New York Times
This Week’s Picks
Our Weekly Picks
WEDNESDAY 5/30
A Behanding in Spokane
Martin McDonagh, Oscar-winning author of the movie In Bruges and the equally dark hit play Pillowman, brings us another demented fable, already receiving rave reviews from the New York Times and the Wall Street Journal. All we need to know is that protagonist Carmichael has lost his hand, and although it has been more than 30 years, he is still pissed as hell. Violence and sexually twisted elements are guaranteed in any McDonagh production, and this stage performance includes special effects as gruesome as you could find on the big screen. Do not be too scared off by the talk of gore though — his work is psychologically thrilling as well, and this black comedy brings some fantastic actors to the stage. (Shauna C. Keddy)
Ongoing, through June 30 Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm)
8pm, $30-40
533 Sutter, SF
(415) 677-9596
WEDNESDAY 5/30
Kids on a Crime Spree
These Kids embrace the idea that a simple pop song can be so much more — their music contains darker lyrics hidden under sunny melodies. Their records are captured on analog tape and harken back to the days when Phil Spector was recording bands in New York's famous Brill Building, and not just a crazy-haired freak. Based on a driving drum line and drenched in reverb guitar, this Crime Spree creates all the messy fun you could ask for, but it's safe to say you can walk away from this controlled chaos without any trouble with the law. This is not just the sound of kids having some rowdy fun, the Oakland rockers have some truly memorable tunes. (Keddy)
9pm, $5
El Rio
3158 Mission, SF
(415) 282-3325
THURSDAY 5/31
"The Water is Clear and Still"
Liss Fain has always chosen her visual and musical collaborators with great care. A choreographer of uncommon intelligence and taste, every new work is the result of careful deliberations and satisfying for that reason alone. Last year she stepped away from the proscenium stage into an installation format inside YBCA's Forum. In her new "The Water is Clear and Still," based on Jamaica Kincaid's tiny but hugely resonating short stories, she is taking the concept further by using the more complex space of Z Space's lobby and theater. Again the audience will be invited to wander. Joining Fain's seven dancers will be actor Delia MacDougall for Kincaid's text. Longtime collaborator Matthew Antaky has signed on one more time for the lighting and set design. Dan Wool composed the score. (Rita Felciano)
Through Sat/2, 8pm; Sun/3, 2pm; $15–$25
Z Space
450 Florida St., S.F.
(800) 838-3006
THURSDAY 5/31
"City Scenes: Installments One and Two"
Owned by the San Francisco Neighborhood Theater Foundation, the circa 1910 Vogue Theatre is, appropriately, a single-screen theater smack-dab in the middle of a neighborhood — no shopping malls need apply. With SFNTF partners CinemaSF at the programming helm, the Vogue shows first-run films, but also hosts unique cultural events you won't find elsewhere. Case in point: CinemaSF's new venture with promoters folkYEAH, "City Scenes," which pairs local musicians with SF-centric films for two nights of rockin' and movie-watchin'. Tonight, Vetiver curates the 1978 Goldie Hawn-Chevy Chase comedy Foul Play; tomorrow, Chuck Prophet presents Francis Ford Coppola's tense drama The Conversation (1974). (Cheryl Eddy)
Through Fri/1
8pm (music); 9pm (film), $20
Vogue Theatre
3290 Sacramento, SF
cinemasf.com/vogue
THURSDAY 5/31
Hospitality
One of the highlights at the most recent Noise Pop festival, Brooklyn's Hospitality is also responsible for one of the best releases this year, its self-titled debut on Merge Records. Amber Papini sings with an appealing lilt and unlocatable accent, and her storytelling style has the punch of Attractions-era Elvis Costello with the tenderness of Belle and Sebastian. Featuring production from guitarist-solo artist-Papini's husband Nathan Michel and Shane Stoneback (Vampire Weekend, Sleigh Bells), the resulting album is ten tracks of unimpeachable pop, immediately relatable to anyone that's endured a third decade of ennui, reevaluating friendships and that useless degree. (Ryan Prendiville)
With Waterstrider, Popscene DJs
9:30pm, $13
Rickshaw Stop
155 Fell, SF
(415) 861-2011
THURSDAY 5/31
2012 San Francisco Nightlife Awards
This is your chance, San Francisco, to throw your tired arms up then bend over and take a vote. More accurately: to celebrate all your creative nightlife creatures, venues, and parties with awards and accolades. The California Music and Culture Association is throwing this second annual meeting of the nightlife minds, where DJs from some of SF's favorite parties will spin, and all the voting will take place during the actual event. Yes, attendees get in on that hot voting action (Best Live Venue, Best Festival, Best Designer, etc). The winners will then be announced on the spot in a grand ceremony hopefully befitting for such luster. (Emily Savage)
With DJs from Debaser, Future Perfect, Hard French, Lights Down Low
Hosted by Anna Conda and Marke B.
8pm-midnight; Members $5, Non-Members $10
Mezzanine
444 Jessie, SF
Facebook: 2012 San Francisco Nightlife Awards
FRIDAY 6/1
Annie Bacon and Her OSHEN
Some nights you need to rock out to hardcore, other nights you want sweet and tender vocals over a folk-y melody, the kinds of songs in which the lyrics mean something, and the music carries you right along. Annie Bacon, also known for her "Folk Opera" work, offers that soothing sound you may yearn for at her album release show with Her OSHEN band (for new album Light to See Dark). Think Americana, with an emotionally driven undertone. (Keddy)
With Adios Amigo, Al Lover, the Hates, My Second Surprise
9pm, $10
Cafe Du Nord
2170 Market, SF
(415) 861-5016
FRIDAY 6/1
"Reap What You Zoa"
If you've visited Oakland Art Murmur — the city's super-cool monthly art walk, which last month turned into an Occupy-style dance party that took over Telegraph Avenue for hours — then you've probably seen the flaming Fluxcycle and its beautiful, stylish crew from Flux Foundation. Wanna go home with them? Mmm, of course you do. You'll get the chance after this month's Art Murmur when the crew brings the party back to its home base at American Steel for a rockin' afterparty to benefit Zoa, its creation for this year's Burning Man. The event features live music, a gallery show, Chester the Fire Breathing Art Car, the Front Porch, Oaktown Hall, a full bar staffed by the legendary Flash Hopkins, and other artsy surprises, all in a fantastic industrial warehouse. (Steven T. Jones)
With American Nomad
7pm-1am, $10–$20 donation
American Steel
1960 Mandela Parkway, Oakl. (enter on 20th)
FRIDAY 6/1
Omar Souleyman
The prominent ambassador of Syrian folk-dance-party-Dabke music to the US, Omar Souleyman is perhaps known best for his live performances. Releases on the Sublime Frequencies record label — drawing from reportedly over 500 cassettes created over the course of a decade plus, the majority of which were recorded at weddings and parties — has brought increased exposure for the musician and his band, and some ire from more "traditional" world music fans. Souleyman's style of overdriven, synthesizer-embracing, unrelenting beats and fire-spitting vocals inevitably leads to those who immediately can't stand it, and those who can't resist it. Incidentally, this category includes Bjork, for whom Souleyman recently remixed a series of songs including "Crystalline." (Prendiville)
With DJ Dragonfly, 3 Leafs
8pm, $20 Mezzanine 444 Jessie, SF (415) 625-8880 www.mezzaninesf.com
FRIDAY 6/1
Balam Acab
Tri Angle Records wunderkind Alec Koone, better known as Balam Acab, creates hauntingly beautiful music. The 2011 LP Wander / Wonder solidified Koone as a singular player in the vogue witch house scene. Although the term "witch house" is a four-letter word among some contemporaries, Balam Acab's music fits all the criteria: inherently electronic, atmospheric, warped, hazy and dragged out. The 20-something Pennsylvanian embarked on a sound that has helped characterize the Tri Angle aesthetic; label mates include Clams Casino, How to Dress Well, Holy Other and oOoOO. Koone made his San Francisco debut with a live performance at Public Works in December. This time around, Elbo Room should prove to be a more intimate experience for fans of his moody music, sure to be set to fog and lasers. (Julia B. Chan)
With S4NtA_MU3rTE, Nako, PLANET DEATH, oOoOO
10pm, $8 Advance
Elbo Room
647 Valencia, SF
(415) 552-7788
SATURDAY 6/2
Barn Owl
Barn Owl is often marginalized as a "drone" outfit, but its much too versatile for that description. Evoking the thick-as-molasses stoner sludge of Sunn O))), the astral jazz explorations of Alice Coltrane, and the shimmery moodiness of Can via Future Days, the SF duo has always incorporated the tonal shifts and genre-hopping necessary to keep its hypnosis in check. Having just finished a European tour, in support of its critically acclaimed 2011 album Lost in the Glare, this homecoming appearance ought to be a wild, unpredictable ride through Barn Owl's veritable maze of sonic influences. (Taylor Kaplan)
With Suishou No Fune, Tone Volt
9:30pm, $7
Hemlock Tavern
1131 Polk, SF
(415) 923-0923
SATURDAY 6/2
Ernest Ranglin
Legendary Jamaican guitarist Ernest Ranglin helped form what would become the ska scene back in the 1950s with his distinctive "scratching" style of playing, and has performed with everybody from Bob Marley and Jimmy Cliff to the Skatalites. Fans are invited to help the musical icon celebrate his 80th birthday tonight here in the city with a special concert featuring Ranglin backed by local favorites Vinyl performing hits from his massive back catalog along with selections from his newest album, Avila, which hit stores this week. (Sean McCourt)
With DJ Dukey
9pm, $20–$24
Great American Music Hall
859 O'Farrell St., SF
(415) 885-0750
www.slimspresents.com
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Heads Up: 7 must-see concerts this week
This week, musicians come from far and wide, from broad plains on the other side of the spinning globe, plucked from different coasts of varying notoriety, and from our very own backyards to entertain us. It’s a veritable Google Earth of sonic endeavors.
Far: exquisite Malian vocalist Khaira Arby. Around the corner: Thee Oh Sees with new Oakland act Warm Soda. Not quite as far as West Africa: Brooklyn’s Light Asylum, and Manhattan’s Emily Wells (different nights). Out of this word: Carletta Sue Kay. Now that’s entertainment. Let’s globe trot together from the comfort of our own venues, shall we?
Here are your must-see Bay Area concerts this week/end:
Light Asylum
Supernatural goth-pop duo Light Asylum is back, this time celebrating the release of its self-titled debut full-length, out now on Mexican Summer. Both gritty and ethereal, the record is a study in straddled extremes. Light Asylum also plays Amoeba at 5pm Monday.
Mon/14, 9pm, $12-$15
Public Works
161 Erie, SF
(415) 932-0955
www.publicworks.com
http://www.youtube.com/watch?v=TTk3R–Heug
Khaira Arby
She’s been hailed as “Mali’s reigning queen of song,” and is revered outside of Timbuktu by fellow world acts, including the Sway Machinery, which asked her to join it on tour a few years back. She writes and sings in indigenous languages of the Sahara desert and in those, her voice has a husky, powerful draw.
Wed/16, 9pm, $10-$15
New Parish
579 18th St., Oakl.
(510) 444-7474
www.thenewparish.com
http://www.youtube.com/watch?v=1UDecjaj4ek
Warm Soda and Thee Oh Sees
The name brings to mind cola burps. But it’s actually a brand new pop band put together by Oakland’s Matthew Melton, formerly of Bare Wires. And this will be your first chance to catch it live. And of course, fellow locals/headliners Thee Oh Sees routinely shred. And that goes for the rest of the lineup as well.
With the Mallard, Burnt Ones
Wed/16, 9pm, $12
Brick and Mortar Music Hall
1710 Mission, SF
(415) 800-8782
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=vSZTJsUWqXA
Emily Wells
Her variable voice is intoxicating, as are her live-looping violin skills. Sure, the video below is old and the multi-instrumentalist/”one-woman orchestra” has a brand album (Mama, Partisan Records) that’s full of endless layers and vigor. But this song’s called “Take It Easy, San Francisco,” and so we will.
With Portland Cello Project
Thu/17, 8pm, $15
Swedish American Hall
2174 Market, SF
(415) 431-7578
www.swedishamericanhall.com
http://www.youtube.com/watch?v=d6e2wOt1E2Y
Alright, here’s one off Mama
http://www.youtube.com/watch?v=7tnMlQcWcsI
Suckers
Riding a sunny art-pop rainbow of sticky, digitally-enhanced highs on newly released sophomore record Candy Salad (French Kiss), Suckers – whom you may know from previous single “It Gets Your Body Movin’” – journey to our coast this week from their adopted-home base of Brooklyn. Collective thanks again, Brooklyn, these Suckers are stuck in our heads.
With Young Man, Vanaprasta
Thu/17, 9pm, $12
Bottom of the Hill
1233 17 St., SF
(415) 621-4455
www.bottomofthehill.com
http://www.youtube.com/watch?v=5ZjfpBO_n2w
Carletta Sue Kay
Carletta Sue Kay vocalist Randy Walker has a fancy new (and if you can believe it, debut) album out this week – Incongruent (Kitten Charmer, May 15) – but is already something of a local legend, having opened for the likes of Kurt Vile, Ariel Pink’s Haunted Graffiti, Girls, the Fresh & Onlys, and Kelley Stoltz. Oh, and recently got a damn profile in the New York Times. Go, hear that silky, bluesy four octave vocal range once more, and rightfully fete the singer-songwriter. Carletta Sue Kay also plays Amoeba at 6pm Thu/17.
With Avengers, Erase Errata
Fri/18, 8pm, $15
Cafe Du Nord
2170 Market, SF
(415) 861-5016
www.cafedunord.com
http://www.youtube.com/watch?v=324m9sDQQl8
Black Sabbath’s Paranoid
The next round in a creative ongoing series from UnderCover Presents, “Black Sabbath’s Paranoid” pits more than 50 Bay Area musicians against one monumental heavy metal record. Each band covers one song, then on to the next. Note: there will be heavy metal-themed sandwiches sold outside, courtesy of Brass Knuckles.
With Extra Action Marching Band, Uriah Duffy with the Memorials, Sabbaticus Rex & the Axe-Wielders of Chaos, Tiger Honey Pot with Max Baloian, and more
Sat/19, 9pm, $20 (includes cover CD)
Independent
628 Divisadero, SF
(415) 771-1421
www.theindependentsf.com
Dick Meister: Union rights are civil rights
By Dick Meister
Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.
The right of U.S. workers to organize and bargain collectively with their employers unhindered by employer or government interference has been a legal right since the 1930s. Yet there are workers who are unaware of that, and employers who aim to keep them unaware, meanwhile doing their utmost to keep them from exercising what is a basic civil right.
Many employers often claim working people are in any case not much interested in unionization, noting that less than 15 percent of workers currently belong to unions.
But as anyone who has looked beneath the employer claims has discovered, it’s the illegal opposition of employers and the failure of government regulatory agencies to curtail the opposition that’s the basic cause of the low rate of unionization.
If most workers do indeed oppose unionization, then what of the recent polls decisively showing otherwise? And why do so many employers go to the considerable trouble and expense of waging major campaigns against unionization ? Why do they take such illegal actions as firing or otherwise penalizing union supporters?
Could it be that union campaigners might be able to persuade workers to vote for unionization, despite what their employers might have to say? Or despite employer threats to punish them for voting union?
Some employers have now taken the outrageous step of trying to keep employees from even knowing of their legal right to unionization.
Under a National Labor Relations Board ruling last August, employers were to be required as of this April to post notices at their workplaces telling employees of their union rights.
The ruling stemmed from the labor board’s finding that young workers, recent immigrants and workers in non-union workplaces were generally unaware of the labor laws’ guarantees and protections – including, of course, the basic right of workers to unionize.
As the New York Times observed, “the backlash was furious.” The notoriously anti-union National Association of Manufacturers and U.S. Chamber of Commerce filed suits in two federal courts, claiming the law does not expressly permit the NLRB to require employers to post such notices. An appeals court has postponed the effective date of the rule pending further appeals.
The Times noted that the case involves more than “the legality of having to hang a poster in the coffee room. It’s about industry’s attempt to delay rules whenever it cannot derail them outright. It is about preventing workers from gaining knowledge and support to help them press their concerns.”
So unless and until a court rules otherwise, workers will have the right to protections from the labor laws, but not the right to be informed of that through workplace notices and otherwise. Bizarre, certainly, is the word for that.
What workers need above all, even above the right to know their legal rights, is a firm strengthening of those rights. Why not add the right of unionization specifically to the Civil Rights Act? It is, after all, on a par with other basic civil rights such as the right to an education free of discrimination.
The Civil Rights Act, which makes it illegal to discriminate against workers on the basis of their race, ethnicity, gender, religion or national origin, should be expanded to include a specific prohibition of discrimination against pro-union workers.
No less a civil rights champion than Martin Luther King Jr. would agree to that. He knew that the right to unionization is one of the most important civil rights. Virtually his last act was in support of that. For he was slain by an assassin’s bullet in 1968 as he was preparing to lead yet another of the many demonstrations he had led in behalf of striking black sanitation workers in Memphis who were demanding union recognition.
That was but one of many examples of King’s support for workers seeking union recognition as their civil right – a right guaranteed not only by the 77-year-old National Labor Relations Act but also by the Constitution’s First Amendment guarantee of freedom of association.
King declared that the needs of all Americans “are identical with labor’s needs: Decent wages, fair working conditions, livable housing, old-age security, health and welfare measures, conditions in which families can grow, have education for their children, and respect in the community.”
There could be no civil right greater than the right of working people to try to meet such paramount needs, as well as to be clearly informed of their right to
do so through unionization.
Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 350 of his columns.
Cartoonist confidential
VISUAL ART Daniel Clowes draws eyes that are eerily human. Dotting the pages of his well-regarded graphic novels, they are by turns embittered, despairing, and vulnerable. So it’s fitting that the Clowes’ first major retrospective is at the Oakland Museum of California. Oakland is an underdog city, and Clowes — a longtime resident — champions underdogs.
After its Bay Area run, the exhibition will go on to major cities in the U.S. and Europe. It spans his career to date, with panels from Ghost World and Wilson, as well as work for the New York Times and the New Yorker. A book, The Art of Daniel Clowes: Modern Cartoonist, was recently published in conjunction with the show, and is already in reprint.
I recently spoke with Clowes about the dream-like experience of seeing his subconscious from 20 feet away.
San Francisco Bay Guardian Comic book art goes through cycles of popularity. Where do you think we’re at right now?
Daniel Clowes It’s always like I’m at the eye of the hurricane. I can’t see what the zeitgeist is in terms of how comics are being taken by the public, you know? The feeling that people are going to inherently dismiss comics because they’re comics seems to be evaporating. People who 20 years ago would have nothing but disdain or horror if you told them that you drew comics are now sort of interested and see that as a viable means of expression. But I can’t tell if we’re in a bubble and it’s all going to disappear, or if it’s just going to get bigger.
SFBG Do you experience your own art differently at the museum?
DC I never see my artwork from a distance. The farthest I can get from my artwork in my studio is like 10 feet at the most, and I wouldn’t even do that. And so to see it on a wall, you see it in a very different way. You see the way it works compositionally. It’s just an abstract grouping of black shapes on a page. If I were intending work to go on a wall, I would do it very differently: it would be all about making those black shapes appealing from 20 feet away. And now it’s just sort of luck if that happens or not. It doesn’t have anything to do with what I’m trying to do.
SFBG The panels get larger as you progress through the show from the early work to the later work. They seemed more dense with subtext but with fewer lines.
DC That’s something I’m working toward. A certain kind of efficiency. I feel like any extra line distracts from the reading of a comic. I really want the reader to feel immersed in the story. I think the reason why the artwork got bigger over the years is, when I started, I couldn’t afford the paper. I had to try to squeeze like four pages onto one big sheet of paper. Also I used to have to send my artwork to the publisher — this was all before scanning. And so, if the artwork was really big it would cost a lot more money to send and it would get bent in half in the mail.
SFBG What’s the process you go through when you draw the eyes of your characters?
DC That’s always the last thing I do on a drawing. I leave the eyes blank. And people have come over and seen my work on the drawing board and found it very disconcerting and very weird that there are these faces with no eyes. But [the eyes are] the key to the drawing. That’s by far the most important part. And the eyes have to show some humanity behind them — even if they’re very simple circles. That’s how you can tell if a character is alive or not. It’s not something you can consciously do. I don’t really know what the secret to that is, except you have to sort of believe that they’re alive.
SFBG How do you feel about having your work preserved in a museum?
DC I think of the museum iteration of this work as being a temporary thing. I don’t see that as being where this work would end up. I would hope that [in the distant future] it would end up in book form, that people [will] still knew how to manipulate the pages of books and read them.
SFBG Has anything about the show surprised you?
DC Walking into that room was a strange experience. I really felt claustrophobic, like I was trapped in my own brain somehow. It was very dream-like. Last week was the most dream-like week I’ve had. Right after I went to the opening the other night, I came home and my son and I were out on our porch and we saw a car going 90 miles an hour. It hit the median right in front of the house, flew through the air, turned upside-down, and landed on its roof. It was the most horrific thing I’ve ever seen. And then, miraculously — there were little kids [inside], and [they] crawled out of this broken car. The next day I was like, was all that a dream? I was in a room with all my artwork and then I saw a car fly through the air. It was just so odd.
SFBG It was the same week as that thunderstorm.
DC Yes, it was all that stuff. It was very surreal. *
MODERN CARTOONIST: THE ART OF DANIEL CLOWES
Through Aug. 12
Oakland Museum of California
1000 Oak, Oakl.
(510) 318-8400
The problem with the sharing economy
steve@sfbg.com
Catbird turned me onto Airbnb almost two years ago, long before I’d ever heard of the “sharing economy” or “collaborative consumption,” terms the tech industry is now using for companies that facilitate peer-to-peer rentals or otherwise take transactions once done through Craigslist to a glitzy new commercial level.
We were working together to build the Temple of Flux for Burning Man 2010 and chatting in the shop one evening. I mentioned wanting to find someone to sublet my apartment for the nearly three weeks that I was to spend on the playa that year, and she sang the praises of Airbnb, which she had recently started using to make some extra cash by renting out a room in the house she owns on Potrero Hill.
“The reason I decided to do it instead of a full-time roommate is it fits my lifestyle better,” Catbird, aka Cathryn Blum, told me recently as we discussed her beloved Airbnb in light of recent controversies over whether such rentals should pay the city’s 14 percent hotel tax. Catbird loves to meet visitors from around the world and help show them sides of San Francisco hidden from downtown hotel dwellers, as well as being able to keep her guest room vacant for visiting friends or family.
“Airbnb has been a godsend, and it’s invigorated a lot of the neighborhoods that tourists might not come and visit,” she said. “We’re not competing with the hotels, the hotels don’t provide that kind of experience.”
That’s what she and other Airbnb customers argued last month at a San Francisco Tax Collector’s Office hearing on the issue, which resulted in the hotel tax [aka Transient Occupancy Tax] being applied to Airbnb and similar companies.
Airbnb was a godsend for me as well, a simple easing of my economic woes. At the time, I was just getting serious with a new girlfriend and spending most nights at her place. So we moved some of my stuff over there to clear space and protect my valuables, took some photos of my small studio apartment in the Mission, and created an Airbnb listing.
We initially listed my place for $75 per night, which more than covered my rent but was cheaper than most hotels, the sweet spot that would create enough demand that I could pick and choose guests to meet my needs. And it worked perfectly. Not only did I find tenants to fill most of my Burning Man vacancy, but I kept it up periodically throughout the fall, moving in with my girlfriend for days or weeks at a stretch and splitting the proceeds with her.
It seemed too good to be true. And as I began to learn, perhaps it was.
LAW AND TAXES
Something Airbnb doesn’t tell you when you sign up is that you may be breaking the law and/or your lease (its spokesperson says that warning is in its terms of service, but I never saw it). Frankly, I knew that my lease didn’t allow subletters, but my building is big, I really needed the money, and I figured that I wouldn’t get caught, a calculation that many thousands of customers of Airbnb and other companies regularly make as well.
Later, well into by first foray as a landlord, thanks to Airbnb, I began to learn about some other complications that this business model creates in big, popular cities like San Francisco and New York that have complicated laws regulating landlord-tenant relations. For example, it’s illegal in San Francisco to sublet your apartment out for more than you pay in rent.
I felt a little guilty about that one. In a city where almost two-thirds of residents are renters, yet where property owners wield tremendous economic and political power, there are good reasons for rent control, limits on converting apartments into condominiums, eviction protections, and the whole slew of complicated laws and regulations that govern the often-contentious relationship between landlords and tenants.
But nobody seemed to be getting hurt and this was easy money, thanks to an elegantly simple dot-com idea. Sure, there were risks, both from the powers-that-be and from the strangers moving into my home. A good friend of mine in San Francisco who used Airbnb kept his valuables in a locked closet, which his temporary tenants — who had used fake identities and fraudulent credit cards — broke into, stealing thousands of dollars worth of equipment and getting away with it.
By the end of the year, it began to dawn on me that this business model wasn’t as simple as it initially seemed, triggered partially when the company sent me a 1099 federal tax form for the thousands of dollars I earned in 2010. Oh yeah, taxes, shit. So I paid my state and federal taxes on what had once seemed like free money, and I began to wonder what this “godsend” really meant for San Francisco, just as various advocacy groups were beginning to explore the issue.
“We began working on this issue a few years ago when we saw a big number of tourist conversions,” said Ted Gullicksen, executive director of the San Francisco Tenants Union. He discovered thousands of apartments — sometimes even entire buildings, usually those covered by rent control laws — were being taken off the rental market for use by tourists, sometimes after evictions to clear them of tenants. If I could use these sites to make money, unscrupulous landlords could as well.
“It shouldn’t even get to a tax issue because much of this is illegal,” Gullicksen said, noting that landlords opposed legislation a few years ago to give tenants more rights to sublet their apartments or add additional roommates. “This talk of shared economy strikes me as the wealthy asking the less wealthy to sacrifice.”
Advocates of the sharing economy argue that it’s just the opposite, making environmentalist and even socialist arguments that it’s a smart way of using fewer resources that empowers working class people.
“This idea of supplementing the formal economy with an economy based on sharing and bartering is very powerful. If you supplement a formal economy with an economy based on sharing you will have a lighter economic footprint and you would rely on relationships with people and actually, with less income, have a higher standard of living,” progressive activist Van Jones — whose new book The Green Collar Economy, discusses collaborative consumption — told us last month.
But it doesn’t usually feel quite so populist. Ron Conway, the billionaire angel investor who helped funnel hundreds of thousands of dollars in tech money to groups supporting Mayor Ed Lee’s election campaign last year, has significant investments in Airbnb and other “shareable” companies that Lee opposes taxing, as The New York Times reported last month.
Around that same time, I, along with many other local journalists, was invited to a fancy round-table dinner hosted by SparkPR to facilitate schmoozing with a half-dozen collaborative consumption start-ups, an event that felt more like the decadent peak of the last dot-com bubble than the launching of a people-powered economic revolution.
WINED AND DINED
Over fine wine and a seated gourmet dinner in a private room in Perbacco Ristorante + Bar, journalists representing the New York Times, San Francisco Examiner, Bloomberg, TechCrunch, and other media outlets chatted with representatives from Love Home Swap, Getaround, Zimride, Event Up, and DogVacay.
This was the latest event in the public relations blitz by advocates of “The Sharing Economy,” which was the title of an event at the San Francisco Planning and Urban Research Association two weeks earlier, which featured representatives from Airbnb, TaskRabbit, Shareable, Vayable, and Getaround (representatives of this car-sharing company do indeed seem to get around).
Our dinner began with introductions, and Love Swap Home founder Debbie Wosskow said she had come all the way from London for this dinner and some related meetings, on the ground just 36 hours. “I thought I could learn a lot from you guys out here,” she said in her charming British accent, later calling San Francisco the world hub for this new economic approach.
“Our business model is very simple: it’s like online dating for homes,” she said, explaining how the company registers people with cool homes that they can vacation-swap with others they meet through the site. Contrasting it with Airbnb, she said, “We’re swapping purists…I was less interested in turning my home into a money-making machine than moving my home to places around the world.”
The company caters mostly to those with higher-than-average incomes, while others at the table seem to be giving more structure to underground transactions pursued by the average Craigslist or Yelp user. “We have a platform of trusted folks who watch your dogs in their own homes,” was how Dog Vacay owner Aaron Hirschhorn described the business he started with his wife, which attracted $1 million in venture capital financing and now has 10 employees.
“I want to be the premiere national pet services company,” Hirschhorn said. “That’s the long-term play, but in the near-term we’re solving an immediate problem. And we’re giving people a chance to make money.”
As dinner was served, SparkPR’s Jamie Walker played hostess and encouraged us to chat about our common issues, so I offered an apparently impertinent topic for guests to address: “How do you all feel about taxes?”
An uncomfortable silence chilled the room, but I asked them to humor me because it was Tax Day and I was curious how they all felt about being required to pay taxes on the economic transactions they were facilitating. Again, silence, before someone finally ventured an answer.
“There are other societal benefits to this collaborative consumption industry,” was how Getaround’s Avery Lewis answered my question, talking about the many economic and environmental benefits of people being able to share their cars or avoid having to own a car for only occasional use.
And that may be true, but it doesn’t really answer the question: Why should these economic transactions be exempt from the taxes charged on most other economic transactions?
SOME THINGS DON’T CHANGE
Airbnb spokesperson Kimberly Rubey and Airbnb customers who testified at the tax hearing also speak of the wide variety of social and economic benefits of the service, and they make a compelling case that this company — with 100 employees here and 300 around the world facilitating 5 million nights booked in four years, up from just 1 million a year ago — is a boon to San Francisco.
But when you push them on the tax issue, they don’t know quite what to say. Rubey abruptly ended two short phone interviews when I pressed for an answer, both times saying she was late for meetings and would get back to me. The third time, she had this statement prepared: “We do not shy away from tax obligations, nor do we believe that all types of private residential rentals should be excluded from transient occupancy tax in all situations. That said, we do think that staying in someone’s spare bedroom or in someone’s home while they are away is different in a variety of ways than staying in a hotel.”
Yet that distinction isn’t one made in the city’s Transient Occupancy Tax law, says Greg Kato, the policy and legislative manager for the Tax Collector’s Office. “When we talk about a guest room under the law, that does include private residences,” he told us. “We want to make sure we’re taxing everyone properly.”
It was a broad and fairly unusual coalition of groups that pushed the city to begin regulating and taxing Airbnb and similar companies — from the Tenants Union and labor unions on the left to Hotel Council and Building Owners and Management Association on the other end the spectrum — making the prospects of a successful legislative challenge to the tax law interpretation unlikely.
Gullicksen said Airbnb may be one of the biggest companies affected by the ruling, but it isn’t the worst. He said Vacation Rental By Owner (www.vrbo.com) converts entire blocks of apartments into tourist hotels. By contrast, he said many renters use Airbnb to occasionally supplement their incomes.
“It depends on how often it’s used and to what scope it’s used,” he said.
Mayor Lee and some members of the Board of Supervisors recently created a Sharing Economy Working Group to hammer out those distinctions and make policy recommendations, but it has yet to be constituted or begin meeting. And Board President David Chiu has introduced legislation developed by the Tenants Union to ban the worst “hotelization” of rental units by corporations.
I’ll be curious to see how these issues play out, even though I no longer use Airbnb. Advocates for collaborative consumption seem to think they’ve invented something new under the sun and the rest of us just need to catch on. “When new business models emerge, you’re going to constantly be in ongoing discussions with policymakers to educate them about the difference with traditional models,” Rubey said.
Clearly, they’ve convinced Mayor Lee, who unsuccessfully sought a delay in the Tax Collector’s ruling, following the tax breaks he extended last year to Twitter, Zynga, and other tech companies. But I’m less convinced. Airbnb once seemed like a simple and harmless way to make extra money, but in San Francisco — where landlords and tenants often battle over the very soul and essence of the city — life here and the policies that govern it are endlessly complicated. And that’s nothing new.
The Bay Citizen divorces NYT to marry CIR
This Sunday is the last day The Bay Citizen – the nonprofit San Francisco newsroom started two years ago by Warren Hellman, the local philanthropist who died in December – will be producing content for The New York Times, as it has been doing throughout its existence. The question now is what are Bay Area citizens losing and what are we gaining?
The Bay Citizen was taken over by the Berkeley-based Center for Investigative Reporting, creating the country’s largest nonprofit news organization, a merger that will be completed next week. Under the direction of veteran local journalists Phil Bronstein, Robert Rosenthal, and Mark Katches, the combined newsrooms won’t be covering breaking news or press conferences, focusing instead on investigations and “accountability journalism” delivered under those two brands and CIR’s California Watch, in collaboration with newspapers and broadcast outlets around the state (read our previous stories for more details on each entity).
“In the end, how does journalism survive and how do you define journalism?” Bronstein told us, relaying the questions his organization is trying to answer. “We’re betting on the idea that quality journalism is something people are willing to pay for.”
But with CIR focused on an inclusive model of partnering with news outlets to do deep reporting and widely offering the resulting work, and The Bay Citizen providing content to The New York Times under an exclusive contract, the new entity decided to end that contract and focus The Bay Citizen on CIR’s mission.
“The Bay Citizen has done a lot of things really well – accountability, watchdog journalism – but they’ve also done breaking news and tried to do too many things,” Katches, the editorial director for the merged newsrooms, told us. “We want to figure out what our lane is and stay in it.”
CIR, with a 35-year history of award-winning investigations, undoubtedly has strong journalistic chops and a talented team of reporters. Its “On Shaky Ground” series on the seismic vulnerabilities of schools throughout the state won a number of big awards and was a finalist for this year’s Pulitzer Prize in Public Service. But in many ways, this is the biggest and best newsroom that most people have never heard of.
“People on the street might know The Bay Citizen, but not the Center for Investigative Reporting,” Bronstein said. That was something that he hoped the merger would help compensate for, with CIR also benefiting from the base of donors and technological expertise that The Bay Citizen had developed.
“CIR isn’t the brand, its stories are the brand, which it distributes to scores of publications,” said Peter Lewis, an longtime journalist who joined The Bay Citizen at its inception.
Lewis spent 18 years with The New York Times and seven with Fortune magazine, then he studied and taught journalism and new media at Stanford University before joining The Bay Citizen. During merger talks, he advocated for a marriage of equals and was “disappointed” that CIR took the lead role, and that it subsequently didn’t create a position for him (veteran local reporter John Upton and a few others were also let go).
While Lewis said that The Bay Citizen has had about eight times the Web traffic as CIR, which is pretty astounding given the age difference in the two entities, it’s unclear how much of The Bay Citizen’s brand identity – something that Rosenthal and Bronstein cited as an important component of the merger – had to do with its now-severed relationship with the Old Gray Lady.
“The decision was made to launch The Bay Citizen simultaneously with The New York Times relationship. That gave it an instant cache and respectability that most startups don’t get,” Lewis said, but it was a “double-edged sword” that also strained the resources of the nascent newsroom to the limits of its capabilities.
“To be honest, The Bay Citizen never reached its potential. It never had time to establish its own voice,” Lewis said. And now that the decision was made to eliminate much of the focus that it has had, covering breaking news and local happenings, Lewis says he unsure what it will mean: “Anytime you reduce coverage, it’s not good for citizens, but they’ll be doing a different kind of journalism.”
Rosenthal said he’s excited about the merger’s possibilities, drawing on the strengths of each entity, but that it will be a work in progress. “It’s going to be a very inclusive model, and it’s going to keep evolving,” he said. “The real measure is not three to six months, but looking at this a year from now will be very interesting.”
“It’s uncharted territory for both of us, but there’s an air of excitement,” Katches said. “We may do some things that are fabulous and some things that flop.”
He said the decision to drop The New York Times was the result of “a thoughtful process,” and they ultimately concluded, “We feel like we can reach even more readers in the Bay Area in a non-exclusive way…If the goal of your work is impact, then you broaden the impact if you broaden your readership.”
The model has worked well at CIR and its California Watch project, which has sought to beef up statehouse coverage that had been waning for years. Katches noted that the “On Shaky Ground” series had the impact it did precisely because it ran in so many media outlets around the state (many of which did localized stories based on the research) and reached millions of readers and viewers.
But CIR wasn’t as successful as The Bay Citizen in creating a stable, long-term financial base. Starting with Hellman and a handful of his wealthy friends, The Bay Citizen sought donations from a wide variety of sources that totaled more than $15 million. By contrast, CIR had limited term foundation funding for a staff of talented journalists.
“How we sustain that and can we do it long term was not something we thought out,” Bronstein (president of the CIR board) said of the efforts he and Rosenthal (CIR’s executive director) made to beef up CIR’s newsroom with foundation funding a couple years ago. “We didn’t have a business structure, we had a journalism structure.”
As newspapers have been hurt by the Internet and corporate consolidations and cuts, Bronstein said said the mission of news organizations has never been more vital.
“With fewer journalists, everything is harder, but it also becomes more important,” he said. Bronstein said the basic question that their journalists will address in San Francisco are: “Who are the people controlling our lives and how are they doing it?”
We spoke to Bronstein on the same day that the Guardian announced Publisher Bruce Brugmann is stepping down from day-to-day operations and that we’re negotiating the Guardian’s sale to a consortium that also owns the San Francisco Examiner. Despite a history of clashes between him and the Guardian, which has always done media coverage and often criticized Bronstein and his newspapers, he had only positive things to say.
“You cannot underestimate Bruce’s affect on San Francisco,” Bronstein said, calling him one of the most influential San Francisco journalists of his era.
“I have a lot of respect for Bruce. He’s yelled at me, like everyone else – it’s a rite of passage in San Francisco. But you’ve stuck to your ideological roots,” he said.
As for advice to the Guardian during this period of transition, Bronstein offered a few questions to ponder: “Can you afford to stick with the base of readers you’ve got? Can you be more digital? Can you give readers more than you’re giving them?”
While he was the editor of the Examiner, Bronstein said his mantra to reporters was, “You have to have an intense curiosity about things and an open mind.” It was something that fit his own belief about the world he was covering.
“Life is never like Walt Disney,” he said, eschewing the idea that there are clear heroes and villains. “The truth is more complicated, but also more interesting.”
Calvin Trillin: End of the line for Newt?
End of the line for Newt?
Sheldon Adelson, the Las Vegas billionaire who has been the biggest backer to a group supporting Newt Gingrich, said this week that Mr. Gingrich had reached ‘the end of the line’ in his bid for the presidency.” New York Times
So Newt’s coming closer to facing defeat?
His main sugar daddy’s no longer so sweet.
And Newt never was: why when he had the power
Of all that sugar, he still sounded sour.
Calvin Trillin.The Nation. 4/21/2012.
Mirkarimi claims Lee didn’t care what really happened
UPDATED BELOW Did Mayor Ed Lee ask Ross Mirkarimi what really happened in the conflict with his wife before removing him as sheriff? That question is not only important to understanding Lee and whether he was interested in the truth, but it could also be central to next week’s court hearing on whether Mirkarimi was denied due process before being suspended without pay.
In an interview published today in the New York Times, and in statements made today to the Guardian, Mirkarimi maintains that he sought to tell Lee the full story but that the mayor wasn’t interested. “He was clear that he was not interested in events or details, which were represented by me, even when I encouraged him,” Mirkarimi told The Bay Citizen, whose content the Times runs. “It was more than one occasion I offered to tell him my side of the story. If I had, it could have dramatically changed the mayor’s understanding of the situation.”
Yet the affidavit by Lee that was submitted to the court this week – which is written under penalty of perjury – paints a very different picture: one of the two men sitting in uncomfortable silence rather than Mirkarimi seizing the chance to shape Lee’s understanding of the situation.
“I asked Sheriff Mirkarimi to meet with me, because I felt that I needed to hear from him and consider what he had to say,” Lee wrote of the March 19 meeting where he gave Mirkarimi 24 hours to resign or be suspended, noting that he had reviewed the court records and “it appeared to me that he had engaged in official misconduct.”
“I explained to Sheriff Mirkarimi that I wanted to give him an opportunity to talk to me about this issue. It was a free flowing conversation with no time constraints. Sheriff Mirkarimi told me that he has not yet told his side of the story. I said, Okay, and waited for him to tell me his side of the story. He did not. Instead, after pausing, he asked me whether the suspension was based on his conduct as Sheriff. I responded that it was based on his conduct as a public official. I paused again and waited for Sheriff Mirkarimi to give me whatever information he thought important. He did not. Instead, Sheriff Mirkarimi asked me whether the suspension would be with or without pay. I told him it would be without pay. After giving him another chance to ask questions or give more information, I told Mr. Mirkarimi to consider my instruction to resign over the next 24 hours,” Lee wrote.
In an exchange of text messages with the Guardian, Mirkarimi maintains that Lee wasn’t interested in hearing from him or his wife, Eliana Lopez, what happened during the New Year’s Eve altercation or in its aftermath.
“On more than one occasion I offered details to Lee. He was either mute or changed the subject. Think about it – why else would they have DHR Miki Callahan [the city’s deputy human resources director] try to depose me after I was suspended without pay – they shoot first, then realize they better ask questions,” Mirkarimi wrote.
We asked why he didn’t use the opportunity of his meeting with Lee to tell his story.
“As I said, I did try. More than once. He wasn’t interested. In fact I told him how painful it’s been to not have contact [with Lopez, whom the court has barred him from contacting] since January 13, and encouraged him to get an independent account from my wife, Eliana; offered her phone number. Lee didn’t take it,” Mirkarimi said.
Paula Canny, Lopez’s attorney, has also said that Lee never tried to reach her and didn’t seem interested in what really happened. But the city’s official misconduct complaint makes a number of unsubstantiated allegations about that incident and what happened since that Mirkarimi and Lopez deny.
For example, the complaint claims that Mirkarimi “or his agents” asked Ivory Madison, the neighbor who helped Lopez make a videotape of her showing a bruise on her arm inflicted by Mirkarimi, to “destroy evidence,” a charge her husband, Abraham Mertens, made in a Chronicle op-ed. But in her own subsequent op-ed, Lopez says that wasn’t true and that Mirkarimi wasn’t even aware of the existence of the tape until after Madison had called the police and told them about it.
In the Times article, Mirkarimi also disputed another key allegation from the formal charges against him: “Sheriff Mirkarimi misused his office, and the status and authority it carries, for personal advantage when he stated to Ms. Lopez that he could win custody of their child because he was very powerful.”
That allegation also came from Madison, who hasn’t responded to calls from the Guardian, the Times, or other media outlets. But Mirkarimi told the Times that what he really told his wife was that California has “powerful” child custody laws that would make it difficult for her to take their son back to Venezuela if they divorced.
“I never said, ever, that I’m a powerful person,” he said. “It’s not even my style. I was quoting in the context of what had been a very familiar and painful reminder that, six months earlier, Eliana had been out of the country with Theo for two and a half months. I was referencing family law.”
Other news broken in the Times story was Mirkarimi disputing that he called the case a “private matter, a family matter,” saying that statement that so outraged domestic violence groups was “distorted by the press.” The article also quotes journalist Phil Bronstein minimizing the phone conversation he had with Madison before she decided to report the Mirkarimi-Lopez incident to the police, saying he only helped Madison contact “three people who Ross was close to” for reasons that weren’t clear. Bronstein, who hasn’t returned our calls on the issue [SEE UPDATE BELOW], was on the witness list for Mirkarimi’s domestic violence trial before Mirkarimi pled guilty to the lesser charge of false imprisonment.
The City Attorney’s Office isn’t commenting on the case, and when we asked the mayor’s Press Secretary Christine Falvey why Lee didn’t seek an account of what happened from Lopez or Mirkarimi, she told us simply, “The Mayor met with Ross Mirkarimi twice to discuss this.”
In the city’s response to Mirkarimi’s lawsuit seeking reinstatement of his pay and position until the official conduct hearings are resolved, which will be heard in Superior Court on April 20, they claim, “The Mayor met personally with Petitioner to discuss his intentions and has repeatedly invited Petitioner to tell his side of the story, an invitation Petitioner has repeatedly declined. But even more fundamentally, the due process claim fails as a matter of law. The constitutional right to due process is triggered only when the government works a deprivation of a legally recognized liberty or property interest.”
The city says caselaw is clear that elected officials can’t claim their office belongs to them. “A public office is always a public trust,” the city argues. But Mirkarimi’s attorneys say all employees have a clear property interest in their salaries, and they say it was illegal, coercive, and unfair to deprive Mirkarimi of his while he goes through the months-long official misconduct process. Police officers are almost always paid during their suspensions.
UPDATE 4/16: The message that I left for Bronstein seeking to speak with him about his conversation with Madison was nearly two weeks ago, and he called to take issue with my statement that he didn’t call back and with my characterization that he “minimized” his conversation with Madison in the New York Times article, although he did characterize their conversation as brief and fairly insignificant.
“Ivory Madison called me to say there were three people that Ross trusts and Eliana might want to get ahold of them, do you have their contact information, and I said I could probably get it,” Bronstein told us, noting that he never contacted any of them on her behalf. Sources tell us the three people were Aaron Peskin, Art Agnos, and Michael Hennessey. “No one was contacted, no information was passed, that was the extent of the conversation.”
Bronstein left those comments in a voicemail. I’m still waiting to talk to him about whether the conversation included talk of the incident and whether police should be involved, and I’ll update this post when I hear back.
Social liberalism beats economic populism?
Eric Alterman, who writes on media for The Nation, has a book out on the history of liberalism in America and a fascinating essay in The New York Times on how progessives lost the economic war. It’s hard to make a case this complicated in a few hundred words, so he sounds as if he’s somewhat downplaying the importance of civil rights. And American history is, of course, complicated and the post-War era one of the most confusing times to understand and analyze. But Alterman seems to come down on the side of those who argue that the fight for what he calls the “rights agenda” undermined the battle for economic equality:
In other words, economic liberalism is on life-support, while cultural liberalism thrives. The obvious question is why. The simple answer is that cultural liberalism comes cheap. Supporting same-sex marriage or a woman’s right to choose does not cost the wealthy anything or restrict their ability to become wealthier.
He also disses incompetence, always an easy target, since the economic crises that post-War liberals addressed — from inner-city and rural poverty to energy prices and inflation — defied easy solutions and there were bound to be mistakes. But here’s his basic hit:
“The great liberal failing of this time,” Daniel Patrick Moynihan observed as early as 1968, was “constantly to over-promise and to overstate, and thereby constantly to appear to under-perform.” This not only alienated key constituencies, but it also diminished the trust between the governing and the governed that previous generations of liberals had worked so hard to earn.
Caught in the crosswinds of so many simultaneous crises — I have not even mentioned Vietnam — many liberals chose to focus, rather perversely, on a “rights” agenda and the internecine fights it engendered within their increasingly fractured coalition. They lost sight of the essential element that had made the coalition possible in the first place: the sense that liberalism stood with the common man and woman in their struggle against economic forces too large and powerful to be faced by individuals on their own.
In other words, if we’d just been willing to throw the gays and the women under the bus (or do what so many “liberals” so often suggested, and move more slowly on things like abortion rights, comparable worth and same-sex marriage, which are so easy for the Right to use as wedge issues) we might have held on to the coalition that was able to wage the War on Povery under LBJ.
Okay, that’s not fair — Alterman is a lot more nuanced than that. And I agree with him entirely that it’s easy (particularly in a place like San Francisco) to support same-sex marriage, and that cultural issues can give fiscal conservatives cover with a left-leaning electorate. It drives me nuts. And I completely agree that Obama needs to return liberalism to an economic populist agenda.
And a lot of this discussion has been done before, starting with Thomas Frank and What’s the Matter with Kansas?
But would we really be better off in the long run if we’d abandoned the “rights” agenda in favor of economic equality? Or is it possible that the Right is losing steam on the Culture War and in the process discrediting its economic ideas? Do women who heard Rush Limbaugh call a law student a “slut” start questioning what he says about taxes?
I dunno. Interesting questions.
Bay Area media merger approved, pending okay from AG
The Center for Investigative Reporting (CIR) and the Bay Citizen today approved a merger that would consolidate the media organizations into a single newsroom, eliminating its breaking news coverage of San Francisco but seeking to generate local news stories from the data-heavy reporting of CIR’s California Watch and figure out what’s next for the journalism industry.
The merger requires approval from the California Attorney General’s Office because of potential anti-trust issues, with approval becoming final if AG Kamala Harris doesn’t object within 20 days. Although it was announced as a merger by both organizations, the Bay Citizen reported that it’s really an acquisition given that CIR will run the combined organizations under the leadership of Phil Bronstein, the CIR Board President who served as editor of the Examiner and the Chronicle before spearheading this merger.
CIR Executive Director Robert Rosenthal, who will oversee the combined newsrooms, confirmed to us that CIR will play the lead role, but he emphasized the complimentary aspects of the two organizations. “They have strengths we don’t have in terms of membership and local brand,” he told us, noting the Bay Citizen’s website will be a local portal and “a way to send people to other stories that we’re doing.”
Membership-based fundraising has been Bay Citizen’s strong suit since the late financier Warren Hellman launched it as the Bay Area News Project in late 2009 with $5 million in seed money, raising more than $17 million since then. The Hellman family and Bay Citizen Board Chairman Jeff Ubben have also reportedly committed to give another $4 million as part of the merger.
Bay Citizen has broken some important stories since going live in 2010, although it has recently suffered from a leadership crisis after resignations from two consecutive editors and then its CEO, who had clashed with the journalists there. While welcoming the leadership of a respected editor like Rosenthal, one Bay Citizen source told us that many in the newsroom are disappointed that they’ll no longer be covering breaking news.
“We’re not going to be a breaking news organization,” Rosenthal told me, confirming the report. “But it does not mean we’re not going to be a lively site.”
So while the Bay Citizen may stop doing stories on City Hall meetings, developments in political scandals, and spot news stories likes fires and crimes, Rosenthal said the intention is still to do “accountability reporting” that would provide strong local coverage. “I would hope that what we’re doing as for as covering City Hall would be more in-depth,” he told us.
Jonathan Weber, Bay Citizen’s first editor who now serves as West Coast Bureau chief for Reuters, said it’s not clear how the new approach will work but he thinks strong local news coverage is important. “It was my view when we started the Bay Citizen that if you’re going to be a news site that it be very vibrant and give a sense of what’s happening around the Bay Area on a timely basis,” he told us.
But he doesn’t want to second-guess the decisions CIR is making, telling us, “The Bay Citizen has a bigger mission than it had resources to accomplish it, so making a decision about what you’re going to do and not do is appropriate.” Yet he believes the Bay Area is underserved with strong local news coverage, “so to the extent that goes away, it will be a loss.”
Still to be determined is whether Bay Citizen will continue providing semi-weekly content for the New York Times, an agreement that immediately elevated the stature of the media startup. Some local journalists say they fear the merger will mean less local journalism, which has already been hit hard by corporate media consolidations and layoffs.
Bay Citizen reports that Tom Goldstein, interim dean of UC Berkeley’s School of Journalism and the only journalist on Bay Citizen’s board, resigned in the last couple weeks after being the only board member resisting the merger. Calls and emails to Goldstein were not immediately returned, but I’ll update this post with his comments if and when I hear back.
The other aspect of this merger that may be troubling to some is the leadership by Bronstein, a controversial figure who led the Examiner and then the Chronicle through a era of major downsizing by Hearst Corp. Bronstein wasn’t available today, but when I asked him about the issue in February, he defended his local record and blamed cuts to local journalism on corporate decisions and general industry trends.
He also said, “I don’t know that I’m the best person to take it over. That’s something other people should determine, not me.” Yet the Bay Citizen’s coverage of merger indicates its board asked Bronstein to be its president – he was already president of the CIR board – and that he declined but suggested the merger as an alternative and has been working to make it happen.
Rosenthal, a longtime journalist who worked under Bronstein for years at the Chronicle, said they work well together and that Rosenthal has always felt supported in doing good journalism. Under the merged entity, Bronstein and Rosenthal will reportedly get the same salary, a little more than $200,000, and Rosenthal will focus on the newsroom while Bronstein focuses on the donor base.
As we reported in February, Rosenthal has had to expand on his journalism skill sets in recent years as he successfully sought foundation funding to beef up CIR’s news-gathering operations and launch California Watch, which partners CIR with media outlets around the state to do investigative reporting and statehouse coverage.
“Our merger with The Bay Citizen announced today puts us in a unique position as journalists, innovators, technologists and, yes, entrepreneurs. I worked in newspapers for decades, starting as a copy boy and ending up as the top editor. No one ever strung those four words together to describe what we were as an organization,” Rosenthal wrote today in blog post describing the merger. “But to survive, thrive and evolve, the journalism, the innovation, the technology and the entrepreneurial vision all have to be intertwined in the new model.”
That sense of trying to create a new model for the journalism industry – which has been decimated in recent years, hindering its ability to play a watchdog role in a country founded on the importance of a free press – seems to dominate in the comments coming out of each news organization, emphasizing new ways of funding, covering, and delivering the news.
“We are bringing together two Bay Area enterprises with very complementary strengths,” Bronstein said in the press release. “They are both devoted to protecting justice and democracy through great, engaging journalism.”
But what that looks like, whether it’s sustainable, and how it is going embraced by Bay Area residents remain open questions as the merged newsrooms struggle to work together and resolve outstanding issues. Or as Rosenthal told me, “This is going to evolve.”
Gascon and the Mirkarimi plea deal
The Mirkarimi case has taken another strange turn: The district attorney, George Gascon, just told the Chronicle that he doesn’t think the sheriff really thinks he’s guilty, and wants to raise that at his sentencing March 19.
I find this pretty unusual and remarkable. Whatever you think of the Mirkarimi case (and there are plenty of different opinions), the guy pled guilty to a fairly serious crime — and Gascon’s staff negotiated the plea deal with Mirkarimi’s lawyers. Why is he talking about messing around with the situation at this point?
Well, according to the Chron, Gascon was responding to a Matier and Ross column in which the sheriff acknowledged that he owes some hefty legal bills and that the cost of defending himself, and the cost to his family, was a factor in his guilty plea. Gascon is taking that as a sign that Mirkarimi maybe still thinks he’s innocent:
“There is a guilty plea here and I know there’s almost an attempt (by Mirkarimi) to deny that this has occurred: ‘I didn’t really do this. I’m being forced to do this.’ That’s very concerning to me, to be very honest with you,” Gascón said in a meeting with The Chronicle editorial board.
That’s a fair amount of extrapolation — Mirkarimi never told Matier and Ross that he’s innocent, although (like most criminal defendants) he maintained that position all the way up to the plea bargain. That’s what happens in a court case; the accused pleads not guilty, says he or she will fight the charges, proclaims innocence — and then, in the vast majority of the cases in the U.S. criminal justice system, eventually cops a plea.
Why? There are lots of reasons. The New York Times had a fascinating piece on this March 10. You might think you’re innocent, but won’t get a fair trial. You might be innocent, but fear that you can’t prove it and you don’t want to take the risk of the harsh sentence you might get if you lose. You might just decide that it’s better to accept some degree of punishment instead of dragging the case out. You might really be guilty, but not in the way the original charges read. You might be guilty as hell; you just said you were innocent because you were waiting for a good plea deal. This is how the criminal justice system works in the United States.
I called Gascon to talk about this, and he started off by saying, as he did in the meeting with the Chron ed board, that “we’re not accustomed to accepting a guilty plea from someone who isn’t guilty.” If that’s really the case, then he’s the only district attorney in the country with that policy. When we talked a bit further, he made the point that domestic violence is a special case: “When the defendant goes through counseling, they have to admit responsibility,” he said. “I want to make sure he understands what a guilty plea is and what it means.” Which is valid — I agree that step one in any sort of anger-management or DV program is taking responsibility for your actions. But didn’t this all come up when Gascon’s staff first cut the deal? Isn’t it a little late now to have second thoughts?
Mirkarimi has already agreed to go to counseling and take a domestic violence class. I talked to his lawyer, Lidia Stiglich, and she told me that she was “at a little bit of a loss. The sheriff accepted responsibility. We have a plea agreement and a disposition, and I don’t see any legal reason why it wouldn’t go forward as proposed.”
I agree, and have said in public many times, that Mirkarimi has to take responsibility for his actions, has to tell the public what really happened that day, and, like any other defendant who enters domestic violence counseling, admit that he’s done something wrong and that it wasn’t at all OK or excusable. That’s all part of the package.
I just don’t get what the district attorney is up to.
Dick Meister: Apple’s unethical innovation
By Dick Meister
Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 300 of his columns.
Apple’s position as a worldwide leader in technological innovation has brought huge rewards to those who run the company or own stock in it, and has raised co-founder Steve Jobs to demigod status. But the men and women who manufacture Apple’s highly profitable products are not doing well – and the AFL-CIO wants very much for that to change.
“When it comes to technology,” notes AFL-CIO President Richard Trumka, ” Apple has revolutionized its industry and set a standard other companies aspire to meet . It is now the biggest publicly traded company in the world, worth a whopping $465 billion.”
But, adds Trumka, “Apple’s record-breaking success comes at a back-breaking price.”
He cites news reports that workers who assemble iPhones, iPads and iPods at Foxconn, Apple’s major supplier in China, “have needlessly suffered lifelong injuries, and even died from avoidable tragedies, including suicides, explosions and exhaustion from 30- to 60- hour shifts.” There also have been reports of some workers suffering repetitive motion injuries that caused them to permanently lose use of their hands. Others have suffered from exposure to chemical toxins.
The manufacturing plants run by Foxconn clearly are sweatshops of the worst sort, relying heavily on child labor and rampant violation of basic labor rights. The working conditions are truly horrendous and brutal.
So what to do? For starters, the AFL-CIO is joining a global movement aimed at presenting hundreds of thousands of petitions from activists worldwide to Apple CEO Tim Cook. The petitions tell Cook to make sure that the workers who manufacture Apple’s products are treated fairly and ethically. Their work, after all, is essential to Apple’s success and its development of products happily bought and used by millions of people.
Trumka himself is one of those satisfied Apple customers. He uses an Apple iPhone, which he describes as “intuitive and powerful – an incredible piece of machinery.”
But the AFL-CIO insists that Apple “transform its industry by being ethical and innovative . . . to ensure the quality of its working conditions matches the quality of its products.”
The AFL-CIO wants Apple “to immediately allow genuine unions, with truly independent factory inspections and worker trainings” in its plants in China and elsewhere.
Apple obviously could afford the reforms demanded – and then some. Manufacturing costs, as the AFL-CIO’s Trumka notes, “are only a very small portion of Apple’s expenses. Chinese workers are paid just $8 to manufacture a $499 iPad, for example, while Apple pockets $150 of the retail price. And the company is sitting on nearly $100 billion in cash.”
Apple also could tell suppliers to improve their working conditions or lose Apple’s business. As one anonymous Apple executive told the New York Times recently, “suppliers would change everything tomorrow if Apple told them they didn’t have another choice.”
The Times cited another revealing quote from another anonymous Apple executive, which contradicts the AFL-CIO contention that Apple could be both innovative and ethical. The executive claimed there’s a trade-off between working conditions and innovation: “You can either manufacture in comfortable, worker-friendly factories,” or you can “make it better and faster and cheaper, which requires factories that seem harsh by American standards.”
Apple’s choice, of course, has been to move its manufacturing to overseas facilities where it can indeed get work done “faster and cheaper” by highly exploited and easily manipulated workers under conditions that would not be tolerated in the United States.
Apple has been trying to fend off complaints by joining an employer group, the Fair Labor Association (FLA) to arrange for inspection of Apple suppliers’ factories. That’s unlikely to change anything, however, since the FLA is funded and controlled by the multinational corporations that it’s charged with investigating.
As Richard Trumka points out, “What leaders do matters. And Apple is now the leader in its industry. That’s why the AFL-CIO will be watching Apple closely to make sure the company does right by the workers who make its products – no matter where they live.”
Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 300 of his columns.
Nathaniel Blumberg: Open to change
By Wilbur Wood
(Wilbur Wood was a student of Nathaniel Blumberg in the early 1960s at the University of Montana in Missoula. And he was the leader of a contingent of Blumberg students that turned up in San Francisco, many dispatched by the Dean to work on the Guardian during the highly active and newsworthy 1960s. Wilbur was a poet and a reporter, with a master’s degree in creative wiriting at San Francisco State, so he fit in well at the Guardian. He had edited his campus paper, so I made him city editor. He covered the 1967 mayor’s race and operated as if he were directed by Blumberg himself. Wilbur followed Joe Alioto around, from place to place, and found that Alioto was changing his story depending on the audience. Wilbur, as a Blumberg mentee, was not shocked. He nailed Alioto and wrote one of the most amusing and illuminating stories of the campaign. but it did not deter Alioto from becoming mayor. Wilbur ‘s big triumph as city editor was his work in positioning and editing an investigative story exposing how the members of the local San Francisco draft boards were anonymous, establishment types who worked in secrecy at secret meetings to draft a disproportionate number of minorities. The expose appeared in Deccember, 1967, in the red hot middle of the Vietnam War. It was a bombshell, the first such story ever done in the nation, and led to extensive litigation on behalf of draftees in federal court, pioneering reforms in the draft, and inspired a national New York Times investigation. It was written by Eugene Hunn, the husband of Nancy Engelbach Hunn from Kalispell, Montana, and a classmate of Wilbur’s and a student of Blumberg at the Montana School of Journalism.
(Alas, Wilbur went back to Montana, as all Montana people seemed to do, and is now a poet, reporter, and philosopher living in his hometown of Roundup, Montana with his wife Elizabeth. She worked as an ad representative at the Guardian. Elizabeth and Wilbur run a a writing, editing, and consulting business called Stone House Productions. The stonehouse was built by Wilbur’s grandfather and is where the two live, work, and play. Others in this Guardian era also went back to Montana: Printer Bowler, Troy Holter, Larry Cripe, Nancy Engelbach Hunn, Karen King, Bruce DeRosier, Doug Giebel et al, a talented group of journalists, writers, and political activists bristling with Montana populism. The Blumberg/Montana contributions were enormously valuable in our early days when we had lots of ideas and ambitions but slender resources. Why they left San Francisco to go back to Montana is still a mystery to me.)
I’m late for class, jogging, short-cutting across a mowed lawn in front of the School of Journalism. A window squeaks open and the unmistakable voice of the Dean, Nathan Blumberg, roars out a second story window: “BARBARIAN!”
Astonished, I plop down on the ground, speechless, chagrined, then leap up and disappear into class. It is the early 1960s. The Dean is, at that time, a man who believes that people should walk on the sidewalks, not upon the carefully tended lawns, at the University of Montana. He sees a reason for rules, even as he openly questions many of them
A scant six or seven years later, this same man is gliding over those same lawns, sailing Frisbees into the sky, chasing the return throws from students, the occasional faculty colleague, and former students back for a visit.
“When did Nathan start calling himself Nathaniel?” asks Bruce Brugmann, editor and publisher of the San Francisco Bay Guardian. We’re talking on the phone on the day of Nathaniel Blumberg’s death, February 14, 2012. Valentine’s Day. It is fifty-four days before his 90th birthday, on April 8. (April 8, Blumberg was delighted to learn, is Buddha’s birthday.)
“The name change happened in the 1970s or early ‘80s,” I tell Brugmann. Bruce, back in 1953, at the University of Nebraska, was a student of Nathan Blumberg. “We called him by his last name,” Brugmann said, “outside class. We never used his first name.”
Nor did we in the early ‘60s, I reply. He was The Dean, Dean Blumberg — until Printer Bowler (one of his students) began calling him “Coach.” Things were starting to loosen up by then.
“Blumberg is who inspired me,” Brugmann says. “He was highly critical of the mainstream press–and this was back in the ‘50s. He pointed out their faults in class. He advised me to go someplace – he mentioned San Francisco — and start an independent weekly newspaper. When I could do that, I did.”
But why change his name from Nathan? Both Brugmann and I know people who, through the years, met Blumberg and later named their sons Nathan. “It’s about affirming his full identity,” I say to Bruce. “He decided to accept his name as it appears on his birth certificate: Nathaniel Bernard Blumberg.”
NBB arrives at middle age in the 1960s — a man of high principles, acute intelligence, possessing an inquiring mind along with great reservoirs and pride and stubbornness, his career a success. He arrives at middle age but does not come to a stop. He opens up. Opens his heart to an expanding circle of friends. His property on Flathead Lake becomes a destination. Music, talk, good food and drink flow in the clearing under the tall trees.
Not long ago Nathaniel brought up an argument he and I engaged in, more than 40 years ago, driving up the Big Sur Coast on our way back to San Francisco. We’d made a day trip to San Simeon, and toured the hilltop castle of the newspaper magnate William Randolph Hearst. Our argument was about Vietnam and the Civil Rights Movement. Blumberg thought the two issues were different, and that linking one with the other would damage the prospects for each cause, anti-war and anti-segregation. “You said the two were connected,” Blumberg reminded me, adding that about a year later, Martin Luther King, Jr., made that connection in public, in a speech at the Riverside Church in New York City. Nathaniel wanted to tell me that I had been right.
A veteran of World War II, NBB wrote the story of his weaponry unit going up against highly trained Nazi soldiers in the Battle of the Bulge. He honored that moment in history, but he approved of the next generation’s aversion and resistance to the war it had been handed: Vietnam. Although he was part of what Tom Brokaw called “the greatest generation,” Nathaniel rejected that label. He preferred the Sixties Generation, he told me, more than once, because “you did not accept the word of the government as truth.” Nor did we accept, he said, the word of the big corporations.
Nathaniel supported anyone trying to create a world based on love.
Les Gapay, a forrmer Blumberg student, writes a Blumberg remembrance and Blumberg writes his own obituary.
http://www.sfbg.com/bruce/2012/02/28/nathaniel-blumberg-everyone-needs-mentor
Compressing the press
Journalism in the Bay Area has been in decline for many years, with corporate consolidations, shrinking newsrooms, declining print readership, and struggles with how to pay full-time reporters when content is offered free-of-charge on the Internet. And with its waning institutional strength, the Fourth Estate has lost some of its ability to watchdog the powerful, creating a dangerous situation in a country founded on the belief that a free press is an essential safeguard of liberty and fairness.
One countervailing trend during this time was the creation of robust nonprofit newsrooms, with the two largest ones in the Bay Area being the Berkeley-based Center for Investigative Reporting (CIR) and the Bay Citizen in San Francisco. But now those two entities have announced that they’re in merger talks — and that the combined newsrooms would be led by Phil Bronstein, who presided over the decline of San Francisco’s two major daily newspapers.
Whether this merger bodes well or ill for a journalistic resurgence remains unclear. Both entities have their strengths and flaws, and both of their boards are in the middle of a 30-day review period to determine whether the merger makes sense and what the combined operations would look like.
As the exclusive Bay Area content provider for The New York Times, Bay Citizen made a big splash when it was launched with $5 million in seed money from billionaire financier Warren Hellman in late 2009. As Hellman (who died in December) told me at the time, he was seeking to create an independent, local, public interest alternative to the San Francisco Chronicle, which was being gutted by its New York-based owners, Hearst Corp., and even threatened with closure if its unions hindered the downsizing.
Many were skeptical that a newsroom funded and overseen by Hellman and other uber-wealthy San Franciscans would deliver the kind of public interest journalism that the city needed, but under the leadership of veteran Editor Jonathan Weber, it produced many strong stories, starting on launch day with an investigation of how the richest home owners in the city avoid paying property taxes the city once relied on. And last year, Bay Citizen broke some important stories and created valuable databases on campaign contributions and danger spots for bicyclists, for which it recently won a Society of Professional Journalists award for computer-assisted reporting.
Acting CEO Brian Kelley told us the Bay Citizen has succeeded in creating a strong “three-legged stool” balancing solid journalism, a sustainable business model, and technological innovation. After raising about $17 million in three years, ranging from small donations to the $6 million Hellman contributed, “we’re in a very healthy state from a financial standpoint.”
But sources say the operation has had some tough internal divisions, some of it propagated by an out-of-touch board and an overpaid CEO, Lisa Frazier, who took a reported $457,000 salary to run an operation that she had served as Hellman’s consultant in launching. They say Frazier clashed with Weber and the reporting staff, particularly after it voted to unionize last year, and then with Weber’s successor, Steve Fainaru. Both Weber and Fainaru resigned in the last month, creating a leadership vacuum that was one of the factors that triggered the merger talks.
Meanwhile, CIR has experienced the most dynamic growth period in its 30-year history since 2008, when veteran editor Robert Rosenthal took over as executive director after leaving the Chronicle, where he served directly under Bronstein, who also later left the Chronicle and now serves as president of CIR’s board.
CIR has traditionally had a small staff working on a shoestring budget to produce a handful of big investigative journalism projects per year, including award-winning broadcast segments for “Frontline” and “60 Minutes.” But Rosenthal focused on securing millions of dollars in foundation funding and creating collaborations with media outlets around the state (such as KQED), launching California Watch to beef up coverage of statewide issues, as he describes in his 24-page essay “Reinventing Journalism: An unexpected journey from journalist to publisher” (www.californiawatch.org/project/reinventing-journalism).
“I was deeply frustrated by a lack of vision, ambition, and passion on the business side that was throttling creativity and undermining the crucial role that journalism, and especially investigative reporting, play in our democracy,” Rosenthal wrote in the report that was requested by the John S. and James L. Knight Foundation, one of three foundations that provided more than $1.2 million each to launch California Watch (the others are Irvine and Hewlett foundations).
The Guardian has long raised questions about the trend of foundations increasingly stepping in to fill journalism’s funding voids, arguing that it can compromise journalistic independence and allow wealthy interests to determine what issues get investigative scrutiny (see “Buying the news: How private foundations are quietly underwriting — and shaping — local news coverage of major issues,” 10/8/97).
But in an era when most California newspapers are clinging to life, Rosenthal had used the funding to augment CIR’s investigative reporting staff and get impactful, award-winning stories to run simultaneously in outlets around the state, challenging old journalistic norms about competition and exclusivity.
Rosenthal admits the model has its shortcomings, including the unreliability and often-narrow focus of foundation funding and how CIR’s successes have done little to backfill the loss of local beat reporting (such as covering City Hall or keeping the cops and local power brokers in check), but he thinks the merger might help in those areas.
“It’s exciting for us to be able to address what has been a vacuum in San Francisco for a long time,” Rosenthal told us about reviving local coverage. And on the funding model, he said, “If we can do this right, it’s about creating a local base of people who believe in accountability journalism to give small donations.”
Bronstein told us that many of the shortcomings at his old newspapers were the result of business decisions Hearst made and general trends in the industry. But he acknowledged people’s concerns about whether someone with such a long local history is the best person to turn things around: “I don’t know that I’m the best person to take it over. That’s something other people should determine, not me.”
Both admit that the Chronicle under their tenure could have better covered the consolidation of wealth and power and other economic justice issues, long a Guardian focus and one that the Occupy movement helped highlight. “The Bay Area media could have been a lot more effective on those issues,” Rosenthal said.
But Bronstein said he’s committed to supporting more accountability journalism in the Bay Area, supporting the work of the Bay Citizen, and supplementing work done at papers like the Guardian: “The weeklies do a fine job of writing some in-depth stories and we need more of that, providing context.”
Both said that even if the merger takes place, Bay Citizen would continue to provide local coverage under the brand and model it’s developed, although the New York Times has not yet determined whether it would continue to run its content if it’s not exclusive. The two newsrooms wouldn’t initially be merged, although Bronstein has said that achieving savings of up to $1.9 million is one of his goals, something he’d try to accomplish without reducing journalistic content or quality.
The two entities have slightly different cultures and areas of focus, so the question now is whether they’re compatible. Bay Citizen’s Kelley said he thinks they are: “I personally feel they are very complimentary.”
Weblining
Something to make you feel better about all your compulsive newsfeed scanning: Facebook is watching you, too. And just like you as you click through so-and-so’s party photos from last weekend, it’s getting judge-y.
“One of the things we’re concerned about, as we have an increasingly tailored Internet experience, is whether people with certain backgrounds experience a different Internet than other folks,” says Rainey Reitman, activism director at the Electronic Frontier Foundation in a phone interview with the Guardian. Her organization is a Bay Area-based Internet rights group that defends online privacy, free speech, and consumer rights through law, activism, and policy work. “Online marketers use invisible tracking mechanisms to create a virtual portrait of someone and show them advertisements based on that,” Reitman says.
Social networking sites and search engines like Google have in their electronic possession inordinate amounts of our personal information, obviously. The location of our IP addresses, our educational backgrounds, the most intimate details of what TV shows we enjoy, how often we contact our family — the list goes on. And many sites use that data to sell you things.
But it’s not just consumer issues. Health insurance companies can obtain access to the records on some sites — a Feb. 4 New York Times op-ed by law professor Lori Andrews suggested that searches we conduct on medical conditions can lead to raised premiums. Our credit limits can be affected by spending patterns tracked by websites, and there’s the well-known employer practice of performing web searches to screen job applicants. As we add to our online identities, we become the subject of what is known as “weblining” — specific targeting based on our patterns of Internet usage.
Over the past week, I tracked the ads that Facebook fed me. Many were site-specific — San Francisco arts and culture listings (a good bet for advertisers, given the amount of events I view on a daily basis). There was a wine delivery service, an invitation to a 1920s-style speakeasy, announcements of free gym memberships, my collegiate alma mater’s ceaseless plugs for cash, and the tantalizing whiffs of various graduate school programs.
This last category is a part of what should give us pause about the intense specialization of our Internet experience. The average American, according to a December 2011 survey by Forrester Research, spends 13 hours a week on the Internet — roughly the same amount we spend watching TV. And even if you don’t think that the ads that lurk on the edges of our vision for 13 hours a week will affect our behavior, there are other ways our Internet morphs to fit companies’ expectations of us. Search results, for example, vary between web surfers — Google’s been tailoring them since 2009.
A college graduate with a professional job in a creative field, I am being fed graduate school ads by my social network of choice. But not everyone’s seeing their opportunities for an advanced degree in sustainability. The Army advertises on Facebook. I don’t see those ads, but who does? Who gets the farmer’s market directory ads and who sees McDonald’s latest deal? You can see where I’m going with this. In the 2011 book The Filter Bubble (Penguin Books, 294 pp, )author Eli Pariser talks about how weblining can lead to a more isolating Internet that doesn’t live up to its promise as a place where we can go to learn about anything.
But, says Reitman, there are ways to fight the system. By supporting her organization, for one: EFF pushes websites from Facebook to Google to OkCupid to clarify who gets to see your data, tighten up chinks in your privacy armor, and delete people’s information promptly when it all gets to be too much and they opt out of a network entirely. Currently, the group is working on a campaign to encourage the government to update the Electronic Communications Privacy Act, a dinosaur piece of legislation that was created in 1986 — a time when we hardly could have imagined the multifarious ways we live online today.
You can also opt out of certain attempts to track you easily by going to the Do Not Track site, an online relative of the Do Not Call directory. My Google Chrome doesn’t support the service — but that didn’t come as any surprise. Firefox, Internet Explorer, and Safari do, however. And for a more free and open search function, check out DuckDuckGo, a search engine that eschews cookies and does not save your search history or personal information.
Before Burning Man’s big announcement, some final bits and bytes…
[UPDATE: Goodell posted details on the new system, which distributes remaining tickets through theme camps. We’ll have interviews and analysis tomorrow.] Burning Man participants are anxiously awaiting tomorrow’s (Wed/15, release expected at 6:30 pm) announcement by Black Rock City LLC about how it will solve this year’s ticket fiasco that left most veteran burners – those who work through theme camps and art collectives to create the event’s infrastructure, entertainment, and artistic offerings – without tickets.
As I reported last week, sources say all or most of the remaining 10,000 tickets will likely be distributed through these theme camps and collectives, and representatives from many of the major ones have been invited to a meeting at Burning Man’s mid-Market headquarters tomorrow to discuss the new system.
Sources say the LLC is also trying to implement a system of having those who were awarded tickets on Feb. 1 register those tickets to specific individuals before they are mailed out in June and to create a regulated aftermarket ticket exchange in order to prevent scalpers from charging more than face value. The LLC has resisted creating such a system, which many burners have suggested since the event sold out for the first time last year and scalpers gouged buyers.
LLC board member Marian Goodell still has not returned my repeated calls for comment, so we can’t say exactly what the new system will look like, or how the LLC will decide which of the hundreds of theme camps that have registered over the years get tickets. Or how the registration system will work, or to sort out many of the other tricky details associated with this mess.
Hopefully, much of that will become clear tomorrow, and I’m sure there will still be many issues to explore then. But for now, I’d like to do a bit of a notebook dump to air a few of the interesting bits from the voluminous input that has been coming my way since I started writing (and being interviewed by the Sacramento Bee and New York Times) about the snafu a few weeks ago:
CHICKEN THE SCALPER
The LLC has been urging burners to freeze out ticket scalpers and refuse to pay more than face value for a ticket, urging the community to stick together. “You’re really hurting your community if you’re treating this like a commodity,” Goodell told me in late January, a message that I helped to convey.
As hundreds of burners commented on my stories and others, I was a bit surprised by the silence of longtime burner Chicken John Rinaldi, who has been a regular vocal critic of the LLC’s leadership since I first started reporting on Burning Man for the Guardian in late 2004 and who then became a major character in my book.
Chicken had predicted the new ticket lottery system would fail and be gamed by scalpers, so when I finally talked to him late last week, I asked about his relative recent silence. “I really don’t think I belong in this conversation because I’m the scalper,” he told me. “I got dozens of tickets and I’m planning to make tens of thousands of dollars.”
Chicken said he used confederates and multiple credit cards to game the system, just like the scalpers. And to justify his mercenary approach, he cited last year’s announcement by event founder Larry Harvey that he and the other five LLC board members are in the process of cashing out their ownership interest over the trademarks and logos for significant sums of money before turning control of the event over to a new nonprofit.
“They want capitalism. Larry wants to make millions of dollars off of this, so I’m going to make some money, too,” Chicken said. “I deserve that money.”
Now, I don’t know whether Chicken is telling the truth or just making a provocative point, but he does say that he’s only taking this tack because the LLC has commodified Burning Man and failed to heed community input and guard against scalpers. “If I ran Burning Man, I wouldn’t let people make tens of thousands of dollars off my members,” he said. “Our community needs some leadership.”
SERVING THE DISABLED
Many theme camp members have publicly said that their camps won’t be able to attend this year because so few of their campmates got tickets, making it impossible to pull off large scale projects, thus diminishing Black Rock City. But there was one story I found particularly poignant, and one that the LLC might be forced to help.
For the last six years, the Black Rock Department of Mobility (formerly known as Hotwheelz) has been providing shuttle services and electric wheelchairs to those with disabilities, helping them to get around a city where private cars aren’t allowed to drive during the week and where dusty, uneven terrain can to be problematic for the disabled.
But this year, camp founder Wayne Merchant told me, the Southern California-based camp scored just three tickets for its 27 active members. Already, he said they lined up almost 10 golf carts to do shuttles, nine electric wheelchairs for people to use, a few art cars with lifts, and at least 10 clients with disabilities have signed up for their services.
“I have the best core team that we’ve ever had on this camp,” he said, “but this is totally putting us out of business.”
He also raised the specter that without the voluntary services that this camp provides, the event itself might be out-of-compliance with the Americans with Disabilities Act (ADA), possibly exposing the LLC to legal liability: “It will basically dump all the ADA compliance on Burning Man.”
“Depending on what happens tomorrow,” said Merchant, who plans to the attend the meeting at BM HQ, “I could be totally be done with Burning Man.”
WAITING ON THE FEDS
Many burners have suggested the LLC deal with this year’s ticket demand issues by simply increasing the city’s population, but organizers have said that’s not really within their power. Not only are there transportation and other logistical constraints, but determining the population cap is at the sole discretion of the Bureau of Land Management, which manages the Black Rock Desert.
More precisely, it is at the sole discretion of Rolando Mendez, the BLM field manager for the region, who I interviewed last week, along with assistant field manager Cory Roegner. And one of the things I learned that I found most interesting is that the population cap won’t even be set until this June, after all the tickets have been distributed.
“Black Rock City LLC is free to sell as many tickets as they’re inclined to,” Mendez said. “That’s a calculated business decision on their part, but I would expect Black Rock City LLC to live by the population cap that I set.”
Right now, both the LLC and BLM are awaiting completion of an Environmental Assessment (EA) report on the LLC’s request for a five-year permit that seeks a population cap that would gradually increase from 58,000 to 70,000. A draft report is expected next month, after which there will be a public comment period, with the final report expected in June.
“I have not determined how to allocate that population cap over time,” Mendez said, expressing concerns over limited highway access to the site and other factors. “Too sudden of a change at too great a level could overwhelm the system.”
Both Mendez and Goodell say the two entities have a good working relationship. “We work together at problem solving and brainstorming,” Mendez said. “But right now, I’m depending on the EA.”
While he did indicate that Burning Man will probably be allowed to maintain at least its current size, as the LLC is relying on, even that isn’t guaranteed. It all depends on what the report says. So what happens if the LLC sells too many tickets now? Mendez said that’s not his call: “I don’t know the business strategy Black Rock City LLC is using or what their contingency plans are.”
CHANGING NUMBERS
When Goodell and Harvey called me on Jan. 27 to let me know that requests for tickets had far exceeded supply and to enlist my help in spreading the word that people should remain calm, rely on those in the community who had most of the extra tickets, and avoid buying from scalpers, I asked how many ticket requests there were.
They refused to tell me. I’ve been a journalist for 20 years, so I’m used to corporations denying me financial information that I’ve sought. And it wasn’t even a surprise from this LLC, which claims financial transparency but which has refused to disclose lots of information that I’ve sought over the years.
But as it became clear that their initial beliefs about how many tickets would be available within the community proved overly optimistic, and as pressure grew from both the Burning Man community and other journalism organizations, the LLC went into damage control mode and started to be a little more forthcoming.
So, how many ticket requests did they actually have? Well, it depends on who you believe. Goodell told the New York Times and other outlets that it was about 80,000 requests. But longtime event spokesperson Andie Grace – in a post that was widely lauded for a frankness and contrition that had been lacking in earlier communications from the LLC – wrote “we had nearly three times the number of tickets requested than we had available tickets.”
So, was 80,000 or 120,000? That’s a pretty big difference, particularly given that all the official posts so far have claimed that scalpers gaming the new system wasn’t as big a factor as is widely believed, although few have offered convincing evidence for that self-serving belief (after all, if it was scalpers gaming the system, than its creators made a mistake).
Personally, I’ve long believed that the LLC should be more transparent. As I discuss in my book, the LLC reveals general expenditure data (sometimes belatedly), but no information on revenues or current balances. The most recent report, for 2010, shows total expenses of $17.5 million, which includes a payroll of $7.3 million and fees to BLM and other agencies of more than $1.5 million.
Harvey has said that everything will be opened up once control is turned over to the nonprofit Burning Man Project in two to five years, but Chicken and others have complained that the board members will already have made off their their payouts by then and that those have contributed their sweat equity for decades have a right to know how much that is.
Maybe a bit more consistency in numbers and transparency now would help quell some of this restive community’s concerns, but clearly we’re not the ones making those kinds of decisions.
Dick Meister: The plight of the pregnant worker
By Dick Meister
Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 400 of his columns.
Dina Bakst of the Work and Family Legal Center reminds us of an important fact that few people seem to realize – – that getting pregnant can cause a woman to lose her job, despite the laws banning employment discrimination against women and the disabled.
Bakst asked, in a recent New York Times column, that we imagine a woman who, seven months pregnant, was fired from her job as a cashier because she needed a few extra bathroom breaks.
That actually happened. So did the firing of a pregnant worker from her retail job after she gave her supervisors a doctor’s note asking that she not be required to do any heavy lifting or climbing of ladders during the month- and- a-half before she went on maternity leave.
A federal judge ruled in that case that firing the woman was fair because her employers were not legally obligated to accommodate her needs. A peculiar interpretation of the law, no? If that wasn’t illegal discrimination, then what is?
Bakst said that sort of thing happens regularly to pregnant workers. But why? Bakst blames it on a gap between anti-discrimination and disability laws.
It’s true enough that state and federal laws specifically ban discrimination against pregnant workers, and that those laws include the Americans With Disabilities Act. That law requires employers to provide reasonable accommodations to disabled employees, including, those with medical complications stemming from pregnancy.
But there’s a catch–– a big catch. Since pregnancy itself is not considered a disability, employers are not required to accommodate most pregnant workers in any way – – not in any way whatsoever.
The result, said Bakst, is that “thousands of pregnant women are pushed out of jobs that they are perfectly capable of performing – put on unpaid leave or simply fired –when they request an accommodation to help maintain a healthy pregnancy.”
Many of the women involved are single mothers or a family’s main breadwinner. And a high number of them are low-income women, many in physically demanding jobs.
A couple of New York legislators have come up with bills that would greatly lessen the problems facing pregnant workers in their state, and hopefully set a pattern for enactment of similar laws elsewhere. Lord knows, they’re badly needed.
The proposed New York law would require employers to provide reasonable accommodations for pregnant women whose health care providers say they need them – – unless that would be an undue hardship for the employer.
A few states have enacted laws requiring private employers to provide at least some accommodations such as providing a seat for employees who must spend long periods standing, allowing more frequent restroom breaks, limiting heavy lifting, or transferring pregnant employees to less strenuous or less hazardous jobs.
Bakst said those laws “have been used countless times to help pregnant women keep their jobs.”
Bakst, and no doubt others, see such laws as a public health necessity. Which they certainly are. Without such protections, pregnant workers fear asking for the accommodations they need for their own health and that of their unborn children, lest they be fired for asking.
Bakst also pointed out that “women who can work longer into their pregnancies often qualify for longer periods of leave following child birth, which facilitates breastfeeding, bonding with and caring for a new child and a smoother and healthier recovery from childbirth.”
Women who are forced early into unpaid maternity leaves lose pay, of course, and possibly lose chances for promotions that may be available during the period they are off work. It’s even worse for pregnant workers who are simply fired. They not only lose pay, but they also have a tough time finding new jobs in today’s weak economy.
There are some important pluses for employers who provide accommodations for pregnant employees. Less turnover, for instance, and greater worker loyalty and productivity. What’s more, Bakst noted, “With minor job modifications, a woman might be able to work up until the delivery of her child and return to work fairly soon after giving birth.”
That would save her employer the time and cost of finding a replacement. There’s this, too: “Employers could be responsible for much higher medical costs if their workers were afraid to ask for accommodations and instead continued doing work that endangered their pregnancies.”
This is hardly a minor matter. Three-fourths of the women now entering the workforce will become pregnant on the job. None of them – not a one – should have to face the blatant discrimination that’s now commonly faced by pregnant workers.
Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www.dickmeister.com, which includes more than 400 of his columns.
Mark Zuckerberg will pay less tax than you
Before we start talking about the Facebook Windfall and all the nice new tax dollars the company will pour into the state treasury, let me take a moment to put this in perspective. Before Jerry Brown’s finance director goes to Mark Zuckerberg’s house to wash his windows and mow his lawn (which wouldn’t work anyway; according to its SEC filings, Facebook pays for a home security service for its CEO), he should understand that Zuckerberg will be paying a disgracefully low amount of money on his great wealth.
If things go as planned, Zuckerberg will exercise $5 billion in Facebook options, and pay federal and state taxes of nearly $2 billion — making him the largest single taxpayer in history. Sounds like he’s a hell of a guy, doing his part to help the cash-strapped public sector.
But in reality, he’ll be paying an actual tax rate of about 7 percent — less than nearly all Americans.
Zuckerberg’s stock will be worth around $28 billion. But he won’t have to pay any tax at all on most of it. As tax lawyer David S. Miller notes in the New York Times:
Instead, he can simply use his stock as collateral to borrow against his tremendous wealth and avoid all tax. That’s what Lawrence J. Ellison, the chief executive of Oracle, did. He reportedly borrowed more than a billion dollars against his Oracle shares and bought one of the most expensive yachts in the world. … If Mr. Zuckerberg never sells his shares, he can avoid all income tax and then, on his death, pass on his shares to his heirs. When they sell them, they will be taxed only on any appreciation in value since his death.
More:
Consider the case of Steven P. Jobs. After rejoining Apple in 1997, Mr. Jobs never sold a single Apple share for the rest of his life, and therefore never paid a penny of tax on the over $2 billion of Apple stock he held at his death. Now his widow can sell those shares without paying any income tax on the appreciation before his death. She would have to pay taxes only on the increase in value from the time of his death to the time of the sale.
This is, as Miller points out, grossly unfair. Sure, Zuckerberg will pay a nice amount in taxes — but if he were taxed at the rate ordinary people who make more than $200,000 a year pay, his state and federal tax bill would be closer to $12 billion, six times as much as he’s actually paying. And guess what? He’s still be left with $16 billion. Plenty of money to live on. He’d still have one of the greatest fortunes in American history, more than he or his kids or his grandkids or his great-grandkids could ever spend in their lifetimes.
And the country and the state wouldn’t be so broke.
Just a thought.
Bronstein and mergers are not what local journalism needs
Local, independent, public interest journalism – which is what Warren Hellman sought to create by founding the Bay Citizen in 2009 – could be undermined by a proposed merger between that newsroom and the Center for Investigative Reporting (CIR) under the leadership of former San Francisco Chronicle Editor Phil Bronstein.
It is unseemly that Bronstein is claiming support for the idea from Hellman, who died in December, making comments to the Bay Citizen that misrepresent Hellman’s intentions. How do I know? Because I spoke with Hellman about his concerns about the Bay Area media landscape and what it needed several times before he announced its creation – a story that I broke on the Guardian website, scooping this incipient newsroom and others by a day.
“We’re forming a new media news center. Basically, it will be a not-for-profit 501c3 that will be source of Bay Area news,” Hellman said in that article. “It will focus on local news events, including politics and the arts, the kind of thing that is just dying at the Chronicle.”
That interview was a culmination of conversations that I’d had with Hellman on the subject for more than a year. He thought the Chronicle was doing a terrible job at covering the city – a legacy that began under the leadership of Bronstein, who was always more concerned with high-profile projects that might win awards and with expanding the paper’s reach and focus into suburbia than the bread-and-butter local coverage of issues and events that were important to San Franciscans.
In his comments to Bay Citizen, Bronstein (who has not returned our request for comment) cynically leaves the impression that Hellman would have supported his takeover bid, and that what he wanted was a combination of investigative reporting and quirky features like “Rascal of the Week, Crook of the Week, hilarious stuff.”
He might as well be describing the Chronicle, which was not what Hellman was seeking to duplicate. Nor was he pursuing the CIR model of using philanthropy and grants to fund journalism projects that would run in the Chronicle and other mainstream newspapers. No, what Hellman wanted was more media outlets with less dependence on advertising revenue, not to simply subsidize a newspaper that he thought was lacking.
Frankly, this whole proposal is very suspicious. Bronstein officially left Hearst Newspapers, which owns the Chronicle, just last month to play an unspecified new role at CIR, where he sits on the board. He and other Chronicle brass opposed and belittled the Bay Citizen when it was created, but since then, the Bay Citizen has been real bright spot on the local media landscape, often scooping the Chronicle on important stories that run in the New York Times, for which BC supplies content. And now, Bronstein wants to execute a deal that would potentially kill that competition.
I’m really not sure what’s going on at the Bay Citizen these days, or why all its top brass seems to be jumping ship. But it’s clearly not all bad. The departure of top executive Lisa Frazier – who consulted on BC’s creation and then gave herself a ridiculously high salary – seems like good news, at least for BC’s bottom line. I acknowledge that some kind of change might be needed.
But whatever happens, it should be about maintaining and improving strong local news coverage. The BC board only has one token journalist on it, and that’s not a good sign. CIR does good work and has a good journalistic ethos, but its board should realize that merging with BC (and cutting almost $2 million from their combined operations, as Bronstein is reportedly proposing) is bad for local journalism and bad for San Francisco.
Corporate journalism is the problem to which nonprofit journalism was the supposed antidote. That was Hellman’s vision. But we’re all in trouble if this experiment gets co-opted by a longtime Hearst company man, the very person who undermined local coverage and public interest journalism in the first place, a corporatist with a history of undermining competition with his illegal Chronicle-Examiner JOA, his backroom deal with Media News Group, and other bottom line tactics.
That’s bad enough, but to falsely invoke the spirit of the recently deceased to justify it, that’s just disgusting.
Have you heard the good news?
arts@sfbg.com
FILM Today, seeing high-profile evangelical Christians reveal themselves to be charlatans or hypocrites is old news. Even the spectacle of homophobic mega church prig Ted Haggard, outed as a fan of male hustlers and crystal meth, resurfacing on Celebrity Wife Swap induced a few shudders but no real surprise. The plunge from public sanctimoniousness to scandal and newly angled self-promotion is by now too familiar to shock.
A few decades ago, however, the face of American evangelism was inclusive, straight-arrow centrist Billy Graham. Elmer Gantry-like tent revival shows seemed a thing of the past, or at least one whose few remaining practitioners traveled well off the mainstream radar. So there was considerable exoticism to Marjoe, a 1972 documentary that plays the Vortex Room next Thursday as part of a religion-themed February schedule.
Its subject was a 28-year-old Pentecostal preacher titular name a combination of "Mary" and "Joseph" who’d been "The World’s Youngest Evangelist," pushed onto the stage of a lucrative salvation circuit from the age of four. By his own estimation, his parents-managers-slave drivers made $3 million or so off his precocious act as God’s littlest huckster, none of which he ever saw. Some years after running away as a teen, he’d gotten his secular head together, but reluctantly re-entered the revival biz working it half the year in order to fund the other six months as a California flower child.
As ample archival footage shows in Howard Smith and Sarah Kernochan’s portrait, Marjoe Gortner was indeed the real thing, at least in terms of having a natural gift for mimicry, rhythmic "testifying," crowd control, and snake-charming dollars from wallets. But he’d never been a believer, and in adulthood was uncomfortable providing religious experiences to people who innocently assumed he shared in them. His restless showman’s energy needed to be channeled in another direction rock or movie stardom, perhaps so Marjoe the Movie was intended to chronicle, expose, and bury one career while hopefully launching a new one.
It worked, to an extent. Marjoe got a lot of attention, winning the Best Documentary Feature Oscar. The New York Times called its subject "Evangelism’s answer to Mick Jagger" (whom Gortner admitted stealing moves from). With the youth-oriented Jesus Movement then at its peak, some church leaders were not happy at an instance of Christian hoaxdom getting such wide exposure. Though what’s striking about the film now is not just how charismatic (in the non-divine sense) its protagonist remains, but how sincere he is: Marjoe doesn’t judge, condescend to, or snark at his nightly congregations, whose members he can make faint dead in holy rapture with a laying-on of hands. He knows they’re having an authentic experience, but also that "I don’t have any ‘power.’ Hundreds of people were healed at my crusades, but I know damn well it was nothing I was doing. Sometimes I feel like I should do repentance to the audience." So Marjoe was the record of his quitting.
It was just the start, however, of a wider public’s acquaintance with Marjoe Gortner. He made one album on a major label called Bad, But Not Evil. (Are the Black Lips aware of this?) Hunky in a slightly goofy way, he soon started guesting usually as some kind of seductive wacko in TV series like Kojak, The A-Team, and Fantasy Island.
He became a familiar face on the big screen, too, peaking early in commercial terms with a memorable role as a psychotic supermarket employee and National Guardsman who spends all of 1974 disaster epic Earthquake trying to force himself on a ‘fro-haired Victoria Principal. He definitely had ability and magnetism, but also the ill luck to appear in some of next decade-plus’ worst movies: joining William Shatner and Robert Reed as suburban nice guys on vacation with unexpectedly warped neighbor Andy Griffith (!) in Pray for the Wildcats (1974); imperiled by giant rats in The Food of the Gods (1976); in Viva Knievel! (1977), ’nuff said; Star Wars rip-off Starcrash (1978); horror idiocy Mausoleum (1983); women-in-prison jewel Hellhole (1985); and Rambo-meets-T&A travesty Jungle Warriors (1984) replacing Dennis Hopper in that one after the latter was found wandering naked and senseless on location. Arguably only Linda Blair made more enjoyably awful movies in a particularly rich period for them.
Gortner had produced a 1979 version of the stage play When You Comin’ Back, Red Ryder? as a serious vehicle for himself in which he was duly impressive, albeit as yet another psychotic but that flopped. Around the same time he also started filming an autobiographical drama, only to reportedly abscond with the film cans when that never-finished project’s money ran out. By 1990 (and American Ninja 3: Blood Hunt), a respectable acting career was clearly not going to happen, and the one he had held little remaining appeal. Gortner spent the next couple decades producing charity sports events. He’s since retired, and shows no sign of any further desire for the public eye. He presumably prefers not being remembered at all to being remembered as a novelty.
Marjoe‘s co-feature is an obscurity I’d love to see an exposé documentary about: San Francisco-set The Second Coming of Suzanne (1974), a muddled parable about a megalomaniacal hippie film director (Jared Martin) obsessed with the titular chick (future Clint Eastwood consort Sondra Locke) he casts and, naturally, crucifies as star of his unfathomable film-within-the-film.
Suzanne itself is one of the most flabbergastingly pretentious movies ever made, the first and last screen opus of writer-director Michael Barry, son to second-tier Hollywood and Broadway leading man Gene Barry. Featuring a pre-fame Richard Dreyfuss and a pre-Decline of Western Civilization Penelope Spheeris in support roles, it’s such a timepiece for better and far worse than you can begin to imagine. It should be required viewing for people who worship 70s cinema, as illustration of how easily all that era’s best intentions could go to hell in a hand basket. To wit, "Second Coming" kicks off this week with an inimitable pair: Soul Hustler, a.k.a. The Day the Lord Got Busted (1973), and 1972’s J.C., in which Jesus joins an LSD-crazed biker gang.
"THE SECOND COMING OF THE VORTEX ROOM"
Through Feb. 23
Thurs., 9 p.m., $7 donation
Vortex Room
1082 Howard, SF
Facebook: The Vortex Room
Sorrow, tears, blood — and dance
arts@sfbg.com
MUSIC Musical genius, human rights activist, cultural legend, African icon — late Nigerian Afrobeat pioneer Fela Kuti encompassed multitudes, but to his 1980s-era guitarist Soji Odukogbe, he provided not only inspiration but a way into his music.
“The music was written by Fela, so if you were good enough, you could add to it, and he wouldn’t say anything. But if you were not good enough, he’d say, ‘This is the line,'” explains Odukogbe, 49, by phone from Berkeley where he now lives. “Afrobeat is a written music — you can’t add to it. You can add if you know your instrument, and it’s sweet enough, then you can go there.”
Fortunately the Lagos, Nigeria, native — who as a child was inspired enough by Fela’s hits to take a wood plank, hammer a nail into it, and pretend it was a guitar — was good enough to take his liberties on guitar on legendary Fela albums like Teacher Don’t Teach Me Nonsense, Beasts of No Nation, and Underground System (all Barclay; 1986, 1989, and 1992). “[Fela] was anxious to meet me [after he got out of prison], and when he saw me, he was so happy — he said, ‘I have a guitar player that’s really good!,'” recalls Odukogbe, who joined Fela’s band in ’85. “One day I said, ‘Fela, I want to take a guitar solo. He only allowed horn and keyboard solos, and he said, ‘Yeah, go ahead,’ and I blew his mind. He was so proud of me.” Odukogbe appears with kindred Fela player Baba Ken Okulolo at a “Fela Kuti Extravaganza” dance party at Cafe Du Nord Jan. 28.
The guitarist played with Fela for five years before deciding to take his chances in the U.S. where a so-called world music movement was catching fire with the success of Nigerian juju master King Sunny Adé, Le Mystere des Voix Bulgares (Nonesuch, 1987), and Brazil Classics 1: Beleza Tropical (Luaka Bop, 1990). Now, with publications such as The New York Times trumpeting an “African invasion” in indie rock and a fascination with African music takes hold once more — morphed and bent to new ends by performers ranging from Vampire Weekend to Dirty Projectors to this year’s Pazz and Jop poll-topping tUnE-yArDs — the time seems right to revisit Fela’s legacy.
Long before African outfits like Tinariwen and Blk Jks threaded rock ‘n’ roll guitar into indigenous rhythms, and hipster-cred comps such as the Ethiopiques and Congotronics series touched down stateside, Fela was hybridizing jazz and highlife with a potent dose of James Brown-style funk, a black power sensibility (not for nothing did he dub himself the Black President), and a driving thirst for justice, even after being jailed some 200 times, suffering at the hands of soldiers (the wounds Fela revealed when he dropped his trousers in the 1982 documentary Music Is the Weapon are heartbreaking), and undergoing a level of government harassment and abuse that would break most mortals. It all appeared to climax in 1977 after the release of his military-mocking 1977 LP Zombie (Barclay) and the subsequent invasion of his Kalakuta Republic commune by soldiers, which led to the death of his mother and the beating and brutalization of the performer, his family, wives, and friends.
Though mainstream superstars Will Smith and Jay-Z threw their producing weight behind the recent Tony Award-winning musical production of Fela!, it’s tough to imagine an artist quite like Fela in today’s music scene, fighting back from the top of the pop charts, occupying the public imagination with his radical politics and spiritual beliefs, and speaking his mind, loudly and outrageously. Still, Fela’s story and music speak louder than ever, especially in the context of indie’s less-than-political appropriation of African sounds, the recent SF run of Fela!, the 2011 rerelease of Fela’s Universal-controlled albums in North America by Knitting Factory Records, the upcoming film directed by artist-filmmaker Steve McQueen, and continuing tide of injustice in Nigeria, where weeks of protests continue over fuel prices and the country has undergone its worst oil spill in a decade.
“The thing that’s most interesting about Fela’s music is how traveling and seeing other cultures, going to the United States, and getting familiar with American music and James Brown and American politics inspired him to fulfill his own roots and look back on himself and to really see these international forces as part of his background and his own culture,” observes Will Magid, 26, who organized the Fela dance party and has played with Odukogbe and Okulolo. Magid’s own forthcoming debut album promises to mix Kuti’s influence with Balkan, pop, and funk sounds. “We need more people who are like that and who are speaking up.”
El Cerrito-by-way-of-Nigeria bassist Okulolo played with Fela as well as King Sunny Ade and has performed with Odukogbe in the Kotoja, the Western African Highlife Band, and the Nigerian Brothers. Magid’s friend and mentor since the two met through Okulolo’s son at UCLA, the musician sees “Fela Kuti Extravaganza” as a teaching opportunity.
“Fela was a great musician, and his music will never die,” says Okulolo. “I think it would be a good idea to continue educating people about his music and how beautiful it is. I worked with [Fela] briefly, and I know the man well, and so many bands are playing Afrobeat now — generally the music needs to be out there.”
“It has funk; it has jazz; it has an African beat; it has everything,” he continues. “It’s our opportunity to showcase it to as many people as we can and make it valuable, to put it in a category that someday will be what reggae is today.”
And during hard times, we can all learn something from Fela, his still-vibrant music, and his way of moving, fluidly and artfully, through oppression, through pain. “There’s this element of social consciousness, of people dancing and then hearing about these oil spills,” muses Magid of the upcoming dance party. “It’s a different kind of dancing when you’re dancing through suffering.” *
WILL MAGID’S WORLD WIDE DANCE PARTY: FELA EXTRAVAGANZA
With Baba Ken Okulolo and Soji Odukogbe, Will Magid Trio with Fely Tchaco, MSK.FM, and izzy*wise
Sat/28, 9:30 p.m., $15
Cafe Du Nord
2170 Market, SF
