Live Music

Run, Chewie, run: Star Wars fashions fly at ‘Run the Course’

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Many people say that the Star Wars movies are phenomenal, and I’m sure that if I’d seen any of them, I’d agree. Although I don’t know much about the series, there is one thing I do know – the fashion of Star Wars fans is vastly underrated.

A couple Wednesdays ago, die-hard fans ran in Course the Force, an Olympic-style torch relay benefitting the Make-A-Wish Foundation. They started at Pier 50, and ran across the Golden Gate Bridge, and then joined “Conival” at Justin Herman Plaza for games, food, expo booths, and live music.

Thirteen year-old Morgan McCarthy sported an outfit resembling Barriss Offee. “Barriss was a background character in the movies, but became a major player in the cartoon,” McCarthy said. McCarthy may have worn a new costume, but her sister, ten year-old Isabel, proved that hipsters come in all shapes and sizes as she wore a thrifted costume, handed down by her older sister.

One of the most talked about costumes of the event came from Traci Degerman, who dresses as a Jedi knight of the old republic. Not only did Degerman put in more elbow grease in dressing up by doing her own engravements on her outfit, but she still looked fierce and ready to kick ass even after participating in the Course the Force Relay. “Well, it was only half a mile,” Degerman said modestly of her triumph. “I’m just excited to see the video of us running.” I guess you can’t look fine and run gracefully.

I wish we could focus only on the cute children and over achievers, but with the bad always tags along with the good. “In all fairness, I’m dressed as myself,” Leif Bryor said. Bryor was technically dressed as a Jedi, as his robe had an official emblem on it. He described his attire choice as “Just a way to find granny,” as he handed over a business card and walked away. Bryor didn’t put any effort into his look but, Sith happens.

Events: July 17 – 23, 2013

Michael Redmond
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On the Cheap listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 17

Kim Deitch Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The graphic novelist presents The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, accompanied by a screening of the 1915 silent film The Hypocrites, plus a slide show highlighting Deitch’s underground cartoon work.

Stephanie Lehmann Books Inc, Laurel Village, 3515 California, SF; www.booksinc.net. 7pm, free. Also Thu/18, 6pm, free, Towne Center Books, 555 Main, Pleasanton; www.townecenterbooks.com. The author reads from Astor Place Vintage, a novel set in turn-of-the-20th-century New York City.

THURSDAY 18

“Shipwreck: Competitive Erotic Fanfiction for Literary Perverts” Booksmith, 1644 Haight, SF; www.booksmith.com. 7pm, $10. Six writers “destroy one great book, one great character at a time,” with the end results read aloud in dramatic fashion (and the audience choosing a winning author). Target this go-round is J.R.R. Tolkien’s The Hobbit.

FRIDAY 19

“Friday Nights at the de Young: Sights and Sounds of Mexico” de Young Museum, 50 Hagiwara Tea Garden, Golden Gate Park, SF; deyoung.famsf.org. 5pm, free (access to permanent collections and special exhibits requires admission fee). Jazz and pop fusion with Ilan Bar-Lavi and Sonex, plus a lecture on photographer Rose Mandel. Plus, the de Young’s 144-foot observation tower stays open until 8pm.

“Friday Nights @ OMCA” Oakland Museum of Art, 1000 Oak, Oakl; www.museumca.org. 5-9pm, half-price admission for adults ($6); 18 and under free. This month’s theme is “Indie Rock,” so you can wager a guess as to what type of music will be filling this family-friendly night market. Also: art workshops for kids, food trucks, foodie talks, and more.

SATURDAY 20

“Exploratorium Market Days: Local Motion” Public plaza outside the Exploratorium, Pier 15, SF; www.exploratorium.edu. 11am-3pm, free. The science museum kicks off a monthly series of free outdoor events with “a celebration of the myriad ways people, machines, and animals get around.” On tap: a bionic suit, a personal submarine, a dragon boat, a pedal-powered Ferris wheel, and a chicken foot dissection.

“Pedalfest” Jack London Square, Broadway at Embarcadero, Oakl; www.jacklondonsquare.com. 11am-7pm, free. More than 20,000 bike fans are expected to cycle through this event, which features daredevil and stunt performances, a BMX competition, a children’s bicycle parade, a bike rodeo, live music, “pedal-powered food,” and more.

“San Francisco Waterfront Labor History Walk” Meet at 75 Folsom, SF; www.laborfest.net. 10am, free. Labor historians lead this walking tour that focuses on SF’s maritime industry from 1835-1934, with additional discussion of the 1901 transportation strike.

SUNDAY 21

“Off the Grid SF: Picnic at the Presidio” Main Post Lawn, Presidio, SF; offthegridsf.com/picnic. 11am-4pm, free. Food trucks converge to sell tasty treats (added bonus: gorgeous bay views) from local hotspots like Humphrey Slocomb, Hog and Rocks, Namu Gaji, and more. Pro-tips: bring blankets for seating, and get there early to line up for your favorites — the best stuff tends to sell out well before 4pm.

TUESDAY 23

Nyna Pais Caputi Koret Auditorium, San Francisco Main Library, 100 Larkin, SF; www.sfpl.org. 6:30-7:30pm, free. The director of Petals in the Dust: The Endangered Indian Girls screens a trailer for her film and discusses current efforts by activists to end violence against women in India.

C.W. Gortner BookShop West Portal, 80 West Portal, SF; (415) 564-8080. 7pm, free. The author reads from his second book in the “Elizabeth I Spymaster Chronicles,” The Tudor Conspiracy.

“Slave Labor, Free Labor, and Working People Today” 518 Valencia, SF; www.laborfest.net. 7pm, free. CUNY lecturer Carol Lang charts the links with the fight against slave labor (2013 marks the 150th anniversary of the Emancipation Proclamation) with the fight for workers’ rights around the world today.

“Strange Invaders: Ants, Termites, and Bedbugs” SoMa StrEat Food Park, 428 11th St, SF; www.askascientistsf.com. 7pm, free. Ask a Scientist and Wonderfest co-present this discussion of creepy-yet-common household invaders. Eeek! *

 

Our Weekly Picks: July 10-16, 2013

Jesse Hawthorne Ficks
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WEDNESDAY 10

 

Botany’s Breath

Even if you are a plant lover, the Conservatory of Flowers in Golden Gate Park can intimate you. Taking but a few steps from the Highland to the Lowland Tropics, places that on the outside are hundreds of miles apart, is decidedly weird. But choreographer Kim Epifano loves it. Her Epiphany Productions Sonic Dance Theater’s Botany’s Breath is both a tribute to the natural world and a wake-up call to be mindful of our position within in. Joining Epifano’s eight dancers are excellent collaborators Norman Rutherford and Peter Whitehead (music) Allen Willner (lighting design), and Ellen Bromberg and Ben Estabrook (video design). Space is tight so only 40 people at a time can take in the show.(Rita Felciano)

Through Sat/13, 7:30pm and 9pm, $25–$30

Conservatory of Flowers

100 John F. Kennedy Drive, Golden Gate Park, SF.

conservatoryofflowers.org/special-events

 

The Melodic

The Melodic is like a flavorful snack that hits all the right spots. Pegged as experimental Afro-folk-pop, the London quartet’s delicious harmonies alone are enough to back this, but only one part of its allure — the group is inspired by sounds around the world. While the West African folk is brought by instruments like the Kora, and the Latin influence is evident in the acoustic guitar picking and charango, the songs are also chockfull of poppy melodies and whimsical lyrics. Just as readily though, the group cranks out a song like “Ode to Victor Jara,” with such a heavy tone and earnest lyrics, you’d swear you’re hearing some kind of beautiful eulogy. The point is, the band is mighty versatile, dipping between South American and African influences with a pop edge — and how can that not translate into a great live performance? (Hillary Smith)

With Song Preservation Society and Dyllan Hersey

8:30pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

 

The Flamin’ Groovies

Influential 1960s rockers the Flamin’ Groovies — who delivered wailing cult classics like “Slow Death,” “You Tore Me Down,” and “Shake Some Action” (you know this last one from its resurrection in the film Clueless) — have gone through some serious band changes over the past four decades, with more than 15 members rotating through the legendary group and some legendary rifts in the mix as well. Roy Loney has moved on to Roy Loney and the Phantom Movers. This current lineup is a circle back to Cyril Jordan, Chris Wilson, and George Alexander, who all overlapped in the group from 1971 through ’80. That power-pop lineup played a hastily arranged show in SF earlier this year, its first time together since ’81, but now it’s given you more advance notice. The current crew is rounded out by drummer Victor Penalosa. Don’t miss it again. (Emily Savage)

With Deniz Tek (Radio Birdman), Chuckleberries, DJ Sid Presley

9pm, $25

Chapel

777 Valencia, SF

www.thechapelsf.com

 

THURSDAY 11

 

Molly Ringwald

While Molly Ringwald might be best known for her acting career, having starred in several 1980s hit movies, she has recently returned to her first love, singing. She started performing with her father, a jazz pianist, when she was just a few years old, and recorded and released several songs before turning her attention to acting. Her latest album, Except Sometimes was released earlier this year, and showcases her sultry vocals, along with her love for the classics and a desire to mesh those styles with more contemporary material — such as a jazz rendition of “Don’t You (Forget About Me),” from her film The Breakfast Club. (Sean McCourt)

Through Fri/12, 8pm (also 4pm, Sat/13), $50–$125

Starlite Room, Sir Francis Drake Hotel

450 Powell Street, SF

www.societycabaret.com

 

FRIDAY 12

 

“New Works by Emily Glaubinger // Sean Newport”

This in-store exhibit takes the one-dimensional and make it pop in 3-D. It brings together noted local graphic designer/jewelry-maker Emily Glaubinger’s colorful illustrations of bold patterns and textiles and Sean Newport’s carefully crafted sculptures, “turning her intricate illustrations into 3-D pieces of art.” The “New Works by Emily Glaubinger // Sean Newport” opening event at Mission apparel store Nooworks includes live musical performances by Wild Hum and Philip Manley Life Coach (Glaubinger created the eye-popping album cover for Life Coach’s newest record, Alphawaves). As Glaubinger mentions in the invite, this will be her last local event, for now — she’s moving to Philadelphia. So it will indeed be your final opportunity (in the foreseeable future) to witness the homespun talent of one of SF’s favorite illustrators. (Savage)

Through Sept. 15

Opening tonight, 6-10pm, free

Nooworks

395 Valencia, SF

www.nooworks.com

 

Suspiria and The Exorcist double feature

If there’s anything horror movies of the 1970s taught us, it’s that evil lurks in unexpected places — a comfortable brick manse in Georgetown, or a ballet school in Germany, for example. Tonight, immerse yourself in a double-feature that presents two of the decade’s spookiest standouts. First up is the 1973 film that launched Catholic nightmares galore (and probably just as many head-rotation jokes): William Friedkin’s The Exorcist, presented in director’s-cut form for maximum Captain Howdy thrills. It’s paired with Italian genre master Dario Argento’s 1977 Suspiria, which is still crazy after all these years — and is the perfect flick to get you pumped for soundtrack artist Goblin’s October tour stop in San Francisco. (Cheryl Eddy)

The Exorcist, 7pm; Suspiria, 9:30pm, $8.50–$11

Castro Theatre

429 Castro, SF

www.castrotheatre.com

 

“David King’s Odd Alcove”

Iconography and graphic design have long been integral to the ethos of punk. For a certain sect, there’s no stronger symbol than the iconic, anarcho-punk Crass logo (once explained by the designer David King as “a cross and a diagonal, negating serpent, formed into a circle.” This week, Needles and Pens will present “David King’s Odd Alcove,” a solo show and book release for The Secret Origins of the Crass Symbol, which will include Crass graphics, photographs, wood constructions, “hi-art, lo-art, and more.” King, who grew up in London, met Crass’ Penny Rimbaud and Gee Vaucher in art school, lived with the band at Dial House, created illustrations for Crass and other acts, formed his own bands, and migrated to San Francisco during the early 1980s punk explosion. He’s remained here ever since, and now brings an assortment of personal treasures for this show. (Savage)

Through Aug. 12

Opening tonight, 7-9pm, free

Needles and Pens

3253 16th St., SF

(415) 255-1534

www.needlesandpens.com

 

Winfred E. Eye

Rough around the edges but smooth when he wants to be, Winfred E. Eye frontperson Aaron Calvert crafts compelling tunes no matter where he takes them. From blues to folk to rock, Calvert’s haggard, sing-talk style surprisingly doesn’t get old. “Moonlight touches on the snow, moonlight touches on my soul,” yelps Calvert in “Money in Bank,” a hybrid tune of country and rock’n’roll. The group’s songs work on low frequencies, never using volume as a crutch to get listeners pumped. Instead, it employs eloquent yet accessible lyrics, smooth vocals, and tight rhythms to draw a crowd. (Smith)

With Glacier and Beware of Safety

9:30pm, $12

Bottom of the Hill

1233 17th St., SF

(415)626-4455

www.bottomofthehill.com

 

Acid Pauli

Punk bands, Bjork productions, hip-hop projects, an ambient album on Nicolas Jaar’s label, mixes for Crosstown Rebels: Martin Gretschmann has many musical roles and aliases. In DJ mode as Acid Pauli, the guy sends me Googling every time, re-energizing my excitement for new sounds. Half the time it’s something I’ve never heard like the wonky jazz romp of Der Dritte Raum’s “Swing Bop,” or tectonically teutonic deep house of Gunther Lause’s “Mountain.” (Where the school children astral pop on Jan Turkenburg’s “In My Spaceship” came from I. Just. Don’t. Know.) Even when it’s as familiar as Nancy Sinatra or Johnny Cash, Gretschmann reworkings are something else entirely. At this debut three+ hour set, I expect to see at least few cell phones on the dance floor, Shazam-ing to keep up. (Ryan Prendiville)

With Eduardo Castillo (Crosstown Rebels/Voodoo),

9pm-3:30am, $12 presale

Public Works

161 Erie St., SF

(415) 932-0955

www.publicsf.com

 

SATURDAY 13

Creepy KOFY Movie Time: The Golem

Keeping the tradition of the old-school local late-night horror host TV show alive and well — or perhaps undead and twisted would be better terms — the ghouls, er, guys behind “Creepy KOFY Movie Time” are getting out of their cave/studio and hosting a special party at one of the oldest theaters in the city. Featuring a screening of the classic 1920 horror flick The Golem (with new music by Hob Goblin) co-hosts Balrok, Webberly, and Slob will be on hand for the festivities that will also include live music from their house band the Deadlies, a bevy of beautiful Cave Girls, beer, prizes, and more. (McCourt)

9pm, $7.50–$10

Balboa Theater

3630 Balboa, SF

cinemasf.com/balboa

 

MONDAY 15

Langhorne Slim and the Law

Langhorne Slim and the Law is jumpy, chipper, and a whole lot of fun on stage — which is par for the course because it doesn’t need any of that. The group’s raw energy and commitment to its songs is seen in the stand-up bassist’s wriggly plucking, in the way Sean Scolnick approaches the mic like he’s communicating an urgent truth, and in the obvious connection they all share on stage. The group’s acoustic sound jumps as easily into foot-stomping folk as it does to soul and dirty rock. And Scolnick’s dynamic vocals thread it all together. One thing you can be sure of is there will never be a lack of energy or zeal at a Langhorne show. And with Easy Leaves on the bill, this show might just have double. (Smith)

With Easy Leaves

8pm, $20

Independent

628 Divisadero, SF

(415)771-1421

www.theindependentsf.com

 

TUESDAY 16

The Jazz Coffin Emergency Ensemble

If the free jazz sets on Wednesdays at Amnesia have taught us anything, it’s that hipsters can A) swing dance surprisingly well and B) appreciate music un-ironically when it comes without a price tag. The Jazz Coffin Emergency Ensemble promises standards from the 1950s and ’60s, a period when jazz was really evolving its own sub-genres. The band describes its set as verging on funk and march/dirge-heavy. This is the group’s second concert at El Rio and the price is certainly right. Hell, if that’s not enticing enough, for just $4 at 6:30pm before the show, Science, Neat, a monthly science happy hour that pairs short talks with live demos, will be on the patio with this month’s theme “Brains! Brains! Brains?” It’s the perfect opportunity to get your mind blown during a bustling happy hour at a colorful bar before enjoying some old favorites and a cheap buzz. (Ilan Moskowitz)

With Science, Neat (6:30 p.m. on the patio, $4 donation)

8pm, free

El Rio

3158 Mission, SF

(415) 800-8782

www.elriosf.com

 

Diversity in motion

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Diversity in motion

arts@sfbg.com

DANCE Last weekend, World Arts West’s San Francisco Ethnic Dance Festival closed out four almost completely sold-out weekends of performances. It is tempting to take this 35-year-old celebration for granted. Yet despite universal accolades, excellent audiences, a steadily improving roster of artists, an increase in live music, and ever-better production values, EDF still does not receive the support it deserves.

Consider this: according to its own numbers, EDF’s budget this year was two-thirds of what it was five years ago. Foundation and corporate support is down, between 30 and 50 percent. This time around, even Grants for the Arts — a stalwart champion of the festival since the beginning — had to cut its contribution by close to 20 percent.

Add to these challenges the fact that in 2011, due to the complications of the Doyle Drive construction, EDF lost its home at the Palace of Fine Arts. The much smaller Lam Research Theater at Yerba Buena Center for the Arts cannot make up the lost ticket sales.

Of course, in these mean and lean times, all the arts suffer. But other institutions of similar size, track record, and scope have endowments that help tie them over. Not EDF. It’s paycheck to paycheck. One reason for EDF’s survival, however, is that the biggest supporters of the arts have always been the artists themselves. Most of this year’s 500 dancers and musicians performed for free. (Their companies get a small stipend.)

So perhaps it’s appropriate to give a small bouquet to these eminent artists who may have come from places most of us will never visit — 19 countries on five continents — but are bringing to both fellow dancers and audiences their perspectives on what dance can tell us about being human.

While the Palace’s loss deprived EDF of its preferred stage, spreading the dance to different venues was a successful experiment. On June 7, a free, mid-day gala opening rocked the rotunda at San Francisco City Hall; the following day, Charya Burt’s reimagining of sculptor Auguste Rodin’s 1906 encounter with classical Cambodian dance brought East and West together at the Legion of Honor Museum’s jewel box theater. Later in the festival, one could walk across the lawn at Yerba Buena Gardens, where Patrick Makuakane was teaching light-hearted contemporary hula — and then, at YBCA, watch Halau o Keikiali’i present dignified re-interpretations of sacred Hawaiian rituals, offering an inkling of the complexities of culturally-specific dance.

EDF presents cultural traditions that range from high classicism (Chinese Performing Arts of America) to folkloric community celebrations (Lowiczanie Polish Folk Ensemble). But the fest also embraces change within continuity. It gives newcomers a chance, and welcomes re-interpretations of the past.

Nine of this year’s 33 participants made their EDF debuts. Among them were Colectivo Anqari, which charmed with an urban reinterpretation of popular dance from the Andes in which the men both danced and played the pan pipes. The women’s contribution almost looked like an afterthought. Ceremonially stepping dancers, drummers, and a flute player from Ensohza Minyoushu performed Sansador from Northern Japan, its high degree of formality leavened by a leaping masked “spirit.” Antoine Hunter’s short Risk showed a fascinating mix of jazz and sign language by this deaf dancer. High fives, however, must go to the two dozen youngsters of Mona Khan Company Emerging Performers. Their rousing, Bollywood-inspired Jalsa showed them to be disciplined, tough, and exuberant.

A relatively recent phenomenon is dancers and companies who rethink their heritage and reframe it into the kind of individual expression that Western art encourages. Charya Burt is one of them. Another is La Tania Baile Flamenco, whose Tierra translated the quintessential male farruca into a women’s dance. The trio became a striking expression of female power — rigorous and utterly convincing. Solo artist Oreet incorporated modern and ballet vocabulary into her spunky belly dancing, making it a decidedly contemporary expression of womanhood.

I do find it problematic, however, that dance from Mexico — there are over two dozen folklórico groups in the Bay Area — inevitably is represented by suites that are happy, fast, and loud. Surely there are more varied ways to showcase that culture’s rich variety of traditions.

The Palace of Fine Arts is scheduled to re-open in 2015. The people at World Arts West would like the complex to become a center for art and culture from around the globe. Sounds like a good idea to me.

The Selector

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WEDNESDAY 19

Camera Obscura

“If you want me to leave, then I’ll go/If you want me to say, let it show/Do you want me to leave, let me know,” pleads Scottish indie pop group Camera Obscura on heartstruck ballad “Fifth in Line to the Throne” off the group’s newest full-length, Desire Lines. It’s the Glasgow five-piece’s first new record in four years (the most recent being My Maudlin Career). And yes, the new one maintains the band’s 17-year-strong streak of stunning, wistful ballads, laced gently through with heartfelt vocal musings. Much like that other lauded Glasgow-based gentle indie pop act, Belle and Sebastian, Camera Obscura has mastered the art of the melancholy pop song, seeped in lovely whispers and lilting moans, gentle strings, soft piano keys, drumming pitter-patters, the works. But we love them for it, like those weepy torch songs of yesteryear. The show gives you the chance to cry in public. Want you to leave? No, we’ll let it show. (Emily Savage)

With Photo Ops

8pm, $25

Regency Ballroom

1290 Sutter, SF

(415) 673-5716

www.regencyballroom.com

 

Dogcatcher

If Dogcatcher was a brand of alcohol, it’d be Jameson — it’s that smooth. By crafting tight rhythms and jazzy guitar riffs, the San Jose-based trio provides an almost flawless fusion of jazz and rock. And its simple and soft vocals create an intimate experience on stage. Dogcatcher’s songs are well-constructed and the delivery creates a calmer version of traditional jazz. Song “Be Easy” off its most recent album It’s Easy reflects this: “Because tonight you know, it’s all about the sound/Just be easy,” sings Andrew Heine in a lazily seductive voice that makes you believe that for him, it really is just that simple (Hillary Smith)

With the Sam Chase, the Gallery

9pm, $8

Bottom of the Hill

1233 17th St., SF

(415) 861-1615

www.bottomofthehill.com

 

THURSDAY 20

Fresh Meat Festival

With “Trailblazers,” the 12th annual Fresh Meat Festival — a celebration of transgender and queer performance — is paying tribute to musicians, dancers, and theater people who hoe their own rows. This year they all do it in our own neighborhoods. The dancers, AXIS Dance Company, Barbary Coast Cloggers, Allan Frias’ Mind over Matter and Sean Dorsey Dance and Las Bomberas de la Bahia couldn’t be more different from each other. What they share, beyond working in the Bay Area, is a clear vision of what they want to do and the skill and perseverance to stick to it. Very simply, they have become tops in their field. To see them now in a sort of meta context of their sexual orientation, is a joyous opportunity to add another notch to their trailblazers spirit. (Rita Felciano)

Through Sat/22, 8pm, $15–$25

Z Space

450 Florida, SF

www.brownpapertickets.com

 

 

The Ape Woman: A Rock Opera

Step right up and view Dark Porch Theatre’s presentation of The Ape Woman, May van Oskan’s rock opera exploring the life of one Julia Pastrana, an indigenous Mexican woman who achieved fame (infamy?) on the 19th century circus sideshow circuit. Sometimes also dubbed “the Bear Woman,” the diminutive Pastrana suffered from hypertrichosis — resulting in thick, dark hair all over her face and body, a trait that made her a valuable prize for unscrupulous promoters. With a set styled like a Victorian sideshow tent, van Oskan’s opera tells Pastrana’s fascinating live story via 14 original songs, backed up by a seven-piece ensemble. (Cheryl Eddy)

Opens tonight, 8pm

Runs Thu-Sat and June 26, 8pm; Sun/23, 4pm, through June 29, $15–$30

Exit Studio

156 Eddy, SF

www.theapewoman.com

 

The Bottle Kids

I once saw Bottle Kids frontperson Annie Ulukou at the Stork Club with nothing but a ukulele. This could have gone any which way, but instead of succumbing to the soft, lullaby tone inherent to the miniature instrument, Annie amplified and distorted its sound to backup the heartbreak and pure aggression of her voice. This is indicative of the Bottle Kids sound as a whole. Their shows can be as personal, subtle, soulful and as easy to access as a ukulele in a small room while still sucker-punching you square in the gut. Check this band out while it’s still free to see it live. (Ilan Moskowitz)

9:30pm, free

Grant and Green Saloon

1371 Grant, San Francisco

(415) 693-9565

www.grantandgreensaloon.com

 

FRIDAY 21

PANSY

Why does nightlife hold us in its timeless spell? And, perhaps more topical, will the nostalgia for the necessary craziness and joy of ’90s nightlife ever let us go? Evan Johnson, one of our most intriguing drag performers (beloved alter-ego Martha T. Lipton, the Failed Actress, is a hoot) goes deeper in solo stage show Pansy, conceived with Ben Randle. His character, Michael, discovers a time capsule full of VHS tapes, cassettes, and flyers documenting ’90s gay club kid Peter Pansy, and finds shivery parallels with his own life emerging. “I want to address the ‘shadows’ of AIDS and queer history and Pride… That time period, 1993-95, became the vehicle for me to address the vital nostalgia and escape of the San Francisco queer fantasy,” he says. Johnson’s been hosting lively Q&As with legendary nightlife biggies after each performance, including Pansy Division’s Jon Ginoli, Dan Nicoletta, Alvin Orloff, and Sister Roma. (Marke B.)

Through June 29th, $10-$15

New Conservatory Theatre

25 Van Ness, SF

(415) 861-8972

www.nctcsf.org

 

SATURDAY 22

San Francisco Bicycle Music Festival

First of all, can we just enjoy this awesome WTF moment? A music festival. Powered by bicycle pedaling. Even in its seventh year, SF’s annual Bicycle Music Festival is still a wonder to locals. It offers the chance to listen to great music by folk band Laurie Lewis and the Righthands, Bill McKibben, Justin Ancheta Band, Manicato, and more, in a beautiful setting for free. In fact, it’s in three beautiful settings, because the event is packed up and deployed throughout Golden Gate Park. The event is known to draw some crazies, the cool kind who perform synchronized dances or twirl around on cycles while playing the trumpet — so be warned. It is definitely worth checking out, particularly if you’re a bike enthusiast interested in meeting fellow cyclists, or just a live music fan. And if the bicycle-powered music bit doesn’t have the same amazeballs effect on you, there will also be hand-cranked ice cream and smoothies made from the same bike power. (Smith )

Noon-5pm, free

Golden Gate Park

Pioneer Log Cabin Meadow to Stow Lake Drive at JFK Drive, SF

bicyclemusicfestival.com

 

Grandpa Fest

You don’t know Grindcore Grandpa? Hmm, how to explain to this. Basically, he’s the stoic elder gent who shows up at tons of hardcore and underground punk shows, lives for grind, and has a Lack of Interest shirt with his own face on it (as such, he’s more known as Grandpa of Interest). He’s turning 86, and that’s a big deal, so the Gilman is hosting Grandpa Fest and bringing in some of his favorite acts, legends of the scene including experimental Man is the Bastard offshoot Bastard Noise, and sludge-master Noothgrush, along with Stapled Shut, To the Point, Connoisseur, and Happy Pill Trauma. If you know what’s good for you, you’ll honor the man with a dive in the pit at breakneck speed. (Savage)

7pm, $10–$12

924 Gilman, Berk.

www.924gilman.org

 

Fete de la Musique

“The music everywhere and the concert nowhere,” declared French composer Maurice Fleuret in 1981. And then e went on to launch “Fete de la Musique” on the summer solstice of 1982, slyly celebrating that pagan holiday by bringing the French population out into the streets to play all the music they could. Soon the festival spread, and became a French tradition. Now, San Francisco’s Alliance Francaise is reviving the tradition with a roisterous day full of bands (Rue 66, Horse Horse Tiger Tiger, Crash Landings, Kiwi Time, more), drum circles, guitarists, and more — plus a few bars stocked with great wine, natch, to keep us in the spirit — on three floors. “Enjoy some Canadian music and food as well,” the Alliance promises, “as we welcome our Quebec cousins to celebrate their national holiday, the Fête de la Saint-Jean Baptiste.” French sounds all round! (Marke B.)

2pm-8pm, free

Alliance Française de San Francisco

1345 Bush, SF

fetedelamusiquesanfrancisco.wordpress.com

 

SUNDAY 23

City Lights at 60

Bookstore, publishing house, Beat writers hub, San Francisco institution. City Lights, founded by poet Lawrence Ferlinghetti and Peter D. Martin in 1953 (and now co-owned by Ferlinghetti and Nancy Peters), has meant a great many things to several generations of San Franciscans and tourists that flock to its North Beach storefront. It’s published important tomes, hosted readings and acoustic concerts, political conversations and book release celebrations. Just this past year saw a Pussy Riot gathering, Richard Hell reading, and a Sister Spit anthology release party. In celebrating six decades of life (that’s right, City Lights is officially 60 years young), the bookstore will host “City Lights at 60” lectures and readings through the rest of the year (“Howl Legacy: The Continuing Battle for Free Expression,” July 14, “Women of the Beat Generation,” Nov. 19), and an ongoing “Sundays in Jack Kerouac Alley” series. It all kicks off with the official birthday party today at the shop. The fête includes flash readings, archival footage, store discounts, and a live performance by the Latin Jazz Youth Ensemble of San Francisco. (Savage)

2-5pm, free

City Lights

261 Columbus, SF

(415) 863-2020

www.citylights.com

 

TUESDAY 25

Tyler Bryant and the Shakedown

Listening to Tyler Bryant, I get the sense that music was his first love. And even though he sings, “take my hand/take my heart/now honey, my super lady,” in the song “Lipstick Wonder Woman,” (which, conceivably, is about a human woman) I still believe that his most sultry seductress is the raw power and electricity present in his songs. His Nashville-based group makes authentic rock’n’roll that’s not reliant on over-reverbed guitar tones or a few simple fuzz-laden chords. Bryant can play, and his songs overwhelming reflect this. Reminiscent of the Black Keys, Bryant’s vocals are filled with soul, and the energetic beats anchoring his songs beg you to dance. (Smith)

With Girls and Boys

9pm, $15

Brick and Mortar Music Hall

1710 Mission, SF

(415) 371-1631

www.brickandmortarmusic.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

The young master

Jesse Hawthorne Ficks
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0
The young master

cheryl@sfbg.com

FILM After a banner 2012 and early 2013 — in which his 1958 Vertigo was named the best film of all time by Sight and Sound magazine; a critically-panned but still entertaining-enough biopic hit theaters; and a months-long career retrospective, “The Shape of Suspense,” played the Pacific Film Archive — Alfred Hitchcock’s revival continues. Next up is “The Hitchcock 9,” a San Francisco Silent Film Festival showcase of nine silent films — nearly his entire 1920s output, all made before he turned 30.

His best-known films continue to inspire pop culture (see: A&E’s hit Bates Motel), but Hitchcock’s earliest work isn’t widely circulated. That may change thanks to the British Film Institute’s restoration efforts, the fruits of which are unspooling stateside on a multi-city tour (along with the Silent fest, co-presenters include the Brooklyn Academy of Music and the Academy of Motion Picture Arts and Sciences) launching at the Castro Theatre. Live music by acclaimed musicians will enhance each screening, including the five-piece Mont Alto Motion Picture Orchestra, Bay Area pianist-composer Judy Rosenberg, and British silent-film specialist Stephen Horne.

In movie-crazed San Francisco, where Silent fest screenings regularly sell out (this year’s event is July 18-21; start your engines, Louise Brooks fans), the only dilemma will be deciding which of the Hitchcock 9 to see. Opening night offers a tempting option in 1929’s Blackmail, which Hitchcock — always adventurous with filmmaking technology — shot as a silent/sound hybrid.

Her blonde hair hinting at what would become a Hitchcock trademark, saucer-eyed beauty Alice (Anny Ondra) steps out on her inattentive boyfriend, a Scotland Yard detective, with an artist whose intentions prove shockingly lascivious. Alice has no choice but to stab her attacker (and rip one of his creepy clown paintings) and skulk off into the night, leaving the murder scene for her cop beau to find. What happens next is given away by the film’s title, but no matter — Blackmail is suspenseful to the end.

Another fair-haired lass encounters menace in closing-night film The Lodger (1926), a thriller that takes its stylistic cues from German Expressionist films, particularly 1920’s The Cabinet of Dr. Caligari. Sassy model Daisy (June Tripp, credited as “Miss June”) declares “No more peroxide for yours truly!” when London’s headlines begin shrieking about a serial killer, “The Avenger,” who exclusively targets blondes. Enter a gloomy-yet-dreamy stranger (Ivor Novello), who takes a room at the boarding house run by Daisy’s parents; it doesn’t take long before he makes the landlady uneasy (he does wear a cape, after all), though Daisy finds him intriguing. Naturally, her boyfriend — another cop — becomes highly jealous, not to mention suspicious.

Blackmail and The Lodger are stuffed with elements that would later be easily identifiable as “Hitchcockian” (witness Blackmail‘s high-climbing climax — it ain’t Mount Rushmore, but you see where the idea’s heading). But The Ring, about a love triangle between two boxers and the (dark-haired) temptress that motivates their brawls, is Hitch’s only original script penned without collaborators, and it’s hardly chockablock with psychological terrors. It is, however, a charming sports romance with some nifty technical touches, including an early example of a drunken scene being shot in blurry “booze-o-vision.”

http://www.youtube.com/watch?v=F2T4ZrBel6A

The rest of the Hitchcock 9: 1928’s daffy-heiress tale Champagne; 1927’s Downhill, which also stars The Lodger‘s Novello; 1927’s Isle of Man-set The Manxman; 1928 comedy The Farmer’s Wife, with The Ring‘s Hall-Davis; 1927 Noel Coward adaptation Easy Virtue; and Hitchcock’s feature debut, 1926’s The Pleasure Garden. 

THE HITCHCOCK 9

Fri/14-Sun/16, $15–<\d>$20 (nine-film pass, $135)

Castro Theatre

429 Castro, SF

www.silentfilm.org

 

Stretch out

Jesse Hawthorne Ficks
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3
Stretch out

culture@sfbg.com

On the Om Front The days are getting longer. The college kids who live next door are throwing parties seven nights a week instead of the usual four. Your dog is asking to be walked so early in the morning that you’re not certain you’ve ever actually gone to sleep. It’s summertime! And it’s the perfect time to get out of town for a few days, and do what yogis (and defeated armies) do best: retreat.

Yoga and meditation retreats can take many forms. They can be active and playful (think Acro Yoga on the Yuba River) or tranquil and introspective (like a silent meditation retreat in Santa Cruz). The Bay Area is a prime launch pad for a whole range of extro- and introverted magical adventures that will stretch your body and your mind into dimensions you never knew existed.

Of course the hardest part about planning a retreat or festival getaway is actually planning it. So, here’s a little help for you. Now, all you need to do is whip out your smart phone or old-school paper calendar, flag the summer days on which you’ll say a temporary sayonara to the daily grind, and book it. See you on the flip side.

 

ACRO YOGA AND YUBA RIVER

You’ve seen those brightly dressed yogis in Dolores Park on summer Sundays balancing on slack lines and doing crazy partner acrobatic tricks. Learn how to do what they do on this high-energy retreat in Nevada City, led by Jason and Chelsey Magness of the YogaSlackers. Retreat includes all-levels training in Acro Yoga and slacklining plus plenty of time on the river.

June 20-23, $400. Nevada City, CA. www.yogaslackers.com

 

AS-ONE-WE-FLOW RIVER RETREAT

This “Interdepen-dance” retreat, run by River Guidess, will blow your July 4th out of the water. It features yoga, ecstatic dance, seven miles of mellow rafting (all gear provided), deluxe camping accommodations, organic meals, and live music. The Stanislaus river is so otherworldly that you may start dreaming in an alien language. And the best part: no wetsuits required.

July 4-7, $395–$475, Oakdale, CA. www.riverguidess.com/july-4-2013/

 

YOSEMITE YOGA

The towering mountains of Yosemite are just a hop, skip, and car ride away, but we city-dwellers rarely make it over there. Toss your yoga mat and some hiking shoes into your backseat, and head for the (really big) hills with Back to Earth’s annual Yosemite Yoga trip. Each day includes guided hiking to gorgeous spots, yoga classes, Thai Massage, delicious meals, campfires, and swimming in local creeks.

July 10-July 14, $675. Yosemite, CA. www.backtoearth.org/trips/yosemite-yoga

 

WANDERLUST

This is pretty much the hottest local-ish yoga festival of the year. Featuring a panoply of talent, this Lake Tahoe event includes world-class yoga instructors (including several Bay Area teachers like Janet Stone and Pete Guinosso) and like-minded musical artists like Moby, Grammatik, DJ Drez, and The Shimmy Sisters. Oh, and jaw-dropping vistas of Lake Tahoe.

July 18-21, $125–$475. Squaw Valley, North Lake Tahoe, CA. squaw.wanderlustfestival.com

 

SECOND ANNUAL YOGA ESCAPE

If you’re down for something mellower and more introspective, this Cazadero retreat with Danae Robinett offers yoga, delicious food, and deluxe accommodation amongst redwood trees and wandering wild turkeys. You’ll also get to experience Shake Your Asana, Robinett’s unique combo of yoga and rump-shaking.

July 25-28, $650. Cazadero, CA. www.smore.com/2t0b

 

INTRODUCTION TO MINDFULNESS MEDITATION RETREAT

Looking to shift your perspective on life for more than just a weekend? Try this introductory silent meditation (and Qi Gong) retreat at the Insight Retreat Center in Santa Cruz. Silent retreats give us the opportunity to look at our thoughts and patterns so that we can start shifting them to better our lives. The insights gained on a silent retreat are well worth corking your pie hole for a few days. You may not even want to talk again when you return. Donation-based.

August 15 to 18, free ($100 refunded deposit). Santa Cruz, CA. www.insightretreatcenter.org

 

DEEP RESTORATION, DEEP HEALING: ZEN MIND, YOGA BODY RETREAT

If relaxation is on your agenda (and not the kind that requires a cocktail), head to Tassajara, a Zen Buddhist retreat center in Carmel Valley. In this retreat, teachers Samantha Ostergaard and Do-On Robert Thomas will combine Restorative Yoga (an effortless, passive yoga practice) and Zen meditation techniques to create a feeling of calm in the body and mind.

August 22-25, $240, Carmel, CA. www.sfzc.org/tassajara

 

BHAKTI FEST

Indian chanting or “kirtan” is a juicy part of yoga practice for lots of folks, and this festival is the ultimate event to get your kirtan on. Located in Joshua Tree (close to the state park, but not in it), the festival offers four days of music with bands performing on two different stages all day and night, as well as a mad plethora of yoga classes. Hot desert nights plus divine tunes equals a personal favorite of mine.

September 5-8, $200–$400 plus camping fee. Joshua Tree, CA. www.bhaktifest.com

 

No weekend plans? Let us fill in your dayplanner

Andrew Lam
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0
No weekend plans? Let us fill in your dayplanner

Good clean, squeaky, fresh, wholesome fun. That’s what you’ll be having this weekend, courtesy this rundown of (all totally family-friendly) (unless your children don’t like zombies) daytime events.

FRI/7

Corazon Under the Dome

Head from work to the mall where, after sifting through the pink and plastic fineries at Claire’s Accesories, you can sit back, relax, and take in a show projected on the Westfield’s glorious dome. Today’s offering is an animated 3D art show, showcasing an iconic medley of photography and images of San Francisco that celebrate the city’s incomparable saga. The show is set against the backdrop of classic San Francisco songs, bound to get those TGIF toes tapping.

5pm, free. Westfield Center, 865 Market, SF. www.westfield.com/sanfrancisco/corazon

SAT/8

Citywide Yard Sale

Part citywide block party, part scavenger hunt, part flea market, enjoy this beautiful day of shopping for bargains and searching for treasure. This South Bay yard sale promotes buying, selling, and donating used items to keep them out of the landfill, conserving natural resources.

8am-2pm, free. University and Cowper, Palo Alto. www.paloaltoonline.com/yardsale

Humans v. Zombies Nerf War: Triage

How well would you fare during a zombie apocalypse? Plan your Muni routes accordingly – an entire city neighborhood has been taken over by zombies. The human team must complete missions and defend themselves against the team of zombies, who are trying to infect the humans before they’re rescued. This is the perfect storm for Nerf gun, multiplayer game, and horror movie lovers alike.

2-5pm, free. Columbus and Union, SF. www.humansvszombies.org

Ukulele Love-In

Make merry with the happiest sounding instrument ever made. Ukulele fans will gather for a concert, sing-a-long, and lessons today. You don’t have to be a ukulele player or enthusiast to come, but you may be one when you leave. 

7-10pm, $5-$10. Actual Café, 6334 San Pablo, Oakl. www.actualcafe.com

SUN/9

Civil War Reenactment

Men with sabers alert! Civil War reenacters take over the island today. Dodge their blades until you’re hungry, then check out the bread-making, butter-churning activities. Meet camp cooks and soldiers, and get a taste of life on an old-school military camp.

11am-4pm, free. Angel Island State Park, Angel Island, SF. www.parks.ca.gov/angelisland

Haight Ashbury Street Fair

This one-day annual street fair features live music, a variety of foods, dancing, and a festive assemblage of tie-dye. From street vendors to the Children’s Alley, everyone will have something to do here.

11am-5:30pm, free. Haight between Stanyan and Masonic, SF. www.haightashburystreetfair.org

Sailboat Ride Day

Come out and enjoy free sailboat rides with the Cal Sailing Club, a non-profit volunteer-run club on the Berkeley Marina. Get an introductory sail, a fun first-hand experience on the San Francisco Bay, and discover the joy of sailing.

1pm, free. 124 University, Berkeley. www.cal-sailing.org

Selector: May 29-June 4, 2013

Andrew Lam
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0

WEDNESDAY 29

John Hodgman

John Hodgman has parlayed his starring role as the awkward PC in Apple Computer commercials into a multifaceted comedy career. The humorist typically portrays the authoritative know-it-all, dispensing faux expertise on Comedy Central’s The Daily Show with Jon Stewart and through his trilogy of satirical almanacs titled Complete World Knowledge. Unsatisfied with conveying pseudo-information to the masses, quasi-legal expert (fake) Judge John Hodgman also adjudicates over everyday silly disputes on a weekly Internet podcast. His thoughtful, goofy, non-legally binding rulings are a regular feature in the New York Times Magazine. Adam Savage of Mythbusters‘ fame provides a clever and fitting foil. (Kevin Lee)

In conversation with Adam Savage

7:30pm, $27

Nourse Theatre

275 Hayes, SF

(415) 392-4400

www.cityarts.net

 

“Drinking/Songs: A Night of Beer and the Music That Goes With It”

I feel a beer coming on! Dogfish Head Craft Brewery and public radio’s VoiceBox have joined forces for an “inter-active beer-tasting and live music event,” i.e., a night of singing and musical revelry the way nature intended — with frothy steins of that beloved thirst quencher known to barstool Pavarottis everywhere as a brewski. With musical entertainment from the Fill A Steins a cappella vocal music ensemble and a live discussion on the cultural history of this love affair between pipes and pints with cicerone Sayre Piotrkowski, the Fill A Steins, and VoiceBox‘s Chloe Veltman, there’s even an added touch of class with your glass. (Robert Avila)

8pm, $20

50 Mason Social House, SF

(415) 608-0133

drinkingsongs2.eventbrite.com


THURSDAY 30

Skull and Bones NightLife

Like Halloween in springtime, the Cal Academy’s popular Thursday evening nightlife event this time explores the creepier side of life — animal insides. At Skull and Bones, you can play like Indiana Jones — or at least, an amateur archaeologist — and watch volunteers assemble the bones of a skeleton, those of a juvenile offshore orca whale. Plus, Lee Post and Academy field associate/bone collector Ray “Bones” Bander will be on hand to answer the thorny questions, Icee Hot DJs Rollie Fingers and Ghosts on Tape will be spinning spooky tracks, and Paxton’s Gate will have a station of treasures; if you’ve ever visited the Mission curiosities-flora-and-fauna shop, you know they’ll have some good stuff on hand. This time, they’ll show Jason Borders’ skull art, and conduct a hands-on owl pellet dissection. SCRAP will have crafts at the ready, EndGames Improv will tickle your funny bone (ha! laughing already), and the planetarium will have a presentation on the “bones’ of the Milky Way. It’ll be a great way to bone up on the galaxy (sorry). (Emily Savage)

6pm, $10–<\d>$12

California Academy of Sciences

55 Music Concourse Dr., SF

(415) 379.8000

www.calacademy.org

 

San Francisco Green Film Festival

The third San Francisco Green Film Festival opens tonight with a tale of true Bay Area environmental heroes. Nancy Kelly’s doc Rebels With a Cause — first seen locally at the 2012 Mill Valley Film Festival and opening at the Roxie Fri/31 — offers an inspiring look at the Marin County activists who fought to preserve the NorCal coastline at a time when “conservation” was a dirty word. The rest of the Green fest’s over 50 films include Bidder 70, about climate activist Tim DeChristopher; Jon Bowermaster’s “fracktivist” tale Dear Governor Cuomo; and Kalyanee Mam’s Cambodia-set doc A River Changes Course, which just picked up a much-deserved Golden Gate Award for Best Documentary at the San Francisco International Film Festival. (Cheryl Eddy)

Through June 5, $12 per film (passes, $100–<\d>$200)

Various venues, SF and Berk.

www.sfgreenfilmfest.org

 

Cheap Girls

Call them loud, reckless, naïve — but don’t call them cheap. Though cranking out a big garage rock is something Cheap Girls could do in their sleep — and well — they’ve been known to slow it down on the few tracks that showcase their pop side and tight vocals. Like on earworm “Her and Cigarettes,” for example, it’s hard to believe this self-ascribed power pop rock group from Lansing, Mich. is not a small acoustic trio. “I love her and cigarettes/we took the long way, so we could have another,” whimpers vocalist Ian Graham in the song, embodying the wayward insecurities and heightened drama of adolescence itself. The group doesn’t present its songs; it relives every single one right there on stage. (Hillary Smith)

With Make Do and Mend, Diamond Youth

9pm, $12

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com


FRIDAY 31

Walking Distance Dance Festival

Building on last year’s Walking Distance Dance Festival, featuring local dance, ODC Theater Director Christy Bolingbroke has changed the formula. With a sure touch for vision leavened with reality, she has assembled a line-up that, with the exception of opening night, pairs locals with visitors. First up, however, will be Rachael Lincoln and Leslie Seiters, and Kate Weare and Company — once they were local, now they are visitors. Other fab choices are Nicole Klaymoon’s House of Matter and ODC/Dance’s Cut-Out Guy. New in town will be Brian Brooks (NY), and casebolt and smith (LA). You see each program in Studio B at ODC Commons and the B’way Theater across the Street. Amazing how much fun last year the simple act of walking from one venue to the other was. (Rita Felciano)

Fri/31, 7pm; Sat/1, 4pm, $20

ODC/Commons and B’way/ODC Theater, SF.

(415) 863-9834

www.odcdance.org/walkingdistance

 

Hi Ho Silver Oh

The LA-based band Hi Ho Silver Oh converts even the toughest of listeners with its harmonies. Frontperson Casey Trela’s vocals communicate a yearning I’m not sure I’ve felt before. The group’s humor will lure you in almost as much as its sometimes giddy, occasionally melancholic sound. The band’s affinity for good times shines through while performing great tracks, which makes for a set worth checking out. The video for the band’s “My Confessor” displays just this. It profiles a spelling bee gone wrong, starring a washed out principal, juxtaposed with clean vocals, attractive guitar rhythms, and evocative lyrics — it’s an encompassing reflection of the group. Hi Ho Silver Oh opens tonight for Mice Parade. (Smith)

9pm, $12

Brick and Mortar

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

Jazzanova’s Jurgen von Knoblauch

“This is one of Jazzanova’s major talents: to combine pieces from very different musical genres. And the linchpin holding them together is generally soul.” That’s how Jurgen von Knoblauch describes his German supergroup Jazzanova, now approaching two decades of producing and performing a blend of jazz, boss nova, soul, Latin, deep house, and electronica. The collective’s versatility means it can shift from individual DJs like founding member von Knoblauch spinning at nightclubs across Europe to a nine-person live performance band performing around the world. Von Knoblauch also maintains a music show on German radio with two of his fellow Jazzanova DJs and helps select new talent for the group’s record label Sonar Kollektiv. (Lee)

With Fred Everything, Joey Alaniz

9pm, $10–<\d>$15

Monarch

101 Sixth St, SF

(415) 284-9774

www.monarchsf.com


SATURDAY 1

Ludovico Einaudi

Ludovico Einaudi avoids describing his music any one way; he likely wouldn’t call it classical or modernist, because he feels a plethora of influences inform his pieces. It’s likely if you attend one of his performances you too will have a tough time describing it in one phrase anyway. He offers viewers a cathartic experience — one that is felt on many levels — and takes them through the big emotions of ecstasy and doom, the same emotions Rothko was interested in conveying in his paintings. Like the famous painter, Einaudi’s work is presented on a grand scale. He plays with a raw emotion seldom seen in similar pianists. The intrinsically deep, emotional tones presented in his performances are emphasized by his 11-piece band that includes a string section.(Smith)

7:30 p.m., $40–<\d>$85

Warfield

982 Market, SF

(415) 345-0900

www.thewarfieldtheatre.com

 

No Regular Play

If you haven’t heard of ‘Play,’ a monthly party put on by Listed Productions and the End Up, all you really know is that it’s described as “recess for adults.” Which is perfect if you, like me, have the Peter Pan syndrome that’s particular to the Bay Area, holding down jobs but still holding onto acting like a kid the rest of the time. When I’ve been hula-hooping recently — on breaks, in the handicapped bathroom stall at work — I’ve been listening to Endangered Species by Wolf + Lamb compatriots No Regular Play, whose playful shows mix funky house with live vocals and fresh trumpet blasts. (Ryan Prendiville)

With Butane (Crosstown Rebels), Bells & Whistles (AYLI), Alex Blackstock (Less is More)

10pm-6am, $15 advance

End Up

401 Sixth St., SF

(415) 357-0827

www.theendup.com


SUNDAY 2

“The Globalization Trilogy”

For the last 12 years, local filmmaker Micha X. Peled’s documentaries have exposed the human toll of corporate greed around the world.

The Rafael is showing the completed trilogy over the next week, with the filmmaker present at each screening. 2001’s Store Wars: When Wal-Mart Comes to Town chronicles the decimating impact America’s favorite retailer (and arguably worst employer) has on local businesses. 2005’s China Blue provides a rare, clandestine peek inside a Chinese garment sweatshop-factory. His latest Bitter Seeds ponders the epidemic of small-farmer suicides in India — over a quarter-million in 16 years — due to the impoverishing effect of genetically modified seeds from US agri-giant/villain Monsanto. (Dennis Harvey)

Through June 9, $6.50-10.75

Rafael Film Center

1118 Fourth St., San Rafael


www.cafilm.org 2 The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Sanctioned for sound violations, club owner fires ethics charge back at Entertainment Commission

Sasha Cuttler
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Sanctioned for sound violations, club owner fires ethics charge back at Entertainment Commission

The San Francisco Entertainment Commission last night voted to restrict the hours, sound limits, and other operating conditions for Brick & Mortar Music Hall — the Mission Street live music venue that has received a series of noise complaints from its neighbors on Woodward Street — until it completes soundproofing work to deal with the problem.

While acknowledging the sound problem and pledging to address it, club co-owner Jason Perkins responded to the action today with a written complaint that makes a serious allegation: that Entertainment Commission inspector Vajra Granelli last year recommended Brick & Mortar hire an overly expensive security company he founded, Yojimbo Protective Services, and that would solve the problems it was having with the commission, Perkins wrote, “an obvious conflict that a person who is regulating us is also trying to get us to use his company.”

There is no proof that Granelli actually made the extortionary suggestion or that it was connected to the club’s current problems with its neighbors, who seem to have legitimate issues with noise. “They have a sound problem and they have to deal with it,” Entertainment Commission Executive Director Jocelyn Kane told us, calling the allegation against Granelli a diversionary tactic that has nothing to do with the case. “The neighbors are being reasonable, they just want them to fix the sound.”

Yet it does appear that Granelli is still involved with Yojimbo Protective Services, which he co-founded in 2003 to do security for entertainment venues, and that may violate city conflict-of-interest rules against outside employment in an industry that he regulates. Kane said Granelli was out-of-town and that she would get him a message about addressing the issue, but we never heard from him.

When we called Yojimbo for Granelli, someone who identified himself as Ed the CEO (presumably co-founder Edward Cissel) said, “I can take a message for him. He’s not usually here at the office.” And when I identified myself as a reporter for the Guardian, Ed said of Granelli, “He has little or nothing to do with the daily interactions of this company.”

Yet Granelli (who was profiled by the Examiner last year) remains the agent of service on the company’s business permits. Kane said she was aware of Granelli’s connnection to Yojimbo, but that, “When he took this job, he divested himself.” Indeed, on the Form 700 Statement of Economic Interests that city employees are required to complete, which Granelli renewed last month, he claims to have no reportable outside economic interests. A link to a list of clients and description of its focus on entertainment venues on the Yojimbo website has recently been removed.

Later, when we noted that Granelli still appears to be involved with the company, Kane wrote, “It remains my understanding that Vaj Granelli sits on the Board of Yojimbo but derives no financial benefit from the company, nor is responsible for any day to day operations.”

Perkins alleges that last summer, “I was told I had a security problem by Vaj Granelli,” who recommended he hire Yojimbo shortly after the club received its first of seven noise violation citations, which Granelli issued. Perkins said that when Granelli made the suggestion again following another noise complaint in October — by which time Perkins said he had learned of Granelli’s connection to the company — “I blew up and told him to fuck off, and immediately we start getting hammered by complaints.”

During the hearing last night, the commission had little patience or sympathy for Perkins, accusing him of misrepresenting his neighborhood outreach efforts and creating problems in the neighborhood by refusing the spend the necessary money on soundproofing the club, a perspective supported by several Woodward neighbors who testified they could hear music in their living rooms and that Perkins has resisted their entreaties to fix the problem.

“Rather than doing it, I believe you’ve used delay tactics,” Commission President Audrey Joseph told him, urging him to instead, “Be a big boy and just deal with the problem, which is what you need to do.”

The commission then voted unanimously to recondition the club’s entertainment permit to require it to close at 11:30pm on weeknights and 12:30am on weekends, cap its allowed outside sound at 80 decibels, provide a direct phone number to neighbors with complaints, and complete necessary soundproofing work by next month.

“We got sucker-punched last night, it’s so unfair,” Perkins told us, noting that the new sound limit will essentially prevent them from hosting live music. He claims that he was only recently made aware of some of the noise citations and they have repeatedly upgraded their soundproofing.

Kane denies that Brick & Mortar has been treated unfairly, and she said that it’s a popular music venue that everyone involved wants to see continue operating. As for Granelli’s connection to Yojimbo Protective Services, she told us, “I’m not suggesting he’s not affiliated, I’m just saying it’s not relevant.”

Growth potential

Andrew Lam
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8
Growth potential

arts@sfbg.com

DANCE For all of the hype about the communicative power of social media, the energy that flows from one body to another has yet to be beat. Dancers know that. That’s why they keep searching for new ways to make this silent language speak.

The Garage on Folsom is one place where they do it; the studio is run on a first-come, first-served basis with a compulsory performance component, so a lot of what you will see there is unfinished. Yet the other night, two Finnish-born choreographers presented pieces as refined and polished as anything shown in bigger venues.

Another venue that fosters innovation is Yannis Adoniou’s Kunst-Stoff Arts, above a Burger King across from the San Francisco Main Library. It takes a more focused approach by inviting similarly-minded artists (who don’t care about the occasional whiff of fried food making its way upstairs). The recent opening of Kunst-Stoff Arts Fest 2013 showcased three choreographers who pushed the dancing body to the edge of what seems humanly possible.

But first, back to the Garage — where Raisa Punkki’s punkkiCo world premiere, Other Space, took command. Some lengths could be edited to keep the trajectory better on track. Also, the image of a dancer emerging from a kind of subterranean existence in the shape of a raincoat didn’t ring true. But overall, this quartet (for three women and one man) was finely crafted dance making that explored states of being with a rich, multi-faceted vocabulary and formal controls that allowed for flux and even spontaneity.

Other is designed along the concept of making connections that could be in unison pirouettes or jumbled limbs of labyrinthine complexity. Densely layered encounters gave way to stillness or something as simple as a walk or sitting quietly. The spatial thinking pulsated against the stage’s perimeter, enlarged in a couple of places by mirrors. For the most part the dancing was fierce and full out, yet still had room for small gestures: hands that turned into claws, fists that pushed the dancers into relevé and down again. The idea of balance — and lack thereof — lay below much of Other, sharply brought to life by Jennifer Meek, Sarah Keeney, Meegan Hertensteiner, and Derek Harris.

The Bay Area premiere of Alpo Aaltokoski’s 2004 astounding Deep showed a dancer who seemed to exist simultaneously inside and outside his body. Gaunt with a shaven head, he whipped himself into a tornado, engaged in turns that layered his body horizontally, and stretched his frame beyond his height only to squat again and again. Crawling, he looked pre-human; howling, he became Everyman. At one point, he was on all fours and sucked in his spine to turn his shoulder blades into wings. Yet none of these physical feats were self-serving; there were stories aplenty in them. Mila Moilnan’s subsequent video, based on Deep, felt like an afterthought.

First-week performances at the Kunst-Stoff Arts Fest included three works, two of them in progress, and clearly presented as such. What I saw made me want to follow them because both choreographers seemed to think intriguingly about time.

Christina Bonansea’s Floaters #2, set on identical twin dancers Michaela and Liane Burns with excellent live music by Zachary Watkins, started as an installation in the basement. At first resembling statues of saints, the silver-gowned women came to life, slithering and scraping. Upstairs, they ripped into waves of frenzy that threatened to tear them inside out.

For Portraiture, the forbiddingly prodigious Lindsey Renee Derry, as much a gymnast as a dancer, assembled a linear structure from thematically distinct solos that ranged from lyrical to ferocious. In the future, she wants to extend this trajectory by inviting other choreographers, perhaps to evoke something like Andy Goldsworthy’s Wood Line installation in the Presidio.

Adoniou and the gorgeous Constantine Baecher, a former Royal Danish Ballet dancer, paired up for The Excruciating Death of St. Sebastian. One is dark and older, the other blond and tall, so the tracing of their relationship started on a note of difference. Their give and take began intertwined, as if they were asleep, and grew into teasing and tenderness, shot through with exploration and exuberance. Finally, with the help of a cane, the piece moved into darker territory. My tolerance for watching pain — real or pretend, received or given — is just about zero. Still, this was fine work. 

KUNST-STOFF ARTS FEST 2013

Through June 7, most events $10-$15

Kunst-Stoff Arts

One Grove, SF

www.kunst-stoff.org

NATIONAL QUEER ARTS FESTIVAL

May 31-July 3 (various curated events)

Garage

715 Bryant, SF

www.715bryant.org

Visit queerculturalcenter.org/NQAF for NQAF events at different venues.

Music listings

Andrew Lam
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Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 15

ROCK/BLUES/HIP-HOP

Appleseed Cast, Hospital Ships, Dandelion War Bottom of the Hill. 9pm, $14.

Caldecott, Super Water Sympathy, Emily Moldy Café Du Nord. 8:30pm, $8.

Alice Dimicele, Dave Mulligan, Jordan Feinstein, James Nash Brick and Mortar Music Hall. 9pm, free.

Lee Huff vs Todd Johnny Foley’s Dueling Pianos. 10pm, free.

Kevin Russel Band Biscuits and Blues. 8 and 10pm, $15.

Mister Loveless, Teenage Sweater, Happy Fangs, Here Come Dots Elbo Room. 9pm, $10.

Terry Savastano Johnny Foley’s. 10pm, free.

Soul Train Revival with Ziek McCarter and the Revival Band Boom Boom Room. 8pm, $5.

Surplus 1980, Disonova, Aberrant Phase Hemlock Tavern. 8:30pm, $7.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley Burritt Room, 417 Stockton, SF; www.burrittavern.com. 6-9pm, free.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Redwood Tango Trio Rite Spot. 9pm.

William Parker Quartet Yoshi’s SF. 8pm, $25; 10pm, $16.

DANCE CLUBS

Timba Dance Party Bissip Baobab. 10pm, $5. Timba and salsa Cubana with DJ Walt Diggz.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Stay Sick Monarch. 9pm, free. With DJ Omar.

THURSDAY 16

ROCK/BLUES/HIP-HOP

Big Boi, Killer Mike, Fishawk, Goast Mezzanine. 8:30pm, $35.

Burnt Ones, Week of Wonders, Fronds, Jollapin Jasper Hemlock Tavern. 8:30pm, $7.

Delorean, Romans, DJ Aaron Axelsen Rickshaw Stop. 9pm, $16.

Egg, Sophie Barker Red Devil Lounge. 9pm, $15-$20.

Exhausted Pipes 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm, free.

Foxy Monarch. 9pm, free. With DJ Kizmiaz.

Groovy Judy Johnny Foley’s. 10pm, free.

J Boogie’s Dubtronic Science Boom Boom Room. 8pm, $7.

Chris James and the Showdowns, Pebble Theory, Voodoo Switch Bottom of the Hill. 9pm, $10.

Picture and the Frame, Exhausted Pipes, Peck the Town Crier 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm, free.

Religious Girls, San Francesca, Split Screens, Hoot Hoots Brick and Mortar Music Hall. 9pm,$10.

Shady Maples, Whiskerman, Cave Clove Café Du Nord. 8:30pm, $10.

SRV Tribute with Alan Iglesias Biscuits and Blues. 8 and 10pm, $20.

Todd vs Lee Huff Johnny Foley’s Dueling Pianos. 10pm, free.

JAZZ/NEW MUSIC

Bela Fleck SF Jazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $20-$60.

Goapele Yoshi’s SF. 8pm, $35; 10pm, $30.

Nick Rossi Rite Spot. 9pm.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Pa’lante! Bissip Baobab. 10pm, $5. Electro-cumbia, dancehall, and soca with DJs Juan G, El Kool Kyle, Mr. Lucky.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto Sr. Saen, Santero, and Mr. E.

FRIDAY 17

ROCK/BLUES/HIP-HOP

Black Angels, Hanni El Khatib, Wall of Death Fillmore. 9pm, $25.

Hello Monster, Audiodub, Culprit, Bulkhead Betty Brick and Mortar Music Hall. 8pm, $13.

Lee Huff, Jeff V, Todd Johnny Foley’s Dueling Pianos. 10pm, free.

Lee Vilenski Trio Rite Spot. 9pm.

Main Squeeze Boom Boom Room. 8pm, $10.

Midi Matilda, OONA, holychild Rickshaw Stop. 8:30pm, $10-$12.

MIRV, Kehoe Nation, Polkacide Bottom of the Hill. 9pm, $17.

Mobb Deep DNA Lounge. 8pm, $20.

Ocean Blue, Orange Peels Café Du Nord. 7pm, $15.

Savoy: Live With Lasers, Lobounce Slim’s. 9pm, $16.

SRV Tribute with Alan Iglesias Biscuits and Blues. 8 and 10pm, $20.

Sweet Chariot, Chelsea Crowell, Happy Family Singers Hemlock Tavern. 9:30pm, $8.

Top Secret Band Johnny Foley’s. 10pm, free.

Claude Von Stroke, Justin Martin, Kill Frenzy, Leroy Peppers, J. Philip, Worthy Mezzanine. 9pm, $5-$20.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Bela Fleck SF Jazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $25-$65.

Goapele Yoshi’s SF. 8pm, $40; 10pm, $35.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Mike Reed’s People Places and Things, Darren Johnston Ensemble Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 8pm, $10-$15.

Trance Mutations #3 Lab, 2948 16th St, SF; www.thelab.org. 9pm, $5. Soundscapes by Idaho Joe, Waxy Tombs, Black Thread, Business Etiquette.

Lee Vilenski Rite Spot. 9pm.

 

FOLK/WORLD/COUNTRY

Flamenco del Oro with Kina Mendez cante ya baile, Stephanie Narvaez baile, Glopal Slavonic Emerald Tablet, 80 Fresno, SF; www.flamencodeloro.com. 8pm, $10.

Shapes Redwood Grove at the SF Botanical Gardens, 1199 Ninth St, SF; www.brownpapertickets.com. 6-8pm.

DANCE CLUBS

DJ What’s His Fuck Riptide Tavern. 9pm, free.

Hella Tight Amnesia. 10pm, $5.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Smoke N’ Mirrors Monarch. 9:30pm, $10. With Wildkats, Shiny Objects, Sleight of Hands, Trev Campbell.

Thirsty Third Fridays Atmosphere, 447 Broadway, SF; www.a3atmosphere.com. 10pm, $10.

Queer Cumbia Bissip Baobab. 8pm, $3-$7. Musica tropical, cumbia, merengue with DJs Adan Atl, Rosa La Rumorosa, Jiggles and AlumiuX.

SATURDAY 18

ROCK/BLUES/HIP-HOP

Bay Area Heat Johnny Foley’s. 10pm, free.

Bhi Bhiman, Meklit and Quinn SF Live Arts at Cyperian’s, 2097 Turk, SF; www.noevalleymusicseries.com. 8pm, $15.

Black Pus, CCR Headcleaner, Reptilian Shape Shifters Hemlock Tavern. 9:30pm, $10.

Crackerjack Preacher Riptide Tavern. 9pm, free.

Disappears, LENZ, Tambo Rays Bottom of the Hill. 10pm, $12.

Foreverland: Michael Jackson tribute Slim’s. 9pm, $16.

Hibbity Dibbity Thee Parkside. 3pm, free.

Juanes Warfield. 8pm, $39.50-$100.

Laura Marling Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $25.

Mud City Manglers, Vans, Arabs, Spider Garage Thee Parkside. 9pm, $7.

Project Pimento Rite Spot. 9pm.

Robert Randolph and the Family Band Bimbo’s. 8pm, $75-$150. Blue Bear School of Music Benefit.

“R5 Loud Tour” with Brandon and Savannah, Taylor Matthews, Alex Aiona Great American Music Hall. 8pm, $18-$20.

Shahram Solati, Firoozeh, Sami Beigi Mezzanine. 9pm, $50.

Skerik’s Bandalabra feat. members of MCTuff Boom Boom Room. 8pm, $10.

Sonny Rhodes Biscuits and Blues. 8 and 10pm, $20.

Todd, Lee Huff, Jeff V Johnny Foley’s Dueling Pianos. 10pm, free.

Y&T Fillmore. 9pm, $36.50.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Bela Fleck SF Jazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Goapele Yoshi’s SF. 8pm, $40; 10pm, $40.

Project Pimento Rite Spot. 9pm.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Wear? Hear! Suitable Actions, Lost and Found, Exo-Skatch Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $10-$15.

FOLK/WORLD/COUNTRY

Free Dive Red Poppy Art House. 8pm, $12-$15.

Gamelan Sekar Jaya Yerba Buena Gardens, Mission between Third and Fourth Streets, SF; www.ybgfestival.org. 1-2:30pm, free.

Go Van Gogh Revolution Café, 3248 22nd St, SF; (415) 642-0474. 9pm, free.

Trans Balkan Expressway Brick and Mortar Music Hall. 9pm, $10.

DANCE CLUBS

Bootie SF: Bay to Breakers Pre-Party DNA Lounge. 9pm, $10-$15.

Fringe Madrone Art Bar. 9pm, $5. Indie music video dance party with DJ Blondie K and subOctave.

Kinky Disko Underground SF, 424 Haight; www.kinkydisko.com. 10pm, $7. Vintage boogie.

Kiss the Sky Bissip Baobab. 9pm, $5. Afro-soul, house, and world with DJs Nina Sol and Emancipacion.

OK Hole Amnesia. 9pm, $5-$7.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Radio Franco Bissap, 3372 19th St, SF; (415) 826 9287. 6 p.m. Rock, Chanson Francaise, Blues. Senegalese food and live music.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10.

Smiths Party Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, $5. Sounds of the Smiths, Morrissey, the Cure, and New Order.

Super Big Gay Dance Party El Rio. 3-8pm, $7. Benefit for 2013 Dyke March, with Hard French DJs, Mango, Stay Gold, and more.

Trapeze VI: Electro-Casba Monarch. 9pm, $10.

Uncanny Valley, DJ Sean Dimentia, hostess Lady Bear and her Dark Dolls Café Du Nord. 9:30pm, $7.

Wild Nights Kok BarSF, 1225 Folsom, SF; www.kokbarsf.com. 9pm, $3. With DJ Frank Wild.

SUNDAY 19

ROCK/BLUES/HIP-HOP

Dillinger Escape Plan, Faceless, Royal Thunder, Rob Metal DNA Lounge. 8:30pm, $20.

Hans Eberbach Castagnola’s, 286 Jefferson, SF; www.castagnolas.com. 2pm, free.

Fabolous, Pusha T Mezzanine. 9pm, $27.50-$60.

Flobots, Wheelchair Sports Camp, All City Elite Café Du Nord. 7:30pm, $15.

Gothic Tropic, Seatraffic, Cruel Summer Brick and Mortar Music Hall. 9pm, $10.

Terry Savastano Johnny Foley’s. 10pm, free.

Tunnel, Ghostfoot, Gashcat Hemlock Tavern. 6pm, $6.

Yard Sale, Scott Young Rite Spot. 5pm.

JAZZ/NEW MUSIC

Bela Fleck SF Jazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $25-$65.

Goapele Yoshi’s SF. 7pm, $35; 9pm, $30.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Coburns Tupelo, 1337 Grant, SF; www.tupelosf.com. 4-7pm, free.

GoldDiggers, Moonshine Maybelline Thee Parkside. 4pm, free.

ZOFO’s Mosh Pit Red Poppy Art House. 4pm, $20.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free.

Crème Fraiche ft. Mrs. Blythe Monarch Lounge. 9pm, free.

Dub Mission Elbo Room. 10pm, $5-$10.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

Ms White, Vin Sol, Matrixxman, Robert Jeffrey Monarch. 9:30pm, $5.

MONDAY 20

ROCK/BLUES/HIP-HOP

Jeremy Messersmith Café Du Nord. 7:30pm, $12.

Tyler the Creator, Earl Sweatshirt Regency Ballroom. 8pm, $30.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Monarch Live Mondays Monarch. 8pm, free. With DJ Jules, Jacob, Alden, and live acts.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

Tuesday.

TUESDAY 21

ROCK/BLUES/HIP-HOP

Devendra Banhart, Rodrigo Amarante Regency Ballroom. 8pm, $30.

Boris, Bosse-de-Nage Rickshaw Stop. 8pm, $18.

Butt Problems, D’Jelly Brains, Nanash 774 Riptide Tavern. 9:30pm, $6.

Joey Cape, Kevin Seconds, Russ Rankin, Mick Leonardi Thee Parkside. 8pm, $10.

Fpod BPod Amnesia. 9:30pm, $5-$7.

Level Vibes Monarch Lounge. 9pm, free. With Now Time DJs.

Nick Moss Biscuits and Blues. 8 and 10pm, $20.

Noise Tour: Marianas Trench Powered by Journeys, Air Dubai, Good Natured Slim’s. 7:30pm, $18.

Ariel Pink Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $28-$32.

San Quinn, Repp Money, Tadaysha, Don Toriano, DaVinci Brick and Mortar Music Hall. 10pm, $10.

Sea Wolf, Savoir Adore Great American Music Hall. 8pm, $16.

3 Leafs, Resin Cum, Heroic Trio Hemlock Tavern. 8:30pm, $6.

Union Trade Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Terry Disley Burritt Room, 417 Stockton, SF; www.burrittavern.com. 6-9pm, free.

Drizoletto Rite Spot. 9pm.

Rova Saxophone Quartet Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. Noon, free.

FOLK/WORLD/COUNTRY

Drizoletto Rite Spot. 8:30pm.

DANCE CLUBS

Brazilian Wax Elbo Room. 9pm, $7.

Soundpieces Monarch. 10pm, $5. With Bogl, Ryury, and more.

The Performant: Forever young

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Rocky Horror turns 40, still crazy after all these years.

Who doesn’t have fond memories of their first Rocky Horror Picture Show experience? Ok, mine are mixed since the first time I saw it was on an old black-and-white television with my father, avoiding eye contact and trying not to laugh too hard at the ribald bits. It wasn’t until I finally saw it on the big screen in the company of peers — armed with rice, noisemakers, and snarky quips — that the full potential of its subversive pleasures revealed themselves more fully.

Part of the fun of repeated viewings of the Rocky Horror Picture Show is emulating the character you most want to be, and for a curly-haired, goth-inclined teenager, the clear choice was Magenta, whose stone-faced cool and extraterrestrial sensuality were so beyond the straitjacket of smalltown teenhood, that to walk an evening in her spike-heeled shoes was akin to a declaration of, well, something. Call it freedom. Peaches Christ does.


“The Rocky Horror Picture Show was my ‘It Gets Better’ video,’ she told the cheering oddience assembled at the Victoria Theatre for the 40th anniversary of the original Rocky Horror Show, the slapstick, Ed-Wood-meets-Charles-Ludlam Rock Musical that, two years later, became a film destined to be the best known midnight movie of all time.

Deviating from the tried-and-true Midnight Mass formula of movie screenings, this Rocky Horror birthday bash took the form of a tribute concert at a respectable 8pm, with multiple singers cast in the iconic roles of the universes’ best-beloved Transylvanians, live music provided by the Whoa Nellies, and quick-and-dirty narration by Peaches Christ herself, synopsizing the negligee-thin plotline that happens between all of those undeniably catchy songs: “The Time Warp,” “Touch-a Touch-a-Touch Me,” and “Hot Patootie, Bless my Soul”. Channeling her inner Tim Curry, PC also provided the vox and corseted eye candy on “Sweet Transvestite” slyly replacing her planet of origins, “Transsexual, Transylvania,” with “San Francisco, California”.

But by far the highlight was the moment that the original Magenta — Patricia Quinn — stepped onstage in a sleek leather suit and handfuls of glitter, to sing the opening song she’d been cheated out of 38 years ago when Richard O’Brien took it over for the movie version, accompanied by a visual of her bright red “stunt lips.” My still-practically-teenaged heart be still. Quinn’s still got. It. That elusive, effusive cool. As does the whole freaking musical, which, stripped of the mostly laughable dialogue and B-Movie special effects, really rocks. Not bad for a 40-year-old who regularly stays up until 3am and can’t ever seem to remember to wear pants. Oh, Rocky!

Lest a single inch of stage space go wasted, almost every role was played by a minimum of two performers, including Dr. Frank-N-Furter portrayed mainly by seasoned Rocky Horror vet Jef Valentine, with a counter-point appearance by former X Factor contestant, Jason Brock, who sang a soulful “I’m Going Home” to an interstellar techno backing track provided by Marc Kate aka Never Knows. Exceptions were Musical Director Peter Fogel who pulled double duty as the titular boy toy and the imitable Leigh Crow as Eddie, ‘cause there can only be one Eddie, and really, that Eddie can only be Leigh Crow. And now that such a stellar lineup is already in place, here’s hoping Peaches will do a 40-year bash for the film version, too, come 2015. Don’t dream it, darlings. Be it!

Live Shots: Marina and the Diamonds at the Warfield

Tony Robles
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I like a little grit. Usually I feel that a great show combines unpredictability, recklessness, and some raw, unpolished vulnerability. That’s what makes live music exciting and dynamic. If we wanted flawless vocals and sonically airbrushed instrumentals, we’d just stay at home and listen to the music on iTunes. So I’m trying to figure out why Marina and the Diamonds’ shiny, choreographed, factory-sealed set at the Warfield Sunday night felt so right.
 
Marina looks like an actual Barbie doll, with the kind of proportions people go under the knife for and a no-hair-out-of-place look straight out of a Bettie Page photo shoot. Her live persona is a hyperbolic take on teen idolhood, oozing confidence as she strutted, posed, and gracefully reclined on the daybed featured in her onstage bedroom set (complete with a coat rack, television, and stuffed animals.)
 
As Marina ripped through a packed setlist studded with costume changes and flawlessly executed pop routines, the sold-out audience — 1/3 tween girls, 1/3 their mothers, 1/3 Castro on a Saturday night — screamed and gushed at every opportunity. Fans wore homemade sashes bearing the Marina slogans “teen idle” and “heartbreaker” and nearly everyone had her trademark little black heart painted on their cheeks. And I can see why.
 
Marina is insanely talented. Her rich, clear voice is pitch-perfect. Her songs are catchy, extremely danceable, and overall just good, old-fashioned fun. She shone brightest when the camp factor was turned up to eleven, as it often was, with prop martini glasses full of glitter and neon lighting. Her more stripped down moments, featuring just Marina and a keyboard, lacked the punch and glamour that makes her presence so awesome.
 
But I think what makes Marina so likeable, despite her unbelievable precision and Mattel-like beauty, is that when she sings “I am not a robot,” you believe her. There is something very genuine about Marina’s hyperfeminine persona. When she said, “San Francisco, are you living in this moment right now? Because I am,” it rings true.
 
Usually my feminist blinkers would be going off at the sight of this woman in a crop top singing to tweenage girls about being a prima donna, but instead I found myself singing along with thousands of devoted fans, “Oh my God, you look just like Shakira/ No, no, you’re Catherine Zeta/ Actually, my name’s Marina!”

The simple fact is that Marina knows what she’s doing. Her image doesn’t seem contrived or commercially driven — it seems like a reclaiming of the femme fatale.
 
Marina may not be redefining dance music or pushing any major envelopes, but she rules at what she does. She absolutely dominates the stage, reminding everyone that there’s no shame in letting yourself enjoy a great pop hook, and that a powerful woman can still totally rock a pink vinyl minidress.

Get festy: Burger Boogaloo, BottleRock, and nachos

Tony Robles
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Get festy: Burger Boogaloo, BottleRock, and nachos

Flop, flop, flop. Can you hear that? It could be a burger flipping. Or maybe that’s the sound of your tanned, bloated belly landing between crisp white sheets after long stretches of outdoor music-listening, dirt(y) dancing, craft beer-imbibing, and gourmet food stand-patronizing. It’s festival season, and there’ve been some tasty developments in the past couple of weeks.

Burger Boogaloo (July 6-7) excited Oaklanders and beyond by releasing its delictable lineup full of icons and punks, Outside Lands (Aug. 9-11) announced its even fancier food lineup, and hey, BottleRock is this weekend (May 9-12)

BottleRock Napa (May 9-12)
So BottleRock is a bit of a trek — it’s out in Napa Valley, but it’s a four-day-long fest in a real pretty location (that’s bound to get more unclouded sun than SF). It kicks off this Thu/9 with live music, food, comedy and yes, beer and wine. The top billing on the lineup is a bit ho-hum, with broadly appealing rock’n’roll, blues rock, and folk acts like Kings of Leon, the Black Keys, and Zac Brown Band, but there’s also the Flaming Lips, the Shins, and the thunderous Alabama Shakes. And for a certain breed of ‘90s kid: Primus and Cake.

There’s a safe, solid comedy showing too, with Jim Gaffigan, Demetri Martin, Tig Notaro, Rob Delaney, and Daily Show alums Wyatt Cenac, Kristen Schaal, and Aasif Mandvi (not appearing together).

Tickets: www.bottlerocknapavalley.com.

http://www.youtube.com/watch?v=svZNjhsk2ys

Burger Boogaloo (July 6-7)
Here’s the one to watch. Burger Records just keeps outdoing itself. It has fests around the country (including a recent biggie on its home turf of Orange County, Burgerama II) and brings together an elite mix of sloppy, legendary, and up-and-coming surf, garage, fun punk, and slack doo-wop acts. Burger Boogaloo is even more special because it brings Burger together with our own local slop heroes Total Trash Booking, for a mega-fest created by two equally appealing masters. Plus, the Boogaloo is in a park, so things could get steamy.

Everyone is talking about the disparate headliners early LA punk band Red Kross and Modern Lover/singer-songwriter Jonathan Richman — and rightfully so, they are incredible — but can we also take a minute to thank satan for the Trashwomen addition to the lineup? Epic. For those somehow unaware, the Trashwomen are Bay Area noisy surf-punk royalty, born of the ‘90s, and featuring Tina Lucchesi (of every band ever), Danielle Pimm, and Elka Zolot (Kreayshawn’s hot mama).

Add to that Ty Segall’s early trio Traditional Fools, Audacity, Guantanamo Baywatch (listen to thumping “Barbacoa” now, please), and Pangea. And, with the addition of NY Night Train’s Jonathan Toubin, there will be a Mosswood Park soul clap dance off.

I can hardly wait to kick off these smelly sneakers.

Tickets: www.burgerboogaloo.com.

Outside Lands (Aug. 9-11)
The crème de le crème of foodie-meets-rocker outdoor fêtes, Outside Lands knows what its fan base wants. So with nearly as much fanfare as its band lineup (which this year includes Paul McCartney, Phoenix, D’Angelo, Foals, and Yeah Yeah Yeahs, and around 20 or so others), the fest also releases its noted food vendor roundup.

There are 75 food stuff sellers at Outside Lands’ “A Taste of the Bay Area” 2013 including “returning favorites” like massive pizza truck Del Popolo, carnival fare brick-and-mortar business Straw, 4505 Meats, American Grilled Cheese Kitchen, and Pacific Catch. Newbies this year include newish SF favorite Wise Sons Deli, Rich Table, 1300 on Fillmore, Blue Bottle Coffee Co., and Nopa offshoot, Nopalito. And worry not, my personal favorite from last year (besides Metallica), Azalina’s, will be back with the Malaysian nachos that stole my blackened heart.

The vendors are usually placed in two distinct sections, with somewhat close proximity to the main stages, plus there’s the Wine Lands circus tent, Beer Lands, and Chocolate Lands. So much better than overcooked hot dogs and stale keg beer, right?

Tickets: www.sfoutsidelands.com.

Love spells trouble

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Love spells trouble

emilysavage@sfbg.com

TOFU AND WHISKEY The twin star driving forces behind Bleached (hellobleached.tumblr.com) have been around. Not in a cruising with delinquents kind of way, but that’s probably where their music is best blasted — careening down the California coast in a shiny convertible with a shitty ex-lover or two, rooftop down, an open bag of Flamin’ Hot Cheetos, lipstick-stained cola can, and the stereo crackling.

Really though, being around more refers to the basic facts that singer-guitarist Jennifer Clavin and bassist Jessie Clavin have been playing music together for a long time, since junior high, and have toured nearly as long. More so, they’ve been connected since birth — they’re sisters who grew up together in the sleepy San Fernando Valley and reached for instruments partially out of boredom and isolation.

Their first notable band was early Aughts-born Mika Miko, which became known for its near-residency at formerly grimy downtown LA venue the Smell — and its frenetic live shows on tour with bands like the Gossip and No Age.

“Mika Miko was a mutual breakup,” younger sister Jessie says with a casual Valley girl affect from the dusty tour road between El Paso and Austin, Texas. “It ended because everyone wanted to do something else, go different directions. But me and Jen still wanted to play music together.”

They began slowly picking up the pieces for Bleached shortly after Mika Miko’s 2010 breakup and released three well-received seven-inches, but had yet to debut a proper LP until just recently. On April 2, they unfurled a melodious, punks-in-the-sun full-length, the punchy pop Ride Your Heart on Dead Oceans. On tour promoting the new record, Bleached will be in San Francisco Sun/5 at the Independent, 628 Divisadero, SF. www.theindependentsf.com.

So while Jen and Jessie are blood-related and forever sonically entwined, there’s an exhilarating feeling of something new afoot at this very moment in time. “I feel like it’s a new little chapter right now for us,” Jessie says. “For so long we were just like, playing live shows with songs from the seven-inches, and that’s basically all people really knew. So now that it’s out, this tour just feels really exciting — people are going to have the record, they’ll know what to expect.”

“At the beginning [of Bleached] everyone was comparing us to every current girl band, but not anymore, maybe now that our record came out, that’s why it’s changed.”

The rock’n’roll record hints at early punk like the Ramones around its edges on opener “Looking for a Fight,” but that’s washed away with cooling waves of jangly California surf pop melodies and mid-century teen dream vocals on songs like “Dreaming Without You” and “Dead Boy.” And despite the inherent upbeat nature of the tracks, much of the lyrics in songs like “Love Spells” and “When I Was Yours” reflect a somewhat darker time for singer Jen, who moved to New York briefly between the fall of Mika Miko and rise of Bleached. Suffice to say, she’s not singing about her cats or whatever.

In NYC she joined the band Cold Cave, desperately missed her sister, dated the wrong kind of boy, and wrote breakup songs for the band she’d soon reform back on the West Coast. “I was going through a really rough time,” Jen says as Jessie passes her the phone. “I moved back to LA and stayed in [our] parent’s house in the desert for a month…and locked myself in my room, kept myself distracted by writing a bunch of songs.”

Ride Your Heart was recorded and produced last fall in various studios in Burbank and at Bedrock LA in Echo Park. At the time, Jen was listening to a lot of Blondie (there’s a song on the album called “Waiting By the Telephone”), and both sisters survived on a steady diet of Bowie — Ziggy Stardust era — along with the the Stones, Velvet Underground, and the Kinks. “We communicate better when we know exactly what we’re listening to,” Jessie says.

And communication is key to any relationship, particularly the mythic sibling-bandmate dynamic. Though this one seems far less tumultuous then those widely discussed rock’n’roll brotherhoods. “We’ve been doing this for so long. It helps to work through it and get stronger,” says Jessie. That connection was tested when Jen was in New York. While she was with Cold Cave, she was still occasionally working on songs for an early version of Bleached, but the distance was too great. “We were trying to still write back and forth, but it was just difficult, it wasn’t the same as when we’re in the room together and start playing and Jen starts singing and has the melody. It just didn’t work out.”

Now, Jen lives in Hollywood, walking distance from the Universal backlot, and Jessie lives in Silverlake. The local LA bands they listen to are most frequently their friends’ acts, including Pangea and Audacity, and they like Oakland’s Shannon and the Clams, and other Burger Records acts. As is the current zeitgeist, Jessie says Bleached might soon be doing a tape with Burger too.

“We grew up with mixtapes. I definitely remember first hearing the Germs [that way],” Jessie says. “I was transitioning from listening to like, KROQ alternative to like, underground, but then I’d go to school in a Germs shirt and think I was really cool.”

Laughing, she adds, “Well I wouldn’t say cool, but definitely different.”

 

STEREO TOTAL

Oui! The multilingual French-German power-pop duo Stereo Total is back with a new album, Cactus Versus Brazel on Kill Rock Stars, packed with the expected adorable electro ditties, and a rejuvenated je ne sais quoi. With Super Adventure Club, Giggle Party.

Wed/1, 8pm, $15. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com.

 

MARIEE SIOUX

Crystalline psych-folk crooner Mariee Sioux’s twinkly followup to debut Faces in the Rocks (2007), Gift for the End was released a whole year ago, but there was never a proper SF release party (and there was some drama with the label it was supposed to be on going defunct) so the local songwriter is celebrating now. It’s a haunting, whispery, tender album, like a less annoying Joanna Newsom selection, and deserving of attention — no matter if that’s taking place on a much later date. With Alela Diane, Conspiracy of Venus.

Thu/2, 8:30pm, $16. Great American Music Hall, 859 O’Farrell, SF. www.slimspresents.com

 

MIKE PATTON/WAXWORKS

Experimental contemporary live music always seems to creep its way into the SF International Film Festival. And who better to bring weirdo sound experiments than the current king of such things: Mike Patton. The operatically inclined Patton, perhaps best known as the debonaire genius behind Faith No More and Mr. Bungle (and recently as songwriter for the film The Place Beyond the Pines), will appear alongside three percussionists: Scott Amendola, Sleepytime Gorilla Museum’s Matthias Bossi, and William Winant at the Castro. The quartet, which has never before performed in this arrangement, will play an original score to 1924 German expressionist silent film, Waxworks.

Tue/7, 8:30pm, $22–$27. Castro Theater, 429 Castro, www.sffs.org.

 

Music listings

Andrew Lam
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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 24

ROCK/BLUES/HIP-HOP

Bob vs Guido Johnny Foley’s Dueling Pianos. 10pm, free.

Edie Sedgewick, El Elle, All Your Sisters Hemlock Tavern. 8:30pm, $7.

Flosstradamus, Lil’ Texas Regency Ballroom. 8pm, $22.

Fuzz, Wooden Burial Ground, Spyrals, Man Rickshaw Stop. 8pm, $10.

Sergent Garcia Slim’s. 8pm, $25.

Gunshy Johnny Foley’s. 10pm, free.

Telekinesis, Mount Moriah, Paparazzi Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Big Bones Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Lara Downes with Quartet San Francisco Yoshi’s SF. 8pm, $24.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com.7-9pm, free.

FOLK/WORLD/COUNTRY

Kitten on the Keys Rite Spot Cafe. 8:30pm.

Timba Dance Party Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJ Walt Diggz.

Toast Inspectors Plough and Stars. 9pm.

DANCE CLUBS

Bodyshock, Inhalt, DJ Crackwhore, DJ Unit 77 Elbo Room. 9pm, $7.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Sonic Bodies #3 Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $7-$10. Electro-acoustic and noise musicians, dancers.

THURSDAY 25

ROCK/BLUES/HIP-HOP

Aloha Screwdriver, Rocketship Rocketship, Deadbeats Thee Parkside. 9pm, $5.

Baby Dee and Annie Amnesia. 7:30pm, $12.

Joe Bagale, Crystal Monee Hall, Subharmonic Great American Music Hall. 9pm, $14-$16.

Ghost BC, Ides of Gemini Regency Ballroom. 8:30pm, $22.

Guido vs Bob Johnny Foley’s Dueling Pianos. 10pm, free.

Led Zepagain DNA Lounge. 9pm, $20.

Lydia, From Indian Lakes, Sweet Talker Slim’s. 7:30pm, $13-$15.

Dave Moreno Johnny Foley’s. 10pm, free.

Joan Osborne Acoustic Duo Yoshi’s SF. 8pm, $40.

Ben Ottewell Independent. 8pm, $15.

Papa Bear and the Easy Love, Peachalope, WOOOOOO Hemlock Tavern. 8:30pm, $6.

Transit, Seahaven, All Get Out Bottom of the Hill. 8pm, $12.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Brad Mehldau SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Sophisticated Ladies Rite Spot Cafe. 9pm.

FOLK/WORLD/COUNTRY

Pa’lante! Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 10pm, $5. With DJs Juan G, El Kool Kyle, Mr. Lucky.

Tipsy House Plough and Stars. 9pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. With Pleasuremaker and Senor Oz, plus Chauncey Yearwood.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Goldroom, Viceroy (DJ set), popscene DJs Rickshaw Stop. 9:30pm, $13-$17.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Sound Remedy Brick and Mortar Music Hall. 8pm, $10.

FRIDAY 26

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 10pm, free.

Bob, Guido, Jeff V. Johnny Foley’s Dueling Pianos. 10pm, free.

Dear Hunter, Naive Thieves Slim’s. 8:30pm, $16.

Dope Stars Inc., Rabid Whole DNA Lounge. 8pm, $13.

Eight Bells, Amber Asylum, Dead Man Hemlock Tavern. 9:30pm, $7.

Kill the Noise, Brillz, Codes Regency Ballroom. 9pm, $30.

Kowloon Walled City, Tartufi, Queen Crescent Brick and Mortar Music Hall. 9:30pm, $10.

Maps and Atlases, Young Man, Cannons and Clouds Rickshaw Stop. 9pm, $15.

Shuggie Otis, Jesca Hoop Mezzanine. 9pm.

Phenomenauts, Emily’s Army, Warm Soda Bottom of the Hill. 9:30pm, $12.

Proclaimers, JP Great American Music Hall. 9pm, $26.

Ruben Studdard Yoshi’s SF. 8pm, $40; 10pm, $32.

Super Diamond, Purple Ones Bimbo’s. 9pm, $22.

Tumbleweed Wanderers, Guy Fox Independent. 9pm, $18.

TV Mike and the Scarecrowes, Christian Lee Hutson, Electric Sheep, Daring Ear Thee Parkside. 9pm, $8.

JAZZ/NEW MUSIC

"A Night at the Opera" Herbst Theatre, 401 Van Ness, SF; sfwmpac.org. 8pm, free.

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Brad Mehldau Duo with Kevin Hayes SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Allison Lovejoy Rite Spot Cafe. 9pm.

Loren Means, Jean Ramirez, Lee Bloom Caffe D’Melanio, 1314 Ocean, SF; (415) 333-3665. 7-9pm, free.

Paris Combo Palace of Fine Arts, 3301 Lyon, SF; www.palaceoffinearts.org. 8pm, $25-$50.

"Taglish" Red Poppy Art House. 7:30pm, $10-$15. With Karl Evangelista, Grex, and more.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10. Live music, gypsy punk, and belly dance.

Kevin Burke and John Carty Brick and Mortar Music Hall. 7:30pm, $20.

Dave Hanley Band, Bloody Ol’ Mule Plough and Stars. 9pm.

Tina and Her Pony Modern Times Bookstore, 2919 24 St, SF; www.tinaandherpony.com. 8pm, free.

Trio Troubadour Bissap Baobab, 3372 19th St, SF.; www.bissapbaobab.com 7:30pm, free.

"Under the Influence" Emerald Tablet, 80 Fresno, SF; undertheinfluence.emtab.org. 7pm, $5. Lizzy Acker, MK Chavez, Mariama Lockington perform works by major influences.

DANCE CLUBS

araabMUZIK, Heroes x Villians, Branchez, G Jones 1015 Folsom, SF; www.1015.com. 10pm, $17.50.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

MOM SF Anniversary Cafe Du Nord. 8pm, $20. With Rojai and E. Live, Hot Pocket, DJs Gordo Cabeza, Timoteo Gigante, and more.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

120 Minutes presents White Ring Elbo Room. 10pm. With resident DJs S4NtA_MU3rTE, Chauncey CC.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Trap and Bass DNA Lounge. 9pm, $20. With Dirty Audio.

SATURDAY 27

ROCK/BLUES/HIP-HOP

Bay Area Heat Johnny Foley’s. 10pm, free.

Broken Water, Synthetic ID, Permanent Collection Thee Parkside. 9pm, $8.

Built to Spill, Ugly Winner Slim’s. 9pm, $26-$28.

Chappo, Sunrunners, Coast Jumper, Nova Albion Elbo Room. 9:30pm, $10.

Chick Jagger 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm, free.

Clamhawk Manor, Prepare for War!? Thee Parkside. 3pm, free.

DRMS, James Riotto, Bells Atlas Bottom of the Hill. 9:30pm, $12.

Ensemble Mik Nawooj, Aima the Dreamer, CelloJoe Brick and Mortar Music Hall. 9pm, $15.

Jeff V., Greg Zema, Bob Johnny Foley’s Dueling Pianos. 10pm, free.

Qui, Victory and Associates, Minot Hemlock Tavern. 9:30pm, $8.

Rupa and the April Fishes, Las Cafeteras Independent. 9pm, $20.

Slippery Slope, Everyone is Dirty, Collapsible Empire El Rio. 9pm.

SOJA, Rootz Underground, Los Rakas Warfield. 8:30pm, $28.

Ruben Studdard Yoshi’s SF. 8pm, $40; 10pm, $32.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Brad Mehldau Duo with Mark Guiliana SFJazz Center, 201 Franklin, SF; www.sfjazz.org. 7:30pm, $30-$70.

Hammond Organ Soul Jazz Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Mr. Lucky and the Cocktail Party Rite Spot Cafe. 9pm.

FOLK/WORLD/COUNTRY

Fireflies Plough and Stars. 9pm.

Kafana Balkan, Inspector Gadje Brass Band, DJ Zeljko, Jill Parker Rickshaw Stop. 9pm, $15.

DANCE CLUBS

Bootie SF: Aprilween DNA Lounge. 9pm, $20. With Lobsterdust, Maya Jakobson, DJ K.Ash, Smash-Up Derby, and more.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Re: Edit Underground SF, 424 Haight, SF; www.undergroundsf.com. 10pm. With DJs Michael Perry, Bob V, James Demon, Zenith.

Temptation Cat Club. 9:30pm. $5-$8. Indie, electro, new wave video dance party.

SUNDAY 28

ROCK/BLUES/HIP-HOP

Absu, Pale Chalice, Cyanic DNA Lounge. 8pm, $17.

Built to Spill, Ugly Winner Slim’s. 8pm, $26-$28.

Cave Singers, Bleeding Rainbw Great American Music Hall. 8pm, $16.

Commisure, Carta, Skyscraper Mori Hemlock Tavern. 8:30pm, $7.

Har Mar Superstar, Easystreet, Rocky Business Bottom of the Hill. 9pm, $10.

Paul Kelly, Lady Crooners Brick and Mortar Music Hall. 8pm, $20.

Dave Moreno and Friends Johnny Foley’s. 10pm, free.

New Build, No Ceremony /// Independent. 8pm, $17.

Shadow Sessions performing Endtroducing Elbo Room. 5pm, $10.

Marnie Stern, SISU, E V Kain Rickshaw Stop. 8pm, $12.

We Will Be Lions, Quaaludes, Sweat Lodge, Paperhaus Thee Parkside. 8pm, $7.

JAZZ/NEW MUSIC

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

Maria Fibish Plough and Stars. 9pm.

Silver Threads Tupelo, 1337 Grant, SF; www.tupelosf.com 4-7pm, free.

Sweet Jo’s Chilli and Biscuits, Stu Allen and Mars Hotel, Echo Trails Brick and Mortar Music Hall. 2pm, free.

Tin Cup Serenade Red Poppy Art House. 7:30pm, $5.

VOENA: Voices of the River Yoshi’s SF. 6pm, $12-$22. Multi-cultural children’s choir.

DANCE CLUBS

Beats for Brunch Thee Parkside. 11am, free.

Dance to Cure Diabetes Project 1, 251 Rhode Island, SF; www.p1sf.com. Noon-11pm. With Mark Farina, Maurice Tamraz, Sen-sei and Brian Salazar, and more.

Deep Fried Soul Dance Party Boom Boom Room. 8pm, free.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Maneesh the Twister, Dub Gabriel.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 29

ROCK/BLUES/HIP-HOP

Chad Valley, Ski Lodge, Soonest Bottom of the Hill. 9pm, $12.

Damir Johnny Foley’s. 10pm, free.

Dunwells Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $10-$12.

Thee Oh Sees Brick and Mortar Music Hall. 9pm, $10.

Various Cruelties, B. Hamilton, Hindu Pirates Rickshaw Stop. 8pm, $10-$12.

Whitehorse Cafe Du Nord. 8pm, $10.

FOLK/WORLD/COUNTRY

Mike Burns Rite Spot Cafe. 8:30pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 30

ROCK/BLUES/HIP-HOP

Blood Red Shoes, Mister Loveless Brick and Mortar Music Hall. 9pm, $12.

IAMSU!, Problem Slim’s. 9pm, $19.

In Cahoots, Ghost Tribe Fires, Balto Hotel Utah. 8pm.

Jelly Bread Boom Boom Room. 8pm, $5.

Lonely Forest, Now Now, Doe Eye Rickshaw Stop. 8pm, $10-$12.

METZ, White Lung, Mrs. Magician Bottom of the Hill. 9pm, $12.

Stan Erhart Band Johnny Foley’s. 10pm, free.

Synchronized Watches, See Minus Hemlock Tavern. 8:30pm, $6.

Titan Ups, Burnt, Giraffe Aftermath Amnesia. 9pm, $8-$10.

Wakey! Wakey! Cafe Du Nord. 8pm, $12.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Renaud Garcia-Fons Yoshi’s SF. 8pm, $24. International Jazz Day.

FOLK/WORLD/COUNTRY

Toshio Hirano Rite Spot Cafe. 8:30pm.

California Roots

Maria Poblet
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Grab your tickets to California Roots Music & Arts Festival, as it’s almost a sell out event. The leading reggae/rock music festival happens in Monterey, California with Slightly Stoopid, Rebelution, Matisyahu, The Expendables, Collie Buddz with New Kingston, The Dirty Heads, Tomorrows Bad Seeds, and many more.
 
Three days of exceptional live music, vendors, art, and a ton of fun; Purchase tickets here. If you miss securing your tickets, be sure to log on to the website and listen to three days of live music from some of your favorite artists.
 
Friday, May 24 thru Sunday, May 26 @ Monterey County Fairgrounds

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