Mission

Our Weekly Picks: August 10-16

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WEDNESDAY 10

MUSIC

Outdoorsmen

Seeking some pissed-as-shit garage rock from San Francisco? Eschewing the contemporary lyrical idiom of pizzas, fun, and friends, the band Outdoorsmen has more in common with early GG Allin (minus the racism, sexism, and other things about the baddest of rock ‘n’ roll’s bad boys that were generally inexcusable, no matter how good he was otherwise) than the Seeds or 13th Floor Elevators. If you want the raging fury of punk run through too many pedals and spat out in songs like “Summer of Hate” and “Decapitated,” these cats are here to save you from the paisley wave of vintage rock wannabes. Get angry! (Cooper Berkmoyer)

With San Francisco Water Cooler

9 p.m., $6

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

MUSIC

Breakestra

I’ve never quite been able to wrap my head around L.A. band Breakestra. With a tendency to change members and labels as frequently as it switches from one break beat to another, the expectation is inconsistency. But instead, its collective effort manages to reach a level of esteem that puts them somewhere between other encyclopedic genre bands like the Roots and the Dap-Kings (or to go back further, the J.B.’s), reliably grooving across funk, hip-hop, and soul. Its last album, 2009’s Dusk Till Dawn, saw the band resurrecting the feel of a Norman Whitfield-era Temptations track one moment, only to later lay down a proper beat for Chali 2na. (Ryan Prendiville)

With California Honeydrops

9 p.m., $15

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

FRIDAY 12

COMEDY

Dave Attell

Often regarded as the epitome of a “comedian’s comedian” while paying his dues in the New York City stand-up circuit, Dave Attell finally caught his well-earned break in 2001 with the debut of Insomniac, his late night reality show on Comedy Central. His blunt and unabashed style, blue-collar looks, and approachability made him the perfect comic to maneuver the run-ins with all the drunks and freaks on that show, and those same qualities translate to his live performances. As a former writer for Saturday Night Live and contributor to The Daily Show, Attell’s credentials run deep, and his balance of the lewd and the incredibly clever has helped make him one of the best and most-respected comics around. (Landon Moblad)

Fri/12-Sat/13, 8 and 10:15 p.m., $35

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

 

MUSIC

Sadies

Comprised of guitarists Dallas and Travis Good (who are also brothers), drummer Mike Belitsky, and bassist Sean Dean, the Sadies have recorded and toured with everyone from John Doe and Neko Case to Andre Williams and Heavy Trash — all for very good reason. The Canadian rockers seamlessly incorporate country, surf, rockabilly, garage rock, and more into their musical foundation, creating a wide sonic pallet to work with. The band shines just as brightly on its own as in its collaborations, as was the case with its latest excellent release, 2010’s Darker Circles — so expect nothing short of an amazing live set tonight. (Sean McCourt)

With Jesse Sykes and the Sweet Hereafter

9 p.m., $17

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com

 

MUSIC

Javelin

Though you may hear descriptors like electro and hip-hop bandied about to describe Javelin’s music, neither really captures the wide-eyed charm of the group’s eccentric cut-and-paste style. Originally from Providence, RI but now rooted in New York City, the duo is comprised of two cousins who are just as intrigued by MPCs and old, dusty vinyl samples as they are by homemade instruments and beat-up toy keyboards. No Mas, Javelin’s 2010 debut, showed off its ability to filter lo-fi psychedelia, playful electronica, and fractured R&B into a perfectly balanced, collage-style mix of live and electronic sounds. Its follow-up, Candy Canyon, is a 24-minute exercise in cowboy folk and spaghetti Western scores. (Moblad)

With Siriusmo, Pictureplane, Krystal Klear, Vin Sol, and Charles McCloud

10 p.m., $15

103 Harriet, SF

(415) 264-1015

www.1015.com/onezerothree

 

MUSIC

Trainwreck Riders

What do you get when you cross the epic guitar work of stadium rock and the audacity of punk with the drunken swagger of country? A trainwreck? Trainwreck Riders actually. This San Francisco four-piece will have you stumbling along in commiseration and drifting into rock heaven with its boozy lullabies, but that’s only half the equation. As genuinely beautiful and sad as Trainwreck Riders can be (just check out their single “Christmas Time Blues” — goddamn) it’s just as apt to slam you back to earth with leaden shredding and headbanging goodness. Sing along and dance or just let the melodies carry you away. Trainwreck Riders will make a fan of you yet. (Berkmoyer)

With Pine Hill Haints, Mahgeetah, and Pops

8:30 p.m., $12

Café Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

MUSIC

DJ Lo Down Loretta Brown a.k.a. Erykah Badu

Following a live performance at Outside Lands, Erykah Badu — the reigning queen of whatever genre she’s in — will be donning her DJ Lo Down Loretta Brown persona at Mezzanine. Whether you catch the soulful singer, who’s reportedly working on material with Flying Lotus, following Big Boi at the festival, or just the DJ set, she’ll be keeping the party going for the Ankh Marketing (the people behind Rock the Bells and plenty of Bay Area hip-hop) seventh anniversary celebration. Ankh has delivered on their events — the last time they brought the Roots’ Questlove for a set (which they’ll repeat Saturday at Public Works) Ghostface Killah popped on stage in the two o’clock hour. (Prendiville)

With D-Sharp

9 p.m. Doors, $25 Advance

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

SATURDAY 13

MUSIC

Inciters

Although it hails from Santa Cruz, the band known as Inciters sounds as though it could have come straight out of England circa the late 1960s, steeped in the rich sound and traditions of Northern Soul, albeit with an energy and attitude all its own. Currently recording its next album, the 11-piece outfit has been rocking stages both locally and internationally since 1995, and tonight finds it both performing an opening slot and also acting as the backing band for genre favorite Dean Parrish, known for 1960s hits like “I’m On My Way.” (McCourt)

With Champions, Soul Fox, Shawn and Miss T, and Mattie Valentine

9 p.m., $8

Rockit Room

406 Clement, SF

www.rock-it-room.com

 

VISUAL ART

“Scab-Free”

Is there anything more fun than a scab? Pick, pick, pick. The tension between patience and raw fulfillment makes them better than blackheads, dandruff, and ingrown hairs combined. And while blood streams through the gutters to the Bay from the tatted-up flesh of everyone from your barista to rock stars to your aunt, before the scabs and permanent skin art came the sketches and paintings. As the co-owners of Black Heart Tattoo, Scott Sylvia, Tim Lehi, and Jeff Rassier are globally renowned knights with tattoo-machine swords, swivel-stool steeds, and holy grails of pigments. Their canvases, and those of five other Black Heart dudes, may not bleed, but they’ll surely inspire your next inky scab. (Kat Renz)

Through Sept. 3

Opening reception tonight, 7 p.m.-midnight, free

Space Gallery

1141 Polk, SF

(415) 377-3325

www.spacegallerysf.com

 

FILM

Jaws

Discovery Channel’s annual Shark Week wrapped up August 5. As a floundering nation collapses into Great White Withdrawl Syndrome, Bay Area residents can feed (-ing frenzy) their obsession with bloody, toothy good times at Film Night in the Park’s screening of 1975’s Jaws. One of the first-ever summer blockbusters, Steven Spielberg’s seaside classic actually doesn’t feature much fishy footage, thanks to a cranky mechanical shark that taught all involved a valuable lesson about stories actually being scarier when you don’t reveal too much of the monster. But since Discovery just served up plenty of savage shark porn (Top Five Eaten Alive!), bundle up and enjoy Jaws‘ human standouts: Roy Scheider as the sheriff trying to cope with the deadly waters off his beaches; Richard Dreyfuss as the nerdy ichthyologist; Robert Shaw as the crusty shaaak hunter; and composer John Williams, who spun epic menace from a few simple notes and created one of cinema’s most recognizable themes in the process. (Cheryl Eddy)

8 p.m., donations accepted

Dolores Park

19th St. at Dolores, SF

(415) 272-2756

www.filmnight.org

 

MUSIC

“Incest Fest”

Incest is really bad if you’re a cheetah — one of the fastest species on Earth is nearly extinct because of its shrinking gene pool. Luckily, the Bay Area metal scene is not the African savannah. Here, such cozy relations are less about genetic mutations and all about a healthy synergy. Our local slaying skills are legendary throughout the headbanging realm, and Incest Fest is searing testimony: a dozen musicians composing five bands: Orb of Confusion (last show! CD release!), Hazzard’s Cure, Floating Goat, Owl, and Hellship. The night’s not only celebrating diverse permutations of heaviness; it’s also the birthday of one of the triple-duty guitarists. Buy the man a drink! And cheers to cheetahs, too. (Renz)

10 p.m., $5

Bender’s Bar and Grill

806 South Van Ness, SF

(415) 824-1800

www.bendersbar.com


TUESDAY 16

MUSIC

Heavy Hawaii

Heavy Hawaii aren’t really that heavy. Actually, they aren’t heavy at all. They are very “Hawaii.” What the hell does that mean, you ask? These minimalist weirdoes from San Diego tap into the same dream state that the islands and their beaches inspired in the Beach Boys and Jan and Dean and a whole generation of vacation-going Americans. It’s surf-pop for a new generation, one reared on shoegaze and surrealism. The classic pop vocals are there, and catchy melodies abound, but the instrumentation is an exercise in simplicity and unsettling strangeness that will leave you swaying like kelp in a creepy underwater forest. (Berkmoyer)

With Bleached and Plateaus 9 p.m., $7

Hemlock Tavern 1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Stage Listings

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THEATER

OPENING

Bedtime in Detroit Boxcar Theatre Studios, 125A Hyde, SF; www.boxcartheatre.org. $15. Opens Thurs/11, 8pm. Runs Thurs-Sat, 8pm; Sun, 4pm. Through Aug 21. Boxcar Theatre’s first-ever Directing Lab Performance is of Ellen K. Anderson’s drama, set in Detroit on Devil’s Night.

True West NOHspace, 2840 Mariposa, SF; 1-800-838-3006, www.truewestsf.com. $10-28. Previews Fri/12, 8pm. Opens Sat/13, 8pm. Runs Wed-Sat, 8pm. Through Sept 17. Expression Productions presents Sam Shepard’s tale of two brothers.

BAY AREA

Candida Bruns Memorial Amphitheater, 100 California Shakespeare Theatre Way, Orinda; www.calshakes.org. $35-66. Previews Wed/10-Fri/12, 8pm. Opens Sat/13, 8pm. Runs Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also Sept 3, 2pm); Sun, 4pm. Through Sept 4. Cal Shakes artistic director helms this taken on George Bernard Shaw’s classic about a housewife torn between her husband and a new suitor.

Seven Guitars Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-55. Previews Thurs/11-Sat/13, 8pm; Sun/14, 7pm. Opens Tues/16, 8pm. Runs Tues and Thurs-Sat, 8pm (also Aug 25, 1pm; Aug 20 and Sept 3, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Sept 4. Marin Theatre Company performs August Wilson’s 1940s-set entry into his series of plays about the African-American experience.

ONGOING

Act One, Scene Two SF Playhouse, Stage Two, 533 Sutter, SF; (415) 869-5384, www.un-scripted.com. $10-20. Thurs-Sat, 8pm. Through Aug 20. Un-Scripted Theater Company hosts a different playwright each night, performing the first scene of an unfinished play and then improvising its finish.

“AfroSolo Arts Festival” Various venues, SF; www.afrosolo.org. Free-$100. Through Oct 20. The AfroSolo Theatre Company presents its 18th annual festival celebrating African American artists, musicians, and performers.

American Buffalo Actors Theatre of San Francisco, 855 Bush, SF; (415) 345-1287, www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Through Sept 3. Actors Theatre of San Francisco performs the David Mamet crime classic.

Billy Elliot Orpheum Theater, 1192 Market, SF; www.shnsf.com/shows/billyelliot. $35-200. Tues-Sat, 8pm (also Wed, 2pm); Sun, 2pm. Through Aug 21. As a Broadway musical, Billy Elliot proves more enjoyable than the film. The movie’s T. Rex score may have been a major selling point, but it was a bit maudlin for a story that needed no help in that department. The musical naturally has a sentimental moment or three, but it’s much more often funny, muscular in its staging (with repeatedly inspired choreography from Peter Darling), and expansive in its eclectic score (Elton John) and well-wrought book and lyrics (Lee Hall). Moreover, Stephen Daldry (who also directed the 2000 film) plays up bracingly the too-timely class politics of the modest 1980s English mining town besieged by Margaret Thatcher’s neoliberal regime in the latter’s ultimately successful bid to crush the once-powerful miners union. The cast is likewise very strong. The second act is not as strong as the first, but as crowd-pleasing entertainment the musical burrows deep and more often than not comes up with gold. (Avila)

The Book of Liz Custom Made Theatre, 1620 Gough, SF; www.custommade.org. $25-32. Thurs-Sat, 8pm; Sun, 7pm. Extended through Aug 28. Custom Made Theatre performs David and Amy Sedaris’ comedy about an unconventional nun.

Country Club Catastrophe Exit Theatre, 156 Eddy, SF; www.brownpapertickets.com. $20. Thurs/11-Sat/13, 8pm. Back Alley Theater Company performs its first original production, a farcical comedy set at a country club.

Gilligan’s Island: Live On Stage! 2011 Garage, 975 Howard, SF; www.brownpapertickets.com. $10-20. Sat-Sun, 8pm. Through Aug 28. Moore Theatre and SAFEhouse for the Performing Arts presents this updated, ribald take on TV’s classic castaways.

Left-Handed Darling Exit Theatre, 156 Eddy, SF; www.brownpapertickets.com. $15-30. Fri/12-Sat/13, 8pm. This American gothic from Foul Play productions and playwright Nikita Schoen, directed by Michelle Talgarow, moves too listlessly and could use some trimming besides — besides the trimming invoked in the story, that is. Still, it offers spirited moments and morbid chuckles in its macabre tale about a little girl named Calliope (a nicely remote if somewhat wooden Amanda Ortmayer) who runs off to join the circus sideshow. Her shut-in parents once comprised a magic act there, but a gruesome tragedy inadvertently provoked by the infant Calliope has her father (Don Wood) pretending to be a lone convalescent to a charitable neighboring farmer (Sean Owens), as her mother (Kimberly Maclean) tries to keep hidden directly behind him (for reasons stemming from the aforementioned tragedy). In the face of parental opposition to her sideshow fever, Calliope’s willfulness gets the better of her — all the worse for mom and dad, and a girls’ academy recruiter (Mikka Bonel). Embraced by a set of sideshow freaks as one of their own, Calliope discovers stardom and “belonging” not what they were cracked up to be. Don Seaver’s moody sound design and a large freaky caricature-puppet (crafted by Peter Q. Parish) lend atmosphere, while solid turns from Owens (including as the sideshow’s half-man half-woman) and the bright, agile Bonel (including as an armless sideshow Venus) bring needed punch. Less consistent but fiery Mikl-Em has good moments too as sideshow barker Sugarchurch. But the production’s shuffling gait and slightly muddled storyline make small beer of its embroidered dialogue and wistful denouement. (Avila)

A Midsummer Night’s Dream Steve Silver Theater, 1101 Eucalyptus (on the Lowell High School campus), SF; www.bathwater.org. $20. Thurs-Sat, 7:30pm. Through Aug 20. Bathwater Productions performs an acrobatic version of the Shakespeare classic.

The Nature Line Phoenix Theater, 414 Mason, SF; www.sleepwalkerstheatre.com. $17-20. Thurs-Sat, 8pm. Through Aug 27. With The Nature Line, Sleepwalkers Theatre concludes playwright J.C. Lee’s ambitious apocalypse trilogy, “This World and After.” Now well into the post-apocalyptic age, Aya (Charisse Loriaux) buries her miscarriages in the hardscrabble earth, tended by a blind one-breasted s/he named T (Amy Prosser) who plants a would-be garden and collects tattered love letters from a past when people could still physically — and emotionally — touch one another. All that’s been banished now, Aya’s friend Arty (Ariane Owens) tells us, along with the onetime plague of “sadness.” The few humans remaining huddle in the antiseptic arms of a corporate entity represented by a bossy nurse (Janna Kefalas) and her spacey assistant (Lissa Keigwin), who manage an artificial insemination clinic fueled by a stable of four comic-book–reared studs, or “dudes” in the argot of the future (a sensitive crooner smitten with Aya, played by Joshua Schell, and a boisterously adolescent fantastic three played by the roundly hilarious Roy Landaverde, Jeff Moran, and Jomar Tagatac). This all takes place at the edge of a vast, reportedly menacing frontier. Lured by an enchanting dream, and urged by T, Aya crosses over into this forbidding land, followed willy-nilly by everyone else, only to find another Eden of sorts, inhabited by the, at first, unrecognized figures of Aya’s lost and future familia (Soraya Gillis and Carla Pantoja) — a poignant moment comes in a bilingual reunion that magically erases barriers of language and time. Indeed, if Lee’s title suggests “line” as both lineage and division, the play recovers a timeless order by challenging the artificial lines between persons; people and “nature”; past, present, and future; or dream and reality. Director Mina Morita’s staging is fleet and at times poetic, while she gets generally solid performances from her cast (the more comical parts working best). Imaginative, just a little risqué, and reminiscent in its heightened vernacular, low humor, and romantic optimism of word-struck apocalypto-dramas like Liz Duffy Adams’ Dog Act, Nature is a well-constructed narrative with a theme and dialogue that can feel alternately eloquent and heavy-handed. That said, its final image remains an apt conclusion for the trilogy as a whole, amid another Eden where the first kiss, and first heartbreak, starts the beating all over again. (Avila)

Peaches en Regalia Stage Werx, 533 Sutter, SF; www.wilywestproductions.com. $12-24. Thurs-Sat, 8pm. Through Aug 27. The new comedy by Bay Area playwright Steve Lyons borrows its title from a Frank Zappa instrumental and stamps it on the menu of a local diner (tangibly evoked in Wes Cayabyab and Quinn J. Whitaker’s spiffy set design), where new employee and recent college graduate Peaches (an endearingly offbeat Sarah Moser) revels in her impulse decision to leave a job at an investment bank to work at a place with such an auspicious side dish. We meet Peaches, as well as best friend Joanne (Nicole Hammersla), nebbish customer Norman (Philip Goleman), and confident guy’s guy Syd (Cooper Carlson), through a set of discrete monologues, each illustrated with mute help from the other characters. Philosophies of life and hidden desires are all on display but the plot is a prix fixe menu of romance, marriage, and parenthood as deliberate encounters lead to unexpected matches. Sharp performances crisply directed by Sara Staley add zest to otherwise average comic fare, but the writing has several inspired flights of zaniness too. Questionable whether the second act’s course is warranted, however, since it’s plot to pull into parenthood a reluctant Norman — for whom the pace of events collapses nine months and more into a dizzying time warp — is a bit too I Love Lucy to concentrate on without itching to change the channel. (Avila)

Tigers Be Still SF Playhouse, 522 Sutter, SF; www.sfplayhouse.org. $30-50. Tues-Wed, 7pm; Thurs-Sat, 8pm (also Sat, 3pm). Through Sept 10. SF Playhouse performs Kim Rosenstock’s quirky comedy.

What Mamma Said About Down There SF Downtown Comedy Theater, 287 Ellis, SF; www.sfdowntowncomedytheater.com. $15. Thurs-Sat, 8pm. Through Aug 20. Sia Amma returns with her solo comedy.

BAY AREA

Communicating Doors Live Oak Theatre, 1301 Shattuck, Berk; www.aeofberkeley.org. $12-15. Fri-Sat, 8pm; Sun/14, 2pm. Through Aug 20. Actors Ensemble of Berkeley performs Alan Ayckbourn’s “time-travel-battle-of-the-sexes comedy.”

The Complete History of America (abridged) Dominican University of California, Forest Meadows Amphitheater, 1475 Grand, San Rafael; (415) 499-4488, www.marinshakespeare.org. $20-35. Performance times vary; check website for schedule. Through Sept. 25. Marin Shakespeare Company performs Adam Lon, Reed Martin, and Austin Tichenor’s three-person romp through American history.

Fly By Night Lucie Stern Theatre, 1305 Middlefield, Palo Alto; (650) 463-1960, www.theatreworks.org. $19-69. Wed/10, 7:30pm; Thurs/11-Sat/13, 8pm (also Sat/13, 2pm). TheatreWorks performs the world premiere of Kim Rosentock, Michael Mitnick, and Will Connolly’s musical, set in 1965 New York.

Macbeth Dominican University of California, Forest Meadows Amphitheater, 1475 Grand, San Rafael; (415) 499-4488, www.marinshakespeare.org. $20-35. Performance times vary; check website for schedule. Through Sun/14. Marin Shakespeare Company takes on the Scottish play.

Madhouse Rhythm Cabaret at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-35. Thurs, 7:30pm. Through Aug 25. Joshua Walters performs his hip-hop-infused autobiographical show about his experiences with bipolar disorder.

A Midsummer’s Night Dream This week: Downtown Library, 400 Front, Danville; www.womanswill.org. Free (donations requested). Sat/13, 2pm. Amador Valley Community Park, 4455 Black, Pleasanton. Sun/14, 4:30pm. Performances continue at Bay Area parks through Aug 21. Woman’s Will performs the Shakespeare favorite.

Not a Genuine Black Man Marsh Berkeley, TheaterStage, 2120 Allston, Berk; 1-800-838-3006, www.themarsh.org. $20-50. Sat, 5pm (also Sept 8 and 22, 7:30pm). Through Sept 24. This is it: the final extension of Brian Copeland’s solo show about growing up in (nearly) all-white San Leandro.

Reduction in Force Berkeley City Club, 2315 Durant, Berk; (510) 558-1381, www.centralworks.org. $14-25. Thurs-Sat, 8pm (also Aug 20 and 27, 5pm); Sun, 5pm. Through Aug 28. Central Works performs “an economic comedy about back-stabbing, ass-kissing, and survival of the sneakiest.”

The Road to Hades John Hinkel Park, Southampton Ave, Berk; (510) 841-6500, www.shotgunplayers.org. $10 (suggested donation; no one turned away for lack of funds). Sat-Sun, 3pm. Through Sept 11. Shotgun Players presents a new comedy written by and starring veteran comedian and clown Jeff Raz.

Strange Travel Suggestions Cabaret at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $20-50. Fri, 8pm; Sat, 5pm. Through Aug 27. Jeff Greenwald returns with a new version of his hit show of improvised monologues about travel.

“2011 New Works Festival” TheatreWorks at Lucie Stern Theatre, 1355 Middlefield, Palo Alto; (650) 463-1960, www.theatreworks.org. $19-29. Schedule varies. Through Aug 21. TheatreWorks presents its annual festival of new musicals and plays, performed in workshop or staged-reading form, plus a panel discussion.

2012: The Musical! This week: Live Oak Park, Shattuck and Berryman, Berk; www.sfmt.org. Free. Sat/13-Sun/14, 2pm. Continues through Sept 25 at various Bay Area venues. San Francisco Mime Troupe mounts their annual summer musical; this year’s show is about a political theater company torn between selling out and staying true to its anti-corporate roots.

PERFORMANCE/DANCE

Lily Cai Dance Company Novellus Theater, Yerba Buena Center for the Arts, 700 Howard, SF; (415) 978-ARTS, www.ybca.org. Sat, 8pm. $25-40. The company’s 2011 Home Season Concert includes the world premieres Shifting and What Is Missing, plus Candelas.

“Mortified” DNA Lounge, 375 11th St, SF; www.getmortified.com. Fri, 8pm, $17. The popular storytelling series (famous for its embarassing tales) moves into its biggest venue yet, with way more room for sympathetic cringing.

“Permutae/Reception” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri-Sat, 8pm. $10-20. Mary Franck/Finley Coyl and Tessa Wills contribute to these evenings of shared performance.

BAY AREA

“Hella Gay Comedy Show” La Estrellita Café, 446 E. 12th St, Oakl; (510) 465-7188. 9pm, $10. Charlie Ballard hosts this showcase of LGBT comedians.

“My Fair Lady” Woodminster Amphitheater, Joaquin Miller Park, 3300 Joaquin Miller, Oakl; (510) 531-9597, www.woodminster.com. $26-42. Woodminster Summer Musicals presents the classic makeover tale, selected by Woodminster audiences as their choice for this season’s musical.

 

Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

Music Listings

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WEDNESDAY 10

ROCK/BLUES/HIP-HOP

Blah Boutique, Love Axe, Genius and the Thieves Rickshaw Stop. 8pm, $10.

Grady Champion Biscuits and Blues. 8 and 10pm, $18.

Clap Your Hands Say Yeah Independent. 9pm, $20.

Outside Lands Night Show. Mad Noise Yoshi’s San Francisco. 8pm, $5.

Outdoorsmen, Mordecai, SF Water Cooler Hemlock Tavern. 9pm, $6.

Personal and the Pizzas, X-Mas Island Knockout. 9pm, $6.

Return to Earth, Suggies, Symbolick Jews, Guitar Wizards of the Future Elbo Room. 9pm, $6.

Roundups 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Steinway Junkies, Shake Me!, Mick Leonardi, Prose In Rosette Bottom of the Hill. 8:30pm, $8.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho with Tamar Korn, Michael Abraham Amnesia. 7pm, free.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Steve Taylor-Ramirez Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, free. Funk, swing, rare grooves, and more with Dr. Musco and guests.

Death or Glory Milk. 9pm, free. Punk rock dance party with Handsome Hawk Valentine and DJs Bazooka Jules and Queen-e.

English Pound Radio Otis Lounge, 25 Maiden Lane, SF; www.otissf.com. 9pm, $5. Reggae.

Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.

Megatallica Fiddler’s Green, 1333 Columbus, SF; www.megatallica.com. 7pm, free. Heavy metal.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

THURSDAY 11

ROCK/BLUES/HIP-HOP

Best Coast, Eskmo California Academy of Sciences, 55 Music Concourse Dr, SF; www.calacademy.org/nightlife. 6pm, $12.

Outside Lands Night Show. Eels, Submarines Great American Music Hall. 9pm, $28.

Equipto Amoeba, 1855 Haight, SF; www.amoeba.com. 6pm, free. Evaline, Lite Brite, Fake Your Own Death Botttom of the Hill. 9pm, $10.

Alan Iglesias Biscuits and Blues. 8 and 10pm, $16. Stevie Ray Vaughan tribute.

Jésus and the Rabbis Blackthorn Tavern, 834 Irving, SF; www.blackthornsf.com. 10pm, free.

Memorials, Secret Secretaries, NIAYH Café Du Nord. 9pm, $12.

Pins of Light, Young Lions, Hornss Knockout. 9:30pm, $7.

White Pee, Birch Cooper and Polly Darton Hemlock Tavern. 9pm, $6.

Zoot Woman Rickshaw Stop. 10pm, $12. With Popscene DJs.

JAZZ/NEW MUSIC

SF Jazz Hotplate Series Amnesia. 9pm.

Soul jazz party with Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Shareef Ali and the Radical Folksonomy Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Kentucky Twisters Atlas Café. 8-10pm, free. Maxi Priest Yoshi’s San Francisco. 8 and 10pm, $24-32.

Bradley Reeves 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Shannon Céili Band Plough and Stars. 9pm.

DANCE CLUBS 

Afrolicious Elbo Room. 9:30pm, $5. Afrobeat, Tropicália, electro, samba, and funk with DJs Pleasuremaker and Señor Oz, plus guest Ursula 1000.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party features video DJs Mark Andrus, Don Lynch, and celebrity guests.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

 

FRIDAY 12

ROCK/BLUES/HIP-HOP

Alma Desnuda, Dogman Joe Slim’s. 9pm, $17.

Califone, Yesway, Sands Bottom of the Hill. 9:30pm, $12.

Damned Things, Maylene and the Sons of Disaster, Fair to Midland, Hourcast, I Am Empire Fillmore. 8pm, $20.

Dex Romweber Duo, Ferocious Few, Touch-Me-Nots Thee Parkside. 9pm, $10. Moon Rockers, Lumps, Joy Hemlock Tavern. 9pm, $6.

“Outside Lands Music and Arts Festival” Golden Gate Park, SF; www.SFOutsideLands.com. Noon, $85. With Phish, Shins, MGMT, Original Meters, and more.

Sadies, Jesse Sykes and the Sweet Hereafter Great American Music Hall. 9pm, $17.

Soft Bombs, Aerosols, These Hills of Gold, Skystone Knockout. 9pm, $7.

Vetiver, Extra Classic Rickshaw Stop. 10pm, $15.

Outside Lands Night Show. We The Kings, Summer Set, Downtown Fiction, Hot Chelle Rae, Action Item Regency Ballroom. 6:30pm, $18.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Gaucho with Tamar Korn Caffe Pascucci, 170 King, SF; www.caffe-pascucci.com. 8pm, $10.

Jazz Organ Party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

Paula West with the George Mesterhazy Trio Yoshi’s San Francisco. 8 and 10pm, $25-35.

FOLK/WORLD/COUNTRY

Kitchen Fire Plough and Stars. 9pm.

Song Preservation Society 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Torreblanca, Bang Data, Andrea Balency, DJ El Kool Kyle Elbo Room. 10pm, $10.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5.Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Blow Up vs. Popscene 8 DNA Lounge. 10pm, $20. With DJs Jeffrey Paradise, Fred Falke, Omar, and more.

Breakiosaurus: Elephant Bird Camp Fundraiser and Outside Lands After Party Blue Macaw, 2565 Mission, SF; www.thefunkyones.com/breakiosaurus. 10pm, $5-10. Hip-hop.

No Way Back Public Works. 10pm, $15. With Theo Parrish, Conor, and Solar. Re:Creation Temple SF, 540 Howard, SF; www.templesf.com. 10pm, $20. With Polish Ambassador, Quitter, Dnae Beats, Samples, and more.

Vintage Orson 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

 

SATURDAY 13

ROCK/BLUES/HIP-HOP

Matt Berkeley Blackthorn Tavern, 834 Irving, SF; www.blackthornsf.com. 9:30pm, free.

Big Sandy and His Fly-Rite Boys, Eilen Jewell, Zoe Muth and the Lost High Rollers Slim’s. 9pm, $16.

Matthew Edwards and the Unfortunates, Sean Smith Make-Out Room. 7:30pm, $8.

“Elv-O-Rama King Size Variety Show” Knockout. 9:30pm, $10. With Elvis Herselvis, Quarter Mile Combo, Naked and Shameless, and more.

Forgotten Passage 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free. 

Heartsounds, Story So Far, This Time Next Year, Shotdown Thee Parkside. 9pm, $8.

Hooks, Eastern Span, InterChords, Clash City Sirens Bottom of the Hill. 9:30pm, $10.

“Jimmy McCracklin’s 90th Birthday Bash” Biscuits and Blues. 8 and 10pm, $20. With Ben Petry, BigCat, Bobby Cochran, and more.

Sid Luscious and the Pants, CH-3, Doormats Thee Parkside. 3pm, free.

“Outside Lands Music and Arts Festival” Golden Gate Park, SF; www.SFOutsideLands.com. Noon, $85. With Muse, Black Keys, Girl Talk, Roots, and more.

“Rotfest III” Hemlock Tavern. 5pm, $10. With 3 Stoned Men, Natural Fonzie, Wiki Wiki Uke Band, and more.

“Swing Goth Presents: Bowie Ball 2: 2 Times the Bowie” Café Du Nord. 9:30pm, $20. With Scission and Tiger Club.

JAZZ/NEW MUSIC

Carlitos Club Deluxe, 1511 Haight, SF; (415) 552-6949. 9pm.

Soul Jazz Party with Jules Broussard and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Paula West with the George Mesterhazy Trio Yoshi’s San Francisco. 8 and 10pm, $25-35.

FOLK/WORLD/COUNTRY

DaMaDa Westside Art House, 540 Balboa, SF; www.westsidearthouse.com. 8:30pm, $5.

Mutineers, Misisipi Mike Wolf, Big Jugs Plough and Stars. 9pm. Sweet Chariot Riptide Tavern. 10 and 11:15pm, free.

Craig Ventresco and Meredith Axelrod Atlas Café. 4-6pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF: Eight Year Anniversary Show DNA Lounge. 9pm, $10-15. With DJs Adrian and Mysterious D, Trixxie Carr, and more.

Cockblock Rickshaw Stop. 10pm, $8-10. With Natalie Nuxx. DJ Questlove, DJ Mark DiVita Public Works. 9pm, $15.

Tormenta Tropical Elbo Room. 10pm, $5-10. Electro-cumbia with DJs Shawn Reynaldo and Oro 11.

 

SUNDAY 14

ROCK/BLUES/HIP-HOP

Bare Wires, Liquor Store, Natural Child Hemlock Tavern. 9pm, $8.

Ronnie Baker Brooks Biscuits and Blues. 8 and 10pm, $22.

Buck 65 Slim’s. 8pm, $16.

Cosa Brava, Grex, Jack O’ the Clock Great American Music Hall. 8pm, $20.

“Outside Lands Music and Arts Festival” Golden Gate Park, SF; www.SFOutsideLands.com. Noon, $85. With Arcade Fire, Deadmau5, Decemberists, John Fogerty, and more.

Solo and the Skyrider Band, Dosh Bottom of the Hill. 9pm, $12.

Underground Railroad to Candyland, Arrivals Knockout. 9pm, $6.

Warren Haynes Band, Stone Foxes Independent. 10pm, $30.

Young Offenders, Airfix Kits, Only the Messengers Hemlock Tavern. 3pm, $5.

JAZZ/NEW MUSIC

Creative Voices Musicians’ Union Hall, 116 Ninth St, SF; www.noertker.com. 7:30pm, $10.

Jazz organ party with Lavay Smith and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free. Mezghoon Ensemble Yoshi’s San Francisco. 7pm, $35.

Sunday Jazz Jam 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

FOLK/WORLD/COUNTRY

Maria Fibush and friends Plough and Stars. 9pm. Javier Limón featuring Buika, La Shica, Sandra Carrasco, and Luisa Maita Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Zach Lupetin and the Dustbowl Revival Amnesia. 8pm, $7.

Saddle Tramps Thee Parkside. 4pm, free. Secret Sisters Café Du Nord. 8pm, $17.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Ludichris, and guest Roger Mas.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

 

MONDAY 15

ROCK/BLUES/HIP-HOP

Bomb the Music Industry, Sidekicks, Blanks, Caps Bottom of the Hill. 9pm, $10.

Kirby Sewell Band featuring John Nemeth Biscuits and Blues. 8 and 10pm, $15.

Ovens, Culture Kids, Sourpatch, DJs Harkin and Chominski Knockout. 9pm, $5.

Winter, Noothgrush, Trap Them, Black Breath, All Pigs Must Die, Acephalix Elbo Room. 7pm, $25.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

DJ Brian Turner Hemlock Tavern. 6pm, free.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

 

 

TUESDAY 16

ROCK/BLUES/HIP-HOP

Bipolaroid, Nectarine Pie, Shrougs, DJ Tina Boom Boom Knockout. 9:30pm, $7.

Go Go’s, Girl In A Coma Fillmore. 8pm, $39.50. Heavy Hawaii, Bleached, Plateaus Hemlock Tavern. 9pm, $7.

Milk Carton Kids, Andrew Belle Café Du Nord. 9pm, $12.

Pentagram, Pelican, Alpinist, Masakari, Early Graves, Baptists Mezzanine. 6:30pm, $25.

Holcombe Waller, Mia Doi Todd, Garrett Pierce Bottom of the Hill. 9pm, $12.

 

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. 

Film Listings

0

OPENING

Final Destination 5 Because Death never dies, or stops making sequels. (1:32)

*The Future See “Fear and Longing.” (1:31)

Glee: The 3D Concert Movie The TV show goes cinematically 3D. (1:30)

The Help Three women (played by Emma Stone, Viola Davis, and Octavia Spencer) form an unlikely alliance in 1960s Mississippi. (2:17) Balboa, California, Presidio.

*Point Blank Not for nothing did Hollywood remake French filmmaker Fred Cavaye’s last film, Anything for Her (2008) as The Next Three Days (2010) — Cavaye’s latest, tauter-than-taut thriller almost screams out for a similar rework, with its Bourne-like handheld camera work, high-impact immediacy, and noirish narrative economy. Point Blank — not to be confused with the 1967 Lee Marvin vehicle —kicks off with a literal slam: a mystery man (Roschdy Zem) crashing into a metal barrier, on the run from two menacing figures until he is cornered and then taken out of the action by fate. His mind mainly on the welfare of his very pregnant wife Nadia (Elena Anaya), nursing assistant Samuel (Gilles Lellouche) has the bad luck to stumble on a faux doctor attempting to make sure that the injured man never rises from his hospital bed. As police wrangle over whose case this exactly is — the murder of an industrialist seems to have expanded the powers of the stony-faced, monolithic Commandant Werner (Gerard Lanvin) — Samuel gets sucked into the mystery man’s lot, a conspiracy that allows them to trust no one, and seemingly impossibly odds against getting out of the mess alive. Cavaye never quite stops applying the pressure in this clever, unrelenting cat-and-mouse and mouse-and-his-spouse game, topping it with a nerve-jangling search through a messily chaotic police station. (1:24) Embarcadero. (Chun)

*Salvation Boulevard The ridiculous and ill-reputed worlds of ex-Deadheads and evangelical mega-churches collide in director George Ratliff’s Salvation Boulevard, based on Larry Beinhart’s novel of the same name. When proselytizing pastor Dan Day (Pierce Brosnan) accidentally murders an atheist professor (Ed Harris), churchgoer Carl (Greg Kinnear) tries to forget what he saw. He soon finds himself embroiled in plots involving a kidnapping in Mexico and the fundamentalist takeover of his town. Carl’s god-fearin’, brainwashed wife (Jennifer Connelly) isn’t the least bit understanding, and instead takes to painting demons to exorcise her grief. Though the film often struggles to find a consistent tone, its lampoon of spiritual hogwash (i.e. purity balls) and the sheer inanity of the situational comedy makes for pleasantly amusing satire. The real saint of the film — and no surprise here — is Marisa Tomei as a pothead security guard named Honey. (1:35) )Opera Plaza, Shattuck. (Ryan Lattanzio)

Sex and Zen: Extreme Ecstasy Ming Dynasty-set porn on the big screen. (2:09) Four Star.

30 Minutes or Less Jesse Eisenberg and Danny McBride star in this comedy caper about a pizza delivery guy forced to rob a bank. (1:29) Presidio, Shattuck.

*Vigilante Vigilante Eschewing any pretense of objectivity and adopting a civic-journalism approach, Bay Area director Max Good and producer Nathan Wollman exhaustively explore the issues at stake in the current graffiti and street art scene by focusing on some unexpected, once-hidden antagonists: the so-called buffers, graffiti abatement advocates, and self-styled vigilantes who obsessively paint over graffiti in cities like Los Angeles (Joe Connolly) and New Orleans (Fred Radtke). Good wraps his interviews with well-known street artists like Shepard Fairey, cultural critics such as Stefano Bloch, and graf advocates a la SF author Steve Rotman around his central pursuit: he’s trying to uncover the identity of the Silver Buff, the mysterious figure who has splashed silver over artwork and tags in Berkeley for more than a decade. After capturing the Buff on camera in the wee hours of the morn, the documentarian get his story — it’s Jim Sharp, a stubborn preservationist intent on “beautifying” the blight, tearing down street posters, picking up trash, and covering over what he sees as vandalism, even if he has to damage the property he claims to be cleaning up. In a witty twist on if-you-can’t-beat-’em-join-’em, Good and Wollman ratchet their tale up a notch when they follow Sharp with colorful paint of their own, brilliantly driving home an appeal for freedom of expression and a reclamation of public space. (1:26) Roxie. (Chun)

The Whistleblower Rachel Weisz stars as a scandal-unearthing American working on a U.N. peacekeeping mission in post-war Bosnia. (1:58) Embarcadero.


ONGOING

Another Earth (1:32) Opera Plaza, Shattuck.

*Attack the Block (1:28) Metreon.

Beats, Rhymes & Life (1:38) Shattuck.

*Beginners (1:44) Lumiere.

*Between Two Worlds (1:10) (Harvey)

Bride Flight (2:10) Opera Plaza.

*Bridesmaids (2:04) Shattuck.

Buck (1:28) Opera Plaza, Shattuck.

Captain America: The First Avenger (2:09) Empire, 1000 Van Ness, SF Center, Shattuck, Sundance Kabuki.

The Change-Up (1:52) Four Star, Marina, 1000 Van Ness, Shattuck.

Cowboys and Aliens (1:58) Balboa, 1000 Van Ness, Presidio, SF Center.

Crazy, Stupid, Love (1:58) Marina, 1000 Van Ness, SF Center, Shattuck, Sundance Kabuki.

*Crime After Crime (1:33) Roxie, Smith Rafael.

The Devil’s Double Say hello to my little friend, again— and rest assured, it’s not a dream and you’re seeing double. New Zealand filmmaker Lee Tamahori gets back to his potboiler roots with this campy, claustrophobic look back at the House of Saddam Hussein, based on a true story and designed to win over fans of Scarface (1983) with its portrait of mad excess and deca-dancey ’80s-ish soundtrack. The craziest poseur of all is Hussein’s son Uday (Dominic Cooper), a petty dictator-in-the-making — and, according to this film, a full-fledged murderous pedophile — who chomps cigars and wraps his jaws around schoolgirls while Cooper happily chews scenery. Uday needs a double to sidestep all those troublesome assassination attempts, so he enlists look-alike childhood friend Latif (also Cooper) to get the surgery, pop in the overbite, bray like a madman, make appearances in his stead, and function as a kind of pet human. Never mind Ludivine Sagnier, glassy-eyed and absurd in the role of Uday’s favorite sex kitten Sarrab — Double is completely Cooper’s, who seizes the moment, investing the morally upstanding Latif with a serious sincerity with just his eyes and body language and infusing evil odd job Uday with a dangerous, comic-book unpredictability. To his credit, Cooper imbues such cult-ready, blow-the-doors-off lines as “I love cunt! I love cunt more than god!” with, erm, believability, even as the denouement rings somewhat false. (1:48) California, SF Center, Sundance Kabuki. (Chun)

*Friends With Benefits (1:44) 1000 Van Ness, Sundance Kabuki.

The Guard (1:36) Embarcadero, Shattuck, Sundance Kabuki.

*Harry Potter and the Deathly Hallows Part 2 (2:10) Empire, Sundance Kabuki.

Horrible Bosses (1:33) 1000 Van Ness.

Life in a Day (1:30) Balboa.

*Magic Trip (1:47) Lumiere.

Midnight in Paris (1:34) Albany, Embarcadero, 1000 Van Ness, Piedmont, Sundance Kabuki.

*My Perestroika (1:27) Balboa.

*The Names of Love (1:42) Clay, Piedmont, Shattuck, Smith Rafael.

*Rise of the Planet of the Apes “You gotta love a movie where the animals beat up on the humans,” declared my Rise of the Planet of the Apes companion. Indeed, ape must not kill ape, and this Planet of the Apes prequel-cum-remake of Conquest of the Planet of the Apes (1972) takes the long view, back to the days when ape-human relations were still high-minded enough to forbid smart apes from killing those well-armed, not-so-bright humanoids. I was a fan of the original series, but honestly, I approached Rise with trepidation: I dreaded the inevitable scenes of human cruelty meted out to exploited primates — the current wave of chimp-driven films seems focused on holding a scary, shaming mirror up to the two-legged mammalian violence toward their closest living genetic relatives. It’s a contrast to the original series, which provided prisms with which to peer at race relations and generational conflict. But I needn’t have feared this PG-13 “reboot.” There’s little CGI-driven gore, apart from the visceral opening and the showdown, though the heartbreak remains. Scientist Will (James Franco, brow perpetually furrowed with worry) is working to find a medicine designed to supercharge the brain in the wake of Alzheimer’s — a disease that has struck down his father (John Lithgow). When the experimental chimp that responds to his serum becomes violently aggressive, the project is shut down, although the primate leaves behind a surprise: a baby chimp that Will and his father name Caesar and raise like a beloved child in their idyllic Bay Area Victorian. Growing in intelligence as he matures, Caesar finds himself torn by an existential dilemma: is he a pet or a mammal with rights that must be respected? Rise becomes Caesar’s story, rendered in heart-wrenching, exhilarating ways — to director Rupert Wyatt and his team’s credit you don’t miss the performance finesse of Roddy McDowell and Kim Hunter in groundbreaking prosthetic ape face in the original movies — while resolving at least one question about why humans gave up the globe to the primates. One can only imagine the next edition will take care of the lingering question about how even the cleverest of apes will feed themselves in Muir Woods. (1:50) Empire, 1000 Van Ness, Presidio, SF Center, Sundance Kabuki. (Chun)

Sarah’s Key (1:42) Albany, Embarcadero, Piedmont.

The Smurfs in 3D (1:43) 1000 Van Ness.

The Tree of Life (2:18) California, Lumiere.

*The Trip (1:52) Bridge, Shattuck.


Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Louis Peitzman, Lynn Rapoport, Ben Richardson, and Matt Sussman. For rep house showtimes, see Rep Clock. For complete film listings, seewww.sfbg.com.

Alerts

0

alerts@sfbg.com

WEDNESDAY 10

Protesting another police shooting

Raheim Brown Jr., 20, was killed on Jan. 22 by an Oakland school district police officer, after a fellow police officer was allegedly attacked with a screwdriver. This rally protests the latest in a series of killings by police, and supports Brown’s family, who will be confronting the Oakland School Board for its part in the death. After the rally, protestors will march to the Oakland School District headquarters where the family members will be making their address.

3:30 p.m., free

Lake Merritt Bart Station

Oak & 9th St., Oakland

 

THURSDAY 11

Mayoral debate

Watch the mayor mayoral candidates face off in a debate. The forum will be hosted by the San Francisco Young Democrats, Alice B. Toklas LGBT Democratic Club and the City Democratic Club, who have partnered with the Huffington Post and YouTube to broadcast and discuss the event. Melissa Griffin will be the evening’s moderator, with commenting by Beth Spotswood and Pollo de Mar.

6 p.m., free

African American Art & Cultural Complex

762 Fulton St., SF

www.sfyd.org

 

SATURDAY 13

Climate change and the EcoHouse

Learn how to reduce your carbon footprint on a tour of Berkeley’s EcoHouse, a toolshed built with straw bale, rammed earth, clay, and cob. The center has a living roof, laundry greywater system, 1100-gallon rainwater cistern, a native rain garden and three kinds of compost. The tour features tips on the best ways to save energy and reduce climate impact, with the EcoHouse as its prime example.

10 a.m.-noon, free

Ecohouse

1305 Hopkins St., Berkeley

(510) 548-2220 x239

www.ecologycenter.org

 

SUNDAY 14

Iraq War Veterans Speak Out

This event organized by March Forward!, an organization of veterans and soldiers on active duty, gives Iraq War Veterans a chance to speak out about their experiences, and against war. A former Marin Corps infantryman, former Army infantryman and former Army intelligence operative will share eyewitness accounts of their time in Iraq. They will explain how their Iraq war experiences turned them into anti-war activists, the current situation for veterans and veteran care, and how they are building an anti-war resistance among active duty troops within the military.

5-7 p.m., $5-10 donation, no one turned away

2969 Mission St., SF

www.answersf.org

 

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Face time

0

I never regret the morning after — but sometimes the night before can stick to my face like Ragu to Tupperware, child. It’s not always pretty! OK it is, but sometimes it’s slightly less so. So when I heard that the nifty new vintage-groomin’ F.S.C. Barber in the Mission was offering something called the Hangover Treatment facial, I leaped to try it.

I mean, I’m usually about as resistant to professional beauty treatments as I am to shaved chests on porn stars or pulmonary tuberculosis. I hope. But the rituals of modern manhood are startling — one day you’re lighting up a Cuban fedora with a baseball bat you shot at par nine while building your own Playboy smoking jacket. The next you’re lying back in a beautiful vintage barber chair (complementing F.S.C.’s 120-year-old restored mahogany barber stations from the Chicago World’s Fair) while an amiable, impeccably fashionable tattooed guy named Brett massages your face. 

It was bliss, a multi-part treatment of lavender and eucalyptus hot towels with a bubbling Malin + Goetz mask that really did make me feel like “a million buckaroos.” (It costs $25.) Who wants more cocktails?

F.S.C., which is all the rage in its Manhattan homebase where there are two branches already, may put out a men’s club vibe, but it’s not really that uptight or theme-y. It has a tasty little clothing shop attached called the Freemans Sporting Club, and manager Jonah Buffa, who opened the SF outpost (his brother Sam is the F.S.C. founder), is as sweet and laid back as they come, a true Missionite raising his kid in the neighborhood.

To all you tech guys who aren’t sure what to do with your look, or aren’t even sure you should have one: please go here. They will help you! It will help all of us!

F.S.C. Barber 696 Valencia, SF. (415) 621-9000, www.fscbarber.com

T.I.M.F. T.M.I. The lineup for this year’s ever-zesty Treasure Island Music Festival (October 15 and 16, www.treasureislandfestival.com) was announced last week, and as usual it’s unofficially segregated into a “dance” day (Saturday) and a “rock” day (Sunday). On my personal “dance day” must-see list? Flying Lotus, Buraka Som Sistema, Shabazz Palaces, Battles, and — hurray for random — Death From Above 1979. There’s no over-the-top pop-dance draw this year (although grime-rapper Dizzee Rascal’s latest “Bonkers” incarnation should please any, goddess help us, Steve Aoki or LMFAO fans).

Also as usual, there’s the merest appearance of Bay Area talent — lovely local chamber-pop outfit Geographer pops in to start things off on Saturday. It seems a shame, and a failure of nerve, since we have so much worthy homegrown dance talent. Could they set up a dance tent with continuously spinning local DJs, as an alternative to the stage acts? That would be dandy.

 

NIKE7UP

Monthly based-goth, witch house and deathrock party 120 Minutes goes darker than ever with a live set by Nike7UP, who melts the chirpy underbelly of chart-pop into a suicidal wish-blorp. GuMMyBeAR, Nako, WhITCH, Teams, and more haunt your earholes.

Fri/5, 10 p.m., $10 ($5 before 11 p.m.). Elbo Room, 647 Valencia, SF. www.elbo.com

 

STEFFI AND MIKE HUCKABY

Huckaby was long the secret weapon of Detroit’s techno scene, a DJ’s DJ who was key in introducing a lot of the Big Names to new sounds. He’s finally getting the breakout recognition he deserves — in May, I saw him open the reconfigured garden of Berlin’s huge Berghain club, bringing a welcome dose of deep to that spring affair. (Listen to his awesome new mix for XLR8R here.) Steffi, whose hit “Yours” might as well be from Detroit in 1988, comes to us from Amsterdam via Berlin, and she’s aces.

http://www.youtube.com/watch?v=9hCJrvfBdw0

Fri/5, 9 p.m.-4 a.m., $15 ($10 before 10 p.m.) Public Works, 161 Erie, SF. www.publicsf.com

 

DUB FILLMORE FESTIVAL

At last, a free, all-ages, daytime dubstep and reggae festival to wobble away the summer hours. One helluvalotta DJs and performers, including Mochipet, Jah Yzer, Nebakaneza, and Johnny5, bring the blaster to two outdoor stages in the Fillmore. Look out below!

Sat/6, 10 a.m.-6:30 p.m., free, all ages. Corner of Fillmore and O’Farrell Streets, SF.

 

ESL SHOWCASE

Ready for funkytime? The ESL label brings out soulfully gifted DJ Nickodemus of sunny house party Turntables on the Hudson for a throwdown with the Afrolicious boys (featuring live drums!), and Rob Garza of Thievery Corporation. Plus: two of my fave clubs, Surya Dub and Dub Mission, duke it out on the upstairs dance floor of Public Works, with DJ Sep and Kush Arora taking turns at the tables. Kush tells me he’s breaking out some rare kuduro and deep afro-house, so get ready to drop.

Sat/6, 9:30 p.m.-3 a.m., $10 advance. Public Works, 161 Erie, SF. www.publicsf.com

 

SPEEDY J

The Dutch master of hard techno was famous in the 1990s for wigging crowds out, true to his name. He still brings the wiggy floor-stomp, but after moving to Berlin and embracing a few minimal and experimental tricks, he’s gone deeper and broader, killing it with painterly tech effects. He’ll be blowing the monthly Kontrol party away with opener M. Gervais.

Sat/6, 10 p.m.-6 a.m., $20. EndUp, 401 Sixth St., SF. www.kontrolsf.com

 

FOREVER’S GONNA START TONIGHT

Last month, the nightlife community lost one of its true legends, Vicki Marlane of the Hot Boxxx Girls revue at Aunt Charlie’s Lounge. At 76, she lived an incredibly rambunctious life and was thought to be the oldest continuously appearing transgender stage performer in the country. She gave every number her all — and considering her propensity for epic numbers like “Total Eclipse of the Heart,” that was a lot of all!

Come celebrate her gorgeousness on Sat/6 at the Castro Theatre, when the awesome and informative 2010 documentary about her, Forever’s Gonna Start Tonight, screens at midnight with bonus performance footage that will bowl you over. It’s a benefit for the AIDS Emergency Fund — appropriate for Vicki’s generous spirit.

Sat/6, midnight, $10. Castro Theatre, 429 Castro, SF. www.castrotheatre.com

SF Giants asked to take a stand against racism UPDATED

13

Updated with response from SF Giants at bottom of post

The San Francisco Giants will host the Arizona Diamondbacks tonight (July 31), beginning a three-game series that will determine the first place slot in the National League West. A lot of eyes will be on our 2010 league champions – all the more reason, says a classic Mission District arts and culture organization, for them to take a stand against racist anti-immigration laws.

In early June, community members who had been leaders of the 1960s to ’80s group Casa Hispana de Bellas Artes sent Giants CEO Bill Newcombe a letter with a simple request. They want the baseball team to wear its popular ‘Gigantes’ jerseys while playing the Arizona Diamondbacks and the Atlanta Braves, two squads that hail from states that have recently passed laws codifing racial profiling in the fight against illegal immigration. The letter tells the team “this kind of law has created a paralyzing climate of fear among Latino families, citizen and non-citizen alike.”

San Francisco, the Casa Hispana elders insist, does not swing at discriminatory government. Reminding the Giants organization of its long-standing support of the Latino community, they’re politely encouraging the team to represent its fans by speaking out against discrimination. We caught up with Casa Hispana elder Don Santina for an email interview to explain why his group asked its team for a wardrobe change. The Guardian was unable to reach the SF Giants for comment – but any organizational response we get will be added to this post.

 

San Francisco Bay Guardian: Tell us about the mission of Casa Hispana de Bellas Artes.

Don Santina: Casa Hispana de Bellas Artes was founded in 1966 in the Mission District by a group of artists and poets to promote cultural advocacy for Latino-Chicano-Raza culture. [Our] group produced and sponsored programs year-round but focused particularly on an annual two-month long Raza/Hispanidad Festival which opened on October 12, Dia de la Raza. Among the multitude of programs, exhibits, performances, and events produced included major undertakings like the Chichen Itza exhibit at SF State, the pre-Colombian artifacts at the De Young and 24th Street BART station opening, the Cisco Kid Festival with Duncan Renaldo, and the Latin American Theatre Festival with Enrique Buenaventura, and low rider car exhibit at the US Presidio. Casa faded into history in 1983 when its major funding sources withdrew. The National Endowment for the Arts was seized by Reaganites.

In 1975 Casa Hispana executive director Amilcar Lobos Yong read a bilingual version of “Casey at the Bat” at Candlestick Park as part of a program in honor of the Giant’s support of the Latino community. Photo by Joe Ramos

SFBG: Why did you send this letter to the Giants?

DS: The elders of Casa wrote to Bill Newcomb’s Giants organization because it had produced a pre-game program in Candlestick Park with Horace Stoneham’s Giants team in 1975 honoring the Giants for their “pioneer recognition of Latin players” in the racist world of major league baseball.  At the event, Casa Poets Theatre read “Casey at the Bat” in English and Spanish before the game and gave awards to the Giants, Juan Marichal, and Tito Fuentes for his works with youth in the Mission District (editor’s note: the awards were presented by long-time Bay Area Latino news legend Luis Echegoyen). Casa people felt that the Giants should continue that anti-racist policy by making a genuine statement against SB 1070 by at least wearing Gigantes uniforms when playing Arizona and Atlanta.

 

SFBG: What’s been the response from the team? Did they get back to you?

DS: The Giants received Casa’s letter on June 9, and the business has not responded. Casa is disappointed in this lack of response and respect from a San Francisco-based team which has many Latino players.

 

SFBG: What is a professional sports team role’s in their community? Should they be speaking out on political and social issues? 

DS: A professional sports team has the same responsibilities to the community as any other business; in a word: Spike Lee’s “do the right thing.” Unfortunately, these teams are all mega-corporate businesses with morality based on profit. Dave Zirin has covered this topic very thoroughly.

 

SFBG: How much of the artists and community members involved with Casa Hispana are baseball fans?

DS: Most of the Casa people love the Giants; however, they also love fútbol, a.k.a. the international game of soccer.   

 

SFBG: Do you think they’ll be wearing the Gigantes jerseys at AT&T Park tonight?  

DS: We don’t think they’ll wear the Gigantes uniforms without public pressure or embarrassment. [But] if they do, it will be beneficial as a public stand against racial profiling laws. 

 

UPDATED WEDNESDAY, AUGUST 3: The Guardian contacted Giants spokesperson Shana Daum, who said she couldn’t recall recieving Casa Hispana’s letter but that the Giants would not be wearing their Gigantes jerseys at all during this week’s Arizona series. “We try to support the community, but we don’t want to take a political stance,” she told us.

“There’s other ways for major league baseball to get involved.” Daum cited the team’s annual Fiesta Gigantes celebration during September’s Hispanic Heritage Month, HIV/AIDS awareness days, the team’s pioneering involvement in the It Gets Better campaign. She added “but we appreciate the spirit in which [Casa Hispana’s request to wear the Gigantes jersey] was asked.”

What not to M.O.O.P.

3

caitlin@sfbg.com

PLAYA PREP In Miranda Caroligne’s Mission District sewing studio, there is a dress dummy covered in used Carhartt remnants that are being reborn as an asymmetrical mini-dress. It’s a project that the designer, whose fanciful style has made her a popular check box on pre-Burning Man to-do lists, is working on for Margaret Long, a member of the Flaming Lotus Girls fire art collective. Please note: no fun fur or tribal accents are visible on the soon-to-be-dress.

These are the rush months for Caroligne and other burner designers, like SF-based Silver Lucy and Tammy Hulva of Tamo Design, prime time for helping burners to realize their sartorial fantasies. Caroligne makes form-fitting, whimsically-stitched fleece jackets that hang by the bundle throughout her bright creative space, and one-size-fits-all boot covers made from old suit sleeves. But she says that for her custom-made creations, she prefers a little vision in her clients. In other words, please don’t come to her for furry boots and glow sticks.

“I tend to speak out against that,” she says of trends towards the homogenization of playa culture. “I only design for people if they have a very clear vision of something they want to express. I consider myself the conduit to making that happen.” When people come in for the standard Mad Max raver treatment, she sits them down to clarify what about the look resonates with them.

Burning Man fashions have evolved over the last quarter-century, with the old emphasis on crazy DIY costumes eventually morphing into distinct burner fashion aesthetics, such as the feather-and-leather look popularized by the El Circo camp and the late designer Tiffa Novoa and featured in SF stores such as Five and Diamond.

It is perhaps indicative of the spread of Burning Man culture that Caroligne’s potential clients sometimes ask for the same style. It’s been popularized by a hundred wholesale websites — fun fur bikinis and (particularly popular in the Bay Area, according to the designer) the “dark leather and feather tribal look that’s mass produced in Bali.”

Stores from SoMa to San Rafael to New York advertise themselves as one-stop shopping venues for burner-fied fashion, and numerous expos make similar claims here in the Bay Area — Aug. 14’s second Prepare for the Playa street fair of the year being one of them.

Independent designers are at creative odds with the uniformity that is developing in some camps — but they’re also concerned with the sustainability of the designs, which are often imported and disposable. “That disgusts me,” Caroligne says. “A lot of that stuff is very M.O.O.P.-y.” (M.O.O.P. being the burner acronym for to-be-avoided-at-all-costs “matter out of place,” or any waste that could harm the playa’s natural ecosystem).

It wasn’t always this way. Before the turn of the 21st century, it would have been difficult to determine the Burning Man uniform. People made clothes for themselves and friends, or they wore regular clothing-redux in the hot Nevadan sun. Ironically nowadays, Caroligne says, “I’ve heard many people talk about walking into a Burning Man party and feeling judged (because of what they were wearing).”

She’s still a little unsure of the implications of working as a for-profit businessperson within a nonprofit culture. But Caroligne tries to mitigate the disconnect by doing pieces for busy artists that contribute to the Burning Man community (she was particularly excited to have costumed Burning Man board member Marian “Maid Marian” Goodell for the ritual burning of The Man one year, and be-suited Glitch Mob’s Justin Berreta for another).

In a previous incarnation, Caroligne was a physical therapist. When she began her fashion career, she did so with an eye toward her clothing’s effect on individual body dynamics. She created weighted coats that swung appealing when their owner strode across dusty Black Rock streets, sexy dresses made of cozy fabric that could be doubled around the face for warmth or privacy. At times, her clothing can even reflect the party philosophy of the wearer– she often asks customers whether they’d like the softest fabric of their new wardrobe item on the inside or outside. “Do you want to feel it or do you want other people to feel it?”

She believes what one wears at Burning Man can be empowering. “We’re finding your superhero self. What does your superhero look like?” is a common topic of discussion in initial consultations.

Judging from the length of her in-process dress’ skirt, Long’s superhero is sultry — but also here to get some work done. An intact overall strap has been left to speak for itself on the right shoulder, and below, grease-stained Carhart pieces have been left whole so that Long’s customary wrench loop will continue to ride comfortably on her right hip. Caroligne is attempting to create an outfit that expresses the wearer.

“During my 12 years at Burning Man, I’ve seen the change from self-made to high fashion,” says Hulva, whose Tamo Design clothes “originate from ideas about making my wardrobe more functional and fashionable on the playa.

Hulva makes luxe faux fur that doesn’t shed M.O.O.P. like the cheaper stuff you’ll find at many a mall store. Her popular “Baroness” jacket is late-night-early-morning playa crawl dream wear, with a hood to hide in, fabric that gives, deep pockets to store party essentials — and you don’t have to be so glum about covering up your LED tube top: it’s sexy, to boot.

When pumped about hot playa trends for 2011, Caroligne and Hulva were loathe to cite anything too specific (though Caroligne expressed her enthusiasm for “playful 1980s revival styles”), rooting instead for individuality.

Burning Man fashion is about “a platform for self-expression,” according to Caroligne. Clothes, she says, “are the primary way that people can express themselves,” accessible even to those that specialize in other forms of playa magic, like Long.

But they did note a general trend arch over the festival’s history. The past of Burning Man lay in DIY clothes, self-made everything. The present has brought professionally-made garb, and the mass accessibility of a certain playa “look.” The future? Hulva hopes it holds “a trend to be more sustainable and practical — in addition to keeping things light and fun.”

She’s working on it. On Sunday, Aug. 7, Hulva is organizing the Haute Pool Show, a gathering at the Phoenix Hotel of 20 local, independent designers selling their high quality, playa-ready belts, vests, and accessories. It’s a follow up to her last event — July’s Beyond the Fence at Mighty — and both cater to those preparing for their journey to Black Rock City.

Only these aren’t clothes you’ll be reserving for the desert. Sure, they’re whimsical, but Burning Man fashion — particularly here in the Bay Area — really is stepping beyond the playa fence. The festival’s recent sell-out of tickets and an expected crowd of around 52,000 underline the fact that its impact is growing, and style cues picked up from the playa may just be finding their way into year-round usage.

“Versatile styles are hot this year,” says Hulva. “Burning Man fashion has really migrated into the everyday self expression, so people are buying things they can wear on the playa and back home.”

HAUTE POOL SHOW

Sun/7 2-8 p.m., free

Phoenix Hotel

601 Eddy, SF

Facebook: Haute Pool Show

PREPARE FOR THE PLAYA

Aug. 14 noon-7 p.m., free

Cafe Cocomo

650 Indiana, SF

www.preparefortheplaya.com

 


 

MIRANDA CAROLIGNE’S MUST-HAVES FOR THE PLAYA

Comfortable shoes

Cotton socks

Daytime clothes in light colors

A good shade hat and/or parasol

Silk long underwear for easy layering

A warm coat (“that you’ll have fun with”)

A thrift store cashmere sweater that you can tailor to be form-fitting

Scribe’s Guide to Playa Prep

32

steve@sfbg.com

PLAYA PREP This is a crazy time of year for burners, when they begin to realize just how overly ambitious their art projects actually are, when the August calendar seems to shrink as to-do lists grow, and when procrastination morphs into panic — all of it laced with a giddy, distracting excitement about the dusty adventures to come.

Don’t worry, fellow burners, Scribe is here to help. I’m way too busy right now to actually come help weld your art car or hot glue your costume (unless you’ve got stuff or skills that I may need, in which case we can maybe work something out) but after years of deep immersion in this culture, I do have a few tips and resources for you.

 

ATTITUDE

The most important thing to bring to the playa with you is the right attitude. It’s right up there with your ticket at the very top of the list. As I worked on this guide, I posed the question “What’s the most important thing you bring to the playa?” to online burner hives, and most of the answers I got back had something to do with attitude.

Whether you’re a nervous newbie or salty veteran, it’s important to leave your expectations at home and just be open to whatever experiences await you. Intention is everything out there, and if you try to always maintain an open mind, a loving heart, and a sense of humor, everything you need will just flow your way.

It isn’t always easy. When your project breaks, or the dust won’t stop blowing, or your lover squashes your heart, or some yahoo behaves in a way that strikes you as somehow un-Burning Man, it’s natural to let your anxieties creep up. But you’ve got to let it go, because it’s all going to be OK, it really is. When all else fails, just breathe.

It is the breaking through those difficult moments and coming out the other side — enduring through things that feel like they may break you — that makes Burning Man feel so transformative. It is a cauldron, and you may not come out in the same form you went it, but that’s part of why you go.

 

GETTING AROUND

You’ll need a motorized vehicle to get to Burning Man — and art cars can be a fun way to get around when you’re there, a sort of surreal public transit system — but if you don’t have a good bicycle then you’re at a decided disadvantage in fully experiencing Black Rock City, the most bike-friendly city on the planet while it exists. And that’s never been more true than this year, when early reports indicate that the wet winter has left the playa packed solid and perfect for pedaling.

Form and function are equally important when it comes to your bike. It needs to be in good mechanical condition (and with enough tools and patch kits to keep it that way) and correctly sized to your body, ideally with a comfortable, upright position and basket for your stuff. And you also need to decorate it and make it unique, both because making art is the essence of Burning Man and so you can easily find it amid a sea of bikes. Form and function, they’re like two wheels rolling together.

Although the Borg, a.k.a. Black Rock City LLC, recommends that you bring a bike lock, I’ve personally never used one and never had a problem. Sure, bike thefts happen, but I believe they’re almost always crimes of opportunity or drunken mistakes involving nondescript bikes, not unique rides like mine that I could spot 100 yards away.

I’m convinced that half the people who think their bikes got stolen actually just lost them. The playa can be a very disorienting place, with art cars and other visible markers moving around — and even one’s own brain conspiring against locating one’s bike. So illuminate your bike well, ideally with something that sticks up high the air, and leave your lights on as you explore on foot.

Speaking of which: wear good, comfy shoes. Most costumes should stop at the ankle at Burning Man, particularly if you’re prowling the playa

 

SNEAKING IN

In honor of the mad scramble for tickets after Burning Man sold out more than a month before the event for the first time in its 25-year history, I’m offering some thoughts on sneaking into the event. Given how many people could find themselves stuck with counterfeit tickets or otherwise unable to get in this year, it seems like something that any thorough guide should cover.

Now, before everyone jumps all over me, telling me that I’m endangering lives and undermining the spirit and the stability of the event, let me make clear the spirit in which I’m offering this advice. Just think of it like a hacker publicizing the security vulnerabilities of a beloved institution — hopefully the Borg will read this too and do what it can to either plug the holes or somehow take pity on the desperate souls stuck outside the city’s gates.

First of all, you gotta know what you’re getting yourself into. Gate crew takes this shit very seriously, thoroughly searching every car and trailer, and looking into hiding spots that you probably haven’t even thought of. Many of them take real pride in this, some thoroughly stomping on rolls of carpet that might contain a stowaway, potentially adding injury to your insult.

Here’s the worst part: It is official Burning Man policy that when stowaways are found, everyone in that vehicle gets his or her tickets torn up. And burner brass says it will beef up security this year, including more people at the gate and more people scanning the open playa with night-vision goggles and fast interceptor cars.

Every year, they catch about 30 people trying to sneak it. “We’re very confident that we catch all the stowaways,” Borg member Marian Goodell tells us. But we all know that can’t possibly be true, right? There are playa legends of a contortionist who puts herself in a packing bin and gets in every year, and I’ve met people who claim to have snuck in both at the gate and over the open playa.

So, if you gotta do it, my best advice is to find a confederate on the inside, such as someone on Gate crew who owes you or will take pity on you or a bribe from you. That’s how many coyotes do it at the US-Mexico border, and it could work here too. There aren’t any wristbands at Burning Man, so once you can weasel your way in amid the confusion at the gate, you’re in.

Skydivers also have a pretty good shot at getting in, even though they’re likely to be greeted on the ground by someone asking for their tickets. But, it’s a big city, and if you’ve got some skydiving expertise and you’re able to rapidly change directions during the final phase of your descent, you might just make it.

There are also ways to take advantage of human oversights, particularly during the early arrival period before the event begins. There are often openings in the gate briefly left unguarded in the early days, as we discovered last year after a trip to the reservoir. Or sometimes, after thoroughly searching the car, the person at the gate will forget to tear your ticket. And believe it or not, sometimes people on the inside end up with spare tickets for friends who couldn’t make it. Any untorn tickets can be spirited out by people making runs into nearby Gerlach for supplies.

But in closing, let me just reiterate that buying a ticket is part of the “radical self-reliance” principle that is central to the burner ethos, so do yourself and your community a favor and find a ticket, or accept that you may just have to sit this year out. Don’t worry, we’ll make more.

 

FOOD AND SHELTER

In preparing for Burning Man, it’s always helpful to remember Maslow’s Hierarchy of Needs, which instructs us that we need to see to our basic needs at the bottom of the pyramid before we can even think about approaching the enlightenment at its pinnacle. And that begins with food and shelter.

Contrary to common misconceptions, you don’t need an RV or trailer on the playa — and it’s too late to get one at this point anyway. Frankly, you’ll be fine in a cheap pup tent as long as you place it under a sturdy shade structure, such as the 10-by-20-foot steel carports that are ubiquitous on the playa, or a cheaper shade structure with poles reinforced by PVC or something to help it from being flattened.

You may need to make adjustments during the course of the week, but jerry-rigging your shit is just part of the fun. Or if that’s not your cup of tea, more and more burners in recent years have been building their own yurts or turning to custom-made designs like the Playa Dome Shelters from Shelter Systems (www.shelter-systems.com/playadomes.html).

For food, just try to keep it simple, nutritious, and free of unnecessary waste. That means lots of simple snacks and easy meals, such as those you make ahead of time and reheat. There are also some good entrepreneurs out there that have perfected this approach, such as Gastronaut SF (www.gastronautsf.com/playa-provisions), which makes meals that you boil in the bag, which even allows you to reuse that water.

And don’t forget to take your vitamins because playa life can really take it out of you. Dr. Cory’s Playa Packs (www.drcory.com) are one of many good companies that understand what nutrients you’ll need and try to provide them.

 

SHOPPING

Let’s face it, for all the talk about decommodification and intentional communities and all that hippie crap, you’re going to need stuff at Burning Man. Lots and lots of stuff. Luckily, San Francisco is a great place to get it, and here are some of my personal favorite spots to shop for my playa gear.

Mendels This art supply store has everything you need for your costumes and other Burning Man projects, and many things you didn’t know you needed. For example, when I was looking for a cool covering for my bike years ago, I found tubes of thick acrylic paint that dries hard (now known as 3-D Paint), which has lasted for years and drawn compliments the whole time.

1556 Haight, SF. (415) 621-1287, www.mendels.com

Fabric Outlet Fake fun fur has become a staple item for Burning Man costumes and art projects, particularly as the styles and varieties of it have gotten better. And this place has the coolest fake furs in town, as well as a huge selection of other fabrics, patterns, and sewing kits.

2109 Mission, SF. (415) 552-4525, www.fabricoutletsf.com

Multikulti This is the best place in town to find a great selection of groovy sunglasses for just $6 each — and you’ll want a good selection of shades out there to go with your costumes — as well as a variety of other accessories and costumey geegaws to accent your Burning Man ensemble.

539 Valencia, SF. (415) 437-1718

Five and Diamond If there is a store that grew directly out of the feather-and-leather fashion aesthetic that has come to take center stage on the playa, this is it. From groovy utility belts (important when your costumes lack pockets) to elaborate leather outer wear to some of the coolest custom goggles that I’ve found (mine has a built-in light and both clear and shaded lenses), this place has great — if slightly pricey — stuff.

510 Valencia, SF. (415) 255-9747, www.fiveanddiamond.com

Held Over My favorite second-hand clothing store creates special racks of Burning Man clothes this time of year, but I always prefer to assemble my own outfits from their great selection of unique vintage and specialty clothes, including an entire room of tuxedos and other retro formal wear.

1543 Haight, SF. (415) 864-0818

Distractions The oldest walk-up Burning Man ticket outlet, Distractions knows just what burners need, offering a wide variety of playa-oriented clothing and accessories that you’ll need, from goggles to EL wire strips to pipes and other smoking paraphernalia.

1552 Haight, SF. (415) 252-8751

Cool Neon This Oakland-based company specializes in electro luminescent wire, the staple item for illumination on the playa (and whether you’re walking or on a bike, you will need to be lit-up out there). Cool Neon makes the rounds at many of the fairs and trunk shows, but you can also place orders for shipment or arrange pickups at its office at 1433 Mandela Parkway in Oakland.

www.coolneon.com

Discount Builders Supply Rather than spending your hard-earned money at Home Depot or some other chain store in the burbs, this locally owned business has everything you need to construct and decorate your project, or see to your sundry personal needs. They’re also used to burners with strange requests, so they give good advice.

1695 Mission, SF. (415) 621-8511, www.discoutbuilderssupplysf.com

 

WORKSPACES

The project. It is the essence of Burning Man, whether it’s the fun fur and EL wire you’re putting on your bike, the bar or showers your camp is building, or some ridiculously ambitious artwork that you’re creating with a crew of hundreds. Black Rock City is a series of thousands of these individual projects, all of which are coming together right now. And if you’re looking for some help finishing (or starting) yours, here are some resources you can tap.

The Crucible The Crucible is a venerable nonprofit institution that offers a wide variety of arts and crafts classes and resources in a state-of-the-art facility in West Oakland, with many burners among its staff and clients. As the longtime host of the Fire Arts Festival, this place knows its stuff.

1270 17th St., Oakl. www.thecrucible.org

CELLspace The Flaming Lotus Girls and many other key burner art collectives were born here, and his facility continues to provide the expertise and tools to bring Burning Man to life, year after year.

2050 Bryant, SF. www.cellspace.org

Techshop The new kid on the block, but one of the most technologically advanced, Techshop is a DIY workshop with amazing tools and experts on staff. Join its Aug. 15 EL wire workshop or other upcoming classes catering to burners.

926 Howard, SF. www.techshop.ws

American Steel Also known as Big Art Studios, this massive warehouse houses many of these biggest projects now bound for Burning Man. It may not have the structural support of places like the Crucible, but if you’re looking for knowledgeable burners to work through some problem, American Steel is brimming over with them.

1960 Mandela Parkway, Oakl. www.americansteelstudios.com

Burning Man costume creations If it’s sewing or other costuming help that you need, there are lots of local designers who might lend a hand (see “What not to M.O.O.P.” in this guide). Or you can stop by these Aug. 11 or Aug. 25 sewing circle meetups listed at www.meetup.com/Burning-Man-Costume-Creations

 

ART

Here are a few of the major installation artworks with Bay Area connections that I’m excited to see on the playa this year:

Charon by Peter Hudson Peter Hudson and his large volunteer crews have created some of the most dynamic art pieces in Burning Man history, zoetropes that use motion and strobe lights to animate the characters they create: the swimmers of Sisyphish, the divers of Deeper, the snake and monkeys of Homouroboros, and the man reaching for the golden apple of Tantalus. This year, Charon the boatman crosses the river Styx into Hades and, well, you just really gotta see what could be his best piece yet. As the artist says, “Charon asks them to reflect on their own mortality and ponder how to give and get the most from their brief time here on earth.”

Tympani Lambada by the Flaming Lotus Girls Combining fire, steel, light, and sound on the massive scale that we’ve come to expect from the Flaming Lotus Girls, Tympani Lambada simulates the structure of our inner ears, which control not just hearing but balance and perception. As always with this crew, this project promises to be space as occupy and interact with (usually with an unbelievable sense of awe) rather just a structure to see. And as they’ve been doing for many years (see “Angels of the Apocalypse,” 8/20/05), the dynamic crew built this creation right out at the Box Shop on Hunters Point (with an assist for American Steel, where some of its longest sections are being built).

Truth and Beauty by Marco Cochrane Following up last year’s amazing Blissdance, which is now on display on Treasure Island, this crew hoped to make an even larger female nude sculpture of the same model (55 feet this time), but their fundraising fell a little short so they couldn’t complete it. But even in the abbreviated form they’re bringing to the playa this year — just the torso from knee to shoulder, but well-anchored that it’s climbable — it should still be something to see.

Temple of Transition, by International Art Megacrew The Temple is always a special place at Burning Man (see “Burners in flux,” 8/31/10), and this year promises to be as spectacular as it is spiritual. The project is headed by a pair of builders known by their nationalities, Kiwi and Irish, and built mostly in Reno by a crew of committed volunteers from more than 20 countries. It’s centerpiece tower, Gratitude, is a towering 120-feet tall, surrounded by and connected to five smaller towers: Birth, Growth, Union, Death, and Decay.

Otic Oasis Lightning (Burning Man’s attorney) and friends (including named artists Gregg Fleishman and Melissa Barron) wanted the quietest spot on the playa for this 35-foot wooden pyramid of comfy lounging compartments, a remote spot where even the music from art cars couldn’t reach. Their answer: at the very back of the walk-in camping area, a spot only reachable on foot by people intending to go there. Finally, a quiet spot to chill out.

 

 

PLAYA EVENTS

OK, I know that many of these events are music-related, and there are an untold number of quirky, weird things to do on the playa besides just rocking out to a DJ. But exploring what the hundreds of theme camps offer each year is part of the fun, and it’s too Herculean a task to sort through the voluminous information and offer you sound predictions.

But every year the music lovers among us compile their recommendations of the stops to hit that will be going off and filled with dancing fools, so I know those lists are valuable. And mine does include some other stuff as well, so just deal with it.

The future of Burning Man The 17 board members of The Burning Man Project, the new nonprofit entity being created to take over operations of Burning Man in coming years (see “State of the burn” in this guide), will be available to discuss the future of this culture. This is your chance to weigh in on what’s important to you and how the event should be governed into the future.

Everyday, 1 p.m.-2:30 p.m. at Everywhere Lane (near Center Camp)

Lee Coombs This British-born DJ has long been a great supporter of Burning Man art projects — and he always plays fun sets — so come check him as the playa’s best daytime dance party camp starts to work it out.

Tuesday, 5 p.m.-6 p.m., Distrikt (9&F)

Unicorn Stampede

The perverts from Kinky Salon love getting horny on the playa, and this time they’re getting literal as they dress as unicorns and stampede across the playa, spreading their joy and juices onto unsuspecting burners and ending up at the Walkout Woods art piece. What does all that mean? Bring a horn, leave your inhibitions, and come find out.

Wednesday, 7-9:30 p.m., gather at The Man

Shpongle OT’s regular Wednesday night White Party — which has included many epic performances over the years, and this year include big draws EOTO, Infected Mushroom (both doing live sets on two stages OT is setting up for live music this year) and Christopher Lawrence, at midnight, 1:30 am and 3 am respectively — welcomes the dawn with pysbient music innovators Shpongle, which is already generating lots of excitement.

Thursday, 5:45 am (sunrise set), Opulent Temple (10&B)

Deep End reunion It’s like family day at Distrikt as the core San Francisco-based DJs that helped launch the original Deep End day parties play successive one-hour sets, with Syd Gris followed by Tamo, Kramer, and then Clarkie. Buckle up, everyone, because this could get ugly.

Thursday, 2-6 p.m., Distrikt (9&F)

Cuddle Ocean Upping the ante on the stereotype of ravers heaped into cuddle puddles at Burning Man, some instigators from last year’s Temple of Flux crew are seeking to create a Cuddle Ocean of thousands of burners heaped all over each other in the deep playa. Come feel the love.

Thursday, 6-8 p.m., between the Man and the Temple

Bootie BRC Adrian, Mysterious D, and the rest of the popular Bootie SF music mashup crew will be throwing a dance party specially mixed for your on-playa pleasure — with actual words!

Thusday, 8 pm-???, Fandango (Esplanade&4)

Circle of Regional Effigies burn Regional events have become an important part of the Burning Man culture, and this year 23 of them will build wooden effigies in circle around The Man. And then, as tends to happen to our effigies, they will all burn — simultaneously!

Thursday, 9 p.m., around The Man

Critical Tits This women-only topless bike ride has been a playa tradition for many years, so cruise by to cheer them on and offer your encouragement for what is a very freeing experience for many of the participants. Besides, who doesn’t like tits?

Friday, 4-5 p.m., The Man

Space Cowboys Hoedown Legendary SF-based sound collective the Space Cowboys has a tradition of driving its mobile music vehicle the Unimog out to the “biggest, baddest art piece” on the playa for a big dance party every year, which art cars with speakers and radio receivers can also relay, create a fun circle of sound. And this year, the winner is…The Flaming Lotus Girls’ Tympani Lambada.

Friday night at Tympani Lambada

Distrikt Come ride the daytime dance party train to the end of the line with DJ Kramer spinning until someone drags him off the stage to get ready for the burn.

Saturday, 4-??? at Distrikt Camp (9&F)

Scumfrog Dutch-born DJ Scumfrog has been rocking the playa every year since he first camped with us at Opulent Temple in 2004, and as readers of my book know, he’s a Burning Man true believer who just loves this culture, so he always brings his A-game. This is the place to be as the sun rises on final full day of Black Rock City.

Sunday, 4 am-sunrise, Disorient (2&Esplanade)

Tribes of Burning Man signing Yours truly, Scribe, will be on stage leading a discussion of issues raised in my book, The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture. Study up by ordering a signed copy now from www.steventjones.com and join in the debate, or just come heckle me for this shameless plug.

Sunday 4 p.m., Center Camp Stage

Steven T. Jones, a.k.a. Scribe, is the Guardian’s city editor and the author of The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture, which grew out of a series of stories in the Guardian that ran from 2004 through 2010.

 

 

 

 


Replacing the Concourse

4

news@sfbg.com

In one of the few remaining San Francisco neighborhoods untouched by gentrification, there is a proposal to demolish the Concourse Exhibition Center and replace the quintessential Showplace Square building with a market-rate residential project, which the developer says will be rental apartments.

This is the first major project in the new Eastern Neighborhoods Plan that will change the light industrial neighborhood where brick and mortar meet interior design, raising questions about whether the development would be sustainable, transit-oriented, and family-friendly.

Home to annual events like the Green Festival and the KPFA Craft Fair, the Concourse is where mom and pop vendors share their wares in an affordable venue — one of the few remaining in the city.

“Since ’96,” recounted Alan Van De Kamp, director of sales for the Green Festival, “they’ve been trying to sell it, to tear it down. You never know from year to year … You imagine at some point, somebody’s gonna say it’s time.”

Though nothing has been approved, the current proposal by developer and Concourse owner Bay West Development, first introduced in 2000, has come the farthest yet. The project will be considered for approval by the Planning Commission once the environmental review process is complete, which could take up to six months. Public comments on the project will be accepted until August 8.

The proposed project contains two sites, one at 801 Brannan Street and one at 1 Henry Adams Street, which would result in a total development of up to 674 residential units, 43,037 square feet of retail space, and 673 parking spaces. Under the city’s inclusionary housing laws, 221 of those units would be affordable (71 to be built on site and 150 dedicated to the city for development). Of the total parking spaces, 166 spaces would replace existing parking spots at the site.

Bay West, developer of the San Francisco Design Center, has owned the Concourse building for 30 years and wants to demolish and rebuild as part of the Eastern Neighborhoods Rezoning and Area Plans, the blueprint for development in a part of the city dominated by working class residents.

That controversial plan was in development for years, during which there was a moratorium on approval of large projects, and it was finally adopted in 2008. It was created to redevelop The Mission, Showplace Square/Potrero Hill, East SoMa, and the Central Waterfront — 7 percent of the city’s 47 square miles — over 20 years.

“It’s our feeling that the building itself is beyond its use as an exhibit hall and we’re replacing it with housing units,” said Sean Murphy, a partner at Bay West.

The Planning Commission heard the draft Environmental Impact Report for the proposal on July 28. At the hearing, the commissioners expressed interest in seeing the progression of the development, but not all were convinced.

“There is a certain amount of vagueness,” said Commissioner Kathrin Moore. “This EIR is ultimately tempered by the strong policy issues that underlie building in the Eastern Neighborhoods and at this moment I don’t quite see that.”

The proposal has left some questions unanswered, such as, where will the small vendors go to sell their wares? Bay West has suggested exhibition halls like the Cow Palace or Moscone Center, but Green Festival organizers say that isn’t realistic for everyone. “We would lose some of our vendors if we went to Moscone,” said Van De Kamp. “There’s some people that can’t come. A lot of the green economy is about mom and pops. They can’t afford it.”

Sue Hestor, a land-use attorney who opposes the development, asked vendors who use the Concourse how important leaving the center would be. “For a lot of people,” she said, “it meant the difference for them being viable or not.”

It would be a major challenge to move, said Robbie Kowal, the co-director of Sea of Dreams, a huge party and concert that will hold its seventh annual celebration this New Years Eve at the Concourse. “There’s the Cow Palace, and the Design Center, but it’s not that big, not a place where you can put a proper concert on one side and a multitude of different kinds of spaces [on the other]. The Sea of Dreams’ success is attributable to the proper use of the Concourse.”

With 125,000 square feet of space that can be split into its west and east halls and a mezzanine, the Concourse building has catered to annual festivals and events for more than 20 years, holding as many as 6,800 people at once.

“There’s room for so many different communities in there. We love our home,” said Kowal. “It’s a really unique and wonderful space.”

The redwood frame of the Concourse, accented by glass fronts that allow for natural lighting, used to be a furniture mart and then a fashion and jewelry mart before it was an event center. The project proposal’s architect, David Baker and Partners, has already designed many of the new buildings in Showplace Square.

Bay West isn’t worried about where the Concourse shows will go. “Most of our shows use less than 20,000 square feet,” said Murphy. “The larger shows would go to the 100,000 square foot San Mateo County Event Center.”

Tony Kelly of the Potrero Boosters Neighborhood Association says the intention of the plan is to reduce the light industrial area by zoning more of it for residential uses, protecting only about half of it and converting the remainder.

“This is an area where we don’t have enough parks, or transit. The project would double the population, and we don’t have enough new infrastructure to handle it,” he said. “It’s essentially a ticking time bomb that the city’s going to have to get a handle on at some point, or these residents are going to be miserable.”

Though the project would create at least an acre of publicly accessible open space, some residents wonder if it’s enough, and the concern about insufficient transit remains.

“It seems to me that once again there is too much parking near a freeway entrance, inadequate transit that is not likely to improve significantly once the Transit Effectiveness Project [a city plan for improving Muni service] is implemented,” said activist Sue Vaughan, who rides her bike at least part way during her commute from the Richmond District to REI at 840 Brannan Street for work.

“This is exactly the kind of place that attracts (commuters),” said Hestor. “There’s too much parking. There’s crappy transit. It totally undermines any idea of sustainable development.”

But at the commission hearing, Commissioner Hisashi Sugaya didn’t think Hestor’s argument had merit. “Parking is not an environmental impact as far as the city is concerned,” he said.

Vaughan says that Muni managers have been absent from several development meetings in the Eastern Neighborhoods area. “No one from Muni was represented on this panel discussion about the Sustainable Communities Strategy,” she said, referring to a July 6 meeting convened by the Planning Department to discuss the importance of building housing next to accessible transit.

The Concourse is scarcely accessible by bus lines 10 and 19, but with a growing population in Showplace Square, it wouldn’t be enough, says Vaughan. “We’re moving forward with all these projects with lots of parking near freeway entrances, which makes it seems like SF is becoming a bedroom community for Silicon Valley. You have an impact on Muni when that happens. With more cars, there’s more congestion for buses.”

Bay West argues that the apartments it plans to build at the Concourse site would be “workforce housing” with less than 1:1 parking (actual parking would work out to .79:1 at the 801 Brannan site and .64:1 at the One Henry Adams site). More than 40 percent of the units would be larger two-bedroom units intended for families.

Yet Kelly says that that by offering the apartments at market rates, none are appropriate for new families. “For all the talk about keeping families here, then how come we’re not building family housing?”

It’s a max-out project, says San Francisco architect Dick Millet, of the Potrero Boosters Neighborhood Association. “In the end, under their breath, they’re all going to say, I wouldn’t live there myself.”

Music Listings

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Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

 

WEDNESDAY 3

ROCK/BLUES/HIP-HOP

Carolyn Wonderland Cafe Du Nord. 9:30pm, $15.

DNTEL, One Am Radio, Geotic Rickshaw Stop. 8pm, $10-$12.

Early and Often, Goodriddler, Build Us Airplanes Bottom of the Hill. 9pm, $8.

Midnite Snaxx, Veronica Hemlock Tavern. 9pm, $5.

Proclamation, Sanguis Imperem, Pale Chalice Elbo Room. 9pm, $10-$12.

This is Hell, Decoder, Endwell, Until Your Heart Stops Thee Parkside 8pm, $10.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Ben Marcato and Mondo Combo Top of the Mark. 7:30pm, $10.

Curtis Salgado Biscuits and Blues. 8 and 10pm, $18.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, free. Funk, swing, rare grooves, and more with Dr. Musco and guests.

Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

 

THURSDAY 4

ROCK/BLUES/HIP-HOP

AXXONN, En, Holly Herndon Hemlock Tavern. 9pm, $7.

A Decent Animal, Bitter Honeys Cafe Du Nord. 9pm, $10.

Exhumed, Macabre, Cephalic Carnage, Withered Slim’s. 8pm, $16.

Flexx Bronco 330 Ritch. 9pm, $8.

Halden Wofford and Hi Beams Amnesia. 9pm, $7.

Hydroponic, Agent Deadlies, Over the Falls Bottom of the Hill. 9pm, $8.

Texas Thieves, Unko Atama, Paper Bages Knockout. 10pm, $7.

Tornado Rider, Phenomenauts, Judgement Day Great American Music Hall. 8pm, $14.

Wailers, Revival Sound System Independent. 9pm, $25.

JAZZ/NEW MUSIC

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Tom Lattanand, Jon Raskin Quartet El Valenciano, 1153 Valencia, SF; (415) 826-9561. 9pm, $5.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. Afrobeat, Tropicália, electro, samba, and funk with DJs Pleasuremaker and Señor Oz.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party features video DJs Mark Andrus, Don Lynch, and celebrity guests.

PAWAS, Clint Stewart, Atish and Mark Slee, Dheeraj Sareen, Jamaica Suk Public Works. 10pm, $5-$7. Electronic dance music.

Shit Robot DJ Set Rickshaw Stop. 10pm, $7.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

 

FRIDAY 5

ROCK/BLUES/HIP-HOP

Bastard Noise, Landmine Marathon, Voetsek, Hosebeast Sub/Mission, 2183 Mission;www.sf-submission.com. 8pm, $10.

Brass Tax Amnesia. 9pm, $5.

Rick Estrin and Nightcats Biscuits and Blues. 8 and 10pm, $20.

La Corde, Ggreen,Waldo Astoria Hemlock Tavern. 9:30pm, $7.

Mirah, Tara Jane O’Neil El Rio. 9pm, $5-$10.

Mr. Big Fillmore. 9pm, $35.

Mustache Harbor, Private Idaho Slim’s. 9pm, $15.

New Monsoon, Sean Leahy and Friends, Kiyoshi Foster with late night set by New Monsoonageddon Great American Music Hall. 9pm, $15.

Pollux, Cure for Gravity, Repeat After Me Bottom of the Hill. 10pm, $10.

True Mad North, Red Weather, City Tribe, MilesCountry Hotel Utah Saloon. 8:30pm, $8.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Rick Estrin and Nightcats,Little Charlie Baty Biscuits and Blues. 8 and 10pm, $20.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Vaughan Johnson Jazz Combo Jack’s Club, 2545 24th St., SF; (415) 641-1880. 7pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Duniya Dancehall Bollyhood Cafe, 3372 19th St., SF; www.duniyadance.com. 10pm, $5-$10. Bangra, Bollywood, and West African dance.

Oldies Night Knockout. 9pm, $2-$4. Doo-wap, one hit wonders, and soul with DJ Primo, Daniel and Lost Cat.

120 Minutes Elbo Room.10pm, $5-$10. With Resident Djs Whitch and Nako plus special guest Nike 7UP.

Steffi, Mike Huckaby, Beautiful Swimmers, Lovefingers Public Works. 9pm, $10-$15.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

 

SATURDAY 6

ROCK/BLUES/HIP-HOP

Justin Ancheta Amnesia. 10pm, $30.

Annie Bacon and Her Oshen Riptide. 10 and 11:15pm, free.

Cast of Thousands featuring Brady Kids String Players, Kindness and Lies, Tremor Low Cafe Du Nord. 9:30pm, $10.

Dredg, Trophy Fire, Strange Vine Great American Music Hall. 8pm, $20.

Dub Fillmore Festival Gene Suttle Plaza and Fillmore Center, Fillmore and O’Farrell; www.dubfillmorefest.com. 10am, free.

Mickey Hart Band Independent. 9pm, $30.

Moenia Fillmore. 9pm, $35.

Oakhelm, Walken, Negative Queen El Rio. 10pm, $7.

San Francisco Rock Project Amoeba. 2pm, free.

San Frandelic Summer Fest Thee Parkside. 2pm, $12.

Sioux City Kid, Kill Moi, Tiny Television Bottom of the Hill. 10pm, $10.

Torche, Big Business, Thrones Slim’s. 9pm, $15.

Wet Illustrated, Angora Debs, Dimples Hemlock Tavern. 9pm, $5.

WomenROCK’s Fifth Anniversary Celebration Box Factory,865 Florida, SF; (415) 637-6870. 2pm, free.

JAZZ/NEW MUSIC

Bonjour, Tristesse St. Gregory of Nyssa Episcopal Chuch, 500 De Haro, SF; www.pacificcollegium.org. 8pm, $10-$30.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Weise, C. Spencer Yeh, Bill Orcutt, Pod Blotz Lab, 2948 16th St., SF; www.thelab.org. 9pm, $6-$15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF DNA Lounge. 9pm, $8-$10. Mashups with DJ Paul V, DJ Fox, and John!John!

Club 1994 Rickshaw Stop. 9pm, $10-$15. ’90s hip-hop and TRL classics

Debaser Knockout. 9pm, $5. ’90s alternative dance party with DJ Jamie Jams and Emdee.

ESL Music Showcase Public Works. 930pm, $10-$20. Featuring Nickodemus, Rob Garza, Afrolicious, DJ Sep.

Sanafrica Bollyhood Café. 9pm, $7-10. West African and Latin fusion party with Jose Luis, DJ Nado, and DJ Mignane.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul 45s with DJs Lucky, Phengren Oswald, and Paul Paul.

 

SUNDAY 7

ROCK/BLUES/HIP-HOP

Bowling for Soup, Dollyrots, Sunderland Bottom of the Hill. 9pm, $15.

Gorilla Takeover DNA Lounge. 5:30pm, $10-$12.

Hipwaders at JAMband Family Festival Park Chalet, 100 Great Hwy., SF; www.parkchalet.com. 3pm, free.

Hurd Ensemble, Ellul Hemlock Tavern. 9pm, $6.

“Jerry Day” Jerry Garcia Amphitheater,40 John F. Shelley, SF; jerryday.org. Noon, free.

Aaron Neville and Quinn Deveaux, Blue Beat Review Stern Grove, 19th Ave. and Sloat, SF; www.sterngrove.org. 2pm, Free.

Kally Price Old Buster Blues and Jazz Band, Emperor Norton’s Jazz Band Amnesia. 9pm, $5.

Twang Sunday with Going Away Party, Creak Thee Parkside. 4pm, free.

YOB, Dark Castle, Hornss Elbo Room. 3pm, $10-$12.

JAZZ/NEW MUSIC

Bonjour, Tristesse St. Gregory of Nyssa Episcopal Chuch, 500 De Haro, SF; www.pacificcollegium.org. 8Pm, $10-$30. A cappella music from the 20th century on.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Matt Schofield Biscuits and Blues. 8 and 10pm, $20.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Fresh Ruby Skye. 6pm. DJ Kevin Lee and Derek Monteiro. Benefiting Glide Memorial Church.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Ludichris, and guest Matt Haze.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

Tropical Hot Dog Night Knockout. 10pm, free. Mutant disco and post punk with DJ Placentina, Lady of the Night.

 

MONDAY 8

ROCK/BLUES/HIP-HOP

Adam Arcuragi and Lupine Choral Society, Fancy Dan Elbo Room. 9pm, $7.

Dominique Leone, Horns of Happiness, Aaron Novik/Thorny Brocky Knockout. 10pm, $7.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

 

TUESDAY 9

ROCK/BLUES/HIP-HOP

Timothy Bloom Cafe Du Nord. 9:30pm, $12.

Bombshell Betty and Her Burlesqueteers, Fromagique Elbo Room. 9pm, $10.

Imelda May Independent. 8pm, $20.

Misner and Smith Dastardly Amnesia. 9:30pm, $5.

Tortured Genies,Roomate, Sunbeam Rd Hemlock Tavern. 9pm, $6.

 

Stage Listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

THEATER

OPENING

Gilligan’s Island: Live On Stage! 2011 Garage, 975 Howard, SF; www.brownpapertickets.com. $10-20. Opens Sat/6, 8pm. Runs Sat-Sun, 8pm. Through Aug 28. Moore Theatre and SAFEhouse for the Performing Arts presents this updated, ribald take on TV’s classic castaways.

A Midsummer Night’s Dream Steve Silver Theater, 1101 Eucalyptus (on the Lowell High School campus), SF; www.bathwater.org. $20. Opens Thurs/4, 7:30pm. Runs Thurs-Sat, 7:30pm. Through Aug 20. Bathwater Productions performs an acrobatic version of the Shakespeare classic.

Peaches en Regalia Stage Werx, 533 Sutter, SF; www.wilywestproductions.com. $12-24. Opens Thurs/4, 8pm. Runs Thurs-Sat, 8pm. Through Aug *7. Wily West Productions performs company director Steve Lyons’ quirky comedy.

BAY AREA

“2011 New Works Festival” TheatreWorks at Lucie Stern Theatre, 1355 Middlefield, Palo Alto; (650) 463-1960, www.theatreworks.org. $19-29. Schedule varies; runs Aug 7-21. TheatreWorks presents its annual festival of new musicals and plays, performed in workshop or staged-reading form, plus a panel discussion.

ONGOING

Act One, Scene Two SF Playhouse, Stage Two, 533 Sutter, SF; (415) 869-5384, www.un-scripted.com. $10-20. Thurs-Sat, 8pm. Through Aug *0. Un-Scripted Theater Company hosts a different playwright each night, performing the first scene of an unfinished play and then improvising its finish.

“AfroSolo Arts Festival” Various venues, SF; www.afrosolo.org. Free-$100. Through Oct *0. The AfroSolo Theatre Company presents its 18th annual festival celebrating African American artists, musicians, and performers.

American Buffalo Actors Theatre of San Francisco, 855 Bush, SF; (415) 345-1*87, www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Through Sept 3. Actors Theatre of San Francisco performs the David Mamet crime classic.

Billy Elliot Orpheum Theater, 1192 Market, SF; www.shnsf.com/shows/billyelliot. $35-200. Tues-Sat, 8pm (also Wed, 2pm); Sun, 2pm. Through Aug 21. As a Broadway musical, Billy Elliot proves more enjoyable than the film. The movie’s T. Rex score may have been a major selling point, but it was a bit maudlin for a story that needed no help in that department. The musical naturally has a sentimental moment or three, but it’s much more often funny, muscular in its staging (with repeatedly inspired choreography from Peter Darling), and expansive in its eclectic score (Elton John) and well-wrought book and lyrics (Lee Hall). Moreover, Stephen Daldry (who also directed the *000 film) plays up bracingly the too-timely class politics of the modest 1980s English mining town besieged by Margaret Thatcher’s neoliberal regime in the latter’s ultimately successful bid to crush the once-powerful miners union. The cast is likewise very strong. The second act is not as strong as the first, but as crowd-pleasing entertainment the musical burrows deep and more often than not comes up with gold. (Avila)

Country Club Catastrophe Exit Theatre, 156 Eddy, SF; www.brownpapertickets.com. $20. Thurs-Sat, 8pm. Through Aug 13. Back Alley Theater Company performs its first original production, a farcical comedy set at a country club.

Left-Handed Darling Exit Theatre, 156 Eddy, SF; www.brownpapertickets.com. $15-30. Fri-Sat, 8pm. Through Aug 13. Foul Play Productions perfomrs the world premiere of Nikita Schoen’s Dust Bowl-era drama.

Tigers Be Still SF Playhouse, 522 Sutter, SF; www.sfplayhouse.org. $30-50. Tues-Wed, 7pm; Thurs-Sat, 8pm (also Sat, 3pm). Through Sept 10. SF Playhouse performs Kim Rosenstock’s quirky comedy.

What Mamma Said About Down There SF Downtown Comedy Theater, 287 Ellis, SF; www.sfdowntowncomedytheater.com. $15. Thurs-Sat, 8pm. Through Aug 20. Sia Amma returns with her solo comedy.

BAY AREA

Communicating Doors Live Oak Theatre, 1301 Shattuck, Berk; www.aeofberkeley.org. $12-15. Fri-Sat, 8pm; Aug 14, 2pm. Through Aug 20. Actors Ensemble of Berkeley performs Alan Ayckbourn’s “time-travel-battle-of-the-sexes comedy.”

The Complete History of America (abridged) Dominican University of California, Forest Meadows Amphitheater, 1475 Grand, San Rafael; (415) 499-4488, www.marinshakespeare.org. $20-35. Performance times vary; check website for schedule. Through Sept. 25. Marin Shakespeare Company performs Adam Lon, Reed Martin, and Austin Tichenor’s three-person romp through American history.

East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat/6, 8:30pm; Sun/7, 7pm. Don Reed’s hit solo comedy receives one last extension before Reed debuts his new show (a sequel to East 14th) in the fall.

Fly By Night Lucie Stern Theatre, 1305 Middlefield, Palo Alto; (650) 463-1960, www.theatreworks.org. $19-69. Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Aug 13. TheatreWorks performs the world premiere of Kim Rosentock, Michael Mitnick, and Will Connolly’s musical, set in 1965 New York.

Macbeth Dominican University of California, Forest Meadows Amphitheater, 1475 Grand, San Rafael; (415) 499-4488, www.marinshakespeare.org. $20-35. Performance times vary; check website for schedule. Through Aug 14. Marin Shakespeare Company takes on the Scottish play.

Madhouse Rhythm Cabaret at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-35. Thurs, 7:30pm. Through Aug 25. Joshua Walters performs his hip-hop-infused autobiographical show about his experiences with bipolar disorder.

A Midsummer’s Night Dream This week: Rengstorff House, 3070 N. Shoreline, Mtn View; www.womanswill.org. Free (donations requested). Sun/7, 2pm. Performances continue at Bay Area parks through Aug 21. Woman’s Will performs the Shakespeare favorite.

Not a Genuine Black Man Marsh Berkeley, TheaterStage, 2120 Allston, Berk; 1-800-838-3006, www.themarsh.org. $20-50. Sat, 5pm (also Sept 8 and 22, 7:30pm). Through Sept 24. This is it: the final extension of Brian Copeland’s solo show about growing up in (nearly) all-white San Leandro.

Reduction in Force Berkeley City Club, 2315 Durant, Berk; (510) 558-1381, www.centralworks.org. $14-25. Thurs-Sat, 8pm (also Aug 20 and 27, 5pm); Sun, 5pm. Through Aug 28. Central Works performs “an economic comedy about back-stabbing, ass-kissing, and survival of the sneakiest.”

The Road to Hades John Hinkel Park, Southampton Ave, Berk; (510) 841-6500, www.shotgunplayers.org. $10 (suggested donation; no one turned away for lack of funds). Sat-Sun, 3pm. Through Sept 11. Shotgun Players presents a new comedy written by and starring veteran comedian and clown Jeff Raz.

Strange Travel Suggestions Cabaret at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $20-50. Fri, 8pm; Sat, 5pm. Through Aug 27. Jeff Greenwald returns with a new version of his hit show of improvised monologues about travel.

2012: The Musical! This week: Lakeside Park, Bellevue and Perkins, Oakl; www.sfmt.org. Free. Wed/3-Thurs/4, 7pm. Peacock Meadow, Golden Gate Park, SF. Sat/6, 2pm. Glen Park, Bosworth and O’Shaughnessy, SF/ Sun/7, 2pm. Continues through Sept. 25 at various Bay Area venues. San Francisco Mime Troupe mounts their annual summer musical; this year’s show is about a political theater company torn between selling out and staying true to its anti-corporate roots.

PERFORMANCE/DANCE

DanceWright Project and Labayan Dance/SF Dance Mission Theater, 3316 24th St, SF; www.brownpapertickets.com. Fri-Sat, 8pm; Sun, 7pm, $18. The companies share the stage to present their joint 2011 summer/fall season.

“Fireside Storytelling: Spectacular Injuries” Jellyfish Gallery, 1286 Folsom, SF; www.jellyfishgallery.com. $10. Storytelling with Quintin Mecke, Chris Spurrell, Lori “Switch” Ayres, Damian Chacona, and more.

“Five Funny Females Festival” Purple Onion, 140 Columbus, SF; www.5funnyfemales.eventbrite.com. Fri-Sat, 8 and 10pm. $22. This fest’s format hightlights five different female comedians during each set, with host Susan Alexander.

Live stand-up comedy and belly dancing Four Star, 2200 Clement, SF; (415) 666-3488. Thurs, 8pm. $7. Variety show with Johnny Steele, Kurt Weitzmann, and other comedians, plus magician Charlie Martin, Rasa the belly dancer, and more.

“Previously Secret Information” Stage Werx Theatre, 533 Sutter, SF; www.previouslysecretinformation.com. Sun, 7 and 9:30pm. $25-35. This month’s edition of the storytelling series features Greg Proops, Joe Klocek, and Dhaya Lakshminarayanan.

“The Unbearable Lightness of Raya (The *011 Remix)”/”Halloween! The Ballad of Michele Myers” CounterPULSE, 1310 Mission, SF; 1-800-838-3006, www.counterpulse.org. Fri-Sun, 8pm. $15-20. Drag superstar Raya Light stars in her San Francisco Fringe Festival hit musical, with updates, in a performance paired with a drag (and musical) take on slasher films.

Rep Clock

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Schedules are for Wed/3–Tues/9 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise specified.

BALBOA 3620 Balboa, SF; www.balboamovies.com. $7.50-20. Cameraman: The Life and Work of Jack Cardiff (McCall, 2010), Wed, 2; Thurs, 4:30, 7. “From Britain with Love:” In Our Name (Welsh, 2010), Wed, 4:30; Africa United (Gardner-Paterson, 2010), Wed, 7; Third Star (Dalton, 2010), Wed, 9; A Boy Called Dad (Percival, 2009), Thurs, 2; Neds (Mullan, 2010), Thurs, 9.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-13. “Legendary Composer Max Steiner (1888-1971):” •The Big Sleep (Hawks, 1946), Wed, 2:50, 7, and Key Largo (Huston, 1948), Wed, 4:55, 9:05; •King Kong (Cooper and Schoedsack, 1933), Thurs, 2:40, 7, and The Searchers (Ford, 1956), Thurs, 4:35, 9. “Midnites for Maniacs: Dance Till the Cows Come Home Triple Feature:” Flashdance (Lyne, 1983), Fri, 7:30; Dirty Dancing (Ardolino, 1987), Fri, 9:30; The Apple (Golan, 1979), Fri, 11:45. Moulin Rouge! (Luhrmann, 2001), Sat, 2, 4:30, 7, 9:30.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $10.25. The Names of Love (Leclerc, 2010), call for dates and times. Cameraman: The Life and Work of Jack Cardiff (McCall, 2010), Wed-Thurs, 7. Crime After Crime (Potash, 2011), Aug 5-11, call for times.

“FILM NIGHT IN THE PARK” This week: Creek Park, 451 Sir Francis Drake, San Anselmo; (415) 272-2756, www.filmnight.org. Donations accepted. Gasland (Fox, 2010), Fri, 8; Toy Story 3 (Unkrich, 2010), Sat, 8.

JACK LONDON SQUARE 66 Franklin, Oakl; www.jacklondonsquare.com. Free. “Waterfront Flicks:” Ratatoullie (Bird and Pinkava, 2007), Thurs, sunset.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “John Musker on the Art of Animation:” “The Animator’s Art: Lecture and Clips,” Wed, 6:30; The Princess and the Frog (Musker and Clements, 2009), Thurs, 6:30; Pinocchio (Ferguson, Hee, Jackson, Kinney, Luske, Roberts, and Sharpsteen, 1940), Sun, 3. “Hands Up: Essential Skolimowski:” Four Nights With Anna (2008), Fri, 7 and Sun, 5; King Queen Knave (1972), Fri, 8:50. “Japanese Divas:” Equinox Flower (Ozu, 1958), Sat, 6:30. “Bernardo Bertolucci: In Search of Mystery:” Besieged (1998), Sat, 8:55.

PARAMOUNT 2025 Broadway, Oakl; 1-800-745-3000, www.ticketmaster.com. $5. Back to the Future (Zemeckis, 1985), Fri, 8.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. World on a Wire (Fassbinder, 1973), Wed-Thurs, 7. Crime After Crime (Potash, 2010), Aug 5-11, 7, 9 (also Sat-Sun, 3, 5).

2969 MISSION 2969 Mission, SF; (415) 8*1-6545, www.answersf.org. $5-10 (no one turned away for lack of funds). The End of Poverty? (Diaz, 2009), Thurs, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Smut Capital of America: San Francisco’s Sex Cinema Revolution:” “Hard Shorts,” introduced by pre-1986 American hardcore cinema expert Joe Rubin, Thurs, 7:30; The Meatrack (Stockton, 1968), Fri, 7:30.

Our weekly picks: Aug. 3-11, 2011

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WEDNESDAY 3

FILM

“John Musker on the Art of Animation”

For the latest in its “Behind the Scenes: The Art and Craft of Cinema” series, the Pacific Film Archive turns to Disney animator John Musker, part of the writing-directing team for several of the studio’s new-revival hits, including 1989’s The Little Mermaid, 1992’s Aladdin, and 2009’s The Princess and the Frog. Musker’s three-day event kicks off with a clip show and discussion, sure to be jam-packed with insidery info (like, how much was Robin Williams’ Aladdin genie scripted, anyway? And how do animators deal with actors who like to improvise?). Next, he’ll introduce the most recent entry into Disney’s fairy tale arsenal, The Princess and the Frog, and Sunday brings a screening of 1940 classic Pinocchio — still magical, even without the benefit of newfangled 3D or CGI. (Cheryl Eddy)

Wed/3-Thurs/4, 6:30 p.m.; Sun/7, 3 p.m., $5.50–$9.50 Pacific Film Archive, 757 Bancroft, Berk. www.bampfa.berkeley.edu

 

THURSDAY 4

MUSIC

Exhumed

Exhumed could most assuredly provide the soundtrack if we were ever faced with a zombie apocalypse. As the still living population struggled in vain to escape dismemberment and ran screaming through the blood-soaked streets, blast beats and frenzied shredding would seal their doom. The goregrind pioneer from San Jose, Calif. has more than enough lyrical content to describe the ensuing mayhem and its ferocious riffs speak volumes on their own. Long dormant, Exhumed has returned with a new album and new line-up but retained its dependable brutality. Supporting Exhumed is the equally dependable Cephalic Carnage to unleash a further grind beat-down and aurally describe a world in which intestines pave the roads. (Cooper Berkmoyer)

With Macabre, Cephalic Carnage, and Withered

8 p.m., $16 Slim’s 333 11th St., SF. www.slims-sf.com

 

MUSIC

Shit Robot

When I last saw Shit Robot, the DJ was in a tin foil rocket ship in the 200s section of Madison Square Garden, performing during LCD Soundsystem’s “final” show. While thousands of people can say they were there for the end, Shit Robot a.k.a. Irish musician Marcus Lambkin is one of two who were there at the beginning, having reportedly swapped records with and introduced James Murphy to good dance music. Murphy would later return the favor, lending production and vocals to Shit Robot’s 2010 LP From the Cradle to the Rave. Featuring vocals from LCD’s Nancy Whang and Hot Chip’s Alexis Taylor, it was a long-awaited debut and distillation of electro, house, and (another result of that trade) rock. (Ryan Prendiville)

With Hands, and Popscene DJs 9 p.m., $10–$13 Rickshaw Stop 155 Fell, SF. www.rickshawstop.com

 

FRIDAY 5

MUSIC

Bastard Noise

Earlier this summer in East LA, Bastard Noise celebrated the 84th birthday of Grandpa, a longtime presence in the punk underground. Now they’re helping Amy Lawless, a DJ at Radio Valencia and ceaseless DIY supporter of local hardcore and metal, pummel into her 45th (her thrash heavy band, Voetsek, is playing too). Twenty years ago, Bastard Noise spawned from the legendary Man is the Bastard, which pioneered the aesthetics of powerviolence: fast, political, hectically tempo changing, dual basses yet no guitar, custom-crafted electronics. Perhaps their newest vocalist, Aimee Artz, and Landmine Marathon’s Grace Perry will team up for a growling version of “Happy Birthday.” “And many [deep breath]: Mmmooooorrrrre!” (Kat Renz)

With Landmine Marathon, Voetsek, Hosebeast 8 p.m., $10 Sub/Mission 2183 Mission, SF.  www.sf-submission.com

 

MUSIC

KMFDM

If ever there were a band synonymous with industrial music, KMFDM would be it. Buzzing guitars and a mechanical assault of synthesizers and drum machines have for over 20 years laid the groundwork for KMFDM’s unique sound. Add to that political overtones, German accents, and the ever-evolving vision of Sascha Konietzko, KMFMD’s founding member and front man, and you’d be hard pressed to find better music to lace up combat boots to. The live show is part Head Bangers Ball and part rave: a confluence of industrial beats, driving riffs, and performance art; the latter of which has diminished in recent years but continues to influence KMFDM’s endlessly mimicked aesthetic. (Berkmoyer)

With Army of the Universe, 16volt, and Human Factors Lab. 9 p.m., $14 Regency Ballroom 1300 Van Ness, SF (415) 673-5716 www.theregencyballroom.com

 

MUSIC

Low End Theory

Top billing for this stellar monthly has gone to Syd, one of OFWGKTA’s ancillary producers and (apparently) only female member. While that acronym brings out a contingent of hyped up little bros shouting “Swag!” until raw, tha Kyd has shown potential for a less posturing, honestly sexy sound on solo tracks. Next on this stacked deck are locals Secret Sidewalk, crafting beats live in a way reminiscent of the Glitch Mob. Also, Virtual Boy should be making a triumphant return (having killed at Public Works in the fall) and if you haven’t caught a set by regular the Gaslamp Killer (who DJs like a psychedelic Muppet come alive) you really should. (Ryan Prendiville)

With Mux Mool, Daddy Kev, DJ Nobody, D-Styles, and MC Nocando 10 p.m., $15 103 Harriet St., SF. www.1015.com

 

MUSIC

Think and Die Thinking Festival

Is San Jose finally . . . cool? The Bay Area’s largest city is held by many to also be its most boring: a suburban sprawl without the thriving radical-youth culture of it’s metropolitan neighbors. A close-knit community of D.I.Y. enthusiasts, however, is waging a battle to save their city’s soul and the Think and Die Thinking festival is as promising an opening sortie as any. The three-day festival will feature Grass Widow, Broken Water, Sourpatch, Brilliant Colors, and more as well as local arts, crafts, literature, and resources like the Billy DeFrank Center (which will receive some of the proceeds from the festival). Maybe one day soon, you’ll even want to live in San Jose. With an average daily temperature of 73 degrees and festivals like this one, who wouldn’t? (Berkmoyer)

With Grass Widow, Broken Water, Brilliant Colors, Sourpatch, and more Fri/5 — Sun/7, $7 — $10 Various locations, San Jose thinkanddiethinking.tumblr.com

 

SATURDAY 6

MUSIC

San Frandelic Summer Fest

Whatever you may find lacking in San Francisco, garage rock definitely isn’t going to be on that list. It makes sense that the city that gave the world the Mummies would be responsible for more lo-fi stripped down rocking than almost any other, although Oakland is fast overtaking SF in terms of the sheer volume of leather jackets and frayed jeans. San Frandelic Summer Fest is an opportunity for long hairs from both sides of the bay to join forces in bestowing fuzz, with acts such as Bare Wires and Nectarine Pie representing the East Bay, and Poor Sons and Outlaw, the west. The Groggs are coming all the way from Santa Cruz, and over ten bands is total will take part in the all day event. (Berkmoyer)

With Bare Wires, the Groggs, Nectarine Pie, Poor Sons, and more. 8 p.m., $10 Thee Parkside 1600 17th St., SF. www.theparkside.com

 

MUSIC

Kill Moi

San Francisco’s Kill Moi sets itself apart from other indie rock bands in the local and national scene with a mature mix of beautiful melodies, hypnotic rhythms, and a healthy sprinkling of trombone and trumpet accents. Led by Ryan Lambert, whose long musical journey not only includes a stint with local favorites Elephone, but reaches back all the way to his childhood, when he was a cast member on the ’80s TV show Kids Incorporated, Kill Moi celebrates the release of its brand new, debut full length album Hold Me, Motherfucker at tonight’s show. (Sean McCourt)

With Sioux City Kid and Tiny Television 10 p.m., $10 Bottom of the Hill 1833 17th St., SF. www.bottomofthehill.com

 

MUSIC

Big Business

There’s no mistaking the distinctive tones of Big Business. Drummer Coady Willis’ kit sounds like a shopping cart full of kitchenware careening down a stairwell. Singer-bassist Jared Warren sports an outraged yowl, like an otherwise mild-mannered man getting a mustard stain on his favorite t-shirt. Though Big Business added a guitarist, Toshi Kasai, in 2008, and then another, Scott Martin, in 2010, the six-string effect on the band is minimal. New EP Quadruple Single is still powered by bass, drums and vocals, although it may well be named in honor of the band’s new four-person line-up, which is referred to, hilariously, as a “power quartet.” No quibbling there — this band is powerful. (Ben Richardson)

With Torche, Thrones 9 p.m., $15 Slim’s 333 11th St., SF. www.slims-sf.com

 

MONDAY 8

COMEDY

Comedy Returns to El Rio!”

You can’t beat a night out at El Rio: cheap drinks, a huge patio, douchebag-free crowds, and a huge range of affordable entertainment, from metal bands to queer DJ nights to burlesque performers. Tonight, hit up the Mission District venue for five comedians, including local favorites Joe Klocek, Nick Leonard, and host Lisa “Kung Pao Kosher” Geduldig, a prolific event producer who got her start telling jokes on El Rio’s stage over 20 years ago. Also in the mix are SF native Carla Clayy and new local Karinda Dobbins, whose bio explains she’s “fluent in three languages: English, Lesbian Lingo, and Corporate-Speak.” (Eddy)

8 p.m., $7–$20 El Rio 3158 Mission, SF. www.koshercomedy.com

 

TUESDAY 9

MUSIC

Imelda May

Although many of her American fans may have gotten their first live stateside glimpse at Irish chanteuse Imelda May on The Tonight Show last month, the dervish from Dublin has been rocking stages for well over a decade in the UK. Taking the sounds of traditional rockabilly and giving them an injection of her own infectious energy and style, May’s sultry and sumptuous voice can make listeners swoon at a ballad or jump to attention on the searing rockers that pepper her set. May comes to the city tonight in support of her latest album Mayhem — catch the rising star in an intimate setting while you still can. (McCourt)

With Dustin Chance and the Allnighters 8 p.m., $10 Independent 628 Divisadero, SF. www.independentsf.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

The Crash Pad Series celebrates episode 100 with a list of San Francisco pleasures

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Fierce femmes, bashful bois, fisting, wrestling, squirting, and squealing, The Crash Pad is one fictional apartment that any voyeur would love to call neighbor. Lucky for all, the key to this hotbed of locally produced, randy queer porn is under the mat and everyone is invited to crack the door and peek inside at the Pad’s celebration for hitting the triple digits.

The Crash Pad Series started in 2007 as the genius creation of Pink & White Productions, a film company that prides themselves on “beautifully fucked and beautifully produced” explorations in queer sex. The simple premise of the series keeps things hot and honest, nothing cheesy and nothing fake; the authenticity of pleasure is a big bonus in viewing quality. The rotating cast of characters are just as diverse as the sex itself and site subscribers can watch their favorites in action, scan stills from the shoot, and hear all the dirty details from performers in the behind the scenes interviews. Pink & White’s owner Shine Louise Houston chose genderqueer pornstar Jiz Lee and feminist porn icon Nina Hartley, (who many will recognize from Boogie Nights and a large collection of instructional videos popular in the ’90s) to hash it out for number 100. There’s a whole lot of chemistry between the daring duo and they waste little time before taking off the boots and getting down to the good stuff: saucy cock-sucking, female ejaculation, strap-ons, breath control, and impact play. 

“No poop, no blood, no glitter,” the only rules of the Pad, says performer Jiz Lee. “The first two are because the Credit Card company won’t allow it. The last is because the stuff is impossible to clean up.” Letting the pornstars control of the actions always turns out to be a major turn on. 

In honor of the show’s big birthday, The Guardian asked some of the Crash Pad’s regular performers to put-out and offer up their favorite San Francisco pleasures. 

 

SFBG: Name 5 things in San Francisco that turn you on.

Nina Hartley: Center for Sex and Culture, Good Vibrations, Greens restaurant, Colibri restaurant, and Absinthe restaurant.

Jiz Lee: My bicycle, El Rio’s back patio, Muir Beach, community gardens, and swimming.

Minax: Kabuki Spa, SF Citadel, my private play space, yoga with Skeeter, Bi-Rite!

James Darling: Mr. S Leather, ice cream from Bi-Rite, Vixen dildos, Eros, and the Center for Sex and Culture.

 

SFBG: What 4 places in the Bay would make hot Crash Pad field-trip episodes?

Stealth Machine: Sutro Baths, Marin Headlands, the grave yard at Mission Dolores (sacrilege!) and El Rio!

Scarlett Chaos: Dolores Park, the Lex, [somewhere with] the Golden Gate bridge in the background, the pier, the Armory.  

Kitty Stryker: Sutro Baths (mmm, outdoor cruising), the Looking Glass dungeon, a warehouse space in Oakland (Nimby, perhaps?), the Albany [Bulb].

Madison Young: The Lexington, Wicked Grounds, the Center for Sex and Culture, and Mojo Café. 

 

SFBG: Who are 3 of the sexiest San Franciscans you know?

Stealth Machine: Lance Holman (Mr SF Leather 2010), Annie Danger, and Storm Miguel Florez.

Minax: Jiz Lee, Carol Queen, and Annie Sprinkle.

Madison Young: Princess Donna, Syd Blakovich, and Ceci Dolores.

Ian Sparks: Jiz Lee, Nic Switch, Vid Tuesday (oops, he just moved to Oakland).

 

SFBG: Where are 2 great places for outdoor sex in the Bay? 

Jiz Lee: Dolores Park, Travel Lodge roof top.

Syd Blakovich: Sutro Baths and handjobs on the F line from Fisherman’s Wharf to the Castro.

Kitty Stryker: I love having sex on top of Twin Peaks looking out over the city! Tilden Park is nice for foresty fun.

Tristan Crane: On the rooftop of our apartment buildings, in the middle of Folsom Street during the street fair. Sort of dirty, but also a rite of passage. 

 

SFBG: If San Francisco had a signature sex position or kind of play, what would it be?

Nina Hartley: Pansexual play parties.

Jiz Lee: San Francisco’s signature sex position would be a big, throbbing, wet, FIST.

James Darling: Gangbang with friends.

Maxine Holloway: Is a big queer orgy kitten pile a position?

 

Hot sexy events: July 27-August 3

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Ugh. There is nothing sexy about breast cancer (unless you’re Annie Sprinkle). But honestly, when life gives you tumors, you give that thing tumescence – or at least, that’s adult film performer Hollie Stevens’ view.

Stevens was diagnosed with breast cancer this year, but it’s hardly held her down. The clown porn enthusiast filmed an intense scene on societysm.com in which her head was shaved – it had to happen anyway for chemo, so why not make it someone’s fantasy? This week, you can help young Stevens out in her quest for health. On Fri/29, she’s hosting a low-lit lingerie roller disco, complete with an auction featuring Chuck Stevens pornography prints, and Girls and Corpses magazines – the site of Stevens’ recent “Playdead bunnies” feature.

“Is Leather Dead? Does it Need to Die?”

Leather leader-author Guy Baldwin, kink educator Race Bannon, lesbian activist Gayle Rubin, and Instigator magazine editor Michael Thorn take a hard look at leather’s relevance today. In the age of Internet cruising, can a community still be said to exist? Heady questions being asked mere days before the Up Your Alley street fair. 

Weds/27 7-10 p.m., free

LGBT Center

1800 Market, SF

www.folsomstreetfair.org


A Night for Hollie Stevens

The press release says bring your fat wallet, lingerie, or both. So you’ve got options. Can’t make it? Donate to Stevens here.

Fri/29 8:30 p.m.-12:30 a.m., $30

Private SoMa location, SF (buy ticket for details)

www.holliestevensxxx.com


Comfort and Joy Active Touch

Burning Man fundraising season is upon us (for those who were lucky enough to score a ticket) and one of the most venerable playa sexy camps is throwing a big, swinging bash set to jams by DJ Bus Station John

Fri/29 10 p.m.-4 a.m., $20 suggested donation

Mission Control 

www.missioncontrolsf.org


Perverts Put Out! Dore Alley edition

Our sex columnist Gina De Vries is over the moon for this recurring performance series that focuses on the gamut of sex and artistic expression – cop fantasies, “bearlesque,” even cruising the Excelsior has gotten its due on stage over the years. What will go off this year? You’ll have to attend to find out – it’s also the perfect pre-party for all those that are gonna have to work Up Your Alley tomorrow. 

Sat/30 7:30 p.m., $10-15

1349 Mission, SF

(415) 552-7399

www.sexandculture.org


Up Your Alley street fair 

In the thick of hippie summer fests comes Up Your Alley Fair, an al fresco get-together that unmasks the sexual undertones of other festivals. Why pretend it’s all about the music when you know all you’re trying to do is get that hottie back to your tent to get laid? Up Your Alley (and Folsom Street Fair, its big brother) makes no pretense – it’s all sexy sex all the time, in the DJ areas, in the women-only Venus Playground, and by your favorite pillory. 

Sun/31 11a.m.-6 p.m., $7 suggested donation

Folsom between Seventh and 12th St., SF

www.folsomstreetfair.org/alley

 

Perverts give good poetry

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culture@sfbg.com

LUST FOR LIFE I work at the St. James Infirmary, an occupational health clinic for current and former sex workers. The clinic is a beneficiary of Dore Alley’s Up Your Alley Fair — a pride celebration for kinky people and little sister of the Folsom Street Fair — so every year I have to a work a shift at the festival. I haven’t been able to enjoy the actual street fair aspect of it for a while. But I always look forward to this week, and to Dore Alley Eve (as those of us in the kink and leather communities jokingly call it) because of Perverts Put Out (PPO), which this year takes the stage Saturday, July 30.

Now, it’s impossible for me to write about PPO without bias. I’m good friends with the producers and I’ve been on their rotating roster of performers since 2007. But I’ve also been coming to PPO as an audience member since 2004, right about the time I graduated from teen poetry slams and started performing my own works around the Bay Area.

Attending PPO for those first three years as an adult performer (in all senses of that term) and newly-minted sex writer trying to find her place in the SF spoken word scene, I received an amazing lesson in our sex and art communities. PPO is responsible for much of my education about both writing and performance. I sat back. I watched. I learned. I took a lot of notes.

So consistently well curated it borders on absurd, PPO is an impressive mix of genre and content — everything from poetry to performance art, diatribes to elegantly crafted erotic short stories. The unifying theme of PPO is of course sexuality, and most of the performers are queer in some way. But queerness and sexuality can cover a lot of ground.

Some of my favorite PPO memories from over the years: Kirk Read’s tragically beautiful piece about going duck hunting with a new lover. Daphne Gottlieb’s gorgeous poem “Carpe Nocturne” about (among other things) desire, lineage, death, and love. Lori Selke’s razor-sharp breakup letter to the racist and sexist mainstream BDSM scene. Meliza Banales’ riotously funny story about doing crystal healing sex work in Santa Cruz. Steven Schwartz’s “Bearlesque,” a smart and funny rumination on bear identity, complete with dancing and tassles. Jaime Cortez’s eerily beautiful short story “Excelsior,” about queer men cruising not in the Castro or SoMa, but in the Excelsior District. Fran Varian’s secret and brutal cop fantasy, told from the perspective of an anti-imperialist queer activist protagonist. Pretty much everything poet Horehound Stillpoint has ever done, ever. I could go on. But really, you should just come to the show.

PERVERTS PUT OUT: THE DORE ALLEY EDITION

Sat/30 7:30 p.m., $10–$15

Center for Sex and Culture

1349 Mission, SF

(415) 902-2071

www.sexandculture.org

 

Guardian forum July 28: Immigration, education and youth

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The next Guardian Forum on issues in the mayor’s race will take place Thursday, July, when we’ll be talking about immigration, education and youth issues. We’ve got a great panel lined up:


Sherilyn Adams, Larkin Street Youth Services
Angela Chan, Asian Law Caucus
David Campos, Supervisor, District 9
Mario Yedidia, Director, Youth Commission*
Pecolia Manigo, Coleman Advocates


(*for identification only)


It’s at the Bayanihan Community Center, 1010 Mission (at 6th), 6-8 p.m.


(Powell Street BART and MUNI 14, 19, 27, or 31)



As always, plenty of time for audience participation. Hopy you can make it.

What’s next for San Francisco’s small theaters? The Roxie has an idea…

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The Red Vic closed this week, and a recent SFgate.com article reported that Balboa Theater owner Gary Meyer will be leaving the Richmond District landmark at the end of the summer. What’s a small, independent movie theater to do in these troubled times?

The Roxie, San Francisco’s oldest continually operating theater (it’s had a few different monikers, but the Mission District space opened in 1909; it became a non-profit in 2008), has a plan, according to a press release that landed in my inbox this morning. It boils down to a four-letter word: BEER.

According to the release, “At a spry 102-years-young, the Roxie Theater has applied for a permanent beer license. Over the past year, the Roxie has used its non-profit status to obtain day use permits for on-site alcohol, and the response was so overwhelmingly positive that we’re trying to make it permanent. Our application is in! The Roxie hopes to add beer sales as part of its mission statement to make the theater a place of gathering and celebration, as well as a business model for the survival of neighborhood theaters.”

The release goes on to explain that the programming won’t change (have you seen World on a Wire yet?), and there will still be kid-friendly events planned to balance out the 21-and-over-only screenings. Also: “It has not yet been decided if beer will be offered every day, just weekends or just special events.”

Cross your popcorn butter-stained fingers that the Roxie finds success with this new endeavor, and in the name of all that is (cinematically) holy — get out there and see a movie! Check out the Roxie’s upcoming programming here.

Anger erupts over police shootings

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rebeccab@sfbg.com

As the murky details of two recent police shootings emerge, a palpable anger surging through targeted communities points to a deeper issue than the particular circumstances surrounding each of these deaths. Simply put, many Bay Area communities are fed up with police violence.

For many activists who descended on transit stations to protest the fatal BART police shooting of Oscar Grant III, the 20-year-old unarmed Hayward man who was killed on New Year’s Day 2009, an upwelling of rage was rekindled after BART cops shot and killed a homeless man named Charles Blair Hill on July 3 in Civic Center Station.

Then, on July 16, San Francisco police officers in the Bayview shot 19-year-old Kenneth Wade Harding Jr. multiple times after he ran from the T-Third train platform because he’d been stopped for fare evasion, leaving him dead on the sidewalk.

The recent officer-involved shootings occurred under two different law enforcement bodies, and both incidents remain under police investigation with many questions still unanswered. BART police say Hill was brandishing a knife; the San Francisco Police Department (SFPD) said its response was justified because Harding fired at officers first. The investigation in Harding’s case took a bizarre twist July 21 when SFPD issued a press release based on a medical examiner’s report stating that Harding had died not from rounds fired by police, but a self-inflicted gunshot wound.

But among communities distrustful of the police, the particulars of each case seemed to matter less than the perception that officers are too quick to escalate conflicts into deadly standoffs. Both incidents provoked intense anger because they resulted in marginalized transit passengers suffering sudden, violent deaths following interactions that were initiated by police. The shootings sparked angry protests, prompting standoffs at Civic Center BART Station, along the T-Third line in the Bayview, on Valencia Street, in Dolores Park, inside the Castro Muni Station, and at the cable car turnaround on Powell Street.

A group of activists staged protests in the Mission following the Bayview police shooting, snaking through the streets as they disrupted traffic and public transit service. “The march began at Dolores Park where nearly 200 of us departed,” an anonymous post on the anticapitalist Bay of Rage website recounted, describing the events of a July 19 protest that resulted in 43 arrests. “Upon reaching the Castro Muni Station, all hell broke loose…. What had now become a mob moved effortlessly past the bewildered cops … Trash was set alight and thrown down onto the tracks below … ticket machines, the fare checkpoints, and the agent booth were all smashed with hammers and flags — totally ruined. Smoke bombs and fireworks were thrown throughout the station.”

This display occurred just eight days after protesters shut down BART stations in downtown San Francisco during rush hour to condemn the fatal shooting of Hill, the homeless BART passenger.

The message from outraged Bayview residents at a chaotic and emotionally charged community forum staged July 20 at the Bayview Opera House was not that people were upset that this had happened to Harding, a Washington state resident, in particular. Instead, people expressed outrage that police had gunned down yet another African American youth, and that unless some complicated and long-standing issues were addressed, it could happen again, to anyone. The forum was organized in partnership with the SFPD and clergy members from the Bayview. Police had prepared a PowerPoint presentation, but never managed to get that far.

At the meeting, Police Chief Greg Suhr tried to provide an explanation for the July 16 shooting. “During this foot pursuit, at some point in time, the suspect … fired at the officers, and the officers returned fire. This is the account that we have so far,” he said. “I cannot tell you how badly that I feel … as captain of this station for two years,” Suhr continued, as an angry crowd shouted him down.

Police escorted Suhr out of the meeting before everyone who had signed up to speak had a chance to be heard. Once outside, the police chief told reporters that he planned to return.

After Suhr and other city officials departed from the meeting, District 10 Supervisor Malia Cohen stayed at the Bayview Opera House and addressed the crowd that remained, she later told the Guardian, and engaged in discussion with Bayview homeowners, merchants, and other community stakeholders.

“We had a very thoughtful conversation,” she said. “People had questions about [Municipal Transportation Agency] policy over the SFPD riding the bus. We talked about the importance of attending Board of Supervisors meetings, Police Commission meetings, and giving public comment. And there will be future conversations, without obstruction.”

Many who attended the meeting voiced concerns that went well beyond the July 16 incident. Several said they believed youth were unduly harassed by law enforcement over Muni fares on a regular basis. Elvira Pollard spoke about how her son was shot 36 times by police and killed seven years ago. Another woman complained that police had used abusive language when she was arrested in the Bayview four years ago.

Mayor Ed Lee told the Guardian that a bigger police presence at the Oakdale/Palou stop on the T-Third line was part of the city’s strategy to prevent violence in that area. “I actually asked the chief to pay more attention to areas that had a history of gun violence and shootings and other kinds of violence … and it just so happens that this particular area, Third and Palou, is a place where there’s a lot of violence,” Lee said. “So we had more uniformed officers on that specifically at not only my request, but with the understanding of the police chief, too.”

Responding to acts of violence by sending in more police sounds simple enough, yet it seems a toxic environment has arisen out of a heightened police presence in a community where tensions between police and residents already run high, fueled by anxiety and bad past experiences. Add to this dynamic a trend of youth who lack other transportation alternatives riding public transit even if they don’t have enough money to pay the fare, and the situation feeds ongoing strife, particularly when fare evaders are asked for identification and searched by police.

Lee, in partnership with Cohen, called a meeting in City Hall July 19 with leaders of the Bayview community. The press was not allowed to attend, but participants said later that officials gave a presentation about the shooting and played an audio of gunfire from the SFPD’s SpotShotter program to offer evidence that Harding had fired first. Later that day, the SFPD reported that gunshot residue had been detected on Harding’s hand, supporting the police account of what happened. Yet the July 21 press release, suggesting that Harding had shot himself because a .380-caliber bullet that police said could not have come from SFPD firearms had entered the right side of Harding’s neck, made it even less clear what really happened.

By July 22, confusion was still swirling over why a gun hadn’t immediately been recovered from the scene of the shooting, and there still wasn’t any clarity on whether an online video of a passerby removing a silvery object from the sidewalk showed a person who retrieved Harding’s firearm after the shooting, as police have claimed. Police recovered a gun that was initially believed to be Harding’s, but later reported that the gun could not have been the same weapon that discharged a .380 caliber round into the victim’s head.

Chris Jackson, a Bayview resident who sits on the board of City College of San Francisco and ran for District 10 supervisor in 2010, said after the City Hall meeting that he felt it had amounted to little more than a lecture from the city’s top officials. Jackson said he perceived a need for a policy shift in terms of how to deal with fare evasion and violence prevention. “We need a better approach,” he said. “We cannot address this with more cops on the T line.”

After Harding’s death, it came to light that the 19-year-old Washington state man had served time for attempting to promote prostitution, and had been named as a person of interest in connection with the fatal shooting of a 19-year-old Seattle woman. Yet a widely circulated online video showing him writhing on the sidewalk in a pool of blood after being shot, while a handful of officers continued to stand around with weapons drawn, sparked outrage. Once the forum at the Bayview Opera House had broken up, LaDonna Callaway condemned the police response, saying, “They didn’t have to shoot him as many times as they did.”

Angelique Mayhem, a Bayview resident who stood nearby, told the Guardian that she didn’t think the meeting had solved anything. “A boy gets gunned down. We don’t know if there was a gun there, but we do know that for 40 damn years, people have been getting gunned down in this community,” Mayhem said. “People are angrier now than when they were when they walked in the door. We’re a community that’s truly in pain, that’s truly frustrated, and really needs some respect.”

Stage Listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

THEATER

OPENING

“AfroSolo Arts Festival” Various venues, SF; www.afrosolo.org. Free-$100. July 28-Oct 20. The AfroSolo Theatre Company presents its 18th annual festival celebrating African American artists, musicians, and performers.

Country Club Catastrophe Exit Theatre, 156 Eddy, SF; www.brownpapertickets.com. $20. Opens Thurs/28, 8pm. Runs Thurs-Sat, 8pm. Through Aug 13. Back Alley Theater Company performs its first original production, a farcical comedy set at a country club.

BAY AREA

The Complete History of America (abridged) Dominican University of California, Forest Meadows Amphitheater, 1475 Grand, San Rafael; (415) 499-4488, www.marinshakespeare.org. $20-35. Opens Sat/30, 8pm. Performance times vary; check website for schedule. Through Sept. 25. Marin Shakespeare Company performs Adam Lon, Reed Martin, and Austin Tichenor’s three-person romp through American history.

Madhouse Rhythm Cabaret at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $15-35. Opens Thurs/28, 7:30pm. Runs Thurs, 7:30pm. Through Aug 25. Joshua Walters performs his hip-hop-infused autobiographical show about his experiences with bipolar disorder.

Reduction in Force Berkeley City Club, 2315 Durant, Berk; (510) 558-1381, www.centralworks.org. $14-25. Previews Thurs/28-Fri/29, 8pm. Opens Sat/30, 8pm. Runs Thurs-Sat, 8pm (also Aug 20 and 27, 5pm); Sun, 5pm. Through Aug 28. Central Works performs “an economic comedy about back-stabbing, ass-kissing, and survival of the sneakiest.”

The Road to Hades John Hinkel Park, Southampton Ave, Berk; (510) 841-6500, www.shotgunplayers.org. $10 (suggested donation; no one turned away for lack of funds). Opens Sat/30, 3pm. Runs Sat-Sun, 3pm. Through Sept 11. Shotgun Players presents a new comedy written by and starring veteran comedian and clown Jeff Raz.

Strange Travel Suggestions Cabaret at Marsh Berkeley, 2120 Allston, Berk; (415) 282-3055, www.themarsh.org. $20-50. Opens Fri/29, 8pm. Runs Fri, 8pm; Sat, 5pm. Through Aug 27. Jeff Greenwald returns with a new version of his hit show of improvised monologues about travel.

ONGOING

Act One, Scene Two SF Playhouse, Stage Two, 533 Sutter, SF; (415) 869-5384, www.un-scripted.com. $10-20. Thurs-Sat, 8pm. Through Aug 20. Un-Scripted Theater Company hosts a different playwright each night, performing the first scene of an unfinished play and then improvising its finish.

American Buffalo Actors Theatre of San Francisco, 855 Bush, SF; (415) 345-1287, www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Through Sept 3. Actors Theatre of San Francisco performs the David Mamet crime classic.

Assisted Living: The Musical Imperial Palace, 818 Washington, SF; 1-888-88-LAUGH, www.assistedlivingthemusical.com. $79.59-99.50 (includes dim sum). Sat/30-Sun/31, noon (also Sun/31, 5pm). Rick Compton and Betsy Bennett’s comedy takes on “the pleasures and perils of later life.”

“Bay Area Playwrights Festival” Thick House, 1695 18th St, SF; www.playwrightsfoundation.org. $20. Through Sun/31. Staged readings of works by seven emerging playwrights.

Billy Elliot Orpheum Theater, 1192 Market, SF; www.shnsf.com/shows/billyelliot. $35-200. Tues-Sat, 8pm (also Wed, 2pm); Sun, 2pm. Through Aug 21. As a Broadway musical, Billy Elliot proves more enjoyable than the film. The movie’s T. Rex score may have been a major selling point, but it was a bit maudlin for a story that needed no help in that department. The musical naturally has a sentimental moment or three, but it’s much more often funny, muscular in its staging (with repeatedly inspired choreography from Peter Darling), and expansive in its eclectic score (Elton John) and well-wrought book and lyrics (Lee Hall). Moreover, Stephen Daldry (who also directed the 2000 film) plays up bracingly the too-timely class politics of the modest 1980s English mining town besieged by Margaret Thatcher’s neoliberal regime in the latter’s ultimately successful bid to crush the once-powerful miners union. The cast is likewise very strong. The second act is not as strong as the first, but as crowd-pleasing entertainment the musical burrows deep and more often than not comes up with gold. (Avila)

The Book of Liz Custom Made Theatre, 1620 Gough, SF; www.custommade.org. $10-29. Thurs/28-Sat/30, 8pm; Sun/31, 7pm. Custom Made Theatre performs David and Amy Sedaris’ comedy about an unconventional nun.

Indulgences in the Louisville Harem Phoenix Theatre, 414 Mason, SF; 1-800-838-3006, www.offbroadwaywest.org. $20-40. Thurs/28-Sat/30, 8pm. Two spinster sisters find unlikely beaux in Off Broadway West Theatre’s production of John Orlock’s play.

Left-Handed Darling Exit Theatre, 156 Eddy, SF; www.brownpapertickets.com. $15-30. Fri-Sat, 8pm. Through Aug 13. Foul Play Productions perfomrs the world premiere of Nikita Schoen’s Dust Bowl-era drama.

Tales of the City American Conservatory Theater, 415 Geary, SF; (415) 749-2228, www.act-sf.org. $35-98. Wed/27-Sat/30, 8pm (also Sat/30, 2pm); Sun/31, 2 and 7pm. ACT performs a musical version of Armisted Maupin’s beloved San Francisco story.

Tigers Be Still SF Playhouse, 522 Sutter, SF; www.sfplayhouse.org. $30-50. Tues-Wed, 7pm; Thurs-Sat, 8pm (also Sat, 3pm). Through Sept 10. SF Playhouse performs Kim Rosenstock’s quirky comedy.

Twilight Zone Live: Season 8 Dark Room, 2263 Mission, SF; www.ticketturtle.com. $20 ($5 discount if you use the code word “maggie”). Fri/29, 8pm. The Dark Room Theater presents its eighth annual tribute to classic Twilight Zone episodes.

*Vice Palace: The Last Cockettes Musical Thrillpeddlers’ Hypnodrome, 575 10th St; (800) 838-3006, www.brownpapertickets.com. $30-35. Fri/29-Sat/30, 8pm; Sun/31, 7pm. Hot on the high heels of a 22-month run of Pearls Over Shanghai, the Thrillpeddlers are continuing their Theatre of the Ridiculous revival with a tits-up, balls-out production of the Cockettes’ last musical, Vice Palace. Loosely based on the terrifyingly grim “Masque of the Red Death” by Edgar Allan Poe, part of the thrill of Palace is the way that it weds the campy drag-glamour of Pearls Over Shanghai with the Thrillpeddlers’ signature Grand Guignol aesthetic. From an opening number set on a plague-stricken street (“There’s Blood on Your Face”) to a charming little cabaret about Caligula, staged with live assassinations, an undercurrent of darkness runs like blood beneath the shameless slapstick of the thinly-plotted revue. As plague-obsessed hostess Divina (Leigh Crow) and her right-hand “gal” Bella (Eric Tyson Wertz) try to distract a group of stir-crazy socialites from the dangers outside the villa walls, the entertainments range from silly to salacious: a suggestively-sung song about camel’s humps, the wistful ballad “Just a Lonely Little Turd,” a truly unexpected Rite of Spring-style dance number entitled “Flesh Ballet.” Sumptuously costumed by Kara Emry, cleverly lit by Nicholas Torre, accompanied by songwriter/lyricist (and original Cockette) Scrumbly Koldewyn, and anchored by a core of Thrillpeddler regulars, Palace is one nice vice. (Gluckstern)

What Mamma Said About Down There SF Downtown Comedy Theater, 287 Ellis, SF; www.sfdowntowncomedytheater.com. $15. Thurs-Sat, 8pm. Through August 20. Sia Amma returns with her solo comedy.

BAY AREA

Communicating Doors Live Oak Theatre, 1301 Shattuck, Berk; www.aeofberkeley.org. $12-15. Fri-Sat, 8pm; Aug 14, 2pm. Through Aug 20. Actors Ensemble of Berkeley performs Alan Ayckbourn’s “time-travel-battle-of-the-sexes comedy.”

East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat, 8:30pm; Sun, 7pm. Through Aug 7. Don Reed’s hit solo comedy receives one last extension before Reed debuts his new show (a sequel to East 14th) in the fall.

Fly By Night Lucie Stern Theatre, 1305 Middlefield, Palo Alto; (650) 463-1960, www.theatreworks.org. $19-69. Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Aug 13. TheatreWorks performs the world premiere of Kim Rosentock, Michael Mitnick, and Will Connolly’s musical, set in 1965 New York.

Macbeth Dominican University of California, Forest Meadows Amphitheater, 1475 Grand, San Rafael; (415) 499-4488, www.marinshakespeare.org. $20-35. Performance times vary; check website for schedule. Through Aug 14. Marin Shakespeare Company takes on the Scottish play.

A Midsummer’s Night Dream This week: San Felipe Park, 2058 D St, Hayward. www.womanswill.org. Free (donations requested). Sat/30, 2pm. Performances continue at Bay Area parks through Aug 21. Woman’s Will performs the Shakespeare favorite.

The Verona Project Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; (510) 548-9666, www.calshakes.org. $35-66. Tues-Thurs, 7:30pm; Fri/29-Sat/30, 8pm (also Sat/30, 2pm); Sun/31, 4pm. California Shakespeare Theater performs a world-premiere play (inspired by The Two Gentlemen of Verona) by Amanda Dehnert.