CounterPulse

Theater Listings: December 4 – 10, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Avenue Q New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Previews Fri/6-Sat/7 and Dec 13, 8pm; Sun/8, 2pm. Opens Dec 14, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Jan 12. New Conservatory Theatre Center performs the Tony-winning comedy.

A Christmas Carol Geary Theater, 415 Geary, SF; www.act-sf.org. $20-95. Opens Fri/6, 7pm. Runs Wed-Sat, 7pm (no evening shows Dec 24, 26, or 28; also Sat/7, Dec 11, 14, 21, 23, 2pm; Dec 24 and 26-28, 1pm; Dec 27 evening show at 5:30pm); Sun, 5:30pm (also Sun/8, Dec 15, and 22, 1pm). Through Dec 28. American Conservatory Theater mounts its annual production of the Dickens classic, with James Carpenter as Scrooge and Ken Ruta as Jacob Marley’s ghost.

Cinderella Buriel Clay Theater, African American Art and Culture Complex, 762 Fulton, SF; www.african-americanskaes.org. $12.50-50. Opens Sat/7, 3pm. Runs Sat, 8pm (also Dec 21, 3pm); Sun, 3pm. Through Dec 22. African-American Shakespeare Company presents this fairy-tale production for the holidays.

The Golden Girls: The XMAS Episodes Victoria Theatre, 2961 16th, SF; www.trannyshack.com. $30. Opens Thu/5, 8pm. Runs Thu-Sat, 8pm; Sun, 7pm. Through Dec 22. Inspired by the classic sitcom, Miami’s feisty seniors (portrayed by Heklina, Cookie Dough, Matthew Martin, and Pollo Del Mar) return to spread holiday cheer and cheesecake.

BAY AREA

Edward Gant’s Amazing Feats of Loneliness Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Previews Thu/5 and Dec 11-12, 7pm; Fri/6-Sat/7, 8pm; Sun/8, 5pm. Opens Dec 13, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Jan 11. Shotgun Players performs Anthony Neilson’s comic romp set in “a sensual Edwardian world of top hats, fantastical puppets, and flash powder.”

Little Women Lucie Stern Theatre, 1305 Middlefield, Palo Alto; www.theatreworks.org. $19-79. Previews Wed/4-Fri/6, 8pm. Opens Sat/7, 2 and 8pm. Runs Tue-Wed and Dec 30, 7:30pm (no shows Dec 24-25; Dec 31, show at 2pm only; no show Jan 1); Thu-Sat, 8pm (also Sat and Dec 26 and Jan 4, 2pm); Sun, 2 and 7pm. Through Jan 4. TheatreWorks performs the musical adaptation of the Louisa May Alcott tale.

Mame Hillbarn Theatre, 1285 East Hillsdale, Foster City; www.hillbarntheatre.org. $19-40. Previews Thu/5, 8pm. Opens Fri/6, 8pm. Runs Thu-Sat, 8pm (also Dec 14 and 21, 2pm); Sun, 2pm. Through Dec 22. Hillbarn Theatre performs Jerry Herman’s classic musical.

ONGOING

Amaluna Big Top at AT&T Park, Third Street at Terry A. Francois Blvd, SF; www.cirquedusoliel.com. $50-175. Check website for schedule, including special holiday showtimes. Through Jan 12. Cirque de Soleil is back in town, this time bringing its Tempest-inspired Amaluna to the big top set up outside AT&T Park. Touted for being a celebration of “women [sic] power,” it seems initially odd that the design elements are so focused on the male peacock feather — all greens and blues and graceful, with curving “fronds” rising up from the stage. Jungle sounds chirp in the background as a bevy of Amazonian women in bejeweled headdresses and a mischievous lizard-man circulate the room until the show starts with the lovely abstraction of a floating red cloud of translucent fabric dancing in a single beam of light. The flimsy plotline is forgettable, a coming-of-age and courtship tale between the island’s young princess, Miranda (Iuliia Mykhailova) and a shipwrecked young Romeo (Evgeny Kurkin), though the parallel courtship between the two comic figures of Jeeves (Nathalie Claude) and Deeda (Shereen Hickman) provides a bit of levity and a novel use for footballs. The most realized character is probably Cali (Victor Kee), the half-lizard, whose prehensile tail and neon body paint give him an otherworldly allure, but it’s the aerialist goddesses and fierce embodiments of the storm that are most memorable from an acrobatic point-of-view, and Lara Jacobs’ unique balancing act from a meditative one. (Gluckstern)

Arlington Magic Theatre, Fort Mason Center, 2 Marina, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Wed/4-Sat/7, 8pm (also Wed/4, 2:30pm); Sun/8, 2:30pm. Magic Theatre performs Victor Lodato and Polly Pen’s world-premiere musical.

The Barbary Coast Revue Stud Bar, 399 Ninth St, SF; eventbrite.com/org/4730361353. $10-40. Wed, 9pm. Through Dec 18. Blake Wiers’ new “live history musical experience” features Mark Twain as a tour guide through San Francisco’s wild past.

The Book of Mormon Orpheum Theatre, 1192 Market, SF; www.shnsf.com. $60-120. Wed-Sat, 8pm (also Sat, 2pm); Sun, 1 and 6:30pm. Through Jan 19. When approaching the oeuvre of South Park creators Matt Stone and Trey Parker, it’s best to check your political correctness at the door. That’s certainly no less true of their 2011 Broadway musical The Book of Mormon, co-penned with Robert Lopez (of Avenue Q fame), despite the clean-scrubbed appearance of their fumbling albeit well-intentioned missionary protagonists. Sent to Uganda for two years, top mission pupil Elder Price (Nic Rouleau) and his clumsy but affable partner Elder Cunningham (A.J. Holmes) are faced with a village oppressed by a scenery-chewing warlord, a demoralized coterie of fellow missionaries who have yet to have a successful conversion, and their own fraught, odd-couple dynamic. Rouleau’s Price is an appropriate blend of smarm, charm, and secret self-doubt while Holmes excels in his portrayal of a perennial-loser-turned-prophet (his power ballad-esque solo in “Man Up” is one of the show’s best). Of their hosts, the wry Mafala (James Vincent Meredith) and his sweet but strong-willed daughter Nabulungi (Syesha Mercado) get the most stage time, but it’s the crude and caustic General (David Aron Damane) who grabs the most attention. The gleefully profane “Hasa Diga Eebowai,” a Forbidden Zone-style “Spooky Mormon Hell Dream”, and the deliriously blasphemous “Joseph Smith, American Moses,” round out the entertaining, and strangely informative, score. Though it’s (very) unlikely to convert you to the Church of Latter-Day Saints, there’s a good chance you’ll want to convert to the church of Parker and Stone, if you haven’t already. (Gluckstern)

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Dec 17. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

The Gershwins’ Porgy and Bess Golden Gate Theatre, One Taylor, SF; www.shnsf.com. $60-210. Wed/4-Sat/7, 8pm (also Sat/7, 2pm); Sun/8, 2pm. The Tony-winning Broadway revival launches its national tour in San Francisco.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Ideation Tides Theater, 533 Sutter, SF; www.sfplayhouse.org. $10-20. Fri/6-Sat/7, 8pm (also Sat/7, 3pm). Next up in the San Francisco Playhouse “Sandbox Series” is this dark comedy from Aaron Loeb.

The Jewelry Box: A Genuine Christmas Story The Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-40. Fri, 8pm; Sat, 5pm. Through Dec 28. Brian Copeland performs the world premiere of his new, holiday-themed work, an Oakland-set autobiographical tale that’s a prequel to his popular Not a Genuine Black Man.

My Beautiful Launderette New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Dec 22. New Conservatory Theatre Center performs Andy Gram and Roger Parsley’s adaptation of Hanif Kureishi’s award-winning screenplay.

The Oy of Sex Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $20-100. Thu-Fri, 8pm; Sat, 8:30pm. Through Jan 18. Comedian Alicia Dattner performs her solo show, based on her stories from her own life and love addiction.

Peter/Wendy Gough Street Playhouse, 1620 Gough, SF; www.custommade.org. $15-33. Thu-Sat, 8pm; Sun, 7pm. Through Dec 15. J.M. Barrie’s familiar and much-revisited children’s story, about a boy who refuses to grow up, has always had its darker aspects, including the violent streak in its hero, forever-child Peter (Sam Bertken). Unfortunately, any underlying social or psychological complexity in the story — originally published in 1902 in The Little White Bird — is of no consequence in adapter-director Jeremy Bloom’s relentlessly cheerful and quickly monotonous retelling. The production, which narrates and acts out the story in somewhat condensed form, says it’s designed for adults of all ages and children over 12, but it seems pitched to an audience much younger still. Custom Made Theater’s lackluster staging does little to make the time go faster. There’s a mischievous energy in Bertken’s Peter and a bright intelligence in Anya Kazimierski’s Tinker Bell that together produce the play’s only emotional heat, but it’s fleeting. As Wendy, Elissa Beth Stebbins is generally solid but too mild to elicit much sympathy for her unrequited affections for Peter. Clad exclusively in striped jammies, the uneven ensemble (which also includes Terry Bamberger, Jessica Rudholm, Kim Saunders, and Jeunee Simon in multiple roles) rarely encourages focus on the finer points of character and plot, which anyway come with a soporific dose of trifling detail amid generally awkward physical choreography. Indeed, any “happy thoughts” one walks in with would risk vanishing entirely, were it not that the cast harvests them immediately and writes them down for future reference on the stage floor. (Avila)

Snoopy!!! Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Wed-Thu, 7pm; Fri, 8pm; Sat, 6pm (family/student matinee Sat/7, 1pm); Sun, 3pm. Through Dec 15. 42nd Street Moon performs the sequel to You’re a Good Man, Charlie Brown.

Urge For Going Z Below, 470 Florida, SF; www.goldenthread.org. $10-45. Thu/5-Sat/7, 8pm; Sun/8, 3pm. Jamila (Camila Betancourt Ascencio) is a bright student desperate to pass her college entrance examination — an unexceptional proposition in many places, but Jamila is a Palestinian raised in a Lebanese refugee camp. For her, even the right to take such an exam is in no way guaranteed and must be fought for. That Jamila’s struggles don’t end at the front door of her crowded home provides the basis for the drama in Mona Mansour’s 2011 play, Urge for Going, now receiving an uneven but sometimes moving West Coast premiere from Golden Thread (which last year produced The Letter, a short play co-written by Mansour, as part of its ReOrient Festival). Amid the makeshift walls, mismatched furniture, and exposed wiring of Kate Boyd’s evocative scenic design, Jamila lives with her austere father (Terry Lamb), a onetime literature scholar with a passion for Wordsworth; her supportive mother (Tara Blau); her father’s effusive loose-canon of a brother (Julian Lopez-Morillas); her mother’s brother (Munaf Alsafi); and her own big-hearted but haunted older brother (Wiley Naman Strasser), a once brilliant math student who suffered brain damage at the hands of a Lebanese soldier. But front and center is her father, whose barely cloaked disappointment and despair turn to recalcitrance and outright antagonism in the face of Jamila’s too-pointed desire to flee this hobbled world of exile for a wider world of possibilities. Directed by Evren Odcikin, the play’s sentimental naturalism (broken through at times by didactic direct address to the audience by the entire cast) makes what follows both too predictable and somewhat artificial. At the same time, Mansour carefully and revealingly couches her story in the political and existential limbo of multiple generations of Palestinian refugees in Lebanon, deprived for over half a century of basic rights amid cramped poverty and deprivation. (Avila)

BAY AREA

A Bright New Boise Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-50. Wed/4-Sat/7, 8pm; Sun/8, 2 and 7pm. Faith can be a touchy subject among true believers and skeptics alike, and as long as the topic of religion is avoided (as it often is) you might not even know that your bus driver is Buddhist, or your checkout clerk born again. In Samuel D. Hunter’s A Bright New Boise, now playing at Berkeley’s Aurora Theatre, the line blurs between public face and private faith, as mysterious stranger Will (Robert Parsons) rolls into Boise and takes up employment at the Hobby Lobby, ostensibly to reconnect to his long-lost, given-up-for-adoption son, Alex (Daniel Petzhold). But when Will is revealed to be a former member of a disgraced Evangelical sect from “up North,” his sudden reappearance in Alex’ life appears to be motivated not by a long-standing remorse, but by a recent unmooring. Under Tom Ross’ direction, the other characters — a foul-mouthed store manager (Gwen Loeb), a painfully shy stock clerk (Megan Trout), and a confrontational sales associate (Patrick Russell) — appear similarly unmoored, careening into each other like jittery, neurotic pinballs, with about as much consideration. Only Parsons’ Will appears calm and deliberate in his actions, until he startlingly demonstrates otherwise. It’s an abrupt end to both the play and Will’s charade of normalcy, and neither Hunter nor Ross seem to know how to build up to his eventual fall naturally, ultimately allowing him to be defined only by his fanaticism rather than his humanity. (Gluckstern)

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 15. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Harvey Barn Theatre, 30 Sir Francis Drake, Ross; www.rossvalleyplayers.com. $10-22. Thu, 7:30pm; Fri-Sat, 8pm; Sun, 2pm. Through Dec 15. Ross Valley Players perform the Pulitzer-winning play by Mary Chase.

A Little Princess Julia Morgan Theater, 2640 College, Berk; www.berkeleyplayhouse.org. $17-60. Thu/5-Fri/6, 7pm; Sat/7, 1 and 6pm; Sun/8, noon and 5pm. Berkeley Playhouse opens its sixth season with Brian Crawley and Andrew Lippa’s musical adaptation of the Frances Hodgson Burnett story.

110 in the Shade Douglas Morrison Theatre, 22311 N. Third St, Hayward; www.dmtonline.org. $10-29. Thu/5-Sat/7, 8pm (also Sat/7, 2pm); Sun/8, 2pm. Douglas Morrison Theatre performs N. Richard Nash’s romantic musical, adapted from his classic play The Rainmaker.

The Pianist of Willesden Lane Berkeley Repertory Theatre, Thrust Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $29-89. Tue and Thu-Sat, 8pm (also Thu/5 and Sat, 2pm; no shows Dec 24 or 31); Wed and Sun, 7pm (also Sun, 2pm; matinees only Dec 15, 22, and Jan 5; no show Dec 25). Extended through Jan 5. Mona Golabek stars in this solo performance inspired by her mother, a Jewish pianist whose dreams and life were threatened by the Nazi regime.

Troilus and Cressida La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-25. Thu-Sat, 8pm; Sun, 7pm. Through Dec 15. One of Shakespeare’s more difficult and under-produced plays, Troilus and Cressida does wax in popularity during protracted times of war, so it’s about the right time for Impact Theatre to tackle it. Set during the seventh year of the Trojan War, the players are all either soldiers or spoils of war, and both morale and morals are at a low ebb. So-called heroes hide in their tents, the fair Helen (Julie Kuwabara) is a callow bawd, and everyone just wants the war to be over. Troilus (Eric Kerr), a Trojan, and Cressida (Sarah Coykendall), a Greek, meet-cute thanks to the machinations of the flamboyant Pandarus (Shawn J. West), only to be quickly separated by circumstances beyond their control, and thrust abruptly to the sidelines of their own tragedy, their eventual betrayal of each other lost within the greater treacheries of the battlefield. It’s a problematic script, not least of all because the only truly moral character is the very innocent, very mad Cassandra (Akemi Okamura), whose prophecies are written off as mere ravings, subtly mirrored by the nihilistic fool, Thersites (Miyaka Cochrane), who delivers his frontline ravings as prophecies. Director Melissa Hillman makes some bold choices, however, including casting Lauren Spencer as the level-headed Ulysses, and father-son team Jon Nagel and Jonah McClellan as Aeneas and Antenor, turning the walk-on role of a pawn into a tragic symbol of war’s all too-human cost. (Gluckstern)

PERFORMANCE/DANCE

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

“Buddy Club Children’s Shows” Randall Museum Theater, 199 Museum Wy, SF; www.thebuddyclub.com. Sun, 11am-noon. $8. “The Bubble Lady!” performs.

“Comedy Bottle with Kurtis Matthews” Purple Onion at Kells, 530 Jackson, SF; www.purpleonionatkells.com. Fri/6-Sat/7, 7pm. $15. Stand-up comedy.

“Comedy Returns to El Rio!” 3158 Mission, SF; www.brownpapertickets.com. Mon/9, 8pm. $7-20. Stand-up with Marga Gomez, Sammy Obeid, Bob McIntyre, Kevin Young, and Lisa Geduldig.

CounterPULSE 1310 Mission, SF; www.counterpulse.org. Wed/4, 8pm: Risa Jaroslow’s NYC and the Bay: Dancers and Dances from Then and There and Here and Now, free. Fri/6-Sat/7, 8pm: Keith Hennessy, Hana Lee Erdman, and Jassem Hindi’s ALMOST, Enemy in the Figure, and These children singing in stones, $15-20. Dec 12-15, 8pm: Mica Sigourney, John Foster Cartwright, and Maryam Rostami’s Nicole Kidman is Fucking Gorgeous, $20.

“Dolores: The Temporary Life of a 220-Year-Old Bionic Woman” Stage Werx Theater, 446 Valencia, SF; www.stagewerx.org. Dec 10-11, 7:30pm. $15-20. On a bare floor, physical theater maker Carolina Duncan, as her Colombian grandmother, pops opens her cranium like a steamer trunk and retrieves the scrapbook of a boundless life. Here memory and imagination exist in equal measures, as Duncan traces key moments and fleeting images from an arc of days defined by family, romance, and at least one titanic battle between an Amazonian dinosaur and a new secret-agent boyfriend. Combining mime, scattered dialogue, physical comedy, and a live soundscape, this loving and whimsical homage comes gracefully delivered and almost always vividly expressed. All the while, Duncan (a graduate of SF’s Clown Conservatory and James Donlon and Leonard Pitt’s Flying Actor Studio) exudes an infectious enthusiasm for her subject, who proves as alive in a passing but concrete image of first childhood steps as she does in her final outing, a prolonged spacewalk into the familiar and unknown. Note: review from an earlier run of this show. (Avila)

“Encuentro de Canto Popular” Brava Theater Center, 2781 24th St, SF; accionlatina.org/Encuentro2013. Sat/7, 7pm. $19. Music festival dedicated to the nuevo canción movement; this year’s theme, “Pasado y Futuro,” pays tribute to artists who have passed away, as well as artists on the rise.

“Fiesta Navidena” Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/7, Dec 15, 21-22, and 27-28, 6:15pm. $15-21. Carolina Lugo and Carolé Acuña’s Ballet Flamenco performs a holiday show.

“Get Your Life Unity Mini Ball” Dance Mission Theater, 3316 24th St, SF; www.dancemission.com. Sat/7, 7pm. $10. Dancing, vogueing, and other aspects of ballroom culture take the stage.

“Glide Annual Holiday Festival: Celebrate50” War Memorial Opera House, 301 Van Ness, SF; www.glide.org. Wed/4, 7pm. $65-250. Maya Angelou, Judith Hill, Tom Johnston, and other luminaries lead this evening honoring Janice Mirikitani and Rev. Cecil Williams’ 50 years at Tenderloin community beacon Glide.

“Hand to Mouth Comedy” Dark Room, 2263 Mission, SF; www.handtomouthcomedy.com. Fri/6, 10pm. $8. Comedians Kellan Erksine, Kelly Anneken, Jules Posner, and others join host Trevor Hill in presenting all-new material on one specific topic: “fantasy.”

“Hysterical Historical San Francisco, Holiday Edition” Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. Sun, 7pm. Through Dec 29. $30-40. Comic Kurt Weitzman performs.

“I Eat People Like YOU For Breakfast!” Marsh, 1062 Valencia, SF; www.themarsh.org. Wed/4, 7:30pm. $10-15. Comedian Steven Alan Green performs his solo show inspired by Jerry Lewis.

“The Jewish Nutcracker” Theater at Children’s Creativity Museum, 221 Fourth St, SF; www.jewishnutcracker.com. Fri/6-Sun/8, 2pm (also Fri/6-Sat/7, 6:30pm). $18-32. The Hanukkah story is interpreted via authentic cultural dance from Spain, India, China, Russia, and more.

“Mark Foehringer’s Nutcracker Sweets” Southside Theater, Fort Mason Center, Marina at Laguna, SF; www.brownpapertickets.com. Sat/7-Sun/8, Dec 14-15, Dec 20-24, 11am and 2pm (also Dec 14-15 and Dec 21-22, 4pm). $18-28. Contemporary ballet company Mark Foehringer Dance Project SF performs its fifth annual production of this Nutcracker-inspired work aimed at families with young children.

“The Metrics of Intimacy” Garage, 715 Bryant, SF; www.brownpapertickets.com. Wed/4-Thu/5, 8pm. $10-20. Contemporary dance performers Hope Mohr and Christian Burns collaborate with visual designer David Szlasa.

“Mine” Joe Goode Annex, 401 Alabama, SF; www.rawdance.org. Fri/6-Sun/8 and Dec 11-15, 8pm. $21-25. RAWdance performs a world premiere by company founders Ryan T. Smith and Wendy Rein.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 8pm. $20-30 (free aquarium ticket with show ticket). Extended through Dec 28. Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“One Man Band Extravaganza” Great Star Theater, 636 Jackson, SF; www.jordanbwilson.com. Sat/7, 8pm. $5. One-man bands, including Jordan B. Wilson, One Man Banjo, Shovelman, Slow Poisoner, and Cello Joe, perform.

“La Posarela” Brava Theater Center, 2781 24th St, SF; www.sfcmc.org. Sun/8, 1 and 5pm. $7. Community Music Center presents a Mexican Christmas musical tailored to the Mission.

“Point Break Live!” DNA Lounge, 373 11th St, SF; www.dnalounge.com. Fri/6 and Jan 3, Feb 7, March 7, and April 4, 7:30 and 11pm. $25-50. Dude, Point Break Live! is like dropping into a monster wave, or holding up a bank, like, just a pure adrenaline rush, man. Ahem. Sorry, but I really can’t help but channel Keanu Reeves and his Johnny Utah character when thinking about the awesomely bad 1991 movie Point Break or its equally yummily cheesy stage adaptation. And if you do an even better Keanu impression than me — the trick is in the vacant stare and stoner drawl — then you can play his starring role amid a cast of solid actors, reading from cue cards from a hilarious production assistant in order to more closely approximate Keanu’s acting ability. This play is just so much fun, even better now at DNA Lounge than it was a couple years ago at CELLspace. But definitely buy the poncho pack and wear it, because the blood, spit, and surf spray really do make this a fully immersive experience. (Steven T. Jones)

“A Renaissance Christmas” St. Gregory of Nyssa Episcopal, 500 De Haro, SF; www.baychoralguild.org. Sat/7, 8pm. $5-25. Bay Choral Guild performs “familiar and unusual” Advent, Christmas, and Epiphany music.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“she’s near she’s now she’s nowhere” Margaret Jenkins’ Dance Lab, 301 Eighth St, Studio 200, SF; www.funschdance.org. Thu/5, 7pm. Free. Also Fri/6, 8pm and Sat/7, 2pm, free, Studio LP, ODC Theater, 3153 17th St, SF; and Sun/8, 3pm, Feintech Studio, ODC Dance Commons, 351 Shotwell, SF. Christy Funsch’s trio/quintet “reveals the impact of a mover on spaces by playing with her presence and absence from them.”

“Shine! Our Brightest Holiday Show Ever!” War Memorial Opera House, 301 Van Ness, SF; www.sfgmc.org. Fri/6, 8pm. $25-75. The San Francisco Gay Men’s Chorus performs season favorites and “outrageous surprises.”

“Soul+Mates” Z Space, 450 Florida, SF; www.zspace.org. Wed/4-Sat/7, 8pm (also Sat/7, 2pm). $22-25. Printz Dance Project presents the world premiere of an immersive dance performance, photography exhibit, and short film exploring the concept of soul mates.

“The Velveteen Rabbit” Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF; www.odcdance.org. Thu/5-Fri/6 and Dec 12-13, 11am; Sat/7 and Dec 15, 1 and 4pm; Sun/8 and Dec 15, 2pm. $20-75. ODC/Dance performs its popular holiday show, directed with fresh perspective this year by ODC founder Brenda Way.

“Zambomba Gitana!” Brava Theater Center, 2781 24th St, SF; www.bayareaflamenco.org. Fri/6, 8pm. $25-65. Also Sat/7, 8pm, $25-45, La Peña Cultural Center, 3105 Shattuck, Berk; and Sun/8, 6pm, $25-45, Kuumbwa Jazz Center, 320 Cedar, Santa Cruz. Traditional flamenco holiday celebration, with artists from Jerez de la Frontera, Spain.

BAY AREA

“Buddy Club Children’s Shows” JCC of the East Bay Theater, 1414 Walnut, Berk; www.thebuddyclub.com. Sun/8, 11am-noon. $8. Comedy improv with Kenn Adams Adventure Theater. Also Sun/8, 11am-12:30pm, $8, Kanbar Center for the Performing Arts Theater, 200 North San Pedro, San Rafael; www.thebuddyclub.com. The Juggling Genius, Daniel DaVinci, performs.

“Following the Wrong God Home” Osher Studio in the Arts Passage of Berkeley Central, 2055 Center, Berk; www.brownpapertickets.com. Sat/7 and Dec 16, 8pm; Sun/8, 5pm. $15-25. Company 212 presents a physical theater piece choreographed and directed by MaryBeth Cavanaugh that imagines six Shakespeare characters on alternate journeys beyond the plays they appear in.

“Noel, Noel” First Congregational Church, 2345 Channing, Berk; www.cityboxoffice.com. Fri/6, 8pm. $18-65. The San Francisco Girls Chorus performs “Carol of the Bells” and other holiday favorites.

“Oakland Interfaith Gospel Choir 28th Annual Holiday Concert” Paramount Theatre, 2025 Broadway, Oakl; www.oigc.com. Sat/7, 7:30pm. $12-42. The choir performs its popular annual concert, led by director Terrance Kelly and featuring guests Tuck and Patti, and Imani Ya Watume Liturgical Dance Company.

“Once Upon a Christmas” Lesher Center for the Arts, Hoffman Theatre, 1601 Civic, Walnut Creek; www.leshercenter.org. Fri/6-Sat/7, 7:30pm (Sat/7, 2pm). $20-25. Lareen Fender’s Ballet Joyeux performs.

“The Shout: Life’s True Stories” Grand Lake Coffee House, 440 Grand, Oakl; www.theshoutstorytelling.com. Mon/9, 7:30pm. $5-20. Live storytelling event featuring 10-minute true tales.

“XXmas: The Christmas Ballet, 2013 Edition” Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.smuinballet.org. Dec 11-14, 8pm (also Dec 14, 2pm); Dec 15, 2pm, $49-65. Also Dec 18-28, $24-64, Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF. Smuin Ballet’s annual holiday show boasts festive ballet, tap, and swing-dance numbers. *

 

Theater Listings: November 13 – 19, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Amaluna Big Top at AT&T Park, Third Street at Terry A. Francois Blvd, SF; www.cirquedusoliel.com. $50-175. Opens Wed/13, 8pm. Check website for schedule, including special holiday showtimes. Through Jan 12. Cirque du Soliel returns with a show set on “a mysterious island governed by Goddesses and guided by the cycles of the moon.”

Arlington Magic Theatre, Fort Mason Center, 2 Marina, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Previews Wed/13-Sat/16, 8pm; Sun/17, 2:30pm; Tue/19, 7pm. Opens Nov 20, 8pm. Runs Wed-Sat, 8pm (no show Nov 28; also Dec 4, 2:30pm); Sun and Tue, 7pm (also Sun, 2:30pm; no 7pm show Dec 8); Through Dec 8. Magic Theatre performs Victor Lodato and Polly Pen’s world-premiere musical.

Urge For Going Z Below, 470 Florida, SF; www.goldenthread.org. $10-45. Previews Thu/14-Fri/15, 8pm. Opens Sat/16, 8pm. Runs Thu-Sat, 8pm (no show Nov 28); Sun, 3pm. Through Dec 8. Golden Thread Productions presents Mona Mansour’s play about a Palestinian teen who hopes academics will be her ticket out of the Lebanese refugee camp she calls home.

BAY AREA

Harvey Barn Theatre, 30 Sir Francis Drake, Ross; www.rossvalleyplayers.com. $10-22. Previews Thu/14, 7:30pm. Opens Fri/15, 8pm. Runs Thu, 7:30pm; Fri-Sat, 8pm; Sun, 2pm (no show Sun/17). Through Dec 15. Ross Valley Players perform the Pulitzer-winning play by Mary Chase.

110 in the Shade Douglas Morrison Theatre, 22311 N. Third St, Hayward; www.dmtonline.org. $10-29. Previews Thu/14, 8pm. Runs Fri-Sat and Dec 5, 8pm (also Sat, 2pm); Sun, 2pm. Through Dec 8. Douglas Morrison Theatre performs N. Richard Nash’s romantic musical, adapted from his classic play The Rainmaker.

ONGOING

The Barbary Coast Revue Stud Bar, 399 Ninth St, SF; eventbrite.com/org/4730361353. $10-40. Wed, 9pm (no show Nov 27). Through Dec 18. Blake Wiers’ new “live history musical experience” features Mark Twain as a tour guide through San Francisco’s wild past.

Bengal Tiger at the Bagdad Zoo SF Playhouse, 450 Post, SF; www.sfplayhouse.org. $30-100. Wed/13-Thu/14, 7pm; Fri/15-Sat/16, 8pm (also Sat/16, 3pm). In Rajiv Joseph’s Pulitzer-nominated Bengal Tiger at the Bagdad Zoo, the dead quickly outnumber the living, and soon the stage is littered with monologist ghosts lost in transition. In Joseph’s world, at least, death is but another phase of consciousness, a plane of existence where a man-eating tiger might experience a crisis of conscience, and a brash young soldier with a learning disability might suddenly find himself contemplating algebraic equations and speaking Arabic — knowledge that had eluded his comprehension in life. Will Marchetti’s portrayal of the titular tiger is on the static side, though his wry intelligence and philosophical awakening comes as a welcome contrast to the willfully obtuse world view of the American soldiers (Gabriel Marin and Craig Marker) guarding him. But it’s Musa (Kuros Charney), a translator for the Americans and a former gardener and topiary “artist,” who eventually emerges as the play’s most fully realized character and also the most tragic, becoming that which he dreads the most, a beast in a lawless land, egged on by the ghost of his former employer, the notoriously sadistic Uday Hussein (Pomme Koch). At times, director Bill English’s staging feels too understated and contained for a play that’s so muscular and expansive (an understatement not carried over into Steven Klems’ appropriately jarring sound design) focused less on its metaphysical implications than on its mundane surface, but however imperfect the production and daunting the script, it remains a fascinating response to an unwinnable war — the war against our own animal natures. (Gluckstern)

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Dec 17. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Driving Miss Daisy Buriel Clay Theater at the African American Art and Culture Complex, 762 Fulton, SF; www.african-americanshakes.org. $12.50-37.50. Fri/15-Sat/16, 8pm; Sun/17, 3pm. It’s 1948 in Atlanta, Ga., the same year that Martin Luther King Jr. joined the ministry at Ebenezer Baptist Church, and Daisy Werthan (Ann Kendrick) has just crashed her new Packard. Grudgingly forced into accepting a driver hired by her son Boolie (Timothy Beagley), she enters what will become a 25-year association with Hoke Coleburn (L. Peter Callender). Although she is a wealthy Jewish widow and he is a working-class African American man, they share a similar stubborn attitude, and although initially constrained by the manners of the time, the two gradually warm up to each other, their relationship evolving simultaneously with the mores of the South. In African-American Shakespeare Company’s production, Kendrick in the title role cuts a formidable figure yet ably reveals her character’s weaknesses and insecurities, while Callender as Hoke maintains an aura of quiet dignity and self-sufficiency; a hired man, but never a servant. Rounding out the excellent cast, Beagley as Boolie is the perfect foil for both his mother’s tendency towards imperiousness and her chauffeur’s sanguine sense of self. Charming, humorous, and subtly profound, Daisy ushers in the holiday season with a non-saccharine sweetness. (Gluckstern)

Emmett Till: A River NOH Space in Project Artaud, 2840 Mariposa, SF; www. theatreofyugen.org. $20-30. Thu/14-Sat/16, 8pm; Sun/17, 2pm. Taken from his bed in the dead of night and brutally killed for allegedly making a pass at a white woman, 14-year-old Emmett Till’s tragic demise helped to fuel the growing fires of the Civil Rights movement. But although his story has become deeply embedded within the fabric of American consciousness, it is usually recalled as a symbol for an oppressive system rather than representative of an actual human being. In an intriguing exploration of Till’s internal landscape, Kevin Simmonds and Judy Halebsky’s Emmett Till: A River at Theatre of Yugen takes Till’s story and fits it into a mugen (or phantasm) noh framework in which the restless spirit of Till encounters the woman in whose defense he was killed over 50 years earlier. As the performers remain seated, moving only to turn the pages of their score in unison, or to play their instruments, the experience is ritualistic in nature, a commingling of chant, poetry, and ghost story, expressed primarily via the sonorous vocals and heavy silences of Lluis Valls (as both Mamie and Emmett Till) and Sheila Berotti (as Carolyn Bryant). A gospel-style chorus of three African American voices (Derek Lassiter, Khalil Sullivan, and Dario Slavazza), the mournful flutes of Polly Moller, and the traditional percussion instruments and kakegoe vocals employed by David Crandall add tonal and atmospheric texture. (Gluckstern)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

The Gershwins’ Porgy and Bess Golden Gate Theatre, One Taylor, SF; www.shnsf.com. $60-210. Tue-Sat, 8pm (no show Nov 28; check website for matinee schedule); Sun, 2pm. Through Dec 8. The Tony-winning Broadway revival launches its national tour in San Francisco.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

I Married an Angel Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Wed/13-Thu/14, 7pm; Fri/15, 8pm; Sat/16, 6pm; Sun/17, 3pm. 42nd Street Moon performs the Rodgers and Hart classic.

The Jewelry Box: A Genuine Christmas Story The Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-40. Fri, 8pm; Sat, 5pm. Through Dec 28. Brian Copeland performs the world premiere of his new, holiday-themed work, an Oakland-set autobiographical tale that’s a prequel to his popular Not a Genuine Black Man.

My Beautiful Launderette New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Dec 22. New Conservatory Theatre Center performs Andy Gram and Roger Parsley’s adaptation of Hanif Kureishi’s award-winning screenplay.

Peter and the Starcatcher Curran Theatre, 445 Geary, SF; www.shnsf.com. $40-160. Tue-Sat, 8pm (also Wed and Sat, 2pm; no show Nov 28); Sun, 2pm. Through Dec 1. Fanciful, Tony-winning prequel to Peter Pan.

The Rita Hayworth of This Generation Garage, 715 Bryant, SF; www.715bryant.org. $10-15. Wed-Thu, 8pm. Through Nov 21. Writer-performer Tina D’Elia’s 2010 solo comedy spins a queer and ethnically rich world that straddles the living and the dead in a Las Vegas that, let’s face it, lies somewhere between those two poles already. Drawing on her own professional obsession with Rita Hayworth (née Margarita Carmen Cansino), the ethnically neutered Hispanic star of 1940s Hollywood, D’Elia plays Carmelita, an ambitious Rita Hayworth impersonator who gets entangled with a Latino/a transgender blackjack champion with a drinking problem and too many deals with the devil — in the person of deceased Columbia Pictures mogul Harry Cohn’s daughter, a powerful Vegas TV host and Star-maker. Meanwhile, Carmelita’s smitten production manager Angel tries her best to look out for her, while would-be angel Rita Hayworth herself takes on the role of Carmelita’s consultant on all things Hayworth in a bid to earn her wings from a God moving in typically mysterious ways. While the piece requires patience with the usual formal pitfalls of the solo form (including some awkward back-and-forth between multiple characters) and the hefty plot could also use some editing, D’Elia (under director Mary Guzmán), in a production with few frills, proves a sharp and engaging performer, her characters tending to be both endearing and amusingly full-bodied. (Avila)

Scamoramaland Bindlestiff Studio, 185 Sixth St, SF; www.performersunderstress.com. $15-30. Thu/14-Sat/16, 8pm; Sun/17, 2pm. We’ve probably all received at least one “419” letter from a Nigerian prince-businessman-widow with a fortune abroad that must be reclaimed, for reasons not completely clear, by you and you alone. Eve Edelson’s play Scamoramaland (inspired loosely by her book of the same name) takes a closer look at these scams and attempts to flesh out what we never see online, namely, the faces behind the fraud. As such, however, it’s an incomplete look at best. We’re first introduced to Freddy (James Udom) a charming youth with a fast, flirty patter and a hunger for words, which has driven him to his strange profession, a writer of advance fee fraud scenarios for his boss or “oga” (Duane Lawrence), who holds his school fees hostage for more lucrative letters. As scam artists go, Udom’s Freddy is relatively likable, and it’s hard not to feel for him when a belligerent, wheelchair-bound “scambaiter” Tom (Scott Baker) begins to string him along. But as Freddy becomes more entangled in his unsavory trade, we never get a strong sense of what he is giving up by descending irrevocably deeper into the criminal underworld, his character remaining almost as two-dimensional as his loquacious online alter ego. As for the global socio-economic inequalities that drive such endeavors, they too are barely touched upon, and we’re left with a play that is more troubling than the comedy it’s billed as, but not unflinching enough to be truly transformative. (Gluckstern)

Shakespeare Night at the Blackfriars (London Idol 1610) Phoenix Arts Association Annex Theatre, 414 Mason, SF; www.subshakes.com. $20-25. Fri/15-Sat/16, 8pm; Sun/17, 7pm. Subterranean Shakespeare performs George Crowe’s comedy about a playwriting contest between Ben Jonson, Thomas Middleton, Francis Beaumont, and the ghost of Christopher Marlowe.

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu-Sat, 8pm. Through Nov 23. It’s lucky 14 for the Thrillpeddlers’ annual Halloween-tide Shocktoberfest, and while there are few surprises in this year’s lineup, there’s plenty of reliable material to chew on. Opening with A Visit to Mrs. Birch and the Young Ladies of the Academy, a ribald Victorian-era “spanking drama,” the fare soon turns towards darker appetites with a joint Andre De Lorde-Pierre Chaine work, Jack the Ripper. Works by De Lorde — sometimes referred to as the “Prince of Fear” — have graced the Hypnodrome stage over the years, and this tense Victorian drama, though penned in the 30s, is suitably atmospheric. Although it becomes pretty evident early on who dunnit, it’s the why that lies at the heart of this grim drama, and in the course of that discovery, the play’s beleaguered lawmen reveal themselves to be no less ruthless than the titular Ripper (John Flaw) in pursuit of their quarry. Norman Macleod as Inspector Smithson particularly embodies this unwholesome dichotomy, and Bruna Palmeiro excels as his spirited yet doomed bait. Inspired by Oscar Wilde’s Salome, the Thrillpeddlers’ piece by the same name is perhaps the weak link in the program, despite being penned by the ever-clever Scrumbly Koldewyn, and danced with wanton abandon by Noah Haydon. Longtime Thrillpeddlers’ collaborator Rob Keefe ties together the evening’s disparate threads under one sprawling big top media circus of murder, sex, ghosts, and sensationalism with his somewhat tongue-in-cheek, San Francisco-centric The Wrong Ripper. (Gluckstern)

Sidewinders Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. $10-50. Thu/14, 7:30pm; Fri/15-Sat/16, 8pm (also Sat/16, 2pm); Sun/17, 5pm. Cutting Ball opens its 15th season with the world premiere of Basil Kreimendahl’s absurdist romp through gender queerness. In a cartoonish, desolate wasteland (designed by Michael Locher), Dakota (Sara Moore), a bleached-blonde gunslinger in buckskin fringes, and Bailey (DavEnd), a possibly AWOL soldier rocking high-heeled boots and a single drop earring, wrestle with the conundrum of what to call their respective genitals. And more to the point, what to do with them after they figure it out. Or as Bailey bluntly puts it, “Who am I supposed to fuck?” But there’s more to being stranded in the uncharted wilderness at stake than “organ confusion,” and soon they must channel their uncommon alliance into finding a way back out. What they find instead include a regal figure of indeterminate gender possessed of extra limbs (Donald Currie), a suicidal servant with surgical skills (Norman Muñoz), and a growing realization that wilderness, like identity, is relative. Moore and DavEnd make a good comedic team, their endless banter, circular logic and exaggerated facial gymnastics giving them the philosophical gravitas of a Looney Tunes episode, while Currie’s turn as mutated muse is unexpectedly moving. Recent winner of the prestigious Rella Lossy award, this intriguing world premiere marks playwright Basil Kreimendahl’s first professional production, though it seems safe to say that it won’t be the last. (Gluckstern)

Underneath the Lintel Geary Theater, 415 Geary, SF; www.act-sf.org. $20-150. Tue-Sat, 8pm (check website for matinees). Extended through Nov 23. A lone librarian (David Strathairn) takes the stage with a suitcase of “scraps” he will use to “prove one life and justify another.” To illustrate the first, he pulls a battered travel guide — 113 years overdue — from the case, and then, as the play continues, displays further “lovely evidence” to bolster his admittedly vague hypothesis. The life he is attempting to prove is that of the so-called “Wandering Jew,” but it’s the life he attempts to justify, namely his own, that becomes the more compelling, and his broadening horizons drive his narrative far more efficiently than his curious obsession with a man in a funny hat (who owes the library quite a fine for his century-delayed return of the guidebook). As a man who has rarely left the comfortable confines of his home town, Hoofddorp, traveling to London, China, New York City, and even Australia is nothing short of epic in the best sense of the word — a hero’s journey during which the benignly dotty librarian emerges transformed. Given the expanse of ACT’s Geary Theater mainstage, the production does suffer somewhat from a lack of intimacy, but moments of inventive staging take advantage of Nina Ball’s fantastically-cluttered set and the librarian’s innate sense of curiosity, as he unearths a wealth of evidence and fraught memories from the depths of the cavernous space. (Gluckstern)

BAY AREA

A Bright New Boise Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-50. Previews Wed/13, 8pm. Opens Thu/14, 8pm. Runs Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 8. Aurora Theatre presents Samuel D. Hunter’s tale of an ex-evangelical cult member attempting to bond with his estranged son before the end of the world.

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 15. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Don’t Dress For Dinner Center REPertory Company, 1601 Civic, Walnut Creek; www.centerrep.org. $33-52. Wed, 7:30pm; Thu-Sat, 8pm (also Nov 23, 2:30pm); Sun, 2:30pm. Through Nov 23. Center REP performs Marc Camoletti’s sequel to his classic farce Boeing-Boeing.

A King’s Legacy Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-35. Thu-Sat, 8pm; Sun, 2pm. Through Nov 24. Pear Avenue Theatre performs Elyce Melmon’s world premiere, a drama about King James VI of Scotland.

A Little Princess Julia Morgan Theater, 2640 College, Berk; www.berkeleyplayhouse.org. $17-60. Thu-Fri, 7pm (Nov 28, shows at 1 and 6pm); Sat, 1 and 6pm; Sun, noon and 5pm (no 5pm show Dec 1). Through Dec 8. Berkeley Playhouse opens its sixth season with Brian Crawley and Andrew Lippa’s musical adaptation of the Frances Hodgson Burnett story.

Metamorphoses South Berkeley Community Church, 1802 Fairview, Berk; www.infernotheatre.org. $10-25. Thu and Sat-Sun, 8pm; Fri, 9pm. Through Nov 23. Inferno Theatre performs a multimedia, contemporary adaptation of Ovid’s classic.

The Pianist of Willesden Lane Berkeley Repertory Theatre, Thrust Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $29-89. Tue and Thu-Sat, 8pm (also Dec 5 and Sat, 2pm; no show Nov 28); Wed and Sun, 7pm (also Sun, 2pm). Through Dec 8. Mona Golabek stars in this solo performance inspired by her mother, a Jewish pianist whose dreams and life were threatened by the Nazi regime.

Red Virgin, Louise Michel and the Paris Commune of 1871 Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Thu-Sat, 8pm; Sun, 5pm. Through Nov 24. Central Works presents a new play (with live music) by Gary Graves about the Paris Commune uprising.

Social Security Muriel Watkin Gallery, 1050 Crespi Drive, Pacifica; (650) 359-8002. $10-25. Fri-Sat, 8pm; Sun, 2pm. Through Nov 24. Pacifica Spindrift Players performs Andrew Bergman’s classic comedy.

strangers, babies Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed/13-Thu/14, 7pm; Fri/15-Sat/16, 8pm; Sun/17, 5pm. Shotgun Players present Linda McLean’s drama about a woman confronting her past.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. This week: “DuoProv Championship,” Fri, 8pm, through Nov 29; “Family Drama,” Sat, 8pm, through Nov 30.

“Be Bop Baby: A Musical Memoir: Z Space, 450 Florida, SF; www.zspace.org. Nov 19-21, 7pm; Nov 22-23, 8pm. $25-75. World premiere by Margo Hall and the Marcus Shelby Jazz Orchestra.

“Best of the 2013 San Francisco Fringe Festival” Exit Studio, 156 Eddy, SF; www.theexit.org. Fri/15-Sat/16, 8pm. $15-25. This week: Sarah Mackey’s Memphis On My Mind (“Best of” series continues through Nov. 23).

“Bitch and Tell: A Real Funny Variety Show” Garage, 715 Bryant, SF; www.ftloose.org. Fri/15-Sat/16, 8pm. $8-10. With Paco Romane, Rosemary Hannon, David Miller, Lindsay Wood, Bruce Yelaska, and others.

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

“The Buddy Club Children’s Shows” Randal Museum Theater, 199 Museum Wy, SF; www.thebuddyclub.com. Sun/17, 11am-noon. $8 (under 2, free). Dan Chan Magic Man performs dog tricks, illusions, and juggling.

“Con Nombre y Apellido” Fort Mason Center, Southside Theater, Marina at Laguna, SF; www.brownpapertickets.com. Thu/15-Sat/16, 8pm; Sun/17, 2pm. $35-40. Also Nov 23, 8pm, $45, Mtn View Center for the Performing Arts, 500 Castro, Mtn View. Theatre Flamenco of San Francisco presents renowned flamenco dancer Carola Zertuche.

CounterPULSE 1310 Mission, SF; www.counterpulse.org. This week: Year of the Snake with Jason Hoopes, Peiling Kao, and Karl Jensen, Fri/15-Sat/16, 8pm; Sun/17, 7pm, $10-15. “Beware the Band of Lions (They’re Dandy Lions),” with Bandelion, Sun/17, 3pm, free (reservations required as space is extremely limited; to request an invitation, email info@dandeliondancetheater.org).

“Fashioning Women” SOMArts Cultural Center, 934 Brannan, SF; www.brownpapertickets.com. Sat/16, 8pm. $25. Bay Area artist Kate Mitchell presents a dance/theater performance, book launch, and gallery show incorporating her faux costume designs.

Flyaway Productions Joe Goode Annex, 401 Alabama, SF; www.flyawayproductions.com. Wed/13-Sat/16, 7:30 and 9pm. $25. Director-choreographer Jo Kreiter and Flyaway Productions’ latest aerial composition banks off various aspects of female transcendence over the obstacles and confines of the modern world. That informs the deep structure of Give a Woman a Lift anyway — subtitled “a self-propelled, upward dash” — which is currently inhabiting the floor, walls, widows, and the very air within the high-ceilinged Joe Goode Annex. The piece has no narrative per se, but nevertheless evokes a sense of countless stories in both the sweeping grace and the spasmodic or reflexive contortions of its six performers (a lithe and forceful ensemble comprised of Christine Cali, Jennifer Chien, Becca Dean, Lisa Fagan, MaryStarr Hope, and Patricia Jiron). Further augmenting these proto-narrative tropes is an enveloping score by Jewlia Eisenberg and Laura Inserra, whose richly woven melodies are laced with images of women in flight and a repeated call to “rise up, fly girl.” Well-wrought and sympathetic as this fabric is, it can get in the way of some of the more immediately compelling parts of the dance, which makes fine use of the contact between the performers’ bodies and various (industrial) surfaces. These include discrete sections of rust-covered steel I-beams manipulated throughout as objects, supports, or as the central swinging platform suspended from the ceiling, which rises and falls throughout with dancers on and around it. There is something in that contact and negotiation which speaks to, but also reaches intriguingly beyond, the familiar tropes flagged by the “uplifting” aspects of the score and choreography. The latter is full of sweeping arcs and upended bodies, but also gestures that are unnecessarily histrionic. One ends up wondering what more silence and less affectation might have allowed to arise with this wonderfully kinetic and almost trans-human situation. (Avila)

“The Grawlix” Hemlock Tavern, 1131 Polk, SF; www.hemlocktavern.com. Fri/15, 9pm. $15. Club Chuckles hosts the Denver stand-up comedy troupe.

“Hysterical Historical San Francisco, Holiday Edition” Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. Sun, 7pm. Through Dec 29. $30-40. Comic Kurt Weitzman performs.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

Megan Mullally and Stephanie Hunt Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Thu/14-Fri/15, 8pm; Sat/16, 7pm. $45-65 ($20 food and beverage minimum). The performers present their band Nancy and Beth.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 4:30 and 7pm. $20-30 (free aquarium ticket with show ticket). Extended through Dec 28. Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

Point Break Live!” DNA Lounge, 373 11th St, SF; www.dnalounge.com. Dec 6 and Jan 3, 7:30 and 11pm. $25-50. Interactive interpretation of Kathryn Bigelow’s 1991 classic. (Some tickets include meatball sandwiches!)

San Francisco International Hip Hop DanceFest Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfhiphopdancefest.com. Fri/15-Sat/16, 8pm; Sun/17, 2 and 7pm. $39.99-$75. The fest celebrates its 15th anniversary with performances by 13 hip-hop dance companies.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“Seijin no Hi/Coming of Age” Japanese Cultural and Community Center of Northern California, 1840 Sutter, SF; www.brownpapertickets.com. Sun/17, 1pm. $17-25. Taiko drumming and dance company GenRyu Arts performs its 18th anniversary concert.

BAY AREA

Adventures of a Black Girl: Traveling While Black EastSide Cultural Center, 2277 International, Oakl; www.brownpapertickets.com. Fri-Sat, 8pm. Through Nov 23. $5-15. Edris Cooper-Anifowoshe performs her solo show.

Diablo Ballet Lesher Center for the Arts, 1601 Civic, Walnut Creek; www.lesherartscenter.org. Fri/15-Sat/16, 8pm (also Sat/16, 2pm). $20-52. The company’s 20th season kicks off with Our Waltzes Trilogy and A Swingin’ Holiday.

“The Intergalactic Nemesis: Book One: Target Earth” Zellerbach Hall, UC Berkeley, Bancroft at Dana, Berk; www.calperformances.org. Thu/14, 8pm. $18-42. A “live-action graphic novel” for ages seven and up.

“Rednecks, God, and Angelenos: The Worst of Randy Newman” Subterranean Art House, 2179 Bancroft, Berk; www.shotgunplayers.org. Sun/17, 8pm. $10-15. First Person Singular performs.

Savage Jazz Dance Company Laney College Theater, 900 Fallon, Oakl; www.savagejazz.org. Thu/14-Sat/16, 8pm. $10-20. The company performs its 2013 fall season, with repertory classics set to Wynton Marsalis and Philip Glass, plus a world premiere.

Unión Tanguera Zellerbach Hall, UC Berkeley, Bancroft at Dana, Berk; www.calperformances.org. Sun/17, 7pm. $18-48. The contemporary tango ensemble performs Nuit Blanche (2010). *

 

Theater Listings: November 6 – 12, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Emmett Till: A River NOH Space in Project Artaud, 2840 Mariposa, SF; www. theatreofyugen.org. $20-30. Opens Thu/7, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Nov 17. Theatre of Yugen presents a world premiere by Kevin Simmonds and Judy Halebsky; it uses classical Japanese Noh drama to tell the story of civil rights-era murder victim Emmett Till.

The Gershwins’ Porgy and Bess Golden Gate Theatre, One Taylor, SF; www.shnsf.com. $60-210. Opens Sun/10, 2pm. Runs Tue-Sat, 8pm (no show Nov 28; check website for matinee schedule); Sun, 2pm. Through Dec 8. The Tony-winning Broadway revival launches its national tour in San Francisco.

My Beautiful Launderette New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Opens

Fri/8, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Dec 22. New Conservatory Theatre Center performs Andy Gram and Roger Parsley’s adaptation of Hanif Kureishi’s award-winning screenplay.

The Rita Hayworth of this Generation Garage, 715 Bryant, SF; www.715bryant.org. $10-15. Opens Wed/6, 8pm. Runs Wed-Thu, 8pm. Through Nov 21. Tina D’Elia performs her multi-character solo play.

BAY AREA

A Bright New Boise Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-50. Previews Fri/8-Sat/9 and Nov 13, 8pm; Sun/10, 2pm; Tue/12, 7pm. Opens Nov 14, 8pm. Runs Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 8. Aurora Theatre presents Samuel D. Hunter’s tale of an ex-Evangelical cult member attempting to bond with his estranged son before the end of the world.

ONGOING

The Barbary Coast Revue Stud Bar, 399 Ninth St, SF; eventbrite.com/org/4730361353. $10-40. Wed, 9pm (no show Nov 27). Through Dec 18. Blake Wiers’ new “live history musical experience” features Mark Twain as a tour guide through San Francisco’s wild past.

Bengal Tiger at the Bagdad Zoo SF Playhouse, 450 Post, SF; www.sfplayhouse.org. $30-100. Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm). Through Nov 16. In Rajiv Joseph’s Pulitzer-nominated Bengal Tiger at the Bagdad Zoo, the dead quickly outnumber the living, and soon the stage is littered with monologist ghosts lost in transition. In Joseph’s world, at least, death is but another phase of consciousness, a plane of existence where a man-eating tiger might experience a crisis of conscience, and a brash young soldier with a learning disability might suddenly find himself contemplating algebraic equations and speaking Arabic — knowledge that had eluded his comprehension in life. Will Marchetti’s portrayal of the titular tiger is on the static side, though his wry intelligence and philosophical awakening comes as a welcome contrast to the willfully obtuse world view of the American soldiers (Gabriel Marin and Craig Marker) guarding him. But it’s Musa (Kuros Charney), a translator for the Americans and a former gardener and topiary “artist,” who eventually emerges as the play’s most fully realized character and also the most tragic, becoming that which he dreads the most, a beast in a lawless land, egged on by the ghost of his former employer, the notoriously sadistic Uday Hussein (Pomme Koch). At times, director Bill English’s staging feels too understated and contained for a play that’s so muscular and expansive (an understatement not carried over into Steven Klems’ appropriately jarring sound design) focused less on its metaphysical implications than on its mundane surface, but however imperfect the production and daunting the script, it remains a fascinating response to an unwinnable war — the war against our own animal natures. (Gluckstern)

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Dec 17. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Dirty Little Showtunes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed/6-Sat/9, 8pm; Sun/10, 2pm. Lyricist-performer Tom Orr and director F. Allen Sawyer’s sassy but loving remix of iconic Broadway songs returns in another iteration, this one at the New Conservatory Theatre Center, complete with a willing and able cast of five (Rotimi Agbabiaka, David Bicha, Jesse Cortez, Randy Noak, Orr), piano accompaniment by musical director Scrumbly Koldewyn, and some rudimentary if evocative choreography by Jayne Zaban. Truly silly, sometimes inspired, the show mixes favorite parodies from past productions with some new ones. Orr’s wit shines throughout, even if it does not necessarily outshine every borrowed theme. Gilbert and Sullivan, for example, are hardly upstaged as much as celebrated with Bicha belting out, “I Am the Very Model of a Modern Homosexual.” More sentimental numbers about T cell counts or gay marriage, while an understandable part of the landscape of gay life explored here, can feel a little strained in the context of the generally ribald. But the high-spirited nature of this whimsical show makes pardonable even the less-dirty parts. (Avila)

Driving Miss Daisy Buriel Clay Theater at the African American Art and Culture Complex, 762 Fulton, SF; www.african-americanshakes.org. $12.50-37.50. Fri-Sat, 8pm; Sun, 3pm. Through Nov 17. African-American Shakespeare Company performs Alfred Uhry’s Pulitzer-winning drama.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Gruesome Playground Injuries Tides Theatre, 533 Sutter, SF; www.tidestheatre.org. $20-40. Wed/6-Sat/9, 8pm. Tides Theatre performs Rajiv Joseph’s drama about two people who first meet as eight-year-olds in the school nurse’s office.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

I Married an Angel Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Wed-Thu, 7pm; Fri, 8pm; Sat, 6pm (also Sat/9, 1pm), Sun, 3pm. Through Nov 17. 42nd Street Moon performs the Rodgers and Hart classic.

The Jewelry Box: A Genuine Christmas Story The Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-40. Fri, 8pm; Sat, 5pm. Through Dec 28. Brian Copeland performs the world premiere of his new, holiday-themed work, an Oakland-set autobiographical tale that’s a prequel to his popular Not a Genuine Black Man.

The Life Machine DanzHaus, 1275 Connecticut, SF; www.faultlinetheater.com. $15-20. Fri/8-Sat/9, 8pm; Sun/10, 2pm. A naïve and restive young woman (Gwen Kingston), working as admin for a high-powered and ethically questionable business firm, marries her pig-headed and lecherous boss (Nick Medina) in a desperate bid to escape the drudgery of the work-a-day world. Instead, she finds her suffocating marriage and unwanted motherhood its own prison. An extramarital affair with a latter-day beatnik (Jon Oleson) gives her a first taste of life and freedom, for which she pays the ultimate price when things go south. Set in a palpably near future, this socially rich dystopic drama acknowledges several “reflective texts” as influences, including Donna Haraway’s “A Cyborg Manifesto” and (as evidenced in some of Maxx Kurzunshki and Clive Walker’s wide-ranging and remarkable video design) Godfrey Reggio and Philip Glass’s Koyaanisqatsi. But the piece remains in large part an astute revamping and updating of Sophie Treadwell’s Machinal. Director Cole Ferraiuolo’s inspired retooling of that 1928 expressionist stage classic proves a potent contemporary lens on the persistent anomie of the people, and growing enemies of the state, in a self-congratulatory high-tech and hyper-connected world. Sophie Needelman’s mercurial choreography for five dancers, meanwhile, evokes everything from the crush of the daily commute to the cyborg cogs of the post-industrial work world or the drift of the moon across a fathomless sky. At the heart of this worthwhile production from impressive newcomers FaultLine are a handful of strong and intelligent performances. These are led by Kingston’s dynamic, rigorously unsentimental performance as a tragically alienated every-woman, who must suffer any number of mundane indignities before her apotheosis as a deeply violent and repressed society’s convenient cipher. (Avila)

Lovebirds Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Thu/7-Fri/8, 8pm; Sat/9, 8:30pm. Workshop performances of Marga Gomez’s 10th solo show, about different characters seeking romance in the 1970s.

Peter and the Starcatcher Curran Theatre, 445 Geary, SF; www.shnsf.com. $40-160. Tue-Sat, 8pm (also Wed and Sat, 2pm; no show Nov 28); Sun, 2pm. Through Dec 1. Fanciful, Tony-winning prequel to Peter Pan.

Shakespeare Night at the Blackfriars (London Idol 1610) Phoenix Arts Association Annex Theatre, 414 Mason, SF; www.subshakes.com. $20-25. Fri-Sat, 8pm; Sun, 7pm. Through Nov 17. Subterranean Shakespeare performs George Crowe’s comedy about a playwriting contest between Ben Jonson, Thomas Middleton, Francis Beaumont, and the ghost of Christopher Marlowe.

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu-Sat, 8pm. Through Nov 23. It’s lucky 14 for the Thrillpeddlers’ annual Halloween-tide Shocktoberfest, and while there are few surprises in this year’s lineup, there’s plenty of reliable material to chew on. Opening with A Visit to Mrs. Birch and the Young Ladies of the Academy, a ribald Victorian-era “spanking drama,” the fare soon turns towards darker appetites with a joint Andre De Lorde-Pierre Chaine work, Jack the Ripper. Works by De Lorde — sometimes referred to as the “Prince of Fear” — have graced the Hypnodrome stage over the years, and this tense Victorian drama, though penned in the 30s, is suitably atmospheric. Although it becomes pretty evident early on who dunnit, it’s the why that lies at the heart of this grim drama, and in the course of that discovery, the play’s beleaguered lawmen reveal themselves to be no less ruthless than the titular Ripper (John Flaw) in pursuit of their quarry. Norman Macleod as Inspector Smithson particularly embodies this unwholesome dichotomy, and Bruna Palmeiro excels as his spirited yet doomed bait. Inspired by Oscar Wilde’s Salome, the Thrillpeddlers’ piece by the same name is perhaps the weak link in the program, despite being penned by the ever-clever Scrumbly Koldewyn, and danced with wanton abandon by Noah Haydon. Longtime Thrillpeddlers’ collaborator Rob Keefe ties together the evening’s disparate threads under one sprawling big top media circus of murder, sex, ghosts, and sensationalism with his somewhat tongue-in-cheek, San Francisco-centric The Wrong Ripper. (Gluckstern)

Sidewinders Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. $10-50. Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through Nov 17. Cutting Ball opens its 15th season with the world premiere of Basil Kreimendahl’s absurdist romp through gender queerness. In a cartoonish, desolate wasteland (designed by Michael Locher), Dakota (Sara Moore), a bleached-blonde gunslinger in buckskin fringes, and Bailey (DavEnd), a possibly AWOL soldier rocking high-heeled boots and a single drop earring, wrestle with the conundrum of what to call their respective genitals. And more to the point, what to do with them after they figure it out. Or as Bailey bluntly puts it, “Who am I supposed to fuck?” But there’s more to being stranded in the uncharted wilderness at stake than “organ confusion,” and soon they must channel their uncommon alliance into finding a way back out. What they find instead include a regal figure of indeterminate gender possessed of extra limbs (Donald Currie), a suicidal servant with surgical skills (Norman Muñoz), and a growing realization that wilderness, like identity, is relative. Moore and DavEnd make a good comedic team, their endless banter, circular logic and exaggerated facial gymnastics giving them the philosophical gravitas of a Looney Tunes episode, while Currie’s turn as mutated muse is unexpectedly moving. Recent winner of the prestigious Rella Lossy award, this intriguing world premiere marks playwright Basil Kreimendahl’s first professional production, though it seems safe to say that it won’t be the last. (Gluckstern)

BAY AREA

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 15. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Don’t Dress For Dinner Center REPertory Company, 1601 Civic, Walnut Creek; www.centerrep.org. $33-52. Wed, 7:30pm; Thu-Sat, 8pm (also Nov 23, 2:30pm); Sun, 2:30pm. Through Nov 23. Center REP performs Marc Camoletti’s sequel to his classic farce Boeing-Boeing.

A King’s Legacy Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-35. Thu-Sat, 8pm; Sun, 2pm. Through Nov 24. Pear Avenue Theatre performs Elyce Melmon’s world premiere, a drama about King James VI of Scotland.

A Little Princess Julia Morgan Theater, 2640 College, Berk; www.berkeleyplayhouse.org. $17-60. Thu-Fri, 7pm (Nov 28, shows at 1 and 6pm); Sat, 1 and 6pm; Sun, noon and 5pm (no 5pm show Dec 1). Through Dec 8. Berkeley Playhouse opens its sixth season with Brian Crawley and Andrew Lippa’s musical adaptation of the Frances Hodgson Burnett story.

Metamorphoses South Berkeley Community Church, 1802 Fairview, Berk; www.infernotheatre.org. $10-25. Thu and Sat-Sun, 8pm; Fri, 9pm (no show Sat/9). Through Nov 23. Additional performance Sat/9, 8pm, $5-20, Laney College, 900 Fallon, Oakl. Inferno Theatre performs a multimedia, contemporary adaptation of Ovid’s classic.

The Pianist of Willesden Lane Berkeley Repertory Theatre, Thrust Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $29-89. Tue and Thu-Sat, 8pm (also Thu/7, Dec 5, and Sat, 2pm; no matinee Sat/9; no show Nov 28); Wed and Sun, 7pm (also Sun, 2pm). Through Dec 8. Mona Golabek stars in this solo performance inspired by her mother, a Jewish pianist whose dreams and life were threatened by the Nazi regime.

Red Virgin, Louise Michel and the Paris Commune of 1871 Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Thu-Sat, 8pm; Sun, 5pm. Through Nov 24. Central Works presents a new play (with live music) by Gary Graves about the Paris Commune uprising.

Social Security Muriel Watkin Gallery, 1050 Crespi Drive, Pacifica; (650) 359-8002. $10-25. Fri-Sat, 8pm; Sun, 2pm. Through Nov 24. Pacifica Spindrift Players performs Andrew Bergman’s classic comedy.

strangers, babies Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Nov 17. Shotgun Players present Linda McLean’s drama about a woman confronting her past.

Swing Shift Onboard the SS Red Oak Victory, 1337 Canal, Berth 6A, Richmond; www.galateanplayers.com. $18-20. Fri/8-Sat/9, 8pm; Sun/10, 3pm. Galatean Players Ensemble Theatre perform Kathryn G. McCarty’s adaptation of Joseph Fabry’s novel, performed aboard a ship in the yards where Fabry once worked.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. This week: “DuoProv Championship,” Fri, 8pm, through Nov 29; “Family Drama,” Sat, 8pm, through Nov 30.

“Best of the 2013 San Francisco Fringe Festival” Exit Studio, 156 Eddy, SF; www.theexit.org. Fri/8-Sat/9, 8pm. $15-25. This week: 53 Letters (“Best of” series continues through Nov. 23)

Jim Brickman Venetian Room, Fairmont San Francisco, 950 Mason, SF; www.bayareacabaret.org. Sun/10, 5pm (with David Burnham) and 8pm (solo). $48. Romantic piano sensation Brickman plays, joined at the earlier show by Broadway tenor David Burnham.

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

“Cabinet of Wonders” Jewish Community Center of SF, Kanbar Hall, 3200 California, SF; www.jccsf.org. Mon/11, 8pm. $30-40. Musician-author Wesley Stace curates and hosts this variety show, featuring Eugene Mirman, Alec Ounsworth, Dean & Britta, Bobcat Goldthwaite, and others.

“Comedy Returns to El Rio!” El Rio, 3158 Mission, SF; www.brownpapertickets.com. Mon/11, 8pm. $7-20. With Micia Mosely, David Hawkins, Sampson McCormick, Emily Epstein White, and Lisa Geduldig.

“Competitive Erotic Fan Fiction” Punchline, 444 Battery, SF; www.punchlinecomedyclub.com. Tue/12, 8pm. $15. Ten comics (Nato Green, Caitlin Gill, Sean Keane, and others) perform erotic fan fic.

CounterPULSE 1310 Mission, SF; www.counterpulse.org. This week: Instrument by Monique Jenkinson (aka Fauxnique), Fri/8, 8pm and Sat/9, 7pm, $20-30; “Beware the Band of Lions (They’re Dandy Lions),” with Bandelion, Sun/10 and Nov 17, 3pm, free (reservations required as space is extremely limited; to request an invitation, email info@dandeliondancetheater.org).

Flyaway Productions Joe Goode Annex, 401 Alabama, SF; www.flyawayproductions.com. Fri/8-Sat/9 and Nov 13-16, 7:30 and 9:30pm. $25. Choreographer Jo Kreiter and designer Sean Riley present the world premiere of Give a Woman a Lift.

“Hysterical Historical San Francisco, Holiday Edition” Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. Sun, 7pm. Through Dec 29. $30-40. Comic Kurt Weitzman performs.

Roslyn Kind Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Fri/8, 8pm; Sat/9, 7pm. $30-60 ($20 food and beverage minimum per person). The Broadway star performs.

Kunst-Stoff Dance Company ODC Theater, 3153 17th St, SF; www.kunst-stoff.org. Fri/8-Sat/9, 8pm; Sun/10, 7pm. $25-45. The company marks its 15th anniversary with retrospectives, contained in two different programs: recreated old works and new works inspired by repertory.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“ODC/Dance Unplugged” ODC Dance Commons Studio B, 351 Shotwell, SF; www.odctheater.org. Fri/8, 7pm. $25. Get a unique, behind-the-scenes look at Triangulating Euclid, a new collaboration between Brenda Way, KT Nelson, and Kate Weare.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 4:30 and 7pm. $20-30 (free aquarium ticket with show ticket). Extended through Dec 28. Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

Point Break Live!” DNA Lounge, 373 11th St, SF; www.dnalounge.com. Dec 6 and Jan 3, 7:30 and 11pm. $25-50. Interactive interpretation of Kathryn Bigelow’s 1991 classic. (Some tickets include meatball sandwiches!)

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“Solitude” Brava Theater Center, 2781 24th St, SF; www.brava.org. Thu/7-Sat/9, 8pm (also Sat/9, 3pm). $15-35. LA’s Latino Theater Company performs Evelina Fendandez’s critically acclaimed play about Chicaco life and culture.

“Upside-Downton Abbey” Palace of Fine Arts Theatre, 3301 Lyon, SF; www.lamplighters.org. Sun/10, 4pm (silent auction at 3pm). $35-97. Also Nov 24, 4pm, $58-83, Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.mvcpa.com. Lamplighters Musical Theatre’s annual gala performance spoofs the popular British soap opera.

“WERK! Performance Festival 2013” Dance Mission Theater, 3316 24th St, SF; www.werkcollective.org. Fri/8-Sun/10, 8pm (also Sun/10, 4pm). $20. Choreographers Alyce Finwall, Samantha Giron, Timothy Rubel, and Ashley Trottier share the weekend.

BAY AREA

Diablo Ballet Smith Center, Ohlone College, 43600 Mission, Fremont; www.diabloballet.org. Sat/9, 2 and 8pm. Also Nov 15-16, 8pm (also Nov 16, 2pm), Lesher Center for the Arts, 1601 Civic, Walnut Creek; www.lesherartscenter.org. $20-52. The company’s 20th season kicks off with Our Waltzes Trilogy and A Swingin’ Holiday.

“Dogugaeshi” Zellebach Playhouse, Dana at Bancroft, UC Berkeley, Berk; www.calperformances.org. Wed/6-Fri/8, 8:30pm (also Thu/7-Fri/8, 6pm); Sat/9-Sun/10, 2 and 7pm. $48-76. The latest from innovative puppeteer Basil Twist.

“Rapunzel” Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. Sat/9-Sun/10, 10am and 12:30pm. $15-20. Marin Theatre Company performs a fairy-tale play for all ages. *

 

Stage Listings Oct. 30-Nov. 5, 2013

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Driving Miss Daisy Buriel Clay Theater at the African American Art and Culture Complex, 762 Fulton, SF; www.african-americanshakes.org. $12.50-37.50. Opens Sat/2, 8pm. Runs Fri-Sat, 8pm; Sun, 3pm. Through Nov 17. African-American Shakespeare Company performs Alfred Uhry’s Pulitzer-winning drama.

I Married an Angel Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Previews Wed/30-Thu/31, 7pm; Fri/1, 8pm. Opens Sat/2, 6pm. Runs Wed-Thu, 7pm; Fri, 8pm; Sat, 6pm (also Nov 9, 1pm), Sun, 3pm. Through Nov 17. 42nd Street Moon performs the Rodgers and Hart classic.

The Jewelry Box: A Genuine Christmas Story The Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-40. Opens Fri/1, 8pm. Runs Fri, 8pm; Sat, 5pm. Brian Copeland performs the world premiere of his new, holiday-themed work, an Oakland-set autobiographical tale that’s a prequel to his popular Not a Genuine Black Man.

Peter and the Starcatcher Curran Theatre, 445 Geary, SF; www.shnsf.com. $40-160. Opens Tue/5, 8pm. Runs Tue-Sat, 8pm (also Wed and Sat, 2pm; no show Nov 28); Sun, 2pm. Through Dec 1. Fanciful, Tony-winning prequel to Peter Pan.

BAY AREA

A King’s Legacy Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-35. Previews Thu/31, 8pm. Opens Fri/1, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Nov 24. Pear Avenue Theatre performs Elyce Melmon’s world premiere, a drama about King James VI of Scotland.

A Little Princess Julia Morgan Theater, 2640 College, Berk; www.berkeleyplayhouse.org. $17-60. Previews Thu/30, 7pm and Sat/2, 1pm. Opens Sat/2, 6pm. Runs Thu-Fri, 7pm (Nov 28, shows at 1 and 6pm); Sat, 1 and 6pm; Sun, noon and 5pm (no 5pm show Dec 1). Through Dec 8. Berkeley Playhouse opens its sixth season with Brian Crawley and Andrew Lippa’s musical adaptation of the Frances Hodgson Burnett story.

Social Security Muriel Watkin Gallery, 1050 Crespi Drive, Pacifica; (650) 359-8002. $10-25. Opens Fri/1, 8pm. Runs Fri-Sat, 8pm; Sun, 2pm. Through Nov 24. Pacifica Spindrift Players performs Andrew Bergman’s classic comedy.

ONGOING

The Barbary Coast Revue Stud Bar, 399 Ninth St, SF; eventbrite.com/org/4730361353. $10-40. Wed, 9pm (no show Nov 27). Through Dec 18. Blake Wiers’ new “live history musical experience” features Mark Twain as a tour guide through San Francisco’s wild past.

Bengal Tiger at the Bagdad Zoo SF Playhouse, 450 Post, SF; www.sfplayhouse.org. $30-100. Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm). Through Nov 16. In Rajiv Joseph’s Pulitzer-nominated Bengal Tiger at the Bagdad Zoo, the dead quickly outnumber the living, and soon the stage is littered with monologist ghosts lost in transition. In Joseph’s world, at least, death is but another phase of consciousness, a plane of existence where a man-eating tiger might experience a crisis of conscience, and a brash young soldier with a learning disability might suddenly find himself contemplating algebraic equations and speaking Arabic —knowledge that had eluded his comprehension in life. Will Marchetti’s portrayal of the titular tiger is on the static side, though his wry intelligence and philosophical awakening comes as a welcome contrast to the willfully obtuse world view of the American soldiers (Gabriel Marin and Craig Marker) guarding him. But it’s Musa (Kuros Charney), a translator for the Americans and a former gardener and topiary “artist,” who eventually emerges as the play’s most fully realized character and also the most tragic, becoming that which he dreads the most, a beast in a lawless land, egged on by the ghost of his former employer, the notoriously sadistic Uday Hussein (Pomme Koch). At times, director Bill English’s staging feels too understated and contained for a play that’s so muscular and expansive (an understatement not carried over into Steven Klems’ appropriately jarring sound design) focused less on its metaphysical implications than on its mundane surface, but however imperfect the production and daunting the script, it remains a fascinating response to an unwinnable war — the war against our own animal natures. (Gluckstern)

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Dec 17. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Carrie: The Musical Victoria Theatre, 2961 16th St, SF; www.rayoflighttheatre.com. $25-36. Wed/30-Sat/2, 8pm (also Sat/2, 2pm). Teen bullying is très topical at the moment, making Stephen King’s terrifying tale of a telekinetic girl pushed to the breaking point by her unsympathetic classmates ripe for revival. Although it flopped on Broadway in 1988, Carrie: The Musical has aged more gracefully than you might expect, thanks to the timeliness of its overarching theme and a judicious 2012 facelift of its script and score. In Ray of Light Theatre’s slam-dunk production, Carrie unfolds a bit like an after-school special on scapegoating, except with show tunes and, of course, the stratospheric consequences of the final, tragic revenge sequence. The songs themselves are mainly forgettable in terms of hooks and lyrics, but the vibrant young cast makes the most of them, with excellent harmonizing and powerful range. Amanda Folena’s tight choreography borrows the sinuous hip rolls and stomp of a Janet Jackson routine and just a touch of twerk, while Joe D’Emilio’s lighting and Erik Scanlon’s video design work in unholy symbiosis to create the supernaturally charged ambience of Carrie’s world. As Carrie, Cristina Ann Oeschger really shines, embodying the heartbreaking fragility of a lonely outcast whose optimism has not yet been entirely crushed, while Heather Orth as her frighteningly pious mother, Margaret White, reveals the vulnerability of her equally lonely character that many portrayals miss altogether. Standouts among the solid supporting cast include Jessica Coker as a compassionate gym teacher and Riley Krull as the ultimate mean girl. (Gluckstern)

Dirty Little Showtunes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Nov 10. Lyricist-performer Tom Orr and director F. Allen Sawyer’s sassy but loving remix of iconic Broadway songs returns in another iteration, this one at the New Conservatory Theatre Center, complete with a willing and able cast of five (Rotimi Agbabiaka, David Bicha, Jesse Cortez, Randy Noak, Orr), piano accompaniment by musical director Scrumbly Koldewyn, and some rudimentary if evocative choreography by Jayne Zaban. Truly silly, sometimes inspired, the show mixes favorite parodies from past productions with some new ones. Orr’s wit shines throughout, even if it does not necessarily outshine every borrowed theme. Gilbert and Sullivan, for example, are hardly upstaged as much as celebrated with Bicha belting out, “I Am the Very Model of a Modern Homosexual.” More sentimental numbers about T cell counts or gay marriage, while an understandable part of the landscape of gay life explored here, can feel a little strained in the context of the generally ribald. But the high-spirited nature of this whimsical show makes pardonable even the less-dirty parts. (Avila)

Drowning Ophelia Mojo Theatre Space, 2940 16th St, #217, SF; www.repurposedtheatre.com. $20. Thu/31-Sat/2, 8pm. Jane (Katharine Otis) is a young woman teetering on the verge of a breakdown who plays period dress-up with would-be suitor Edmund (Will Trichon) but can’t avoid the character at her back: Hamlet‘s Ophelia (Kirsten Dwyer), chiding and chilling from her bathtub in the middle of the room. As Jane’s attention gets drawn back to her alter ego, scenes from the past with recently deceased brother Adam (Ryan Hayes) replay themselves with Ophelia as her stand-in. These go from innocent to menacing, as meanwhile Jane’s almost endlessly patient boyfriend finally seems to have had enough of the clash between their playful pretending and the unforeseen visitors in Jane’s head. While a promising gambit from newcomer Repurposed Theatre, the world premiere of Pennsylvania-based playwright Rachel Luann Strayer’s slightly unwieldy play makes less of this intriguing situation than one might hope. The literary and theatrical bent to Jane’s split personhood is apt on more than one level — she’s not only desperate to secure a sense of order for her disordered mind, but a scripted basis for a romantic ideal forever tarnished by her relationship with her brother (vaguely creepy in his boyish confidence in Hayes’s alert performance). But there’s little sense of a larger psychosocial reality — whether of patriarchal misogyny, or violence more generally — and, as a result, little to be gained from the too-obvious and too emphatic incest-madness theme, outside of an impressive performance from Otis, whose somewhat hampered character is nevertheless a powerful presence throughout. Capable supporting turns, including Dwyer’s intense and vital Ophelia, and director Ellery Schaar’s generally sharp staging (under Julien Elstob’s moody lighting) contribute to making a nicely atmospheric production. (Avila)

First Stage Werx, 446 Valencia, SF; www.firsttheplay.com. $25-35. Thu/31-Sat/2, 8pm; Sun/3, 2pm. Altair Productions, the Aluminous Collective, and PlayGround present the world premiere of Evelyn Jean Pine’s play, which imagines a 20-year-old Bill Gates’ experiences at a 1976 personal computer conference.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

444 Days Z Below, 470 Florida, SF; www.goldenthread.org. $10-45. Thu/31-Sat/2, 8pm (also Sat/2, 3pm); Sun/3, 3pm. Golden Thread Productions presents the world premiere of founding artistic director Torange Yeghiazarian’s drama about the reunion between a former Iranian revolutionary, Laleh (Jeri Lynn Cohen), and a former American diplomat from the American embassy in Tehran, Harry (Michael Shipley) — her captive in more ways than one during the 444 days of the 1979-81 Iran hostage crisis. Some 25 years after this international “affair,” Laleh and Harry meet again at the bedside of their critically ill and comatose daughter, Hadyeh (Olivia Rosaldo-Pratt), whose non-biological father Amin (an offstage character) is Laleh’s longtime comrade and another of the onetime hostage takers. If it sounds like a politically loaded situation, it is, which is as much a problem as a virtue in director Bella Warda’s production. Yeghiazarian laces her dialogue with light humor, irony, and romance throughout, but the play allows little room for its characters to really breathe — indeed, Laleh’s first words to Harry after 25 years are, unlikely enough, a well-rehearsed screed. In the contortions its characters must speak (to which a friendly nurse, played by Sheila Collins, adds something like the average American’s perspective), the play remains too intent on delivering a political message about the intractable relationship, then and now, between the US and Iran — and the unnatural sacrifice of the generation that has come up since the severing of US-Iranian diplomatic ties after the revolution of 1979. (Avila)

Gruesome Playground Injuries Tides Theatre, 533 Sutter, SF; www.tidestheatre.org. $20-40. Wed-Sat, 8pm. Through Nov 9. Tides Theatre performs Rajiv Joseph’s drama about two people who first meet as eight-year-olds in the school nurse’s office.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Lovebirds Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Thu-Fri, 8pm; Sat, 8:30pm. Through Nov 9. Workshop performances of Marga Gomez’s 10th solo show, about different characters seeking romance in the 1970s.

Randy Roberts Live! Alcove Theatre, 414 Mason, SF; www.randyroberts.net. $40. Thu/31-Sat/2, 9pm. The famed female impersonator performs.

Shakespeare Night at the Blackfriars (London Idol 1610) Phoenix Arts Association Annex Theatre, 414 Mason, SF; www.subshakes.com. $20-25. Fri-Sat, 8pm; Sun, 7pm. Through Nov 17. Subterranean Shakespeare performs George Crowe’s comedy about a playwriting contest between Ben Jonson, Thomas Middleton, Francis Beaumont, and the ghost of Christopher Marlowe.

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu-Sat and Wed/30, 8pm. Through Nov 23. It’s lucky 14 for the Thrillpeddlers’ annual Halloween-tide Shocktoberfest, and while there are few surprises in this year’s lineup, there’s plenty of reliable material to chew on. Opening with A Visit to Mrs. Birch and the Young Ladies of the Academy, a ribald Victorian-era “spanking drama,” the fare soon turns towards darker appetites with a joint Andre De Lorde-Pierre Chaine work, Jack the Ripper. Works by De Lorde — sometimes referred to as the “Prince of Fear” — have graced the Hypnodrome stage over the years, and this tense Victorian drama, though penned in the 30s, is suitably atmospheric. Although it becomes pretty evident early on who dunnit, it’s the why that lies at the heart of this grim drama, and in the course of that discovery, the play’s beleaguered lawmen reveal themselves to be no less ruthless than the titular Ripper (John Flaw) in pursuit of their quarry. Norman Macleod as Inspector Smithson particularly embodies this unwholesome dichotomy, and Bruna Palmeiro excels as his spirited yet doomed bait. Inspired by Oscar Wilde’s Salome, the Thrillpeddlers’ piece by the same name is perhaps the weak link in the program, despite being penned by the ever-clever Scrumbly Koldewyn, and danced with wanton abandon by Noah Haydon. Longtime Thrillpeddlers’ collaborator Rob Keefe ties together the evening’s disparate threads under one sprawling big top media circus of murder, sex, ghosts, and sensationalism with his somewhat tongue-in-cheek, San Francisco-centric The Wrong Ripper. (Gluckstern)

Sidewinders Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. $10-50. Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through Nov 17. Cutting Ball opens its 15th season with the world premiere of Basil Kreimendahl’s absurdist romp through gender queerness. In a cartoonish, desolate wasteland (designed by Michael Locher), Dakota (Sara Moore), a bleached-blonde gunslinger in buckskin fringes, and Bailey (DavEnd), a possibly AWOL soldier rocking high-heeled boots and a single drop earring, wrestle with the conundrum of what to call their respective genitals. And more to the point, what to do with them after they figure it out. Or as Bailey bluntly puts it, “Who am I supposed to fuck?” But there’s more to being stranded in the uncharted wilderness at stake than “organ confusion,” and soon they must channel their uncommon alliance into finding a way back out. What they find instead include a regal figure of indeterminate gender possessed of extra limbs (Donald Currie), a suicidal servant with surgical skills (Norman Muñoz), and a growing realization that wilderness, like identity, is relative. Moore and DavEnd make a good comedic team, their endless banter, circular logic and exaggerated facial gymnastics giving them the philosophical gravitas of a Looney Tunes episode, while Currie’s turn as mutated muse is unexpectedly moving. Recent winner of the prestigious Rella Lossy award, this intriguing world premiere marks playwright Basil Kreimendahl’s first professional production, though it seems safe to say that it won’t be the last. (Gluckstern)

BAY AREA

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 15. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Don’t Dress For Dinner Center REPertory Company, 1601 Civic, Walnut Creek; www.centerrep.org. $33-52. Wed, 7:30pm; Thu-Sat, 8pm (also Nov 23, 2:30pm); Sun, 2:30pm. Through Nov 23. Center REP performs Marc Camoletti’s sequel to his classic farce Boeing-Boeing.

I and You Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Wed/30, 7:30pm; Thu/31-Sat/2, 8pm (also Sat/2, 2pm); Sun/3, 2 and 7pm. Lauren Gunderson’s world premiere explores how Walt Whitman’s words affect the lives of two teenagers.

Lettice and Lovage Hillbarn Theatre, 1285 East Hillsdale, Foster City; www.hillbarntheatre.org. $23-38. Thu/31-Sat/2, 8pm; Sun/3, 2pm. Hillbarn Theatre, now in its 73rd season, performs Peter Shaffer’s raucous comedy.

Metamorphoses South Berkeley Community Church, 1802 Fairview, Berk; www.infernotheatre.org. $10-25. Thu and Sat-Sun, 8pm; Fri, 9pm (no show Nov 9). Through Nov 23. Additional performance Nov 9, 8pm, $5-20, Laney College, 900 Fallon, Oakl. Inferno Theatre performs a multimedia, contemporary adaptation of Ovid’s classic.

The Pianist of Willesden Lane Berkeley Repertory Theatre, Thrust Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $29-89. Opens Wed/30, 8pm. Runs Tue and Thu-Sat, 8pm (also Nov 7, Dec 5, and Sat, 2pm; no matinee Nov 9; no show Nov 28); Wed and Sun, 7pm (also Sun, 2pm). Through Dec 8. Mona Golabek stars in this solo performance inspired by her mother, a Jewish pianist whose dreams and life were threatened by the Nazi regime.

Red Virgin, Louise Michel and the Paris Commune of 1871 Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Thu-Sat, 8pm; Sun, 5pm. Through Nov 24. Central Works presents a new play (with live music) by Gary Graves about the Paris Commune uprising.

Rich and Famous Dragon Theatre, 2120 Broadway, Redwood City; www.dragonproductions.net. $15-35. Thu/31-Sat/2, 8pm; Sun/3, 2pm. Dragon Theatre performs John Guare’s surreal musical comedy.

strangers, babies Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Nov 17. Shotgun Players present Linda McLean’s drama about a woman confronting her past.

Swing Shift Onboard the SS Red Oak Victory, 1337 Canal, Berth 6A, Richmond; www.galateanplayers.com. $18-20. Fri-Sat, 8pm; Sun, 3pm. Through Nov 10. Galatean Players Ensemble Theatre perform Kathryn G. McCarty’s adaptation of Joseph Fabry’s novel, performed aboard a ship in the yards where Fabry once worked.

Warrior Class Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Wed/30, 7:30pm; Thu/31-Sat/2, 8pm (also Sat/2, 2pm); Sun/3, 2 and 7pm. TheatreWorks performs Kenneth Lin’s incisive political drama.

PERFORMANCE/DANCE

Alonzo King LINES Ballet Fall Home Season 2013 Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF; www.linesballet.org. Wed/30-Thu/31, 7:30pm; Fri/1-Sat/2, 8pm; Sun/3, 5pm. $30-65. Featuring the SF premiere of Writing Ground, a collaboration with writer Colum McCann, and a world-premiere new work set to Bach.

“Best of the 2013 San Francisco Fringe Festival” Exit Studio, 156 Eddy, SF; www.theexit.org. Fri/1-Sat/2, 8pm. $15-25. This week: Genie and Audrey’s Dream Show! (“Best of” series continues through Nov. 23)

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

CounterPULSE 1310 Mission, SF; www.counterpulse.org. This week: “After the Tone,” performed by Cara Rose DeFabio, Sat/2-Sun/3, 8pm, $20. “Beware the Band of Lions (They’re Dandy Lions),” with Bandelion, Sun/3, Nov 10, and 17, 3pm, free (reservations required as space is extremely limited; to request an invitation, email info@dandeliondancetheater.org).

“Crones Meet Bride of Lesbostein” Garage, 715 Bryant, SF; www.crackpotcrones.com. Wed/30-Thu/31, 8pm. $18. Crackpot Crones perform.

“An Evening with Hal Holbrook” Jewish Community Center of SF, 3200 California, SF; www.jccsf.org. Thu/31, 7pm. $25-35. The veteran actor discusses his memoir, Harold: The Boy Who Became Mark Twain.

Feinstein’s at the Nikko Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. This week: “An Evening with Rita Wilson,” Thu/31-Fri/1, 8pm; Sat/2, 7pm, $40-60.

“Grand Guignol” Z Space, 450 Florida, SF; www.grandguignolsf.com. Wed/30-Sat/2, 7 and 10pm; Sun/3, 2pm. $15-195. Horror play inspired by Paris’ legendary splatterhouse Theatre du Grand Guignol.

“The Handsomest Drowned Man in the World” Dance Mission Theater, 3316 24th St, SF; www.dancemission.com. Fri/1, 9pm; Sat/2, 9:30pm; Sun/3, 7pm. Free. SF State’s Rainbow Theatre performs a stage adaptation of Gabriel Garcia Marquez’s short story.

“Layla Means Night” ODC Theater, 3153 17th St, SF; www.odctheater.org. Wed/30-Sun/3, 7 and 9pm. $35-50. Rosanna Gamson/World Wide’s dance theater work transforms the ODC building into a 1,001 Arabian Nights-inspired fantasyland.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 4:30 and 7pm. $20-30 (free aquarium ticket with show ticket). Extended through Dec 28. Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

Point Break Live!” DNA Lounge, 373 11th St, SF; www.dnalounge.com. Fri/1, Dec 6, and Jan 3, 7:30 and 11pm. $25-50. Interactive interpretation of Kathryn Bigelow’s 1991 classic. (Some tickets include meatball sandwiches!)

“Project Nunway V: Dissident Futures” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Sat/2, 8pm. $15-99.99. The Sisters of Perpetual Indulgence’s annual gala benefits local nonprofits and features high-fashion looks crafted from recycled materials. Related events (check website for details) include an altar project, “Angel of the Future Dead;” an after-party; and a screening of 1983’s Yentl.

“The Romane Event Comedy Show” Make-Out Room, 3225 22nd St, SF; www.pacoromane.com. Wed/30, 7:30pm. $10. Special Halloween edition of Paco Romane’s popular monthly stand-up showcase.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony. Seasonal alert: the show takes on a “spook-tacular” bent this week, with special shows Thu/31-Sat/2, 8pm.

13th Floor Dance Theater Studio B at ODC Dance Commons, 351 Shotwell, SF; www.13thfloordance.org. Sat/2, 8pm. $18-23. Jenny McAllister’s company performs the world premiere of Being Raymond Chandler.

Zaccho Dance Theatre Zaccho Studio, 1777 Yosemite, Studio 330, SF; www.zaccho.org. Fri/1-Sun/3, 1-5pm. Free. The company performs Joanna Haigood’s Between Me and the Other World, a performance installation exploring W.E.B. Dubois’ concept of double consciousness.

Zhukov Dance Theatre SFJazz Center, 201 Franklin, SF; www.zhukovdance.org. Wed/30, 8pm. $25-55. The company marks its sixth annual season, “Product 06,” with world premieres by Yuri Zhukov and guest choreographer Idan Sharabi.

“What Stays” Turquoise Yantra Grotto, 32 Turquoise Way, SF; www.performancelab.org. Fri/1-Sat/2, 8pm. $20-50. Home-theater performance by Right Brain Performancelab. Visit website for information on Nov 8-9 shows at a private home in Oakland.

BAY AREA

Mariachi Vargas de Tecalitlán Zellerbach Hall, Bancroft at Telegraph, UC Berkeley, Berk; www.calperfs.berkeley.edu. Sun/3, 7pm. $18-48. Celebrate Day of the Dead with the veteran Mexican folk ensemble’s traditional and popular tunes. Show up early (5-7pm) for free face painting and folkloric dance performances outside the venue, in Lower Sproul Plaza.

“Rapunzel” Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. Sat-Sun, 10am and 12:30pm. $15-20. Through Nov 10. Marin Theatre Company performs a fairy-tale play for all ages.

Shanghai Ballet Zellerbach Hall, Bancroft at Telegraph, UC Berkeley, Berk; www.calperfs.berkeley.edu. Fri/1-Sat/2, 8pm. $30-92. The company performs The Butterfly Lovers, choreographed by Xin Lili. *

 

The Selector: October 23-29, 2013

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WEDNESDAY 23

Nederlands Dans Theater

With this program, Nederlands Dans Theater is sticking its neck out. For the last 33 years, the company’s bone-deep identity, its very soul and the refined contemporary perspective on ballet, was associated with one man, Jiry Kylian, the choreographer and artistic director who took his troupe around the world to highest acclaim. He recently turned the reins over to resident choreographers, the British-born Paul Lightfoot and Spain-native Sol Leon, who as artistic partners have co-choreographed for Nederlands for the last 20 years. Though Kylian’s rep will not be neglected, we’ll get an inkling of how the two of them will shape the company’s future. No Kylian on this visit, but two contrasting West Coast premieres: Lightfoot’s Sehnsucht (Longing), to Beethoven, and Leon’s Schmetterling (Butterfly) to a score by the Magnetic Fields. (Rita Felciano)

Also Thu/24, 8pm, $30–$92

Cal Performances

Zellerbach Hall, Berk.

(510) 642-9988

www.calperformances.org

 

THURSDAY 24

CitiesAlive NightLife

Once, long ago, Earth was covered in green grass, shrubs, moss, and trees, with not a roof or window to be seen, and plenty of oxygen to get around. One day in the future, land could look the same from above, and it’ll happen sooner than later through the educational efforts of CitiesAlive, a green roof and wall conference, which will host this week’s Nightlife at the Cal Academy of Sciences. Thump and bump to DJ Sep, cocktail in hand, through the festivities, which include mastering tricks to grow your own living things — herbs, fungi, you name it — from your urban flat with Gudrun Ongania and Wanda Keller of VEG and the City, eating flowers with rooftop garden blogger Kristin McArdle, tasting Terry Oxfords of Urban Bee SF’s city-bee honey, and going on a virtual tour of the greatest green buildings to currently grace Earth. (Kaylen Baker)

6pm, $12

California Academy of Sciences

55 Music Concourse, SF

(415) 379-8000

www.calacademy.org

 

Forest Fringe SF

There’s the Edinburgh Fringe and then there’s Forest Fringe. A mini-fest roaming the outskirts of the world’s largest arts festival, Forest Fringe started in 2007 as a platform for more experimental work and has become an itinerant force in its own right. This week it comes to the Bay Area, as part of an exhilarating ongoing artistic exchange between the UK and the Bay, initiated two years ago by the theater department of the University of Chichester in collaboration with local artists and organizations. CounterPULSE hosts this week’s varied four-night program of UK-based artists, including returning duo Action Hero, as well as Andy Field, Brian Lobel, Lucy Ellinson, and Sam Halmarack and the Miserablites. There’s also an evening devoted to work by both UK and local artists — a set of hothouse collaborations devised entirely within the preceding week. (Robert Avila)

Through Sun/27, 8pm, $10–$30

CounterPULSE

1310 Mission, SF

www.counterpulse.org

 

FRIDAY 25

Abstract Alchemist of Flesh

GRAHHR! Opening night of the Berkeley Video and Film Festival premieres Abstract Alchemist of Flesh (55 min), the Colin Still-directed documentary on the Bay Area’s literary lion, Michael McClure, with the poet himself on hand. Featuring new and archival footage of such friends and fellow travelers as Allen Ginsberg, Dennis Hopper, Ray Manzarek, and Terry Riley, Abstract Alchemist provides an extended glimpse into the poetry and collaborative methods of a countercultural figure from the days when they built ’em to last. Also on the bill is The Party in Taylor Mead’s Kitchen, a short documentary on everyone’s favorite (and recently deceased) Warholian dadaist; the William Burroughs-based experiment One Night at the Aristo; and a second premiere, Moment of the Making, focusing on the sculpture of McClure’s partner, the artist Amy Evans-McClure. (Garrett Caples)

7:15pm, $8–$12

East Bay Media Center

1939 Addison, Berk.

(510) 843-3699

www.berkeleyvideofilmfest.org

 

Kisses

Boy-girl duo Kisses is some kind of weird fun. Its poppy sound incorporating analog keyboards, simple percussion, and pleasant harmonies is easy listening at its finest. But the pair isn’t afraid to employ negative space in its tracks, and often places simple beats next to minimal lyrics, creating a sound that falls somewhere between pop and a ’70s tribute group. The dream pop enthusiasts released their second full-length album Kids in LA this past September and have been touring the US with the Blow since the beginning of October. Singer Jesse Kivel embodies a somber nostalgic romantic behind the mic, and keyboard-soundboards Zizi Edmundson, tinkering nonchalantly and occasionally oozing vocally into the mic, makes apathy cool again. (Hillary Smith)

With the Blow and the Ian Fays

9:30pm, $16

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

 

SuicideGirls: Blackheart Burlesque Tour

After six tour-less years, the SuicideGirls are back with their Blackheart Burlesque Tour, presented by Inked Magazine. Redefining ideas of female beauty through sexy and silly performance, seven talented SuicideGirls take the country by storm on a tour full of gorgeous stripteases and nods to popular culture, including favorites such as Star Trek, The Avengers, Game of Thrones, The Big Lebowski, Pulp Fiction, Planet of the Apes, and The Rocky Horror Picture Show. Choreographer to the stars Manwe Sauls-Addison has assembled only the best for this raunchy and riotous show. (Kirstie Haruta)

9pm, $25

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

Deer Tick

In 2013 Deer Tick is proving that the only constant is change. The Providence alt-country outfit has always been reliable and consistent in its consistent touring, heavy drinking, and all-around debauchery. But that was before frontperson and primary songwriter John McCauley dealt with an imploded engagement, a father gone to prison, and the realization that maybe it was time to start drinking responsibly. Deer Tick has scaled back its usual 200+ shows per year schedule, and its penchant for escapism, focusing instead on showmanship and honest, personal songwriting. Negativity, its newest studio album, is almost entirely autobiographical. But don’t worry, it’s still Deer Tick — the shows will still be a riotous, sweaty mix of originals and covers, and despite the band’s clean-up act, audience drunkenness and hooliganism is still highly encouraged. (Haley Zaremba)

With Robert Ellis

9pm, $21

Slim’s

333 11th St, SF

(415) 255-0333

www.slimspresents.com

 

SATURDAY 26

Por-Trai-Ture

Lindsey Renee Derry likes to go it alone. You can’t blame her. One could almost pity anyone having to share the stage with her, even though she worked with Jon Navas/Compagnie Fracas in Montreal for five years. At Kunst-Stoff, earlier this year, she proved herself a mesmerizing soloist whose power, range and fearlessness is strongly ballet-based but whose approach to dance ranges beyond what her training would have implied. For Por-Trai-Ture, she is reaching to back to a piece that José Navas set on her but expanding it by working with excellent choreographers. No doubt Sidra Bell from New York, Alex Ketley from SF, and Iratxe Ansa from Spain will challenge her in unexpected ways as will video designer Erin Malley. (Felciano)

Also Sun/27, 8pm, $10-$15

Kunst-Stoff Arts

1 Grove, SF

portraiture.brownpapertickets.com

 

Haunted Hoedown IV

Local folk favorite Rin Tin Tiger hosts its fourth annual Haunted Hoedown at Bottom of the Hill tonight. Celebrate Halloween a few days early by donning your coolest costume and heading out for a night of music and spooky fun. Riding on the recent release of its new album, Splinter Remedies, headliner Rin Tin Tiger is joined by fellow San Francisco rockers Vandella and the Moxie Kids. And what would a Halloween show be without the chance to indulge your sweet tooth? While you’re picking up your CDs and T-shirts, trick-or-treat at the merch tables and enjoy some free candy! (Haruta)

8:30pm, $12

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

 

SUNDAY 27

Chef Boulud

Where does a celebrity chef, that god-like being in a starched and double-buttoned smock worshipped by a lucky few behind foaming duck terrine, go for a good time? When not looking after 10 award-winning restaurants, writing a seventh cookbook, or winning more Michelin stars and James Beard awards, Lyon-born Chef Daniel Boulud comes to San Francisco, assurément. As part of the JCCSF’s Food For Thought series, Boulud talks to Lucky Peach’s Chris Ying about his new cookbook, Daniel: My French Cuisine (Grand Central Life & Style, 2013), which will feature 75 Daniel-worthy recipes and 12 made-by-the-hearth French classics. Don’t miss the man who’s influenced American cuisine with his edible je-ne-sais-quoi for the past 20 years. (Baker)

7pm, $25

Jewish Community Center of San Francisco

3200 California, SF

(415) 292-1200

www.jccsf.org

 

MONDAY 28

CocoRosie

Bianca and Sierra Casady — nicknamed Coco and Rosie by their mother — grew up under unusual circumstances, bouncing around from city to city with their nomadic mother, doing “vision quests” with their Iowa farmer father who had a fascination with Native American religion, and being encouraged to practice art and creativity rather than worry about finishing school. The sisters eventually became estranged, reuniting in Paris in 2003, where they formed their wonderfully weird and experimental indie pop duo. Always unexpected and startlingly beautiful, the sisters’ music is unlike anything you’ve heard, and the live performance, never skimping on spontaneity or costume changes, endeavors to match their twisted whimsy. (Zaremba)

8pm, $28

Regency Ballroom

1300 Van Ness, SF

theregencyballroom.com

 

TUESDAY 29

Noise Pop’s “Musical Pursuit” Trivia Night

Show off your musical know-all at Noise Pop’s monthly “Musical Pursuit” trivia night! With sonic trivia covering contemporary and vintage tunes, it could be anyone’s game. Prizes change monthly and could include anything from gift certificates, to concert tickets, to your bar tab. This month, the prize is a biggie: Everyone on the winning team will win a badge to next year’s Noise Pop fest. And the second place prize is tickets to the Flaming Lips on Halloween. So come prepared, your head crammed with musical knowledge. Enjoy drink specials, eats by SF Burger Brawl winner Wes Rowe, and music by Jamie Jams of Debaser. (Haruta)

6pm, free

1772 Market, SF

(415) 371-9705

www.noisepop.com

 

Horror double features with HobGoblin

For those of us who prefer to stretch out anticipation of the best holiday of the year into a week-long (or month-long) affair, there’s no better way to ramp up to the Big H than checking out a horror-film double feature. Over two nights, the Balboa Theatre and November Fire Productions unspool a trio of silent horror classics with brand-new soundtracks performed live by HobGoblin, plus other aural enhancements, including spooky sound effects. Tonight, it’s OG vamp Nosferatu (1922) and the sleepwalking stalker of The Cabinet of Dr. Caligari (1920); tomorrow, 1920’s don’t-play-with-black-magic tale The Golem screens with a tribute to Bob Wilkins, the late, great host of TV’s Creature Features. (Cheryl Eddy)

Through Oct. 30

7:30pm, $10

Balboa Theatre

2630 Balboa, SF

www.cinemasf.com/balboa

Stage Listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

The Barbary Coast Revue Stud Bar, 399 Ninth St, SF; eventbrite.com/org/4730361353. $10-40. Opens Wed/23, 9pm. Runs Wed, 9pm (no show Nov 27). Through Dec 18. Blake Wiers’ new “live history musical experience” features Mark Twain as a tour guide through San Francisco’s wild past.

BAY AREA

Don’t Dress For Dinner Center REPertory Company, 1601 Civic, Walnut Creek; www.centerrep.org. $33-52. Previews Fri/25-Sat/26, 8pm; Sun/27, 2:30pm. Opens Tue/29, 7:30pm. Runs Wed, 7:30pm; Thu-Sat, 8pm (also Nov 23, 2:30pm); Sun, 2:30pm. Through Nov 23. Center REP performs Marc Camoletti’s sequel to his classic farce Boeing-Boeing.

The Pianist of Willesden Lane Berkeley Repertory Theatre, Thrust Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $29-89. Previews Fri/25-Sat/26 and Tue/29, 8pm; Sun/27, 7pm. Opens Oct 30, 8pm. Runs Tue and Thu-Sat, 8pm (also Nov 7, Dec 5, and Sat, 2pm; no matinee Nov 9; no show Nov 28); Wed and Sun, 7pm (also Sun, 2pm). Through Dec 8. Mona Golabek stars in this solo performance inspired by her mother, a Jewish pianist whose dreams and life were threatened by the Nazi regime.

ONGOING

Bengal Tiger at the Bagdad Zoo SF Playhouse, 450 Post, SF; www.sfplayhouse.org. $30-100. Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm); Sun/27, 2pm. Through Nov 16. In Rajiv Joseph’s Pulitzer-nominated Bengal Tiger at the Bagdad Zoo, the dead quickly outnumber the living, and soon the stage is littered with monologist ghosts lost in transition. In Joseph’s world, at least, death is but another phase of consciousness, a plane of existence where a man-eating tiger might experience a crisis of conscience, and a brash young soldier with a learning disability might suddenly find himself contemplating algebraic equations and speaking Arabic —knowledge that had eluded his comprehension in life. Will Marchetti’s portrayal of the titular tiger is on the static side, though his wry intelligence and philosophical awakening comes as a welcome contrast to the willfully obtuse world view of the American soldiers (Gabriel Marin and Craig Marker) guarding him. But it’s Musa (Kuros Charney), a translator for the Americans and a former gardener and topiary “artist,” who eventually emerges as the play’s most fully realized character and also the most tragic, becoming that which he dreads the most, a beast in a lawless land, egged on by the ghost of his former employer, the notoriously sadistic Uday Hussein (Pomme Koch). At times, director Bill English’s staging feels too understated and contained for a play that’s so muscular and expansive (an understatement not carried over into Steven Klems’ appropriately jarring sound design) focused less on its metaphysical implications than on its mundane surface, but however imperfect the production and daunting the script, it remains a fascinating response to an unwinnable war — the war against our own animal natures. (Gluckstern)

BooKKeepers: A True Fiction Southside Theatre, Fort Mason Center, Marina at Laguna, SF; www.generationtheatre.com. $20-35. Thu/24-Sat/26, 8pm; Sun/27, 3pm. GenerationTheatre presents Roland David Valayre’s Kafka-inspired fantasy.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue/29, 8pm. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Carrie: The Musical Victoria Theatre, 2961 16th St, SF; www.rayoflighttheatre.com. $25-36. Wed-Sat, 8pm (also Sat/26, 11:30pm; Nov 2, 2pm). Through Nov 2. Teen bullying is très topical at the moment, making Stephen King’s terrifying tale of a telekinetic girl pushed to the breaking point by her unsympathetic classmates ripe for revival. Although it flopped on Broadway in 1988, Carrie: The Musical has aged more gracefully than you might expect, thanks to the relative timeliness of its overarching theme and a judicious 2012 facelift of its script and score. In Ray of Light Theatre’s slam-dunk production, Carrie unfolds a bit like an after-school special on scapegoating, except with show tunes and, of course, the stratospheric consequences of the final, tragic revenge sequence. The songs themselves are mainly forgettable in terms of hooks and lyrics, but the vibrant young cast makes the most of them, with excellent harmonizing and powerful range. Amanda Folena’s tight choreography borrows the sinuous hip rolls and stomp of a Janet Jackson routine and just a touch of twerk, while Joe D’Emilio’s lighting and Erik Scanlon’s video design work in unholy symbiosis to create the supernaturally charged ambience of Carrie’s world. As Carrie, Cristina Ann Oeschger really shines, embodying the heartbreaking fragility of a lonely outcast whose optimism has not yet been entirely crushed, while Heather Orth as her frighteningly pious mother, Margaret White, reveals the vulnerability of her equally lonely character that many portrayals miss altogether. Standouts among the solid supporting cast include Jessica Coker as a compassionate gym teacher and Riley Krull as the ultimate mean girl. (Gluckstern)

The Disappearance of Mary Rosemary Phoenix Theatre, 414 Mason, SF; secondwind.8m.com. $15-25. Thu/24-Sat/26, 8pm. Script-wise, Second Wind Production’s J.M. Barrie adaptation The Disappearance of Mary Rosemary might well be the unique ghost story of the season. But in contrast to their masterfully suspenseful The Woman in Black (staged in 2009), Disappearance fails to sustain that charged atmosphere of unease that defines the best terror tales. It begins promisingly enough in a purportedly haunted parlor being shown to a young soldier (Ryan Martin) by its taciturn caretaker (Juanita Wyles). After she leaves him alone in the room, lights flicker, his video camera spontaneously begins to play, and a mysterious light emerges from under a locked door, all evidence pointing to either a supernatural event, or to a PTSD-style mental breakdown. Cutting to the same parlor 29 years before, where domestic tranquility prevails, a lot of that initial tension gets lost, and even though the equally unexplainable events that ensue prove to be much bigger in actual scale, they don’t quite manage to scare so much as to puzzle. Of the performances, Gigi Benson’s matter-of-fact matriarch is by far the most nuanced, and her chemistry with her stage husband (Dave Sikula) is far more convincing than that of their daughter and son-in-law (Caroline Elizabeth Doyle and Brian Martin). Finally, a very unexpected twist turns this story of a young woman who never grows old into one who has grown perhaps too fast, uncomfortably invoking V.C. Andrews rather than J.M. Barrie, and not for the better. (Gluckstern)

Dirty Little Showtunes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Nov 10. New Conservatory Theatre Center presents the return of Tom Orr’s bawdy Broadway parody.

First Stage Werx, 446 Valencia, SF; www.firsttheplay.com. $25-35. Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Altair Productions, the Aluminous Collective, and PlayGround present the world premiere of Evelyn Jean Pine’s play, which imagines a 20-year-old Bill Gates’ experiences at a 1976 personal computer conference.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Forbidden Fruit Garage, 715 Bryant, SF; www.brownpapertickets.com. $25. Fri/25-Sat/26 and Mon/28, 8pm. Back Alley Theater and Footloose present the West Coast premiere of Jeff Bedillion’s stylized love story that takes on social and religious conformity.

444 Days Z Below, 470 Florida, SF; www.goldenthread.org. $10-45. Thu-Sat, 8pm (also Sat, 3pm); Sun, 3pm. Through Nov 3. Golden Thread performs Torange Yeghiazarian’s drama about an Iranian revolutionary and an American diplomat who encounter each other 25 years after first meeting during the hostage crisis at the US Embassy in Tehran.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Wed/23-Thu/24, 8pm; Sat/26, 5pm. Geoff Hoyle’s hit solo show, a comedic meditation on aging, returns to the Marsh.

Gruesome Playground Injuries Tides Theatre, 533 Sutter, SF; www.tidestheatre.org. $20-40. Wed-Sat, 8pm. Through Nov 9. Tides Theatre performs Rajiv Joseph’s drama about two people who first meet as eight-year-olds in the school nurse’s office.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Lovebirds Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Thu-Fri, 8pm; Sat, 8:30pm. Through Nov 9. Workshop performances of Marga Gomez’s 10th solo show, about different characters seeking romance in the 1970s.

Randy Roberts Live! Alcove Theatre, 414 Mason, SF; www.randyroberts.net. $40. Thu-Sat, 9pm. Through Nov 2. The famed female impersonator performs. He will also perform a different show with jazz pianist Tammy L. Hall: Mon/28, 7pm, $20, Martuni’s, 4 Valencia, SF.

The Scion Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Fri/25, 8pm; Sat/26, 8:30pm. Popular solo performer Brian Copeland (Not a Genuine Black Man, The Waiting Period) performs a workshop production of his latest, “a tale of privilege, murder, and sausage.” The show has its official world premiere Jan 9, 2014.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

Shakespeare Night at the Blackfriars (London Idol 1610) Phoenix Arts Association Annex Theatre, 414 Mason, SF; www.subshakes.com. $20-25. Fri-Sat, 8pm; Sun, 7pm. Through Nov 17. Subterranean Shakespeare performs George Crowe’s comedy about a playwriting contest between Ben Jonson, Thomas Middleton, Frances Beaumont, and the ghost of Christopher Marlowe.

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu-Sat and Oct 29-30, 8pm. Through Nov 23. It’s lucky 14 for the Thrillpeddlers’ annual Halloween-tide Shocktoberfest, and while there are few surprises in this year’s lineup, there’s plenty of reliable material to chew on. Opening with A Visit to Mrs. Birch and the Young Ladies of the Academy, a ribald Victorian-era “spanking drama,” the fare soon turns towards darker appetites with a joint Andre De Lorde-Pierre Chaine work, Jack the Ripper. Works by De Lorde — sometimes referred to as the “Prince of Fear” — have graced the Hypnodrome stage over the years, and this tense Victorian drama, though penned in the 30s, is suitably atmospheric. Although it becomes pretty evident early on who dunnit, it’s the why that lies at the heart of this grim drama, and in the course of that discovery, the play’s beleaguered lawmen reveal themselves to be no less ruthless than the titular Ripper (John Flaw) in pursuit of their quarry. Norman Macleod as Inspector Smithson particularly embodies this unwholesome dichotomy, and Bruna Palmeiro excels as his spirited yet doomed bait. Inspired by Oscar Wilde’s Salome, the Thrillpeddlers’ piece by the same name is perhaps the weak link in the program, despite being penned by the ever-clever Scrumbly Koldewyn, and danced with wanton abandon by Noah Haydon. Longtime Thrillpeddlers’ collaborator Rob Keefe ties together the evening’s disparate threads under one sprawling big top media circus of murder, sex, ghosts, and sensationalism with his somewhat tongue-in-cheek, San Francisco-centric The Wrong Ripper. (Gluckstern)

Sidewinders Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. $10-50. Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through Nov 17. Cutting Ball opens its 15th season with the world premiere of Basil Kreimendahl’s absurdist romp through gender queerness.

The Taming Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Wed/23-Sat/26, 8pm. Crowded Fire Theater presents the world premiere of Lauren Gunderson’s modern farce.

The Voice: One Man’s Journey into Sex Addiction and Recovery EXIT Theatre, 156 Eddy, SF; www.theexit.org. $15-25. Fri/25-Sat/26, 8pm. David Kleinberg performs his autobiographical solo show.

The Wizard of Oz Orpheum Theatre, 1192 Market, SF; www.shnsf.com. $45-210. Wed/23-Sat/26, 7pm (also Sat/26, 1pm); Sun/27, 1 and 6:30pm. Andrew Lloyd Webber’s new stage adaptation of the classic, complete with a Dorothy (Danielle Wade) chosen through a Canadian reality-show competition.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-11. Sun/27, 11am. Soapy, kid-friendly antics with Louis Pearl, aka “The Amazing Bubble Man.”

BAY AREA

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat/26, 8:30pm; Sun/27, 7pm. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

I and You Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Tue, Thu-Sat, 8pm (also Thu/24, 1pm; Nov 2, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Nov 3. Lauren Gunderson’s world premiere explores how Walt Whitman’s words affect the lives of two teenagers.

Lettice and Lovage Hillbarn Theatre, 1285 East Hillsdale, Foster City; www.hillbarntheatre.org. $23-38. Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Hillbarn Theatre, now in its 73rd season, performs Peter Shaffer’s raucous comedy.

Metamorphoses South Berkeley Community Church, 1802 Fairview, Berk; www.infernotheatre.org. $10-25. Thu and Sat-Sun, 8pm; Fri, 9pm (no show Nov 9). Through Nov 23. Additional performance Nov 9, 8pm, $5-20, Laney College, 900 Fallon, Oakl. Inferno Theatre performs a multimedia, contemporary adaptation of Ovid’s classic.

Red Virgin, Louise Michel and the Paris Commune of 1871 Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Thu-Sat, 8pm; Sun, 5pm. Through Nov 24. Central Works presents a new play (with live music) by Gary Graves about the Paris Commune uprising.

Rich and Famous Dragon Theatre, 2120 Broadway, Redwood City; www.dragonproductions.net. $15-35. Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Dragon Theatre performs John Guare’s surreal musical comedy.

strangers, babies Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Nov 17. Shotgun Players present Linda McLean’s drama about a woman confronting her past.

Vanya and Sonia and Masha and Spike Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $35-89. Wed/23, 7pm; Thu/24-Fri/25, 8pm. Berkeley Rep performs Christopher Durang’s comedy about a dysfunctional family in rural Pennsylvania.

Warrior Class Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Nov 3. TheatreWorks performs Kenneth Lin’s incisive political drama.

PERFORMANCE/DANCE

Alonzo King LINES Ballet Fall Home Season 2013 Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF; www.linesballet.org. Fri/25-Sat/26 and Nov 1-2, 8pm; Sun/27 and Nov 3, 5pm; Oct 30-31, 7:30pm. $30-65. Featuring the SF premiere of Writing Ground, a collaboration with writer Colum McCann, and a world-premiere new work set to Bach.

Alonzo King LINES Ballet Training Program fall showcase Z Space, 450 Florida, SF; www.zspace.org. Wed/23, 7:30pm. $20. The company’s artists-in-training perform original and diverse works by Maurya Kerr, Dexandro Montalvo, and other choreographers.

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. “Horror Super Scene,” Fri/25, 8pm; “Improvised Farce,” Sat/26, 8pm.

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

CounterPULSE 1310 Mission, SF; www.counterpulse.org. “Forest Fringe SF” with CounterPULSE and the University of Chichester, Thu/24-Sat/27, 8pm, $10-30; “Beware the Band of Lions (They’re Dandy Lions)” with Bandelion, Sun/27, Nov 3, 10, and 17, 3pm, free (reservations required as space is extremely limited; to request an invitation, email info@dandeliondancetheater.org).

“Crissy Broadcast” Crissy Field, SF; www.airfieldbroadcasts.org. Sat/26, 10am and 4pm; Sun/27, noon. Free. Composer Lisa Bielawa brings her “Airfield Broadcasts” series to Crissy Field. It’s a “massive, spatialized symphony involving more than 800 professional, student, and amateur musicians,” all performing live together.

Feinstein’s at the Nikko Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. “Lightning Strikes” with Joey Arias and Kristian Hoffman, Thu/24, 8pm. $25-35 (plus $20 food and beverage minimum). “My Generation: The Contemporary American Songbook” with Tony Desare, Fri/25, 8pm; Sat/26, 7pm, $40-50.

“The Hula Show 2013” Palace of Fine Arts Theatre, 3301 Lyon, SF; www.cityboxoffice.com. Fri/25-Sat/26, 8pm; Sun/27, 3pm (children’s matinee Sun/27, noon). $15-90. Patrick Makuakane and his Na Lei Hulu I Ka Wekiu dance troupe perform 20 world premieres, a blend of traditional hula and hula performed to modern music.

“The Kepler Story” Morrison Planetarium, California Academy of Sciences, 55 Music Concourse Dr, SF; www.calacademy.org. Sun/27, 6:30pm. $15. Cal Academy and Motion Institute team up to produce this “immersive performance work” about astronomer Johannes Kepler.

“Long Story Short” Exit Studio Theatre, 156 Eddy, SF; www.arenhaun.com. Fri/25-Sat/26, 8pm. $15. Slacker Theater presents comic short plays by Aren Haun.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 4:30 and 7pm. $20-30 (free aquarium ticket with show ticket). Extended through Dec 28. Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“POR. TRAI. TURE” Kunst-Stoff Arts, 1 Grove, SF; www.linsdans.org. Sat/26-Sun/27, 8pm. $10-15. Lindsey Renee Derry presents an evening-length solo show with choreography by Derry as well as José Navas, Sidra Bell, Alex Ketley, and Iratxe Ansa.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“SF Recovery Theatre Tours the Tenderloin” Various Tenderloin venues, SF; www.sfrecoverytheatre.org. Fri/25, 12:30pm, 4pm, and 6pm; Tue/29, 3pm; Oct 31, 2pm. Donations accepted. The company visits different Tenderloin hotels to perform versions of Porgy and Bess and Night at the Black Hawk.

“A Show of Hands” Jewish Community Center of San Francisco, 3200 California, SF; www.garrettmoulton.org. Thu/24 and Sat/26, 1pm; Fri/25, 3:30pm. Free. Garrett and Moulton Productions present a site-specific New Music USA commission that explores the powers and possibilities of human hands.

“Solo Sunday: Life Without the Dull Parts” Stage Werx Theatre, 446 Valencia, SF; www.brownpapertickets.com. Sun/27, 7pm. $12. With Christian Cagigal, Jonathan Ehrlich, Xiaojuan Shu, and Angela L. Neff.

13th Floor Dance Theater Studio B at ODC Dance Commons, 351 Shotwell, SF; www.13thfloordance.org. Sat-Sun, 8pm. Through Nov 2. $18-23. Jenny McAllister’s company performs the world premiere of Being Raymond Chandler.

“Tickled Pink! Comedy Showcase” Café Royale, 800 Post, SF; www.tpinkcomedy.com. Thu/24, 8pm. Free. With Ronn Vigh, David Gborie, Casey Ley, Gloria Magaña, and host Stefani Silverman.

Zhukov Dance Theatre SFJazz Center, 201 Franklin, SF; www.zhukovdance.org. Oct 29-30, 8pm. $25-55. The company marks its sixth annual season, “Product 06,” with world premieres by Yuri Zhukov and guest choreographer Idan Sharabi.

BAY AREA

Nederlands Dans Theater Zellerbach Hall, UC Berkeley, Bancroft at Telegraph, Berk; calperfs.berkeley.edu. Wed/23-Thu/24, 8pm. $30-92. The Dutch dance masters perform Sehnsucht (2009) and Schmetterling (2010).

“Shine, Perishing Republic! Robinson Jeffers Speaks” Pegasus Books, 1855 Solano, Berk; www.1stpersonsingular.com. Wed/23, 7:30pm. Free. Dramatic reading.

“Stand Up! Women Write Resistance!” Rebound Bookstore, 1611 Fourth St, San Rafael; www.reboundbookstore.com. Sat/26, 4-6pm. Free. Spoken word with Gail Entrekin, Rebecca Foust, Susan Kelly DeWitt, and Dawn McGuire. *

 

Theater Listings: October 16 – 22, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

444 Days Z Below, 470 Florida, SF; www.goldenthread.org. $10-45. Previews Thu/17-Fri/18, 8pm. Opens Sat/19, 8pm. Runs Thu-Sat, 8pm (also Sat, 3pm); Sun, 3pm. Through Nov 3. Golden Thread performs Torange Yeghiazarian’s drama about an Iranian revolutionary and an American diplomat who encounter each other 25 years after first meeting during the hostage crisis at the US Embassy in Tehran.

Lovebirds Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Opens Thu/17, 8pm. Runs Thu-Fri, 8pm; Sat, 8:30pm. Through Nov 9. Workshop performances of Marga Gomez’s tenth solo show, about different characters seeking romance in the 1970s.

Shakespeare Night at the Blackfriars (London Idol 1610) Phoenix Arts Association Annex Theatre, 414 Mason, SF; www.subshakes.com. $20-25. Opens Fri/18, 8pm. Runs Fri-Sat, 8pm; Sun, 7pm. Through Nov 17. Subterranean Shakespeare performs George Crowe’s comedy about a playwriting contest between Ben Jonson, Thomas Middleton, Frances Beaumont, and the ghost of Christopher Marlowe.

Sidewinders Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. $10-50. Previews Fri/18-Sat/19, 8pm; Sun/20, 5pm. Opens Oct 24, 7:30pm. Runs Thu, 7:30pm; Fri-Sat, 8pm (also Sat, 2pm); Sun, 5pm. Through Nov 17. Cutting Ball opens its 15th season with the world premiere of Basil Kreimendahl’s absurdist romp through gender queerness.

The Wizard of Oz Orpheum Theatre, 1192 Market, SF; www.shnsf.com. $45-210. Opens Wed/16, 7pm. Runs Wed-Sat, 7pm (also Sat-Sun, 1pm); Sun, 6:30pm. Through Oct 27. Andrew Lloyd Webber’s new stage adaptation of the classic, complete with a Dorothy (Danielle Wade) chosen through a Canadian reality-show competition.

BAY AREA

Lettice and Lovage Hillbarn Theatre, 1285 East Hillsdale, Foster City; www.hillbarntheatre.org. $23-38. Opens Fri/18, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Hillbarn Theatre, now in its 73rd season, performs Peter Shaffer’s raucous comedy.

Metamorphoses South Berkeley Community Church, 1802 Fairview, Berk; www.infernotheatre.org. $10-25. Opens Sat/19, 8pm. Runs Thu and Sat-Sun, 8pm; Fri, 9pm (no show Nov 9). Through Nov 23. Additional performance Nov 9, 8pm, $5-20, Laney College, 900 Fallon, Oakl. Inferno Theatre performs a multimedia, contemporary adaptation of Ovid’s classic.

Red Virgin, Louise Michel and the Paris Commune of 1871 Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Previews Thu/17-Fri/18, 8pm. Opens Sat/19, 8pm. Runs Thu-Sat, 8pm; Sun, 5pm. Through Nov 24. Central Works presents a new play (with live music) by Gary Graves about the Paris Commune uprising.

ONGOING

Beautiful: The Carole King Musical Curran Theatre, 445 Geary, SF; www.shnsf.com. $55-210. Wed/16-Sat/19, 8pm (also Wed/16 and Sat/19, 2pm); Sun/20, 2pm. Pre-Broadway premiere of the musical about the legendary songwriter.

Bengal Tiger at the Bagdad Zoo SF Playhouse, 450 Post, SF; www.sfplayhouse.org. $30-100. Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm); Sun/20 and Oct 27, 2pm. Through Nov 16. In Rajiv Joseph’s Pulitzer-nominated Bengal Tiger at the Bagdad Zoo, the dead quickly outnumber the living, and soon the stage is littered with monologist ghosts lost in transition. In Joseph’s world, at least, death is but another phase of consciousness, a plane of existence where a man-eating tiger might experience a crisis of conscience, and a brash young soldier with a learning disability might suddenly find himself contemplating algebraic equations and speaking Arabic —knowledge that had eluded his comprehension in life. Will Marchetti’s portrayal of the titular tiger is on the static side, though his wry intelligence and philosophical awakening comes as a welcome contrast to the willfully obtuse worldview of the American soldiers (Gabriel Marin and Craig Marker) guarding him. But it’s Musa (Kuros Charney), a translator for the Americans and a former gardener and topiary “artist,” who eventually emerges as the play’s most fully realized character and also the most tragic, becoming that which he dreads the most, a beast in a lawless land, egged on by the ghost of his former employer, the notoriously sadistic Uday Hussein (Pomme Koch). At times, director Bill English’s staging feels too understated and contained for a play that’s so muscular and expansive (an understatement not carried over into Steven Klems’ appropriately jarring sound design) focused less on its metaphysical implications than on its mundane surface, but however imperfect the production and daunting the script, it remains a fascinating response to an unwinnable war — the war against our own animal natures. (Gluckstern)

BooKKeepers: A True Fiction Southside Theatre, Fort Mason Center, Marina at Laguna, SF; www.generationtheatre.com. $20-35. Thu-Sat, 8pm; Sun, 3pm. Through Oct 27. GenerationTheatre presents Roland David Valayre’s Kafka-inspired fantasy.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Carrie: The Musical Victoria Theatre, 2961 16th St, SF; www.rayoflighttheatre.com. $25-36. Wed-Sat, 8pm (also Oct 26, 11:30pm; Nov 2, 2pm). Through Nov 2. Just in time to complement the Carrie film remake, Ray of Light Theatre performs the musical adaptation (initially a Broadway flop, then a re-tooled off-Broadway hit) of the Stephen King horror novel.

The Disappearance of Mary Rosemary Phoenix Theatre, 414 Mason, SF; secondwind.8m.com. $15-25. Thu-Sat, 8pm; Sun, 2pm. Through Oct 26. Script-wise, Second Wind Production’s J.M. Barrie adaptation The Disappearance of Mary Rosemary might well be the most unique ghost story of the season. But in contrast to their masterfully suspenseful The Woman in Black (staged in 2009), Disappearance falls to sustain that charged atmosphere of unease that defines the best terror tales. It begins promisingly enough in a purportedly haunted parlor being shown to a young soldier (Ryan Martin) by its taciturn caretaker (Juanita Wyles). After she leaves him alone in the room, lights flicker, his video camera spontaneously begins to play, and a mysterious light emerges from under a locked door, all evidence pointing to either a supernatural event, or to a PTSD-style mental breakdown. Cutting to the same parlor 29 years before, where domestic tranquility prevails, a lot of that initial tension gets lost, and even though the equally unexplainable events which ensue prove to be much bigger in actual scale, they don’t quite manage to scare so much as to puzzle. Of the performances, Gigi Benson’s matter-of-fact matriarch is by far the most nuanced, and her chemistry with her stage husband (Dave Sikula) is far more convincing than that of their daughter and son-in-law (Caroline Elizabeth Doyle and Brian Martin). Finally, a very unexpected twist turns this story of a young woman who never grows old into one who has grown perhaps too fast, uncomfortably invoking V.C. Andrews rather than J.M. Barrie, and not for the better. (Gluckstern)

Dirty Little Showtunes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Nov 10. New Conservatory Theatre Center presents the return of Tom Orr’s bawdy Broadway parody.

First Stage Werx, 446 Valencia, SF; www.firsttheplay.com. $25-35. Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Altair Productions, the Aluminous Collective, and PlayGround present the world premiere of Evelyn Jean Pine’s play, which imagines a 20-year-old Bill Gates’ experiences at a 1976 personal computer conference.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Forbidden Fruit Garage, 715 Bryant, SF; www.brownpapertickets.com. $25. Fri-Sat and Mon, 8pm. Through Oct 28. Back Alley Theater and Footloose present the West Coast premiere of Jeff Bedillion’s stylized love story that takes on social and religious conformity.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Wed-Thu, 8pm; Sat, 5pm. Through Oct 26. Geoff Hoyle’s hit solo show, a comedic meditation on aging, returns to the Marsh.

Gruesome Playground Injuries Tides Theatre, 533 Sutter, SF; www.tidestheatre.org. $20-40. Wed-Sat, 8pm. Through Nov 9. Tides Theatre performs Rajiv Joseph’s drama about two people who first meet as eight-year-olds in the school nurse’s office.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

An Indian Summer Exit Theatre, 156 Eddy, SF; www.wehavemet.org. $20-40. Thu/17-Sat/19, 8pm. Multi Ethnic Theater performs Charles Johnson’s drama set in the 1980s Deep South.

It’s a Bird … It’s a Plane … It’s Superman Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Wed/16-Thu/17, 7pm; Fri/18, 8pm; Sat/19, 6pm; Sun/20, 3pm. 42nd Street Moon kicks off its 21st season with this 1966 musical homage to the Man of Steel.

Randy Roberts Live! Alcove Theatre, 414 Mason, SF; www.randyroberts.net. $40. Thu-Sat, 9pm. Through Nov 2. The famed female impersonator performs. He will also perform a different show with jazz pianist Tammy L. Hall: Mon/21 and Oct 28, 7pm, $20, Martuni’s, 4 Valencia, SF.

The Scion Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Fri, 8pm; Sat, 8:30pm. Through Oct 26. Popular solo performer Brian Copeland (Not a Genuine Black Man, The Waiting Period) performs a workshop production of his latest, “a tale of privilege, murder, and sausage.” The show has its official world premiere Jan. 9, 2014.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu-Sat and Oct 29-30, 8pm. Through Nov 23. Thrillpeddlers presents their 14th annual Grand Guignol show, “a evening of horror, madness, spanking, and song.”

The Taming Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Wed-Sat, 8pm. Through Oct 26. Crowded Fire Theater presents the world premiere of Lauren Gunderson’s modern farce.

The Voice: One Man’s Journey into Sex Addiction and Recovery EXIT Theatre, 156 Eddy, SF; www.theexit.org. $15-25. Fri-Sat, 8pm. Through Oct 26. David Kleinberg performs his autobiographical solo show.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-11. Sun, 11am. Through Oct 27. Soapy, kid-friendly antics with Louis Pearl, aka “The Amazing Bubble Man.”

BAY AREA

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

I and You Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Tue, Thu-Sat, 8pm (also Sat/19 and Nov 2, 2pm; Oct 24, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Nov 3. Lauren Gunderson’s world premiere explores how Walt Whitman’s words affect the lives of two teenagers.

Rich and Famous Dragon Theatre, 2120 Broadway, Redwood City; www.dragonproductions.net. $15-35. Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Dragon Theatre performs John Guare’s surreal musical comedy.

strangers, babies Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Previews Wed/16-Thu/17, 8pm. Opens Fri/18, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Nov 17. Shotgun Players present Linda McLean’s drama about a woman confronting her past.

Vanya and Sonia and Masha and Spike Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $35-89. Tue and Thu-Sat, 8pm (also Sat, 2pm); Wed, 7pm; Sun, 2 and 7pm. Extended through Oct 25. Berkeley Rep performs Christopher Durang’s comedy about a dysfunctional family in rural Pennsylvania.

Warrior Class Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Nov 3. TheatreWorks performs Kenneth Lin’s incisive political drama.

A Winter’s Tale Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-72. Wed/16-Thu/17, 7:30pm; Fri/18-Sat/19, 8pm (also Sat/19, 2pm); Sun/20, 4pm. Cal Shakes concludes its 2013 season with the Bard’s fairy tale, directed and choreographed by sister team Patricia and Paloma McGregor.

PERFORMANCE/DANCE

Alonzo King LINES Ballet Training Program fall showcase Z Space, 450 Florida, SF; www.zspace.org. Oct 22-23, 7:30pm. $20. The company’s artists-in-training perform original and diverse works by Maurya Kerr, Dexandro Montalvo, and other choreographers.

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. “Horror Super Scene,” Fri, 8. Through Oct 25. “Improvised Farce,” Sat, 8pm. Through Oct 26.

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

“The Buddy Club Children’s Shows” Randall Museum Theater, 199 Museum Wy, SF; www.thebuddyclub.com. Sun/20, 11am-noon. $8. Magician Jay Alexander performs for kids and families.

“Canta Napoli” First Unitarian Universalist Church, 1187 Franklin, SF; www.ticketriver.com. Sun/20, 7pm. $35-45. Tenor Pasquale Esposito performs at this benefit to bring artists from Teatro of San Carlo, Naples to perform in San Francisco.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sun/20 and Oct 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“An Evening With Linda Eder” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Thu/17-Fri/18, 8pm; Sat/19, 7pm. $45-80 (plus $20 food and beverage minimum). The acclaimed vocalist performs Broadway songs as well as standards, pop, country, and jazz.

Neil Hamburger and the Too Good For Neil Hamburger Band Hemlock Tavern, 1131 Polk, SF; www.hemlocktavern.com. Thu/17, 7:30 and 9:30pm. $15. A variety show starring “America’s Funnyman.”

“The Hula Show 2013” Palace of Fine Arts Theatre, 3301 Lyon, SF; www.cityboxoffice.com. Sat/19 and Oct 25-26, 8pm; Sun/20 and Oct 27, 3pm (children’s matinee Oct 27, noon). $15-90. Patrick Makuakane and his Na Lei Hulu I Ka Wekiu dance troupe perform 20 world premieres, a blend of traditional hula and hula performed to modern music.

“The Kepler Story” Morrison Planetarium, California Academy of Sciences, 55 Music Concourse Dr, SF; www.calacademy.org. Sun, 6:30pm. Through Oct 27. $15. Cal Academy and Motion Institute team up to produce this “immersive performance work” about astronomer Johannes Kepler.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 4:30 and 7pm. $20-30 (free aquarium ticket with show ticket). Extended through Dec 29. Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“Recovering Home” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/18-Sun/20, 8pm. $18-22. Afrique Sogue and Jaara Dance Project perform a work about the “convergence of quests for connection.”

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“San Francisco Trolley Dances 2013” Guided tours leave from Market Street Museum, 77 Steuart, SF; www. epiphanydance.org. Sat/19-Sun/20, tours leave every 45 minutes from 11am -2:45pm. Free with Muni fare. Epiphany Productions Sonic Dance Theater and guests participate in the 10th annual incarnation of this rolling performance tour.

“A Show of Hands” Jewish Community Center of San Francisco, 3200 California, SF; www.garrettmoulton.org. Thu/17, noon; Fri/18 and Oct 25, 3:30pm; Sat/19 and Oct 24 and 26, 1pm. Free. Garrett and Moulton Productions present a site-specific New Music USA commission that explores the powers and possibilities of human hands.

“Smack Dab” Magnet, 4122 18th St, SF; www.magnetsf.org. Wed/16, 8pm. Free. Open mic with headliner David Miller and his Paradox Magic show.

“Speechless” Public Works, 161 Erie, SF; www.speechlesslive.com. Thu/17, 7:30pm. $20. Improv meets PowerPoint in this new comedy show from the minds behind storytelling series Mortified SF.

“These Are Our Stories” Intersection for the Arts, 925 Mission, Ste 109, SF; theseareourstories.eventbrite.com. Mon/21, 7pm. $5-15. Part of Intersection for the Arts’ Califas Festival, this roving series of site-specific performances is led by playwright Eugenie Chan. *

 

Theater Listings: October 9 – 15, 2013

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

BooKKeepers: A True Fiction Southside Theatre, Fort Mason Center, Marina at Laguna, SF; www.generationtheatre.com. $20-35. Opens Thu/10, 8pm. Runs Thu-Sat, 8pm; Sun, 3pm. Through Oct 27. GenerationTheatre presents Roland David Valayre’s Kafka-inspired fantasy.

Dirty Little Showtunes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Opens Fri/11, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Nov 10. New Conservatory Theatre Center presents the return of Tom Orr’s bawdy Broadway parody.

First Stage Werx, 446 Valencia, SF; www.firsttheplay.com. $25-35. Opens Sat/12, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Altair Productions, the Aluminous Collective, and PlayGround present the world premiere of Evelyn Jean Pine’s play, which imagines a 20-year-old Bill Gates’ experiences at a 1976 personal computer conference.

Gruesome Playground Injuries Tides Theatre, 533 Sutter, SF; www.tidestheatre.org. $20-40. Previews Thu/10, 8pm. Opens Fri/11, 8pm. Runs Wed-Sat, 8pm. Through Nov 9. Tides Theatre performs Rajiv Joseph’s drama about two people who first meet as eight-year-olds in the school nurse’s office.

Randy Roberts Live! Alcove Theatre, 414 Mason, SF; www.randyroberts.net. $40. Opens Thu/10, 9pm. Runs Thu-Sat, 9pm. Through Nov 2. The famed female impersonator performs. He will also perform a different show with jazz pianist Tammy L. Hall: Mon/14, Oct 21, and 28, 7pm, $20, Martuni’s, 4 Valencia, SF.

BAY AREA

I and You Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Previews Thu/10-Sat/12, 8pm; Sun/13, 2pm. Opens Tue/15, 8pm. Runs Tue, Thu-Sat, 8pm (also Oct 19 and Nov 2, 2pm; Oct 24, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Nov 3. Lauren Gunderson’s world premiere explores how Walt Whitman’s words affect the lives of two teenagers.

Rich and Famous Dragon Theatre, 2120 Broadway, Redwood City; www.dragonproductions.net. $15-35. Previews Thu/10, 8pm. Opens Fri/11, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Dragon Theatre performs John Guare’s surreal musical comedy.

strangers, babies Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Previews Oct 15-17, 8pm. Opens Oct 18, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Nov 17. Shotgun Players present Linda McLean’s drama about a woman confronting her past.

Warrior Class Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Previews Wed/9-Fri/11, 8pm. Opens Sat/12, 8pm. Runs Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Nov 3. TheatreWorks performs Kenneth Lin’s incisive political drama.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri/11, 8pm; Sat/12, 8:30pm. Playwright Lynne Kaufman invites you to take a trip with Richard Alpert, aka Ram Dass (Warren David Keith) — one of the bigwigs of the psychedelic revolution and (with his classic book, Be Here Now) contemporary Eastern-looking spirituality — as he recounts times high and low in this thoughtful, funny, and sometimes unexpected biographical rumination on the quest for truth and meaning in a seemingly random life. Directed by Joel Mullennix, the narrative begins with Ram Dass today, in his Hawaiian home and partly paralyzed from a stroke, but Keith (one of the Bay Area’s best stage actors, who is predictably sure and engagingly multilayered in the role) soon shakes off the stiff arm and strained speech and springs to his feet to continue the narrative as the ideal self perhaps only transcendental consciousness and theater allow. Nevertheless, Kaufman’s fun-loving and extroverted Alpert is no saint and no model of perfection, which is the refreshing truth explored in the play. He’s a seeker still, ever imperfect and trying for perfection, or at least the wisdom of acceptance. As the privileged queer child of a wealthy Jewish lawyer and industrialist, Alpert was both insider and outsider from the get-go, and that tension and ambiguity make for an interesting angle on his life, including the complexities of his relationships with a homophobic Leary, for instance, and his conservative but ultimately loving father. Perfection aside, the beauty in the subject and the play is the subtle, shrewd cherishing of what remains unfinished. Note: review from an earlier run of this show. (Avila)

Beautiful: The Carole King Musical Curran Theatre, 445 Geary, SF; www.shnsf.com. $55-210. Tue-Sat, 8pm (also Sat, Wed/9, and Oct 16, 2pm); Sun, 2 and 7:30pm (no evening show Sun/13 or Oct 20). Through Oct 20. Pre-Broadway premiere of the musical about the legendary songwriter.

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed/9-Sat/12, 8pm; Sun/13, 2pm. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Wed/9-Sat/12, 8pm; Sun/13, 2:30. A rural family in slow free-fall finally sees the ground rushing up to meet it in Sam Shepard’s raucous, solemn, and spooky American gothic. The 1978 Pulitzer Prize-winner not only secured a place for Shepard in the upper echelons of American playwrights but helped remake the theatrical landscape when it first premiered, 35 years ago, at the Magic Theatre. The Magic’s current revival tends to show the ways in which the play has aged, however, rather than the ways in which it endures. Loretta Greco’s perfunctory direction inadvertently underscores what has since become formula in the resolutely surreal undercurrent beneath its surface naturalism. Meanwhile her cast —though it includes some normally dependable actors like Patrick Alparone, Rod Gnapp and James Wagner — never comes together as a cohesive ensemble, further distancing us from the still vital dynamism in the text (more of that was captured last year in Boxcar Theatre’s admittedly rocky but overall more persuasive production). Alparone (as long-lost son Vince) and Patrick Kelly Jones (as his belligerent one-legged brother Bradley) manage to infuse some momentary energy, but from the opening lines, delivered offstage by chattering matriarch Halie (Denise Balthrop Cassidy), the tension remains mostly slack, the acting haphazard, and the themes muted. (Avila)

Carrie: The Musical Victoria Theatre, 2961 16th St, SF; www.rayoflighttheatre.com. $25-36. Wed-Sat, 8pm (also Oct 26, 11:30pm; Nov 2, 2pm). Through Nov 2. Just in time to complement the Carrie film remake, Ray of Light Theatre performs the musical adaptation (initially a Broadway flop, then a re-tooled off-Broadway hit) of the Stephen King horror novel.

The Disappearance of Mary Rosemary Phoenix Theatre, 414 Mason, SF; secondwind.8m.com. $15-25. Thu-Sat, 8pm; Sun, 2pm. Through Oct 26. Script-wise, Second Wind Production’s J.M. Barrie adaptation The Disappearance of Mary Rosemary might well be the most unique ghost story of the season. But in contrast to their masterfully suspenseful The Woman in Black (staged in 2009), Disappearance falls to sustain that charged atmosphere of unease that defines the best terror tales. It begins promisingly enough in a purportedly haunted parlor being shown to a young soldier (Ryan Martin) by its taciturn caretaker (Juanita Wyles). After she leaves him alone in the room, lights flicker, his video camera spontaneously begins to play, and a mysterious light emerges from under a locked door, all evidence pointing to either a supernatural event, or to a PTSD-style mental breakdown. Cutting to the same parlor 29 years before, where domestic tranquility prevails, a lot of that initial tension gets lost, and even though the equally unexplainable events which ensue prove to be much bigger in actual scale, they don’t quite manage to scare so much as to puzzle. Of the performances, Gigi Benson’s matter-of-fact matriarch is by far the most nuanced, and her chemistry with her stage husband (Dave Sikula) is far more convincing than that of their daughter and son-in-law (Caroline Elizabeth Doyle and Brian Martin). Finally, a very unexpected twist turns this story of a young woman who never grows old into one who has grown perhaps too fast, uncomfortably invoking V.C. Andrews rather than J.M. Barrie, and not for the better. (Gluckstern)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Forbidden Fruit Garage, 715 Bryant, SF; www.brownpapertickets.com. $25. Fri-Sat and Mon, 8pm. Through Oct 28. Back Alley Theater and Footloose present the West Coast premiere of Jeff Bedillion’s stylized love story that takes on social and religious conformity.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Wed-Thu, 8pm; Sat, 5pm. Through Oct 26. Geoff Hoyle’s hit solo show, a comedic meditation on aging, returns to the Marsh.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

An Indian Summer Exit Theatre, 156 Eddy, SF; www.wehavemet.org. $20-40. Thu-Sat, 8pm. Through Oct 19. Multi Ethnic Theater performs Charles Johnson’s drama set in the 1980s Deep South.

It’s a Bird … It’s a Plane … It’s Superman Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Wed-Thu, 7pm; Fri, 8pm; Sat, 6pm (also Sat/12, 1pm); Sun, 3pm. Through Oct 20. 42nd Street Moon kicks off its 21st season with this 1966 musical homage to the Man of Steel.

The Scion Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Fri, 8pm; Sat, 8:30pm. Through Oct 26. Popular solo performer Brian Copeland (Not a Genuine Black Man, The Waiting Period) performs a workshop production of his latest, “a tale of privilege, murder, and sausage.” The show has its official world premiere Jan. 9, 2014.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu-Sat and Oct 29-30, 8pm. Through Nov 23. Thrillpeddlers presents their 14th annual Grand Guignol show, “a evening of horror, madness, spanking, and song.”

The Taming Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Wed-Sat, 8pm (no show Wed/9). Through Oct 26. Crowded Fire Theater presents the world premiere of Lauren Gunderson’s modern farce.

The Voice: One Man’s Journey into Sex Addiction and Recovery EXIT Theatre, 156 Eddy, SF; www.theexit.org. $15-25. Fri-Sat, 8pm. Through Oct 26. David Kleinberg performs his autobiographical solo show.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-11. Sun, 11am. Through Oct 27. Soapy, kid-friendly antics with Louis Pearl, aka “The Amazing Bubble Man.”

BAY AREA

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed/9, 7:30pm; Thu/10-Sat/12, 8pm (also Sat/12, 2:30pm). Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Vanya and Sonia and Masha and Spike Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $35-89. Tue and Thu-Sat, 8pm (also Sat, 2pm); Wed, 7pm; Sun, 2 and 7pm. Extended through Oct 25. Berkeley Rep performs Christopher Durang’s comedy about a dysfunctional family in rural Pennsylvania.

A Winter’s Tale Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-72. Tue-Thu, 7:30pm; Fri-Sat, 8pm (also Oct 19, 2pm); Sun, 4pm. Through Oct 20. Cal Shakes concludes its 2013 season with the Bard’s fairy tale, directed and choreographed by sister team Patricia and Paloma McGregor.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. “Horror Super Scene,” Fri, 8. Through Oct 25. “Improvised Farce,” Sat, 8pm. Through Oct 26.

Bill T. Jones/Arnie Zane Dance Company CounterPULSE, 1310 Mission, SF; www.ybca.org. Wed/9, 8pm. $50. The company performs the world premiere of /Time: Study I. Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF; www.ybca.org. Fri/11-Sat/12, 8pm; Sun/13, 3pm. The company, with SITI Company, presents the West Coast premiere of A Rite.

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/12, Oct 20, and 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

Margaret Cho Nob Hill Masonic Center, 1111 California, SF; www.livenation.com. Sat/12, 8pm. $41.50-74. The acclaimed comedian performs her new show, Mother.

“Comedy Returns to El Rio” El Rio, 3158 Mission, SF; www.brownpapertickets.com. Mon/14, 8pm. $7-20. With Jabari Davis, Eloisa Bravo, Stefani Silverman, Howard Stone, and Lisa Geduldig.

Dance Theatre of San Francisco ODC Theater, 3153 17th St, SF; www.odctheater.org. Fri/11-Sat/12, 8pm; Sun/13, 7pm. $25-27. The new contemporary dance company founded by Annabelle Henry presents “Debut,” with works by Erik Wagner, Sandrine Cassini, and others.

“The Kepler Story” Morrison Planetarium, California Academy of Sciences, 55 Music Concourse Dr, SF; www.calacademy.org. Sun, 6:30pm. Through Oct 27. $15. Cal Academy and Motion Institute team up to produce this “immersive performance work” about astronomer Johannes Kepler.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Mongrels and Objects” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/11-Sat/12, 8pm; Sun/13, 7pm. $20-30. Headmistress — Amara Tabor-Smith and Sherwood Chen — presents solo and duo dance work.

“Mortified” DNA Lounge, 375 11th St, SF; www.getmortified.com. Fri/11, 7:30pm. $21. Also Sat/12, 7:30pm, $20. Uptown, 1928 Telegraph, Oakl. Embarrassing tales told by those who lived them as teenagers.

“MythBusters: Behind the Myths Tour” Orpheum Theatre, 1192 Market, SF; www.shnsf.com. Sat/12, 2 and 8pm. $45-95. Adam Savage and Jamie Hyneman bring their Discovery Channel show to the stage.

Davy Rothbart Jewish Community Center of San Francisco, 3200 California, SF; www.myheartisandidiotbook.com. Thu/10, 8pm. $12. The Found magazine editor and “This American Life” contributor shares his latest finds and reads from his new book, My Heart is an Idiot.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

Smuin Ballet Palace of Fine Arts Theatre, 3301 Lyon, SF; www.smuinballet.org. Thu/10-Sat/12, 8pm. $25-72. Smuin Ballet kicks off its 20th anniversary season with its “Xxtremes” fall program, including Jiri Kylian’s Return to a Strange Land and Amy Seiwert’s Dear Miss Cline.

BAY AREA

Paufve Dance Hillside Swedenborgian Community Church, 1422 Navallier, El Cerrito; www.brownpapertickets.com. Fri/11-Sat/12, 6pm. $15-20. Randee Paufve and company present Soil, a quintet of new and revised solo works.

“The Shout: Life’s True Stories” Grand Lake Coffee House, 440 Grand, Oakl; www.theshoutstorytelling.com. Mon/14, 7:30pm. $5-20. Amazing but true short storytelling. *

 

Theater Listings: October 2 – 8, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Carrie: The Musical Victoria Theatre, 2961 16th St, SF; www.rayoflighttheatre.com. $25-36. Opens Fri/4, 8pm. Runs Wed-Sat, 8pm (also Oct 26, 11:30pm; Nov 2, 2pm). Through Nov 2. Just in time to complement the Carrie film remake, Ray of Light Theatre performs the musical adaptation (initially a Broadway flop, then a re-tooled off-Broadway hit) of the Stephen King horror novel.

The Disappearance of Mary Rosemary Phoenix Theatre, 414 Mason, SF; secondwind.8m.com. $15-25. Opens Fri/4, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Oct 26. Writer-director Ian Walker’s ghost story is adapted from J.M. Barrie’s Mary Rose.

Forbidden Fruit Garage, 715 Bryant, SF; www.brownpapertickets.com. $25. Previews Thu/3, 8pm. Opens Fri/4, 8pm. Runs Fri-Sat and Mon, 8pm. Through Oct 28. Back Alley Theater and Footloose present the West Coast premiere of Jeff Bedillion’s stylized love story that takes on social and religious conformity.

An Indian Summer Exit Theatre, 156 Eddy, SF; www.wehavemet.org. $20-40. Opens Fri/4, 8pm. Runs Thu-Sat, 8pm. Through Oct 19. Multi Ethnic Theater performs Charles Johnson’s drama set in the 1980s Deep South.

It’s a Bird … It’s a Plane … It’s Superman Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Previews Wed/2-Thu/3, 7pm; Fri/4, 8pm. Opens Sat/5, 8pm. Runs Wed-Thu, 7pm; Fri, 8pm; Sat, 6pm (also Oct 12, 1pm); Sun, 3pm. Through Oct 20. 42nd Street Moon kicks off its 21st season with this 1966 musical homage to the Man of Steel.

The Scion Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Opens Fri/4, 8pm. Runs Fri, 8pm; Sat, 8:30pm. Through Oct 26. Popular solo performer Brian Copeland (Not a Genuine Black Man, The Waiting Period) performs a workshop production of his latest, “a tale of privilege, murder, and sausage.” The show has its official world premiere Jan. 9, 2014.

The Taming Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Previews Thu/3-Sat/5, 8pm. Opens Mon/7, 8pm. Runs Wed-Sat, 8pm (no show Oct 9). Through Oct 26. Crowded Fire Theater presents the world premiere of Lauren Gunderson’s modern farce.

The Voice: One Man’s Journey into Sex Addiction and Recovery EXIT Theatre, 156 Eddy, SF; www.theexit.org. $15-25. Opens Fri/4, 8pm. Runs Fri-Sat, 8pm. Through Oct 26. David Kleinberg performs his autobiographical solo show.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 8:30pm. Through Oct 12. Playwright Lynne Kaufman invites you to take a trip with Richard Alpert, aka Ram Dass (Warren David Keith) — one of the bigwigs of the psychedelic revolution and (with his classic book, Be Here Now) contemporary Eastern-looking spirituality — as he recounts times high and low in this thoughtful, funny, and sometimes unexpected biographical rumination on the quest for truth and meaning in a seemingly random life. Directed by Joel Mullennix, the narrative begins with Ram Dass today, in his Hawaiian home and partly paralyzed from a stroke, but Keith (one of the Bay Area’s best stage actors, who is predictably sure and engagingly multilayered in the role) soon shakes off the stiff arm and strained speech and springs to his feet to continue the narrative as the ideal self perhaps only transcendental consciousness and theater allow. Nevertheless, Kaufman’s fun-loving and extroverted Alpert is no saint and no model of perfection, which is the refreshing truth explored in the play. He’s a seeker still, ever imperfect and trying for perfection, or at least the wisdom of acceptance. As the privileged queer child of a wealthy Jewish lawyer and industrialist, Alpert was both insider and outsider from the get-go, and that tension and ambiguity make for an interesting angle on his life, including the complexities of his relationships with a homophobic Leary, for instance, and his conservative but ultimately loving father. Perfection aside, the beauty in the subject and the play is the subtle, shrewd cherishing of what remains unfinished. Note: review from an earlier run of this show. (Avila)

Beautiful: The Carole King Musical Curran Theatre, 445 Geary, SF; www.shnsf.com. $55-210. Tue-Sat, 8pm (also Sat and Oct 9 and 16, 2pm); Sun, 2 and 7:30pm (no evening show Oct 13 or 20). Through Oct 20. Pre-Broadway premiere of the musical about the legendary songwriter.

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Oct 13. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

“Bay One Acts Festival” Tides Theatre, 533 Sutter, SF; www.bayoneacts.org. $20-40. Programs One and Two run in repertory Wed/2-Sat/5, 8pm. The 2013 BOA fest presents the world premieres of 13 short plays in partnership with 13 Bay Area theater companies.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Tue, 7pm; Wed-Sat, 8pm (also Wed/2, 2:30pm); Sun, 2:30. Extended through Oct 13. A rural family in slow free-fall finally sees the ground rushing up to meet it in Sam Shepard’s raucous, solemn, and spooky American gothic. The 1978 Pulitzer Prize-winner not only secured a place for Shepard in the upper echelons of American playwrights but helped remake the theatrical landscape when it first premiered, 35 years ago, at the Magic Theatre. The Magic’s current revival tends to show the ways in which the play has aged, however, rather than the ways in which it endures. Loretta Greco’s perfunctory direction inadvertently underscores what has since become formula in the resolutely surreal undercurrent beneath its surface naturalism. Meanwhile her cast —though it includes some normally dependable actors like Patrick Alparone, Rod Gnapp and James Wagner — never comes together as a cohesive ensemble, further distancing us from the still vital dynamism in the text (more of that was captured last year in Boxcar Theatre’s admittedly rocky but overall more persuasive production). Alparone (as long-lost son Vince) and Patrick Kelly Jones (as his belligerent one-legged brother Bradley) manage to infuse some momentary energy, but from the opening lines, delivered offstage by chattering matriarch Halie (Denise Balthrop Cassidy), the tension remains mostly slack, the acting haphazard, and the themes muted. (Avila)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Wed-Thu, 8pm; Sat, 5pm. Through Oct 26. Geoff Hoyle’s hit solo show, a comedic meditation on aging, returns to the Marsh.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Thu/3-Sun/6, 6pm. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

1776 ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-160. Wed/2-Sat/5, 8pm (also Wed/2 and Sat/5, 2pm); Sun/6, 2pm. American Conservatory Theater performs the West Coast premiere of Frank Galati’s new staging of the patriotic musical.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Opens Thu/3, 8pm. Runs Thu-Sat and Oct 29-30, 8pm. Through Nov 23. Thrillpeddlers presents their 14th annual Grand Guignol show, “a evening of horror, madness, spanking, and song.”

To Sleep and Dream Z Below, 470 Florida, SF; www.therhino.org. $15-30. Wed/2-Sat/5, 8pm; Sun/6, 3pm. Theatre Rhinoceros performs writer-director John Fisher’s North Bay-set drama about the challenges of love.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-11. Sun, 11am. Through Oct 27. Soapy, kid-friendly antics with Louis Pearl, aka “The Amazing Bubble Man.”

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Wed/2-Sat/5, 8pm; Sun/6, 2 and 7pm. Emma (Jessica Bates) is a left-wing lawyer from a lefty Jewish family of Communist Party members and fellow travelers who heads an important defense fund for incarcerated Black Panther Mumia Abu-Jamal. When Emma learns that a book is coming out that pins her revered late grandfather (a CP martyr to McCarthyism for whom the fund is named) as a spy for Stalin, she collapses into an incapacitating personal crisis exacerbated by the revelation that her adored father (an expansive Rolf Saxon) already knew and kept the secret from her. The crisis leads to Emma’s severing ties with her father and, eventually, alienating her boyfriend (Adrian Anchondo) as the rest of the family do their best to negotiate the new dynamic, including her uncle Leo (Victor Talmadge), her rehab habitué of a sister (Sarah Mitchell), and her mother (Pamela Gaye Walker). Meanwhile, Emma faces the fraught temptation of a large donation to the fund by a wealthy old lefty (a fine Peter Kybart). Almost above the fray, by virtue of her unwavering devotion to the political legacy she shared with her husband, is Emma’s unreconstructed Stalinist of a grandmother, Vera (a jarringly affected Ellen Ratner in fakey-fakey old-lady makeup). Aurora Theater’s production of Amy Herzog’s After the Revolution offers another look at the celebrated American playwright whose Obie Award-winning 4000 Miles recently premiered at ACT. But just as the ACT production left one wondering what all the fuss was about, After the Revolution disappoints in its promise of exploring political commitment through the complexities of modern history and familial bonds. Instead, director Joy Carlin marshals a mostly strong cast to little effect against an unconvincing and strained dramatic narrative that seems oddly out of touch with today’s political currents. (Avila)

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed, 7:30pm; Thu-Sat, 8pm (also Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

The Tempest Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-35. Thu/3-Sat/5, 8pm; Sun/6, 2pm. Pear Avenue Theatre performs Shakespeare’s play in a new staging by director Jeanie K. Smith.

A Winter’s Tale Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-72. Tue-Thu, 7:30pm; Fri-Sat, 8pm (also Oct 19, 2pm); Sun, 4pm. Through Oct 20. Cal Shakes concludes its 2013 season with the Bard’s fairy tale, directed and choreographed by sister team Patricia and Paloma McGregor.

PERFORMANCE/DANCE

“Bay Area Flamenco Festival” Brava Theater, 2781 24th St, SF; www.bayareaflamencofestival.com. Fri/4, 8pm. $25-65. Also Sat/5, 8pm, $30-75, Thrust Stage, Berkeley Repertory Theatre, 2025 Addison, Berk. Spain’s Gema Moneo performs gypsy flamenco dance.

Bill T. Jones/Arnie Zane Dance Company CounterPULSE, 1310 Mission, SF; www.ybca.org. Oct 8-9, 8pm. $50. The company performs the world premiere of /Time: Study I.

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

“Brutal Sound Effects Festival #76” Lab, 2948 16th St, SF; www.thelab.org. Fri/4, 7:30-10pm. $7-40. Performances by Blue Sabbath, Black Cheer, Magnetic Stripper, Dental Work, and more.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sun/6, Oct 12, 20, and 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

Dimensions Dance Theater Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Sat/5, 8pm. $25-30. The company celebrates its 40th anniversary with highlights from past years, as well as the world premiere of Rhythms of Life: Down the Congo Line.

“First Annual @endHIV SF Drag Ball” BeatBox SF, 314 11th St, SF; www.endhiv.com. Sat/5, 7-10pm. $50. Drag competitions (including an “animal fashion” category, in keeping with the event theme: “The Animal Inside”) to raise money for testing a new AIDS vaccine.

“HeART of Market: Dance, Create, Connect” Mint Plaza, 2 Mint Plaza, SF; www.mintplazasf.org. Sat/5, noon-3pm. Free. Alonzo King LINES Dance Center presents a free, participatory, family-friendly performance.

“The Kepler Story” Morrison Planetarium, California Academy of Sciences, 55 Music Concourse Dr, SF; www.calacademy.org. Sun, 6:30pm. Through Oct 27. $15. Cal Academy and Motion Institute team up to produce this “immersive performance work” about astronomer Johannes Kepler.

“The King of Hearts is Off Again” Joe Goode Performance Annex, 401 Alabama, SF; www.sfiaf.org. Wed/2-Fri/4, 8pm. $18-25. Also Sat/5, 8pm, $18-25, University Theatre, CSU East Bay, 25800 Carlos Bee, Hayward. Poland’s Studium Teatralne performs the stage adaptation of Hannah Krall’s novel Chasing the King of Hearts, set in the Warsaw ghetto during World War II.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Rotunda Dance Series: Ballet Folklórico Costa de Oro” San Francisco City Hall, 1 Dr Carlton B Goodlett Pl, SF; www.dancersgroup.org. Fri/4, noon. Free. Traditional Mexican dances.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

Smuin Ballet Palace of Fine Arts Theatre, 3301 Lyon, SF; www.smuinballet.org. Fri/4-Sat/5 (also Sat/5, 2pm); Sun/6, 2pm; Oct 10-12, 8pm. $25-72. Smuin Ballet kicks off its 20th anniversary season with its “Xxtremes” fall program, including Jiri Kylian’s Return to a Strange Land and Amy Seiwert’s Dear Miss Cline.

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest.

BAY AREA

“Angel Heart” Hertz Hall, UC Berkeley, Berk; calperfs.berkeley.edu. Sun/6, 5pm. $36. This family-friendly Cal Performances “musical storybook” is written by best-selling children’s author Cornelia Funke, with a score by Luna Pearl Woolf and narration by Malcolm McDowell.

Paufve Dance Hillside Swedenborgian Community Church, 1422 Navallier, El Cerrito; www.brownpapertickets.com. Fri-Sat and Oct 6, 6pm. Through Oct 12. $15-20. Randee Paufve and company present Soil, a quintet of new and revised solo works. *

 

Theater Listings: September 18 – 24, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Beautiful: The Carole King Musical Curran Theatre, 445 Geary, SF; www.shnsf.com. $55-210. Opens Tue/24, 8pm. Runs Tue-Sat, 8pm (also Sat and Oct 9 and 16, 2pm); Sun, 2 and 7:30pm (no evening show Oct 13 or 20). Through Oct 20. Pre-Broadway premiere of the musical about the legendary songwriter.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Opens Wed/18, 8pm. Runs Wed-Thu, 8pm; Sat, 8:30pm. Through Oct 26. Geoff Hoyle’s hit solo show, a comedic meditation on aging, returns to the Marsh.

To Sleep and Dream Z Below, 470 Florida, SF; www.therhino.org. $15-30. Previews Thu/19-Sat/21, 8pm; Sun/22, 7pm. Opens Sept 25, 8pm. Runs Wed-Sat, 8pm; Sept 29, 7pm; Oct 6, 3pm. Through Oct 6. Theatre Rhinoceros performs writer-director John Fisher’s North Bay-set drama about the challenges of love.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-11. Opens Sun/22, 11am. Runs Sun, 11am. Through Oct 27. Soapy, kid-friendly antics with Louis Pearl, aka “The Amazing Bubble Man.”

BAY AREA

The Tempest Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-35. Previews Thu/12, 8pm. Opens Sat/13, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Oct 6. Pear Avenue Theatre performs Shakespeare’s play in a new staging by director Jeanie K. Smith.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 8:30pm. Through Oct 12. Playwright Lynne Kaufman invites you to take a trip with Richard Alpert, a.k.a. Ram Dass (Warren David Keith)—one of the big wigs of the psychedelic revolution and (with his classic book, Be Here Now) contemporary Eastern-looking spirituality—as he recounts times high and low in this thoughtful, funny, and sometimes unexpected biographical rumination on the quest for truth and meaning in a seemingly random life. Directed by Joel Mullennix, the narrative begins with Ram Dass today, in his Hawaiian home and partly paralyzed from a stroke, but Keith (one of the Bay Area’s best stage actors, who is predictably sure and engagingly multilayered in the role) soon shakes off the stiff arm and strained speech and springs to his feet to continue the narrative as the ideal self perhaps only transcendental consciousness and theater allow. Nevertheless, Kaufman’s fun-loving and extroverted Alpert is no saint and no model of perfection, which is the refreshing truth explored in the play. He’s a seeker still, ever imperfect and trying for perfection, or at least the wisdom of acceptance. As the privileged queer child of a wealthy Jewish lawyer and industrialist, Alpert was both insider and outsider from the get-go, and that tension and ambiguity make for an interesting angle on his life, including the complexities of his relationships with a homophobic Leary, for instance, and his conservative but ultimately loving father. Perfection aside, the beauty in the subject and the play is the subtle, shrewd cherishing of what remains unfinished. Note: review from an earlier run of this show. (Avila)

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Oct 13. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

“Bay One Acts Festival” Tides Theatre, 533 Sutter, SF; www.bayoneacts.org. $20-40. Programs One and Two run in repertory Wed-Sun, 8pm. Through Oct 5. The 2013 BOA fest presents the world premieres of 13 short plays in partnership with 13 Bay Area theater companies.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2:30. Through Oct 6. Magic Theatre performs a revival of Sam Shepard’s Pulitzer-winning classic.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

The Golden Dragon ACT’s Costume Shop, 1117 Market, SF; www.doitliveproductions.com. $15. Thu-Sat, 9:30pm. Through Sept 28. Do It Live! Productions presents Roland Schimmelpfennig’s tragicomic take on globalization, set in and around an Asian restaurant.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Thu-Sun, 6pm. Through Oct 6. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

“San Francisco Fringe Festival” Exit Theatreplex, 156 Eddy, SF; www.sffringe.org. $12.99 or less (passes, $45-75). Through Sat/21. The 22nd SF Fringe presents 36 shows that explore the boundaries of theater and performance.

1776 ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-160. Opens Thu/19, 8pm. Runs Tue-Sat, 8pm (also Wed and Sat, 2pm; Tue/24, show at 7pm); Sun, 2pm. Through Oct 6. American Conservatory Theater performs the West Coast premiere of Frank Galati’s new staging of the patriotic musical.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

The Shakespeare Bug Stage Werx Theatre, 446 Valencia, SF; www.killingmylobster.com. $15-30. Thu-Sun, 8pm. Through Sept 29. Killing My Lobster in association with PlayGround perform Ken Slattery’s world-premiere comedy.

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Extended through Oct 6. Aurora Theatre opens its 22nd season with the Bay Area premiere of Amy Herzog’s family drama.

All’s Well That Ends Well Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 28; visit website for performance schedule. Marin Shakespeare Company continues its outdoor season with the Bard’s classic romance.

Bonnie and Clyde Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Sept 29. Amorous outlaws and Depression-era rebels Bonnie Parker (Megan Trout) and Clyde Barrow (Joe Estlack) remain compelling as heroes and tragic figures in playwright Adam Peck’s 2010 retelling, but it’s their quieter, frailer, more delicate moments in Mark Jackson’s robust, at times transcendent staging that prove most memorable in this Shotgun Players production. It’s a sign of Jackson’s sure intelligence as a director that he can let a moment happen here wordlessly, without recourse to cut-and-dry cues of one sort or another, as happens near the outset of the evening as Barrow and Parker arrive on the run at an abandoned barn. We study them in such moments, and they breathe, like nowhere else. It’s here in this barn that they rest, woo, tussle, and tease for the next 80 enthralling minutes — interrupted only by Barrow’s moment-by-moment delivery to us of their final violent moments alive, channeling a fate awaiting them just down the road. Embodying the play’s only characters, Trout and Estlack are outstanding, dynamic and utterly persuasive. They’d be worth seeing even if the play and production were half as good as they are. Having “chosen to live lives less ordinary,” it turns out to be their palpable vulnerability and wide-ranging yet ordinary yearnings that make them exceptional creatures. (Avila)

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

A Comedy of Errors Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 29; visit website for performance schedule. Marin Shakespeare Company presents a cowboy-themed spin on the Bard’s classic.

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed, 7:30pm; Thu-Sat, 8pm (also Sept 28 and Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Woman in Black — A Ghost Play Douglas Morrison Theatre, 22311 N. Third St, Hayward; www.dmtonline.org. $10-29. Fri-Sat and Sept 26, 8pm (also Sat/21, 2pm); Sun, 2pm. Through Sept 29. Douglas Morrison Theatre performs Stephen Mallatratt’s adaptation of Susan Hill’s spooky story.

PERFORMANCE/DANCE

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/21, Oct 6, 12, 20, and 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

Megan Hilty Venetian Room, Fairmont San Francisco, 950 Mason, SF; www.bayareacabaret.org. Sun/21, 8pm. $95. The Broadway and television (Smash) star headlines Bay Area Cabaret’s tenth anniversary season opening gala.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Monkey Gone to Heaven” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu/19-Sat/21, 8pm; Sun/22, 7pm. $20. EmSpace Dance performs the world premiere of a dance-theater work inspired by the relationship between primates and prayer.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“San Francisco Stand-Up Comedy Competition: Preliminary Round” Jewish Community Center of San Francisco, 3200 California, SF; www.jccsf.org. Sat/21, 8pm. $25-35. Stand-up comedians battle it out.

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest.

“Vak: Song of Becoming” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Fri/20-Sat/21, 8pm. $20-35. Composer and vocalist Ann Dyer performs a work inspired by Indian goddess Vak, “who creates the world through sound vibration.” The work features choreography by Erika Chong Shuch.

“The Video Game Monologues” Cartoon Art Museum, 655 Mission, SF; www.cartoonart.org. Thu/19, 5-8pm. $5 (suggested donation). Get a sneak preview of the show that’s drawn from real stories of gamers and game characters.

Xitlalli Danza Azteca San Francisco Botanical Gardens, Golden Gate Park (near Ninth Ave at Lincoln), SF; www.sfbotanicalgarden.org. Sat/21, noon-2pm. Free. The group performs traditional ritual Aztec dances to celebrate the blooming of the SF Botanical Garden’s Mesoamerican Cloud Forest Garden.

BAY AREA

“Bay Area Flamenco Festival” La Peña Cultural Center, 3105 Shattuck, Berk; www.bayareaflamencofestival.com. Sun/21, 8pm. $30-50. Gypsy flamenco icon Concha Vargas headlines the first weekend of this eighth annual festival. *

 

Primate urges

1

arts@sfbg.com

DANCE Because the Bay Area has a reputation for encouraging artistic exploration, audiences have come to expect the unexpected — including having a monkey wrench thrown at them. Case in point: Erin Mei-Ling Stuart and her cohorts, who for their newest dance theater work, Monkey Gone to Heaven, pulled together some rather odd strings. Still, in the end they managed to say something intriguing about humankind’s connections to our closest relatives below, and our aspirations to whatever is above. The piece, however, is so multifaceted that I found myself overwhelmed with the sheer quantity of references. Were there episodes involving such outcasts as the biblical Ham, Africa’s pre-human Lucy, and Nijinsky in his madness?

Yet Monkey also stands as an evenhanded, lighthearted revue that doesn’t take its subject matter too seriously. It looks honestly at fundamental questions about what makes us human and how to we relate to something beyond us. Whether that is something like an afterlife or just a better life during the here and now is, gratefully, left open.

The work acknowledges and celebrates the close relationship to our animal nature, which too often gets ignored or denigrated. For coherence, the 75-minute, loosely-constructed episodes rely less on logic than on an emotional fabric woven by the wit, charm, and goofiness of its six performers: El Beh, Jennifer Chien, Kat Cole, Michael Mohammed, Rowena Ritchie, and Christopher W. White.

But how do these troopers suggest deep connections between our arboreal neighbors, not to speak of something called the future and us? The piece starts with the performers traipsing onto the stage chanting the refrain of the Pixies’ “Monkey Gone to Heaven,” whose lyrics portray a modest creature’s ascent through environmental morass towards the divine. Cole then recalls how she folded herself against a plate-glass zoo window — behind which a gorilla responded in kind. It became a transcendent experience for the human, and perhaps, the beast. Chien, for her part, lets herself be hogtied and yanked around as a sign of submission to an authority.

White then excitedly bursts onto stage with a scientific discovery that he thinks connects prayers, primates, and humans. Dopamine, which works on primates as well, he says, activates the pleasure center, but the anticipation of dopamine also produces this optimistic response, much the way prayer does. Is this an “a-ha” moment?

The choreography seems to say so, cleverly obliterating distinctions between human and animal movements by creating one fluid stream into which everyone dips: dancers hop, crawl, and walk on all fours; they fold their arms, genuflect, cross themselves, and pick lice off each other. When they sit on their haunches and begin to gently sway you certainly can’t tell which is which. Richie looked particularly in betwixt.

At one point the performers lie on their backs, engaged in a lusty monkey chant. They fight and they screech, and Mohammed explains his way of praying: a robust purging of himself. When all the dancers, except for Beh, knelt facing upstage for a Zen meditation, they quickly began to “ape” each others’ gestures, thus breaking their the trance, leaving Beh on her own.

Prayers — sung and recited — involved being grateful for a father with Alzheimer’s who had died. (I’m pretty sure also I heard one about someone who had bestowed herpes on somebody, and one about a lost cat.) The mundane and the weighty, the rational and goofy received equal consideration. That made for much of Monkey’s charms.

One of Monkey’s dramatically strongest sections involves the humans’ loss of the tail — Sonsheree Giles’ costumes had pinned stubs of them to their costumes. Toward the end, Ritchie and Beh, each on a column on either side of the stage, engaged in a lyrical paean about the tail — so soft, so pliable, so lush, so ever available and so sensuous and sexually alluring. It began to sound uncannily like an ode to a paradise lost. *

MONKEY GONE TO HEAVEN

Thu/19-Sat/21, 8pm; Sun/22, 7pm, $20

CounterPULSE

1310 Mission, SF

www.counterpulse.org

 

Stage listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Opens Fri/13, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Oct 13. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

“Bay One Acts Festival” Tides Theatre, 533 Sutter, SF; www.bayoneacts.org. $20-40. Opens Sat/14, 8pm. Programs One and Two run in repertory Wed-Sun, 8pm. Through Oct 5. The 2013 BOA fest presents the world premieres of 13 short plays in partnership with 13 Bay Area theater companies.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Previews Wed/11-Sat/14, 8pm; Sun/15, 2:30pm; Mon/16, 7pm. Opens Tue/17, 8pm. Runs Tue, 7pm; Wed-Sat, 8pm; Sun, 2:30. Through Oct 6. Magic Theatre performs a revival of Sam Shepard’s Pulitzer-winning classic.

The Golden Dragon ACT’s Costume Shop, 1117 Market, SF; www.doitliveproductions.com. $15. Opens Fri/13, 9:30pm. Runs Thu-Sat, 9:30pm. Through Sept 28. Do It Live! Productions presents Roland Schimmelpfennig’s tragicomic take on globalization, set in and around an Asian restaurant.

1776 ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-160. Previews Wed/11-Sat/14 and Tue/17, 8pm (also Sat/14, 2pm); Sun/15, 7pm. Opens Thu/19, 8pm. Runs Tue-Sat, 8pm (also Wed and Sat, 2pm; Sept 24, show at 7pm); Sun, 2pm. Through Oct 6. American Conservatory Theater performs the West Coast premiere of Frank Galati’s new staging of the patriotic musical.

The Shakespeare Bug Stage Werx Theatre, 446 Valencia, SF; www.killingmylobster.com. $15-30. Previews Thu/12-Fri/13, 8pm. Opens Sat/14, 8pm. Runs Thu-Sun, 8pm. Through Sept 29. Killing My Lobster in association with PlayGround perform Ken Slattery’s world-premiere comedy.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 8:30pm. Through Oct 12. Lynne Kaufman’s acclaimed play returns to the Marsh, with Warren David Keith reprising the titular role.

American Dream New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $35-45. Wed/11-Sat/14, 8pm; Sun/15, 2pm. A recently divorced and recently out architect falls in love with his Spanish teacher — and tries to bring him from Mexico to California — in this world premiere by Brad Erickson at the New Conservatory Theatre Center.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

In Friendship: Stories By Zona Gale Z Below, 470 Florida, SF; www.zspace.org. $20-50. Wed/11-Thu/12, 7pm (also Wed/11, 3pm); Fri/13, 8pm. Word for Word performs Zona Gale’s “comedy of American manners.”

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Thu-Sun, 6pm. Through Oct 6. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

Macbeth Main Post Parade Ground Lawn, Presidio of San Francisco, SF; www.sfshakes.org. Free. Sat/14-Sun/15, 2pm. In its 31st season, Free Shakespeare in the Park also takes on one of the Bard’s major tragedies.

“San Francisco Fringe Festival” Exit Theatreplex, 156 Eddy, SF; www.sffringe.org. $12.99 or less (passes, $45-75). Through Sept 21. The 22nd SF Fringe presents 36 shows that explore the boundaries of theater and performance.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Extended through Oct 6. Aurora Theatre opens its 22nd season with the Bay Area premiere of Amy Herzog’s family drama.

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Opens Sat/14, 8:30pm. Runs Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed, 7:30pm; Thu-Sat, 8pm (also Sept 28 and Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Good People Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Wed/11, 7:30pm; Thu/12-Sat/14, 8pm (also Sat/14, 2pm); Sun/15, 2 and 7pm. Marin Theatre Company performs the Bay Area premiere of David Lindsay-Abaire’s Broadway triumph about class and poverty.

Orlando Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. $10-30. Thu/12-Sat/14, 8pm; Sun/15, 5pm. TheatreFIRST performs Sarah Ruhl’s gender-shifting comedy, which takes place over a span of 300 years.

PERFORMANCE/DANCE

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sun/15, Sept 21, Oct 6, 12, 20, 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Dancing Poetry Festival” Florence Gould Theater, California Palace of the Legion of Honor, 100 34th Ave, F; (510) 235-0361. Sat/14, noon-4pm. $6-15. Now in its 20th year, this festival combines poetry and dance, with companies from across Northern California lending their talents.

“Faux Queen Pageant 2013: Sisters Grimm” Slim’s, 333 11th St, SF; www.slimspresents.com. Sat/14, 7pm. $20. “Drag Queens trapped in women’s bodies” compete for supremacy at this contest, a benefit for local charities including Mickaboo Companion Bird Rescue, SaveABunny, and Women Organized To Make Abuse Nonexistent, Inc.

“Here and Then” ODC Studio B, 351 Shotwell, SF; www.humanshakes.com. Sat/14-Sun/15, 8-9:30pm (no admission after 8:45pm). $17-20. Tim Rubel Human Shakes performs a dance installation dedicated to Harvey Milk and other human rights workers.

Kathleen Madigan Yoshi’s San Francisco, 1330 Fillmore, SF; www.yoshis.com. Sat/14, 8 and 10pm. $45. The comedian performs.

“Maestros of the Movies” Davies Symphony Hall, 201 Van Ness, SF; www.sfsymphony.org. Mon/16, 8pm. $15-152. John Williams conducts SF Symphony for this tribute to his iconic film scores. Frequent collaborator Steven Spielberg co-hosts the performance.

“A Match Made in Hell” Bindlestiff Studio, 185 Sixth St, SF; www.matchmadeinhellmusical.com. Fri/13-Sat/14, 8pm. $15-20. Max Weinbach’s original musical follows a couple brought together by the Devil.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Monkey Gone to Heaven” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/13-Sat/14 and Sept 19-21, 8pm; Sun/15 and Sept 22, 7pm. $20. EmSpace Dance performs the world premiere of a dance-theater work inspired by the relationship between primates and prayer.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“Signaling Arcana” Z Space, 450 Florida, SF; www.cimimarie.com. Thu/11-Sat/14, 8pm (also Sat/14, 2pm); Sun/15, 5pm. $25. Cinematic shadow theater with 3D effects and original music from director-inventor Christine Marie and composter Dan Cantrell.

“Swingin’ Back Home” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.ticketweb.com. Wed/11 and Fri/13, 8pm; Sat/14-Sun/15, 7pm. $30-65. Michael Feinstein performs his new tribute to popular songs. *

 

The Selector: September 4 – 10, 2013

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WEDNESDAY 4

The Zombies

When their single “Time of the Season” was released in 1968, the Zombies had already broken up and the album that featured the now-classic tune almost wasn’t released. Even if that seminal song hadn’t hit the airwaves, the band would still be considered one of the best groups of the 1960s based on the strength of its earlier hits such as “She’s Not There” and “Tell Her No.” Original members Colin Blunstone and Rod Argent have re-formed the group and are bringing back the classic sound — and catch opening band Et Tu Bruce, featuring Jamie White, son of Zombies’ founding member Chris White. (Sean McCourt)

8pm, $39–$60

Yoshi’s Oakland

510 Embarcadero West, Oakl.

 

Thu/5, 8pm, $39–$60

Yoshi’s SF

1330 Fillmore, SF

www.yoshis.com

 

FRIDAY 6

Everything is Terrible!

Everything Is Terrible! began as a blog compiling hilariously bizarre video clips, plucked from tapes rescued from garage sales, thrift stores, and wherever else VHS carcasses, particularly copies of 1996’s Jerry Maguire, go to die. The seven-member collective’s found-footage efforts soon spawned multiple viral sensations (including “So Your Cat Wants a Massage?”, which has over two million YouTube hits) and 2009’s Everything Is Terrible! The Movie! Now, there’s a live show to accompany a pair of new films: Comic Relief Zero! (“a comedy special that’s the opposite of special”) and EIT! Does The Hip-Hop!, which promises “white rappers promoting hamburgers,” among other delights. (Cheryl Eddy)

Fri/6, 9:30pm, $15

Roxie Theater

3117 16th St, SF

Sat/7, 8pm, $10

New Parkway

474 24th St, Oakl.

www.everythingisterrible.com

 

Agave Baroque

I’m throwing my yearly pitch for the fantastic concerts that take place regularly at Old First Church: an entrancing mélange of programs by seasoned and younger musicians that covers centuries of “classical” music — and an ocean of styles, too. (Sitting in the surprisingly comfy pews, I’ve enjoyed everything from contemporary Celtic-tango hybrids to Liberace-dramatic Brahms.) The lively, Bay Area-based Agave Baroque quartet — Aaron Westman, violin; Shirley Hunt, viola da gamba; Kevin Cooper, baroque guitar; JungHae Kim, harpsichord — takes us back, way back, to the 17th century, with selections from Bach, Biber, Buxtehude, and more. Intimate evening music in a gorgeous church — hard to beat it, Baroque or no. (Marke B.)

8pm, $17

Old First Church

1751 Sacramento

www.oldfirstconcerts.org

 

Traditions

Considering that Shiva, the god of dance and one of the most important figures in Hindu mythology, is represented as male, you’d think that Bharata Natyam, India’s most popular classical dance, would have produced male dancers galore. In fact, it hasn’t. Part of the reason is that Bharata Natyam originated with women temple dancers. Today, much as in the West, Indian parents apparently still discourage their sons to take up dance professionally. For Ganesh Vasudeva this was never an issue. Though the only boy in class when he started at age 10, he says that dancing makes him feel “like nothing else in his life.” For his one-night only Traditions program, he has researched “male oriented compositions” both within and outside the common practice. (Rita Felciano)

8pm, $20

CounterPULSE

1310 Mission St., SF

(415) 626-2060

www.counterpulse.org

 

The Shrine

This LA-based outfit’s aptly titled debut album Primitive Blast is a raw slice of seething thrasher rock that dares you to throw the devil horns up and head bang til dawn. Borrowing heavily from Black Sabbath, Black Flag, and maybe some black magic, the Shrine’s youthful fuzz and manic energy are the soundtrack to a Venice Beach endless summer. Born out of a Santa Monica high school and the discovery of a shared love for Thin Lizzy at a beach party (you can’t make this shit up) the Shrine has been steadily moving up the ranks, graduating from sweaty house shows to its current headlining tour. If you’re looking for good, dirty fun or a sweet logo to stencil onto your skate deck, this is your band. (Haley Zaremba)

With Hot Lunch, Carlton Melton

9pm, $12

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

SATURDAY 7

Filmage

Milo Aukerman from the Descendents went to college, and got his “Suburban Home” with his “Silly Girl,” and now there’s a film about him and fellow bandmates and their efforts in achieving “ALL.” Tired Descendents puns aside, there’s cause for Bay Area fans of the band to rejoice again after its early August performance at America’s Cup Pavillion. Recently released Descendents-centric documentary, Filmage, serves as a love letter to the band as well as its offshoot group, ALL. As a two-year do-it-yourself effort by filmmakers Matt Riggle and Deedle LaCour, Filmage tells the story of the band with interviews from members of the group and through artists such as Dave Grohl of Foo Fighters and Nirvana, Mike Watt of Minutemen, and Keith Morris of early Black Flag and Circle Jerks fame. Making a one-day appearance, this will be the film’s SF premiere. (Erin Dage)

Sat/7, 12pm, $7.50

Roxie Theater

3117 16th St, SF

(415) 863-1087

www.roxie.com

 

Sammy Hagar

Celebrating a 40-year-plus music career, Sammy Hagar is back in the Bay Area this week, where he first came to prominence as a member of Montrose before heading out solo and eventually (controversially) joining Van Halen. The shaggy-haired Red Rocker is out on the road with a band featuring old cohorts, including ex-VH bassist Michael Anthony, ahead of the release of his new album, Sammy Hagar and Friends, which sees release later this month. And know that while you’re rocking out and having a blast, you’ll be helping along a good cause too — Hagar has announced he’ll give the San Francisco and Marin Food Banks $2,500 during the tour stop. (Sean McCourt)

7:30pm, $39.50–$85.

America’s Cup Pavilion

Piers 27/29, SF

www.livenation.com

 

SUNDAY 8

Total Burger Bub Showcase

If the Internet is any indicator of real world trends, cats are pretty in right now — and so is garage rock. So why not combine the two? Lil Bub, Burger Records, and Total Trash Booking are working together as a team to bring together a full day and night of unabashed camp, cats, and rock ‘n’ roll with the Total Burger Bub Showcase. Lil Bub, arguably one of the most famous smushed-face “perma-kittens” on the market right now, is coming to the Bay Area along with some garage rock friends. At the tender age of 2, she has reportedly penned a book, Lil Bub’s Lil Book, and invites you to see her live and get your copy of the book signed! She’ll be at the Rickshaw Stop from 3 to 7:30pm (and there’ll also be a screening of the Vice.tv doc film on her during that time). Shortly thereafter, at 8:30pm, garage rock artists such as pervy rabbit man Nobunny, Colleen Green, Monster Women, and the Shanghais will be playing at the same venue in honor of Lil Bub. If you’re interested, the price of admission to see Lil Bub is $12, and the rock show is $12, respectively. (Dage)

3pm, $12; 8pm, $12 Rickshaw Stop 155 Fell, SF (415) 861-2011

www.rickshawstop.com

 

Vikesh Kapoor

There’s something earnest and sweet about Vikesh Kapoor, who offers a refreshing take on acoustic songwriting. The musician’s simple finger-picking style carries his rough sing-talk vocals quite well, and rounds out the candid quality of his singing. Kapoor’s songwriting conveys something so basic and human, and his unkempt pipes are at times reminiscent of Bob Dylan (just wait till he brings out the harmonica). The young performer seems to have carved out a very specific niche of folk singing and songwriting, as shown in “I Dreamt Blues,” which Kapoor once described as a ballad about love, work, technology, government, and apathy. The ballad is the first track off his upcoming concept album The Ballad of Willy Robbins, out Oct. 15. Kapoor is bringing his enlightened sound to the Chapel very soon — just in time to make you a fan. (Hillary Smith)

With Alela Diane

9pm, $18

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

Titus Andronicus

About nine months ago, I went to see Titus Andronicus at the Great American Music Hall. My expectations were high, since it’s one of my favorite bands, but I was totally unprepared for the onslaught of earnest rock ‘n’ roll, 500+ person gang vocals, and the entrancing vulnerability of frontperson Patrick Stickles. Titus Andronicus’ recorded work is extremely calculated. Its grandiose story arcs and complicated orchestration are both impressive and mind-blowingly neurotic in their attention to detail. (2010’s Civil War concept album The Monitor comes with a hefty “suggested further reading” list of historical texts.) However, the band still captures a raw energy and soulful sincerity that pushes it over the line into greatness. If you like high energy shows and high register lyricism, this is not a show to miss. (Zaremba)

With Lost Boy

8pm, $17

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

TUESDAY 10

Tab Benoit

This Louisiana native reminds me of the raw, electrifying power of a classic Fender. His wallowing vocals paired with bluesy guitar create a sound both soulful and unique. All of Tab Benoit’s songs include smooth, high-toned blues notes during which he seems to melt right into his guitar. His raspy, sometimes bleak vocals seem to hang in the air like a thick cloud of smoke. And with that voice, Benoit capitalizes on the ability of blues music to address those carnal feelings of lust, loss, and heartache, deep within us. His smoky sound has been sifting onto stages all over the West Coast this past month, and Brick and Mortar Music Hall is next. Check out the talented musician before he heads back out to the South. (Smith)

With Chris Cobb Band, Kris Lager Band

9pm,$25

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

“Frederick Marx Documentary Series”

Though he’s traveled the world making films, Frederick Marx — best-known for co-producing, writing, and editing 1994 doc Hoop Dreams — lives in Oakland, and hometown venue New Parkway has programmed a three-part series with Marx (who now runs nonprofit Warrior Films) in person to introduce and discuss his work. Influential, critically-acclaimed basketball tale Hoop Dreams kicks things off tonight; future editions will showcase Marx’s short films, as well as 2010’s Richard Gere-narrated Journey From Zanskar, about youths who leave Tibet in an effort to preserve their culture. (Eddy)

Also Oct. 15 and Nov. 12

7pm, $10 (series pass, $25)

New Parkway

474 24th St, Oakl.

www.thenewparkway.com

 

Bleeding Rainbow

Bleeding Rainbow has seen several incarnations since its 2009 formation as Reading Rainbow. Its third album, Yeah Right, includes two added band members, a new name (allegedly provoked by a remark from Carrie Brownstein), and as one would expect with a move from “Reading Rainbow” to “Bleeding Rainbow,” added shades of something sinister. Despite the changes, though, its signature sound remains: Out of the fuzzy noise of reverb and distortion emerges sweet pop melodies from Sarah Everton. The band’s transformed, but between the noise, the darkness, and the pop, it still promises a good time. (Laura Kerry)

With the Love Language

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011 www.rickshawstop.com

Theater Listings: September 4 – 10, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Opens Fri/6, 8pm. Runs Fri, 8pm; Sat, 8:30pm. Through Oct 12. Lynne Kaufman’s acclaimed play returns to the Marsh, with Warren David Keith reprising the titular role.

“San Francisco Fringe Festival” Exit Theatreplex, 156 Eddy, SF; www.sffringe.org. $12.99 or less (passes, $45-75). Sept 6-21. The 22nd SF Fringe presents 36 shows that explore the boundaries of theater and performance.

BAY AREA

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Previews Fri/6-Sat/7, 8pm; Sun/8, 2:30pm. Opens Tue/10, 7:30pm. Runs Wed, 7:30pm; Thu-Sat, 8pm (also Sept 28 and Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Woman in Black — A Ghost Play Douglas Morrison Theatre, 22311 N. Third St, Hayward; www.dmtonline.org. $10-29. Previews Thu/5, 8pm. Opens Fri/6, 8pm. Runs Fri-Sat and Sept 26, 8pm (also Sept 21, 2pm); Sun, 2pm. Through Sept 29. Douglas Morrison Theatre performs Stephen Mallatratt’s adaptation of Susan Hill’s spooky story.

ONGOING

American Dream New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $35-45. Wed-Sat, 8pm; Sun, 2pm. Through Sept 15. A recently divorced and recently out architect falls in love with his Spanish teacher — and tries to bring him from Mexico to California — in this world premiere by Brad Erickson at the New Conservatory Theatre Center.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Sat/7, 8:30pm; Sun/8, 7pm. (Runs Sept 14-Oct 27 at the Marsh Berkeley.) Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

In Friendship: Stories By Zona Gale Z Below, 470 Florida, SF; www.zspace.org. $20-50. Wed-Thu, 7pm (also Sept 11, 3pm); Fri-Sat, 8pm; Sun, 3pm. Extended through Sept 13. Word for Word performs Zona Gale’s “comedy of American manners.”

God of Carnage Shelton Theater, 533 Sutter, SF; www.sheltontheater.com. $26-38. Thu/5-Sat/7, 8pm. Shelton Theater performs Yasmina Reza’s award-winning play about class and parenting.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Opens Thu/5, 6pm. Runs Thu-Sun, 6pm. Through Oct 6. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

Macbeth Main Post Parade Ground Lawn, Presidio of San Francisco, SF; www.sfshakes.org. Free. Sat-Sun, 2pm. Through Sept 15. In its 31st season, Free Shakespeare in the Park also takes on one of the Bard’s major tragedies.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Previews Wed/4, 8pm. Opens Thu/5, 8pm. Runs Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Sept 29. Aurora Theatre opens its 22nd season with the Bay Area premiere of Amy Herzog’s family drama.

All’s Well That Ends Well Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 28; visit website for performance schedule. Marin Shakespeare Company continues its outdoor season with the Bard’s classic romance.

A Comedy of Errors Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 29; visit website for performance schedule. Marin Shakespeare Company presents a cowboy-themed spin on the Bard’s classic.

Good People Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Tue and Thu-Sat, 8pm (also Thu/5, 1pm; Sept 14, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Sept 15. Marin Theatre Company performs the Bay Area premiere of David Lindsay-Abaire’s Broadway triumph about class and poverty.

Lady Windermere’s Fan Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-62. Wed/4-Thu/5, 7:30pm; Fri/6-Sat/7, 8pm (also Sat/7, 2pm); Sun/8, 4pm. California Shakespeare Theater performs Oscar Wilde’s comedy.

Orlando Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. $10-30. Thu-Sat, 8pm; Sun, 5pm. Through Sept 15. TheatreFIRST performs Sarah Ruhl’s gender-shifting comedy, which takes place over a span of 300 years.

Other Desert Cities Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Sept 15. TheatreWorks performs Jon Robin Baitz’s family dramedy, a Broadway hit making its regional premiere here.

PERFORMANCE/DANCE

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/7, Sept 15, 21, Oct 6, 12, 20, 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

Christine Ebersole Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.ticketweb.com. Thu/5-Fri/6, 8pm; Sat/7, 7pm. $40-85. The two-time Tony winner performs classic standards and Broadway favorites.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil–like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“Padme: The Lotus” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Sat/7, 8pm; Sun/8, 7pm. $15-25. The 25-member Vishwa Shanthi Dance Company, choreographed by Shreelata Suresh, explores the symbolism of the lotus via south Indian classical dance form Bharatantyam.

“Pandora Boxx: Lick This Boxx!” Rebel, 1760 Market, SF; www.brownpapertickets.com. Fri/6-Sun/8, 7:30 and 10pm. $22.50. The RuPaul’s Drag Race alum performs an evening of comedy, stories, and song.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“Traditions” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/6, 8pm. $20. Dancer Ganesh Vasudeva presents a solo exploration of south Indian classical dance form Bharatantyam.

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest. *

 

Fall forward

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FALL ARTS Kings and queens, Brits and brats, music and mayhem, puppets and oppressors—the stage brims with them this fall. Talk about holding a mirror up to nature.

The King of Hearts is Off Again  Here’s a rare chance to experience the thrilling precision and stagecraft of a Polish ensemble theater working in the tradition of legendary master Jerzy Grotowski. San Francisco International Arts Festival and Los Angeles–based KulturePlus Productions present the Bay Area debut of Warsaw’s Studium Theatralne and its stage adaptation of Hanna Krall’s internationally acclaimed novel about a young Jewish woman (the real-life Izolda Regenberg) who escaped the Warsaw Ghetto and the Holocaust by passing as an Aryan. Oct. 2–4, Joe Goode Annex, SF; Oct. 5, University Theater, CSU East Bay, Hayward; www.sfiaf.org.

Sidewinders Rising American playwright and Louisville, Ky. native Basil Kreimendahl queers the Western while exploring Western queerness in Cutting Ball and director M. Graham Smith’s world premiere. Oct. 18–Nov. 17, Cutting Ball Theater at Exit on Taylor, SF; www.cuttingball.com.

Forest Fringe SF On the heels of a galvanizing summer intensive with local and UK artists, the love affair between the south of England’s adventurous University of Chichester theater department and the Bay Area continues this fall with an international mini-festival of devised performance co-sponsored by CounterPULSE and featuring the likes of Action Hero and other UK artists, as well as more UK–Bay Area collaborations. Oct. 24–27, CounterPULSE, SF; www.counterpulse.org.

Dogugaeshi  Master puppeteer Basil Twist delves into the titular ancient Japanese theatrical technique in this play whose central staging conceit is an ever-shifting array of screens. Taking the audience on a journey through inner and outer landscapes, with Japanese composer-musician Yumiko Tanaka accompanying live on the three-stringed samisen, the hourlong Bessie Award–winning 2004 production becomes a meditation on the flux and fragility of tradition, life — the world — told with grace, subtlety, and humor. Nov. 6–10, Zellerbach Playhouse, Berk; calperfs.berkeley.edu.

Be Bop Baby: A Musical Memoir  The inimitable Margo Hall (prized Bay Area actor and co-founder of Campo Santo) teams up with formidable Bay Area musician-composer Marcus Shelby and his orchestra for this original, eclectic, song-filled autobiographical account of Hall’s upbringing in the Detroit household of her beloved stepfather, leading jazz musician and Motown composer-arranger Teddy Harris Jr. Nov. 19–23, Z Space, SF; www.zspace.org.

San Francisco Fringe Festival With 36 companies and 158 performances over 16 days — and a per-show ticket price of about 10 bucks or less — the SF Fringe is as cheap and plump and addictive as a ballpark frank, and far easier on your colon. Sept. 6–21, EXIT Theatreplex, SF; www.sffringe.org.

Caught The group show “Fuck Off 2,” under way at Groninger Museum in the Netherlands, updates and celebrates a notorious (and officially quashed) 2000 exhibition in Beijing, which heralded the arrival of an uncompromising generation of Chinese contemporary artists, including Ai Weiwei (a contributing artist to the 2000 show and a co-curator of part two). Against the urgent and fascinating backdrop of art and political dissent in contemporary China comes 2by4 Theatre’s world premiere of Caught, a play on the art of subterfuge, or the subterfuge of art, by rising local playwright Christopher Chen (The Hundred Flowers Project) that centers on a major retrospective of work by “legendary” Chinese artist and dissident Lin Bo. Nov. 26–Dec. 21, ACT Costume Shop, SF; www.2by4theatre.com.

Mephistopheles Meph-heads: Your Faustian fix awaits in one of the biggest spectacles to “grace” the stage at the San Francisco Opera this season or any: Arrigo Boito’s 19th century adaptation of Goethe’s Faust, with bass-baritone Ildar Abdrazakov in the delightfully malign title role and SF Opera’s Nicola Luisotti on the podium. Sept. 6–Oct. 2, War Memorial Opera House, SF; www.sfopera.com.

The Episodes Brontez Purnell Dance Company delivers the next iteration of the intriguing and intelligent work that debuted last March at the Garage, which draws its physical and thematic inspiration from the ritual-like repetitions of the quotidian. Nov. 22–24, CounterPULSE, SF; www.counterpulse.org.

Keith Hennessy, Hana Lee Erdman, Jassem Hindi Among the many things one could say about the tantalizing lineup behind this three-act liquidizer of music, noise, improvisation, and performance, is that the evening reunites three impressive performer-agents from Hennessy’s monumental Turbulence (a dance about the economy). Dec. 6–7, CounterPULSE, SF; www.counterpulse.org. *

 

Essential grace

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FALL ARTS Fall may no long bring with it the nervous anticipation of entering a new classroom, clutching a shiny lunch box to your chest. But for those of us hooked on live performance, September brings its own thrills, as theaters, studios, and lofts reopen their doors. If dance happens to be your particular bag, you can’t do much better than the here and now. Few other places in the country can beat the Bay Area for the sheer variety with which nude, slippered, and high-heeled feet take the stage.

 

SAN FRANCISCO SPECIAL: DANCE THEATER

EmSpace Dance‘s Erin Mei-Ling Stuart ranges far and wide for her new Monkey Gone to Heaven, exploring the role of prayer, meditation, and belief systems in primates of both the higher and the lower order. Sept. 12-15 and 19-22, CounterPULSE, SF; www.counterpulse.org.

For their new, multi-disciplinary MU — based on a Japanese legend about a young man who meets a mermaid and visits a lost continent at the bottom of the sea — First Voice art and life partners Brenda Wong Aoki and Mark Izu team up with ODC choreographer Kimi Okada. Young Kai Kane Aoki Izu portrays the traveler. Sept. 27-29, Jewish Community Center of San Francisco, SF; www.jccsf.org.

13th Floor Dance Theater‘s Jenny McAllister must have a thing for writers. She follows last year’s witty take on the Bloomsbury crowd with Being Raymond Chandler, in which she channels the quintessential mystery icon as he’s haunted by his fictional characters. Oct. 26-27 and Nov. 1-2, ODC Theater, SF; www.13thfloordance.org.

 

GREAT EXPECTATIONS

In the Netherlands the baton has been passed. It remains to be seen whether the long-time choreographic team — a rarity in itself — of Sol León and Paul Lightfoot can keep up the standards of the always superb Nederlands Dans Theater. Oct. 23-24, Zellerbach Hall, Berk; www.calperfs.berkeley.edu.

Good news: the West Wave Dance Festival is stayin’ alive. Its new artistic director, Joe Landini, commissioned choreographers Anne-René Patraca, Anandha Ray, Holly Shawn, and Casey Lee Thorne for one program. He turned over the other three evenings to guest curators Dance Mission Theater, Jesse Hewit, and Amy Seiwert, who imprint their own view on the fest. Sept. 16-Oct 28, various venues, SF; www.westwavedancefestival.org.

Joe Goode is poet, a soothsayer, and a clown who addresses a loneliness that goes to the core of who we are. His particular perspective comes from being a gay man, but his reach is broad and generous. Perhaps most important is his ability to continue finding intriguing new frameworks for his musings. The new Hush is based on six real-life stories. Sept. 26-Oct. 5, Z Space, SF; www.joegoode.org.

A rarity in contemporary dance, Los Angeles’ BodyTraffic is not a single-choreographer company, but focuses its efforts on creating a rep from the most exciting new voices it can find. For SF it will be Kyle Abraham, Barak Marshall, and Richard Siegal — hip-hop, dance theater, and jazz. Sept. 26-29, ODC Theater, SF; odcdance.org/bodytraffic.

 

ANNIVERSARIES

At 20, Smuin Ballet has begun to make major inroads into drawing audiences with a repertoire that pushes the boundaries of ballet without disowning late founder Michael Smuin’s heritage. Czech choreographer Jirí Kylián’s Return to a Strange Land is a case in point. Oct. 4-12, Palace of Fine Arts, SF; www.smuinballet.org.

To honor Bill T. Jones/Arnie Zane Dance Company‘s three decades of rethinking dance, Yerba Buena Center for the Arts has scheduled exhibits, conversations, master classes, video screenings, a site-specific piece at CounterPULSE (Oct. 10), and a rethinking of a classic. In A Rite Jones works with theater pioneer Anne Bogart for a fresh take on Stravinsky’s masterwork The Rite of Spring. Oct. 7-13, YBCA and CounterPULSE, SF; www.ybca.org.

For its 40th anniversary, Oakland-based Dimensions Dance Theater makes a rare appearance in SF. At this year’s SF Ethnic Dance Festival, the company just about tore the roof off YBCA with its explosively joyous take on a New Orleans funeral. The anniversary program offers glimpses into past — going back to 1973 — and the world premiere of Rhythms of Life Down the Congo Line. Oct. 5, YBCA, SF; www.dimensionsdance.org.

 

FREEBIES

Flamenco’s La Tania and ODC/Dance (with Waving Not Drowning: A Guide to Elegance, featuring paper dresses) are among the participants in Cal Performances’ annual hit show, Fall Free for All, an all-day open house of live performances on the UC Berkeley campus. Sept. 29, UC Berkeley, Berk; calperfs.berkeley.edu.

Janice Garrett and Charles Moulton of Garrett + Moulton Productions seem to inspire each other in pursuing the unknown with a common language. A Show of Hands is their latest endeavor — daytime performances exploring gestures with the help of Dan Becker’s commissioned score, performed live by the Friction Quartet. Oct. 17-26, Jewish Community Center of San Francisco, SF; www.garrettmoulton.org.

Offered at noon every first Friday, the Rotunda Dance Series, presented by Dancers’ Group and World Arts West, makes City Hall sing in a dance-by-the-people, for-the-people sort of way. Kicking off the new season is Peruvian dance company Asociación Cultural Kanchis. Starts Sept. 6, City Hall, SF; www.dancersgroup.org. *

Theater Listings: August 21 – 27, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

American Dream New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $35-45. Previews Wed/21-Fri/23, 8pm. Opens Sat/24, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Sept 15. A recently divorced and recently out architect falls in love with his Spanish teacher — and tries to bring him from Mexico to California — in this world premiere by Brad Erickson at the New Conservatory Theatre Center.

Priscilla Queen of the Desert the Musical SHN Orpheum Theatre, 1192 Market, SF; www.shnsf.com. $45-210. Opens Wed/21, 8pm. Runs Tue-Sat, 8pm (also Sat, Aug 28, and Aug 30, 2pm); Sun/25, 1 and 6:30pm. Through Aug 31. The Aussie movie-turned-musical about road-tripping drag queens rolls into San Francisco for a limited engagement.

BAY AREA

Good People Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Previews Thu/22-Sat/24, 8pm; Sun/25, 7pm. Opens Tue/27, 8pm. Runs Tue and Thu-Sat, 8pm (also Aug 31 and Sept 14, 2pm; Sept 5, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Sept 15. Marin Theatre Company performs the Bay Area premiere of David Lindsay-Abaire’s Broadway triumph about class and poverty.

Other Desert Cities Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Previews Wed/21-Fri/23, 8pm. Opens Sat/24, 8pm. Runs Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Sept 15. TheatreWorks performs Jon Robin Baitz’s family dramedy, a Broadway hit making its regional premiere here.

ONGOING

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Extended through Sept 8. (Runs Sept 14-Oct 27 at the Marsh Berkeley.) Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

In Friendship: Stories By Zona Gale Z Below, 470 Florida, SF; www.zspace.org. $20-50. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 3pm. Through Sept 8. Word for Word performs Zona Gale’s “comedy of American manners.”

God of Carnage Shelton Theater, 533 Sutter, SF; www.sheltontheater.com. $26-38. Thu-Sat, 8pm. Through Sept 7. Shelton Theater performs Yasmina Reza’s award-winning play about class and parenting.

Gold Rush! The Un-Scripted Barbary Coast Musical Un-Scripted Theater Company, 533 Sutter, Second Flr, SF; www.un-scripted.com. $10-20. Thu/22-Sat/24, 8pm. The Un-Scripted Theater Company performs an improvised musical about gold-rush era San Francisco.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

How to Make Your Bitterness Work for You Stage Werx Theatre, 446 Valencia, SF; www.stagewerx.org. $15-25. Mon/26-Tue/27, 8pm. Kent Underwood is a motivational speaker and self-help expert with some obvious baggage of his own in this solo play from former comedy writer and stand-up comedian Fred Raker (It Could Have Been a Wonderful Life). The premise, similar to that of Kurt Bodden’s Steve Seabrook: Better Than You (ongoing at the Marsh), has the audience overlapping with participants in an Underwood seminar. Underwood, however, two years on the seminar circuit and still unable to get his book published, deviates from the script to answer texts related to a possible career breakthrough. Meanwhile, with the aid of some bullet points and illustrative slides, he explains the premise of said manuscript, “How to Make Your Bitterness Work For You,” as the sad truth of his own underdog status emerges between the laugh lines. But where Bodden is careful to make his Seabrook a somewhat believable character despite the absurdity of it all (or rather, while firmly embracing the absurdity of the self-help industry itself), Raker and director Kimberly Richards put much more space between the playwright/performer and his character, which turns out to be a less effective strategy. Verisimilitude might not have mattered much if the comic material were stronger. Unfortunately, despite the occasional zinger, much of the humor is weak or corny and the narrative (interrupted at regular intervals by an artificial tone representing the arrival of a fresh text message) too contrived to sell us on the larger story. (Avila)

Marius Southside Theatre, Fort Mason Center, Bldg D, SF; www.generationtheatre.com. $20-35. Thu/22-Sat/24, 8pm; Sun/25, 3pm. GenerationTheatre performs R. David Valayre’s new English translation of Marcel Pagnol’s classic about a man who dreams of traveling the seas.

Oil and Water Dolores Park, 19th St at Dolores, SF; www.sfmt.org. Free (donations accepted). Sept 2, 2pm. It’s a rough year for mimes, or at any rate for the San Francisco Mime Troupe who, after presenting 53 seasons of free theater in the parks of San Francisco (and elsewhere), faced a financial crisis in April that threatened to shut down this season before it even started. The resultant show, funded by an influx of last-minute donations, is one cut considerably closer to the bone than in previous years. With a cast of just four actors and two musicians, plus a stage considerably less ornate then usual, even the play has shrunk in scale, from one two-hour musical to two loosely-connected one-acts riffing on general environmentalist themes. In Deal With the Devil, a surprisingly sympathetic (not to mention downright hawt) Devil (Velina Brown) shows up to help an uncertain president (Rotimi Agbabiaka) regain his conscience and win back his soul, while in Crude Intentions adorable, progressive, same-sex couple Gracie (Velina Brown) and Tomasa (Lisa Hori-Garcia) wind up catering a “benefit” shindig for the Keystone XL Pipeline giving them the opportunity to perpetrate a little guerrilla direct action on a bombastic David Koch (Hugo E Carbajal) with a “mole de petróleo” and a smartphone. Throughout, the performers remain upbeat if somewhat over-extended as they sing, dance, and slapstick their way to the sobering conclusion that the time to turn things around in the battles over global environmental protection is now — or never. (Gluckstern)

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

So You Can Hear Me Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri/23, 8pm; Sat/24, 5pm. A 23-year-old with no experience, just high spirits and big ideals, gets a job in the South Bronx teaching special ed classes and quickly finds herself in over her head. Safiya Martinez, herself a bright young woman from the projects, delivers this inspired accounting of her time not long ago in perhaps the most neglected sector of the public school system — a 60-minute solo play that makes up for its slim plot with a set of deft, powerful, lovingly crafted characterizations. These complex portraits, alternately hysterical and startling, offer their own moving ruminations on a violent but also vibrant stratum of American society, deeply fractured by pervasive poverty and injustice and yet full of restive young personalities too easily dismissed, ignored, or crudely caricatured elsewhere. An effervescent, big-hearted, and very talented performer, Martinez boasts a bounding personality and contagious passion for her former students (as complicated as that relationship was), and makes this deeply felt tribute all the more memorable. (Avila)

Steve Seabrook: Better Than You Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Sat/24, 8:30pm. Self-awareness, self-actualization, self-aggrandizement — for these things we turn to the professionals: the self-empowerment coaches, the self-help authors and motivational speakers. What’s the good of having a “self” unless someone shows you how to use it? Writer-performer Kurt Bodden’s Steve Seabrook wants to sell you on a better you, but his “Better Than You” weekend seminar (and tie-in book series, assorted CDs, and other paraphernalia) belies a certain divided loyalty in its own self-flattering title. The bitter fruit of the personal growth industry may sound overly ripe for the picking, but Bodden’s deftly executed “seminar” and its behind-the-scenes reveals, directed by Mark Kenward, explore the terrain with panache, cool wit, and shrewd characterization. As both writer and performer, Bodden keeps his Steve Seabrook just this side of overly sensational or maudlin, a believable figure, finally, whose all-too-ordinary life ends up something of a modest model of its own. (Avila)

Sweet Bird of Youth Tides Theatre, 533 Sutter, Second Flr, SF; www.tidestheatre.org. $20-40. Wed/21-Sat/24, 8pm. Tides Theatre performs Tennessee Williams’ Gulf Coast-set drama about an improbable couple.

BAY AREA

All’s Well That Ends Well Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Opens Sat/24, 8pm. Presented in repertory Fri-Sun through Sept 28; visit website for performance schedule. Marin Shakespeare Company continues its outdoor season with the Bard’s classic romance.

A Comedy of Errors Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 29; visit website for performance schedule. Marin Shakespeare Company presents a cowboy-themed spin on the Bard’s classic.

Lady Windermere’s Fan Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-62. Tue-Thu, 7:30pm; Fri-Sat, 8pm (also Sept 7, 2pm); Sun, 4pm. Through Sept 8. California Shakespeare Theater performs Oscar Wilde’s comedy.

No Man’s Land Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $35-135. Tue and Thu-Sat, 8pm (also Thu and Sat, 2pm; no matinee Aug 29); Wed, 7pm (also Aug 28, 2pm); Sun/25, 2pm. Through Aug 31. A rare night at the theater unfurls with a bare, elusive minimum of plot and a maximum of subtlety as Harold Pinter’s snaky 1975 drama receives something like a perfect production in the hands of director Sean Mathias and a cast comprised of internationally renowned stage (and film) veterans Ian McKellen and Patrick Stewart, flanked by theater stalwarts Billy Crudup and Shuler Hensley. Stewart is Hirst — an initially laconic and feeble, later voluble and hearty poet and man of letters — famous, world weary, and looked after by two forbidding caretakers, the principal (played by Crudup) an aspiring poet himself. McKellen is Spooner, a down-at-heel but lithe and self-aggrandizing poet himself, whom Hirst as invited into his home for an indeterminate stay that is a source of unrelieved tension between all four characters. Through two fascinating acts, the desperation, power plays, and badinage ensuing among them imbues the strange semi-circular room they exclusively inhabit with a giddy, forlorn, fractious atmosphere. The physical and vocal command of the actors, meanwhile, gorgeously underscores the play’s perverse tacking across an ocean of discourse and questionable memory, passed fear and mutual antagonism, toward the outer limits of language, where some inner landscape looms marked by a steady state of numbing, narcotic emptiness. Hunting down a ticket for the Broadway-bound UK production, now up at Berkeley Rep, may be a challenge but it’s well worth the effort, since not often can one catch a production this sure of Pinter’s language and theatrical imagination. (Avila)

Orlando Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. $10-30. Thu-Sat, 8pm; Sun, 5pm. Through Sept 15. TheatreFIRST performs Sarah Ruhl’s gender-shifting comedy, which takes place over a span of 300 years.

The Wiz Julia Morgan Theater, 2640 College, Berk; www.berkeleyplayhouse.org. $17-60. Wed/21-Thu/22 and Sat/24, 7pm (also Sat/24, 2pm); Sun/25, noon and 5pm. The first time I saw the movie version of The Wiz with Diana Ross, Michael Jackson, Richard Pryor, and Lena Horne (among others) it pretty much blew my young, Wizard of Oz-loving mind, swapping funky R&B for syrupy ballads, sophisticated silver pumps in place of the familiar sequined red ones, and mean city streets and subways in place of the more bucolic surroundings of the 1939 Victor Fleming film. Unfortunately, from a certain perspective, the 1970s feel just about as dated today as the 1930s, and consequently The Wiz doesn’t seem quite as innovative as it once did. And while there are some nods to the political climate of today made by the creative team behind the Berkeley Playhouse’s production (such as a pair of almost randomly-wielded rainbow flags, and a handful of t-shirts printed with peace-and-love messages), they mostly steer clear of making any kind of overt statements, even in regards to the all black casting (now thoroughly integrated). Similarly, many of the trappings of the “seventies” have also been axed in favor of more fanciful, almost cartoonish, costuming and choreography. It’s long for a children’s musical, clocking in at around two-and-a-half hours, but that seems no deterrent to the plucky Wiz Kidz youth ensemble who tread the floorboards as a pack of munchkins, a band of sweatshop laborers, and a groovy bunch of glammed-up citizens of the Emerald City. Grown-up voices of special note belong to Taylor Jones as Dorothy, Nicole Julien as Aunt Em/Glinda, Amy Lizardo as Addaperle, Reggie D. White as Tin Man, and Sarah Mitchell as Evillene. (Gluckstern)

PERFORMANCE/DANCE

“Bare Bones Butoh: Showcase #26” Studio 210, 3435 Cesar Chavez, SF; bobwebb20@hotmail.com. Fri/23-Sat/24, 8pm. $5-20 (no one turned away for lack of funds). Showcase of Butoh works-in-progress, improv, and more featuring Ronnie Baker, Shelley Cook, Martha Matsuda, Hannah Sim, Bob Webb, and others.

BATS Improv Bayfront Theater, B350 Fort Mason, SF; www.improv.org. Fri-Sat, 8pm. $20. The company’s 19th annual Summer Improv Festival continues with “Duoprov Championship” (Fri/23-Sat/24) and “Choose Your Own Adventure” (Aug 30-31).

Jason Brock Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.ticketweb.com. Thu/22, 8pm. $25. The X Factor finalist and Bay Area local performs his new show, “San Francisco Razzle-Dazzle.”

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sun/25, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Comikaze Lounge” Café Royale, 800 Post, SF; www.stefanisilvermancomedy.com. Wed/21, 8pm. Free. Comedy with Kate Willett, Greg Asdourian, Dhaya Lakshminarayanan, Kelly Annekan, Juan Carlos, Trevor Hill, and host Stefani Silverman.

“Cynic Cave” Cinecave, 1034 Valencia, SF; cyniccave.tumblr.com. Fri/23, 8 and 10pm. $12. Comedy with Sean O’Connor and Kevin O’Shea (both shows), plus George Chen (8pm) and Casey Ley (10pm).

Pablo Francisco Cobb’s Comedy Club, 915 Columbus, SF; www.cobbscomedyclub.com. Thu/22-Fri/23, 8pm (also Fri/23, 10:15pm); Sat/24-Sun/25, 7:30pm (also Sat/24, 9:45pm). $25. The comedian, noted for his impressions, performs his latest stand-up show.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

Chris Moran San Francisco Playhouse Theatre, 450 Post, SF; www.refertochristopher.com. Sun/25, 6pm, $5. Stand-up comedy special taping with opener Adrian McNair.

“ODC Theater Unplugged” ODC Theater, 3153 17th St, SF; www.odctheater.org. Sun/25, 6pm. $20. This work-in-progress performance by Pearl Marill and Hope Mohr marks the culmination of a two-week shared residency for the artists.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Dance-circus company Capacitor presents a family-friendly series of performances inspired by the ocean. Each show features a pre-performance talk by a marine biologist or oceanographer.

“Performing Diaspora Festival” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu/22-Sun/25, 8pm. $20-30 sliding scale. With Jewlia Eisenberg, Muisi-kongo Malonga, and Nadhi Thekkek.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“Sneak Peek at the Fringe” Exit Theatre, 156 Eddy, SF; www.sffringe.org. Sat/24, 8pm. Free. The SF Fringe Festival is coming in September; here’s your chance to catch some excerpts of local entries in advance.

“Under the Influence” Emerald Tablet, 80 Fresno, SF; www.emtab.org. Fri/23, 7:30pm. $5 (no one turned away for lack of funds). Four artists perform work by one of their major influnces, followed by an original work inspired by that influence. Participants include Ariana Weckstein (influence: Jonathan Safran Foer) and Nathan Keele Springer (influence: Mark Linkous).

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest.

BAY AREA

“My Own Fairytale” Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. Fri/23-Sat/24, 8pm. $15-30. Leslie Noel presents a workshop performance of her new musical about heartbreak, love, and betrayal.

“Pleasure and Pain Summer Pops Annual Fundraiser Concert” Odell Johnson Theater, Laney College, 900 Fallon, Oakl; www.oebgmc.org. Sat/24, 6:30pm. $50-75. The Oakland East Bay Gay Men’s Chorus performs pop selections from the 1920s to the present; proceeds benefit the chorus and its community outreach efforts. *

 

Elaborating tradition

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THEATER The idea of traditional dance as somehow frozen in time or resistant to modernity is a canard that received a thorough going-over at last weekend’s Performing Diaspora Symposium, which kicks off the Performing Diaspora series at CounterPULSE.

Attending to tradition while moving freely beyond it remains a hallmark of the artists gathered in the annual series. Joti Singh is a good example. Dancer-choreographer Singh — whose Red, Saffron and Green premieres this weekend — grew up in the American South with parents who hailed from northern India. One way she absorbed her family’s Indian culture was through training in Punjabi dances that, as an adult, she began blending with West African styles.

Singh’s Red, Saffron and Green is a celebratory accounting of the Gandar party, founded in 1913 San Francisco by Punjabi activists organizing on behalf of Indian independence from Great Britain. Singh’s own great-grandfather served for a time as the party’s president. Her innovative blend of performance styles thus could be considered a natural vehicle for a story that is transnational, local, and familial at once — indeed a historically astute expression of the elaborate nature of diasporic identity and of the personal as political.

The CounterPULSE series expresses an ongoing commitment to ethnic and traditional forms as a vital area of innovation and conversation in the larger world of dance. Its title, meanwhile, flags two overlapping impulses in presenting the broad range of work: the desire to highlight diasporic communities as important producers of performance; and a focus on dance as a channel of expression, investigation, and community-building for diasporic cultures, whether those cultures are borne by first-generation immigrants or their American-reared great-grandchildren.

Animating the daylong symposium (available as a podcast on the CounterPULSE website) were three panels featuring distinguished guests and at least one artist from the series — the absorbing Congolese dance-theater performer and choreographer Byb Chanel Bibene, who spoke to the harrowing experience, and body memory, of civil war that informs his Taboos and Heroes (running this weekend) in the first panel’s exploration of diasporic dance derived from the experience of genocide and war.

On the same panel, Cambodian dancer-choreographer Chey Chankethya spoke to the “silence” confronting the children of genocide survivors, and the physicalizing of that unspoken trauma in the body. Jazz tap dancer and vocal improviser Germaine Ingram spoke as an African American concerned with the legacy of slavery and dispossession, adding that it is the space for expression in even the most oppressive conditions that exercises her creative imagination. “I consider my work not so much about trauma as agency,” she emphasized.

The following two panels covered the challenges of “representing Africa” in the changing heterodox world of Bay Area African dance — which generated some lively and straightforward talk during the audience Q&A — and the presentation of sacred dance as performance for general audiences.

There were also bursts of live performance and music (in particular, from Ingram and master drummer and Bay Area legend CK Ladzekpo, of UC Berkeley and the Ghana National Dance Ensemble, who joined the panel on “Spirit Moves: Sacred Dance Onstage”). Meanwhile, Singh led an interactive “experiential lecture/demonstration” on Punjabi Bhangra dance that had the audience up and on the dancefloor, moving in ecstatic unison for the better part of an hour.

In all, the event generated a lot of productive questions and considerable momentum for the fifth annual Performing Diaspora series (this year curated by Roko Kawai, Lily Kharrazi, and Umi Vaughan), which features work-in-progress showings from six individual artists over two weeks. The varied stories and distinctive aesthetic styles on display amount to a unique tribute to the cultural persistence and improvisation that make up life in the diaspora. *

PERFORMING DIASPORA

Through Aug. 25

Thu-Sun, 8pm, $22-$32

CounterPULSE

1310 Mission, SF

counterpulse.org/performing-diaspora

 

Theater Listings: August 14 – 20, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

In Friendship: Stories By Zona Gale Z Below, 470 Florida, SF; www.zspace.org. $20-50. Previews Wed/14-Thu/15, 7pm; Fri/16, 8pm. Opens Sat/17, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 3pm. Through Sept 8. Word for Word performs Zona Gale’s “comedy of American manners.”

BAY AREA

All’s Well That Ends Well Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Previews Fri/16, 8pm. Opens Aug 24, 8pm. Presented in repertory Fri-Sun through Sept 28; visit website for performance schedule. Marin Shakespeare Company continues its outdoor season with the Bard’s classic romance.

Lady Windermere’s Fan Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-62. Previews Wed/14-Fri/16, 8pm. Opens Sat/17, 8pm. Runs Tue-Thu, 7:30pm; Fri-Sat, 8pm (also Sept 7, 2pm); Sun, 4pm. Through Sept 8. California Shakespeare Theater performs Oscar Wilde’s comedy.

Orlando Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. $10-30. Previews Thu/15, 8pm. Opens Fri/16, 8pm. Runs Thu-Sat, 8pm; Sun, 5pm. Through Sept 15. TheatreFIRST performs Sarah Ruhl’s gender-shifting comedy, which takes place over a span of 300 years.

ONGOING

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through Aug 25. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

God of Carnage Shelton Theater, 533 Sutter, SF; www.sheltontheater.com. $26-38. Thu-Sat, 8pm. Through Sept 7. Shelton Theater performs Yasmina Reza’s award-winning play about class and parenting.

Gold Rush! The Un-Scripted Barbary Coast Musical Un-Scripted Theater Company, 533 Sutter, Second Flr, SF; www.un-scripted.com. $10-20. Thu-Sat, 8pm. Through Aug 24. The Un-Scripted Theater Company performs an improvised musical about gold-rush era San Francisco.

Gorgeous Hussy: An Interview With Joan Crawford Exit Theatre, 156 Eddy, SF; www.wilywestproductions.com. $15-35. Thu/15-Fri/16, 8pm. Running in repertory with Lawfully Wedded (below), this world premiere by Morgan Ludlow imagines a young writer’s encounter with the legendary movie star.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

How to Make Your Bitterness Work for You Stage Werx Theatre, 446 Valencia, SF; www.stagewerx.org. $15-25. Mon-Tue, 8pm. Through Aug 27. Kent Underwood is a motivational speaker and self-help expert with some obvious baggage of his own in this solo play from former comedy writer and stand-up comedian Fred Raker (It Could Have Been a Wonderful Life). The premise, similar to that of Kurt Bodden’s Steve Seabrook: Better Than You (ongoing at the Marsh), has the audience overlapping with participants in an Underwood seminar. Underwood, however, two years on the seminar circuit and still unable to get his book published, deviates from the script to answer texts related to a possible career breakthrough. Meanwhile, with the aid of some bullet points and illustrative slides, he explains the premise of said manuscript, “How to Make Your Bitterness Work For You,” as the sad truth of his own underdog status emerges between the laugh lines. But where Bodden is careful to make his Seabrook a somewhat believable character despite the absurdity of it all (or rather, while firmly embracing the absurdity of the self-help industry itself), Raker and director Kimberly Richards put much more space between the playwright/performer and his character, which turns out to be a less effective strategy. Verisimilitude might not have mattered much if the comic material were stronger. Unfortunately, despite the occasional zinger, much of the humor is weak or corny and the narrative (interrupted at regular intervals by an artificial tone representing the arrival of a fresh text message) too contrived to sell us on the larger story. (Avila)

Keith Moon: The Real Me Eureka Theatre, 215 Jackson, SF; www.brownpapertickets.com. $40. Thu/15-Sat/17, 8pm; Sun/18, 7pm. Was Keith Moon the greatest rock ‘n’ roll drummer ever? Veteran solo performer and drum stylist Mick Berry doesn’t exactly come out and say so, but his biographical play about Moon definitely makes a good case for the possibility. Keith Moon: The Real Me, written and performed by Berry, kicks off with a literal bang, a hi-octane cover of “Baba O’Riley,” featuring Berry’s exuberantly crashing cymbals layered over the iconic, rapid-fire synth riff that runs throughout the song. Though the characters of the play are all portrayed by Berry — with references to all the requisite sex, drugs, and self-destruction thrown into the mix — a full band stands at the ready behind two transparent screens to flesh out the show’s strongest element: the rock-and-roll. In order to channel Moon’s full-throttle drumming, Berry enlisted the assistance of Frank Simes, the music director of the Who’s 2012-2013 tour, while to channel Moon’s freewheeling but insecure personality, he enlisted local director Bobby Weinapple. The script itself is still ragged, and a couple of key moments, particularly when Moon’s car is attacked in early 1970, are presented in such a way that the context comes later, which is confusing if you don’t already know the history of the incident. But if you don’t mind a bit of chat with your rock concert, you’ll probably find this fusion of the two intriguing. Just remember, when the nice concessions people offer you complimentary earplugs, take them. (Gluckstern)

Lawfully Wedded: Plays About Marriage Exit Theatre, 156 Eddy, SF; www.wilywestproductions.com. $15-35. Sat/17, 8pm. Running in repertory with Gorgeous Hussy (above), this world premiere “collage of scenes and stories” by Morgan Ludlow, Kirk Shimano, and Alina Trowbridge takes on marriage equality.

Marius Southside Theatre, Fort Mason Center, Bldg D, SF; www.generationtheatre.com. $20-35. Thu-Sat, 8pm; Sun, 3pm. Through Aug 25. GenerationTheatre performs R. David Valayre’s new English translation of Marcel Pagnol’s classic about a man who dreams of traveling the seas.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. Update: new episodes began May 15. (Avila)

So You Can Hear Me Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 5pm. Extended through Aug 24. A 23-year-old with no experience, just high spirits and big ideals, gets a job in the South Bronx teaching special ed classes and quickly finds herself in over her head. Safiya Martinez, herself a bright young woman from the projects, delivers this inspired accounting of her time not long ago in perhaps the most neglected sector of the public school system — a 60-minute solo play that makes up for its slim plot with a set of deft, powerful, lovingly crafted characterizations. These complex portraits, alternately hysterical and startling, offer their own moving ruminations on a violent but also vibrant stratum of American society, deeply fractured by pervasive poverty and injustice and yet full of restive young personalities too easily dismissed, ignored, or crudely caricatured elsewhere. An effervescent, big-hearted, and very talented performer, Martinez boasts a bounding personality and contagious passion for her former students (as complicated as that relationship was), and makes this deeply felt tribute all the more memorable. (Avila)

Steve Seabrook: Better Than You Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Sat, 8:30pm. Extended through Aug 24. Self-awareness, self-actualization, self-aggrandizement — for these things we turn to the professionals: the self-empowerment coaches, the self-help authors and motivational speakers. What’s the good of having a “self” unless someone shows you how to use it? Writer-performer Kurt Bodden’s Steve Seabrook wants to sell you on a better you, but his “Better Than You” weekend seminar (and tie-in book series, assorted CDs, and other paraphernalia) belies a certain divided loyalty in its own self-flattering title. The bitter fruit of the personal growth industry may sound overly ripe for the picking, but Bodden’s deftly executed “seminar” and its behind-the-scenes reveals, directed by Mark Kenward, explore the terrain with panache, cool wit, and shrewd characterization. As both writer and performer, Bodden keeps his Steve Seabrook just this side of overly sensational or maudlin, a believable figure, finally, whose all-too-ordinary life ends up something of a modest model of its own. (Avila)

Stories High XII: The Soma Edition Bindlestiff Studio, 185 Sixth St, SF; www.bindlestiffstudio.org. $10-20. Thu/15-Sat/17, 8pm. Four mini-plays about “living, working, playing, and struggling” in SoMa, written by Dianne Aquino Chui, Paolo Salazar, Cristal Fiel, and Conrad Panganiban.

Sweet Bird of Youth Tides Theatre, 533 Sutter, Second Flr, SF; www.tidestheatre.org. $20-40. Wed-Sat, 8pm. Through Aug 24. Tides Theatre performs Tennessee Williams’ Gulf Coast-set drama about an improbable couple.

BAY AREA

A Comedy of Errors Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 29; visit website for performance schedule. Marin Shakespeare Company presents a cowboy-themed spin on the Bard’s classic.

No Man’s Land Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $35-135. Tue and Thu-Sat, 8pm (also Thu and Sat, 2pm; no matinee Aug 29); Wed, 7pm (also Aug 28, 2pm); Sun/18 and Aug 25, 2pm. Through Aug 31. Acting legends and erstwhile X-Men Patrick Stewart and Ian McKellen star in this pre-Broadway engagement of Harold Pinter’s play.

Oil and Water This week: San Lorenzo Park, Dakota at Ocean, Santa Cruz; www.sfmt.org. Free (donations accepted). Sat/17-Sun/18, 3pm (music at 2:30pm). Through Sept 2 at NorCal parks. It’s a rough year for mimes, or at any rate for the San Francisco Mime Troupe who, after presenting 53 seasons of free theater in the parks of San Francisco (and elsewhere), faced a financial crisis in April that threatened to shut down this season before it even started. The resultant show, funded by an influx of last-minute donations, is one cut considerably closer to the bone than in previous years. With a cast of just four actors and two musicians, plus a stage considerably less ornate then usual, even the play has shrunk in scale, from one two-hour musical to two loosely-connected one-acts riffing on general environmentalist themes. In Deal With the Devil, a surprisingly sympathetic (not to mention downright hawt) Devil (Velina Brown) shows up to help an uncertain president (Rotimi Agbabiaka) regain his conscience and win back his soul, while in Crude Intentions adorable, progressive, same-sex couple Gracie (Velina Brown) and Tomasa (Lisa Hori-Garcia) wind up catering a “benefit” shindig for the Keystone XL Pipeline giving them the opportunity to perpetrate a little guerrilla direct action on a bombastic David Koch (Hugo E Carbajal) with a “mole de petróleo” and a smartphone. Throughout, the performers remain upbeat if somewhat over-extended as they sing, dance, and slapstick their way to the sobering conclusion that the time to turn things around in the battles over global environmental protection is now — or never. (Gluckstern)

Sea of Reeds Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed/14-Thu/15, 7pm; Fri/16-Sat/17, 8pm; Sun/18, 5pm. The stage comes unusually populated in this latest from well-known Bay Area monologist and red-diaper baby Josh Kornbluth: a four-piece musical ensemble (El Beh, Jonathan Kepke, Olive Mitra, and Eli Wirtschafter) sits stage right, a standing table with some reed-making equipment appears stage left. Front and center is Kornbluth and his oboe, before him a music stand and behind him three “reeds”—freestanding concave walls of a bamboo-hue (designed by Nina Ball). But there’s more: Kornbluth’s physical trainer (Beth Wilmurt), bounding up from her seat in the first row to lend Kornbluth support or, more productively, prod him in the right direction as he takes the long road home to setting up a promised recital of Bach’s Cantata No. 82. That set up hinges on his recent bar mitzvah, at 52, in Israel, and its unexpected connections between his life-long oboe playing, his Communist upbringing in New York, his mixed marriage, his conversations with a local rabbi, and the Book of Exodus (specifically, Moses’s trail-blazing for the Israelites across the Red Sea, a.k.a., the Sea of Reeds). Although the introduction of supporting characters, musicians, and a musical score (by Marco D’Ambrosio) breaks new ground for the longtime soloist, Sea of Reeds is classic — indeed classical (thanks to a final few tenuous bars from the promised Bach cantata) — Kornbluth. Directed by longtime creative partner David Dower, the show features the boyish comedic persona, the intricate storytelling, and the biographical referents that have given him a loyal following over the years. Diehard fans aside, the show’s cheesy, somewhat self-regarding conceit of staging “spontaneous” interactions between Kornbluth and his trainer may not work with everyone. Perhaps more challenging, though, is the persistence of a less than fully examined disjunction between the political values of his parents and his own political and ethical evolution — a disjunction highlighted here in the narrative’s fraught Middle Eastern setting and its vague navigation between the violence of religious zealotry and a plea for tolerance. (Avila)

The Wiz Julia Morgan Theater, 2640 College, Berk; www.berkeleyplayhouse.org. $17-60. Wed-Thu and Sat, 7pm (also Sat, 2pm); Sun, noon and 5pm. Through Aug 25. The first time I saw the movie version of The Wiz with Diana Ross, Michael Jackson, Richard Pryor, and Lena Horne (among others) it pretty much blew my young, Wizard of Oz-loving mind, swapping funky R&B for syrupy ballads, sophisticated silver pumps in place of the familiar sequined red ones, and mean city streets and subways in place of the more bucolic surroundings of the 1939 Victor Fleming film. Unfortunately, from a certain perspective, the 1970s feel just about as dated today as the 1930s, and consequently The Wiz doesn’t seem quite as innovative as it once did. And while there are some nods to the political climate of today made by the creative team behind the Berkeley Playhouse’s production (such as a pair of almost randomly-wielded rainbow flags, and a handful of t-shirts printed with peace-and-love messages), they mostly steer clear of making any kind of overt statements, even in regards to the all black casting (now thoroughly integrated). Similarly, many of the trappings of the “seventies” have also been axed in favor of more fanciful, almost cartoonish, costuming and choreography. It’s long for a children’s musical, clocking in at around two-and-a-half hours, but that seems no deterrent to the plucky Wiz Kidz youth ensemble who tread the floorboards as a pack of munchkins, a band of sweatshop laborers, and a groovy bunch of glammed-up citizens of the Emerald City. Grown-up voices of special note belong to Taylor Jones as Dorothy, Nicole Julien as Aunt Em/Glinda, Amy Lizardo as Addaperle, Reggie D. White as Tin Man, and Sarah Mitchell as Evillene. (Gluckstern)

PERFORMANCE/DANCE

“Amplitude II” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Fri/16, 7-9pm. Free with gallery admission ($8-10). Novelist Laleh Khadivi, scholar Paula Moya, and others lead this event in which audience members are invited to read excerpts from novels recommended by participating artists. There will also be an expanded cinema performance by Michelle Dizon (2012’s Perpetual Peace).

BATS Improv Bayfront Theater, B350 Fort Mason, SF; www.improv.org. Fri-Sat, 8pm. Through Aug 31. $20. The company’s 19th annual Summer Improv Festival continues with “Spontaneous Broadway” (Fri/16); “SF vs. LA Theatresports” (Sat/17); “Duoprov Championship” (Aug 23-24); and “Choose Your Own Adventure” (Aug 30-31).

Kurt Braunohler Verdi Club, 2424 Mariposa, SF; kurttub.eventbrite.com. Fri/16, 8pm. $18. The comedian release his new album, How Do I Land?, with fellow performers Laura Kightlinger, the Business, and a special musical guest.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/17 and Aug 25, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Help Is On the Way 19” Palace of Fine Arts, 3301 Lyon, SF; www.helpisontheway.org. Sun/18, 7:30pm (silent auction and VIP party, 5pm; pre-show gala reception, 6-7:30pm; post-show party, 10-11:45pm). $65-125. Alex Newell (Glee) and Judy Garland impersonator Jim Bailey headline this benefit for the Richmond/Ermet AIDS Foundation.

“Iolanthe” Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF; www.ybca.org. Fri/16-Sat/17, 8pm (also Sat/17, 2pm); Sun/18, 2pm. $15-59. Lamplighters Music Theatre performs Gilbert and Sullivan’s classic musical comedy.

“Merola Grand Finale” War Memorial Opera House, 301 Van Ness, SF; www.merola.org. Sat/17, 7:30pm. $25-45. Future opera headliners perform.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Dance-circus company Capacitor presents a family-friendly series of performances inspired by the ocean. Each show features a pre-performance talk by a marine biologist or oceanographer.

“Performing Diaspora Festival” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu-Sun, 8pm. Through Aug 25. $20-30 sliding scale. This week: Byb Chanel Bibene, Joti Singh, and Jia Wu; next week: Jewlia Eisenberg, Muisi-kongo Malongo, and Nadhi Thekkek.

“RAWdance presents the Concept Series: 14” 66 Sanchez Studio, 66 Sanchez, SF; www.rawdance.org. Sat/17-Sun/18, 8pm (also Sun/18, 3pm). Pay what you can. Intimate salon of contemporary dance with Nina Haft and Company, Stranger Lover Dreamer, Post: Ballet, the Anata Project, Fog Beast, and RAWdance. Plus popcorn!

“San Francisco Drag King Contest” Space 550, 550 Barneveld, SF; www.sfdragkingcontest.com. Sat/17, 10pm. $15-35. The 18th rendition of this popular contest, hosted by Sister Roma and Fudgie Frottage, benefits Pets Are Wonderful Support; a dance party with guest DJs follows.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

San Francisco Opera Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. Sun/18, 2pm. Free. As part of the Stern Grove Festival, SF Opera performs an outdoor concert featuring the works of Verdi, Wagner, and Benjamin Britten.

“San Francisco Son Jarocho Festival” Yerba Buena Gardens, Mission at Third, SF; www.brava.org. Thu/15, 12:30-1:30pm, free. Son de Madera performs. Additional events at Brava Theater Center, 2781 24th St, SF; www.brava.org. Thu/15, 7pm: screening of documentary Soneros del Tesechoacan ($5); Fri/16, 8pm: Los Soneros del Tesechoacan perform with Cambalache ($18-35); Sat/17, 8pm: Son de Madera play a concert with Dia Pa’ Son ($18-35); and Sun/18, times and prices vary: workshops, master classes, and more.

“SPF6” ODC Theater, 3153 17th St, SF; www.odcdance.org. Wed/14-Sun/18, 7pm (also Wed/14-Sat/17, 9pm; Sat/17-Sun/18, 4pm; Sun/18, 2pm). $10-20. SAFEhouse, which fosters new performing artists through residencies and other programs, presents its sixth annual Summer Performance Festival.

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest.

Yerba Buena Gardens Festival Mission at Third St, SF; www.ybgf.org. Free. This week: “Brazil in the Gardens” (Sat/18, 1-2:30pm); “Poetry Tuesday at Jessie Square” (Tue/20, 12:30-1:30pm).

BAY AREA

“My Own Fairytale” Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. Fri-Sat, 8pm. Through Aug 24. $15-30. Leslie Noel presents a workshop performance of her new musical about heartbreak, love, and betrayal.

“Legally Blonde: The Musical” Valley Center for the Arts, Regent’s Theater, Holy Names University, 3500 Mountain Blvd, Oakl; www.stagedoorconservatory.org. Fri/16-Sat/17, 7:30pm; Sun/18, 2pm. $15-35. Stage Door Conservatory performs the musical based on the Reese Witherspoon comedy.

“The Peace Project; Shaking & Shocking” Laney College Theater, 900 Fallon, Oakl; www.dnaga.org. Fri/16-Sat/17, 8pm; Sun/18, 5pm. $15-20. dNaga in partnership with PDActive and Danspace presents Claudine Naganuma’s work about the ways in which patients manage Parkinson’s Disease.

“TheatreWorks New Works Festival” Lucie Stern Theatre, 1305 Middlefield, Palo Alto; www.theatreworks.org. Wed-Sun, showtimes vary. $19 (festival pass, $65). TheatreWorks performs its 12th annual fest, with a line-up that includes a new comedy from Pulitzer winner Beth Henley. *