin Lee)

6:30 p.m., $20 (member, $12; students $7)

Commonwealth Club

595 Market, SF

(415) 597-6700

www.commonwealthclub.org

 

 

Tommy Davidson

Comedian Tommy Davidson might be offensive, but his keen observations about the absurdity of our daily lives and his animated delivery guarantee laughs. His ability to comment on situations that arise in all walks of life ensures everyone has something to chuckle about through his bits. Known for his roles in the ’90s hit sketch show In Living Color, films like Strictly Business (and OK, Juwanna Mann) and most recently in the spotlight for his character Cream Corn on Adult Swim’s cartoon Black Dynamite, Davidson tours pretty infrequently, so catch him while you can — likely offering fresh takes on old habits. (Hillary Smith)

8pm and 10pm, $24-26

Yoshi’s

1330 Fillmore, SF

(415) 655-5600

yoshis.com/sanfrancisco

 

FRIDAY 28

Y La Bamba

Indie-folk rocker group Y La Bamba has been steadily building a fan base over the past couple of years, earning high praise from NPR and loaning songs to television programs such as Bones. The Portland-based band’s hauntingly rich and ethereal sound is propelled by singer-songwriter Luzelena Mendoza, whose vocals float and weave tales above Latin-inspired rhythms and unique backing vocals. Its latest full-length album, last year’s Court The Stormwas produced by Los Lobos member Steve Berlin, and an excellent EP, Oh February was released this January. (McCourt)

9pm, $12–$15

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

Japanther

Japanther lets everything go in its performances. Punk is its staple, and the group is known for fuzzy overtones and generally sloppy delivery. All this culminates into weird, disorienting live shows. But whether the band drops five Ramones covers on you or blasts into its own songs (likely off newest album, Eat Like Lisa Act Like Bart) with a raw, unpredictable energy, it will be fun. Keep an eye out for the duo’s signature telephone microphones and the more-often-than-not shirtless bat-shit drummer. (Smith)

With Defiance, Ohio, Psilovision

9pm, $12

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

SATURDAY 29

San Francisco FrontRunners Pride Run

For folks who love to sweat, there’s no better way to celebrate Pride than with veteran LGBT running club the San Francisco FrontRunners, who’ve hosted this event for over three decades. Choose the 5K or the 10K by asking yourself “How many times do I want to haul ass up that hilly stretch of Golden Gate Park’s JFK Drive?” — but remember, the emphasis here is mos def on fun. Sure, some speed demons do turn out (last year’s 5K winner clocked in at just over 18 minutes), but casual joggers are also in effect, as are Pink Saturday-themed athletic ensembles. Upbeat DJs and tasty food at the finish line add to the festive atmosphere. (Eddy)

9am, $40

Golden Gate Park (near Metson and Middle Dr. West), SF

www.sffr.org

 

In A Daughter’s Eyes

Two women, two very different circumstances: the first, the daughter of a Black Panther sentenced to death for killing an Oakland cop; the second, the daughter of the slain man. Locked in a room together, how will the women negotiate their differences — and is there any chance of forgiveness and healing? Brava! For Women in the Arts and Black Artists Contemporary Cultural Experience present award-winning playwright A. Zell Williams’s In A Daughter’s Eyes in its West Coast debut; though it features just one location and only two characters, expect a powerful, intense story, guided by the sure hand of veteran director Edris Cooper-Anifowoshe. (Eddy)

Through July 14

Previews Thu/27-Fri/28, 8pm; opens Sat/29, 8pm; runs Thu-Sat, 8pm; Sun, 3pm, $15

Brava Theater Center

2781 24th St, SF

www.brava.org

 

The Juan MacLean (DJ Set)

After years of producing quality electro-disco-club music for DFA Records (home to legendary sometimes-retired LCD Soundsystem), DJ and producer the Juan MacLean (stage name for John Maclean) has leapt head first into a stripped-down, nu-house sound. With vocalist and longtime collaborator Nancy Whang, MacLean released the cool, classy “You Are My Destiny” this March, completing a shift that may have taken root as far back as 2011 with his Peach Melba side project. Transitions are standard practice for the former hardcore guitarist turned electronic music artist, who has collaborated with LCD Soundsystem, !!!, and Holy Ghost! and remixed Yoko Ono and Stevie Nicks. In the midst of a relentless international tour schedule, MacLean signaled his return to dance music prominence earlier this month with a set on BBC Radio 1’s prestigious Essential Mix program. (Lee)

With Kim Ann Foxman, Blacksheep

9pm, $10–$20

Monarch

101 Sixth St., SF

(415) 284-9774

monarchsf.com

 

SUNDAY 30

Deltron 3030

If you’ve lived in SF for at least a year, then you probably know about Stern Grove’s awesomely free and diverse ongoing music festival. But if not, this summer-long (June 16-Aug.18) series offers the community a chance to get outside and enjoy nature while picnicking with live musical accompaniment. The beautiful, towering eucalyptus trees, redwoods, and grassy meadows provide the best possible settings for a summer music festival. This Sunday’s lineup features dance hip-hip super group Deltron 3030. Rapping about evil corporate Goliaths and space battles, often alongside an orchestral band, Deltron 3030’s performance is anything but typical. The festival itself is always worth checking out, but the group makes this Sunday’s show one of the highlights of summer. (Smith)

2pm, free

Stern Grove

19th Avenue and Sloat, SF

www.sterngrove.org

 

“Science On Screen: The Science of Baseball”

Hey, batter! There are very few Bay Area residents who don’t have an opinion on which baseball team to root for (default consensus: “L.A. sucks”), but there’s more to the game than trash talk and World Series trophies. Indeed, there’s some pretty serious science behind all those curve balls and home runs, and who better to break it down than the Exploratorium’s David Barker and Linda Shore? (Check out the museum’s clever and educational “Science of Baseball” site at exploratorium.edu/baseball.) Using clips from documentaries and Hollywood films, the duo gets into the nitty-gritty of baseball’s complex biomechanics — so the next time you watch Hunter Pence step up to the plate, you’ll be able to spot the physics behind his hitting prowess. (Eddy)

7pm, $12

Christopher B. Smith Rafael Film Center

1118 Fourth St, San Rafael

www.cafilm.org

 

TUESDAY 2

Pure Bathing Culture

Listen to Portland, Oreg.-via-Brooklyn duo Pure Bathing Culture’s ethereal, synth-laced cover of Fleetwood Mac’s “Dreams,” and you’ll likely tumble into a web search hole, digging out other soundscape-y Fleetwood Mac covers to quench your newfound obsession (likely finding that PBC’s is still tops). Crawl out of the hole and face your new favorite, Pure Bathing Culture, head on by grabbing a hold of 2012’s self-titled EP, an ode to dreamy 1980s pop produced by Richard Swift. Then note influences like Talk Talk and Cocteau Twins expanding on recently released tracks off upcoming debut full-length, Moon Tides. Band members guitarist Daniel Hindman and keyboardist Sarah Versprille have contributed in the past to records by Foxygen and Damien Jurado, but together as Pure Bathing Culture, they form a loosely wound union of shimmering guitars, twinkling synths, and delicate vocals, twisting along a well-worn path. (Emily Savage)

With Cocktails, Cannons and Clouds, CoolGreg

9pm, free

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Guide to Pride 2013*

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WED/26

Pullin’ Pork for Pride The Bay Guardian and Hard French Present the Ninth Annual Queer Pride Happy Hour hosted by Lil Miss Hot Mess with performances by Dick Van Dick, Tara Wrist, and Rotimi Agbabiaka with DJs Carnita and Brown Amy. Celebrate LGBT culture and our progressive heroes that keep San Francisco legit with kick-ass soul jams, free comfort food, and ice cold adult beverages. Plus: bring a dark-colored t-shirt and get your Bradley Manning screen print to wear proudly during Pride. All of the Bay Area’s queer singles, marrieds, residents, visitors, boys, girls, bears, and babydykes are invited to our hottest happy hour of the year! Wed/26 from 6-9pm @ Pilsner Inn, 225 Church, SF | FREE


THU/27

Slow Knights and Bright Light Bright Light Folsom Street Events is throwing one big-ass, sordid concert to help kick off your SF Pride weekend! Slow Knights is the new side project from Del Marquis of Scissor Sisters fame. Check out his bump-and-grind debut album Cosmos now. Bright Light Bright Light is Welsh-born Rod Thomas, a singer, writer, and producer that NME has called “the boy Robyn in all but name.” His debut album Make Me Believe In Hope is a tour-de-force, drawing influences from late 80s electro-pop and early 90s classic house to help get your juices flowing. Honey Soundsystem DJs will keep the sexy vibes going long after the bands are done. This is a must for any Scissor Sisters fan (as other band members may be in attendance). Thu/27 from 9pm-2am @ Public Works, 161 Erie, SF | $25 | showfolsompride.eventbrite.com

 

FRI/28

Sissy Darlings in the Night Bay Area radical queer dance parties Ships in the Night and Sissy Strut are joined by Darling Nikki for their Fourth Annual Friday Pride party, Sissy Darlings in the Night. Each of these fabulous parties has deep community roots, throwing benefits and raising cash for various local organizations. This Pride, they bring their local style of durty, bumpin’ gay-fabulousness, where every shape, size, color, and flavor of queer and queen can come shake it till they’re sweating glitter. There will be soul music in the early evening followed by hip-hop and booty jams ‘til close, featuring DJ Durt, Pony Boy, Sissyslap, and more to make you weak in the knees. After the Trans March, celebrate all things queer the way we do in the Bay of Gay. Fri/28 from 8am-2am @ Underground, 424 Haight, SF | $5

Original Plumbing Original Plumbing, the trans guy quarterly magazine born in San Francisco (and since moved to Brooklyn) is back for their fourth year in a row to host Unofficial: OP’s Dance Party After the Trans March. After a prideful day in the park stumble over to the Elbo Room to grind, sweat, and cruise with other queerios. Join hosts Rocco Katastrophe and Amos Mac and dance all night with music by DJ Average Jo from New York, Stay Gold’s DJ Rapid Fire, and DJ Chelsea Starr from Portland. Also featuring Go-Go Trans Boy Heart Throbs and Starr Violet at the door, and a creepy colorful Troll Doll photo booth that will ensure you never forget the evening. Fri/28 from 9:30pm-2am @ Elbo Room, 647 Valencia, SF. | $6-$10 | originalplumbing.com

Bearracuda It’s the high-holy gay holiday of Bearracuda Gay Pride at Public Works where 1000 bears from all over pack it into the party and kick off Pride weekend in San Francisco. This year they have a lineup you will go gay for! On the main floor are San Francisco favorites, Craig Gaibler and Steve Sherwood, who together have played for Bearracuda all over the world, from Atlanta to Auckland. Joining them are hot go-go bears Shawn (from RuPaul’s Drag Race pit crew) and Ryan. Upstairs will be two big names from San Francisco’ legendary DJ collective, Honey Soundsystem: P. Play and Josh Cheon! Jump the line with $12 advanced tickets at Body on Castro or at bearracuda.com. Fri/28 from 9pm-3am @ Public Works, 161 Erie, SF | $12| bearracuda.com

 

SAT/29

Dark Room Dark Room and The Black Glitter Collective Present: Black Hole – The Queer Pink Saturday After Party featuring Believe live on stage with special guest DJ and drag superstar Heklina from Trannyshack along with the debut of Per Sia and Daddies Plastik’s new single “Google Google Apps Apps,” while host Lady Bear and her Dark Dolls give dark drag and sexy looks. Dark Room resident DJs Le Perv, Omar Perez, Rachel Aiello, and Daniel Toribio blend dark electro, techno, industrial, freestyle, and more to keep you dancing all night long. Add custom visuals/art, human art installations, and drink specials, and you have one of San Francisco’s most unique and sexy queer parties ever! Sat/29 from 9:30pm-2am @ Cafe Du Nord, 2170 Market, SF | $10

The House of Babes Three of San Francisco’s beloved queer dance parties – Stay Gold, Fix yr Hair, and Swagger Like Us – present The House of Babes. Walking distance from Dolores Park and the Castro, the party kicks off with drag acts, cheap happy hour drinks, and food vendors. Look forward to performances by Micahtron, Double Duchess, and Vogue & Tone, Baltimore superstar DDm, and local and guest DJs spinning the best in booty dropping jams. Get cute for the photobooth hosted by installation artist Matt Picon and photographer Shot in the City. Feel good knowing that local queer youth heroes, Lyric, are beneficiaries of the event. This promises to be an ecstatic, sweaty Pride party not to be missed. Sat/29 from 7pm-3am @ Public Works, 161 Erie, SF | $12-$15 | thehouseofbabes.eventbrite.com

 

SUN/30

Hard French Hearts los Homos Hard French is hosting an intergalactic Pride Party at the historic Roccapulco nightclub on Mission Street and will keep you on your feet with a combination of classic all vinyl soul combined with live performances by some of the hottest queer bands and DJs. Hard French has hand picked their favorite artists including Seattle-based funk-psychedelic duo THEESatisfaction, Portland post-punk darlings Magic Mouth, and SF nine-piece neo-soul band Midtown Social. Joining them will be guest DJs Olga T and Taco Tuesday. Of course, no Hard French party would be complete without DJs Brown Amy and Carnita and smoking hot moves from the Hard French Jiggalicious Drag Babes. Sun/30 from 4-11pm @ Roccapulco, 3140 Mission, SF |$20-$65 | hardfrench.com

Queerly Beloved Courtney Trouble’s Queer Pride Pink Sunday Dance Party is back, hosted by Courtney Trouble and Jenna Riot – SF’s Femme Dream Team! Featuring intergalactic space group Icy Lytes, DJs Jenna Riot, Chelsea Starr, and special guest Automaton, video booth by Ajapopfilms and QueerPorn.TV, and the Queer Porn Circus with performances by Courtney Trouble, Jade Phillips, and sexy gender fucking go-go dancers. Plus, if you’re in dire need of a spanking, a smooch, or just a damn good foot rub, the Cum and Glitter Kissing Booth has got you covered with super cheap massage, lap dance, and whatever else you’re perverted heart may desire. Sun/30 from 3-9pm @ El Rio, 3158 Mission, SF | $8 | queerlybeloved.brownpapertickets.com

Big Freedia This is going to be ridiculous. The undisputed Queen Diva of NOLA Bounce is droppin’ by this unofficial Pride after party at Public Works. Words cannot do justice to the all-out sparkle-sweat blast that is a Freedia show. Bring a towel and someone to get freaky with on the dance floor with warrior-stripper-rapper Brooke Candy, the godfather of Detroit Ghettotech DJ Assault, Lady Tragik, Dick Van Dick, Marco de la Vega, and more! This show will be legend. Do. Not. Miss. Sun/30 from 7pm-1am @ Public Works, 161 Erie, SF | $20-$30| publicsf.com

Honey Soundsystem Honey Soundsystem presents its annual Extended Pride event at the Holy Cow Nightclub featuring its line-up of residents Jason Kendig, P-Play, Josh Cheon, and Robot Hustle. In celebration of Pride they will be going after-hours until 4am with the same world class dance music you have come to expect from Honey. Sun/30 from 9pm-4am @ The Holy Cow Nightclub, 1535 Folsom, SF | $10 | honeysoundsystem.com

 

TUE/2

Switch Tuesdays: Pride Decompression Get nasty with Jenna Riot and Deejay Andre as they present this special post-Pride edition of Switch and what may be your last chance to find the Pride babe of your dreams. QBAR has been keeping the queer-girl dream alive for seven years now, making your Tuesday nights a whole lot hotter. Get wet with DJs Jenna Riot, Andre and guest Leah Mcfly and impress all the babes with your twerkin’ skills, as they spin the hottest Top 40, hip-hop, electronic, pop, and booty bouncing beats. Cruise, werq, twerk, get naughty, and dance ’till you sweat. Tue/2 from 9pm-2am @ QBAR, 456 Castro, SF | $5

 

 

Heads Up: 7 must-see concerts this week

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Pride Week is upon us y’all, and with those excited, proud, rainbow-waving masses, come awesome live acts, DJs, bands, you know the drill by now; there are official shows, tangential nights, and underground events (check out Mykki Blanco at Mezzanine, or Magic Mouth with THEESatisfaction at Hard French Hearts Los Homos). Many more Pride listings will be in the paper this week.

And of course, there’s also some unrelated live rock‘n’roll you should be checking out right now as well, including two doubled-headlined shows of high-quality locals; there’s the Warm Soda/Midnite Snaxxx night at Brick and Mortar, along with the White Barons/Wild Eyes SF shakedown at Bender’s. Plus, Deltron 3030 plays the free summer series at Stern Grove this weekend.

There’s plenty to do and see in San Francisco at the moment, so buckle up. An aside: I’d also recommend Austra at the Independent Wed/26, debuting its new album Olympia; the show is sold out but I know you creative types have ways around this.

Here are your must-see Bay Area concerts this week/end:

Warm Soda and Midnite Snaxxx
This should make for a fizzy summer combo: both local to Oakland and full of vigor, Warm Soda’s glistening ‘80s pop will be matched in this Brick and Mortar lineup to Midnite Snaxxx’s leather-jacket-babe rock‘n’roll bubblegum smash. The results should be explosive, like a shaking up a two-liter bottle of cola and showering those around you with its sticky sweetness. Plus, it’s your last chance to see Warm Soda this summer — the group’s about to head out on its first European tour.
With Primitive Hearts, the Wild Ones
Thu/26, 9pm, $8
Brick and Mortar
1710 Mission, SF
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=OUQQDb4fkmo

Mykki Blanco
The self-described “Acid Punk Rapper” behind debut mixtape Cosmic Angel: The Illuminati Prince/ss brings his global nightlife pulse to San Francisco this week, (once again — when he performed here last year, Marke B. called Blanco a “Dark and fierce queer rapper from the future”). The hyperreal, multifaceted rapper is a supporter of underground arts and a rather busy one; he’s written books, recorded albums, posed as a fashion muse, and served as a nightclub dignitary, once telling Interview mag: “I didn’t plan for it, but everyday in the morning, for extra energy, I drink a raw garlic smoothie with fruit. I have nothing to lose and everything to gain by working hard. To have this be the beginning of my career and receive this much positive support — I cannot waste a fucking minute, and I’d be a fool to waste a minute.”
Thu/27, 9pm, $15
Mezzanine
444 Jessie, SF
www.mezzaninesf.com
http://www.youtube.com/watch?v=w39Fxx10CEI
http://www.youtube.com/watch?v=LSgVZEGpo6U

Y La Bamba
“Indie-folk rocker group Y La Bamba has been steadily building a fan base over the past couple of years, earning high praise from NPR and loaning songs to television programs such as Bones. The Portland-based band’s hauntingly rich and ethereal sound is propelled by singer-songwriter Luzelena Mendoza, whose vocals float and weave tales above Latin-inspired rhythms and unique backing vocals. Its latest full-length album, last year’s Court The Stormwas produced by Los Lobos member Steve Berlin, and an excellent EP, Oh February was released this January.” — Sean McCourt
Fri/28, 9pm, $12–$15
Chapel
777 Valencia, SF
(415) 551-5157
www.thechapelsf.com
http://www.youtube.com/watch?v=sP9U4tm8xJc

The Juan MacLean (DJ Set)
“After years of producing quality electro-disco-club music for DFA Records (home to legendary sometimes-retired LCD Soundsystem), DJ and producer the Juan MacLean (stage name for John Maclean) has leapt head first into a stripped-down, nu-house sound. With vocalist and longtime collaborator Nancy Whang, MacLean released the cool, classy “You Are My Destiny” this March, completing a shift that may have taken root as far back as 2011 with his Peach Melba side project. Transitions are standard practice for the former hardcore guitarist turned electronic music artist, who has collaborated with LCD Soundsystem, !!!, and Holy Ghost! and remixed Yoko Ono and Stevie Nicks. In the midst of a relentless international tour schedule, MacLean signaled his return to dance music prominence earlier this month with a set on BBC Radio 1’s prestigious Essential Mix program.” — Kevin Lee
With Kim Ann Foxman, Blacksheep
Sat/29, 9pm, $10–<\d>$20
Monarch
101 Sixth St., SF
(415) 284-9774
www.monarchsf.com
http://www.youtube.com/watch?v=Nwf31pKvGc4

The White Barons and Wild Eyes SF
Some background: local Southern fried rock group (“by way of Atlanta, Jakarta, and two Midwest podunk towns”) the White Barons includes members of Thee Merry Widows, Winter Teeth, and Whiskey Dick Darryls, and SF’s Wild Eyes recently opened for King Khan and BBQ Show at Slim’s. This Bender’s show is a party for a few things: it’s the birthday of Bender’s doorperson and Subliminal SF booker Mikey Madfes, it’s a split seven-inch release celebration for the White Barons and Wild Eyes, and lastly, there’s a band vs. band chili cook-off (if you buy a record, you’ll get a chili sample). So you know it’s going to be a messy mix of raucous rock’n’roll and tender cooked meats.
Sat/29, 10pm, $5
Bender’s Bar and Grill
806 S. Van Ness, SF
www.bendersbar.com
http://www.youtube.com/watch?v=9UXOSZPocks

Deltron 3030
“If you’ve lived in SF for at least a year, then you probably know about Stern Grove’s awesomely free and diverse ongoing music festival. But if not, this summer-long (June 16-Aug.18) series offers the community a chance to get outside and enjoy nature while picnicking with live musical accompaniment. This Sunday’s lineup features dance hip-hip super group Deltron 3030. Rapping about evil corporate Goliaths and space battles, often alongside an orchestral band, Deltron 3030’s performance is anything but typical.” — Hillary Smith
Sun/30, 2pm, free
Stern Grove
19th Avenue and Sloat, SF
www.sterngrove.org
http://www.youtube.com/watch?v=ijPE7fe4XTg

Magic Mouth
To get a taste of the soulful energy Magic Mouth exudes, check the YouTube video “MAGIC MOUTH LIVE: MISSISSIPPI STUDIOS,” (below); it’s like watching James Brown front a garage-punk band. The lively Portland, Ore. queer soul-punk quartet will play Hard French Hearts Los Homos (an event described by DJ Carnita as “an intergalactic Pride Party for all the gayliens who love to dance in outer space”), opening up for THEESatisfaction.
Sun/30, 4-11pm, $20
Roccapulco
3140 Mission, SF
hardfrenchpride2013.eventbrite.com
http://www.youtube.com/watch?v=otA5i0Y6wlE

Party Radar: Disco Daddy, Ed Rush, Dimitri from Paris, James Holden, BiBi, Fake Blood, more

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There is absolutely no way I am going to shoehorn my bowlful of Jell-O into that sparkly rainbow thong next weekend — and that’s cool, pigging out on Turtle Tower pho and Bob’s crullers is my way of dealing with stress, and Pride season brings no shortage of that! (Also I heart chubbies, so no prob.)

Luckily, Pride also brings a ton of opportunities to dance, on top of the already insane dance card SF scrawls out on the regular, so I’ll be sweatin’ like the oldies and giving you booty for daaaays (no twerking please) at these hella gay and not-so-gay-yet-still-gay-friendly pre-Pride joints:

    

>>JAMES HOLDEN

The Border Community label head honcho casts a deep electronic spell, charming your feet while binding your mind. At the As You Like It party with Bells and Whistles, MossMoss, more.

Fri/21, 9pm-4am, $20. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

>>ED RUSH & OPTICAL 

Heck yes, as ’90s retro progresses, drum ‘n bass is having its return-to-jiggly-spotlight moment. These two bigtime old school, hard school daddies will have you jumping for joy. (Can a boy hope that this also augurs the return of actual crazy, arms-waving dancing in clubs? Tired of this slopey-dopey-boppy thing that’s been going.) Supported by the cream of SF’s classic dnb scene, don’t miss.

Fri/21, 9pm-3am, $15-$20. Public Works, 161 Erie, SF. www.publicsf.com

 

>>INNERSPACE HALFLIFE

Heady, deep ‘n groovy Chicago duo perform live, as does cool-kid extraordinaire Ital (you may know him from a little band called Mi Ami) at the always surprising, consistently yummy Icee Hot party

Fri/21, 10pm-3am, $10-$15. Public Works Loft, 161 Erie, SF. www.publicsf.com

 

>>FAKE BLOOD

UK funboy Fake Blood was alsways one of the most promising producers at the tail end of hardcore electro era, but lately he’s blasted off into sheer brilliance, making some real poetry of the remains of that party-hearty sound which, alas, was co-opted to death by the pop-EDM crowd. Fake found a way out. Supported by the energetic Alex Metric. 

Sat/22, 10pm-late, $15 advance. Mezzanine, 444 Jessie, SF. www.blasthaus.com

 

>>DIMITRI FROM PARIS

High on the list of parties that changed my life: The Playboy Mansion party at WMC 2000 in Miami. Upon entrance, someone handed me an egg-shaped maraca, Dimitri hit the decks, and I was gone for six hours. I had never heard disco mixed with house like that — Dimitri was the king of re-edit sophistication long before it became a laptop whip-up thing. I mean, I melt: 

Sat/22, 10pm-late, $20. Mighty, 119 Utah, SF. www.mighty119.com

 

>>BIBI

Middle Eastern queers (and friends of all rainbow backgrounds) unite: This annual Pride kick-off party is a truly special event, packed with unfamilair hotties, sweet tunes, and drums and belly dancers even. “Shake those hips” with DJs Emancipacion and Nile, and the Shabnam Dace Company. 

Sat/22, 9pm, $10-$12. Club OMG, 43 Sixth St., SF. Advance tickets here.

 

>>DISCO DADDY

More Pride kick-off shenanigans, this time in the form of beloved rare-find bathhouse disco king DJ Bus Station John taking to the decks all Sunday evening at the Eagle! Disco at the Eagle — somehow it makes sense but breaks the brain. Sweaty tunes (hi-NRG!) ‘n cruisy men — what more could you ask for? Oh yes, cheap beer. And menergy.

Sun/23, 7pm-midnight, $5. SF Eagle, 398 12th St., SF. www.sf-eagle.com


Netrootin’: Dispatches from the progressive tech networking confab

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George McIntire is reporting live from Netroots Nation ’13 in San Jose

Good morning all you liberals, progressives, socialists, leftists, environmentalists, civil libertarians, feminists, queer activists, radical freegan communists and everyone else! Today is the first day of the 8th annual running of the liberals more commonly know as the Netroots Nation Conference and your correspondent for the three-day liberalchella (I promise that’s the only time I’ll use that term) has just arrived in beautiful San Jose.


Everyone is buzzing about the issues du jour of gay marriage (SCOTUS ruling coming soon), immigration (the one issue Congress might actually work on), and civil liberties (all your phone calls are belong to NSA). Will there be a schism due to the Obama’s administration’s abhorrent record on civil liberties? Or perhaps a new era of progressivism will ignite? Maybe Pride will just kick in and everyone will throw on a wig and rainbow boa. Stay tuned to find out!

For the next 60 hours I will be reporting, blogging, and tweeting on the panels, talks, keynote speeches, attendees, and anything else I see fit to report (in addition to photographing the event). Unfortunately for me the paradox of choice will be in full effect and I do not have a way to clone myself. There are 14 events to choose from during the 3-4:15pm time slot and 16 events during the 4:30-5:45 slot, not to mention all the after parties. Here is the schedule.

So I call on you Guardian faithful to help me decide which events to cover. Should I check out “Moving the Needle: How We Won Gay Marriage in 2012” or “Smoke Signals: The Next Steps in Marijuana Reform” or “Beating Back Mansplaining & Sexism in Politics & Organizing”. Please let me know in the comments or you can tweet at me at @gorejusgeorge.

Where to next?

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arts@sfbg.com

DANCE Ben Levy sure knows how to throw a party. For the 10th anniversary celebration of his LEVYdance company, he once again closed off SOMA alley Heron Street, where his studio is located, and hung balloons, speakers, and lights. He put up bars and set out soft sofas, and erected a large stage with a central pit full of pillows (for those who might prefer to recline). It was one of those rare San Francisco evenings with clear skies — and just the slightest of breezes — which made you glad you don’t live across any bridges.

But does Levy know to choreograph? You bet he does. A decade ago he burst onto the San Francisco dance scene with clarity of vision and skills to match, unheard-of in a dancer just barely out of college. But that’s exactly why this festive event lacked an essential ingredient.

Seeing the four works — one from 2002, two from 2004, and one from 2005 — put a damper on the evening. No amount of finessing and rethinking of repertoire can take the place of the risk and excitement involved when a choreographer steps into unknown territory. Looking back on a decade’s accomplishments may be gratifying, but more essential is giving an audience an inkling of where the artistic trajectory is going.

Grant Diffendaffer’s open-air stage, essentially an elevated square of walkways around an open center, necessitated some reconfigurations that diluted what sometimes felt like volcanic forces about to explode in Levy’s choreography. But it also allowed for increased intimacy, depending on where you sat.

Levy’s four dancers dove into the choreography with an impressive unity of purpose. They attacked complex interactions — often at top speed — with razor sharp timing. Seeing the dancers dressed in brilliant white against the riotous chaos of the graffiti covered brick walls suggested an unexpected symbiotic relationship between dance and murals.

pOrtal, the oldest piece on the program, still fascinated in the way Scott Marlowe, Yu Kondo Reigen, Paul Vickers, and Sarah Dianne Woods upset each other’s balances. They grabbed, yanked, and poked; flipped a partner; or pushed a knee against a belly. When a dancer leaned over a colleague’s knee, it would drop away beneath them. The idea seems to be avoiding stability at any cost — like living in the middle of a non-stop earthquake. What might look like violence or aggression in another case is delivered in such a matter-of-fact way that it becomes a self-contained image of one way of being.

Originally, If this small space, choreographed by Levy and Rachael Lincoln, was performed on a five-by-five lit square that set up limitations. Shifted to the open, the attention immediately shifted onto the internal forces that strained against the confines of Marlowe’s body. Performed magnificently by this beautiful dancer, If this small space might have him look up and push against invisible walls — but it was the small trembles, muscular contractions, currents, and mysterious somethings rolling through his torso that collapsed his knees. The effect indicated just how at the mercy of imprisoning forces this human being was. Perhaps the most touching moment came when Marlowe lifted one leg and it looked like it might try to float away from him.

The engaging Holding Pattern opened with Reigen’s stunningly performed solo, in which warring forces seemed to tear her body apart as Vickers and Woods traced a cautious circle around her. The trio engaged in a contentious give and take, part wrestling match, part karate engagement. For a while it looked like the two women were ganging up on Vickers, but then he gave as good as he got.

That Four Letter Word (apply your own definition) finds the quartet in every possible permutation of relationships between two men and two women. Some of it is quite funny — though I could have done without the balloon jokes — but here the spatial reconfigurations created too much distance. Four ran out of steam though it did showcase Vickers and Marlowe — super-articulate, elegant dancers — exquisitely mirroring each other.

The program also highlighted Levy’s excellent musical choices — many of them commissioned. Let’s hope he’ll soon have an opportunity to use some more.

The Selector

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WEDNESDAY 19

Camera Obscura

“If you want me to leave, then I’ll go/If you want me to say, let it show/Do you want me to leave, let me know,” pleads Scottish indie pop group Camera Obscura on heartstruck ballad “Fifth in Line to the Throne” off the group’s newest full-length, Desire Lines. It’s the Glasgow five-piece’s first new record in four years (the most recent being My Maudlin Career). And yes, the new one maintains the band’s 17-year-strong streak of stunning, wistful ballads, laced gently through with heartfelt vocal musings. Much like that other lauded Glasgow-based gentle indie pop act, Belle and Sebastian, Camera Obscura has mastered the art of the melancholy pop song, seeped in lovely whispers and lilting moans, gentle strings, soft piano keys, drumming pitter-patters, the works. But we love them for it, like those weepy torch songs of yesteryear. The show gives you the chance to cry in public. Want you to leave? No, we’ll let it show. (Emily Savage)

With Photo Ops

8pm, $25

Regency Ballroom

1290 Sutter, SF

(415) 673-5716

www.regencyballroom.com

 

Dogcatcher

If Dogcatcher was a brand of alcohol, it’d be Jameson — it’s that smooth. By crafting tight rhythms and jazzy guitar riffs, the San Jose-based trio provides an almost flawless fusion of jazz and rock. And its simple and soft vocals create an intimate experience on stage. Dogcatcher’s songs are well-constructed and the delivery creates a calmer version of traditional jazz. Song “Be Easy” off its most recent album It’s Easy reflects this: “Because tonight you know, it’s all about the sound/Just be easy,” sings Andrew Heine in a lazily seductive voice that makes you believe that for him, it really is just that simple (Hillary Smith)

With the Sam Chase, the Gallery

9pm, $8

Bottom of the Hill

1233 17th St., SF

(415) 861-1615

www.bottomofthehill.com

 

THURSDAY 20

Fresh Meat Festival

With “Trailblazers,” the 12th annual Fresh Meat Festival — a celebration of transgender and queer performance — is paying tribute to musicians, dancers, and theater people who hoe their own rows. This year they all do it in our own neighborhoods. The dancers, AXIS Dance Company, Barbary Coast Cloggers, Allan Frias’ Mind over Matter and Sean Dorsey Dance and Las Bomberas de la Bahia couldn’t be more different from each other. What they share, beyond working in the Bay Area, is a clear vision of what they want to do and the skill and perseverance to stick to it. Very simply, they have become tops in their field. To see them now in a sort of meta context of their sexual orientation, is a joyous opportunity to add another notch to their trailblazers spirit. (Rita Felciano)

Through Sat/22, 8pm, $15–$25

Z Space

450 Florida, SF

www.brownpapertickets.com

 

 

The Ape Woman: A Rock Opera

Step right up and view Dark Porch Theatre’s presentation of The Ape Woman, May van Oskan’s rock opera exploring the life of one Julia Pastrana, an indigenous Mexican woman who achieved fame (infamy?) on the 19th century circus sideshow circuit. Sometimes also dubbed “the Bear Woman,” the diminutive Pastrana suffered from hypertrichosis — resulting in thick, dark hair all over her face and body, a trait that made her a valuable prize for unscrupulous promoters. With a set styled like a Victorian sideshow tent, van Oskan’s opera tells Pastrana’s fascinating live story via 14 original songs, backed up by a seven-piece ensemble. (Cheryl Eddy)

Opens tonight, 8pm

Runs Thu-Sat and June 26, 8pm; Sun/23, 4pm, through June 29, $15–$30

Exit Studio

156 Eddy, SF

www.theapewoman.com

 

The Bottle Kids

I once saw Bottle Kids frontperson Annie Ulukou at the Stork Club with nothing but a ukulele. This could have gone any which way, but instead of succumbing to the soft, lullaby tone inherent to the miniature instrument, Annie amplified and distorted its sound to backup the heartbreak and pure aggression of her voice. This is indicative of the Bottle Kids sound as a whole. Their shows can be as personal, subtle, soulful and as easy to access as a ukulele in a small room while still sucker-punching you square in the gut. Check this band out while it’s still free to see it live. (Ilan Moskowitz)

9:30pm, free

Grant and Green Saloon

1371 Grant, San Francisco

(415) 693-9565

www.grantandgreensaloon.com

 

FRIDAY 21

PANSY

Why does nightlife hold us in its timeless spell? And, perhaps more topical, will the nostalgia for the necessary craziness and joy of ’90s nightlife ever let us go? Evan Johnson, one of our most intriguing drag performers (beloved alter-ego Martha T. Lipton, the Failed Actress, is a hoot) goes deeper in solo stage show Pansy, conceived with Ben Randle. His character, Michael, discovers a time capsule full of VHS tapes, cassettes, and flyers documenting ’90s gay club kid Peter Pansy, and finds shivery parallels with his own life emerging. “I want to address the ‘shadows’ of AIDS and queer history and Pride… That time period, 1993-95, became the vehicle for me to address the vital nostalgia and escape of the San Francisco queer fantasy,” he says. Johnson’s been hosting lively Q&As with legendary nightlife biggies after each performance, including Pansy Division’s Jon Ginoli, Dan Nicoletta, Alvin Orloff, and Sister Roma. (Marke B.)

Through June 29th, $10-$15

New Conservatory Theatre

25 Van Ness, SF

(415) 861-8972

www.nctcsf.org

 

SATURDAY 22

San Francisco Bicycle Music Festival

First of all, can we just enjoy this awesome WTF moment? A music festival. Powered by bicycle pedaling. Even in its seventh year, SF’s annual Bicycle Music Festival is still a wonder to locals. It offers the chance to listen to great music by folk band Laurie Lewis and the Righthands, Bill McKibben, Justin Ancheta Band, Manicato, and more, in a beautiful setting for free. In fact, it’s in three beautiful settings, because the event is packed up and deployed throughout Golden Gate Park. The event is known to draw some crazies, the cool kind who perform synchronized dances or twirl around on cycles while playing the trumpet — so be warned. It is definitely worth checking out, particularly if you’re a bike enthusiast interested in meeting fellow cyclists, or just a live music fan. And if the bicycle-powered music bit doesn’t have the same amazeballs effect on you, there will also be hand-cranked ice cream and smoothies made from the same bike power. (Smith )

Noon-5pm, free

Golden Gate Park

Pioneer Log Cabin Meadow to Stow Lake Drive at JFK Drive, SF

bicyclemusicfestival.com

 

Grandpa Fest

You don’t know Grindcore Grandpa? Hmm, how to explain to this. Basically, he’s the stoic elder gent who shows up at tons of hardcore and underground punk shows, lives for grind, and has a Lack of Interest shirt with his own face on it (as such, he’s more known as Grandpa of Interest). He’s turning 86, and that’s a big deal, so the Gilman is hosting Grandpa Fest and bringing in some of his favorite acts, legends of the scene including experimental Man is the Bastard offshoot Bastard Noise, and sludge-master Noothgrush, along with Stapled Shut, To the Point, Connoisseur, and Happy Pill Trauma. If you know what’s good for you, you’ll honor the man with a dive in the pit at breakneck speed. (Savage)

7pm, $10–$12

924 Gilman, Berk.

www.924gilman.org

 

Fete de la Musique

“The music everywhere and the concert nowhere,” declared French composer Maurice Fleuret in 1981. And then e went on to launch “Fete de la Musique” on the summer solstice of 1982, slyly celebrating that pagan holiday by bringing the French population out into the streets to play all the music they could. Soon the festival spread, and became a French tradition. Now, San Francisco’s Alliance Francaise is reviving the tradition with a roisterous day full of bands (Rue 66, Horse Horse Tiger Tiger, Crash Landings, Kiwi Time, more), drum circles, guitarists, and more — plus a few bars stocked with great wine, natch, to keep us in the spirit — on three floors. “Enjoy some Canadian music and food as well,” the Alliance promises, “as we welcome our Quebec cousins to celebrate their national holiday, the Fête de la Saint-Jean Baptiste.” French sounds all round! (Marke B.)

2pm-8pm, free

Alliance Française de San Francisco

1345 Bush, SF

fetedelamusiquesanfrancisco.wordpress.com

 

SUNDAY 23

City Lights at 60

Bookstore, publishing house, Beat writers hub, San Francisco institution. City Lights, founded by poet Lawrence Ferlinghetti and Peter D. Martin in 1953 (and now co-owned by Ferlinghetti and Nancy Peters), has meant a great many things to several generations of San Franciscans and tourists that flock to its North Beach storefront. It’s published important tomes, hosted readings and acoustic concerts, political conversations and book release celebrations. Just this past year saw a Pussy Riot gathering, Richard Hell reading, and a Sister Spit anthology release party. In celebrating six decades of life (that’s right, City Lights is officially 60 years young), the bookstore will host “City Lights at 60” lectures and readings through the rest of the year (“Howl Legacy: The Continuing Battle for Free Expression,” July 14, “Women of the Beat Generation,” Nov. 19), and an ongoing “Sundays in Jack Kerouac Alley” series. It all kicks off with the official birthday party today at the shop. The fête includes flash readings, archival footage, store discounts, and a live performance by the Latin Jazz Youth Ensemble of San Francisco. (Savage)

2-5pm, free

City Lights

261 Columbus, SF

(415) 863-2020

www.citylights.com

 

TUESDAY 25

Tyler Bryant and the Shakedown

Listening to Tyler Bryant, I get the sense that music was his first love. And even though he sings, “take my hand/take my heart/now honey, my super lady,” in the song “Lipstick Wonder Woman,” (which, conceivably, is about a human woman) I still believe that his most sultry seductress is the raw power and electricity present in his songs. His Nashville-based group makes authentic rock’n’roll that’s not reliant on over-reverbed guitar tones or a few simple fuzz-laden chords. Bryant can play, and his songs overwhelming reflect this. Reminiscent of the Black Keys, Bryant’s vocals are filled with soul, and the energetic beats anchoring his songs beg you to dance. (Smith)

With Girls and Boys

9pm, $15

Brick and Mortar Music Hall

1710 Mission, SF

(415) 371-1631

www.brickandmortarmusic.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Alerts

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Wednesday 19

Discussion: Latinos and the criminal justice system Eric Quezada Center, 518 Valencia, SF. www.sflatinodemclub.com. 7-8pm, free. Join SF Public Defender Jeff Adachi, Sheriff Ross Mirkarimi, Criminal Justice Network for youth program manager Roselyn Berry, and Haywood Burns of the Institute for Juvenile Justice, Fairness and Equity for a frank discussion on how the Latino community is affected by systemic aspects of the criminal justice system. The discussion will cover immigrant offenders, the city’s Sanctuary City policy, restorative justice, and juvenile crime. Moderated by Mike Alonso. Sponsored by the SF Latino Democratic Club.

Author Jonathan Alter on Obama — and his enemies St. John’s Presbyterian Church, 2727 College, Berk. $12 advance. www.brownpapertickets.com, (800) 838-3006 This event features the author of The Center Holds: Obama and His Enemies, a book that portrays the president at an historic moment. Alter offers “fresh details about the Koch brothers, Grover Norquist, and the online haters who suffer from ‘Obama Derangement Syndrome,'” according to the KPFA announcement. “He portrays the Obama analytics geeks working out of ‘The Cave’ and the man who secretly videotaped Mitt Romney’s infamous comments on the ’47 percent.'” This is a benefit for KPFA.

 

Thursday 20

Screening of ‘War on Whistleblowers: Free Press & the National Security State’ Berkeley Fellowship of Unitarian Universalists’ Hall, 1924 Cedar, Berk. http://www.bfuu.org. 7-9pm, $5–$10 suggested donation. A timely screening of a documentary featuring four stories of whistleblowers who took action because they wanted to expose government corruption, misconduct or wrongdoing. Sponsored by the BFUU Social Justice Ctee as part of our Conscientious Projector Series for the 99% For more, visit www.waronwhistleblowers.com

 

The Performant: (Somewhat) lost in translation

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“Infinite Closeness” was a little ways off

Reminiscent of Mission parlor-art space The Red Poppy Art House, Subterranean Arthouse in Berkeley, upon entrance, is a lot like entering the living room of an artsy friend. Comfortably mismatched chairs and a few scattered cushions, a kitchenette behind the stage curtains, inviting visitors to endless cups of tea, hardwood floors gleaming below a strand of primitive lighting instruments.

Just four years old as a venue, the Arthouse nonetheless gives off the vibe of a place that’s been around forever, lurking just below the radar, if not actually under the ground (unlike La Val’s Subterranean, it’s actually located at street level). In short, it’s about time I got around to attending an event there.

The piece, “Infinite Closeness” is a solo offering of Hungarian performer Csaba Hernadi, an entirely mimed evocation of the poetess Mari Lukacs, whose life spanned the horrors of the Holocaust, the communist regime, and the usual traumas and blessings of a life lived for poetry.

The stage is set with a few scattered props: couch, table, coat-rack, a cracked and legless mannequin. Some pieces such as a dressmaker’s dummy and what appears to be a kneeling refugee from a carousel menagerie lurk in unclaimed corners of the stage, perhaps conjuring the crowded edges of a mind in turmoil. Truthfully it’s not entirely clear what purpose they serve, which is presumably the point.

Clad in a modest high-collared blouse of cream and long black skirt that hangs just above unwomanly large bare feet, Hernadi “awakens” on his couch as a swell of sound, murmur and rushing wind, moves him forward. Stiffly seated at a “dressing table,” Hernadi as Lukacs brushes his/her hair and then takes up an onion, peels it, and presses it abruptly to his/her eyes, a visceral pantomime of grief.

Or at least that’s what it appears to be. Even more enigmatic than the unfamiliar strains of Hungarian would be are the broad strokes of silence that shield the piece from easy interpretation. My trusty theatre-companion V. gets restless. “There should be subtitles” he mutters near the end, though as the piece is silent, maybe he means inter-titles. I know what he means, though. Context is everything.

For just as art interprets us, so do we interpret art. And while we are by no means unwilling to follow Harnadi’s Lukacs’ down the various rabbit holes that turbulent times pulled her down throughout the years, lacking any prior knowledge of her biography makes extrapolating it from the raw movement onstage a challenge. Even the presence of a blurb in a program or a single line of her poetry would have served to round out our interpretation of the event in a way that Hernadi’s tender dances with the broken mannequin and an empty suit jacket don’t quite manage.

And while his reverence for his subject is evident and moving, ultimately the focus of the piece remains on him rather than her, as he is in the room with us in a way she is never quite allowed. Still, I’m grateful to Hernadi, and by extension Lukacs, for bringing me to The Subterranean Arthouse at last. I’ll be sure to not let another four year go by before I return.      

Tale of two cities

25

Interesting piece in the LA Times a few days ago, Our new mayor, Eric Garcetti, wants to bring raves back to Los Angeles. After the death of a 15 year old that snuck into the Electric Daisy Carnival event at the Coliseum, the raves have gone to Vegas, where they’re pulling in 100K in attendance. The mayor sees dollar signs in those numbers, not to mention OT for city employees that have been hurting the last five years from budget cuts. A sensible idea.

It got me to thinking, as these things do, about a more general policy of bringing lucrative businesses and events to LA. After all, downtown business rents are cheaper than New York or Tokyo and there is far more space here as well. The city’s soon to be highest high rise will be a Korean owned hotel, so LA has already demonstrated a cooperation with Asian interests that cannot be matched. Not by New York or any other American city, even those on the West Coast. Like Seattle, Portland or erm, San Francisco.

If Garcetti and the city council decided to offer up better deals for high-tech than exist 390 miles to the Northwest, there is precious little Mayor Lee could do to match. LA has a lot more money and of greater importance, much more space. 49 square miles cannot compete with 480 square miles. And with the Internet making high tech jobs doable anywhere, why wouldn’t tech start ups decide to opt for LA?

Let’s face it, San Francisco has priced itself right off the grid. For all of Mayor Lee’s tax incentives, the city is incredibly expensive to rent or buy in. It is still possible to find a decent 1 BR in Silver Lake or Eagle Rock or Highland Park for under 1200 a month–where is that in SF, Bayview (if at all)? And no 82K parking spaces or multi million dollar Manhattan sized condos either–for 3 million bucks, you can buy a reasonable property in the West Side’s swankest hoods–what does that get you in Pacific Heights?

LA is a very expensive city to live in by dint of car ownership as necessity and driving distances. It’s also nowhere near as pretty as San Francisco is. But as SF approaches Tokyo-like exclusivity, it would take very little to pry high tech firms south–where it’s always warm, the beaches and ski resorts both near and best of all–the entertainment business and its attendant pleasures and power are nearby. 

Let’s face it, SF has screwed up–their biggest business for eons is tourism and that would never change were the city not so insistant on wrecking same with crack downs on clubs and “1984”-like scare tactics. Los Angeles–with its money and power can offer incentives that Mr. Lee and his cromies could only dream of–and with a forward thinker like Garcetti at the wheel, this may be inevitable.

 

Holding out for a hero…or an antihero…or the Antichrist: this week’s new movies!

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Already in theaters, Seth Rogen and his bro posse take on doomsday in This Is the End. I got the chance to talk with Mr. Rogen, his co-director and co-writer Evan Goldberg, and co-star Craig Robinson when they visited San Francisco a few days back. (Fun fact: Rogen really does laugh like that in real life.) Check the interview here!

In rep news, this weekend at the Castro Theatre heralds the San Francisco Silent Film Festival‘s “Hitchcock 9” event, spotlighting nine silent films by the guy who would later claim the title “Master of Suspense,” direct some of the greatest thrillers of all time, etc. You can’t go wrong with any of the films, but just for kicks, here’s my take on the series here. And at the Yerba Buena Center for the Arts, Austrian director Ulrich Seidl’s dark Paradise Trilogy continues its bummer-summer run this weekend; Dennis Harvey breaks ’em down here.

Plus! That Superman movie you’ve been hearing a thing or two about, and the rest of the week’s new offerings, after the jump.

http://www.youtube.com/watch?v=Sq6ffF8QLsQ

Becoming Traviata Philippe Béziat’s backstage doc offers an absorbing look at a particularly innovative production of Verdi’s La Traviata, directed by Jean-François Sivadier and starring the luminous Natalie Dessay (currently appearing in SF Opera‘s production of Tales of Hoffman). Béziat eschews narration or interviews; instead, his camera simply tracks artists at work, moving from rehearsal room to stage as Sivadier and Dessay (along with her co-stars) block scenes, make suggestions, practice gestures, and engage in the hit-and-miss experimentation that defines the creative process. The film is edited so that La Traviata progresses chronologically, with the earliest scenes unfolding on a spartan set (Dessay’s practice attire: yoga clothes), and the tragic climax taking place onstage, with an orchestra in the pit and sparkly make-up in full effect. Dessay will appear in person at San Francisco screenings Sat/15 at 7pm and Sun/16 at 2pm. (1:53) (Cheryl Eddy)

http://www.youtube.com/watch?v=CWnrk35qYMs

Dirty Wars Subtitled “the world is a battlefield,” this doc follows author and Nation magazine writer Jeremy Scahill as he probes the disturbing underbelly of America’s ongoing counterterrorism campaign. After he gets wind of a deadly nighttime raid on a home in rural Afghanistan, Scahill does his best to investigate what really happened, though what he hears from eyewitnesses doesn’t line up with the military explanation — and nobody from the official side of things cares to discuss it any further, thank you very much. With its talk of cover-ups and covert military units, and interviewees who appear in silhouette with their voices disguised, Dirty Wars plays like a thriller until Osama bin Laden’s death shifts certain (but not all) elements of the story Scahill’s chasing into the mainstream-news spotlight. The journalist makes valid points about how an utter lack of accountability or regard for consequences (that will reverberate for generations to come) means the “war on terror” will never end, but Dirty Wars suffers a bit from too much voice-over. Even the film’s gorgeous cinematography — director Rick Rowley won a prize for it at Sundance earlier this year — can’t alleviate the sensation that Dirty Wars is mostly an illustrated-lecture version of Scahill’s source-material book. Still, it’s a compelling lecture. (1:26) (Cheryl Eddy)

The Guillotines Why yes, that is Jimmy Wang Yu, director and star of 1976 cult classic Master of the Flying Guillotine, in a small but pivotal role commanding a team of assassins who specialize in dispatching heads with airborne versions of you-know-which weapon. Unfortunately, this latest from Andrew Lau (best-known stateside for 2002’s Infernal Affairs, remade into Martin Scorsese’s 2006 Oscar-winner The Departed) doesn’t have nearly as much fun as it should; dudes be chopping heads off in a flurry of CG’d-up steampunky whirlygigs, but The Guillotines‘ tone is possibly even more deadly, as in deadly serious. When a rebellious prophet-folk hero known as Wolf (Xiaoming Huang) runs afoul of the Emperor’s top-secret Guillotine brotherhood, led in the field by Leng (Ethan Juan), the squad travels in disguise to a rural, smallpox-afflicted village to track him down. Along for the journey is the Emperor’s top operative, ruthless Agent Du (Shawn Yue), a boyhood friend of Leng’s. Leng and Du share a dark secret: the Guillotines have been deemed expendable — yep, in the Stallone sense — and the Emperor has decided to kill them off and replace them with armies toting guns and cannons in the name of progress. Lau is no stranger to tales of men grappling with betrayals, misplaced loyalties, and hidden personal agendas — and as historical martial-arts fantasies go, The Guillotines has higher production values than most, with sweeping, luscious photography. Too bad all the action scenes are punctuated by episodes of moody brooding — replete with slo-mo gazing off into the distance, dramatically falling tears, solemn heart-to-hearts, swelling strings, and the occasional howl of anguish. (1:53) (Cheryl Eddy)

http://www.youtube.com/watch?v=T6DJcgm3wNY

Man of Steel As beloved as he is, Superman is a tough superhero to crack — or otherwise bend into anything resembling a modern character. Director Zack Snyder and writer David S. Goyer, working with producer Christopher Nolan on the initial story, do their best to nuance this reboot, which focuses primarily on Supe’s alien origins and takes its zoom-happy space battles from Battlestar Galactica. The story begins with Kal-El’s birth on a Krypton that’s rapidly going into the shitter: the exploited planet is about to explode and wayward General Zod (Michael Shannon) is staging a coup, killing Kal-El’s father, Jor-El (Russell Crowe), the Kryptonians’ lead scientist, and being conveniently put on ice in order to battle yet another day. That day comes as Kal-El, now a 20-something earthling named Clark Kent (Henry Cavill) — resigned to his status as an outsider, a role dreamed up by his protective adoptive dad (Kevin Costner) — has turned into a bit of a (dharma) bum, looking like a buff Jack Kerouac, working Deadliest Catch-style rigs, and rescuing people along the way to finding himself. Spunky Lois Lane (Amy Adams) is the key to his, erm, coming-out party, necessitated by a certain special someone looking to reboot the Kryptonian race on earth. The greatest danger here lies in the fact that all the leached-of-color quasi-sepia tone action can turn into a bit of a Kryptonian-US Army demolition derby, making for a mess of rubble and tricky-to-parse fight sequences that, of course, will satisfy the fanboys and -girls, but will likely glaze the eyes of many others. Nevertheless, the effort Snyder and crew pack into this lengthy artifact — with its chronology-scrambling flashbacks and multiple platforms for Shannon, Diane Lane, Christopher Meloni, Laurence Fishburne, and the like — pays off on the level of sheer scale, adding up to what feels like the best Superman on film or TV to date — though that bar seems pretty easy to leap over in a single bound. (2:23) (Kimberly Chun)

http://www.youtube.com/watch?v=4V1E2IgXeuI

Pandora’s Promise Filmmaker Robert Stone has traveled far from his first film, 1988’s Oscar-nominated anti-nuke Radio Bikini, to today, with the release of Pandora’s Promise, a detailed and guaranteed-to-be-controversial examination of nuclear power and the environmentalists who have transitioned from fervently anti- to pro-nuclear. Interviewing activists and authors like Stewart Brand, Gwyneth Cravens, Mark Lynas, and Michael Shellenberger, among others, Stone eloquently visualizes all angles of their discussion with media, industrial, and newly shot footage, starting with a visit to the largest nuclear disaster of recent years, Fukushima, which he visits with the hazmat-suited environmental activist and journalist Lynas and continuing to Chernobyl and its current denizens. Couching the debate in cultural and political context going back to World War II, Stone builds a case for nuclear energy as a viable method to provide clean, safe power for planet in the throes of climate change that will nonetheless need double or triple the current amount of energy by 2050, as billions in the developing world emerge from poverty. In a practical sense, as The Death of Environmentalism author Shellenberger asserts, “The idea that we’re going to replace oil and coal with solar and wind and nothing else is a hallucinatory delusion.” Stone and his subjects put together an enticing argument to turn to nuclear as a way forward from coal, made compelling by the idea that designs for safer alternative reactors that produce less waste are out there. (1:27) (Kimberly Chun)

The young master

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cheryl@sfbg.com

FILM After a banner 2012 and early 2013 — in which his 1958 Vertigo was named the best film of all time by Sight and Sound magazine; a critically-panned but still entertaining-enough biopic hit theaters; and a months-long career retrospective, “The Shape of Suspense,” played the Pacific Film Archive — Alfred Hitchcock’s revival continues. Next up is “The Hitchcock 9,” a San Francisco Silent Film Festival showcase of nine silent films — nearly his entire 1920s output, all made before he turned 30.

His best-known films continue to inspire pop culture (see: A&E’s hit Bates Motel), but Hitchcock’s earliest work isn’t widely circulated. That may change thanks to the British Film Institute’s restoration efforts, the fruits of which are unspooling stateside on a multi-city tour (along with the Silent fest, co-presenters include the Brooklyn Academy of Music and the Academy of Motion Picture Arts and Sciences) launching at the Castro Theatre. Live music by acclaimed musicians will enhance each screening, including the five-piece Mont Alto Motion Picture Orchestra, Bay Area pianist-composer Judy Rosenberg, and British silent-film specialist Stephen Horne.

In movie-crazed San Francisco, where Silent fest screenings regularly sell out (this year’s event is July 18-21; start your engines, Louise Brooks fans), the only dilemma will be deciding which of the Hitchcock 9 to see. Opening night offers a tempting option in 1929’s Blackmail, which Hitchcock — always adventurous with filmmaking technology — shot as a silent/sound hybrid.

Her blonde hair hinting at what would become a Hitchcock trademark, saucer-eyed beauty Alice (Anny Ondra) steps out on her inattentive boyfriend, a Scotland Yard detective, with an artist whose intentions prove shockingly lascivious. Alice has no choice but to stab her attacker (and rip one of his creepy clown paintings) and skulk off into the night, leaving the murder scene for her cop beau to find. What happens next is given away by the film’s title, but no matter — Blackmail is suspenseful to the end.

Another fair-haired lass encounters menace in closing-night film The Lodger (1926), a thriller that takes its stylistic cues from German Expressionist films, particularly 1920’s The Cabinet of Dr. Caligari. Sassy model Daisy (June Tripp, credited as “Miss June”) declares “No more peroxide for yours truly!” when London’s headlines begin shrieking about a serial killer, “The Avenger,” who exclusively targets blondes. Enter a gloomy-yet-dreamy stranger (Ivor Novello), who takes a room at the boarding house run by Daisy’s parents; it doesn’t take long before he makes the landlady uneasy (he does wear a cape, after all), though Daisy finds him intriguing. Naturally, her boyfriend — another cop — becomes highly jealous, not to mention suspicious.

Blackmail and The Lodger are stuffed with elements that would later be easily identifiable as “Hitchcockian” (witness Blackmail‘s high-climbing climax — it ain’t Mount Rushmore, but you see where the idea’s heading). But The Ring, about a love triangle between two boxers and the (dark-haired) temptress that motivates their brawls, is Hitch’s only original script penned without collaborators, and it’s hardly chockablock with psychological terrors. It is, however, a charming sports romance with some nifty technical touches, including an early example of a drunken scene being shot in blurry “booze-o-vision.”

http://www.youtube.com/watch?v=F2T4ZrBel6A

The rest of the Hitchcock 9: 1928’s daffy-heiress tale Champagne; 1927’s Downhill, which also stars The Lodger‘s Novello; 1927’s Isle of Man-set The Manxman; 1928 comedy The Farmer’s Wife, with The Ring‘s Hall-Davis; 1927 Noel Coward adaptation Easy Virtue; and Hitchcock’s feature debut, 1926’s The Pleasure Garden. 

THE HITCHCOCK 9

Fri/14-Sun/16, $15–<\d>$20 (nine-film pass, $135)

Castro Theatre

429 Castro, SF

www.silentfilm.org

 

Supervisors approve condo legislation with veto-proof majority

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The San Francisco Board of Supervisors today voted to approve compromise legislation that will allow more than 2,000 tenancy-in-common homeowners to convert to condominiums in exchange for a 10-year moratorium on the city’s current condo conversion lottery that now allows 200 conversions annually.

Approved by a veto-proof 8-3 majority after some last amendments were shot down by the six supervisors who most steadfastly supported the version that Board President David Chiu took the lead on crafting, this was a big victory for tenant groups who strongly opposed the original legislation, which did not include the moratorium and other restrictions.

“It’s great. We’re going to see a significant drop in condo conversions in the future. All of us tenants are very happy,” San Francisco Tenants Union head Ted Gullicksen told us after the hearing, which was packed with tenant supporters.

Sup. Mark Farrell, who sponsored the original legislation, decried how divisive the issue had become, criticized the approved version as deviating from his original intent of helping TIC owners in exchange for a fee that would help fund new affordable housing, and said, “This doesn’t need to be a zero sum game.”

But Chiu and the five supervisors who supported his version – Jane Kim, Norman Yee, David Campos John Avalos, and Eric Mar – noted the finite number of rent-controlled apartments in the city and the need to protect them from being converted into condos.

“How do we balance the needs of tenants who fear being evicted with TIC owners looking for relief?” Chiu said of the balance he aimed to strike, which he continued to tweak with new amendments today, including allowing TICs with all owner-occupied units to move forward if the legislation is challenged in court, an event that would otherwise freeze all condo conversions until the lawsuit is resolved.

Sup. London Breed wanted even greater flexibility in that so-called “poison pill” aspect of the legislation, which tenant groups had insisted on to prevent the bypass from going through even if the moratorium was challenged. Breed proposed allowing condo conversion applications to proceed for a year after a lawsuit was filed, but Chiu said that would let TIC owners convert to condos while challenging other aspects of the legislation, such as the lifetime leases for tenants in converted buildings.

Breed and Sup. Malia Cohen, who privately and rather grimly conferred with one another and sometimes Chiu before the item began a little after 4pm, were clearly the two swing votes on the question of whether the legislation would reach the crucial eight-vote threshold needed to override a possible mayoral veto. Mayor Ed Lee has refused to take a position on the issue, leaving both sides in the dark.

But after the motion to insert Breed’s amendments failed on a 5-6 vote, the board voted 8-3 to approve Chiu’s version of the legislation, with Sups. Farrell, Scott Wiener, and Katy Tang opposed. A subsequent vote on a version of the legislation backed by Farrell and Wiener – which contained a weaker poison pill and more flexible owner-occupancy provisions – then failed on a 4-7 vote, with Breed joining the three dissenting supervisors.

Underscoring this legislation was what some supervisors called a “housing affordability crisis” in San Francisco, an issue that Mayor Lee was asked about at the start of the meeting, which he deflected by claiming “our city has some of the toughest anti-displacement laws in the nation.”

We’ll analyze that discussion and offer more details on the condo conversion debate and the politics behind it tomorrow in the space, so check back then.      

Stretch out

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culture@sfbg.com

On the Om Front The days are getting longer. The college kids who live next door are throwing parties seven nights a week instead of the usual four. Your dog is asking to be walked so early in the morning that you’re not certain you’ve ever actually gone to sleep. It’s summertime! And it’s the perfect time to get out of town for a few days, and do what yogis (and defeated armies) do best: retreat.

Yoga and meditation retreats can take many forms. They can be active and playful (think Acro Yoga on the Yuba River) or tranquil and introspective (like a silent meditation retreat in Santa Cruz). The Bay Area is a prime launch pad for a whole range of extro- and introverted magical adventures that will stretch your body and your mind into dimensions you never knew existed.

Of course the hardest part about planning a retreat or festival getaway is actually planning it. So, here’s a little help for you. Now, all you need to do is whip out your smart phone or old-school paper calendar, flag the summer days on which you’ll say a temporary sayonara to the daily grind, and book it. See you on the flip side.

 

ACRO YOGA AND YUBA RIVER

You’ve seen those brightly dressed yogis in Dolores Park on summer Sundays balancing on slack lines and doing crazy partner acrobatic tricks. Learn how to do what they do on this high-energy retreat in Nevada City, led by Jason and Chelsey Magness of the YogaSlackers. Retreat includes all-levels training in Acro Yoga and slacklining plus plenty of time on the river.

June 20-23, $400. Nevada City, CA. www.yogaslackers.com

 

AS-ONE-WE-FLOW RIVER RETREAT

This “Interdepen-dance” retreat, run by River Guidess, will blow your July 4th out of the water. It features yoga, ecstatic dance, seven miles of mellow rafting (all gear provided), deluxe camping accommodations, organic meals, and live music. The Stanislaus river is so otherworldly that you may start dreaming in an alien language. And the best part: no wetsuits required.

July 4-7, $395–$475, Oakdale, CA. www.riverguidess.com/july-4-2013/

 

YOSEMITE YOGA

The towering mountains of Yosemite are just a hop, skip, and car ride away, but we city-dwellers rarely make it over there. Toss your yoga mat and some hiking shoes into your backseat, and head for the (really big) hills with Back to Earth’s annual Yosemite Yoga trip. Each day includes guided hiking to gorgeous spots, yoga classes, Thai Massage, delicious meals, campfires, and swimming in local creeks.

July 10-July 14, $675. Yosemite, CA. www.backtoearth.org/trips/yosemite-yoga

 

WANDERLUST

This is pretty much the hottest local-ish yoga festival of the year. Featuring a panoply of talent, this Lake Tahoe event includes world-class yoga instructors (including several Bay Area teachers like Janet Stone and Pete Guinosso) and like-minded musical artists like Moby, Grammatik, DJ Drez, and The Shimmy Sisters. Oh, and jaw-dropping vistas of Lake Tahoe.

July 18-21, $125–$475. Squaw Valley, North Lake Tahoe, CA. squaw.wanderlustfestival.com

 

SECOND ANNUAL YOGA ESCAPE

If you’re down for something mellower and more introspective, this Cazadero retreat with Danae Robinett offers yoga, delicious food, and deluxe accommodation amongst redwood trees and wandering wild turkeys. You’ll also get to experience Shake Your Asana, Robinett’s unique combo of yoga and rump-shaking.

July 25-28, $650. Cazadero, CA. www.smore.com/2t0b

 

INTRODUCTION TO MINDFULNESS MEDITATION RETREAT

Looking to shift your perspective on life for more than just a weekend? Try this introductory silent meditation (and Qi Gong) retreat at the Insight Retreat Center in Santa Cruz. Silent retreats give us the opportunity to look at our thoughts and patterns so that we can start shifting them to better our lives. The insights gained on a silent retreat are well worth corking your pie hole for a few days. You may not even want to talk again when you return. Donation-based.

August 15 to 18, free ($100 refunded deposit). Santa Cruz, CA. www.insightretreatcenter.org

 

DEEP RESTORATION, DEEP HEALING: ZEN MIND, YOGA BODY RETREAT

If relaxation is on your agenda (and not the kind that requires a cocktail), head to Tassajara, a Zen Buddhist retreat center in Carmel Valley. In this retreat, teachers Samantha Ostergaard and Do-On Robert Thomas will combine Restorative Yoga (an effortless, passive yoga practice) and Zen meditation techniques to create a feeling of calm in the body and mind.

August 22-25, $240, Carmel, CA. www.sfzc.org/tassajara

 

BHAKTI FEST

Indian chanting or “kirtan” is a juicy part of yoga practice for lots of folks, and this festival is the ultimate event to get your kirtan on. Located in Joshua Tree (close to the state park, but not in it), the festival offers four days of music with bands performing on two different stages all day and night, as well as a mad plethora of yoga classes. Hot desert nights plus divine tunes equals a personal favorite of mine.

September 5-8, $200–$400 plus camping fee. Joshua Tree, CA. www.bhaktifest.com

 

Selector: June 12-17, 2013

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WEDNESDAY 12

The Trashies

What would you get if you paired those slimy Garbage Pail Kids with primal 1960s garage rock band the Monks? It’d probably turn in to something like the Trashies. A few weeks back, the Bay Guardian premiered a new video from the sloppy Seattle-and-East Bay act, featuring the band writhing in the mud at the Albany Bulb, screeching and freaking out psychedelically on guitars, and yelping “I’m a worm!/watch me squirm.” If it all sounds a bit familiar, this beach squelch shimmy, it’s because Uzi Rash frontperson Max Nordile also has a hand in Trashies, lending his particular style to the band’s intoxicating sounds. (Emily Savage)

With Buffalo Tooth, Scrapers

8:30pm, $7

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

FRIDAY 14

Queer Women of Color Film Festival

Five vibrant screening programs, 57 short films, and a particular focus — “Bridge To Truth: Queer SWANA/AMEMSA Communities” — on the feminist threads weaving through recent revolutions in Southwest Asian, North African/Arab, Middle Eastern, Muslim, and South Asian communities: if this year’s festival doesn’t open your eyes to some amazing things happening in the world of queer women of color, well, here’s a loaf of Wonderbread, go nuts. “From the intoxicating first kiss to candlelit prayer rugs, from transmen of color dating to Navajo beauty pageants, to the ebb and flow between parents and children, this festival is awash with films that fill our spirits,” QWOCMAP, the great local arts institution that produces the fest, promises. Three days of flicks culminate in a party, 9pm on Sun/16 at Slate Bar, with DJs Wepa and AlmiuX and a host of friendly faces. (Marke B.)

Through June 16

Various prices and times Brava Theater

2789 24th St., SF

www.qwocmap.org

 

Date Palms

There’s this sense of impending doom ever-present in any given Date Palm piece. The instrumental band — which once described its sound to me as “psychedelic minimalism with Eastern tinged melodies driven by cyclical, distorted bass patterns” — has thriller cinematic appeal. Without the distraction of vocals, the mind is left to wander in these unsettling patterns, wobbling toward the deep unknown, creating eerie visions. In this way, it’s the soundtrack to the mini movies fluttering through your brain. This is never more apt than in single “Dusted Down,” off new album, Dusted Sessions, out this week on Thrill Jockey. And yet, one needn’t conjure a mind-flick for that particular track. There’s already a video, and it’s as trippy as deserved, with blurry visions of the band, analog video feedback, and a looping rainbow of madness. (Savage)

With Jackie O-Motherfucker, Soft Shells, Lady Free Mountain

9pm, $7

Night Light

311 Broadway, Oakl.

www.thenightlightoakland.com

 

The Bats

New Zealand rockers the Bats got their start 30 years ago, and have stayed together all this time, with all four original members still in the fold, an almost unheard of feat these days. The cult Kiwi favorites released their latest album, Free All The Monsters (Flying Nun Records) in 2011, imbued with an almost ethereal sound and feel, which could be partly due to the fact that it was recorded in a former lunatic asylum. The video for the single “Simpletons” shows haunting scenes of the aftermath of the major earthquake that struck the Bats hometown of Christchurch that year — but like their fellow countrymen, the band is as resilient as ever. (Sean McCourt)

With the Mantles, Legs

9pm, $15–$17-

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

Monster Drawing Rally 2013

There will be no Grave Digger, no Bigfoot, no Mean Green Machine. There will be no Mud Tractor Pull (pull … pull …pull …) — or mud for that matter, either. But you never know what else will arise from the annual, hugely popular Monster Drawing Rally at Southern Exposure Gallery. A honkin’ 120 artists rev their creative engines in one hour shifts of 30 artists each to produce spectacular works, instantly available for sale at $60 each. Meanwhile, spectators can egg these MONSTER ARTISTS on while enjoying the inspirationally arty yet danceable sounds of DJs Juan Luna-Avin and Joshua Pieper and food from select street trucks. It all takes place at underground-feeling Mission design warehouse the NWBLCK, and proceeds go to Southern Exposure’s community art programs. Gentledrawers, start your engines. (Marke B.)

6pm-11pm, $15

1999 Bryant, SF

(415) 863-2141

www.soex.org


SATURDAY 15

Papa Bear and the Easy Love

Papa Bear and the Easy Love create a river of music and then go for a swim inside it. Some artists wear their music like accessories, a backdrop to their eccentric selves. Some become one with it, creating a pleasant unity on stage. Others stomp on top of the sound, trying to resuscitate the riffs and beats as they plunge from the speakers to the ground. With Papa Bear and the Easy Love, beautiful harmonies and soft finger-picking acoustics become the mantra on stage — and it is beautiful to watch. It makes the crowd wish to go for a dip as well. (Hillary Smith)

With Big Tree, Song Preservation Society, City Tribe

9pm, $17

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com


SUNDAY 16

StyleWOW

Dear San Francisco Art Institute,

You’re forgiven for the questionable taste shown in the naming of your annual student fashion show because I anticipate that its runway lewks will be fantastic. We are known as a fabulous city to live in (if one — or one’s parents — can afford it), but not to launch a high fashion career. The walls of your institution have long been a holding container for bright style stars who light out after graduation for more apace fashion worlds. And so: while the SF style scene continues to grow, your event remains one of the year’s more exciting chances to see high fashion here in the city. I for one am excited. Sincerely, (Caitlin Donohue)

7pm, $20–$50

San Francisco Design Center

101 Henry Adams, SF

stylewow.brownpapertickets.com

 

Lady Lamb the Beekeeper

Everything about the story of Aly Spaltro’s transformation into Lady Lamb and the Beekeeper seems old and out of time. In the Maine town where she went to high school, she practiced in the basement of that bygone establishment, a video store, and produced her first recordings through another, an independent record store. Then there’s her alter ego, the name of a Victorian woman who came to her in a dream (for real), which maybe that explains the biggest leap of time: Spaltro performs far beyond her 22 years. With her preternatural understanding of human feeling and her unique ability to sing about it, the very old and young Lady Lamb should not be missed. (Laura Kerry)

With Torres, Paige and the Thousand

8pm, $10

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

Tracy Morgan

Getting his first major mainstream exposure on the TV show Martin in the mid-1990s, Tracy Morgan quickly went on to join the cast of Saturday Night Live based on the strengths of his hilarious comedic talents. On SNL, he created classic characters such as animal expert “Brian Fellows” and the moonshine-swilling “Uncle Jemima” and performed a host of side-splitting celebrity impersonations. Now that 30 Rock — where he poked fun at his own celebrity in the guise of “Tracy Jordan” — has ended its cult hit run, Morgan is hitting the stage for a series of live gigs ahead of his new TV project, Death Pact, which is slated to air on FX.

(McCourt)

8pm, $35.50

Palace of Fine Arts

3301 Lyon, SF

(800) 745-3000

www.palaceoffinearts.org

 

The Front Bottoms

The Front Bottoms’ shows are usually teeming with fans who are just as excited as them — we’re talking double rainbow excited. The New Jersey indie-punk group’s sarcastic and humorous lyrics guarantee a sing-along show. “And you’re so confident, but I hear you cry in your sleeping bag,” scream the die-hards along with the Front Bottoms. Though the Ludo-esque vocals sound great and the songs are quite catchy, a good part of the energy comes from the party atmosphere provided on stage. Going to a Front Bottoms concert is like going to a house show, but with an above average band playing the gig. You still get to go bat-shit and get weird, just to good music instead. (Smith)

With Weatherbox, Night Riots

8pm, $12

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

“A Radio Silence Live Tribute to Buddy Holly”

With all legend surrounding his untimely death, one tends to forget the most important thing about Buddy Holly: the bespectacled kid (age 22) had a serious knack for songwriting. He was a prolific musician who wrote a bunch of timeless rockabilly-blues blended rock’n’roll juke classics in his relatively short career. (“That’ll Be The Day,” “Peggy Sue,” “True Love Ways,” “Crying, Waiting, Hoping,” “Everyday.”) As a small gesture to correct the collective direction of remembrance — and to prove the music didn’t really die that day on the “Winter Dance Party” tour — local lit mag Radio Silence presents a tribute night to the songs of Holly. There’ll be Greil Marcus, an icon of rock journalism, reading from his as-yet-unpublished new book, plus conversations with and performances by Eleanor Friedberger of Fiery Furnaces, Van Pierszalowski of Port O’Brien and WATERS, and singer-songwriter Thao Nguyen. As with any proper SF event, there’ll be DJs and food trucks as well. (Savage)

7pm, $20

Public Works 161 Erie, SF (415) 779-6757

www.publicsf.com


TUESDAY 18

Brooke D.

Brooke D. is a solo artist — but unless you’ve seen her live you wouldn’t have a clue. The San Francisco native’s loops of soft hums and harmonies alongside simple beats offer a full backdrop (not that it’s needed) to her gentle, poignant vocals. And yet, the subtle empty spaces in D.’s tracks lend a withholding quality that is altogether alluring. The result is a refreshingly captivating performance. Worth seeing for the a capella novelty alone, D.’s show is also impressive because of her freestyle harmonies in which she flawlessly reaches high notes unattainable to most. She delivers a unique and skilled three-person performance for the price of one. (Smith)

With Sea Lioness, Doncat, Tendrils

9pm, $8

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com


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Heads Up: 7 must-see concerts this week

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Dear 2 Chainz: we’d like to formally apologize on behalf of our city, if you were indeed robbed at gunpoint (details are a bit murky at this point). Terrible things happen in every city, and San Francisco is no exception. But we must trundle forward, as a city of sonic fiends who love this place called home, always exploding with new bands, and welcoming traveling acts from around the world.

This week, we celebrate a particularly beloved member of own pack: Sonny and the Sunsets has a new record, and it’s a leap in yet another direction for the singer-songwriter and his crew. There’s also a Date Palms album release, a visit from New Zealand rockers the Bats (locals the Mantles open), the return of Cold Cave, some existential slop-punk from the Trashies, and a tribute to “rock‘n’roll specialist” Buddy Holly. Music lives on, despite despair.

Here are your must-see Bay Area concerts this week/end:

Sonny and the Sunsets
It’s the record release party for Sonny and the Sunsets’ newest, Antenna to the Afterworld. The confessional record, which hints at Modern Lovers and Silver Jews (a shift from country break-up record Longtime Companion), opens with Sonny Smith talk-singing a call-and-response conversation, “Something happened/I fell in love/but it was weird/Real weird.” “Good weird?” the voice on the other side implores.
With Burnt Ones, Cool Ghouls.
Tue/11, 8pm, $7
Eagle Tavern
398 12th St., SF
www.sf-eagle.com
https://www.youtube.com/watch?v=MoUjLj7Lp2w

The Trashies
What would you get if you paired those slimy Garbage Pail Kids with primal 1960s garage rock band the Monks? It’d probably turn in to something like the Trashies. A few weeks back, the Bay Guardian premiered a new video from the sloppy Seattle-and-East Bay act, featuring the band writhing in the mud at the Albany Bulb, screeching and freaking out psychedelically on guitars, and yelping “I’m a worm!/watch me squirm.” If it all sounds a bit familiar, this beach squelch shimmy, it’s because Uzi Rash frontperson Max Nordile also has a hand in Trashies, lending his particular style to the band’s intoxicating sounds.
With Buffalo Tooth, Scrapers
Wed/12, 8:30pm, $7
Hemlock Tavern
1131 Polk, SF
(415) 923-0923
www.hemlocktavern.com
http://www.youtube.com/watch?v=Cg4fgl9jnT0

The Bats
“New Zealand rockers the Bats got their start 30 years ago, and have stayed together all this time, with all four original members still in the fold, an almost unheard of feat these days. The cult Kiwi favorites released their latest album, Free All The Monsters (Flying Nun Records) in 2011, imbued with an almost ethereal sound and feel, which could be partly due to the fact that it was recorded in a former lunatic asylum. The video for the single “Simpletons” shows haunting scenes of the aftermath of the major earthquake that struck the Bats hometown of Christchurch that year — but like their fellow countrymen, the band is as resilient as ever.” — Sean McCourt
With the Mantles, Legs
Fri/14, 9pm, $15–<\d>$17-
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com
http://www.youtube.com/watch?v=0Zi4Ec2Fr2E

Date Palms
There’s this sense of impending doom ever-present in any given Date Palm piece. The instrumental band — which once described its sound to me as “psychedelic minimalism with Eastern tinged melodies driven by cyclical, distorted bass patterns” — has thriller cinematic appeal. Without the distraction of vocals, the mind is left to wander in these unsettling patterns, wobbling toward the deep unknown, creating eerie visions. In this way, it’s the soundtrack to the mini movies fluttering through your brain. This is never more apt than in single “Dusted Down,” off new album, Dusted Sessions, out this week on Thrill Jockey. And yet, one needn’t conjure a mind-flick for that particular track. There’s already a video, and it’s as trippy as deserved, with blurry visions of the band, analog video feedback, and a looping rainbow of madness.
With Jackie O-Motherfucker, Soft Shells, Lady Free Mountain
Fri/14, 9pm, $7
Night Light
311 Broadway, Oakl.
www.thenightlightoakland.com
http://www.youtube.com/watch?v=ImOJP_Pp7EY

Cold Cave
Your two favorite parties (120 Minutes and Lights Down Low) come together this weekend for one spooky-special mashup of noise, ideas, and freaks, with live performances by darkwave duo Cold Cave backed by underground post-punk legend Boyd Rice, R&B/dance music-mixer Brenmar, and Jokers of the Scene, who are known to “craft epic nine-minute Salem remixes or rave out with their own anthemic tracks.” With 120 Minutes residents S4Nta_MU3rTE and Chuncey_CC, Lights Down Low residents Sleazemore and Richie Panic.
Sat/15, 9pm, $15-$20
Public Works
161 Erie, SF
www.publicsf.com
https://www.youtube.com/watch?v=xqcy96QzeRg

Lady Lamb the Beekeeper
“Everything about the story of Aly Spaltro’s transformation into Lady Lamb and the Beekeeper seems old and out of time. In the Maine town where she went to high school, she practiced in the basement of that bygone establishment, a video store, and produced her first recordings through another, an independent record store. Then there’s her alter ego, the name of a Victorian woman who came to her in a dream (for real), which maybe that explains the biggest leap of time: Spaltro performs far beyond her 22 years. With her preternatural understanding of human feeling and her unique ability to sing about it, the very old and young Lady Lamb should not be missed.” — Laura Kerry
With Torres, Paige and the Thousand
Sun/16, 8pm, $10
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com
http://www.youtube.com/watch?v=pdqsUML8wv0

“A Radio Silence Live Tribute to Buddy Holly”
With all legend surrounding his untimely death, one tends to forget the most important thing about Buddy Holly: the bespectacled kid (age 22) had a serious knack for songwriting. He was a prolific musician who wrote a bunch of timeless rockabilly-blues blended rock’n’roll juke classics in his relatively short career. (“That’ll Be The Day,” “Peggy Sue,” “True Love Ways,” “Crying, Waiting, Hoping,” “Everyday.”) As a small gesture to correct the collective direction of remembrance — and to prove the music didn’t really die that day on the “Winter Dance Party” tour — local lit mag Radio Silence presents a tribute night to the songs of Holly. There’ll be Greil Marcus, an icon of rock journalism, reading from his as-yet-unpublished new book, plus conversations with and performances by Eleanor Friedberger of Fiery Furnaces, Van Pierszalowski of Port O’Brien and WATERS, and singer-songwriter Thao Nguyen. As with any proper SF event, there’ll be DJs and food trucks as well.
Sun/16, 7pm, $20
Public Works
161 Erie, SF
(415) 779-6757
www.publicsf.com
http://www.youtube.com/watch?v=WQiIMuOKIzY