Mission

Our Weekly Picks: February 20-26, 2013

Andrew Lam
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WEDNESDAY 20

Mega Shark vs. Giant Octopus

Head on down to the waterfront tonight for a hilarious night of bad B-movie fun! Where could be better to watch the schlocky sci-fi flick Mega Shark vs. Giant Octopus (featuring over-the-top cheesy performances from Deborah Gibson and Lorenzo Lamas) than an actual aquarium on the San Francisco Bay? Part of Aquarium of the Bay’s “Octopalooza,” a week-long fete celebrating cephalopods, the price of admission to this “Bad Movie Night” will include two drinks, popcorn, admission to the aquarium, and live satiric commentary about the film from Dark Room Theater. (Sean McCourt)

6pm, $16

Aquarium of the Bay, Bay Theater

Pier 39, SF

(415) 623-5300

www.aquariumofthebay.com

 

Patricia Schultz

Travel writer Patricia Schultz explained how she selected entries for her New York Times-bestseller 1,000 Places to See Before You Die in the book’s introduction: “In the final analysis, the common denominator I chose was a simple one: that each place impress upon the visitor — and, I hope, upon the reader — some sense of the earth’s magic, integrity, wonder, and legacy.” Lately, Schultz seems like she is looking for the next 1,000 places to pass on to readers. She has made stops in Connecticut, Boston, and California this month, and has a 10-day jaunt through Ethiopia in April ($5,400 to join her) followed by a 19-day cruise ship voyage near the Antarctic coast in November ($9,500). Interested (and perhaps more frugal) travelers can listen in tonight on her latest adventures. (Kevin Lee)

7pm, $12–$20

Oshman Family Jewish Community Center

3921 Fabian Way, Palo Alto

(415) 597-6700

www.commonwealthclub.org


THURSDAY 21

“Migration Now!”

The creators of the fabulous People’s History poster series, Justseeds, and Culturestr/ke have assembled a poster show to heal the psychic wounds you’ve done to yourself listening to the Right rage on against immigrants ruining our country. Seriously, this is the antidote: undocumented queer activist Julio Salgado’s peaceful odes to cross-border gay marriage, the flock of monarch butterflies that Portland, Ore.’s Roger Peet has conjured, alighting on a human skull in protest of the War on Drugs. King of the subversive poster Emory Douglas will also show work, along with many others. The opening reception features hip-hop performance, panel discussion, an appearance by the Filipino Caregiver Theater Ensemble, and more. (Caitlin Donohue)

Through Feb. 28

Opening reception: 6-10pm, free

Eric Quesada Center for Culture and Politics

518 Valencia, SF

www.justseeds.org

www.migrationnow.com

 

“Fabulous Artistic Guys Get Overtly Traumatized Sometimes: the Musical!”

After a sold-out weekend premiere in October, DavEnd’s sharp-witted, madcap, acronym-inviting musical comes back for another raucous binge of self-obsession and doubt before the bedroom mirror. Fabulous Artistic Guys Get Overtly Traumatized Sometimes features writer, composer, performer, chanteuse, accordionist, and costume designer extraordinaire DavEnd as, who else, queer artist DavEnd and her active — very active — imagination. Upon reflection (her own that is, courtesy of a full-length looking-glass (Maryam Farnaz Rostami)), solipsism turns to schism as DavEnd confronts a fractured fashion show of ideal or not-so-ideal types, MC’d by her Fairy Drag Mother (luminous burlesque star World Famous *BOB*). Discerning direction by D’Arcy Drollinger and musical director Chris Winslow support a pitch-perfect combo of the effervescent and deadpan, in a comedy that actually asks stark present-day questions about difference, acceptance, and validation of the self. (Robert Avila)

Through Sun/24, 8pm; (also Sun/24, 3pm), $20–$25

Counterpulse

1310 Mission, SF

(415) 626-2060

www.counterpulse.org


CHERYL at the Asian Art Museum

In the third century BCE, a Chinese emperor wanted to defeat death by commissioning a life-size terracotta army of over 7,000 warriors. In 2013, New York-based art collective CHERYL wants to defeat convention by throwing a party in honor of 10 of these warriors. At the opening of the Asian Art Museum’s “China’s Terracotta Warriors: The First Emperor’s Legacy,” the collective, joined by DJ Hakobo and the Extra Action Marching Band, will set up a video installation, an excellent set of tunes, and a bar, and they invite you to join them (preferably in a costume of your choosing). Probably not what the emperor had in mind, but it just might work. (Laura Kerry)

7pm, $18

Asian Art Museum

200 Larkin, SF

(415) 581-3500

www.asianart.org


FRIDAY 22

“Sexual Politics”

The full title of the Roxie’s first post-SF Indiefest event is “Sexual Politics: The Occasionally Autobiographical and Always Personal Films of Joe Swanberg,” a mouthful befitting a prolific filmmaker who is only 31 and yet has already made nearly 20 films. His debut, 2005’s Kissing on the Mouth, isn’t included here, but his second and third films are — LOL (2006) and Hannah Takes the Stairs (2007), both of which rushed him to the forefront of the lo-fi, low-budget, mostly-improv’d genre known (for better and worse) as “mumblecore.” (Both also star Hollywood’s next big thing, Greta Gerwig.) Among the 12 Swanberg selections is IndieFest closer All the Light in the Sky, a 2012 release that isn’t even his most recent (that’s be Drinking Buddies, which just screened at Sundance). Never sleep, Joe. (Cheryl Eddy)

Fri/22-Mon/25, $6.50–$10

Roxie Theater

3117 16th St, SF

www.roxie.com

 

Dave Alvin and Marshall Crenshaw

Fans of Americana, rockabilly, and roots music — or just plain old fashioned rock’n’roll — are in for a special treat tonight as two of the greatest singer-songwriters-guitarists of the past 30 years come to town on tour together — Dave Alvin and Marshall Crenshaw. First displaying his formidable chops as a member of the Blasters, Alvin has gone on to a distinguished solo career, as has Crenshaw, who gained mainstream exposure with his 1981 hit “Someday, Someway,” and portrayed Buddy Holly in the 1987 film La Bamba. Get ready for a night of shredding Stratocasters as these two tunesmith titans, who just keep getting better with age, play live backed by the Guilty Ones. (McCourt)

8pm, $22

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

Chrome Canyon

At this rate, I’ll never make it to the future. But when I do, I know exactly what would make the perfect soundtrack. Giorgio Moroder’s Metropolis, Wendy Carlos’s Tron, John Carpenter’s Escape From New York, Michael Jarre’s Dreamscape, and Hirokazu Tanaka’s Metroid. Of course, that’s too much for one Walkman, but since I’ll be going that direction anyway, I’ll make a point to procure a copy of Elemental Themes, the recent analog synth saturated non-soundtrack from Brooklyn’s Chrome Canyon. It captures the mood. First order of business: find a place that sells cassettes. Second: restore causality. (Ryan Prendiville)

Voltaire Records and Stones Throw Present, with Peanut Butter Wolf (DJ set), Jonas Reinhardt, Shock, Chautauqua (DJ set)

9pm, $13-15

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com


SATURDAY 23

FaltyDL

Producer Drew Lustman may hail from New York, but his newest release Hardcourage impressively fuses the pace and smoothness of Chicago house with the synths and bleeps found in Detroit techno. The result is a multilayered work that leans more toward spacey introspection than frenetic movement, a somewhat surprising departure from vintage FaltyDL productions of two-step and UK-influenced garage. Consistent throughout Lustman’s discography is an emphasis on melody and texture that is quite fitting, given Lustman played upright bass and piano in jazz groups and counts Miles Davis as a big influence. How Lustman mixes groovier works like the luscious “She Sleeps” with harder-stepping garage in the tighter confines of Public Works’ loft space will bear watching. (Lee)

9:30pm, $10–$20

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com


SUNDAY 24

Morrissey

It’s difficult to describe the voice — a tinge of a yowl but always fluid and warm. Then there’s the songwriting — mysteriously transcendent. And the incredible style that is both quirky and catchy. OK, this might be gushing, but come on, it’s Morrissey, and he’s coming to Davies Symphony Hall (and we’re keeping our fingers crossed that he actually makes it to the Bay this time). The influential artist, who established his reputation with the Smiths in the ’80s, will release a “very best of” album in April. Even though he’s looking back on career classics, he wants to show us he can still rock out. Morrissey, we wouldn’t doubt you for a second. (Kerry)

With Kristeen Young

8pm, $50-$90

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.daviessymphonyhall.org

 

Matmos

Relax. Try to concentrate. I’m going to play some sounds. Tell me what you see. A triangle? No. Try again. A velvet blivet? No. Focus, please. What? I assure you, no one has had sex on this table. One more. A damn deacon? Please, there’s no call for that sort of language. Fail, a complete fail. Correct answer was A Marriage of True Minds, an auditory experiment into ESP by former SF — now Baltimore — residing duo Matmos. Yes, extra-sensory perception. Telepathy for the layperson like you. Here, give it a listen the next time you’re in the flotation tank. (Prendiville)

With Horse Lords, C.L.A.W.S. (DJ set), Kit Clayton, and visuals by Golden Suicide

8pm, $10

Public Works

161 Erie St., SF

(415) 932-0955

www.publicsf.com


MONDAY 25

Surfer Blood

Surfer Blood has discovered a magical formula. When the band came together in ’09, it united with the simple goal to produce an album and go on tour, but with the album and EP it has released since that time, the quartet has earned impressive recognition for its unceasingly gratifying pop-rock. Surfer Blood’s four-year-old goal continues with the launch of another tour leading up to the June release of Pythons. In the single, “Weird Shapes,” the magic continues in a catchy tune that somehow recalls both the Strokes and the Beach Boys. Come see what other tricks it has up its sleeve. (Kerry)

With Grand Rapids, Aaron Axelsen

8pm, $11

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

Stage Listings

Andrew Lam
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0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

The Lisbon Traviata New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25. Opens Fri/22, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through March 24. New Conservatory Theatre Center performs Terrence McNally’s play, a mix of comedy and tragedy, about the relationship between two opera fanatics.

Steve Seabrook: Better Than You Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Opens Fri/22, 8pm. Runs Fri, 8pm; Sat, 8:30pm. Through March 22. Kurt Bodden’s San Francisco Best of Fringe-winning show takes a satirical look at motivational speakers.

BAY AREA

Dostoevsky’s The Grand Inquisitor Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Previews Thu/21-Fri/22, 8pm. Opens Sat/23, 8pm. Runs Thu-Sat, 8pm; Sun, 5pm. Through March 31. Central Works performs Gary Graves’ adaptation of the story-within-a-story from The Brothers Karamazov.

My Recollect Time South Berkeley Community Church, 1802 Fairview, Berk; (510) 788-6415. $12-25. Opens Fri/22, 9pm. Runs Sat/23-Sun/24, Feb 28, March 2, 7, and 9, 8pm; March 1, 8, 9pm; March 3, 5pm. Through March 9. Inferno Theater performs Jamie Greenblatt’s play about the life of former slave Mary Fields.

ONGOING

Dear Harvey New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed/20-Sat/23, 8pm; Sun/24, 2pm. There’s always room in San Francisco for milk — Harvey Milk, that is, our very own out-and-proud crusader for equal rights for all, whose election as city supervisor in 1977 and assassination in 1978 galvanized the LGBT movement on a national level. Part history lesson, part memorial tribute, the Patricia Loughrey-penned Dear Harvey offers details of the extent of his influence, mostly in the realm of the political, collected from interviews with over 30 of Milk’s associates and friends. Interspersing testimonials with Bay Area Reporter headlines, fan mail, and projections of Daniel Nicoletta’s candid photos of the era, each member of the ensemble cast assumes multiple roles throughout the piece including Harvey’s activist nephew Stuart Milk, the "Queen Mother of the Americas" Nicole Murray-Ramirez, openly-gay politician Tom Ammiano, former youthful aide and prominent AIDS activist Cleve Jones, Milk’s spitfire campaign manager Anne Kronenberg, and even Milk himself. At its core, Dear Harvey plays out mainly like a talking head-style documentary, the disparate strands of monologue woven together providing a composite image of a single character. But as endearing in many ways that character is, it’s not enough to sustain the overall piece, which never develops its other, often fascinating, characters enough for the audience to feel much of a connection to the stage, no matter how much, personally, they might feel a connection to Milk himself. (Gluckstern)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

God of Carnage Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. $38. Thu-Sat, 8pm. Through March 30. Shelton Theater presents Yasmina Reza’s Tony-winning comedy about upper-middle-class parents clashing over an act of playground violence between their children.

Hedwig and the Angry Inch Boxcar Playhouse, 505 Natoma, SF; www.boxcartheatre.org. $25-40. Wed-Sat, 8pm (also Sat, 5pm). Through March 2. Hold onto your hairpiece, Boxcar Theatre is reprising their all-too short summer run of Hedwig and the Angry Inch, and just in case you think you saw it already, be forewarned — you ain’t seen nothing yet. Recast, redesigned, and re-vamped, this outcast-rock musical familiarly follows the misadventures of one Hedwig Robinson (né Hansel Schmidt) with glam, guts, and glitter. But unlike the movie version penned by and starring John Cameron Mitchell as the titular chanteuse, or other staged versions, director Nick A. Olivero splits the larger-than-life, would-be rock sensation into eight different characters, who are each given a solo turn as well as plenty of ensemble harmonizing during the course of the two hour-plus performance. The effect is often electric, and just as frequently hilarious, as when the four female actors playing the role stomp across the stage swinging imaginary dicks in the air to the lyric "six inches forward and five inches back, I got a, I got an angry inch!" Supported by a tight quartet of rock musicians led by Rachel Robinson, and the phenomenal Amy Lizardo as Hedwig’s beleaguered "man Friday" Yitzhak, Hedwig keeps on extending for what appears to be an indefinite run, employing the time-honored Thrillpeddlers’ tradition of rotating cast members and comeback performances, which means you could theoretically go multiple times and never see quite the same show twice. I certainly plan to. (Gluckstern)

Jurassic Ark Exit Theatre, 156 Eddy, SF; www.theexit.org. $15-25. Fri-Sat, 8pm. Through March 16. Writer-performer David Caggiano’s zany, well-executed solo play centers on a Christian televangelist who is unwaveringly bent on making a big-budget movie about a cowboy-like Biblical Noah, his Ark, and the largely lovable dinosaurs callously left out of the story — a project he sees delivering a decisive blow to the Darwinians, while turning cineplexes across the land into celluloid cathedrals. Brother Dallas and his proselytizing pitch eventually find receptive ears in a trinity of movie-industry heavies, whose collective business acumen demands a few changes to the script. Meanwhile, the intoxicating power of it all leads to a lapse in Brother Dallas’s righteousness and a scandal reminiscent of Hugh Grant’s career. Dallas rebounds from this bout with the Devil and sees his movie made — but surely only he is unaware that the Devil keeps a Hollywood address. Smartly directed by Mark Kenward, this low-frills production relies almost exclusively on Caggiano’s sturdy ability with quick-change characterizations (couched in Dylan West’s modest lighting design and a suggestive soundscape by sound editor–musician John Mazzei). The fitful satire trades in pretty orthodox caricature and, in Brother Dallas, lacks a very compelling or sympathetic central figure; but it unfolds with a very cinematic imagination that, while formulaic, is itself one hell of a movie pitch. (Avila)

The Little Foxes Tides Theatre, 533 Sutter, SF; www.tidestheatre.org. $20-38. Wed/20-Sat/23, 8pm. Tides Theatre Company performs a modern take on the Lillian Hellman classic.

The Motherfucker with the Hat San Francisco Playhouse, 450 Post, SF; www.sfplayhouse.org. $30-70. Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm). Through March 16. A fine cast makes the most of Stephen Adly Guirgis’s deceptively coarse, often amusing little play, The Motherfucker with the Hat, which receives its local premiere in a sure and rowdy production from SF Playhouse. Director and designer Bill English’s striking two-tier set almost belies the intimate nature of the quirky story, which concerns a hapless parolee and recovering alcoholic named Jackie (a winningly frazzled, bumptious Gabriel Marin) who retreats to his AA sponsor’s apartment to pine and plot revenge after he discovers a stranger’s hat in the bedroom of his longtime Puerto Rican girlfriend, Veronica (played vividly by an at once edgy and vulnerable Isabelle Ortega). But Ralph, his suave and persuasive sponsor (played with unctuous charm gilded by just a hint of ineptitude by an excellent Carl Lumbly), may not be the guy he wants in his corner. Not that Jackie can see that — he’s got a man-crush on Ralph that dwarfs his already ambivalent affection for much put-upon but stalwart cousin Julio (a sharply funny Rudy Guerrero) and blinds him to the warning signals from Ralph’s own disgruntled wife (a coolly disgusted Margo Hall). Throughout, these working-class New York borough dwellers display their wit and shield their soft underbellies with a rapid-fire barrage of creative swearing. English and cast display a real comfort with this kind of material (this is SF Playhouse’s fourth Girguis play), which drapes its soft heart in the intimations of violence more than the real thing. If the heat and imaginative cursing also seem to cover up for a play with little dramatic purpose beyond a gentle and somewhat pat exploration of loyalty, maturity, and trust, there’s pleasure to be had in the unfolding. (Avila)

Not a Genuine Black Man Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Fri/22, 8pm; Sat/23, 5pm. What, the unapologetically middle-class Brian Copeland asks, is the real meaning behind the phrase "a genuine black man"? By way of an answer, the stand-up comic and KGO radio host offers up a simultaneously funny and disarmingly frank story about growing up African American in the racist suburb that was San Leandro in the early 1970s. Letting his narrative bounce back and forth between his boyhood memories and a period of depression that overtook him as a parent in 1999 — and interlacing the autobiography with verbatim utterances from both sides of the fight his family joined to desegregate the city — Copeland brings admirable chops as a comedian to bear on some difficult and disturbing, if ultimately hopeful, material. Note: review from an earlier run of the same show. (Avila)

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. Lady Bear, Trixie Carr, Heklina, and D’Arcy Drollinger star in this drag tribute to the long-running HBO show.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-50. Sun, 11am. Extended through March 17. The Amazing Bubble Man (a.k.a. Louis Pearl) continues his family-friendly bubble extravaganza.

You Know When the Men Are Gone Z Space, 450 Florida, SF; www.zspace.org. $30-55. Wed/20-Thu/21, 7pm; Fri/22-Sat/23, 8pm; Sun/24, 3pm. Word for Word mounts two related short stories from the titular collection by Siobhan Fallon about the home-front impact of warfare on the families of an American army base. In The Last Stand, an injured soldier (Chad Deverman) returns home to his young wife (Roselyn Hallett) to find she has decided to leave him. In Gold Star, a wife (Arwen Anderson) learns of her soldier husband’s (Ryan Tasker) death — the officer who died saving the life of the young soldier in the first story. Reeling from grief, she innocently hangs on the words of the young soldier (Deverman) as he comes to visit her. Beautifully designed — with shrewd use of Z Space’s large, potentially engulfing stage by Jacqueline Scott (set), Drew Yerys (lighting, sound), Delia McDougall (costume, props), and Andrea Weber (choreography) — directors Joel Mullennix (Last Stand) and Amy Kossow (Gold Star) show an imaginative command of the material that has made the company’s trademark verbatim staging of literature a viable theatrical undertaking in its own right, with much to admire and ponder in the juxtaposition of words, blocking, characterization, and imagery. Moreover, the ensemble (rounded out by Marilet Martinez and Armando McClain) is very strong, with standout turns from the mutually sympathetic but achingly at-odds characters played by Deverman and Hallett in the first half, and by Anderson’s shattered, erratic, yet highly attuned new widow in the second. As for the stories themselves, certain details of base life (such as the prime parking spaces eerily and crassly allotted widows of soldiers killed in combat) reveal the author’s firsthand knowledge as the wife of an active-duty soldier, adding a sense of authenticity to these intimate, heartfelt, and movingly told stories. Their essentially everyday tragedies, however, remain tightly focused on the subtleties of grief rather than any larger contextualizing of the immediate political and moral dimensions of the American imperial machine in which all characters ultimately serve. That leaves largely intact and unexamined the usual allusions to sacrifice, service, nationhood, duty, and traditional modes of male and female heroism in war, which is perhaps the most distressing thing about these otherwise quietly troubled stories. (Avila)

BAY AREA

The Fourth Messenger Ashby Stage, 1901 Ashby, Berk; www.thefourthmessenger.com. $23-40. Wed-Thu, 7pm (no show Wed/20); Fri-Sat, 8pm; Sun, 2pm. Through March 10. It’s been some time since a work by local playwright Tanya Shaffer last graced our stages, not since 2005 to be precise, and in keeping with her penchant for multicultural themes, her latest piece, The Fourth Messenger, is a reimagining of the Siddhartha story, written as a musical in collaboration with composer Vienna Teng. Raina (Anna Ishida), a "hungry" journalism intern with a secret agenda, pitches her first scoop — the debunking of a beatific guru named Mama Sid (Annemaria Rajala) — and embeds herself in a meditation retreat where she can get close to the famously private teacher and uncover her past. Neither as humorous or as merciless as Jesus Christ Superstar or as exuberant as Godspell (though the excellent song "Monkey Mind" crackles with wit and trenchant observation, and the tender "Human Experience" genuinely uplifts), Messenger does offer a fairly solid primer to the path of spiritual enlightenment including its all-too-human fallout and sacrifices. The white-on-wood set design by Joe Ragey frames the action in a deceptively delicate layer of gauze and mystery, and the capable ensemble inhabit their multiple roles with ease — from jaded newsies to loyal disciples. Which makes it doubly unfortunate that the jazzy, piano-driven score seems pitched just outside of most of the actor’s ranges, even those of the notably skilled Ishida and Rajala, an admitted distraction for the monkey-minded, which is to say most of us. (Gluckstern)

Our Practical Heaven Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue and Sun, 7pm (also Sun, 2pm); Wed-Sat, 8pm. Through March 3. Anthony Clarvoe’s new play receives its world premiere as a 2011 prizewinner in Aurora’s Global Age Project (GAP), which cultivates new work addressing life in the 21st century. In the case of this labored and dull effort, the young century and its anxious outlook come refracted through three generations of women who gather for holidays at a seaside home whose own future is threatened by, first, financial and, ultimately, climatic conditions. Neurotic, self-absorbed Sasha (Anne Darragh) and capable businesswoman Willa (Julia Brothers) are middle-aged best friends forever who grew up in the home of Sasha’s mother (Joy Carlin) and late father. Joining Sasha’s two daughters by separate husbands, Suze (Blythe Foster) and Leez (Adrienne Walters), is Willa’s daughter, Magz (Lauren Spencer), who suffers from a debilitating disease. Despite many personal and generational differences — and a rising conflict over the house — all six women share in a traditional bout of bird watching in this fragile nature "refuge" for bird and human alike. While bird watching supplies the play’s operative metaphors, however, it does little to actually bring these characters together in any compelling or convincing way. In fact, respective backstories are pretty sketchy in general, dialogue strained and broadcasting, and performances correspondingly patchy. The three stage veterans in director Allen McKelvey’s cast — Brothers, Carlin, and Darragh — go furthest toward making Clarvoe’s leaden exposition somewhat buoyant, but the momentary pleasure they provide can’t stem the overall tide. (Avila)

PERFORMANCE/DANCE

"Analog: New Work by Katharine Hawthorne" Joe Goode Annex, 401 Alabama, SF; analogdance.eventbrite.com. Fri/22-Sat/23, 8pm. $15-25. A full evening of choreography inspired by the intersection of art and science.

BATS Improv Bayfront Theater, Fort Mason Center, Marina at Laguna, SF; www.improv.org. Sat/23, 8pm. $20. The company performs "Warp Speed: An Improvised Trek!"

"Comedy Night at the Presidio" Presidio Café and Golf Course, 300 Finley, SF; www.presidiocafe.com. Thu/21, 8pm. $10. With Will Durst, Andrew Holmgren, and host Justin Gomes.

"Dance and Diaspora" ODC Theater, 3153 17th St, SF; www.odctheater.org. Fri/22-Sat/23, 8pm. $25-30. Featuring the work of belly dance artist Jill Parker and Afro-Brazilian choreographer Tania Santiago.

"Fabulous Artistic Guys Get Overtly Traumatized Sometimes: The Musical!" CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu/21-Sun/24, 8pm. $20-25. DavEnd’s performance extravaganza promises "singing pink cakes, dancing mirrors, and couture genitalia."

"Killing Me Softly With Jazz Hands" Stage Werx Theatre, 446 Valencia, SF; (415) 517-3581. Wed/20, 8pm. $10. Comedian Becky Pedigo performs.

"Megillah 3.0" Intersection for the Arts, 925 Mission, SF; www.killingmylobster.com. Sat/23, 7pm, $20. Killing My Lobster launches its online collection of original videos, music, and performance with a Purim carnival, featuring live sketch shows, KML comedy videos, and more.

"Our Voices, Our Stories Play Reading Festival" San Francisco Playhouse, 450 Post, SF; www.sfplayhouse.org. Mon/25, 7:30pm. Free. Readings of in-development works Without and Opportunity for Defense and Obeah.

"San Francisco Magic Parlor" Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

"Smack Dab" Magnet, 4122 18th St, SF; www.magnetsf.org. Wed/20, 8pm. Free. Open mic featuring Randy Alford.

"Solo Sundays: Family Blend, the Sweet and the Bitter" Stage Werx Theatre, 433 Valencia, SF; www.brownpapertickets.com. Sun/24, 7pm. $12. With Susan Ito, Lisa Marie Rollins, and Zahra Noorbakhsh.

Tanya Bello’s Project. B. and Karen Reedy Dance ODC Dance Commons, 351 Shotwell, SF; www.odcdance.org. Sat/23, 8pm; Sun/24, 7pm. $22. Featuring the world premiere of Bello’s Games We Play(ed).

BAY AREA

"One-Off Wednesdays (or sometimes Two-Off)" Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. Wed/20, 8pm. $15-50. This week: Wayne Harris in The Letter: Martin Luther King at the Crossroads.

Music Listings

Andrew Lam
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0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 20

ROCK/BLUES/HIP-HOP

Apopka Darkroom. Bleached Palms Hemlock Tavern. 8:30pm, $6.

Guido vs Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Jesus and the Rabbies, Cello and the Beggers Who Give Boom Boom Room. 8pm, $10.

Keith Crossan Blues Showcase with Tom Lindsay Biscuits and Blues. 8pm, $15.

Leftover Salmon Great American Music Hall. 9pm, $29-$34.

Terry Savastano Johnny Foley’s. 9pm, free.

Shannon and the Clams, Mallard, Blasted Canyons, Swiftumz Brick and Mortar Music Hall. 9pm, $10-$100. Benefit for 23 Street/Capp fire victim Ursula Rodiriguez.

Sir Richard Bishop Independent. 8pm, $15.

Spell, Rosa Grande, Future Space and Time Elbo Room. 9pm, $6.

Spooky Flowers, Standard Poodle, Big Long Now Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Daniel Seidel Plough and Stars. 9pm.

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

THURSDAY 21

ROCK/BLUES/HIP-HOP

Meg Baird, Daniel Bachman, Luke Sweeney Hemlock Tavern. 8:30pm, $7.

Steve Bernstein/Sex Mob, Deep Space Quartet, Klaxon Mutant Allstars Brick and Mortar Music Hall. 9pm, $10-$13.

Coheed and Cambria, Between the Buried and Me, Russian Circles Warfield. 8pm, $32.

Robert DeLong, Neighbourhood Rickshaw Stop. 9:30pm, $13-$15.

Doro, Sister Sin, Bottom Thee Parkside. 9pm, $16.

John Lawton Trio Johnny Foley’s. 9pm, free.

Kid Ink, DJ Jack DNA Lounge. 8pm, $20

Lisa Loeb, Satellite Independent. 7:30pm, $25.

Night Marchers, Intelligence, Mrs. Magician Cafe Du Nord. 8:30pm, $12.50-$15.

Pansy Division El Rio. 8:30pm.

Papa Bear’s Birthday Bonanza with Baby Bear, Easy Love, Mowgli’s, Whiskerman, Sufis Great American Music Hall. 8:30pm, $14.

JC Rockit vs Guido Johnny Foley’s Dueling Pianos. 9pm, free.

Salvador Santana, Scribe Project Slim’s. 8pm, $16.

Chris Slebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

“Stevie Ray Vaughan Tribute” Biscuits and Blues. 8 and 10pm, $20. With Alan Iglesias and Crossfire.

Our Vinyl Vows, Pounders, Dangermaker Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Gustaf Sjokvist Chamber Choir Grace Cathedral, 1100 California, SF; www.cityboxoffice.com. 7:30pm, $15-$50.

Gayle Lynn and Her Hired Hands Atlas Cafe, 3049 20th, SF; www.atlascafe.net. 8pm, free.

Tipsy House Plough and Stars. 9pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. DJs-hosts Pleasuremaker and Senor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more.

Twista, King Most, Ant-1 1015 Folsom, SF; www.1015folsom.com. 9pm, free with RSVP.

FRIDAY 22

ROCK/BLUES/HIP-HOP

ALO, Diego’s Umbrella Fillmore. 9pm, $22.50.

Dave Alvin and the Guilty Ones, Marshall Crenshaw Great American Music Hall. 8pm, $22.

Back Pages Johnny Foley’s. 9pm, free.

Big Sandy and His Fly-Rite Boys Elbo Room. 9pm, $18.

Jules Broussard Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Con Brio, Justin Ancheta Band Independent. 9pm, $18.

Funk Revival Orchestra Boom Boom Room. 8pm, $15.

Indians, Night Beds, Cat Martino Brick and Mortar Music Hall. 9pm, $12.

Limousines, Doe Eye DNA Lounge. 9pm, $20.

Midtown Social, Sufis Cafe Du Nord. 9:30pm, $10.

Sellassie and Rakim 1015 Folsom, SF. 9pm, $20.

Seshen, Guy Fox, Ash Reiter Rickshaw Stop. 9pm, $10.

Somebody’s Darling, David Luning, Elliot Randall, Andrew Blair Thee Parkside. 9pm, $8.

“Stevie Ray Vaughan Tribute” Biscuits and Blues. 8 and 10pm, $20. With Alan Iglesias and Crossfire.

Tambo Rays, Sunbeam Rd., Thralls Hemlock Tavern. 9:30pm, $7.

Wallpaper, Con Bro Chill, Jhameel Slim’s. 9pm, $16-$18.

Greg Zema, Jeff V., Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10. Live music, gypsy punk, belly dancing.

Get Offa My Lawn Plough and Stars. 9pm.

Inspector Gadje, Gomorran Social Aid and Pleasure Club, La Dee Da Bottom of the Hill. 9pm, $15.

“One Great City: Alexandra Iranfar and Timothy Sherren” Unitarian Universalist Society of SF Chapel, 1187 Franklin, SF; www.tangentsguitarseries.com. 7:30pm, $10-$15.

Trio Troubadour Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 7pm, free.

DANCE CLUBS

DJ Sneak, Doc Martin, James What Public Works. 9:30pm, $20.

Hegemoney presents Lil Texas, B. Bravo, Swerve, Trill Team 6, Pyramids/Ka$hmir F8, 1192 Folsom, SF. 9pm, $5-$10.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

SATURDAY 23

ROCK/BLUES/HIP-HOP

ALO, California Honeydrops Fillmore. 9pm, $22.50.

Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

Burn River Burn, Disastroid, Fortress Thee Parkside. 9pm, $8.

Foxtail Somersault, Tomihira, Astral, United Ghosts Bottom of the Hill. 9pm, $10.

Fusion Johnny Foley’s. 9pm, free.

Hammond Organ Soul Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Middle Class Murder, Imperial Pints Thee Parkside. 3pm, free.

Permanent Collection, Cobalt Cranes, Legs Hemlock Tavern. 9:30pm, $7.

Phenomenauts, La Plebe, Dirty Hand Family Band, Bruises Slim’s. 9pm, $15.

Radical Something Brick and Mortar Music Hall. 6:30pm, $12-$30.

Rangda, Blues Control Chapel, 777 Valencia, SF; www.chapelsf.com. 9pm, $18-$22.

Revivalists, Great White Buffalo, Solwave Independent. 9pm, $14.

Spindrift, Gram Rabbit, Matthew Tow, Pow! Brick and Mortar Music Hall. 10pm, $10-$12.

Tracorum and Sean Leahy Boom Boom Room. 9pm, $10.

Jeff V., Jason Marion, Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

Tyrone Wells, Graham Colton, Brett Young Great American Music Hall. 8pm, $18.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

FOLK/WORLD/COUNTRY

Culann’s Hounds Plough and Stars. 9pm.

Sex With No Hands Connecticut Yankee. 10pm, $5.

DANCE CLUBS

Bootie SF: Rihanna Mashup Night DNA Lounge. 9pm, $10-$15. With A Plus D, Smash-Up Derby, and more.

120 Minutes Elbo Room. 10pm, $10. With Venus X, resident DJs S4NtA MU3rTE and Chauncey CC.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Temptation Cat Club. 9:30pm. $5-$8. Indie, electro, new wave video dance party.

SUNDAY 24

ROCK/BLUES/HIP-HOP

Brickbat, Hank IV, Hot Lunch, Mitchell and Manley Bottom of the Hill. 3pm, $15. Benefit for Scott Jones.

Bex Marshall Biscuits and Blues. 7 and 9pm, $15.

David Crosby, Marty Balin and Friends, MC Country Joe McDonald Great American Music Hall. 8pm, $50. Benefit for Slick Aguilar.

Judgement Day, Satya Sena, Iron Mountain, Armed for Apocalypse Hemlock Tavern. 6pm, $8.

Spencer Moody, Corey Brewer Hemlock Tavern. 10:30pm, $7.

Morrissey Davies Symphony Hall, 201 Van Ness, SF. 8pm, $49.50-$89.50.

Grant-Lee Philips, Garrin Benfield Cafe Du Nord. 9pm, $20.

Residents Bimbo’s. 8pm, $35.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Swingin’ Utters, Inciters, Impalers Slim’s. 8pm, $16.

Velvet Acid Christ, Twilight Garden, Vile Augury DNA Lounge. 9pm, $14.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

Jack Gilder, Darcy Noonan Plough and Stars. 9pm.

Heel Draggers Amnesia. 8pm, $5-$10.

Twang Sunday Thee Parkside. 4pm, free. With Mad Mama and the Bonafide Few, Rocketship Rocketship.

DANCE CLUBS

Deep Fried Soul Dance Party Boom Boom Room. 8pm, free.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Vinnie Esparza, Jah Yzer.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

Scraps! DJ Night Chapel, 777 Valencia, SF; www.chapelsf.com. 8:30pm, free.

MONDAY 25

ROCK/BLUES/HIP-HOP

Roem Baur Osteria, 3277 Sacramento, SF; (415) 771-5030. 7pm, free with RSVP.

Down Dirty Shake, Mean Streets, Han Cholo, Broonies Elbo Room. 9pm.

Surfer Blood, Grand Rapids, Aaron Axelson Brick and Mortar Music Hall. 8pm, $10.53.

Touche, Starskate, Teenage Sweater Cafe Du Nord. 9pm, $7.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 26

ROCK/BLUES/HIP-HOP

Animal Friend, Turn Me on Dead, Treehouse Orchestra Bottom of the Hill. 9pm, $8.

Bobb Saggeth, Killbossa, SFO+H Amnesia. 9pm, $10.

Body/Head, Horsebladder, Burmese, Noel Von Harmonson Rickshaw Stop. 8pm, $15.

Butt Problems, Secret Secretaries, Sweat Lodge Knockout. 9:30pm, $6.

John Garcia Band Biscuits and Blues. 8 and 10pm, $15.

Jason Lytle of Grandaddy, Jenny-O, Will Sprott Brick and Mortar Music Hall. 8pm, $14.

Philistines, Nomad, Control-R Elbo Room. 9pm, $5.

Qumran Orphics, Eye of Satan Hemlock Tavern. 8:30pm, $6.

Soul Mechanix Boom Boom Room. 8pm, $5.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Stick to Your Guns, Vera Project, Saint Vernon, Murder DNA Lounge. 8pm, $15.

Used, We Came As Romans, Crown the Empire, Mindflow Fillmore. 7pm, $27.50.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 9:30pm, $5-$12.

Seisiun Plough and Stars. 9pm.

DANCE CLUBS

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

On the Cheap Listings

Andrew Lam
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WEDNESDAY 20

Red Hots Burlesque Show El Rio, 3158 Mission, SF. www.redhotsburlesque.com. 7:30, $5. Get ready for some hot bods, pasties, and outrageous costumes. Head over to El Rio beforehand to take advantage of its happy hour from 5-8pm with pints and wells for just three bucks.

THURSDAY 21

sfnoir Remixology Otis Lounge, 25 Maiden, SF. www.sfnoir.org. 6-9pm, free. Marking the start of sfnoir, a four-day culinary festival honoring black cuisine, some of the city’s top African-American mixologists have created an original cocktail menu starring fresh remixes of traditional favorites, as well as libations representing manifestations of the African diaspora all over the world.

There’s Nothing Beautiful Around Here book release SF Camerawork, 1011 Market, SF. www.owlandtiger.com. 6-9pm, free. Bay Area photographer Paccarik Orue likes to leave viewers with more questions than answers and his new photobook, There’s Nothing Beautiful Around Here does just that. The 48-page book spotlights the city of Richmond, California — not necessarily an area known for it’s beautiful scenery. Orue gives us a closer look at the city and proves that beauty can appear where you might least expect it.

“No Bones About It: The Diversity of Gelatinous Invertebrates in the Deep Sea” The Bone Room, 1573 Solano, Berkl. 7pm, free. www.boneroompresents.com. If you think the giant squids popping up in Monterey are awesome, wait until you find out what other crazy creatures call the Northern Coast home. Many of these species are so fragile they have only recently been observed, filmed, and collected. Tonight Dr. Steve Haddock of the Monterey Bay Aquarium Research Institute will discuss and introduce you to some of the strangest animals our sea has to offer.

FRIDAY 22

“Sugar Does San Francisco” Project One, 251 Rhode Island, SF. www.sugarartandfashionshow.com. 8pm-2am, $15. Purchase tickets online. A cultural smorgasbord showcasing some of San Francisco’s most creative ladies in music, fashion, photography, fine art, and graffiti art. An artist and photography showcase will begin at 8pm, followed by a fashion show featuring emerging and underground local fashion and accessory designers.

SATURDAY 23

Year of the Snake celebration Chinese Historical Society of America, 965 Clay, SF. www.chsa.org. 1pm, free. To celebrate its 50th anniversary the museum is offering free admission in February and holding special events this month and next. Getting the show started is James Beard-awarded Grace Young, author of Stir-Frying to the Sky’s Edges. Young will give a demonstration of her cookbook, impart some wok wisdom and share Chinese New Year culinary customs and superstitions.

San Francisco Crystal Fair Fort Mason Center, Bldg. A, SF. www.crystalfair.com. 10am-6pm, $6 for adults, free for children 12 and under. Crystals, jewels, and minerals, oh my! The 26th annual San Francisco Crystal Fair returns to add some sparkle to your weekend. In addition to the crystals, jewels, and minerals there will also be psychic readings, jewelry, and metaphysical healing tools from over 40 vendors.

Rubberband bookmaking Bayview Branch Library, 5075 Third St., SF. www.sfmcd.org. 12:30-2pm, free. Bookmaking doesn’t have to complicated. The Museum of Craft and Design wants to help you create a handmade book using only two materials — paper and colorful rubber bands. Use your new treasure as a journal, photo album, planner, or whatever you damn well please!

SUNDAY 24

“The World’s Funniest Bubble Show” The Marsh, 1062 Valencia, SF. www.themarsh.org. 11am, $8 for children under 12, $11 for adults. Blowing bubbles in the backyard is entertaining, but this is hour-long show nothing like that. Bubble artist Louis Pearl’s mix of comedy, artistry, and audience participation is captivating enough to keep both children and adults mesmerized. Expect to see square bubbles, bubbles inside bubbles, fog-filled bubbles, bubble volcanoes, and plenty of other bubbly shenanigans.

MONDAY 25

“Nerd Nite East Bay” The New Parkway Theatre, 474 24th St., Oakl. eastbay.nerdnite.com. 8pm, $8. Nerd out and pick up some trivia that is sure to pay off at your next pub quiz. Jessica Richman shares a bit about the microbial cells found in you that outnumber your own cells 10-to-one. Will Fischer will speak about modern manufacturing, and you’ll take a trip to Mars with Guy Pyrzak as he explains how we can take a 249 million miles road trip.

TUESDAY 26

“Snow Falling on Cedars” screening SF State University, Coppola Theatre, 1600 Holloway, SF. creativestate.sfsu.edu. 4:10-8pm, free. This 1999 Academy Award-nominated murder mystery flick “Snow Falling on Cedars” is set in the quiet community of San Piedro where a murder trial has severely disrupted the tranquil norm. Local reporter (Ethan Hawke) gets sucked into solving the case when he discovers his ex-lover was involved. After the screening will be a Q&A with one of the film’s executive editors and Hollywood veteran Lloyd A. Silverman.

 

Can we have cool new additions without gentrifying the Mission?

Sasha Cuttler
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Do livability and gentrification go hand-in-hand? In other words, as you improve a neighborhood like the Valencia Street corridor with bike lanes, wide sidewalks, parklets, and other improvements that are part of the so-called “livability agenda,” does that necessarily drive up rents and force out the working class?

That was a contention made to me recently by owner of nightclubs and small business advocate Michael O’Connor, who has been critical of the Valencia Street improvement project and other initiatives supported by the group Livable City and its Executive Director Tom Radulovich. And it’s part of a larger discussion about whether neighborhoods pay a price for their own success.

O’Connor says the toll taken by livability projects is just too high in the form of rising rents and lost diversity, which is why he’s focused on Oakland for his latest business ventures. Radulovich understands the concern, but he says that safety measures like pedestrian-friendly design and lighting improvements shouldn’t be avoided simply because they make a neighborhood more attractive, and that the answer is making sure social justice and equity remain part of these political conversations.

Frankly, as a resident of the Mission, I had to admit O’Connor’s point that the Valencia Street Improvement Project – in combination with condo conversions, the latest dot-com boom (those dreaded Google-busers), and other upward pressures on cost of living – had the the effect of sterilizing and gentrifying that once-vibrant corridor.

Now, those who want to open cool new businesses in the area have turned to Mission Street, where the commercial rents are still reasonable but also rising, and there are some people wringing their hands about that now too. It’s sort of an economic development domino theory in reverse.

The Mission Local blog last month ran a post that mentioned my friend Illy McMahan’s groovy new store on Mission near 20th Street: Carousel SF, a consignment store featuring the stylishly re-purposed furniture, golden flea market finds, and the works of local artists (many from the Burning Man world, where McMahan met her business partner Kelley Wehman among the indie circus freaks of the Red Nose District).

The article presented that and other more upscale new Mission Street businesses – including Hi-Lo BBQ and Mission Oyster Bar – as spilling over from their “saturation” of Valencia Street, and some comments denigrated the “yuppie real estate developers” behind the trend and said, “Will the last Latino left in the Mission please turn off the lights on the way out.”

I understand the sentiment, but I’m still troubled by it in the same way that I am with O’Connor’s belief that livability improvements should be abandoned because they can gentrify an area. As I’ve argued before, it’s up to San Francisco’s political class to find a way to maintain the city’s affordability and diversity and balance that against its relentless economic development promotion.

After all, McMahan is a single mother of modest means, and the fact that she has an opportunity to start a business based on her sense of style and network of contacts with artists should be a good thing for San Francisco. She and Weham went through The Women’s Initiative training program to learn about operating a small business, getting a loan to open through its Working Solutions affiliate.

“Since 1988, Women’s Initiative has been assisting high-potential low-income women who dream of business ownership,” reads a description on its website, noting that 99 percent of participants are low-income women and 78 percent are women of color. Combine that with McMahan and Wehman’s artistic roots in the Burning Man world — and the need for artists to have outlets to sell their works here — and it’s hard to imagine a business that is more quintessentially San Francisco than this one.

“This store represents our take on aesthetics and our mutual love for all things previous and peculiar. It also gives us the opportunity to showcase the incredibly talented artist communities we’re fortunate to be a part of, while keep the pricing at an affordable level throughout the store,” McMahan says in a press release announcing the recent opening of Carousel SF.

Will this cool new business attract other ones near it? I’m sure they hope so. Will that begin to cause Mission Street to go the way of that parallel universe a block away on Valencia, with rising rents and the calls for livability improvements that inevitably follow? I sure hope not. But our challenge now is to facilitate the dreams of low-income women who strive to be small business owners while ensuring that they can remain welcome and stable in the neighborhoods that they’re helping to improve.

Girl Scouts versus Scott Weiner versus Naked Sword: Here’s your week in sexy events

Andrew Lam
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Girl Scouts versus Scott Weiner versus Naked Sword: Here’s your week in sexy events

There are few things that San Franciscans love more than Thin Mints, and local Girl Scouts found out what those were on Sunday when a troop conviniently posted up in front of the deceased Diesel store at Castro and Market. The whippersnappers paid witness not only to another nude-y demonstration against the city’s new ban on public nudity, but also to said demonstration’s infiltration by dapper members (ahem) of local porn outfit Naked Sword [as Castro Biscuit reported.] They’re making a send-up of the nudity ban starring an ambitious politician, surname: Cox. Wink.

The flick will star Guardian cover boy Leo Forte, Dale Cooper as Cox, Christian Wilde as Officer Dick — who, we will note, was the only “cop” making arrests at the porn shoot-protest. Though there were six members of SFPD there by Castro Biscuit’s count and many exposed sets of genitalia, not a single arrest was made. If you’re going to have a nudity ban, might as well be a selectively-enforced one — all the better for climate-of-fear creating, amiright?

Adult Entertainment Virtual Convention 

Perhaps you were unable to attend the AVN porn awards in Vegas this year, or last weekend’s transgender version, the Tranny Awards in Los Angeles. How will you supplant the opportunities you forewent to rub elbows with your favorite adult stars in a vast, drafty hotel conference room? Might we recommend this peculiar, multi-day event hosted by porn critics Xbiz and sex-only Second Life-esque world Red Light Social Center. Now in its second year, you can prowl the halls of the convention avatar-like, taking in a Q&A with James Deen (Sat/23, 10am), daily industry networking hours, and expert panels on social media and branding for adult brands (Wed/27, 2pm) and online possibilities for sex work (Fri/22, 2pm).

Wed/20-Sat/23, free with online registration. www.adultvirtualconvention.com

Bawdy Storytelling: “One Night Stand” slam

It’s another edition of this XXX storytelling series’ amateur hour — not in a bad way! We’re just trying to say the field is open to all comers. Come at 7:30pm to sign up for a five-minute slot, all for you to lay bare your tale of one-off sexual shenanigans. The winner gets to compete in an upcoming championship round of some sort. Good luck, truth teller. 

Thu/21, 8pm, $10. Cafe Royale, 800 Post, SF. www.bawdystorytelling.com

Antique vibrator talk with Rachel Maines

Rachel Maines was actually researching a different kind of poke entirely when she came across the world of vibrator history — the scholar, who is currently a visiting scientist at Cornell University’s School of Electrical and Computer Engineering, first saw mention of old school vibes in antique needlepoint magazines. Her interest piqued, Maines embarked on a study of the vibrator’s origins in private homes and as a tool used by doctors to treat “hysteria” among the female population. Today, she gives a talk surrounded by Good Vibrations founder Jodi Blanks’ formidable collection of vibrators throughout history — and of course, alongside some modern-day versions you can buy for your newly-educated self. 

Fri/22, 6:30pm, free. Good Vibrations, 1620 Polk, SF. www.goodvibes.com

Sex Worker Outreach Project meeting

Current and former sex workers are invited over to talk justice at SWOP’s regular meeting of the minds. The national organization fights for social justice for sex workers, working particularly on anti-violence issues. SWOP was behind a failed bid to decriminalize prostitution in 2004, and every year leads the way with the International Day to End Violence Against Sex Workers — check it out. 

Feb. 28, 6pm, free. Harm Reduction Coalition, 1440 Broadway, Suite 510, Oakl. www.swopbay.org

“Hard Day at the Office: Sex Workers on the Job”

… Speaking of SWOP, if you didn’t make it to that meeting — or aren’t a current or former sex worker, but still want to support the group’s work — or just like lit, get over to this evening of spoken word performances about the world’s oldest profession. Contributing to the program: Apaulo Hart, Carol Queen, Chad Litz, Cho Whoreingsly Prancypants, Daphne Gottlieb, Jacques LeFemme, Janetta Johnson, Miss Lola Sunshine, and Shelley “Muffie” Mays. 

Sat/23, 8pm, $10-20 sliding scale. Center for Sex and Culture, 1349 Mission, SF. www.sexandculture.org

Next chapter: Adobe Books hopes to transition into co-op

Andrew Lam
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Adobe Books lives on… we hope. The Mission’s beloved 23-year-old bookshop – which reported it would be going out of business multiple times last year – now has plans to stay open as a collective.

Adobe owner Andrew McKinley first reported his shop would be closing in spring of 2012, and then again late summer. His reason: an excessive rent increase for his storefront, in a building at 16th and Valencia Streets. Unless someone was planning to swoop down to be the store’s financial superhero, the proposed rent was too high and McKinley was sure he could no longer afford to keep the shop afloat.

In January, Adobe announced it would hold a final farewell celebration honoring what McKinley has done for the neighborhood. But despite this so-called goodbye ceremony, the shop did not close. McKinley’s superheroes have at long last arrived, in the form of a co-op board.

http://vimeo.com/59473131

Jeff Ray, a longtime member of the Rainbow Grocery collective, is a main player in Adobe’s new phase. Ray became a Mission resident 15 years ago. He remembers Adobe as one of the first neighborhood spots he connected with. “They call it the living room of the Mission and it was kind of my living room for awhile,” he says. “I went to a lot of events and met a lot of people there.” 

Ray and fellow Adobe collective member Kyle Knobel say the first thing they are working out is a location. They are in the process of negotiating the costly rent that was McKinley’s stumbling block, but are also considering relocating to different space nearby if necessary.

The nine-or-so core members – who meet at Adobe on a weekly basis – are also sorting out what type of co-op suits them best. Ray mentions following the business model of Chicago–based co-op, Seminary Bookstore – who list Michelle and Barack Obama as members. With over 50,000 members, anyone can buy in when they purchase three $10 shares. Seminary Bookstore has shareholders all across the globe, a worldwide support system Ray would love for Adobe. 

Ray and Knobel say they envision incorporating additional elements to their new shop’s bookshelves to keep it profitable. The recession-friendly phrase “pop-up” is thrown around quite a bit. Ray says they plan to set up a small pop-up space with Inner Richmond retail shop and art gallery Park Life and has an idea for transforming bookcases into miniature pop-ups for local music labels and magazine companies, possibly selling original artwork, maybe even setting up an art subscription for interested customers. All of this will not be possible without a little help, which is why they have recently launched a fundraising IndieGoGo campaign.

Will the shop’s current beloved owner Andrew McKinley be sticking around? Ray says, “we wanted to make sure he was part [of the switch]. He has been present at every meeting and is hopefully going to stay on.”

On paper, these plans sound ideal – a dying bookshop rising from the ashes in a familiar, yet updated form. It will likely be a long process before the new collectively-run shop becomes a reality. But if we’ve learned anything about the seemingly invincible Adobe Books, it’s that it will manage to stick around, somehow.

 

Black Choreographers Festival takes flight

Andrew Lam
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This weekend, go watch some dance. Sam Love and I stopped by Dance Mission this week to check out a final rehearsal of a piece choreographed by Gregory Dawson and left feeling elated. Dawson has gathered a group of ridiculously limber and supremely talented dancers for refined, minimalist, yet achingly beautiful pieces that pulse with a strong, affirming spirit. His company is just one of several featured at the Black Choreographers Festival, a celebration of African American dance, art and culture. The piece we saw clearly stemmed from classical ballet roots, but also found inspiration in contemporary dance, creating a performance that displayed awe-inspiring athleticism (those extensions!) as well as thought-provoking drama, tension, and story. Go get your tickets already. It will be fabulous!

Black Choreographers Festival

Fri/15-Sun/17 and Feb. 22-24, various times, $15

Dance Mission Theater 

3316 24th St., SF 

www.bcfhereandnow.com

Love for women flows through the streets of San Francisco

Sasha Cuttler
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Love for women flows through the streets of San Francisco

Can you feel the love, San Francisco? Cuz it’s flowing through the streets right now, taking many forms on this unusually busy and politically active Valentine’s Day, with a strong theme of protecting the interests of women.

As I write these words, hundreds of SEIU Local 1021 members – many clad in Cupid-inspired costumes – are rallying outside the San Francisco Department of Human Resources office at 1 South Van Ness. They’re calling for the city not to slash the salaries of 43 different city job classifications that are disproportionately staffed by women and minorities (check my story in this week’s paper for details on that issue).

Meanwhile, over in Dolores Park, members of the Mission Rising collective are massing up amid live bands and other festivities and preparing to dance their way through way through the Mission this afternoon en route to join us with the One Billion Rising movement protesting violence against women and girls in all its many forms. Check the One Billion Rising website for live feeds from about 200 events around the world.

The biggest local manifestation of that global event will start at 4pm outside of City Hall, with speakers and a massive flash mob dance party at 5:30pm (as the Guardian’s Rebecca Bowe reported yesterday, the One Billion Rising event will even include a flash mob dance party within San Francisco County Jail, as well as an event at 3pm in Union Square focused on migrant women).

Or if you prefer your flash mob madness to be politics-free, there’s always the annual Valentine’s Day Pillow fight in Justin Herman Plaza at 5:30pm, which is always a feather-filled good time. However you choose to spend your day, do it with love.

From the counter: Shots from Reformation Foods’ pop-up dinner

Andrew Lam
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“This should be put in a frame and hung on the wall,” said our table mate Jo. The food really did look like pieces of fine art. Chef Keven Wilson has an eye for color. He said he even has a painting in his home that he made using spoons as the brushes. A true chef-artist! We were all gathered around a kitchen counter in a large Victorian in the Mission for a Sunday evening five-course tasting menu that used local, fresh ingredients.

Each course brought together a balance of wonderful textures (think crunchy hazelnut and soft pork belly, ending with smooth chocolate milk) and a wild variety of flavors (horseradish, sea urchin, even squab). Although there were other tables around the building, our kitchen counter was the best spot in house because that’s where all the action was happening. We had great foodie discussions with our two counter friends Jo and Colin, and as soon as a new dish arrived, we all whipped out our cameras to take a snapshot of the edible masterpiece placed before us. Portions were generous and very filling and chef Keven even wrapped up some of our leftovers so we could take them home. A few pieces of succulent squab came home wrapped in a tinfoil squab. Pretty adorable.

Be sure to check out more fun pop-up events with the Naked Kitchen in the coming months – they are bound to be scrumptious gatherings!

 

 

The end of Joe the Rat

Zelda Bronstein
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10
The end of Joe the Rat

I grew up in the Catholic Church, went to Transfiguration Carmelite School, got beaten with a ruler by the nuns, had a priest try to teach us sex ed, and was so turned off by it all that by high school I was a committed atheist. But I have always maintained a fascination with the Church, the Pope, the Roman Curia and the whole deeply secretive Vatican operation, which makes for some of the most amazing conspiracy theories in the world.

And now there’s a new one — why did Pope Benedict, Cardinal Ratzinger, the guy known by Catholics facing his Inquisitional wrath a Joe the Rat — do the unthinkable and quit?

Did you know that lightening hit the Vatican just hours after he made his announcement? Does that mean the God (s) on high are/were happy — or angry?

Is he fleeing a new child-abuse scandal? Is there something else we don’t know? Does it have something to do with the Prophecy of Bishop Malachy in 1140? Was it the Knights Templar?

Or is the guy really just too old and tired to live up to the fact that he’s been a failure as a leader of a church that is in serious decine in all but the developing world, where its current growth won’t last?

The Catholic Church is has for much of the past several hundred years been a creature of the Western, developed world — where even Catholics don’t take its teachings very seriously any more. Nobody in Europe or North America wants to be a priest in a religion where celibacy is mandatory, women are second-class citizens, and the theology you’re supposed to teach is so horribly retrograde that 90 percent of the parishoners think it’s perfectly fine to ignore it. The median age of Catholic priests in this part of the world is about 65; that’s really not a sustainable situation.

When I was growing up, Catholic families looked at Pope John XXIII as a revered figure who brought the Church into the modern age; people talked about the Second Vatican Council the way they talked about politics, which, of course, it was, and there was a feeling that the members of the Church — the ones, after all, who pay for the whole thing — might have something of a say in how it was run.

But as the rest of the world moved forward, the Church moved back. The child-abuse scandal was just the outcropping; the Church was run by a clueless bunch of old white guys who became more insular and more conservative as the people who attend their church became more progressive and more interconnected. Now most of the Catholics I know think the Pope is a doddering old fool who has no idea what the world is like. Hell, he’s attacking the nuns because they aren’t homophobic enough.

The Catholic Church remains popular in parts of the developing world, but that’s not going to last. Either the leaders of this religion are going to realize that their ancient dogma has nothing to do with the actual teachings of Jesus and everything to do with money and power (would Jesus really object to gay marriage? Really?) and start to change — or the next Pope will, indeed, oversee the decline of his mission.

Maybe Joe the Rat didn’t want it to happen on his watch.

 

 

 

 

Heat of the moment

Jesse Hawthorne Ficks
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Heat of the moment

arts@sfbg.com

FILM The late 1950s saw Japanese film production and attendance at all-time highs. Soon the expanding television market would steadily draw audiences away, but in the meantime the industry was robust enough to encourage the promotion of assistant directors and other next-generation talents influenced by the era’s various artistic avant-gardes to make their own features. This resulted in a flowering of bold new voices parallel to France’s New Wave and other radical filmmaking shifts around the globe. As elsewhere, ideas and influences from the underground began bubbling up to the mainstream surface.

Unlike other places, however, Japan had its own conglomerate means of importing, producing, and exhibiting (in a micro-chain of specially designated theaters) more experimental work in direct if modest competition with commercial product. That means would be the Art Theater Guild of Japan, which a group of cineastes, filmmakers, and critics launched in 1961; by spring of the next year they’d secured 10 venues across the nation to showcase the work ATG distributed and, eventually, created in-house.

Two concurrent local retrospectives highlight the Art Theater Guild’s important but (at least in the West) underseen contributions. The organization is tangentially related to the roster of experimental shorts (plus Michio Okabe’s mondo-like 1968 feature counterculture overview Crazy Love) in Yerba Buena Center for the Arts and San Francisco Cinematheque’s two-week “Fragments of Japanese Underground Cinema 1960-1974” series, which begins this week. But it’s central to the Pacific Film Archive’s already in-progress “Chronicles of Inferno: Japan’s Art Theater Guild,” continuing through month’s end.

Raised in a society whose rigid codes for behavior and loyalty enabled a remarkable post-World War II economic recovery, but which could also stifle individual expression, Japanese filmmakers emerging in the 1960s were if anything even more eager than young Americans and Europeans to tear apart inherited thematic, stylistic, and commercial conventions. Whether advocating for full-on revolution, critiquing the status quo, or playing with form, ATG’s productions pushed both medium and audiences out of the comfort zone.

That aim couldn’t have been more apparent in the company’s first original feature (co-produced with Nikkatsu Corp.), 1967’s A Man Vanishes by the celebrated Shohei Imamura (1963’s The Insect Woman, 1966’s The Pornographers, 1983’s The Ballad of Narayama). Ostensibly an investigative documentary about a salaryman who’s gone missing for two years, it’s a poker-faced prank that slowly grows more convoluted and bizarre until the film becomes a chronicle of its own unmaking, and an accusation directed at any notion of truth in cinema.

More traditional subjects are turned inside out in Masahiro Shinoda’s Double Suicide (1969) and Toshio Matsumoto’s Shura (1971). The former is drawn from a 300-year-old tragic romance written for bunraku (puppet) theater; mixing abstraction and naturalism, actors human and otherwise, it’s a jewel that questions artifice itself. In contrast to the prolific Shinoda, Matsumoto made very few features, most famously 1969’s pop art-camp extravaganza Funeral Parade of Roses, which transplants Oedipus Rex to the Tokyo gay underground with cross-dressing singer-actor “Peter” as its ruthless glamazon protagonist.

Shura (a.k.a. Demons) is as cramped as that film is extravagant. Turning its extreme physical and budgetary limitations into the stuff of claustrophobic nightmare à la Edgar G. Ulmer’s Detour (1945) or Roger Corman’s Teenage Doll (1957), it’s the tale of a samurai who gives everything up for love of a geisha — you know that’s a bad idea when early on she asks the question that needs no answer, “How dare you call me a vixen?” Once he realizes he’s been betrayed, all hell breaks loose in bursts of over-the-top violence that might be real or imaginary, given the film’s penchant for showing us successive alternate versions of the same scenes.

Arguably the series’ wildest stylistic leap is Shuji Terayama’s 1974 Pastoral: Hide and Seek, a bracing phantasmagorical chronicle of a very troubled mother-child relationship that reels from circus surrealism and mime makeup to porno sex and quiet lyricism. Perhaps its bitterest statement comes in the form of 1971’s The Ceremony from a pre-In the Realm of the Senses (1976) Nagisa Oshima. Rigorously formal in presentation (and taking place almost exclusively during public rituals), it traces the gradual soul crushing of a protagonist whose forced lifelong hewing to the model of a “pure and perfect Japanese” sacrifices any possibility of happiness. One of the ultimate “You think you hate your family?” horror films, it features multiple suicides and gruesomely joyless sexual interludes testifying to the suffocation of bourgeoisie conformity.

While its stature and role changed over time, ATG hung on through the mid 1980s, its final releases including such memorable ones as Yoshimitsu Morita’s anarchic social satire The Family Game (1983), an international hit. *

“CHRONICLES OF INFERNO: JAPAN’S ART THEATER GUILD”

Through Feb. 27

Pacific Film Archive

2575 Bancroft, Berk.

bampfa.berkeley.edu

“FRAGMENTS OF JAPANESE UNDERGROUND CINEMA 1960-1974”

Feb. 14-28

Yerba Buena Center for the Arts

701 Mission, SF

www.ybca.org

 

On the Rise: The Seshen

Jesse Hawthorne Ficks
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0
On the Rise: The Seshen

If Erykah Badu, Little Dragon, and Beach House, met-cute and made jazzy, passionate pop music together, the resulting mix might sound something like a song by the Seshen (as those are its main influences). The seven-piece Oakland band is known for its blend of sounds and regions, with robust musicianship by bassist Aki Ehara, drummer Chris Thalmann, percussionist Mirza Kopelman, Kumar Butler on samples, and Mahesh Rao on keys, filled out by fierce vocalists Lalin St. Juste and Akasha Orr. Though mostly, at this point, it’s known for a little track called “Oblivion.”

The electronic pop song, off the band’s self-titled 2012 debut LP, employs the consistent Seshen method, a live rock band set-up with deeply soulful singing, cosmic hip-hop beats, and densely layered effects and samples.

Most recently, the Seshen remixed fellow On the Risers Trails and Ways’ “Border Crosser.” Next up, the band will drop “Turn,” the first single off its upcoming EP, due later this year.

Description of sound: Our sound utilizes electronic textures and layers that seek to blur the distinction between the abstract and the familiar while incorporating influences from a variety of genres.

http://www.youtube.com/watch?v=gOkubxzD4gY

What piece of music means a lot to you: There’s seven of us so there are many pieces of music that have moved us, some of which include: Mama’s Gun (Erykah Badu), Voodoo (D’Angelo), Pink Moon (Nick Drake) and the works of Radiohead, Stevie Wonder, James Blake, Bob Marley, and Broadcast, to name a few.

Favorite local eatery and dish: Too hard to narrow it down to one!! We love Souley Vegan in Oakland, Pancho Villa in the Mission, and Zachary’s Pizza (spinach and mushroom deep dish pizza).

Who would you most like to tour with: Little Dragon or Animal Collective would be amazing but more immediately it’d be fun to tour with some of the other Bay Area bands we love like Bells Atlas or DRMS.

The Seshen with Guy Fox, Ash Reiter. Feb. 22, 9pm, $10. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com, www.theseshen.com

On the Rise: Warm Soda

Jesse Hawthorne Ficks
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On the Rise: Warm Soda

The people were itching to be pumped for whatever Warm Soda was going to be. After producer-musician Matthew Melton’s beloved garage pop outfit Bare Wires dismantled ceremoniously early last year, he announced the name Warm Soda, and we collectively gripped our seats. Thankfully, there was no cause for disappointment.

This time around, Melton, who also co-runs studio-label Fuzz City, teamed up with bassist Chase Oren, guitarist Rob Good, and drummer Ian McBrayer. Similar to the band’s first single album cover (for the song “Reaction”) Warm Soda is like the sonic version of an early ’80s bombshell in skintight Gloria Vanderbilt jeans, sucking down a can of Coca-Cola through a straw, and hitting up the jukebox for early T-Rex, Cheap Trick, and glammy garage acts in that oeuvre. Or as Melton describes Warm Soda’s vision — “lo-fi glam garage pop.”

Sugary and syrupy, with fizzy pop hooks and pump-up drum hits, Warm Soda’s full-length debut, Someone For You, is out now on local Castle Face Records, and sweetly picks up where “Reaction” left off. Lucky we didn’t have to wait long for another Melton classic. As Castle Face describes it, “a lean, mean gang of masterful power pop tunes with just the right blend of studio sweetness, teenage angst, and gritty bubblegum. All killer, no filler.”

Description of sound: “Lo-Fi Glam Garage Pop.”

What you like most about the Bay Area music scene: There’s never a dull moment in the Bay Area — always something cool to check out. A brand new act will pop up as soon as you think you’re clued in on everything that’s happening.

What piece of music means a lot to you: Slade, Slade in Flame — “The Citizen Kane of Rock Musicals” — 1975 essential film (and album) about the perils of being in a traveling rock band. This hilarious movie is a must-see for anyone in a band, and the album Slade composed to “score” the film is a UK glitter rock classic.

Favorite local eatery and dish: Taqueria Cancun (19th and Mission), veggie burrito (no cheese, no sour cream) with extra green sauce!

Who would you most like to tour with: Part Time.

Warm Soda record release party with Bad Vibez, Cocktails. Feb. 23, 9pm. Night Light, 311 Broadway, Oakl. www.thenightlightoakland.com. www.warmsoda.org.

Warm Soda at Noise Pop with Free Energy, In the Valley Below, Miner. Feb. 28, 8pm, $14. Brick and Mortar Music Hall, 1710 Mission, SF. www.brickandmortarmusichall.com

Our Weekly Picks: February 13-19, 2013

Andrew Lam
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WEDNESDAY 13

Dirty Looks Road Show

How Do I Look? asks a seminal weighty tome addressing queer film and video theory from 1991. “Dirty!” I always wanted to shout back to my dusty bookshelf when it caught my eye. Well, hey — 22 years later along comes NYC’s Dirty Looks collective, which showcases queer experimental film and video with startling freshness. The edgy gems on offer in its two-night visit to SF may have slipped through your Youtube crack. Thu/14’s “Yesterday Once More” at SFMOMA, www.sfmoma.org, gives you contemporary coolness from Matt Wolf, Zachary Drucker, Mariah Garnett, and Chris E. Vargas. Then check out Fri/15’s “Pickle Surprise! The Eyes of Tom Rubnitz” at Artists Television Access, www.atasite.org, which has me jumping for joy — this ’80s underground clubkid, filmmaker, and musician caught the spirit of one of our civilizations most vividly glorious times before he died of AIDS. Legendary drag queens and trashy foodstuffs galore! (Marke B.)

“Yesterday Once More”: Thu/14, 7-9pm, $10

Phyllis Watts Theater, SF MOMA

151 Third St., SF

“Pickle Surprise”: Fri/15, 8pm, $6

992 Valencia, SF

www.dirtylooksnyc.org

 

Comedy! Comedy!

As the name subtlety implies, this event will showcase humor. Hosted by the sardonic upstart comic Cameron Vannini, this event, billed as a standup show for comics and by comics, will be the first ever comedic event at the nascent Chapel, signaling more standup shows in its future. Going up to bat tonight will be an all-local slate featuring Kevin O’Shea, Clare O’Kane, Jules Posner, Sean Keane, Brendan Lynch, and Kevin Camia. O’Shea, O’Kane, Posner, Keane, and Vannini will all be coming fresh off recent gigs at Sketchfest. The blunt and jabbing Camia, whose record Kindness was voted among the top 10 best comedy albums on iTunes in 2010, is a stalwart of the local scene and recently has been rumored to be making “the move” down to LA. A night like this should be the perfect respite for those still pining for Sketchfest. (George McIntire)

9pm, $15

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

Stone Foxes

Remember rock’n’roll? You know, that dynamic and gritty music before the age of synthesizers? The Stone Foxes show at the New Parish might jog your memory. Launching into experimentation from strong roots in blues, the band plays a range from the catchy interpretation of Edgar Allen Poe’s gothic, “The Tell-Tale Heart,” (“Everybody Knows”) to the elegy in minor, “Battles, Blades and Bones,” which repeats, “We need someone to sing/’Cause we’ve turned everything/To battles, blades, and bones.” In their third album, Little Fires (which came out Feb. 12), collaboration with Girls’ producer Doug Boehm proves that polish doesn’t mean sterility, that good production doesn’t mean overproduction, and that good old rock’n’roll lives on. (Laura Kerry)

With Mahgeetah, Black Cobra Vipers

9pm, free

New Parish

579 18th St., Oakl.

(510) 444-7474

www.thenewparish.com


THURSDAY 14

“The Algorithm of Love”

Sam Yagan might be as qualified as anyone to decipher the formula for love. Yagan and his three Harvard classmates founded the online dating site OKCupid as a spin off from the Spark Notes study guides they created at the turn of the millennium. Since then, Internet matchmaking has become a booming business, and Yagan and Co. capitalized in 2011 by selling OKCupid to rival Match.com. Yagan, now Match.com’s CEO, uses data from 8 million users to quantify the unquantifiable, to dissect what exactly goes into fuzzy feelings and unexplainable attractions. Bay Area matchmaker Joy Nordenstrom and SFGate blogger Beth Spotswood will be on hand to help translate the love equation. (Kevin Lee)

6:30pm, $7–$20

Commonwealth Club

595 Market, SF

www.commonwealthclub.org

 

The Wooster Group/New York City Players: Early Plays

However it pans out as a performance, this has to be one of the theatrical events of the year: A rare Bay Area appearance by the famed Wooster Group in collaboration with another NY-based contemporary experimental theater company of renown, Richard Maxwell’s New York City Players. Maxwell directs members of both companies in a trio of “Early Plays” by Eugene O’Neill —three one-acts also known as the Glencairn plays, after the ship on which work the men of Moon of the Caribbees, Bound East for Cardiff, and The Long Voyage Home. Each unfolds in the director’s emblematic affectless style, which seeks out the unfamiliar beneath layers of received theatricality and, in the case of these young yet also experimental plays, lingering melodrama. (Robert Avila)

Through Sat/16, 8pm, $20–$30 ($10 Thu/14)

Yerba Buena Center for the Arts

750 Folsom, SF

(415) 978-2787

www.ybca.org

 

Feed Me with Teeth

Britain’s Jon Gooch has many alter egos. He’s a producer and a DJ, he’s Spor and he’s Feed Me. No matter what the role or the moniker, however, Gooch remains constant and consistent in his creation of unrelentingly catchy electro and yes, dubstep. Teeth, Gooch’s newest creation, is the element that pushes Feed Me’s act over the line from just another EDM act and into the realm of a truly spectacular performance that’s going to keep you talking about it for quite a while. The Teeth are comprised of 20 jagged LED screens that create a huge, crooked grin that flashes and pulses in sync with Feed Me’s expert mixing. Dancing shoes required, party provided. (Haley Zaremba)

With Mord Fustang

9pm, $38

Regency Ballroom

1300 Van Ness, SF

www.theregencyballroom.com

 

Body Cartography: Symptom

Last time Olive Bieringa and Otto Ramstad’s Body Cartography Project performed locally downtown, it was difficult to tell the dancers apart from the mingling pedestrians. Shortly after that the company left its home turf of SF for greener pastures, Minneapolis, as it turned out. From there Body Cartography has taken its expanded investigations of physicality — both geographically and the mediums within which it works — around the globe. For its return engagement as part of CounterPULSE’s Queer Series (running through March), Body Cartography is bringing a relatively small group, Ramstad with sibling Emmett. One is a dancer, the other a visual artist. They look very much alike; they are even dressed alike. They have called what they do Symptom, a work they say is “sculpture, drawing, movement and text.” (Rita Felciano)

8pm, $20-30

Also Feb. 15-17

CounterPULSE

1310 Mission, SF

(877) 297-6805

www.counterpulse.org


FRIDAY 15

“Engulfing the Elusory”

Here are some of the themes that the sculptures of Rachel Mica Weiss undertake: human vulnerability, large-scale disasters, self-inflicted limitations. Does an image come to mind? I’m guessing that it does not resemble Weiss’s black net installations. But when you see the twisted rope, the rough stones, and the tarnished wood that comprise Weiss’s previous work, idea and object click. The artist condenses so much conceptual work into physical pieces of inexplicable poignancy. Let’s throw a few more themes in: boundaries, environmental change, cultural constructs. All of it will be on view in the windows of the Arts Commission Gallery. (Kerry)

Through April 27

6pm, free

SF Arts Commission Gallery

401 Van Ness, SF

(415) 554-6080

sfartscommission.org/gallery

 

 

Every Time I Die

The metal life isn’t for everyone. Constant touring, an over-crowded industry, and headbang whiplash causes many bands to give up their brutal dream early into their career. Buffalo, NY’s Every Time I Die isn’t one of those bands. ETID has been churning out its distinctive Southern-tinged hardcore since 1998. Six studio albums, a billion bassists, and a tour with Steve-O later, the Buckley brothers are still going strong. Incredibly, their high-energy live show has shown no signs of fatigue in well over a decade, and their reputation for intensity continues to be well-earned. Come for the snarky lyrics and clever songwriting, stay for the circle pit. (Zaremba)

With the Acacia Strain, Vanna, Hundreth, No Bragging Rights

8pm, $17

Oakland Metro Operahouse

630 Third St, Oakl.

(510) 763-1146

www.oaklandmetro.org


“Hip-Hop Beyond Gender”

My first compact disc was Salt ‘N Pepa’s masterful ode to minding one’s business, safe sex, and superlative/godawful male companions, 1993’s Very Necessary. Imagine my confusion, then, upon my discovery that the rest of the hip-hop world was hardly as empowering for females as that power-sass had led me to believe. But hip-hop has always been a site of subversion, where societal rules are flipped, and so it makes perfect since that some day, its lovers would take back the form from the silly misogynists on the Billboard charts. So, yay: tonight, nu-world griots Aya De Leon, Raquel Gutierrez, Chinaka Hodge, Carrie Leilam Love, Dawn Robinson, and Kity Yan examine hip-hop’s queer-feminist revolutionary potential through spoken word. It’s the first of five La Peña events in 2013 focused on breaking down hip-hop’s gender barriers. (Caitlin Donohue)

8pm, $15–$18

La Peña Cultural Center

3105 Shattuck, Berk.

www.lapena.org

 

Ott and the All-Seeing I

If you’re into dub, electronic, Middle Eastern, and psychedelic sounds, you must meet Ott. Ott — a veteran electronic British musician-producer who has worked with big names like Sinéad O’Connor, Brian Eno, and Simon Posford (Shpongle) — makes rich, ambient, trancey electronic dub jams under the moniker Ott and the All-Seeing I. “Owl Stretching Time,” one of the band’s signature tracks, could just as easily be the anthem to a Jamaican surf trip as the soundtrack to a night out in Berlin. Ott handles electronics alongside Naked Nick (guitars, synths, percussion), bassist Chris Barker, and drummer Matt White. (Mia Sullivan)

With KiloWatts, Desert Dwellers, Outersect

10pm, $15

1015 Folsom, SF

(415) 264-1015

www.1015folsom.com


MONDAY 18

Buke and Gase

Before we begin, let’s establish a few definitions. Buke: an altered six-string baritone banjo. Gase: a blend of a guitar and bass. Surely, a band that carries its own invented glossary approaches music differently. Arone Dyer and Aron Sanchez, the duo that with its homemade instruments manages to sound more like an offbeat orchestra, alters language, genre, and the overall assumptions of the listener. The driving cacophony in the recently released General Dome shouldn’t make sense. Somehow, though, with Dyer’s expressive singing, the building repetition of sounds, and the band’s confidence in its own inventiveness, it all comes together. See Dyer and Sanchez create their own rules at Café Du Nord. (Kerry)

With Aleuchatistas, Yassou Benedict

9pm, $10

Cafe Du Nord

2170 Market, SF

(415) 861-5016 

www.cafedunord.com

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On the Cheap Listings

Andrew Lam
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0

Submit items for the listings at listings@sfbg.com. For further information on how to submit items for listings, see Picks.

WEDNESDAY 13

“Art, Money Politics: Making it as an Artist” Pro Arts, 150 Frank H. Ogawa Plaza, Oakl. www.proartsgallery.org. 6pm, free. Supporting yourself as an artist can be hard. Head over to this panel discussion and get some advice from digital artist Camille Utterback, multimedia artist and designer Favianna Rodriguez, and muralist Eduardo Pineda. They’ll share tips on how to make a living in a creative field, bring your hope, dreams, and of course, questions.

“Waypost: Unconventional Travel Stories” Stanza Coffee Bar, 3126 16th St., SF. www.meetup.com/traveltalks. 7-8:30pm, free. A blacked-out Vegas weekend can be a good time but if you’re looking to go somewhere that stimulates a… different side of your spirit on your next vacation you might find the inspiration you’ve been looking for at this series of storytellers reflecting on the meaningful swirls of journeys they’ve taken. If you can’t make it to the event in person, no sweat — you can still participate via Google Hangout.

THURSDAY 14

One Billion Rising performance ritual Presbyterian Church, 2619 Broadway, Oakl. www.bayarearising.org. 7-8:30pm, $10-100 donation suggested. Free for youth under 17. Dedicate your Valentine’s Day to a good cause this year at this fundraiser for International Development Exchange (IDEX), an organization working to empower impoverished women across the globe. The evening will be a mix of spirituality, politics, and performances (flash mob, anyone?) from local groups such as Youth Speaks and Mission Dance Brigade.

Dogpatch Wine Works date night Dogpatch Wine Works, 2455 Third St., SF. www.dogpatchwineworks.com. 6-8pm, $40. Few things spell out romance quite like wine and chocolate. Stroll around Dogpatch Wine Works’ tasting room sipping on some vino and snacking on locally-crafted Recchiuti chocolate. After your palette is satisfied you can tour the 15,000-square foot working winery.

“Returning Cupid’s Fire” Cartoon Art Museum, 655 Mission, SF. www.cartoonart.org. 7-9pm, $10. Valentine-less and planning on having a night in with Ben and Jerry? Change of plans. San Francisco comedians Ivan Hernandez, Colleen Watson, and Mike Capozzola feel your pain and will be performing anti-Valentine’s Day themed stand-up routines tonight. Refreshments will be served.

Tout Sweet Pâtisserie tasting Tout Sweet Pâtisserie in Macy’s Union Square, 170 O’Farrell, third floor, SF. (415) 385-1679, www.toutsweetsf.com. 7-8:30pm, $55 per person. Reservations recommended. Yigit Pura, chef and owner of this sweet shop, is celebrating V-Day with a three-course dessert menu featuring a rotating selection of seasonal offerings, each paired with local artisanal wine and beer. If you already have some sweet Valentine’s Day plans don’t fret, Pura has more tastings scheduled for March 14 and April 11.

Hella Vegan Eats V-Day pop-up dinner Dear Mom, 2700 16th St., SF. www.dearmomsf.com. 5pm-midnight, free. The Oakland–based traveling food vendor will be in the city to once again take over Mission bar Dear Mom. We are hoping their doughnut burger with secret sauce will be on tonight’s menu <3 <3

Valentine’s Day at the Armory The Armory, 1800 Mission, SF. tickets.armorystudios.com. 7:30 and 9:30, $55. Start the evening off on the upper floor of the Kink.com porn palace, then head to a workshop led by porn starlet Rain DeGrey that focuses on teaching couples how to make fantasies reality. Afterward, enjoy specialty cocktails and aphrodisiac-themed appetizers at the luxe Armory Club across the street.

FRIDAY 15

SFIndieFest Roller Disco Party Women’s Building, 3543 18th St., SF. www.sfindie.com. 8pm-midnight, $10. Grab your striped socks and short-shorts because the ’70s are back tonight at this fundraiser for film festival organization SF IndieFest. If your skating skills are rusty, don’t sweat. Prizes will be awarded for best costumes, not for slickest moves.

46th California International Antiquarian Book Fair Concourse Exhibition Center, 635 Eighth St., SF. www.sfbookfair.com. Through February 17. 3-8pm, $25 for a weekend pass, $15 for a Saturday and Sunday pass. The world’s largest rare book fair returns to San Francisco this weekend. You will find one-of-a-kind pieces such as sketches by John Lennon, the first edition of the Federalist Papers, and a Mark Twain autographed manuscript. Before you try to snatch up a John Lennon original, be warned — treasures as fine as these can cost you a pretty penny (up to $362,000 to be exact).

SATURDAY 16

“Opera on Tap” Café Royale, 800 Post, SF. www.caferoyale-sf.com. 8pm, free. Nonprofit organization Opera on Tap wants to prove that opera can be awesome — and not just for those who can afford the cushiony box seats. In Café Royale’s intimate and relaxed space, this group will bust out some popular and some more esoteric pieces for an all-new kind of operatic experience.

Family Lunar New Year Celebration San Francisco Botanical Garden, SF. www.sfbotanicalgarden.org. 9-11:30am, free. In celebration of the Year of the Snake and the abundance of magnolias blooming in the gardens, lion and folk dancers will be performing today. While watching the SF Sunset Recreation Center Dance Troupe bust some moves you can pot a plant or make lanterns using magnolia petals.

SUNDAY 17

Urban bicycling workshop San Francisco Jewish Community Center, 3200 California, SF. www.sfbike.org. 10am-2pm, free. RSVP required. The San Francisco Bike Collation wants you to bike and bike safe — which is why it offers a range of course on everything from urban cycling to how to bike safely with your family. Today’s topic: traffic 101. Beginners welcome, and participants don’t need to bring a bike (though one may be helpful after the class when it comes to putting your newfound knowledge into action.)

TUESDAY 19

Literary salon with Rosie Schaap and Robin Ekiss Tosca Café, 242 Columbus, SF. www.toscacafesf.com. 7-8pm, $5-10 donation suggested. In Rosie Schaap’s memoir Drinking with Men she shares her unending quest for the perfect local haunt, which took her everywhere from LA to Dublin to Manhattan. Robin Ekiss writes the “Drink” column for the NY Times, and is the founder of the Ladies Liquor Union, the first fully female intemperance league for ladies who love books and booze. If you too consider yourself a cocktail connoisseur with a literary edge, head over Tosca Café to hear what the two have to say at this Litquake event.

 

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