Mission

Beer Week rolls out the barrel

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With much fanfare, the San Francisco Brewers Guild annual SF Beer Week popped its cork at the Concourse last Friday night, and the Bay Area has been awash in a tsunami of beer ever since.

Unable to attend the grand gala opening celebration, I got the lowdown from beer-tasting buddy Cee Jay, who took a few for the team in his quest for the perfect snifter of suds and got him to wax eloquent on Sierra Nevada’s new line of barrel-aged beers (“The barrel-aged Bigfoot is the tastiest brew I’ve had in a long time,” he gushed) and weigh in on the collaboratively-brewed Brewers Guild malt liquor Green Death — a brew apparently inspired by one of my secret nostalgic faves Rainer ale, a dubious beverage I have fond albeit very fuzzy memories of. One this subject Cee Jay vacillated between calling it “well-balanced” yet possessed of a “split personality,” code words for “he don’t like it” (decide for yourself at the “Meet the Brewers” event at Speakeasy on February 13).

As I peruse the schedule for the week ahead, all I can say is “thank goodness beer week lasts 10 days”. Because otherwise I don’t know how I’d fit in all the beers that sound too good to pass up.

With over 400 events to choose from all over the Bay, you’d be hard pressed to avoid Beer Week altogether, which makes my strategy of sticking to bars I’d probably be going to anyway but coinciding it with a tap takeover of a brewery I’m keen to further my familiarity with, either sheer genius or maybe just laziness. San Diego night at the Sycamore on Monday was a perfect example of this welcome synchronicity of will to explore and comfortable location. Breweries represented included Ballast Point (whose Sculpin IPA is a big favorite) and Green Flash (whose Black Saison “Friendship Ale” was particularly tempting), and since the Sycamore is within literal stumbling distance of my home, the fact that it was a “school night” did not matter much. Incidentally Sycamore is also hosting a promising-sounding Dogfish Head night on the 12th, which will be a great opportunity to taste some special rarities.

Toronado, naturally, will host two of my real must-do’s, the Russian River ‘Tion night (Tues/12), where some 20 Russian River beers (though ironically NOT the highly-anticipated seasonal release, Pliny the Younger) will be served from 6pm onward, and the not-technically-Beer-Week-but-still-imperative 20th annual Barleywine Festival from the 16th-18th during which over 50 Barleywines will be available on draft. Incidentally, Toronado is also your best bet for scoring the aforementioned Pliny the Younger — just show up on your lunch break through the 25th, they’ll be serving limited supplies of the scarce stuff until they won’t.

Other Tap Takeovers that look promising to me are a couple at Kennedy’s Irish Pub and Curry House in North Beach (Heretic on Wed/13, and Ommegang on Fri/15), Triple Voodoo and Ninkasi at Rosamunde Sausage Grill also on Wed/13 and Fri/15 respectively, Danish Mikkeller at Oakland’s The Trappist on Thurs/14, and the “Band of Gypsies” takeover of Rosamunde’s Oakland outpost on Wed/13. The “gypsies” — eight nomadic local brewers including Lucky Hand and Bison Organic — have collaborated on a Belgian-style Quad (“Belgian Tramp”) brewed with candy sugar, Mission Figs, raisins, and dates which clocks in at a respectable 10.5% abv and sounds like dinner, dessert, and drinks all in one tasty combination.

And speaking of dinner with drinks, I haven’t even touched on all the foodie-worthy events lined up on the Beer Week calendar, but buzzed-about bets include beer-infused Dynamo Donut and Humphrey Slocombe confections, Butchers and Beers on Fri/15 featuring meats from 4505 paired with tasty brews from local “farm-to-bottle” darlings, Almanac Beer Company, Almanac’s special beer-pairing dinner at Central Kitchen on Wed/13, the already sold-out Sau and Brau fest at Drake’s Barrel House in San Leandro, and a Valentine’s Day, four-course, prix fixe dinner and beer pairing at La Trappe Café. Oh la la! In short, life’s short, and beer week is passing by more quickly than you might think. Catch it now while you still can, your liver will forgive you eventually. I promise.

SF Beer Week

Through February 17

Various locations

www.sfbeerweek.org

 

 

 

Baby-carrot steps

San Francisco is known for its discerning foodies and exotic culinary offerings, but not every neighborhood has access to nutritious, let alone gourmet, fare. Yet several programs have sprouted up recently to boost businesses that want to improve environmental practices or benefit their surrounding communities.

Carrotmob, an international organization that runs campaigns in San Francisco, encourages local consumers to make purchases at targeted businesses in order to help the establishments meet sustainability goals. “We refer to it as ‘sustainability,’ but that encompasses a broad range of issues,” explains Nisha Gulati, an organizer with the group. “A Carrotmob can range from anything from helping to reduce climate change, to carrying fair trade products.”

There is one day left for socially conscious diners to support Carrotmob’s campaign to benefit the Old Skool Café, a Bayview restaurant that employs at-risk youth. The 1940’s-style supper club, which held its grand opening last fall, is a nonprofit “designed to provide solid alternatives to a life of crime and poverty by providing jobs and a community of support,” according to the website. For every $25 dinner voucher purchased online via the “mob,” 15 percent will be dedicated to a college scholarship fund for its crew of young servers and cooks.

This past weekend, Carrotmob held a kickoff for its second San Francisco campaign to help Valencia artisan cheese vendor Mission Cheese apply for and maintain bike parking, and to install water-saving devices.

Gulati says Carrotmobbers have spent more than $1 million at 250 campaigns around the world since 2008, helping businesses achieve socially just or climate-friendly improvements. While the endeavor deserves points for creativity, we can’t help but bristle at Carrotmob’s tagline: “In a boycott, everyone loses. In a Carrotmob, everyone wins.” (Hello? Ever heard of the Anti-Apartheid Movement? The Coalition of Immokalee Workers’ boycott against Taco Bell? Those boycotts produced some winners, we think.)

Meanwhile, there’s a push underway to bring healthier food to the city’s Southeast sector. While Fresh & Easy Markets in the Bayview and other locations may or may not shut their doors (stay tuned), the Southeast Food Access Coalition (SEFA) has started partnering with Third Street corner stores to improve residents’ access to healthy food options. The coalition is a collaborative of residents, community based organizations and city agencies focused on public health and food access.

The phrase “food desert” is typically used to describe low-income areas where stretches of pavement are dotted with liquor stores peddling unhealthy products. While corner stores in upscale neighborhoods may have vats of fresh chilled salads for sale under curved glass cases, stores in food desert areas typically carry little more than high-sodium chips, sugary soft drinks and alcohol.  A SEFA survey found that 60 percent of Bayview residents do their grocery shopping outside the area, and 33 percent reported that there were produce items they wanted but couldn’t buy in the area. 

Lee’s Market and Ford’s Grocery are two corner stores participating in the program, which aims to transform businesses’ food product offerings to promote overall health in a neighborhood disproportionately impacted by diabetes and other kinds of disease. In exchange for stocking fresh foods, the stores receive access to retail technical assistance, promotion efforts by SEFA and other government incentives. Similar efforts are underway in the Tenderloin.

In late January, District 10 Sup. Malia Cohen joined representatives from SEFA and other community organizations for a store “reopening” to raise awareness about the healthier product offerings. “Within one week of stocking fresh produce, Lee’s Market sold out of its inventory,” Cohen’s aide Andrea Bruss told the Guardian via email, “demonstrating that there is a demand from these communities for fresh foods.”

This Saturday: Benefit for the 23rd/Capp Street fire victims

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The three alarm fire that damaged five homes and left over twenty people homeless just after Christmas last December has inspired an outpouring of kindness from the Mission District community, including this killer show at Brick and Mortar on Wed/20.

But if you can’t wait to chip in for a good cause (this fundraiser will benefit all those affected by the fire), grab a drink or three at Bender’s Saturday night. The drinks are cheap and DJ Burning Priest will be melting faces with his amazing all vinyl, all metal, record collection.

Saturday, February 9 at 10pm @ Bender’s, 806 S. Van Ness, SF | $5

Celebrate Black History Month with four days of sf|noir food and drink

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This month, you can observe Black History Month by attending a filmmaking discussion, a childrens dance class, by going to a lecture at USF — check out this and this event rundown for inspiration. And given how food-oriented we are as a region, it was only natural that eventually you’d be able to eat and drink while celebrating African American heritage, not to mention the black culinary geniuses that add to it here in the Bay. 

 

Sample wines poured by the Sterlings of Esterlina Vineyards (top) and bites made by Michele Wilson of Gussie’s Chicken & Waffles at sf|noir’s Feb. 23 gala

The organization that is sponsoring the four-day extravaganza was born one afternoon at North Beach Jazz Festival, the nine-day affair that Herve Ernest organized for eight years. He realized that the crowd in attendance was really, really white.

“There was an African American band on stage, but I could count on two hands the amount of black faces I saw,” he tells me in a phone interview. He realized that if African American culture was going to remain a presence in a city where black people were being rapidly displaced, concerted efforts would have to be made.

“That’s when the conceptual idea for what became sf|noir started happening,” Ernest continues. He started the organization, which sponsors read-ins, dance, and concerts, not only to get superlative cultural programming to black audiences, but also to “ensure the presentation of black arts and culture in San Francisco” — a city whose black population has dropped from 12 to less than three percent in the 19 years since Ernest first settled here. 

This year, his group is offering days of events that highlight some of the area’s most successful black food entrepreneurs. “It’s something that is very relevant here,” says Ernest. “It’s a foodie town, food events happen all the time. We thought it was high time to create a food and wine event that looks at African American cuisine.” 

So, belly up. Go here for more info: 

Remixology

Three mixologists — including Otis bartenders Phil Shell and Damon White — present cocktails found throughout the African diaspora. Entry is free, you have to pay for your own drinks though. 

Feb. 21, 6-9pm, free. Otis, 25 Maiden Lane, SF

Wine tasting with Omar White

After 15 years at Chez Panisse, believe that wine consultant White has some knowledge about local vinos. He’s lent his expertise to Pizzaolo and the East Bay’s Hibiscus and is here today to teach about the in’s and out’s of the wine tasting process. Register in advance for this one — participation is limited to 25 thirsty souls. 

Feb. 22, 6-9pm, $20. 18 Reasons, 3674 18th St., SF

http://www.youtube.com/watch?feature=player_embedded&v=U1eW77Pw4PQ

Wine and Food Gala

Food from nine restaurants well-versed in African American cuisine (Farmerbrown, Cedar Hill, and tomorrow’s brunch host Miss Ollie’s for starters), 20 local and international winemakers, and two dessert specialists — The Brown Sugar Lady and PieTisserie — are all serving up at this four-hour dinner party. 

Feb. 23, 7-11pm, $60. The Atrium, 101 Mission, SF

Oakland Jazz Brunch 

Hibiscus’ chef Sarah Minton has a new project in this Old Oakland corner restaurant. She’ll be offering up the place’s Carribean-toned menu for brunch today, while the Marcus Shelby Trio helps you finish the sf|noir series strong.

Feb. 24, 11am-3pm, free entrance, a la carte menu. Miss Ollie’s, 901 Washington, Oakl. 

City College forum questions new reforms as deadline looms

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More than 300 of City College of San Francisco’s students and faculty piled into a meeting hall at the school’s Mission campus last night, Feb.7, all waiting to hear the answer to one question: What can we do to save City College?

CCSF failed to meet a list of six requirements to improve the school that the Accrediting Commission of Community and Junior Colleges gave it to complete in 2006, notably in measuring student learning outcomes and in managing its finances. Failing to meet those deadlines, the ACCJC told City College last June that it had until March 15, 2013 to fix their school, or it would face losing its accreditation — which means the college would lose state funding, and the degrees it offered from that point on would be almost worthless.

Concerned for the future of their college, a coalition of students, faculty and community members started “Save CCSF,” the group that organized the teach-in at Mission campus.

Students occupied every chair, standing shoulder-to-shoulder in the back of the hall. The meeting was about education, the first speaker announced, meant to inform students about the crisis. How did CCSF come under threat of closure? Who is the accreditation body that posed the threat? The answers were complicated, and filled with accusations against the ACCJC, and the school’s own Board of Trustees.

We do accept there are deficiencies at City College,” student Inder Grewal, 20, said to the crowd. “But the administration is making change at a pace that is hurting faculty and students at our school.”

Notable speakers came out to show their support for the diverse students at City College. Wisconsin State Senator Spencer Coggs, one of the “Wisconsin 14” who fled the state to deny Governor Scott Walker quorum in the senate over his union-busting legislation, spoke in his support of City College’s labor force.

We believe in justice for workers rights, correct?” he said to the crowd, to cheers. “You in California supported us in Wisconsin, we in Wisconsin support you in California.”

State Assemblyman Tom Ammiano, who represents San Francisco, sent a representative to show his support for the Save CCSF coalition. “We have been working on this issue,” Kimberly Alvarenga, Ammiano’s district director, said to the coalition supporters. “Last week we had a meeting with Assemblymember Ting, labor, and a rep from the [California Community College] state chancellor’s office to get a conversation started. We’re in solidarity with you.”

Just today, Ting held a press conference to support City College. Notably, CCSF faculty union leader Alisa Messer, staff union head Athena Steff, and SF Labor Council head Tim Paulson spoke as well, perhaps signaling Ting’s support of labor at the college.

At the press conference, college spokesperson Larry Kamer acknowledged the disagreements within the college, and offered to find middle ground.

There’s a lot we don’t agree on,” he said. “But one thing we do agree on is we want City College to remain accredited, we want people to recognize the work that’s been done, we want them to appreciate what we still have to do. But the headline today is we want people to enroll.”

Above, video of the press conference courtesy of The Guardsman, the newspaper of City College of San Francisco

The makeup of the crowd of currently enrolled students at the coalition meeting last night was a good indicator of exactly who stands to lose in City College’s shakeup. Easily half the room was filled with Latino students of every age and stripe, and many of them answered that they were English as Second Language students worried about their future.

I was a dishwasher, a janitor, everything,” said a man who wanted to be identified only as Jose because he is an undocumented student. Jose emigrated from El Salvador 10 years ago, and decided to take ESL classes at City College so he could get a new lease on life. He hasn’t decided on his major yet, maybe natural sciences, creative writing, or social science. The world is open to him, he said, because of his ESL classes.

If I hadn’t taken classes at City College, I couldn’t be talking to you now.”

He and other students were there for answers, and the answers they got were alarming.

Changes for the worse

The Save CCSF coalition urged the hundreds of students and faculty in attendance to bring anyone they could to rally at City Hall on March 14 — the day before City College is set to deliver its “show cause report” to the ACCJC. The report is a detailed report of the progress the college has made to address the ACCJC’s requirements for change. You can read the draft here.

In order to meet the ACCJC’s requirements, the board of trustees and administration have been making stark changes to the college, ones that the people in the meeting that night said were harming students.

Who’s been to the Bayview district?” Shanell Williams, associated students president, asked the crowd. Easily 30 hands went up. “There was a van students were using to get to their campus without getting shot, that the college cut out of the budget. It’s about access.”

The college is cutting funds wherever it can, and the private bus that shuttled students across gang lines in the Bayview was only the first of many changes. The Save CCSF coalition also told the crowd that they were fighting to restore the jobs of the over 30 classified staff and 50 faculty that weren’t rehired for this school year — essentially let go.

Use the Proposition A funds as promised,” Tarik Farrar, chair of African American studies said. He was referring to the language in Prop. A that went before San Francisco voters last November saying the $14 million parcel tax would be used to stop faculty layoffs at City College. “It’s explicit, not vague. The interim chancellor and special trustee does not have the right to use the money as they choose.”

Protecting labor isn’t strictly about protecting teachers because ultimately, the loss of faculty shrinks class offerings and class sizes.

Farrar was especially concerned that the belt tightening at the school would shrink the population it sets out to serve, something the college has already put into writing, by rewriting its mission statement.

“If you turn CCSF into a school of 20,000 students it will not be accessible,” he said. “The students that will be hurt disproportionately by this school will be the students I teach, people who look like this room, mostly.”

It is important to note that City College is still open, and is still accredited. The school is currently under-enrolled to the tune of about 3,000 students. The loss of that many students could possibly result in the state withdrawing funds for the school to the tune of at least $5 million, according to school officials in public meetings.

For further reading on the City College crisis from the students themselves, check out the following:

Can City College students transfer to SF State if the college closes
?

25 percent of community colleges in California are under sanction

On the Om Front: In the name of love

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It’s February—feeling a little love in your heart? Srutih Asher Colbert’s been feeling the love all year long. She’s a Bay Area yoga teacher (and hairdresser) who raised $24,000 in one year through grassroots fundraising to fight sex trafficking in India, where she’ll be going next week to volunteer her time to the cause.

Om Front talked to her about how, and why, she undertook the challenge.

SFBG Wow. You raised $24,000 in one year. Tell us about the organization you raised the money for.

COLBERT Off The Mat and Into the World is a yoga-based organization [founded by internationally-acclaimed yoga teacher/activist Seane Corn]. It initiates different projects around the world to create sustainable change. The idea is that people take their yoga practice “off the mat and into the world” to become leaders in their community and use that leadership to make a difference. Every year, Off the Mat conducts something called the Seva Challenge, in which people everywhere are challenged to raise at least $20,000 for a particular cause. If you can raise the money, you are invited to go on a trip with Off the Mat to volunteer your time to that cause.

SFBG  What inspired you to do the 2012 Seva Challenge?

COLBERT  The cause this year is to stop sex trafficking in India. Sex trafficking is happening all over the world, but there are over 3 million girls in India alone that are being held prisoner and being raped on a daily basis. Some of them have been tricked by being promised a job in the factory and then they end up in a brothel. Some of them have been sold by their own parents. There are so many ways they can be coerced. I have two daughters and it hit close to home to think that my eight year old daughter could be trafficked for sex. I wanted to see if I could help stop that kind of action. I didn’t think I’d be able to raise $20,000 but I thought I would try!

SFBG  So, how did you do it?

COLBERT I reached out to everyone in my yoga community, students and teachers, and planned all of these events. I don’t know how I did it, but it all added up in the end. Some of the events I held were a benefit Kirtan [chanting event] with Ananda Rasa and Prajna Vieira at the Sivananda Yoga Center; a yoga-DJ-dance party at Equinox in Palo Alto, where I teach; and a Thanksgiving benefit class at Namaste Yoga in Oakland with Vickie Russell Bell. I sold Stop Slavery Now tee-shirts, and held a cocktail party and a silent auction. Also, [legendary kirtan singer] Krishna Das did an amazing fundraiser in NYC on the Bhajan Boat and he donated his whole portion to me for the cause. It was incredible.


Thanksgiving benefit class at Namaste Yoga in Oakland with Vickie Russell Bell

SFBG  What was the biggest fundraiser?

COLBERT  It was actually at my hair salon, Monica Foster Salon, in Palo Alto. I got everyone to work on a Monday when we’re usually closed, and they all donated their proceeds, over $4000 altogether, to Off the Mat.

SFBG  So you’re going to India then?

COLBERT Yes! I’ve never been to India and I am so thrilled that I get this opportunity. We leave on February 17 for 10 days in Kolkata. We’ll be working every day with the local charities that are partnered with Off the Mat to help rescue girls, and teach them trades like jewelry-making. We’ll also be helping to build a new room onto a dance-and-yoga therapy center that helps these girls transition back into society.

It’s an interesting time to be going to India to do this work. After the recent gang rape in India, there’s been an uprising of women banding together saying we’re not going to stand for this anymore. It feels really good that we can be part of that timing and affect some social change.

SFBG  Is your fundraising effort over?

COLBERT  Technically, yes, but people are still giving me cash and writing me checks! We’re asked to bring a donation bag over with us filled with first aid supplies, art supplies, and things to draw with, that we can give to the different charities—so I’ve been using the additional funds for that. Once that bag is full, I’ll give the remaining money to Off the Mat.


Colbert with yoga teacher Vickie Russell Bell (left) at Namaste Yoga

SFBG  What has this year of fundraising taught you?

COLBERT That I am not in control of anything. Every fundraiser, I would think it would go this way or that way—and it was never like that. I would think there would be 75 people there and in walked 12. Or I thought a person was going to give me $5 and he gave me $500. I had to learn to not try to control things, and to just be in the present moment with what is.

SFBG  You’re leaving on February 17. Nice timing for Valentine’s Day, eh?

COLBERT Yes, but every day should be Valentine’s Day! Every day we should all be giving each other as much love as we can, helping each other and holding each other up.

If you want to donate to Off the Mat or learn about the 2013 Seva Challenge, visit www.offthematintotheworld.org.

Karen Macklin is a writer and yoga teacher in San Francisco — her On the Om Front column appears biweekly here on SFBG.com.


It’s All About Love
Yoga and Spirituality Listings by Joanne Greenstein

Seven Month Chakra Awakening Intensive with Anodea Judith

Open your heart through the chakras. Award winning author and internationally renowned teacher Anodea Judith is coming to the Bay Area to lead a series of seven workshops on the seven chakras over seven months.  Each month will focus on one of the chakras, offering asana practice, bioenergetic exercises, breathing techniques, guided trance journeys, chanting, art, music and more to clear blockages and active chakra energy.  Workshops will be supplemented by weekly emails.
Sat 2/9 – Sat 2/13, 1:00 – 5:45 PM, Yoga Kula SF, 3030A 16th, SF with 2 sessions at Yoga Kula Berkeley, 1700 Shattuck, Berkeley, $90/workshop or $560 for all 7.  Livestream also available at $45/sessionor $285 for all sessions. yogakula.com/chakra-awakening

Valentine’s Day Contact Yoga Class with Alok Rocheleau and Anjuli Mahendra
Open your heart through touch.  Connect physically, emotionally and spiritually through partner yoga, contact improvisation and Thai massage.
Thurs/14, 7:30 – 10:00 PM, Mindful Body, 2876 California, SF, $70 per couple in advance/$80 at the door. www.themindfulbody.com/main/workshopsevents.htm

Celebration of Heart with Deborah Lee
Open your heart through movement.  Flow through a series of poses designed to help you release tension, improve your posture and connect to your heart. 
Sun/10, 2:00 – 4:15 PM, Yogaworks, 1823 Divisadero, SF, $20 in advance/$30 at the door. More info here.

Kirtan with David Newman (Durga Das)
Open your heart through song.  David and his wife Mira will lead a fun, joyous evening of call-and-response chanting letting you access your heart space. 
Fri/15, 8:00 – 10:00 PM, Urban Flow, 1543 Mission, SF, $20 in advance/$25 at the door. www.urbanflowyoga.com/workshop.html
 

Tantra & Massage Valentine’s Workshop with Dee Dussault
Open your heart through connection.  Explore and deepen your relationship through these workshops for couples. On day one, learn tantric practices to enhance the intimacy, energy, communication and sensuality in your relationship.  On day two, improve your love-making through tantric massage, breathing and visualization.  Day two is clothing optional, with a non-genital focus.
Tantra Workshop: Expanding Erotic Energy
Sat/16, 1:30 – 4:30 PM, 548 Fillmore, SF, $45
Sensual Massage: Conscious Intimate Touch
Sun/17, 2:00 – 5:00 PM, 548 Fillmore, SF, $45
More info here.

Win tickets to the Cynic Cave Presents: Ron Lynch

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The Cinecave space continues to have film programming but is excited to grow its reputation as a hotspot for live comedy in the Mission, participating as a venue in both the nascent San Francisco Comedy and Burrito Festival and the long established SF Sketchfest – and proudly bringing the cult legend comedian Ron Lynch to the Cave in his first San Francisco performance in more than five years!

Ron Lynch was part of the Boston comedy scene back in the ’80s that spawned such comics as Steven Wright, Paula Poundstone, Bobcat Goldthwait, and Marc Maron. He’s been making a living at it ever since in New York, San Francisco, and now Los Angeles where he keeps his hat.  Lynch is widely revered among comedians for his experimental approach. Rarely is there a structured joke or a contemporary observation in his act. Some of the characters in his repertoire include a silent magician who does no actual tricks, a demented hypnotist who is just twirling produce bags on the end of old antennae, and an animatronic comic.

Find out more here. To win a pair of tickets, email your full name to sfbgpromos@sfbg.com with “Ron Lynch” in the subject by Fri/8. Winners will receive confirmation via email while supplies last.

Sunday February 17 at 7pm and 9pm @ Lost Weekend Video, 1034 Valencia, SF | $12

 

 

 

Win Tickets: MC Zulu and Kush Arora at Dub Mission

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Dub Mission presents a Bay Area exclusive show and Presidents Day Bash!

Back together on the Dub Mission stage for the first time in four years:

MC Zulu (Perception 2020, FreakEasy Chicago, Foreign Exchange/FEx Global) in a special Sound System set alongside Kush Arora (KAP, Surefire, RecordLabelRecords) plus DJ Sep.

Enjoy a night of dub, dubstep, roots, dancehall, bashment, dread bass, steppers, and more! Find out more here. To win a pair of tickets, email your full name to sfbgpromos@sfbg.com with “Dub Mission” in the subject by Fri/8. Winners will receive confirmation via email while supplies last.

Sunday, February 17 from 9pm to 2am @ Elbo Room, 647 Valencia, SF | $8 Adv./$11 Door 

 

 

Buy me love

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caitlin@sfbg.com

STREET SEEN You are welcome to spend Valentine’s Day as I will this year: corralled onto a dark dancefloor with 200 similar atheists in the face of the love goddess. But as many of you will be happily celebrating with partners (hiss!), I’ve assembled this four-pack of completely locally-made Valentine’s Day gifts. You’re welcome (pfft.)

TOURANCE FAKE FUR RABBIT ROBE, $178

You can’t get more luxe than this without killing something, and unless it’s vintage, I find artifacts of animal death incredibly unsexy. Tourance makes all its faux fur right here in the city, so if your Valentine isn’t much for Hef wear, check out the line’s vests in faux fox and mink, and its throw blankets modeled on chinchilla fuzz or inspired by mane of lion. Highly recommended for those of us too embarrassed by the word “snuggle” to ever ask to be embraced — nuzzling comes naturally when you just unwrapped the softest garment known to personkind.

www.tourance.com

 

RECCHIUTI’S CREATIVITY EXPLORED DOG ART CHOCOLATES, $21

 

Guardian photo by Caitlin Donohue

I am not a fan of gifting chocolates on V-Day to anyone but the most perfunctory recipient (the sweet woman who lives above you, the office manager, one’s priest.) That being said, it is possible to make a case for the originality of this four-pack of burnt caramel bites. The foursome is only available at Recchiuti’s Dogpatch shop, which is tucked into the flank of the factory where the chocolates are made (next to the company’s super-fly Chocolate Lab café, which is doing two dinner seatings for a special Feb. 14 menu.) The doggie designs were born as art made by developmentally-disabled adults at community gallery Creativity Explored, an echo of the for-sale exhibition you’ll find behind Recchiuti’s cash register. And in addition to all these things: doggies. People love those guys.

807 22nd St., SF. (415) 826-2868, www.recchiuti.com

VARIANCE OBJECTS HARNESS, PRICES START AT $240/SET

Why does BDSM fashion have to be so damn obvious? Everybody knows you’re there to be roughed up, do we really need to drop hundreds of dollars on the same industrially-accessorized black patent leather that everyone’s wearing? I love Variance Object’s founder Nicole Rimedio for making beaded bondage gear for your kinky-yet-discreet angel. “I love the idea that I may be wearing a rope to bind my lover’s body, but that most everyone else thinks is just an onyx necklace,” Rimedio told me in an email. The line includes pieces strung with super-strong cord that can be worn around the calves, looped underneath the crotch, or tied around wrists. Most everything is modular, for versatility/variety’s sake.

www.varianceobjects.com

SF BEER WEEK, PRICES VARY

 

Photo via Yelp

Although you will get side-eyed by many Valentines if you suggest that a bottle of Miller High Life is an adequate way to celebrate Cupid’s aim, warm fuzzies while boozing are still totally possible. Per usual, V-Day falls in the thick of the Bay Area’s marquee week for gourmet brew events, SF Beer Week. So take your low-key, suds-loving babe to Thirsty Bear’s $20-25 “Chocolate, Beer, and Cupid” night to sip coco-vanilla cask ale while making your own chocolates (feel free to bring your boo’s favorite aphrodisiac throw-in for xxxtra points.) Also happening on Feb. 14: sweet and sour beer pairings at The Monk’s Kettle, four limited release brews on tap, with sweet bites from Socola Chocolatier at Speakeasy Brewery’s newly-opened, Kelly Malone-designed tap room. Elixir, Noc Noc, the Sycamore, Rosamunde’s Mission location, La Trappe, and Blackbird are all doing V-Day Beer Week specials as well.

Various Bay Area locations, www.sfbeerweek.org

 

Out of the Batcloset

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marke@sfbg.com

VISUAL ARTS “When I first saw the 1970s comics version of Batman by Neal Adams, I got a bit weak-kneed — though I was too young to know what that meant at the time,” comics artist Justin Hall (“No Straight Lines: Four Decades of Queer Comics,” “Glamazonia”) told me over a beer at his Mission apartment. “Here was a more realist Batman, with muscles and chest hair … and he had gotten rid of Robin at that point, which left room for me!”

Venturing into a comic nerds’ den — especially one containing Hall and Rick Worley (“A Waste of Time”), two of SF’s comicus nerdii ne plus ultras — can make for a heady experience, involving intricately detailed discussions on topics as varied as copyright infringement, Tijuana Bibles, Bob Dylan vs. Roy Lichtenstein, Alfred Hitchcock’s lesbian subtexts, the evolution of the muscle daddy in popular culture, and recent scandals like that of Vertigo Comics executive editor Karen Berber’s rather abrupt departure from the DC Comics fold.

In short, in this case, a delectable mental Bat Cave full of Gotham arcana pertaining to the hoariest slash-fic topic this side of Kirk/Spock, the enduring homo subtext of the Dynamic Duo. With “Batman on Robin,” a group art show at Mission: Comics and Art opening Fri/8, Hall and Worley are displaying the works of dozens of comics artists willingly tackling the theme — and finding that beyond the Boom! Pow! Splat! of the men-in-tights 1960s camp TV classic or the suggestively archetypal narrative of brooding, rich, handsome Bruce taking in and mentoring (and, in the ’40s, even sharing a bed with) young orphaned circus hustler Dick, there are innumerable points of entry and intrepretation for queer fans.

Of course, that candy-colored, vaguely existentialist TV show does have a lot to answer for, along with its direct descendants. “I’m pretty sure I first encountered Batman when the Tim Burton movie came out in 1989,” Worley told me. “I saw a table display at a B. Dalton in a mall, and I was intrigued because it was the first time I had ever seen comic books displayed like that in a bookstore. The comics there were Grant Morrison’s Arkham Asylum and Frank Miller’s Dark Knight Returns, and my mom wouldn’t let me look at them because she said they were too dark. I would have been about seven, and in the case of those comics she was probably right. So obviously, that just made Batman all the more intriguing to me.

“The first time I actually saw something with Batman in it, though, was probably afternoon reruns of the Adam West show, and I’m pretty sure I enjoyed it because I really wanted to bang Burt Ward as Robin. The Robin costume has always been hot to me since then.”

But once Worley and Hall put out the call to other artists for their graphic interpretations of Batman-Boy Wonder relations, they were inundated by all sorts of personal takes.

“The pieces we have in our show are amazing,” Worley said. “We have paintings, like a Gustav Klimt homage by Andrew Guiyangco. We have more indie style comics. We have some more Yaoi looking-ones, a cute chibi one, one by Brad Rader in a very classic ’40s Batman illustration style, only with Robin butt-naked. We have a story of a lesbian encounter between Batwoman and Catwoman by Tana Ford, which she did with sort of JH Williams-style layouts. Justin’s doing a Batman Kama Sutra. There’s so much stuff.”

The broader history of interpretations of the Dynamic Duo’s sexuality is full of twists and turns. “I think what has changed most over time is the awareness of gay identity,” Worley said. “If you were gay in the ’40s, there was almost nothing gay available for you to see. It was exciting when you found things [in comics]. I think what’s happened in the meantime is a kind of convergence. As people don’t have to be closeted, figuring out if somebody is or isn’t gay isn’t as much a part of gay life. Now in comics, there are superheroes who are gay, you don’t have to find signs and create your own interpretations of ones who may or may not be. And if you’re a gay writer trying to include that subject matter in a comic you’re writing, you don’t have to encode it, either. But because mainstream superhero comics are dealing with characters who were created decades ago and who have been worked on by hundreds of artists, those characters have now accumulated the baggage of all those interpretations and it’s part of what is always present when they’re being used.”

Hall adds: “In his 1954 book Seduction of the Innocent, Fredrick Wertham pointed their relationship out as particularly unwholesome, and so I think it’s fair to say that ever since Robin burst onto the scene in his little green Speedo and elfin shoes, there have been suspicions about the goings on in the Bat Cave. The Batman-Robin fantasy has changed some over time, as queer relationships have become more normalized and mainstream. But many readers still have a perverse joy in finding unintended homo subtext in work like the Batman comics.”

“BATMAN ON ROBIN”

Opening reception Fri/8, 7pm, free.

Show run through March 3.

Mission: Comics and Art

3520 20th St., Suite B

www.tinyurl.com/batmanonrobin

 

On the Cheap Listings

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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for listings, see Picks.

WEDNESDAY 6

Urban dance at the library Merced Branch Library, 155 Winston, SF. www.sfpl.org. 4:30, free. For ages seven to 18. In celebration of Black History Month, Sergio Suarez of the All the Way Live Foundation will share his knowledge of street dance history — covering everything from the Memphis jook to Oakland TURF to LA crump. Children and teens will also have a chance to watch acclaimed Bay Area dancers Beatz n Pieces, Agatron, Fluidgirl, and Too Wet.

THURSDAY 7

“Bacon, Babes and Bingo” El Rio, 3158 Mission, SF. www.baconbabesandbingo.com. 7-11pm, $10. With endless ways to win prizes — from donning superlative pig-related accessories to spinning the “squeal wheel” — tonight is a shining night for bacon. To keep up with the theme, vendor BaconBacon will be serving up a variety of pork-related goodies. If all this isn’t compelling enough, there will also be burlesque, music, and free snacks courtesy of Rock Candy Snack Shop.

FRIDAY 8

Gray Loft Gallery’s second annual Love Show Gray Loft Gallery, 2889 Ford, third floor, Oakl. Through February 23. www.greyloftgallery.com. Opening reception: 6-9pm, free. Photographs, paintings, collages, sculptures, jewelry, textiles, and handmade cards, all exploring themes of love will be on display tonight in this unconventional work-live warehouse and gallery in Oakland’s Jingletown district.

“On The Edge” erotic photography exhibition Gallery 4N5, 683 Mission, SF. www.eroticartevents.com. 4-10pm. $5. Also open Sat/9, 1-10pm and Sun/10, noon-5pm. Free on Sunday. If the thought of a teddy-bear-and-Hallmark-card kind of Valentines Day puts you straight to sleep, this exhibit might be what you’ve been looking for. Featuring 400 pieces of fine nude art and extreme erotica photographs by 20 photographers, this event is sure spice up your holiday. Mingle with some of the photographers and stay for the leather fashion show at 7:30pm.

“Mortified’s Doomed Valentine’s Show” DNA Lounge, 375 11th St., SF. www.dnalounge.com. Doors open at 6:30pm. Show starts at 7:30pm, $14-21. Sat/8, 7:30pm at the Uptown, 1928 Telegraph, Oakl. “Mortified” is a nationally-loved, comic excavation of the artifacts of teenage angst (i.e. journals, home movies, letters, poems, etc.) shared by the original authors. Complete with a house band, these stories cover topics such as worst hand job, first puff, and Bible camp. Some of these stories may make you cringe with sheer awkwardness but they might make your high school experience seem slightly less tragic.

SF Beer Week Various Bay Area locations. www.sfbeerweek.org. Through Feb. 17. Every year this celebration of the Bay’s burgeoning microbrew macroculture exceeds our expectations and in 2013 we’ll be raising our steins yet again. Check the website for info on tastings, food-beer pairing dinners, educational offerings, and what special brew your favorite bar will be pouring on what night.

SATURDAY 9

“My Perverted Sucky Valentine Puts Out!” Center for Sex and Culture, 1349 Mission, SF. 8pm, $10-25 donation suggested. If you’ve fallen victim to a romantic rejection or two, you should know you’re not alone. In fact, tonight is a spoken word extravaganza focusing on topics such as: hot heartbreak, lust gone wrong, and ill-advised hookups. And let’s hear it for sponsoring sex-positive culture: your donations go to help the Center for Sex and Culture and St. James Infirmary continue those institutions’ rad, empowering programming.

Rare Device Valentine’s Trunk Show Rare Device, 600 Divisadero, SF. www.raredevice.net. Noon-6pm, free. Treat your Valentine (or yourself) with some awesome, locally-crafted goodies this afternoon. Between Zelma Rose’s cross stitched accessories, Jen Hewett’s lively prints, Emily McDowell’s inspirational illustrations, and Karrie Bakes’ gluten-free treats you are sure to walk away with something sweet.

Cupid’s Undie Run The Republic, 3213 Scott, SF. www.cupidsundierun.com. Pre-festivities start at noon, run begins at 2:30pm, $30. Register online. Strip down and sweat up for this mile long run around the Marina and Lombard Street. While your best lingerie gets all sweaty, you’ll also be helping to raise funds to benefit the Children’s Tumor Foundation. Warm up at the Republic before and afterwards with pre and post-run festivities.

SUNDAY 10

SPCA’s Be MineValentine’s Adopt-a-thon 201 Alabama, SF. www.sfspca.org. 10am-6pm, free. Nothing says “I love you” more than a puppy. Join the SF SPCA this weekend for its annual adoption extravaganza. Head over Friday night for a cocktail party, Saturday afternoon for dog and cat behavior seminars, or today for a puppy kissing booth, foster care bake sale, and prize wheel. All adoption fees are waived this weekend for animals from SF SPCA, SF Animal Care and Control, Muttville Senior Dog Rescue, and Family Dog Rescued.

MONDAY 11

“Edible Valentine Workshop” Autumn Express, 2071 Mission, SF. www.autumnexpress.com. 5-6pm. $10 if you register before Feb. 8, $15 at the door. Whether you’re still in school or not, passing out Valentine’s Day cards is fun. Head over to sustainability-oriented print shop Autumn Express to decorate some cookies and chocolate bars with icing and candies and whip up some cards for your big-kid class.

THURSDAY 14

One Billion Rising performance ritual First Presbyterian Church, 2619 Broadway, Oakl. www.bayarearising.org. 7-8:30pm, $10-100 donation suggested. Free for youth under 17. Purchase tickets online. Put your Valentines Day towards a good cause this year at a fundraiser for International Development Exchange (IDEX), an organization working to empower impoverished women across the globe. The evening will be a mix of spirituality, politics, and performances from local groups such as Youth Speaks and Mission Dance Brigade.

Dogpatch Wine Works date night Dogpatch Wine Works, 2455 Third St., SF. www.dogpatchwineworks.com. 6-8pm, $40. Few things spell out romance quite like wine and chocolate. Stroll around Dogpatch Wine Works’ tasting room sipping on some vino and snacking on locally-crafted Recchiuti chocolate. After your palette is satisfied you can tour the 15,000 square foot working winery.

“Returning Cupid’s Fire” Cartoon Art Museum, 655 Mission, SF. www.cartoonart.org. 7-9pm, $10. If you are Valentine-less and planning on having a night in with Ben and Jerry, it’s time to change your plans. San Francisco comedians Ivan Hernandez, Colleen Watson, and Mike Capozzola feel your pain and will be performing anti-Valentine’s Day themed stand-up routines tonight. Refreshments will be served.

Tout Sweet Pâtisserie tasting Tout Sweet Pâtisserie in Macy’s Union Square, 170 O’Farrell, third floor, SF. (415) 385-1679, www.toutsweetsf.com. 7-8:30pm, $55 per person. Reservations recommended. Yigit Pura, chef and owner of this sweet shop, is now offering tastings at Tout Sweet, which for our purposes means a three-course dessert menu featuring a rotating selection of seasonal offerings, each paired with local artisanal wine and beer. If you already have some sweet Valentine’s Day plans don’t fret, Pura has more tastings scheduled for March 14 and April 11.

Hella Vegan Eats V-Day pop up dinner Dear Mom, 2700 16th St., SF. www.dearmomsf.com. 5pm-midnight, free. The Oakland–based traveling food vendor will be in the city to once again take over Mission bar Dear Mom. We are hoping their doughnut burger with secret sauce will be on tonight’s menu.

Valentine’s Day at the Armory Club The Armory, 1800 Mission, SF. tickets.armorystudios.com. 7:30 and 9:30, $55. Start the evening off on the upper floor of the historic Armory then head to a workshop led by porn starlet Rain DeGrey that focuses on teaching couples how to make fantasies reality. Afterward, enjoy specialty cocktails and aphrodisiac-themed appetizers at the luxe Armory Club across the street.

 

Out of place

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news@sfbg.com 

In his State of the City address last week, Mayor Ed Lee cheerfully characterized San Francisco as “the new gravitational center of Silicon Valley.” He touted tech-sector job creation. “We have truly become the innovation capital of the world,” Lee said, “home to 1,800 tech companies with more than 42,000 employees — and growing every day.”

From a purely economic standpoint, San Francisco is on a steady climb. But not all residents share the mayor’s rosy outlook. Shortly after Lee’s speech, renowned local author Rebecca Solnit published her own view of San Francisco’s condition in the London Review of Books. Zeroing in on the Google Bus as a symbol of the city’s housing affordability crisis, she linked the influx of high-salaried tech workers to soaring housing costs. With rents trending skyward, she pointed out, the dearth of affordable housing is escalating a shift in the city’s cultural fabric.

“All this is changing the character of what was once a great city of refuge for dissidents, queers, pacifists and experimentalists,” Solnit wrote. “It has become increasingly unaffordable over the past quarter-century, but still has a host of writers, artists, activists, environmentalists, eccentrics and others who don’t work sixty-hour weeks for corporations — though we may be a relic population.”

LIMITED OPTIONS

The issue of housing in San Francisco is highly emotional, and there is perhaps no greater flashpoint in the charged debate than Ellis Act evictions.

When the housing market bounces upward, Ellis Act evictions tend to hit long-term tenants whose monthly payments, protected by rent control, are a comparative bargain. Even if they’ve submitted every payment on time and upheld every lease obligation for 20 years, these renters can find themselves in the bind of being forced out.

And they don’t just lose their homes; often they lose their community. San Francisco has become so expensive that many Ellis Act victims are tossed out of this city for good.

Enacted in 1986, the state law allows a landlord to stop renting units, evict all tenants, and sell the building for another purpose. Originally construed as a way for landlords to “go out of business” and move into their properties, the Ellis Act instead gained notoriety as a driving force behind a wave of evictions that slammed San Francisco during the tech boom of the late 90s. Between 1986 and 1995, just 29 Ellis evictions were filed with the San Francisco Rent Board; in the 1999-2000 fiscal year alone, that number ballooned to a staggering 440.

Under the current tech heyday, there are indications that Ellis Act evictions are gaining fresh momentum. The San Francisco Rent Board recorded 81 this past fiscal year, more than double that of the previous year, and there appears to be an upward trend.

TIC CONTROVERSY

Buildings cleared via the Ellis Act are typically repackaged as tenancies-in-common (TIC), where several buyers jointly purchase a multi-unit residence and each occupy one unit. Realtors often market TICs as a path to homeownership for moderate-income individuals, creating an incentive for buyers to enter into risky, high-interest shared mortgages in hopes of later converting to condos with more attractive financing.

The divide between TIC owners and renters came into sharp focus at a contentious Jan. 28 hearing, when a Board of Supervisors committee met to consider legislation that would allow some 2,000 TIC units to immediately convert to condos without having to wait their turn in a requisite lottery system.

One TIC owner said he was financially burdened, but had only entered into the arrangement because “I wanted to stay here and raise my family, but we couldn’t afford a single family home.” Yet tenants brought their own set of concerns to the table, saying the temptation to create TICs was putting a major dent in the city’s finite stock of rent-controlled units — the single greatest source of affordable housing in San Francisco.

“My feeling is, let’s stop doing TICs,” Tommi Avicolli Mecca, a tenants right activist with the Housing Rights Committee, told the Guardian following the hearing. “The city has to just start making sure that the condos that are built are the kind of thing [TIC buyers] can afford. Instead, we cannibalize our rental stock? That’s a reasonable way? You evict one group of people to house another: How does that make sense?”

The grueling five-hour hearing illustrated the sad fact that San Franciscans in a slightly better economic position were being pitted against economically disadvantaged renters. The two groups were bitterly divided, and all seemed weary, furious, and frustrated by their housing situations.

The condo-conversion legislation, co-sponsored by Sups. Scott Wiener and Mark Farrell, did not move forward that day. Instead, Board President David Chiu made a motion to table the discussion until Feb. 25, to provide time for “an intensive negotiation process.” Chiu, who rents his home, added: “While I myself would like to become a homeowner someday … I do not support the legislation in its current form.”

Sup. Jane Kim sought to appeal to the tenants as well as the TIC owners. “It’s very tragic that we have set up a situation where [TICs and renters] are pitted against one another,” she said. She hinted at what a possible alternative to might look like. “We should be looking at a ban of scale,” she said. “If we allow 1,800 potential units to go thru this year, are we willing to do a freeze for the next 8 to 10 years?”

It’s unclear what will happen in the next few weeks, but if this legislation makes it back to the full board in some form, the swing votes are expected to be Sups. London Breed, Malia Cohen and Norman Yee.

CASH OR EVICTION?

New protections were enacted following the late-90s frenzy to discourage real-estate speculators from using the Ellis Act to turn a profit on the backs of vulnerable seniors or disabled tenants. Yet a new wave of investors has discovered they can persuade tenants to leave voluntarily, simply by offering buyouts while simultaneously wielding the threat of an Ellis Act eviction. “The process got more sophisticated,” explains San Francisco Rent Board Deputy Director Robert Collins.

Once a tenant has accepted a check in lieu of eviction, rent-controlled units can be converted to market rate, or refurbished and sold as pricey condos, without the legal hindrances of an eviction blemish. Buyouts aren’t recorded with the Rent Board, and the agency has no real guidance for residents faced with this particular dilemma. “We don’t have the true number on buyouts,” says Mecca. “We don’t know how many people have left due to intimidation.”

Identity-wise, renters impacted by the Ellis Act defy categorization. A contingent of monolingual Chinese residents rallied outside City Hall recently to oppose legislation they believed would give rise to evictions; in the Mission, many targeted tenants are Latinos who primarily speak Spanish. From working immigrants, to aging queer activists, to disabled seniors, to idealists banding together in collective houses, the affected tenants do have one thing in common. When landlords or real-estate speculators perceive that their homes are more valuable unoccupied, their lives are susceptible to being upended by forces beyond their control.

The upshot of San Francisco’s affordability crisis is a cultural blow for a city traditionally regarded as tolerant, forward thinking, and progressive. In the words of Rose Eger, a musician who faces an Ellis Act eviction from her apartment of 19 years, “it changes the face of who San Francisco is.

Out of the Castro

By Tim Redmond

You can’t get much more Castro than Jeremy Mykaels. The 62-year old moved to the neighborhood in the early 1970s, fleeing raids at gay bars in Denver. He played in a rock band, worked at the old Jaguar Books, watched the rise of Harvey Milk, saw the neighborhood transform and made it his home.

He’s lived in a modest apartment on Noe Street for 17 years, and for the past 11 has been living with AIDS. Rent control has made it possible for Mykaels, who survives on disability payments, to remain in this city, in his community, close to the doctors at Davis Hospital who, he believes, have saved his life.

And now he’s going to have to leave.

In the spring of 2011, his longtime landlords sold the building to a real-estate investment group based in Union City — and the new owners immediately sought to get rid of all the tenants. Two renters fled, knowing what was coming; Mykaels stuck around. In September of 2012, he was served with an eviction notice, filed under the state’s Ellis Act.

He’s a senior, he’s disabled, his friends are mostly dead and his life is in his community — but none of that matters. The Ellis Act has no exceptions.

Mykaels spent a fair amount of his life savings fixing up his place. The walls are beige, decorated with nice art. Dickens the cat, who is chocolate brown but looks black, wanders in and out of the small bedroom. Mykaels has been happy there and never wanted to leave; “this,” he told me, “is where I thought I would live the rest of my life.”

There’s no place in the Castro, or even the rest of the city, where he can afford to move. Small studios start at $2,500 a month, which would eat up all of his income. There is, quite literally, nowhere left for him to go.

“A lot of my friends have died, or moved to Palm Springs,” he said. “But this is where my doctors are and where I’m comfortable. I’m not going to find a support system like this anywhere else in the world.”

Mykaels is the face of San Francisco, 2013, a resident who is not part of the mayor’s grand vision for bringing development and high-paying jobs into the city. As far as City Hall is concerned, he’s collateral damage, someone whose life will have to be upended in the name of progress.

But Mykaels isn’t going easily. The former web designer has created a site — ellishurtsseniors.org — that lists not only his address (460 Noe) and the names of the new owners (Cuong Mai, William H. Young and John H. Du) but the addresses of dozens of other properties that are facing Ellis Act evictions. His message to potential buyers: Boycott.

“Do not buy properties where seniors or the disabled have been evicted for profit by real estate speculators using the Ellis Act,” the website states.

Mykaels is a demon researcher — his site is a guide to 31 properties with 94 units where seniors or disabled people are being evicted under the Ellis Act. In some cases, individuals or couples are filing the eviction papers, but at least 14 properties are owned by corporations or trusts.

Mai told me that he knew a disabled senior was living in the building when he and his two partners bought it, but he said his plan all along was to evict all the tenants and turn the three-unit place into a single-family house. He said he hasn’t decided yet whether to sell building; “I might decide to live there myself.” (Of course, if he wanted to live there himself, he wouldn’t need the Ellis Act.)

Mai said he “felt bad about the whole situation,” and he had offered to buy Mykaels out. The offer, however, wouldn’t have covered more than a few months of market rent anyplace else in the Castro.

By law, Mykaels can stay in his apartment until September. If he can’t stave off the eviction by then, San Francisco will lose another longtime member of the city community.

 

Dark days in the Inner Sunset

By Rebecca Bowe

The living room in Rose and Willie Eger’s Inner Sunset apartment is where Rose composes her songs and Willie unwinds after playing baseball in Golden Gate Park. Faded Beatles memorabilia and 45 records adorn the walls, and a prominently displayed poster of Jimi Hendrix looms above a row of guitar cases and an expansive record collection.

It’s a little worn and drafty, but the couple has called this 10th Ave. apartment home for 19 years. Now their lives are about to change. On Jan. 5, all the tenants in their eight-unit building received notice that an Ellis Act eviction proceeding had been filed against them.

“The music that I do is about social and political things,” explains Rose, dressed from head-to-toe in hot pink with a gray braid swinging down her back. Determined to derive inspiration from this whole eviction nightmare, she’s composing a song that plays with the phrase “tenants-in-common.”

Cindy Huff, the Egers’ upstairs neighbor, says she began worrying about the prospect of eviction when the property changed hands last summer. Realtor Elba Borgen, described as a “serial evictor” in online news stories because she’s used the Ellis Act to clear several other properties, purchased the apartment building last August, through a limited liability corporation. The notice of eviction landed in the mailbox less than six months later. (Borgen did not return Guardian calls seeking comment.)

“With the [average] rent being three times what most of us pay, there’s no way we can stay in the city,” Huff says. “The only option we would have is to move out of San Francisco.” She retired last year following a 33-year stint with UCSF’s human resources department. Now, facing the prospect of moving when she and her partner are on fixed incomes, she’s scouring job listings for part-time work.

The initial notice stated that every tenant had to vacate within 120 days, but several residents are working with advocates from the Housing Rights Committee in hopes of qualifying for extensions. Huff and the Egers are all in their fifties, but some tenants are seniors—including a 90-year-old Cuban woman who lives with her daughter, and has Alzheimer’s disease.

Willie works two days a week, and Rose is doing her best to get by with earnings from musical gigs. Both originally from New York City, they’ve lived in the city 35 years. When they first moved to the Sunset, it resembled something more like a working-class neighborhood, where families could raise kids. The recent tech boom has ushered in a transformation, one that Rose believes “changes the face of who San Francisco is.” Willie doesn’t mince words about the mess this eviction has landed them in. “I call it ‘Scam-Francisco,'” he says.

The trio recently joined tenant advocates in visiting Sup. Norman Yee, their district supervisor, to tell their stories. Yee, who is expected to be one of the swing votes on an upcoming debate about condo-conversion legislation vehemently opposed by tenant activists, reportedly listened politely but didn’t say much.

As for what the next few months have in store for the Egers? “I can’t really visualize the outcome,” Rose says. “I can only visualize the day-to-day fight. And that’s scary.”

 

Fighting for a home in the Mission

By Tim Redmond

Eleven years ago, Olga Pizarro fell in love with Ocean Beach. A native of Peru who was living in Canada, she visited the Bay Area, saw the water and decided she would never leave.

Fast forward to today and she’s built a home in the Mission, renting a small room in a basement flat on Folsom Street. The 55-year-old has lived in the building for eight years; polio has left her wearing a leg brace and she can’t climb stairs very well, but she still rides her bike to work at the Golden Gate Regional Center. She’s a sociologist by training; the walls in her room are lined with bookshelves, with hundreds of books in Spanish and English.

The place isn’t fancy, and it needs work, but it’s hard to find a ground-floor apartment in the Mission that’s affordable on a nonprofit worker’s salary. Since 2011, when she moved in, she and her three housemates have been protected by rent control. And Pizarro’s been happy; “I love the neighborhood,” she told me.

The letter warning of a pending eviction arrived Jan. 16. A new owner of the building wants to turn the place into tenancies in common and is prepared to throw everyone out under the Ellis Act. There’s no place else in town for Pizarro to go.

“I’ve looked and looked,” she said. “The cheapest places are $2,500 a month or more. Maybe I’ll have to move out of the city.”

Pizarro’s building is owned by Wai Ahead, LLC, a San Francisco partnership registered to Carol Wai and Sean Lundy. I couldn’t reach Wai or Lundy, but their attorney, Robert Sheppard, had plenty to say. “San Francisco is going the way of New York,” he told me. “Manhattan is full of co-ops that used to be rentals, and lower-income people are moving to Brooklyn and Queens. That’s happening here with Oakland and further out.” He argued that TICs, like co-ops, provide home-ownership opportunities for former renters.

Sheppard, who for years represented tenants in eviction cases, said the Ellis Act is law, and America is a capitalist country, and “as long as there is a private housing market, there will be shifts of people as the housing market shifts.” He agreed that it’s not good for lower-income people to lose their homes, but “the poor will always be hurt by a changing economy. It’s called evolution.”

Pizarro told me she’s shocked at how expensive housing has become in the Mission. “It’s gotten so gentrified,” she said. “People show up in their BMWs. It’s starting to feel very isolated.”

She’s fighting the eviction. “I didn’t intend it to be this way,” she explained. “I just want to live here.” Lacking any family in the area, the Mission has become her community — “and I’m frustrated by the violence of how expensive it is.”

 

Affordability goes out of style

By Rebecca Bowe

Hester Michael is a fashion designer, and her home doubles as a project space for creating patterns, sewing custom clothing, weaving cloth, and painting. She’s lived in her Outer Sunset two-bedroom unit for almost two decades, but now she faces an Ellis Act eviction. Michael says she initially received notice last June. The timing was awful -– that same month, her husband passed away after a long battle with terminal illness.

“I’ve been here 25 years. My friends are here, and my business. I don’t know where else to go, or what else to do,” she says. “I just couldn’t picture myself anywhere else.”

Michael rents the upstairs unit of a split single-family home, a kind of residence that normally isn’t protected by rent control. Yet she leased the property in 1994, getting in under the wire before that exemption took effect. Since she pays below-market-rate rent in a home that could be sold vacant for top dollar, a target was essentially inscribed on her back when the property changed hands in 2004. That’s about when her long battle with the landlords began, she says.

From the get-go, her landlords indicated that she should look for a new place, Michael says, yet she chose to remain. The years that followed brought things falling into disrepair, she says, and a string of events that caused her feel intimidated and to fear eviction. Finally, she consulted with tenant advocates and hired an attorney. A complaint filed in superior court alleges that the property owners “harassed and retaliated [Michael] when she complained about the defective and dangerous conditions …telling [her] to move out of the property if she did not like the dangerous conditions thereat … repeatedly making improper entries into [the] property, and wrongfully accusing [her] of causing problems.”

Records show that Angela Ng serves as attorney in fact for the property owner, Ringo Chung Wai Lee. Steven Adair MacDonald, an attorney who represents both landlords and tenants in San Francisco housing disputes, represents the owners. “An owner of a single family home where the rent is controlled and a fraction of market has virtually no other choice but to terminate the tenancy,” MacDonald said when the Guardian reached him by phone. “They’ve got to empty it, and the only way to empty it is the Ellis Act.”

While Michael received an extension that allows her to remain until June 5, she fears her custom sewing business, Hester’s Designs, will suffer if she has to move. There’s the issue of space. “I have so much stuff in this house,” she says. And most of her clients are currently located close by, so she doesn’t know where her business would come from if she had to relocate. “A lot of my clients don’t have cars,” she says, “so if I live in some suburb in the East Bay, forget it. I’ll lose my business.”

The prospect of eviction has created a major dilemma for Michael, who first moved to San Francisco in 1987. While moving to the East Bay seems untenable, she says renting in San Francisco feels out of reach. “People are renting out small, tiny bedrooms for the same price as I pay here,” she says. With a wry laugh, she adds: “I don’t think there’s any vacant apartments in San Francisco -– unless you’re a tech dude and make seven grand a month.”

Something old, something new

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arts@sfbg.com

DANCE Once a year, long-time colleagues Todd Eckert and Nol Simonse share an evening showcasing their choreography. Unfortunately, the “Shared Space Six” program, presented last weekend at Dance Mission Theater, was not as promising as one would have hoped. Most dispiriting was that the evening’s best piece, Eckert’s Disparate Affinity, dates back to 2006.

Performed by Eckert and his former colleague at Robert Moses’ Kin, Katherine Wells, Disparate is a sensitively developed exploration of how two different people can inhabit similar universes. Here, they become aware of each other, finally get together only to separate again.

With her long-limbed physique, Wells looks as fragile as a reed, but she has a fierce and versatile technique, making her one of the finest dancers in the Bay Area. She and Eckert — strong, muscular, and sturdy — complemented each other excellently. At first occupying opposite spaces on stage, they engaged in a long-distance conversation. When they finally met, touch became an essential part of their connecting. As Eckert floated away, she was left holding in her hand the space he had occupied.

Unfortunately, Simonse badly misstepped in the premiere of his disappointing Kafka Sex Party, set primarily on himself and four male dancers, with Tanya Bello and Kaitlyn Ebert acting as, perhaps, guides to a netherworld. Referencing the fate of Gregor Samsa in Kafka’s The Metamorphosis, Simonse wiggled in with a giant shell on his back. He repeatedly asserted that this was who he was, and if you wanted to touch him, that’s what you’d get. Bello and Ebert, in black accessorized with aviator sunglasses, cheerfully liberated him, and the scene shifted to a dungeon.

Bathed in murky red light, the men — in black leather dance belts — pumped, stretched, and slid onto each other’s bodies, coupling and retreating. At one point, three of them squeezed themselves into a sandwich. These anonymous encounters occurred as if on cue, as did the periodic group hops and risings from the back like the spokes of a wheel. In the work’s third section, white streamers were lowered from a fan into a maypole for the men to dance around. Was it a dream or a nightmare, or both?

One of Kafka‘s difficulties may be that Simonse took a highly evocative literary reference but didn’t work with it enough (or, at least, not clearly enough). Also, the anonymous erotic encounters he tried to suggest are difficult to translate to the stage. They were both too stilted and too bland. The uncredited musical collage of rumbling drums threatening melodic strains had the kind of complexity that the choreography sadly lacked.

Last year, Simonse danced in a black ruffled skirt with Theatre Flamenco. He looked fabulous. So perhaps, it’s not surprising that for the premiere of I Could Never Make You Stay he donned a white facsimile. His and Eckert’s first try at co-creation yielded an unwieldy but harmless affair with some fine and a lot of meandering dancing. Each choreographer contributed a perspective on impermanence.

Eckert’s duet with handsomely trained newcomer David Schleiffers had the two men locked in a frozen head-to-head collision. It’s an image that would re-occur. They looked like boxers waiting for the referee to step in. But then some mysterious force started to turn and unglue them into luscious encounters with sensuously interlocking arms and a sense of spacious, though temporary, connection between them.

Taking a break from hanging laundry, Simonse’s well-paced solo sent him scurrying along the ground, loping across the stage, curling and shooting his limbs in all directions. Dancing on to his toes with his arms into ballet’s high fifth position, he projected his longing upward. I Could Never‘s most charming sequence, however, came with an unlikely duet for tall, sturdy and visibly pregnant Peta Barrett and a weasel-like Chad Dawson.

The white T-shirts on Simonse’s laundry line may have stood for past loves — but perhaps they were just ordinary white shirts. A quartet of women, in a feminist metaphor, wiped the floor with them, or donned them as accoutrements. The grand finale’s 16 whirling dancers cheerfully asserted as couples the work’s title, and indeed, they couldn’t make each other stay. Dressed in voluminous white wedding gowns, they looked as if they’d been plopped into creampuffs. Rigorously shaking their colorfully clad legs, they metamorphosed into circus artists.

Alerts

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WEDNESDAY 6

Community Kick-off to Save City College

CCSF Mission Campus, Room 109, 1125 Valencia, SF. (415) 412-4183, saveccsfpetition@gmail.com. 6-8pm, free. Join students, faculty and staff at City College of San Francisco in initiating a campus/community coalition to defend the acclaimed school against threat of closure. The college faces severe cuts and sanctions demanded by an accrediting agency. Become part of a united effort to keep CCSF as a key provider of quality education for all communities in the San Francisco Bay Area, and as the primary gateway for poor and working class students and students of color.

SATURDAY 9

Rally Against Genetically Modified Salmon

Justin Herman Plaza, SF. Rachel@labelgmos.com, tinyurl.com/antiGMOsf. 11am, free. The US Food and Drug Administration (FDA) is on the brink of rubber-stamping genetically engineered salmon. Activists are attempting to turn the tide now, during the 60-day comment period before final approval. Environmentalists and those think genetically modified foods should be labeled are calling for supporters nationwide to demonstrate unity against the approval of GE Salmon. Join this march and rally to bring the issue to the front burner.

MONDAY 11

Public Meeting: Speak Out Against Tasers

Bayview Opera House, 4705 Third St., SF. 6-8pm, free. The San Francisco Police Department (SFPD) is once again holding community meetings to talk about arming San Francisco cops with Tasers. The idea has been floated in the past, but community advocates have consistently shot it down, arguing that Tasers can be lethal and are often misused by law enforcement. At this community forum convened by SFPD, an assortment of organizations including the Coalition On Homelessness and the No Tasers Taskforce will turn out against the SFPD’s latest attempt to adopt these so-called nonlethal stun guns.

SF’s Cocktails shout ‘Hey Winnie’

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I’m loving this video by newish San Francisco power-pop (or “power-slop”) band Cocktails for “Hey Winnie,” off the group’s debut self-titled EP.

The video has the playful vibe of 1990s alternative spots (when power-pop was king), and looks to be set in Tenderloin store, Vacation actually was filmed at the No Shop in the Mission.

Released a week from today (Feb. 12) on local Father/Daughter Records, the seven-inch was recorded at Fuzz City Studio with Matthew Melton, of Warm Soda and Bare Wires fame. Cocktails’ next show is Feb. 23 at the Night Light, 311 Broadway, Oak. www.thenightlightoakland.com.

Supes call for stronger SRO safety measures

It’s no secret that tenants living in single room occupancy hotels (SROs) often grapple with health and safety issues, from bedbug infestations to plumbing problems.

At a committee hearing this afternoon, members of the Board of Supervisors will consider legislation [PDF] introduced by Sup. Eric Mar that would amend the housing code to require owners of SROs to install grab bars in common-area bathrooms, and to provide working phone jacks in each SRO unit.

These measures may seem relatively small, but Tony Robles of the Senior & Disability Action Housing Collaborative says installing grab bars can go a long way toward preventing falls, a leading cause of injury deaths for people older than 65.

In SROs, “there’s a lot of folks who have mobility problems,” Robles explains. “Many are disabled, or elders.” He said knows an elderly woman living in an SRO who recently fell and now faces hip surgery.

“This legislation is about safety, and it’s about quality of life,” Robles said. “It’s not just affluent folks who deserve to live in reasonably habitable conditions.”

Last June, advocates with Senior Action Network and several SRO collaboratives published detailed findings [PDF] from an in-depth survey of 151 SRO residents living in Chinatown, the Mission, SoMa and the Tenderloin. Most respondents were older than 55, and 62 percent identified as having a disability.

The in-depth study found that safety issues topped the list of residents’ concerns. Many respondents said they feared falling on the stairs or in the shower, and less than half reported having grab bars in their bathrooms.

The legislation, which was co-sponsored by Supervisors Jane Kim, David Campos and David Chiu, would also require SRO operators to install working phone jacks in residents’ rooms, which can be critical for tenants who need a way to communicate in case of an emergency.

According to the study findings, these low-income tenants face a host of other issues too:

“About one-third or more of survey respondents said their hotel had a problem with bedbugs, other infestations, visitor policy violations, electrical problems, unsanitary bathrooms, and harassment/ disrespect. One-fifth of respondents also cited problems with heat, plumbing, personal safety, fire safety, and maintenance and repairs. 
More than half (53%) had no access to a kitchen in their building, and 18% of respondents said they skip meals due to lack of resources or facilities.”

San Francisco has more than 500 residential hotels, according to city records, with more than 19,000 units. An estimated 8,000 seniors and adults with disabilities live in SROs.

Robles remarked that it took courage for the SRO residents to speak up in hopes of improving their living conditions. “Tenants in theses SROs oftentimes are intimidated to say anything,” he said. “Some folks might have feared reprisal.”

Salute new Hi Fructose boxed set at free YBCA party tomorrow

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You could practically hear the sharpening of claws in the Guardian office when the Last Gasp-published Hi Fructose Collected 3 boxed set arrived on our proverbial doorstep. For fans of quirky, dark arts, this was the motherload: a tidal wave of a book stuffed with visual artists from around the world, all accompanied by a sweet bear (sheep? I say sheep. There was debate) mask by Mark Ryden, ready to be fastened on one’s face with a lightly-colored ribbon. There was a velvet-flocked triptych by Martin Ontiveros, Skinner, and Junko Mizuno. A fantasy city on a poster. Stickers. All of it.Count on us then, to be lined up to have our copy signed at YBCA tomorrow (Tue/5) during the museum’s free day. Our fave freaky Bay Area cake artist Scott Hove and a host of others whose work is in this magical bundle will be signing books, all while Swiftumz plays a DJ set. We caught up with Collected 3‘s editors to gush and ask stupid questions.

Behold, the answers by Hi Fructose’s Annie Owens and Attaboy. And some pretty art thangs you’ll find in the boxed set.

Fuco Ueda

SFBG: I wonder what kind of language you use to describe the work Hi Fructose profiles? I know I’m seeing something distinctive, but dammit if I could put a genre on it. 

Annie Owens: ‘New contemporary’ seems to be a good catch-all umbrella for most things under the high art radar, but even high-art is a line we cross sometimes. 

Scott Hove

SFBG: Draw some lines for me — who are some artists who would never appear in Hi Fructose? Someone who you’ve never worked with that would be a fantastic inclusion. Living, dead, mythic beasts are all acceptable answers.

Attaboy: We’ve got some mythic folks lined up for the coming year, don’t want to ruin the surprise.

AO: Never say never. Even Thomas Kinkade has his appeal! [Artists we’d like to work with include] Hieronymus Bosch, Charles Addams. As for live ones, we’ve had the pleasure to have some of our favorite art legends, who we won’t mention here, say yes to an upcoming project so there’s that!

Gabriels

SFBG: Please recommend a usage for the mask enclosed in box set.

A: On someone’s else’s face. So you can poke fun of them.

Hi-Fructose Collected 3 launch party

Tue/5,5:30-7:30, free

Yerba Buena Center for the Arts

701 Mission, SF

www.ybca.org

 

Sunday parking, free — for some

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If you drive your car Sunday morning to a restaurant for breakfast, or if you go to a Yoga class, or if you’re going to work or shopping, you have to plug the meters now, or you’ll get a pricey ticket. Almost 1,800 people got caught up in the new crackdown on Sunday parking.

Which is fine with me; I think people who drive should pay to park, and as long as you can stay a couple of hours, most of the meters in the city are a bargain.

But for some people, there are no Sunday meters, and no tickets. Those are the ones who don’t bother with the meters and just park in the middle of the street while they’re going to church.

I’ve been complaining about this for a long time, and nothing seems to change:

If you go to see the (secular) Mime Troupe in Dolores Park and you stick your car in the middle of the street, you get a ticket. If you drink at a (secular) bar or eat at a (secular) restaurant and you leave your car in the Valencia Street median, you get cited. You can’t double park while you run in for a (secular) cup of coffee at Muddy Waters.

And now everyone engaging in secular activities has to pay to park, and the people who go to church get to park in the middle of the street, illegally, free of charge, and with full impunity.

I called Paul Rose, the MTA spokesperson, and asked if this harsh crackdown on Sunday meters would also include a crackdown on people who park illegally in the middle of Valencia Street, but he hasn’t gotten back to me. I’ll let you know if he does.

Restaurant Guide*

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La Note and Café Clem

Dorothée Mitrani-Bell, owner and proprietor of both La Note and Café Clem in Berkeley, was born in the South of France and grew up in Paris. Daughter of French gourmet cooks, she is no stranger to fine French cuisine, but wanted to bring the rustic and unpretentious side of things to her clientele. “I sell conviviality,” she says, adding with a laugh: “It’s about people – I want people to be together and sit together…and calm down.”

After “Berkeley called, ” a young twenty-something Dorothée arrived on a one-way ticket and $6 in her pocket, attended Cal, and sometime thereafter set up shop in a once dilapidated 1875 building that she completely renovated and restored on her own. La Note opened in 1997 and has been in the same location since.

“As soon as I walked in to the building, I had a vision of what it is today” – that is a charming eatery with a warm and rustic Provençal ambiance. Reclaimed and repurposed furniture like old pews make it feel homemade, like the food. The pancakes are a must-try, as are the eggs. Les Oeufs Lucas and a fresh croissant will not disappoint.

More Paris than French countryside, the new Café Clem opened last April near Berkeley High with much fanfare. “The kids are fans of the Nutella-filled baguette and les pain perdus.” A pain perdus, for the uninitiated, is a pressed stack of challah layered with Nutella, served here with a glass of milk – French comfort food at it’s finest, for students and adults alike. (Jackie Andrews)

La Note, 2377 Shattuck Ave., Berkeley | (510) 843-1535| lanoterestaurant.com

Café Clem, 2020 Kitteredge St., Berkeley | (510) 280-3881 | cafeclem-downtown.com

 


Taqueria Can-Cun


Voted as “Best Taqueria” in the Best of the Bay for 10-plus years, this taqueria is one of the best in the Mission. Their tacos and burritos are always delicious but if you are looking to mix it up a little try their pastor torta – flavorful pork between two fluffy warm buns with lots of tasty toppings in between. If you are a vegetarian this place will satisfy since they’ve been voted “Best Veggie Burrito” more than once. This small, quaint, authentic taqueria is located in the heart of the Mission at 2288 Mission St. @ 19th with another location at 1003 Market St. @ 6th and their newest one at 3211 Mission St. @ Valencia. Whether you are looking for lunch, dinner or a late night snack, this place deserves consideration. Open Monday through Thursday 10am to1am, Friday and Saturday 10am to 2am, and Sunday from 10am to 1:30am.

 


Bistro SF Grill


Bistro SF Grill provides the best, always fresh, organic, sustainable, local, and eclectic meats, and with their fresh-baked organic breads they create the most exciting burgers.

If you’re looking for a hearty meat dish – whether a traditional Kobe beef burger, or if you’re feeling funky and want to try grilled ostrich, alligator, buffalo, wild boar, or venison – then this is the place for you. Their wide variety menu also has options for the vegan and vegetarian eaters as well. This restaurant serves a wide variety of beers from around the world and also has wine tastings everyday. Open Monday through Friday, 5 to 10pm and Saturday and Sunday, noon to 10pm, located at 2819 California St. @ Divisadero.

 


Las Palmeras

This Salvadorian/Mexican/Latin American restaurant is sure to satisfy everyone’s taste buds, even those of the picky eater. They offer all the traditional Mexican food including refried beans, rice, homemade warm flower tortillas, salad, salsa and their famous pupusas – a thick handmade corn tortilla stuffed with a variety of cheese and pork. The menu also includes tamales, soup, finger lickin’ fried chicken and hamburgers. Open seven days a week from 8:30am to 9:30pm daily, located at 2721 Mission @ 23rd  St.

 


Taqueria El Castillito

This affordable, delicious, and undeniably authentic taqueria may be one of the best in the Mission. This place is best when you are looking for a late night, cheep eat.  They are known for their XXL burritos and bottomless chips and salsa everyday. They also offer a wide variety menu that includes tacos, nachos, and tortas. Whether you want a mild or extra hot salsa, their salsa bar is sure to satisfy whatever your level of spice may be.  El Castillito is pen for lunch, dinner, and late night meals with two locations –2092 Mission St. @ 17th St. and 370 Golden Gate Ave. @ Larkin.

 


Rainbow Grocery


This locally owned grocery store has been serving San Francisco’s Mission District since 1975. They aim to buy goods from local organic farmers, bakers, dairies, and other local businesses whenever possible. They are most known for having a wide selection specialty items, most of which you cannot find in a chain grocery store – plenty of gluten free, vegetarian, vegan, soy-free and organic products. Customer’s favorite items include the wide variety of cheeses, oils and vinegars that you can package yourself, bulk grains and teas, and a large supplement aisle. Located at 1745 Folsom St., Rainbow Grocery is open everyday from 9am to 9pm. 

 


Ganim’s Market

If you’re looking for some good comfort food at incredibly reasonable priecs, then Ganim’s is the place to go. With everything from delicious burgers – veggie too – and fries for $6 or less to traditional English fish and chips for the same price, this is a cheep deli-style joint that will not disappoint. Looking for something different to mix it up?  Try their surf and turf burger – a piece of fried fish on top of a bacon cheeseburger. This place has everything from burgers to burritos, and icy cold beers to wash it all down. Here, you can truly enjoy a huge meal for a small price. Located at 1135 18th St. right on the corner, Ganim’s is open Monday through Friday 11am to 9pm and Saturday from 11am to 7pm. Great lunch specials as well!

 


Blowfish Sushi


Blowfish offers good quality sushi in a modern, upscale environment. The restaurant has a hip club vibe with large TV screens around the dining room and a DJ spinning the latest tracks. With beautiful plating, awesome deserts, and delicious plum wine, this place is sure to satisfy all sushi lovers.  If you’re coming here for lunch make sure to come early or make a reservation as the place is usually packed. Also good to know is that from 2:30-5:30pm, Monday through Friday, it is siesta time. Open for dinner Monday, Tuesday and Sunday from 5:30 to 10pm, Wednesday and Thursday until 10:30 and Friday and Saturdays until 11pm. Located in the Mission at 2170 Bryant St.

 


Reina’s Taqueria

Fresh, inexpensive, local – Reina’s has all the familiar Mexican menu items you are looking for, like nachos, enchiladas, tamales, al pastor burritos, and tacos, all made with the freshest ingredients at a really great price. Make sure to check out their beer and wine selection as well. Reina’s Taqueria makes for a great lunch spot and can accommodate large groups. Located on the corner of 12th St. and Lafayette at 1550 Howard, this taqueria is very convenient to get to. Stop in for lunch or call your order in at (415) 431-0160.

 


Eiji Tofu


If you are looking for a low-key, Japanese restaurant in a small, quaint location then this is the place for you. Eiji offers a limited menu but the options are all signature dishes that are simply delicious, like great sushi, okra beef, homemade tofu, and more. Make sure to end your meal with their most famous dessert, the strawberry mochi. The staff is very knowledgeable and attentive to what you need, making this a great place for an un-fussy or casual dinner date night. Located in the Castro at 317 Sanchez. Open Tuesday through Sunday from 11:30am to 2pm and 5:30pm to 10pm.

 

Don’t just stand there — squat!

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You know I love this story. I love it so much I am going to be following it for weeks, and I hope for years. A homeless guy takes over a $2 million mansion in Florida, which was sitting empty while Bank of America dicked around and never sold or rented it, and now the bank is going to have a tough time getting rid of him.

Did I say I love this story?

Check it out:

It only gets more complicated. By invoking an obscure but never rescinded nor revised Florida law, Barbosa is using “adverse possession” to justify his claim in the house, as it allows a person to move in and claim title of a property “if they can stay there seven years.” Florida has suffered more than one similar case. The Sun Sentinel makes reference to a “handful” of adverse possession claims making their way through the Palm Beach County Property Appraiser’s Office, but Barbosa’s stands out because the house he’s possessing (adversely) is so valuable. And though Barbosa is certainly eccentric, posting a sign that he is the “living beneficiary to the Divine Estate being superior of commerce and usury” on the front of the home, he isn’t stupid. He even contacted the Appraiser’s Office to alert them that his tenancy had begun, presumably as he intends to stay for the required seven years.

We haven’t had any good high-profile public squats like this in San Francisco in years. Back in the day, my old friend Paul Kangas and his brother John were the kings of squats; Paul found an empty house in the Sunset in the late 1970s, with the paint peeling and the shutters hanging off the windows, moved into it, fixed it up, had the water and power turned on in his name and lived there for years. He didn’t operate in secret or the middle of the night; he got the lock re-keyed, moved all his stuff in, and acted like he owned the place. He fixed it up nicely, took care of the yard — and the neighbors loved him. An empty eyesore was now a clean, inhabited house.

Paul was no fool; he had researched the place and found out that the owner had died without leaving direct descendants or a clear will, and for a long time, nobody in the city or the legal system could figure out who actually did own it. Paul needed a place to live; this one was going to be empty for a long time. Why not use it?

John did the same thing with an abandoned house in the Mission, except that to open the door, he had to climb in a window. Somebody saw him, called the cops …. and he was arrested for burglary (for taking the front door knob, which he was going to replace.) He took the case to trial, and it was spectacular: His lawyer, Jonathan McCurdy, called a bunch of city officials and asked them who John had stolen the door knob from; “who,” he kept asking, “actually owns this property?” The title was unclear; nobody could answer the question.

Then John took the stand and said he wasn’t a burglar at all; he was a squatter, who was planning to take over, fix up, and live in an abandoned house.

The jury took about an hour to come back with a verdict of not guilty.

There are plenty of pieces of property around the Bay Area that are owned by banks and sitting vacant. Some of them are becoming eyesores. Somebody ought to be living there.

As we used to say, Don’t just stand there — squat!

 

 

 

 

 

 

 

Framing devices

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VISUAL ART Several recent, notable group exhibitions have me thinking a bit more actively about the roles curators play as artists in the shows they assemble. As much as DJs or editors, curators are present in their shows as artists, sometimes demurely, sometimes not.

As curator of the “Disrupt” two-person show at Highlight Gallery, Kelly Huang has shrewdly assembled a pair of artists whose work reinforces each other. Seen together, the paper-based works of London’s Marine Hugonnier and Cairo’s Taha Belal, create a kind of duet of interrelated working styles. Both artists use silkscreen to recast newspaper and magazine pages with intricate designs and blocks of color. Hugonnier tends to work in series, appropriating several consecutive days worth of front pages from the same newspaper during the course of pivotal political events, then blocking out images with bright primary colors in a way that recalls both Ellsworth Kelly and Piet Mondrian. Belal prefers delicate tiled pattern work overlaid on full color ads, applied in a way that confuses, heightens, and twists the intended message on the page. Through Sat/2, Highlight Gallery, 17 Kearny, SF; www.highlightgallery.com.

When a gallery with considerable reach decides to mount a thematic exhibition, it can be both impressive and almost unruly, as with Fraenkel Gallery’s sprawling “The Unphotographable” show, featuring images by Alfred Stieglitz, Man Ray, Richard Misrach, Glenn Ligon, Wolfgang Tillmans, Diane Arbus, and many others. Truthfully, there’s probably too much here, but there are several gems in the gallery, lightly organized to highlight attempted photographic captures of the sublime, the disembodied, the transcendent, and the elusive. The most potent works in the show — among them Gerhard Richter’s September, an image of his 2005 painting, itself a conceptual model for abstract representation — counteract their own assertions of verisimilitude in favor of something more circumspect and self-aware. Through March 23, Fraenkel Gallery, 49 Geary, SF; www.fraenkelgallery.com.

For logistical and practical reasons, it’s fairly uncommon to hear of curators commissioning works for a gallery show, but the results can be intoxicating, as with “Remembering is Everything” at Alter Space. Bean Gilsdorf and A. Will Brown got six artists to contribute a work based on his or her own remembering of the same original video, which was destroyed after viewing. Befitting the premise, the works in the show contribute to a general field of reverberating feedback, each one in this context providing you incomplete points of view on an unknown experience.

Themes of recursion, repetition, and fugue recur, as in Stephen Slappe and Kate Nartker’s looped video works that both posit unresolved narrative chords, and Nancy Nowacek’s performance Circuit (As I Caught), in which mysterious packages filled with objects recalled from the video appear at the gallery each day of the exhibition. The effect is like an enacted Haruki Murakami dream sequence, and you’re immediately drawn into the activity of fabricating and assembling the show’s affects and objects into a kind of tenuous, vague, and poignant gestalt. Through Feb. 23, Alter Space, 1158 Howard, SF; www.alterspace.co.

Sometimes, the curatorial conceit is basically an excuse, as with “While We Were Away” at 941 Geary, which the press release says is “composed entirely of artists [curator Tova] Lobatz has become aware of while traveling.” Despite the throwaway premise, some of the work — especially by Sten Lex — is impressive. Sten Lex, the Italian stencil duo, makes arresting op-art flavored stencil portraits usually on grand scale on the sides of buildings; here on panels. What differs from the street-art norm in their work, aside from the precise Ben-Day rendering, is the not-really-offhand way they leave the painted stencil affixed to the substrate to let it peel or erode over time, a swerve that makes the painting’s correlation to the original photo more precise as it ages. Their four untitled works in the gallery demonstrate various points in that progression. Through March 2, 941 Geary, SF; www.941geary.com.

LOOKING AHEAD:

For “Silence,” curators Toby Kamps (Menil Collection) and Steve Seid (BAM/PFA) dig deep to assemble almost everybody you can think of — Beuys, Duchamp, Klein, Magritte, Warhol, Broodthaers, Manders, Marclay, Roden, Salcedo, others — to address the representation of silence using John Cage’s 4’33” as a point of departure. Jan. 30-April 28, UC Berkeley Art Museum/Pacific Film Archive, 2575 Bancroft, Berk; bampfa.berkeley.edu.

A new series of muralist group shows launches with work by Apex, Casey Gray, René Garcia Jr., and others. Erotic, anaglyphic 3D glitter wallpaper? Sign me up. Feb. 7-July 1, Project One, 251 Rhode Island, SF; www.p1sf.com.

Kehinde Wiley’s flashy, uber-hip portraits have made him the international go-to darling of both the upmarket and Juxtapoz crowds. Expect high craftsmanship and an eye for drama. “The World Stage: Israel,” Feb. 14-May 27, Jewish Contemporary Museum, 736 Mission, SF; www.thecjm.org.

The word “visionary” is perhaps overused in the world of architecture, but the jarring, psychologically charged work of Lebbeus Woods warrants the use. The recently deceased architect’s work will be represented by 175 drawings, renderings, and models in this career survey. Feb.16-June 2, San Francisco Museum of Modern Art, 151 Third St., SF; www.sfmoma.org.