SFBG Blogs

A surprisingly sentimental evening with Chuck Palahniuk

0

“I write so that I don’t forget the fascinating and heartwarming things people tell me,” explained Chuck Palahniuk. He was at the Castro Theatre Mon/16 to chat about his newest book, Invisible Monsters Remix. Some audience members were disappointed that the event didn’t include a book signing — but no one could deny Palahniuk’s earnest nature and his deep connection to his fans.

To those who only know Palahniuk as the author of the cult hit Fight Club, one might think the man behind this contemporary classic of anarchy and disgust at our capitalist society could be a shady character. But the mind that concocted that (and other) twisted fables anchors his outlandish tales with an incredibly human element to his characters. If you look beyond Fight Club‘s bloody mayhem (vividly depicted in its popular film version), you’ll find a story of how a white-collar businessman combats loneliness and isolation, and finds fulfillment in embracing chaos. Palahniuk is certainly not afraid of being politically incorrect in his books, but he is a much more relatable guy than you might think.

He did not disappoint in entertaining the audience with his eccentric ways, but he also told many touching stories, and a few that incited guilty laughter. Palahniuk has been one of my favorite authors since I was 16, and listening to him read his short story “Romance” to the crowd was a complete dream come true. It was like Palahniuk was the coolest dad you’ve ever met, reading the kind of story you were never allowed to get your hands on. His pacing was impeccable, and he sat with his legs crossed and a giant stuffed tiger perched on his lap. (Anyone who asked a question received a tiger of his or her own, sometimes tossed into the audience by the author himself.)

Palahniuk has certainly had ample personal experiences that have shaped his explorations of the dark side of the human psyche — his grandfather murdered his grandmother before killing himself, and his father was killed by a vengeful ex of a woman he met through a personal ad in the newspaper. While completing an endless cycle of interviews and red carpet events with Fight Club stars Brad Pitt, Helena Bonham Carter, and Ed Norton, Palahniuk learned that his father had been killed and had to identify his body and deal with the proceedings.

He explained what a chaotic time it was — he loved the movie version of his novel, but his personal life was just too much to handle. He told us that while driving back home during the press onslaught of Fight Club, he decided he needed to pull over and get out of the car to lie down in the road. The audience at the Castro became incredibly silent as we all hoped this was not Palahniuk’s description of considering suicide.

Instead, he explained that all he wanted was for someone to notice him and call the police. When the policeman would arrive, Palahniuk imagined this figure of authority would carefully hold him and tell him everything was going to be all right.

“That’s all I wanted, for someone with authority to tell me everything was going to be OK, and then I could get up and move on. And so that’s what I did, I laid on the ground in my fancy suit … and I waited. And I waited … and no one came for a very long time. So I started to think, what would be an acceptable way that someone could be given a bit of affection in public, from a stranger. And that’s how I thought of choke: someone who would pretend to choke in public places to have that essential few moments of human connection. So I got up, dusted myself off and went home to begin writing Choke.” (Choke was made into a feature film in 2008.)

Fans were excited to learn that Fight Club was partially inspired by a group Palahniuk himself participated in called the “Cacophony Club,” made up of young professionals who needed a bit of organized chaos that could fit into a planned amount of time each week. (Their various pranks and shenanigans were, of course, to a much less violent degree than those enacted by Tyler Durden and his crew.) Another highlight of the night was the waves of laughter that greeted Palahniuk’s recounting of his struggle to get the book published, especially since it remains his biggest hit and became a ’90s classic.

During the question and answer period, Palahniuk gave this fantastic advice to a young man about becoming a writer: “Take the best part of a story idea you have and bring it to party. Tell all your friends and see what variations they have on it. That’s how most of my best work has grown. Friends can offer really interesting additions to the story, and you can make sure your idea has potential.”

At the end of the Q&A, tigers were distributed to those who could make baby shapes out of balloons. Popping balloons and pandemonium ensued as fans eagerly presented Palahniuk with their balloon children, or tried to snag a signature. Books were sold pre-signed, but Palahniuk graciously tried to sign a few books and agreed to a few photos with fans before being ushered off. He told us that the baby balloons will make sense next year — and with over 15 books so far in his highly successful career, I cannot wait to see what he has in store for us next.

High noon for CPMC

7

CPMC, the health-care giant owned by Sutter Health, has two weeks to convince some very reluctant city officials that its plan to build a flashy new hospital on Van Ness Avenue is at least marginally acceptable.

It might not be possible.

CPMC and Mayor Ed Lee had a deal back in June — a bad deal for the city, but one that the mayor was ready to push. Then internal documents showed that the hospital folks weren’t telling the truth and were looking for ways to shut down St. Luke’s, which provides care to the underserved population in the southeast part of the city.

The actual deal is in some kind of suspension now, since CPMC and the mayor aren’t anywhere near close to agreement — but the environmental impact report on the development came up on appeal to the supervisors, and it was clear that there weren’t enough votes to approve the document. Rejecting it would have set the project back at least 18 months, probably two years — and that would spell doom. CPMC is under a state mandate to upgrade the seismic safety of its facilities by 2015, and this Van Ness super-hospital is supposed to replace that aging California St. campus, which doesn’t meet state codes.

At the end of a seven-hour hearing, the supes agreed to continue the matter for two weeks after Michael Duncheon, Sutter’s general counsel, promised to maybe, sorta, kinda try to reopen talks with the city:

“In the intervening two weeks, CPMC commits to work with the mayor’s office and with you. … CPMC is ready to talk about a structure for future discussions as we all put our heads together.”

I other words, we’re ready to consider the shape of the bargaining table.

That doesn’t go very far, particularly since CEO Warren Browner has been a complete asshole throughout this process. He acts as if he’s entitled to do anything he wants with this project and he dismisses community benefits as nonsense. Oh, and guess what? He’s not even around right now. He’s on vacation.

Sup. Jane Kim made a good point in her remarks:

“The fundamental issue in certifying this EIR, in my humble opinion, is the elephant in the room, which is that there is no proposed project.  The only sponsor of this project, has himself stated that there is currently no project without greater assurance and agreement to stronger language from project sponsor on a commitment to the operation of St. Luke’s.”

And she said that if the matter hadn’t been continued, she would have voted not to certify the EIR. Sup. David Campos told me that he agreed: “We sent a very clear message that we can kill this thing if we want to,” he said.

So now we wait two weeks to see if Browner and his crew will come to their senses. “There’s hope,” Campos said, “but who knows?” And if CPMC doesn’t come back very quickly with a much-better plan, it will be time to start thinking about other options for saving St. Luke’s.

Feeling the heat, Olague kills RCV repeal for now

74

After reviving a controversial effort to repeal the city’s ranked-choice voting (RCV) system and paying a political price for her shifting stands on the issue, Sup. Christina Olague today made the motion to send all three competing reform proposals back to the Board of Supervisors Rules Committee, effectively killing efforts to place them on the November ballot.

“The public would benefit from more public discussion on the issue,” Olague said, adding that she doesn’t think the measures should be on the crowded fall ballot competing with other important priorities.

Olague had been torn between supporting the desires of Mayor Ed Lee (who appointed her to the seat) and downtown interests to repeal RCV and those of her longtime allies in the progressive community who sought to defend it from total repeal – and she hadn’t been returning calls or indicating where she now stood before today’s Board of Supervisors meeting.

But after hearing more than 30 minutes of impassioned public comments on both sides of the issue, she made the motion to end the controversy for now, which was unanimously approved by the board. Olague also addressed the heat she felt indirectly, saying RCV “should not be a litmus test for whether someone is progressive” and “sadly, the discussion had degenerated to be about personalities.”

Her colleagues seemed happy to be done with this fight for now as well. Sup. Mark Farrell, who sponsored the measure to repeal RCV for all citywide offices, said it would be a “huge mistake” to have competing voting system measures on the fall ballot. Olague had previously offered an alternative to repeal RCV for just the mayor’s race, like Farrell’s measure using a September primary election and November runoff. Board President David Chiu responded to the RCV repeal effort by proposing another alternative, that one using RCV in the November election but having a December runoff between the top two mayoral finishers.

Chiu said he was happy to delay his proposal, saying, “I have thought the system we have is working quite well.”

Black Young Democrats rally against stop and frisk

14

A group organized by the San Francisco Black Young Democrats rallied at City Hall today. Their message: no to stop and frisk.

Members of the group, as well as the ACLU and the Asian Law Caucus, said the policy would violate the civil rights of San Franciscans.

Supervisors Malia Cohen, along with Avalos, Campos, and Mar also attended the rally and expressed their support. They co-sponsored a non-binding resolution, introduced by Cohen,  that condemned the idea of implementing stop and frisk in San Francisco.

Mayor Ed Lee said he was considering implementing the controversial policy a few weeks ago.

Under a stop and frisk policy, police have the leeway to stop and search people that they consider suspicious. On average, 85 percent of those stopped in New York City are young African American and Latino men.

Opponents say racial profiling is inevitably involved and that, for people who may be carrying minor contraband but no dangerous weapons, this racial profiling leads to selective enforcement of laws. About 87 percent of those stopped in New York were completely innocent, according to numbers compiled by the New York Civil Liberties Union.

Lee said he suggested the idea after a spike of gun violence in June. But it has generated a backlash, and at today’s rally about 75 showed up to present a petition signed by more than 2,000 asking the mayor not to implement the policy.

Joaquin Torres, director of that office, accepted it on Lee’s behalf.

Lee himself didn’t engage with the protesters, but he did issue a statement not an hour after they left City Hall “clarifying his position” on stop and frisk.

“I want to be clear that I have not considered implementing a policy in San Francisco that would violate anyone’s constitutional rights or that would result in racial profiling,” the statement reads.

Ellington said the statement was not enough. “We want Mayor Ed Lee to say that he will not implement stop and frisk in San Francisco, nor any policies that are like stop and frisk. No policies that infringe upon our civil liberties,” Ellington told the Guardian.

“These are predatory policing practices that we don’t want in our city,” he said.

Herbwise radio: Catch Caitlin Donohue today on Cannabis Cuts

0

Our culture editor-cannabis columnist Caitlin Donohue interviewed Cannabis Cuts‘ Vaperonica Dee and Merry Toppins for her weekly Herbwise rant-and-rave back in June and now the on-air marijuana news duo is repaying the favor. Their smoke-filled catch-up will air live on the Mutiny Radio website today, Tue/17 at 4-6pm (the podcast will also be available for free download after airtime.)

Toppins was in the audience for last week’s “Bay Area Feminism Today” panel, which she informed us inspired some questions she’ll have for Donohue on the subject of cannabis feminism. What’s that mean? Given the popularity of portraying women in cannabis as pot-leaf-over-the-aureole airheads, it sounds like a term that needs coining. 

You’ll also be able to stream the show after air time at www.stitcher.com

Localized Appreesh: Diego’s Umbrella

1

Localized Appreesh is our weekly thank-you column to the musicians that make the Bay. To be considered, contact emilysavage@sfbg.com.

Gypsy punk, that wild pluck-pluck-pluck of flamenco guitar, that bombastic percussion and brass, it all makes for a rather frenetic if sultry affair when bands such as Gogol Bordello do it well. And in our midst, there lives a gifted bunch of musicians – pulled together to form Diego’s Umbrella – that does it well too.

If you live in the Bay Area, you likely already know San Francisco’s Diego’s Umbrella. Perhaps you caught it at Outside Lands last year? Or you’ve heard any of its three peppy previous LPs? If not, here’s a chance to bone up. If so, there’s something new for you too.

The band’s latest, Proper Cowboy – said to be a “futuristic spaghetti western album” – drops today. The dance-worthy record, created in collaboration with San Francisco producers the Rondo Brothers, employs the frenzied Eastern European-influenced flamenco guitar and fiddle, along with analog synth and “an army of tubas” to create a mesmerizing landscape of sound, with images of twirling dancers in flowing red skirts and pirates with long swords held between their teeth spinning through the cliched mind.

The band plays a totally free record release show at New Parish this week. Get to know it here first:

http://www.youtube.com/watch?v=OdXRnqyHkgA&feature=youtu.be

Year and location of origin: Tyson and Vaughn have played music together in San Francisco since 2001, but the band as people now know it has been around since 2007.

Band name origin:  From our friend Phil Burnett’s tattoo on his arm of Diego Rivera holding an umbrella.

Band motto: Let’s do this, people!

Description of sound in 10 words or less: Gypsy Rock.

Instrumentation: Vox/flamenco guitar, vox/electric guitar/percussion, electric guitar, violin/omnichord, bass, drums.

Most recent release: Proper Cowboy, released July 2012.

Best part about life as a Bay Area band: The best part about being an SF band is the passion and support from our incredible hometown fans. And we can’t imagine living anywhere else.  

Worst part about life as a Bay Area band: Trying to find parking for our van/trailer.  

First album ever purchased: In Effect Mode, by Al B Sure.

Most recent album purchased/downloaded: Fiona Apple’s latest.

Favorite local eatery and dish: I’ve recently grown quite fond of the ahi tacos at The Bell Tower, and the tea leaf salad at Mandalay is an all time favorite.

Diego’s Umbrella
With Buster Blue, Kate Cotruvo and Friends
Tues/17, 9pm, free
New Parish
579 18th St., Oakl.
(510) 444-7474
www.thenewparish.com

Noir to nerds: 8 artsy-cultural happenings you could check out this week

0

Remember the time you lived in one of the most exciting, cultured places in the world? Hold up, that’s right now. Check our picks for 8 amazing — and oftentimes free — ways to spend your nights and days this week.

Jim Nisbet: Old and Cold

Jim Nisbet’s protagonist is old, cold, and totally cool. A confusing infusion of mystery, Dexter-style serial murder, and flat-out noir creepiness, Nisbet’s Old and Cold follows the wrongdoings of a man who lives under a bridge and will do anything for a martini. All the action is enveloped within our dear city’s seven miles of dive bars, beaches, and grey sidewalk.

Wed/16, 7pm, free

City Lights Bookstore 

261 Columbus, SF

www.citylights.com 

Nerd Nite! 

What’s better than a gregarious gaggle of boozed-up nerds? Robin Marks, Nick Bouskill, and Justin Benttinen will each give three snarky-smart 30-minute lectures at the Rickshaw as a part of the monthly lecture series Nerd Nite. Covering a broad span of topics — peer-reviewed journal satire, to the nasty nuances of nitrogen, to a history of bizarre invention and innovation in San Francisco — the lecture series even offers a brief break for DJs. Drink, dance, and dig the dork.

Wed/18, 7:30-11pm, $9

Rickshaw Stop

155 Fell, SF

www.rickshawstop.com 

Pint Sized Plays 

Usually stationed in the Tenderloin’s Cafe Royale, San Francisco Theater Pub’s Pint Sized Plays is making a special performance at the Plough and the Stars. With more than 10 directors crammed into 90 minute show, variety is guaranteed: there’ll be images of love and loss from Megan Cohen’s Beeeeeeaar, Stuart Bousel and Megan Cohen’s Llama let us follow the travails and triumphs of a llama at a crossroads, and William Bivin’s Celia Sh**s makes an appearance reminding us that, well, everybody sh**s. 

Wed/18, 8pm, free

The Plough and the Stars

116 Clement, SF

sftheaterpub.wordpress.com

Renegade Craft Fair 

Your dreams of glass-blown bug figurines, artisan jewelry, and paper-mache wall hangings have been answered. The fifth annual Renegade Craft Fair makes its appearance at the Fort Mason Festival Pavilion for a day of showcasing unique, artisan products from over 250 emerging crafters. Enjoy a day of (hopefully) sunshine, food, drink, and, most importantly, art that you can actually use. 

Sat/21-Sun/22, 11am-7pm, free

Fort Mason, SF

www.renegadecraft.com

Brave New Voices International Youth Poetry Grand Slam 

America’s youth has something to say and you’re going to listen, dammit. The creativity and eloquence of these performers aged 13 to 19 are not to be taken lightly at the 15th annual BNV grand slam finals. BNV was created by Youth Speaks in 1998 to represent a forum of dialogue for a new, socially-aware, mutually respecting, and artistically-active generation of young individuals who are anything but shy. The competition and festival runs from July 17-21, with the the culminating grand slam competition offering an inspiring and hopeful alternative to your regular Saturday night. 

Sat/21 7pm, $20

Fox Theater

1807 Telegraph, Oakl.

www.youthspeaks.org

LaborFest book fair and poetry reading 

The annual LaborFest kicks off the arts portion with an all-day reading series at the Mission Cultural Center for Latino Arts. Speakers, poets, and authors like award-winning Sean Burns with his biography, Archie Green, The Making of a Working Class Hero will be present as testament to the longstanding collaboration between labor, community, and art. 

Sun/22, 10am-9pm, free

Mission Cultural Center for Latino Arts

2868 Mission, SF

www.laborfest.net

Dana Johnson and Paula Priamos

Dana Johnson and Paula Priamos paint an ironically dark picture of sunny Southern California as they read from their two books Elsewhere, CA and The Shyster’s Daughter. Johnson’s novel follows the search for self-discovery of Avery, a black girl growing up in Los Angeles who doesn’t seem to fit in to her community’s vision of ideal femininity and ideal blackness. Priamos’ book takes a memoir-turned-noir tone, remembering her own family’s actions and anxieties after the conviction of murderer Kevin Cooper for murdering an innocent family in a neighborhood not far from their very own. 

Mon/23, 7pm, free

Books, Inc.

601 Van Ness, SF

www.booksinc.net

Sketch Tuesdays

The ultimate place to see and be seen. Sketch Tuesdays brings a night of live art making and artist-to-buyer exchange to 111 Minna. This Tuesday’s artsy attendees can look forward to an all-female lineup of live artists and International Museum of Women, a full bar, music from DJ Pre-K, and current exhibition, “Shinkasen Conspiracy” by Last Gasp Publishing. 

Tue/24, 6-10pm, free

111 Minna, SF

www.sketchtuesdays.com

Appetite: Bar talent and rare bourbon barrels on 16th Street

0

Sixteenth Street between Valencia and Guerrero in SF is packed with good food and longtime dive bars. As classic cocktail dens and mixology menus are the norm rather than the exception in this town, it’s easy to forget that some of our great ‘tenders continue to serve the quality drinks we crave without fuss. On this stretch of 16th, there are two spots in particular that have a lot going for them, including cocktail talent.

As with any bar, who is tending makes a difference and these gifted few craft their own robust creations while nailing down boozy classics. Chat them up about what they’re working on lately or ask for one of these recent pleasures, including a rare, single barrel bourbon collection.


Elixir

Elixir is an SF institution, the intimate, wood-lined saloon harkening back to Barbary Coast days — a bar since 1858. Run by one of our country’s cocktail pioneers, H. Joseph Ehrmann, and talented bar manager duo Shea Shawnson and Nick DesEnfants, the cocktail menu is a mix of 1800s saloon classics, Elixir classics like H.’s Celery Cup No. 1, and rotating seasonal drinks.

Elixir is also for the whisk(e)y aficionado, with over 220 bottles behind the bar — not to mention a solid tequila selection. Now is the time go, however, for a flight ($25) or single pour ($12.50) of its four special single barrels of Four Roses bourbon, aged 8 to nearly 11 years, personally selected by H., Shea and Nick in Kentucky when visiting master distiller Jim Rutledge (selected while I was also in Kentucky judging spirits alongside H. for the American Distilling Institute awards).

The four single barrel whiskies show an impressive range and body, all at barrel strength/high proof. Part of their unique profile as a bourbon is due to the signature Four Roses style of a higher mashbill (which is essentially the grain mix used to make a whiskey or beer) of rye grain: 20%-35%. Bourbon must be corn dominant (51% or more) and no other bourbon contains as much rye as Four Roses, except for Bulleit Bourbon due to the fact that it’s distilled at Four Roses. This higher inclusion of rye grain adds the spice and character us rye devotees adore, while retaining those sweet, caramel bourbon notes.

In reference to the combination of proprietary yeast strains used to make each of these bourbons, Elixir’s barrels are labeled by yeast strain combinations: OBSK, OBSO, OESO, OBSQ. Lest all this start to sound a little geeky, just ask for the tasting sheet and see what tasting notes jump out at you (chocolate and caramel or pickle brine, wood, hay?), then choose your pour accordingly. Better yet, share the flight with someone and find your favorite the best way: side-by-side comparison. My favorites? OBSK, which was the unanimous first choice of the Elixir guys, for its orange zest and earthy chocolate notes, and the OBSQ with greater bite and salty, grassy soul. Sampling Four Roses Limited Edition 2012 Single Barrel release (aged 12 years) alongside Elixir’s one-of-a-kind four rounded out the pleasure at a bracing 111.2%, still smooth with vanilla cream and toasted almond tempered by a spice bite.

The latest cocktails at Elixir? A few so new they aren’t on the menu: Roses for a Peach uses the OBSQ single barrel bourbon, muddling fresh, juicy peaches, peach bitters and Shea’s house sage syrup. Though sweet as summer, the bourbon’s higher proof imparts body, holding up to and elevating the natural peach sweetness. Bartender Levanah Ananda created this cocktail beauty along with Sunny Side, an ebullient mix of Aviation Gin with the sage syrup, pineapple, lemon and an absinthe rinse – a large slice of lemon floats in the glass like a sunny side up egg yolk (hence the name).

I’m in love with the wet stone/slate quality of Nick and Shea’s Que Sea Rapido (make it quick!) Del Maguey Vida imparts the smoky stone notes, while just the right touch of Domaine De Canton ginger liqueur and lime rounds it out, with ancho chile powder giving it earthiness rather than heat.

Elixir is a small, often crowded bar so for those such as myself who like it mellow, preferred time is afternoon or early evening hours for a seat at the bar and time with these bartenders who keep it real… as they casually craft winning cocktails.

Dalva and The Hideout

Dalva is the main bar, a worn-but-comfortable Mission classic, thankfully untrendy, divey and to be relied upon for a beer under a screen showing classic films and lesser seen Bruce Lee movies. I typically head straight to The Hideout, a cozy, dim back bar with superior craft spirits selection. Here one or two bartenders, including the occasional guest bartender like Josh Harris of the Bon Vivants, craft classics and classically-influenced cocktails… accompanied by loud, kitschy-cool tunes (see my review from early 2011). Arriving early one night before the Hideout opens at 7pm, I’m taken care of by bartender David Curiel who tends both in Dalva and The Hideout (currently he’s at the latter Wednesday and Friday nights). Even with big name brands lining Dalva’s bar, I’m not suffering for a craft drink.

Curiel operates with a classics ethos of just a few ingredients – including vermouth and bitters – allowing boozy attitude to shine, tempered with mature restraint. A prime example is a creation he was considering naming Michael Landon (after the TV actor, who I grew up with both on Bonanza and Little House on the Prairie): rye whiskey, Italian aperitif Cocchi Americano, musky Oloroso sherry and orange bitters. This imbibement hits first with rye spice and Oloroso nuttiness, balanced by Cocchi’s bright bitterness. Another Curiel drink, Smoking Gun, goes the peaty route with Ardbeg 10yr Scotch, and if at Dalva’s bar, it’s vivid with two Italian aperitifs, Campari and Cynar, plus Angostura bitters. In The Hideout it’s local great Gran Classico and Italian amaro Ramazotti instead of Campari and Cynar. Ask what Curiel or any of the Hideout bartenders are working on or excited by lately – or give them your mood (bitter, smoky, citrus, herbaceous, etc…) and let them satisfy.

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

Callvin Trillin: Sheldon Adelson’s Free Speech

0

“Casino mogul Sheldon Adelson is on the brink of reaching $71 million in contributions thus far in this election cycle.”

–Roll Call

Yes, money is speech, so the court has decreed.

While Adelson thinks this is splendid,

The rest of us wonder, as cash calls the tune,

Is this what the Framers intended?

Calvin Trillin: Deadline Poet (The Nation, 7/23/2012)

 

Developer hires crew to block signature gathering

82

The developer of 8 Washington has taken an unusual if not unprecedented step to prevent a referendum on his waterfront condo project from succeeding: He’s hired a crew of people to surround signature-gatherers and try to drive away anyone who might sign a petition to put the project before voters.

[UPDATE: Sup. Sean Elsbernd called to let me know that this isn’t unprecedented — he says opponents of his Muni reform initiative, including bus drivers, also tried to discourage people from signing petitions. ]

The pro-condo team, whose members were paid a reported $20 an hour, were visible July 14, 15 and 16 at Fort Mason Center, at the Safeway on Church and Market, at Dolores Park, at Duboce Park and elsewhere in the city, according to accounts from signature gatherers and from Guardian staffers.

The team, usually made up of several people, typically surrounds the signature gatherer, waves signs talking about jobs and parks, and loudly seeks to disuade passers-by from signing the referendum petition.

There is, of course, nothing illegal about two sides of a political debate expressing their First Amendment rights on the sidewalk. Some of the people gathering signatures for the referendum are getting paid, too.

But I can’t think of another time when crews were hired to convince people not to sign a petition.

It’s gotten serious enough the Simon Snellgrove, the developer behind 8 Washington, was out himself. He appeared in Dolores Park after the Mime Troupe performance, where Brad Paul, a foe of the project, saw him debate with a signature gatherer who was leaving the area. He was also at Fort Mason, where, according to one account, a person gathering signatures confronted him and complained that his workers were harassing her.

“That’s their job,” Snellgrove reportedly said.

I couldn’t reach Snellgrove at his office. But Jon Golinger, the campaign manager for the stop 8 Washington effort, said the tactic was a sign of desperation. “They are worried about a public vote on this,” Golinger told me.

 

Live Shots: US Air Guitar SF Regional

2

The US Air Guitar Championships held their SF Regionals at the Independent Saturday night. As such, a sold-out crowd of air-thusiests and the competitors’ family members gathered to see who would be crowned the SF champ and be given the opportunity to participate at Nationals in Denver.

As it was the final regional stop and only a matter of time before a 2012 Air Guitar World Champion would be crowned at the end-all event in scenic Oulu, Finland, “master of airemonies” Bjorn Turoque opened the night with a performance of “The Finland Countdown” (including the timely addition of a bit of “Zou Bisou Bisou”), accompanied by 2008’s World Champion, Hot Lixx Hulahan.

Hulahan would also judge the night’s competition – along with comedian Caitlin Gill and the Mr.T Experience’s “Dr. Frank” Portman – on the basis of technical merit, stage presence, and, of course, airness.

And the competition – full of requisite punny names, terribly great outfits, and ridiculous faces – was fierce, particularly the local rivalry between former SF regional champs Alex “Awesome” Koll and Matthew “Cold Steel Renegade” Feldstein.

As the event went on, it felt as though the faux-guitarists were going to attempt almost anything to up the take their performance to 11, particularly when Texan (and Jack Black/Norman Reedus love child) Taylor “Brock McRock” Fullbright precariously wobbled on a stage speaker only inches above my head.

Overcoming out-of-town disadvantage, NYC’s Justin “Seth Leibowitz” Hypes won the night, making a strong start with a heavy metal rendition of “Call Me Maybe” before seemingly levitating over the crowd in the final round. It was an impressive night, particularly if you followed Turoque’s advice at the start: “Don’t be sober, otherwise it’s just going to look kind of stupid.”

Guest opinion: RCV is good for progressives

52

Since San Francisco began using ranked choice voting in 2004 and public financing of campaigns in 2002, the city has been a leader in the types of political reform badly needed at state and national levels. People of color today have an unprecedented degree of representation and progressives are a dominant presence in city government. Elections are being decided in November, when turnout usually is highest, and the combination of public financing and deciding races in one election minimizes the impact of independent expenditures and Super PACs .

Yet progressive stalwart Calvin Welch, whose work we have long admired, recently authored a Bay Guardian oped against RCV. His charges against RCV are as wrong today as they were when he first made them 10 years ago when he opposed RCV on the ballot. And given the horrible Supreme Court ruling known as Citizens United, which has opened the floodgates on corporate campaign spending and did not exist when San Francisco last used separate runoff elections, returning to two elections is a direct threat to the future of San Francisco progressivism. 

The most serious of his claims is that RCV favors “moderate to conservative candidates” because “left-liberals do very well in run-off elections” since “in low-turnout elections, left-liberals vote more heavily than do conservatives.” He cites the 2000 supervisorial races and 2001 city attorney race, in which “the more liberal candidate for City Attorney, Dennis Herrera” bested “Chamber of Commerce functionary Jim Lazarus.” He asserts “that’s a verifiable San Francisco political fact.”

But San Francisco State University professor Richard DeLeon, author of the acclaimed book of Left Coast City about San Francisco politics, debunked that claim with real election data in his 2002 paper, “Do December runoffs help or hurt progressives?”

He found that in the November 2001 city attorney election, for every 100 voters who turned out in progressive precincts, 107 turned out in conservative precincts. But in the December 2001 runoff, for every 100 voters who turned out in the progressive precincts, 126 turned out in the conservative precincts, an 18 percent increase. Wrote DeLeon, “This dramatic increase in the ratio of conservative to progressive voters occurred despite (or perhaps because of) the 44 percent drop in voter turnout citywide between November and December.”

He continued: “If San Francisco had used [ranked choice voting] in November, Herrera most likely would have won by an even greater margin. In November, the liberal/progressive candidates for city attorney won a combined 60 percent of the vote…In the December runoff, however, Herrera won with only 52 percent of the vote. Thus, due to the proportionally greater decline in progressive voter turnout, Herrera probably lost approximately 8 percent of his potential vote, making the election close.”

DeLeon also rebutted Welch’s citation of the supervisorial races in 2000 as ones that demonstrated a progressive advantage in low-turnout runoffs, writing:

 “Progressive success that year was NOT due solely to a one-time surge in turnout among progressive voters…Many powerful forces converged in that election, not least the anti-Willie Brown backlash, the cresting of the dot-com invasion, and the return to district elections, which forced despised incumbents to stand trial before angry neighborhood electorates.”

DeLeon concluded:  “Based on the evidence presented, I conclude that December runoffs have hurt progressive voters, candidates and causes in the past and (absent same-day runoffs) will continue to do so in the future, even under district elections.”The Bay Guardian cited Professor DeLeon’s study in March 2002 (see  and scroll down to “A is OK”), and Mr. Welch is ignoring these results today just as he did then.

Certainly progressives haven’t won 100% of RCV elections — should any political perspective? — but they have done well nonetheless, electing  Bay Guardian-endorsed candidates like John Avalos, David Campos, Eric Mar, David Chiu and Ross Mirkarimi, despite those candidates not being incumbents. Other progressive incumbents first elected before RCV elections, like Aaron Peskin, Chris Daly, and others, were re-elected under RCV. And Mirkarimi was elected citywide in the sheriff’s race. On  the flip side, progressive Eileen Hansen most certainly would have beaten moderate Bevan Dufty in a November RCV contest for D8 supervisor; instead she lost in December after finishing first in November.

What’s actually at stake here is how we define progressivism. Since we began using RCV in 2004, 8 of the eleven members of the Board of Supervisors come from communities of color, a DOUBLING from pre-RCV days. At the citywide level, all seven officials elected by RCV come from communities of color. So out of the 18 elected officials in San Francisco, a whopping 15 out of 18 come from communities of color, the highest percentage for a major city in the United States.

The proposed repeal amendment would launch low-turnout September elections in San Francisco. In fact, the December 2001 city attorney race in which Welch cites as exemplary had a turnout of 15 percent of registered voters, the lowest in San Francisco’s history. New York City’s last September mayoral primary had a turnout of 11.4 percent. In Charlotte NC (population 750,000, similar to San Francisco) its last mayoral primary had a turnout of only 4.3 percent. Cincinnati had a September turnout of 15 percent, and Boston and Baltimore had September mayoral primaries with turnout in the low 20s. Many cities in Minnesota have September primaries with extremely low turnout; the two largest cities, Minneapolis and St. Paul, have switched to RCV largely to eliminate September primaries.

Research has demonstrated that voters in low turnout elections are disproportionately more conservative, whiter, older, and more affluent; those who don’t participate are people of color, young people, poor people — and progressives. So having a mayoral race in a low turnout September election has real consequences not only on voter turnout but on the demographics of the electorate.

While we share the priorities of Welch’s progressive economics, we believe progressivism must be more inclusive, especially if it wants to enjoy the support of these burgeoning demographics. While disappointed by the lack of progressive achievements of President Barack Obama, we still view the election of the first African American as president as a major progressive achievement.

Finally, we would assert that the ranked ballots used in RCV have been important for San Francisco democracy. Just look at the recent “top two” primary on June 5, and you can see the defects of the methods proposed to replace RCV. In many races across the state – including in the Marin County congressional race where progressive Democrat Norman Solomon lost by 0.2 percent — too many spoiler candidates split the field and candidates got into the top two with extremely low vote percentages, some as low as 15 percent of the vote. In one race where there was a Latino majority and a solid Democratic district, the Democrats ran so many candidates that the Democratic vote split and two white Republicans made the runoff with low vote percentages.

San Francisco risks such elections if we get rid of RCV. Think of the last mayoral election, and the choice for Asian voters if we used single-shot plurality voting instead of RCV. Which Asian candidate would they vote for with their single-shot vote — Lee, Chiu, Yee, Ting, Adachi? What kind of vote split might have occurred? And to avoid that, what kind of backroom dealing would have occurred BEFORE the election to keep that many candidates out of the race to prevent that vote-splitting?  We saw such vote splitting in the 2003 mayoral election as well, with various progressive candidates running and splitting the progressive vote. Going back to plurality elections would be damaging for constituencies that often run multiple candidates, such as the Asian and progressive communities.

RCV has been good for San Francisco, and we should keep it. For those who would like to see a runoff in mayoral races, Board president David Chiu has proposed a compromise that, while increasing the costs of running for mayor, is far better than the repeal measure for September elections. Chiu’s proposal would keep RCV to elect the mayor, but with a December runoff if no mayoral candidate won a majority of first rankings in November. The 2011 mayoral election would have gone to a runoff, with John Avalos as Ed Lee’s opponent.

San Francisco progressives should embrace a view of progressivism that is inclusive, promotes higher turnout and is based on a politics that is looking forward instead of backward to some golden age that never existed. Ranked choice voting and public financing are two parts of the puzzle for ensuring a vibrant progressivism.

Steven Hill led the campaign for ranked choice voting in San Francisco, and Matt Gonzalez was President of the Board of Supervisors and legislative author of the RCV charter amendment. See www.SFBetterElections.org for more information

 

 

Heads Up: 7 must-see concerts this week

0

Use a selection of mixtapes as a base crust, add a pinch of sweet Young Magic, some crunchy Grass Widow(s), extract of Phono Del Sol and warm Summer Soul, along with a creamy dollop of pastoral My Best Fiend. What have you got? The week in San Francisco sound pie. Stick a fork in it.

Unfortunately, that recipe was supposed to include two spicy shakes of the flamenco passion of Charo, but she had to cancel her Yoshi’s shows this week due to illness. Here’s wishing her a speedy recovery. Check out this sexy video to see what we’ll be missing. Heartbreaking, really.

But don’t let it bring you down. Here are your must-see Bay Area concerts this week/end:

Young Magic
Last time Australian electronic-psych trio Young Magic swung through town, then opening for Youth Lagoon, we declared them a band to watch. Here’s your chance, don’t blow it.
With Quilt, Shock
Tue/17, 8pm, $10-$12
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com
http://www.youtube.com/watch?v=2ydYhTG4LbI

Churches
Local power-pop trio Churches (with members of Rogue Wave, Port O’Brien, and Grand Lake) channels reflections of the past, those rough, alienating, fresh hell years of high school in the loud grunge angst of the ’90s.
With Waters, Tijuana Panthers, Chasms
Wed/18, 9pm, $10-$12
Brick and Mortar Music Hall
1710 Mission, SF
(415) 800-8782
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=Dztzf2Z8Nw8

Mixology, Mixtapes and Remixes
More of an event than a straight-forward show, Mixology, Mixtapes, and Remixes does still have a rough sonic edge: music swapping, DJs, live music. The San Francisco Mixtape Society (recently profiled in SFBG) is hosting a swap, so bring a mixtape, CD, or USB stick inspired by the creepy/sensual theme of “night creatures.” There’ll be DJ remixing by Friendzone, Yalls, and Giraffage; along with performances by ethereal Heathered Pearls and Gorillaz co-founder Dan the Automator.
With Push the Feeling (epicsauce DJs and YR SKULL) 
Thu/19, 6pm, $10-$12
California Academy of Sciences
55 Music Concourse, SF
(415) 379-8000
calacademy.org
http://www.youtube.com/watch?v=rKw58G4APDc

Grass Widow
Its been called out here before as an absolute must-see, apologies. However this is the official album release party, so…go, celebrate Internal Logic with this harmonizing local post-punk trio. And read our interview with the band in this week’s issue.
With American Splits, Wax Idols, the Worlds Longest Guitar Solo with Breaks
Fri/20, 9pm, $10–$12
Rickshaw Stop
155 Fell, SF
www.rickshawstop.com
http://www.youtube.com/watch?v=meCV2sfThYA

Summer Soul Friday Night
San Francisco has a way of letting us float through a teenage Shangri-La, well into adulthood. Summer Soul Friday Night, hosted by the Bold Italic and Dusty Stax, sounds as though it will vibe like the Enchantment Under the Sea meets Motormouth Maybelle’s record store. There’ll be sharp-dressed young men in ties and ladies in skirts or dresses (as required) swaying to the soulful punch of the Gold Star Band, lead by Quinn DeVeaux and featuring guest star crooners Carletta Sue Kay, Paula Frazer, Tahlia Harbour of Sonny and the Sunsets, and Freddie Hughes, among others. Also included: Dick and Sama of Rooky Ricardo’s spinning vinyl, and a summer cocktail by Templeton Rye.
Fri/20, 8pm, $30
Verdi Club
2424 Mariposa, SF
summersoulfridaynight.eventbrite.com
http://www.youtube.com/watch?v=sRHgav4AoCc

Phono Del Sol Music and Food Festival
Phono Del Sol returns this weekend, and the price is still right:  just $7 to $10 max (unless you go VIP) for the pleasure of chilling in the grass with pals while rollicking locals Fresh & Onlys, sincere globe-trotters Unknown Mortal Orchestra, and Santa Barbara synth-and-flute freaks Gardens & Villa fill the park with sweet music. Produced by the Bay Bridged blog, this year’s curated lineup also includes Vivian Girl Katy Goodman’s shimmery solo effort La Sera, along with Northern California bred acts such as Dominant Legs, Sea of Bees, and Mwahaha.
Noon-6pm. $7–$10.
Potrero Del Sol Park
25th Street at Utah, SF
www.phonodelsol.com
http://www.youtube.com/watch?v=GaUDCpTxmj4

My Best Fiend
“My Best Fiend cranks out pastoral ballads of human frailty that mutate slyly into psychedelic, space-bound epics. The Brooklyn outfit’s debut full-length, In Ghostlike Fading, emanates a distinctly ’70s vibe, recalling the heady propulsion of Pink Floyd’s looser, slower jams; the stoned disillusionment of David Crosby’s If I Could Only Remember My Name; the sun-drenched melancholy of Neil Young’s Harvest.”  — Taylor Kaplan
With White Cloud
Sat/21, 9pm, $10
Brick & Mortar
1710 Mission, SF
(415) 800-8782
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=7P61iJ_I4i8

Gonzalez withdraws his endorsement of Olague

57

Matt Gonzalez – the attorney and former president of the Board of Supervisors whose 2003 run for mayor galvanized the city’s progressive movement – has withdrawn his endorsement of Sup. Christina Olague for his old District 5 supervisorial seat, citing her positions on the 8 Washington project and replacing ranked-choice (RCV) voting with a September mayoral primary election.

It is perhaps the biggest political blow that Olague has suffered since being appointed to her first elective office by Mayor Ed Lee in January, and a sign that she may be siding more solidly with Lee and his pro-development allies than with the progressive political community she has long identified with – and that could complicate her race in one of the city’s most progressive districts.

Gonzalez, who helped launch Olague’s political career by appointing her to the Planning Commission in 2004, confirmed his decision and the reasons for it, but he told the Guardian that he didn’t want to make a formal public statement yet. That could come later in the week, possibly coupled with a new endorsement in the race.

But he did say that he’s been frustrated with Olague’s actions on both 8 Washington – a housing project for the super-rich on the Embarcadero – and with her recent antics on RCV. In both cases, it wasn’t just the votes, but the way they were made that have raised doubts about Olague with Gonzalez and other progressives.

Olague and Sup. Jane Kim (another former Gonzalez protege who has disappointed many of her one-time progressive supporters on several high-profile issues) not only voted for the 8 Washington project, but also for a series of amendments that made the already lucrative project even more profitable for the developers and costly to the city.

On RCV, as I reported on Friday, Olague surprised progressives by giving new life to efforts by the most conservative supervisors to repeal the system, then has made a shifting series of statements and pledges on the issue, in the end supporting a system that will repeal RCV only for the mayor and create a September election.

The fear is that election would be extremely low turnout, and Lee could win it outright with at least 65 percent of the vote and avoid the normal November election, and Olague has been unwilling to fully explain her position or address concerns that she is simply doing Lee’s bidding. Olague hasn’t returned our calls on that issue or for her reaction to Gonzalez’s decision to withdraw his endorsement.

SF bragging rights (and ass) galore in Double Duchess’ brand-new “Bucket Betch”

0

Blatant disregard for traffic safety be damned (really, the bike-riding sparklers past the Castro Theatre shot is magick), the new Double Duchess video for “Bucket Betch” looks like something I’d show to my friends who don’t live in San Francisco to make them jealous. See, New Orleans and Brooklyn aren’t the only place with queer hip-hop anthems right now. See, it is possible to dance in those shoes. See 2:55 for an expert glitter vogue move. Try to count how many flagging club kids you can spot in this tour of ass-cheek-exposed SF summer. You can catch the duo performing with drag-wreck Christeene at Peaches Christ‘s new quarterly party Church on Aug. 10 at Public Works.

Morning Muni shutdown commemorates death of Kenneth Harding, Jr.

34

More than 50 protesters disrupted Muni service for about an hour this morning before peacefully leaving to march down Market, in commemoration of the death of Kenneth Harding, Jr., on July 16, 2011.

After gathering at 14th and Market, the group marched to the intersection of Duboce and Church, where Muni trains headed outbound exit the tunnel. Soon, at least four outbound trains and two inbound trains were backed up.

Buses replaced their service.

Some passengers were angered, while most took literature from protesters on their way to catch another train. A few joined in the picket line. Drivers, meanwhile, were mostly nonchalant. “I’m just enjoying the show,” said one driver.

“They shoot us down, we shut it down,” protesters chanted. They also mentioned the names of Raheim Brown Jr., Derrick Gaines, Oscar Grant, and other young African American Bay Area men killed by police.

As a police line closed in, one protester shouted at cops, “you are all complicit!” The group left the intersection around 7:30 without much confrontation with police.

Denika Chatman, Harding’s mother, has been organizing a movement demanding that the police who shot him be charged with murder since his death.

Harding, 19, was stopped by police last year as part of a ticket check while exiting the T train at third and Palou. He ran, and police shot at him. He fell and bled for about thirty minutes, while police surrounded him, before he was taken to a hospital.

Police say Harding pulled a gun out as he ran and shot at them, and that the fatal bullet in his neck was his own. They say that, since the bullet that killed him was from a .380-caliber handgun and police carry .40 caliber guns, Harding shot himself. No gun was found on Harding, but police acquired a gun a week after the shooting that they believe Harding used.

Police have pointed to a video which they say shows a man picking up the gun at the scene, while Harding’s family members and supporters say the object is a cell phone.

By no accounts did police know Harding’s identity before shooting.

Officers Richard Hastings and Matthew Lopez have recieved medals of valor for their handling of the incident.

Dorian Maxwell, a whistleblower former Muni driver who refused to operate his bus and made noise about unsafe conditions on Muni, attended the protest as well. He said Labor Black and Brown, one of the organizations who planned the protest, supported him after he risked his job.

“Your life is in danger if you’re riding the Muni,” Maxwell told the crowd, pointing out what he identified as partially flat tires on a nearby 22 Fillmore.

“We wanted to combine the brutality of the police with the workers getting victimized,” said protest organizer Charles Du Bois.

Chatman has also connected her demonstrations to the movement for free Muni tickets for youth.

“I wanted to organize a Muni shutdown, and it just started growing from there,” Chatman said. It was in honor of Kenny, and to unite the community as well. Because a lot of them witness these horrible murders and I wanted to do something to give back to a community that has supported me since this happened.”

After marching down Market stopping traffic every few blocks, the group ended with a speak-out in front of SFMTA headquarters. There were no arrests. A vigil is planned for 5pm at Third and Palou, in Mendell Plaza, the spot when Harding died. Supporters call the plaza Kenny’s Plaza in Harding’s honor.

High summer: Shots from Quincy and the High Sierra Music Festival

0

Ever wonder what it’s like to be a festival photographer? Allen David has been going to camping festivals in California for decades. He sent us over action shots from the July 5-8 High Sierra Music Festival, and wrote up his bird’s eye view of the Quincy, Calif. happenings — including his assessment of Hasidic reggae-rapper Matisyahu’s child-rearing skills

Last week, I packed up my vintage Beemer with all my camping needs; beers and crazy clothes. My trusty camera and I were headed up to High Sierra Music Festival in Quincy. 

My drive took me up State Route 70 along the Feather River, one of my favorite places to cruise in California. Whenever you feel too hot, there is always a spot to pull over and cool off in the churning river. At sunset I reached the will call booth and waited in line with other festival revelers to earn my entry into a weekend filled with music, dancing, drinking, and debauchery.

My first mission after gaining entry was to meet up with Matisyahu for a brief interview. I was running late. Finally backstage, I found his publicist, who told me that Matisyahu was wandering around the festival with his two young boys. He said to stick around for a while, and Matisyahu would eventually show up. I waited with my friend Rachel for about a half-hour, ’til we were really starting to crave beers. But as we were leaving the bandstand we saw a very tall, clean-cut young man walking towards us with two young boys holding his hands. I asked him if he was Matisyahu. He was.

Maybe it was because his kids were running around our feet, but our conversation revolved around fatherhood. He’s quite a dad. The way he encouraged his young sons seemed to empower them — the eldest sang us a song while sitting on dad’s lap. Half way through, Matisyahu began to back his son up with some of the greatest beatboxing I’ve heard.

After our chat, my friend Rachel and I found the rest of our friends from the Samba Stilt Circus camped in a barn, which had a slight smell of pigs and horses. After some thorough investigation we found a stall that didn’t smell too bad, and made it our weekend home.

My favorite act of the whole week was a band I never had heard of before. I was spending time at shower camp (the camp that operates free showers for all fest-goers) with one of my best buds, Turner. Off in the distance I heard what sounded like the theme song from the classic TV show Nightrider, only with a Bollywood feel. I was drawn to the music like a rat to the Pied Piper. 

When we finally found the stage in question, I was delighted to find that a tuba was being used to replace the electric bass in the band, Red Baraat. The group’s horn section, awesome grooves, and stunning good looks kept me shaking for two hours. At one point I checked out the rest of the crowd, only to find one of my other favorite acts from the festival were dancing along with me, March Fourth Marching Band.

As night progressed, and people preceded into the altered dimensions that booze — and possibly other things? — give you access to, people seemed to wake up and look for their next destinations. Many people went into the late night venues, yet as I am on a restricted photographer’s budget, I found the $30 extra to be a little much for me. I found friends and wandered around the festival enjoying the company of strangers that were on the same page as me.

Monday came, and I had to focus on the sad task of packing up camp. Yet once the Beemer was packed up and we were on the road, the Feather River greeted us with another great swimming hole, washing another great weekend into the past.

Like an Eric Andre in a china shop

4

What’s to be anticipated when Adult Swim’s most degenerate program hits the road? On Monday night, a sold-out crowd filled the Rickshaw Stop, ready for just about anything short of a Mitt Romney endorsement.

A love letter to the Reddit-surfing, bong-ripping, Flying Lotus-bumping demographic, The Eric Andre Show stampedes through its weekly, 15-minute time-slot with reckless abandon and utter perversity, hanging onto its “talk-show” descriptor by a single Funyun. If Pete & Pete, Hype Williams, and Gary Busey invested in a sleazy public-access channel, transmitted from the bowels of Suave Ben’s house in Blue Velvet, The Eric Andre Show would be its flagship broadcast.


MF Doom’s Special Herbs played over the soundsystem as the doors opened, aptly reflecting the intoxicated, Bohemian crowd shuffling in. The show kicked off with three stand-up routines, starting with co-host and Andre-sidekick Hannibal Buress, followed by local comics Stroy Moyd and Chris Garcia.

Buress was by far the funniest, transitioning from scrambled eggs to Eddie Griffin without the slightest thread of contrivance. Moyd’s set, while mostly successful, was hindered by a sense of forced confrontation, while Garcia uncannily recalled every schtick-dependent, guitar-equipped comedian you’ve ever seen on Comedy Central at 1am.

After a short break, Andre stormed the stage impolitely and unapologetically, ketchup and mustard bottles in hand, dousing the feverish crowd in red and yellow corn-syrup sludge, with GWAR-like contempt for social etiquette. After plopping down behind his big-kahuna desk, Andre invited Buress on stage, trading quips like Letterman and Paul Shaffer all fucked up on Ween’s Scotchgard.

Despite its chaotic pretense, the show barreled forward with an astute sense of rhythm and timing, flipping between stand-up bits, video clips, live music from the delightfully inept house band, and fake celebrity appearances, in a fast-paced spectacle, tailor-made for the goldfish-like attention spans of Adult Swim’s viewership.

The audience was treated to guest appearances from Tatyana Ali (Will Smith’s little cousin from Fresh Prince, remember?) and a very fake Russell Brand. Counterfeit TV commercials were shown, the most memorable of which involved Andre, dressed as Ronald McDonald, slamming whiskey and sobbing uncontrollably. In the most gut-bustingly hilarious moment of the night, a clown of the childrens’-parties variety took the stage, fashioning balloon animals with Seal’s “Kiss From a Rose” playing seductively in the background.

After the unrestrained, brain-frying energy of Andre’s set, acclaimed Oakland hip-hop duo Main Attrakionz cooled things down beautifully with their balance between rugged, hard-boiled lyricism and luminous, electronic soundscapes. Taking the stage with great authority, Squadda B and Mondre delivered a steadily compelling set that, at a short-and-sweet 30 minutes, never overstayed its welcome.

Sauntering back onto Fell Street, with mustard-caked belongings, the audience was visibly gratified, and for good reason. Given the scarcity of live events that merge stand-up comedy, live hip-hop, and whatever the hell Eric Andre does, Monday night’s show was as satisfyingly complete as it was totally unpredictable.

Guardian Voices: The case against RCV

88

“The Cure for the Ills of Democracy is More Democracy”
                                 — old Progressive Party slogan

My friends here at the Guardian have elevated support for ranked choice voting to a defining requirement for being considered a progressive. This is not only historically incorrect,  it is actually politically silly. There are many progressive reasons to oppose RCV — not the least of which is the undeniable fact that it overwhelmingly favors incumbents, has failed to deliver on the 2002 ballot promises, and now poses real threats to progressive political advancement in key supervisor districts. 

First, a little history. 

The two greatest national political victorys  of the Progressive Era were the 1913 adoption of the 17th Amendment of the US Constitution, which required direct elections of US Senators, and, at the tail end of the era,  the 1920 passage of the 19th Amendment, which gave women the right to vote. Both expanded people power in elections, curing the ills of democracy by more democracy.

Historically, to be a Progressive is to favor MORE elections, MORE political opportunities for more people at the local level.  How can it be that it is now progressive to favor FEWER elections at the local level?

In the March, 2002 Voters Handbook, ballot arguments against RCV were authored by several progressive activists (Sue Bierman, Jane Morrison, David Looman, Larry Griffin, David Spiro and me, to name a few). We argued then that replacing local elections with a mathematical formula that few understand and even fewer could explain was political foolishness. While were outvoted, I think we were right a decade ago.

Left-liberals do very well in run-off elections in San Francisco — from 1975, when Moscone beat Bargbagalata in a December run-off, to the run-off victory of the more liberal candidate for City Attorney, Dennis Herrera, over Chamber of Commerce functionary Jim Lazarus in 2001. The reason is that in low-turnout elections, left-liberals vote more heavily that do conservatives, and that’s a verifiable San Francisco political fact.

But it was the 2000  supervisors races that showed just how well left-liberal forces did in run-off elections at the district level: Jake McGoldrick, Aaron Peskin, Matt Gonzales, Chris Daly, Sophie Maxwell, and Gerardo Sandoval, the very heart of the progressive majority, were elected in December run-off elections.

In 2002, three arguments were made for RCV: first, that it would reduce negative campaigning; second, that it would increase turnout in local elections and third, it would reduce costs by eliminating the run off election. Of the three  arguments only the last has been met, a dubious achievement in that even more such savings could be made by eliminating ALL elections.

Can anyone actually claim that last year’s mayoral election, the first contested one conducted under RCV, was anything but a negative free-for-all? Or, how about the 2010 D6 race between Debra Walker and Jane Kim, or the D8 race between Mandelman and Weiner? Or the 2002 D4 Ron Dudum – Ed Jew race? RCV did not end negative campaigns.

How about turnout?  Last year’s mayoral race had the lowest turnout in a contested race for mayor in the modern history of San Francisco. Every supervisorial race in 2008 had a lower turnout than  the citywide average. Turnout in 2010 was below citywide levels in the RCV supervisor races in D4, D6 and D10.

No, the record is clear RCV has not resulted in higher turnout, either.

RCV creates a political system in which candidates make deals with other candidates, behind closed doors, before the voters vote.  Runoff elections result in a system in which voters make deals with candidates AFTER they vote in the polling booth. What’s wrong with giving voters two choices in two elections instead of three choices in one election? Oh, that’s right, we save money by giving voters fewer elections.

Left-liberals tend to field fewer candidates for races than do moderates and conservatives because, especially in San Francisco, left-liberals simply don’t know how to raise political money, while moderates and conservatives do. RCV elections reward multiple candidates of the same political persuasion as these candidate can agree to appeal to their similar voters to vote for them as a block.  Thus, RCV will always favor, in an open contest in which there is no incumbent, moderate to conservative candidates because there are  usually more of them running.

That’s what happened to Avalos in last years mayoral election: he picked up nothing as the moderate candidates’ second and third votes went to the moderate Lee. The same happened in D10 two years ago: moderates voted for multiple moderate candidates and the only real left-liberal in the race did not pick up any of these votes and lost — although he outpolled the eventual, moderate winner.

RCV favors incumbents, and that’s why at least two of the Class of 2000 progressive supervisors told me they voted for it. Lets see how well it works to defeat Sup. Scott Wiener, who is far to the right of the average voter in D8, or Supervisor Malia Cohen in D10 who was supported by less than 30 percent of the election day vote.

What seems to be going on here is an incredibly silly political association game.  Because repealing RCV is supported by conservative supervisors and the Chamber of Commerce we should be opposed since they are for it. Haven’t we seen this year conservative Republicans make one self defeating political move after another?  When your enemy is threatening to shoot himself in the heard why are we trying to pull the gun away? It time to pull the trigger on RCV.

Step away from the desk and dance

2

What’s your idea of a productive lunch break? Mine involves returning a failed online shopping purchase to FedEx with just enough time to grab a sandwich to shove into my face back at my desk. 

DJ Matt Haze, of the Slayers Club collective, hates this. “A lot of my friends work in the tech industry or in finance,” he explains. “Even though they’re eating a nice gourmet lunch, they’re eating it at their desks. They’re not taking a moment to breathe or take their eyes off the monitor… I want to provide an outlet for people during the day.”

That outlet is RECESS, a new monthly (for now) midday party Haze is organizing with Sunset Promotions. The goal: to get as many young, San Francisco office workers to take full advantage of that magical allotted free hour during their day by getting sweaty with like-minded PYTs on the dance floor.

The daytime lunch party idea isn’t entirely new. The Swedes have been doing it with wild success since 2010, under the name Lunch Beat, but Matt is quick to point out that his idea for RECESS came independently. He first shared the idea of a lunchtime party with friend and Scoutmob Community Manager Lauryn McCarthy.

She was the one who told him about the Lunch Beat phenomenon, which he credits for motivating him to make RECESS a reality. “I was spurred into action,” he says, “knowing that someone else had a similar idea and was making it work in Europe. I thought if any city in the US should have a lunchtime dance party, surely it’s San Francisco.”

Surely indeed. On Wednesday, my coworker and I headed to the RECESS launch party (NOTE: future installments will be dubbed bEATs for Lunch out of respect to an already-existing Oakland Recess party that was just brought to the organizers’ attention).

That kickoff event was held at Monarch, a club at the lively intersection of Sixth and Mission Streets.

We passed a small crowd standing on the side of the Monarch building, eating sandwiches in the sunshine (RECESS provided free, vegetarian sandwiches from Ike’s to the crowd, but we were too late to snag a bite — alas, they looked pretty good).

With our IDs checked, we headed into the small bar and lounge area. Less than 10 people were scattered around the bar and a few couches, chatting and eating. House music bumped from the basement. I wondered if the dance floor was experiencing the same sparse attendance.

We ventured toward the music, passing two sweaty girls who were laughing and fanning their faces on their way up. I was shocked when we hit the basement.

Here was the party. Not the daytime awkward-fest I’d been imaging. It was a party-party with club lighting and projectors splashing trippy footage of abstract art and bare boobs and squiggly lines across the walls. Haze was dancing behind his turntables, spinning an electrifying set of house music mixed with the likes of Depeche Mode and eclectic world music.

And because everyone was coming from work, they were dressed casually. No guys in shiny button-down shirts or girls with torture-devices strapped to their feet.

The vibe was fun, inclusive, and warm. Maybe because we were all doing something a bit out of the norm, everyone was smiling and jumping, laughing and making real eye contact with each other. It was a genuinely positive atmosphere without dreaded pretension.

My coworker and I stayed for 45 minutes. We pounded a drink at the bar — this is another way the SF event differs from the strictly non-alcohol-offering Lunch Beat — and danced with abandon. People began trickling out around 1:45pm.

Back at the office, I was noticeably less tense and in a fantastic mood. It’s hard to pinpoint why RECESS feels so exciting and illicit. Yes, you’re sneaking off to a club in the middle of the workday, but it’s your lunch break. No broken rules there. Still, there’s a rush that comes with using that time to do something just for you.

The next bEATs for Lunch (formerly RECESS) will take place Aug. 8 at Monarch.

Olague’s antics on RCV alarm her progressive supporters

61

As Sup. Christina Olague was being appointed to the District 5 seat on the Board of Supervisors by Mayor Ed Lee in January, we noted how difficult it might be to balance loyalty to the moderate mayor with her history as a progressive and someone running for office in one of the city’s most progressive districts.

By most indications, Olague doesn’t seem to be handling that balancing act — or the pressure that goes along with it — very well at all, to the increasing frustration of her longtime political allies. And that’s never been more clear than on the issue of repealing the city’s ranked choice voting (RCV) system.

As you may recall, earlier this year the board narrowly rejected an effort by its five most conservative, pro-downtown supervisors to place a measure repealing RCV on the June ballot. So chief sponsor Sup. Mark Farrell tried again in March with a ballot measure for November, this time just for citywide offices, and Olague surprised progressives by immediately co-sponsoring the measure, giving it the sixth vote it needed.

Since then, she’s offered shifting and evasive explanations for her actions, telling RCV supporters that she would withdraw her support then going back on her word. Sources close to Olague say that she’s been taking her marching orders on the issue directly from the Mayor’s Office, even as she tries to appease her progressive supporters.

Even trying to get a straight answer out of her is difficult. Two weeks ago, as the Farrell measure was coming to the board for a vote, I called her on her cell phone to ask whether she still supported the measure, and she angrily complained about why people care about this issue and said “you’re going to write what you want anyway” before abruptly hanging up on me.

I left her a message noting that it was her support for repealing RCV that had raised the issue again, that I was merely trying to find where she now stood, and that we expect accountability from elected officials. She called back an hour later to say she was still deciding and she denied hanging up on me, claiming that she had just run into someone that she needed to talk to.

At that week’s board meeting, she offered an amended version of Farrell’s proposal – which would replace RCV with a primary election in September and runoff in November for citywide offices – repealing RCV only for the mayor’s race. She has not directly addressed the question of why she supports a September election, which is expected to have even lower voter turnout than the old December runoff elections that RCV replaced.

So RCV supporters worked with Board President David Chiu to fashion an third option, this one maintaining the ranked-choice election for all offices in November, but having a December runoff between the top two mayoral finishers.

Going into this week’s board meeting on the issue, nobody was quite sure where Olague stood on that proposal or the overall issue, again because she’s been making different statements to different constituencies. And as the issue came up and various supervisors stated their positions, Olague stayed silent, as she has remained since then, refusing to return our calls or messages on the issue.

But because of technical changes to the three measures requested by the City Attorney’s Office – which Farrell made to Olague’s option, which he said he would support if his is defeated – consideration was delayed by a week to this coming Tuesday.

RCV supporters and Olague’s progressive allies didn’t want to speak on the record given that she is still the swing vote on the issue, but privately they’re fuming about Olague’s squirrely temperament, lack of integrity, and how she’s handling this issue (as well as her bad votes on the 8 Washington high-end housing project and her role in the Lee perjury scandal).

But rival supervisorial candidates like Julian Davis – who came to the hearing at City Hall Tuesday and proclaimed his unqualified support for RCV – are less reticent.

“Silence or avoidance are not acceptable, so we’re calling for her to explain why a low-turnout, plurality election in September is good for San Francisco. Help us understand,” he said, noting that such a election especially hurts minority groups and other progressive constituencies that don’t vote as reliably as conservatives. “Why should Christina Olague have anything to do with it? You and the rest of San Francisco deserve an answer.”

Meanwhile, Davis recently won the endorsement of local Democratic Party Chair Aaron Peskin, while fellow progressive candidate John Rizzo announced his endorsement by Assembly member Tom Ammiano. And there are rumors that some prominent progressives who have already endorsed Olague are considering withdrawing their endorsements because of her recent behavior.

All of which make for some interesting dramas going into Tuesday’s RCV vote.

Batman approacheth…but what to see THIS weekend?

0

You already have your tickets for The Dark Knight Rises (opens July 20) — if not, you might want to get on that — but there’s an entire week between then and now. Parental types are already locked into Ice Age: Continental Drift, which, in addition to Ray Romano and company, features teenage mammoths voiced by Nicki Minaj and Drake and a baboon pirate captain voiced by Peter Dinklage. So there’s that. Cineastes won’t want to miss the San Francisco Silent Film Festival (check out Dennis Harvey’s tribute to featured filmmaker William Beaudine here).

The best of the rest includes an eye-opening doc about teen athletes being groomed for MLB in the Dominican Republic; a doc about a rebellious Tibetan Buddhist; a lush Marie Antoinette drama; a family drama set against the backdrop of a kite festival in India; and an Australian import about a dog whose scruffy brio united a hardscrabble community. Which one made me sob like a tween Belieber? Hint: its star has four legs and very pointy ears.

Ballplayer: Pelotero With upbeat music, slick editing, and narration by John Leguizamo, Ballplayer: Pelotero is an entertaining, enlightening investigation into exactly why the Dominican Republic produces so many baseball stars. Comparisons to acclaimed sports doc Hoop Dreams (1994) are apt, as filmmakers Ross Finkel, Trevor Martin, and Jonathan Paley travel to the DR to follow a pair of teenage baseball players dreaming of big-league stardom (and big-league paychecks). But the Hoop Dreams kids weren’t being confronted by the shady, sinister, bottom-line-obsessed recruiters working for Major League Baseball, which maintains a pee-wee farm system of sorts in the country to train young prospects — the best of whom are snapped up at the magic age of 16 for bargain-basement (relatively speaking) prices. And in this environment, questions about numbers reign supreme: how much with each kid be signed for? And, more intriguingly, is either kid lying about his true age? (1:12) SF Film Society Cinema. (Cheryl Eddy)

Crazy Wisdom Not exactly your average Buddhist leader, Chogyam Trungpa was one part monk to two parts rock star. Recognized as a reincarnated master while still an infant, he left Tibet behind to flee Chinese government forces in 1960, eventually landing in the UK, where he founded its first Buddhist center. A decade later he’d move to the US, founding its first Buddhist university. Amidst all that achievement and enlightenment-spreading, however, he also found time to marry a 16-year-old upper-class Brit, have myriad affairs with students, partially paralyze himself driving a car into a shop front, frequently get drunk in public, and so forth — even though, incongruously, he frowned upon marijuana (and rock music). All this made sense in a tradition of Tibetan Buddhist “crazy wisdom” — or so his supporters would (and still) claim in his defense. Having left this life at age 48, his body exhausted by decades of hedonistic excess, he still has a powerful hold over diverse, multi-faith followers and acquaintances who recall his extraordinary spiritual-personal magnetism. Johanna Demetrakas’ entertaining documentary gathers up testimony from a gamut of them, including Ram Dass, Allen Ginsberg, Robert Thurman, and Anne Waldman. (1:26) Roxie. (Dennis Harvey)

http://www.youtube.com/watch?v=Hu95AAbj7bE

Farewell, My Queen (Benoît Jacquot, France, 2012) Opening early on the morning of July 14, 1789, Farewell, My Queen depicts four days at the Palace of Versailles on the eve of the French Revolution, as witnessed by a young woman named Sidonie Laborde (Léa Seydoux) who serves as reader to Marie Antoinette (Diane Kruger). Sidonie displays a singular and romantic devotion to the queen, while the latter’s loyalties are split between a heedless amour propre and her grand passion for the Duchess de Polignac (Virginie Ledoyen). These domestic matters and other regal whims loom large in the tiny galaxy of the queen’s retinue, so that while elsewhere in the palace, in shadowy, candle-lit corridors, courtiers and their servants mingle to exchange news, rumor, panicky theories, and evacuation plans, in the queen’s quarters the task of embroidering a dahlia for a projected gown at times overshadows the storming of the Bastille and the much larger catastrophe on the horizon. (1:39) (Lynn Rapoport)

http://www.youtube.com/watch?v=E8dH2BEj5Os

Patang (The Kite) Loving memories tethered to a place (Ahmedabad, India), moment (the city’s kite festival, the largest of its kind in the country), and season (according to the Hindu calendar, the event coincides with the day that wind direction shifts) beautifully suffuse this first feature film by director and co-writer Prashant Bhargava. Certainly Patang (The Kite) is the story of a family: Delhi businessman Jayesh (Mukund Shukla) has returned with his freewheeling, movie-camera-toting daughter Priya (Sugandha Garg) to his majestically ramshackle family home, where he supports his mother, sister-in-law (Seema Biswas of 1994’s Bandit Queen), and nephew Chakku (Nawazuddin Siddiqui). He’s come to indulge his childhood love of kite flying and to introduce Priya to Ahmedabad’s old-world sights and ways. Entangled among the strands of story are past resentments —harbored by Chakku against his paternalistic uncle — and new hopes, particularly in the form of a budding romance between Priya and Bobby (Aakash Maherya), the son of the kite shop owner. Above all — and as much a presence as any other — is the city, with its fleeting pleasures and memorable faces, captured with vérité verve and sensuous lyricism on small HD cameras by Bhargava and director of photography Shanker Raman. Their imagery imprints on a viewer like an early memory, darting to mind like those many bright kites dancing buoyantly in the city sky. (1:32) (Kimberly Chun)

Red Dog Already a monster hit in Australia, provenance of the Babe movies, this animal-centric charmer comes to the Bay Area as part of the Windrider Bay Area Film Forum in Atherton. It’s based on Louis de Bernières’ collection of tales (and tall tales) about a legendary canine that roamed the country’s Northwestern wilderness in the 1970s. Director Kriv Stenders centers his film in the mining burg that erected a statue to the animal after its death — an event that serves as the movie’s starting point, as the townspeople gather to toast Red Dog’s many contributions to the community (in addition to providing a much-needed source of amusement in a bleak, barren place, he also became a mascot for the local union, match-made multiple couples, prevented a suicide-by-shark attempt, and engaged in epic brawls with his arch-nemesis, Red Cat). It’s a shaggy, sentimental story elevated by some appealing human performances — Josh Lucas is the token American star, though Aussie film fans will recognize Noah Taylor and Keisha Castle-Hughes — and, of course, one very charismatic pooch. If you can’t make the trek down the peninsula for the screening, Red Dog will be available On Demand starting August 14; the DVD will be out September 4. (1:32) Menlo-Atherton Performing Arts Center. (Eddy)

Dick Meister: Labor and the media

1

By Dick Meister

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www,dickmeister,com, which includes more than 350 of his columns.

The coming of the Internet has had a profound impact on media coverage of working people and their unions. No, the mainstream media have not expanded their generally limited and shallow labor reporting or their generally anti-labor editorial positions. But there now are dozens of non-mainstream websites and blogs, such as the Bay Guardian’s, that provide in-depth labor coverage. The print versions of union newspapers and newsletters could never reach the very much larger audience that’s now available via the Internet.

There are even pro-labor broadcast outlets, such as Pacifica Radio’s KPFT in Houston, that cover labor issues in depth. The broadcasts and labor websites and blogs expose many people to labor activities and issues they may not otherwise have heard of, or understand – including pro-labor views,

Use of the Internet also has made it easier for unions to communicate with their own members.

But there’s still a major problem. Those pro-labor online outlets don’t necessarily reach the general audience that labor needs to reach. They primarily or solely reach only labor supporters and union members who often are in effect talking only to each other.

That may be good for the morale of unions and union supporters and provide them ammunition to use in their struggles. But unions need to reach a broader audience if they are to effectively combat the anti-unionism that’s so commonly voiced in the mainstream media.

How would they do that? That’s not for me to say, but I am confident that it can be done. After all, unions got their message out in the pre-Internet years when the media were at least as ant-labor as they are today, probably even more so.

The pre-Internet newspapers that unions had to rely on to spread their message were at best indifferent to working people and their unions. That basic situation hasn’t much changed. As in those days, it isn’t so much that the mainstream media are anti-union – though they are that – but that their labor coverage is generally limited. In-depth reporting of labor issues is as rare as pro-labor editorials.

As in the pre-Internet days, many of today’s media outlets are not much interested in covering labor except in a clearly anti-labor manner. They devote their closest attention to critics of union actions and especially the attacks on the public employees who have become the vanguard of the labor movement and thus the main target of anti-union forces.

But at least the Internet gives unionized workers and their supporters an option,  and their militant actions, such as those opposing Wisconsin Gov. Scott Walker,  have forced many in the previously labor-indifferent media to pay close attention to their activities, however much they may disparage them.

But it remains that despite the complexity of labor issues and the importance of labor to many of their readers, very few of today’s newspapers have reporters who are assigned to cover labor exclusively.  mainstream radio and TV stations have never had such reporters.

Some media outlets assign labor coverage to business reporters, who typically cover labor from the generally adversarial approach of their business sources. They’re concerned with the effect of labor on business, and, of course, labor’s role in politics, which is also usually covered from a non-union, if not anti-union point of view.

Internal union matters such as the election of officers are generally ignored unless there’s a scandal involved. Strikes that draw lots of public attention are heavily covered, but with the stress on the strikes’ affect on the general public rather than on the issues involved. Only very rarely does a mainstream media outlet side with a striking union or even explain the union’s position thoroughly.

Part of the reason for this is simply that newspapers and other mainstream outlets generally are themselves in adversarial relationships with unions – those that represent their employees.

During the formative years of American unions long before the Internet, when unions engaged in highly visible and often exciting organizing attempts, newspapers had little choice but to cover their activities in some detail.  Union activity was news, big news, as it has again become just recently with massive pro-worker demonstrations nationwide.

But there is a major difference between then and now. In those pre-Internet years labor was covered extensively and usually by reporters assigned to that specific task. Virtually every newspaper had a labor reporter or two.

But the number of labor reporters has declined steadily ever since organized labor established itself and became merged into the middle class, ever since its activities lost their novelty, and were expanded to encompass complex matters far beyond the easily covered issue of simply seeking union recognition.

The major turning point came just after World War II. At first there was a great deal of newsworthy labor activity, including many strikes and other highly visible actions as union members sought to make up for the compensation they lost under the tight wage and price controls that prevailed during the war years.

But after that surge of postwar strikes, labor turned to less exciting, less visible activities that are not as easily covered  as are strikes and related matters. That takes expert labor reporters and few have been available. That basic situation has not changed over the past half-century.

There have been some important exceptions to the dismal mainstream media coverage of labor in recent years, notably including the country’s major newspaper of record. The New York Times still covers labor fairly and in some detail, and its labor reporter, Steven Greenhouse, is among the best U.S. reporters of any kind.

Most media outlets, however, are still concerned primarily with labor’s militant actions and cover even those superficially. Most see no need for coverage that goes beyond the surface excitement, no need for expert reportage, although some recent labor actions, such as those of the Occupy Wall Street movement, have forced the media to look closer at some issues that previously have been only superficially examined – if examined at all.

There are, in any case, too few mainstream reporters who are adequately versed in labor matters. There are too few who have the trust of workers and their unions, which naturally hesitate to provide them much of the information that’s needed to adequately and fairly explain labor’s positions. The result has been labor coverage that’s generally shallow, often uninformed and frequently biased.

Unfortunately, that is unlikely to change any time soon.

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for more than a half-century. Contact him through his website, www,dickmeister,com, which includes more than 350 of his columns.