Public Works

Garbage game

8

San Francisco elected officials frequently celebrate the ambitious citywide goal of sending zero waste to the landfill by 2020, an environmental feat widely viewed as attainable since the current waste diversion rate stands at a stellar 80 percent.

Official city numbers — based on reporting by Recology, a company that has a monopoly on trash collection and curbside recycling in San Francisco — demonstrate that only 20 percent of all city dwellers’ trash ends up in a landfill, that unenlightened dead end for matter discarded from our lives, never to be reprocessed.

Yet a lawsuit against Recology exposed some inconsistencies in the company’s record keeping. It also shed light on how some material counted as “diverted” is routinely sent to a landfill anyway, a practice that muddies the concept of the city’s Zero Waste program but is nevertheless legal under state law.

On June 17, a San Francisco jury determined that Recology misrepresented the amount of waste diverted from the landfill in 2008, enabling it to collect an incentive payment of $1.36 million for meeting the goal. The verdict compels Recology to pay the money back to the city, since it was obtained after submitting a false claim.

The outcome of this lawsuit — brought by a former manager of the Tunnel Road recycling Buy Back facility, who also claims he was retaliated against for trying to expose fraud — highlights some larger questions. Was this inaccuracy unique to 2008, or are Recology’s numbers always a little fuzzy? Are there adequate safeguards in place to prevent the company from fudging the numbers, particularly when both company and city officials have an incentive to exaggerate the diversion rate? And if what’s on paper doesn’t quite square with reality, is San Francisco really keeping as much garbage out of the landfill as the city’s Department of the Environment says it is?

Attorney David Anton, who represented the former Recology employee, Brian McVeigh, said he found it odd that San Francisco officials didn’t show much interest in collaborating to recover the bonus money, even though millions of dollars was potentially at stake. Since damages are trebled under the False Claims Act, cited in the lawsuit, Recology could ultimately be made to fork over the incentive payment three times over.

“The city’s representative in the Department of the Environment actually testified that he hoped this lawsuit would be unsuccessful,” Anton recounted. He guessed that officials remained on the sidelines because in San Francisco’s political power centers, “relationships with Recology are so close and tight. It was a very strange thing,” he went on, “to be pursuing this lawsuit, trying to get money to the city, and the city’s representatives are saying, ‘we don’t want it.'”

Recology has filed post-trial motions in a bid to have the penalty reduced, “asking the court to decide whether there was any evidence at trial that there were public funds in the Diversion Incentive Account, and if so, how much,” explained Recology spokesperson Eric Potashner. “We expect a ruling this summer.”

Department of the Environment spokesperson Guillermo Rodriguez told the Guardian that Robert Haley, manager of the department’s Zero Waste team, was unavailable for comment before press time. With regard to the lawsuit, Rodriguez noted, “The city has been following the trial closely and is awaiting the judge’s ruling on post-trial motions before determining any reaction.”

 

FALSE CLAIMS

The False Claims Act is designed to recover damages to government when false statements are made to obtain money or avoid making payments. It has a provision allowing whistleblowers, such as McVeigh, to lead the charge on seeking civil enforcement action. The whistleblower may be eligible to receive a share of recovery.

Under the bonus incentive program, Recology sets aside extra cash — collected from garbage customers’ payments — in a segregated account. But it cannot withdraw funds from that account unless it hits the city’s established waste-reduction targets. Recology submitted paperwork to the city in 2008 showing that it met the diversion goals, so it was allowed to withdraw the money.

But the lawsuit demonstrated that Recology actually fell short of those goals — and apparently, nobody in city government ever followed up to check whether the reporting was accurate.

A key reason the jury ruled against Recology on this particular claim, according to Anton, was that it was found to have misclassified some construction and demolition waste as “diverted” material. Under state law, when ground-up construction debris is used to cover the top of a landfill — to prevent pests, fires, and odors, for example — it’s counted as “alternative daily cover.” Trash in this category winds up in a landfill, just like any other trash. But state law allows garbage companies to count it as “diverted,” just as if it were an aluminum can tossed into the blue bin.

The lawsuit claimed that Recology tried to count a great many tons of construction and demolition waste as “alternative daily cover” when in reality, it should have been counted as just plain trash.

Solano County records show that a landfill inspector had flagged an “area of concern” after discovering solid waste mixed in with construction debris Recology shipped to a landfill for use as that top layer. “It looks like they didn’t do a good enough job of cleaning out that material,” CalRecycle spokesperson Mark Oldfield noted as he pulled up the report from 2008 at the Guardian’s request.

Had the material gone to the landfill as just plain garbage, instead of “alternative daily cover,” Recology would have had to count it as waste sent to the landfill, instead of waste diverted from the landfill. That would have meant falling short of the waste diversion goal, hence losing out on the $1.36 million.

“Recology kept this completely secret from San Francisco,” according to Anton.

Potashner said it was actually a bit more complicated — the company challenged the inspector’s findings, he said. “The local enforcement agency in Solano County had questions about that material,” but Recology never received a cease-and-desist order, he added. “When we had talked to jurors after the fact, that was the issue that seemed to sway them. In 2008 we didn’t make that bonus by that much. They thought we shouldn’t have been able to count that as diversion because of this issue.”

Either way, the incident exposes a strange reality: When San Francisco city officials trumpet the citywide success of “diverting” 80 percent of all waste from the landfill, some portion of that 80 percent actually winds up in a landfill anyhow. Whether the construction debris counted as “alternative daily cover” has trash mixed into it or not, it’s still destined to wind up in a big, environmentally unfriendly trash heap.

 

CONCRETE NUMBERS

The lawsuit highlighted a few other red flags, too, raising more questions about the city’s true diversion numbers. For instance, the suit claimed that Recology was involved in a system of digging up concrete from its own parking lots, to be handed over to concrete recyclers as “diverted” waste.

“Recology facilities have large areas of concrete pads,” the complaint noted. “Management of Recology … directed Recology work crews in 2005, 2006, 2007, and 2008 to cut out sections of concrete pads and deliver the removed concrete to concrete recyclers, to falsely inflate the diversion incentive reported to SF.”

The waste management company then “solicited cement companies to deliver and dispose of excess and rejected concrete loads to Recology, to fill in the removed concrete pad sections,” according to the complaint. Those shipments were brought in on trucks that weren’t weighed at entry, and then placed in the concrete pads. Management then had work crews remove the same concrete that had been delivered, shipped it to the concrete recyclers, and reported it “as diverted from being disposed in a landfill,” the complaint noted.

This account was corroborated by a Guardian source unrelated the lawsuit, but nonetheless familiar with the inner workings of the company. “They would take the concrete across the road — right across the street,” this person confirmed.

Asked to provide an explanation for this, Recology’s Potashner said, “it is clear, and wasn’t even challenged by the plaintiff at trial, that recycled concrete is diverted, whether it had been from Recology’s lots or anywhere else.”

McVeigh’s case stemmed from his realization, while working as a manager at Recology’s Tunnel Road recycling buyback facility, that employees there were routinely marking up the weights of recyclable materials brought in, in order to pay out certain customers more than they were actually owed. The suit suggests that these routinely inflated California redemption value (CRV) tags contributed to Recology missing its waste-diversion targets, but the jury ultimately sided against the plaintiff on this question since it amounted to a financial loss for Recology, not the city.

The complaint included tag numbers and logs of scale weights that didn’t match up, showing a pattern of fraudulent dealings at the buyback center. In November 2007, for example, “ticket reports showed that 23.4 tons of aluminum CRV cans were purchased at the Bayshore Buyback Center, yet only 16.56 tons existed and were shipped.”

Asked about these claims, Potashner acknowledged that there may have been some “knuckleheads” involved in messing with the scales at the buyback center, but asserted that such activity had since been addressed. He added, “If there were any staffing issues around theft, that was actually affecting Recology’s books,” not the public.

Oldfield, the CalRecycle spokesperson, noted that a long list of paperwork violations had been recorded in 2010, but he said the company appeared to have been in compliance since then — based on logs from inspectors’ visits once a year.

Another problem uncovered in the trial, Anton said, had to do with Recology misrepresenting tons of garbage from out of county, so that it would be counted outside the parameters of the waste diversion program. Potashner said that had been corrected, adding, “the out-of-county waste is really a small volume.”

But he confirmed that yet another practice brought to light in this lawsuit is ongoing, revealing a surprising end for some of the stuff that gets tossed into the green compost bins.

 

MANY SHADES OF GREEN

According to every colorful flier sent out by Recology, the stuff that goes into the green bin gets composted. The green bin is for compost. The blue bin is for recycling. The black bin is for trash that goes to the landfill. This is the fundamental basis of Recology’s waste collection operation and, taking the company and the Department of the Environment at face value, one would assume that 80 percent of all waste was being processed through the blue and green waste streams.

Instead, some of what gets tossed into green bins makes its way to a landfill.

The green-bin waste is shipped to a Recology facility where it’s turned into compost, a process that involves sifting through giant screens. But some of what gets processed, known as “overs” because it isn’t fine enough to drop through the screens, is routinely transferred to a nearby landfill, where it’s spread atop the trash pile. Once again, this six-inch topper of neutralizing material is known as “alternative daily cover.”

Although Recology could convert 100 percent of its green-bin waste into soil-nourishing compost, the practice of using partially processed green-bin waste for “alternative daily cover” is cheap — and it’s perfectly legal under California law. Roughly 10 percent of what gets tossed into the compost bins is used in this way, Recology confirmed.

“There are some people who will say using green waste isn’t really diversion,” acknowledged Jeff Danzinger, a spokesperson with CalRecycle, which oversees recycling programs in California counties. “There’s some people who say we should stop that practice because that just incentivizes a landfill solution for green waste. But if somebody’s saying green waste shouldn’t go into a landfill and get counted as diversion, it’s an opinion.”

Nor is it something the city objects to. The Department of the Environment is aware of this practice, Recology’s Potashner told the Bay Guardian. Yet the city agency has never raised formal concerns about it, despite a mandate under its composting program agreement that the company use green-bin waste for the highest and best possible use.

But there’s no incentive for anyone in city government to complain: Recology may legally count this discarded material as “diverted” in official reporting, thus edging it closer to an annual bonus payment. San Francisco, meanwhile, may count it as part of the 80 percent that was successfully diverted — thus edging it closer to the ambitious Zero Waste program goal.

“It’s great PR to say you’re the highest recycling,” noted the person who was familiar with the company, but wasn’t part of the lawsuit. “It’s almost a movement more than reality. But who’s really watching for the public on these numbers? There’s no watchdog. It’s all about bragging rights.”

 

Recology is “a political business”

Recology’s political connections in San Francisco run deep. Years ago, when former San Francisco Mayor Willie Brown served as speaker of the California Assembly, he also worked as a lawyer for Recology, which was then known as Norcal Waste Systems.

Campaign finance archives show that when Brown ran for mayor in 1995, he received multiple campaign contributions from Norcal employees in what appeared to be a coordinated fashion.

Brown continues to be influential in the city’s political landscape due to his close relationship with Mayor Ed Lee, who himself came under scrutiny in his capacity as head of the Department of Public Works in 1999 when he was accused of granting Norcal a major rate increase as a reward for political donations to Brown.

In 2010, when Recology submitted a bid for a lucrative waste-disposal contract proposing to haul waste to its Yuba County landfill, Lee reviewed its proposal in his then-capacity as city administrator. As the Guardian reported (see “Trash talk,” 3/30/10), Lee recommended far higher scores for Recology than his counterparts on the contract review team, a key to the company winning the landfill contract over competitor Waste Management Inc. Before Lee declared his mayoral candidacy in 2011, news reports indicated that powerful Chinatown consultant Rose Pak had worked in tandem with Recology executives on a campaign effort, “Run Ed Run,” organized to urge Lee to launch a mayoral bid. Company employees had also been instructed to help gather signatures to petition Lee to run for mayor, news reports indicated, but Pak publicly denied her role coordinating this effort. David Anton, the attorney for Brian McVeigh, emphasized that Recology’s close ties to powerful city officials might have something to do with the city’s lack of interest in targeting the company for the improperly received incentive payments. Yet Recology spokesperson Eric Potashner called this assertion “completely untrue. Recology meets with the various city departments and regulators weekly. We are constantly improving our controls and practices for handling the city’s ever-changing waste stream; often at the behest of city regulators.” Recology and its predecessor companies have maintained the exclusive right to collect commercial and residential refuse in San Francisco since 1932, and rates are routinely raised for city garbage customers, based on the company’s own reporting that its costs are increasing. “I can tell you today, there will be another significant increase on July 21, 2016” — five years after the last rate increase — “because they have a monopoly,” said neighborhood activist and District 10 supervisorial candidate Tony Kelly, who previously worked on a ballot measure that sought to have the city’s refuse collection contract go out for a competitive bid. “When you have a closed system … then it’s entirely a black box. It’ll all be self-reported. It’s too powerful of an incentive.” An industry insider familiar with Recology echoed this point, adding that cozy relationships with local officials make it easier for the self-reporting to escape scrutiny. “It’s a political business,” this person said. “In San Francisco, they’re really a political organization.” Since the rate is guaranteed, this person added, the mentality is that there’s plenty of wiggle room for financial losses and expenditures such as generous political contributions. “If you’re losing any money, you just ask for it back when you do your next rate increase. The city doesn’t have any objection. The ratepayers just get stuck with it.” (Rebecca Bowe)

Recycle-pocalypse

16

Joe@sfbg.com

Red explosions and yellow starbursts lit the sky, accompanied by the requisite oohs and aahs.

San Franciscans sat by the beach at Aquatic Park celebrating our nation’s independence, eyes fixed upwards. But all around them, a team of independent scavengers, mostly ignored, methodically combed the wharf, plucking cans and bottles from the ground and overflowing trash bins.

Often derided as thieves or parasites, these workers are cogs in a grand machine instituted by California’s Bottle Bill in 1986, forming a recycling redemption economy meant to spur environmentalism with market principles.

The concept is simple. Taxpayers pay an extra five cents when they buy a can or bottle, and may redeem that nickel by trading the used can or bottle in at a recycling center. Thus, more recycling is spurred.

But now a wave of recycling center evictions is causing San Francisco’s grassroots recycling economy to crumble, and newly released numbers reveal just how much stands to be lost by the trend.

San Franciscan recyclers may miss out on millions of dollars in redemption, local mom-and-pop stores could wind up on the hook for millions of dollars in state fees, and neighborhoods stand to be besieged by recyclers flocking to the few remaining recycling centers.

Recycling activists and local businesses are pushing for change, but NIMBY interests are pushing for more of the same.

 

SOLUTION IS THE PROBLEM

San Francisco Community Recyclers is on the parking lot of Safeway’s Church and Market location, and after months of legal entanglement, the recycling center’s eviction draws near. Still, SFCR is making a show of resistance.

The San Francisco Sheriff’s Department is set to evict the recycling center within a week or so, as the rebel recyclers have so far refused to vacate voluntarily.

Sup. Scott Wiener says he’ll be glad to see them gone.

“This recycling center caused enormous problems in our neighborhood,” he told the Guardian. This particular Safeway lies within the boundaries of his district, and Wiener says his constituents complain the recycling centers draw too many unruly patrons, who are often homeless.

“There is problem behavior around the center in terms of camping and harassing behavior, defecation, urination in a much more concentrated way,” he said.

This animation shows the areas around San Francisco where recycling centers remain, which are often overburdened with customers as other centers close. The red zones indicate areas where supermarkets are mandated by state law to host recycling centers, but have chosen to pay fees instead.

But others say the not-in-my-backyard evictions only serve to create a ripple effect. The catalyst is a story we’ve reported on before: As well-heeled Golden Gate Park neighbors complained of homeless recycling patrons and waged a successful campaign to shutter the Haight Ashbury Recycling Center two years ago, the clientele adjusted by flocking to the Church and Market recycling center. New numbers illustrate this outcome.

Susan Collins is the president of the Container Recycling Institute, a nonprofit that conducts analysis on recycling data. On average nationwide, Collins said, one recycling center serves about 2,000 people.

But since 2012 the number of recycling centers in San Francisco has been reduced from 21 to 7, causing Church and Market’s service population to boom closer to 40,000, a difference that has more to do with the closures than the density of the area. Data from CalRecycle shows almost half of the city’s populace lacks a recycling center within close proximity, forcing patrons to overwhelm the few remaining centers.

“This makes it a chicken and egg process,” Collins told us. “For people to have the perception that the site is attracting so many people, they have to realize it’s because there are so few sites to begin with.”

Late last month, Assemblymember Tom Ammiano wrote to Safeway Chief Executive Officer Robert L. Edwards, urging the grocery chain to reverse its decision to evict San Francisco Community Recyclers from the Church and Market Safeway.

“Safeway has such a long history of supporting sustainability efforts,” Ammiano wrote, “and I truly believe that it can do so again.” Safeway, however, has other concerns.

“As curbside recycling has increased in San Francisco and around the state,” Safeway Director of Public Affairs Keith Turner wrote to Ammiano, “Safeway’s focus on recycling has evolved as well.”

Safeway is now also flouting local and state laws to throw recyclers off its back. CalRecycle, the state’s recycling agency, performed an inspection in April of the Diamond Heights Safeway. It found that the grocer failed to accept recyclables and offer state guaranteed redemption, despite signing an affidavit with CalRecycle pledging to do just that. CalRecycle cited that location and two other San Francisco Safeways for noncompliance with the bottle bill.

And that’s just the violations CalRecycle has documented so far. Ed Dunn, owner and operator of San Francisco Community Recyclers, has initiated his own investigation into Safeway statewide, filing complaints with CalRecycle alleging that as many as 75 Safeway stores aren’t following the mandates of their affidavits and offering redemption for recyclables.

On the other side of the fence, Safeway and other recycling-center critics (such as Chronicle columnist C.W. Nevius) are essentially saying, who cares? Don’t we all just use blue bins nowadays?

The short answer: Nope.

 

MAKING GREEN, GOING GREEN

“Why do we need recycling centers if we have curbside recycling?” Sup. Eric Mar asked the deputy director of recycling at CalRecycle, point blank.

Jose Ortiz responded in less than a beat. “While some communities think curbside operations ensure the state’s goals of collecting [recyclables], the reality is that 90 percent of recycling volume is collected through recycling centers, not curbside programs,” he said from the podium.

That number came as a shock to many at the Board of Supervisors Neighborhood Services and Safety Committee June 19, including Sups. Mar, David Campos, and Norman Yee. Only 8 percent of recycling statewide comes through blue bins, CalRecyle confirmed to the Guardian.

Nor is that limited to California: Data from the Container Recycling Institute shows that the 10 states with recycling redemption laws produce such a high rate of return that they account for 46 percent of the nation’s recycling. And since California Redemption Value recycling is pre-sorted, experts note, the bottles are often recycled whole (as opposed to broken) which can be used for higher-grade recycling purposes.

So for the city with a mandated goal of zero waste by 2020, the case for keeping recycling centers open is an environmental one. It’s also fiscal.

San Franciscans make $18 million a year selling back recyclables, Ortiz said, most of which went directly into the pockets of recyclers. Those scavengers at the Fourth of July festivities may have only collected five cents per can, but that’s enough to buoy the income of many poor San Franciscans.

At the recycling hearing, David Mangan approached the podium to speak. His red hat was clean and his grey sweatshirt was ironed, but his face was worn with worry-lines and creases.

“I can’t walk more than about eight blocks at a time, and I’m unemployable because of my disabilities,” he told the committee. Recycling centers are a lifeline, he added. “I need this job, I’m on a limited income. I need the help they offer. I need them to stay open, please.”

Critics say some poor and homeless depend on a black market of recycling truck drivers who trade drugs for cans and bottles, then turn to recycling centers to make a profit. But those at the hearing said the extinction of recycling centers actually helps the mobile, black market recycling fleets bloom, as motorists have an easier time shuttling recyclables across the city.

So recyclers are increasingly forced to rely on these so-called “mosquito fleets” for far-flung trips to cash in their bottles.

 

SMALL BUSINESS BUST

Meanwhile, recycling center evictions are becoming a source of anxiety within the small business community.

State law establishes a half-mile radius called a “convenience zone” around any supermarket that annually makes more than $2 million. The supermarket is mandated to provide recycling on-site, accept recyclables in-store, or opt to pay a $100 a day fee.

With the eviction of SFCR from Church and Market, Safeway may opt to pay the fee. But that gap would leave surrounding businesses inside that convenience zone with the same options: accept recyclables in-store or pay $36,000 a year.

Miriam Zouzounis of the Arab-American Grocer Association said those options are daunting for liquor stores and mom-and-pop grocers.

“We just don’t have the space for [recycling],” she said at the hearing. If SFCR were to close, the total of small businesses shouldering the burden of state recycling fees would jump from 100 to more than 360, said Regina Dick-Endrizzi, director of the city’s Office of Small Business.

All told, San Francisco small businesses would be made to send $12.96 million in annual fees to California coffers because a few supermarkets didn’t want to handle recyclables. Mar is now calling upon all involved to step up and solve this glaring problem.

 

SOLUTIONS ON THE WAY

This week the Board of Supervisors is tentatively set to vote on a moratorium of recycling center evictions, introduced by Mar on June 24. The pause would give Mar time to form a work group with those involved: Department of the Environment, Department of Public Works, CalRecycle, local supermarkets, grocers, the Coalition on Homelessness, and others to come together to form a compromise solution.

Department of the Environment proposed a mobile recycling center, which Wiener called an equitable solution that would help distribute recycling responsibility evenly across the city. While that agency did not provide a timeline on the creation of a mobile recycling center before our deadline, it’s been in the works since 2012, when then-District 5 Sup. Christina Olague said it was the answer to the Haight Ashbury Recycling Center’s closure.

It’s been a long wait for a solution. And in the meantime, many more stand to lose.

Dirty, sweet, and far from down low

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esilvers@sfbg.com

LEFT OF THE DIAL/QUEER ISSUE Take the sexual braggadocio of Lil Kim, the rapid-fire flow of Twista, and a fashion sense that combines Nicki Minaj with, depending on the day, Bjork, Ma$e, or, say, the board game Candyland, and you have a close approximation of Cakes da Killa. The Brooklyn-based, baby-faced musician is both a rising star and, unfortunately, something of an oddity, just by virtue of being a gay man and a rapper.

His participation in one of the most homophobic quadrants of pop culture as an out gay guy aside, however, Cakes — born Rashard Bradshaw — doesn’t see what’s so shocking about some of his lyrics, even when he’s rapping matter-of-factly about how he’s going to fuck your boyfriend (actual song title: “Fuck Ya Boifriend”).

After making a name for himself with two mix tapes in 2011 and 2013 (Easy Bake Oven and The Eulogy, respectively, with the latter receiving a positive mention from Pitchfork), his latest EP, Hunger Pangs, reveals a darker, harder sound. He’s still X-rated and super funny, but he also sounds like he’s ready to fight.

We caught up over the phone ahead of Cakes’ appearance at Public Works Sat/28, as part of the club’s “House of Babes” Dyke March after-party.

SF Bay Guardian You grew up in Jersey. How did you start rapping?

Cakes da Killa I always wrote when I was young, whether it was poetry or something else. But I started rapping as a joke in high school, because I saw a bunch of straight guys doing it and getting lots of attention. And me being an attention whore, it was “I can do that.” In college I started making videos of me rapping over instrumentals on YouTube, and after people saw those videos I started getting asked to record on projects.

SFBG How did the straight guys respond to it when you were younger? Did you get any backlash for being an out gay kid, trying to get into something that’s so associated with straight, heteronormative culture, or did they just notice how good you were? 

CK You know, they noticed. I came out in the third grade, and I’ve always been the gay boy that was so comfortable in myself I didn’t make straight people insecure or uncomfortable. I think I’m still that way.

SFBG The mixtape before this, when you started getting noticed, was called The Eulogy. Why’s that?

CK Honestly, I thought it was going to be my last project. I just didn’t see the longevity in rapping — it’s weird to think of yourself as a rapper, because I’m so not that. Not even just because I’m gay, but also I don’t have a rapper’s ego.

SFBG I think maybe the ego comes after you make a ton of money? 

CK Yeah, but then my friends would all hate me. I just want to do it until it’s not fun anymore. So far, though, it’s still fun.

SFBG You’re so young, though. You’re, what, 22? Didn’t you just graduate from college? 

CK I’m 23. And in gay years. We age like dinosaurs, so I’m basically a fossil. I graduated last May, and I moved out of my mother’s house. I’m living in Bushwick now; I’m a fully realized member of society.

SFBG You have a pretty big fan base in Europe. Where have you toured? How are audiences over there different from stateside? 

CK I’ve been to Europe three times on kind of mini-tours. Mostly Berlin, Paris. I’ve been to Australia twice too. I think I have a bigger fan base overseas because it’s just harder to break [out] in the States; the way the music business works, it’s just harder to get attention here.

When I do a show overseas, I think the main difference is Europeans think, “If we’re gonna pay five euros to see you, you better be on stage for two hours.” In the States we pay way more to see someone for a few minutes, then it’s back to the bar, or a DJ or something…we have ADD here. When I tour overseas, I have to some cardio before the show.

SFBG You’re known for some pretty filthy lyrics. Does that come naturally to you? 

CK You know, I didn’t realize the fact of me being filthy until people started saying that — it’s just that the things I talk about aren’t talked about. I grew up with my mom, and I came out in the third grade; we talked about sex pretty openly in my house. When I make a song about giving blowjobs, I’m not thinking “Let’s make a song about giving blowjobs.” This isn’t breaking news. Everyone likes blowjobs. It’s just not really filthy to me; people have sex. I am conscious now though of, you know, not becoming “the blowjob rapper.”

SFBG Do you see homophobia in the rap world getting better? What is it going to take for the culture to change? 

CK I think it’s going to take an openly gay person who can really sell in the black media, do a world tour. But people that run black media right now clearly don’t see it as a marketable thing. And it’s all about money. That’s the fucked up thing about the situation, it’s not about how talented the person is, it’s ‘How can we sell this situation?’ And if you’re not marketable and a bunch of people can’t make money off you, you’re just gonna be, you know, living in Bushwick.

SFBG Musically, do you see yourself heading in any particular direction with Hunger Pangs?

CK Yeah, if I compare myself to the boy who was rapping in high school in the cafeteria, I’m definitely not the same person. I make music off of touring, experiencing things. I’m having a butch moment right now. And for my next project, I think I’m making more depressing songs.

SFBG Did that come out of anything in particular? 

CK Living life. Dealing with dumb boys. Instead of being all sad about it, I’m like, let’s write an album about it. At least make some money!

CAKES DA KILLA

With Junglepussy and Lisa Delux

The House of Babes Presents the Dyke March After-Party

Public Works

161 Erie, SF

www.publicsf.com

Party Radar: Hardkiss Brothers celebrate 1991, “Flowers Blooming”

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It’s a tribute to the resiliency of SF’s classic Hardkiss Brothers — and the soul of the SF house music scene — that, after the devastating loss of musical brother Scott last year, Gavin and Robbie Hardkiss have bounced back with an exuberant tribute to the roots of their legendary collective, new album 1991.

This Fri/20 at Public Works (9pm-3am, $10. 161 Erie, SF), they’ll be bringing the Hardkiss family together to celebrate the release of exuberant floor-stomping single “Flowers Blooming” — a rework of lovely 1980 Change track “Glow of Love.” Free download below!

Besides calling to mind the joyful-disco, Luther Vandross-fronted original — oh man, how I love me some Young and Gay American Luther — plus the Inner City “Big Fun” sound of the late ’80s, and the glowing “Flowers in Your Hair” SF Summer of Love aesthetic, “Flowers Blooming” also slips into a luminous legacy of flora-based raveytime anthems. 1991 indeed.

Anyway, I’m high. Here’s what the brothers themselveshave to say about the track, which boasts a slew of remixes and inclusion in this cool flashback “Megamixx”:

“In the latest single off the album, ‘Flowers Blooming/Glow of Love,’ Hardkiss take Change’s 1980 classic ‘Glow of Love’ out for a driving musical journey. First stopping in ’90s Detroit before putting the top down and heading straight for the California sunshine. The result is sun-drenched track that is both irresistible and feel good- a must have addition to any summer playlist. Featuring vocals by Robbie Hardkiss, there’s enough on the new Hardkiss album to satisfy any dancefloor intent on rising up in celebration.” 

 

 

 

Get up

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marke@sfbg.com

SUPER EGO Fellow freakazoids, I’m disturbed. There’s an alarming new microtrend in nightlife: daylife. More specifically: morninglife. Halp!

First NYC’s Daybreaker party hit our shores a couple weeks ago, enticing hundreds of people to line up outside Audio at 8am for two hours of pre-work dancing ($15-$20) that apparently involved giant jellyfish costumes, a brass band (just to make sure you were awake?), and Four Barrel coffee — no alcohol here. I didn’t make it, because fuck that. But I was intrigued! Daybreaker’s AM disc jockey DJ Bradley P is a quality cutie, and the after-vids were rad. I’m waiting to hear if more are in the works.

Now comes Morning Gloryville from London (Wednesday, June 25, 6:30am-10:30am, $20. Heron Arts, 7 Heron, SF. www.morninggloryville.com), which places itself at the nexus of Burning Man, Ministry of Sound, and 24-Hour Fitness. Kind of a spiritual neon-flashmob throwdown, with wigs, massages, and smoothies. “Rave your way into the day!” It looks real cute. And exhausting.

I should have seen this coming the moment fluorescent Fitbits and post-ironic ’80s “Get Physical” dance routines started hitting the dance floors. Of course, SF has a long, glorious, deranged history of morning parties, from 6am Sunday Church at the End Up in the ’70s to recent blasts at North Beach’s Monroe and our own occasional Morning Glory party. I’ve loved dancing in the wee hours ever since I hung out in West Berlin in the ’80s and discovered high school kids hit the clubs before going to school.

But this new wave is just so darn wholesome — complete with slick marketing campaigns, relentless cheerfulness, and franchise ambitions. Despite my liver’s squeaky pleas, I’m not quite ready to come over to the “nightlife as workout routine” side, let alone sans cocktails. At least not yet. Yes, this fantastic ass came from tripping the light fantastic four-six nights a week. But these massive biceps? Grasping my vodkas, dear. Perhaps one day I’ll see the light.

 

BAIKAL

Sound Department continues to delve monthly into the more thought-provoking side of electronic music. This 11th installment features Berlin multi-layerist Baikal, who’s been building a body of impeccable (yet quite danceable) tech-work.

https://www.youtube.com/watch?v=roAxi8EQ6dk

Fri/20, 9pm-3am, $10. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

GRIT & GLAMOUR

New show “Gorgeous” at the Asian Art Museum challenges and redefines the notion of beauty in “Eastern” art: Fantastic-sounding opening party makes it all come to life, with deep techno tunes from Dr. Sleep and Robot Hustle, bounce jams from DavO and Natalie Nuxx, vogue extravaganza from House of Nu Benetton, milky tea, fresh nail designs, full bar, and an afterparty at the Stud.

Fri/20, 7pm-11pm, $20–$25. Asian Art Museum, 200 Larkin, SF. www.asianart.org

 

LEE BANNON

Based-goth monthly funhole 120 Minutes presents this brilliant, trip-hoppy Ninja Tuner, drifting on gorgeous, post-glitch waves to the darker side.

Fri/20, 10pm, $8–$10. Elbo Room, 647 Valencia, SF. www.elbo.com

 

LOCO DICE

Maestro of that muscular quasi-minimal Ibiza sound — and not bad to look at, either — Mr. Dice blew me away last time he touched down, a couple years back. He’ll be on the 1015 system this time: All aboard the silver spaceship.

Fri/20, 9pm-4am, $20–$25. 1015 Folsom, SF. www.1015.com

 

LOUIE VEGA

Here’s a “flashback” night for ya: Master at Work and Latin house legend. He’ll be stretching back into his roots with some Afrobeat, samba, disco, and soul at Mighty. With old school heroes David Harness and Jayvi Velasco.

Fri/20, 10pm-4am, $20 advance. Mighty, 119 Utah, SF. www.mighty119.com

 

KAFANA BALKAN

“Join us for wild brass, abandon, and reverberating floors” — you can say that again, as this whirling, stomping Balkan delight returns to its Rickshaw Stop home. DJ Zeljko, Fanfare Zambaleta live band, Elizabeth Strong, and the Foxglove Sweethearts belly dancers bring gypsy joy to an adoring crowd.

Sat/21, 9pm, $15. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

 

MAYA JANE COLES

The superfly UK whiz kid with a knack for connecting dance music history dots continues to thrill in the spotlight. She’s headlining a powerhouse night featuring NYC early-’90s fantasist Kim Ann Foxman, Alex Arnout, Young Marco, Bells & Whistles, and more at the As You Like It party.

https://www.youtube.com/watch?v=eV4ZiUSFvIQ

Sat/21, 9pm-5am, $20–$25 advance. Public Works, 161 Erie, SF. www.ayli-sf.com

 

WERD.

The classic Sunday weekly ran at now-closed Otis Lounge for more than seven years — now it’s at Monarch and sweeter than ever. This week’s ace tech-house guest Peter Blick helps break things in.

Sun/22, 9pm, $5. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

Dark/light

0

marke@sfbg.com

SUPER EGO Vampires beware, or at least grab a pair of killer shades. A recent, very late walk of shame (both heels broken but my rep intact) revealed that afternoon outdoor parties are currently raging full-tilt. So invite me to your dang retro-fidget-yacht-goth-IDM BBQ already! I promise not to spill anything. Everybody looks great in hot sauce, anyway.

Soundtracks for this week: infamous local synth-dance act The Soft Pink Truth’s brain-melting return Why Do the Heathens Rage: Electronic Profanations of Black Metal Classics, Quivver’s groovy (and timely) extended rework of “Ain’t Nothin’ Going On But the Rent,” and DJ Greg Wilson’s psychedelic-funk mixtape Blind Arcade Meets Super Weird Substance In The Morphogenetic Field. OK, let’s go.

 

HI LIFE

Glorious global soul weekly Afrolicious may have moved on to conquer the world as a touring act, but don’t cry: In its place is this tropical beats and live funk jams showcase from key Afrolicious members. “Expect elevation,” say DJs Pleasuremaker and Izzy Wise.

Thursdays starting Thu/12, 9pm, $6. Elbo Room, 647 Valencia, SF. www.elbo.com

 

RANDOM RAB

Beautifully constructed, all-encompassing post-Orb grooves that hit a global ambient-funk sweetspot from this San Franciscan. Support from local bass-tech heroes Justin Martin and J. Phlip (and a dozen more), plus mindbending décor and organic treats from the Symbiosis crew.

Thu/12, 9pm-3am, $15–$20. 1015 Folsom, SF. www.1015.com

 

ADULT.

Live Detroit art-tech darlings were lumped in with electroclash back in the day, but they cut oh so much deeper. With brainy-cute goth-raver Pictureplane, ghostly White Ring, and evil siren/playmate Tamara Sky, this will certainly be an edgy night of stylish Friday 13 dread.

Fri/13, 9pm-late, $15–$20. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

DANNY KRIVIT

Body and Soul legend (and my eternal DJ crush) brings his rare Latin house and gorgeously smooth mixing style to the Salted party, with Miguel Miggs, Julius Papp. and much-loved Naked Music vocalist Lisa Shaw.

Sat/14, 10pm-late, $10–$20. Mighty, 119 Utah, SF. www.mighty119.com

 

JACQUES RENAULT

Beam me up! The DFA disco-funk addict possesses one of the sharpest sensibilities out there, sending dancers to truly cosmic places. Hosted by the fantastic, female-powered Isis party.

Sat/14, 9:30pm-3:30am, $10 advance. Public Works, 131 Erie, SF. www.publicsf.com

 

SUNSET ISLAND

Our incomparable summer nightlife season continues, marked by the Sunset crew’s passing annual parties. Time for this “electronic music picnic” on Treasure Island, which — squee!!! — features Phuture, the dudes from Chicago who basically invented acid house. Also on hand: Detroit whiz kid Kyle Hall and Awesome Tapes From Africa, which is exactly what it sounds like. Acid sunshine, y’all.

Sat/14, noon-9pm, $10–$30. Great Lawn, Treasure Island. www.tinyurl.com/sunsetisland2014

 

DAYTIME REALNESS

I admit it, I had my doubts about this monthly afternoon party at first — everyone seemed to be smiling so hard in the pics, I thought they’d eat me. Especially towering drag hostess Heklina (who just bought the old club Oasis at 11th and Folsom, btw.) Then I went and got completely sucked in, in a non-oral way. Gorgeous mixed crowd, insanely good beats from DJs Stanley and Carnita — special guests this month Guy Ruben and beloved Trannyshack regular Pinky Ring — synchronized dance numbers, wild drag shenanigans, and Sneaky’s BBQ. Shit got real.

Sun/15, 2pm-8pm, $6 before 3pm, $8 after. El Rio, 3158 Mission, SF. www.elriosf.com

 

DISCO DADDY

Who knew a gay leather biker bar could get this steamy? If you’re looking for an authentic homosexual disco experience (who isn’t), DJ Bus Station John and his crate of vinyl 12-inches will put some soul in your gloryhole at this monthly get-down.

Sun/15, 7pm-2am, $5. SF Eagle 398 12th St, SF. www.sf-eagle.com

 

Movin’ on

2

marke@sfbg.com

SUPER EGO “The Mission has changed so much since we started the party. Just so many strollers and $10 tacos… It’s crazy … ” DJ Oz McGuire (aka Señor Oz) was telling me. Along with his brother Joey (aka Pleasuremaker) and the cutest crew ever, Oz has thrown fantastic panglobal funk weekly Afrolicious at Elbo Room for the past seven years.

Uh oh. This sounds like the start of a break up talk. An “it’s time to move on” soliloquy. An “it’s not you, it’s them” kind of thing. Don’t make me pull out my wet telenovella hysterical dramatics on you, Oz!

“Elbo Room has always been a special place and it will continue to be,” he continued, gently. “But Afrolicious has developed into something bigger than a club night. We got to try out so many things and expand our horizons. We never planned on becoming a live band, but like everything else about Afrolicious it happened organically. We’re now on Thievery Corporation’s label and touring all over.”

Hot tears welling …

“When we started the party, it was truly what we thought the Mission was about. It wasn’t exclusive and it wasn’t exclusionary, it was open to everyone. Every Thursday has been an adventure, full of live music, great guests, and a room full of awesome people. The youngest person in our collective is the rising soul singer Ziek McCarter who started with us at 19. Our oldest member is Baba Duru, who moved to SF in 1970 and toured with Stevie Wonder. Our vocalist is from Trinidad and our drummer is from Brazil. We all congregated in SF over our love of the universal groove. There are rhythms that connect all dance music from the beginning of time to the present day and we believed we could transmit them. Now it’s time to take that original Mission feeling to the world.”

Oh, I see. So now we’re supposed to share you?

“It’s not like we’re leaving SF. Pleasuremaker and Izzy Wise are starting a new night on Thursdays at the Elbo Room called Hi Life, full of Afrolicious regulars. We just wanted to end while Afrolicious was still hot and relevant. We never wanted to have a bad party, we batted 1000 percent. We’ll always love the vibe here.”

Fine then. Go. But I’m keeping the damn dog. And the purple Camaro!

AFROLICIOUS GRAND FINALE Thu/5, 9:30pm,, $10–$15. Elbo Room, 647 Valencia, SF. www.elbo.com

 

RICK WADE

Seminal Detroit house player will turn the weekly Housepitality party out with his deep and freaky Harmonie Park sound. A midweek must.

Wed/4, 9pm, free before 11pm with RSVP at www.housepitalitysf.com/rsvp, $10 after. F8, 1192 Folsom, SF.

 

DBX

Original techno ambassador (and exemplary Canadian chap) Daniel Bell brings his live show — which slayed everyone last month at the Detroit Electronic Music Fest — to the As You Like It party.

Fri/6, 9pm-4am, $20. Monarch, 101 Sixth St, SF. www.ayli-sf.com

 

WORTHY

Longtime dirtybird crewmember and essential SF DJ/troublemaker Worthy is dropping gorgeously funky album Disbehave featuring one of my favorite people in the world, vocalist Audio Angel. This is the party for that. It will be bonkers.

Fri/6, 9pm-3am, $5 before 11pm with RSVP (details at www.mighty119.com). Mighty, 119 Utah, SF.

 

STEFFI

One of the best selectors brings her great energy from Berlin to the Honey Soundsystem party, bearing rare, groovy, and just plain lovely house and techno cuts galore.

Sat/7, 9pm-4am, $15–$20. Public Works, 161 Erie, SF. www.publicsf.com

 

J. ROCC

The legendary turntablist (he started the Beat Junkies in 1992, but has been scratching up Cali since the mid-80s) hits F8’s decks with all-star support from Kevvy Kev, Vinroc, Dials, and Napsty. Expect pyrotechnics.

Sat/7, 10pm, $7–$20. F8, 1192 Folsom, SF. www.feightsf.com

 

WICKED 23: THE MAGICK BALL

So stoked to celebrate 23 years with this genius crew and a dance floor full of true SF underground flavor. It’s a bittersweet party, though: DJ Thomas — who found global fame as one half of Rub N Tug — has announced this will be his final gig.

https://www.youtube.com/watch?v=dkL71qHDjAc

Sat/7, 10pm-6am, $20–$25. Mighty, 119 Utah, SF. www.mighty119.com

 

Alerts: June 4 – 10, 2014

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WEDNESDAY 4

 

Transportation planning: District 8 open house

LGBT Center, 1800 Market, SF. sftransportation2030.com 5:30-7pm, free. District 8 Sup. Scott Wiener, representatives of the San Francisco Municipal Transportation Agency (SFMTA), and representatives from San Francisco Public Works will hold this District 8 community meeting about Transportation 2030, a strategic infrastructure investment program proposed for the November’s general election ballot. The night includes a presentation of the plan and a question and answer session.

THURSDAY 5

 

St. James Infirmary’s 15 year anniversary

Temple Nightclub, 540 Howard, SF. inticketing.com. 9pm-3am, $20 general admission. St. James Infirmary Presents its XV Dirty Dance Party Fundraiser. St. James Infirmary is the first occupational safety and health clinic for sex workers in the United States, providing free, confidential, nonjudgmental medical and social serves for current or former sex workers of all genders and sexual orientations and their partners. $40 VIP admission includes one free lap dance.

SATURDAY 7

 

Annual Fillmore summer kick-off fest

Hamilton Recreation Center, 1900 Geary, SF. noon-5pm, free. This year’s Grillin’ in the Mo’ will jump off with legendary blues singer Freddie Hughes (Bring My Baby Back) and the House of Hughes Band. The annual Fillmore Summer Fest Kick-Off is a free blues concert and family BBQ celebrating the start of summer events in the Fillmore District and summer enrichment programs for Western Addition youth. Grab some food, fly a kite, make gigantic bubbles, and enjoy some blues with Freddie Hughes and jazz by Fillmore’s own Bay Area Jazz Trio.

TUESDAY 10

 

Voices from the Edge

Mission Workshop, 40 Rondel Place, SF. tinyurl.com/voicedge. 6-9pm, free. This is a local arts and media showcase sponsored by Independent Arts & Media (IAM). Mix and mingle with local art and media makers, and celebrate the indy creative spirit IAM helps keep alive and well in San Francisco. Independent Arts & Media’s mission is to support independent, non-commercial arts and media projects and producers for the purpose of building community and civic participation, and facilitating cultural engagement and free expression. Featuring music, art, video, food, drink and community.

 

Fool me once…

8

rebecca@sfbg.com

As any job seeker knows, it’s tough to compete for a desirable gig if you can’t point to a solid track record. You might think this would be especially true for city contractors who stand to make a killing on lucrative construction projects.

Take, for instance, a $283.2 million San Francisco Public Utilities Commission contract awarded to perform an absolutely essential service: making seismic and hydraulic retrofits to water-treatment units.

With close to $300 million in taxpayer dollars on the line, not to mention the general importance of having a properly functioning water treatment system in the event of an earthquake, you might think the city would kick some tires and make a few inquiries about the company’s track record before signing a deal.

But according to the results of an audit issued May 20 by the Office of the Controller, local agencies do not “consider past performance in the construction contract award process.”

Which is to say, there is no mechanism preventing city agencies from awarding high-paying construction gigs — over and over again — to bidders who have done a terrible job in the past.

For the water-treatment fixes, the SFPUC wound up selecting what the controller’s audit charitably termed a “poor-performing” contractor. It didn’t go well: The company “delivered poor quality control, and applied poor project management,” according to the audit.

It issued 87 “change orders” — adding work beyond what was outlined in the original contract — consequently padding the bill by an additional $2.1 million. And this contractor was hit with 70 noncompliance notices, issued when a contractor isn’t following the obligations spelled out in the contract. Sending out those notices eats up city resources, auditors noted, while following up on them necessitates further inspections and site visits.

Although the audit didn’t name the contractor, the amount allocated and work described suggests that it was Keiwit Infrastructure West Co., hired to take on a water treatment plant retrofit project at the SFPUC’s Harry Tracy facility, which treats drinking water that originates at the Crystal Springs Reservoir System.

According to the project website, “Seismic retrofits and electrical upgrades will allow us to reliably provide up to 140 million gallons of water per day, for 60 days, within 24 hours of a major earthquake. Harry Tracy serves several communities on the Peninsula in addition to San Francisco.” The company didn’t return a call from the Guardian seeking comment.

Why was a problematic contractor entrusted with such a critical project? According to the audit, city law does in fact require a contractor to have “a record of prior timely performance,” and a history of dealing with the city “in good faith.”

But there’s no system for holding contractors to these standards. Since the city has no system in place for evaluating bids based on a contractors’ past performance, it’s anyone’s guess whether this contractor had a poor track record before being hired — and there is nothing to prevent the firm from being hired yet again despite the problems encountered by the SFPUC.

The city contracting process follows a scoring system to ensure that the contract award is impartial and equitable — but since it doesn’t factor in a contractor’s prior track record, that’s never formally considered.

And because the city doesn’t require contractor evaluations, or maintain any centralized database of records showing how well contractors have carried out their duties in the past, “poor-performing contractors — even contractors incapable of performing the work on which they bid — can secure additional city contracts,” auditors found.

This SFPUC contract was just one example. The report also highlighted a case study from the San Francisco International Airport, in which a construction crew botched a welding job performed as part of a $15 million contract to build a pedestrian bridge and mezzanine to an airport terminal. The report outlines what went wrong, citing “inadequate installation and missed steps in the welding procedures; bolt holes were misaligned and measured incorrectly.” As a result, SFO issued 59 noncompliance notices.

A contractor hired by the Department of Public Works, for a $5.2 million neighborhood branch library project, was reportedly “aggressive and argumentative … focused on preparing a claim instead of the project,” and “left the job midway through the project,” the audit notes. After that went south, the city spent $85,000–$100,000 on litigation, finally completing the job with the city’s own workforce.

The coming decade promises to be golden for city contractors who work in the construction sector. San Francisco has budgeted more than $25 billion for ambitious projects under its capital improvement plan, so many lucrative construction opportunities will arise.

The Controller’s City Services auditor has kept a watchful eye on construction over the past couple years, Director of City Audits Tonia Lediju told the Guardian. That led to the discovery that the city lacks a process for tracking contractors’ past performance when making hiring decisions.

“Given what we learned from our previous audits, not to mention … our reliance on contractors to accomplish our city’s capital plan, the Controller’s Office decided to conduct this audit to more formally assess the adequacy of the departments’ contractor evaluation processes,” Lediju explained.

As part of the audit, the Controller’s Office surveyed construction management staff at various city agencies, finding that a full 70 percent of them reported encountering poor-performing contractors “at least occasionally.”

To address the gaping problems in the construction contracting system, the Office of the Controller recommended that city agencies work with the Mayor’s Office, the Board of Supervisors, and the City Attorney’s Office to strengthen the law by requiring contractor performance evaluations to be completed — and to consider those evaluations when awarding contracts. With $25 billion in spending over the next 10 years, this might be a wise move.

Party Radar: Heidi, Silent Servant, Dr. Israel, Paradise Garage, more long weekend joys

0

Now that I have a strapping young nephew in the Navy, Memorial Day scares the shit out of me. Best thing for it is dancing, of course — to celebrate our hardwon freedomz!

Also, oscillating wildly will help us get over the fact that we’re neither at the International Mr. Leather Competition in Chicago or Detroit’s huge Movement technofest. But we have Carnaval! And Honey Soundsystem! And Paradise Garage tributes! And so much more.

So let’s get to Memorialing! (Click the names below for more info.) Here’s our theme song, duh:

https://www.youtube.com/watch?v=InBXu-iY7cw

 

>> FRIDAY

PARADISE GARAGE TRIBUTE
The great Odyssey after-hours crew calls down the spirits of true house and disco in this tribute to DJ Larry Levan and his epochal dance floor. Eight hours of deep dance madness, with incredible DJs Robin Simmons, Eli Escobar, Bus Station John, Steve Fabus, and Stanley Frank.
https://www.youtube.com/watch?v=XnAatmJlgpA
Fri/23, Midnight-8am, $10, Beatbox, SF.

HEIDI
Love this classic Canadian mistress of banging’ house. Her Jackathon parties are true, well, jackathons. Get into her. With Kadeejah Streets, DJ M3, and Sharon Buck.
https://www.youtube.com/watch?v=lsGwBnLWi4o
Fri/23, 9:30-3am, $15-$20, Monarch, SF.


GIORGIO’S JUNKSHOP GLAM DISCOTHEQUE

Finally, a proper night of 70s glam dance floor STOMPERS and Bubblegum KILLERS.” And with our patron DJ saint of all things dark and glamorous, Omar, at the helm, you know you’re going to hear some things. And stomp like a glitter-strewing monster to them! With Jason Duncan aka Medium Rare, Jodie Yagi Stridsberg, Jeff Glave, and Deedee Robbins.
https://www.youtube.com/watch?v=vZYs_uogUwk
Fri/23, 10pm, $3-$5, The Knockout, SF.


ANTWON

Aw, Antwon — our favorite cuddly ex-pat SF rapper. He’ll tear up the 120 Minutes based goth party for sure. With DJs Santa Muerte and Chauncey CC.
https://www.youtube.com/watch?v=YXmo0zsG3q0
Fri/23, 10pm-2am, $10-$15, Elbo Room, SF.


SILENT SERVANT

The current king of dark ‘n sexy industrial grooves comes up from LA to move the body. He’s joined by live dub-techno kid Austin Cesear for the always smoking Icee Hot party.
https://www.youtube.com/watch?v=f2JLVGGep0U
Fri/23, 10pm-4am, $5-$10 (free before 10:30pm!), Public Works, SF.

>> SATURDAY

DAVID HARNESS

Our master of soulful house takes us on another all-night journey into the deep and up to the stars. His last marathon session broke Mighty into a serious sweat.

https://www.youtube.com/watch?v=dDLEGTFP02M
Sat/24, 10pm-4am, $15 (free before midnight with RSVP at link above), Mighty, SF.

 

CLUB 1994
The original ’90s dance party for cool kids, playing “the best and worst” of that churning decade, returns to render us Clueless the next morning. How did we get here, 20 years later? Who cares, let’s party. With Jeffrey Paradise, Ava Berlin, Vin Sol, and more.
https://www.youtube.com/watch?v=3KL9mRus19o
Sat/24, 10pm-2am, $10-$20. Rickshaw Stop, SF.

 

>> SUNDAY

SUNSET + STOMPY
Oh dear — this is the final blowout for these two venerable party crews at Cafe Cocomo, slated for condofication demolition. You can bet it will be amazing (as all S+S parties are), with legendary live disco-house players Metro Area and a host of smiling, stomping people. All day! Big patio! BBQ till 8pm!
https://www.youtube.com/watch?v=39We6ml2oY4
Sun/25, 2pm-2am, $20, Cafe Cocomo, SF.


DR. ISRAEL
Ace of all dancehall/dub parties, 18-year-old Dub Mission, brings in this incredible live, revolutionary dub artist from Brooklyn to set minds, hearts, and feet a-throbbin’. With Kush Arora and DJ Sep.
https://www.youtube.com/watch?v=bbrt1oLjyOE
Sun/25, 9pm-2am, $8-$11, Elbo Room, SF.


HONEY SOUNDSYSTEM
That fearsome foursome of sticky-sweet queer action, Honey Soundsystem, hits the decks all night to transform the dance floor into a moist hole of glory. OK, that sounded gross. Just go and have a blast with hundreds of other really cute gays etc.
https://www.youtube.com/watch?v=V2Ks0O_380k
Sun/25, 10pm-4am, $15-$20, Beatbox, SF. 


Bernal blows up

21

rebecca@sfbg.com

When Herb Felsenfeld and his wife, Gail Newman, look out the window of the Bernal Heights home they’ve lived in for more than 30 years, they see a vacant hilly lot grown in with tall grass, stretching up in the direction of nearby Bernal Heights Park.

The surrounding area has become quite popular. Earlier this year, real estate firm Redfin crowned Bernal Heights the nation’s No. 1 “hottest neighborhood,” its desirability ranked using “a combination of big-data analysis and real-life human experience,” according to the company blog.

There are plans to build two new single-family homes on the slope directly above them, causing a bit of a neighborhood stir. But one detail about this particular site — perched high atop Folsom Street on the eastern slope of Bernal Hill — has neighbors on edge.

Below the surface, extending up a 35 percent grade, is a natural gas pipeline owned and operated by Pacific Gas and Electric Co.

Property records designate it as Line 109, and it traverses the Bernal Heights neighborhood from farther south, running up Folsom Street. Two orange-and-white striped markers stake out its trajectory uphill, with an orange sticker on the back proclaiming, “Warning: Gas Pipeline.”

It’s serviced the area for at least 30 years, perhaps much longer, qualifying it as an aging piece of infrastructure. Felsenfeld, Newman, and neighbor Deborah Gerson say they’re worried that performing excavation on the slope for a road and new home foundations poses a safety threat.

Newman said she was especially perplexed by the San Francisco Planning Department’s issuance of a waiver of an environmental impact review, which is routine for a project of this size, citing no unusual circumstances. “I’m like, wait a minute,” she said. “There’s a pipeline here.”

One would think that any sort of risk would be eliminated by routine safety protocols. But it gets complicated when one considers that PG&E is under federal indictment for criminal negligence for its alleged failure to keep up with pipeline maintenance, due in part to sloppy recordkeeping. There may indeed be little risk involved with the new construction at this site — but then again, the neighbors’ concerns raise questions about whether adequate measures are in place to guarantee safety in this and other situations.

The criminal charges facing PG&E that were filed March 31 stem from an investigation launched in the wake of a fatal 2010 explosion in San Bruno caused by a pipeline rupture, which killed eight people and destroyed an entire neighborhood. The utility is fighting the charges in court and has reportedly invested $2.7 billion in shareholder dollars toward safety improvements since.

But according to the results of a regulatory audit on PG&E’s assessment of its own pipeline records that was undertaken to set things straight after the tragic explosion, crucial pipeline information is still missing or flawed, as the San Francisco Chronicle recently reported.

“Given the San Bruno disaster and the recent media revelations about PG&E’s pipes, we are wondering what information you have gathered on this subject,” Felsenfeld wrote in a letter to one of the housing developers, Fabien Lannoye. “Where exactly is Pipeline No. 109? How deeply is No. 109 buried? What is Pipeline No. 109 composed of? How big in diameter is Pipeline 109? How/with what are the pipe seams welded?”

He sent the same set of questions to PG&E. So far, Felsenfeld hasn’t received any answers. PG&E has also been stonewalling the developer’s information requests.

Lannoye, who is building one of the two new houses, described the project as a two-story, single-family home where he hopes to live with his wife and two children. He said he understands the neighbors’ concerns about safety, but also believes they are organizing in an effort to prevent him from moving forward.

When it comes to his communications with the utility company, however, Lannoye is a bit more baffled. “It’s kind of a little bizarre that we’re not getting clear information,” he said. “I’ve contacted like 15 different people from PG&E, and every time, they send me to someone else. Either they don’t want to give me the information, or they don’t know what it is.”

PG&E did not respond to the Bay Guardian‘s request for comment.

In general, the only parties who seem to be directly involved when there is construction near natural gas pipelines are the utility company and the project developer. An association called the Common Ground Alliance maintains the 811 phone line — a service known as Call Before You Dig — to ensure the location of underground lines are marked prior to any excavation.

When the Guardian phoned San Francisco’s Department of Public Works to ask if the agency has a pipeline risk assessment procedure in place when new construction is planned, we were told that such a thing might fall under the scope of the Department of Building Inspection.

But in a voicemail, DBI spokesperson Bill Strawn responded that such a thing might be up to the Department of Public Works, adding, “There’s no restriction about somebody building a project or a house somewhere in the vicinity of a natural gas pipeline.”

All of which means it falls to PG&E to ensure that high-pressure underground lines are safe, with no chance of rupture when new foundations are being installed close by. But PG&E doesn’t always know what it’s got. According to charges in the federal indictment, the utility created a GIS database in the late 1990s based on pipeline survey sheets that contained erroneous or incomplete information. PG&E then relied on that database to make integrity management decisions.

The indictment noted that prior to the San Bruno disaster, PG&E had been intentionally elevating pressure levels on Line 132, the one that ruptured, as well as Line 109, to maintain peak pressure levels in accordance with federal regulations. But experts have noted that this spiking practice could erode the integrity of a line if there are vulnerable welds.

“Our plan,” Lannoye explained, “is not to dig where the gas line is.” Line 109 would run beneath a sidewalk, he added.

Marilyn Waterman, another neighbor, outlined the situation in an email to University of California Berkeley professor Robert Bea, a nationally renowned civil engineer. She asked Bea if concern is warranted.

“Given the background you provided in your email, yes — you should be concerned,” he responded. It’s an old line, Bea pointed out, in an area with highly variable topography, with no available records detailing its operation and maintenance.

“This list is identical to the list of concerns that summarized causation of the San Bruno Line 132 gas pipeline disaster,” Bea wrote. “The fundamental ‘challenge’ associated with your concern is tied to the word ‘safe.'”

His rule of thumb? “If the potential consequences associated with a failure are low, then the likelihood of the failure can be high. If the potential consequences are very high, then the probability of failure must be very low.”

Cycling to City Hall

56

steve@sfbg.com

When the first Bike to Work Day was held in San Francisco 20 years ago, cyclists had little support in City Hall. But on May 8, almost every one of the city’s top political leaders will take part in Bike to Work Day, pledging their support to an increasingly popular and important transportation option.

In fact, Bike to Work Day has become such an anticipated event in San Francisco that city officials and cycling advocates in recent years have used it as the deadline to unveil the latest high-profile bike project to demonstrate the city’s commitment to cycling.

This year, it’s the new contraflow bike lanes on lower Polk Street, an important connection from Market Street to City Hall that helps cyclists avoid dangerous, car-centric Van Ness Avenue or Larkin Street — without having to illegally cut up the one-way section of Polk.

When that $2.5 million bike and pedestrian project — with its attractive landscaping, pedestrian bulb-outs, pretty green lanes, and trio of special bike-only signal lights — was officially opened on May 2, bike activists kept circling the new lanes as if they were doing victory laps.

“I cannot think of a better way to kick off Bike Month in the Bay Area and the 20th anniversary of Bike to Work Day, coming up May 8, than to celebrate what I think is the most beautiful, functional, well-designed, and what is probably going to be the best used piece of bike infrastructure in our city,” San Francisco Bicycle Coalition Director Leah Shahum said at the ribbon-cutting ceremony.

She and the others who spoke at the event praised the city officials who moved quickly to complete this project, calling it a testament to the growing political will to make streets safer and more welcoming for cyclists.

“I will be honest, we put a lot of pressure on to get this done by Bike to Work Day,” Shahum said. “We really wanted to make sure you all and the folks throughout this city could, this year, for the first time in San Francisco’s history, make a safe and comfortable and direct link from Market Street…to City Hall.”

Building high-profile, separated cycletracks to the steps of City Hall seems to symbolically mark the arrival of cyclists into the political mainstream.

 

TIMES HAVE CHANGED

Twenty years ago, California Bicycle Coalition Director Dave Snyder was the head of SFBC, and he was able to persuade only one member of the Board of Supervisors to participate in that first Bike to Work Day.

“I should give a shout-out to Tom Ammiano because he was the first supervisor to care enough to ride on Bike to Work Day, back when the Board of Supervisors didn’t really care about cycling,” Snyder told us. “These days, it’s not uncommon for supervisors to ride for transportation, but back then none did.”

Shahum remembers it as well, back before the SFBC was one of the city’s largest member-based political advocacy organizations.

“Twenty years ago, Bike to Work Day was a fun but sort of lonely event,” Shahum told us, noting how the number of cyclists on the road has exploded in recent years. “Riding on a regular Thursday during rush hour feels like Bike to Work Day used to feel 20 years ago.”

But both Snyder and Shahum said the universal statements of support for cycling that emanate from City Hall these days are only half the battle.

“It’s a good idea to promote bicycling as a mainstream activity, and we won that battle,” Snyder said. “Now, we have to get them to put their money where their mouth is.”

With cycling projects receiving less than 1 percent of the city’s transportation funding, and city officials so far unwilling to pay for the projects that would allow the city to meet its official goal of 20 percent of all vehicle trips being by bike by the year 2020, Snyder said, “We haven’t accomplished that second goal yet.”

“We hear them all talk about investing money in bike infrastructure,” Shahum told us, “but now the decision makers need to do it.”

A report released in December by the Budget and Legislative Analyst’s Office shows that San Francisco spends less per capita on bike infrastructure, at just over $9 annually, than other bike-friendly US cities such as Portland, Minneapolis, and Seattle. And it found the city would need to spend about $580 million to reach its official goal of 20 percent bike mode-share by 2020.

Even meeting the SFMTA’s more moderate Strategic Plan Scenario — which aims to reach 8-10 percent mode-share by 2018 by creating 12 miles of new bike lanes and upgrading 50 existing miles and 50 intersections — would require $191 million. That’s $142 million more than the SFMTA now has budgeted for the work.

 

FUNDING PITCH

At the May 2 event on Polk Street, city officials used the new project to call on voters to approve a pair of transportation funding measure proposed by Mayor Ed Lee for the November ballot — an increase in the vehicle license fee and a $500 million general obligation bond — which the Board of Supervisors will consider later this month.

“Do you guys like what you see here?” SFMTA Director Ed Reiskin told the crowd, eliciting a rousing response. “Would you like to see more of this kind of work all over San Francisco?”

Then Reiskin connected that goal to the fall ballot measures, the lion’s share of which will go to Muni improvements.

“With the funds we have, there’s only so much of this we can do and we know the need is so great to make biking and walking a safer and more attractive means of getting around the city. If we want to do more of this, we’re going to need more support in November,” Reiskin said.

The city has make significant progress on new bike infrastructure in recent years, after a legal challenge of the city’s Bicycle Plan stalled projects for four years. Ben Jose, a spokesperson for the SFMTA, told us the Polk project is the 52nd of 60 bike improvement projects from the Bike Plan.

“And those that are left are signature projects like this one,” Jose said at the event, referring to high-profile bike lanes along Bayshore and Masonic boulevards, on upper Polk Street, and along Second Street that are among the bike projects now in the pipeline. But the city hasn’t yet devoted the resources to completing the city’s bike network.

“We want to do more projects like this with money from the fall ballot measure,” Rachel Gordon, a spokesperson for the Department of Public Works, told us. “We don’t have enough money in our general fund to do these projects and we hear loud and clear the streets need to be safer for bicyclists and pedestrians.”

 

LITTLE PROJECT, BIG GAIN

The new bikes lanes on Polk are only a few blocks, but it is those kinds of small but critical connections that determine whether cycling in the city is safe or scary.

“I want to know that I can bike safety going north and south on Polk Street, which is why I strongly, strongly support our protected bike lanes on Polk Street, so this is super exciting. As a beginning cyclist, these are the kinds of routes I need to see to get out of my car and onto a bike, so I’m really excited this is the direction our city is moving in,” Sup. Jane Kim said at the event.

Reiskin noted how awkward and unsafe it has been to get from Market Street to City Hall or up Polk Street: “Physically, it’s a pretty small project, but it’s so critically important for those of us who do get around by bike.”

Cyclist Shannon Dodge also spoke at the event, describing her previously awkward commute to work from the Mission District to Russian Hill: “It might look like a tiny stretch of bike lanes to most people, but to me and lots of other people it will make a huge difference. It means we can turn now directly onto Polk Street and we can do it safely.”

She also compared cycling in San Francisco today to the days just before Bike to Work Day began.

“Twenty-one years ago this month, I moved to San Francisco from the East Coast. I came in a van with three friends, so I didn’t bring a lot of possessions. But I did bring my bike and I’ve been biking in San Francisco ever since,” Dodge said.

Back then, in her younger days, she didn’t mind battling for space on the streets of San Francisco.

“When I first moved here, just out of college, safety was not that important to me. I kind of enjoyed the adrenaline rush of being out on a bike in traffic,” she said. “But now I’m a mom. I have a 3-year-old son, and my husband and I bike our son to and from his preschool everyday. And on the weekends we explore the city, which usually means he’s on one of our two bikes. Pretty soon, he’ll be riding his own bike out on San Francisco streets. So safety is incredibly important to me, as it is to all families.”

Where there’s smoke

0

news@sfbg.com

It was April 20 in Golden Gate Park, the fabled 4/20 in the parlance of pot smokers, and we found Nick and Chris standing under the shade of a tree with a cluster of friends, including Geoff, the proud owner of a five-foot bong.

Nick had done several hits through the supersized smoking device that day. Beside him, Chris took hits from his own handheld bong. “I’m feeling good,” Nick reported. “But I’m also kinda hungry. I could go for some Chinese food. Ohh, and some Sapporo!”

Administering a hit of marijuana through such unwieldy paraphernalia is quite the operation, requiring one person to stand and hold one end, another to light the marijuana once it’s packed into the bowl, and a third to inhale the five-foot column of milky smoke that rises through the chamber. The smokers on the receiving end contorted their faces as they inhaled, inevitably coughing and laughing as they breathed out, seemingly amazed by the experience. The college-age friends were in 420-induced bliss.

The annual 420 celebration in Golden Gate Park is unpermitted, with no official organizers, yet thousands of festivalgoers nevertheless flock to it year after year. It’s a quintessentially San Francisco experience: Young and old congregate for a collective daylong smoke-out, bringing drums, dogs, grills, shade structures, hand-blown glass, tie-dyed tapestries, Hacky Sacks, sound systems, and other picnic paraphernalia along with them.

The area around Hippie Hill — at the eastern end of the park, near Kezar Stadium — was a jumble of humanity crammed elbow to elbow, reeking of pot smoke. The crowd reflected a wide range of ethnicities and brought out many displaying an outlandish sense of fashion, sporting shiny plastic marijuana-leaf necklaces, sleeve tattoos, piercings, face paint, and piles upon piles of dreadlocked hair.

San Francisco maintains an iconic status as a weed-friendly city. While 420 in Golden Gate Park is a lighthearted scene that’s also proved irksome for city agencies plagued by leftover trash and traffic jams, serious year-round marijuana advocacy efforts continue to mark the Bay Area as a hotbed for drug policy reform and thriving, legitimate pot-based entrepreneurship.

 

GREEN BEACON

The movement to legalize marijuana for medical purposes started in San Francisco, the lovechild of the city’s hippie movement and its caregiving response to the AIDS epidemic. It was Dennis Peron and other activists here who wrote Proposition 215, the statewide legalization measure that California voters approved in 1996.

A decade ago, the San Francisco Board of Supervisors approved a comprehensive set of regulations for its two dozen or so medical marijuana dispensaries, guidelines that have proven to work well and be a model for other jurisdictions to follow, elevating pot purveyors into accepted members of the business community (see “Marijuana goes mainstream,” 1/27/10).

Some have even begun to regard the Bay Area as a model for how to implement a sensible approach to regulating marijuana. On April 16, US Rep. Dina Titus (D-Las Vegas) traveled to San Francisco on a fact-finding mission after Clark County, Nevada legalized medical marijuana, with Las Vegas and other Nevada cities expected to follow shortly.

“I want the state to learn from someone who’s done it right,” Titus told the Guardian as she toured The Apothecarium on Market Street, an elegant dispensary reputed to be one of San Francisco’s finest.

In addition to helping guide Nevada’s implementation of medical marijuana legalization, Titus said she’s working on federal legislation that would better protect small businesses involved with a marijuana industry that is growing rapidly in the US, thanks to Colorado and Washington taking the next step and legalizing even recreational uses of marijuana.

For example, Titus wants to make sure marijuana businesses have full access to banking services, something that the US Department of Justice has occasionally interfered with. As Titus told us, “The federal government shouldn’t be wasting time and going after people who are abiding their state laws.”

 

BLISS AND BOUNDARIES

Back at 420 on Hippie Hill, Amber and Charlie lounged on a blanket with Gizmo, an affectionate pooch they’d adopted from “this guy who lives in a tree house” in Santa Cruz. The young couple, ages 18 and 20 respectively, had hitchhiked to California from Washington. Yes, “we may have done some weed,” Charlie said before letting out a peal of laughter.

“It’s been pretty awesome,” Amber said. “Literally, there was smoke coming from everywhere,” the moment 4:20pm arrived. As far as the eye could see, she said, the scene was nothing but “people smoking weed. It was crazy.”

Lilian was at the park with a friend, wearing a crown of daisies she’d woven with flowers plucked from nearby the park entrance. “All day we’ve been doing joints and blunts and pipes,” she explained. “We haven’t had any bong hits yet, but we had a couple vape hits, because they were like giving free test trials here at the park. So we were like, alright, why not?”

Lilian exulted the “positive vibes” of the event, but it wasn’t all weed and roses. A short while later, reports of gunfire sent police cars racing into the park with sirens wailing. While police later reported that they never found evidence of anyone actually discharging a weapon, two different individuals were arrested on charges of possessing a firearm.

Emergency personnel responded to four medical calls, police reported the following day, including one person who had a seizure, someone who suffered an abrasion at Haight and Ashbury streets, and two underaged individuals who experienced problems after becoming overly intoxicated. For a crowd of thousands pushed the boundaries of indulgence, quite a small number suffered harm.

Eight other arrests stemmed from charges of selling marijuana or possessing it for sale, possession or sale of opiates, one warrant arrest, and another on charges of “malicious mischief,” according to police.

A few days before the unpermitted gathering, city officials held a press conference announcing a “comprehensive plan” to crack down on the anticipated debauchery, which included not only the Golden Gate Park marijuana celebration but the “Hunky Jesus” competition, a countercultural hallmark held annually on Easter Sunday in Dolores Park.

“Last year we had a lot of challenges,” said Sup. London Breed, whose District 5 encompasses Golden Gate Park. “We need to make the city and streets safe this year. We want people to come and enjoy San Francisco, but we also want them to respect San Francisco.”

Thus, city agencies ramped up deployment of both plainclothes and uniformed police officers, and sent out more parking and traffic control officers.

The previous year, when massive amounts of debris had been left strewn throughout the park, it took 25 city employees over 12 hours to clean up five tons of trash left by intoxicated visitors, said Phil Ginsburg, general manager of the city’s Recreation and Parks Department. The Department of Public Works’ tab for cleanup exceeded $10,000.

But the main draw of the event, in true San Francisco fashion, was behavior Police Chief Greg Suhr hinted in advance would essentially be tolerated. “The sale of marijuana is still a felony,” Suhr emphasized, “but I don’t think [the SFPD is] naive enough to believe that we can stop people from smoking on 4/20.”

 

CANNABIS AS MEDICINE

Advocates for legalizing even recreational use of marijuana had hoped to make the November ballot this year, but the campaign’s signature-gathering effort has sputtered out.

Sponsored by the California Cannabis Hemp Initiative, the legalization measure was named for Jack Herer, a renowned cannabis advocate who passed away in 2010. The campaign is now ramping up for another try in 2016, when some advocates hope the presidential election will drive younger voters to the polls.

But while efforts to legalize weed in California for recreational use falter for now, the legitimate use of cannabis for medicinal purposes has giving rise to healthy businesses and research on health benefits. At the April 16 event at the Apothecarium, Titus had lots of questions for Allie Butler, an expert in marijuana who has a master’s degree in public health and told Titus, “I want to do cannabis research for the rest of my life.”

Butler introduced Titus to the various strains of marijuana, explaining what ailments each is good for. The CaliWidow can be a cure for headaches, she explained, and Blue Dream is “good for nausea. We prescribe that for cancer patients all day.” She indicated another strain, saying, “this is the Jack Herer, it’s my mom’s favorite.” Fancy, knowledgeable, and above ground, this isn’t your mom’s marijuana business anymore.

City unveils plan to get tough at 4/20 gatherings

City officials today announced a “comprehensive plan” to crack down on unpermitted 420 events at Golden Gate Park this Sun/20, saying it was necessary because last year’s debauchery got out of hand. That means more police, both in uniform and plainclothes, will be in the park for the greatest marijuana celebration of the year.

“Last year [on 4/20] we had a lot of challenges,” said Sup. London Breed, who is spearheading this year’s efforts since the park falls in her district. “We need to make the city and streets safe this year. We want people to come and enjoy San Francisco, but we also want them to respect San Francisco.”

The problems Breed was alluding to included underage drinking, traffic congestion, and massive amounts of trash left in the park, especially in the area known as Hippie Hill.

Last year, it took 25 city employees over 12 hours to clean up the five tons of trash left by intoxicated visitors, according to Phil Ginsburg, general manager of San Francisco Recreation and Parks. And because 420 activities are unsanctioned and without an official sponsor, the burden to pay for the cleanup falls upon the city. In 2013, the Department of Public Works spent more than $10,000 to restore Golden Gate Park.

In anticipation of an even larger crowd this year, for both 420 and Easter events happening in the park, the city is gearing up to deal with people and traffic. In addition to deploying additional law enforcement in plainclothes and uniform, officials also plan to ramp up parking control, utilize additional bus services, and employ city workers to direct traffic.

A press release issued by Breed’s office indicated that police would take “a strict enforcement approach to all code violations.”

But speaking at the press conference, San Francisco Police Chief Greg Suhr said officers will have zero tolerance for violations such as underage drinking, open containers, selling drugs, unlicensed vendors, and even walking while texting. Noticeably absent from the list of offenses he mentioned was actually smoking marijuana.

“The sale of marijuana is still a felony,” Suhr emphasized, “but I don’t think [the SFPD is] naive enough to believe that we can stop people from smoking on 4/20.”

Captain Gregory Corrales confirmed that maintaining safety is the station’s top priority. Last year there was only one violent incident and eight arrests for selling drugs, but there were zero citations for possession of marijuana.

Pot smoking, which has long been tolerated, if not embraced, in our progressive enclave, was officially deprioritized as a crime by the Board of Supervisors in 2006, barring incidents that involved driving under the influence, minors, or violence. Breed noted that while she does not “condone illegal activities,” she admits that this aspect of the 420 celebration is difficult to control.

So please, stoners of San Francisco, follow the cardinal rule of nature lovers by packing out whatever you pack in. And above all, have a safe and merry holiday.

Queen freak

0

marke@sfbg.com

SUPER EGO Who celebrates her 50th birthday by wallowing in a 40-gallon kiddie pool of chocolate pudding at the city’s oldest gay bar? Who grew so enthusiastic during a drag number at Trannyshack in 2003 that she bent all the way backward and broke her spine? Who flits so deliciously through the spectrum of sexuality and gender that I last heard her identify herself as an MTFTM Nearsighted Bi-Polar Bear With Vampiric Tendencies?

Who is one of our last remaining links to SF’s gloriously weird club past? Phatima Rude, that’s who. The perennial ghoulish go-go and beautiful creature is living history. After moving here in the late ’80s and flirting with the Imperial Court drag dynasty, she dived into the underground — looking, at 300-plus pounds in a blond wig, “like Divine by way of Barbra Streisand” — starting at the legendary Club Uranus among such luminaries as Jerome Caja, Michael Blue, DJ Lewis, and Michael Angelo.

“I walked into that place and knew I had found my family, I had finally found my freaks,” she told me about Uranus. “The wonderful thing about drag is you can be someone else. I never was in the closet — I never knew what that was. But in drag, I no longer had to be Kevin from Minnesota.” Her first drag number, at one of the first Trannyshacks, involved dressing in clothing from dead or dying friends, and stripping each piece off one by one.

Phatima’s also a prime example of what it takes to hold on as an artist in this town. Ladies and Gentlemen: Phatima Rude, a short film by ethnographer Paul King premiering at Peaches Christ’s essential Underground Film Festival, documents the months last year that she spent living in a van on disability insurance, after she had to leave her shared artists’ co-op.

“It was actually a good experience,” Phatima, who’s now happy to have a place in a downtown SRO, said. “It humbled and stabilized me. You become very aware of where you are in the universe when you live on the street. When my mother and I first moved here and were staying in a shelter, I remember the pastor in charge saying, ‘The hardest step is from the gutter to the curb.’ And I never forgot that.”

Now Phatima has hit another creative peak, appearing in challenging Leigh-Bowery-in-a-blender outfits at parties like future-gothy monthly Dark Room at the Stud, and making music with her band The Unicorns R Dying, or T.U.R.D. What has she learned from her journey so far? “Life is tenuous, we’re all so blessed to be here, and drag is the gateway to the world!”

LADIES AND GENTLEMAN: PHATIMA RUDE featuring an all-star drag performance tribute to Phatima, Sat/12, 9:30pm, $15 ($20 for Underground Film Festival pass). Victoria Theatre, 2961 16th St, SF. www.peacheschrist.com

AFTER BIRTH: OFFICIAL UNDERGROUND FILM FESTIVAL AFTERPARTY Sat/12, 10:30pm, $5. Rebel, 1760 Market, SF. www.tinyurl.com/phatimaafterbirth

 

AEROPLANE

Sometimes you just want some engaging, melodic nu-disco house that will make you sweat without tearing out your brain. Like fellow earworm heartthrob the Magician, Italian-Belgian cutie Vito de Luca delivers in spades.

Thu/10, 9pm-late, $10–$15. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

RONE

Smart, fantastical bass-laden soundscapes from this French producer with an excellent ear. (Check new EP Apache and his ace Electronic Beats on Air mix.) With Branchez.

Thu/10, 9pm, free with RSVP at www.1015.com. 1015 Folsom, SF.

 

DENNIS FERRER

When this Chicago afro-centric house master was booted off the decks by idiots in Miami a couple years ago, it pointed up the strange polarity of dance music today. Luckily Ferrer’s deep beat goes on.

Fri/11, 9:30pm-late, $15–$20. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

KINK

The celebrated Bulgarian sage of handmade acid grooves returns — towing crazy new machines, sing-along drum patterns, and balls-out beats, we’re sure. With Matrixxman and Jason Kendig at the fast-growing Isis party.

Fri/11, 9:30-3:30pm, $10–$15. Public Works, 161 Erie, SF. www.publicsf.com

 

DERRICK CARTER

Last weekend was alive with music, celebrating the life of Frankie Knuckles. Beloved Chicago boogie-house wiz Derrick, one of Frankie’s direct heirs, will bring even more of Frankie’s spirit down. With UK ’90s fetishist duo Bicep.

Sat/12, 9pm-5am, $15–$20. Mighty, 119 Utah, www.mighty119.com

 

Peep peep

0

marke@sfbg.com

SUPER EGO Three signs that our nightlife spring has sprung, sure as the annual return of the swallows to Blow Buddies: the Sunset season opener party, Hard French’s outdoor re-emergence, and the star-studly LGBT Center gala Soiree.

Our queer old-school soul treasure Hard French (Sat/5, 2pm-8pm, $8. El Rio, 3158 Mission, SF. www.elriosf.com) will pack El Rio’s patio every first Saturday here on out with the joyous sounds of frugging and jiving. Later, all the drag, queer, and club luminaries will brighten up Soiree (Sat/5, 6:30pm-midnight, $95. City View, 135 Fourth St, SF. sflgbtcenter.eventbrite.com) — the proceeds go for job and economic skills training for LGBT youth, many of them homeless. This year’s theme is “A jazz tribute to the Beat generation,” so don’t forget your beret and bongos. Performances galore.

Sunset (Sun/6, 11am-7pm, $5–$120. Stafford Lake Park, Novato, www.tinyurl.com/sunsetopener2014) is one of our most storied party crews — this is its 20th anniversary. And the huge, yearly season opener blast is like one big, very big, family picnic. There are rave babies, and their own rave babies! And thousands of smiles. And of course special surprise guests and a raging afterparty back in the city. Bring your picnic basket.

PS My column went to press just as I was hearing the sad news of DJ Frankie Knuckles’ passing. Here’s a list of parties this weekend that will be truly great tributes to his spirit and legacy.

 

ANTHONY PARASOLE

Good ol’ four-on-the-floor house, with a bit of ethereal heft behind it, from this prominent, hunky New York DJ. With the UK’s Leon Vynehall, whose glorious “Step or Stone (Breath or Bone)” was one of the best tracks of last year.

Fri/4, 10pm-3am, $10–$15. Public Works, 161 Erie, SF. www.publicsf.com

 

DICK SLAP

High and dirty times at the Eagle whenever this fantastic party from Seattle comes to town courtesy of force of nature DJ Nark. Get into it with DJs Chip Mint and Guy Ruben, towering drag hosteses Jem Jehova and VivvyAnne ForeverMore, “camera in her wig” videographer Drewnicorn, and a dance floor packed with hot scruffs.

Sat/5, 9pm, $7. The Eagle,  398 12th St, SF. dickslaplyfe.tumblr.com

 

VIN SOL

One of our own, coming up fast with his Sooo Wavey label and housey Sade edits. He’s at one of our sweetest (and least expensive!) parties, Push the Feeling, with local player Cherushii, whose excellent recent Queen of Cups EP can get anyone moving.

Sat/5, 9pm, free before 10pm with RSVP online, $6. Underground SF, 424 Haight, SF. www.do415.com/pushthefeeling

 

MARTIN BUTTRICH

Caught this hugely popular German (now based in LA) cat a couple times in the past few years, and he really delivers on that deliciously deep, if now a bit retro, post-minimal Berlin-Ibiza sound. It’s all in his perfect control. With beloved Doc Martin and Francesa Lombardo.

Sat/5, 10pm-4am, $17–$25. Public Works, 161 Erie, SF. www.publicsf.com

 

TRIBUTE TO JOSH EZELLE

One of SF’s foundational house DJs, Josh Ezelle, passed away last month suddenly in Thailand, leaving behind a newborn son and oceans of friends. This tribute fundraiser brings together many of our best players to celebrate his life in music and dance: Jeno, Garth, Markie, Charlotte the Baroness, Toph One, M3, and others.

Sat/5, 9pm-4am, $15–$20. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

SERGE GAINSBOURG DANCE PARTY

Oui, oui, the fab enfants terribles of Bardot A Go Go are back — with a shagadelic shindig featuring the naughty, existentialist, oh-so-cool tunes of Serge and other mod icons of his ilk. Zip up your thigh high boots and get le groovy.

Sat/5, 9pm, $10, all ages. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

 

WORLDLY

The Worldly parties have brought a, well, worldly electronic music flavor to the SF scene for more than a decade — this live extravaganza and CD release party will electrify anyone into cutting edge global grooves. With Dub Kirtan Allstars, Janaka Selekta, DJ Dragonfly, and tons more.

Sat/5, 9pm-3am, $15. F8, 1192 Folsom, SF. www.tinyurl.com/worldlysf2014

 

TRENTEMOLLER

Moody Danish techno: it’s catchier than you think. Andres Trentemoller crossed over from the dance floor long ago, pairing with an array of vocalists to create a lilting indie atmosphere with electronic movement around the edges. And he actually makes it work.

Sun/6, 8:30pm, $25. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

Music Listings: July 2-July 8, 2014

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WEDNESDAY 2
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Middlesleep, Halsted, Cazadero, 9pm, $8.
El Rio: 3158 Mission, San Francisco. Jet Trash, The Nurseries, Yet, The Riders, 8pm, $6.
Elbo Room: 647 Valencia, San Francisco. Sean O’Brien & His Dirty Hands, Spider Heart, New American Farmers, 9pm, $8.
The Independent: 628 Divisadero, San Francisco. EMA, Mas Ysa, 8pm, $15.
Milk Bar: 1840 Haight, San Francisco. Down Dirty Shake, The Love Dimension, Buzzmutt, Talk of Shamans, DJ Darragh Skelton, 8pm, $5.
Rickshaw Stop: 155 Fell, San Francisco. Be Calm Honcho, The She’s, Owl Paws, 8pm, $10.
DANCE
Beaux: 2344 Market, San Francisco. “BroMance: A Night Out for the Fellas,” 9pm, free.
The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8pm, free.
Cat Club: 1190 Folsom, San Francisco. “Bondage-A-Go-Go,” w/ DJ Damon, Tomas Diablo, guests, 9:30pm, $7-$10.
Club X: 715 Harrison, San Francisco. “Electro Pop Rocks: EPR USA,” 18+ dance night with Far Too Loud, 9pm
F8: 1192 Folsom, San Francisco. “Housepitality,” w/ King Britt, Fil Latorre, Mike Bee, 9pm, $5-$10.
Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10pm
Lookout: 3600 16th St., San Francisco. “What?,” 7pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9pm, free.
MatrixFillmore: 3138 Fillmore, San Francisco. “Reload,” w/ DJ Big Bad Bruce, 10pm, free.
Monarch: 101 Sixth St., San Francisco. “Advance,” w/ Flaco, Tchphnx, Professor Bang, Shadow Spirit, Joe Mousepad, 9pm, $5 (free before 10pm).
Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, 9pm, $3.
HIP-HOP
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Evenodds, Equipto, DJ H Holla, 10pm, $10-$15.
Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9pm, $5.
ACOUSTIC
Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7pm, free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, Every other Wednesday, 9:30pm, free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Karmen Buttler, Bekah Barnett, 8pm, $10.
Plough & Stars: 116 Clement, San Francisco. Jeanie & Chuck’s Bluegrass Country Jam, First Wednesday of every month, 9pm, free.
JAZZ
Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7pm, free.
Balancoire: 2565 Mission, San Francisco. “Cat’s Corner,” 9pm, $10.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6pm, free.
Cafe Claude: 7 Claude, San Francisco. The Monroe Trio, 7:30pm, free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7pm, free.
Level III: 500 Post, San Francisco. Sony Holland, Wednesdays-Fridays, 5-8pm, free.
Pier 23 Cafe: Pier 23, San Francisco. Gary Zellerbach, 6pm, free.
Revolution Cafe: 3248 22nd St., San Francisco. Michael Parsons, First Wednesday of every month, 9pm
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eric Tillman, 7pm, $5.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30pm, $5.
Zingari: 501 Post, San Francisco. Anne O’Brien, First Wednesday of every month, 7:30pm, free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Baobab!,” timba dance party with DJ WaltDigz, 10pm, $5.
Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7pm, $5-$10.
Make-Out Room: 3225 22nd St., San Francisco. “Frigo-Bar,” First Wednesday of every month, 9pm, free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Eddie Neon, 7:30 & 9:30pm, $15.
Union Square Park: 333 Post, San Francisco. Dr. Mojo, 6pm, free.
SOUL
Monarch: 101 Sixth St., San Francisco. “Color Me Badd,” coloring books and R&B jams with Matt Haze, DJ Alarm, Broke-Ass Stuart, guests, Wednesdays, 5:30-9:30pm, free.
THURSDAY 3
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Marine Life, Whiskerman, Mild Meddle, 9pm, $8.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Sit Kitty Sit, Bent Knee, Strange Hotel, 9pm, $7-$10.
The Chapel: 777 Valencia, San Francisco. Phox, 9pm, $12.
Hemlock Tavern: 1131 Polk, San Francisco. Male Gaze, Thunders, Pat Thomas, 8:30pm, $6.
Make-Out Room: 3225 22nd St., San Francisco. Swiftumz, Dirty Ghosts, DJ Foodcourt, 7:30pm, $8.
Milk Bar: 1840 Haight, San Francisco. The Burning of Rome, The Bixby Knolls, Kingsborough, 8:30pm, $5.
DANCE
1015 Folsom: 1015 Folsom, San Francisco. “The Big Bang,” w/ Giraffage, Crnkn, Jacuzzi, Pumpkin, The Human Experience, Nico Luminous, DJ Dials, Insightful, Releece, Getright, Chad Salty, more, 10pm, $20 advance.
Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10pm, free.
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9pm, $5-$7.
Beaux: 2344 Market, San Francisco. “Twerk Thursdays,” 9pm, free.
The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9pm, $5.
Cat Club: 1190 Folsom, San Francisco. “Class of 1984,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9pm, $6 (free before 9:30pm).
The Cellar: 685 Sutter, San Francisco. “XO,” 10pm, $5.
Club X: 715 Harrison, San Francisco. “The Crib,” 18+ LGBT dance party, 9:30pm, $10.
The Cosmo Bar & Lounge: 440 Broadway, San Francisco. “Thumpday Thursday,” 9:30pm, $10.
Elbo Room: 647 Valencia, San Francisco. “Hi Life,” w/ resident DJs Pleasuremaker & Izzy*Wize, 9:30pm, $6.
F8: 1192 Folsom, San Francisco. “Beat Church,” w/ resident DJs Neptune & Kitty-D, First Thursday of every month, 10pm, $10.
Harlot: 46 Minna, San Francisco. “#Y2KTHURS,” w/ DJ Mei-Lwun, 9pm, free.
Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10pm, $10.
Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9pm, $5 after 10pm
Monarch: 101 Sixth St., San Francisco. “As You Like It,” w/ Marcel Fengler, Sigha, Mossmoss, Brian Knarfield, 9pm, $15-$25.
OMG: 43 Sixth St., San Francisco. “Techno Fun,” w/ Lisa Rose, Mozaic, Lt. Daaan, 9pm, $5.
Raven: 1151 Folsom, San Francisco. “1999,” w/ VJ Mark Andrus, 8pm, free.
Rickshaw Stop: 155 Fell, San Francisco. “Popscene,” w/ Tove Lo, Aaron Axelsen, Miles the DJ, 9pm, sold out.
Ruby Skye: 420 Mason, San Francisco. “Torq,” w/ Autoerotique, 9pm, $10-$25.
Temple: 540 Howard, San Francisco. Pre-Independence Day Party, 18+ dance night with Discopill, Matt Haze, Neon Neo, DJ Imani, 10pm, $10 (free before midnight with RSVP).
Trax: 1437 Haight, San Francisco. “Beats Reality: A Psychelelic Social,” w/ resident DJs Justime & Jim Hopkins, 9pm, free.
Underground SF: 424 Haight, San Francisco. “Bubble,” 10pm, free.
Vessel: 85 Campton, San Francisco. “Big Fun,” w/ Ejeca, 10pm, $5-$10.
HIP-HOP
John Colins: 138 Minna, San Francisco. “Future Flavas,” w/ DJ Natural, 10pm, free.
Mezzanine: 444 Jessie, San Francisco. “Cream of Beat,” w/ Keith Murray, JT the Bigga Figga, Mind Motion, Ivan, Dark Money, Apollo, Mr. E, D-Sharp, Miles Medina, Remedy, 9pm, $20-$50.
Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/ lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10pm, free.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. The Blue Ribbon Healers, Western Justice, Misisipi Mike & The Midnight Gamblers, 9pm, $7.
Atlas Cafe: 3049 20th St., San Francisco. Bermuda Grass, 8pm, free.
Bazaar Cafe: 5927 California, San Francisco. Acoustic Open Mic, 7pm
Hotel Utah: 500 Fourth St., San Francisco. Songwriters in the Round with Heather Combs, Melissa Phillips & James DePrato, James Nash, Anne Heaton, 8pm, $8.
Musicians Union Local 6: 116 Ninth St., San Francisco. San Francisco Singer-Songwriters’ Workshop, hosted by Robin Yukiko, First Thursday of every month, 6:30pm, $25 (free for AFM members).
Plough & Stars: 116 Clement, San Francisco. The Shannon Céilí Band, First Thursday of every month, 9pm, free.
Red Poppy Art House: 2698 Folsom, San Francisco. Ila Cantor, Jacob Aranda, 7:30pm, $15-$20.
JAZZ
Cafe Claude: 7 Claude, San Francisco. Marcus Shelby Trio, 7:30pm, free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Eugene Pliner Quartet with Tod Dickow, First and Third Thursday of every month, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Steve Lucky & The Rhumba Bums, 7:30pm
Level III: 500 Post, San Francisco. Sony Holland, Wednesdays-Fridays, 5-8pm, free.
Pier 23 Cafe: Pier 23, San Francisco. Snakebite & Friends, 7pm, free.
The Royal Cuckoo: 3202 Mission, San Francisco. Charlie Siebert & Chris Siebert, 7:30pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eric Tillman, 7pm, $5.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Pure Ecstasy, 7:30pm, $10.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. David Murray Infinity Quartet, 8 & 10pm, $19-$28.
INTERNATIONAL
Blush! Wine Bar: 476 Castro, San Francisco. Americano Social Club, 7:30pm, free.
Roccapulco Supper Club: 3140 Mission, San Francisco. Avance, 8pm
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Gary Flores & Descarga Caliente, 8pm
Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9pm, $10-$15.
Yerba Buena Gardens: Fourth St. & Mission, San Francisco. Les Gwan Jupons, 12:30pm, free.
REGGAE
Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9pm, free.
BLUES
50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30pm, free.
Biscuits and Blues: 401 Mason, San Francisco. Cole Fonseca, 7:30 & 9:30pm, $15.
The Saloon: 1232 Grant, San Francisco. Chris Ford, First Thursday of every month, 4pm
COUNTRY
McTeague’s Saloon: 1237 Polk, San Francisco. “Twang Honky Tonk,” w/ Sheriff Paul, Deputy Saralynn, and Honky Tonk Henry, 7pm
The Parlor: 2801 Leavenworth, San Francisco. “Honky Tonk Thursdays,” w/ DJ Juan Burgandy, 9pm, free.
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. Of Land & Sea: Natural-Object Instruments by Cheryl Leonard, 6pm, free.
The Luggage Store: 1007 Market, San Francisco. Earth Blind, The Norman Conquest, 8pm, $6-$10.
ROCKABILLY
Tupelo: 1337 Green, San Francisco. Whisky Pills Fiasco, First Thursday of every month, 9pm
SOUL
The Independent: 628 Divisadero, San Francisco. Young & Sick, 8pm, $12-$14.
FRIDAY 4
ROCK
Amnesia: 853 Valencia, San Francisco. Should We Run, 7pm, free.
Bottom of the Hill: 1233 17th St., San Francisco. Cuban Cigar Crisis, The Record Winter, Panic Is Perfect, 9pm, $8.
El Rio: 3158 Mission, San Francisco. Ninth Annual El Rio Big Time Freedom Fest, With Golden Void, Bobb Saggeth, Once & Future Band, and Fine Points., 2pm, $8.
Hemlock Tavern: 1131 Polk, San Francisco. The Old Firm Casuals, Pressure Point, Roadside Bombs, 5pm, $12; The Chuckleberries, Thunderroads, 10pm, $5.
Milk Bar: 1840 Haight, San Francisco. The American Professionals, When Particles Collide, The Honey Wilders, 8:30pm, $5.
Thee Parkside: 1600 17th St., San Francisco. Thee Parkside’s Lowdown Throwdown, With Chrome Eagle, Dirty Denim, The Yes-Go’s, DJ Longshot, tricycle races, arm wrestling, and more., 1pm, free.
DANCE
1015 Folsom: 1015 Folsom, San Francisco. Protoculture & Shogun, w/ Taj, Blurr, Meikee Magnetic, MytyMyke, Adam Cova, Kepik, NovaSpace, Non Sequitur, Mario Mar, more, 10pm, $20-$25 advance.
Amnesia: 853 Valencia, San Francisco. “Brass Tax,” w/ resident DJs JoeJoe, Ding Dong, Ernie Trevino, Mace, First Friday of every month, 10pm, $5.
Audio Discotech: 316 11th St., San Francisco. Grum, Kirin Rider, Grensta, 9:30pm, $10 advance.
Beaux: 2344 Market, San Francisco. “Manimal,” 9pm
The Cafe: 2369 Market, San Francisco. “Boy Bar,” 9pm, $5.
Cat Club: 1190 Folsom, San Francisco. “Strangelove: Military Fashion Show,” w/ DJs Tomas Diablo, Lexor, Xander, and Fact.50, 9:30pm, $8 ($5 before 10pm).
The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10pm
DNA Lounge: 375 11th St., San Francisco. “So Stoked: ‘Merica! Fuck Yeah!,” w/ Luna-C, Rhythmics, No Left Turn, Tranz Am, Rafer Rawb, Anglerfish, Darko, DJ Carrotkore, 7pm, $10-$20.
The EndUp: 401 Sixth St., San Francisco. “Trade,” 10pm, free before midnight.
The Grand Nightclub: 520 Fourth St., San Francisco. “We Rock Fridays,” 9:30pm
Infusion Lounge: 124 Ellis, San Francisco. “Flight Fridays,” 10pm, $20.
Lookout: 3600 16th St., San Francisco. “HYSL: Handle Your Shit Lady,” 9pm, $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “Dirty Rotten Dance Party,” w/ Kap10 Harris, Shane King, guests, First Friday of every month, 9pm, $5.
MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9pm
Mercer: 255 Rhode Island, San Francisco. “All of the Above,” w/ King Most, Freddy Anzures, Marky, First Friday of every month, 9pm, $10 (free before 10pm).
Mezzanine: 444 Jessie, San Francisco. “Future Fridays,” w/ Kill Paris, TastyTreat, Tech Minds, 9pm, $15.
Mighty: 119 Utah, San Francisco. “Heart Phoenix: Independance,” w/ Justin Jay, Daniel Dubb, David Hohme, Derek Hena, Bo, Deckard, Boris Levit, Josh Vincent, Vitamindevo, Zita Molnar, Alastair,am Rebel, 9pm, $10-$15 advance.
Monarch: 101 Sixth St., San Francisco. “Green Gorilla 4th of July,” w/ Sleight of Hands, Shiny Objects, Bells & Whistles, Joey Alaniz, Jamie James, Joel Conway, Kimmy Le Funk, Mr. Perry, 9pm, $10.
Neck of the Woods: 406 Clement, San Francisco. “That ‘80s Show,” w/ DJ Dave Paul (downstairs), First Friday of every month, 8pm, $5.
OMG: 43 Sixth St., San Francisco. “Deep Inside,” 9pm, free.
Powerhouse: 1347 Folsom, San Francisco. “Nasty,” First Friday of every month, 10pm, $5.
Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9pm, $3.
Temple: 540 Howard, San Francisco. Independence Day with Monika, DJ Rose, Reflecta, Deejay Tone, 10pm, $15.
Treasure Island Event Venue: 401 California Ave., San Francisco. “Independence Island: 4th of July Raveolution Massive,” 18+ dance party with G. Jones, Sam F, Entyme, SwitchBlade, Carlos Alfonzo, Infusion, Omega, Linx, Nico Crispy, Ross.FM, Frank Nitty, more, 9pm, $15+ advance.
Vessel: 85 Campton, San Francisco. Maor Levi, SNR, Daun Giventi, 10pm, $10-$30.
HIP-HOP
DNA Lounge: 375 11th St., San Francisco. “Indepen-DANCE Day,” w/ DJs Dave Paul, Myster C, and Mr. Washington, 9pm, $5 advance.
EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9pm
Manor West: 750 Harrison, San Francisco. “Popular Demand: July 4th Takeover,” w/ P-Lo, DJ ASAP, Caprise, 10pm, $20.
ACOUSTIC
The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10am, $5.
St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. First Fridays Song Circle, First Friday of every month, 7pm, $5-$10.
JAZZ
Atlas Cafe: 3049 20th St., San Francisco. The Emergency Ensemble, First Friday of every month, 7:30pm, free.
Bird & Beckett: 653 Chenery, San Francisco. Don Prell’s SeaBop Ensemble, First Friday of every month, 5:30pm, $10 suggested donation per adult.
Cliff House: 1090 Point Lobos, San Francisco. John Kalleen Group, First Friday of every month, 7pm
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30pm, free.
Level III: 500 Post, San Francisco. Sony Holland, Wednesdays-Fridays, 5-8pm, free.
The Royale: 800 Post, San Francisco. Wrapped in Plastic, First Friday of every month, 9pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio with Eric Tillman, 7:30pm, $8.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9pm, $10.
Zingari: 501 Post, San Francisco. Joyce Grant, 8pm, free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10pm, $5.
Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30pm, $15 (free entry to patio).
Elbo Room: 647 Valencia, San Francisco. “Copa,” w/ DJs Vanka, Zamba, and Elan, 10pm, $5-$10.
Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15pm, $15-$18.
Roccapulco Supper Club: 3140 Mission, San Francisco. Fuego Latino, 9pm
REGGAE
Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30pm, free.
Showdown: 10 Sixth St., San Francisco. “How the West Was Won,” w/ Nowtime Sound, First Friday of every month, 10pm, free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Junior Watson, 7:30 & 10pm, $20.
Tupelo: 1337 Green, San Francisco. Jinx Jones & The KingTones, First Friday of every month, 9pm
FUNK
Boom Boom Room: 1601 Fillmore, San Francisco. Turkuaz, DJ K-Os, 9:30pm, $15 advance.
SOUL
Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10pm, free.
The Knockout: 3223 Mission, San Francisco. “Oldies Night,” w/ DJs Primo, Daniel, Lost Cat, friends, First Friday of every month, 10pm, $5.
Red Poppy Art House: 2698 Folsom, San Francisco. Gillian Harwin & Reverse Double Clutch, 7:30pm, $10-$15.
SATURDAY 5
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Daikon, Bang Bang, C’est Dommage, 9:30pm, $7.
The Chapel: 777 Valencia, San Francisco. The Fresh & Onlys, Cold Beat, Devon Williams, 9pm, $15.
El Rio: 3158 Mission, San Francisco. Hung Like a Nun, Bones of a Feather, Middle Class Murder, 9pm, $5.
Hemlock Tavern: 1131 Polk, San Francisco. Balms, Couches, No Maps, Drivers, 9pm, $7.
Make-Out Room: 3225 22nd St., San Francisco. Windham Flat, Sunhaze, 7:30pm, $8.
Neck of the Woods: 406 Clement, San Francisco. People of the Sun, Little Galaxies, Christian Francisco, 9:30pm, $8.
Slim’s: 333 11th St., San Francisco. Kiwi Time, Vela Eyes, Fever Charm, DJ Alex Starfire, 9pm, $11.
Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. Bum City Saints, Bloodshot & Dilated, Blank Spots, Instant Gratification, Baja Sociedad, 7pm, $8.
Thee Parkside: 1600 17th St., San Francisco. Black Pussy, Mothership, 9pm, $8.
Tupelo: 1337 Green, San Francisco. Shantytown, 9pm
DANCE
Audio Discotech: 316 11th St., San Francisco. Doctor Dru, Pacific Disco, Papa Lu, Bryan Boogie, 9:30pm, $5-$20.
BeatBox: 314 11th St., San Francisco. “Chaos,” w/ DJs Andrew Gibbons & Tristan Jaxx, 10pm, $10-$20.
Cat Club: 1190 Folsom, San Francisco. “Leisure,” w/ DJs Aaron, Omar, & Jetset James, First Saturday of every month, 10pm, $7.
DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ A+D, DJ Tripp, DJ Fox, Mei-Lwun, J-Ev, Joseph Lee, DJ Freccero, John!John!, more, 9pm, $10-$15.
The EndUp: 401 Sixth St., San Francisco. “Play,” w/ Jay Tripwire, Clarian, Nick Williams, Dao & Pwny, 10pm, $15-$20.
Il Pirata: 2007 16th St., San Francisco. “Requiem,” w/ DJs Xiola, MD, and Mystical Krystal, 10pm, $5 before 11:30pm
Lookout: 3600 16th St., San Francisco. “Bounce!,” 9pm, $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “The Prince & Michael Experience,” w/ DJ Dave Paul, First Saturday of every month, 9pm, $5.
Mezzanine: 444 Jessie, San Francisco. Finger Lickin’ Fort Mason After Party, w/ Gareth Emery, Christina Noveli, Mossberg Pump, 10pm, $25-$35.
Mighty: 119 Utah, San Francisco. “Mighty Real,” w/ Dimitri from Paris, David Harness, 10pm, $15-$20 advance.
Monarch: 101 Sixth St., San Francisco. “Stars & Stripes,” w/ DJs Mancub, Sol, Tamo, and Seven, 9:30pm, $10 (free before 10pm).
Public Works: 161 Erie, San Francisco. Cosmic Kids, Honey Soundsystem (Jason Kendig, Jackie House, Robot Hustle), plus a screening of the Tycho Boiler Room performance from 6/26, free with RSVP.
The Regency Ballroom: 1290 Sutter, San Francisco. Finger Lickin’ Fort Mason After Party, w/ 3lau, Don Diablo, WhiteNoize, 10pm, $20-$30.
Slide: 430 Mason, San Francisco. “Lights Out,” w/ Phonat, 10pm, $10 advance.
The Stud: 399 Ninth St., San Francisco. “Go Bang!,” w/ Homero Espinosa, Allen Craig, Tobirus Mozelle, Steve Fabus, Sergio Fedasz, Prince Wolf, 9pm, $7 (free before 10pm).
Supperclub San Francisco: 657 Harrison, San Francisco. “America Fu*k Yeah,” w/ DJs Michael Anthony, B. Smiley, and Yewplay, 10pm
Temple: 540 Howard, San Francisco. Landis, Michael Milano, Philt3r, Gill Trip, Mr. Kitt, A2D, 10pm, $20.
Underground SF: 424 Haight, San Francisco. “Push the Feeling,” w/ Silver Hands, Yr Skull, Epicsauce DJs, 9pm, $6.
Vessel: 85 Campton, San Francisco. Lazy Rich, Hot Mouth, Feldy, 10pm, $10-$30.
HIP-HOP
John Colins: 138 Minna, San Francisco. “N.E.W.: Never Ending Weekend,” w/ DJ Jerry Ross, First Saturday of every month, 9pm, free before 11pm
Slate Bar: 2925 16th St., San Francisco. “Musicology,” w/ DJs Jah Yzer & Ren the Vinyl Archaeologist, 10pm, $5 (free before 11pm).
ACOUSTIC
Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco and/or Meredith Axelrod, Saturdays, 4-6pm, free.
Bazaar Cafe: 5927 California, San Francisco. David Whitaker, 7pm
Bender’s: 806 S. Van Ness, San Francisco. Sweetdeluxe (Jimmy Sweetwater & Dick Deluxe), 10pm, $5.
Hotel Utah: 500 Fourth St., San Francisco. Salet, Autumn Sky, Karmen Kimball & Alex Lasner, 9pm, $10.
The Independent: 628 Divisadero, San Francisco. S. Carey, The Pines, 9pm, $15.
Pa’ina: 1865 Post, San Francisco. Ukulenny, 7pm, free.
Plough & Stars: 116 Clement, San Francisco. Red, White, and Bluegrass, With music by The Trespassers, The Mountain Men, and One Grass Two Grass Red Grass Bluegrass., 9pm, $10-$15.
Revolution Cafe: 3248 22nd St., San Francisco. Seth Augustus, First Saturday of every month, 9:30pm, free/donation.
St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. Molly Tuttle Trio with Bill Evans, 8pm, $15-$18.
JAZZ
Biscuits and Blues: 401 Mason, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7:30 & 10pm, $22.
Cafe Claude: 7 Claude, San Francisco. Lori Carsillo, 7:30pm, free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30pm, free.
Red Poppy Art House: 2698 Folsom, San Francisco. Prasant Radhakrishnan & Rohan Krishnamurthy, Kavita Shah, 7:30pm, $15-$20.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. The Robert Stewart Experience, 9pm
INTERNATIONAL
1015 Folsom: 1015 Folsom, San Francisco. “Pura,” 9pm, $20.
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10pm, $5.
Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10pm, $5-$10.
Pachamama Restaurant: 1630 Powell, San Francisco. Eddy Navia & Pachamama Band, 8pm, free.
Space 550: 550 Barneveld, San Francisco. “Club Fuego,” 9:30pm
REGGAE
Neck of the Woods: 406 Clement, San Francisco. Mango Kingz, Pacific Soul Band, 9pm, $12-$15.
BLUES
Pier 23 Cafe: Pier 23, San Francisco. Bobbie Webb & Smooth Blues, 8pm, free.
The Saloon: 1232 Grant, San Francisco. The Jukes, First Saturday of every month, 4pm; Daniel Castro, First Saturday of every month, 9:30pm
COUNTRY
The Riptide: 3639 Taraval, San Francisco. The Riptide 10th Anniversary Party with Red Meat, 9:30pm, free.
FUNK
Boom Boom Room: 1601 Fillmore, San Francisco. Steppin’, noon, free; Turkuaz, DJ K-Os, 9:30pm, $12-$15.
SOUL
El Rio: 3158 Mission, San Francisco. “Hard French,” w/ DJs Carnita & Brown Amy, First Saturday of every month, 2pm, $7.
Elbo Room: 647 Valencia, San Francisco. “Saturday Night Soul Party,” w/ DJs Lucky, Phengren Oswald, & Paul Paul, First Saturday of every month, 10pm, $10 ($5 in formal attire).
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. “Yoshi’s Got Soul,” w/ Current Personae, The Original Jambassadors, No Water After Midnight (in Yoshi’s lounge), 1pm, free.
SUNDAY 6
ROCK
The Chapel: 777 Valencia, San Francisco. Dot Hacker, 8pm, $15.
DANCE
Audio Discotech: 316 11th St., San Francisco. “London Calling: Chapter 7 – The Final Chapter,” w/ Matt Tolfrey, Nikita, Jason Kendig, Fedora, Spesh, Scott Carrelli, more, 2pm, $10 advance.
The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9pm, free.
The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8pm
Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ DJ Sep & Adam Twelve, 9pm, $6 (free before 9:30pm).
The EndUp: 401 Sixth St., San Francisco. “Sundaze,” 1pm, free before 3 p.m; “BoomBox,” First Sunday of every month, 8pm
F8: 1192 Folsom, San Francisco. “Stamina: 3-Year Anniversary,” w/ Ben Soundscape, Collette Warren, Gridlok, Submorphics, Bachelors of Science, Flaco, Method One, Jamal, 10pm, free.
The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10pm, free.
Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8pm, $2.
MatrixFillmore: 3138 Fillmore, San Francisco. “Bounce,” w/ DJ Just, 10pm
Monarch: 101 Sixth St., San Francisco. “Werd,” 7pm, $5-$10.
The Parlor: 2801 Leavenworth, San Francisco. “Sunday Sessions,” w/ DJ Marc deVasconcelos, 9pm, free.
Q Bar: 456 Castro, San Francisco. “Gigante,” 8pm, free.
Temple: 540 Howard, San Francisco. “Sunset Arcade,” 18+ dance party & game night, 9pm, $10.
HIP-HOP
Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30pm, free.
El Rio: 3158 Mission, San Francisco. “Swagger Like Us,” First Sunday of every month, 3pm
Public Works: 161 Erie, San Francisco. EMC (featuring Masta Ace, Punchline, Wordsworth, and Stricklin), Opio, BPos, Equipto, Ren the Vinyl Archaelogist, 8pm, $15-$18.
Skylark Bar: 3089 16th St., San Francisco. “Shooz,” w/ DJ Raymundo & guests, First Sunday of every month, 10pm, free.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Rebecca Chapa, 6pm
The Chieftain: 198 Fifth St., San Francisco. Traditional Irish Session, 6pm
Hotel Utah: 500 Fourth St., San Francisco. Gipsy Moon, Mercury’s Antennae, Emily Yates, 8pm, $10.
The Lucky Horseshoe: 453 Cortland, San Francisco. Bernal Mountain Bluegrass Jam, 4pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. Spike’s Mic Night, Sundays, 4-8pm, free.
Plough & Stars: 116 Clement, San Francisco. Seisiún with Sean O’Donnell, 9pm
JAZZ
Amnesia: 853 Valencia, San Francisco. Kally Price Old Blues & Jazz Band, First Sunday of every month, 9pm, $7-$10.
Bird & Beckett: 653 Chenery, San Francisco. Buena Vista Jazz, 4:30pm
Black Coalition on AIDS/Rafiki Wellness: 601 Cesar Chavez, San Francisco. Wajeedah Hameed, 4-6pm, $8-$10.
Cafe Claude: 7 Claude, San Francisco. Jean Ramirez, 7pm, free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10pm, free.
Musicians Union Local 6: 116 Ninth St., San Francisco. Noertker’s Moxie, DunkelpeK, 7:30pm, $8-$10.
Pier 23 Cafe: Pier 23, San Francisco. Josh Jones Quartet, 5pm, free.
The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with David Byrd, 7pm, $5.
INTERNATIONAL
50 Mason Social House: 50 Mason, San Francisco. “Sabor Sundays,” w/ Fito Reinoso, 6pm, $10.
Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30pm, $10-$20.
Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30pm, free.
Butterfly: Pier 33, San Francisco. “La Tardeada,” w/ resident DJs Mind Motion, WaltDigz, and I-Cue, Sundays, 4-10pm, free.
Revolution Cafe: 3248 22nd St., San Francisco. Balkan Jam Night, 8:30pm
Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30pm
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Kara Grainger, 7 & 9pm, $24.
The Saloon: 1232 Grant, San Francisco. Blues Power, 4pm
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 8pm, free.
Swig: 571 Geary, San Francisco. Sunday Blues Jam with Ed Ivey, 9pm
COUNTRY
The Riptide: 3639 Taraval, San Francisco. Hillbilly Hootenanny West Side Revue, First Sunday of every month, 7:30pm, free.
FUNK
Boom Boom Room: 1601 Fillmore, San Francisco. Steppin’, noon, free.
SOUL
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. “Yoshi’s Got Soul,” w/ Big Blu Soul Revue, Soul Mechanix, The Jurassic (in Yoshi’s lounge), 1pm, free; Teedra Moses, 1-O.A.K., 7 & 9pm, $20-$26.
MONDAY 7
ROCK
Amoeba Music: 1855 Haight, San Francisco. Cloud Nothings, 6pm, free.
Elbo Room: 647 Valencia, San Francisco. Serpent Crown, Tetrach, Hysteria, 9pm, $6.
Hemlock Tavern: 1131 Polk, San Francisco. The Gizmos, Dancer, 8:30pm, $10-$12.
Rickshaw Stop: 155 Fell, San Francisco. Amen Dunes, Axxa/Abraxas, Vaniish, 8pm, $10-$12.
DANCE
DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30pm, $3-$5.
Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9pm, free.
HIP-HOP
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Clipping, Signor Benedick, 9pm, $10-$12.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Front Country, Lindsay Lou & The Flatbellys, 9pm, free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30pm, free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Open Mic with Brendan Getzell, 8pm, free.
Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7pm, free.
The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4pm
JAZZ
Cafe Divine: 1600 Stockton, San Francisco. Rob Reich, First and Third Monday of every month, 7pm
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Eugene Pliner Quartet with Tod Dickow, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7pm, free.
Make-Out Room: 3225 22nd St., San Francisco. “The Monday Make-Out,” w/ Beauty School, Host Family, Larry Ochs/Donald Robinson Duo, 8pm, free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. City Jazz Instrumental Jam Session, 8pm
Tupelo: 1337 Green, San Francisco. Carol Doda, Dick Winn, and Friends, First Monday of every month, 8pm
REGGAE
Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10pm, free.
BLUES
Elite Cafe: 2049 Fillmore, San Francisco. “Fried Chicken & Blues,” 6pm
The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30pm
SOUL
Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8pm, $3 after 9pm
TUESDAY 8
ROCK
Amnesia: 853 Valencia, San Francisco. City Tribe, 9:15pm continues through July 29.
Bottom of the Hill: 1233 17th St., San Francisco. Man with a Mission, Growwler, The Chuckleberries, 9pm, $12.
El Rio: 3158 Mission, San Francisco. Sad Tires, Clumsy Concentration, G.A.F., 7pm, $5.
Hotel Utah: 500 Fourth St., San Francisco. Direction, Grit & Gold, We Is Shore Dedicated, 8pm, $8.
The Knockout: 3223 Mission, San Francisco. TV.Static, The 100 Keens, Dirty Denim, DJ Lacy Lust, 9:30pm, $6.
DANCE
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10pm, $2.
Boom Boom Room: 1601 Fillmore, San Francisco. “Time Warp Tuesdays,” w/ DJ Madison, 9pm, free.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Ryan Farish, Blackburner, T-Mass, Foxchild, 9pm, $10-$12.
Harlot: 46 Minna, San Francisco. “Tutu Tuesday,” w/ resident DJ Atish, Second Tuesday of every month, 9pm, $7 ($2 in a tutu before 11pm).
Monarch: 101 Sixth St., San Francisco. “Soundpieces,” 10pm, free-$10.
Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9pm, $3.
Underground SF: 424 Haight, San Francisco. “Shelter,” 10pm, free.
HIP-HOP
Double Dutch: 3192 16th St., San Francisco. “Takin’ It Back Tuesdays,” w/ DJs Mr. Murdock & Roman Nunez, Second Tuesday of every month, 10pm, free.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Songwriter in Residence: Bonnie Sun, 7pm continues through July 29.
The Chapel: 777 Valencia, San Francisco. JimBo Trout, 8pm, free.
Plough & Stars: 116 Clement, San Francisco. Seisiún with Vinnie Cronin, 9pm
Revolution Cafe: 3248 22nd St., San Francisco. CelloJoe, Second Tuesday of every month, 9pm
JAZZ
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6pm, free.
Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7pm
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Clifford Lamb, Mel Butts, and Friends, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7pm
Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9pm, $10-$12.
Wine Kitchen: 507 Divisadero St., San Francisco. Hot Club Pacific, 7:30pm
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8pm, $22.
INTERNATIONAL
Cafe Cocomo: 650 Indiana, San Francisco. Salsa Tuesday, w/ DJs Good Sho & El de la Clave, 8:30pm, $10.
The Cosmo Bar & Lounge: 440 Broadway, San Francisco. Conga Tuesdays, 8pm, $7-$10.
F8: 1192 Folsom, San Francisco. “Underground Nomads,” w/ rotating resident DJs Amar, Sep, and Dulce Vita, plus guests, 9pm, $5 (free before 9:30pm).
REGGAE
Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10pm
BLUES
Biscuits and Blues: 401 Mason, San Francisco. “Bay City Blues,” w/ Chris Cain, 7:30 & 9:30pm, $20.
SOUL
Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30pm, free.

Hills are alive

0

marke@sfbg.com

SUPER EGO I am absolutely terrified — terrified — to tell you that one of the most insanely fun (and also insanely packed, watch your dress) nondance parties of the week is Musical Mondays at the Edge in the Castro (7pm, free. 4149 18th St, SF. www.qbarsf.com/edge). Well, technically nondance: with huge screens playing nothing but show tune videos surrounding you, feel free to break out your inner Belle and sweep that Beast around your imaginary ballroom-of-the-mind, sweets.

I’m terrified because, like this sudden onset of late-period Cher worship, my love for anything musical-related is a complete and scary surprise. As a gay, I’m far more Sonic Youth than Sondheim. “Gleek” was the Wonder Twins’ monkey on Super Friends, right? Yet sling me a couple-four two-for-one drinks, and I’m Mizzing up “All That Jazz” for five hundred twenty five thousand six hundred minutes. At the top of my lungs, no less. Hey, maybe it is genetic. Hasa diga eebowai!

PARADIGM

Looking for the latest in post-wub-wub dub? Can’t misstep with this monthly electro-bass and heavy beats blast. UK’s Sukh Knight and Squarewave headline, with our own Nebakaneza and Lud Dub .

Thu/27, 10pm, $10. F8, 1192 Folsom, SF. www.feightsf.com

TT THE ARTIST

“Pussy Ate” was one of last year’s ultimate jams, but this B-more rapper’s got more than wiggy cunilingus anthems up her sleeve. A fierce take on gender politics, for one. Outrageous duo Double Duchess open up with a release celebration for new EP Nocturnal.

Fri/28, 10pm, $15. Public Works, 161 Erie, SF. www.publicsf.com

DJ HARVEY

Everybody’s funny uncle: The wild UK-LA man of disco-house is a zany global inspiration and a full-fledged genius on the decks. If you’re looking for someone to lead you into another dimension via the longest, most cosmic remix of “I Feel Love” imaginable, come find him.

Sat/29, 9:30-3:30, $20. Public Works, 161 Erie, SF. www.publicsf.com

MR. OIZO

Harvey’s gonna be up against another grand name in the annals of bonkers daddies: Parisian Quentin Dupieux, aka Mr. Oizo. Oizo’s more on the electro tip though, so you’ll be bouncing like a fuzzy-haired puppet into the morn.

Sat/29, 9pm-late, $15–$20. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

GAVIN AND ROBBIE HARDKISS

Scott Hardkiss’s sudden passing last year robbed SF of one of its legends. But his two Hardkiss brothers in music, Scott and Robbie, still light up the scene with joy. New album 1991 — a title playing off the Hardkiss family’s roots — promises to deliver more of their trademark intelligently funky SF house sound.

Sat/29, 9pm, $12–$15. Monarch, 101 Sixth St., SF. www.monarchsf.com

SWEATER FUNK REUNION

Awww, Sweater Funk: the cutest little weekly Chinatown basement funk ‘n’ soul throwdown that ever was? Yes! The whole crew will be in town to soak your cashmere, guesting at Elbo Room’s weekly Saturday Night Soul Party.

Sat/29, 10pm, $10. Elbo Room, 647 Valencia, SF. www.elbo.com

LEXINGTON 17

Fantastic dyke bar the Lexington Club — one of the few queer spaces left in the city outside the Castro and SoMa, and our only dedicated lesbian bar — is celebrating its 17-year anniversary in typical gritty-fabulous style: An “edge of seventeen” party, duh. DJs Rapid Fire and Jenna Riot take control, hotness abounds. Sat/29, 9pm, free. Lexington Club, 3464 19th St., SF. www.lexingtonclub.com