Event

Our Weekly Picks: December 5-11

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WEDNESDAY 5

Jill Tracy

Spooky chanteuse Jill Tracy describes her new holiday release, Silver Smoke, Star of Night, as “the Christmas album for those who prefer the October chill.” She celebrates its release with three festive events, starting with tonight’s “Fragrance: The Allure and Magical History of Perfumes,” an after-hours party at the San Francisco Conservatory of Flowers. The evening is both concert and launch of her limited-edition fragrances (appropriately, devoted to “dark elegance”), created with local perfumers Nocturne Alchemy. Sat/8, the Hypnodrome (where Tracy has been known to perform with the Thrillpeddlers) hosts “Creepshow Christmas” — a family-friendly show mixing ghost stories with live accompaniment. Finally, Silver Smoke‘s official CD release shindig is Dec. 19 at the DNA Lounge. Spirits will be bright! (Cheryl Eddy)

Tonight, 6-10pm, $13

San Francisco Conservatory of Flowers

Golden Gate Park, 100 John F. Kennedy Dr., SF

Sat/8, 8pm, $13–$25

Hypnodrome

575 10th St., SF

www.jilltracy.com

 

Blue Scholars

The young MCs in Seattle rap duo Blue Scholars met, quite appropriately, in a hip-hop club at the University of Washington. You can hear these academic roots clearly in DJs Sabzi and Geologic’s smart, searing rhymes. The heady lyrical content of their work tackles serious, political issues such as socioeconomic mobility, empowerment, and questioning authority. Even more impressively, these boys don’t just talk the talk. Geologic’s history of activism in the Filipino-American community and the duo’s headquarters in 98118, the country’s most ethnically diverse zip code, is the perfect recipe for the smart, relevant hip-hop that the scene most desperately needs (we’re looking at you, Chris Brown). (Haley Zaremba)

With The Physics, Brothers From Another

8pm, $19.50

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

Get Carter and The Trip

Verrrry clever, Castro Theatre — programming back-to-back screenings of Get Carter (1971) and The Trip (2010). Gritty Get Carter follows a snarling Michael Caine as he prowls around Newcastle, punching his way through the local gangster contingent he holds responsible for his brother’s death. The Trip, a travelogue featuring Steve Coogan and Rob Brydon (playing exaggerated versions of themselves), contains some genius and quotable comedy — ABBA sing-offs, mock-epic speeches — but none more memorable than the two actors going head to head with their Caine impressions: “You were only supposed to blow the bloody doors off!” Truly, an inspired double feature. (Cheryl Eddy)

Get Carter 2:40 and 7pm; The Trip 4:50 and 9:10pm, $8.50–$11

Castro Theatre

429 Castro, SF

www.castrotheatre.com


THURSDAY 6

“Drag Queens on Ice”

It’s a bird! It’s a plane! It’s … er, definitely something, flying at you with the unstoppable momentum of a two-story wig and a pair of birdseed-filled balloons. You already know what’s green and ice skates (Peggy Phlegm) now come find out what’s queen and ice wobbles — all those years in man-stilletos can’t help you out on the rink, honey. This cherished annual hoot features a wealth of San Francisco’s beloved gender clown personalities threading their way through bewildered tourist families in Union Square (who actually get really into it, and by the end it’s a heartwarming family affair, full of squeals of delight). You can even skate with these swanning lovelies! No money back if you end up with a weave in your face. The great Donna Sachet — she of the stunning, form-fitting, fake-fur-trimmed ravishing red holiday dress — mistresses the ceremonies. Grab a warming adult beverage from nearby Emporio Rulli Il Caffe and join in the fun. But don’t you dare judge, or you might get Nancy Kerrigan’d. Skates are blades, remember. (Marke B.)

8-9:30pm, $10 entrance, $5 rentals

Union Square Skating Rink

Post and Geary, SF

www.unionsquareicerink.com

 

The Family Stone

I’ve had some good times listening to San Francisco’s Sly and the Family Stone — both letting my mind wander the groove of their funky sound and feeling the sense of pride in one’s self that Sly Stone sings so well — and I’d venture a guess that you have too. Though that innovate teacher and leader has opted for life out of the spotlight, three of the original members, Jerry Martini (saxophone), Cynthia Robinson(trumpet), and Greg Errico (drums), are keeping the music alive with the help of a few younger talents. Mostly hailing from the Las Vegas area, these new members are all performers with rich experiences listening to Sly’s music. This new Family Stone recreates the old hits in a fresh show, hoping to bring the music to all generations. (Molly Champlin)

7-8pm, $40–$45

Rrazz Room

222 Mason, SF

(800) 380-3095

www.therrazzroom.com

 

Streetlight Manifesto

Streetlight Manifesto was pretty late to the ska game, releasing its first album in 2003, well over a decade after the genre’s revival heyday. Though in a way, the band’s timing was actually perfect. Born out of the ashes of previous Jersey ska-punk heroes Catch-22 and One Cool Guy, Streetlight’s catchy tunes and punk rock virility have been nearly single-handedly keeping third-wave ska alive in a world dominated by hip-hop, mainstream pop, and EDM. The band is ringing in the new year with the release of its fifth album, The Hands That Thieve. During this tour, Streetlight Manifesto promises to play new songs, old favorites, and everything in between; so put on your skanking shoes and lace ’em up tight. It’s gonna be a good night. (Zaremba)

With Hostage Calm, Lionize

8pm, $21

Slim’s

333 11th St., SF

(415) 255-0333

www.slimspresents.com

 

FRIDAY 7

Hope Beyond

Kim Gordon, artist and gallery director at Modern Eden, has curated the one-night-only art show, Hope Beyond, a benefit for the victims of Hurricane Sandy. The assembled line-up includes an impressive selection of artists representing a variety of pop-surreal and contemporary styles. The work ranges from the graffiti style sharpie drawings of Kidlew to intricate fusion of nature images and Hindi symbolism by Inge Vandormael. Personally, I’m excited to see what all of these artists will contribute to the show. Especially Serge Gay Jr. — an artist whose paintings collage and reproduce pop culture images to create dichotomies between what’s real and what’s fake and make you to take a second look at his subjects: beauty, violence, drugs, and race. With all art priced below $100 and the proceeds going to Hurricane Sandy victims, what’s not to love? (Champlin)

6pm, free

Modern Eden Gallery

403 Francisco, SF

(415) 956-3303

www.hope-beyond.com

 

SFBallet’s Nutcracker

The folks in Imperial Russia loved The Nutcracker and kept it alive during Soviet times. But the West never saw it until some White Russians, who had escaped to San Francisco, nagged then San Francisco Ballet Artistic Director Willam Christensen to choreograph it in 1944. By now there are hundreds of versions all over the world; the oddest one I ever saw had Drosselmeyer arrive on a spaceship. SFB’s, choreographed by Helgi Tomasson in 2004, is set during the 1915 Panama International Exhibition. It lacks the cloying sweetness and sentimentality that infects so many others. Tomasson’s is a love letter to the City — cool, transparent, a little reserved and superbly elegant. (Rita Felciano)

Through Dec. 28, 7pm, 2pm matinees; $20–$270

War Memorial Opera House

301 Van Ness, SF

(415) 865-2000

www.boxofficesanfrancisco.com


SATURDAY 8

Misfit Toy Factory II

Did you ever feel cheated as a kid when you would see cartoons and hear stories about elves making toys from scratch, then you got a Barbie doll or video game that obviously wasn’t cobbled at the North Pole? Well, now is your chance to watch the toys actually being made. Not by elves though, but by local artists. There will be over 35 of them at Root Division Art Space bringing creativity from their various fields (painting, sculpture, and illustration mostly) to the art of toy making. All the work will be sold for a flat rate of $40. Bring cash for some shopping, or just come to enjoy the atmosphere of creativity complete with music by DJ Yukon Cornelius. (Champlin)

6pm, free

Root Division Art Space

3175 17th, SF

(415) 863-7668

www.rootdivision.org

 

John Prine

I think I need to start with a disclaimer: I love John Prine. Yes, I’m completely biased when I say that he is one of the greatest living lyricists and you’d be lucky to go see him. But why take my word for it? His more than 40 years of successful songwriting can speak for themselves. Starting off as a Chicago-area postman doing open mics in his spare time, Prine eventually got noticed — by a young Roger Ebert. Now, almost 70 years after that glowing review, Prine is still an incredible songwriter and performer, and each song is a charming, witty, and poignant labor of love. In his time as a performer, many trends and genres have come and gone, but a great folk song never goes out of style. (Zaremba)

With Justin Townes Earle

8pm, $39–$59

Warfield

982 Market, SF

(415) 345-0900

www.thewarfieldtheatre.com


SUNDAY 9

San Francisco Crab Fest 2012

Continuing a long-running San Francisco tradition that takes advantage of the fact that the crab fishing season along the California coast coincides with the holiday season, the Fisherman’s Wharf Community Benefit District 2012 Crab Fest will offer up a tasty fete featuring the crustacean prepared in a variety of ways by local restaurants, along with exhibits, cooking demonstrations and more. A host of sustainably-produced regional wines will provide the perfect way to raise a toast to the annual event, which donates all proceeds to the San Francisco Firefighters Toy Program and the San Francisco Police Department’s Youth Fishing Program. (Sean McCourt)

Noon-3pm, $25–$30

Waterfront Terraces, Fisherman’s Wharf

145 Jefferson St., Third Floor, SF

www.visitfishermanswharf.com

 

Queer Rebels Winter Shindig

Though the weather outside is frightful, the smolderingly creative queers performing tonight at El Rio are more than capable of keeping your toasty warm. The lineup alone is worth the sleigh ride to El Rio — burlesque from the bountiful Ms. Vagina Jenkins, jazzy moves courtesy East Bay punker Brontez Purnell, the release performance of drag king blueser K.B. TuffNStuff’s Trans of Venus album, and so much more hotness. But as if that wasn’t enough to draw you like a moth to flame, this: the evening is a benefit for Queer Rebels’ year-round lineup of genderbending, empowering art events like the Exploding Lineage! experimental film fest, two-day summit of Asian American activists, and the group’s annual eponymous production of queer takes on the Harlem Renaissance and beyond. (Caitlin Donohue)

8-11pm, $7-20 sliding scale

El Rio

3158 Mission, SF

www.elriosf.com


SUNDAY 9

John Cale

Whereas Lou Reed was the primary source of the Velvet Underground’s swagger, and hard-bitten lyricism, John Cale took charge of the group’s more avant-garde leanings. Even 45 years after leaving the band, Cale continues to challenge and surprise his listeners, as evidenced by the title of his latest LP: Shifty Adventures in Nookie Wood. Largely devoid of the splintering bursts of noise that defined his formative years, and the rootsy pastoralism of Paris 1919 and Vintage Violence, Cale’s latest is an art-rock record in the tradition of Peter Gabriel and Kate Bush: affecting in its ability to experiment and take risks while working squarely within the pop template. Another gutsy effort from an aging icon whose renegade streak hasn’t gone anywhere. See him while you can. (Taylor Kaplan)

With Cass McCombs

8pm, $32–$48

Regency

1290 Sutter, SF

(888) 929-7849

www.theregencyballroom.com

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On the Cheap Listings

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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 5

“Hidden in Plain Bite: Overlooked Opportunities for Food System Reform” 371 10th St., SF. (323) 828-7040, www.ffacoalition.org. 6:30-9pm, $8-12. Come for this informative and eye-opening discussion that tackles new and innovative measures to reform our dastardly food system. Organic food offerings and a silent auction will follow the talk.

Lemony Snicket The Booksmith, 1644 Haight, SF. (415) 863-8688, www.booksmith.com. 5-8pm, free. Beleaguered children’s book hero Lemony Snicket will be on hand at the Booksmith this evening for a meet and greet promoting his latest effort, entitled Who Could That Be at This Hour?

FRIDAY 7

“Terra e Asfalfo: Around the World on a Vespa” The Emerald Tablet, 80 Fresno, SF. (415) 500-2323, www.terraeasfalto.it. Through Dec. 16. Opening reception: 6-10pm, free. How anyone can travel all around the world on those speedy little cosmopolitan numbers is beyond us. But Italian couple Giorgio Serafino and Giuliana Foresi did it — and the duo will be presenting their travels via this photo exhibit, where pictures of destinations such as Thailand, South Africa, and Italy will be on display.

Mission Holiday Block Party Various businesses on Valencia from 23rd to 14th Sts. and surrounding blocks, SF. www.valenciastreetsf.com. 5-10pm, free. Get half price on sangria at Locanda, 20 percent off clothes and accessories at Five and Diamond (while Shovel Man plays!), check out a George Chen-hosted comedy program at Lost Weekend Video’s CineCave and more at this holiday celebration in Valencia’s neighborly businesses.

“Snapshot” Southern Exposure, 3030 20th St., SF. (415) 863-2141, www.soex.org. Through Dec/20. Opening reception: 7-9pm, free. The Youth Advisory Board of Southern Exposure’s new exhibit explores the relationship between the medium of photography and the notion of memory. An experimental work, “Snapshot” features young artists’ take on fact and fiction through digital manipulation.

“Aloha on Ice” Embarcadero ice rink, Justin Herman Plaza, SF. (415) 392-2235, tinyurl.com/alohaonice. 4-7pm, free. Come bask in the warm aloha spirit at this pop-up luau. You’ll have a number of ways to get tropical at this event, like sampling Hawaiian food, making fresh flower leis, and mugging in a Hawaii-kitsch photo booth. Drink umbrellas and hellacious sunglasses tan not included.

DIY Library Party Mission Bay Branch Library, 960 Fourth St., SF. (415) 626-7512, www.friendssfpl.org. 7-10pm, free for members and friends of members, $35 for membership. The DIY aesthetic has permeated nearly all facets of our contemporary culture, so it’s past time for our local library to get in on the low budget fun. Get engrossed by an impromptu arts and crafts project, and mingle with cocktail-sipping fellow literary fans at this free event.

Hurricane Sandy Benefit Show Modern Eden Gallery, 403 Francisco, SF. www.hope-beyond.com. 6-9pm, free. We on the West Coast are lucky to not have to deal with terrors of hurricanes, which is why we urge to attend this art show benefiting our fellow Americans on the other side of the nation.

SATURDAY 8

East Bay Alternative Book and Zine Fest Berkeley City College, 2050 Center, Berk. eastbayalternativepressbookfair.blogspot.com. 10am-5pm, free. The good folks behind this event decided to go bigger with the third installment of the East Bay Alternative Book and Zine fest. There’ll be workshops on zines, screen-printing, letterpress, and comic illustration in addition to speeches from dozens of local writers.

Vagabond Indie Craft Fair Urban Bazaar, 1371 Ninth Ave., SF. (415) 664-4422, www.urbanbazaarsf.com. Also Dec/9. Noon-6:30pm, free. Etsy addicts take note! Urban Bazaar in conjunction with Etsy and the SF Etsy team will be putting the third annual holiday-themed Vagabond Indie Craft Fair. Come peruse with your keen shopper’s eye the emporium of hip, fun, and crafty items. Also probably a good idea to do some holiday shopping while you’re at it.

Holiday Indie Mart Speakeasy Brewery, 1195 Evans, SF. www.indie-mart.com. Noon-6pm, free. If you’ve never made it out to Speakeasy’s Bayview brew factory, now’s the perfect time. Indie Mart is assembling over 45 vendors, who will come equipped with DIY giftables you’ll be stocked on for your family and friends. Bonus round: today the brewery will unveil its new taproom, designed by Indie Mart creator Kelly Malone and friends.

KPFA Crafts Fair Concourse Exhibition Center, 635 Eighth St., SF. (510) 848-6767 ext. 646, www.kpfa.org/craftsfair. Also Dec/9. 10am-6pm, free–$10. Go to the Vagabond Crafts Fair on Saturday and the KPFA Crafts Fair on Sunday, or vice versa or do a crafts fair crawl by attending both on the same day! Sponsored by the progressive-minded folk at the KPFA 94.1 radio station in Berkeley, this festivity is going all out by bringing craftwork from over 200 local artisans featuring glass, leather, and stone items.

MONDAY 10

Pladra Holiday Launch 5-8pm, free. 111 Minna, SF. www.pladra.com SF flannel company Pladra shows off its latest line of shirts for men and women at this holiday party and trunk show. Everything’s sourced and made in the Bay Area, for a hyperlocal, winter-ready shopping experience.

TUESDAY 11

A Long Day’s Evening Translation City Lights Bookstore, 261 Columbus, SF. (415) 362-1901, www.citylights.com. 7pm, free. Turkish experimental modernists rejoice! Aron Aji has finally translated A Long Day’s Evening by Bilge Karasu for our literary loving. Attend this talk today by Aji to hear how the process took shape.

 

Burning Man’s new Cargo Cult art theme intrigues

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Burning Man founder Larry Harvey sent burners scrambling to Wikipedia on Friday when he announced the art theme for the 2013 event, “Cargo Cult,” and posed the intriguing question, “Who is John Frum?” It was perhaps the most esoteric and obscure theme ever, but one that I heard only positive reactions to at a couple of burner-populated parties over the weekend, including the Black Rock Art Foundation’s Artumnal Gathering.

The theme draws from stories of indigenous cultures in the South Pacific that have been awed by the advanced technology of American visitors, forming cults and rituals to beckon them and their airplanes back. As an art theme, it then morphs into our own modern fascination with the cargo dropped on us by mysterious visitors, whether they be multinational corporations or extraterrestrial life forms.

As Harvey wrote in a description of the theme that’s well-worth reading, “All we can do is look beyond the sky and pray for magic that will keep consumption flowing.” The base of eponymous Man will be a crudely formed flying saucer, artistically trying to summon back alien visitors and their transformative gifts (that is, if they didn’t already arrive on 12/21/12).

In an interview with the Guardian, Harvey cast the Cargo Cult theme as the first one since 1996’s Hellco, in which a demonic corporation had supposedly taken over Burning Man, to have a theme that he called “satirical,” although he’s quick to say this satire sparks layers of meaning as people ponder it.

“People seem to be imagine this in multiple dimensions and that was the intention,” Harvey said, noting the nods it gives to consumerism, religion, anthropology, metaphysics, and a variety of other disciplines and frames of reference. “You see all kinds of glosses on it.”

He said the kernel of the idea began with a rumination on Polynesian themes, sparked by reading Paul Theroux’s book The Happy Isles of Oceania: Paddling the Pacific. When he hit on the notion of cargo cults, Harvey said the ideas and possibilities of it began to immediately expand in his imagination.

They continued to grow ever outward as he collaborated with others on it, include Stuart Mangrum, a Cachophony Society stalwart who Harvey worked with on the Hellco theme (possibly raising the questions for old-school burners, “Who is John Law?” and might he someday return?), and the architect Lewis Zaumeyer, who designed the Man’s UFO base before he died earlier this year

Harvey said the theme prompt is already triggering lots of creative interpretations. “It’s a spur to invention. People are finding all kinds of ways to riff off of it,” Harvey said of that creative, collaborative spark that he tries to provide. “This is what Burning Man has always been about and what we try to give to the world.”

Unlike past years, when themes such as Fertility, Rites of Passage, Metropolis, and Evolution have been easy to safely ignore, Harvey said the intrigue and excitement around the 2013 theme is causing the event organizers to plan on incorporating references and reminders throughout Black Rock City.

“We want to work this in more thoroughly into the event than we’ve done before,” Harvey said, hoping that it prompts all kind of unpredictable and imaginative manifestations. “The beauty of it is it’s ambiguous even when you look at it in the academic literature.”

HoleHead, Brad Pitt, and more: new films!

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This week: Brad Pitt earns forgiveness for that cringe-inducing Chanel commercial with Andrew Dominik’s gangster thriller Killing Them Softly, plus uncomfortable-yet-poignant drama Starlet, which just picked up the Film Independent Spirit Awards’ Robert Altman Award. Both films are reviewed below the jump.

Also! Check out my rundown on the Another Hole in the Head film festival, an annual event stuffed with catnip candy for fans of horror, sci-fi, and cinema du sick ‘n’ wrong. (If you love Franco Nero, John Saxon, Henry Silva, and guys with 1970s mustaches fighting in junkyards like I do, don’t miss my top pick: Eurocrime!)

Other movies opening this week include period detective flick Dragon (it stars Donnie Yen, so you know what that means: sweet fight scenes); and Henry Jaglom’s latest, family drama Just 45 Minutes to Broadway (at the Roxie).
http://www.youtube.com/watch?v=8P0PPqUewr8

Back to 1942 Multiple storylines wend through Feng Xiaogang’s historical epic about a devastating drought that brought famine to China’s Henan province. Abandoned by their government, millions of refugees would eventually die in a situation compounded by corrupt officials, the Chinese army’s demands on the region’s nonexistent grain stores, and looming Japanese troops. The scenes from the road are grim, on both small (a desperate family tries to trade their child for grain) and larger (Japanese bombing raids, cannibalism) scales — though there are moments of hope, as when rival families put aside their differences to help a pregnant daughter. (Hope doesn’t last, though: when the baby is born, the half-dead mother mutters, “Kill it.”) Meanwhile, an American journalist (Adrien Brody) chases the story with the help of a priest (Tim Robbins, working a distracting accent); after witnessing horrors in Henan, his reporting helps nudge the government into action, however slightly. It would take an exceptionally even hand to prevent this heavily tragic material from sliding face first into melodrama, something Back to 1942 doesn’t even attempt to do. Whether you feel moved or manipulated is up to you. (2:26) (Cheryl Eddy)

http://www.youtube.com/watch?v=msSH5v6tK9k

The Collection As soon as you behold the neon sign “Hotel Argento” shining over the grim warehouse-cum-evil dead trap, you know exactly what you’re in for — a wink, and even a little bit of a horror superfan’s giggle. In other words, to tweak that killer Roach Motel tagline: kids check in, but they don’t check out. No need to see 2009’s The Collector — the previous movie by director-cowriter Marcus Dunstan and writer Patrick Melton (winners of the third season of Project Greenlight, now with the screenplays for multiple Saw films beneath their collective belt) — the giallo fanboy and gorehound hallmarks are there for all to enjoy: tarantulas (straight from 1981’s The Beyond), a factory kitted out as an elaborate murder machine, and end credits that capture characters’ last moments. Plus, there’s plenty of fast-paced shocks and seemingly endless splatter, with a heavy sprinkle of wince-inducing compound fractures. The Collection ups the first film’s ante, as gamine Elena (Emma Fitzpatrick) is lured to go dancing with her pals. Their underground party turns out to be way beyond the fringe, as the killer mows down the dance floor, literally, and gives the phrase “teen crush” a bloody new spin. Stumbling on The Collector’s antihero thief Arkin (Josh Stewart) locked in a box, Elena releases him but can’t prevent her own capture, so killer-bodyguard Lucello (Oz’s Lee Tergesen) snatches Arkin from the hospital and forces him to lead his team of toughs through a not-so-funhouse teeming with booby traps as well as victims-turned-insidious-weapons. All of which almost convinces you of nutty-nutball genius of the masked, dilated-pupiled Collector (here stuntman Randall Archer), who takes trendy taxidermy to icky extremes — even when his mechanism is threatened by a way smart last girl and a lock picker who’s adept at cracking building codes. Despite Dunstan’s obvious devotion to horror-movie landmarks, The Collection doesn’t turn out to be particularly original: rather, it attempts to stand on the shoulders — and arms and dismembered body parts — of others, in hopes of finding its place on a nonexistent drive-in bill. (1:23) (Kimberly Chun)

Killing Them Softly Lowest-level criminal fuckwits Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are hired to rob a mob gambling den, a task which miraculously they fail to blow. Nevertheless, the repercussions are swift and harsh, as a middleman suit (Richard Jenkins) to the unseen bosses brings in one hitman (Brad Pitt), who brings in another (James Gandolfini) to figure out who the thieves are and administer extreme justice. Based on a 1970s novel by George V. Higgins, this latest collaboration by Pitt and director-scenarist Andrew Dominik would appear superficially to be a surer commercial bet after the box-office failure of their last, 2007’s The Assassination of Jesse James By the Coward Robert Ford — one of the great films of the last decade. But if you’re looking for action thrills or even Guy Ritchie-style swaggering mantalk (though there is some of that), you’ll be disappointed to find Killing more in the abstracted crime drama arena of Drive (2011) or The American (2010), landing somewhere between the riveting former and the arid latter. This meticulously crafted tale is never less than compelling in imaginative direction and expert performance, but it still carries a certain unshakable air of so-what. Some may be turned off by just how vividly unpleasant Mendelsohn’s junkie and Gandolfini’s alchie are. Others will shrug at the wisdom of re-setting this story in the fall of 2008, with financial-infrastructure collapse and the hollow promise of President-elect Obama’s “Change” providing ironical background noise. It’s all a little too little, too soon. (1:37) (Dennis Harvey)

http://www.youtube.com/watch?v=MUSNZGYIfD4

Starlet Fresh off the bus from Florida, Jane (Dree Hemingway, daughter of the perennially undervalued Mariel) is living an indolent existence in the San Fernando Valley — it takes a while for us to realize she even has a job, albeit a pretty irregular and undemanding one. (Hint: What movie industry is largely based in the Valley? Second hint: It’s not the non-porn one.) Most of the time she just hangs about with her equally immature, similarly employed housemates, tanning and playing with her little dog. When a chance find at a yard sale yields a stash of hidden cash, Jane goes on a brief spending spree, then guiltily tries to return the remaining cash to Sadie (Besedka Johnson). The latter is an extra-cranky elderly woman who has no idea she’s missing any money and slams the door in Jane’s face before she can explain. Undaunted, perhaps needing some semblance of family in her vapid new life, Jane basically forces her friendship on the old lady, with eventual success albeit a few speed bumps. Sean Baker’s film is often an uncomfortable watch, because the dynamic between lead characters is so frequently awkward and discordant. (And also because the other major figures, Jane’s housemates played by Stella Maeve and James Ransome, are so completely obnoxious.) But its resistance to easy odd-couple sentimentality ultimately works to Starlet’s favor, making the low key (like everything else here) close unexpectedly poignant. Real-life adult entertainment stars Manuel Ferrara and Asa Akira appear as themselves. (1:59)  (Dennis Harvey)

2012: Beginning of the End or a New Beginning

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In recent months, I’ve been exploring the rabbit hole of 2012 prophecy and possibility, a beguiling mixture of myth, spirituality, and hope that humans will finally awaken to the global ecological and economic catastrophes we’re creating and make a fundamental shift in our approach, whether that’s sparked by cosmic energies or our own earthly intention.

When the Mayan calendar ends on Dec. 21 – a date that also marks the Winter Solstice and the peak of our alignment with the galactic center (Earth, sun, and the dark center of the Milky Way lining up for the first time in recorded human history) – it will be a day anticipated by millions of people around the world. Thanks to the modern amplification by pop culture and the Internet, it will be an unprecedented and potentially auspicious astrological, energetic, and cultural moment.

“The earth is being flooded with energies from the galactic center,” San Francisco Astrological Society President Linea Van Horn, who has been giving presentations for eight years on the significance of a cosmic alignment that occurs once every 26,000 years, told us. “That was the alignment that the Mayans were marking on their calendars.”

It isn’t just the Mayan Long Count calendar that indicates the current age is ending and a new one dawning. Some Aztec, Toltec, Indian, and Egyptian scholars and writer Terence McKenna (who used the I Ching to make the revelation in his book The Invisible Landscape) and various New Age authors have predicted we’re entering a new era, one many believe will be marked by enhanced human consciousness.

But one needn’t believe any of this to understand the pressing need for humans to wake the fuck up and start working together on issues ranging from global warming and the alarming decrease in the planet’s biodiversity to the many shortcomings of global capitalism and the escalating social unrest it’s creating. So why not use this grand mystical moment to spark that discussion, as many progressive activists and conscious community advocates have suggested.

“It allows us to have a stage for the question, a frame for the question. We have to ask very basic questions about our survival,” said Rev. Billy Talen, an artist/activist whose latest book, The End of the World, delves into the earth’s ecosystems reaching their tipping points. “We have the uncanny, mythic, prophetic calendar ending and beginning. And then we have scientists saying the same thing, so where does that leave you?”

There will be many epicenters and gathering points on Dec. 21, both real and virtual. Personally, I’m headed down into the heart of the Mayan empire to Chichen Itza, Mexico, where I’ll be attending the Synthesis Festival and doing daily dispatches through this website. Daniel Pinchbeck, author 2012: The Return of Quetzacoatl, will be in Egypt at The Great Convergence “celebrating the dawning of a new era.”

“Basically, we are going to have to have a rapid shift in global consciousness,” Pinchbeck told me, arguing that shift has already begun, as seen in movements from Arab Spring to Occupy Wall Street. “It is happening in terms of horizontal, peer-to-peer, cooperative movements with no top down hierarchy…We can make a much more rapid transition than most people realize.”

Both festivals, and many others around the world, will be heavily attended by people from the Bay Area, where many of the concepts behind transformational possibilities and alternative organizing models have incubated and evolved for decades. The organizers of Synthesis have also set up a World Unity 2012 online hub where people can participate with livestreams from where they are and join in conversation about what’s next.

“It’s probably one of the most pointed to and significant times ever,” said Synthesis Executive Producer Michael DiMartino, who has been leading tours of Mayan sites for almost 20 years, establishing a close working relationship with the Mayan community in Piste Pueblo adjacent to the pyramids at Chichen Itza that he’s tapping for this event. “We’re at a crossroads in human history – and the crossroads are self-preservation or self-destruction…We create the future. As we make our decisions, we create the future now.”

While DiMartino and other festival organizers believe in the spiritual and energetic possibilities of this moment, they emphasize that it is an opportunity to bring together people with a variety of worldviews and belief systems and have a conversation about how the global community of people can work together on solutions.

“Obviously, the planet has been getting out of balance and there is a need to go back to basics,” said Debra Giusti, founder of the Harmony Festival and author of Transforming Through 2012. “We need to get back to the values of the indigenous people, but in the modern context making use of our technology.”

As I’ve interviewed people about 2012, from true believers to skeptics, mystics to scientists, a common theme has been that nobody knows what this intriguing moment portends. They have their hopes and their fears, their doubts and their desires. I’ll be looking at the 2012 question from a variety of perspectives in my upcoming coverage, and I’m open to your suggestions and observations as well.

But for now, for me, I’m maintaining an open heart and an open mind. “There are more things in heaven and earth, Horatio, that are dreamt up in your philosophy,” Shakespeare’s Hamlet said, a statement for ages that our modern minds, so rational and cynical, too often forget.

Maybe this metaphysical moment will be the anticlimactic New Age equivalent of Y2K, or maybe it will be an important signpost on the road to global transformation in consciousness, or something in between. Whatever happens, it’s bound to be interesting, and I hope you’ll join me on this journey.

Chopping spree

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cheryl@sfbg.com

FILM Unlike the San Francisco Independent Film Festival’s flagship event and its popular DocFest, which more or less put roots down at the Roxie, genre fest Another Hole in the Head spreads its horror, sci-fi, and just plain weird wealth around to various venues. Yeah, the Roxie’s still on its list, but HoleHead also hosts events down 16th Street at the Victoria Theater, and at SOMA’s Terra Gallery and the Vortex Room — the latter an inspired addition, given the Vortex’s reputation as a haven for mondo cinema.

This year, HoleHead opens with a screening of Richard Elfman’s 1982 cult musical Forbidden Zone, presented in — holy Tyrrell! — remastered and colorized form. Elfman will be on hand to answer all your Sixth Dimensional questions, and a party (complete with Oingo Boingo cover band) follows.

Closing night looks to be a decidedly less festive affair, with Austrian director Michal Kosakowski’s unsettling Zero Killed — a feature film spun from his video installation and short film project, Fortynine. From 1996 to 2006, Kosakowski interviewed people about their murder fantasies, then used the tales (suicide bombings, school shootings, dog attacks, dinner-party poisonings, stabbings, shoving people into traffic or letting them slip off cliffs, etc.) as short-film inspiration, starring the storyteller as either perpetrator or victim.

A haunting musical score ups the creep factor, as Kosakowski tracks down each participant (many, but not all, are actors by trade) to interview them about their specific fantasies and other troubling topics, like revenge, torture, and “What is evil?” Zero Killed is a uniquely disturbing mix of fiction and documentary, cutting between horrific, blood-soaked vignettes and clinical talking-head interviews — often featuring the same subject.

There’s plenty of blood gushing forth in slick British standout Axed (listed as “Fangoria presents Axed” on the HoleHead schedule, so that right there should assure you of its splatter cred). When a businessman is, uh, axed from the corporate gig that turned him into an uptight prick long ago, he goes all Jack Torrance on his wife and teenage kids. As you might guess, the titular implement figures prominently in his plans, and Ryan Lee Driscoll’s film spirals from satirical to sadistic as each new body drops.

Changing gears, from in-your-face to perhaps too subtle: posting recently to his Observations on Film Art blog, scholar David Bordwell scrutinized what he called “discovered footage” horror films, with a focus on the Paranormal Activity series. Bordwell took particularly interest in the “rewards and risks” of the genre’s “narrow set of stylistic choices.” In these films, the camera itself occupies a heightened presence within the story. By now, everyone knows the psychological effect that’s supposed to have: if we’re aware of the camera, and it seems like an actual person is filming what we see, the images appear more real — and hopefully, “the reward” translates to genuine shrieks in the dark.

But for every Paranormal Activity sequel that’s seen by millions and rakes in hundreds of millions, there are dozens of copycats. And why not? Found-footage horror is non-traditional filmmaking at its most democratic. It can be made on the cheap, and wobbly production values are de rigueur. Unfortunately, it’s a lot easier to get ahold of a camera than to come up with an original idea, much less one that yields actual moments of fright.

With that said, The Garlock Incident does make an effort to tread new, albeit Blair Witch-y, ground. The set-up is that a group of Los Angeles actors — appealing 20-somethings all — are en route to Vegas for a movie shoot. Also in the van is ambitious director Lily (Ana Lily Amirpour), who obsessively films everything. After taking a spontaneous detour to visit a ghost town with a sinister back story, they discover a couple of maybe-abandoned shacks — and soon realize that getting off the main road was a bad idea. Oh, kids. It’s always a bad idea, especially for city slickers who can’t function without cell service.

Garlock‘s frustrating ending, which I wouldn’t dare spoil even if I fully understood it (even after watching it several times), is a letdown. Until its last act, though, Garlock is actually a pretty interesting look at how quickly relationships can break down when circumstances slide from uncertain to dire. But once you start puzzling over the ending, other doubts surface — like, by what logic would the actors’ audition footage be neatly edited into this roughly-shot, “found” chronicle of wilderness terror?

Speaking of wilderness terror and, alas, unsatisfying finales, retro-styled sci-fi adventure The 25th Reich screeches to a halt with a “to be continued” cliffhanger, just when shit is starting to get mind-blowingly insane. Argh! Fortunately, for the most part, the film — about a group of World War II soldiers who time-travel back and forth, squabbling among themselves as they pursue UFOs and Nazis — works just fine as a stand-alone, though its gleeful reliance on stereotypes (the Jew, the Italian, the Southern redneck, etc.) feels less like a nod to classic war films than a way to avoid actual character development.

The best gimmick centers on Captain O’ Brien, an erstwhile matinee idol not above reciting cornball lines from his own films at crucial moments. That he’s played by Jim Knobeloch — who also appeared in 2012’s other Nazi sci-fi flick, Iron Sky — is a perfect bit of obscure-genre synergy.

It wouldn’t be HoleHead without zombies. Comic The Living Corpse gets the (re-)animated treatment in The Amazing Adventures of the Living Corpse, which follows the titular beastie’s existential crisis after he — oops! — rips apart almost his entire family. Spared is a young son who is sent to a creepy boarding school for orphans, though he’s soon plucked from its halls to apprentice under a mad scientist. Meanwhile, the guilt-ridden corpse — real name: John Romero; memo to creative types: naming anyone “Romero” in your zombie-related whatnot is no longer a novel idea — roams the underworld and the land of the living, meting out occasional supernatural ass-kickings but mostly searching for his long-lost offspring.

The haunted-school scenes (complete with a kids vs. demons showdown) are clever, and the catchy soundtrack has punky flair, but the sheer number of plot threads nearly overwhelms the 82-minute film — maybe cool for fans of the comic, but viewers new to the material might wonder why, say, the “Spectral Protection Society” is elaborately introduced and then discarded. The overall effect is not nearly as fun (or “amazing”) as it should be.

Amazing, however, is one of many gushing adjectives I might use to describe my top pick of the festival: Mike Malloy’s Eurocrime! The Italian Cop and Gangster Films That Ruled the ’70s — a jazzy, lovingly-compiled homage to some of the trashiest, most mean-spirited films ever made. Everyone’s heard of Spaghetti Westerns, but poliziotteschi movies have yet to make a true cult breakthrough (or be remade by Quentin Tarantino, but I’m sure he’ll get there eventually). A groovy-sleazy score and endless clips, posters, and still shots set the tone for Eurocrime!, which gathers some of the genre’s biggest stars (laid-back John Saxon; gracious Franco Nero; bratty Antonio Sabàto) to look back at their years chasing each other across rooftops, brawling in junkyards, and working with directors like Umberto Lenzi (“the screaming-est director I ever met in my life,” according to actor Henry Silva).

The doc, a tad long at 137 minutes, also explores why the films became so popular, despite the fact that their scripts were often ripped wholesale from American “angry cop” films (and, later, from each other) — and why that popularity didn’t last (possible culprits: laughable dubbing, distracting mustaches, brutal violence against women). Newcomers won’t believe that such a world of insane film exists, longtime aficionados will dig the nostalgia, and both camps will enjoy Eurocrime!‘s high-energy appreciation of a genre long overdue for this kind of treatment. 

ANOTHER HOLE IN THE HEAD

Nov. 28-Dec.9, $10-$12

Various venues, SF

www.sfindie.com

Event Listings

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Listings compiled by George McIntire. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 28

The Guardian presents: GOLDIES Afterparty 111 Minna, SF. www.sfbg.com. 9pm, free. Perhaps you caught the paper a couple weeks ago — you know, the one with all the mega-talented rising art stars? That’d be the Goldies. Tonight, our honorees get their actual awards and to celebrate, we’re throwing a totally free, totally amazing afterparty featuring DJ Bus Station John and performances by Kat Marie Yoas, Mad Noise, and Dr. Zebrovski. Gold attire is encouraged, as are winter formal looks.

Grant 121: The Best of Young Brazilian Novelists Green Apple Books, 506 Clement Street, SF. (415) 387-2272, . 7pm, free. Brazil well on its way to becoming an economic super power, and it’s going to need some adept writers to chronicle its ascent. Scratch that, it already has plenty: Cristhiano Aguiar and Vinicius Jatoba are among their number. The two will be reading about modern Brazilian society from the latest issue of Granta Magazine.

Ferocious Reality Tosca Café, 242 Columbus, SF. (415) 986-9651, . 7-9pm, free. Eric Ames penned Ferocious Reality: Documentary according to Werner Herzog, an examination of more than 25 of Werner Herzog’s films. If you’re a Herzog head or simply curious about his work, come for a conversation and Q&A at this book-signing with Professor Ames.

THURSDAY 29

Collecting 2.0 Contemporary Jewish Museum, 736 Mission, SF. (415) 655-7800, . 6:30-8pm, free–$5. Does the Internet enhance or detract from experiencing art? How has the Internet affected our ability to collect art? These questions and others like them will be at the center of the discourse at this event where curators, gallerists, collectors, and other art world denizens will come together to expound on the Internet’s influence on modern creativity.

FRIDAY 30

SCRAP Art Fair Arc Gallery, 1246 Folsom, SF. (415) 298-7969, . Through January/9. Opening reception: 6:30-9pm, free. One person’s trash is another person’s art supply. Arc Gallery presents its fourth exhibition of creatively-used pieces of scrap taken from landfills and used as tools for art. The show’s purpose, however, isn’t just to say, “hey you can make art out of trash!” Rather, it expands our notion of where art can come from, and promotes reuse.

Call Me Home Gallery Carte Blanche, 973 Valencia, SF. (415) 821-1055, . Through Jan. 23. Opening reception: 6-9pm, free. If you’re a proud San Franciscan, check out this event to make your chest swell and tears surface. “Call Me Home: A Photographic Journey in San Francisco” is presented by the one-year old Carte Blanche Gallery and features the works of five photographers

SATURDAY 1

Paxton Gate Anniversary Party Paxton Gate, 824 Valencia, SF. (415) 824-1872, . 8-10pm, free. The eccentric shop will be celebrating two decades at its Valencia location in carnival-like fashion. Among the fanfare will be contortionists, stilt walkers, and the sounds of “Shovelman” in addition to an open bar of courtesy of Hendrick’s Gin.

Palestinian Gifts Bazaar Middle East Children’s Alliance, 1101 Eighth St., Berk. (510) 548-0542, . Also Sun/2, 10am-5pm, free. Come peruse this superb emporium of elegantly fashioned items from across the Middle East. If you got someone special in your life who lives from things like pure olive oil soap, exotic scarves & shawls, and hand-blown glassware, make sure you circle this event for your holiday shopping to-do list.

SUNDAY 2

Psychotherapy Institute Art Show and Sale Psychotherapy Institute, 2322 Carleton, Berk. (510) 548-2250, . Noon-5pm, free. Support local artists and the advancement of the study of psychotherapy at this art sale benefiting the Psychotherapy Institute of Berkeley. The event, which also celebrates the 40th anniversary of the institute, features work from artists like Joan Alexander, Jim Fishman, and Jane Reynolds.

Readings on Cinema: The Truman Show Pacific Film Archive Theater, 2575 Bancroft, Berk. (510) 642-1124, . 5:20pm, $5.50-13.50. I’m sure we’ve all had the feeling that each one of us is the star of our very own “Truman Show” because if someone else had his or her own Truman show, you’d know about it right? Well this feeling of screens staring at you is what motivated Bay Area film historian David Thomson to pen his latest book, The Big Screen: The Story of the Movies—and What They Have Done to US. In this book event Thomson plans to illustrate the concepts of his book via the existential comedy The Truman Show.

TUESDAY 4

Wood Shoppe Free Concert Series Brick and Mortar Music Hall, 1710 Mission, SF. (415) 371-1631, . 8pm, free. A free concert is like a 72 degree day in the city — you’ve just gotta take advantage. Participating in this free concert series occurring on the first Tuesday of every month is Oakland DIY pop outfit Trails and Ways, music theorist Cayucas, and garage psych-poppers The Tambo Rays.

Stage Listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

A Christmas Carol Geary Theater, 415 Geary, SF; www.act-sf.org. $20-95. Opens Fri/30, 7pm. Runs Tue-Sat, 7pm (no evening performance Dec 6, 11, or 18; also 2pm matinees Sat/1, Dec 8, 12, 15, 21, and 22; Sun, 5:30pm (also 1pm matinees Dec 9, 16, 23); Dec 24, 1pm. Through Dec 24. American Conservatory Theater’s annual holiday performance features James Carpenter as Scrooge.

The Marvelous Wonderettes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $27-46. Previews Fri/30-Sat/1 and Dec 5-7, 8pm; Sun/2, 2pm. Opens Dec 8, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm (no show Dec 23). Through Jan 13. New Conservatory Theatre Center performs Roger Bean’s 1950s pop-hit musical.

The New California Traveling Jewish Theater, 470 Florida, SF; www.pianofight.com. $20-25. Opens Wed/28, 8pm. Runs Wed, 8pm. Through Dec 19. PianoFight Productions’ female-centric sketch comedy group ForePlays presents an all-new variety show.

Pal Joey Eureka Theatre, 215 Jackson, SF; www.42ndstreetmoon.org. $25-75. Previews Wed/28, 7pm; Thu/29-Fri/30, 8pm. Opens Sat/1, 6pm. Runs Wed, 7pm; Thu-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through Dec 16. 42nd Street Moon performs the Rodgers and Hart classic.

BAY AREA

Big River TheatreWorks, 1305 Middlefield, Palo Alto; www.theatreworks.org. $23-73. Previews Wed/28, 7:30pm; Thu/29-Fri/30, 8pm. Opens Sat/1, 2 and 8pm. Runs Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Dec 30. TheatreWorks performs the Tony-winning musical based on Mark Twain’s Huck Finn stories.

Dracula Berkeley Community Church, 1802 Fairview, Berk; www.infernotheatre.org. $12-25. Opens Thu/29, 8pm. Runs Thu and Sat-Sun, 8pm; Fri, 9pm. Though Dec 16. Inferno Theatre Company performs Giulio Cesare Perrone’s adaptation of the Bram Stoker classic.

Woyzeck Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $23-35. Previews Thu/29 and Dec 5-6, 7pm; Fri/30-Sat/1, 8pm; Sun/2, 5pm. Opens Dec 7, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Jan 27. Shotgun Players presents Tom Waits, Kathleen Brennan, and Robert Wilson’s tragic musical, based on an unfinished 1837 play by Georg Büchner.

ONGOING

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

History: The Musical Un-Scripted Theater, 533 Sutter, SF; www.un-scripted.com. $10-20. Thu-Sat, 8pm. Through Dec 22. The Un-Scripted Theater Company performs “an unscripted romp through Western history.”

Hysterical, Historical San Francisco: Holiday Edition Alcove Theater, 414 Mason, Ste 502, SF; www.thealcovetheater.com. $25-40. Fri-Sat and Dec 26-31, 9pm. Through Dec 31. Comedian Kurt Weitzmann takes on San Francisco history, adding some holiday flair along the way.

The Rainmaker Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. $38. Fri-Sat, 8pm. Through Dec 22. Shelton Theatre preforms N. Richard Nash’s classic drama.

Slugs and Kicks Thick House, 1695 18th St, SF; www.therhino.org. $15-30. Previews Wed/28, 8pm. Opens Thu/29, 8pm. Runs Wed-Sat, 8pm; Sun, 3pm. Through Dec 9. Theatre Rhinoceros performs John Fisher’s play about the offstage drama at a college theater company.

Speed-the-Plow Actors Theatre of San Francisco, 855 Bush, SF; www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Extended through Dec 21. Actors Theatre of San Francisco performs the David Mamet drama.

The Submission New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Dec 16. New Conservatory Theatre Center performs Jeff Talbott’s drama about a playwright who falsifies his identity when he enters his latest work into a prestigious theater festival.

Superior Donuts Gough Street Playhouse, 1622 Gough, SF; www.custommade.org. $25-30. Thu-Sat, 8pm; Sun, 7pm. Through Dec 2. Consider the doughnut: an infinite ring of fried dough and glaze, simple, unassuming, ubiquitous. Once a staple of on-the-go breakfasts and on-the-road snacking, the doughnut has gone into decline, assaulted on all sides by nutritionists, tastier pastries, and luxury branding. Arthur (Don Wood), the aging protagonist of Tracy Letts’ Superior Donuts, has failed to see the writing on the wall, perhaps for decades, as his family doughnut shop, whose regulars include a feisty bag lady (Vicki Siegel) and a pair of beat cops (Ariane Owens, Emmanuel Lee), struggles to compete with the Starbucks across the street and the changing mores and values of the neighborhood demographic. Enter Franco (Chris Marsol), a likable youthful hustler in desperate need of a job, who sees potential in Arthur’s decrepit shop: poetry readings! Bran muffins! A liquor license! Drawn to each other by mutual loneliness the two warily navigate the waters of friendship, despite their obvious gaps in age, ambition, and fashion sense (Franco to Arthur: “the Grateful Dead aren’t hiring anymore”). Custom Made’s production, directed by Marilyn Langbehn, breathes vibrancy into a gentrifying corner of Chicago, thanks especially to Chris Marsol, whose Franco is bold, intelligent and thwarted, and Don Wood, who plays Arthur like a man frozen in ice, whose eventual thaw speaks to the restorative powers of possibility. (Gluckstern)

The Waiting Period Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Thu-Fri, 8pm; Sat, 5pm. Extended through Dec 8. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo, this one based on more recent and messier events in Copeland’s life. It’s a worthy aim but only a fitfully engaging piece, since as drama it remains thin, standing at perhaps too respectful a distance from the convoluted torment and alienation at its center. (Avila)

BAY AREA

Acid Test: The Many Incarnations of Ram Dass Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Thu-Fri, 8pm; Sat, 5pm. Extended through Jan 5. Lynne Kaufman’s new play stars Warren David Keith as the noted spiritual figure.

It’s a Wonderful Life: A Live Radio Play Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $36-57. Tue and Thu-Sat, 8pm (also Sat/1 and Dec 15, 2pm; Dec 6, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Dec 16. Marin Theatre Company performs Joe Landry’s live radio play adaptation of the classic Capra film.

The Kipling Hotel: True Misadventures of the Electric Pink ’80s Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 16. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist’s journey from 1970s Oakland ghetto to comedy-circuit respectability. Even with some awkward bumps along the way, it’s never a dull thing watching Reed work. (Avila)

The Sound of Music Julia Morgan Theatre, 2640 College, Berk; www.berkeleyplayhouse.org. $15-35. Thu-Sat, 7pm (also Sat, 2pm); Sun, noon and 5pm. Through Dec 2. Berkeley Playhouse opens its fifth season with the Rodgers and Hammerstein musical.

Toil and Trouble La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thu-Sat, 8pm (no show Thu/22). Through Dec 8. For a theater company known for its radical interpretations of the Shakespearean canon, a play such as Lauren Gunderson’s Toil and Trouble, a goofy Generation Why retelling of Macbeth, is a particularly good fit for Impact Theatre. Whittled down to a dynamic three-character chamber play featuring delusionary slackers plotting to turn their MBAs and nebulous SF Giants connections into a bloodless takeover of a remote island nation rather than get crappy café jobs to pay the rent, Toil throws baseball, investors, Wikipedia, fortune cookies, hypothetical sex, and real violence into one cauldron, letting them bubble and froth throughout the piece. The so-crazy-it-might-just-work plan hatched by Adam (Michael Delaney), a relentlessly cheerful narcissist, quickly leads to tension between the three, especially once the potential payout is estimated at 30 million dollars, and before their plot is even finalized, a tenuous, murderous alliance forms between the insufferably wimpy Matt (Will Hand) and the rage-aholic Beth (Jeanette Penley). All three actors play their all-too-familiar characters to the hilt, and Josh Costello’s direction is deft and assured. A surprise twist subverts the expected lull of tragedy, and all is resolved, more or less, in a manner more appropriate to this time and place than Shakespeare’s, though not without some grand sound and fury beforehand, signifying both. (Gluckstern)

The White Snake Berkeley Repertory Theatre, Roda Theatre, 2025 Addison, Berk; www.berkeleyrep.org. $29-99. Tue and Thu-Sat, 8pm (also Nov 29, Dec 13, and Sat, 2pm; no matinee Dec 1; no show Thu/22); Sun, 2 and 7pm. Through Dec 23. In Mary Zimmerman’s The White Snake, nothing is quite as it seems. A mysterious stranger and her faithful servant are, in reality, a pair of shape-shifting serpents, the humble village pharmacy they build (with stolen money) is a front for their magical healing powers, a venerated Buddhist Abbott is actually a small-minded tyrant with a remarkably unholy obsession. Based on a Chinese myth dating to the 10th century, elements of “The White Snake” can be found in other mythologies around the world — from the biblical tempter in the Garden of Eden, to the healer snakes of Asclepius. However, in accordance with the tale’s historical evolution, from horror story to romance, Zimmerman’s treatment focuses mainly on the unusual love affair between Madame White (Amy Kim Waschke) and her karma-selected husband Xu Xian (Christopher Livingston). Weaving together fanciful design (a rainfall of ribbons, parasol puppetry, elegant period costuming and evocative video), elements of Chinese drama (amusingly described by narrators as they take place on stage), and a stirring reflection on the transformative power of love, complete with themes of self-sacrifice and endless fidelity, The White Snake, is a delicately-rendered fairytale which may not offer a way to enlightenment, but certainly clears a path to the heart. (Gluckstern)

Wilder Times Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 9. Aurora Theatre performs a collection of one-acts by Thornton Wilder.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $8-50. Fri/23-Sun/25, 11am. Louis “The Amazing Bubble Man” Pearl brings his lighter-than-air show back to the Marsh.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. “Theatresports,” Fri, 8pm, through Dec 21.

“The Buddy Club Children’s Shows” Randall Museum Theater, 199 Museum Wy, SF; www.thebuddyclub.com. Sun/2, 11am-noon. $8. Juggling and acrobatics with the Keith Show.

“Clas/sick Hip-Hop” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Fri/30-Sat/1, 8pm. $15-20. Violinist Daniel Bernard Roumain accompanies hip-hop dancers Rennie Harris, Rokafella, and others.

“Instrument” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu-Sun, 8pm. Through Dec 9. $15-20. Monique Jenkinson, a.k.a. Fauxnique, performs her new solo show.

“Life with Laughter” Garage, 715 Bryant, SF; www.975howard.com. Tue/4, 8:30pm. $10-20. comedy, storytelling, spoken word, and music.

“Murderous Little World” ODC Theater, 3153 17th St, SF; www.odctheater.org. Mon/3, 8pm. $15-30. NEXMAP and ODC present the US premiere of Linda Bouchard’s experimental musical theater work, based on poems by Anne Carson and performed by Canadian trio Bellows and Brass.

“The Romane Event” Make-Out Room, 3225 22nd St, SF; www.pacoromane.com. Wed/28, 8pm. $7-10. Comedy with Alex Koll, Johnny Taylor, Leslie Small, Andrew Holgren, Lynn Ruth Miller, and Paco Romane.

San Francisco Comedy College Purple Onion at Kells, 530 Jackson, SF; www.sfcomedycollege.com. $5-15; all shows ongoing. “Laughter Hour,” Thu-Fri, 7pm. “Destini and Yonatan’s Stand-Up Rebellion,” Thu, 8:30. “Comedy Bottle,” Fri-Sat, 8:30pm. “Kells Comedy Saturday,” Sat, 7pm. “New Talent Shows,” Tue-Wed, 7. Also Larkspur Hotel, 524 Sutter, SF. “Rocket Salad,” Sun, 7.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

BAY AREA

“Hear Me Now” Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. Mon/3, 8pm. $15. Shotgun Cabaret presents cell phone monologues as part of its First Person Singular reading series.

“A Memory from the Future/Un Recuerdo del Futuro” Studio 8, 2525 Eighth St, SF; www.theteadancers.org. Sat/1 and Dec 8, 8pm; Dec 9, 2pm. $20. The Tea Dancers/Ballet de la Compasion perform a bilingual multimedia show.

“Risk for Deep Love” Temescal Art Center, 511 48th St, Oakl; www.eroplay.com. Sat/1, 8pm. Free. “Improvised passions” with performance artist Frank Moore. *

 

Our Weekly Picks: November 28-December 4

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WEDNESDAY 28

World Party

While The Cure and R.E.M. were soaking up all the mainstream recognition, British singer-songwriter Karl Wallinger quietly churned out some of the most infectiously jangly pop of the 1980s and ’90s under the World Party moniker. Since the release of his magnum opus, Goodbye Jumbo (1990), Wallinger has gone on hiatus numerous times, coming out of the woodwork with a new set of songs, and a fresh cast of supporting musicians, whenever inspiration strikes. It’s been 12 years since his last LP, but with a new career-spanning box set on the way, and a rare US tour to support it, we’ll take whatever we can get. (Taylor Kaplan)

With Martin Harley 8pm, $26 Great American Music Hall 859 O’Farrell, SF (415) 885-0750 www.slimspresents.com


GOLDIES after-party

You read all about the 24th annual Goldie winners — that’s Guardian Outstanding Local Discovery awards! — in the Nov. 14 issue of the paper. Now’s your chance to come celebrate with us and the winners (musicians the Mallard, 5kinandbone5, and WATERS; theater company PianoFight; performers Mica Sigourney and Anna Ishida; filmmaker Jamie Meltzer; visual artist Brett Amory; dance winners Joe Landini and the Garage; and lifetime achievement winners Frank Shawl and Victor Anderson of Berkeley’s veteran Shawl-Anderson Dance Studio. The free party features performers Mad Noise, Kat Marie Yoas, and Dr. Zebrovski, plus tunes by Goldie alumni DJ Bus Station John. Gold attire encouraged! (Cheryl Eddy)

9pm, free

111 Minna Gallery

111 Minna, SF

www.111minnagallery.com

 

THURSDAY 29

Houses

If the 2010 album All Night from Chicago’s Houses seems sunnier and warmer than what you’d expect, given a cliched notion of the windy city, it may be because the album originated while the band was on a sort of idyllic, post-layoff stay in Hawaii. Seemingly lost in a year that was flooded with too many DOA “chillwave” bands, the album — with an air of IDM and standout track “Reds” — deserves a second listen, mainly for the vocal intimacy engendered by Dexter Tortoriello and Megan Messina, partners on and off record who have an immediately apparent rapport that suggests a hybrid sound of Mazzy Star and the xx, with feet on the dancefloor. (Ryan Prendiville)

With D33J, Yalls, Elephant and Castle

8pm, $8–$12

Public Works

161 Erie St., SF

(415) 932-0955

www.publicsf.com

 

Instrument

It’s one of those contradictions that I guess those of us who love live performances are also aware that the minute it happens, it dies. Gone, finished, never to return. It’s what Monique Jenkinson is exploring in her new Instrument, a solo performance piece to which she invited choreographers Miguel Gutierrez, Chris Black and Amy Seiwert — talk about diversity! — to set movement on her, which she then adapted to her own purposes. Somewhere, the late Rudolph Nureyev also entered into the equation. Jenkinson, who lives and breathes live performance, has made the slithery ground of identity a major theme of her dance/theater-making. She is a superb artist and entertainer, with immaculate craft and a fabulous perspective on what it means to be alive today whether as drag queen, fashion maven, opera diva or, perhaps, ballet super star. (Rita Felciano)

Also Nov. 30, Dec. 1-2, Dec. 6-9, 8pm, $20–$30

CounterPULSE

1310 Mission St. SF

$20-30.

www.counterpulse.org

 

FRIDAY 30

 

Rah Rah

“Rah Rah,” is accurately named — even its slower songs have a go-get-em, anthemic feel. At times this comes off as mildly ironic with some nonplussed singing paired with invigorating chord progressions. Our generation does love its irony. Mostly though, Rah Rah is full of wonder and cheer. The Canadian sextet makes good on the team spirit promise with a collaborative effort in which all the band members chip in for songwriting. With everybody switching instruments, singing, and maybe even tossing around balloons (or confetti), the band members bring the mirth wherever they go. (Molly Champlin)

With Travis Hayes

9pm, $10

Thee Parkside

1600 17th, SF

(415) 252-1330

www.theeparkside.com

 

Moodymann

Hailed for his massive influence on the Detroit techno scene he’s contributed to ever since the early ’90s, enigmatic producer Moodymann is that rare EDM artist who milks the album format for all it’s worth. Unlike the majority of his peers, content to churn out standalone tracks for the dancefloor, Moodymann stuffs his propulsive beats with funk and soul flourishes, samples from blaxploitation films, and impossibly lush, glossy synth tones, assembling cohesive LPs that conjure up a seductive, luminous sound-world all their own. Finding common ground between ravers and headphone geeks can be a challenge, but this master makes it look easy. (Kaplan)

With Galen, J-Bird, Solar, Deron

9:30pm, $20

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

SATURDAY 1

Come Out and Play Festival Weekend

The SOMArts gallery and grounds will transform into a playground with games that are as fun as they are artistic in the finale to its month-long “Come Out and Play” exhibit. There will be plenty for the kids, such as the parkour-inspired Sloth Chase, which will force the young ones to get creative in navigating everyday spaces. This is all-ages, so keep an eye out for adult games too, including the mind-bending experiment, Out of Body Labyrinth. It includes video goggles that give the player a third person perspective on his or her movements as they navigate a labyrinth. And then there’s Propinquity, which uses neon lights to measure scores in an experience that is equal parts club and Capoeira. Be sure to register in advance to skip the lines. (Champlin)

Also Dec. 2, 11am–5pm, free

SOMArts

934 Brannan, SF

(415) 863-1414

somarts.org/playsf

 

Bay Brewed Rock and Roll Beer Festival

What pairs better with rock and roll bands than beer? And I’m not talking about half-watching the (admittedly, enticing) dad rock band in the back corner of a pub while nursing a warm Pabst. This second annual Bay Brewed event, again hosted by the Bay Bridged blog, will feature performances by bands you actually want to see live: Bear in Haven, Sonny and the Sunsets, Born Gold, Blasted Canyons, James and Evander, and Trails and Ways. Plus, tickets include endless tasting of the frosty, locally-brewed stuff by 13 SF Brewers Guild breweries, including 21st Amendment and Social Kitchen and Brewery. Added bonus: Seoul on Wheels and Adam’s Grub Truck will be standing by to help you soak up your indulgences. (Emily Savage)

12:30-6pm, $60

Public Works

161 Eerie, SF

(415) 932-0955

www.publicsf.com

 

Opal Dust Opening

Casey Watson works graphite and colored pencil like paint to create rich, intricate floral patterns. This isn’t your typical flower power art though, her pieces combine to create abstract forms evocative of microscopic organic life or macrocosmic activity. The process is poetically described as the “sharp-edged task of portraying a soft exterior.” The exhibit will be on display at Johansson Projects, the fine art gallery with the DIY spirit people always remember from Oakland’s Art Murmur. Also showing will be Rachel Kaye, whose abstract work explores the relationship between fashion and fine art through geometric color fields. If you can’t make it to the reception on Saturday, you can always check out the exhibit at the First Fridays event, Dec. 7 this month. (Champlin)

3pm, free

Johansson Projects

2300 Telegraph, Oakl.

(510) 444-9140

www.johanssonprojects.com

 

Wovenhand  (canceled)

Wovenhand might be one of the only folk-rock bands around whose songs can evoke both the cool grandeur of a cathedral arch and the sweaty tent of a traveling preacher man set up beneath a wide-open prairie sky. Even if the band’s lyrics weren’t deeply rooted in the Christian faith of frontperson David Eugene Edwards, its intense, pounding rhythms, tightly-knit instrumentation and otherworldly vocals would be enough to drive even the most committed atheist to their knees. With The Laughing Stalk, Edwards eschews the occasional diversions of earthly delights and goes straight for the marrow, a nine-song cycle of tormented devotion using the Old Testament (and bone-shaking guitar riffs) as points of departure. Known particularly for the ferocity of their live shows, you will not want to miss these passionate Denverites at Bottom of the Hill — or anywhere else, really. (Nicole Gluckstern)

With Yassou Benedict and Yir

10pm, $12–$14

Bottom of the Hill

1233 17th St., SF

www.bottomofthehill.com

 

MONDAY 3

Death Grips

The easiest explanation for the attention and acclaim this band has garnered — including a hot-off-the-presses of SPIN award for Artist of the Year — would be controversy. We are talking about a group that canceled a tour, leaked its second album of the year onto the Internet (complete with the title, No Love Deep Web, scrawled across one member’s turgid member on the cover) and subsequently got dropped from Epic Records. (Epic Records still exists?) But to get past the ceaseless debate surrounding Death Grips and its currently incomparable hybrid of growling, punk infused rap, just see the band live, like some did last year at 103 Harriet, when barking singer Stefan Burnett and frenetic drummer Zach Hill delivered a memorable, aggressive, and beyond sweaty performance. (Prendiville)

With Cities Aviv

8pm, $20

Slim’s

333 11th St., SF

(415) 255-0333

www.slimspresents.com

 

TUESDAY 4

“The News”

Have you heard the good “News”? Freshly minted Goldie winner Mica Sigourney (as his unforgettable alter ego, VivvyAnne ForeverMORE!) is guest-curating SOMArts’ popular monthly showcase of queer, experimental debut and in-progress works. With Ms. ForeverMORE! at the helm, the event will be a blend of performance art and nightlight, featuring costume designer, accordionist, and queer-identity explorer DavEnd; interdisciplinary performer Cara Rode DeFabio; drag performers Elliot “Christina Christopher Damnit” Orona and Nathan “Nikki Sixx Mile” Rapport; and more. Space is limited, so get your tickets (a steal at just $5!) in advance. (Eddy)

7:30pm, $5

SOMArts Cultural Center

934 Brannan, SF

thenewsperformance.eventbrite.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Baby steps: Pregnant Ana Tijoux headlines at an evolving La Peña Cultural Center

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Unlike the last time I saw her perform in California, there was no reason for Chilean rapper Ana Tijoux to apologize to her audience for her English in the La Peña Cultural Center at her pre-Thanksgiving show on Wednesday.

Quien no habla español?” she asked the crowd. “Muy bien,” she continued when no one could understand Spanish well enough to yell out that they don’t understand Spanish. “El mejor publico in los Estados Unidos.”La Peña was perhaps the perfect venue for Tijoux’s return to the Bay Area (she’s spent a lot of time around here in 2012, playing the New Parish as recently as August.) The 45-year old center is undergoing a sea change. A group of young activists calling themselves La Peña Second Generation are re-doing the famous 3-D mural facade of the building, looking to minimize the center’s dependency on grant monies, and, said the Second Generation guy who jumped on the mic in-between sets by Oakland’s Raw-G and Tijoux (I hear Bang Data also turned in a stellar opening set, though emcee Deuce Eclipse was already hanging out in the crowd by the time we made it to the show), open to new programming ideas.

Anyone wanna host a spoken word event? You can do it at La Peña, whose intimate space hosts science lectures, Chilean feasts, Marga Gomez’s “Day of the Dead Republican” stand-up, and craft fairs celebrating the work of women of color (the 18th annual Womyn of Color craft fair, in fact, takes place this weekend).

Most of the crowd that night was there for Tijoux’s political awareness — she touched on the Palestine-Israel conflict, the possibility for connection between poor people in all countries — which was good because it was a way more mellow set than the times I’ve seen her when she didn’t have a baby girl growing in her belly.

I took notes during the show comparing her outfit with the M.I.A.-like patterned leggings/oversized tee combo she rocked the last time I saw her, because she’s a female artist so obviously her clothes are really important. This time around she had on a flannel shirt that fit her and hella black spandex — stay comfortable, Anita.

After closing her set with her hit single “1977,” Raw-G hopped on stage for a few songs to give Tijoux a rest before coming back out with “La Rosas de los Vientos,” a song from Makisa, her fierce group from before she launched her solo career.

http://www.youtube.com/watch?v=x9vfmcfB1cc

Me siento que estoy en un boliche de Latin America,” said my date. (Earlier in the evening he made us beat a hasty retreat once we had our plastic-cupped Peruvian Cristal beers from the bar in La Pena’s Cafe Valaparaiso — his Argentinian soccer team was being beat by Brazil on the bar’s TV.)

His vote of confidence was high praise for a spot in Berkeley, and it suggests that the Second Generation group is doing alright in its mission to bring continued life to the beloved La Peña. Maybe in 20 years Tijoux’s babe will be taking the stage, on her own feet this time.

Appetite: Learning from the best, eating like royalty at Flavor! Napa

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All photos by Virginia Miller

Flavor! Napa is a five-day food and wine festival that took place last weekend in its second annual incarnation, potentially the definitive event representing the wines of the region, and the chefs and cooking that make this grouping of small towns and countryside one of the great culinary and wine destinations in the world.

Despite some nasty rainstorms hitting the area for part of the week, festivities were many and varied, classes and demos, dinners and galas. Here are a few highlights in photos, including sessions with two of the biggest chefs in the world: Thomas Keller and Masaharu Morimoto. 

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot

 

Rep Clock

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Schedules are for Wed/21-Tue/27 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-10. “Other Cinema: McCormick’s Great Northwest,” an experimental travelogue, plus works by Robert Machoian and Rodrigo Ojeda-Beck, Sat, 8:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •The Big Lebowski (Coen, 1998), Wed, 2:30, 7, and Thunderbolt and Lightfoot (Cimino, 1974), Wed, 4:45, 9:15. The Sound of Music (Wise, 1965), presented sing-along style, Nov 23-Dec 2, 7 (also Fri/23-Sun/25 and Dec 2, 1; no shows Dec 1).

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. A Late Quartet (Zilberman, 2012), call for dates and times. The Other Son (Lévy, 2012), call for dates and times. A Royal Affair (Arcel, 2012), call for dates and times. Sister (Meier, 2012), call for dates and times. “World Ballet on the Big Screen:” works by the Netherlands Dance Theater, Sun, 10am and Tue, 6:30. This event, $15. With “David Thomson Presents: The Big Screen:” The Third Man (Reed, 1949), Sun, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Grand Illusions: French Cinema Classics, 1928-1960:” Marius (Korda, 1931), Fri, 4; Fanny (Allégret, 1932), Fri, 7; César (Pagnol, 1936), Sat, 5; Beauty and the Beast (Cocteau, 1946), Sat, 7:20; Douce (Autant-Lara, 1943), Sun, 3; Such a Pretty Little Beach (Allégret, 1949), Sun, 4:50; Orpheus (Cocteau, 1949), Tue, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. San Francisco Documentary Film Festival, through Wed/21. Visit www.sfindie.com for complete schedule. “The JFK Assassination 49 Years Later:” JFK (Stone, 1991), Thu, 4:45. With panel discussion to follow. The Comedy (Alverson, 2012), Nov 23-29, 8 and 9:45. Daisies (Chytilová, 1966), Nov 23-29, 6:30 (also Sat-Sun, 1).

VICTORIA 2961 16th St, SF; www.sfcult.org. $10. •Cannibal! The Musical (Parker, 1993), Tue, 7, and Parents (Balaban, 1989), Tue, 9.

Our Weekly Picks: November 21-27

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WEDNESDAY 21

Major Powers and the Lo-Fi Symphony

With manic energy and exploratory style, Major Powers and the Lo-Fi Symphony, has garnered a set of reviews likening the band to rock legends, including one extolling on its resurrection of the rock opera genre. With musician blood (Kevin and Dylan Gautschi, sons of Pamela Wood, bass player for Bay Area rock legends Leila and the Snakes) and years of practice (band leader Nicholas Jarvis Powers is a self-taught pianist and songwriter since the age of eight) this trio is well qualified for the praise. And true to the reviews, its intricate arrangements, harmonies, and general flair for the dramatic often channel the spirit of Queen’s Freddie Mercury. As MPATLFS is opening for the upbeat, danceable rock of Solwave, this show should be a great way to kick off your Thanksgiving weekend. (Molly Champlin)

With Solwave, Ressurection Men

$10, 8:30pm

Café Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

Eats Everything

While Eats Everything may seem to have come out of nowhere in 2011 with the release of attention-seeking track “Entrance Song,” that’s a narrative that ignores the fact that Daniel Pearce had been plugging away as a DJ for quite some time. You can hear it in his omnivorous house sound, in which each bubbly two-step and jungle bounce seems to have carefully digested two decades of electronic music. Since his “debut” Eats Everything has released tracks for SF’s Dirtybird as well as high profile mixes for Resident Advisor and the BBC (which identified Eats Everything as a premiere artist in the rising, resurrected, heavy-heavy bass sound of Bristol, UK).(Ryan Prendiville)

With Ryan Crosson, Bill Patrick, KMLN, Little John, Rich Korach, Dax

9:30pm, $10–$15

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

Indigenous People’s Thanksgiving Sunrise Gathering.

In 1969, the Indians of All Tribes group staged an occupation of Alcatraz Island. After the prison closed, 79 America Indians successfully occupied the island for 19 days, demanding that the government return the land to American Indians with sufficient funding to build a university and cultural center. On the holiday that glosses over the bloodshed of Native American and colonial relations, this celebration should be a positive event that gives thanks to Mother Earth, but also recognizes the inequalities that are present in our society. All are welcome to hear the Native speakers talk about remembrance, gratitude, and the fight for equality. There will be performances by All Nations Singers and traditional Aztec, Pomo, and Pacific Island dance groups. Like the end of a vigil or celebration of new beginnings, the event will take place at sunrise, which should be a beautiful sight from the middle of the bay. (Champlin)

4:45am, $14

Alcatraz Island (Pier 33)

1398 Embarcadero, SF

(415) 641-4482

www.treatycouncil.org

 

“The JFK Assassination 49 Years Later”

Another murdered president is getting all the headlines lately, thanks to a splashy new Spielberg film — but the puzzle of John F. Kennedy’s untimely death, dramatized by Oliver Stone’s 1991 JFK, remains fascinating both onscreen and off for historians and (conspiracy) theorists. After you’re stuffed with Thanksgiving treats, waddle over to the Roxie for an epic discussion of all things Dealey Plaza and beyond. The evening is anchored by a JFK screening and features enough special guests to fill a presidential limousine, including CIA agent (and Watergate figure) E. Howard Hunt’s eldest son, Saint John Hunt, and Judyth Vary Baker, author of Me and Lee: How I Came to Know, Love, and Lose Lee Harvey Oswald. (Cheryl Eddy)

4:45pm, $10

Roxie Theater

3117 16th St., SF

jasondove.com/jfk/JFKEVENT.html

 

Henry Rollins

Ah, Thanksgiving. The one time a year you get to set aside all your stress, take the day off, and spend some good quality time with Henry Rollins. Tell your aunties you won’t be bringing the stuffing — you have bigger, less smothering fish to fry. Rollins won’t make you chop anything, take family photos, or leave greasy lipstick marks on your cheek, no — the former Black Flag frontperson is beginning a three-day residency at Yoshi’s to dish up his own smart, searing brand of political commentary and stories from his recent developing world travels. On the road since January of this year, Rollins has taken his Long March tour through nearly every state and dozens of countries before bringing it home to his final destination — California. You’ll laugh, you’ll cry, and you won’t have to help clean up. (Haley Zaremba)

Also Fri/23, Sun/25

7:30pm, $30

Yoshi’s

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com


FRIDAY 23

Delicate Steve

If Vampire Weekend met at Humboldt State instead of Columbia, it might have ended up with a band more like Delicate Steve. Co-opting Afrobeat rhythms, and West African guitar licks a la Tinariwen, and pushing them into jammy, loosely psychedelic territory, the NYC ensemble’s sophomore full-length, Positive Force, hovers continuously between indie rock and white-dude world music, while shrewdly avoiding the pitfalls of both musical traditions. Makes sense, then, that David Byrne signed the band to his Luaka Bop label last year. (Taylor Kaplan)

With Dana Buoy, Raleigh Moncrief

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

Kill Paris

This again; it always seem to end up in a club the day after Thanksgiving. The combination of dealing with bigot relatives and overeating (in that order) inevitably leading to the need to burn some calories. (I guess a gym would work as well, but those don’t have booze.) The consistently solid Opulent Temple DJs at the bottom of this eclectic lineup will definitely put down some solid house sets, but also worth checking out is Kill Paris, an EDM up-and-comer with a near fetish for funky ’80s soul and ’90s R&B. Expect to hear Prince, Montell Jordan, and Blackstreet reworked with the sounds of French electro, dubstep, and the fringes of LA’s beat scene. (Prendiville)

With Big Chocolate, Jelo, Opulent Temple DJs (Tekfreaks, Dutch, Dex Stakker, and more)

10pm, $15–$30

1015 Folsom, SF

(415) 431-1200

www.1015.com


SATURDAY 24

Wienerschnitzel wiener dog regional races

Could it be that we have found the true sport of kings? What, pray tell, could be more noble than stockily limbed canines, running as fast as their angular, low-rise bodies can take them across the lacquered floor of a professional basketball arena? Save your horses and greyhounds, for true athletic prowess we will take the Wienerschnitzel weiner dog races. Today’s winner will receive $250 and more importantly (because what the hell is a dog going to do with $250?), a trip to San Diego to compete against the country’s fastest daschunds. (Caitlin Donohue)

Check-in 11:30am, preliminaries noon, free registration

Finals during Warriors game half-time, admission to game $22–$475

Oracle Arena

7000 Coliseum Way, Oakl.

www.wienerschnitzel.com

 

Richard Cheese and Lounge Against the Machine

There is nothing that Richard Cheese can’t turn into a vocal pop standard, loungifying rock’n’roll, hip-hop, top 40s hits, and everything in between. Previous covers include Nine Inch Nails’ “Closer” and Def Leppard’s “Pour Some Sugar on Me” like you’ve never heard them before (or will again.) The Los Angeles-based cover band and comedic ensemble make a welcome caricature of Las Vegas lounge entertainment, often decked out in tiger striped tuxedos with oversized microphones, and pairing elegant, smooth jazz stylings with blue language and lewd humor. The group has recorded an impressive 10 albums in its 12 years of swank existence. Grab a martini, sit back, and enjoy the ridiculous show. (Zaremba)

With Project: Pimento

9pm, $45

Bimbo’s 365

1025 Columbus, SF

(415) 474-0365

www.bimbos365club.com


MONDAY 26

Zak Kyes

The documentary Helvetica proved that graphic design can be as relevant to your life as the question of whether you should buy Mac or PC. Designer, Zak Kyes will have plenty to say about the unsung importance of things such as font choice and negative space in his lecture at California College of the Arts. In addition, he will discuss how his work has been opening creative avenues between publishing, presentation, architecture, and installation. His collaborations and work across multiple fields won him the prestigious Inform award in 2012, and his resulting exhibition, Zak Kyes Working With… , has been featured in the Museum for Contemporary Art Leipzig, the Graham Foundation in Chicago, and the Architectural Association in London. In our information age, graphic design is useful to anyone who works on a computer, and what better way to learn more about it than from someone who clearly knows his stuff? (Champlin)

Free, 7pm

Graduate Center, CCA San Francisco Campus

1111 Eighth St., SF

(415) 551-9216

www.cca.edu

 

Dethklok

You may be scratching your head, wondering how a cartoon band could headline a real venue. But hey, the Gorillaz did it, and anything pop can do metal can do harder. Dethklok, the band at the center of Adult Swim’s Metalocalypse, has made a habit of touring alongside genuine, esteemed metal bands, providing some humor to an otherwise dark genre. On tour, the men behind the music get to show their faces, performing fan favorites from the show interspersed by comedy sketches poking fun at moshing, headbanging, and the metal community at large. Turns out, metalheads can take a joke. Though the actual fans don’t have to sign “pain waivers” to see Dethklok like they do on Metalocalypse, they probably would if it was requested of them. Brutal. (Zaremba)

With Machine Head, All That Remain, The Black Dahlia Murder

6:30pm, $25

Fox Theater

1807 Telegraph, Oakland

(510) 302-2250

www.thefoxoakland.com


TUESDAY 27

Alice Cooper

Unlike a certain other Republican rocker that has been making headlines as of late, you can ignore Alice Cooper’s quiet politics and still thoroughly enjoy the output of his very loud 40-plus music career — a career that has influenced untold numbers of other shock rock bands and secured him a spot in the Rock and Roll Hall of Fame last year. From writing anthems such as “I’m Eighteen” and “School’s Out” to bringing wild, vaudeville-style theatrics and horror movie imagery to his stage show, Cooper—who hits the city tonight on his “Raise The Dead Tour” — remains one of the greatest icons in the pantheon of rock. (Sean McCourt)

8pm, $37.50–$57.50

Warfield

982 Market, SF

www.thewarfieldtheatre.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

On the Cheap Listings

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Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 21

Pre-Thanksgiving Farmers Market Ferry Plaza, SF. www.cuesa.org. 10am-2pm, free. If you want to really impress your incoming family members with a fine and sustainable T-Day spread, then you must head to town’s most swank farmers market to take care of last-minute shopping. Watch for the free recipe booklets staff will be handing out if you need ideas for what to actually do with all those veggies.

THURSDAY 24

Vegetarian/vegan Thanksgiving potluck The Loughborough Center, 1184 Broderick, SF. RSVP at (415) 498-0385. 3pm, $1 donation with food contribution, $10 without contribution. East Bay: Unitarian Universalist Fellowship Church, 1606 Bonita, Berk. RSVP at howarddy@gmail.com or (510) 562-9934. 4pm, $2 donation with food contribution, $12 without contribution. Intentional community is the name of the game at these two animal-free potlucks, sponsored by the venerable SF Vegetarian Society. Cook for your fellow veg-heads this year. Vegan dishes are preferred. Bring utensils and plates to minimize landfill impact. Give thanks for healthy food, and an aware community.

FRIDAY 23

Pizzichillo and Gordon glass art Pizzichillo and Gordon Studio, 2680 Union, Oakl. (510) 832-8380, www.quepasaglass.com. Through Dec/15. Opening reception: 10am-4pm, free. Bruce Pizzichillo and Dari Gordon have been making vibrant and unique pieces of glass artwork since 1980, and are inviting you to peruse this assemblage of their masterpieces, featuring vases, bowls, pitchers, and jewelry. Take note, those of you looking to buy arty gifts for friends, relatives, and anyone you hold dear in your life — this is a great place for local browsing.

Language of Cloth winter pop-up sale The Language of Cloth, 650A Guerrero, SF. (415) 431-7761, www.thelanguageofcloth.com. Open every Friday, Saturday, and Sunday through Dec.30. 10am-6pm, free. If you’re looking for gifts that possess color and personality, look no further than this temporary story in a Mission garage. The man behind the sale is Daniel Gundlach, who is so committed to providing San Francisco with quality textiles he goes on yearly excursions to countries like Thailand and Laos, sometimes spending half the year in Indonesia.

Food Social The New Parish, 579 18th St., Oakl. (510) 409-0651, www.food-social.org. 5-9pm, $5. An event on the opposite of the stress spectrum from Black Friday shopping, FuncheapSF would like you to come by and relax in Oakland’s Uptown neighborhood. A $5 ticket gets you a complimentary beer and a raffle ticket to win prizes such as an iPad Mini. Good food, good music, good vibes, why would you ever hit the mall?

SATURDAY 24

Craftswomen Celebration Herbst Pavilion, Fort Mason, SF. (650) 615-6838, www.celebrationofcraftswomen.org. Sat/24-Sun/25 and Dec. 1-2, 10am-5pm, free. Over 150 female artists display their fine arts and crafts at the 34th year of this fair. Come by to shop, to eat, to listen to live music, and place a bet in the silent auction.

SUNDAY 25

Treasure Island Flea Market Great Lawn, Ave of the Palms, Treasure Island, SF. www.treasureislandflea.com. 10am-4pm, $3. Treasure Island isn’t just some place that hosts a kick ass festival once a year every October, other things happen there too. One of the non-Treasure Island Music Festival happenings is the Treasure Island Flea Market where there’ll be various designers, outdoor exhibits, scavenger hunts, and food trucks present.

Womyn of Color Arts and Crafts Show La Peña Cultural Center, 3105 Shattuck, Berk. (510) 849-2568, www.lapena.org. 10:30am-4:30pm, free. This East Bay center of song, dance, art, and community hosts a gift fair showcasing women of color, for the 18th year in a row.

MONDAY 26

Marbles: Mania, Depression, Michelangelo, and Me The Booksmith, 1644 Haight, SF. (415) 863-8688, www.booksmith.com. 7:30pm, free. Storytelling is a much a part of Ellen Forney as fog is a part of SF weather. Diagnosed with bipolar disorder before her 30th birthday, Forney turned what most people saw as an obstacle into inspiration for her new book and memoir Marbles: Mania, Depression, Michelangelo, and Me. Come hear her talk about her struggles and triumphs with bipolar disorder.

TUESDAY 27

"Native Plants of San Francisco" St. Philip’s Catholic Church, 725 Diamond, SF. (415) 750-9986, www.sanfranciscohistory.com. 7pm, $5. Despite being the second densest big city in the country, San Francisco is blessed with stunning native flora. Native San Franciscan and natural world devotee Greg Gaar would like to inform you on the evolution of our fair city’s beaches, coastal prairies, trees, creeks, lakes, and marshes at his presentation at the St. Philip’s Church, sponsored by the SF History Association.

Nerd Nite The Stork Club, 2330 Telegraph, Oakl. (510) 444-6174, www.eastbay.nerdnite.com. 7pm, $8. Calling all nerds! Calling all nerds! Last month’s East Bay Nerd Nite was so well-received, organizers are presenting an encore of the geekalicious event. At this installment, there’ll be talks by a UC Berkeley low-temperature physicist and a presentation by a chemist on all things luminescent.

The reason for the season

1

culture@sfbg.com

HOLIDAY GUIDE With the presidential election over, we are reminded that though our quest for reproductive rights and LGBTQ equality may continue unabated, making a difference must not be limited to a “Ya Voté” sticker every four years. Here’s a brief list of ways to do good this season, including community gardening, beach cleanups, and gift fairs where you can shop for a good cause.

VOLUNTEER

Outdoorsy types take note. SFGRO (www.sfgro.com) has a mission to elevate the profile of community gardening in San Francisco, and to provide support to local gardeners. You can do your part by helping out in the following areas: composting, garden safety and security, resource material development, administrative tasks, and fundraising. Jump into the mix all over the city: the De Haro, Dearborn, Alioto Mini-Park, Page Street, and Potrero Del Sol gardens all need help.

You can also help out at Hayes Valley Farm (450 Laguna, SF. www.hayesvalleyfarm.com) during it’s last winter. The farm is set to be turned back over to the city next year, at which point founder Jay Rosenburg hopes enough people will have learned agriculture skills at the farm to continue its mission elsewhere. “It will create a big fireworks explosion and everything we’ve created here will break off to little pieces all over town,” he recently told Edible San Francisco.

Help maintain the beauty of the five-mile-long Ocean Beach with the Surfrider Foundation‘s regular cleanups. Bonus: they’ll give you a chance to commune with our sandy spaces in the winter, when the waves are at their most ruggedly beautiful (Next events: Dec. 4 and 18, 10am-noon. Ocean Beach, Stairway No. 17, SF; Dec. 31, 10am-noon. Baker Beach, SF. sf.surfrider.org)

In the North Bay, we suggest you peruse the various opportunities available through Volunteer Marin (555 Northgate Drive, San Rafael. (415) 479-5710, www.volunteermarin.org.) The organization solicits requests from local nonprofits for donations or volunteer time. Its altruistic options include preparing and serving holiday meals, donating food, clothing, or requested gifts, and decorating or wrapping presents.

We are very much proud to say that San Francisco is home to the oldest toy drive in the whole country. The organization responsible for this is our beloved San Francisco Fire Department (www.sffirefighterstoys.org.) Find the nearest fire station to you and be part of the effort to get gifts to over 40,000 disadvantaged children.

Although many homeless shelters tend to fill up their volunteer shifts early on during the holiday season, head to At The Crossroads (Dec. 12, 6-8pm. 333 Valencia, SF. (415) 487-0691, www.atthecrossroads.org), when volunteers are needed to assemble care packages for homeless youth in city.

Kids Enjoy Exercise Now (www.keensanfrancisco.org) is an awesome national organization whose mission is promote physical activity among kids and young adults who have developmental disabilities. KEEN is recruiting people to be volunteer coaches, and those who sign up will be paired with an athlete for hours of fun and games — an easy thing to do that’ll make a big difference in a young person’s life.

And finally, for those of us too lazy or computer-bound to do anything besides point-and-click this holiday season, we present to you Games that Give (www.gamesthatgive.net) Play an online game like solitaire or mini-golf and for every 10 seconds you’re occupied — and viewing the site’s sponsors’ ads — a charity of your choice receives a certain amount of funds.

GIFTS THAT GIVE BACK

One thing people in the Bay Area love to brag about is our access to a wide selection of some of the best wines in the world — which many will be taking full advantage of this holiday season. Sometimes the vast number of options can be anxiety-inducing, which is why we recommend ONEHOPE (www.onehopewine.com), a socially-conscious winery that donates 50 percent of its profits to partner charities and has raised over $750,000 to date.

It’s not only one of the largest events recognizing women’s craft in the nation — the Women’s Building’s Celebration of Craftswomen (Dec. 2, 9am-1pm, free. Fort Mason, SF. (650) 615-6838, www.celebrationofcraftswomen.org) is a great place to satisfy your gift-giving needs. Note: an event as big is this requires all hands on deck — the organization would love your help in admissions, crowd monitoring, relief for exhibitors, plus organizing the raffle and silent auction.

One of our favorite entrepreneurship programs in the city puts together an amazing assemblage of its graduates just in time for your eight crazy nights or stocking stuffing. La Cocina’s Gift Bazaar (Dec. 7, 1-7pm, free. Crocker Galleria, 50 Post, SF. (415) 824-2729, www.giftbazaarsf.com) presents a pageantry-filled flea market dedicated to showcasing foodie goodies and handcrafted/artisan gifts.

This is the first year that the Contemporary Jewish Museum (736 Mission, SF. (415) 655-7800, www.cjm.org) has published a gift catalogue featuring its gift shop’s treasures, like modern-eclectic menorahs — one of which is shaped a cable car — artisan jewelry, and children’s toys. All sales proceeds benefit the museum’s ongoing efforts to bring Jewish art, history, and culture to the Bay Area.

Meals on Wheels (www.mowsf.org) would to invite you and yours to put those creative aptitudes to work brightening the holidays for the elderly and handicapped. Wrap and stuff gifts, and make holidays card for distribution to the group’s meal recipients during the first two weeks of December.

Run over by a reindeer

0

culture@sfbg.com

EVENTS

Union Square ice-skating rink Union Square, SF. www.unionsquareicerink.com. Through Jan. 16, 10 a.m.-11:30 p.m. except for when closed for private parties, $10 for 90-minute session. Sweetheart, the rink is open, grab my hand and try not to twist an ankle as we glide in circles around downtown’s living room.

Westin St. Francis sugar castle Westin St. Francis, Landmark Lobby, 335 Powell, SF. www.westinstfrancis.com. Through Jan. 24, on view 24 hours/day. Don’t lick it. For although this ever-growing sweet behemoth which each holiday season occupies the lobby of downtown’s classic luxury digs with its 1,300 pounds, 20 towers, 30 rooms, and sugar replicas of 2012’s movers and shakers has a hold on our heart, its original dimensions were sugar-spun back in 2005. Incredibly made, undeniably festive, but altogether inappropriate for dietary purposes.

Jack London Square holiday tree lighting Jack London Square, Oakl. www.jacklondonsquare.com. Nov. 30, 4:30-7pm, free. Performances by Disney-approved pop stars! Reindeer petting zoo! Miss California 2012 and a kids dress-up station with costumes from the Oakland Ballet! You’ll be hard-pressed not to find some holiday cheer at this annual lighting of Jack London’s fir tree for the masses.

Oakland-Alameda Estuary Lighted Yacht Parade Visible from Jack London Square, Oakl. www.lightedyachtparade.com. Dec. 1, 5:30pm, free. Let those cheeks get rosy, it’s boat-watching time. This yearly tradition sees the yacht owners of the East Bay putting their aquatic rides on display, stringing bulbs galore across decks and sails.

Festival of lights Union between Van Ness and Steiner, Fillmore between Union and Lombard, SF. www.sresproductions.com. Dec. 1, 3-7pm, free. Wiggle your nose at Santa at this explosion of twinkly tinsel and Cow Hollow reindeer — today Union Street puts on the holiday glitz and lays out the welcome mat. Cudworth Mansion (2040 Union) will be hosting a cupcake-decorating session from 3:30-5:30pm, at which Old St. Nick himself will make an appearance out front.

Golden Gate Park holiday tree lighting McLaren Lodge, 501 Stanyan, SF. www.sfrecpark.org. Dec. 6, 5pm, free. A tradition started by Golden Gate Park grandfather and San Francisco’s first park superintendent John McLaren in 1929, the lighting of the tree returns to Fell Street for the 83rd year in a row. Accompanying fanfare includes live performances, carnival rides, and a visit from Saint Nick.

Great Dickens Christmas Fair Cow Palace, 2600 Geneva, SF. www.dickensfair.com. Fri/23 and Sat.-Sun. Sat/24-Dec. 23, 10am-7pm, $21-25. For an ace weekend drunk this holiday season, toodle over to the Cow Palace. Once ensconced in the warm period embrace of the Dickens Fair, you will have the run of five bars (absinthe!), a multitude of meat pie shoppes, hilarious accents, near-constant stage shows, and the company of “famous Victorians,” including Charles Dickens and Her Majesty, the queen herself.

Family holiday crafts day Randall Museum, 199 Museum Way, SF. (415) 554-9600, www.randallmuseum.org. Dec. 1, 10am-3pm, free admission, activities fees vary. Bring the kiddos to the always-free-admission Randall Museum so they can spend the morning making holiday decorations and gifts. Cap off the morning with a performance by Asian American performance troupe Eth-Noh-Tec and its fusion of ancient and contemporary movement.

Community Hanukkah candle lighting Jewish Community Center, 3200 California, SF. (415) 292-1200, www.jccsf.org. Dec. 8-14, 4:30pm, free. Join up with your neighbors for the Jewish Community Center’s daily lighting of the menorah in the building’s atrium. Attend the Shabbat celebration on Dec. 14 for a family storytelling session, grape juice, hallah, and Hanukkah gelt.

Bill Graham Menorah Day Union Square, SF. www.chabadsf.org. Dec. 9, festivities start at 3pm, menorah lighting at 5pm, free. Each day from December 8-15, a candle will be ceremoniously lit on the Bill Graham mahogany menorah, a gift from the famous San Francisco promoter to his city. But on the 9th, Bill Graham Menorah Day festivities will occupy Union Square, a beautiful beginning to the Festival of Lights in the city.

Public library winter celebration Bernal Heights Library, 500 Cortland, SF. www.sfpl.org. Dec. 12, 6:30-8:30pm, free. The library’s got all kinds of free holiday programming this year, from cupcake-decorating and card-making to a magic show with a winter wonderland theme. Today’s no exception: join the Bernal Heights community for a kid-friendly celebration featuring the Bernal Jazz Quintet, refreshments, and children’s movies.

Frosting the Conservatory Conservatory of Flowers, 100 John F. Kennedy, SF. (415) 831-2090, www.conservatoryofflowers.org. Dec. 15, 11am-3pm, $10. Make your own ginger-greenhouse at this event amid the hothouse blooms of the Conservatory of Flowers. This events gets our thumbs-up for guaranteed toastiness, because being warm and cozy is a pre-req for Christmas cheer.

Jewish Christmas with Broke Ass Stuart The Make-Out Room, 3225 22nd St., SF. www.makeoutroom.com. Dec. 25, 5-11pm, $10. Strip dreidel set to the tune of streaming Woody Allen, Larry David, and Sascha Baron Cohen footage sounds like our kind of Christmas. Such was the vision of DJ Matt Haze and host Broke Ass Stuart, who designed this kitschy extravaganza for all of you (Chosen and Left Behind alike) who can’t stomach staying in on a perfectly good day off. Did we mention there will be a Chinese food buffet?

Kwanzaa celebration Bay Area Discovery Museum, 557 McReynolds, Sausalito. www.baykidsmuseum.org. Dec. 26, 9am-5pm, free. A traditional Kwanzaa altar will greet you upon arriving at the kids museum’s celebration of African-American culture, featuring two performance (at 11am and 1pm) by African Roots of Jazz.

PERFORMANCE

The Christmas Ballet Various times and Bay Area locations. www.smuinballet.org. Nov. 23 — Dec. 23, $25-65. Back by popular demand, the Smuin Ballet Company returns with this annual production, split this year into two acts: “Classical Christmas” and “Cool Christmas.” Both promise eye-opening, energetic entertainment set to eclectic tunes from Elvis to klezmer.

A Christmas Carol American Conservatory Theatre, 415 Geary, SF. (415) 749-2228, www.act-sf.org. Nov. 30-Dec. 24, various times, $20–$160. Stressful election year and rumors of apocalypse tightened those purse strings? Exorcise your inner Scrooge at this classic stage production of Charles Dickens’ terrifying ode to generosity and kindness towards diminutive children.

The Golden Girls: The Christmas Episodes Victoria Theatre, 2961 16th St., SF. www.victoriatheatre.org. Dec. 6-30, Thu.-Sat. 8pm, Sun. 7pm, $30. Our cover girl Cookie Dough co-stars as Sophia Petrillo in this now-traditional SF holiday stage production of the classic sitcom that employs more shoulder pads, even, than the original TV show. You’ll never know a catty elderly network television star until you’ve seen her re-enacted by a drag queen. Buy tickets pronto, the shows usually sell out.

California Revels Oakland Scottish Rite Center, 1547 Lakeside, Oakl. (510) 452-8800, www.californiarevels.org. Dec. 7-9, 13-15. Fridays 8pm, Saturdays and Sundays 1 and 5pm, $20-55. Feast and family are cornerstones of this annual interactive period piece performance celebrating the winter solstice. Hoist your mead and turkey leg and sway to the music, friends, good times will be upon ye here.

The Nutcracker Palace of Fine Arts, 3301 Lyon, SF. www.cityballetschool.org. Dec. 8, 2pm & 7pm; Dec. 9, 2pm, $20. Yes, everyone does The Nutcracker. At this point, it’s like the Rocky Horror Picture Show of ballet. (Would that ballet patrons donned Rat King costumes to attend!) Embrace the tradition, and check out the City Ballet School’s production of a classic.

Charles Phoenix Retro Holiday Show Empress of China Ballroom, 838 Grant, SF. www.charlesphoenix.com. Dec. 12, 8pm, $25. The creator of the Cherpumple, a pie-stuffed cake concoction that rises to the dizzying heights of kitsch, humorist Charles Phoenix celebrates the retro in every occasion. Tonight, he regales the crowd with tales of his favorite SF landmarks, road trips, and yes, feats of food fantasy.

Holiday youth mariachi concert Mission Cultural Center for Latino Arts, 2868 Mission, SF. www.missionculturalcenter.org. Dec. 14, 7:30-9pm, $15. Three mariachi troupes made of young people join forces for this exciting holiday program. The hat-dropping, guitar plucking action will be highlighted by Zenon Barron’s Mexican youth folk dance class.

The Snowman Davies Symphony Hall, 201 Van Ness, SF. (415) 864-6000, www.sfsymphony.org. Dec. 22, 11am, $13.50-57. Even the smallest budding season ticket holder will find this film-symphony presentation of Joe Nesbø’s classic children’s book a welcome boost to their holiday cheer. The animated version of this story of a youg’n’ whose bud is a Frosty-like chap will soar when paired with the world-class musicians of the SF Symphony.

Kung Pao Kosher Comedy New Asia Restaurant, 772 Pacific, SF. www.koshercomedy.com. Dec. 22-25, various times, $44-64. There’s nothing like having dinner on Christmas to up your alterna (or simply, not pan-Christian) cred. Add stand up comedy and you have a winning formula, which is obvious from the longevity of Lisa Gedulig’s annual show. This year features yucks from Judy Gold, Mike Capozzola, and Adrianne Tolsch.

Clairdee’s Christmas Yoshi’s San Francisco, 1330 Fillmore, SF. (415) 655-5600, www.yoshis.com. Dec. 24, 8pm, $20. Everything could use a little soul in lives and the holidays are no exception. Come hear the sounds of soul-jazz vocalist Clairdee, and soak in her ensemble’s rhythmic takes on Christmas standards.

“Holiday Memories” double feature A rare 16mm showing of Dylan Thomas’ A Child’s Christmas in Wales will be accompanied by a screening of The Sweater, a tale of a young hockey player’s passion for the sport, and the dangers that come of wearing the wrong jumper. Dec. 22, 2pm, Exploratorium, 3601 Lyon, SF. (415) 563-7337, www.exploratorium.edu

PEACE ON EARTH

Darkness and Light: A Hanukkah Meditation Retreat Jewish Community Center, 3200 California, SF. (415) 292-1200, www.jccsf.org. Dec. 9, 10am-5pm, $50-60. No prior experience is needed for this day-long workshop on finding the light within during the Hanukkah season. Sitting and walking meditation will be covered — the perfect primer for a month that can try the patience of even the most festive reveler.

Winter solstice ceremony San Francisco Zen Center, 300 Page, SF. (415) 863-3136, www.sfzc.org. Dec. 21, 6:15pm, free. Recharge on the longest night of the year in the peaceful confines of the SF Zen Center. The crowd here promises to be made of meditation newbies, Zen Center students, and all those in-between. It will also be your best bet to avoid jingles and tinsel, if that’s what your body is craving at this point.

Reclaiming’s Sing Up The Sun ritual Inspiration Point parking lot, Tilden Park, Berk. www.reclaiming.org. Dec. 21, 6:30am, free. Wake up before the sun does to greet it on this, the day of the year when it spends the least time out of its bed. A pagan celebration, you’re welcome to bring musical instruments and a warm Thermos of liquid to the community gathering.

GIFTS

Celebration of Craftswomen Herbst Pavilion, Fort Mason Center, SF. (650) 615-6838, www.celebrationofcraftswomen.org. Nov. 24-25, Dec. 1-2, 10am-5pm, $9 or $12 two-day pass. The first edition of this alternative holiday fair took place 34 years ago at the now-defunct Old Wives’ Tales Bookstore on Valencia Street with 22 female makers-of-things. Today, the event fills the Herbst Pavilion, features 150 juried artists and a mini-film festival. It’s still the best place for feminist shopping, some things don’t change.

Holiday Design Bazaar Intersection for the Arts, 925 Mission, No. 109, SF. www.artsedmatters.org. Nov. 30, 5-8pm; Dec. 1, noon-6pm, free. An arts fair with 25 local creators, plus live music and refreshments that may well make a difference in our kids’ art education. The event is a benefit for Arts Ed Matters, a group that is looking to build community support for art in schools.

Creativity Explored holiday art sale Creativity Explored, 3245 16th St., SF. www.creativityexplored.org. Dec. 1-2, noon-5pm, free. Shop at this studio for developmentally-disabled artists and half of your bill will go straight into their pocket — standard practice for Creativity Explored, which has been the real-deal spot for outsider art in San Francisco since 1983.

Paxton Gate holiday party Dec. 1, 3-6pm at Paxton Gate’s Curiosities for Kids, 766 Valencia; 8-10pm at Paxton Gate, 824 Valencia, SF. (415) 824-1872, www.paxtongate.com. One of the city’s most beloved families of taxidermy/kid’s toys/nursery shops, Paxton Gate is turning two decades of age this weekend. What better time to shop there? And what better to get your face painted “Victorian-style” (?!), check out stilt walkers and an accordionist-ballerina duo, and eat snacks during the day at its kids location — then walk two doors down later that night for more circus freakery, door prizes and a Hendrick’s gin open bar at 826 Valencia’s pirate shop?

Palestinian Craft Fair Middle East Children’s Alliance office, 1101 Eighth St., Berk. www.mecaforpeace.org. Dec. 1-2, 10am-5pm, free. Sip Arabic coffee while you paw through painted ceramics from Gaza, children’s book, scarves, West Bank olive oil, and more at this chance to support a nonprofit benefiting craftspeople living in Palestine — a particularly salient cause in this year of war and turmoil.

Bazaar Bizarre Concourse Exhibition Center, East Hall, 620 Seventh St., SF. www.bazaarbizarre.org. Dec. 1-2, 11am-6pm, free. This traveling indie craft fair stocks all the twee and yippee you need to get your gift recipients in your pocket. New in 2012: a mini-version of Forage SF’s Underground market, for all your small biz-sourced holiday edible needs.

Muir Beach Quilters Holiday Arts Fair Muir Beach Community Center, 19 Seascape, Muir Beach. www.muirbeach.com/quiltersfair. Dec. 1, 10am-5pm, Dec. 2 10am-4pm, free. Make a blustery beach journey that has time to spare for handicraft browsing. This annual gift fair stocks locally-made knickknacks by local groups (Muir Beach Garden Club included), and has more than retail opportunities. Hands-on crafts bars will stoke the creative fire of kids and big person shoppers alike.

La Cocina Gift Bazaar Crocker Galleria, 50 Post, SF. www.giftbazaarsf.com. Dec. 7, 1-7pm, free. You’re not going to have problems finding foodie-friendly presents at this fair — but getting them safely to their intended destination sans bite marks might be a problem. La Cocina business incubator program graduates Clairesquares, Onigilly, Love & Hummus Co., Chiefo’s Kitchen, and more will all have their wares for sale.

East Bay Alternative Book and Zine Fest Berkeley City College, 2050 Center, Berk. Dec. 8, 10am-5pm, donations suggested. www.eastbayalternativebookandzinefest.com. For the indie comic nerds on your list, you’ll want to check out this expo of all things zine. Talks by New Yorker illustrator Erik Drooker and Go the Fuck to Sleep author Adam Mansbach spice up the fair’s schedule and there’s rumor of a dance party to take place at day’s end.

KPFA Crafts Fair Concourse Exhibition Center, 635 Eighth St., SF. www.kpfa.org/craftsfair. Dec. 8-9, 10am-6pm, $10. Our public radio station hosts 220 artists and their wares for this no-brainer shopping weekend. Pick up unique wrapables from leather fashion to gourmet snacks to lotions and creams to pamper your loved ones.

Mercado de Cambio/The Po’ Sto’ market and knowledge exchange 2940 16th St., SF. www.poormagazine.org. Dec. 15, 3-7pm, donations suggested. We can pretty much guarantee you that there is no other gift fair that will have better hip-hop music. The Mercado de Cambio organized by POOR Magazine aims to counterbalance the corporatization of our holiday season. Go here for aforementioned live beats, indigenous crafts, Occupy gear, and POOR-published literature.

Renegade Craft Fair holiday market Concourse Exhibition Center, 635 Eighth St., SF. www.renegadecraft.com. Dec. 15-16, 11am-6pm, free. A DIY gift wrap station is one of the attractions at this one stop for cute gift shopping, which makes one of its two yearly appearances in the Bay Area for the holiday season. The Oakland Museum of California will truck out its mobile “we/customize” exhibit, and of course, there will be crafters: over 250 will have booths hawking clothes, accessories, home stuff, kid stuff — most handmade, and most awesome.

 

No satisfaction

0

arts@sfbg.com

DANCE The tenth anniversary concert for Benjamin Levy’s LEVYdance Company should have been an occasion for looking back a little and glancing into the future a lot. The fact that this was a subdued, at-time depressing event was certainly not the dancers’ fault. They were fabulous, crackerjack performers: fierce, fast, and committed, whether in solo passages or in ensemble work. If you watch dance primarily because of its performers, this was your night.

Where the program fell short was in choreography that would stay in your mind beyond its ephemeral existence on stage. Instead of showing a work that would hint at where he might be going in the next decade, Levy chose to present two pieces from the past. Good as they were, they gave the unfortunate impression that he is a one-note choreographer. He is not. One of the reasons this choreographer has been a pleasure to watch over the years is because he tries to find new vehicles for his volatile and fractured vocabulary. Despite their surface appeal, an undercurrent of violence and danger often propels Levy’s choreographies. It’s what keeps you on the edge of your seat.

It’s with the stunningly tight Falling After Too that Levy introduced himself as choreographer in 2003. Performing it himself at the time, he was partnered by a much heftier Christopher Hajin Lee. The up and down of this contest between will and muscle was partly based on the two men’s different physicalities. Reprised as a duet between Yu Reigen and a slender Paul Vickers, it inevitably shifted the focus onto a male-female relationship. It’s a sign of the work’s choreographic strength — and the performance, including Anthony Porter on piano — that it worked as well as it did.

But why did Levy program Physics (2008), which is essentially an elaboration for two couples of that earlier work? The sequential and overlapping duets, including switching partners, didn’t really tell us much about these couples. Still, Levy has an appealing way of including tiny gestures — a pat here, a kick there — in the muscularity of these ever-shifting encounters. They suggested a sense of spontaneity not unlike the grace notes in a piece of music.

And why Levy chose Sidra Bell Dance New York to collaborate on this concert remains a mystery. What on earth did he think his company — such as it is — could learn from Bell’s? Robert Moses’ Kin introduced her last spring when she set a modest quartet on his female dancers. Here the New York-based artist created less for Levy, and Nudity for her own dancers. Bell knows a good thing when she sees it; she sent her dancers behind the screen, up the walls, and into the audience. She took advantage of ODC Theater’s vaunted lighting possibilities, lowering and tilting levels of the grids in less and having a bank of floor lights shine directly into her audience in Nudity. Maybe turn-around is fair play since that’s what performers have to deal with on a daily basis. But there was something offensive about the approach that left my seat neighbor with a fierce headache and a fiercer fury.

Bell is a complete creature of the theater. Interestingly, she takes credit as “director” instead of “choreographer” of her works. One thing is certain: she is big on image making — whether they come from Glamour or “girlie” (and their male counterpart) magazines. And the accoutrement of these two dance theater works looked promising; the dancers in less wore flimsy whites with big, noose-like scarves, and in Nudity they went Goth — mohawks, black outfits, and fright make-up.

Spectacle, in-your-face aggressiveness, a contempt for continuity in favor of the moment, and raw and supposedly unmediated energy seem to be the elements that fascinate Bell. That’s fine and good, but these practices need to arise from ideas that suggest more than clichés. A man crawling on all fours? Throwing people and catching them — sometimes? Retching to some comment on nutrition — in French? Dominatrixes in both pieces?

The ferocious physicality of Bell’s dance making is its most attractive quality, but the imagery — and she uses a lot of it — has to accumulate into something bigger than its constituent parts. Otherwise why do it? Both of Bell’s works fell short that way. They left behind a sense of ennui and déjà vu.

Aggressive Warriors

0

steve@sfbg.com

No standard defensive strategy is likely to stop the Golden State Warriors, Mayor Ed Lee, and their huge team of partners and employees from dominating the game of approving construction of a new basketball and concert arena on San Francisco’s central waterfront. That became clear on Nov. 14, as the political operation overcame fire, darkness, and neighborhood-based opposition for the first big score.

The Board of Supervisors Budget and Finance Committee was set to consider declaring the project, which the Warriors want to build on Piers 30-32 by the 2017 basketball season, to be “fiscally feasible,” recommending it move forward with more detailed environmental studies and a term sheet nailing down myriad administrative details.

Before the 11am hearing, the project team held a packed press conference to announce that the Warriors had volunteered to abide by the city’s local-hire standards for public works projects, hiring San Francisco residents or military veterans for at least 25 percent of total construction jobs and 50 percent of apprenticeships. A beaming Lee praised the deal as an “unprecedented” indicator of the Warriors’ willingness to partner with the city.

The event overflowed with union members in hard hats and orange “Build It Now!” T-shirts, as well as a full range of local political pros, from former mayoral and current project spokespersons PJ Johnston and Nathan Ballard to former aides to progressive supervisors, David Owen and David Loyola. Among the agreement’s four signatories were Joshua Arce, the Brightline Defense Project head who last year crusaded for Sup. John Avalos’s local hire ordinance, and building trades chief Michael Theriault.

Strikingly missing at the press conference was Sup. Jane Kim, in whose District 6 the project would be built — over the objections of many residents who are raising concerns about the loss of waterfront views, huge crowds attending what is projected to be more than 200 events per year, high interest rates paid by city taxpayers, the project’s accelerated approval schedule, and other concerns.

Kim is one of the three members of the Budget Committee, which held its meeting despite an electrical fire in the basement of City Hall that knocked out power to the building. Portable photography lighting was brought in to supplement the emergency backup lights, making it bright enough so the televised show could go on but giving a strangely surreal feel to the proceedings and reinforcing the urgency project supporters feel to move this forward without delay.

Kim raised the concerns of her constituents, winning support for amending the resolution to ensure the Citizens Advisory Committee — whose chair was given two minutes to convey how its members feel steamrolled by the accelerated process, asking it be delayed by a month or two — will be given chances to weigh in and pushing the EIR scoping meetings back a few weeks to January.

In the end, Kim and the committee voted to move the project forward. A few days later, on Nov. 19, the process repeated itself with another flashy press conference in the Mayor’s Office — with another important union endorsing the project — followed by the Land Use Committee responding favorably to the project.

The full Board of Supervisors was scheduled to approve the project’s fiscal feasibility the next day, after Guardian press time, but there was little chance that the full board would take any other action than giving the Warriors, Lee, and their huge roster of teammates what they want.

This despite unusual financing and some very real concerns about waterfront development.

 

 

JOBS, MONEY, AND SUPPORT

Mayor Lee — who has placed a high priority on this project since announcing his deal with the team in May — emphasized its job creation and contribution to the local economy during the Nov. 19 press conference.

“I remind people, this is a private investment of hundreds of millions of dollars,” Lee said of a project pegged to cost around $1 billion. “It means a lot of jobs, and that is so important to all of us.”

The project is expected to directly create 4,300 jobs: 2,600 construction jobs and 1,700 permanent jobs, including those at the 17,000-seat sports and entertainment arena and the 250-room hotel and 100,000 square feet of retail and restaurants that would be built as part of the project.

“We’ve been spending a lot of these last many months describing what it is we want to build,” Warriors President Rick Welts said at the press conference before casting the project in grander terms. “That’s not really what we’re building. What we’re really building are memories.”

But city residents and workers are looking for more tangible benefits than just the highs of watching big games or concerts. The building trades were already expected to strongly support the project, which only got stronger with last week’s local-hire deal. Labor’s support for the project was broadened on Nov. 19 with the announcement that the Warriors agreed to card-check neutrality for the hotel, making it easier for its employees to join UNITE-HERE Local 2.

“Thank you for being a partner and we’re looking forward to working with you in the future,” Local 2 head Mike Casey, who notably also serves as president of the San Francisco Labor Council, said to Welts at the event before the two signed a formal agreement.

In addition to allowing the hotel workers to easily organize, the Warriors agreed to card-check neutrality for vendors at the arena with at least 15 employees and those outside the arena with more than 45 employees, as well as giving those who now work Warriors’ games at Oracle Arena first dibs on jobs at the new arena.

“I think that speaks a lot about what the project is. It’s not just a San Francisco project, but a Bay Area project,” Casey said. He also said, “I want to thank the mayor for bringing people together and laying all this out.”

While Lee and the Warriors do seem to have this deal pretty well wired, this is still a San Francisco project, a complex one on the politically and environmentally sensitive waterfront that city taxpayers are helping to pay for and one for which the residents there will bear the brunt of its impacts.

 

PAYING FOR IT

Lee, Office of Economic and Workforce Development head Jennifer Matz, and other key project supporters have repeatedly claimed this project is funded completely with private money, noting how rare that is for urban sports stadiums these days.

But in reality, city taxpayers are spending up to $120 million for the Warriors to rebuild the unstable piers on which the arena will be built, plus an interest rate of 13 percent, an arrangement that has drawn criticism from a key source.

Rudy Nothenberg, who served as city administrator and other level fiscal advisory roles to six SF mayors and currently serves as president of the city’s Bond Oversight Committee, wrote a Nov. 12 letter to the Board of Supervisors urging it to reject the deal.

“Quite simply, I would have been ashamed of such a recommendation,” Nothenberg wrote of the high interest rate. “In today’s markets it is incomprehensible to have such a stunning recommendation brought to your honorable Board in such haste.”

Johnston and Matz each disputed Nothenberg’s characterization, citing a report by the project consultants, the Berkeley-based Economic and Planning Systems Inc. (EPS), that 13 percent is a “reasonable and appropriate market based return.”

Matz told us the rate was based on the risky nature of rebuilding the piers, for which the Warriors are responsible for any cost overruns. And she compared the project to the massive redevelopment projects now underway on Treasure Island and Hunters Point, from which the city is guaranteeing powerful developer Lennar returns on investment of 18.5 percent and 20 percent respectively.

Johnston, who was press secretary to former Mayor Willie Brown and worked with Nothenberg on building AT&T Park and other projects, told us “I have great respect for Rudy.” But then he went on to criticize him for taking a self-interested stand to defend the views from the condo he owns nearby: “They don’t want anything built in their neighborhood. They would rather leave it a dilapidated parking lot.”

But Nothenberg told us his stand is consistent with the work he did throughout his public service career in trying to keep the waterfront open and accessible to the public, rather than blocking those views with a 14-story stadium and hotel complex.

“I have a self-interest as a San Franciscan, and after 20 years of doing the right thing, I don’t want to see this rushed through in an arrogant way that would have been unthinkable even a year ago,” Nothenberg told us. “I spent 20 years of my life trying to deal with waterfront issues.”

He is being joined in his opposition by other neighborhood residents, land use experts such as attorney Sue Hestor, some opponents of the 8 Washington project concerned with the creeping rollback of waterfront development standards, and members of the Citizens Advisory Committee who have felt steamrolled by the rapid process so far and unable to thoroughly discuss the project or the neighborhood’s concerns.

“We would like to slow this process down,” committee Chair Katy Liddell told supervisors on Nov. 14. “Things are going so quickly.”

 

DETAILS OF THE DEAL

The $120 million plus interest that the city will owe the Warriors would be offset by the $30 million the team would pay for Seawall Lot 330 (the property across from the piers where the hotel would be built), a one-time payment of $53.8 million (mostly in development impact fees), annual rent of nearly $2 million on its 66-year lease of Piers 30-32, and annual tax and mitigation payments to the city of between $9.8 million and $19 million.

Kim raised concerns at the Budget Committee hearing about the more than 200 events a year that the arena will host, but she was told by Matz that’s necessary to make the project pencil out for the Warriors.

Many of the project’s financial and administrative details are still being worked out as part of a term sheet going to the Board of Supervisors for approval, probably in April. Other details will be studied in the project Environmental Impact Report, which is expected to come back to the board in the fall.

The Department of Public Works, Police Department, and — perhaps most critically given its impact on Muni and roadways — Municipal Transportation Agency have yet to estimate their costs.

“We do have a lot of concerns in the neighborhood about this project,” Kim told the Land Use Committee, singling out impacts to the transportation system as perhaps the most important, followed by quality-of-life issues associated with huge crowds of sports fans.

Kim noted that the area already has a problematic transportation infrastructure, with some of the highest rates of motorist-pedestrian collisions in the city and a public transit system that reaches capacity at peak times, and said that many residents worry this project will make things worse. The EIR will deal with the transportation details. But Kim praised how about half the space on the piers, about seven acres, will be maintained as public open space: “I think the open space aspect is incredible and it could actually increase access to the waterfront.” In the end, Kim urged project proponents to heed the input of the CAC and other concerned parties because, “This could be a very valuable project, or it could also be a disaster.”