SFBG Blogs

Burning Man takes anti-scalper and traffic control measures as tickets arrive

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Most physical tickets to Burning Man were mailed out last week and, as many expected after a controversial ticket lottery with higher-than-expected demand, ticket scalpers were offering hundreds of tickets for more than double face value on websites such as eBay and StubHub. But Black Rock City LLC, the SF-based company that stages the event, over the weekend introduced some counter-measures to combat the scalpers and reiterated its request for burners to heed the culture’s decommodification ethos and refuse to pay more than face value for tickets.

“I don’t think any burner should buy a ticket for above face value,” Marian Goodell, the BRC board member who handles communications, told the Guardian. She said they’ve worked through the crisis of veteran burners – those who build much of Black Rock City’s infrastructure each year – not getting tickets.

“It’s sorting itself out, so I don’t think people need to go to the StubHubs out there. They can ignore the scalpers,” she said.

BRC already canceled a secondary open sale of what was to be the final 10,000 tickets, instead selling them through established theme camps and art collectives, fairly effectively getting them out to most burners who wanted them. Then, in the wake of getting federal permits for a higher than expected population cap of 60,900 this year, BRC on Sunday announced the release of an extra 2,000 tickets this year.

Half of those were dumped into the Secure Ticket Exchange Program (STEP) system that BRC created for people who unsuccessfully sought tickets during the main sale of 40,000 tickets in January. To further deter scalpers, those who hadn’t registered for that main sale – who are barred from buying through STEP – can try to snag one of the 1,000 tickets that BRC will offer during an online sale on Aug. 3, which requires registration on Aug. 1.

“We think the 1,000 tickets we put into the open sale will help pull the rug out from under the scalpers,” event founder Larry Harvey, who chairs the board, told us.

Harvey and Goodell also say BRC has been hard at work solving related issues as well, including concerns that the biggest ever population for this massive, isolated, temporary city in Nevada’s Black Rock Desert – where waits to get on or off the playa during peak hours can be four hours or longer – will create traffic nightmares.

“More lanes will be open more often,” Goodell said, explaining they will beef up the number of volunteers helping to get people in and out, as well as those working the lines at Will Call, which all the STEP ticket buyers were forced to use as another anti-scalper measure.

The event traditionally opens at midnight on the Sunday night before Labor Day weekend (Aug. 26 this year), but those in the know have known it was actually possible to get in a few hours early during the last couple years. This year, BRC will formalize that arrangement to help with traffic ingress, officially opening the gates to all attendees at 6pm.

Goodell said BRC will also be coordinating with big art projects and doing communications efforts with all attendees encouraging people to stagger entrance and departure times as much as possible to spread out the peak and lessen wait times. “We really want participants to educate themselves and think about their expectations,” she said.

As an additional measure, BRC will be moving up the final official event of the week – the burning of the Temple on the last Sunday night (Sept. 2) – from 9 pm to dusk to facilitate more people hitting the road that night.

Both Goodell and Harvey acknowledged that it’s been difficult to sort through the problems created by the huge demand for tickets this year, but they say that most of those who want tickets will have them and this should be a banner year in terms of the art and other offerings in this strange and bountiful experimental city.

“There were fears there would be less art this year, but there’s going to be more art than ever before,” Harvey said. Asked which piece he’s most excited to see this year, he said Yoga Robot by Colorado artist Scott Harris. To peruse some of the other art installations this year, click here to see check out art projects that got grants from BRC, which is only a small part of what attendees will see on the playa this year.

Churches wants you to sing on its LGBT anthem

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Caleb Nichols is impatient. Long part of the Bay Area music scene in bands such as Port O’Brien and his own Grand Lake, he’s perhaps forgotten that his new project with Rogue Wave drummer Pat Spurgeon and bassist Dominic East, Churches, is still in its infancy.

That restless feeling might come from the initial burst of interest in the act when its first song, chilling power-pop anthem “Save Me,” went up on Bandcamp. Recorded with close Nichols pal Van Pierszalowski of Port O’Brien and Waters at Tiny Telephone, the song was just the seedling of a new project Nichols came up with while on tour with Waters.

Nichols long knew he wanted to work with East Bay-based Spurgeon, but the drummer was often too busy with Rogue Wave. With that band on hiatus (though now, excitingly, back in the studio), Churches formed at the beginning of 2012. It was the positive response to “Save Me” that spurred Nichols and Spurgeon to put together a live show, hooking in East on bass and cementing the trio by February of this year.

“I’ll be like ‘why aren’t we doing this and this already?’ and then be like, ‘oh, because we’ve only been playing shows since February,” Nichols laughs over the phone from his apartment in Santa Cruz. “We’ve played like 10 shows, chill out.” The trio adds another show to that list next week opening for Waters at Brick and Mortar Music Hall.

Nichols adds, “We’ve all been in bands for so long, it’s hard to remember that this particular band is brand new.”

Despite its newness, the act already put up a free six-song EP on Bandcamp in April (which includes “Save Me”), and entered the 48-hour music video race in May. It also is about to get working on yet another EP, this time at the Hangar in Sacramento with Bryce Gonzalez. This next one will be “a little darker., more cynical…a little more aggressive” Nichols says, a bit more raw.

http://www.youtube.com/watch?v=Dztzf2Z8Nw8

But before that, and currently at the forefront of their collective mind, is the Kickstarter project with a goal of $3,000 that ends July 19. If the goal is met, the project will fund the vinyl recording of a song called “LOVELIFE” that the band hopes will become something of an anthem for the LGBT community.

I’ll let the Kickstarter description do the explaining here: “It’s a song about the important issue of marriage equality. We believe in this song and its message so strongly that we’ve decided to launch this Kickstarter campaign to help the song get properly recorded and pressed on 7″ vinyl…As a gay Californian, and American, I find it increasingly disturbing that so many people in my home-state and country have gone to their polling places and voted against my right to marry whomever I choose – voted against my right to fully participate and engage in a meaningful relationship – voted against my right to have the same rights as everybody else.”

The kicker: at the $100 level, donors will be able to come to the studio and contribute their voice to the chorus of the song. Said chorus goes, “Some folks think it’s not right / That I should have the right / To love my man and marry him / And live out in the light / Well I think that it’s a sin / To hate your kith and kin / I was born this way, now hear me say / I am just what I am.”

The chorus was written during a long drive back to Santa Cruz after an awkward dinner in Oakland.

Nichols says they added that bonus of bringing in funders to sing as a way to get the community involved – and as a way for him to personally connect more with the gay community. “I’m not a famous person, so it probably doesn’t carry as much weight as like, Anderson Cooper or Frank Ocean. I respect those people for coming out…just from where I’m at, in my career, I feel like it’s good to be very loud about these kinds of things. I’m tired of our personal lives being subject to political whims.”

He adds, “I don’t write a lot of political music…but this song has a purpose, it has a point for me.”

Nichols may not often write expressly about politics, but he is often writing from a highly personal place. Churches channels reflections of the past, those rough, alienating, fresh hell years of high school in the loud grunge angst of the ’90s. Growing up in tiny Los Osos, Nichols struggled with isolation, and “general outcastishness” – and he says these feelings have persisted into adulthood, though far less intensely. Still, thankfully, he can tap into those dark emotions to write the passionately distorted music of Churches.

Musically, he first picked up bass in early high school – he says another testament to his impatience as he thought it’d be easier than guitar – and played in Nirvana-esque bands in a local San Luis Obispo County music scene that included Van Pierszalowski and Myles Cooper, who were both in other nearby bands back then and have of course gone on to form SF projects.

When Nichols eventually moved to the Bay Area, he joined Port O’Brien, later forming Grand Lake in Oakland with his soon-to-be boyfriend, John Pomeroy. They just celebrated their three-year anniversary in Santa Cruz, where Pomeroy is going back to school and Nicholas occasionally works at the local record store. Pomeroy has slowly and steadily been making his new own music while Nicholas works on Churches, yet to show any to the public. “He’s the opposite of me, I do things really quickly but he takes his time,” Nichols laughs, forever a teenager at heart.

Churches
With Waters, Tijuana Panthers, Chasms

Wed/18, 9pm, $10-$12
Brick and Mortar Music Hall
1710 Mission, SF
(415) 800-8782
www.brickandmortarmusic.com

Appetite: Sipping caramel, tasting pastry breadth at Craftsman and Wolves

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Media hype has been fierce for pastry chef and owner William Werner’s new Craftsman and Wolves, a unique Mission bakery-cafe-patisserie for creative baked goods and sweets, changing sandwiches and salads, Sightglass Coffee, Naivetea, crave-inducing Valrhona drinking chocolate and (you’re hearing right) dreamy, sippable caramel made with salted butter and mini-croissant crostini to dunk.

At a media preview on 6/13 a few days before the cafe opened, I sampled in an ideal way through nearly the entirety of offerings (though they will continue to change), a helpful way of grasping the menu’s breadth and vision. In keeping with Werner’s past, it’s an impeccable selection that thankfully does not duplicate what you find in many topnotch cafes and pastisseries around the city. In fact, it does its own thing entirely: foods made with a fine-dining aesthetic and forward-thinking creativity, but served casually to-go or in the inviting, skylit, brick-walled space.

Besides my early taste-through, I’ve been back for a couple visits during initial opening days. Here is a photo journey with stand-outs noted.

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

Localized Appreesh: Sun Hop Fat

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Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact emilysavage@sfbg.com.

Sun Hop Fat is a local 12-piece inspired by the ecstatic late 1960s Swinging Addis period of Ethio-pop, which itself was at least partially inspired by James Brown. The modern band lays out that inspiration groundwork in each track, building off the legacy and adding its own grooves, coming off like a jazzy Ethio-pop orchestra.


Fronted by vocalist-flautist Krystal Nzoiwu and Bay Area native Daniel Silberstein, Sun Hop Fats’ silky flow, joyously booming brass, and funky rhythm section create naturally bopping underground jazz club atmospheres, and are said to inspire a live dance experience. One might assume a hindrance to on-stage movement given their sheer quantity, yet they do indeed incite the party promised.

The East Bay band brings that raucous party west this weekend for a headlining Slim’s show alongside some psychedelic soul bands traveling up the coast from Santa Cruz.

http://www.youtube.com/watch?v=PMBH8syvmwo

Year and location of origin:  2008 in the Belly of the Vulcan Lofts, Fruitvale.

Band name origin:  Taken from a market near our practice space. We liked the sound and the fact that we could buy gummies and live animals there.

Band motto: Put your faith in the Red Chair of Doom.

Description of sound in 10 words or less: Mulatu Astake inspired dark jazz and soul from Ethiopia’s Swinging Addis period.

Instrumentation: Horns: Krystal Nzoiwu (flute and vocals) Dan Sarna (trumpet) Scotty Maxx (trumpet) Nicholas Gyorkos (trombone), Ryan Morgan (trombone) Jeremy Greene (tenor sax). Rhythm section: Harrison Murphy (keys), Reese Bullen (drums) Jesse Toews (bass) Theo Winston (guitar) Daniel Silberstein (Percussion and vocals).

Most recent release: The Fernet Suite on Electric Sparkyland Records.

Best part about life as a Bay Area band: Great venues, great friends, strong dancers, good drinks.

Worst part about life as a Bay Area band: Public transportation system in the East Bay. No 24/7 BART trains.

First album ever purchased: Theo, Appetite for Destruction by Guns ‘N’ Roses;  Daniel:  3 Years, 5 Months & 2 Days in the Life Of… by Arrested Development.

Most recent album purchased/downloaded:  Theo: Queen “A Day at the Races,” waiting for the new Dirty Projectors album;  Daniel : Blue Mitchell “Booty” and Takamba.

Favorite local eatery and dish: Theo: The El Gordo taco truck on International Blvd. Al parstor tacos!; Daniel: Phnom Phen House, I have been eating BBQ chicken there since I was 10.

Sun Hop Fat
With Harry & the Hit Men, On the Spot Trio
Fri/13, 9pm, $13
Slim’s
333 11 St., SF
(415) 255-0333
www.slimspresents.com

Oakland councilperson responds to Harborside Health Center targeting by feds

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Have you heard the news about our most Hollywood dispensary getting put on notice by the feds? Harborside Health Center staff, stars of everyone’s favorite marijuana reality show Weed Wars, arrived to work July 9 to a letter from US Attorney Melinda Haag.

She’s no one’s favorite pen pal in the medical cannabis industry these days. (xoxo) In the letter, she filed civil forfeiture actions against Harborside, despite the fact that unlike most of her office’s previous targets, the two Harborside dispensaries are not within 1,000 feet of a school or park. After the federal raid of educational institution Oaksterdam University in April it seems that now, all dispensaries are fair game for federal targeting. This could be curtains for patients’ safe and easy access to cannabis. 

Haag explained her office’s reasoning in a statement released yesterday.

This office has used its limited resources to address those marijuana dispensaries that operate close to schools, parks and playgrounds. As I have said in the past, this is a non-exclusive list of factors relevant to whether we should commence civil forfeiture actions against marijuana properties, and circumstances may require us to address other situations. 

I now find the need to consider actions regarding marijuana superstores such as Harborside. The larger the operation, the greater the likelihood that there will be abuse of the state’s medical marijuana laws, and marijuana in the hands of individuals who do not have a demonstrated medical need.

The filing of the civil forfeiture complaints against the two Harborside properties is part of our measured effort to address the proliferation of illegal marijuana businesses in the Northern District of California.

Basically, no rationale for targeting Harborside besides the fact that it’s a big operation (probably the largest in California.) The situation echoes the recent federal raid of cannabis educational institution Oaksterdam University. Harborside has struggled in the past with castigating audits by the IRS, which declared that the collective was unable to claim simple business expenses on its taxes. 

Oakland city councilperson Rebecca Kaplan recently released a statement in response. Here is the full text:

We are disappointed to learn that yet another licensed, legal and locally regulated medical cannabis facility has come under federal attack.

The last time that the federal government used its resources to go after a permitted facility with no history of crime or violence, there was a school shooting taking place across town while federal agents tagged and bagged medical marijuana plants.

We can’t let this happen again.

The Justice Department has said in the past that it wouldn’t target medical marijuana.

They went back on their word – starting to target medical cannabis facilities allowed under California law.  Then, the U.S. Attorney’s Office said they are specifically targeting cannabis facilities located within 1,000 feet of parks and schools.

Let’s be clear: Harborside Health Center is in compliance with our democratically-enacted laws – and is not near either a park or a school.

During the raid on Oaksterdam University, the federal government used cops – this time they’re using lawyers.

If federal prosecutors have extra time available, I ask – on behalf of my constituents all across the city – that they instead prosecute the illegal gun dealers who are the source of death and violence in Oakland.

Federal agents have worked successfully with local law enforcement this year to go after guns and violence – and we are deeply thankful and appreciative of that help.

That’s what we need more of.

If there are federal resources available, we need them directed against the violent perpetrators and co-conspirators of the senseless gun violence on our streets. 

Local news media reported recently that, on the day of the federal raid and the school shooting, local law enforcement said the federal raid against Oaksterdam University ‘drained the vast majority of [the department’s] west-end staffing thus resulting in several priority calls being stacked — something that might have [been] prevented.

Wasting resources going after legal, licensed and locally regulated medical marijuana facilities is not only inappropriate, but directly harms our ability to fight crime and respond to violence in our city.

We respectfully ask the Justice Department to devote any available resources to fight gun crime and stop the interstate flow of illegal guns into our city.

Thank you.

Guardian Voices: My San Francisco

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I’ve spent the last 12 years learning to love and sometimes hate San Francisco, and I’ve made it my home. A few months after my 31st birthday, I drove out here from the midwest to contribute to social change in a place where I could be Black, LGBT, and a community organizer – and not be forced to have my dyke identity matter quite so much. (More on that history somewhere else…) While doing grassroots community work in this city, I found love, made life-long friends, started a family and developed an incredible multi-ethnic community that has deeply enriched my life. Over the years, we’ve shared moments of tragedy and the sweetness of victory, and all of it together has defined a “San Francisco experience” quite different from what I expected. And quite different from what the tour guides sell.

Over these years, I developed an analysis of the political, economic and cultural life of this incredibly contradictory city. I’ve come to understand the structural roots of gentrification, the nature of corporate elite rule in a supposedly progressive town, and the challenges white activists face dealing with the complexities of politics in a “majority minority” city. But most of all, it’s the people in my particular San Francisco who I’ve come to love, and I’m now carrying all of their stories with me as I move in new directions. 

My San Francisco is the people rarely quoted in the local media and most often mentioned only in the context of one social problem or another. They are the mostly poor and working-class families of color I’ve been learning from all these years, people whose daily suffering goes mostly unnoticed, whose political leadership is rarely respected, and whose view of San Francisco is rarely taken into account. This is the San Francisco largely off the political and geographic map, where neither tour buses nor politicians tend to go.

My San Francisco has been in the southeast quarter, the Frisco where people work hard and do whatever is necessary to feed their families, have loud family BBQs in the park, and rock their Giants gear as much and as often as possible. The folks getting evicted, foreclosed on, and displaced by being priced out. They are Black and Latino folks who’ve joined grassroots organizations — mostly women — who make incredible daily sacrifices to change the world. They are volunteer community organizers, who might go to school or take care of other people’s children during the day, and organize for change one meeting at a time, at night. They face the threat of deportations, police harassment, and stressful low-wage work. When they join a membership-based organization, they get a community with shared values and support, but they don’t get money, status or personal power. The Frisco families I know and love don’t identify as “moderate” or “progressive,” but they know that rich people don’t have the right to rule the world, that public education and decent housing should be basic human rights, and that it makes no sense, in the middle of such deep unemployment, to raise bus fares and make it more expensive to take the bus to work. They have compassion, common-sense, critical thinking, and courage. They should be running the city.

The grassroots leaders, activists and organizers who’ve become such an intimate part of my life and whose stories now make up “my San Francisco” don’t align nicely with most dominant ideas about this place. They are not cool, cosmopolitan and carefree. But neither are they simply victims of downtown’s political power. Their leadership is the only hope for this city that I have.

It’s the young Black women with heartbreaking stories of brothers and cousins lost through gun violence, and with less public but equally horrifying private horrors of sexual violence and abuse that have traumatized them to their core.  But they are proud to be born and raised in this city and are leading community meetings, developing campaign strategies, educating their peers about Prop. 13 and their right to quality education. I have their tears, their youthful giggles, and their dreams for the future, all here in my head. 

I have the stories of undocumented Latina immigrant women, who too suffered sexual abuse when crossing the border, but now here in the US take incredible risks and do practically everything in their power to ensure their children have a better life than their own. I have the sound of their laughter together, often in Spanish —  of  these mamas, as they make plans to call 100 people for the next meeting, and the shaking in their voice when they rise to speak out in public against the racism they witness in our public schools. These women in my San Francisco have knocked on thousands of doors, talked to tens of thousands of people about the pressing issues of our times. But they are ignored on the streets of our city and in the halls of power, invisible to so many middle class, often white, professionals and activists who just don’t know, understand, or appreciate this ‘other’ San Francisco.

I love this San Francisco, and my hope is that this column can lift up these stories in coming weeks and months. San Francisco will never, ever, become the city of our dreams until the people doing the hard, often invisible work of grassroots organizing in the communities most impacted by city’s contradictions, play a more central role in defining the city’s politics. There is new leadership emerging in communities of color, and the future of San Francisco lies in their power.

We can stop 8 Washington

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There’s a week left to stop the sale of San Francisco’s waterfront to the 1 percent.

The Board of Supervisors approved the 8 Washington project, and a coalition that (for various reasons) opposes this giant pile of housing for the very, very rich is trying to put the issue on the ballot. That takes a lot of signatures, and there’s only one week left to collect them.

I could tell you the story of why this project sucks, or you could just read it here. In my mind, it’s simple: If we are using public land to build housing for the richest people in the country, allowing a developer to clear a couple hundred million dollars while offering the city only $11 million for affordable housing — nowhere near enought to equalize the housing imbalance inherent in this deal — then we’re losing the city’s future.

But there’s still time. If you want to help, go here. Stop by 15 Columbus Ave or call 415-894-7008.

Hell, I’m willing to have a discussion this fall about the really, really dumb idea of tearing down the Hetch Hetchy dam. Let’s at least give the voters a chance to look at the future of the city’s housing policy.

 

Caught in the FBI’s net: the extended interview

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From June 20 through June 23, the FBI and local police departments and district attorney’s offices throughout the United States were engaged in Operation Cross Country, three days of stings targeting pimps for arrest.

According to the FBI, the mission was successful. “Nationwide, 79 children were rescued and 104 pimps were arrested for various state and local charges,” a press statement released the following week reads.

In the Bay Area, the operation resulted in “the recovery of six children, who were being victimized through prostitution, and the arrest of seven individuals, commonly referred to as pimps.”

Also caught up in the Bay Area sweep: 61 adult prostitutes — ten consensual sex workers for every underage victim.

The Guardian caught up with one such consensual sex worker swept up in Operation Cross Country. “Maya,” 22, an escort in Richmond, was targeted because officers believed she looked under 18 in her ads.

This is an extended version of the interivew with “Maya” published in this week’s paper.

Bay Guardian: Tell me about the arrest.

Maya: I got a phone call. All he said to me was that he was nervous and had never done this before, and that he was looking for somebody to party with. So I never said anything sexual, and he didn’t either. There was absolutely no premise.

So I went to the hotel room. I walked in the door and I said, I’m glad that I found the right room. I put my bag down. I turned to the side and there was another man standing there, and my immediate thought was that I was going to get taken advantage of by another person. But then- I can’t even, I don’t know how many officers it was. Some came out of the bathroom, and they said Richmond PD, you’re under arrest, put your hands behind your back. They arrested me.
They had me in handcuffs, they questioned me for a while. Then they took me back to a different place where they read me my rights and questioned me, then they took me to a different police station to get booked. So all in all, I was in custody for about six hours. So I guess the way that it works with that is, the phone call is initiation and showing up to the hotel room is an act in furtherance. Entrapment is legal for that in California.

BG: What was the questioning like?

M: You know, I’ve been through a lot of things in my life. Family tragedies. Just like a lot of people. But that was definitely hands down, probably top five most traumatic events in my life.  I’ve never felt so degraded. Because of the questioning, because they really badgered me and broke me down. And I’ve always been such a strong person that I think that was the hardest part of it, they really took advantage of me and put me in a very vulnerable space. Because they were very, very adamant about, basically getting me to say that I have sex for money.

They didn’t read me my rights until about an hour and a half after I was in custody. And they were sitting there asking me, why do you have condoms in your bag? I had a vibrator, I had lube, and I had condoms with me. So they just sat there and asked me about it.

There were four men and one woman in the room, and they were all sitting there making jokes. One of the officers was very adamant about telling me that he would never pay me that much for my services.

BG: You’ve said they lied to you, what did they lie to you about?

M: They told me that that day they had caught an underage girl, but then I read the newspaper article about the sting about it, and they said the youngest girl that they got that day was 20. So they were trying to make it seem like they were helping all these women, helping all these girls get away from this lifestyle, when in reality they’re just busting girls like me. Who totally- this has made my life infinitely worse.

They looked through my phone and looked through my pictures, and questioned me about every picture in my phone. They were like, is this your pimp? They read my text messages, they listened to voice mails from my family. They don’t care.

BG: Did you tell them that you didn’t have a pimp?

M: Yes.

BG: And they didn’t believe you?

M: Well, not at first. Because when I got arrested- my boyfriend is my safety call. I call him after I get into the room to let him know that I’m OK, and then I call him when I’m leaving . And if I don’t call him and let him know that I’m OK, that means that there’s a problem. So I knew that he was going to call and I didn’t want him to have a heart attack worrying that I was hurt or something like that. So I had to tell them that he was going to call, and they assumed he was my pimp because of that. But after they talked to him and all that, they realized that he wasn’t. Like, I’m saying they- you know, they’re trying to deal with these girls who are completely not in the realm of who I work with and what I do. Whatsoever.

BG: Have you experienced an arrest before?

M: No, never been arrested before.

BG: The sting was for underage people being trafficked.  Do you think that’s a big problem? What do you think about that issue?

I do think that it’s a problem, absolutely. But this is the very unfortunate thing about what I do for work. Whether you want to call it prostitution or you want to call it escorting. So I do think absolutely it’s a problem, but it’s very important for people to know that it’s not the same thing, it’s really, really not.

I love my job, it’s unfortunate that this happened. I went to school for psychology, my main interest in human sexuality, and I was sort of doing this as a way to get into the field, essentially. I would absolutely consider it a form of therapy. Absolutely. Because I genuinely care. That’s why it’s the girlfriend experience. So yes, human trafficking is absolutely a problem. It’s not in my realm. I don’t support it, of course not. But there’s nothing that I can do about that unfortunately.

BG: Do you have any thoughts on how police could better track down trafficking in a way that doesn’t put you and other people who are in a totally different line of work in danger?

M: Yeah, I think that they need to not go after the girls, they need to go after the pimps. That’s it, period. It’s not fair to prosecute us…When it comes down to it, they say that they’re really trying to go after the pimps, but it sure doesn’t seem like it.

For me, for instance, I’m probably going to get two years’ probation, up to 60 days in jail and hundreds of dollars in fines. Now I’m out of work, can’t get a job, and I have prostitution on my record. You know, it’s just- it doesn’t help anybody.

BG: You’re out of work?

M: I can’t put ads up. I don’t have another job right now. So of course I can find work in the future, but it’s- it was abrupt. Basically everything that I’ve worked for. Because I’ve been doing sex work since I was 18. So people might not look at it this way, but its sales. It’s marketing. I’ve built my little empire with that. I’ve built the reviews, and I’ve built the experience, and essentially they just swiped it all away from me.

People I’m sure will read this article and either be completely unsympathetic or, if they take the time to really think about it, it’s a service, like any other service. This is the oldest profession in the world. If you, I’m a good and caring person. People give it such a bad name. Like the police, they think that us girls are just hustlers and pieces of shits and we’re just trying to make money and we don’t care. Which is absolutely not the case. Three quarters of the reason I do this job is because I care.

BG: It strikes me what you were saying about the police officer saying I wouldn’t pay that much. Were there other degrading things said?

M: In total I probably talked to about 10 different officers. Every single one of them, their first question was, how old are you? And when I said 22, they got this look of disgust, and they were like, oh, you’re so young. I had multiple officers tell me, you’re a victim and you don’t even know it. Just trying to break me down.

I don’t care if they’re officers, I don’t care what they do for a living. They’re still men.  And when you come in and you’re a prostitute, they look you up and down. And they’re thinking about that. And I had the officer asking me questions like oh, how do you clean your vibrator. Just unnecessary questions, where obviously they’re getting some sort of gratification out of it. My interest is human sexuality and psychology, and I know, also because of this job, I know how to read a man and how to read what they’re thinking. And like I said, when you get booked as a prostitute you just get treated like a piece of meat and they all look at you like one. They’re just completely unsympathetic, I had to sit in a jail cell in Richmond, there was blood on the walls and there’s MS-13 tags everywhere…. And they keep telling me, you did this to yourself, you put yourself in this position, and it’s your fault you’re here. And they kept telling me, you need to get out of this life.

They all just joked, they were all laughing and joking. I had an officer, I was telling them why I have condoms and he said “I call bullshit!” and they all fucking laughed at me. I was a joke to them. They were all just sitting around laughing the whole time. And they’re sitting there watching the A’s game, I’m just sitting in handcuffs in the corner crying.

It was bad enough that it took me about a week before I could even see people again. It was, yeah.  I couldn’t see anybody, I couldn’t tell anybody about it. Pretty much cried all the time.

BG: I was wondering if you could talk more about pimping, because people have told me that the definition of pimping has led to peoples boyfriends getting busted for pimping. Could you talk about pimping in general, what it means, what falls under it?

M: I can only tell you so much because I don’t have a pimp. But for the standard they use to evaluate if someone’s a pimp or not, I know they were asking my boyfriend if he set up dates for me. So I think it’s the setting you- I imagine if he had driven me to my appointment, he probably would have gotten in trouble also. So it’s the driving them, being the driver, setting up appointments. And I know they asked me a lot, and I heard them asking another girl who got arrested around the same time as me, they kept asking her if she gave him money for anything. So I think that’s it, if you give them money, if they drive you, if they set up your dates. They asked me, because my boyfriend got surgery recently and I’ve been helping him out with that. And they kept prying, asking if I gave him money for groceries, if I gave him money for anything. They try to trick you. But other than that I don’t have any thoughts on pimping, other than its terrible.

BG: Have you ever met people who were forced into what they’re doing?

M: No…I mean, we’ve all done things for money. You know, desperate times. Whether it’s working some shit job- I mean, I look at it as a job. So in the past when I was younger yeah, you know, trying to make rent. You know, maybe I’ll do something that I wouldn’t want to do as much, or not get paid as much for it. But it’s like shit, beats working at Taco Bell. You know, that’s the way you look at it. I’d rather have one appointment with a guy instead of making the same amount of money working 20 hours that week. Its’ just the way you look at. It takes a certain kind of person to do this kind of work, its now- people sometimes think it’s easy money. It’s not easy money. It takes a certain person, it takes an emotionally stable and sexually stable person to do this work sustainably. It’s definitely tolling. It’s tolling because its therapy. It’s tolling because I listen to people’s problems, it’s not tolling because of the sexual aspect at all. You know, that’s anatomy. It’s not the way that people think. People always concentrate on the physical attributes, when realistically there’s so many more psychological attributes that go into this kind of work.

BG: Have you gotten any help from sex workers rights organizations?

M: I did have a therapist that’s sex-worker friendly offer me free sessions. I might take him up on that, but- you know, the event was traumatizing. I’m not traumatized by my work. I can tell the story and that’s pretty much enough for me. I don’t really need therapy for being a sex worker. I love my job. It makes me happy, its great.

BG: What do you love about it?

M: I love meeting different people, I love the psychological aspects. I just have so many fantastic stories, and amazing people that I’ve met. I saw a guy recently who, after our session he was telling me that his wife had died about six months previous that he had married to for 42 years, and he started crying. And my mother passed away when I was younger, and so we were able to relate on that. And I gave him my lessons on how I dealt with it, and he had never really had somebody tell him that, and he was very touched. And I know that he will take those lessons that I taught him and use them for his grieving process.

So it’s things like that. People don’t realize how much therapy it really is, how many of these people just want some intimacy…we’re human beings, we need sexual outlets. That’s just the way that we are.

“Maya” invites anyone who has been in a similar situation or wants to talk to contact her at mayaarticle8719@yahoo.com.

Healing the Hood

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Fifty people were sitting in a circle July 8, talking about what was weighing on them that week. And the weight was heavy. Poverty, violence, addiction, racism. Crushed by debt, foreclosed and evicted. Seeing family members deported, imprisoned, and killed. Continued repression of the Ohlone and other Native peoples. After telling her story, Vivian Thorp said she got together the money to seek medical treatment.

“So I go to the doctor,” she said. “And they tell me, you’ve got anxiety. I go, no shit.”

The others in the circle understood. This was the second day of Healing the Hood, a weekend of workshops, art, cooking, biking, spirituality, and communtiy building. The Poor Magazine project is aimed at resisting corporate control of food, medicine, the environment, and other survival necessities.

For many of the people present, “anxiety” doesn’t quite describe the oppression caused by abuse and violence, by fear of police and prison, by having not enough money to feed their families, by injuries and stress incurred by working for that money. No pill can cure that anxiety, even if you can afford it.

Healing the Hood is supposed to be some part of the real cure. Day one was spent in the Mission district, where Poor Magazine has it’s office. Day two was in East Oakland on a plot of land that Poor has purchased as part of its Homefulness project.

I arrived around lunchtime. In the hot East Bay sun, Needa Bee was preparing a salad while teaching a workshop on food. As she chopped the lettuce and carrots, she talked about how Monsanto and other agricultural industry giants control most of the food that’s available in supermarkets. She discussed resistance movements to Monsanto, telling of farmers in India and China who burned their GMO fields lest they infect other plants. Her lesson ended at the same moment that she topped off the salad with sesame seeds and coconut vinegar.

“This is all fields, backyard, street, Halal markets, Southeast Asian markets,” she said of the feast, recommending those sources as places where GMOs and factory farmed products can be avoided.

Tiny Gray-Garcia, Poor Magazine’s co-founder, smiled as 50 people lined up to eat. Gray-Garcia helped bring together the many sages present at Healing the Hood. The event is steeped in a deep yearning to preserve and teach cultural and medicinal knowledge, made all the more difficult because, as Gray-Garcia put it, people must “try to do it within this capitalist society, whose oppression is in everything, even our food.”

The weekends teachers were more than cooks; herbalists and nutritionists, gardeners and mothers, poets and dancers. After the food demonstration, nutritionist Tanya Henderson and Poor Magazine scholar Estrella gave a presentation on native herbs and foods and their medicinal properties. Next, youth from 67 Suenos, an organization that rejects not just attempts at harsher immigration laws but the colonial notion of borders in the Americas itself, led a discussion.

“Borders aren’t real. They’re a construct. They’re part of the plantation system,” one of the members said. The group supports the concept of a path to legalization for young people embodied in the DREAM Act, but takes issue with policies that would help successful students– “good immigrants”– while still allowing for families to be torn apart and ignoring the reality of students who are delayed in their success, often by that very fear of deportation of themselves or family members.

“Sadly, no one’s talking about a path towards legalization for every undocumented person in this country,” one of the members noted, recalling protests in 2006 and 2007, when many groups demanded “legalize all.”

Luis Rodriguez, one of the weekend’s special guests, is an author and poet based in the Los Angeles area. He was in town partly to promote his new book, It Calls You Back, and will soon be heading to El Salvador for an event celebrating a gang truce that has more than halved the country’s homicides since it was brokered.

“Earth Mother” Iyalode Kinney, founder of the Richmond urban gardening project Communities United Restoring Mother Earth, passed around leaves of comfrey and sprigs of fragrant German chamomile, plucked from her garden that morning, explaining their medicinal properties. Attendants rode bikes and recited poetry as the sun set.

The Healing the Hood initiative didn’t end Sunday. Poor Magazine will be meeting again August 5 to plant the Pachamama Garden as part of Homefulness.

“We as poor peoples and indigenous peoples are in constant struggle to survive and resist the violence of poverty, racism and colonization and if we are to not only survive but thrive, we most focus some time on healing our bodies, minds and spirits with out lives and ancestral knowledge not tied to the Western Medical Industrial complex, big pharma and corporations,” the Healing the Hood event descriptions reads.

In their many publications and its everyday work, the folks at Poor Magazine speak a sort of revolutionary language. The US is Amerikkka, deals that gentrify and displace are devil-opment, and Mama Scholars and Poverty Scholars spread their knowledge while the merits of establishment “akkkademia” are questioned. It’s a the language of a culture of empowerment and resistance, whose people have found violence and destruction in the things most valued in capitalism.

Rodriguez closed out the healing circle. He said a prayer to the Earth, and each attendant named a suffering or dead loved one as he and ceremonially spilled water on a newly sprouting plant.

The preservance, the survival, the regeneration. The suffering and the healing. As Rodriguez said as he closed it out, “Capitalism can’t reconcile with this circle.”

Guardian Voices: A harsh city for queer youth

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By Mia Tumutch

I moved to San Francisco at 19, having recently escaped small-town Texas because of ignorance and hatred associated with the fact that I am transsexual. I arrived on a Greyhound with a huge purse, a duffle bag, and big dreams for the queer wonderland.

Then life happened. Unable to find a job because I was too visibly trans, I ran out of money and ended up homeless.

Thousands of other young queers have runa way to San Francisco, but they still face daunting statistics once they arrive. Our city by the Bay has long been assumed a safe haven for the gays — however there’s more work to be done. It’s our responsibility, as San Franciscans and decent human beings, to ensure LGBTQ youth don’t face more violence and discrimination once they make it here.

LGBTQ youth face a disproportionate amount of obstacles to success, including bullying in school, family rejection, violence on the street, and job discrimination. After coming out of the closet, 26 percent of LGBTQ youth are kicked out of their homes by their parents. While LGBTQ youth account for only 5-10 percent of the population, we represent 40 percent of the homeless youth in San Francisco. The number of LGBTQ youth coming out and becoming homeless continues to increase, while funding for services to this very vulnerable population is cut back almost every budget season.

There are more than 94,000 LGB people living in San Francisco and approximately 6,000 LGBTQ youth, but there is still not a single queer homeless shelter. There are currently 36,000 vacant housing units in San Francisco, and only 6,000 homeless people; why can’t homeless people live there?

In recent years there have been a number of policy changes that have made life harder for the homeless. In 2010, proposition L, passed making it illegal to sit or lie on a sidewalk between 7am and 11pm. This law further demonizes homeless people who can be hit with $500 fines and even a month in jail for accessing public space.

In 2011, Scott Weiner, an out gay politician representing Harvey Milk’s former district, implemented a harsh new policy even further criminalizing homeless people in the Castro. This law makes sleeping, camping, cooking, creating a shelter, and using a four-wheel shopping cart all illegal at all times in Jane Warner and Harvey Milk plazas. The law goes further to ban the selling or bartering of merchandise without a permit.

In the 1970s, a similar sit-lie law in San Francisco was used to unjustly harass gay men. Harvey Milk crusaded against these laws until he was killed — and now the plaza named after him has the harshest sit-lie law in the city, and it’s driving LGBTQ youth out of the Castro.

“My queer friends are leaving the city because they feel run out of the Castro,” explains a homeless youth and active ally in the LGBTQ community. “We get harassed by cops at least three times a day, when we aren’t harming anyone at all. I was told by a police officer that me sitting on the benches in the Castro community was disrespectful of the hardworking people of the neighborhood. Then she told me to get a job.”

It’s our duty as citizens of a supposed sanctuary city to not turn a blind eye on the plight of homeless people, and especially not LGBTQ homeless youth. Let’s repeal sit-lie laws and stop cutting desperately needed funds for LGBTQ youth. Let’s create a shelter for LGBTQ people, and establish a permanent source of funds to make housing affordable for everyone. The solution to ending homelessness is not to increase criminalization and harassment; we need to expand our consciousness and compassion.

7 ways to revive your sunburned brain this week

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Dead set on frying your brain in this sunshine? Fine. Just hit up one of your city’s affordable cultural happenings afterwards and your gray matter will have no choice but to call it a draw. 

Epicenter reading series 

Sip on some of Cafe Tosca’s famous non-coffee cappuccino (brandy and hot chocolate, what could be better?) and listen to three members of the contemporary literati. Along with San Francisco-native Josh Mohr, the program will include Joe Meno reading from Office Girl, his new fiction work of artistic detachment and big city love, plus Nathan Larson’s The Nervous System, a novel depicting a terrorist-induced dystopia in the walls of the New York Public Library, starring a protagonist dubbed Dewey Decimal.

Thu/12 7pm, free

Cafe Tosca

242 Columbus Ave., SF

www.citylights.com

True Stories Lounge

Have your mind blown (pardon the pun) with Salon’s sex writer Tracy Clark-Flory at the True Stories Lounge. The reading series offers the unique opportunity to turn out your Friday night pre-game with a winning combination of cocktails and creative non-fiction, featuring writers from various genres recounting poignant childhood memoir, true crime, and sex follies.

Fri/13, 7pm, $10

Make Out Room

3225 22nd, SF

(415) 647-2888

www.makeoutroom.com

“Myth” 

An art reception wrought magical and mystical is this “Myth,” a group art exhibit exploring menaing in various types of folklore — everything from Greek myth to religious icons. Exhibiting artists will be in attendance at the opening reception, so you can ask them for the (assuredly fascinating) tales behind the images over drinks and and DJ. 

Sat/14, 6pm, free

Modern Eden Gallery

403 Francisco, SF

(415) 956-3303

www.moderneden.com

“Sin and Redemption” 

Have a perfectly sinful Saturday afternoon with what may be the SFMOMA Fort Mason annex’s most tantalizing exhibition yet. Artists will create pieces that play with themes of sin and redemption via pointed sculpture installations, interactive confessionals, and more. It’s sure to be an afternoon of contemplation and question amid the stunning Bay views.

Sat/14, opening reception 1pm-3pm, free

SFMOMA Artists Gallery 

Fort Mason, SF. 

(415) 441-4777

www.sfmoma.org

Chuck Palahniuk 

Brave hordes of dark literature lovers to hear none other than this legendary author of trangressional (OK, downright disturbing) fiction. Palahniuk, author of Fight Club and other contemporary literature treasures like “Guts” and Choke will discuss the “remix” of his 1999 novel Invisible Monsters. Already a story of plastic surgery, drugs, tragic hope, and other delights, the book is now equipped with an edgy new design and even edgier new material.  

Mon/16, 6pm, $20-$40

Castro Theatre 

429 Castro, SF

(415) 621-6120

www.castrotheatre.com

LitSlam 

Competitive literary lunacy takes the stage at Lit Slam on selected Monday nights in the Mission. A variety show by nature that involves spoken word poetry, workshops, and friendly (maybe) competition, the event is also a brilliant move towards guerrilla publication. Audience members (like you) choose the winners of the slam, who will go on to be published in the organization’s annual literary journal. Get there early if you’re gunning to perform. Stage fright? Lit Slam picks four audience members at random to act as judges for the competition, that’s a little more behind the scenes. 

Mon/16, 8pm, free

Viracocha

998 Valencia, SF

www.viracochasf.com

Summer Sounds: Exclusive bass-heavy tropical Surya Dub mix (and more)

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Ahoy, sunshine! In this week’s Super Ego nightlife column, I get all hot an bothered about the upcoming re-appearance of the Surya Dub global dread bass DJ crew at the Non Stop Bhangra monthly party on Sat/14. This installment of this ever-awesome and refreshingly diverse shindig is billed as “Indian-Caribbean tropical summer madness.” Well, what the heck does that sound like? (Answers below.)

The super-productive producer and DJ Kush Arora is letting us drop this exclusive Surya Dub Summer Rewind mix — he had a hand in a few of the tunes himself — to let us hear where his crew is at lately, globalwise. It is a serious jam I highly recommend listening to somewhere you can bounce around. And below the Kush mix track list is a special “Asian dub bass mix” that Maneesh the Twister did for UK website NadaBrahama.co.uk that gets a little more ethereal. And below that? The sounds of Non Stop Bhangra itself, from DJ Jimmy Love. Great stuff, which will sound even better live. Also: catch Kush and Maneesh on the airwaves with their new radio show “The Surya Dub Takeover” Mon 7.23 10pm on KPFA 94.1FM.

TRACKLIST
1. Kush Arora and Mega Banton – Shake Sitten (China White Remix)
2. Violet – Black River
3. Solo Banton – Make you Groove
4. Bongo Chilli -Can’t Touch My Style
5. Dre Skull – Loudspeaker Riddim
6. Popcaan – The System
7. Natalie Storm – Rock The Runway
8. Ghislain Porier – Alert Riddim
9. Ghislain Porier Feat. Natalie Storm – Gal U Good
10. WILDLIFE feat. J Wow – DNO
11. Urban Knightz Feat. Blackout JA- Step On Dem
12. Dinherio Negro (Bumps Bailehall Mix)
13. Rishi Bass – Latin Futura

14. Mak and Pasteman – Jungle Juice ( Pale Remix)
15. LV feat. Okmalumkoolkat – Boomslang
16. Partysquad feat. Baskerville – Gunshot
17. Spoeke Mathambo and Cerebral Vortex – Drunk Like That
17. Mr. Vegas – Bruck it Down ( Kush Arora Remix)
18. Buraka Som Sistema – Rita O Pe (Rob Howle Remix)
19. Astronomar and Wick – WYWD
20. Busy Signal – Doggy Style ( So Shifty Remix)
21. Natalie Storm – Lick it Good
22. Cardopusher – Goldo
23. Maga Bo – Piloto de Fuga feat. Funkero and BNegaeo
24. Zuzuka Poderosa and Kush Arora – Pisicodelia
25. Nego Mozambique – SurfistadoPavaofinal

Hearing could work out flaws in Lee’s housing trust fund proposal

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Mayor Ed Lee’s proposed Housing Trust Fund charter amendment — which he proposed during his inaugural address in January — will be up for review before the Board of Supervisors Rules Committee tomorrow (Wed/11) in the hopes of making its way onto the November ballot. The meeting is at 1:30pm in City Hall Room 263.

The measure, which would guarantee money for affordable housing for the next 30 years, was drafted primarily by the Council of Community Housing Organization (CCHO) and the Mayor’s Office, but included input from housing developers, the San Francisco Planning and Urban Research Association (SPUR), and some supervisors.

Supporters intend the housing trust fund to provide a consistent stream of funding that guarantees $1.2 billion over a 30-year period for affordable housing. Each year the fund would take in between $20 million and $50 million. In addition to building new housing, it would create a $15 million homebuyers assistance program, doubling the current funds, and a $15 million home stabilization fund to help homeowners facing foreclosure. But Lee hasn’t convinced his business community allies to adequately fund the measure and there are doubts about its revenue projections.

Sup. John Avalos is cosponsoring the measure and helped draft some content, but he isn’t ready to vote for it yet. He is concerned with some of the big concessions the measure grants to market-rate developers, which could end up actually hurting existing affordable housing programs.

“I am watching closely,” Avalos said, “to make sure we don’t give too much away.”

Here are the three concessions: 1) High-rise residential developers would be allowed to pay inclusionary housing fees for affordable housing after construction instead up upfront. 2) Low to mid-rise developers would have the percentage of onsite affordable housing unit requirements lowered from 15 percent to 12 percent. 3) Developers of small five-to-nine-unit buildings would no longer have the inclusionary housing fee or the onsite affordable housing requirement.

The housing trust gets its funding by trying recapture the disbanded Redevelopment Agency’s bond repayments and hotel tax funds, but Fernando Marti of CCHO doesn’t believe that would capture nearly as much as Lee hopes. Marti estimates that the money would eventually lead to $13 million a year, which is a far cry from the previous $50 million needed.

Marti said the rest of the funding he hopes will come from the two competing business tax reform measures developed by Lee and Avalos, although Avalos has make clear that the $40 million his measure would raise is intended for the General Fund to maintain city services that have been cut in recent years. Lee’s measure would generate $13 million that he would earmark for the housing trust fund.

Marti said if the housing trust is approved by voters but the business tax reform fails, Lee has inserted language into the measure that would allow him to unilaterally abolish the housing trust fund. Marti said the CCHO doesn’t want the money for the housing trust to come out of the cash-strapped general fund.

Avalos is skeptical of Lee’s approach, telling us, “That doesn’t sound like anything I’d vote for.”

The Performant: Why a duck?

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Pianofight takes on Tchaikovsky — and the death of theatreand Boxcar’s Hedwig has us humming in the shower.

Zombies are so over. The next monster movie massacre sensations are totally going to be murderous waterfowl, so props to PianoFight and Mission CTRL for jumping on that bandwagon before it even rolled out of the studios with their ensemble-created, ballet-horror-comedy, Duck Lake. When Raymond Hobbs as theatre director Barry Canteloupe (sic) boasts “no one has ever done what we are about to do,” while tweaking his own nipples, you get the feeling he’s talking about more than the production he is supposedly directing — a musical theatre adaptation of Tchaikovsky’s “Swan Lake.”


“Duck Lake” opens innocuously enough with a series of scenes focused on Canteloupe’s directing methods, which includes literally suckling his wary charges on the “teat of creativity.” These last perhaps a smidge too long, and fail to foreshadow the eventual horrors that await the hapless cast, but they do drive home the sheer awfulness of being cast in a Canteloupe production. Shades of Waiting for Guffman’s Corky St. Clair color Hobbs’ turn as the narcissistic Canteloupe, whose singular theatrical vision has seen him voted the “best up-and-coming director” 10 years in a row, mainly for previous remixes of the iconic ballet, including a scat porn. Isolated on the banks of Duck Lake for a weekend rehearsal intensive, Canteloupe’s misfit cast members work hard to keep their simmering doubts from derailing the “process,” even when their prima donna “Prince” (Sean Conroy) mysteriously disappears, leaving only a bloody scrap of his cranium behind.

Cue encroaching pandemonium. Murdered park rangers! A groundskeeper with a terrible secret! Obnoxious jet-skiers! An awkward love story tangent! Tortured showtunes! Bloodthirsty, vengeful ducks! And the indescribable horror known only as the Harem Master (Rob Ready); a drama camp kid gone oh so very wrong. In the best tradition of Hollywood villains everywhere, the Harem Master gets to deliver a stirring speech regarding his motivations, which diverges into a reflection on the long slow decline of attendance in theatres, attributed by the loincloth-clad duck enthusiast in part to directors’ insistence on mining the classics for inspiration rather than creating new work. So meta! Truthfully “Duck Lake” itself is probably not in danger of being remounted 400 years from now, but it may yet prove itself useful to future generations, at a minimum for its handy tips on how to drive away angry flocks of mutant ducks. The day may be coming that such information will prove indispensable.

Speaking of classics, though, Boxcar Theatre’s Hedwig and the Angry Inch, sizzled for a scant, two-weekend run, like an incandescent streak of showbiz lightning. Hitting upon a novel way to fully embellish each distinct facet of Hedwig’s somewhat fractured personality, director Nick Olivero cast twelve separate actors as the would-be rock star, adding a free-for-all twist to the already anarchic, transgendered glam-rock musical. From the fierce, punk snarl of Brionne Davis, to the coyly nude antics of Ste Fishell, to the Aretha Franklin-esque majesty of Michelle Ianiro, a dozen Hedwigs reenacted the tragic events of their backstory to the patrons of “Bilgewater’s,” with grace, guts, and a staggering array of platinum wigs. If you missed its too-short summer run, all hope is not lost. Rumor has it that a late autumn remount is not out of the question. Hopefully by then I’ll have stopped incessantly humming “Wig in a Box” in the shower, though honestly I’d rather be humming Stephen Trask than Tchaikovsky any day, so there’s that.

DUCK LAKE
$25, through July 28
The Jewish Theatre
470 Florida, SF
www.pianofight.com
www.missionctrlcomedy.com

Snap Sounds: Sébastien Tellier

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By Irwin Swirnoff

SEBASTIEN TELLIER
MY GOD IS BLUE
(RECORD MAKERS)

His last record was called Sexuality, and tapped into the most up front and direct body moving songs of his career, but Sébastien Tellier has always made music dripping with raw sensuality. His latest album sheds the immediate dance-pop sensibility of his last offering and finds him delving deep once again in a more nuanced, textured, and left of center romantic pop approach.

Much like one of his French forefather, Serge Gainsbourg, Tellier has the ability to play with genre while always keeping his signature vision and infectious charisma. My God Is Blue sounds like the sensation of soft touches across your body in bed with a window cracked and slight clouds of steam flowing up and down around you. Others try so hard to be suave, but with Tellier it flows naturally.

9 ways to say oui to Bastille Day

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Unless the tech kings and queens need to start watching their backs, there’s no accounting for the voracity San Francisco consumes all things Bastille Day (Sat/14). Why do we celebrate the anniversary of the storming of a French clink so comprehensively, when Canada Day goes all but unnoticed? Perhaps the answers will be clearer after this weekend — movies, concerts, food cart explosions, and more will be taking place now through Sat/14 in honor of the Bay’s most illogically favorite holiday.

Farewell, My Queen 

Landmark Theatres picked an appropriate time to unveil French director Benoit Jacquot’s film Farewell, My Queen. The flick follows the last three days of Marie Antoinette (Diane Kruger) and her reader (Léa Seydoux, the pale beauty from Midnight in Paris) in the chaos just before the French Revolution.

Showing at Embarcadero Center Cinema, 1 Embarcadero Center, SF; Shattuck Cinemas, 2230 Shattuck Ave, Berk.

www.landmarktheatres.com

Pre-Bastille Musicale with Baguette Quartet and GAUCHO

Peacefully ring in this not-so-peaceful holiday with a musical performance in the UC Berkeley Botanical Garden. Local group Baguette Quartette performs tangos, foxtrots, and more tunes endemic to 1920s and ’30s Paris. It’ll be joined by Gaucho, a Euro-New Orleans-inspired jazz group that prides itself on its ability to inspire foot-tapping. 

Thu/12 5:30-7:30pm, $12

University of California Berkeley Botanical Gardens

200 Centennial, Berk. 

(510) 643-2755 

botanicalgarden.berkeley.edu

“From Geek to Chic: French Fashion and Technology”

SF Fashion + Tech has acquired a collection of Bay Area industry notables to speak at their Bastille Day commemoration “French Technique: From Geek to Chic.” Enrich your intellect and your closet with drinks, music, and fashion tech talk. 

Thu/12 5pm-9pm, $15-$25

Temple

540 Howard, SF. 

f1wfrenchtechnique.eventbrite.com

Mugsy’s Pop-Up Wine Bar

El Rio busts out its new socially-conscious wine bar in honor of Bastille Day, where Francophile — or just plain wine-chugging — Missionaries can celebrate French independence with a cuppa and some patio-side sunshine. Just as the French revolutionaries stormed the Bastille on this monumental day, Mugsy proposes to storm your olfactory senses with a velvety wine with hints of licorice, chocolate, and lavender (and, somehow, plum, olive, and pepper), a 2009 Le Clos du Caillou Côtes du Rhône Vieilles Vignes Cuvee Unique. Quite a way to class up your Friday night happy hour. 

Fri/13 5:30-8:30pm

El Rio

3158 Mission, SF.

mugsywinebar.tumblr.com

Off The Grid Au Francais 

Foodies can rejoice in a Off The Grid’s solution to affordable French cuisine. In honor of the holiday, many of the street truck fair’s vendors will be offering special French-inspired items. Regardless of one’s culinary orientation (cupcake, crepe, and bahn mi, or baguette?), French gypsy jazz will accompany this cart food frenzy throughout the evening. 

Fri/13 5pm-9pm, free entry

Fort Mason Center, SF

www.offthegridsf.com

Bardot-A-Go-Go 

Go-go to the Rickshaw’s no-pretension dance floor for this always-fun Bastille Day pre-party. DJs Brothers Grimm and Pink Frankenstein will be providing the tunes to guide the night, and you can count on some Gainsbourg screenins to provide an appropriately-hazy French ambiance. Go-go girls, drinks, videos — even 1960’s hair-styling for only $10. 

Fri/13 9pm-11pm, $10

Rickshaw Stop

155 Fell, SF 

www.rickshawstop.com

Belden Place Block Party 

Celebrating another nation’s independence day has never felt so authentic. Tucked away in a FiDi alleyway, Belden is a focal point for Francophiles in San Francisco due to its tasty restaurants. Bastille Day turns the nook into a communal fete, with music and other festivities to boot. The festival recently ran into some trouble due to “past insanity” — always a good sign — but it’s pledged to  

Sat/14, check restaurant websites for hours

Belden between Pine and Bush, SF.

www.belden-place.com

KZYX Bastille Day benefit

Holler your support of community radio through a mouthful of crawfish etouffee — today Mendocino indie radio station KZYZ is raising funds for its community tunes with a full spread of French Cajun fare. Live tunes from Americana rockabillies Contino and that band’s fave openers Shaky Jake Blues Band featuring Rag Time Rick will be the perfect side dish to heaping bowls of gumbo, jambalaya, and red beans and rice with sweet corn boiled in Tabasco mash for the vegetarians music fans. 

Sat/14 3pm, $10-$15

Mendocino County fairgrounds

Highway 128, Boonville

www.kzyx.org

Le P’tit Laurent 

What is normally a highfalutin French restaurant is also a fabulous fete for those who want to get their dinner, drinks, and dancing all in one. The restaurant will serve its normal menu a la carte, keep its bar open until 2am, and rumor has it DJs and dancing will enter the scene at around 10:30pm.

Sat/14 5:00pm-10:30pm dinner, 10:30pm-2am drinks and dancing, $23

699 Chenery, SF. 

 www.leptitlaurent.net

Missing the point on Hetch Hetchy

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So now we have to have a vote on tearing down Hetch Hetchy. That’s fine, let’s have the discussion. But let’s be honest about it: This isn’t just, or even primarily, a water issue. It’s really about electric power.

If you want to read the piece I wrote on this for Earth Island Journal, it’s here. I’ve written loads more over the years, enough to fill a couple of good-sized books. But let me try to make the point as simply as I can.

The dam would never have been approved by Congress if it were just a reservoir for San Francisco’s water. The reason the Raker Act, which authorized the destruction of Hetch Hetchy Valley, was approved was that the conservationists, who opposed the dam, were trumped by the public-power advocates, who argued that preventing private companies from controlling the electric power grid was so important that it justified environmental sacrilege. The dam was supposed to provide the centerpiece for a local public-power system that would prevent Pacific Gas and Electric Company from controlling the city’s energy system.

The history of Hetchy Hetchy isn’t about water — it’s about how that power never made it to San Francisco. You can read it in great detail here. I have spent weeks in the National Archives in DC researching this, and have thousands of pages of documents on it. You may or may not support the idea of the city running a public-power system, but it’s hard for anyone to argue that Congress intended anything else.

The city accepted the deal, built the dam, and has for almost a century ducked, bobbed, weaved, and tried everything possible to avoid kicking out PG&E.

So why keep the dam in place? I don’t believe the Restore Hetch Hetchy people when they say that the city can find other storage for its water needs. Tear down the dam and we’ll be sucking water out of the Delta soon enough. But forget that — let’s assume we could conserve enough water that we didn’t need that reservoir.

We’d still have to replace a buttload of electric power. The city’s hydropower system generates 1.7 billion kilowatt hours a year, enough to power more than 400,000 homes — and does so without producing an ounce of CO2. Although there are other powerhouses in the system, we’d lose almost half of its capacity if we tore down the dam.

It seem to me that existing large hydro, while imperfect, is a more environmentally sound form of electricity generation than coal, oil, natural gas, or nuclear — and right now, those are the alternatives.

Soon enough the city will have enough small-scale distributed generation, mostly rooftop solar, to get rid of both PG&E and the dam. Count me as a supporter. But we’re not there yet.

In the meantime, if we’re going to have this discussion, let’s talk about electricity, and PG&E, and the Raker Act, not just water and the once-pristine valley.

 

 

 

Ejaculation conversation: An interview with Billy Castro

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“I watch some straight fisting and some gay male fisting. I guess all types of fisting”

Female ejaculation can be about as mysterious as the Loch Ness Monster. Looking to do a little underwater exploration? Sexy SF transman porn star Billy Castro’s Naughty Squirters is a revealing 60 minutes of hot femmes coming here, there, and everywhere, brought to you by the folks at Good Vibrations.

Castro — sans his infamous silicon dick — and I meet up early one morning to talk about his newest film, which happens to be his directorial debut. He caresses my arms and periodically squeezes my biceps throughout our interview. I’m not complaining — Castro’s chiseled jaw, altar boy face, and jock muscles make him desirable to just about everyone.

But he’s got more going on than just his good looks, this boy’s gone Ivy League. Castro wants to tell me about the seminar on making queer porn that he co-hosted with Jiz Lee — at Stanford University.

San Francisco Bay Guardian: How did Billy Castro get into the porn business?

Billy Castro: Courtney Trouble asked me if I wanted to do a scene with Laurel Ly Lee and I really wanted to fuck her. So I did it. At first I was really shy when being filmed. Then Courtney asked me to do [full-length feature] Billy Castro Does the Mission and then I started to get really comfortable shooting porn.

SFBG: Is it easy to make someone squirt?

BC: It’s not always easy to make someone squirt, especially if they’ve never done it before. There’s this moment where you feel like you have to take a piss, but if you push past that moment then all of a sudden you’re gushing all over the place. I think that nearly everyone has the capacity to ejaculate. I became obsessed with it after Jiz Lee gave me a facial, so I went out and learned as many techniques as I could.

SFBG: What is your favorite scene in Billy Castro’s Naughty Squirters?

BC: I really loved all of them, but I really liked the lighting and the squirting showed up the most in the scene with Chloe Camilla. She hadn’t ejaculated very much before, so we had a lot of fun making it happen together.

SFBG: You’ve acted in several porn films, even have your own feature film. But you’ve never directed before. How did you like it?

BC: I found directing to be simultaneously challenging and exciting. I had very minimal experience directing. So I just sort of fumbled my way through it, and I learned a lot. I’ve always been set in my ways in [terms of] how I want a scene to look, and who I get to perform with. So it was an amazing experience to be able to decide what an entire movie looked like. I would love to do it again and again.

SFBG: What kind of porn does Billy Castro watch on his personal time?

BC: I watch almost all fisting videos. I surf for it on Extremetube. I watch some straight fisting and some gay male fisting. I guess all types of fisting. I love it so much. There is something incredible about having an entire hand inside you. You are stretching a person to their limits. I like the feeling of filling someone up.

I’ve gotten the majority of my girlfriends to get really into fisting. I’m really into ass fucking too. I think it’s my new favorite flavor. I think ass fucking like fisting can be really invasive. And that’s what I find so hot. I mean it also feels really good. And I love putting my hands and dick into someone’s ass.

SFBG: Tell us about your dick.

BC: I love my big dick and my small dick. I love fucking with my big dick. I’ve had the same harness since I was 21. I also love fucking with my hands or sometimes a combo, my big dick in someone’s ass and then my hands inside their other hole.

SFBG: Tell us something most people don’t know about Billy Castro.

BC: Most people don’t realize I’m a switch. I’m an active switch. The reality level is I’m not so comfortable showing my junk on film, and no one’s offered me enough money. There is something about showing my genitals that feels really intimate. I don’t have any dysphoria. I just like to save my genitals for the people I’m dating.

SFBG: Queer porn is still a niche market. How do you think it can become more mainstream?

BC: I think queer porn needs to become more marketable to straight people. We can do that by making higher quality porn and bringing in mainstream porn stars. I brought in Ashley Blue for Billy Castro’s Naughty Squirters. It’s queer rough sex with that mainstream quality. I want to show mainstream people that they too can have queer sex. And hopefully grow the queer sex porn industry, thus making queer porn stars more money.

SFBG: Any final words for our interview?

BC: Yeah, being a queer porn star has made my sex life so much better. Queer porn stars are artist and they are really good at having sex. They have this intellectual component to the way they have sex. Queer porn stars have sex with so many different types of bodies and are very aware of the aesthetics of the porn they do, which makes it quite artistic.

 

Heads Up: 7 must-see concerts this week

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Slowcore, witch house, sugar-pop. The throwaway signifiers tend to make anyone remotely involved bristle. But when you’ve got an amorphous blob of musicians stretched out across the country/world with similar milieus, you tend to want to identify these similarities, to connect all those rich musical dots.

It’s our duty as music nerds, to categorize and look for patterns, to listen to the influences of the bands we love, to find the path of sound that keeps rolling backwards in time and space. And so that brings us to White Ring, influenced by Waka Flocka Flame and presumably, vintage horror films (and playing DNA Lounge this week). Or to early 1990s act Codeine, foreparents to a rather sad-core future genre, back in the saddle again and playing San Francisco. It’s topsy-turvy Music Appreciation 101 in the city this time around.

Here are your must-see Bay Area concerts this week/end:

The Babies
Those humming bloggy masses have long been itching for this one: the closely-watched collaboration between Cassie Ramone and Kevin Morby, members of Vivian Girls and Woods respectively (the Brooklyn group was originally conceived of as a side project  to play house parties). The resulting mixture is simple, sweet garage-pop, best served warm over ice cream. Check “Here Comes Trouble,” the Pixies-ish limited seven-inch released last December; or newest single “Moonlight Mile” off the upcoming fall release Our House on the Hill.
With Pamela, Love Devotion
Wed/11, 9pm, $8
Hemlock Tavern
1131 Polk Street, SF
(415) 923-0923
www.hemlocktavern.com
http://www.youtube.com/watch?v=7mzlfJbG1i0

Marina & the Diamonds
Welsh pop singer-songwriter Marina & the Diamonds (singular, like Florence + the Machine) had an underground sleeper hit with 2010’s The Family Jewels — thanks mainly to diamond crusted call to arms “I Am Not A Robot.” She returns to SF this year with a huge new album under her glittery belt, Electra Heart, which takes her in an even poppier – if too sugary – and more polished direction. Regardless, she puts on a helluva eye-popper show.
Wed/11, 8pm, $22.50
Fillmore
1805 Geary, SF
www.thefillmore.com
http://www.youtube.com/watch?v=S_oMD6-6q5Y

Codeine
While Codeine only existed the first time around for five short years beginning in ‘89 (its reissues and this subsequent tour are billed as a “commemoration,” not a reunion), it managed to have a lasting effect and influence on the many dreary slowcore bands that followed, most notably, Low.
With Mark Eitzel
Thu/12, 9pm, $18
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.slimspresents.com

http://www.youtube.com/watch?v=KYgSslrAOUc

White Ring
It’s perfect that this show falls on Friday the 13th, because this NYC duo’s music — lumped in fairly with the so-called witch house scene — is creepy as hell. With lasers, lights, billowing fog machine clouds, and the eerie vocals of Bryan Kurkimilis and Kendra Malia rising over warped synths and chopped beats, a White Ring appearance is a veritable haunted house party.  
With Deathface, and DJs S4nta_Mu3rte, Chauncey_CC
Fri/13, 10pm, $13
DNA Lounge
375 11th St., SF
(415) 626-1409
www.dnalounge.com
http://www.youtube.com/watch?v=TsFGEHZ8zyc

SS2
Last year, Sacramento’s S.S. Records celebrated a decade of life with its own intimate music fest. It went so well, they’re doing it again. Bands such as San Francisco legends Icky Boyfriends along with late ’80s psych-garage stalwarts Monoshock, and newer Modern Lovers-ish LA weirdos Wounded Lion (now on In the Red) will come together to play the two-day 11th anniversary gathering this weekend.
Fri/13-Sat/14, 9pm, $12 each day
Hemlock Tavern
1131 Polk Street, SF
(415) 923-0923
www.hemlocktavern.com
http://www.youtube.com/watch?v=ClOWGmAmi9w

Street Justice and Awesome
Remember the original version of the Sega Genesis game Streets of Rage? It was all tight jeans, big muscles, ominous background noise, mobster bosses, and beating killer punks with pipes. The sonic equivalent would be SF hardcore band Street Justice (tag for this one is “Vigilante music for those who are mad as hell and don’t want to take it anymore”). And Awesome, well that’s members of Filth, Strychnine, Econochrist, and Sahn Maru, so you pretty much know what you’re getting into there. Moshy good times.
With Utter Failure
Sat/14, 10pm, $5
Bender’s
800 S. Van Ness, SF
(415) 824-1800
www.bendersbar.com
http://www.youtube.com/watch?v=MQmgw3xEKAE

Aesop Rock
“Recently rated the industry’s most intelligent rapper by Listverse, San Francisco resident Aesop Rock is a hip-hop maverick with a quick tongue and sharp wit that will leave your feet tapping and your head spinning.” – Haley Zaremba
With Rob Sonic & DJ Big Wiz
Sun/15, 8pm, $22.50
Fillmore
1805 Geary, SF
(415) 346-6000
www.thefillmore.com
http://www.youtube.com/watch?v=Dbd4h1kaFlY

Gascon comments on Lee perjury allegations

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Luke Thomas from Fog City Journal showed up at a press conference District Attorney George Gascon was holding on another topic, and threw in a question about the allegations that Mayor Ed Lee lied under oath before the Ethics Commission. Gascon’s comments were, as I would expect, pretty well couched in political-DA language, but the man who initially filed the domestic violence charges that set off this legal episode came down clearly on the side of having Ethics investigate further:

Luke sent me a transcript of Gascon’s full remarks, to wit:

“I think that the first thing that we have to do is we have to allow the Ethics Commission to continue what they’re doing. This is an ongoing hearing by the Ethics Commission. The voters of San Francisco, through the Charter, gave the Ethics Commission a tremendous amount of power — they wanted a very robust process. The Ethics Commission has the ability to call witnesses and put witnesses under sworn testimony and I think it is appropriate for the Ethics Commission to continue to inquire into this. Once they have completed the process, we will evaluate and, if appropriate, we will move accordingly. If the evidence surfaces that we have sworn testimony to indicate that perjury has taken place then we will certainly evaluate whether that will be appropriate to prosecute. At this point, we need to let the Ethics Commission do its work.”

I got in touch with Gascon’s press person, Stephanie Ong Stillman, and she confirmed that the DA thinks right now Ethics ought to be handling this:

“We don’t want to interfere with the Ethics Commission’s ongoing process.
All we know is what’s being reported in the newspapers.  These allegations
arose in the context of an ongoing Ethics Commission hearing, therefore the
Ethics Commission is the most appropriate body to look into this matter.”

Doesn’t sound like Gascon is eager to launch his own inquiry. But he’s at least interested in hearing what the key witnesess have to say — and he seems to agree that they should be placed under oath.

In fact, Gascon seems to be saying that he will look to Ethics to conduct the initial investigation — which just puts more pressure on the commissioners to allow Mirkarimi’s lawyers to put Walter Wong and Christina Olague on the stand.

I wonder if Lee is starting to regret setting off this whole spectacle. If he’d just demurred and allowed the voters to weigh in with a recall election, he could have avoided what may be a costly political mistake.

Oh, and by the way: Since the Chron made a huge deal out of Ivory Madison’s sworn statement — much of which was tossed out as inadmissible — it’s worth reading the entire statement of Eliana Lopez, which is posted here.

Are these the 10 best albums of the year so far?

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What vibrant musical times we’re living in! The year is halfway done, and we’re already up to our neck in more great albums than we know what to do with. Naturally, a list of 10 required a few sacrifices (apologies, in particular, to Fiona Apple, Burial, and Spiritualized), but here you have it: a handful of the most interesting, most forward-thinking, most compulsively listenable records of 2012 so far.

10. Mount Eerie: Clear Moon (P.W. Elverum & Sun)

Few musicians evoke the dank, misty Pacific Northwest as vividly as indie-rock auteur Phil Elverum. Consolidating his naturalistic folk, quasi-metal, and Twin Peaks-ambient impulses, Clear Moon is Elverum’s most succinct, eloquent statement since his days as the Microphones.

9. Daughn Gibson: All Hell (White Denim)
http://www.youtube.com/watch?v=Og1e97QKg0M

Just when you thought nobody was interested in kicking country music’s ass into the 21st century, along comes Daughn Gibson. Filtering lovelorn trucker ballads through James Blake’s glitch machine, with Gibson’s hearty baritone along for the ride, All Hell is one of the most quietly subversive albums in recent memory.

8. Julia Holter: Ekstasis (RVNG)

There’s a rhyme and reason to Julia Holter’s musical language, but it’s not linear. Her songs flow leisurely from one idea to the next, unraveling like a cloud of smoke instead of progressing like a staircase. Folding elements of indie-pop, classical minimalism, free jazz, and Indian raga into her postmodernist stew, Ekstasis is an impressive balancing act that never buckles under its own conceptual weight.

7. Actress: RIP (Honest Jons)

Fragmented, yet weirdly cohesive, RIP is British producer Actress’ most developed statement yet. Recalling Flying Lotus’ freewheeling space crusades, Autechre’s twitchy electronics, and Hype Williams’ anarchic fuzz, each of RIP’s 15 pocket symphonies create their own little world: some of them floaty and meandering, others driven and intent, all of them captivating in their balance between the familiar and the esoteric.

6. Laurel Halo: Quarantine (Hyperdub)
http://www.youtube.com/watch?v=6UVeKLsFIeY

Much like Oneohtrix Point Never’s Replica (2011), Quarantine is ideal soundtrack material for those late-night, marathon web-surfing sessions that seem to transcend time and space. Halo’s cold, glassy electronics are anchored by dry, straightforward vocals on an album that occupies a mysterious void between vocal pop and ambient electronica.

5. Lone: Galaxy Garden (R&S)

This is the Lone album we’ve been waiting for. The British laptop producer’s past efforts, while exquisitely lush, were inhibited by a sense of hollow simplicity; Galaxy Garden, his danciest effort yet, shows improvement on nearly every front, from generously layered percussion, to a nuanced, bittersweet take on melody and harmony. A gorgeous fulfillment of Lone’s hedonistic vision.

4. Chassol: X-Pianos (Tricatel)
http://www.youtube.com/watch?v=2IJO804iNZA

Well, this is unusual: a sprawling, two-hour debut album from a French orchestra conductor who’s worked privately on his own compositions for decades. Harmonizing field recordings and spoken-word samples through a wide range of musical languages, from old-school classical to indie-pop-via-MIDI, X-Pianos isn’t a cohesive statement so much as a brilliant portfolio, waiting to be discovered, piece by piece.

3. THEESatisfaction: awE naturalE (Sub Pop)

Splitting the difference between progressive hip-hop and neo-soul, this Seattle duo’s breakthrough record zips through its 30-minute run-time with remarkable tenacity and economy. Bearing the exhilarating energy of J Dilla’s Donuts or Erykah Badu’s New Amerykah Pt. 2, and shrewd lyricism that effortlessly balances the political, the personal, and the cosmic, awE naturalE feels urgently, confrontationally NOW.

2. Zammuto: Zammuto (Temporary Residence)
http://www.youtube.com/watch?v=T7FljgW6lPI

Former Books member Nick Zammuto’s solo debut impresses with its vitality and strength of purpose. Despite the heightened emphasis on conventional songwriting this time around, Zammuto strikes that divine balance between bewildering sound-collage and pop approachability that made the Books such an endearing project in the first place.

1. Field Music: Plumb (Memphis Industries)
http://www.youtube.com/watch?v=7NnH3FFKSJI

Sometimes, a really solid pop album wins out. Less a song-cycle than a series of hooks, Field Music’s latest is the work of a band with a hundred wonderful ideas up its sleeve, and only 35 minutes to communicate them. Channeling the impulsive energy of Abbey Road’s second half with proggy dexterity, Plumb cements this vastly underrated British outfit as one of the most visionary songwriting duos around.

Oakland families protest Oakland School Police killings and school closures

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The Oakland School Police Department was the target of a protest today, as more than 100 marched to the department’s headquarters. The small department is devoted to patrolling and policing Oakland public schools. 

The protest group converged at the Oakland Police Department headquarters at 7th and Broadway, and several family members of young people killed by police officers spoke. 

Superintendent of the Oakland Unified School District Tony Smith sent Oakland School Police officers to shut down a sit-in and free school at Lakeview Elementary school July 3. Protesters say officer Barhin Bhatt, who issued the dispersal order at the Lakeview sit-in, should not be working in the schools; he is one of two Oakland School police involved in the killing 20-year-old student Raheim Brown last year.

“They’re no better than anyone else who’s out on the street, killing people,” Brown’s mother, Lori Davis, said at the rally. 

Brown was in a car with a friend, Tamisha Stewart, when he was shot to death. He was shot in the head and chest. Stewart, the only civilian witness, was beaten and jailed for a week.

Police say the car was stolen and that Brown tried to stab one of the officers with a screwdriver. 

Stewart recounted her experiences at the rally. “Seeing my friend get killed for no reason, and calling for help and me not being able to do anything. Being beaten, eyes swollen shut, for no reason. I’m living with the memory every day,” she said. “We need more people to come and stand with us, because we can’t do it alone.  We have single parents, mothers without children, fathers, brothers without their brothers and sisters.”

Brown’s young son and his mother were also present at the protest.

“Of course people make mistakes. And Raheim made mistakes, ” another protester, Jabari Shaw, said through a megaphone. “But what happened to him was police terrorism. What happened to him was murder.”

The group marched to the Oakland School Police headquarters at the former Cole Middle School in West Oakland. On the march, protesters chanted “justice for Raheim Brown” and carried banners that read “jail killer cops” and “stop school closures.”

At the Oakland School Police department headquarters, the group continued to rally. One protester, Jeremy Miller, expressed anger that Cole Middle School had been closed and the building turned into a police station. Earlier this month, the school district closed five elementary schools in order to save about $2 million.

“They don’t have enough money to keep schools open, but they have the money to police our schools,” Miller said. “We know that our children are safer with no police in their schools.”

Another speaker noted that Cole Middle School had an innovative restorative justice program in place, an alternative to zero-tolerance policies. The program cut down on suspensions by 87 percent.

“I feel like the police shutting down a school that had a model restorative justice program is a slap in our faces,”  she said. “This was such a wonderful program, and it could have been copied and duplicated and modeled all across our city”

Sgt. Bhatt was appointed interim chief of the Oakland School Police Department in August after the previous chief Pete Sarna resigned. Sarna had been accused of making racially disparaging remarks about other police officers while drunk after a golf tournament.

Bhatt has been acquitted of wrongdoing by Alameda County prosecutors. But now Brown’s death, as well as Sarna’s racist remarks, are the subject of a federal grand jury investigation of the Oakland School Police Department. The department received a letter from the FBI May 17 announcing that they as well would be looking into the police force.

“I’m so grateful that the federal grand jury got involved,” Davis said at the rally. She told of dealing with the Oakland Police Department the morning after her son’s death. 

“I called down to OPD to find out what happened,” Davis said. “They gave me the runaround. They didn’t want to tell me. And then when they finally did say something, they said that the police killed my son. I was in shock. And they said, oh no, it’s not OPD, it’s not us. It was the school police. That’s not our department, we’re two separate divisions.”  

Davis said that she had been denied victim compensation and other services usually offered to families of crime victims since her son’s death had been caused by a police officer. A community effort was launched to raise funds for Brown’s burial. But Davis hopes that the government will bring her family some justice.

“I’m praying that the federal grand jury,” along with, Davis said, her attorney John Burris, “will get justice for little Raheim.”

If Mayor Lee lied

219

What’s going to happen to Mayor Ed Lee?

That’s the big question after a series of news reports have suggested that the mayor was less-than truthful under oath in his statements to the Ethics Commission. If he actually lied on the stand, that would be considered perjury, which is a felony.

But the reality is that the mayor’s not going to jail. First of all the District Attorney’s Office would have to investigate and file charges — and does anyone really think this DA, George Gascon, is going to subpoena Walter Wong and demand that he talk under oath about his interactions with Lee (who is a close friend)? I think Gascon ought to do it; there’s clear evidence that a crime may have been committed, and the public has a right to know about it, but I suspect that will never happen.
And even if the DA pushed, and Wong told the truth, and the truth contradicted the mayor, would a jury believe Wong over Lee?

It’s really hard to prove perjury. Maybe one of Lee’s staffers talked to Wong and the mayor wasn’t directly involved. Maybe the recollections of the two men have faded in the past few months. Maybe the mayor’s defense would be able to throw up enough chaff that nobody in the courtroom could figure it out.

So it’s not going to be about a criminal case against the mayor. But the revelations of what’s gone down here go far beyond any possible perjury indictment.

For starters, Ross Mirkarimi’s lawyers have every right and responsibility to demand that the Ethics Commission members hear from Debra Walker, Walter Wong, and — I would argue — every member of the Board of Supervisors. Here’s why:

The crux of Mirkarimi’s legal case at Ethics is that the mayor had no grounds to remove him from office — and that Lee never gave Mirkarimi due process or a chance to explain himself. The way the suspended sheriff tells it, the mayor never asked for an explanation of what happened that New Year’s Eve, never tried to talk to Eliana Lopez — never, in short, did any investigation into the incident before deciding the file misconduct charges (except for talking to Ivory Madison).

The way the mayor tells it, Mirkarimi refused to provide an explanation.

That distinction is critical, and the only basis for deciding what happened is for the judges — the commissioners — to use their best information and judgment about who’s telling the truth.

In other words, the mayor’s credibility is central to the entire case.

So if there’s any evidence that Lee lied about his discussions with Walter Wong or about whether he talked to any supervisors, then the commissioners would have the responsibility to consider that when evaluating the rest of his testimony. If you can’t believe everything he said, can you believe anything he said?

Some commissioners may argue that it’s not their business to determine if the mayor perjured himself, and on one level, that’s true — Ed Lee isn’t on trial here. But his credibility either makes or breaks the case. So the panel needs to hear from witnesses who can address that question.

Then there’s the much larger, more disturbing possibility that the mayor sought to influence (or might have been in a position to influence) members of the Board of Supervisors, who will be sitting as the final judges of Mirkarimi’s fate.

There’s a reason that the City Attorney’s Office has advised board members not to talk about the case. They’re sitting in a judicial role, and they can’t legally fulfill that obligation if there’s any indication they’ve already made up their minds. And if the mayor has talked to any of them — and there’s any indication at all that anything he said could be seen as seeking to influence their votes — well, in a courtroom you’d call that jury tampering. It’s a little different in a political forum, but still: Any supervisor who had a conversation with the mayor will be under pressure to recuse himself or herself — and every recusal helps Mirkarimi.

It doesn’t matter how many supervisors are in the room, in the country, recused or otherwise unable to vote — the mayor still needs nine to remove the sheriff. Three recusals and the whole thing collapses.

That’s why all of this is so fascinating and potentially explosive.

Oh,and by the way: When Lee set this process in motion, he should have known that he’d be testifying under oath and that anything he said or did might come out. You’d think he’d have been a little better prepared. 

So what’s going to happen to Ed Lee? Legally, nothing. But he may have done serious damage to his own case.