Oakland

Can we have cool new additions without gentrifying the Mission?

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Do livability and gentrification go hand-in-hand? In other words, as you improve a neighborhood like the Valencia Street corridor with bike lanes, wide sidewalks, parklets, and other improvements that are part of the so-called “livability agenda,” does that necessarily drive up rents and force out the working class?

That was a contention made to me recently by owner of nightclubs and small business advocate Michael O’Connor, who has been critical of the Valencia Street improvement project and other initiatives supported by the group Livable City and its Executive Director Tom Radulovich. And it’s part of a larger discussion about whether neighborhoods pay a price for their own success.

O’Connor says the toll taken by livability projects is just too high in the form of rising rents and lost diversity, which is why he’s focused on Oakland for his latest business ventures. Radulovich understands the concern, but he says that safety measures like pedestrian-friendly design and lighting improvements shouldn’t be avoided simply because they make a neighborhood more attractive, and that the answer is making sure social justice and equity remain part of these political conversations.

Frankly, as a resident of the Mission, I had to admit O’Connor’s point that the Valencia Street Improvement Project – in combination with condo conversions, the latest dot-com boom (those dreaded Google-busers), and other upward pressures on cost of living – had the the effect of sterilizing and gentrifying that once-vibrant corridor.

Now, those who want to open cool new businesses in the area have turned to Mission Street, where the commercial rents are still reasonable but also rising, and there are some people wringing their hands about that now too. It’s sort of an economic development domino theory in reverse.

The Mission Local blog last month ran a post that mentioned my friend Illy McMahan’s groovy new store on Mission near 20th Street: Carousel SF, a consignment store featuring the stylishly re-purposed furniture, golden flea market finds, and the works of local artists (many from the Burning Man world, where McMahan met her business partner Kelley Wehman among the indie circus freaks of the Red Nose District).

The article presented that and other more upscale new Mission Street businesses – including Hi-Lo BBQ and Mission Oyster Bar – as spilling over from their “saturation” of Valencia Street, and some comments denigrated the “yuppie real estate developers” behind the trend and said, “Will the last Latino left in the Mission please turn off the lights on the way out.”

I understand the sentiment, but I’m still troubled by it in the same way that I am with O’Connor’s belief that livability improvements should be abandoned because they can gentrify an area. As I’ve argued before, it’s up to San Francisco’s political class to find a way to maintain the city’s affordability and diversity and balance that against its relentless economic development promotion.

After all, McMahan is a single mother of modest means, and the fact that she has an opportunity to start a business based on her sense of style and network of contacts with artists should be a good thing for San Francisco. She and Weham went through The Women’s Initiative training program to learn about operating a small business, getting a loan to open through its Working Solutions affiliate.

“Since 1988, Women’s Initiative has been assisting high-potential low-income women who dream of business ownership,” reads a description on its website, noting that 99 percent of participants are low-income women and 78 percent are women of color. Combine that with McMahan and Wehman’s artistic roots in the Burning Man world — and the need for artists to have outlets to sell their works here — and it’s hard to imagine a business that is more quintessentially San Francisco than this one.

“This store represents our take on aesthetics and our mutual love for all things previous and peculiar. It also gives us the opportunity to showcase the incredibly talented artist communities we’re fortunate to be a part of, while keep the pricing at an affordable level throughout the store,” McMahan says in a press release announcing the recent opening of Carousel SF.

Will this cool new business attract other ones near it? I’m sure they hope so. Will that begin to cause Mission Street to go the way of that parallel universe a block away on Valencia, with rising rents and the calls for livability improvements that inevitably follow? I sure hope not. But our challenge now is to facilitate the dreams of low-income women who strive to be small business owners while ensuring that they can remain welcome and stable in the neighborhoods that they’re helping to improve.

Sundance 2013: a local tragedy, an ongoing romance, and top picks

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Ryan Coogler’s Bay Area story Fruitvale picked up the Audience Award and the Grand Jury Prize; it is, of course, based on the life and death of Oakland’s Oscar Grant, a young man gunned down by a BART cop on New Year’s Day 2009. I emerged from this important, wonderfully-made debut like everyone around me in the sold-out theater — in devastated tears.

Lead actor Michael B. Jordan is absolutely gripping as Oscar — no surprise for anyone who saw him as Wallace on the first season of HBO’s The Wire, or as one of Josh Trank’s accidental superheroes in 2012’s surprisingly gritty Chronicle. Coogler is a skilled director; the way he slowly builds toward his story’s inevitable conclusion is worthy of praise.

But as I thought about it in the days after the screening, I realized I had some reservations about Fruitvale‘s script, despite all of its good intentions. Its characters, including the BART policemen and Oscar, tend to be one-dimensional, which drains the story of nuance. Instead of guiding the viewer though the situation, it ends up telling us what its point of view is.

Rounding out this year’s Sundance picks is the latest film in Richard Linklater, Julie Delpy, and Ethan Hawke’s Before series, Before Midnight. I heard multiple critics complaining that they were annoyed with “yet another entry;” frankly, that made me wonder if they themselves are tired of their own lives. The random-yet-precise-ness that Linklater, Hawke, and Delpy have allowed these two characters to explore over 18 years has to be experienced to be understood.

Before Sunrise
(1995) is perhaps the series’ most relatable, since it embodies the excitement of traveling around in one’s carefree early 20s. Hawke and Delpy embodied their characters’ journey so well that I have actually plotted my own travels over the years with that film in mind.

Then came Before Sunset (2004), with the characters in their mid-30s, and their lives haven’t necessarily gone the way they’d hoped. If you revisit Sunset you may find how spot-on Linklater and company are in capturing the progressive pitfalls of the know-it-all generation.

Heartbreaking and somehow still romantic, neither film can prepare you for what Before Midnight has to offer. Now in their 40s, both Hawke and Delpy have said in interviews that they developed the characters of Jesse and Céline alongside their own hopes and dreams, and use these alter-egos to help understand their own limitations in life.

As for Linklater — who emerged on the Sundance scene with 1991’s Slacker, losing the Grand Jury prize to Todd Haynes’ Poison — even if you don’t have a mini-breakdown as each Before film ends (every time … sniff), there’s no denying his spontaneous yet meticulous Before series has produced magic over 18 years, and is on its way to being the narrative equivalent of Michael Apted’s monumental Up series.

TOP FILMS OF SUNDANCE (and SLAMDANCE) 2013

1. Jane Campion’s Top of the Lake (UK/New Zealand)
2. Richard Linklater’s Before Midnight (USA/Greece)
3. Andrew Bujalski’s Computer Chess (USA)
4. Sebastián Silva’s Magic Magic (Chile)
5. Matt Johnson’s The Dirties (Canada)
6. Anurag Kashyap’s Gangs of Waaseypur (India)
7. Sebastián Silva’s Crystal Fairy (Peru/USA)
8. Nicole Teeny’s Bible Quiz (USA)
9. Alexandre Moors’ Blue Caprice (USA)
10. James Ponsoldt’s The Spectacular Now (USA)
11. Zachary Heinzerling’s Cutie & the Boxer (USA)
12. Sean Ellis’ Metro Manila (UK/Philippines)
13. Michael Winterbottom’s The Look of Love (UK)

Will it fly? Drones in Alameda County and (almost) San Francisco

During what one official called the “show-and-tell” portion of a public hearing held yesterday by a committee of the Alameda County Board of Supervisors, a representative from the Sheriff’s Office held up a drone so the crowd of 100 or so attendees could have a look. The small, lightweight device consisted of a plastic box to house technical equipment, a camera, and four spidery legs affixed with tiny black propellers.

“It’s cuute!” someone exclaimed. But that was likely a sarcastic wisecrack – concerned citizens had packed the board chambers in hopes of convincing the two-person Public Protection Committee that the civil liberties implications of surveillance drones were too great to justify flying them over Oakland and other cities. 

Last summer, Alameda County Sheriff Gregory Ahern submitted a Department of Homeland Security (DHS) grant request for an “unmanned aircraft system” (UAS), police-speak for drone. The agency intends to purchase one or two, depending on the manufacturer, for uses ranging from thermal imagery to crime detection.

The Sheriff now seeks supervisors’ approval, and is working to secure a Certificate of Authorization (COA) from the Federal Aviation Administration, required for aircraft flown at 400 feet. But the Sheriff’s plan has been met with strong resistance from civil liberties advocates worried that drones would open the gates to aerial surveillance and runaway data collection.

Concerns revolve around surveillance

Representatives from the Northern California chapter of the American Civil Liberties Union (ACLU), the Electronic Frontier Foundation (EFF) and the grassroots Alameda County Against Drones voiced myriad concerns about what they viewed as flimsy privacy protections put forward by the department. “The potential concerns with drones are too great to justify any use of drones at all in Alameda County,” said Nadia Kayyali of Alameda County Against Drones.

In turn, Sheriff representatives sought to defend its plan to use the devices, at one point practically asking critics to think of the children.

“We get several hundred calls a year for search and rescue, and deployment of our teams, to find lost children, lost hikers, or elderly persons,” Capt. Tom Madigan explained, and his co-presenter even referenced the case of famed kidnap victim Jaycee Dugard as a possible scenario where a drone could have been deployed. Commander Tom Wright assured supervisors that the drones would not be equipped with weapons, and stated that UAS devices would “not be used for indiscriminate mass surveillance.”

Yet the use of drones for surveillance and intelligence gathering lies at the heart of the controversy. “Data collected in the name of search and rescue could be retained for intelligence gathering and analysis,” ACLU staff attorney Linda Lye warned in comments delivered to the Public Protection Committee. “In conjunction with other existing policies, this would lead to the submission of UAS-collected data to the Northern California Regional Intelligence Center, also known as a ‘fusion center,’ where data – in some instances, about constitutionally protected activity –are stockpiled and analyzed in the name of so-called terrorism prevention.”

According to documents obtained by EFF and MuckRock News, the Sheriff’s Office indicated in its grant request that the unmanned aircraft could be used for “surveillance (investigative and tactical),” “intelligence gathering,” “suspicious persons” or “large crowd control disturbances,” the latter bringing to mind street clashes that flared up in downtown Oakland in 2011 when riot police sought to crush protests organized under the banner of Occupy Oakland. 

If the Alameda County Sheriff’s Department obtains drones, the unmanned aircraft could be deployed anywhere from Monterey to the Oregon border, Madigan noted, if regional law enforcement agencies determined that emergency circumstances warranted jurisdictional waivers.

Technology advancing

Unlike helicopters, drones can gather high-resolution footage and other kinds of data without detection, transmitting live video feed to a command post for real-time viewing. While the Sheriff’s Department is eyeing drones that travel a quarter of a mile from base with a 25-minute flight time capacity, the technology is advancing quickly. It’s technically possible for drones to be equipped with facial recognition technology, radar, or license-plate readers.

Those growing capabilities are part of the reason civil liberties advocates are so focused on hammering out strong privacy safeguards. “We’re wading into uncharted waters here,” Lye cautioned, noting that any privacy safeguards established for these drones would apply to more advanced models down the line. “We have to bake in the privacy safeguards into this template.”

The Alameda County Board of Supervisors held off on approving a drone purchase by the Sheriff Department late last year when faced with controversy. It was originally included as an agenda item before any public meeting had been scheduled, but was later removed after civil liberties advocates intervened. At a December meeting, Undersheriff Richard Lucia told supervisors that including drone approval on the agenda had been “an oversight.”

If Alameda County obtains a drone, it will be the first California law enforcement agency to do so. Several other cities are proceeding cautiously: Last week, for example, Mayor Mike McGinn of Seattle canceled a drone program amid heated controversy.

San Francisco also sought a drone 

Meanwhile, the Alameda County Sheriff’s Department is not the only Bay Area law enforcement agency eyeing unmanned aircraft devices. According to a document unearthed by an EFF and MuckRock News, the San Francisco Police Department (SFPD) submitted a $100,000 funding request to the Bay Area Urban Areas Security Initiative for a “remote pilot video camera,” basically a drone, that could be outfitted to “transmit real-time, geo-coded data to command centers.” The SFPD initially hoped to clear the FAA approval process by June of 2013, according to the document. However, its funding request was rejected. (It is unclear why San Francisco’s funding request for a drone was more than three times the funding request submitted by Alameda County.)

The grant request form notes that Lieutenant Thomas Feledy of the SFPD’s Homeland Security Unit sought funding for “the deployment of mobile compact video cameras in the visual and infrared spectrum … to provide live overhead views of critical infrastructure” in the event of a terrorist attack or natural disaster.

“It was rejected,” Officer Albie Esparza told the Guardian when we called SFPD media relations to ask about it. “And we have no plans of getting a drone.”

Beyond Frank Ocean: La Peña takes a deeper look at hip-hop inclusivity

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If I hear another journalist ask anyone involved in hip-hop incredulously, reverently, portentously about Frank Ocean and that Tumblr post someone may lose their digital recorder. Frank I love you, I love your ambiguous Internet warblings, your endearingly awful Grammy performances — and kudos on Willy Carter, damn — but obvs you’re not the first queer person to be involved with your musical genre.

The Bay Area knows this — in 2007 the PeaceOUT World Homo Hop Festival, already six years old at that point, took over deFremery Park with Oakland’s Deep Dickollective and co. And like, Cazwell? Hey.

This list goes on — but this post is more about future, specifically the Hip-Hop: Beyond Gender event series that kicks off at La Peña Cultural Center on Fri/15 with “Here Me Roar”, a lineup of queer and feminist spoken word MCs set to wrecking speed. I caught up with a couple of the artists to talk about how hip-hop came to them, and where they want it to go.

Hopefully, their events in the La Peña series — which include concerts, panel discussions, and breakdance battles — will advance the conversation about hip-hop and gender-sexuality inclusivity that Le1f, Freedia, Nicky, Mykki, Double Duchess, Syd, YES Frank Ocean, and a bajillion other awesome artists are helping to create. 

CHINAKA HODGE

Photo by Bethanie Hines

A child of Oakland, this playwright, poet, and author of Girls With Hips will perform at “Hear Me Roar” at La Peña on Fri/15.

First hip-hop album: The Roots, Illadelph Halflife. Up until that point, I’d just stolen hip-hop music from my parents. The first album of any genre that I learned all of the words to was Arrested Development’s debut, 3 Years, 5 Months & 2 Days in the Life Of… 

First hip hop concert/party: Tough. Hmmm. There’s an MC out of Oakland, originally from Queens, named Rico Pabon. When I was in high school, Rico was probably my favorite act. He used to headline a series of all-ages shows at La Peña called “Collective Soul”, alongside Company of Prophets, Lunar Heights, a bunch of the indie staples in hip-hop at the time. I think those were probably my first parties. Glad to see we’re coming full circle, and I’ll get to rock the stage at La Peña this Friday — I used to beg mom to let me attend back in the day.

First time I thought about what gender meant in hip-hop: Listening to Digable Planets. Everyone used to refer to Ladybug Mecca as “the girl” in the group. I saw that trope carry over as I listened to Blunted on Reality, the Fugees’ first album. To me, sonically, I just identified Ladybug and Lauryn as the best of the three. It wasn’t until older male relatives and friends pointed out gender that I first started to note and notice differences.

One question I’d like to see addressed “Hip-Hop: Beyond Gender”: I’d like to see us address the issue of why female-identified emcees are consistently asked to talk about gender and sex — both onstage and off — when our male identified counterparts are not.

INVINCIBLE 

Photo by B Fresh

In addition to having their own music label — Emergence Media — this Michigan MC is active with Detroit Summer, an intergenational inner-city group that links up community members in projects to change the future of their neighborhood. Invincible’s organizing the “Event Horizon” night on March 15, which promises “transcending the gender binary and entering parallel multiverses of holistic complex identities.” Ooo.

First hip-hop album: First vinyl, Paid In Full (Eric B and Rakim). First tape, Check The Rhime (maxi single!) followed by Low End Theory (A Tribe Called Quest). First CD (in the tall cardboard package): Sleeping With The Enemy (Paris).

First hip hop concert/party: When I was 15 I had a secret knock at the back door of a few local clubs where bouncers got me in to watch shows and get on the open mic. I got caught one too many times so that led to the first show I threw, which was at an abandoned hotel that me and my first DJ transformed into an all-ages venue, ’til the cops broke it up at our second event. I think the first time I actually bought a ticket was for Xzibit and Big Pun but that show sadly got shot up and shut down too soon. 

First time I thought about what gender meant in hip-hop: I remember when “Ladies First” by [Queen] Latifah came out. It made an impression on me, but I was too young to understand the power of it. I first fully saw the role gender justice plays in reviving hip-hop when I met and joined the anti-misogyny all-elements hip hop collective ANOMOLIES. They made me reflect on all the hardships i had witnessed and experienced, and realize how important it is to support each other as people whose voices are marginalized in this culture.

One question I’d like to see addressed “Hip-Hop: Beyond Gender”: How do we create space for more transgender and gender non-conforming hip-hop artists to develop skills, bring new perspectives, and be heard? How can gender justice in this music and culture benefit all marginalized voices in hip-hop?

TRU BLOO

Photo by Ruby Battacharya, logo by Maya el Helou

Tru Bloo started performing hip-hop when they were 11, played Angela Davis’ induction into the La Peña hall of fame in 2011, and has dabbled in classical guitar and piano among a million other projects. They’re curating the May 10 “Wo(MB) Manifest” night of breakdancing, graffiti, and performance at La Peña.

First hip-hop album: I found a 2 Live Crew rap tape on my school bus in fourth grade and memorized the entire album. Also danced a lot to Rob Base & DJ E-Z Rock.

First hip hop concert/party: MC Hammer

First time I thought about what gender meant in hip-hop: When groups like TLC, Salt ‘N Pepa and Queen Latifah’s U.N.I.T.Y. anthem came out in late ’80s/early ’90s, I realized women had a different story to tell via hip-hop.

One question I’d like to see addressed “Hip-Hop: Beyond Gender”: Do female, trans, and gender non-conforming hip-hop artists have the power to change the social discourse around patriarchy, misogyny, homophobia, and transphobia within our communities and mainstream pop culture, if given a voice?

Latin highs

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virginia@sfbg.com

APPETITE Nothing replaces actually experiencing a cuisine served in its place of origin, but regional dinners are one way of traveling vicariously (and, perhaps, with less of a carbon footprint).

Occasionally, you get more than a meal, as with a January 23 dinner at Oakland’s Latin American haven, Bocanova (www.bocanova.com), which hosts the monthly Rick’s Supper Club, highlighting South American cuisine. As a lucky few dug into wild shrimp and lobster ceviche or smoky, steamed mussels, dinner sponsor LAN Airlines surprised attendees with free round trip tickets to fly to any South American destination… a freak out “Oprah moment.” In lieu of that kind of bell and whistle, here are two restaurants fiercely dedicated to uncovering the subtlety of their chosen cuisine.

 

OLIVETO

Every year I’d anticipate legendary Whole Hog dinners at Oakland’s temple to regional Italian cuisine, Oliveto, which recently celebrated its 25th anniversary. I dropped off after chef of 15 years, Paul Canales departed — he just opened buzzed-about restaurant-bar-music venue Duende. But I returned this year to the warm and stylish upstairs restaurant (there’s a more casual cafe downstairs). Just over a year ago, young chef Jonah Rhodehamel took over. With consummate host-proprietors Bob and Maggie Klein thankfully still running the restaurant, Oliveto maintains its purpose as a culinary community stalwart akin to Chez Panisse (community journal, whole-animal history, food activism), with regional Italian focus and themed dinners.

Rhodehamel honors Oliveto history while unafraid to experiment. Pastas ($15-18), which remain the highlight, might be a traditionally-influenced spaghettini neri of squid ink pasta, shrimp, and chili pepper, but he’ll add chocolate to tomato-braised oxtail corzetti, use red winter wheat in penne alla Bolognese, or infuse Floriani Red Flint corn polenta under duck giblet ragu with intense lavender vanilla notes. The fritto misto ($13) stands out from what is often merely a pile of fried food. Rhodehamel fries up the unusual: scungil (whelk), herring, blood orange, and shirako (cod milt, ahem, I mean, sperm).

The only lackluster starter was miniscule pan-fried frog’s legs ($14) with a parsley sformatino (like savory panna cotta). Charcoal-grilled meats are impeccable: buttery, crispy pork porterhouse ($30) sits amidst cannellini beans and braised chard, while rare Piedmontese ribeye ($36) is crispy on the exterior, radiant pink inside, next to creamed spinach and Yukon Gold potatoes. Espresso chocolate stracciatella ice cream ($8) is a lush, caffeine finish, though after trying all recent desserts, I’d also take fluffy ricotta cheesecake ($8) with candied kumquats.

5655 College Ave., Oakl. (510) 547-5356, www.oliveto.com

 

GITANE

Since opening in 2008, Gitane is easily one of our sexiest restaurants. Ducking into an alley, down a couple steps into the lush reds, tapestries, and chandelier glow of a tiny, two level space… so begins your seduction by a lover who knows how. Executive chef Bridget Batson has been here since the beginning. In November, the restaurant shifted directions with the addition her husband, co-executive chef Patrick Kelly (of La Folie and Napa’s Angèle), and chef de cuisine David Martinez.

Staying true to the meaning of gitane — gypsy woman — the new menu wanders gypsy-like through Southern Spain, changing cities (Andalusia, Sevilla, Valencia) every few weeks. In keeping with the celebratory setting, the appropriately deemed “passport” tasting menu is $65 for five courses (wine pairings from new wine director, Sarah Knoefler, $45), available in the intimate upstairs dining room. Bar and alley/patio seating offers an a la carte menu ($12-36) or bar bites.

Though they’ve combined Spanish and Moroccan influence since day one, Bridget and Patrick’s recent Spain travels allow them to now dig deeper into regional Spanish cuisine. The first regional focus was Valencia. The tasting menu began with a salad of baby beets, fuyu persimmon, Marcona almonds, citrus, nasturtium paired with honeysuckle notes of a Musva Moscatel from Valencia. Moving on, Dungeness crab and cuttlefish were touched with sea urchin vinaigrette and pineapple. A delight of fatty Iberico pork cheeks, Matsutake mushroom and raw Nantucket Bay scallops sat in a brilliant golden raisin-saffron-mushroom coulis. Fourth course: pan-roasted duck breast in tempranillo chili puree accented by oloroso sherry-compressed pears (yes!) The finish? A winning pumpkin creme caramel.

An à la carte meal yielded an over-salted but beautifully seared scallop with crispy sweetbreads ($16). I preferred crisped, roasted artichokes piled with sunchokes and Manchego cheese ($13), or an entree of rabbit (conejo) two ways ($32): roasted saddle and a dreamy riletta, accompanied by braised snails and caramelized squash. Ramon Garcia remains Bar Manager, still serving refreshing cocktails ($12) like an elegantly smoky Chimenea: mezcal, rye, allspice dram, maple syrup, orange bitters.

6 Claude Lane, SF. (415) 788-6686, www.gitanerestaurant.com

Subscribe to Virginia’s twice-monthly newsletter The Perfect Spot, www.theperfectspotsf.com

 

On the Rise: The Seshen

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If Erykah Badu, Little Dragon, and Beach House, met-cute and made jazzy, passionate pop music together, the resulting mix might sound something like a song by the Seshen (as those are its main influences). The seven-piece Oakland band is known for its blend of sounds and regions, with robust musicianship by bassist Aki Ehara, drummer Chris Thalmann, percussionist Mirza Kopelman, Kumar Butler on samples, and Mahesh Rao on keys, filled out by fierce vocalists Lalin St. Juste and Akasha Orr. Though mostly, at this point, it’s known for a little track called “Oblivion.”

The electronic pop song, off the band’s self-titled 2012 debut LP, employs the consistent Seshen method, a live rock band set-up with deeply soulful singing, cosmic hip-hop beats, and densely layered effects and samples.

Most recently, the Seshen remixed fellow On the Risers Trails and Ways’ “Border Crosser.” Next up, the band will drop “Turn,” the first single off its upcoming EP, due later this year.

Description of sound: Our sound utilizes electronic textures and layers that seek to blur the distinction between the abstract and the familiar while incorporating influences from a variety of genres.

http://www.youtube.com/watch?v=gOkubxzD4gY

What piece of music means a lot to you: There’s seven of us so there are many pieces of music that have moved us, some of which include: Mama’s Gun (Erykah Badu), Voodoo (D’Angelo), Pink Moon (Nick Drake) and the works of Radiohead, Stevie Wonder, James Blake, Bob Marley, and Broadcast, to name a few.

Favorite local eatery and dish: Too hard to narrow it down to one!! We love Souley Vegan in Oakland, Pancho Villa in the Mission, and Zachary’s Pizza (spinach and mushroom deep dish pizza).

Who would you most like to tour with: Little Dragon or Animal Collective would be amazing but more immediately it’d be fun to tour with some of the other Bay Area bands we love like Bells Atlas or DRMS.

The Seshen with Guy Fox, Ash Reiter. Feb. 22, 9pm, $10. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com, www.theseshen.com

On the Rise: Space Ghost

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Space Ghost’s textured, sample-based electronic compositions might sound like fat rain drops dribbling over tight beats, as is the case with “SD”, or like the remnants of a soulful club hit stretched over hollow wooden percussion in newly uploaded tracks like one-minute-long “King City.”

He is ambient music-maker/Oakland producer Sudi Wachspress — not the masked Hanna-Barbera character — who pieces together tracks using sounds found on the Internet and arranges them in Ableton. The Ukiah native, born in ’91, says he also has a Zoom H4 audio recorder, which he’s used for field recordings in the past, an Alesis Micron, and a vintage Korg Mono/Poly, which he’s currently learning to incorporate into his music. He also occasionally works with his own recorded voice.

His music is, for the most part, simply created in his bedroom then uploaded to Soundcloud, sometimes unfinished, often with a raw murmur, always intriguing. He’s also put out a few actual records, including 2012’s You’re There, and he’s one of the hosts of Sick Sad World, with fellow DJs Mike Melero and Albert Luera. He described the monthly party — which has seen Le1f, Friendzone, and Main Attrakionz — in another publication as “a grimey warehouse Oakland rap-bass-dance party.”

Description of sound: Ambient/electronic/hip-hop based/instrumental/meditative.

What you like most about the Bay Area music scene: I don’t really think there is a specific electronic music scene in the Bay Area like the way Chicago has house music, Detroit with house and techno, LA with beats. And because of that I think the Bay Area is a really good place to be, for electronic music, because I feel like I stand out more at shows. I can play songs at shows that are completely rinsed in other places, but it could be some people’s first time hearing that song in the crowd. Also, at Sick Sad World, we have been pushing different bass heavy genres of electronic music in our sets, as well as including old and current rap, creating a sort of mixture of sounds at our shows. And because there is a lot of ground to be explored in electronic stuff around here, I think we are in the right place at the right time.

What piece of music means a lot to you: “Left Side Drive” by Boards of Canada. That was the first song I heard by them, second to “Roygbiv,” and it’s kind of unexplainable how it made me feel. I had never really heard much electronic music before then, and that song was just so deep. It just had this slow lagging hip-hop beat but was super grainy and had sounds I had never heard. All the sounds flow around each other so fluently and then at the end it enters 30 seconds of just pure angelic-like chords.

Favorite local eatery and dish: I’m super into nachos. I went to this place in Emeryville the other day called “Los Cantaros Taqueria,” and they have real good nachos and horchata.

Who would you most like to tour with: I think it would be tight to tour with the other guys on Astro Nautico, the label I released my last album on.

soundcloud.com/space-ghost-1

On the Rise: Kowloon Walled City

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The line to get in to Kowloon Walled City’s album release show with Golden Void at the Hemlock in early January snaked around the building and into the alleyway. It was undeniably packed, and entirely sold out, with hordes of black-hoodied fans still waiting outside in the rain. A relatively uncommon sight for a night with a few local acts at the divey Tendernob venue.

Plus, Kowloon Walled City has been around for awhile. It was born in 2005, released a handful of LPs, briefly toured with Sleep, and has gained a steady, dedicated following. Yet it took December 2012’s ominous, muscular Container Ships for people to stand up and take notice — and that’s expanded to beyond the Bay Area’s incestuous metal scene. (Though don’t call the noisey rock band straight-forward metal, vocalist-guitarist Scott Evans once told the Guardian; just because it’s heavy, doesn’t make it metal.)

The new album is a thick slab of sludgy hard rock, with, yes, some elements of metal, doomy down-tuned guitars, Evans’ forceful howl, heavy drumming, and inevitable comparisons to the likes of Isis and Unsane. Yet, it’s not like the current musicians of Kowloon Walled City — Evans, Jeff Fagundes, Jon Howell, Ian Miller — are in it to break big; they’re all longtime local players, lovers of the art of creating loud music, especially Evans, who’s also known as the inventive sound engineer at Oakland’s Sharkbite Studios.

Description of sound: Post-partum.

http://www.youtube.com/watch?v=L93-wAvwPPY

What you like most about the Bay Area music scene: All music scenes are beautiful. OK, the truth is I love music in the Bay Area, both as a musician and as a recording guy. There are so many great people and bands and venues and it’s great.

Favorite local eatery and dish: Tu Lan tofu pile, RIP.

Who would you most like to tour with: All tours are beautiful.

www.inthewalledcity.com

On the Rise: Trails and Ways

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This is the year we’ll finally get to spend some QT with Trilingual, which will technically be Trails and Ways’ debut LP. Though there’s still no release date or label, it will be coming out in 2013. It seems like we’ve been hearing about this much-anticipated release for ages, given all the buzzy blog love thrust on the Oakland indie-pop quartet.

And when I say anticipated, I mean it. Trails and Ways even made it on Hype Machine’s list of the “Most Blogged About Artists of 2012,” partially due to chatter about Trilingual, but likely more to the ingenious covers of Miike Snow, M83, and the like by guitarist-synth master Hannah Van Loon, rhythm guitarist Keith Brower Brown, bassist Emma Oppen, and drummer Ian Quirk.

The band is savvy, and knows how to keep up the momentum for its own projects. It’s posted dreamy official videos for tracks off the upcoming record, including “MTN Tune” and “Border Crosser.” And since December 2012, Trails and Ways have been slowly releasing songs for a remix EP, including one for “Border Crosser” by another On the Rise 2013 act: the Seshen.

Of course there’s more to T&W than a media-hold; the root reason for the frenzy is the music itself. Along with tropical synths, technical guitarwork, and Afro-pop inspired rat-a-tat drums, there’s the four glorious female-male multi-part harmonies that warm and come together like a picturesque sunrise on any given white sand beach (with or without tequila). It’s snark-proof, globally inspired pop, with hints of Brazilian tones, Spanish language snippets, and the occasional whistle, or group ooh-ooh.

Description of sound: You say bossa nova dream pop, I say Brazilian shoegaze.

What you like most about the Bay Area music scene: Our friends Bells Atlas, Astronauts Etc., the Bilinda Butchers, Waterstrider, the Seshen, and the widespread non-commercial ethos of groove.

What piece of music means a lot to you: Pat Metheny Group ft. David Bowie, “This Is Not America”; This song sounds like the boundary waters of dream pop and smooth jazz and it was my favorite song from my dad’s whole CD collection and I think I learned how to use a stereo by hitting repeat for this song.

Favorite local eatery and dish: Oasis Food Market falafel sandwich.

Who would you most like to tour with: tUnE-yArDs.

www.trailsandways.com

On the Cheap Listings

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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for listings, see Picks.

WEDNESDAY 13

“Art, Money Politics: Making it as an Artist” Pro Arts, 150 Frank H. Ogawa Plaza, Oakl. www.proartsgallery.org. 6pm, free. Supporting yourself as an artist can be hard. Head over to this panel discussion and get some advice from digital artist Camille Utterback, multimedia artist and designer Favianna Rodriguez, and muralist Eduardo Pineda. They’ll share tips on how to make a living in a creative field, bring your hope, dreams, and of course, questions.

“Waypost: Unconventional Travel Stories” Stanza Coffee Bar, 3126 16th St., SF. www.meetup.com/traveltalks. 7-8:30pm, free. A blacked-out Vegas weekend can be a good time but if you’re looking to go somewhere that stimulates a… different side of your spirit on your next vacation you might find the inspiration you’ve been looking for at this series of storytellers reflecting on the meaningful swirls of journeys they’ve taken. If you can’t make it to the event in person, no sweat — you can still participate via Google Hangout.

THURSDAY 14

One Billion Rising performance ritual Presbyterian Church, 2619 Broadway, Oakl. www.bayarearising.org. 7-8:30pm, $10-100 donation suggested. Free for youth under 17. Dedicate your Valentine’s Day to a good cause this year at this fundraiser for International Development Exchange (IDEX), an organization working to empower impoverished women across the globe. The evening will be a mix of spirituality, politics, and performances (flash mob, anyone?) from local groups such as Youth Speaks and Mission Dance Brigade.

Dogpatch Wine Works date night Dogpatch Wine Works, 2455 Third St., SF. www.dogpatchwineworks.com. 6-8pm, $40. Few things spell out romance quite like wine and chocolate. Stroll around Dogpatch Wine Works’ tasting room sipping on some vino and snacking on locally-crafted Recchiuti chocolate. After your palette is satisfied you can tour the 15,000-square foot working winery.

“Returning Cupid’s Fire” Cartoon Art Museum, 655 Mission, SF. www.cartoonart.org. 7-9pm, $10. Valentine-less and planning on having a night in with Ben and Jerry? Change of plans. San Francisco comedians Ivan Hernandez, Colleen Watson, and Mike Capozzola feel your pain and will be performing anti-Valentine’s Day themed stand-up routines tonight. Refreshments will be served.

Tout Sweet Pâtisserie tasting Tout Sweet Pâtisserie in Macy’s Union Square, 170 O’Farrell, third floor, SF. (415) 385-1679, www.toutsweetsf.com. 7-8:30pm, $55 per person. Reservations recommended. Yigit Pura, chef and owner of this sweet shop, is celebrating V-Day with a three-course dessert menu featuring a rotating selection of seasonal offerings, each paired with local artisanal wine and beer. If you already have some sweet Valentine’s Day plans don’t fret, Pura has more tastings scheduled for March 14 and April 11.

Hella Vegan Eats V-Day pop-up dinner Dear Mom, 2700 16th St., SF. www.dearmomsf.com. 5pm-midnight, free. The Oakland–based traveling food vendor will be in the city to once again take over Mission bar Dear Mom. We are hoping their doughnut burger with secret sauce will be on tonight’s menu <3 <3

Valentine’s Day at the Armory The Armory, 1800 Mission, SF. tickets.armorystudios.com. 7:30 and 9:30, $55. Start the evening off on the upper floor of the Kink.com porn palace, then head to a workshop led by porn starlet Rain DeGrey that focuses on teaching couples how to make fantasies reality. Afterward, enjoy specialty cocktails and aphrodisiac-themed appetizers at the luxe Armory Club across the street.

FRIDAY 15

SFIndieFest Roller Disco Party Women’s Building, 3543 18th St., SF. www.sfindie.com. 8pm-midnight, $10. Grab your striped socks and short-shorts because the ’70s are back tonight at this fundraiser for film festival organization SF IndieFest. If your skating skills are rusty, don’t sweat. Prizes will be awarded for best costumes, not for slickest moves.

46th California International Antiquarian Book Fair Concourse Exhibition Center, 635 Eighth St., SF. www.sfbookfair.com. Through February 17. 3-8pm, $25 for a weekend pass, $15 for a Saturday and Sunday pass. The world’s largest rare book fair returns to San Francisco this weekend. You will find one-of-a-kind pieces such as sketches by John Lennon, the first edition of the Federalist Papers, and a Mark Twain autographed manuscript. Before you try to snatch up a John Lennon original, be warned — treasures as fine as these can cost you a pretty penny (up to $362,000 to be exact).

SATURDAY 16

“Opera on Tap” Café Royale, 800 Post, SF. www.caferoyale-sf.com. 8pm, free. Nonprofit organization Opera on Tap wants to prove that opera can be awesome — and not just for those who can afford the cushiony box seats. In Café Royale’s intimate and relaxed space, this group will bust out some popular and some more esoteric pieces for an all-new kind of operatic experience.

Family Lunar New Year Celebration San Francisco Botanical Garden, SF. www.sfbotanicalgarden.org. 9-11:30am, free. In celebration of the Year of the Snake and the abundance of magnolias blooming in the gardens, lion and folk dancers will be performing today. While watching the SF Sunset Recreation Center Dance Troupe bust some moves you can pot a plant or make lanterns using magnolia petals.

SUNDAY 17

Urban bicycling workshop San Francisco Jewish Community Center, 3200 California, SF. www.sfbike.org. 10am-2pm, free. RSVP required. The San Francisco Bike Collation wants you to bike and bike safe — which is why it offers a range of course on everything from urban cycling to how to bike safely with your family. Today’s topic: traffic 101. Beginners welcome, and participants don’t need to bring a bike (though one may be helpful after the class when it comes to putting your newfound knowledge into action.)

TUESDAY 19

Literary salon with Rosie Schaap and Robin Ekiss Tosca Café, 242 Columbus, SF. www.toscacafesf.com. 7-8pm, $5-10 donation suggested. In Rosie Schaap’s memoir Drinking with Men she shares her unending quest for the perfect local haunt, which took her everywhere from LA to Dublin to Manhattan. Robin Ekiss writes the “Drink” column for the NY Times, and is the founder of the Ladies Liquor Union, the first fully female intemperance league for ladies who love books and booze. If you too consider yourself a cocktail connoisseur with a literary edge, head over Tosca Café to hear what the two have to say at this Litquake event.

 

Beer Week rolls out the barrel

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With much fanfare, the San Francisco Brewers Guild annual SF Beer Week popped its cork at the Concourse last Friday night, and the Bay Area has been awash in a tsunami of beer ever since.

Unable to attend the grand gala opening celebration, I got the lowdown from beer-tasting buddy Cee Jay, who took a few for the team in his quest for the perfect snifter of suds and got him to wax eloquent on Sierra Nevada’s new line of barrel-aged beers (“The barrel-aged Bigfoot is the tastiest brew I’ve had in a long time,” he gushed) and weigh in on the collaboratively-brewed Brewers Guild malt liquor Green Death — a brew apparently inspired by one of my secret nostalgic faves Rainer ale, a dubious beverage I have fond albeit very fuzzy memories of. One this subject Cee Jay vacillated between calling it “well-balanced” yet possessed of a “split personality,” code words for “he don’t like it” (decide for yourself at the “Meet the Brewers” event at Speakeasy on February 13).

As I peruse the schedule for the week ahead, all I can say is “thank goodness beer week lasts 10 days”. Because otherwise I don’t know how I’d fit in all the beers that sound too good to pass up.

With over 400 events to choose from all over the Bay, you’d be hard pressed to avoid Beer Week altogether, which makes my strategy of sticking to bars I’d probably be going to anyway but coinciding it with a tap takeover of a brewery I’m keen to further my familiarity with, either sheer genius or maybe just laziness. San Diego night at the Sycamore on Monday was a perfect example of this welcome synchronicity of will to explore and comfortable location. Breweries represented included Ballast Point (whose Sculpin IPA is a big favorite) and Green Flash (whose Black Saison “Friendship Ale” was particularly tempting), and since the Sycamore is within literal stumbling distance of my home, the fact that it was a “school night” did not matter much. Incidentally Sycamore is also hosting a promising-sounding Dogfish Head night on the 12th, which will be a great opportunity to taste some special rarities.

Toronado, naturally, will host two of my real must-do’s, the Russian River ‘Tion night (Tues/12), where some 20 Russian River beers (though ironically NOT the highly-anticipated seasonal release, Pliny the Younger) will be served from 6pm onward, and the not-technically-Beer-Week-but-still-imperative 20th annual Barleywine Festival from the 16th-18th during which over 50 Barleywines will be available on draft. Incidentally, Toronado is also your best bet for scoring the aforementioned Pliny the Younger — just show up on your lunch break through the 25th, they’ll be serving limited supplies of the scarce stuff until they won’t.

Other Tap Takeovers that look promising to me are a couple at Kennedy’s Irish Pub and Curry House in North Beach (Heretic on Wed/13, and Ommegang on Fri/15), Triple Voodoo and Ninkasi at Rosamunde Sausage Grill also on Wed/13 and Fri/15 respectively, Danish Mikkeller at Oakland’s The Trappist on Thurs/14, and the “Band of Gypsies” takeover of Rosamunde’s Oakland outpost on Wed/13. The “gypsies” — eight nomadic local brewers including Lucky Hand and Bison Organic — have collaborated on a Belgian-style Quad (“Belgian Tramp”) brewed with candy sugar, Mission Figs, raisins, and dates which clocks in at a respectable 10.5% abv and sounds like dinner, dessert, and drinks all in one tasty combination.

And speaking of dinner with drinks, I haven’t even touched on all the foodie-worthy events lined up on the Beer Week calendar, but buzzed-about bets include beer-infused Dynamo Donut and Humphrey Slocombe confections, Butchers and Beers on Fri/15 featuring meats from 4505 paired with tasty brews from local “farm-to-bottle” darlings, Almanac Beer Company, Almanac’s special beer-pairing dinner at Central Kitchen on Wed/13, the already sold-out Sau and Brau fest at Drake’s Barrel House in San Leandro, and a Valentine’s Day, four-course, prix fixe dinner and beer pairing at La Trappe Café. Oh la la! In short, life’s short, and beer week is passing by more quickly than you might think. Catch it now while you still can, your liver will forgive you eventually. I promise.

SF Beer Week

Through February 17

Various locations

www.sfbeerweek.org

 

 

 

Reflections on last Friday’s Oakland Art Murmur

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I pictured writing a different sort of response to last Friday’s Oakland Art Murmur and accompanying street festival. The fatal shooting of an 18-year-old, however, taints the memory of the evening and retroactively adds a hint of menace to the crowded streets.

In OAM’s responding statement, what begins as condolence, transitions into a reaffirmation of the monthly festival’s aims: “The Oakland Art Murmur and the First Friday Street Festival are the products of communities coming together to showcase the best of what people create together.” As questions surround the future of the event — most pressingly, can it continue as before? — it is important to remember this.

The mood on the streets before the shooting was celebratory. In the stretch of street closed to traffic, random pockets of activity testified to the joyful and creative possibilities contained within a diverse crowd of thousands.

On Telegraph Avenue, I saw an eclectic group dancing in front of a DJ booth; a block later, a man banged on his bike with drumsticks to accompany a small drum circle (whose members found it as strange as the onlookers did); and a pint-sized child rapped along to music on the back of truck that had been converted into a stage. Another wonderful surprise came in the form of the best pork bun I’ve ever tasted from the food truck, The Chairman (apparently I’m behind on food truck culture). The music, food, and general merriment on the streets occupied much of my time. And it was a great time.

But before I stray too far from the event’s original purpose seven years ago, I should mention that I also saw some compelling art and visited some intriguing spaces. My favorite stop of the evening was the antithesis to the raucousness between 19th and 27th Streets, the store and gallery Umami Mart on Broadway and 8th. Started by high school friends from Cupertino, Yoko Kumano and Kayoko Akabari, the pop-up shop (and hopefully soon-to-be mainstay) exhibits art and sells kitchen-themed goods that all reflect the stark elegance of the Japanese aesthetic.

Brother-sister duo Aya and Sylvan Brackett added to the warmth of the space. Raised in Nevada City, Calif. in a traditional Japanese home, the siblings each filter elements of their background into different arts in the Bay Area — Sylvan through food and his catering business, Peko-Peko, and Aya through her photography. Umami Mart showcased samples of both arts with udon noodles meticulously prepared from scratch at a stand in the corner, and striking photos on the wall surrounding the heading, “Home is Oakland; Home is Japan.”

The familial atmosphere in a store whose every surface revealed a delightful intersection of California and Japanese culture amounted to an excellent example of “the best of people create together.” So did the food trucks, the spontaneous dancing, and the different music flooding the street every half block. After last week’s event, the future of the Oakland Art Murmur raises complicated concerns. But I hope that it will continue to allow more positive examples to arise in the future.

Celebrate Black History Month with four days of sf|noir food and drink

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This month, you can observe Black History Month by attending a filmmaking discussion, a childrens dance class, by going to a lecture at USF — check out this and this event rundown for inspiration. And given how food-oriented we are as a region, it was only natural that eventually you’d be able to eat and drink while celebrating African American heritage, not to mention the black culinary geniuses that add to it here in the Bay. 

 

Sample wines poured by the Sterlings of Esterlina Vineyards (top) and bites made by Michele Wilson of Gussie’s Chicken & Waffles at sf|noir’s Feb. 23 gala

The organization that is sponsoring the four-day extravaganza was born one afternoon at North Beach Jazz Festival, the nine-day affair that Herve Ernest organized for eight years. He realized that the crowd in attendance was really, really white.

“There was an African American band on stage, but I could count on two hands the amount of black faces I saw,” he tells me in a phone interview. He realized that if African American culture was going to remain a presence in a city where black people were being rapidly displaced, concerted efforts would have to be made.

“That’s when the conceptual idea for what became sf|noir started happening,” Ernest continues. He started the organization, which sponsors read-ins, dance, and concerts, not only to get superlative cultural programming to black audiences, but also to “ensure the presentation of black arts and culture in San Francisco” — a city whose black population has dropped from 12 to less than three percent in the 19 years since Ernest first settled here. 

This year, his group is offering days of events that highlight some of the area’s most successful black food entrepreneurs. “It’s something that is very relevant here,” says Ernest. “It’s a foodie town, food events happen all the time. We thought it was high time to create a food and wine event that looks at African American cuisine.” 

So, belly up. Go here for more info: 

Remixology

Three mixologists — including Otis bartenders Phil Shell and Damon White — present cocktails found throughout the African diaspora. Entry is free, you have to pay for your own drinks though. 

Feb. 21, 6-9pm, free. Otis, 25 Maiden Lane, SF

Wine tasting with Omar White

After 15 years at Chez Panisse, believe that wine consultant White has some knowledge about local vinos. He’s lent his expertise to Pizzaolo and the East Bay’s Hibiscus and is here today to teach about the in’s and out’s of the wine tasting process. Register in advance for this one — participation is limited to 25 thirsty souls. 

Feb. 22, 6-9pm, $20. 18 Reasons, 3674 18th St., SF

http://www.youtube.com/watch?feature=player_embedded&v=U1eW77Pw4PQ

Wine and Food Gala

Food from nine restaurants well-versed in African American cuisine (Farmerbrown, Cedar Hill, and tomorrow’s brunch host Miss Ollie’s for starters), 20 local and international winemakers, and two dessert specialists — The Brown Sugar Lady and PieTisserie — are all serving up at this four-hour dinner party. 

Feb. 23, 7-11pm, $60. The Atrium, 101 Mission, SF

Oakland Jazz Brunch 

Hibiscus’ chef Sarah Minton has a new project in this Old Oakland corner restaurant. She’ll be offering up the place’s Carribean-toned menu for brunch today, while the Marcus Shelby Trio helps you finish the sf|noir series strong.

Feb. 24, 11am-3pm, free entrance, a la carte menu. Miss Ollie’s, 901 Washington, Oakl. 

Sundance 2013: the way of the gun

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Festival veteran Jesse Hawthorne Ficks files his third report from the 2013 Sundance and Slamdance Film Festivals. Read his first two reports here and here.

British filmmaker Sean Ellis’ Philippines-set Metro Manila took home the Audience Award: World Cinema Dramatic at Sundance. It’s a gritty, neo-realist journey into Manila’s Catch 22‘d slums that’s every bit as shocking as it is hypnotic. When I saw it, the entire audience (myself included) was left gasping for air while wiping their tears — it’s ruthlessly realistic, insanely inspired, and a taut thriller to boot.

Metro Manila is a perfect precursor to Anurag Kashyap’s Gangs of Wasseypur, a 320-minute exploration of 70 years of corruption in the small town of Wasseypur — the coal capital of India — that has to be one of the most monumental political action films ever made. I’ve now seen it twice, and its attention to detail is so precise that in certain scenes, if you can recognize the Hindi movie posters on the alley walls, you’ll be able to pinpoint what month and year the film has splintered into.

Given Gangs‘ brutal violence and slang-filled dialogue, Kashyap admitted he was surprised that it was not banned in India, since his previous films had been. (More props for the director: he showed up for a 1am festival Q&A.) This towering achievement will no doubt excite fans of Ram Gopal Varma’s gangster films; it’s a jaw-dropping, Godfather-esque odyssey that’s both historical allegory and unstoppable action flick.

Shifting focus to urban America: Alexandre Moors’ Blue Caprice (part of Sundance’s NEXT programming, highlighting “impactful” indies screening out of competition; more on the NEXT films in an upcoming post) is inspired by Washington DC’s 2002 sniper attacks, specifically focusing on the two shooters as they meet, diabolically prepare, and eventually execute their plan. The first post-film question, vehemently asked, was “Why didn’t you make a film about the victims?” But its point of view is what makes Blue Caprice so profound; it encourages the audience to attempt to understand the attackers, much like Fritz Lang’s classic murder tale M (1931).

http://www.youtube.com/watch?v=L5tIVbZTgEg

Director Moors and lead actor Isaiah Washington (as John Allen Muhammad) do an astounding job leading us through an absolutely terrifying story, and they are able to do so without resorting to broad strokes. Interestingly, with both the US Grand Jury Prize: Dramatic and the Audience Award: US Dramatic going to Oakland filmmaker Ryan Coogler’s wonderfully executed yet disappointingly one-dimensional Fruitvale, it seems that many audiences are not prepared for such a brave and complex film as Blue Caprice. It’s a film based on a real-life tragedy that asks a lot of questions, pushes a lot of buttons, and offers no answers.        

The happiest city — for some

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Not to go all gloomy on a day when it’s finally not cold and the sun is out and San Francisco was just named the happiest city in America, (based on things like the number of shopping centers and cultural events), but really: Let’s not all jump up and down and celebrate. This is a very happy city for people who have money; it’s becoming a very anxiety-filled city for everyone else.

I’ve gotten quite a few comments and emails from friends on our cover story this week, and most of them go something like this:

“Great story. Really scary. I hope they don’t Ellis Act my building or I won’t be able to stay here, either.”

If you’re a renter in San Francisco, and you’ve been here a while, and you’re under rent control, chances are you’re nervous about your future. Because if you get evicted, you’re almost certainly leaving town. Maybe you can find a place in Oakland that’s smaller than what you currently have at twice the price, or maybe you can’t. 

This is a city under immense pressure, and while the economically secure can happily go to shopping centers and see the Opera, I would say a majority of the current residents of San Francisco are more stressed about their future than they have been in years. And that doesn’t seem to be addressed in the happiness calculus.

On the Om Front: In the name of love

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It’s February—feeling a little love in your heart? Srutih Asher Colbert’s been feeling the love all year long. She’s a Bay Area yoga teacher (and hairdresser) who raised $24,000 in one year through grassroots fundraising to fight sex trafficking in India, where she’ll be going next week to volunteer her time to the cause.

Om Front talked to her about how, and why, she undertook the challenge.

SFBG Wow. You raised $24,000 in one year. Tell us about the organization you raised the money for.

COLBERT Off The Mat and Into the World is a yoga-based organization [founded by internationally-acclaimed yoga teacher/activist Seane Corn]. It initiates different projects around the world to create sustainable change. The idea is that people take their yoga practice “off the mat and into the world” to become leaders in their community and use that leadership to make a difference. Every year, Off the Mat conducts something called the Seva Challenge, in which people everywhere are challenged to raise at least $20,000 for a particular cause. If you can raise the money, you are invited to go on a trip with Off the Mat to volunteer your time to that cause.

SFBG  What inspired you to do the 2012 Seva Challenge?

COLBERT  The cause this year is to stop sex trafficking in India. Sex trafficking is happening all over the world, but there are over 3 million girls in India alone that are being held prisoner and being raped on a daily basis. Some of them have been tricked by being promised a job in the factory and then they end up in a brothel. Some of them have been sold by their own parents. There are so many ways they can be coerced. I have two daughters and it hit close to home to think that my eight year old daughter could be trafficked for sex. I wanted to see if I could help stop that kind of action. I didn’t think I’d be able to raise $20,000 but I thought I would try!

SFBG  So, how did you do it?

COLBERT I reached out to everyone in my yoga community, students and teachers, and planned all of these events. I don’t know how I did it, but it all added up in the end. Some of the events I held were a benefit Kirtan [chanting event] with Ananda Rasa and Prajna Vieira at the Sivananda Yoga Center; a yoga-DJ-dance party at Equinox in Palo Alto, where I teach; and a Thanksgiving benefit class at Namaste Yoga in Oakland with Vickie Russell Bell. I sold Stop Slavery Now tee-shirts, and held a cocktail party and a silent auction. Also, [legendary kirtan singer] Krishna Das did an amazing fundraiser in NYC on the Bhajan Boat and he donated his whole portion to me for the cause. It was incredible.


Thanksgiving benefit class at Namaste Yoga in Oakland with Vickie Russell Bell

SFBG  What was the biggest fundraiser?

COLBERT  It was actually at my hair salon, Monica Foster Salon, in Palo Alto. I got everyone to work on a Monday when we’re usually closed, and they all donated their proceeds, over $4000 altogether, to Off the Mat.

SFBG  So you’re going to India then?

COLBERT Yes! I’ve never been to India and I am so thrilled that I get this opportunity. We leave on February 17 for 10 days in Kolkata. We’ll be working every day with the local charities that are partnered with Off the Mat to help rescue girls, and teach them trades like jewelry-making. We’ll also be helping to build a new room onto a dance-and-yoga therapy center that helps these girls transition back into society.

It’s an interesting time to be going to India to do this work. After the recent gang rape in India, there’s been an uprising of women banding together saying we’re not going to stand for this anymore. It feels really good that we can be part of that timing and affect some social change.

SFBG  Is your fundraising effort over?

COLBERT  Technically, yes, but people are still giving me cash and writing me checks! We’re asked to bring a donation bag over with us filled with first aid supplies, art supplies, and things to draw with, that we can give to the different charities—so I’ve been using the additional funds for that. Once that bag is full, I’ll give the remaining money to Off the Mat.


Colbert with yoga teacher Vickie Russell Bell (left) at Namaste Yoga

SFBG  What has this year of fundraising taught you?

COLBERT That I am not in control of anything. Every fundraiser, I would think it would go this way or that way—and it was never like that. I would think there would be 75 people there and in walked 12. Or I thought a person was going to give me $5 and he gave me $500. I had to learn to not try to control things, and to just be in the present moment with what is.

SFBG  You’re leaving on February 17. Nice timing for Valentine’s Day, eh?

COLBERT Yes, but every day should be Valentine’s Day! Every day we should all be giving each other as much love as we can, helping each other and holding each other up.

If you want to donate to Off the Mat or learn about the 2013 Seva Challenge, visit www.offthematintotheworld.org.

Karen Macklin is a writer and yoga teacher in San Francisco — her On the Om Front column appears biweekly here on SFBG.com.


It’s All About Love
Yoga and Spirituality Listings by Joanne Greenstein

Seven Month Chakra Awakening Intensive with Anodea Judith

Open your heart through the chakras. Award winning author and internationally renowned teacher Anodea Judith is coming to the Bay Area to lead a series of seven workshops on the seven chakras over seven months.  Each month will focus on one of the chakras, offering asana practice, bioenergetic exercises, breathing techniques, guided trance journeys, chanting, art, music and more to clear blockages and active chakra energy.  Workshops will be supplemented by weekly emails.
Sat 2/9 – Sat 2/13, 1:00 – 5:45 PM, Yoga Kula SF, 3030A 16th, SF with 2 sessions at Yoga Kula Berkeley, 1700 Shattuck, Berkeley, $90/workshop or $560 for all 7.  Livestream also available at $45/sessionor $285 for all sessions. yogakula.com/chakra-awakening

Valentine’s Day Contact Yoga Class with Alok Rocheleau and Anjuli Mahendra
Open your heart through touch.  Connect physically, emotionally and spiritually through partner yoga, contact improvisation and Thai massage.
Thurs/14, 7:30 – 10:00 PM, Mindful Body, 2876 California, SF, $70 per couple in advance/$80 at the door. www.themindfulbody.com/main/workshopsevents.htm

Celebration of Heart with Deborah Lee
Open your heart through movement.  Flow through a series of poses designed to help you release tension, improve your posture and connect to your heart. 
Sun/10, 2:00 – 4:15 PM, Yogaworks, 1823 Divisadero, SF, $20 in advance/$30 at the door. More info here.

Kirtan with David Newman (Durga Das)
Open your heart through song.  David and his wife Mira will lead a fun, joyous evening of call-and-response chanting letting you access your heart space. 
Fri/15, 8:00 – 10:00 PM, Urban Flow, 1543 Mission, SF, $20 in advance/$25 at the door. www.urbanflowyoga.com/workshop.html
 

Tantra & Massage Valentine’s Workshop with Dee Dussault
Open your heart through connection.  Explore and deepen your relationship through these workshops for couples. On day one, learn tantric practices to enhance the intimacy, energy, communication and sensuality in your relationship.  On day two, improve your love-making through tantric massage, breathing and visualization.  Day two is clothing optional, with a non-genital focus.
Tantra Workshop: Expanding Erotic Energy
Sat/16, 1:30 – 4:30 PM, 548 Fillmore, SF, $45
Sensual Massage: Conscious Intimate Touch
Sun/17, 2:00 – 5:00 PM, 548 Fillmore, SF, $45
More info here.

On the Cheap Listings

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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for listings, see Picks.

WEDNESDAY 6

Urban dance at the library Merced Branch Library, 155 Winston, SF. www.sfpl.org. 4:30, free. For ages seven to 18. In celebration of Black History Month, Sergio Suarez of the All the Way Live Foundation will share his knowledge of street dance history — covering everything from the Memphis jook to Oakland TURF to LA crump. Children and teens will also have a chance to watch acclaimed Bay Area dancers Beatz n Pieces, Agatron, Fluidgirl, and Too Wet.

THURSDAY 7

“Bacon, Babes and Bingo” El Rio, 3158 Mission, SF. www.baconbabesandbingo.com. 7-11pm, $10. With endless ways to win prizes — from donning superlative pig-related accessories to spinning the “squeal wheel” — tonight is a shining night for bacon. To keep up with the theme, vendor BaconBacon will be serving up a variety of pork-related goodies. If all this isn’t compelling enough, there will also be burlesque, music, and free snacks courtesy of Rock Candy Snack Shop.

FRIDAY 8

Gray Loft Gallery’s second annual Love Show Gray Loft Gallery, 2889 Ford, third floor, Oakl. Through February 23. www.greyloftgallery.com. Opening reception: 6-9pm, free. Photographs, paintings, collages, sculptures, jewelry, textiles, and handmade cards, all exploring themes of love will be on display tonight in this unconventional work-live warehouse and gallery in Oakland’s Jingletown district.

“On The Edge” erotic photography exhibition Gallery 4N5, 683 Mission, SF. www.eroticartevents.com. 4-10pm. $5. Also open Sat/9, 1-10pm and Sun/10, noon-5pm. Free on Sunday. If the thought of a teddy-bear-and-Hallmark-card kind of Valentines Day puts you straight to sleep, this exhibit might be what you’ve been looking for. Featuring 400 pieces of fine nude art and extreme erotica photographs by 20 photographers, this event is sure spice up your holiday. Mingle with some of the photographers and stay for the leather fashion show at 7:30pm.

“Mortified’s Doomed Valentine’s Show” DNA Lounge, 375 11th St., SF. www.dnalounge.com. Doors open at 6:30pm. Show starts at 7:30pm, $14-21. Sat/8, 7:30pm at the Uptown, 1928 Telegraph, Oakl. “Mortified” is a nationally-loved, comic excavation of the artifacts of teenage angst (i.e. journals, home movies, letters, poems, etc.) shared by the original authors. Complete with a house band, these stories cover topics such as worst hand job, first puff, and Bible camp. Some of these stories may make you cringe with sheer awkwardness but they might make your high school experience seem slightly less tragic.

SF Beer Week Various Bay Area locations. www.sfbeerweek.org. Through Feb. 17. Every year this celebration of the Bay’s burgeoning microbrew macroculture exceeds our expectations and in 2013 we’ll be raising our steins yet again. Check the website for info on tastings, food-beer pairing dinners, educational offerings, and what special brew your favorite bar will be pouring on what night.

SATURDAY 9

“My Perverted Sucky Valentine Puts Out!” Center for Sex and Culture, 1349 Mission, SF. 8pm, $10-25 donation suggested. If you’ve fallen victim to a romantic rejection or two, you should know you’re not alone. In fact, tonight is a spoken word extravaganza focusing on topics such as: hot heartbreak, lust gone wrong, and ill-advised hookups. And let’s hear it for sponsoring sex-positive culture: your donations go to help the Center for Sex and Culture and St. James Infirmary continue those institutions’ rad, empowering programming.

Rare Device Valentine’s Trunk Show Rare Device, 600 Divisadero, SF. www.raredevice.net. Noon-6pm, free. Treat your Valentine (or yourself) with some awesome, locally-crafted goodies this afternoon. Between Zelma Rose’s cross stitched accessories, Jen Hewett’s lively prints, Emily McDowell’s inspirational illustrations, and Karrie Bakes’ gluten-free treats you are sure to walk away with something sweet.

Cupid’s Undie Run The Republic, 3213 Scott, SF. www.cupidsundierun.com. Pre-festivities start at noon, run begins at 2:30pm, $30. Register online. Strip down and sweat up for this mile long run around the Marina and Lombard Street. While your best lingerie gets all sweaty, you’ll also be helping to raise funds to benefit the Children’s Tumor Foundation. Warm up at the Republic before and afterwards with pre and post-run festivities.

SUNDAY 10

SPCA’s Be MineValentine’s Adopt-a-thon 201 Alabama, SF. www.sfspca.org. 10am-6pm, free. Nothing says “I love you” more than a puppy. Join the SF SPCA this weekend for its annual adoption extravaganza. Head over Friday night for a cocktail party, Saturday afternoon for dog and cat behavior seminars, or today for a puppy kissing booth, foster care bake sale, and prize wheel. All adoption fees are waived this weekend for animals from SF SPCA, SF Animal Care and Control, Muttville Senior Dog Rescue, and Family Dog Rescued.

MONDAY 11

“Edible Valentine Workshop” Autumn Express, 2071 Mission, SF. www.autumnexpress.com. 5-6pm. $10 if you register before Feb. 8, $15 at the door. Whether you’re still in school or not, passing out Valentine’s Day cards is fun. Head over to sustainability-oriented print shop Autumn Express to decorate some cookies and chocolate bars with icing and candies and whip up some cards for your big-kid class.

THURSDAY 14

One Billion Rising performance ritual First Presbyterian Church, 2619 Broadway, Oakl. www.bayarearising.org. 7-8:30pm, $10-100 donation suggested. Free for youth under 17. Purchase tickets online. Put your Valentines Day towards a good cause this year at a fundraiser for International Development Exchange (IDEX), an organization working to empower impoverished women across the globe. The evening will be a mix of spirituality, politics, and performances from local groups such as Youth Speaks and Mission Dance Brigade.

Dogpatch Wine Works date night Dogpatch Wine Works, 2455 Third St., SF. www.dogpatchwineworks.com. 6-8pm, $40. Few things spell out romance quite like wine and chocolate. Stroll around Dogpatch Wine Works’ tasting room sipping on some vino and snacking on locally-crafted Recchiuti chocolate. After your palette is satisfied you can tour the 15,000 square foot working winery.

“Returning Cupid’s Fire” Cartoon Art Museum, 655 Mission, SF. www.cartoonart.org. 7-9pm, $10. If you are Valentine-less and planning on having a night in with Ben and Jerry, it’s time to change your plans. San Francisco comedians Ivan Hernandez, Colleen Watson, and Mike Capozzola feel your pain and will be performing anti-Valentine’s Day themed stand-up routines tonight. Refreshments will be served.

Tout Sweet Pâtisserie tasting Tout Sweet Pâtisserie in Macy’s Union Square, 170 O’Farrell, third floor, SF. (415) 385-1679, www.toutsweetsf.com. 7-8:30pm, $55 per person. Reservations recommended. Yigit Pura, chef and owner of this sweet shop, is now offering tastings at Tout Sweet, which for our purposes means a three-course dessert menu featuring a rotating selection of seasonal offerings, each paired with local artisanal wine and beer. If you already have some sweet Valentine’s Day plans don’t fret, Pura has more tastings scheduled for March 14 and April 11.

Hella Vegan Eats V-Day pop up dinner Dear Mom, 2700 16th St., SF. www.dearmomsf.com. 5pm-midnight, free. The Oakland–based traveling food vendor will be in the city to once again take over Mission bar Dear Mom. We are hoping their doughnut burger with secret sauce will be on tonight’s menu.

Valentine’s Day at the Armory Club The Armory, 1800 Mission, SF. tickets.armorystudios.com. 7:30 and 9:30, $55. Start the evening off on the upper floor of the historic Armory then head to a workshop led by porn starlet Rain DeGrey that focuses on teaching couples how to make fantasies reality. Afterward, enjoy specialty cocktails and aphrodisiac-themed appetizers at the luxe Armory Club across the street.

 

Out of place

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news@sfbg.com 

In his State of the City address last week, Mayor Ed Lee cheerfully characterized San Francisco as “the new gravitational center of Silicon Valley.” He touted tech-sector job creation. “We have truly become the innovation capital of the world,” Lee said, “home to 1,800 tech companies with more than 42,000 employees — and growing every day.”

From a purely economic standpoint, San Francisco is on a steady climb. But not all residents share the mayor’s rosy outlook. Shortly after Lee’s speech, renowned local author Rebecca Solnit published her own view of San Francisco’s condition in the London Review of Books. Zeroing in on the Google Bus as a symbol of the city’s housing affordability crisis, she linked the influx of high-salaried tech workers to soaring housing costs. With rents trending skyward, she pointed out, the dearth of affordable housing is escalating a shift in the city’s cultural fabric.

“All this is changing the character of what was once a great city of refuge for dissidents, queers, pacifists and experimentalists,” Solnit wrote. “It has become increasingly unaffordable over the past quarter-century, but still has a host of writers, artists, activists, environmentalists, eccentrics and others who don’t work sixty-hour weeks for corporations — though we may be a relic population.”

LIMITED OPTIONS

The issue of housing in San Francisco is highly emotional, and there is perhaps no greater flashpoint in the charged debate than Ellis Act evictions.

When the housing market bounces upward, Ellis Act evictions tend to hit long-term tenants whose monthly payments, protected by rent control, are a comparative bargain. Even if they’ve submitted every payment on time and upheld every lease obligation for 20 years, these renters can find themselves in the bind of being forced out.

And they don’t just lose their homes; often they lose their community. San Francisco has become so expensive that many Ellis Act victims are tossed out of this city for good.

Enacted in 1986, the state law allows a landlord to stop renting units, evict all tenants, and sell the building for another purpose. Originally construed as a way for landlords to “go out of business” and move into their properties, the Ellis Act instead gained notoriety as a driving force behind a wave of evictions that slammed San Francisco during the tech boom of the late 90s. Between 1986 and 1995, just 29 Ellis evictions were filed with the San Francisco Rent Board; in the 1999-2000 fiscal year alone, that number ballooned to a staggering 440.

Under the current tech heyday, there are indications that Ellis Act evictions are gaining fresh momentum. The San Francisco Rent Board recorded 81 this past fiscal year, more than double that of the previous year, and there appears to be an upward trend.

TIC CONTROVERSY

Buildings cleared via the Ellis Act are typically repackaged as tenancies-in-common (TIC), where several buyers jointly purchase a multi-unit residence and each occupy one unit. Realtors often market TICs as a path to homeownership for moderate-income individuals, creating an incentive for buyers to enter into risky, high-interest shared mortgages in hopes of later converting to condos with more attractive financing.

The divide between TIC owners and renters came into sharp focus at a contentious Jan. 28 hearing, when a Board of Supervisors committee met to consider legislation that would allow some 2,000 TIC units to immediately convert to condos without having to wait their turn in a requisite lottery system.

One TIC owner said he was financially burdened, but had only entered into the arrangement because “I wanted to stay here and raise my family, but we couldn’t afford a single family home.” Yet tenants brought their own set of concerns to the table, saying the temptation to create TICs was putting a major dent in the city’s finite stock of rent-controlled units — the single greatest source of affordable housing in San Francisco.

“My feeling is, let’s stop doing TICs,” Tommi Avicolli Mecca, a tenants right activist with the Housing Rights Committee, told the Guardian following the hearing. “The city has to just start making sure that the condos that are built are the kind of thing [TIC buyers] can afford. Instead, we cannibalize our rental stock? That’s a reasonable way? You evict one group of people to house another: How does that make sense?”

The grueling five-hour hearing illustrated the sad fact that San Franciscans in a slightly better economic position were being pitted against economically disadvantaged renters. The two groups were bitterly divided, and all seemed weary, furious, and frustrated by their housing situations.

The condo-conversion legislation, co-sponsored by Sups. Scott Wiener and Mark Farrell, did not move forward that day. Instead, Board President David Chiu made a motion to table the discussion until Feb. 25, to provide time for “an intensive negotiation process.” Chiu, who rents his home, added: “While I myself would like to become a homeowner someday … I do not support the legislation in its current form.”

Sup. Jane Kim sought to appeal to the tenants as well as the TIC owners. “It’s very tragic that we have set up a situation where [TICs and renters] are pitted against one another,” she said. She hinted at what a possible alternative to might look like. “We should be looking at a ban of scale,” she said. “If we allow 1,800 potential units to go thru this year, are we willing to do a freeze for the next 8 to 10 years?”

It’s unclear what will happen in the next few weeks, but if this legislation makes it back to the full board in some form, the swing votes are expected to be Sups. London Breed, Malia Cohen and Norman Yee.

CASH OR EVICTION?

New protections were enacted following the late-90s frenzy to discourage real-estate speculators from using the Ellis Act to turn a profit on the backs of vulnerable seniors or disabled tenants. Yet a new wave of investors has discovered they can persuade tenants to leave voluntarily, simply by offering buyouts while simultaneously wielding the threat of an Ellis Act eviction. “The process got more sophisticated,” explains San Francisco Rent Board Deputy Director Robert Collins.

Once a tenant has accepted a check in lieu of eviction, rent-controlled units can be converted to market rate, or refurbished and sold as pricey condos, without the legal hindrances of an eviction blemish. Buyouts aren’t recorded with the Rent Board, and the agency has no real guidance for residents faced with this particular dilemma. “We don’t have the true number on buyouts,” says Mecca. “We don’t know how many people have left due to intimidation.”

Identity-wise, renters impacted by the Ellis Act defy categorization. A contingent of monolingual Chinese residents rallied outside City Hall recently to oppose legislation they believed would give rise to evictions; in the Mission, many targeted tenants are Latinos who primarily speak Spanish. From working immigrants, to aging queer activists, to disabled seniors, to idealists banding together in collective houses, the affected tenants do have one thing in common. When landlords or real-estate speculators perceive that their homes are more valuable unoccupied, their lives are susceptible to being upended by forces beyond their control.

The upshot of San Francisco’s affordability crisis is a cultural blow for a city traditionally regarded as tolerant, forward thinking, and progressive. In the words of Rose Eger, a musician who faces an Ellis Act eviction from her apartment of 19 years, “it changes the face of who San Francisco is.

Out of the Castro

By Tim Redmond

You can’t get much more Castro than Jeremy Mykaels. The 62-year old moved to the neighborhood in the early 1970s, fleeing raids at gay bars in Denver. He played in a rock band, worked at the old Jaguar Books, watched the rise of Harvey Milk, saw the neighborhood transform and made it his home.

He’s lived in a modest apartment on Noe Street for 17 years, and for the past 11 has been living with AIDS. Rent control has made it possible for Mykaels, who survives on disability payments, to remain in this city, in his community, close to the doctors at Davis Hospital who, he believes, have saved his life.

And now he’s going to have to leave.

In the spring of 2011, his longtime landlords sold the building to a real-estate investment group based in Union City — and the new owners immediately sought to get rid of all the tenants. Two renters fled, knowing what was coming; Mykaels stuck around. In September of 2012, he was served with an eviction notice, filed under the state’s Ellis Act.

He’s a senior, he’s disabled, his friends are mostly dead and his life is in his community — but none of that matters. The Ellis Act has no exceptions.

Mykaels spent a fair amount of his life savings fixing up his place. The walls are beige, decorated with nice art. Dickens the cat, who is chocolate brown but looks black, wanders in and out of the small bedroom. Mykaels has been happy there and never wanted to leave; “this,” he told me, “is where I thought I would live the rest of my life.”

There’s no place in the Castro, or even the rest of the city, where he can afford to move. Small studios start at $2,500 a month, which would eat up all of his income. There is, quite literally, nowhere left for him to go.

“A lot of my friends have died, or moved to Palm Springs,” he said. “But this is where my doctors are and where I’m comfortable. I’m not going to find a support system like this anywhere else in the world.”

Mykaels is the face of San Francisco, 2013, a resident who is not part of the mayor’s grand vision for bringing development and high-paying jobs into the city. As far as City Hall is concerned, he’s collateral damage, someone whose life will have to be upended in the name of progress.

But Mykaels isn’t going easily. The former web designer has created a site — ellishurtsseniors.org — that lists not only his address (460 Noe) and the names of the new owners (Cuong Mai, William H. Young and John H. Du) but the addresses of dozens of other properties that are facing Ellis Act evictions. His message to potential buyers: Boycott.

“Do not buy properties where seniors or the disabled have been evicted for profit by real estate speculators using the Ellis Act,” the website states.

Mykaels is a demon researcher — his site is a guide to 31 properties with 94 units where seniors or disabled people are being evicted under the Ellis Act. In some cases, individuals or couples are filing the eviction papers, but at least 14 properties are owned by corporations or trusts.

Mai told me that he knew a disabled senior was living in the building when he and his two partners bought it, but he said his plan all along was to evict all the tenants and turn the three-unit place into a single-family house. He said he hasn’t decided yet whether to sell building; “I might decide to live there myself.” (Of course, if he wanted to live there himself, he wouldn’t need the Ellis Act.)

Mai said he “felt bad about the whole situation,” and he had offered to buy Mykaels out. The offer, however, wouldn’t have covered more than a few months of market rent anyplace else in the Castro.

By law, Mykaels can stay in his apartment until September. If he can’t stave off the eviction by then, San Francisco will lose another longtime member of the city community.

 

Dark days in the Inner Sunset

By Rebecca Bowe

The living room in Rose and Willie Eger’s Inner Sunset apartment is where Rose composes her songs and Willie unwinds after playing baseball in Golden Gate Park. Faded Beatles memorabilia and 45 records adorn the walls, and a prominently displayed poster of Jimi Hendrix looms above a row of guitar cases and an expansive record collection.

It’s a little worn and drafty, but the couple has called this 10th Ave. apartment home for 19 years. Now their lives are about to change. On Jan. 5, all the tenants in their eight-unit building received notice that an Ellis Act eviction proceeding had been filed against them.

“The music that I do is about social and political things,” explains Rose, dressed from head-to-toe in hot pink with a gray braid swinging down her back. Determined to derive inspiration from this whole eviction nightmare, she’s composing a song that plays with the phrase “tenants-in-common.”

Cindy Huff, the Egers’ upstairs neighbor, says she began worrying about the prospect of eviction when the property changed hands last summer. Realtor Elba Borgen, described as a “serial evictor” in online news stories because she’s used the Ellis Act to clear several other properties, purchased the apartment building last August, through a limited liability corporation. The notice of eviction landed in the mailbox less than six months later. (Borgen did not return Guardian calls seeking comment.)

“With the [average] rent being three times what most of us pay, there’s no way we can stay in the city,” Huff says. “The only option we would have is to move out of San Francisco.” She retired last year following a 33-year stint with UCSF’s human resources department. Now, facing the prospect of moving when she and her partner are on fixed incomes, she’s scouring job listings for part-time work.

The initial notice stated that every tenant had to vacate within 120 days, but several residents are working with advocates from the Housing Rights Committee in hopes of qualifying for extensions. Huff and the Egers are all in their fifties, but some tenants are seniors—including a 90-year-old Cuban woman who lives with her daughter, and has Alzheimer’s disease.

Willie works two days a week, and Rose is doing her best to get by with earnings from musical gigs. Both originally from New York City, they’ve lived in the city 35 years. When they first moved to the Sunset, it resembled something more like a working-class neighborhood, where families could raise kids. The recent tech boom has ushered in a transformation, one that Rose believes “changes the face of who San Francisco is.” Willie doesn’t mince words about the mess this eviction has landed them in. “I call it ‘Scam-Francisco,'” he says.

The trio recently joined tenant advocates in visiting Sup. Norman Yee, their district supervisor, to tell their stories. Yee, who is expected to be one of the swing votes on an upcoming debate about condo-conversion legislation vehemently opposed by tenant activists, reportedly listened politely but didn’t say much.

As for what the next few months have in store for the Egers? “I can’t really visualize the outcome,” Rose says. “I can only visualize the day-to-day fight. And that’s scary.”

 

Fighting for a home in the Mission

By Tim Redmond

Eleven years ago, Olga Pizarro fell in love with Ocean Beach. A native of Peru who was living in Canada, she visited the Bay Area, saw the water and decided she would never leave.

Fast forward to today and she’s built a home in the Mission, renting a small room in a basement flat on Folsom Street. The 55-year-old has lived in the building for eight years; polio has left her wearing a leg brace and she can’t climb stairs very well, but she still rides her bike to work at the Golden Gate Regional Center. She’s a sociologist by training; the walls in her room are lined with bookshelves, with hundreds of books in Spanish and English.

The place isn’t fancy, and it needs work, but it’s hard to find a ground-floor apartment in the Mission that’s affordable on a nonprofit worker’s salary. Since 2011, when she moved in, she and her three housemates have been protected by rent control. And Pizarro’s been happy; “I love the neighborhood,” she told me.

The letter warning of a pending eviction arrived Jan. 16. A new owner of the building wants to turn the place into tenancies in common and is prepared to throw everyone out under the Ellis Act. There’s no place else in town for Pizarro to go.

“I’ve looked and looked,” she said. “The cheapest places are $2,500 a month or more. Maybe I’ll have to move out of the city.”

Pizarro’s building is owned by Wai Ahead, LLC, a San Francisco partnership registered to Carol Wai and Sean Lundy. I couldn’t reach Wai or Lundy, but their attorney, Robert Sheppard, had plenty to say. “San Francisco is going the way of New York,” he told me. “Manhattan is full of co-ops that used to be rentals, and lower-income people are moving to Brooklyn and Queens. That’s happening here with Oakland and further out.” He argued that TICs, like co-ops, provide home-ownership opportunities for former renters.

Sheppard, who for years represented tenants in eviction cases, said the Ellis Act is law, and America is a capitalist country, and “as long as there is a private housing market, there will be shifts of people as the housing market shifts.” He agreed that it’s not good for lower-income people to lose their homes, but “the poor will always be hurt by a changing economy. It’s called evolution.”

Pizarro told me she’s shocked at how expensive housing has become in the Mission. “It’s gotten so gentrified,” she said. “People show up in their BMWs. It’s starting to feel very isolated.”

She’s fighting the eviction. “I didn’t intend it to be this way,” she explained. “I just want to live here.” Lacking any family in the area, the Mission has become her community — “and I’m frustrated by the violence of how expensive it is.”

 

Affordability goes out of style

By Rebecca Bowe

Hester Michael is a fashion designer, and her home doubles as a project space for creating patterns, sewing custom clothing, weaving cloth, and painting. She’s lived in her Outer Sunset two-bedroom unit for almost two decades, but now she faces an Ellis Act eviction. Michael says she initially received notice last June. The timing was awful -– that same month, her husband passed away after a long battle with terminal illness.

“I’ve been here 25 years. My friends are here, and my business. I don’t know where else to go, or what else to do,” she says. “I just couldn’t picture myself anywhere else.”

Michael rents the upstairs unit of a split single-family home, a kind of residence that normally isn’t protected by rent control. Yet she leased the property in 1994, getting in under the wire before that exemption took effect. Since she pays below-market-rate rent in a home that could be sold vacant for top dollar, a target was essentially inscribed on her back when the property changed hands in 2004. That’s about when her long battle with the landlords began, she says.

From the get-go, her landlords indicated that she should look for a new place, Michael says, yet she chose to remain. The years that followed brought things falling into disrepair, she says, and a string of events that caused her feel intimidated and to fear eviction. Finally, she consulted with tenant advocates and hired an attorney. A complaint filed in superior court alleges that the property owners “harassed and retaliated [Michael] when she complained about the defective and dangerous conditions …telling [her] to move out of the property if she did not like the dangerous conditions thereat … repeatedly making improper entries into [the] property, and wrongfully accusing [her] of causing problems.”

Records show that Angela Ng serves as attorney in fact for the property owner, Ringo Chung Wai Lee. Steven Adair MacDonald, an attorney who represents both landlords and tenants in San Francisco housing disputes, represents the owners. “An owner of a single family home where the rent is controlled and a fraction of market has virtually no other choice but to terminate the tenancy,” MacDonald said when the Guardian reached him by phone. “They’ve got to empty it, and the only way to empty it is the Ellis Act.”

While Michael received an extension that allows her to remain until June 5, she fears her custom sewing business, Hester’s Designs, will suffer if she has to move. There’s the issue of space. “I have so much stuff in this house,” she says. And most of her clients are currently located close by, so she doesn’t know where her business would come from if she had to relocate. “A lot of my clients don’t have cars,” she says, “so if I live in some suburb in the East Bay, forget it. I’ll lose my business.”

The prospect of eviction has created a major dilemma for Michael, who first moved to San Francisco in 1987. While moving to the East Bay seems untenable, she says renting in San Francisco feels out of reach. “People are renting out small, tiny bedrooms for the same price as I pay here,” she says. With a wry laugh, she adds: “I don’t think there’s any vacant apartments in San Francisco -– unless you’re a tech dude and make seven grand a month.”

Feds continue war on California’s medical marijuana industry

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San Francisco medical marijuana dispensaries may be bouncing back from last year’s crackdown by the federal government, but the industry statewide continues to be besieged by the federal authorities, winning some battles but losing others.

Oakland-based Harborside Health Center, the nation’s largest not-for-profit model medical cannabis dispensary, experienced a big victory last month when a judge refused a federal motion for injunctive relief that would have shut down the club and enforce a forfeiture action and a 30-day notice to evacuate that the feds filed in July 2012.  

The City of Oakland decided to file its own motion against the U.S. attorneys, banks, and landlords that were all trying to evict Harborside, one of the top two tax-payers in Oakland, a first for city to officially back one of its clubs against the feds. But the judge also denied a city motion to dismiss the case, so it continues to work its way toward trial.

Hopes that the November votes in Washington and Colorado to legalize even recreational weed smoking would cause the feds to back off in California haven’t materialized. Aaron Sandusky, a dispensary operator from Southern California, was sentenced to 10 years of federal prison last month for conspiracy and possession with the intent to distribute marijuana. The feds claim the charges were so high because he had upwards of 1,000 plants.

Stockton resident Matthew Davies owned various dispensaries (keepmattfree.org), but they were shuttered after the feds, which charged him with two counts of manufacturing marijuana. U.S. Attorney Benjamin Wagner is offering Davies a plea bargain for a minimum of five years, and threatening 10 years in prison if he doesn’t comply. A recent Politco article makes the point that this case probably won’t be the one to turn over federal law, as it is unclear whether Davies was in compliance with California state law on marijuana.

These harsh examples are just a couple of dozens of dispensaries being shut down across the state. Just last month, in a case filed by Americans for Safe Access, the U.S. Court of Appeals in Washington DC ruled that marijuana has no proven medical value and should still classified as a Schedule I substance. ASA plans to appeal the ruling, hoping the US Supreme Court will take up the issue.

People across the country are signing online petitions and vocalizing their opposition to the contradictory stance on the legality of pot. Joining in on this public debate, Morgan Spurlock, director and star of Supersize Me, is the host of a new CNN documentary series, “Inside Man”, in which Spurlock investigates various issues in American life. In one episode, Spurlock focuses on the state of medical marijuana in California, and the ongoing struggle between federal and state lawmakers. He will feature both the Harborside and the Davies case.

For now, marijuana advocates are waiting on the court decisions on these various cases and if they will affect changes regarding the federal law. The City of Oakland had a hearing last week but no ruling was made. Harborside will continue to remain open and serving patients until its case goes to trial, a date that is uncertain at the moment.

 

Today in gun deaths

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I have friends in the Gun Left, and even a few in the Gun Right, who firmly believe that they have to have a large collection of dangerous weapons so that when the Forces of Repression or the International Socialist Order come marching up to their doors to lock them up in concentration camps, they can fight back for their freedom. Like this, I guess.

Only: The dozen or so rifles in your closet won’t do much good up against the US Army, if that’s who you fear — and if you fear the International Socialist Order, relax: You’ll get free health care.

But in the meantime, all these guns are doing an awful lot of killing. Teenage inauguration performer shot in Chicago. Five people shot at an office building in Phoenix. Urologist shot in California.

Of course, we all know that the only thing stopping a bad guy with a gun is a good guy with a gun, so: We need armed guards in every office building, and in every urologist’s office, and on the streets of Chicago. Wait — we already have cops in Chicago. And in Oakland. And still.

 

Nina Hartley mash notes, PETA gets naked, crafty vibes: Your week in sex events

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Everyone survive the bused-in loads of pro-lifers prancing down Market Street last Saturday? Good. FYI, the Pope’s real happy with San Francisco right about now, so if you need to ask him for anything (to borrow clothes?) do it.

Real Talk forum: “Open Relationships”

Real talk: being happy in a polyamorous relationship doesn’t mean you don’t ever get jealous. Real Talk: a series of panel discussions organized by the San Francisco AIDS Foundation that explores the issues related to gay men having happy and healthy sexual lives. The last discussion focused on serosorting — this one’s for those interested in strengthening their open relationship by examining what makes us jealous, and how to work through the emotion. 

Wed/30, 6-8pm, free. LGBT Community Center, 1800 Market, SF. www.sfaf.org

American Apparel casting call/”Shop It Like It’s Hot”

Look pretty, sullen, and emaciated at this mega discount shopping event — in addition to slashed sales prices on lewks from Crossroads Trading Co., RoyalMint, Covet Boutique, Meggie, Violet Boutique, Thrifted and Modern, Alyssa Nicole, and Acrimony, American Apparel will be hawking their solid color essentials and looking for models. Enter IMCHICSF in when you buy your online ticket and you’ll get $10 off. Also: there will be a food cart.

Wed/30, 6-9pm, $20. 111 Minna, SF. www.111minnagallery.com

PETA jumps on Nude-In train

Really, the cwazy vegans over at PETA need little excuse to get naked, but we are glad that they chose this one: the cwazy nudiest are protesting cwazy Scott Weiner’s impending nudity ban (again), and they’re doing it on the steps of City Hall again, and PETA will be there drawing the correlation to the fur trade by hoisting protest signs in the buff. Of course! Insert some tounge-clicky, chuckling “only in San Francisco” condescension — then take your clothes off and join fray.  

Thu/31, noon, free. Outside City Hall, SF. www.peta.org

“Letters to a Porn Star: Nina Hartley Fan Mail”

First off, the Center for Sex and Culture has a Nina Hartley collection and that’s really exciting. Secondly, selections from said collection will be on display, in all their fawning/questioning/pervy glory, at the Center until mid-March. Tonight, take in the letters, gifts, and trinkets sent to the classically amazing pioneer feminist porn star — and check out a talk by Ingrid Olsen, a CSC fellow who has been elbow-deep in Nina land. 

Through March 18. Opening reception and talk: Fri/1, 7-10pm, free. Center for Sex and Culture, 1349 Mission, SF. www.sexandculture.org

Feelmore Fresh Fridays

Every last Friday, downtown Oakland adult store and sex culture hub Feelmore510 hosts an evening of naughty film at the recently-opened New Parkway. We guess tonight’s showing could be sexy, but in a deeply disturbing way: the film is 2010’s Venus Noire, a bio-pic of Saartjes Baartman, a woman from Southern Africa who was trotted about imperialist Britain billed as a Hottentot. Scientists examined her anatomy and proclaimed her the missing link between humans and apes, and she wound up dying from STDs and pnuemonia at 27. A valuble lesson about psuedo-science and sex, but you’ll probably be using that tissue to wipe away tears rather than any other bodily fluid.

Fri/25, 11:30pm, $10. New Parkway Theater, 474 24th St., Oakl. www.thenewparkway.com

Good Vibes vibrator bling contest

You’ve gotta buy a Good Vibes vibe to play the game (not end of world), but then with a little peacock feather, ornamental zipper, and g-l-i-t-t-e-r you can enter this Good Vibes sex toy crafting contest. The fancified vibrators will be on display at the Polk Street sex shop location during March, and winners of the competition will win gift certificates for the store. Deadline to enter your little friend (we assume they want them to be unused, but don’t let us impose our Puritanical values on your creativity)

Deadline to enter Feb. 28. Deliver by hand or mail to Good Vibrations, 1620 Polk, SF. www.goodvibes.com

On a street where no buses burn: Where to hide from the Super Bowl

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It was my fault for working on my laptop behind the plate glass window of a 24th Street cafe when the Niners won… whatever game that was, last Sunday. But it is entirely your fault for spitting at my face through the plate glass window, you sad little hag of a Mission District twenty-something (sup George, remember when I interviewed you about your art a few years ago?) after screaming “DIE YUPPIES” or whatever in the door of said cafe. 

So yeah, I’m not so stoked on Super Bowl (or as my friend Kelly Lovemonster put it, “the football game during the Beyonce concert.”) The amount of aggression generated by even a victory for our home team is mind-blowing. Don’t get me wrong, I’m pumped for the Niners and for adorable, positive football fans — like novelty rapper and six-year old Sarah Redden — but I’m not trying to catch a burning bus about it. If you’re not either, come hide with me here: 

Smell the magnolias at the SF Botanical Garden

Bury yourself in these in-season pink-and-white blooms, sure solace for the streets of shoulder-checking outside the park. Check out the Garden’s daily, free 1:30pm docent-led tour, or just wander about the gorgeous vegetation, liberated from half-time hullabaloo and lines at the bar. Check out the Garden’s full line up of magnolia-themed entertainment for other things that will make you happy. 

Open 9am-5pm (last entry 4pm), free. Ninth Ave. and Lincoln, SF. www.sfbotanicalgarden.org

Swell with pride for your city in a non-sports-related way with our new poet laureate

We love San Francisco’s sixth poet laureate Alejandro Murguia more than many things — we even gave him a Guardian column! — so we’re stoked for his inaugural address this week. He plans to address the state of the Latino community in San Francisco, lyrically no doubt. 

Sun/27, 1-3pm, free. Main Library, 100 Larkin, SF. www.sfpl.org

Drift away with young East Bay classical musicians

As far as you can get, perhaps from the Tracy Morgan Kraft ad (or the teaser of said ad, that’s a thing now) — the 75 young players of the Oakland Youth Orchestra will take you away on the wings of their percussion, wind, and brass steeds. Get your Dimitri Shostakovich, Pyotr Ilyich Tchaikovsky, and Sergei Rachmaninov fix here, at the group’s winter concert.

Sun/27, 3pm, free. Holy Names University, 3500 Mountain, Oakl. www.oyo.org

Cry, laugh, drink with the queens

In the middle of it all — the red and gold beach towels, the cops pouring out champagne into the gutters on 16th Street — you will feel sad. Luckily, doorperson-like-you-wouldn’t-believe Dee Dean Leitner has assembled a passel of drag divas to belt out the shittiest odes to amore tonight at the Stud for a show lovingly dubbed “Worst. Song. Ever.” It starts early for drag, so you will be able to go more or less directly from whatever hole you’ve been hiding from, long before the last rowdies have hopped home on CalTrain.

Sun/27, 7-10pm, $5. The Stud, 399 Ninth St., SF. www.studsf.com

Stay in bed with cats

Win or lose, fireworks, and the pussies may be scared. You can help.

Every day, all the time, your rent. thekittencovers.tumblr.com