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Quick Lit: July 7-July 13

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Literary readings, book tours, and talks this week

“RADAR Reading Series”, “Why there are words,” naked ladies, the poetics of resistance,  Alison Arngrim, “Monthly Rumpus”, and more.

Wednesday, July 7 

A Poetics of Resistance
Author Jeff Conant will read and discuss his new book, A Poetics of Resistance: The Revolutionary Public Relations of the Zapatista Insurgency, an engaging study for organizers to understand how to develop their messages of bottom-up revolution.
7 p.m., free
Modern Times Bookstore
888 Valencia, SF
www.mtbs.com

Breast Strokes
Authors Cathy Edgett  and Jane Flint present their inspiring story about two friends who help each other through the diagnosis of breast cancer.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777


Intergenerational Writers Lab

A unique literary workshop for emerging writers featuring readings and performances by Lorna Dee Cervantes, Ben Fong-Torres, Leticia Hernandez, Genny Lim, and the 2010 IWL participants: C. Adán Cabrera, Emilie Coulson, Lyndsey Ellis, Marisa Gedney, Bill Gong, Meldy Hernandez, Nancy Larson, Page McBee, Ruby Rain and Natalia Vigil.
7 p.m., $5-$20 sliding scale
Intersection for the Arts
446 Valencia, SF
www.theintersection.org

“RADAR Reading Series”
Attend this showcase of underground and emerging artists and writers featuring Ryka Aoki de la Cruz, Diane di Prima, Mica Sigourney, and Tony Tulathimutte. Hosted by Michelle Tea.
6 p.m., free
San Francisco Pubic Library
Main Branch
100 Larkin, SF
www.radarproductions.org

Thursday, July 8

California Rocks
Join Katherine Baylor for a reading and discussion of her new book, California Rocks: A Guide to Geologic Sites in the Golden State.
6 p.m., free
University Press Books
2430 Bancroft, Berk.
(510) 548-0585

Flood Earth
Species extinction expert Peter Ward describes what the world will look like in 2050 and beyond.
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

Sometimes Too Hot the Eye of Heaven Shines
Attend this reading and release party for Ryka Aoki’s new book, with readings by Ali Liebegott, Jusin Chin, and Ryka Aoki.
7 p.m., free
Modern Times Bookstore
888 Valencia, SF
www.mtbs.com

To Have Not
Author Frances Lefkowitz shares and reflects on her own life of poverty.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777

Unlikely Allies
Author Joel Richard Paul weaves together a fascinating account of three people who, each for his own reasons, connived, betrayed, and spied to help win the revolution for the Americas.
6 p.m., $12
Mechanics’ Institute
57 Post, SF
(415) 393-0100

“Why There Are Words”
This installment of the “Why There Are Words” literary series asks authors to weigh in on what the word “accident” means to them. Featuring Elissa Bassist, editor and essayist from The Rumpus, Glen David Gold, author of the bestselling novel Carter Beats the Devil, Joshua Mohr, author of the novel Some Things that Meant the World to Me, Anne Raeff, author of Two Serious Ladies and Clara Mondschein’s Melancholia, Jason Roberts, author of A Sense of the World: How a Blind Man Became History’s Greatest Traveler, and Tatjana Soli, author of The Lotus Eaters.
7 p.m., $5
Studio 333
333 Caledonia, Sausalito
(415) 331-8272

Friday, July 9

“Poets and Writers on the Depression Era”
Part of LaborFest 2010, hear poets and writers speak on the struggle of working people to survive in this desperate world.
7 p.m., free
Kaleidoscope Gallery
3104 24th St., SF
www.laborfest.net

Saturday, July 10

The Butterfly Mosque
Hear the first American Muslim woman to become a professional comic book writer, G. Willow Wilson, discuss her new book, The Butterfly Mosque: A Young Woman’s Journey to Love and Islam.
6 p.m., $7
ICCNC
1433 Madison, Oakl.
(510) 219-2431

Confessions of a Prairie Bitch
Star of the hit TV show Little House on the Prairie, author Alison Arngrim presents her comic memoir of growing up as one of television’s most memorable characters.
3 p.m., free
Borders
400 Post, SF
(415) 399-1633

Sunday, July 11

Last Dog on the Hill
At this benefit for Hopalong rescue, author Steve Duno presents his new book.
6 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777

“Naked Girls Reading”
Get tips, advice and how-to’s from a naked girl at this latest installment of the “Naked Girls Reading” series featuring Carol Queen, Dottie Lux, Lady Monster, Isis Starr, Kimberlee Cline and Hollie Stevens providing their favorite words of advice.
7 p.m., $15-$20
Center for Sex and Culture
1519 Mission, SF
www.nakedgirlsreading.net

Monday, July 12

Awaken Your Strongest Self
Author Neil Fiore talks about his four-step program for breaking self-destructive habits, increasing productivity, and performing at your best.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777

“Monthly Rumpus”
Enjoy this reading with authors Justine Sharrock, Matt Stewart, Eli Horowitz, Mac Barnett, Lauren Wheeler, and Matthew L. Mosely featuring a performance by Richard Porter, music by Ember Shrag, and comedy by Janine Brito. There will also be food, raffles, and more.
7 p.m., $10
Make-Out Room
3225 22nd St., SF
www.therumpus.net

Presumed Dead
Crime reporter for the San Francisco Chronicle and author Henry Lee discussed his new book titled, Presumed Dead: A True Life Murder Mystery.
7:30 p.m., free
The Booksmith
1644 Haight, SF
(415) 863-8688

Tuesday, July 13

An Intimate Ecology
Author Julia Whitty talks about her new book filled with gripping adventure, cutting-edge science, and an intimate understanding of our deep blue home.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510) 525-7777

Golden Gate
Librarian, professor and author Kevin Starr discusses his new book titled, Golden Gate: The Life and Times of America’s Greatest Bridge.
7 p.m., free
BookShop West Portal
80 West Portal, SF
(415) 564-8080

Street Threads: Look of the Day

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Today’s Look: Leanna, Cortland and Bonview

Tell us about your look: “I got this shirt somewhere on Valencia.”

Street Threads: Look of the Day

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Today’s Look: Guillean, Mission and Cortland

Tell us about your look: “I got this dress at Forever 21.”

Fisher-priced cinema that isn’t Pixelvision at SFMOMA

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This week SFMOMA inaugurates a film series called “A Portrait of the Artist, or Fisher-Inspired Films” with Dreams That Money Can Buy (1946), a surrealist collaboration directed by Hans Richter and featuring contributions by Max Ernst, Man Ray, and others. The series is constructed around the collection of Doris and Donald Fisher, featuring cinematic work by artists including Andy Warhol and Agnes Martin.
Here’s an excerpt from the Alexander Calder portion of Dreams That Money Can Buy:

http://www.youtube.com/watch?v=CdjbJsWNEdA

Next week, Chelsea Girls (1965):

http://www.youtube.com/watch?v=KvOnRdMi4OM

 

A PORTRAIT OF THE ARTIST, OR FISHER-INSPIRED FILMS

Through August 26
Dreams That Money Can Buy: Thurs/1, 7 p.m., free-$5
SFMOMA
151 Third St, SF
(415) 357-4000
www.sfmoma.org

Street Threads: Look of the Day

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Today’s Look: Sayaka, Cortland and Andover

Tell us about your look:  “I work with metal, so I wear any clothes I can get dirty in.”

Kelly Malone crafts up a new kind of SF playspace

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I’m going to venture a thought that may prove controversial, but it bears saying. San Francisco is not a crafter’s wonderland. Now, certainly it is fertile ground for artistic genius. But craft? Such a small, persnickety pastime thrives better in towns with worse weather, or less going on, or in ones with an idyllic beach or field where no one asks you if you’d like a weed infused peanut butter and jelly sandwich every god damn twenty minutes. Perhaps this explains the widespread popularity of Workshop, a crafting social space where you can zone out for an evening of PBRs and careful make-time.

Workshop co-founder Kelly Malone grew up with a functional notion of craft. Her dad’s a carpenter and her mom a part time seamstress. The couple would sit in the garage and sewing room, respectively, “and I was like, well that’s kind of lame,” Malone tells me one morning at Workshop, after we have gotten coffee across the street at Matching Half Cafe and I had managed to spill it on my dress, twice. Malone’s mom would try to teach her stitches back then, but “I’d get all goth on her, and tell her to piss off with the sewing.” It wasn’t until college that Malone got into crafting, after which she nabbed New York creative gigs for Victoria’s Secret and Betsy Johnson before moving to San Francisco.

Once here, she assembled her crafty friends in her backyard for Indie Mart, a hip DIY craft fair where Malone would cram in 25 vendors, stick a DJ in the bushes and was the funnest thing ever until the bathroom line got too long. So they moved it out to larger venues like the blocks outside Thee Parkside bar, and The Independent (it’s still going strong). Malone battled ovarian cancer (three rounds of chemo, but in remission as of last month), and decided that she wanted a permanent spot to capitalize on the SF craft mania that Indie Mart seemed to tap into.

So she sold nearly everything she owned, and got a Western Addition space that had lived previously as a T-shirt company, and as a dry cleaner for thirty years previous. Her vision paid off. Nowadays, she can’t post the one-off classes to the website quick enough – they sell out, nearly every one of the 13 the center usually offers a week. When Workshop opened, Malone had expected to teach no more than four a week.

“I didn’t realize that home ec doesn’t exist anymore – no one knows how to sew,” she tells me. “We all used to make things, but now we don’t create our own things anymore. I don’t nerd out on the politics of it too much, but I like seeing people make their own commerce.” 

Workshop classes do seem to attract their fair share of aspiring professionals eager to beat their cyclical unemployment. A recent screen-printing course I took played host to a girl in a homemade dress that seemed intent on learning the functionality of making prints, even though we shared the space that night with a sweethearted pack of leftover Pride tourists that came for the good times that Malone’s affable instructors provide. Some students have become Indie Mart vendors, even gone on to sell their wares to stores, and an Indie Business class at Workshop has found an eager audience.

But crafting is still clearly the source of much amusement here. My screen-printing instructor, Nicole Schwieterman, seemed equally concerned with the amount of fun students were having as their grasp of the technical skills involved. “It’s supposed to look like that, right?” she smiled when I sheepishly showed her the excessive mess my paint slops had made. Most people left with a finished product, of sorts, but I’m guessing only half will ever avail themselves to Workshop’s open studio hours.

 

The Workshop team’s votives of their space’s patron saints. Holla, Mr. Wizard, Martha Stewart, Bob Vila, and Shepard Fairey! Photo by Caitlin Donohue

Popular classes include glass terrarium making and rock ‘n roll sewing (for beginners), from which participants walk away with a homemade beer cozie. Examples of these lovely floral and/or screen-printing specimens lie piled in a basket in a corner of Workshop’s front room in accordance with a house rule that all drinks must be drunk thusly, well insulated. It’s good times — I liked the teacher ladies so much that when the three hour class had finished, I wanted to crack another beer, nest into the lounge area by the front door, and suck in more of the fun-productive ambience.

I can’t decide which of my three visits to Workshop I enjoyed most. The first was my initial stumble-upon when I caught their Divisadero Art Walk party. The same room I learned to screen-print in was packed with alterna-looking young people, and a girl headed up a punk band whose instruments were hooked up to more amps than seemed strictly necessary for a space so small. “We have our fair share of social events,” Kelly told me when I came back to chat with her on my second trip to figure out how this place came to be. And of course, there was the third time, making owl print T-shirts and killing beers with my roommate and a bunch of nice strangers. 

I take it back, I’m obviously going with the third time. You can hear a cute little indie band any day of the week, and hanging with successful creatives is cool, but a night on the town just making stuff? Totally San Francisco — or at least now we can pretend that it is.

 

Workshop

1798 McAllister, SF

(415) 874-9186

www.workshopsf.org

 

Sibling rivalry with the stars of “The Last Airbender”

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While Twihards know Jackson Rathbone from his portrayal of Jasper Hale in the first three Twilights films, Nicola Peltz is a relative newcomer. But both are sure to get a burst of fame with their starring roles in M. Night Shyamalan’s The Last Airbender, an epic live-action adaptation (out Fri/2) of the animated Nickelodeon series. Rathbone and Peltz play siblings Sokka and Katara, refugees of the water tribe who join forces with Aang (that’d be the last airbender) to save the world. In talking to the actors about their filming experiences, it’s clear they’ve got the sibling rivalry thing down pat: their snarky back-and-forth dominated the conversation.

San Francisco Bay Guardian: I’ve got to start by asking you guys the obvious question, which is if you were familiar with the series Avatar: The Last Airbender before you signed on to the movie.

Nicola Peltz: Yes, I was. I actually have six brothers and a sister, and two of my younger brothers that are seven, we watch the cartoon all the time together. And when I got the role, they literally didn’t believe me. They were like, “You’re lying!” “No, I’m really not!” They’re really excited for me.

Jackson Rathbone: I knew of it, too. I hadn’t seen the entire series, but a lot of my really good friends had, so I told them I was going out for the role, and they were extremely impressed. It was nice to have my friends behind me on this one.


SFBG: How would you say the movie is different from the series, and do you think it’ll still appeal to those fans?

JR: I think it definitely will still appeal to all the hardcore fans, because the filmmakers were fans of the series themselves. [M.] Night [Shyamalan] really wanted to make the film for his daughters, who loved the series.

NP: Yeah, it was actually his daughter’s idea to make the film, because she fell in love with the series so much, and she loved the characters. And I think this movie’s so interesting because it is for all ages. It’s not like just a kids’ movie. A lot of grown-ups were into the cartoon as well.

SFBG: How are Last Airbender fans different from, say, Twilight fans?

NP: Jackson?

JR: [laughs] I think with Twilight fans, there’s definitely a larger female fanbase, just based off the first two films. I think Eclipse is going to probably bring a lot more guys in. But for The Last Airbender, I find that it’s across the board. I mean, like Nikki’s just said, it’s kind of an all ages thing.

NP: It’s a family movie. You know, like some Friday nights, people go to them. It’s like the perfect movie, because everyone’s gonna love it. It’s not like the parents are going to be bored watching a kids’ movie.

JR: Yeah, it’s like the first Shrek. It’s a family film, except this is an action film so it’s going to be a lot more entertaining for everyone, because it’s really exciting. There’s all this martial arts, there’s all this special bending. It’s gorgeous.

SFBG: As a fan of the series myself, my main concern was if Appa [a “sky bison”] and Momo [a “winged lemur”] were involved in the movie. [Both appear in CG form.]

NP: Yes! Of course. It wouldn’t be a movie without Appa and Momo.

JR: You’ve gotta have those characters. They’re so much fun. My only regret is that I didn’t get to work with Momo as much.

NP: Yeah, same here. Actually, one of those scenes, I got to feed him a little peach. That was the only thing, but it was really cute.

SFBG: You’ve talked about how it’s a pretty intense action movie. How much stuntwork was involved?

NP: Yeah, there was a lot. I learned kung-fu and tai chi. I started in October last year, and then we went through the end of the movie, but we all went in February, moved to Philly and we did boot camp. We did hours and hours and hours a day, and it was so much fun. We got to do — did you do wire work? You did, right?

JR: I didn’t do wire work, because I don’t have special bending abilities. No, I just did mainly kung-fu, like hand-to-hand kind of kung-fu, and then they taught me wrestling and grappling moves. Because they wanted Sokka to be more like a young warrior, who doesn’t necessarily have the technical ability but he definitely has the heart. And a boomerang. And a really sharp wit.

NP: Oh, do you want to tell him what happened when you first tried to use your boomerang?

JR: …No.

SFBG: Well, now I have to hear.

JR: OK, well, the boomerang’s a little bit different than the boomerang that you think of from Australia or whatever. But the shape is actually of a common, real boomerang. And so when I went to go throw it—

NP: He hit the only rock in Greenland! The only big stone in Greenland.

JR: Greenland is all rocks and ice! It’s everywhere. But I was throwing it up in an incline, it went straight up, and—

NP: It never came back.

JR: It went straight. It broke.

SFBG: But I assume your skills improved?

JR: Yeah, definitely, definitely. However, I did break like four boomerangs and three spears.

NP: Yeah, he had like six boomerangs throughout the movie.

JR: Well, that’s because I was learning to do tricks with them. I would like flip it behind my back and catch it and try to just make it as cool as possible.

NP: He would attempt, but…

SFBG: You guys definitely have this rapport down — you do seem like siblings. How did you develop that on set?

JR: Well, basically, the first day of filming, I picked Nicola up and I dunked her in a snowbank, to really get the brother and sister thing going. That’s the only reason.

NP: Oh, yeah, he was getting into character, as he tells everybody. But at the Kids’ Choice Awards, I got to slime him.

JR: Yeah, that’s called payback.

SFBG: That’s awesome. Although getting slimed is kind of a good thing. I would love to get slimed.

NP: Actually, it was fun. I tasted it.

SFBG: How was that?

NP: It was slimy.

JR: I had no choice but to taste it. So thank you.

SFBG: With all this back-and-forth, I feel like a fight is inevitable. If Sokka and Katara threw down, who would win?

JR: Katara.

NP: Come on!

JR: There’s no way Sokka would ever raise a fist to his little sister.

NP: OK, well, even if he did, I would win. Obviously. I’m a water bender! Please. He has a boomerang.

SFBG: Can you talk about what it was like working with M. Night Shyamalan?

JR: It was incredible. Being young actors, it’s one of those things, you get to work with somebody that you’ve respected and admired. He’s just an incredible artist and a really awesome, down-to-earth family guy.

NP: Yeah, he’s a really great guy. When I saw The Sixth Sense, I was like — it’s one of my favorite movies ever. And now I get to work with him, which is so much fun. Family and morals and values are really important to him, and it definitely shines in the movie. You can definitely tell. But he was so much fun to work with.

SFBG: He’s known for having a very particular mark. Does that carry over to The Last Airbender? Because this does seem very different from his past projects.

NP: Yeah, it is different. He did a lot of scary movies and this is a movie for all ages.

JR: It’s a family film. He did thrillers. With The Happening, he did his first R-rated film. And here with The Last Airbender, he’s doing his first family film. It’s an action, epic, fantasy adventure — there’s a lot of CGI. ILM did the CGI.

NP: We also went to Greenland, though. So a lot of it was real, which was really cool.

SFBG: Now you’ve probably been asked this before, but if you had to pick one bending power, what would you choose?

NP: Water! And I’m not just saying that because I’m a water bender in the movie. But water’s so interesting because it can harm you but it can also save you. It does heal people, but at the same time, there are tsunamis, which harm things. I think it’s the most interesting element.

JR: Oh, yeah, definitely. I’ve always been a big fan of Bruce Lee, and in his book, Artist of Life, he talks about how to be like water and what that means. You kind of go with the flow. Water can become strong and become like ice, and in it’s flowing form even, in hundreds of years, it’ll carve the Grand Canyon. Water’s a very powerful element.

The Last Airbender opens Fri/2 in Bay Area theaters.

Street Threads: Look of the Day

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Today’s Look: Mary, Prospect and Cortland

Tell us about your look: “Have fun!”

Hear the call for East Oakland community paparazzi

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When Oacia5804 (her screen name) was asked on the Our Oakland website to contribute an image that told a story about her East Oakland home, she didn’t rip her shot off of the TV news. The mother of two sent in an amazing shot of her kids pointing up at a rainbow looping perfectly over a neighborhood street. “Even tho [sic] the streets of East Oakland seem dark at times, There is Always a ray of light that will shine and inspire Greatness,” writes the photographer in the shot’s caption. That’s exactly the kind of alternative narrative that Our Oakland, a non profit that is gathering stories for incorporation into a public arts project, hopes to publicize. They’re calling for submissions for a photo contest (submissions accepted until Thurs/8) that want to challenge our perceptions of what East Oakland looks like. 

 “Each contest photo reshapes the image of East Oakland,” states Rene Yung in the press release for the competition. And it does need a certain amount of retooling, that image. What do you think about when you think East Oakland? Unfortunately, we’ve been somewhat programed with a negative answer. It’s detrimental to the reasoning skills of people who have to listen to an endless reel of news about drug deals and prostitution outside of the neighborhood, but what does that negative imaging mean to the people that live on those streets that are so often pictured behind yellow caution tape, or gone “wild” with gang activity?

Yung created the website as part of a project she’s doing for the East Oakland Community Library, in which she’s integrating art with community voice. The finished product will include a digital archive of stories about the neighborhood as told by residents, and a 64-foot bank of etched glass windows that are meant to invoke the interconnectedness of the community. At the moment, the website includes user generated written narrative — but the photo contest is Our Oakland’s big deal at the moment. “Each photographer is taking charge of what the public gets to see and hear about the community, and, in the process, is changing the conversation about East Oakland,” says Yung.

To build awareness about the  photo contest (and the prizes, natch — whooo wants some schmancy electronics?), Our Oakland has been staging a series of events that focus on building story telling skills and technological expertise in taking photos. It’s spread the news about the project at Lao Family Community Development, an organization that promotes social self-sufficiency in Southeastern Asian families, Our Oakland’s booth encouraged kids and families to write down and illustrate their stories on big, fun pieces of construction paper. Our Oakland has also conducted photo workshops for the kids at the Allendale Recreational Camp and the Tassafaronga Recreation Center.

But shooting’s open to all, so tell your mamma, tell a friend, get those photos in. We can widen that running commentary we all have to hear about East Oakland — and maybe even change some minds on what a strong community looks like.

For more information on the My East Oakland photo contest, go here. Entries are due by Thurs/8.

REELing against the tide

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In a world of relative cinema-watching convenience, with Netflix and Blockbuster By Mail, the quirky neighborhood video rental store is going the way of the record store and the dodo. However, the East Bay still houses at least one fantastic holdout, REEL Video, located on Shattuck Ave. in Berkeley. But perhaps not for long — despite REEL’s unique stock and organization, it is in fact owned by Hollywood Video, which recently filed for bankruptcy and announced the liquidation of all its stores. Over the past few weeks, REEL was suddenly plastered with fliers addressing frequently-asked questions about the store’s imminent closure, and calling for customer input on the store’s uncertain future.


Thanks to its impressive Netflix-besting selection (a VHS copy of 1965’s Chimes at Midnight!) and its invitingly idiosyncratic shelving categories (e.g. “Your Mom,”” “So Bad It’s Half Off,” “One Man Army,” “British Television,” “Werner Herzog,” “Bromance”), REEL is a staple of the Berkeley film-buff/geek/cultist community. With a section devoted specifically to the beloved Criterion Collection, and a broad array of international cinema, it’s a great resource for UC Berkeley students studying film or just looking for a crazy popcorn movie on a Friday night (Black Gestapo, anyone?).

The latest press release from REEL details a proposed future for the store, wherein it would become “ a community movie education and gathering place in addition to its on-going video rental business.” REEL’s employees and other champions are seeking “angel investors” to help purchase the video collection and lease the store grounds, in preparation for their newly conceived “potentially non-profit” status.

On or around Wednesday, June 23, REEL launched www.savereelvideo.com; they’ve also set up SaveReelVideo@gmail.com for interested customers to communicate with the store’s management.

Get on this, people! A genuine outpost of cultural weirdness and passion is about to be subsumed by the tide. It seems these are slowly dissipating, at least in the non-virtual world, so we have to save what we can.

Scraper bikes rock the block

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There’s a truly inspiring movement going on in Oakland. Scraper bikes — brightly colored, their spokes woven with foil and often decorated with subverted corporate logos — are weaving through the streets.

Started by the young and motivated Tyrone Stevenson Jr., a.k.a. Baybe Champ, the Scraper Bike King, the Original Scraper Bike Team aims to, in Tyrone’s words, “make a change in young people’s lives, ’cause it’s getting them away from the negative things that Oakland has to offer: gangs, drugs, and violence. Youth that’s involved with the Scraper Bike Movement are dedicated and passionate about rebuilding our community by fixing and riding our bikes.”

Tyrone requires that Scraper Bike Team members maintain a 3.0 grade point average, reside in Oakland, and always ride single file. After videos of Tyrone’s work started popping up a couple years ago on YouTube, “more and more kids in my community wanted a Scraper Bike. I had all the kids come to my house and work on bikes,” he told us. He’s currently working toward starting up a shop. “We need a location in our neighborhood so we can come and fix on our bikes and build the Scraper Bike Team.”

Check out the Original Scraper Bike Movement at originalscraperbikes.blogspot.com.

All photos by Matthew Reamer.

Street Threads: Look of the Day

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Today’s Look: Bill, Cortland and Andover

Tell us about your look: “This is what I wear.”

Live Shots: San Francisco Pride Parade and Celebration, 06/27/2010

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Who could have asked for a more delicious day than this Sunday to celebrate Pride? The amazing weather was perfect for parasols, skimpy speedos, and a few buckets of body glitter. The parade, celebrating it’s 40th year, drew hordes of spectators who sandwiched themselves up and down Market Street for miles. It was exciting to see such a diverse audience and also a variety of groups participating in the parade, from politicians and coalitions to drag queens and gigantic human cupcakes.

Charlie Murphy: So funny, even Juggalos can dig

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Charlie Murphy does not want to hear another “Fuck yo couch!” Though the comedian talked his way into fame with his cult favorite skits on the Chappelle Show, in which he shared the stories of hanging with Prince and Rick James back in the days he was brother Eddie’s security detail, that was then, this is now. Or, as he put it to me in a recent phone interview, “that was the Dave Chappelle show. This is the Charlie Murphy show.” Indeed. Murphy’s moved into his own spotlight, headlining his own stand up tour (coming to Cobb’s for a four night run beginning Wed/30) , and sassing up supporting roles in a whole slew of black ensemble comedies on the silver screen. God dammit, he’s a big deal. And even if he’s not gonna punch you in the face for not laughing at his act anymore (see below if that doesn’t make any sense), something tells me it behooves you to be amused anyway. Plus, he killed it at the Gathering of the Juggalos. Charlie Murphy’s on the way!

 

San Francisco Bay Guardian: You’ve got a lot of projects coming out now, a whole lot of movies opening soon.

Charlie Murphy: Yeah I have this movie with Bow Wow, The Lottery Ticket, that’s coming out in August, and also the Cookout 2. And right now, I have my DVD [Charlie Murphy: I Will Not Apologize] out, and my book, Charlie Murphy: The Making of a Stand Up Guy. It’s all about me keeping people aware of the fact that I’m here and I’m doing this. You got to put your best foot forward at all times.

 

SFBG: Definitely. That’s a lot of stuff. Is there one project that you were particularly excited about?

CM: My DVD. When I first started doing stand up, no one took me seriously. It was like, he can go on stage and he can make the crowd laugh, but you really think he’s going to stick around with that? Like, this guy, he’s not really one of us. But I did stick around, and I did extremely well. If someone else won’t toot your horn for you, you’ve got to toot your own horn, you know what I mean? You don’t just show up and start doing stand up comedy, and go on a world tour and sell out everywhere, and don’t have bad shows. I did that. And I’m not bragging about it. 

 

SFBG: Uh huh. 

CM: I’m humble about the fact that I was given the opportunity to live up to the opportunity I was given. But at the same time, no one else was acting like what I did was an accomplishment. So that’s why I put the book together, that’s why I put the DVD together, because everyone was talking about that Chris Rock went over to Europe, to South Africa, to all that. That was supposed to be the biggest comedy tour ever, it was international. Little did everybody know that Charlie Murphy did the same thing. The same year. But I didn’t have a deal with HBO, you know what I’m saying? 

 

SFBG: You had the advantage of having people in your family that had made that jump into international celebrity before you. The moment that you realized that Eddie was going to be super famous, how did that compare to the moment that you realized that hey, you were going to be famous, too?

CM: There’s no comparison because I can’t feeling another person’s feelings, so I don’t know what that felt like for him. I was proud of him, but I can’t eat his bread. There’s no meal in that for me. 

 

SFBG: Did I see a Youtube video of you performing at an Insane Clown Posse concert? Did that happen?

CM: Yeah, yeah, I was with the Juggalos, and I would love to do another one.

 

SFBG: How did that happen?

CM: It was in the woods at night. How it happened — to this day I couldn’t answer your question 100%. I didn’t think it was going to work out the way it did.

 

SFBG: But they loved you. You could see from the video.

CM: It was mad love, mad love. That was an experience for me because I was told to expect the exact opposite.

 

SFBG: They have that reputation of being kind of belligerent.

CM: But what I did was I was belligerent with them. So we had a great time.

 

SFBG: Got along great, then.

CM: Got along just great.

 

SFBG: I do want to ask you one question about the Chappelle Show. When you heard that he was leaving the show – first of all, how did you hear about it, and second of all, what were your thoughts when you heard he was… taking off?

CM: Disbelief. Didn’t no one believe it when it first took place. I didn’t believe — or understand why. But looking back, it was probably the best thing because I wouldn’t have done all the stand up I have done, and I wouldn’t have been around as many people that I’ve been around had that show kept going, because that was the Dave Chappelle Show, not the Charlie Murphy show. This is the Charlie Murphy show. I’d much rather be at the Charlie Murphy show than anybody else’s show. 

 

SFBG: You said at one point you moved away from bodyguarding because you became a little too zealous with how you were carrying out –

CM: No no no no. The point I was trying to say was that I’m not a bodyguard, in the sense of a professional. I’m a bodyguard in the sense of, if you mess with anybody in my family I better not be around to hear about it. With my brother, all this stuff was happening, he was being heralded and hyped up as this special person, and we were very proud of him. And as a byproduct of that, if you see somebody going against that, you get very animated. You know, this person is personally threatening your family member, and a special one at that. So I would get extra hyped, and it was very easy to get me to jump on somebody. Several things like… you’re not laughing. Everybody’s laughing, and one person’s not laughing. They might be sitting there with a stomachache. I don’t even think about that. It’s like, what’s your face like that for? And I wanna beat you up. And I would jump on it.

 

SFBG: Would you go out into the audience?

CM: We’d be in the audience! We’d be walking in the audience, [if] somebody had an attitude, we’d give them a whip.

 

SFBG: Is getting punched in the face something we should be concerned about if we go to your show in San Francisco? 

CM: No. I’m a professional, and everyone that travels with me is as well. We focus on one thing, living up to the hype, doing a great show, and making sure people want to see us again. Period. So I’m trying to make friends. Make love not war, that’s how it go.

 

SFBG: Cool. Anything else you want us to know?

CM: Just tell them I’m getting ready to come there and tear it down! Charlie Murphy’s on the way.

 

Charlie Murphy

Wed/30 (through Sat/3) 8 p.m. (also 10:15 p.m., Fri and Sat), $28.50-32.50

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

 

 

 

Street Threads: Look of the Day

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Today’s Look: Melanie, 18th Street and Dolores

Tell us about your look: “I was going to watch Sex and the City with some friends, so I dressed up for it.” 

Street Threads: Look of the Day

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Today’s Look: Keith, 18th Street and Noe

Tell us about your look: “This is a work ensemble because I’m playing concerts for schools today. I play the viola.”

Tripping angles at the Exploratorium’s “Geometry Playground”

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“We had to create something that never has been done before, but that people can use in an instant, and provides a transformative educational experience.” Peggy Monahan, project director at the Exploratorium, is taking me through the “Geometry Playground” two days before the exhibit opens to the public. Its an interactive math learning wonderland that her team has been working on for the past three years. I hate math, but the exhibit, which opens Fri/25, seems to have the power to make me think about geometry without that irritating urge to put my head on my desk and sleep that math tends to compel in the less numerically inclined among us.

Of course, it helps that there’s a big ass structure to play on. “This is the gyroid,” Monahan tells me. There’s no need to explain, actually, because her cohort has been hyping me about this 10 foot by 10 foot by 10 foot thing since before I arrived at the exhibit. “The gyroid is an unexpected, almost maze-like structure,” says Thomas Rockwell, an ex-playground designer who helped to mastermind the concept of the exhibit. “Two people can enter it next to each other, climb through it, and emerge on the other side without every having been in the same space.”

Sound like an acid trip? It looks like one, too. The Gyroid was made by Exploratorium “math genuis” (according to Monahan) Paul Stepahin, and exhibit developer Eric Dimond from a shape defined by a NASA scientist looking for structurally sound forms.

An exhibition technician puts the final touches on “Geometry Playground.” Photo by Caitlin Donohue

It’s a single surface, just whorling and swirling and segmented into tesselated “chips,” dubbed thusly by the Exploratorium ladies and gents because of the way they arrived at the museum, stacked in boxes like so many Pringles. It’s also super fun to climb in and on – its height makes for a perfect spot to sit and contemplate the museum’s buzzy air of science discovery.

Also on the scene; a play structure of stellated rhombic dodecahedrons, an anamorphic hopscotch court and chair that, though skewed crazily when viewed by the human eye, form perfect right angles in warped mirror columns placed nearby. A gear cube with eight interlocking components grinds toothily, improbably, when you turn the crank, the whole configuration forming a perfect cube once in a cycle.

“Geometry Playground,” on the whole, leaves a pretty wild impression. And that’s the point; it’s supposed to reawaken our natural interest in problem solving. “We all are natural geometers,”  Rockwell tells me over the phone. He sought funding for the exhibit from the National Science Foundation and the Gordon and Betty Moore Fund when he decided he wanted to make something “beautiful with mathematics,” like the Moorish architecture he saw when he was younger in Grenada, Spain. 

“I think geometry is something people naturally like to do. People love things like solving puzzles, building things, making dresses, knitting things.” Rockwell hopes the exhibit will also inspire educators to capitalize on students’ natural awe of shapes and angles. “When we teach [geometry] in school, we teach with numbers and problems,” Rockwell says. “We want educators to realize that there’s math education potential in all kinds of activities.” Like messing with hallucinatory playthings three years in the making. I’m not going to be doing better on my taxes any time soon, but that’s a good time on my abacus.

 

“Geometry Playground”

opens Fri/25 (through Sept. 6), $15

Exploratorium

3601 Lyon, SF

(415) 561-0360

www.exploratorium.edu

Hot Issues and vegan treats

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By Sam Stander

Down a little side street branching off the Piedmont Ave. shopping area in northern Oakland, two locals have combined the fine art of the well-stocked newsstand with the high-class vibe of an artsy boutique. Just past its third birthday, Issues offers and expansive selection of magazines and periodicals, as well as an array of t-shirts, buttons, books, and music, all couched in a warm, welcoming atmosphere. Events held at the store often incorporate other local businesses, and on Sat/26 they’ll play host to the East Bay Vegan Bakesale, with sure to be yummy goods on offer from various local purveryors, to benefit Walk Oakland Bike Oakland and the recently fire-ravaged Berkeley East Bay Humane Society. Details after the jump.

EAST BAY VEGAN BAKESALE

Sat/26, 11 a.m.-3 p.m.

Issues

20 Glen, Oakl

(510) 652-5700

www.issuesshop.com

 

Push it real good: Push Dance Company’s Great Integration unites hip-hop, martial arts, and epic storytelling

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By Katie Gaydos

On opening night (June 18 at ODC Dance Commons) of Push Dance Company‘s Great Integration: A Chamber Hip-Hop Opera, I wondered whether the show would live up to its hefty title. But once MC Kirby Dominant began narrating the the story of apostles and swordsmen, it became clear that the collaboration between choreographer Raissa Simpson and JooWan Kim’s eclectic music ensemble Mik Nawooj would be nothing less than epic.

From the moment the dancers (Simpson, Kat Worthington, Jetta Martin and Julian Pham) arrived, they commanded the stage with valiant charisma. They leapt across the stage like demigods playing atop Mt. Zeus, executing martial arts movements and Simpson’s complex choreography with athletic agility. 

After a battle with the Black Swordsman (danced by Robert Henry Johnson, who later transformed into the Celestial King), the conquered heroes collapsed in a small pool of light. The floor-bound dancers crawled, shuddered and articulated their way through a series of tiny arm gestures that captured an emotionally moving struggle. Propelled by MC Dominant’s driving rap and JooWan Kim’s smooth piano melodies, the dancers rose like warriors and strutted their way through fast-paced gestures and soaring jumps. The result possessed powerful bite and graceful fluidity.

Simpson reinvents classical ballet and modern dance aesthetics with a sleek and sexy edge. Ultimately, her sleek style transcends confining categories. While her movement style refuses to be pinned down, one thing is for certain: her choreography is as fierce and boundless as her dancing.

ENSEMBLE MIK NAWOOJ/GREAT INTEGRATION: A CHAMBER HIP-HOP OPERA

July 25, 8 p.m., $15-20

Yoshi’s San Francisco

1330 Fillmore, SF

(415) 665-5600

www.yoshis.com/sanfrancisco

 

 

The Daily Blurgh: Caged tigers I have known

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Curiosities, quirks, oddites, and items from around the Bay and beyond

SF may put the “booooo” back in booze: “San Francisco could become California’s first city and county to tax booze — about a nickel a drink — in an effort to recover taxpayer health care costs for alcohol abusers.”

*****

RIP: SF Zoo’s Tony the Tiger.

*****

Architecture firm Diller Scofidio + Renfro was picked yesterday by the UC Berkeley to design the university’s new art and film complex that will house the Berkeley Art Museum and the Pacific Film Archive. Does that mean DS+R are still in the running to design SFMOMA’s planned expansion?

*****

Palin PWND in ethics probe (but, sadly, at this point, isn’t $390,000 just chump change to her?).

*****

“Though Mr. Tabbert, 28, personally prefers G-star denim and concert tees, he was on the hunt for 150 dishdashas, the ankle-length garments worn by men in Iraq and elsewhere in the Arab world. In July, actors will wear them in a simulated Iraqi village, posing as townspeople, clerics and insurgents at a National Guard training ground in the Midwest.”

*****
A gallery of Klubstitute fliers from SF’s gay 90s.

*****
In honor of the late Tony and the gay high holidays that are upon us, here is some feline pride from France:

Benefits: June 23-June 29

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Ways to have fun while giving back this week


Wednesday, June 23

Water Bond Happy Hour
Join the Food and Water Watch team in helping to get people to vote NO on the California Water Bond, which will appear on the November ballot. Meet other people who care about the issues and discuss a sustainable water future for California and how water issues effect us all. Featuring stainless steel water bottle raffles to benefit Food and Water Watch, a local non-profit corporate accountability organization.
6 p.m., free
Elixer Bar
3200 16th St., SF
www.foodandwaterwatch.org

Thursday, June 24

Ecocity Builders Art Auction
Ecocity Builders is a non-profit dedicated to reshaping cities, towns, and villages for the long-term health of human and natural systems. Attend this slient art auction to help raise funds for Ecocity featuring hors d’oeuveres and an artist talk with Richard Register.
6 p.m.; $50 donation, fee goes towards bidding
SPUR Urban Center
654 Mission, SF
(510) 452-9522
www.ecocitybuilders.org

Saturday, June 26

Like Water for Chocolate
Inspired by chapter three of Laura Esquivel’s acclaimed novel, Like Water for Chocolate, this fundraiser will feature the spice of Mexico and the heat of love simmering in this fusion of food and performance. Proceeds to benefit Word for Word and Z Space. There is no parking at the performance site. Guests should park at the Mill Valley Middle School parking lot, where they will be shuttled to Hillside Gardens starting at 4:15 p.m. The event will be held outdoors, so dress warmly and comfortably.
5 p.m., $250
Hillside Gardens, Mill Valley
via Mill Valley Middle School
425 Sycamore, Mill Valley
(415) 626-0453


Walk in the Wild
Attend the Oakland Zoo’s annual fundraiser featuing vendors from over 90 restauants, caterers, bakeries, wineries, and breweries offering beverages and cuisine to be enjoyed while walking around the zoo and live music and dancing. Proceeds support the Oakland Zoo’s conservation, education, and animal enrichment programs. This event is 21 and over.
5 p.m., $150
Oakland Zoo
9777 Golf Links Road, Oakl.
www.oaklandzoo.org
(510) 632-9525

Sunday, June 27

Fundraiser for Alan
Alan, who has worked as a waiter at the historic Old Clamhouse in Bayview for 12 years, was one of the four cyclist who were purposely run down by a driver on June 2nd in the Mission and Potrero Hill neighborhoods. Alan has severe injuries to his head and face and has had to undergo 14 hours of surgery. Help raise money for his medical bills at this fundraiser where a door donation of $20 gets you a plate of food from the buffet, one free drink, and two raffle tickets. Featuring live music and a DJ.
3 p.m., $20 donation
The Old Clamhouse
299 Bayshore, SF
(415) 826-4880


Monday, June 28

Honduras Resiste
Watch three videos presented by the Bay Area Latin America Solidarity Coalition (BALASC) on the one year military coup that happened in Honduras in 2009,starting with The Coup and the Popular Resistance, followed by Exposing a Fraudulent Election, and ending with False Democracy in Honduras, and the U.S. Complicity.  Proceeds to benefit the Popular Resistance in Honduras.
8 p.m., $6
Artists’ Television Access
992 Valencia, SF
http://balasc.org

Quick Lit: June 23-June 29

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Literary readings, book tours, and talks this week

The Cheesemonger, William Dalrymple, Tim Wise, skating on the margin of error, the Golden Age of Chinese nightclubs, and more.


Wednesday, June 23

Cheesemonger: My Life on the Wedge
Former punk rock activist turned cheese connoisseur Gordon Edgar will pass around some cheese and discuss his new book about the amazing world of artisan cheeses that he discovered while working at Rainbow grocery.
7 p.m., free
Get Lost Travel Books
1885 Market, SF
(415) 437-0529

Nine Lives: In Search of the Sacred in Modern India
British historian and travel writer William Dalrymple explores how modernity is changing India’s oldest traditions and the human pursuit of the divine.
6 p.m., $12
Mechanics’ Institute
57 Post, SF
(415) 393-0100
www.milibrary.org 

This is Where We Live
New York Times, Vogue, and Elle journalist Janelle Brown discusses her new novel.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

Tim Wise
Prominent antiracist essayist, educator, and activist Tim Wise will discuss his new book, Colorblind: The Rise of Post Racial Politics and the Retreat From Racial Equity.
7 p.m., free
City Lights Bookstore
261 Columbus, SF
(415) 362-8193‎

Thursday, June 24

Being Wrong: Adventures in the Margins of Error
Journalist Kathryn Schulz explores why we find it so gratifying to be right and so maddening to be mistaken, and how this attitude toward error corrodes our relationships.
7 p.m., free
Modern Times Bookstore
888 Valencia, SF
www.mtbs.com

Ex-GayNo Way
Jallen Rix discusses this new novel tackling the topic of “Reparative Therapy” and the after-effects this cult movement has on it’s victims.
7:30 p.m., free
Books Inc. Castro
2275 Market, SF
(415) 864-6777

Forbidden City: The Golden Age of Chinese Nightclubs
Author Trina Robbins reads from her new book which uses interviews, photos, momentos, and Art Deco posters to tell tales of the dancers and singers of Chinatown nightlife from the 1930’s to the 1960’s.
6:30 p.m., free with $15 museum admission
Asian Art Museum
200 Larkin, SF
(415) 581-3500
www.asianart.org

Hand Bookbinders Anniversary Exhibition
The 38th Annual Hand Bookbinders of California exhibition features the work of professional, amateur, and student bookbinders that range from the traditional to the very contemporary. Enjoy a special tour of the show led by members of the Hand Bookbinders of California on every other Thursday through August 12.
11 a.m., free
San Francisco Public Library Main Branch
100 Larkin, SF
(415) 557-4277

Hitch 22
Author and journalist Christopher Hitchens discusses his new book, which draws on his experience as a U.S. and U.K. citizen, as a socialist opposed to the war in Vietnam, and as a supporter of the U.S. war against Islamic extremism in Iraq.
7 p.m., free
Borders
400 Post, SF
(415) 399-1633

No Cartoon Left Behind: The Best of Rob Rogers
Political cartoonist Rob Rogers offers an interactive combination of live drawing and a cartoon slide presentation that takes the audience behind his creative process. His new book features cartoons documenting five presidencies, the end of the Cold War, 9/11, 25 years of health care, and economic and political scandals of every shape and size.
7 p.m., $5
Cartoon Art Museum
655 Mission, SF
(415) CAR-TOON

The Particular Sadness of Lemon Cake
Author Aimee Bender discusses her new novel about a girl whose magical gift is really a devastating curse.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

Right Here on Our Stage Tonight!: Ed Sullivan’s America
Author Gerald Nachman, joined in conversation by SF Chronicle columnist Leah Garchik, discusses his novel that traces the history of the 23 year run of the Ed Sullivan Show, that introduced America to a diverse array of performers.
6 p.m., $12
Mechanics’ Institute
57 Post, SF
(415) 393-0100
www.milibrary.org 

“The Shallows: What the Internet is Doing to Our Brains”
Hear journalist and author Nicholas Carr discuss how the internet is rewiring our synapses and dangerously upending our cultural priorities and other mental and social transformations that are being created by our new electronic environment.
7:30 p.m., $12
Berkeley Hillside Club
2286 Cedar, Berk.
(510) 848-6767

Saturday, June 26

Gene Yang
Award-winning comics artist Gene Yang, author of American Born Chinese, Gordon Yamamoto and The King of the Geeks, discusses his creative process and his love for the comic medium. Yang will also share his personal history as a Chinese-American, the inspiration for many of his books.
Sat. and Sun. Noon, free with $15 museum admission
Asian Art Museum
200 Larkin, SF
(415) 581-3500
www.asianart.org

Monday, June 28

Penguin Books 75th Anniversary
Celebrate a quarter of a century of Penguin publishing at this event hosted by Micheal Pollan, featuring Penguin’s collection of 75th anniversary favorites.
7 p.m., free
Books Inc. Berkeley
1760 4th St., Berk.
(510)525-7777

Summer Poetry Festival
All poets, painters, musicians, and arts and crafts people are invited to participate in this two-day, day-long festival in North Beach. Registration at 11 a.m.
Mon.-Tues. 11 a.m.-6 p.m., free
Rouge Ales Public House
673 Union, SF
hackett.philip@gmail.com

Tortured: When Good Soldiers Do Bad Things
Journalist and author Justine Sharrock brings us an eyewitness account of what it feels like to torture based on interviews with young, low-ranking soldiers who worked at Abu Ghraib and Guantanamo.
12:30 p.m., free
Alexander Book Company
50 2nd. St., SF
(415) 495-2992
www.alexanderbook.com

 
Tuesday, June 29

Understanding the Crash
Graphic artist Seth Tobocman and journalist and writer Eric Laursen offer progressive account of how bad mortgages turned into a financial meltdown and how we can get out of this mess.
7 p.m., free
Modern Times Bookstore
888 Valencia, SF
www.mtbs.com

Here’s your big gay homo-cone with sprinkles, sugar: a lickable listicle

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Alas, we have no year-round Big Gay Ice Cream Truck like they do in the Big Apple. But, as SFist alerted us today (via Haighteration), our own beloved zany-zygote Three Twins Creamery has gone all light in its scoopers for Pride weekend, Fri-Sun offering such lavender lickers as “Rainbow/Gay Sherbet, Pink Triangle (‘a fruity chocolate base with pink chocolate triangles’), Pride Vanilla, Hot Cookie (‘with cookies from the Castro’s favorite cookie shop’), Don’t Ask Don’t Tell (‘vanilla ice cream with blueberry dessert from military rations mixed in’), Rice Milk Harvey Milk and Cookies, and Salted Nuts.” Plus, well, lavender.

Sounds delish. And we have some more ideas.

As SFist editor Brock Keeling suggests, why not “Juanita More Dulce de Leche Please? Sondheim ‘God That’s Good’ Swirl? Bambi Lake‘s Butterscotch Stain?” Here’s our own list of confection suggestions named for notable local homos, beyond Ms. Milk:

Anise Conda
Bevan Marshmallow Fluffty
Carole Migdenscotch
Dan Chipoletta
Mark Praline-o
Tom Amaretto
Clevanilla Jones
Donna Sorbet
Chillvester
The Choclettes
Harry Britt and Nut
Armistead Brownie
Dustin Lance Blackberry
The Sisters of Perpetual Indul-Mint
Cookies and Cream and Phyl and Del
Jose Sa-ripple I, the Strawberry Norton
Cranistat
Brockolate Keeling