Treasure Island

The America’s cup confusion

19

If the sponsors (and city officials) are right, the America’s Cup is going to be a huge event, attracting hundreds of thousands of spectators, many of whom will want to be on the San Francisco waterfront to watch. But it’s never been clear to me exactly how that’s going to work — how are all those (rich) people who are used to getting around in limos going to travel from their downtown hotels to the viewing areas? If the city wanted to do this right, we should close down the Embarcadero and some of the feeder streets to all vehicles (except ambulances — always needed when rich old people get excited) and force everyone to travel by pedicab. Buy up a fleet of several hundred of the human-powered vehicles and let all the unemployed teenagers get a shot at driving them. Job creation for youth; environmentally sound transportation; potentially fun bumper-car action with well-heeled patrons screaming in fear.


Remember: The f-line, even with improvements, can’t possibly handle the necessary traffic. And the AC types aren’t going to ride the train anyway. No way private cars can all fit without massive gridlock.


So: Pedicabs. My suggestion.


In the meantime, there’s this little problem of 8 Washington.


See, the developer of what would be the city’s most expensive condos ever is planning on excavating 110,000 cubic yards of soil for a massive underground parking garage — right along the Embarcadero, and right during the America’s Cup events. The Draft Environmental Impact Report for 8 Washington indicates that the dump trucks (about 20 big trucks per day, and possibly a lot more) would be using that roadway to get to 101 or 280.


Actually, if activist Brad Paul is correct, there’s no way the developer can excavate that much dirt in the time frame that it’s supposed to happen unless the number of trucks is closer to 300 a day. Imagine all of that happening while 100,000 people are trying to get to the waterfront to watch the show. Oh, and according to the DEIR for the America’s Cup, the Embarcadero will be CLOSED during that period.


The fact is, the 8 Washington project is not only a terrible idea (just what the city needs — more condos for mega-millionaires) but would directly screw up the whole America’s Cup effort. And the amazing thing is that the AC people and the Mayor’s Office don’t seem to be paying attention.


Paul has put together a lengthy critique of the whole mess that makes great reading if you’re into this sort of thing. So I thought I’d just post it all here. Warning: It’s long. Enjoy.


August 15, 2011                                                                                                         


Bill Wycko
Environmental Review Officer
San Francisco Planning Department
1650 Mission Street, Suite 400
San Francisco, CA  94103


Re: COMMENTS ON DRAFT EIR FOR 8 WASHINGTON STREET/
SEAWALL LOT 351 PROJECT    
Case No. 2007.0030E


Dear Mr. Wycko:


I am writing to my provide my comments on the Draft Environmental Impact Report (“DEIR”) for this project, a document that is incomplete, inadequate and in places quite misleading. I’ve organized my comments in sections beginning with a detailed discussion of how the project’s construction schedule has been greatly underestimated. This is followed by discussions of the DEIR’s failure to address key Housing and Population issues, misstatements regarding historic obligations related to Golden Gateway, comments on recreation issues, and more.  In general, I believe the DEIR fails to present objective information and analysis, it omits a number of relevant issues that are critical to the ability of public officials to make objective and informed decisions about the project and it is filled with judgments and assertions that are not supported by facts.


The DEIR is incomplete and inadequate in the following areas:


I. THE DEIR CONSTRUCTION SCHEDULE FOR 8 WASHINGTON IS BOTH INACCURATE AND MISLEADING.


The DEIR construction schedule is based on overly optimistic assumptions that are totally unrealistic; the ramifications of these erroneous assumptions need to be carefully considered as they will cascade throughout the project requiring major revisions to the DEIR before it can be considered accurate and complete.


At the bottom of page II.19 it states:
 
      Project construction, including demolitions, site and foundation work,
      construction of the parking garage, and construction of the buildings,
      would take 27-29 months. Assuming that construction would begin in 2012,   
      the buildings would be ready for occupancy in 2014. The first phase of the
      construction would take about 16 months and would include demolition       
     (2 months), excavation and shoring (7 months), and foundation and below
      grade construction work (7 months).


While the DEIR unequivocally states the project will take 27-29 months to construct, from 2012 to 2014, facts provided elsewhere in the DEIR together with current city policies,  the City’s America’s Cup Host and Venue Agreement and basic math indicate that this schedule is not tenable. The remainder of this section provides the data and analysis that lead to the conclusion that construction of 8 Washington will take much longer than 27-29 months, almost TWICE AS LONG, with excavation taking 2.5 to 3 TIMES longer.  


 


Table 1: Requested Changes to the overall DEIR construction schedule


          ACTIVITY             MINIMUM           MAXIMUM


    DEIR’s construction schedule: 27 months    to    29 months  


    Actual excavation schedule:  18 months           22 months
    — DEIR estimate for excavation – 7 months            – 7 months
    + Increased excavation time  11 months      to       15 months 
    + Archeology delays                .5 months      to         2 months
    +  America’s Cup delays                  2.5 months       to         5 months
    +  Weather delays                        .25 months      to         1 months


   ACTUAL CONSTRUCTION TIME 41 months       to      52 months



 
To refute the numbers in Table 1, project sponsors must present additional, verifiable data supporting their unrealistic assumptions, beginning with the claim that the first phase of construction takes 16 months with a mere seven months allocated for excavation/shoring.


A. The DEIR fails to accurately ascertain and analyze the excavation/shoring schedule.


The DEIR states on page II.20 that “approximately 110,000 cubic yards of soil” will be excavated from the site for an underground garage (approximately 90,000 cubic yards) and other foundation work during the seven (7) month “excavation” portion of the projected timeline. It later states excavation will take place 6.5 hours per day with an average of 20 truck trips per day (pg.IV.D.31). Assuming the average dump truck holds 12 cubic yards of dirt (typical payload for a dump truck), that would mean:


      · 110,000 cu. yards/12 cubic yards per truck = 9,166 truck trips


      · 20 trucks/day X 12 cubic yards/trip = an average of 240 cu. yards/day


      · 110,000 cu. yards/240 cu. yards per day = 458 working days for this task


Could this task be completed in seven (7) months as claimed in the DEIR?  NO.


     ·5 working days per week X 52 weeks = 260 working days per year
             – 11 holidays per year
                   249  total working days/year
   


     ·458 days to finish task/249 working days per year = 22 months  (not 7)
     
For this to take 7 months as the DEIR asserts, the following would have to be true:


   · 20 trucks/day X 7 months (145 working days ) = 2,900 total truck trips


   · 110,000 cu. yards/2,900 trucks = each truck must average 38 cubic yards/trip
Empirical evidence exists, however, proving the DEIR’s claim that the excavation portion of the schedule will take seven months is inaccurate and misleading:



             
        CASE STUDY #1: San Francisco General Hospital Rebuild Project


A recent SF General Hospital (SFGH) Newsletter reports the hospital’s contractor just finished hauling 120,000 cu. yards of dirt from the 45’ deep hole that was dug to build two basement levels and the foundation for a new hospital building. This is as close as anyone is likely to get to replicating what 8 Washington proposes, a three level 40’ deep underground garage accounting for most of the 110,000 cubic yards of dirt that must be removed from the site. 


A call to the SFGH Rebuild office revealed their excavation process took seven (7) months with an average truck load of 13 cu. yards per trip. How was that possible?


“The average truck load was 13 cubic yards. Some days we had
over 300 truck loads hauled in one day. This volume was possible
through use of a paved drive that allowed trucks to enter the side, be
loaded up then tires washed to prevent dirt on road causing storm-            
water pollution and dust.”


The SF General site is just a few blocks from U.S. 101 with direct access via Potrero Ave., thus minimizing potential traffic conflicts. The 8 Washington site will require driving long distances on city streets including “The Embarcadero, Harrison Street, and King Street… likely the primary haul and access routes to and from I-80, U.S. 101, and I-280 (pg. IV.D.31).” Imagine 300 trips a day on one of these streets.


 


        
               CASE STUDY #2: SF PUC’s New Hetch Hetchy Reservoir Tunnel


A recent Oakland Tribune story (4/8/11) describes construction of a new 3.5-mile tunnel designed to protect the water supply from SF’s Hetch Hetchy reservoir from major earthquakes by boring a 2nd, state-of-the-art tunnel from Sunol to Fremont alongside the existing 81-year-old Irvington Tunnel. The article states:


      “By the time the New Irvington Tunnel is completed in 2014, crews will have
        excavated about 734,000 cubic yards of material—the equivalent of 61,000
        dump-truck trips, said officials with the SF Public Utilities Commission.”


Dividing 734,000 cubic yards of soil by the 61,000 dump truck trips that the PUC says are necessary equals 12 cubic yards per truck trip. Given this job’s overall size and $227 million budget, it would seem to confirm the fact that the most efficient excavation equipment for the 8 Washington site will be 12 cubic yard dump trucks.



In light of these facts and the analysis provided above, the only way 8 Washington could meet its proposed seven (7) month excavation schedule would be to:


a) schedule up to 300 TRUCK TRIPS A DAY, over 10 TIMES the average number of trips per day (20) stated in the DEIR and 3 TIMES the absolute maximum of 100 truck trips per day (pg. IV.D.31)  along the Northeast Embarcadero during a period of time that directly overlaps with the major America’s Cup events and activities, something specifically prohibited by the City’s America’s Cup Host and Venue Agreement ,        


         OR


b) average 38 cubic yards of dirt per truck trip, 3 TIMES the average truck payload of both the PUC’s Irvington Tunnel project and SF General Hospital’s 120,000 cubic yard excavation project—assuming that 38 cubic yard trucks:  a) exist in sufficient quantity in   the Bay Area, b) would be available during that period of time described and c) would be allowed on The Embarcadero, Harrison St., King St., Washington St. and Drumm St. by     the City. [see photo comparison of 12 cubic yard vs. 30 cubic yard trucks below]


Unless the project sponsor can demonstrate that one of these two highly unlikely scenarios is possible, then the EIR must reanalyze a number of impacts (e.g. Land Use, Air Quality, Greenhouse Gases) based on a revised excavation schedule, one that takes 2.5 to 3 TIMES as long as the one described in DEIR to complete excavation work, and this 22 month timeline assumes NO archeological remains are found on site and the City imposes NO stop work orders related to America’s Cup (see below).


This 15-month difference between the excavation period analyzed in the DEIR and the ACTUAL time it will take to complete the excavation (22 months vs. 7 months) is a major deficiency in the DEIR with profound impacts.  For instance, some of the most significant unavoidable negative impacts described in the DEIR involve degraded air quality both during and after construction. Adjusting the environmental analysis to reflect how long excavation will actually take means significant air quality impacts related to excavation (with the greatest detrimental effect on seniors, children and people exercising) will persist for 2.5 to 3 TIMES LONGER than described in the DEIR.  This flaw also requires significant revisions to other sections of the DEIR.


In light of this new information, the next draft of the EIR must contain an analysis of    this longer overall construction period—two months for demolition; a range of 18 to 22 months for excavation (not seven months); a built-in range of time for the shutting down of the site when archeological artifacts are uncovered, documented and extracted (something the DEIR’s archeology consultant states is “likely” ); and the building construction period. Finally, given these overly aggressive excavation schedule estimates, all other estimates for later construction phases must now to be cross checked for accuracy by independent contractors (e.g. not working for 8 Washington developer    or the source of the prior DEIR excavation estimate).


B. The actual construction timeline for 8 Washington will be 41-52 MONTHS. 
If the project sponsors disagree with this assessment, they must provide the Planning Department with much more detailed information on how they expect to achieve a shorter construction period given the restrictions described in the DEIR itself as well as mathematical analysis described above. For instance,


– Did the developers err when they reported that the average number of truck
   trips per day would be 20 as analyzed in the DEIR?  If so, what number do they 
   choose to use now and how does that impact various aspects of the DEIR analysis
   such as air quality, conflicts with pedestrians, MUNI and America’s Cup, etc.. 


– Does the developer plan to raise the limit of truck trips per day from 100 (as
   per the DEIR) to 300 truck trips per day? If so, how often will this happen and 
   how will these changes impact various aspects of the previous EIR analysis (e.g. air
   quality, traffic/transit/pedestrian conflicts, America’s Cup)?


– Does the developer plan to lengthen the average workday or work six days a
   week? If so, how often and how would this impact the previous DEIR analysis?
   NOTE: The DEIR construction schedule (27-29 months) was not predicated on the
   trucks operating 6 days a week EVERY WEEK. But even if the developer ran dump  
   trucks 6 days a week for the ENTIRE excavation period it would still take TWICE AS
   LONG as the DEIR states to remove 110,000 cubic yards of dirt .


– Where is the project sponsor planning to route 100 to 300 trucks a day as they
   leave the site, particularly during the various America’s Cup trials (2012) and
   finals (2013) when vehicular traffic will be severely limited or prohibited?
   Washington Street? The Embarcadero? Drumm Street? Clay Street?, where exactly?


– Have the developers located a source of 30+ cubic yard trucks and secured
   city permission to use them on the specific streets described in the DEIR?
   It seems fair to assume the SF General Hospital’s excavation contractor would have
   done this if it were possible (and the SF PUC’s Irvington Tunnel contractor). See the  
   three photos below to get a sense of the size difference between a typical 12 cubic yard
   dump truck and the type of tractor-trailer rig required to carry 30 cubic yards or more.



As the questions and examples (SF General Hospital) above demonstrate, the DEIR’s claim that 110,000 cubic yards can be excavated in seven months defies the laws of physics and math, not to mention the America’s Cup Host & Venue Agreement between the City and Larry Ellison’s Oracle BMW Racing Team 


 A thorough reading of the DEIR’s Archeology section and the America’s Cup Host and Venue Agreement indicate that additional time must be built into the construction schedule for predictable work stoppages related to both issues.


KNOWN ARCHEOLOGICAL RESOURCES IDENTIFIED ON THIS SITE IN THE DEIR


On page IV.C.12, the DEIR’s archeology consultant, Archeo-Tec, identifies the Gold Rush ship Bethel as located under a portion of the site and states that “If discovered, the Bethel would be the oldest known (and perhaps most intact) archeological example of an early Canadian built ship (Pg. IV.C.3)”. On page IV.C.11, the archeology consultant states “Significant archeological resources are likely to exist at this site”.  The DEIR, goes on to state the proposed project will destroy a portion of city’s original Seawall causing “the largest disturbance of the Old Seawall to date”.


As a result of these DEIR findings, the archeology consultant should now be asked for an estimate of the time required to mitigate the discovery of the Bethel and other likely finds (e.g. original Seawall, other Gold Rush ships, original Chinatown). This “likely” work delay should be built into the construction schedule and stated as a range. For purposes of the matrix below (Table 1) we chose a time of two weeks to two months based on anecdotal information from other similar sites. Archeo-Tec, the archeology consultant, should be able to come up with a more precise estimate.


KNOWN AMERICA’S CUP SCHEDULING CONFLICTS


Based on recent MTA staff presentations on protocols for the America’s Cup, it seems clear that traffic, particularly construction dump trucks, will be banned from Washington Street, Drumm Street and The Embarcadero during major America’s Cup events that include, at a minimum, the America’s Cup World Series warm-up races (July/Sept. 2012), the penultimate Louis Vuitton Cup Series (July/August 2013) and the America’s Cup finals (Sept. 2013).  


This represents a minimum of 2.5 months that must be added to the construction schedule, something the DEIR authors should have included if they had read the America’s Cup DEIR which states there are 9+ weeks of races associated with this event in 2012/2013. The extra few weeks added to the low end range in Table 1 (below) are there to accommodate last minute weather delays and various large non-racing events held along the waterfront that will require closure of The Embarcadero, Washington Street, Drumm Street, etc.


Table 1 below lays out a more credible and realistic construction schedule based on the factors described at length above, taken directly from the DEIR or readily available from the city (e.g. America’s Cup DEIR) and the America’s Cup Host and Venue Agreement.


 
Table 1: Requested Changes to the overall DEIR construction schedule


          ACTIVITY             MINIMUM           MAXIMUM 


    DEIR’s construction schedule: 27 months    to    29 months  


    Actual excavation schedule:  18 months           22 months
    — DEIR estimate for excavation – 7 months            – 7 months
    + Increased excavation time  11 months      to       15 months 
    + Archeology delays                .5 months      to         2 months
    + America’s Cup delays                   2.5 months        to         5 months
    + Weather delays                        .25 months      to         1 months


   ACTUAL CONSTRUCTION TIME 41 months       to      52 months


To refute these numbers, the project sponsors must not only present a verifiable and detailed plan to remove 110,000 cubic yards (9,167 truck trips) in seven months that the City has signed off on but also produce a letter from the City and Oracle BMW Racing granting a waiver from Section 10.4 of the America’s Cup Host and Venue Agreement that would allow 20 to 300 trucks a day to drive along The Embarcadero, Washington Street   or Drumm Street during major America’s Cup events in 2012 and 2013.


D. Significant Transportation and Energy issues that were not addressed in DEIR.


More specific information related to the construction process needs to be provided and analyzed in the EIR, particularly regarding the far reaching impacts of those 9,166 dump truck trips, impacts that go beyond the immediate Northeast Waterfront.


The DEIR states “While the exact routes that construction trucks would use would depend on the location of the available disposal sites, The Embarcadero, Harrison Street, and King Street would likely be the primary haul and access routes to and from I-80, U.S. 101, and I-280”. At a minimum, The EIR needs to include information on where the two or three most likely disposal sites are located, based on recent experience (SF General Hospital excavation) so that one can analyze the extent of potential conflicts on the Bay Bridge or 101 South where other trucks will be transporting dirt to and/or from the Transbay Terminal project, Hunters Point Shipyard, Mission Bay, Treasure Island, etc. Without this information, the City could find itself creating significant traffic conflicts on the Bay Bridge or highway 101 that greatly increase air quality, traffic and transit problems without having analyzed these potential impacts in a flawed EIR.


Simply saying “While the exact routes that construction trucks would use would depend on the location of the available disposal sites” isn’t adequate or acceptable. Assumptions must be made regarding most likely disposal sites and routes to those sites and what additional cumulative impacts these routes (and 9,166 trucks) will create. The EIR must provide a MAP of the route to be used for hauling soil, all the way from the departure point at 8 Washington to the final destination(s) with an explanation of where trucks will drive and what restrictions there are on hours, size of payload, safety, etc. for the various streets, highways and bridges they will travel on. If the options include trucking the soil to San Francisco’s southern waterfront to transfer it to barges, then this needs to be disclosed and analyzed, including the potential routes and destinations of those barges.
In addition, to accurately compare the environmental impacts of the project sponsor’s ‘Preferred Project’ to the “No Project” alternative (energy consumption, traffic impacts, air quality degradation, etc.), one needs to know not only the destination of the approximately 9,166 dump truck trips but also the average miles per gallon of a typical dump truck. For instance, if the final destination for the soil was 100 miles away and a typical dump truck averages 8 miles per gallon of diesel fuel, then:



      9,166 truck trips X 200 miles per round trip = 1,833,200 miles for all dump trucks;


      1,833,200 gallons/8 MPG = 229,150 gallons of diesel fuel that would be burned. 


    
In other words, the city’s choices would be:



     229,150 gallons of diesel fuel used to transfer 110,000 cubic yards 1,833,200 miles


VS.


    ZERO (O) gallons of diesel fuel used if the NO PROJECT alternative were approved.


 


E. Importance of accurate, detailed information re: the construction process.


Given the above discussion, it is clear that the construction schedule set forth in the DEIR is inaccurate at best and has led, in many cases, to the significant understating of major negative impacts associated with this project. The lack of a detailed discussion of some of the key aspects of the construction process, e.g. the route and destination of 9,166 dump trucks, is also highly problematic.


Without a complete and thorough analysis of the impacts of a of an overall construction schedule that is TWICE AS LONG as the one analyzed in this DEIR, city officials will be missing much of the critical information they need to determine whether or not the developer’s ‘Preferred Project’ is necessary, desirable or feasible. A complete and factual analysis of this issue must be included in the next draft of the EIR which, given this and  other major inaccuracies and omissions (see below), should be recirculated in draft form.


 



II. THE DEIR FAILS TO DISCUSS OR ANALYZE ANY CRITICAL HOUSING ISSUES RELEVANT TO 8 WASHINGTON OR UNIQUE ENVIRONMENTAL AND ENERGY IMPACTS THOSE HOUSING ISSUES CREATE. 


A. Impacts of the project on the City’s Housing Needs were Not Analyzed in DEIR.  The DEIR states that potentially significant impacts to Population and Housing will not be discussed because the 2007 NOP/Initial Study found that the proposed project would not adversely affect them. Unfortunately the DEIR lacks the basic information needed to reach such a conclusion and, as we will demonstrate, an objective review of relevant 2008-2011 housing data contradicts this conclusion.


The world, particularly regarding housing, has changed radically since 2007. Relying   on housing and population information from 2007 ignores the financial and housing meltdown of 2008 and is simply indefensible. In addition, back in 2007, the EIR consultants were relying on stale, seven-year-old census data while today they have access to a multitude of fresh 2010 census data. No one can dispute that the housing environment today could not be more unlike the housing environment in 2007.
By relying solely on pre-2008 housing data from the 2007 NOP/Initial Study, this DEIR    lacks any of the basic information needed to conclude that this project would not have adverse effects on Population and Housing and must now revisit and thoroughly analyze these issues.


B. The DEIR fails to analyze how the type and price of housing proposed for
8 Washington determines whether or not it meets the city’s housing needs.


One of the project objectives (Pg II.14) is to “help meet projected City housing
needs.” How is that possible, given the fact that the developer has publicly stated
that these will be “the most expensive condominiums in the history of SF” ? With a
$345,000,000 project cost , 8 Washington’s 165 units will cost $2.0 million a unit
just to build . To secure financing and a ‘reasonable’ profit, each unit will have to
sell for $2.5-$5 million with penthouses selling for $8-$10 million.


Nowhere in the DEIR is ANY of this discussed. There is no analysis of how these
very high sales prices will determine who lives at 8 Washington (e.g. how many San
Francisco families could afford these prices?) and how the incomes of these new
residents ($250,000 to over $1 million/year) will dramatically change a number of
the environmental impacts of the project, with major implications for sustainability
and energy use, among other things.


The final EIR must state the average cost to build each unit and the range of
sales prices expected so that public officials can assess for themselves whether
the proposed condos will or will not  “help meet projected City housing needs.” 


The 2009 Housing Element, signed into law by Mayor Ed Lee on June 29, 2011, states that 61% of the housing need in San Francisco is for below-market-rate housing—serving families making 30-120% of Area Median Income (AMI), and only 39% of the city’s housing need is for market rate housing (120% to 500+% AMI).


As Planning staff and Commissioners know from their Housing Element discussions, the luxury condos proposed for this project are so expensive they will not help the city meet its current unmet housing needs. If this project objective (Pg II.14) is left in the final EIR, it should include a note explaining that the project, as proposed, is unlikely to meet this objective for the following reasons:


Condominiums selling for $2.5 million and more fall into the one segment of the city’s housing market that is currently overbuilt and has historically been over represented in relation to the state’s Regional Housing Needs Allocation (RHNA) goals that underpin the updated 2009 Housing Element of the city’s General Plan. An ABAG report on housing needs vs. housing production in SF (1999-2006) that came out in 2007—a report that should have informed the 2007 NOP/Initial Study for 8 Washington—states RHNA Allocations (Goal), Permits Issued (Permitted) and % of Allocation Permitted (% of RHNA Goal) by income category as follows:



Table 2: SF Housing Production (1999-2006)*


Housing Type  Very Low    Low              Moderate       Market Rate 
by Income    Income Income  Income           Housing
____________________________________________________________________________________________________________
  % of AMI:    21-50%  51-80%  81-120%         120-500+%
  Annual income: [21-50K] [57-81K] [85-123K]   [123K-$1million+]
———————————————————————————————————-
·RHNA Goal (units)   5,244       2,126   5,639                7,363


·Permitted    4,203       1,101      661                        11,474


·% of RHNA Goal     80%      52%       12%             156%


        * from a 2007 ABAG report entitled: A Place to Call Home



A chart like this, showing housing goals by income group (based on RHNA numbers from the State Office of Housing and Community Development), must be included in the DEIR so public officials can analyze what portion of the city’s unmet affordable and middle income housing needs, if any, the proposed project would meet. It illustrates something local housing experts have long known, that the city consistently comes in well above its RHNA goals for market rate condos, and has historically fallen short of its goals in all other categories for affordable housing, the housing that serves the 61% of San Franciscans that cannot afford ‘market rate’ housing.
C. Dramatic changes to the San Francisco housing market since the 2007 NOP/ Initial Study were not acknowledged and analyzed in the DEIR. All the traditional (pre-2007) sources of funding for the city’s affordable housing programs have dried up since the 2008 housing crash. Redevelopment tax increment funds will either be significantly reduced to pay the state to avoid closure of the SF Redevelopment Agency, or they will be eliminated altogether. Proceeds from the state’s $2.8 billion Affordable Housing Bond (Prop. 1C) are all spent. The federal Low Income Housing Tax Credit, a major source of funding for affordable housing, is under attack by House and Senate Republicans and may not survive.


This indicates that San Francisco won’t come close to meeting its pre-2007 affordable housing production levels  until we find a new permanent local source of funding for affordable housing. How long will that take? The DEIR must address this issue.


Another chart that must be included in the DEIR shows the city’s RHNA goals by income category combined with a summary of a recent SF Business Times (6/24/2011) chart showing all San Francisco residential projects under construction, permitted or  in the planning pipeline . Such a chart would look something like Table 3 below:


Table 3: Where does the city need help in meeting its RHNA goals?


          Extremely Low       Very Low            Low             Moderate          Market Rate   
                 Income          Income           Income            Income               Housing
         Below 30% AMI          31-50%            51-80%           81-120%              120-500+% 
      [21K-30K]         [35K-50]        [57K-81K]      [85K-120K]        [120K-$1M+]
____________________________________________________________________________________________________________


RHNA      439/yr.                   439/yr.           738/yr.            901/yr.                    1,632/yr.
Goals:      10.5%        +          10.5%      +      18%        +     22%  =  61%           39%
# of units                    of total        of total
% of goal
                             All Affordable Categories Combined            Market Rate_


Underway:          470 units                 1,557 units


Approved:                  8,751 units             30,878 units


In Pipeline:                   780 units                     4,184 units 
________________________________________________________________________
                          10,000 units             36,619 units 
            or                     or
          21.5% of all units                 78.5% of all units


                        56% of RHNA goals                                300% of RHNA goal
                in all affordable categories                        in market rate category
Some version of Table 3 must be included in the revised DEIR to help public officials determine whether the significant negative environmental impacts this project creates are outweighed by the ‘need’ for the type of housing that 8 Washington provides given the priorities set forth in the Housing Element of the General Plan and what the above-mentioned SF Business Times chart tells us about likely housing production for each segment of the city’s housing needs (from 2011-2014). 


Table 3 demonstrates that in a few years, if nothing changes, the city will have approved and built out 300% of its RHNA goal for Market Rate projects (such as 8 Washington) but only 56% of its RHNA goals for all other housing that serves San Franciscans making 30% AMI to 120% AMI. But given what we now know about the current lack of funding for affordable housing, the exact opposite of what was true in 2007 (when the city had significant amounts of Redevelopment tax increment and other affordable housing funds), many of the affordable housing projects listed by the Business Times are now on hold and unlikely to come on line by 2014. This means the mismatch between market rate (39% of need but 300% of production) and all categories of affordable will be even greater than Table 3 indicates.


To be fair, one could argue that some of the market rate housing on the Business Times chart may not be built soon either given that banks have been reluctant to lend money lately. However, a recent article in the SF Chronicle (8/11/11) entitled “Rents Go Through Roof” indicates that the city’s housing market is roaring back; Dennis Robal, property manager with Chandler Properties, reports “Noe Valley apartments that were $2,000 a month a year ago are now going for $2,400”. These kinds of increases, driven by new renters from the tech sector, are prompting major increases in investments by financial institutions in new rental housing.


Regarding the condo market, the one group of potential condominium buyers that
have not suffered financially from the economic meltdown are the very people who
caused it, the Wall Street investors, derivatives specialists, hedge fund managers,
etc. who are now making record salaries and bonuses. These are some of the people
8 Washington will be marketing to because they have the cash to spend $2.5-$10
million on a second, third or fourth home in San Francisco.


NONE of this housing analysis appears in the DEIR yet including it in the DEIR is
critical to the ability of public officials to make informed, rational decisions on this
project, particularly claims by the developer that this project will “help meet
projected City housing needs”. The information and analysis described above is
necessary to allow city officials and all readers to determine accurately and
objectively what portion of San Francisco’s unmet affordable and middle income
housing needs, if any, 8 Washington would meet.


Each year, as the City assesses how well it is meeting its RHNA (state) housing goals, the one area that has consistently over produced is high-end market rate housing affordable to people making $250,000 to $1 million+ a year.
How does building second, third and fourth homes for this demographic “help the city meet its housing needs?”


The unmet housing needs in San Francisco are for people making from 30%-50% of median income all the way up to 100-120%, not people making $250,000 to $1,000,000+ a year (200-500% or more of area median income). The DEIR needs to discuss the following questions to be considered complete, adequate and accurate, questions such as:


How does this project relate to the objectives, policies and goals of San Francisco’s recently enacted 2009 Housing Element of the General Plan?


What portion of San Francisco’s affordable and middle-income housing needs will this proposed project actually meet?


How many other projects under construction, approved or in the pipeline (see June 24,
2011 SF Business Times chart) will meet the needs of San Franciscans who can afford market rate housing vs. those that meet the needs of  the 61% of SF residents needing below market housing?


What percentage of “residents” of these condos will be using this housing as their primary residence vs. as second, third and fourth vacation homes?


Given that numerous studies show transit use goes down as income goes up,
how likely is it that these new owners will use public transit?


Again, the answer to each of these questions provides critical information that public
officials need to assess for themselves whether the proposed condos will or will
not “help meet the projected City housing needs.” 


Everything that’s happened since the 2008 economic/housing meltdown has made our housing problems worse, something the DEIR doesn’t attempt to analyze, arguing instead that a 2007 NOP/Initial Study—competed a year before the housing bubble burst—absolves it of all such responsibility, an argument that is factually absurd.


D. The DEIR fails to acknowledge, measure or analyze the unique environmental impacts generated by owners who can pay $2.5 to $10 million for luxury condos.


Building housing for this demographic has measurable impacts on transit and energy use that were not included in the DEIR. We know from national studies that low-and middle- income residents are far greater consumers of public transit than people with higher incomes. Imagine how much different public transit use will be when this inverse relationship includes people who can afford $2.5-10 million condos that come with             1-for-1 parking (costing almost $100,000 a space to build).


But a far greater environmental impact than driving private cars was not addressed in this DEIR, an impact resulting from lifestyle differences one can anticipate with some members of this highest of high-end demographics: owning and/or using private jets.


It’s reasonable to assume that five of the 165 condo buyers at 8 Washington (just 3% of   all buyers) are Wall Street hedge fund managers, derivatives traders or venture capitalists using these condos as second, third or fourth homes. It’s also reasonable to assume that these five buyers will use their condos 1.5 times a month on average and commute to and from SF aboard private business jets, a perfectly rational assumption for Wall Street executives making tens of millions in salary and bonuses each year. Why would they fly private jets rather than take Southwest…because they can. The fact that a handful of  people that are this wealthy will buy units at 8 Washington must be factored into any environmental analysis of a project that will explicitly market to this high-end demographic. That analysis must include, among others, the following:


 
                           Table 4: The Jet Fuel Burn Rate for Luxury Condominiums
___________________________________________________________________________
Mid to large size business jets used to fly cross country (e.g. Hawker 800XP, Gulfstream G2/G3, Bombardier Global Express) average 400 gallons of jet fuel per hour and take six hours to fly New York to SF and five hours to fly back for an 11 hour round trip  :


     · 11 hours X 400 gallons per hour = 4,400 gallons of jet fuel per trip
          a typical family car burns 1,200 gallons of gas per year so one flight from
          NYC to SF equals almost four years of driving a typical family car.
               ————————————————————————————————————————————————————————————————————-
       
        ·  1.5 trips/mo. = 6,600 gallons/mo. X 12 mo. = 79,200 gallons of jet fuel/year


        ————————————————————————————————————————————————————————————————————-
Using our example of 5 residents, the numbers over one year and 20 years are:


        ·  5 X 79,200 gallons/per year = 396,000 GALLONS OF JET FUEL A YEAR or
         equivalent to driving a family car 330 years, A THIRD OF A MILENNIUM, per year.


        ·  396,000 gallons/year X 20 years = 7,920,000 GALLONS of jet fuel in 20 years
         equivalent to driving family car 6,600 years, OVER 6 MILLENIUM, in 20 years.



Given these condos cost $2+ million to build and will sell for $2.5 to $8 million or more,    it seems quite reasonable to assume a mere 3% of these buyers—just five (5) buyers out of 165 —will be part-time residents wealthy enough to commute to San Francisco by business jet. If this is a reasonable assumption , then the DEIR must include the mathematical calculations above to show the true energy costs of this project. In fact, it would also be reasonable to assume a few other buyers will use private business jets to commute from LA, San Diego, Denver, etc. The only way to prevent this, forbidding buyers to own or use corporate jets, is of course impossible.
This is just one example of how housing prices—and who lives in that housing—greatly changes environmental impacts and why this analysis must be included in the DEIR for    8 Washington. As condo prices reach $2.5-10 million, it’s reasonable to assume a number of buyers will use them as a second, third or fourth homes and that some of those buyers will travel here by jet, not car or public transit. On the other hand, if units at 8 Washington were affordable or market rate rental or affordable-by-design condos (80%-150% AMI), it’s very unlikely any of its residents would own or use business jets. Price does matter with regard to energy consumption and transit use.


Given these facts, the 8 Washington DEIR must analyze such questions as:


How many solar panels do you need to make up for 396,000 gallons of jet fuel per year?


How many low flow toilets make up for 396,000 gallons of jet fuel per year?


How many double pane windows make up for 396,000 gallons of jet fuel per year?


How many on-demand hot water heaters make up for 396,000 gallons of jet fuel per year?


Looking at the longer term impacts of this excessive consumption of energy resources:


How many solar panels compensate for 7,920,000  gallons of jet fuel over 20 years?


How many low flow toilets make up for 7,920,000 gallons of jet fuel over 20 years?


How many double pane windows make up for 7,920,000 gallons of jet fuel over 20 years?


How many on demand water heaters make up for 7,920,000 gallons of jet fuel over 20 years?


Having this information in the DEIR is necessary for the Planning Commissioners or Board of Supervisors to make informed decisions about 8 Washington, especially when the project sponsor keeps touting it as state-of-the-art, sustainable, LEED certified (at Gold or Platinum level), etc. When added to the project sponsor’s insistence on building a 420-car underground (below sea level) garage, one has to question how one can call this a model of sustainable development or let the DEIR include sustainability as a project objective.


Unless the DEIR seriously and objectively addresses questions of how the price of housing and who lives in that housing impacts environmental sustainability, we risk creating a backlash against things like LEED certification and terms like “sustainability”. They could easily become just another example of slick marketing and “greenwashing”. Everyone agrees that building 10,000 s.f. McMansions in the Sierra Foothills on 2-acre lots—even if they’re LEED certified at the highest level—is NOT sustainable development. Why is it any less absurd to use “green” and “sustainable” to describe $2.5-$10 million condos built as second and third homes for extremely wealthy part-time residents, some of whom commute from their primary residence by private jet?


The DEIR must provide public officials with the data and information they need to analyze all the significant impacts that units this expensive have on the environment. With this information, decision makers might choose to require a much smaller garage or no garage at all (insisting on more efficient use of nearby existing garages). They might also choose to support a much smaller project or no project at all, based on the lack of demonstrable need for this housing type and all the other negative impacts described above. But they cannot make any of these decisions in a rational and objective manner without all the facts, many of which are missing from this DEIR.


E. The DEIR confuses project “objectives” with city mandated requirements with regard to Inclusionary Housing, then fails to discuss any of the relevant issues around this city policy.


The project objective (Pg II.14) that talks about the project’s ability “to help meet
projected City housing needs” reads in full:


 “To develop a high-quality, sustainable and economically feasible
   high-density, primarily residential, project within the existing
   density designation for the site, in order to help meet projected
   City housing needs and satisfy the City’s inclusionary affordable
         housing requirement;” 


Satisfying the city’s inclusionary affordable housing requirement, for this or any market  rate housing development, IS NOT an Objective, and stating it as such is misleading. It is,  in fact, legally mandated by city ordinance. The developer doesn’t have a choice in the matter and it should be stricken from this Objective. However, this reference to inclusionary housing leads one to ask several questions that are never addressed in the DEIR but should be. An Inclusionary Housing section must be added that answers questions such as:


What are the specific requirements for including permanent below market rate (BMR) units in all market rate projects and how many would be required on-site for this one?


Did the developer ever consider building on-site BMR units and if not, why not?


If the developer did consider and reject on-site BMR units, why?


If the developer has decided to pay the in-lieu affordable housing fee, what would it be and how and where (e.g. within a 1-mile radius of the project) would it be spent?


Given that the in-lieu fee charged developers to buy out of providing BMR units on-site is based on construction costs and sales prices for “average” condos, how will the extraordinarily high construction costs and sales prices for these condos impact the in-lieu fee? If it doesn’t impact the fee, would an appropriate mitigation measure be amending the Inclusionary Housing policy so that it does?


Mentioning the inclusionary requirement as part of an objective stating that the project seeks to “help meet projected City housing needs” is misleading and inaccurate. It tries to infer that the funding for 30 affordable units provided by the developer’s inclusionary requirement is helping to meet this objective when, in fact, relying on inclusionary payments to advance the city’s affordable housing goals will only drive the city further   out of compliance with its state mandated RHNA goals. The following example clearly demonstrates the validity of this claim:


TNDC’s proposed affordable family apartment project at Eddy and Taylor Streets is typical of the projects now stalled in the city’s affordable housing pipeline due to the lack of affordable housing funding from traditional sources. But the Eddy and Taylor project is a 150 unit development, not 30 units. For it to go forward, you would need the inclusionary housing funds from FIVE market rate projects like 8 Washington. What would that do to San Francisco’s RHNA goals:


         If:  165 market rate units are needed to fund 30 affordable units,
  Then:   825 market units (5X) are needed to fund 150 affordable units (975 total units).
      
         If:  out of a every 975 new housing units, 825 are market rate & 150 are affordable,
   Then:  for each new 975 units built in SF: 85% are market rate, 15% affordable.


But the 2009 Housing Element of San Francisco’s General Plan (based on the state RHNA goals) calls for 39% OF NEW HOUSING TO BE MARKET RATE (NOT 85%). Relying on Inclusionary Housing off-site payments to fund affordable housing clearly runs counter to the housing production goals set forth in the 2009 Housing Element in the General Plan as well as the RHNA goals for San Francisco established by the state of California. Furthermore, as SB375 Sustainable Development funding criteria begins influencing state funding decisions, by driving our RHNA numbers toward 85% market rate, projects like 8 Washington could jeopardize San Francisco’s ability to apply for and receive state and federal infrastructure and transit funding.


The only way to bring San Francisco’s housing production numbers back into line with the goals in the Housing Element (and RHNA numbers) is to create a new local permanent and dedicated source of funding for affordable housing. These relevant facts regarding the impacts of inclusionary housing must be included in the DEIR.



III. THE DEIR IGNORES THE GENTRIFICATION/DISPLACEMENT IMPACTS OF THIS PROJECT THAT WILL RESULT IN THE LOSS OF HUNDREDS OF RENT CONTROLLED UNITS IN THE GOLDEN GATEWAY BY ENCOURAGING THE FURTHER HOTELIZATION OF ITS 1,200 RENTAL APARTMENTS


The other ‘partner’ in this project is Timothy Foo, who bought Golden Gateway from Perini Corp. about 20 years ago. Only 20% of the 8 Washington site is on Port land, while 80% of the site is on land owned by Mr. Foo and currently occupied by Golden Gateway’s community recreation center. However, Mr. Foo’s only mention in the DEIR is in a footnote to the first sentence of the Introduction which states: “On January 3, 2007, an environmental evaluation application (EE application) was filed by San Francisco Waterfront Partners II (the “project sponsor”) on behalf of the Golden Gateway Center*”. That footnote says “*Golden Gateway Center, Authorization Letter from Timothy Foo, December 27, 2006”).


In addition to violating the original Golden Gateway development agreement that required Perini (and future owners) to preserve the recreation center in exchange for deep discounts in land prices charged by Redevelopment, for some time now Mr. Foo has also been converting rent controlled apartments in the Golden Gateway to short term rental use (e.g. on one floor of a high-rise tower, a third of the units are rented this way). These conversions have been documented by the Golden Gateway Tenants Association, the Affordable Housing Alliance and the San Francisco Tenants Union. While such conversions are not unique to the Golden Gateway Center (see attached Bay Citizen article), they are illegal and violate city zoning, rent control and apartment conversion ordinances.


The DEIR must address this issue by posing the following questions to Mr. Foo and incorporating his answers into the DEIR. He must provide this information because as the owner of 80% of the underlying land that comprises the 8 Washington site, he has had and continues to have a direct financial stake in this project. He must be asked the following questions:


How many of Golden Gateway’s 1,200 rental apartments are currently being used as hotel rooms and/or short-term rentals and/or rented to persons other than those using them as primary residences or directly related to the person residing there (e.g. corporations, business organizations, apartment brokers).


Has Mr. Foo consulted with either the Rent Board or the Planning Department as to the legality of his use of apartments in Golden Gateway as hotel rooms or short-term rentals under applicable city zoning codes, the San Francisco Rent Control ordinance or the city’s Apartment Conversion Ordinance?


Upon receiving and analyzing this information from Mr. Foo, the DEIR must then answer the following questions:


Is the ‘hotelization’ of Golden Gateway and other large apartment complexes likely to increase with the approval of 8 Washington, a development that:


a) builds 165 high-end luxury condos ($2.5 – $10 million each)
 on Mr. Foo’s property—creating a much more upscale
environment adjacent to his Golden Gateway apartments;


b) provides Mr. Foo with $10-15 million (what he’s likely to
be paid for his 80% of the site) that can be used to upgrade
his rent controlled apartments at Golden Gateway in order                             to attract even more higher paying hotel users; and


c) if no mention of these conversions is made in the DEIR, after                     these written comments have been submitted, will send a clear
message to Mr. Foo and others that the City has no intention of
enforcing its own zoning, rent control and apartment conversion
ordinances, thereby encouraging even more conversions.


If conversions like those at Golden Gateway are not stopped soon, the city is at risk of losing thousands of residential apartments in its downtown neighborhoods.


What kind of mitigations would prevent the further hotelization of the Golden Gateway’s 1,200 rent controlled apartments?


With larger apartment complexes such as Golden Gateway, Parkmerced and Fox Plaza, owners get around the current prohibition on renting residential apartments for less than 30 days as hotel rooms (an action that is legally prohibited by the San Francisco Apartment Conversion Ordinance) by leasing them for more than 30 days to third parties (e.g. corporations, apartment brokers). These intermediaries then rent the apartments for anywhere from a day or two to a few weeks to a month or two.


A simple amendment to the Apartment Conversion Ordinance that changes “you cannot rent an apartment for less than 30 days” to “you cannot rent or occupy an apartment for less than 30 days” would prevent Golden Gateway and others from renting apartments for anywhere from a few days to up to four weeks. Preventing 30-60 day rentals would be a more complicated matter.


The DEIR must address how constructing 8 Washington could encourage, help fund and accelerate Mr. Foo’s conversion of the 1,200 units at Golden Gateway from rent controlled apartments to hotel use as well as the impacts this would have on the city’s housing goals as set forth in the San Francisco’s 2009 Housing Element and its RHNA goals. For instance, if we’re converting housing to non-housing (hotel) uses as fast or faster than we are creating new housing units, we will never dig ourselves out of our current housing crisis and that outcome would have catastrophic impacts on the environmental and economic sustainability of San Francisco as a city.


The DEIR must also describe, in detail, the kind of mitigations (see above) that, if enacted, could mitigate the potential impact of losing more that 165 rent controlled apartments at the Golden Gateway, erasing the gain, on paper, of 165 luxury condos.



IV. FREQUENT USE OF THE WORD “PRIVATE” AS A MODIFIER OF THE GOLDEN GATEWAY RECREATION FACILITIES THROUGHOUT THE DEIR  IS BOTH MISLEADING AND INNACCURATE IN LIGHT OF THE RECENT PRIVITIZATION AND FEE STRUCTURES IMPOSED ON THE CITY’S “PUBLIC’ RECREATION FACILITIES AND SWIMMING POOLS.


The current fee structure for public recreation facilities in San Francisco results in situations where the cost of attending ‘public’ pools can often exceed fees charged by    the “private” Golden Gate Tennis & Swim Center (GGTSC).


The use of the term “private” in this context throughout the DEIR appears to be an attempt to justify the loss of GGTSC facilities for the 3-4 years that it would be shut down if the “preferred project” were approved (see section I.A for actual construction schedule) as well as the permanent loss of five of nine tennis courts, the basketball court and the current, family-friendly ground level swimming pools, Jacuzzi and open space.


In the past, the city’s public recreation facilities, including its swimming pools, were  “public” in every sense of the word—open long-hours, open 6-7 days a week and “free” to residents. In recent years, however, the San Francisco Recreation & Parks Department has increased resident user fees, reduced hours and increased the privatization of its facilities in response to ongoing budget deficits. Today, both the ‘private’ Golden Gateway facility and ‘public’ pools are open to anyone, anyone who is willing to pay   the fees that they charge. Neither is free.


A. The DEIR fails to discuss the privatization of the City’s  recreation centers: According to a 7/9/11 SF Chronicle article, the city is now leasing 23 of its 47 recreation centers to outside interests (e.g. nursery schools, private classes) with the city staffing only a dozen (12) of the 47 former “public” recreation centers. Seven (7) of the remaining recreation centers are under renovation and five (5) are vacant, unavailable for any kind of use “because no one has leased them and there is no money for city workers to run them”. Out of a total of 47 city recreation centers, only 12 are staffed by city workers who run programs for residents, many of them for a fee, during reduced days and hours.


The City also runs nine “public” swimming pools in neighborhoods such as North Beach, the Mission, Bayview, Visitacion Valley, etc. These pools used to be open five or six days a week and were free for residents. Today, residents pay $5 for each swim and $7 for adult swim lessons/water exercise. Children under 17 pay $1 per swim and $2 for swim lessons/water exercise ($3 for a swim & a class together).


Active Recreation Facilities: Public vs. Private… is there a difference anymore?


Each time a family of two adults goes to a city pool it costs $10 per visit to swim and up to $14 per visit if they participate in swim lessons or water exercise. If that family went three times a week, it would cost them $120-$168 per month depending upon how many times they took a swim vs. participated in swim lessons/water exercise. That comes to at least $1,440 dollars per year. Additional swim lessons/water exercise classes drive costs of using a “public” pool even higher.


Now imagine a family of two adults living at the Golden Gateway who currently       swim every day at the Golden Gate Tennis and Swim Center. At the city’s North Beach (public) pool, it would cost them $200 a month ($10/swim X 20 days) to swim Tuesday through Saturday (the pool is closed Sunday/Monday) and their schedules would have to match specific windows each day when the pool is available for adult lap swimming. Compare that to the two pools at the Golden Gateway Tennis and Swim Center—one just for swimming laps; one for kids, families and seniors that are open seven days a week for longer hours.


B. Comparative Costs. Because our hypothetical couple live at the Golden Gateway Apartments they automatically receive a discounted membership of about $170  per month ($85 each) to use the two pools, full gym across the street and have the ability to reserve tennis courts at $20 per use. Since the Golden Gateway was built (1960’s), residents have always received discounted membership at this facility, one of two community benefits Redevelopment required, along with Sidney Walton Square, in exchange for entitlements to build both the Golden Gateway (1,150 rental units) and the adjacent Gateway Commons (condominiums). Redevelopment felt both amenities were needed to meet the open space and active recreation needs of what was to become one of the densest residential communities in San Francisco and discounted the land for the GGTSC and Gateway Commons in exchange for the owner maintaining an active recreation facility at the GGTSC in perpetuity.


Even for those who don’t get the Golden Gateway resident discount, memberships to the Tennis and Swim Center that don’t include automatic access to the tennis courts cost about $220 a month to swim 30 days a month, the same price two adults would pay to swim only 20 days a month at the North Beach pool, a facility with no gym and only   one pool and therefore greater restrictions on when they could swim laps. It should also be noted that over 300 “guests” are admitted free to the Golden Gateway recreation facility each month, a total of 3,000 to 4,000 guests each year. We are not familiar with   a similar policy for free guests at the North Beach pool (or any other city pools).


Clearly, the recent privatization and escalating fee structures at the city’s “public” recreation centers/swimming pools have erased any real distinctions between public facilities and private facilities as viewed by local families and residents. But one of          8 Washington’s main justifications for closing the Golden Gateway Tennis and Swim Center for 3-4 years during construction—and downsizing the replacement facility—
is that it is a “private” club maintained for the selfish interests of the few.


Putting aside the fact that 8 Washington’s condos will cost $2 million each to build  and will sell for $2.5 to $5 million each and up (for upper floors), making them unaffordable to 97% of all San Franciscans (talk about catering to “the few”), the issue of who uses the current recreation facilities on this site is an important one that the DEIR must address. The similarities outlined above between today’s Golden Gateway recreation facilities and the City’s current “public” recreation centers/swimming pools contradicts the impression created by the DEIR in its current form with so many derogatory references to GGTSC as a ‘private’ club.


It is imperative that public officials have the information outlined above regarding the current costs of “public” recreation in front of them so they can decide for themselves what distinctions, if any, exist in today’s world between this ‘private’ club and so called “public” alternatives. This information is precisely what an EIR is suppose to provide to officials charged with making these kinds of decisions.


For these reasons, we must insist that you provide—in the Comments and Responses document—a clear, complete explanation of this issue, with a chart (see attached for potential template) that compares the facilities, hours, programs and costs to San Francisco residents of the city’s nine (9) “public” swimming pools with the current Golden Gateway recreation facility fee structure. Without such an analysis critical information will be lacking, information that Planning Commissioners, Park and Recreation Commissioners, Port Commissioners and the Board of Supervisors will clearly need as they assess the validity of the developer’s claims about who is served by the current facilities (and what environmental impacts they have) versus those who’ll be served by the proposed project (and its environmental impacts).


Without this information, it will be difficult for these public bodies to make informed decisions as to whether to grant or not grant the conditional use authorizations, upzonings and dozens of separate approvals and permits needed for this complicated and controversial project to proceed.


V. THE DEIR FAILS TO ADDRESS OR ANALYZE ANY OF THE MAJOR ECONOMIC ISSUES RELATED TO THIS PROJECT, ISSUES THAT HAVE SIGNIFICANT ENVIRONMENTAL AND FINANCIAL IMPACTS ON THE NEIGHBORHOOD AND THE CITY.


Several of the project sponsor’s and the Port’s objectives for this project speak to the “economic” benefits of the project for the developers, the Port and the City. The DEIR and other Port documents talk about the need to develop SWL 351 in order to generate revenue for badly needed Port infrastructure work. But the Port’s financial term sheet for this project is unrealistic, misleading and relies on depriving the city of $32 million in general fund dollars as part of a proposed Infrastructure Financing District.


This section addresses the DEIR’s lack of analysis or scrutiny regarding the ‘alleged’ financial benefits of the project as described in the Port’s Term Sheet for Seawall Lot 351 with San Francisco Waterfront Partners (“Term Sheet”) and how that Term Sheet, if executed, would have very real environmental impacts with regard to transit, open space, recreation, housing and population.  An examination of the Term Sheet demonstrates that the stream of income on which the term sheet’s finances rely cannot be achieved.  An objective analysis of “payments” described in this Term Sheet leads one to a much more pessimistic set of income projections than those presented in the September 23, 2010 Director’s Recommendation to the Port Commission. That report describes three payment sources as follows:


(1)  a land lease with annual payments of $120,000 per year;
(2)  future payments triggered by resale of condos created by the Project;
(3)  a to-be-established Infrastructure Financing District (IFD) that allows
              a portion of growth in property taxes to be reinvested in public facilities;  
 
That third source of funding is particularly troubling since it requires a sizeable appropriation of City General Fund revenues ($32 million) by the Port for its own purposes. We will now examine each of these proposed “payment” schemes to determine how realistic they are as well as the potential environmental and economic consequences they create for San Francisco’s residents and taxpayers:
1.  Lease Payments. It is easy to refute the likelihood of the $120,000/year lease payment for parcels to be used as open space with related facilities.  The second paragraph of Director’s Recommendation (page 5) states: “If engineering and cost analyses deem additional funding is needed to finance agreed upon public improve- ments, the Port agrees to designate some or all of the $120,000 per year park rent to augment financing of these public improvements.”  If the developer produces “engineering and cost analyses” showing “additional funding is needed to finance agreed upon public improvements,” the Port will “designate some or all of the $120,000/year in park rent to finance public improvements,” improvements that the developer is responsible for.  Suddenly this $120,000 of alleged “rent” could become no rent. Is that likely to happen? You be the judge:



A Little Recent History


The developer of 8 Washington is San Francisco Waterfront Partners, a partnership between Pacific Waterfront Partners and CALSTRS, the same partnership that  developed Piers 1½, 3 and 5 across the street. According to the Port’s rent rolls, San Francisco Waterfront Partners makes rent payments for Piers 1½, 3  and 5 of  $41,666.67 per month or $500,000 annually. But 90% of this is wiped out by a rent credit of a $450,000 annual rent credit ($37,500.00 per month). This means that the actual rent for Piers 1½, 3 and 5 paid by San Francisco Waterfront Partners isn’t $500,000/year, but $50,000/year or 1/10 of the original rent. Knowing this, it seems highly likely that the Port will grant a similar rent credit to 8 Washington, a credit that it has already offered in the Term Sheet approved last year.



The DEIR needs to discuss this and ask the following questions to help establish for public officials whether or not 8 Washington has the possibility of generating resources to fix up the Port’s historic infrastructure.


Was the $450,000 rent rebate given Piers 1½, 3 and 5 given for “public improvements” in the same way the 8 Washington Term Sheet proposes to give      8 Washington an up-to-$120,000/year (100%) rebate for “public improvements?


How much of this $120,000/year lease payment to the Port is guaranteed?


Based on recent history with this developer (see above box), it would appear that claiming a $120,000 per year lease payment is, at best, a gross overestimate.


2.  Future payments triggered by resale of condos (aka increased transfer tax). The second source of payments (around $25 MILLION over life of the lease) involves the developer recording covenants “committing all owners to transfer payments to the Port of ½ percent of sale value for all sales of the residential condominiums and all re-sales of commercial condominiums” (from Director’s Report, Page 4), in other words, a ‘voluntary’ increase in the transfer tax.  


This idea of obligating future owners to a special transfer “fee” was already tried, unsuccessfully, several years ago by then Mayor Gavin Newsom’s office as a way to provide ‘stimulus’ for large condo developers with approved projects who were trying to get financing. In exchange for agreeing to binding future condo owners to ‘voluntarily’ pay a 1% increase in the real estate transfer tax (but not calling it a “tax”), the Mayor’s Office proposed relieving the developers of 1/3 of their affordable housing requirement. That idea failed to get off the ground for both legal and political reasons. Regarding this proposal:


How does the Port plan to argue this increase in the real estate transfer TAX is not really a tax and do so in a way that convinces the Pacific Legal Foundation, Howard Jarvis Taxpayers Association and SF Board of Realtors not to sue?
Mayor Newsom’s failed proposal did trigger an multi-stakeholder discussion of a broader, legally defensible strategy, going to the voters for a permanent, across the board increase in the transfer tax on ALL real estate transactions (above the median home price) generating tens of millions of dollars a year for affordable housing. A portion of this new money would fund traditional affordable housing built by non- profit housing development corporations, but a portion would also be available to for-profit housing developers to buy down their affordable housing obligations. All sides agreed to this compromise and to place it on the November 2010 ballot, because it HAD to go to the voters, just as the ½% transfer tax increase proposed     in this Term Sheet would need voter approval.


NOTE: The reason that this proposal was not on the ballot that November, as reported in the New York Times, was because Mayor Newsom refused to support it or ANY tax increase, no matter how much support it had, for fear of giving his Republican opponent in the Lt. Governor’s race an issue to use against him in the 2010 election.


If the best legal and political minds in the city couldn’t figure out a way to “voluntarily” increase the real estate transfer tax without going to the voters then, how does the Port propose to do the same thing for 8 Washington now?


3.  New IFD Funding Mechanism. The third weak link in this financing plan is the as yet “to-be-established Infrastructure Financing District (IFD) that will allow a portion of growth in property taxes to be reinvested in public facilities.”  Port Director’s Recommendation, page 2.   While the concept is an interesting one, it is in its infancy in San Francisco. The Board of Supervisors is in the process of setting up a pilot IFD with seven or eight property owners on Rincon Hill to test this model.


To date, citywide discussions about the use of tax increment financing tools, such as the IFD, have linked their use to funding a larger set of neighborhood infrastructure needs and public benefits previously identified through adopted Area Plans such as Eastern Neighborhoods, Market Octavia and Rincon Hill and not for the specific needs of individual projects or developers (e.g. 8 Washington).


Looking ahead, it isn’t hard to imagine the kind of criteria the Board of Supervisors might adopt to determine what developments could avail themselves of IFDs. Those with significant legal, political and financial challenges, such as 8 Washington, would not score well.  Nor would projects that dramatically reduce and eliminate active recreation facilities serving middle-income families and seniors for over 45 years.  Finally, projects that undo decades old community benefits agreements, provided as part of a Redevelopment plan (e.g. Golden Gateway’s permanent active recreation center), probably wouldn’t pass muster .


Assuming the city eventually creates IFDs in certain circumstances, how does the Port make the case for THIS project, given the growing political and legal opposition to it, the long standing community resource that it destroys and the fact that the Board of Supervisors won’t give up $32 million for it (see below).


 4. Diversion of property taxes from the General Fund to the Port. The majority of the 8 Washington/SWL 351 site is NOT Port property, but under the jurisdiction of the City and County of San Francisco. Exhibit A of the Term Sheet shows the boundary of the 0.64 acre under Port control (SWL 351) and the 2.51 acres portion currently privately owned by Golden Gateway on AB168, 171, 291 (80% of the site). SWL 351 (the Port land) is only 20% of the total development site.


While these blocks were under the jurisdiction of the Redevelopment Agency, the property tax increment was diverted from the City’s General Fund to that Agency.  Following termination of the Redevelopment project area several years ago, however, ALL property tax revenue from this land flows to the General Fund.  The Port now proposes to divert the property tax increment from the portion of this site NOT UNDER PORT JURISDICTION away from the General Fund and to the Port.


The Port Director’s Term Sheet Recommendation on page 6 proposes “a new Port IFD” covering both SWL 351 and the Golden Gate Tennis and Swim Club (WHICH IS NOW ENTIRELY UNDER THE CITY’S JURISDICTION AND TAXING AUTHORITY).  Under the “new Port IFD” all the property tax increment from development on non-Port property would be diverted FROM the General Fund TO the Port.  Toward the end of the Term Sheet recommendation the Port Director does state that the Board of Supervisors would have to agree to this arrangement, which prompts several questions that should have been asked and answered in the DEIR:


Who from the city, not the Port, agreed to including these IFD financial terms in the Term Sheet?


Which members of the Board of Supervisors were consulted regarding this planned appropriation of property tax revenue from the city’s general fund?


What would lead the Port to think ANY current or future Board of Supervisors would  ‘voluntarily’ turn over $32 million in General Fund dollars to the Port, providing a $32 MILLION CITY SUBSIDY FOR LUXURY CONDOS when the Board is struggling with massive budget deficits, layoffs and cuts to vital city programs?


The DEIR must address whether or not this project is financially viable because if it is not, then the public facilities and infrastructure the project has promised to provide cannot be built. The DEIR must also assess the likelihood of the Board of Supervisors turning over $32 million in General Fund monies as a subsidy to the Port for this and other Port projects and analyze what environmental impacts this loss of $32 million to the city would create over time: what parks wouldn’t be maintained, which parks and recreation centers closed, what transit lines discontinued or run less frequently, etc.; actions that would not have been necessary had the city kept that $32 million. Specifically, the DEIR must answer the following questions:


Can 8 Washington’s public facilities (e. g. Jackson Commons, other open space) ever  be built with IFD funding, given that:


a) the IFD is predicated on the Port capturing 100% of the tax increment generated by 8 Washington even though the Port only owns 20% of the site, and


b) according to recent testimony before the Planning Commission by Michael Yarne (OEWD), under state law IFD’s are prohibited on land that “is currently,  or was previously part of a redevelopment area”?
 
Under what circumstances does the Port anticipate that the current (or a future) 
Board of Supervisors would voluntarily give up its 80% of this tax increment
($32 million out of $40 projected by the Port) to fund public improvements for   
LUXURY CONDOS at 8 Washington or other Port projects?


Has the Port had any discussions with the Board of Supervisors regarding this?


If so, what was the Board’s reaction?
    
Has the Port or project sponsor had state legislation passed (or introduced) that
provides the necessary waivers from the current state prohibition against
setting up IFD’s in former redevelopment areas?


Again, this is information that public officials must have to make informed, objective
decisions about the impacts of this project.


 


 


 


VI. THE DEIR FAILS TO DISCLOSE THAT 8 WASHINGTON IS THE FOURTH ATTEMPT TO CONVERT THE GOLDEN GATEWAY TENNIS & SWIM CLUB FROM CITY MANDATED ACTIVE RECREATION USE TO CONDOMINIUMS. IT PRESENTS VERY BRIEF AND MISLEADING INFORMATION REGARDING THE HISTORIC RECORD SUPPORTING THE REQUIREMENT TO PRESERVE THE CURRENT ACTIVE RECREATION FACILITIES ON SITE IN PERPETUITY.


The DEIR addresses this issue very briefly in a footnote on page II.3 that states:


2 The original development agreement governing the Golden Gateway Center Lots required the developer to provide non-profit community facilities as part of the overall development with the Golden Gateway Center. In Section 4 (a) of the Agreement for Disposition of Land for Private Development (“Agreement”) between Perini-San Francisco Associates (the “Developer’) and the Redevelopment Agency, dated August 27, 1962, the Developer agreed to maintain “community facilities of  a permanent nature… designed primarily for use on a nonprofit basis” (page 25 of the Agreement). Subsequent to the Agreement, the Agency and Golden Gateway Center (the successor to the Developer) entered into a Second Supplement and Amendment to the Agreement (“Second Supplement”) on March 14, 1976. Section 1(d) of the Second Supplement deleted Section 4(a) of the agreement (page 12 of Second Supplement) and thereby removed the requirement to maintain community facilities on the property in exchange for the dedication of Sydney Walton Park for perpetual use as a public park.


This interpretation of those documents contradicts evidence previously by individuals with intimate, first hand knowledge of those Golden Gateway redevelopment agreements. Those comments are attached as:


Exhibit A: A May 9, 1984 letter from then Mayor Dianne Feinstein that begins:“As a supervisor and as mayor, I have a long history with the redevelopment plan and agree with those who maintain that this site has always been considered set aside for recreation and open space.”


Exhibit B: An August 8, 1990 letter from Robert Rumsey to then redevelopment director Ed Helfeld that states:


  “I happened to be Deputy Director of Redevelopment in the late 1950’s and early  
    1960’s when the Golden Gateway redevelopment plan was adopted by the city and
    when Perini Corp. was subsequently selected as the developer of the Golden Gateway
    over eight other competitors… I feel it is important to place on the record the view of  
    the staff and commissioners of the agency at the time of selection: The provision of that
    open space and recreational space was a significant factor in the selection of the
    Perini proposal. And clearly, the space was presumed to be kept that way in
    perpetuity” (underlining Mr. Rumsey’s).


 


Exhibit C: A January 24, 2003 letter from Senator Dianne Feinstein reiterating that: 
  
   “I have a long history with the redevelopment area at Washington and Drumm Streets     
    and concur with those who believe this space was intended for recreation and open
    space. Please oppose further development of the Golden Gateway Tennis & Swim Club.”


These letters came in reaction to THREE previous unsuccessful attempts to develop the Golden Gateway Recreation Center as condominiums. Those attempts included:


1. Perini Corp. (early 80’s). The original developer of the Golden Gateway project proposed replacing the Golden Gate Tennis & Swim Club (GGT&SC) with a 9-story condominium project, in violation of its original approvals for the larger project that called for the GGTSC to serve as one of two major community benefits (along with Sidney Walton Sq.) in perpetuity. NOTE: This took place after the Second Supplement and Amendment to the Agreement referenced in Footnote 2 (above) was executed. Clearly, then Mayor Feinstein, had a very different interpretation of the Second Supplement than that of the author of Footnote 2 when she says in her letter that  “I agree with those who maintain that this site has always been considered set aside for recreation and open space.”


2. Perini Corp. (early 90’s). Again the owners of the Golden Gateway proposed replacing the project’s active recreation center with a condo project. This time, a letter from former Redevelopment Director Robert Rumsey date 8/8/90 provides extensive evidence that the interpretation of events contained in Footnote 2 is neither complete nor accurate. His detailed first hand description of that transaction which took place in the 1970’s is quite instructive. In addition to his comment that:


     “I feel it is important to place on the record the view of the staff and commissioners  
      of the agency at the time of selection: The provision of that open space and
      recreational space was a significant factor in the selection of the Perini proposal.
      And clearly, the space was presumed to be kept that way in perpetuity”


his letter states that “if it is now proposed that there is a loophole permitting that space to be invaded by condominiums, I would consider that to be most unfortunate for the city” and describes the land use negotiations that allowed Perini to substitute 155 low-rise condos for the four remaining high-rise rental towers that were suppose to be built as Phase III of the redevelopment plan. According to Rumsey, the agency finally, “albeit reluctantly” agreed to let Perini make this change “because some seven years had elapsed since completion of Phase II and there was otherwise no prospect for building on those long-barren blocks”.


Rumsey then states that the Agency’s October 28, 1975 minutes show the debate over what the Agency should charge Perini for the land that made up Phase III (now Gateway Commons condominiums) focused on “whether it should be $8.45 a square foot, the price established 15 years earlier, or a more realistic 1975 price of $15-$20 a square foot”. He then states:


      “My new successor, Arthur F. Evans, said he might agree with the higher number if
      the land was offered without restrictions, such as requirements of open space. And
      he added: Amenities such as Sidney Walton Square and the Golden Gateway tennis
      courts were on land that was not income producing, and since no one could build
      highrise buildings on this area, its value could be considered zero.”


As a result of this discussion, according to Rumsey, “Evans and the commission agreed to hold the land sales price to the original $8.45 a square foot, as the agency continued to view the open and recreation space to be in perpetuity.”


Based on Rumsey’s letter and substantial community opposition, this second attempt to replace the GGT&SC was defeated.


3. John Hamilton, developer (2003-04). In the mid-90’s Perini sold Golden Gateway to Timothy Foo and a group of investors. In 2003, developer John Hamilton proposed another condo tower on the site. Senator Feinstein’s January 24, 2003 letter was responding to that proposal. After reiterating her conclusion that “this space was intended for recreation and open space”,  she goes on to say, “increasing the height of the Club would drastically change the picturesque panorama of the Bay and would create shadow effects on the newly constructed Embarcadero. Further, development of more residential units would increase traffic noise and pollution, and disregard the original understanding between City officials and area residents that open space and recreational amenities should be preserved.”


4. Current 8 Washington Street/SWL 351 proposal is the 4th Attempt (2006-present) to develop condos on this site and demolish the Golden Gateway’s active recreation center, a facility that’s successfully fulfilled its intended purpose for almost 50 years.


In his written comments on 8 Washington’s DEIR dated August 11, 2010, Mr. Edward Helfeld, Director of the Redevelopment during the second attempt to demolish the Golden Gateway Tennis and Swim Club speaks to the original purpose of the facility, how it has successfully served San Francisco’s recreation needs for over four decades and how relatively inexpensive it is compared to other tennis facilities in the city. He also writes that “As Executive Director (1987-1994) I was in total support of retaining Golden Gateway Tennis and Swim Club”.


Any public official or member of the general public reading the current DEIR would have no knowledge of these three previous attempts to build on this site, their outcome and the role former city officials have played in confirming that the Golden Gateway active recreation center was meant to be preserved as an active recreation center in perpetuity. The Comments and Responses to the 8 Washington Street/SWL 351 DEIR must include this historic information in order to be considered accurate, complete and objective.


 


 



VII. ADDITIONAL COMMENTS ON THE 8 WASHINGTON DEIR


A.  The DEIR’s Introduction presents confusing and conflicting information regarding how, when and by whom environmental review for this project was initiated. The first two paragraphs of the DEIR’s Introduction (pg. Intro.1) raise some troubling questions about how environmental review for 8 Washington was carried out that need to be addressed more completely and forthrightly. The timeline for environmental review is described as follows (quoting from the DEIR):


1. “On January 3, 2007, an environmental evaluation application (EE application) was filed by San Francisco Waterfront Partners II (the “project sponsor”) on behalf of the Golden Gateway Center for a project at 8 Washington Street and the adjacent Seawall Lot 351, which is owned by the Port….(the Port is not a co-sponsor of the proposed project, but has authorized San Francisco Waterfront Partners II to submit an EE application that includes Seawall Lot 351).”


2. “On August 15, 2008, the Port issued a Request for Proposals (RFP) for the development of Seawall Lot 351. Two parties submitted timely proposals: SF Waterfront Partners II and a development group led by Dhaval Panchal (which later withdrew its proposal).”


3. “On November 10, 2008, the Port reissued the RFP for this project.”


4. “On February 24, 2009, the Port Commission authorized Port staff to enter into an exclusive negotiating agreement with SF Waterfront Partners II, finding that the proposal submitted by SF Waterfront Partners II meets the requirements of the RFP and meets the Port’s objectives for Seawall Lot 351.”


It appears from this timeline that the ‘project sponsor’, SF Waterfront Partners, was selected to carry out the 8 Washington project on January 3, 2007 when they were “authorized” (by the Port) to submit an Environmental Evaluation (EE) application officially beginning environmental review. However, there’s no explanation in the DEIR as to why, 18 months later (August 2008), the Port decided to issue an official RFP to select a developer for Seawall Lot 351.


This makes no sense given that Seawall Lot 351 was included in the January 3rd EE application submitted by SF Waterfront Partners (if not as designated developer, then in what capacity?). Then three months later (November 2008), we’re told the Port reissued the RFP with no explanation as to why. Finally, on Feb. 24, 2009, twenty five months after SF Waterfront Partners filed the EE application and began the environmental review process, the Port Commission authorizes staff to enter into an exclusive negotiating agreement with SF Waterfront Partners (SFWP) to develop  SWL 351. This raises troubling questions that need to be addressed in the DEIR to give public officials (and the general public) a clearer sense of the appropriateness, completeness and legality of the current environmental review process.


The DEIR must explain:


1. Is this how environmental review is normally sequenced? Is it routine for a developer that has not yet been selected by the Port to undertake a specific project, let alone negotiated an Exclusive Negotiating Agreement (ENA) with the Port for said project, to submit an EE application to Planning for this project that they haven’t yet been selected to develop and then for the Port, eighteen months later, to issue the first RFP to select a developer for the project and have a developer other than the one who submitted the EE respond to the RFP—then drop out (with     no explanation why in the DEIR), then have the RFP reissued six months later and then finally,
25 months after the current developer of 8 Washington submitted the EE, the Port finally selects said developer (SFWP) as the official developer of 8 Washington and begins negotiating an ENA? Is this NORMAL procedure?


2. How could the Port authorize SFWP’s EE application without a written agreement designating SFWP as the approved developer of SWL351? Is this standard procedure in these matters?


3. If this EE process was, in fact, legal prior to August 2008, why did the Port reverse course on August 15, 2008 and issue an RFP for SWL 351 (a site already included in the EE application filed 18 months earlier)? Doesn’t the initial applicant in the EE process have to be either the property owner or his designated developer and be able to demonstrate site control? How would that have been possible back in January 3, 2007 for SWL 351?


4. What role did SFWP play in drafting the RFP (and Port’s objectives for SWL351)?



5. What reasons did the second respondent to RFP give for “withdrawing his proposal?”



6. Why was the RFP reissued on November 10, 2008?



7. When on January 3, 2007, the Planning Department accepted an environmental evaluation application (EE) “filed by San Francisco Waterfront Partners II (the “project sponsor”) on behalf of Golden Gateway Center for a project at 8 Washington Street and the adjacent Seawall Lot 351”, was Planning aware that San Francisco Waterfront Partners had not been and could not be legally designated as “project sponsor” for SWL 351 at that time?


8. Why didn’t the fact that SFWP had no legal basis to claim that it was the “project sponsor” for SWL 351 invalidate the EE application? The DEIR states that the Port “authorized San Francisco Waterfront Partners II to submit an EE application that includes Seawall Lot 351” but wouldn’t that imply SFWP would eventually be selected as the developer and discourage other developers from submitting responses to the Port’s August 15, 2008 RFP given that SFWP had been working with Planning staff on the environmental evaluation for 18 months already?


9. Is what happened in January 2007 legal? If not, when did the Planning Department become aware of this problem and what did it do about it?


10. Having now publicly described this chronology in the DEIR, what legal impact does this have today on the environmental and project review process?


11. Would any other developer be allowed to begin the environmental review process on a project for which they had neither been designated developer nor had site control?



These questions MUST be answered in the DEIR given the bizarre and confusing chronology that now appears in it regarding how environmental review was initiated for this project.


 


B. In other Port documents related to 8 Washington, San Francisco Waterfront Partners II is described as a partnership between Pacific Waterfront Partners (PWP) and California State Teachers Retirement System (CalSTRS). However, the involvement of CalSTRS in this project appears nowhere in the DEIR. Given that CalSTRS has already spent over $23 million dollars in predevelopment funds for 8 Washington, the DEIR must contain some mention of CalSTRS as a member of this partnership and the fact that the same partnership (PWP and CalSTRS) developed Piers 1½, 3 and 5 across The Embarcadero from this site.


Finally, the first sentence of the Introduction to the DEIR refers to the fact that “on January 3, 2007 an environmental evaluation application (EE) was filed by SF Waterfront Partners on behalf of the Golden Gateway Center   for a project at 8 Washington”. That footnote references “Golden Gateway Center, Authorization Letter from Timothy Foo dated Dec. 27, 2006.”


For this DEIR to be complete and accurate it must address several key questions including:


1. Who is developing this project? Pacific Waterfront Partners?  CalSTRS? Golden Gateway Center (Timothy Foo)? What are their relationships to each other and the proposed project?


2. What precisely is the relationship between these three entities and the Port?


3. What was the understanding between SFWP, Timothy Foo and the Port when SFWP submitted its EE application on behalf of Golden Gateway Center? All three are mentioned in the relevant discussion in the DEIR.


C. The DEIR is inadequate and incomplete due to its failure to include A Community Vision for San Francisco’s Northeast Waterfront. The DEIR is inadequate and biased in discussing the Planning Department’s Northeast Embarcadero Study (NES), while failing to include an equally detailed discussion of the background and recommendations of the study prepared by Asian Neighborhood Design entitled A Community Vision for San Francisco’s Northeast Waterfront, dated February 2011, which was presented to the Planning Commission on July 7, 2011. 


The second sentence in the third paragraph of the Introduction states that the purpose of the Northeast Embarcadero Study (NES) was “to foster consensus on the future of Seawall Lot 351 and at other seawall lot properties on the northern waterfront” and leaves the reader with the impression that it succeeded in this goal by stating how many public workshops were held (five) and “on July 8, 2010, the San Francisco Planning Commission adopted a resolution that it ‘recognizes the design principles and recommendations of the Study’ and urges the Port of San Francisco to consider the recommendations of the NES when considering proposals for new development in this area”.


To be accurate and truthful, the DEIR should mention the level of anger and frustration expressed by the majority of the public that attended these five workshops who felt the Port, who was paying for the NES, was dictating its conclusions in order to facilitate the approval of the
8 Washington. For example, when 30-40 people at a workshop opposed the notion advanced by Planning staff that The Embarcadero needed a “hard edge” and that “higher heights” were appropriate for the 8 Washington site and only 6-8 people expressed support for these ideas, the notes from that meeting would later say that opinion was divided on these matters. To its credit, the Planning Department states clearly in the final draft of the NES that they failed in their goal   of achieving consensus on the future of SWL 351.


The DEIR needs to include this information to provide a more accurate representation of the outcome of the NES process.


People were so upset by what they perceived as a transparent attempt to ‘justify’ 8 Washington, that they began their own community-based planning process to address the larger issues of reconnecting Chinatown, North Beach, Russian Hill and Telegraph Hill to the Waterfront; healing the wounds left by the ramps to the Embarcadero Freeway by making Broadway, Washington and Clay Streets more pedestrian, bicycle and transit friendly; and fostering consensus on the future of Seawall Lot 351 and at other seawall lot properties on the northern waterfront.


Four major community organizations representing thousands of local residents, small businesses        and property owners became the primary sponsors/organizers of this “Community Vision for the Northeast Waterfront” and hired Asian Neighborhood Design to assist them in developing it.    These organizations included: Friends of Golden Gateway; Golden Gateway Tenants Association; Telegraph Hill Dwellers and Barbary Coast Neighborhood Association. Stakeholders from Chinatown, Russian Hill, Nob Hill, Fisherman’s Wharf and other neighborhoods also participated.


On July 7, 2010, when the Planning Department staff presented the NES to the Planning Commission, AND and the four sponsors of the “Community Vision for the Northeast Waterfront” were invited to present a summary of their planning work to date.


The DEIR fails to make any mention of the alternative plan created by these four community groups with AND’s help. It needs to describe this study, how it differs from Planning’s NES and include it in the final EIR so public officials can evaluate the merits of both studies for themselves.
 
The DEIR must describe the reasons why this alternative community planning process was undertaken and include a detailed discussion how the proposed project would or would not conform to each of the recommendations contained in A Community Vision for San Francisco’s Northeast Waterfront?


I am attaching a copy of the AND Study: A Community Vision for San Francisco’s Northeast Waterfront to these comments and ask that it be included in the EIR so that readers and public officials can gauge for themselves if it was more successful in “fostering consensus on the future of Seawall Lot 351 and at other seawall lot properties on the northern waterfront” than the Planning Department’s Northeast Embarcadero Study (NES).


D. The DEIR tries, unsuccessfully, to minimize the loss of iconic views of Coit Tower and Telegraph Hill from in front of the Ferry Building with its argument about ‘episodic’ views and a new claim that “trees” already obscure the views of Coit Tower from in front of the Ferry Building, views enjoyed by millions of tourists, residents and office workers each year.  As demonstrated in Figure IV.B-3: View B (page IV.B.7), the height and mass of the proposed project would completely obstruct views of Coit Tower and Telegraph Hill currently seen from the Embarcadero Promenade at the northern end of the Ferry Building. This significant adverse effect on the visual quality and scenic vistas enjoyed by the public puts the project in direct conflict with a number of city and Port planning policies. The DEIR’s conclusion that this would not create a substantial adverse effect on a scenic vista because “Coit Tower and Telegraph Hill would continue to be visible from numerous vantage pointes in the vicinity of the Project site and the City” is a biased and subjective judgment that is not based on fact. This ‘episodic’ argument could be used to claim that NO building ever blocks an important view because if you walk far enough past the offending structure, you might get the view back.
The comment about trees blocking the view of Coit Tower from in front of the Ferry Building must be stricken from the document. I just came from standing at the main entrance of the Ferry Building and I could clearly see Coit Tower and most of Telegraph Hill. While several trees in front of the F-line stop across the street did impede the view around the edges, these trees could easily be pruned to eliminate the problem.



E. The DEIR’s Traffic and Transit Data is Seriously Out of Date.


The traffic data relied upon by the DEIR in reaching its conclusions is incredibly stale, having been based on surveys done in 2006-2007 and with 2000 census data (page IV.D.5 of the DEIR).  These studies must be updated.  For example, the assumptions made in the DEIR that the existing conditions at the Embarcadero/Broadway and Embarcadero/Washington intersections are “satisfactory” (at LOS D) defy logic.  Anyone familiar with the real time conditions at these intersections knows that this assessment could not be based on a factual analysis of current conditions at peak periods which, by the way, often occur on weekends (not studied in DEIR).


Also out of date is the transit information relied upon by the DEIR in reaching its conclusion that the project would not result in significant transportation impacts to transit systems (Impact TR-2), having been based upon data on capacity and utilization of individual MUNI lines from 2007 (page IV.D.9 of the DEIR).  This data should also be updated. For example, whoever was responsible for the assumption in the DEIR that the F-Line is not at capacity during peak periods has never ridden the F-line at peak periods. The America’s Cup will only make this worse.



F. The DIER belittles Pedestrian Safety Issues. The DEIR states that: “Conflicts between pedestrians and vehicles could occur at the project garage driveway, which could cause the potential inbound vehicles to queue onto Washington Street. Outbound vehicles would queue inside the garage and would not affect street traffic. Conflicts between outbound vehicles and pedestrians could still occur, but their effect on pedestrians would be reduced because pedestrians on the sidewalk have the right-of-way.” (page IV.D.25). I’m sure the fact that pedestrians have the right-of-way is of great comfort to families of children and seniors who’ve been struck and killed by cars. This statement is insulting and MUST be stricken from the DEIR. It’s also not true.


In the very next paragraph the DEIR makes the following statement about these potential vehicular and pedestrian conflicts at the garage driveway:


“The number of vehicles and pedestrians per minute are relatively small (about one vehicle and three pedestrians every 30 seconds on average) and it is therefore not anticipated that the proposed project would cause any major conflict or interfere with pedestrian movements in the area.” (page IV.D.25)


These numbers translate to 2 cars and 6 pedestrians every minute or 120 cars and 360 pedestrians an hour (or approximately 1,440 cars and 4,320 pedestrians coming into potential conflict in any given 7 am to 7 pm period).  The DEIR’s conclusion that such conflict between vehicles and pedestrian movement would be “less than significant” makes no logical sense and is simply not supported by the facts presented in the DEIR. 


G. The DEIR must include a new fence around the Golden Gateway Tennis and Swim Club in its NO PROJECT Alternative. Finally, the comments often heard about the “ugly green fence” around the GGTSC reminds us that the DEIR must let the reader know that it is the owner of the property, Mr. Timothy Foo, who is responsible for the ugly “green fence”. First, he has put the GGTSC operator on a month-to-month lease making it difficult for them to make a substantial investment in a nicer fence. Second, Mr. Foo himself stands to gain financially if 8 Washington is approved, so he has no incentive to fix the fence since its unsightliness is being used as an argument for demolishing the current facility. This simplest way to correct this bias would be to:


Include a rendering of the site with a new, attractive fence in the NO PROJECT alternative .


For the reasons stated in this letter, I believe this DEIR is seriously incomplete and inadequate to address the potentially significant impacts of this project.  I urge you to revise the document and re-circulate it in draft form.


Sincerely,


 


Brad Paul


 


 


 


 


 


 


 


 


 


 


 


 


 

Maximum Consumption: A culinary tribute to Serge Gainsbourg

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When Noise Pop and chef Blair Warsham’s graffEats come together, you know it’s for something special. They’ve collectively hosted a handful of well-attended (read: totally sold out) “Covers” dinners over the past year, and are about to debut another: A Culinary Tribute to Serge Gainsbourg.
As in events past, this one – which takes place in a secret location Sept. 8 – quickly sold out of its 50 dining spots. And again, the organizers made the decision to add another date, the same dinner will also be served Sept. 7. The basic gist: Warsham creates a meal based on “covers” of famous dishes around the world from the global collective of celebrated chefs. Noise Pop matches interesting covers songs to each course.

The focus on the adored yet boozy troubled, larger-than-life French icon (and lover to Brigitte Bardot and Jane Birkin) came naturally. “We were discussing the idea of playing with a more focused dinner and musical theme and Serge Gainsbourg came up immediately,” says Noise Pop’s Dawson Ludwig. “He’s French, which is an obvious culinary dream, he’s sensual, he’s a revered musical figure, he’s prolific, plenty of artists have covered him. He embodies so much of that sensory indulgence that we’re going for. And we are all big fans of his.”

An example of the pairings at next week’s dinners: Cappuccino de Foie Gras et Truffes de l’Ete from José de Anacleto (L’Hotel Million Albertville, Savoie), paired with Arcade Fire’s cover of “Poupée de Cire, Poupée de Son.” Says Ludwig: “We chose this song because of how lush it sounds, this dish is very rich and decadent so we wanted to pair it with a song that has big over-the-top arrangements.”

And another: Tarte Au Citron by Gerorge Perrier of Le Bec-Fin paired with the song “Je T’aime (moi non plus),” covered by Cat Power and Karen Elson – “This dish is ridiculously sexy. ‘Nuf said.” C’st vrai.

If you miss out this time around, there are two more Covers dinners lined up this year: Oct. 6 at the Treasure Island Music Festival Pop-Up Shop in North Beach and then on a winery in St. Helena in November. “Beyond that we are tackling them one at a time,” says Ludwig. “We hope to do at least five or six a year.”

Here’s the sexy singer, doing his thing:
http://www.youtube.com/watch?v=7Nr0dUcrAU0&feature=related

Thee Oh Sees will release another LP; San Francisco rejoices

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Yep, it’s true – another Thee Oh Sees record is on the way — not that we are complaining. Just six months after releasing their last LP (Castlemania), it was announced this week that John Dwyer and crew will release another dirty punk/psych garage record (Carrion Crawler/The Dream) this Nov.15 on In the Red Records. He just keeps churning them out. If you can remember that far back, the band released three albums in 2009. See below for the track listing and some fun videos.

Carrion Crawler/The Dream:
01 Carrion Crawler
02 Contraption/Soul Desert
03 Robber Barons
04 Chem-Farmer
05 Opposition
06 The Dream
07 Wrong Idea
08 Crushed Grasss
09 Crack in Your Eye
10 Heavy Doctor

Dwyer is a San Francisco staple at this point, like weed or broken down buses — as much as he’d probably hate to hear that. Depending on when you arrived in this city (oh, you were born here? Well, this sentence isn’t for you), you likely discovered his high-held, frenetic guitar attacks during one of three eras: Pink and Brown (1997), Coachwhips (2001) or the fully-evolved Thee Oh Sees (it originally began as his solo side-project). Of course, there were bands in between, but those mentioned were the era-defining acts.

In celebration of this always-welcome announcement, let’s look back at Dwyer’s career in video form:

Pink and Brown:
http://www.youtube.com/watch?v=2aqwzweFqjc

Coachwhips:
http://www.youtube.com/watch?v=VwK8sDJOJuA

Thee Oh Sees:
http://www.youtube.com/watch?v=z1bHddYhtDw

For those itching to see the band live again, its next local show is the Treasure Island Festival on Oct. 16.

Treasure Island Festival announces night shows

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Festival fatigue got you down? But wait, Treasure Island Festival is still coming up! Don’t worry, you have a brief break before it’s time to again drag out your fringe-y daytime festival frocks and headbands with feathers and animal hats and booty shorts with chunky boots (please, please don’t wear those things).

While the festival doesn’t go down until Oct. 15 and 16, the organizers did drop some juicy information today: the night show lineups – on sale this Friday, Aug. 26 at noon.
Here they are, in all their nighttime glory:

Jens Lekman
Sept. 29, 6 p.m., $12
California Academy of Science, SF

The Drums
Oct. 14, 9 p.m., $15
The Independent
628 Divisadero, SF

JFK of MSTRKRFT
Oct. 15, 10 p.m., $20
Mezzanine
444 Jesse, SF

The Head and the Heart
Oct. 15, 10 p.m. $15
The Independent
628 Divisadero, SF

Thao with the Get Down Stay Down
Oct. 16, 9 p.m., $16
The Independent
628 Divisadero, SF

Personally, I’m looking forward to the Thao with the Get Down Stay Down show. And to washing up nice during this break before again braving the elements.

Guardian forum tonight: Energy and Environment

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We’ve got a great lineup for tonight’s Guardian forum on Energy, Environment and Climate Change. I’ll be moderating. The panelists are Antonio Diaz for PODER, Alicia Garza from POWER, former Supervisor Aaron Peskin and Saul Bloom from Arc Ecology. We’ll be talking about energy policy, environmental racism, how climate change will impact the southeast neighborhoods, the privatization of public space, Treasure Island and a lot more.


It starts at 5:30 pm, in the Koret Auditorium at the main library in the Civic Center. Lots of time for audience participation. Hope to see you there.


 


 

Bestivals

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caitlin@sfbg.com

FALL ARTS Now that even the quaintest neighborhood block parties publish music lineups in advance and big beat fests give as much shine to snack vendors as secondary stages, it’s becoming clear that the events on our fall fair and festival listings are all just part of one big movement. Leading to what, you might ask? Leading to you having a celebrate-good-times kind of autumn in the Bay Area. Seize the day, pack your sunscreen, bring cash: from film to activism to chocolate, here comes the sun.

 

NOW-SEPT. 25

Shakespeare in the Park Presidio’s Main Post Parade Ground Lawn, between Graham and Keyes, SF. (415) 558-0888, www.sfshakes.org. Times vary, free. Whilst thou be satisfied with the Bard’s hits in the open air, free for you and the clan? The line-up, from Cymbeline to Macbeth, suggests that it won’t be so hard.

 

AUG. 27

J Pop Summit Japantown Peace Plaza, SF. www.newpeopleworld.com. 11 a.m.-6 p.m., free. Enter the kaleidoscope of anime, manga, Lolita, androgynously cute boys in tuxedo jackets, keyboard theatrics, and Vocaloid (a computer program that creates complete songs, vocals and all) contests at this unique festival marathon of Japanese pop culture.

Rock The Bells Shoreline Amphitheatre, Mountain View. www.rockthebells.net. 10:55 a.m.-10:25 p.m., $55.50-281.00. Lauryn Hill, Nas, GZA, Common, Black Star — the country’s biggest hip-hop festival hits the Bay, bigger than ever.

 

SEPT. 3

International Cannabis and Hemp Expo Telegraph from 16th to 20th sts. and Frank Ogawa Plaza, Oakl. intche.eventbrite.com. Noon-8 p.m., $18-300. 120 different strains of Mary Jane should be enough to get you through eight hours of festival — if not, there will be three stages of music and educational speakers for pot pals to trip on.

 

SEPT. 3-4

Zine Fest SF County Fair Building, 1199 Ninth Ave., SF. www.sfzinefest.org. 11 a.m.- 6 p.m., free. If arbiter of Bay indie comic cute Lark Pien’s original kitty cat Zine Fest 2011 poster doesn’t hook you (how?), you’re sure to find something that tickles your cut-and-paste among the aisles at this assemblage of DIY publishers and comic heads.

Millbrae Art and Wine Festival Broadway between Victoria and Meadow Glen, Millbrae. (650) 697-7324, www.miramarevents.com. 10 a.m.- 5 p.m., free. Celebrate Labor Day at this multi-faceted celebration of artisan comestibles, classic cars, live tunes, and hundreds of crafters — it even has a kids talent show.

 

SEPT. 4

EcoFair Marin Marin County Fairgrounds, San Rafael. www.ecofairmarin.org. 10 a.m.-7 p.m., $5. The keynote speaker at this expo of all things green and cutting-edge is Temple Grandin, Ph.D., one of the world’s leading autism advocates.

 

SEPT. 7-18

Fringe Festival Various locations, times, prices. www.sffringe.org. This festival’s egalitarian method of stage assignments mean that there’s no better time of year in the city to check out first-time playwrights and original (yes, sometimes wonky) scripts.

 

SEPT. 8-11

Electronic Music Festival Brava Theater Center, 2789 24th St., SF. www.sfemf.org. The Bay’s new music artists pop off together for this long weekend of exploration of the sonic spectrum.

 

SEPT. 10

Brews on the Bay Pier 45, SF. www.sfbrewersguild.org. Noon-5 p.m., $45. The city’s biggest brewers: Magnolia, Beach Chalet, Anchor, and Speakeasy among others, pour out endless tastes at this Bay-side swigfest

 

SEPT.10-11

Ghirardelli Square Chocolate Festival Ghriradelli Square, North Point and Larkin sts., SF. (415) 775-5500, www.ghirardellisq.com. Noon-5 p.m., $20 for 15 samples. A benefit for chronically ill and housebound elderly folks, chocolatier demonstrations and ice cream sandwich-eating contests sprinkle over this day of chocolate tasting par excellence.

 

SEPT. 14-18

Berkeley Old Time Music Convention Times, locations, and prices vary. www.berkeleyoldtimemusic.org. Loosen up them joints — it’s time to get goofy and gangly to some banjos and flat-footin’ at this multi-day Americana celebration of film screenings, concerts, open jams, and more.

Power and Sailboat Expo Jack London Square, Broadway and First St., Oakl. (510) 536-6000, www.ncma.com. Wed.-Fri., noon — 6 p.m.; Sat.-Sun., 10 a.m.-6 p.m., $10. In the market for a rubber inflatable raft? Wanna scope haute yachts? Sail away to this family-friendly event on the Bay.

 

SEPT. 15 — DEC. 18

SF Jazz Fest Times, locations, and prices vary. (866) 920-5299, www.sfjazz.org. Esperanza Spalding, Booker T., Aaron Neville, and performances by SF’s most talented high school jazz players mark this season of innovative concerts and jazz appreciation events.

 

SEPT. 23-25

Eat Real Jack London Square, Broadway and First St., Oakl. (510) 250-7811, www.eatrealfest.com. Fri, 1-8 p.m.; Sat, 11 a.m.-8 p.m.; Sun, 11 a.m.-7 p.m., free. A celebration of all foods local and sustainable, you can enter your prize pickles in a contest at this burgeoning fest, learn how to be a backyard farmer, and of course, eat good food til you burst.

 

SEPT. 23 — OCT. 16

24 Days of Central Market Arts www.centralmarketarts.org. Most events are free. The heart of the city organizes this smorgasboard of art events — from world class dance to circus to quirky theater pieces. Take your brown bag (lunch? something else?) down to Civic Center for one of the free performances.

 

SEPT. 24

Lovevolution Oakland Coliseum, 7000 Coliseum Way, Oakl. www.sflovevolution.org. Noon- 8 p.m., $25. The days of prancing neon-ly down Market Street are over but hey, Oakland’s got better weather! This year’s massive outdoor rave stages its traditional parade around the circumference of the coliseum’s parking lot.

 

SEPT. 25

Folsom Street Fair Folsom between Seventh and 12th sts., SF. www.folsomstreetfair.org. 11 a.m.- 6 p.m., $10 suggested donation. Sure, it’s touristy, but this kink community mega-event has its heart in the right place (between its legs). The premier place to get whipped in public, hands down.

 

SEPT. 30 — OCT. 2

Hardly Strictly Bluegrass Speedway Meadows, Golden Gate Park, SF. www.strictlybluegrass.com. Sure this homegrown free twangfest gets more crowded by the year — but attendance numbers are directly tied to the ever-more-badass lineup of multi-genre legends. This year: Emmylou Harris, Bright Eyes, Broken Social Scene, Robert Plant — and yes, MC Hammer.

Oktoberfest By the Bay Pier 48, SF. 1-888-746-7522, www.oktoberfestbythebay.com. Fri, 5 p.m.-midnight; Sat, 11 a.m.-5 p.m. and 6 p.m.-midnight; Sun, 11 a.m.-6 p.m., $25-65. Oompah, it’s time for some bratwurst! Raise your stein to this boozy celebration of German culture.

 

OCT. 1

Wildlife Conservation Expo Mission Bay Conference Center, 1675 Owens, SF. www.wildnet.org. 10 a.m.- 6 p.m., $30-60. Save the Botswanan cheetahs and okapis! Learn from leading conservationists about innovative environmental projects around the world.

 

OCT. 1-2

World Vegetarian Day County Fair Building, 9th Ave. and Lincoln, SF. (415) 273-5481, www.worldvegfestival.com. 10 a.m.-6 p.m., $10 suggested donation, free before 10:30 a.m. The 40-year old SF Vegetarian Society sponsors this expo of veggie livin’ — expert speakers talk science and advocacy, and there’ll even be a round of vegan speed dating for those hoping to share their quinoa with a like-minded meatless mama.

Alternative Press Expo (APE) Concourse Exhibition Center, 635 Eighth St., SF. (619) 491-1029, www.comic-con.org/ape. Check website for times and prices. The indie version of Comic-Con offers a weekend designed to give budding comics a leg up: workshops, keynote talks by slammin’ scribblers, issue-based panel discussions, and tons of comics for sale.

 

OCT. 2

Castro Street Fair Castro and Market, SF. (415) 841-1824, www.castrostreetfair.org. 11 a.m.- 6 p.m., free. This is no standard block party — big name acts take the stage at our historic homo ‘hood’s neighborhood get down, and along the curbs, crafters and chefs park alike.

 

OCT. 7-15

Litquake Times, locations, and prices vary. www.litquake.org. Our very own literary festival has grown a lot — the Valencia Street LitCrawl tradition has even spread to Austin and New York — check out its schedule for a chance to see one of your favorite scribes live and reading.

 

OCT. 9

Italian Heritage Day Parade Begins at Jefferson and Stockton sts., SF. (415) 703-9888, www.sfcolumbusday.org. 12:30 p.m., free. Peroni floats and courts of teenaged “Isabellas” reign supreme at this long-running North Beach cultural day.

Decompression Indiana outside Cafe Cocomo, SF. www.burningman.com. Check website for times prices. The Burning Man after-after-after party will be slammin’ this year, what with all the playa peeps that couldn’t score a ticket in the sell-out.

 

OCT. 15

Potrero Hill Festival 20th St. between Missouri and Arkansas, SF. potrerohillfestival.eventbrite.com. 9 a.m.- 4:30 p.m., free. $12 for brunch. A New Orleans-style mimosa brunch with live music kicks off this neighborhood gathering, also featuring a petting zoo and traditional Chinese dancers.

Noe Valley Harvest Festival 24th St. between Sanchez and Castro, SF. www.noevalleyharvestfestival.com. 10 a.m.- 5 p.m., free. Your little pumpkins can get their faces painted at this neighborhood fest, while you cruise the farmer’s market and meet the neighbors.

 

OCT. 15-16

Treasure Island Music Festival Treasure Island, SF. www.treasureislandfestival.com. $69.50-219.50. Indie fever takes a hold of the island this weekend, with a varied lineup this year featuring Aloe Blacc, Death Cab for Cutie, Empire of the Sun, and Dizzee Rascal.

 

OCT. 22

CUESA Harvest Festival In front of the Ferry Building, Embarcadero and Market, SF. www.cuesa.org. 10 a.m.-1 p.m., free. Butter churning, cider pressing, weaving demonstrations, and a chance to pick the mind of Bi-Rite Market founder Sam Morgannam.

 

NOV. 12-13

Green Festival SF Concourse Exhibition Center, 635 Eighth St., SF. www.greenfestivals.org. Sat, 10 a.m.- 7 p.m.; Sun, 11 a.m.- 6 p.m. Check website for prices. What would the sustainability movement be without endless halls of hemp backpacks and urban farming lectures? Keep up with the (Van) Joneses at this marquee environmental event.

Holy manta rays! (A journey to Treasure Island with Tiny Town Productions)

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I’m coming to pick you up right now, we’re going to Treasure Island, and we’re gonna see manta rays. Jeff Waldman and Andrew Hartley shot this footage of the scrap of land (recently labeled a “food desert” for its low income residents by the Department of Agriculture) to practice their videography skills for the upcoming Bolivian leg of their “multi-country experiment in random acts of kindness.” What’d they find?

Definitely not grocery stores, but public housing, art collectives, condemned military structures, wineries, and a family of manta ray-anglers. “It’s a crazy weird place that’s largely abandoned but also partially inhabited by an eclectic mix of bizarre personalities. You get the sense that you can do anything there, without consequence or attention, despite being a stone’s throw from the most densely populated metropolitan area on the West Coast,” says Waldman. 

Return of the rock

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emilysavage@sfbg.com

MUSIC Outside Lands has stepped up its game in its fourth year. The mix of bands this time around is truly inspired — if a bit pilfered from old lineups at other fests like Treasure Island. No matter, it’s riding high in 2011.

This was not always the case. Last year, the Golden Gate Park festival seemed lackluster in the music department; the lineup wasn’t as solid as it had been previously, and it lacked that one giant-but-dependably-awesome act like Radiohead (or this year’s Arcade Fire). In the process, it may have lost a festival-goer or two.

It also went down to just two days in 2010 (it was three in 2008 and 2009), which Another Planet Entertainment vice president Allen Scott says was originally the plan. He later added, “[Last] year there weren’t a lot of touring headliners because of the recession. A lot of bands and artists decided to take last year off.”

This year, however, it’s back to long-weekend status. Saturday is already sold out, unless you want to do it up big and invest in a three-day pass or VIP tickets. That leaves, as of press time, the option of going either Friday or Sunday.

The highlights below are meant to help you more easily maneuver your way through the thick bustle of crowds and trees when you get out to those green fields. For the most part, I steered clear of headliners, since those are the artists who likely inspired your decision to attend in the first place. Here’s how to get the most (audio) bang for your buck.

 

FRIDAY

Do not miss:

Big Boi: Despite Big Boi’s arrest for drug possession last weekend, Scott says, “We are expecting Big Boi to be performing at Outside Lands this Friday.” Chances are, you were not one of the lucky few who jumped on tickets to see Big Boi at the Independent earlier this year — a venue far smaller than his usual digs. Needless to say, that show was way, way sold out. While the Outside Lands stage is far larger, his presence with silky-smooth vocals and casual flowing skills are big enough to dominate.

Joy Formidable: The acclaimed Welsh trio has been lauded for ushering a return to ’90s-era pop and shoegaze. With driving guitar riffs and strong female vocals, there’s a definite glint of Breeders in there. Dave Grohl, a man well familiar with the grunge decade, chose the band to open for Foo Fighters later this year.

Toro Y Moi: South Carolina native Chaz Bundick, known as Toro Y Moi on stage, is one of those talented genre smashers. His sophomore album Underneath the Pine, which came out earlier this year, has elements of dance, funk, and dream pop; Bundick is said to be influenced by French house, ’80s R&B, and Stones Throw hip-hop. And you can throw a little Off the Wall-era Michael Jackson in there as well.

Worth checking out:

Kelley Stoltz: He’s got connections with Sonny Smith (of Sonny and the Sunsets) — he appeared on the Sunsets’ album Tomorrow is Alright — but Kelley Stoltz is a talented musician to watch in his own right. The singer-songwriter-guitarist is at the heart of San Francisco’s garage scene, has been compared to Brian Wilson (Beach Boy, not Giant), and will likely perform tracks off his excellent 2010 Sub Pop release To Dreamers.

 

SATURDAY

Do not miss:

Black Keys: With just two members, the Black Keys has a notoriously big sound. This will travel well, even if you’re stuck towards the back of the crowd, and that deep soul will likely cause some uncontrollable shoulder shaking.

Old 97s: One of the early pioneers of alt-country, Old 97s was at the forefront of a new classification of music in the early ’90s. Since then, singer Rhett Miller has struck out on his own with well-received solo albums, but catching his sound where it all started is a rarer treat.

Worth checking out:

STRFKR: Portland, Ore.-based dance pop quartet STRFKR (pronounced “Starfucker”) injects emotion into live electronic dance music. Call it that now-retro genre electro pop, call it the LCD Soundsystem effect, call it whatever you wish: just dance.

 

SUNDAY

Do not miss:

Beirut: Beirut doesn’t play very often — the last time it stopped in San Francisco was at the Treasure Island Festival in 2008 — but when it does, it’s imperative that you watch. The result is an inspired jumble of brass horns and ukulele, Balkan folk, and Eastern European-influenced torch songs. Band leader Zachary Condon’s vocals soar live and he emotes convincingly at each stop.

Deadmau5: The tripped-out lights, lasers, and holograms of the show are worth sticking around for regardless of sound. But Deadmau5, nestled in a lit-up diamond cube and wearing an oversize foam mouse head, does bring music as well; it’s haunting yet danceable electronica with moving beats and breakdowns.

tUne-YarDs: Colorful, paint-streaked Merrill Garbus (a.k.a. tUne-YarDs) could likely be dubbed acid queen of 2011 — minus any actual drugs. Her looping drums, ukulele, and bass compositions are a dizzying work of art. And if you’ve seen her weirdo video for “Bizness,” you know she’s got a few unique ideas floating around. All that brain power manifests itself into a superior live show. Plus, she brought “two free-jazzing saxophonists” to the Pitchfork Music Festival, so here’s hoping she’ll do the same in her adopted Bay Area home.

Worth checking out:

Fresh & Onlys: The band may on the verge of outgrowing this place, but for now, Fresh & Onlys can be described as very San Francisco. As in, its music is one of a few local favorites to be included in the Hemlock Tavern’s meticulously selective jukebox. The garage rockers play moody, ’80s-tinged rock ‘n’ roll — soundtrack music for backseat teenage make-out sessions.

Major Lazer: You know Diplo, that guy who made M.I.A. good? He is also a member of Major Lazer, along with another producer you may know through M.I.A., Switch. Diplo has described Major Lazer’s sound as “digital reggae and dancehall from Mars in the future,” which: yeah. The show includes eye-popping costumes, hype men, and a refreshing bent towards live audio.

 

OUTSIDE LANDS MUSIC AND ARTS FESTIVAL Fri/12-Sun/14, noon, $85 Golden Gate Park, SF www.sfoutsidelands.com

Face time

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I never regret the morning after — but sometimes the night before can stick to my face like Ragu to Tupperware, child. It’s not always pretty! OK it is, but sometimes it’s slightly less so. So when I heard that the nifty new vintage-groomin’ F.S.C. Barber in the Mission was offering something called the Hangover Treatment facial, I leaped to try it.

I mean, I’m usually about as resistant to professional beauty treatments as I am to shaved chests on porn stars or pulmonary tuberculosis. I hope. But the rituals of modern manhood are startling — one day you’re lighting up a Cuban fedora with a baseball bat you shot at par nine while building your own Playboy smoking jacket. The next you’re lying back in a beautiful vintage barber chair (complementing F.S.C.’s 120-year-old restored mahogany barber stations from the Chicago World’s Fair) while an amiable, impeccably fashionable tattooed guy named Brett massages your face. 

It was bliss, a multi-part treatment of lavender and eucalyptus hot towels with a bubbling Malin + Goetz mask that really did make me feel like “a million buckaroos.” (It costs $25.) Who wants more cocktails?

F.S.C., which is all the rage in its Manhattan homebase where there are two branches already, may put out a men’s club vibe, but it’s not really that uptight or theme-y. It has a tasty little clothing shop attached called the Freemans Sporting Club, and manager Jonah Buffa, who opened the SF outpost (his brother Sam is the F.S.C. founder), is as sweet and laid back as they come, a true Missionite raising his kid in the neighborhood.

To all you tech guys who aren’t sure what to do with your look, or aren’t even sure you should have one: please go here. They will help you! It will help all of us!

F.S.C. Barber 696 Valencia, SF. (415) 621-9000, www.fscbarber.com

T.I.M.F. T.M.I. The lineup for this year’s ever-zesty Treasure Island Music Festival (October 15 and 16, www.treasureislandfestival.com) was announced last week, and as usual it’s unofficially segregated into a “dance” day (Saturday) and a “rock” day (Sunday). On my personal “dance day” must-see list? Flying Lotus, Buraka Som Sistema, Shabazz Palaces, Battles, and — hurray for random — Death From Above 1979. There’s no over-the-top pop-dance draw this year (although grime-rapper Dizzee Rascal’s latest “Bonkers” incarnation should please any, goddess help us, Steve Aoki or LMFAO fans).

Also as usual, there’s the merest appearance of Bay Area talent — lovely local chamber-pop outfit Geographer pops in to start things off on Saturday. It seems a shame, and a failure of nerve, since we have so much worthy homegrown dance talent. Could they set up a dance tent with continuously spinning local DJs, as an alternative to the stage acts? That would be dandy.

 

NIKE7UP

Monthly based-goth, witch house and deathrock party 120 Minutes goes darker than ever with a live set by Nike7UP, who melts the chirpy underbelly of chart-pop into a suicidal wish-blorp. GuMMyBeAR, Nako, WhITCH, Teams, and more haunt your earholes.

Fri/5, 10 p.m., $10 ($5 before 11 p.m.). Elbo Room, 647 Valencia, SF. www.elbo.com

 

STEFFI AND MIKE HUCKABY

Huckaby was long the secret weapon of Detroit’s techno scene, a DJ’s DJ who was key in introducing a lot of the Big Names to new sounds. He’s finally getting the breakout recognition he deserves — in May, I saw him open the reconfigured garden of Berlin’s huge Berghain club, bringing a welcome dose of deep to that spring affair. (Listen to his awesome new mix for XLR8R here.) Steffi, whose hit “Yours” might as well be from Detroit in 1988, comes to us from Amsterdam via Berlin, and she’s aces.

http://www.youtube.com/watch?v=9hCJrvfBdw0

Fri/5, 9 p.m.-4 a.m., $15 ($10 before 10 p.m.) Public Works, 161 Erie, SF. www.publicsf.com

 

DUB FILLMORE FESTIVAL

At last, a free, all-ages, daytime dubstep and reggae festival to wobble away the summer hours. One helluvalotta DJs and performers, including Mochipet, Jah Yzer, Nebakaneza, and Johnny5, bring the blaster to two outdoor stages in the Fillmore. Look out below!

Sat/6, 10 a.m.-6:30 p.m., free, all ages. Corner of Fillmore and O’Farrell Streets, SF.

 

ESL SHOWCASE

Ready for funkytime? The ESL label brings out soulfully gifted DJ Nickodemus of sunny house party Turntables on the Hudson for a throwdown with the Afrolicious boys (featuring live drums!), and Rob Garza of Thievery Corporation. Plus: two of my fave clubs, Surya Dub and Dub Mission, duke it out on the upstairs dance floor of Public Works, with DJ Sep and Kush Arora taking turns at the tables. Kush tells me he’s breaking out some rare kuduro and deep afro-house, so get ready to drop.

Sat/6, 9:30 p.m.-3 a.m., $10 advance. Public Works, 161 Erie, SF. www.publicsf.com

 

SPEEDY J

The Dutch master of hard techno was famous in the 1990s for wigging crowds out, true to his name. He still brings the wiggy floor-stomp, but after moving to Berlin and embracing a few minimal and experimental tricks, he’s gone deeper and broader, killing it with painterly tech effects. He’ll be blowing the monthly Kontrol party away with opener M. Gervais.

Sat/6, 10 p.m.-6 a.m., $20. EndUp, 401 Sixth St., SF. www.kontrolsf.com

 

FOREVER’S GONNA START TONIGHT

Last month, the nightlife community lost one of its true legends, Vicki Marlane of the Hot Boxxx Girls revue at Aunt Charlie’s Lounge. At 76, she lived an incredibly rambunctious life and was thought to be the oldest continuously appearing transgender stage performer in the country. She gave every number her all — and considering her propensity for epic numbers like “Total Eclipse of the Heart,” that was a lot of all!

Come celebrate her gorgeousness on Sat/6 at the Castro Theatre, when the awesome and informative 2010 documentary about her, Forever’s Gonna Start Tonight, screens at midnight with bonus performance footage that will bowl you over. It’s a benefit for the AIDS Emergency Fund — appropriate for Vicki’s generous spirit.

Sat/6, midnight, $10. Castro Theatre, 429 Castro, SF. www.castrotheatre.com

Scribe’s Guide to Playa Prep

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steve@sfbg.com

PLAYA PREP This is a crazy time of year for burners, when they begin to realize just how overly ambitious their art projects actually are, when the August calendar seems to shrink as to-do lists grow, and when procrastination morphs into panic — all of it laced with a giddy, distracting excitement about the dusty adventures to come.

Don’t worry, fellow burners, Scribe is here to help. I’m way too busy right now to actually come help weld your art car or hot glue your costume (unless you’ve got stuff or skills that I may need, in which case we can maybe work something out) but after years of deep immersion in this culture, I do have a few tips and resources for you.

 

ATTITUDE

The most important thing to bring to the playa with you is the right attitude. It’s right up there with your ticket at the very top of the list. As I worked on this guide, I posed the question “What’s the most important thing you bring to the playa?” to online burner hives, and most of the answers I got back had something to do with attitude.

Whether you’re a nervous newbie or salty veteran, it’s important to leave your expectations at home and just be open to whatever experiences await you. Intention is everything out there, and if you try to always maintain an open mind, a loving heart, and a sense of humor, everything you need will just flow your way.

It isn’t always easy. When your project breaks, or the dust won’t stop blowing, or your lover squashes your heart, or some yahoo behaves in a way that strikes you as somehow un-Burning Man, it’s natural to let your anxieties creep up. But you’ve got to let it go, because it’s all going to be OK, it really is. When all else fails, just breathe.

It is the breaking through those difficult moments and coming out the other side — enduring through things that feel like they may break you — that makes Burning Man feel so transformative. It is a cauldron, and you may not come out in the same form you went it, but that’s part of why you go.

 

GETTING AROUND

You’ll need a motorized vehicle to get to Burning Man — and art cars can be a fun way to get around when you’re there, a sort of surreal public transit system — but if you don’t have a good bicycle then you’re at a decided disadvantage in fully experiencing Black Rock City, the most bike-friendly city on the planet while it exists. And that’s never been more true than this year, when early reports indicate that the wet winter has left the playa packed solid and perfect for pedaling.

Form and function are equally important when it comes to your bike. It needs to be in good mechanical condition (and with enough tools and patch kits to keep it that way) and correctly sized to your body, ideally with a comfortable, upright position and basket for your stuff. And you also need to decorate it and make it unique, both because making art is the essence of Burning Man and so you can easily find it amid a sea of bikes. Form and function, they’re like two wheels rolling together.

Although the Borg, a.k.a. Black Rock City LLC, recommends that you bring a bike lock, I’ve personally never used one and never had a problem. Sure, bike thefts happen, but I believe they’re almost always crimes of opportunity or drunken mistakes involving nondescript bikes, not unique rides like mine that I could spot 100 yards away.

I’m convinced that half the people who think their bikes got stolen actually just lost them. The playa can be a very disorienting place, with art cars and other visible markers moving around — and even one’s own brain conspiring against locating one’s bike. So illuminate your bike well, ideally with something that sticks up high the air, and leave your lights on as you explore on foot.

Speaking of which: wear good, comfy shoes. Most costumes should stop at the ankle at Burning Man, particularly if you’re prowling the playa

 

SNEAKING IN

In honor of the mad scramble for tickets after Burning Man sold out more than a month before the event for the first time in its 25-year history, I’m offering some thoughts on sneaking into the event. Given how many people could find themselves stuck with counterfeit tickets or otherwise unable to get in this year, it seems like something that any thorough guide should cover.

Now, before everyone jumps all over me, telling me that I’m endangering lives and undermining the spirit and the stability of the event, let me make clear the spirit in which I’m offering this advice. Just think of it like a hacker publicizing the security vulnerabilities of a beloved institution — hopefully the Borg will read this too and do what it can to either plug the holes or somehow take pity on the desperate souls stuck outside the city’s gates.

First of all, you gotta know what you’re getting yourself into. Gate crew takes this shit very seriously, thoroughly searching every car and trailer, and looking into hiding spots that you probably haven’t even thought of. Many of them take real pride in this, some thoroughly stomping on rolls of carpet that might contain a stowaway, potentially adding injury to your insult.

Here’s the worst part: It is official Burning Man policy that when stowaways are found, everyone in that vehicle gets his or her tickets torn up. And burner brass says it will beef up security this year, including more people at the gate and more people scanning the open playa with night-vision goggles and fast interceptor cars.

Every year, they catch about 30 people trying to sneak it. “We’re very confident that we catch all the stowaways,” Borg member Marian Goodell tells us. But we all know that can’t possibly be true, right? There are playa legends of a contortionist who puts herself in a packing bin and gets in every year, and I’ve met people who claim to have snuck in both at the gate and over the open playa.

So, if you gotta do it, my best advice is to find a confederate on the inside, such as someone on Gate crew who owes you or will take pity on you or a bribe from you. That’s how many coyotes do it at the US-Mexico border, and it could work here too. There aren’t any wristbands at Burning Man, so once you can weasel your way in amid the confusion at the gate, you’re in.

Skydivers also have a pretty good shot at getting in, even though they’re likely to be greeted on the ground by someone asking for their tickets. But, it’s a big city, and if you’ve got some skydiving expertise and you’re able to rapidly change directions during the final phase of your descent, you might just make it.

There are also ways to take advantage of human oversights, particularly during the early arrival period before the event begins. There are often openings in the gate briefly left unguarded in the early days, as we discovered last year after a trip to the reservoir. Or sometimes, after thoroughly searching the car, the person at the gate will forget to tear your ticket. And believe it or not, sometimes people on the inside end up with spare tickets for friends who couldn’t make it. Any untorn tickets can be spirited out by people making runs into nearby Gerlach for supplies.

But in closing, let me just reiterate that buying a ticket is part of the “radical self-reliance” principle that is central to the burner ethos, so do yourself and your community a favor and find a ticket, or accept that you may just have to sit this year out. Don’t worry, we’ll make more.

 

FOOD AND SHELTER

In preparing for Burning Man, it’s always helpful to remember Maslow’s Hierarchy of Needs, which instructs us that we need to see to our basic needs at the bottom of the pyramid before we can even think about approaching the enlightenment at its pinnacle. And that begins with food and shelter.

Contrary to common misconceptions, you don’t need an RV or trailer on the playa — and it’s too late to get one at this point anyway. Frankly, you’ll be fine in a cheap pup tent as long as you place it under a sturdy shade structure, such as the 10-by-20-foot steel carports that are ubiquitous on the playa, or a cheaper shade structure with poles reinforced by PVC or something to help it from being flattened.

You may need to make adjustments during the course of the week, but jerry-rigging your shit is just part of the fun. Or if that’s not your cup of tea, more and more burners in recent years have been building their own yurts or turning to custom-made designs like the Playa Dome Shelters from Shelter Systems (www.shelter-systems.com/playadomes.html).

For food, just try to keep it simple, nutritious, and free of unnecessary waste. That means lots of simple snacks and easy meals, such as those you make ahead of time and reheat. There are also some good entrepreneurs out there that have perfected this approach, such as Gastronaut SF (www.gastronautsf.com/playa-provisions), which makes meals that you boil in the bag, which even allows you to reuse that water.

And don’t forget to take your vitamins because playa life can really take it out of you. Dr. Cory’s Playa Packs (www.drcory.com) are one of many good companies that understand what nutrients you’ll need and try to provide them.

 

SHOPPING

Let’s face it, for all the talk about decommodification and intentional communities and all that hippie crap, you’re going to need stuff at Burning Man. Lots and lots of stuff. Luckily, San Francisco is a great place to get it, and here are some of my personal favorite spots to shop for my playa gear.

Mendels This art supply store has everything you need for your costumes and other Burning Man projects, and many things you didn’t know you needed. For example, when I was looking for a cool covering for my bike years ago, I found tubes of thick acrylic paint that dries hard (now known as 3-D Paint), which has lasted for years and drawn compliments the whole time.

1556 Haight, SF. (415) 621-1287, www.mendels.com

Fabric Outlet Fake fun fur has become a staple item for Burning Man costumes and art projects, particularly as the styles and varieties of it have gotten better. And this place has the coolest fake furs in town, as well as a huge selection of other fabrics, patterns, and sewing kits.

2109 Mission, SF. (415) 552-4525, www.fabricoutletsf.com

Multikulti This is the best place in town to find a great selection of groovy sunglasses for just $6 each — and you’ll want a good selection of shades out there to go with your costumes — as well as a variety of other accessories and costumey geegaws to accent your Burning Man ensemble.

539 Valencia, SF. (415) 437-1718

Five and Diamond If there is a store that grew directly out of the feather-and-leather fashion aesthetic that has come to take center stage on the playa, this is it. From groovy utility belts (important when your costumes lack pockets) to elaborate leather outer wear to some of the coolest custom goggles that I’ve found (mine has a built-in light and both clear and shaded lenses), this place has great — if slightly pricey — stuff.

510 Valencia, SF. (415) 255-9747, www.fiveanddiamond.com

Held Over My favorite second-hand clothing store creates special racks of Burning Man clothes this time of year, but I always prefer to assemble my own outfits from their great selection of unique vintage and specialty clothes, including an entire room of tuxedos and other retro formal wear.

1543 Haight, SF. (415) 864-0818

Distractions The oldest walk-up Burning Man ticket outlet, Distractions knows just what burners need, offering a wide variety of playa-oriented clothing and accessories that you’ll need, from goggles to EL wire strips to pipes and other smoking paraphernalia.

1552 Haight, SF. (415) 252-8751

Cool Neon This Oakland-based company specializes in electro luminescent wire, the staple item for illumination on the playa (and whether you’re walking or on a bike, you will need to be lit-up out there). Cool Neon makes the rounds at many of the fairs and trunk shows, but you can also place orders for shipment or arrange pickups at its office at 1433 Mandela Parkway in Oakland.

www.coolneon.com

Discount Builders Supply Rather than spending your hard-earned money at Home Depot or some other chain store in the burbs, this locally owned business has everything you need to construct and decorate your project, or see to your sundry personal needs. They’re also used to burners with strange requests, so they give good advice.

1695 Mission, SF. (415) 621-8511, www.discoutbuilderssupplysf.com

 

WORKSPACES

The project. It is the essence of Burning Man, whether it’s the fun fur and EL wire you’re putting on your bike, the bar or showers your camp is building, or some ridiculously ambitious artwork that you’re creating with a crew of hundreds. Black Rock City is a series of thousands of these individual projects, all of which are coming together right now. And if you’re looking for some help finishing (or starting) yours, here are some resources you can tap.

The Crucible The Crucible is a venerable nonprofit institution that offers a wide variety of arts and crafts classes and resources in a state-of-the-art facility in West Oakland, with many burners among its staff and clients. As the longtime host of the Fire Arts Festival, this place knows its stuff.

1270 17th St., Oakl. www.thecrucible.org

CELLspace The Flaming Lotus Girls and many other key burner art collectives were born here, and his facility continues to provide the expertise and tools to bring Burning Man to life, year after year.

2050 Bryant, SF. www.cellspace.org

Techshop The new kid on the block, but one of the most technologically advanced, Techshop is a DIY workshop with amazing tools and experts on staff. Join its Aug. 15 EL wire workshop or other upcoming classes catering to burners.

926 Howard, SF. www.techshop.ws

American Steel Also known as Big Art Studios, this massive warehouse houses many of these biggest projects now bound for Burning Man. It may not have the structural support of places like the Crucible, but if you’re looking for knowledgeable burners to work through some problem, American Steel is brimming over with them.

1960 Mandela Parkway, Oakl. www.americansteelstudios.com

Burning Man costume creations If it’s sewing or other costuming help that you need, there are lots of local designers who might lend a hand (see “What not to M.O.O.P.” in this guide). Or you can stop by these Aug. 11 or Aug. 25 sewing circle meetups listed at www.meetup.com/Burning-Man-Costume-Creations

 

ART

Here are a few of the major installation artworks with Bay Area connections that I’m excited to see on the playa this year:

Charon by Peter Hudson Peter Hudson and his large volunteer crews have created some of the most dynamic art pieces in Burning Man history, zoetropes that use motion and strobe lights to animate the characters they create: the swimmers of Sisyphish, the divers of Deeper, the snake and monkeys of Homouroboros, and the man reaching for the golden apple of Tantalus. This year, Charon the boatman crosses the river Styx into Hades and, well, you just really gotta see what could be his best piece yet. As the artist says, “Charon asks them to reflect on their own mortality and ponder how to give and get the most from their brief time here on earth.”

Tympani Lambada by the Flaming Lotus Girls Combining fire, steel, light, and sound on the massive scale that we’ve come to expect from the Flaming Lotus Girls, Tympani Lambada simulates the structure of our inner ears, which control not just hearing but balance and perception. As always with this crew, this project promises to be space as occupy and interact with (usually with an unbelievable sense of awe) rather just a structure to see. And as they’ve been doing for many years (see “Angels of the Apocalypse,” 8/20/05), the dynamic crew built this creation right out at the Box Shop on Hunters Point (with an assist for American Steel, where some of its longest sections are being built).

Truth and Beauty by Marco Cochrane Following up last year’s amazing Blissdance, which is now on display on Treasure Island, this crew hoped to make an even larger female nude sculpture of the same model (55 feet this time), but their fundraising fell a little short so they couldn’t complete it. But even in the abbreviated form they’re bringing to the playa this year — just the torso from knee to shoulder, but well-anchored that it’s climbable — it should still be something to see.

Temple of Transition, by International Art Megacrew The Temple is always a special place at Burning Man (see “Burners in flux,” 8/31/10), and this year promises to be as spectacular as it is spiritual. The project is headed by a pair of builders known by their nationalities, Kiwi and Irish, and built mostly in Reno by a crew of committed volunteers from more than 20 countries. It’s centerpiece tower, Gratitude, is a towering 120-feet tall, surrounded by and connected to five smaller towers: Birth, Growth, Union, Death, and Decay.

Otic Oasis Lightning (Burning Man’s attorney) and friends (including named artists Gregg Fleishman and Melissa Barron) wanted the quietest spot on the playa for this 35-foot wooden pyramid of comfy lounging compartments, a remote spot where even the music from art cars couldn’t reach. Their answer: at the very back of the walk-in camping area, a spot only reachable on foot by people intending to go there. Finally, a quiet spot to chill out.

 

 

PLAYA EVENTS

OK, I know that many of these events are music-related, and there are an untold number of quirky, weird things to do on the playa besides just rocking out to a DJ. But exploring what the hundreds of theme camps offer each year is part of the fun, and it’s too Herculean a task to sort through the voluminous information and offer you sound predictions.

But every year the music lovers among us compile their recommendations of the stops to hit that will be going off and filled with dancing fools, so I know those lists are valuable. And mine does include some other stuff as well, so just deal with it.

The future of Burning Man The 17 board members of The Burning Man Project, the new nonprofit entity being created to take over operations of Burning Man in coming years (see “State of the burn” in this guide), will be available to discuss the future of this culture. This is your chance to weigh in on what’s important to you and how the event should be governed into the future.

Everyday, 1 p.m.-2:30 p.m. at Everywhere Lane (near Center Camp)

Lee Coombs This British-born DJ has long been a great supporter of Burning Man art projects — and he always plays fun sets — so come check him as the playa’s best daytime dance party camp starts to work it out.

Tuesday, 5 p.m.-6 p.m., Distrikt (9&F)

Unicorn Stampede

The perverts from Kinky Salon love getting horny on the playa, and this time they’re getting literal as they dress as unicorns and stampede across the playa, spreading their joy and juices onto unsuspecting burners and ending up at the Walkout Woods art piece. What does all that mean? Bring a horn, leave your inhibitions, and come find out.

Wednesday, 7-9:30 p.m., gather at The Man

Shpongle OT’s regular Wednesday night White Party — which has included many epic performances over the years, and this year include big draws EOTO, Infected Mushroom (both doing live sets on two stages OT is setting up for live music this year) and Christopher Lawrence, at midnight, 1:30 am and 3 am respectively — welcomes the dawn with pysbient music innovators Shpongle, which is already generating lots of excitement.

Thursday, 5:45 am (sunrise set), Opulent Temple (10&B)

Deep End reunion It’s like family day at Distrikt as the core San Francisco-based DJs that helped launch the original Deep End day parties play successive one-hour sets, with Syd Gris followed by Tamo, Kramer, and then Clarkie. Buckle up, everyone, because this could get ugly.

Thursday, 2-6 p.m., Distrikt (9&F)

Cuddle Ocean Upping the ante on the stereotype of ravers heaped into cuddle puddles at Burning Man, some instigators from last year’s Temple of Flux crew are seeking to create a Cuddle Ocean of thousands of burners heaped all over each other in the deep playa. Come feel the love.

Thursday, 6-8 p.m., between the Man and the Temple

Bootie BRC Adrian, Mysterious D, and the rest of the popular Bootie SF music mashup crew will be throwing a dance party specially mixed for your on-playa pleasure — with actual words!

Thusday, 8 pm-???, Fandango (Esplanade&4)

Circle of Regional Effigies burn Regional events have become an important part of the Burning Man culture, and this year 23 of them will build wooden effigies in circle around The Man. And then, as tends to happen to our effigies, they will all burn — simultaneously!

Thursday, 9 p.m., around The Man

Critical Tits This women-only topless bike ride has been a playa tradition for many years, so cruise by to cheer them on and offer your encouragement for what is a very freeing experience for many of the participants. Besides, who doesn’t like tits?

Friday, 4-5 p.m., The Man

Space Cowboys Hoedown Legendary SF-based sound collective the Space Cowboys has a tradition of driving its mobile music vehicle the Unimog out to the “biggest, baddest art piece” on the playa for a big dance party every year, which art cars with speakers and radio receivers can also relay, create a fun circle of sound. And this year, the winner is…The Flaming Lotus Girls’ Tympani Lambada.

Friday night at Tympani Lambada

Distrikt Come ride the daytime dance party train to the end of the line with DJ Kramer spinning until someone drags him off the stage to get ready for the burn.

Saturday, 4-??? at Distrikt Camp (9&F)

Scumfrog Dutch-born DJ Scumfrog has been rocking the playa every year since he first camped with us at Opulent Temple in 2004, and as readers of my book know, he’s a Burning Man true believer who just loves this culture, so he always brings his A-game. This is the place to be as the sun rises on final full day of Black Rock City.

Sunday, 4 am-sunrise, Disorient (2&Esplanade)

Tribes of Burning Man signing Yours truly, Scribe, will be on stage leading a discussion of issues raised in my book, The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture. Study up by ordering a signed copy now from www.steventjones.com and join in the debate, or just come heckle me for this shameless plug.

Sunday 4 p.m., Center Camp Stage

Steven T. Jones, a.k.a. Scribe, is the Guardian’s city editor and the author of The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture, which grew out of a series of stories in the Guardian that ran from 2004 through 2010.

 

 

 

 


Our Weekly Picks: July 27-August 2, 2011

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THURSDAY 28

FILM

“Marker XC: Three Times Thirty”

Chris Marker is a little older than his nouvelle vague contemporaries, though you wouldn’t know it from his fugitive art. His work is not a career but a universe, one that continues to expand like our own cosmos; at 90, the cat is still grinning. A few minutes of homework on the Internet turns up some of his latest illuminations, but this special birthday tribute focuses on three short films made in years sandwiching 1968, a revolutionary epoch Marker has spent a lifetime observing in quicksilver pasts and futures. Following Marker’s lead, the screening is free. (Max Goldberg)

7:30 p.m., free

McBean Theatre

Exploratorium

3601 Lyon, SF

415-561-0360

www.exploratorium.edu

 

MUSIC

Fresh Greens

They don’t play Equipto and Mike Marshall’s new booze banger “I Drink Fernet” in SF bars enough. C’mon city — the hook’s stuck in our gray matter all day and when we’re ready to order a beer and a shot of the herbal stuff, we wanna hear our jam. This is not going to be a problem at this week’s installation of Fresh Greens, Showdown’s hip-hop and bass night with DJs Mr. Lucky and Doc Fu. The duo has invited DJ Pause, progenitor of said Fernet anthem, to spin that night — and they’ve coordinated with Fernet Branca to the end that there will be drink giveaways galore. (Caitlin Donohue)

10 p.m.–2 a.m., free

Showdown

10 Sixth St., SF

(415) 503-0684

www.showdownsf.com

 

FRIDAY 29

MUSIC

Steve Arrington

In one of those head-scratching retro confluences that have been popping up on dance floors lately, two quite different soul-stomping records featuring Steve Arrington — his Wonder-full 1985 “Dancing in the Key of Life” solo release and the 1979 “Just a Touch of Love,” recorded with his classic disco-funk outfit Slave — have become local club hits again. Arrington’s in the air: the smooth-voiced Ohioan is working on a new album with steamy L.A. squelch-funk revivalist Dâm-Funk. And now here he comes live, helping to celebrate the third anniversary of retro-fun and “contemporary boogie” party Sweaterfunk. Sweat or funk? You’ll do both. (Marke B.)

9 p.m.–3 a.m., $15

Som.

2925 16th St., SF

www.stevearringtonsf.eventbrite.com

 

MUSIC

“Playback: AudioBus”

Every few years, the Soundwave festival inundates the Bay Area with adventurous sonic experiences, like watching tiny solar-powered speakers bloom like flowers on Civic Center trees, or hearing a concrete bunker in Marin reverberate with waves of bass. Missed last year’s Soundwave? The Playback series is giving your experiment-hungry ears another chance. This week, hop aboard the double-decker AudioBus (equipped with state-of-the-art Sennheiser headphones) and explore live music scores “routed to the scenery around you.” Music plus motion equals magic. Bay Area scratch guitarist the Genie guides you audibly through the Mission on Friday; Christopher Willets, who creates “patterns of vibrations with sound and light” takes over Saturday with a trip through Golden Gate Park. (Marke B.)

Fri/29–Sat/30, 7 p.m., $20–$200

Various locations, SF

www.me-di-ate.net

 

MUSIC

Mean Jeans

“This song is about the economy. It’s called: what the fuck is a 401(k)?!?!” The members of Mean Jeans wax philosophical about lots of things, but mostly they stick to partying and its many and varied intricacies. If you think punk has gotten too cerebral over the years and/or are able to argue with authority and aplomb the ups and downs of the different beers you can buy with pocket change, then Mean Jeans is the band for you. They’re the Ramones on speed, a raging house party manifest as a three piece from Portland, Ore. Pogo to your hearts content, just don’t tell them or the crowd to chill out and take it easy. It’s a punk show, you wimp — have some fun. (Cooper Berkmoyer)

With Black Jaspers, Guantanamo Baywatch, and Teutonics

9 p.m., $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

PERFORMANCE

“Work MORE!”

Eleven drag queens, 165 costume changes, 60 minutes: put it all together and what do you get? One hell of a rendition of “Bohemian Rhapsody.” Kidding! (Kinda.) You get one of the most ambitious hours of deconstructed gender illusionism you’re likely to see in a while. “Work MORE!,” the brainchild of local firebrand VivvyAnne ForeverMORE!, has been a thrilling series of performances that dramatizes the art of drag by blending performance, storytelling, set design, music, and various challenges reminiscent of It’s a Mad, Mad, Mad, Drag World. This installment, running for two nights, calls on 11 performers to direct each other in interchangeable performance numbers — a kaleidoscope of queens engendering an evening-long mosaic of mimicry. And it might go on tour! (Marke B.)

Fri/29–Sat/30, 8 p.m., $20

CounterPULSE

1319 Mission, SF

(415) 626-2060

www.counterpulse.org

 

SATURDAY 30

MUSIC

MK at Icee Hot

One of the most astonishing production runs in dance music — or any music, really — occurred when young Detroit producer Marc Kinchen discovered he had a flair for combining cyber-melancholic Detroit techno beats with a soulful New York City garage house vibe. On the strength of his early, driving records, MK soon became one of techno’s first big-time remixers: his genius for chopping up a song’s vocals into completely different, in most cases more appealing, melodies filled floors from 1991-95. Since then, he’s moved on to producing Pitbull and Willow Smith, but he’s back to reap underground propers in the retro-1990’s house craze, DJing with equally famous brother Scott and fellow virtuoso vocal-hacker Todd Edwards at the monthly Icee Hot party. (Marke B.)

With Scottie Deep and Todd Edwards

10 p.m., $10

Public Works

161 Erie, SF

www.publicsf.com

 

EVENT

“Livin’ La Vida Lambada”

When I first started writing about Burning Man for the Guardian in 2004 — a process that this year culminated in the release of my book The Tribes of Burning Man — the two crews that I most deeply embedded myself with were Opulent Temple and the Flaming Lotus Girls. They each work out of the Box Shop on Hunters Point and were just beginning their meteoric rises to become the event’s premier fire arts collective (FLG) and more enduring large sound camp (OT). Now, as the FLGs work toward completion of its latest ridiculously ambitious project — Tympani Lambada, a representation of the inner ear translated into a massive sculpture of sound, fire, and light — the OT DJs, the burner artists of NIMBY, and others are pitching in to help their hermanas del fuego reach their goal. So come shake your asses and help bring an amazing artwork to life on the playa next month. (Steven T. Jones)

8 p.m.–2 a.m., $20

NIMBY Warehouse

8410 Amelia, Oakl.

www.flaminglotus.com/brownpapertickets

 

EVENT

Treasure Island Flea Market

Hey, you in the horn-rimmed glasses. You can’t really consider yourself a Bay Area vintage freak without making pilgrimages to all the area’s flea markets — Candlestick, Alameda, Alemany all rev up our barter skills — and as of Memorial Day this year there’s a new kid on the clothing rack-covered asphalt block: the Treasure Island Flea Market, where somewhere among the grassy aisle and hundreds of vendor booths, you are virtually assured of finding something with history and pizzazz. Gadabout spectator shoes, barely-used vintage road bicycles, rusty old bird cages for making garden lanterns — just make sure you can schlep it on the 108 Treasure Island Muni going home. (Donohue)

Through Sun/31

9 a.m.–4 p.m., free

(415) 898-0245

www.treasureislandflea.com

 

SUNDAY 30

MUSIC

Mattachine Dance Party

Around 2004, when celebrating gay history became all the rage in dance clubs, DJs naturally turned to previously buried disco sounds to accompany the onrush of post-AIDS-era curiosity. But of course gays existed before the 1970s — as recently discovered fossilized size-14 stripper heels and catty hieroglyphics about Top Chef judge selection have proved. Young, queer parties have noticed: our own Hard French reaches back to the 1950s for soul inspiration, while New York City’s Mattachine Dance Party adds 1960s rock and other queer-eared genres to the mix. Now filmmaker and sexual provocateur John Cameron Mitchell is bringing his buoyant Mattachine affair, named for the U.S.’s first gay rights organization, to El Rio for a special daytime installment that will resurrect the hot-pink spirits of yesteryear. (Marke B.)

3–8 p.m., $5

El Rio

3158 Mission, SF

(415) 282-3325

www.elriosf.com

 

MONDAY 1

COMEDY

Maria Bamford

One-quarter of the dream team Comedians of Comedy tour in 2004 (alongside Patton Oswalt, Zach Galifianakis, and Brian Posehn), Maria Bamford is about as unique a comedic personality as they come. She subscribes to the darker, more surrealist side of stand-up, forgoing traditional punch lines to put all her anxieties and neuroses on full-display through self-deprecation, twisted inner monologues, and a ton of barbed vocal impressions that send up her Minnesota-based family and friends. Yet for all her eccentricities, Bamford never delves into novelty or shtick. Her material is always smart, perfectly nuanced, and balanced with enough of her natural Midwest charm to make even the strangest moments relatable. (Landon Moblad)

With Robert Mac and Nato Green

Through Aug. 3

8 p.m., $22.50

Punch Line Comedy Club

444 Battery, SF

(415) 397-7573

www.punchlinecomedyclub.com

 

TUESDAY 2

MUSIC

Real Estate

The un-Google-able band name. Is it creative combativeness or audacity in the face of technology’s encroaching hand that led four like-minded musicians from New Jersey to name themselves Real Estate? Search engines aside, Real Estate isn’t an easy band to pin down. Reverb-heavy surf guitar with some folk mixed in begin to paint the picture, but it isn’t simply the sum of its parts. It sounds the way a drive to the beach looks: the stucco strip malls race past in a beige blur and soon recede as the scenery grows increasingly lush. Everyone else in the car is talking, but you’re too busy staring out the open window to notice. Real Estate is surf rock for city folks. (Berkmoyer)

With Dominant Legs and Melted Toys

8 p.m., $15

Independent

628 Divisadero, SF (415) 771-1421 www.theindependentsf.com 

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Upcoming summer festivals

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July 14-24

Midsummer Mozart Festival Various Bay Area venues. (415) 627-9141, www.midsummermozart.org . Prices vary. You won’t be hearing any Beethoven or Schubert at this midsummer series — the name of the day is Mr. Mozart alone.

 

July 16-17

Connoisseur’s Marketplace Santa Cruz between Camino and Johnson, Menlo Park. (650) 325-2818, www.miramarevents.com. 10am-6pm, free. Let the artisans do what they do best — you’ll polish off the fruits of their labor at this outdoor expo of artisan food, wine, and craft.

 

July 21-Aug 8

SF Jewish Film Festival Various Bay Area venues. www.sfjff.org. Times and prices vary. A three week smorgasbord of world premiere Jewish films at theaters in SF, Berkeley, the Peninsula, and Marin County.

 

July 22-Aug 13

Music@Menlo Chamber Music Festival Menlo School, 50 Valparaiso, Atherton. (650) 330-2030, www.musicatmenlo.org. Classical chamber music at its best: this year’s theme “Through Brahms,” will take you on a journey through Johannes’ most notable works.

 

July 23-Sept 25

 SF Shakespeare Festival Various Bay Area venues. www.sfshakes.org. Various times, free. Picnic with Princess Innogen and her crew with dropping a dime at this year’s production of Cymbeline. It’s by that playwriter guy… what’s his name again?

 

July 30

Oakland A’s Beer Festival Eastside Club at the Oakland-Alameda Coliseum, 7000 Coliseum Way, Oakl. www.oakland.athletics.mlb.com. 4:05-6:05pm, free with game ticket. Booze your way through the Oakland A’s vs. Minnesota Twins game while the coliseum is filled with brewskies from over 30 microbreweries, there for the chugging in your souvenir A’s beer mug.

 

July 30-31

 Berkeley Kite Festival Cesar Chavez Park, 11 Spinnaker, Berk. www.highlinekites.com. 10am-5pm, free. A joyous selection of Berkeley’s coolest kites, all in one easy location.

 

July 31

Up Your Alley Dore between Folsom and Howard, SF. www.folsomstreetfair.com. 11am-6pm, $7-10 suggested donation. Whether you are into BDSM, leather, paddles, nipple clamps, hardcore — or don’t know what any of the above means, this Dore Alley stroll is surprisingly friendly and cute once you get past all the whips!

 

Aug 1-7

SF Chefs Various venues, SF. www.sfchefs2011.com. Times and prices vary. Those that love to taste test will rejoice during this foodie’s paradise of culinary stars sharing their latest bites. Best of all, the goal for 2011’s event is tons of taste with zero waste.

 

Aug 7

SF Theater Festival Fort Mason Center. Buchanan and Marina, SF. www.sftheaterfestival.org. 11am-5pm, free. Think you can face about 100 live theater acts in one day? Set a personal record at this indoor and outdoor celebration of thespians.

 

Aug 13

San Rafael Food and Wine Festival Falkirk Cultural Center, 1408 Mission, San Rafael. 1-800-310-6563, www.sresproductions.com. Noon-6pm, $25 food and wine tasting, $15 food tasting only. A sampler’s paradise, this festival features an array of tastes from the Bay’s best wineries and restaurants.

 

Aug 13-14

Nihonmachi Street Fair Post and Webster, SF. www.nihonmachistreetfair.org. 11am-6pm, free. Founded by Asian Pacific American youths, this Japantown tradition is a yearly tribute to the difficult history and prevailing spirit of Asian American culture in this SF neighborhood.

 

Aug 20-21

Oakland Art and Soul Festival Entrances at 14th St. and Broadway, 16th St. and San Pablo, Oakl. (510) 444-CITY, www.artandsouloakland.com. $15. A musical entertainment tribute to downtown Oakland’s art and soul, this festival features nationally-known R&B, jazz, gospel, and rock artists.

 

Aug 20-22

* SF Street Food Festival Folsom St from Twenty Sixth to Twenty Second, SF. www.sfstreetfoodfest.com. 11am-7pm, free. All of the city’s best food, available without having to go indoors — or sit down. 2011 brings a bigger and better Street Food Fest, perfect for SF’s burgeoning addiction to pavement meals.

 

Aug 29-Sept 5

Burning Man Black Rock City, Nev. (415) TO-FLAME, www.burningman.com. $320. This year’s theme, “Rites of Passage,” is set to explore transitional spaces and feelings. Gather with the best of the burned-out at one of the world’s weirdest, most renowned parties.

 

Sep 10-11

* Autumn Moon Festival Street Fair Grant between California and Broadway, SF. (415) 982-6306, www.moonfestival.org. 11am-6pm, free. A time to celebrate the summer harvest and the end of summer full-moon, rejoice in bounty with the moon goddess.

 

Sept 17-18

SF International Dragon Boat Festival California and Avenue D, Treasure Island. www.sfdragonboat.com. 10am-5pm, free. The country’s largest dragon boat festival sees beautiful man-powered boats take to the water in 300 and 500 meter competitive races.

 

Sept 23-25

SF Greek Food Festival Annunciation Cathedral. 245 Valencia, SF. www.sfgreekfoodfestival.org. Fri.-Sat., 11am-10pm; Sun., noon-9pm, free with advance ticket. Get your baba ghanoush on during this late summer festival, complete with traditional Greek dancing, music, and wine.

 

Sept 25

Folsom Street Fair Folsom between 7th and 12th St., SF. www.folsomstreetfair.org . 11am-6pm, free. The urban Burning Man equivalent for leather enthusiasts, going to this expansive SoMa celebration of kink and fetish culture is the surest way to see a penis in public (you dirty dog!).

 

Sept 30-Oct 2

Hardly Strictly Bluegrass Speedway Meadows, Golden Gate Park, SF. www.strictlybluegrass.com. 11am-7pm, free. Pack some whiskey and shoulder your banjo: this free three day festival draws record-breaking crowds — and top names in a variety of twangy genres — each year.

 

Items with asterisks note family-fun activities.

Burner artists go bigger and wider

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I’ve been covering Burning Man for many years, both for the Guardian and my book, so it’s easy to feel a little jaded about another year of preparing for that annual pilgrimage to the playa. But then I plug into the innovative projects that people are pursuing – as I did last week for the annual Desert Arts Preview – and I find myself as amazed and wide-eyed as a Burning Man virgin.
And when the weekend came, I watched my old camps go bigger than ever – with Opulent Temple throwing a rocking Rites of Massive six-stage dance party on Treasure Island, and the Flux Foundation lighting up the Electric Daisy Carnival in Las Vegas with its newest installation, BrollyFlock – demonstrating the ambitious scale at which veteran burners are now operating.
Increasingly, burners are putting their energies into real world projects not bound for Burning Man, often with the help of Black Rock Arts Foundation, the nonprofit spinoff of Black Rock City LLC that funds and facilitates public art projects. BRAF’s latest, a project that is also receiving a grant from the National Endowment for the Arts, is The Bike Bridge, which pairs noted burner artist Michael Christian with 12 young women from Oakland to turn old bicycles and bike parts into sculptures that will be built at The Crucible and placed throughout Oakland.
“The Bike Bridge is the next evolution of our community-focused public art projects,” BRAF Executive Director Tomas McCabe said in a June 23 press release. “This educational and creative project is designed specifically to engage Oakland’s youth.”
Later that evening, McCabe and other burners gathered on the waterfront in Kelly’s Mission Cafe for the Desert Arts Preview, where he ticked off a long list of projects that BRAF was working on around the world, from the conversion of a bridge in Portland, Ore. into an elaborate artwork to a sculpture made of sails for next year’s Figment festival in New York City to a bus opera (written about bus culture and performed aboard buses) in Santa Fe to a cool interactive floating eyeball artwork that will tour Paris, London, Barcelona, and San Francisco to the BOOM Parade (combining bicycles and boom boxes) that will roll through Bayview Hunters Point in October.
But the most ambitious artworks are still being planned for that limitless canvas of the Black Rock Desert, where Burning Man will be staged in late August. This year’s temple, The Temple of Transition, is being built out of Reno by a huge international crew from 20 countries headed by a pair of artists known simply by their nationalities, Irish and Kiwi, who built Megatropolis at last year’s event.
“We built a city block of buildings and burned it to the ground,” Kiwi told the gathering, noting how impressed he’s been by a number of recent projects he’s watched. “When you start doing that, you feel challenged and wonder what you can do next.”
Irish said they were particularly inspired by watching the Temple of Flux go up last year, a project involving more than 200 volunteers that I worked on and chronicled for the Guardian, and said it made them want to bid to build this year’s temple. “That’s what inspired us,” Irish said.
The project includes a series of towers and altars, the tallest one in the center reaching about 120-feet into the air, a phenomenal height against the vast flatness of the playa. They said volunteers have been plentiful and the city of Reno has actively facilitated their work, “but our main concern is having enough finances,” Kiwi said.
The project got a grant from the company that stages Burning Man, Black Rock City LLC, which gave almost $500,000 to 44 different projects this year, but most didn’t come anywhere close to covering the full project costs. The Temple of Transition bridged its gap by raising almost $25,000 in a campaign on Kickstarter, which many projects are now using.  
“It’s a great way to cut out the middle man. You guys are funding art directly,” longtime artist Jon Sarriugarte, who got a BRC art grant this year to build the Serpent Twins (with his partner, Kyrsten Mate), said of Kickstarter, where he was about three-quarters of the way to meeting his goal of the $10,000 he needs to cover his remaining project costs.
Serpent Twins is a pair of Nordic serpents crafted from a train of 55-gallon containers and illuminated with fire and LED effects that will snake their way around the playa this year, one of many mobile artworks that have been getting ever more ambitious each year.
“I love the playa. It’s a beautiful canvas, but it’s also a beautiful road,” Sarriugarte told the group, conveying his excitement at driving his art into groups of desert wanderers: “I can’t wait to split the crowds and then contain them.”
Another cool project that is in the final days of a much-needed Kickstarter campaign is Otic Oasis, whose artists (including longtime Burning Man attorney Lightning Clearwater) brought a scale model to the event. It’s a slotted wood structure made up of comfy lounging pods stacked into a 35-foot pyramid design that will be placed in the quietest corner of the playa: deep in the walk-in camping area, inaccessible to art cars and other distractions.
That and other projects that are doing Kickstarter campaign are listed on the Burning Man website, where visitors can get a nice overview of what’s in store.  
One project that didn’t meet its ambitious Kickstarter goal was Truth & Beauty, artist Marco Cochrane’s follow-up to last year’s amazing Blissdance, a 40-sculpture of a dancing nude woman that has temporarily been placed on Treasure Island. But the crew has already made significant progress on the new project, a 55-foot sculpture of the same model in a different pose (stretching her arms skyward), and Cochrane told me they will be bringing a section of her from her knees to shoulders as a climbable artwork.

The Flux crew has been working for months on BrollyFrock, a renegade flock of flaming, illuminated, and shade-producing umbrellas that was commissioned by Imsomniac for its Nocturnal and Electric Daily Carnival music festivals, and it was placed at the latter festival near Wish, large dandelions that were built near the Temple of Flux at Burning Man last year, as well as new artworks by Michael Christian. Flux’s Jessica Hobbs said burners artists have become much sought-after by the large festivals that have begun to proliferate.

“I really think a lot of these music festivals are looking at how our pieces make an experience,” Hobbs said, citing both the spectacularity and interactivity that are the hallmarks of Burning Man artworks of the modern era. The Flux crew was pushed to meet a tight deadline for the project, preventing them from doing a big project for Burning Man this year, but that’s just part of the diversification being experienced by burner artists these days. “We challenged ourselves and we came away with another great project.”

 

Our Weekly Picks: June 22-28, 2011

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WEDNESDAY 22

DANCE

Hard Core: Getting Raw

Finding your identity is tough unless you are a vegetable. Asserting your identity — going against mom and dad — can be tough. However, if who you are and who you want to be goes against societal norms, be prepared to fight for your life. People have died doing it. It’s what the Queer Arts Festival is all about: paying tribute to and celebrating being “out there.” It’s most appropriate that hip-hop — street-born, street-nourished — is part of this yearly event. Hard Core: Getting Raw is a multimedia show put together by Josh Klipp and members of the Freeplay Dance Crew in which each artist (Klipp, Liz Angoff, Kevan Arrington, Hana Azman, and Molly Tsongas) tells a story about a journey undertaken. (Rita Felciano)

Wed/22–Thurs/23, 8 p.m., $15

Garage

975 Howard, SF

(415) 518-1517

www.brownpapertickets.com


THURSDAY 23

EVENT

Manic D Press showcase

In concert with this month’s Pride festivities, the recently relocated Modern Times Bookstore hosts a reading to spotlight luminaries from the queer independent scene. Many affiliated artists stop by, none of whom are exclusively tied to the literary scene but many of whom are pursuing a more experimental approach instead The night features poet Daphne Gottlieb (author of nine books), zinester Larry-Bob Roberts (he’s been called “the Stephen Colbert of queer culture”), badass trans musician-performer Lynn Breedlove, and performance artist extraordinaire Alvin Orloff. With such an eclectic collection of artists of the queer community gathered in one space, the night looks to be a classy, entertaining classy bookend to the flashier parties and parades to come. (David Getman)

7 p.m., free

Modern Times Bookstore

2919 24th St., SF

(415) 282-9246

www.mtbs.com


EVENT

Mara Hvistendahl

On glimpsing the title of Science magazine correspondent Mara Hvistendahl’s new book Unnatural Selection: Choosing Boys Over Girls, and the Consequences of a World Full of Men, I immediately thought what any reasonable boy-crazy person would: yeeeeesssss! Because in the meat-marketplace of a society burdened by a capitalistic priapism, the more infinite the choices, the better. But as usual, first impressions are incomplete. Join Hvistendahl as she explains the repercussions of selective sex abortion and the resulting 160 million women missing from Asia. How is this imbalance tweaking entire nations, and what does the West have to do with it (aside from having invented the ultrasound)? Can I get some ladies here? (Kat Renz)

6 p.m., $5–$15

World Affairs Council Auditorium

312 Sutter, Suite 200, SF

(415) 293-4600

www.itsyourworld.org


FRIDAY 24

PERFORMANCE

I Love Being Me, Don’t You?

A cherished comedian, singer, actress, gay deity, and recent Sarah Palin pummeler, Sandra Bernhard comes to town with a new show and new songs from a new album (both show and album are called I Love Being Me, Don’t You?) as well as dependably cutting observations about the world as such — all in time for Pride. Judging by reports from New York City’s sold-out Town Hall appearance, Bernhard — also working on a new musical with Justin Vivian Bond titled Arts and Crafts — flourishes trademark comedic and vocal chops while keeping outspoken, outrageous, and just plain out. (Robert Avila)

Fri/24–Sat/25, 7 p.m., $45–$75

Marines’ Memorial Theatre

609 Sutter, Second Floor., SF

(415) 771-6900

www.marinesmemorialtheatre.com


MUSIC

Brainfeeder Records Showcase

Started in 2008, the Brainfeeder label has essentially the same musical genetics as its founder, Flying Lotus: bass, hip-hop, electronic, things that go bleep-bloop, and jazz (all with a distinctively experimental bent). Following performances in New York City and L.A., Flying Lotus and a collection of labelmates will be bringing a showcase to 103 Harriet. Of particular interest will be 20-year-old Austin Peralta, a composer and jazz keyboardist who has drawn comparisons to McCoy Tyner and Chick Corea. His album, Endless Planets, has a sense of continuity with the forward elements of the genre (that seemed in part to stall outside of Japan in the ’70s) modernized for the 21st century. (Ryan Prendiville)

With Flying Lotus, Thundercat, Austin Peralta, Teebs, and Strangeloop

9 p.m., $22.50

103 Harriet, SF.

(415) 431-1200

www.1015.com


EVENT

“World’s Ugliest Dog Contest”

Festival season has arrived, and if the tie-dye at the Haight Ashbury Street Fair and the impending smolder of the Queer Tango Fest (June 29-July 3) hasn’t yet reminded you of the all-consuming special-ness of the Bay Area, I hereby announce the entrance of the ugly dogs. Yes, the Sonoma-Marin Fair was the birthplace of the snaggle-toothed, wonky-tailed trend of funky puppy adulation that has since made its way from The Tonight Show with Jay Leno show to Europe and back again. The day culminates in the crowning of another freaky furry friend (the 23rd annual!), but get to the fair early to enjoy dog training lessons, treat demonstrations, and, oh yes, the rest of the pig-and-pie county fair action. (Caitlin Donohue)

6 p.m. (fair hours, noon–midnight), $8–$15

Sonoma-Marin Fairgrounds

175 Fairgrounds, Petaluma

www.sonoma-marinfair.org


FILM

San Francisco United Film Festival

As per its mission statement, the San Francisco United Film Festival draws from an impressively varied pool of films for its third year in the city. From Bhopali, a somber look at the 1984 Union Carbide disaster in Bhopal, India, to The Dead Inside, a zombie-centric musical (the first?), there are strong indicators that the oft-used mantra “something for everyone” is apropos. Documentaries are the meat of this year’s selection and provide some of the more outstanding picks. Eat the Sun examines the practice of sun-gazing, or staring directly into the sun for prolonged periods of time in the belief that this will provide miraculous sustenance, and Superheroes dives mask-first into the world of real-life costumed vigilantes. Superheroes particularly holds promise as a crowd favorite as director Michael Barnett follows avengers Mr. Extreme on patrol and in their daily lives. Super! (Cooper Berkmoyer)

June 24–30, $10.75 (all-film pass, $25–$50)

Roxie Theater

3117 16th St., SF

(415) 863-1087

www.theunitedfest.com/sanfrancisco


SATURDAY 25

MUSIC

San Francisco Free Folk Festival

What better place than a middle school to host a wholesome folk festival? San Francisco’s 35th annual Free Folk Festival features music, dance, and art performances, workshops, and jam sessions for toddlers, teens, 20-somethings, and tried and true folks of any age. The festival provides a great opportunity to fine-tune your Gypsy jazz guitar, pennywhistle, left-handed mandolin, and countless other highly specialized instruments in hour-long workshops throughout the day. If listening and dancing are more your thing, there’ll be storytelling, Moroccan dance, jug band swing, and Bohemian national polka sessions galore. It seems no pocket of culture around the world will go untapped. On the off chance that you think something’s been overlooked, there’s a plain old open mic, too. (Getman)

Sat/25–Sun/26, noon–10 p.m., free

Presidio Middle School

450 30th Ave., SF

www.sffolkfest.org


MUSIC

“Rites of Massive”

Opulent Temple, the SF-based Burning Man camp that has been rocking the playa since 2003, is going big again on Treasure Island, drawing in a wide variety of Burning Man DJs, sculptures, performers, art cars, and music lovers. After filling Building 180 two years ago for its Massive Cox party featuring DJ Carl Cox, OT is moving to the larger Hangar 3 space for Rites of Massive (playing off this year’s Burning Man art theme “Rites of Passage”). Internationally acclaimed headliners DJ Dan, Christopher Lawrence, and Elite Force join notable local DJs on six stages, with burner sound collectives Distrikt, Symbiosis, and others joining the Opulent Temple hosts. Get ready to go big. (Steven T. Jones)

9 p.m.–4 a.m., $30–$50

Hangar 3, 600 California

Treasure Island, SF

www.opulenttemple.org


MUSIC

Cibo Matto

They’ve become hyperactive again. Prior to Cibo Matto’s split in 2001, the duo of instrumentalist Yuka Honda and singer Miho Hatori were responsible for some of the most infectious and bizarre sweet, sweet music of the 1990s. Based in New York City, Cibo Matto had a tendency to be mistaken for a J-Pop band at first listen, in part because of a consistent, aforementioned energy level, but in truth it skipped across the musical spectrum with a complete disregard for genres. The trip-hopping of “Sugar Water.” The ray-gun blap rap of “Working for Vacation.” The tropicalia version of “About a Girl.” Reunited for a Japanese benefit and now a small tour, the band is reportedly working on a new album. (Prendiville) With Chain Gang of 1974

9 p.m., $25

1025 Columbus, SF

(415) 474-0365

www.bimbos365club.com


SUNDAY 26

FILM

“Sand Up Your Vortex”

Since beach dreams rarely come true ’round these foggy, windy parts, why not ditch the S.P.F. and stuff your wild bikini at the Vortex Room instead? Tonight’s quadruple feature kicks off with Roger Corman’s 1957 Attack of the Crab Monsters (nukes made ’em giant; human flesh makes ’em hungry); Jack Curtis’ 1964 The Flesh Eaters (contains Nazis, beatniks, and — again — gruesomely gourmet human flesh); Monster from the Surf (1965), perhaps best explained by its alternate title, The Beach Girls and the Monster; and Nate Watt’s 1961 The Fiend of Dope Island (“He took everything and everyone he wanted!”), which is firmly ensconced on my list (along with 1976’s Shriek of the Mutilated and 1981’s Make Them Die Slowly) of all-time best movie titles. (Cheryl Eddy)

7 p.m., $5

Vortex Room

1082 Howard, SF

www.myspace.com/thevortexroom 


The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

 

Treasure Island: 11 ayes, no sight

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On June 7, the San Francisco Board of Supervisors voted 11-0 to reject an appeal of the Treasure Island environmental impact report. The appeal was brought by Arc Ecology and our colleagues the Sierra Club, Golden Gate Audubon Society, Wild Equity, former Sup. Aaron Peskin, and Yerba Buena Island resident Ken Masters.

The board will tell you that the Department of City Planning and the Mayor’s Office of Economic and Workforce Development found the appeal lacking in merit.

In the appeal, we claimed the EIR lacked the specificity to qualify as a project EIR, which means that after it passes, the city will have substantially limited the ability of any future Board of Supervisors to address the project’s actual environmental impacts. But these impacts cannot and will not be known until actual development proposals, none of which presently exist, are made.

Sup. Jane Kim and city planning staffers argued that the EIR had almost too much specificity. For example, without showing a single confirming diagram, project sponsors claimed they could cut as many as 100 stories off the proposed skyscrapers — yet keep the same number of condos without increasing the bulk, height, or number of buildings in the overall project. How? Through the Harry Potter-like magic of “flex buildings and zones.”

The board will tell you that this project presents a vision of a new community unrivaled in the Bay Area and nation — a new Athens. But the supervisors don’t seem to realize that it’s a development with a population larger than Emeryville, about the size of Albany. Indeed, the separate dedicated buildings of affordable homes truly make Treasure Island like Athens of old, with poorer people segregated from the rich.

They don’t see that this is a self-reflecting vision blithely unconcerned about the impacts it will have on the greater Bay Area region, and that it’s a bloated project that will vastly exceed the region’s capacity to support it. It’s a project whose impacts will enslave legions of people to longer commutes as more cars flood the bridge, pushing traffic like rising sea levels into the upper reaches of East Bay freeways. Nor are project proponents particularly concerned about the impacts of air pollution blowing from the bridge and the region’s freeways into Berkeley, Emeryville, and Oakland.

Finally, neither the supervisors, nor the city planners, nor the Office of Economic and Workforce Development seem to be aware that San Francisco currently has 30,000 vacant housing units. It will cost a projected $577,000 to build each Treasure Island unit. But more units could be built on San Francisco’s mainland with almost no impact, simply by allowing rental units in the basements of some of our stock of 130,000 single-family homes.

That kind of housing isn’t as luxurious as a 45-story view of the bay from Treasure Island perhaps — but at a cost of $100,000 to $200,000 per unit, more than half of those in-law apartments could be rented at or below market rate. Infill housing of that sort would also mean greater stability for established home owners, more jobs and business opportunities, and more riders for Muni.

Still, the appellants weren’t trying to halt any project at Treasure Island. The appeal was about was fixing the deficiencies in the EIR and right-sizing the project so it can move forward with its benefits intact.

In the Tarot, the Five of Cups depicts an individual so besotted by that possibilities floating before his eyes that he stands mesmerized, believing they are at hand — of course, in reality he’s fooling himself. In the case of Treasure Island, the supervisors and city officials are intoxicated by the visions floating in the bay — and are thus blinded to the better options of making this city and region more sustainable and affordable.

Not the face!

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marke@sfbg.com

SUPER EGO Henny, I don’t even know where to start. I leave the country for a lousy two months and I come back to this? No more Eagle Tavern to blow my mind on Thursday nights and blow my other parts on Sunday afternoon? No more Ti Couz for a hot bowl of pear cider when it’s pissing down rain? Straight people from Richmond puking all over the Castro on the regular? (Actually not too sad about this. I love my Richmond girls — and their unattended purses and boyfriends.)

Perhaps worst of all — um, Kreayshawn? Wow. At least we’re balancing out that catastrophe with a healthy, sleazy obsession with the Weeknd.

OK, I’m gonna move it all along, not dig my claws into bygones. I just flew in and my arms are too short to box with blah. It’s actually great to be back in blackout among my SF dance floor family. So let’s toast the future by getting toasted, because there’s a Jeroboam-load of parties sparkling in the fridge. Hiya!

 

BAWDY STORYTELLING: “LIBERTINE!”

“Carnal chronicler” Dixe De Tour’s over-the-top scandalous, sexy Bawdy Storytelling reading series is so successful it just expanded to Los Angeles. But home is where its, er, heart remains as Oakland’s infamous Ouchy the Clown joins a bevy of ear-burners for a no-holes-barred night of free speech.

Wed/8, 7 p.m. doors, 8 p.m. storytime, $10. Blue Macaw, 2565 Mission, SF. www.bawdystorytelling.com

 

WIG OUT: KIM KONG BENEFIT

Beloved DJ and promoter Kim Kong of Non-Fat and Bitches with Stitches was just diagnosed with lymphoma, and the SF scene is stepping up to lend support at this bonkers fundraiser. The Housepitality, dirtybird, and Non-fat crews are bringing heavy hitters Mr. C and Claude VonStroke to the decks — you throw on your favorite wig and dance around.

Wed/8, 8 p.m., donation requested. Icon, 1192 Folsom, SF. www.wigoutwednesday.com

 

BLOW UP SIX-YEAR ANNIVERSARY

You mean our seminal electro banger glamourpuss joint is already six years old? That’s almost the age most of the kids who went there were during its insane early Rickshaw Stop days, what? Blow Up power couple Ava Berlin and Jeffrey Paradise join the Tenderlions, Nisus, Trevor Simpson, Holy Mountain, and more for the hands-up blur.

Fri/10, 10 p.m., $16 under 21, $12.50 over. DNA Lounge, 375 11th St., SF. www.blowupsf.com

 

DAVE NADA

The godfather of Moombahton — pitching Dutch house down to its deliciously tropical (and far less annoying/wannabe gangsta) roots — hits the raucous Lights Down Low party, not previously known for its reggaeton or Netherlandish leanings. But dude, when it gets darker anything goes. U.K. funky beatsplitter Canblaster and IHEARTCOMIX’s Franki Chan open up, local locos Deevice, Sleazemore, and Eli Glad preside.

Fri/10, 9:30 p.m.-3 a.m., $10. SOM, 2925 16th St., SF. www.lightsdownlow.net

 

EVOLVE ANNIVERSARY

Monthly party Evolve has grabbed the crown for deep yet spirit-raising soulful house in the Bay. (Was there ever any doubt Oakland would reign supreme?) And while the emphasis is on the “sacred element of music,” DJs David Harness and Soul Luciani don’t stint on the more earthly pleasures of a friendly, packed dance floor.

Fri/10, 9 p.m., $10. Era Art Bar, 19 Grand, Oakl. www.oaklandera.com

 

LEE DOUGLAS

Sophisticated nu-disco and deeper house funkiness from this Brooklynite, who has garnered a star-studded following by unashamedly embracing the lo-fi analog techniques of yore. (No fear of the wah-wah here!) He’ll be at the monthly No Way Back party with DJs Conor and Navid.

Fri/10, 9:30 p.m., $5–$7. 222 Hyde, SF. www.222hyde.com

 

LOOSE JOINTS THREE-YEAR ANNIVERSARY

One of the funkiest parties in the city — a real topper combining secret sampled classics with up-to-the minute edits into a heady yet hip-swinging brew — hits the triple. Guest star: live beatboxer, producer, and instrumentalist James “Ayro” Ellison of Ubiquity Records, with residents Tom Thump, Damon Bell, and Centipede.

Fri/10, 10 p.m., $5. Make-Out Room, 3225 22nd St., SF. www.makeoutroom.com

 

MALL MADNESS

The totally not ironic, awesomely gnarly, giddily drag-ridden tribute to 1990s boy bands, ’80s Spandex pop, and ’70s unicorns on roller skates (bonus Bieber nods!) is folding up its Sunglass Hut and moving on with its life. Hostess Oxana Olsen serves up Glamour Shots and Hot Topics for the final installment.

Sat/11, 10 p.m., $7. UndergroundSF, 424 Haight, SF.

 

FADE TO MIND

Those wacky Tormenta Tropical kids are at it again, expanding the signature electro-cumbia sound of their monthly gig with some warped global bass action. This Fade to Mind showcase flies in the L.A. label’s biggest draws: rave ‘n’ b king Kingdom, bouncy duo Nguzunguzu, and kooky pixellator Total Freedom.

Sat/11, 10 p.m., $10. Elbo Room, 647 Valencia, SF. www.elbo.com

 

THIRD ANNUAL SUNSET MUSIC AND ARTS PICNIC

It doesn’t exactly feel like summer as I write this — most likely because one of the Bay’s most adored free summer-launching events hasn’t occurred yet, right? The Sunset crew is once again taking over Treasure Island for a daytime dance and chill extravaganza, featuring a live set by the actually legendary house and jungle pioneer A Guy Called Gerald of “Voodoo Ray” and “Black Secret Technology” fame. DJs Solar, Galen, J-Bird, and (yay!) Primo Preems support.

Sun/12, noon–8:30 p.m., free. Treasure Island. www.pacificsound.net 2

 

Hall blasts Treasure Island deal

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Mayoral candidate Tony Hall, who also happens to be a former executive director of the Treasure Island Development Authority, just blasted Mayor Ed Lee’s endorsement of the Treasure Island deal:

“This deal will never benefit San Franciscans because no banker will advance a billion dollars in pre-development costs that are necessary to shore up and detoxify a man-made island that sits in the middle of a bay on top of one of the strongest earthquake faults in Northern California,” Hall claimed in a June 7 press release. “The developers themselves are nearly bankrupt. I’m very disappointed in Mayor Lee for promoting this deal. As an administrator, he should know better and be strong enough to tell the people the truth.”

Hall went on to vent about the “City Family,” referring to a phrase that Mayor Ed Lee seems to be fond of using anytime he is trying to build consensus at City Hall.

“In the past few weeks, we have seen a trend developing from the so-called ‘City Family,’” Hall observed. “In May, they proposed a hasty pension deal that barely scratches the surface of the problem. Now in June they are ready to pass a phony Treasure Island deal that benefits the connected developers and their consultants, but will probably never benefit San Franciscans. All these celebrated agreements seem timed to paper over important issues with hasty solutions right before the Mayoral election.  What’s next for July? An agreement to build a permanent rainbow across the Bay? The ‘City Family’ might try to take these issues off the table, but my mayoral campaign is going to put these issues right back squarely in front of the voters.”

Treasure Island: So “special”

2

Actually, there are a bunch of problems. The Chron says the developers want to make the place “special,” a community of its own:


Developers hope the project, which goes before the Board of Supervisors for approval today, will feel like an urban village in the middle of a bustling metropolitan area. They hope urban farms, plentiful public transit and shared community spaces will give residents of the island a sense of community not found in other developments. …


For Treasure Island to be successful, developers and city planning experts agree that the residents of the island must feel like part of a special, distinct neighborhood where people want to spend time, and not just another community of commuters to San Francisco.


But the numbers don’t add up.

The plans call for 19,000 people living on the island — and there won’t be anywhere near enough employment opportunities for even a fraction of that number. So most of the residents are going to work somewhere else. Which means that twice a day they’ll have to travel — to and from San Francisco or to and from the East Bay — and there’s just no easy way to get that many people off that island to those locations.

Ther Bay Bridge is already beyond capacity during the periods when most of these people are going to be commuting. Yes, you can add a bunch of Muni buses to carry a lot of people, but that’s going to cost a lot of money. So would increasing ferry service to the level that this project would require. And if the past 50 years of San Francisco development is any guide (and it ought to be), the developers won’t pay enough for the transportation and the city won’t have the money to do it right so it won’t happen.

And even if the project meets the developers’ dreams in 30 years, it’s going to be a long, messy slog along the way. 

How, for example, will people who live on the island get their kids to school? Given San Francisco’s school-choice system, and the fact that there won’t be elementary, middle and high schools on the island anyway, and the school district can’t pay for the bus routes it has now, much less for new buses going to Treasure Island, you’re going to have hundreds of parents going to schools all over the city — and there will be only one way to get there: In cars.

(I’m all for no-car travel, but let’s be serious: Who’s got the time to take a kindergartener on the ferry downtown and on one or maybe two bus connections to a school — then turn around and take another bus to work? It isn’t going to happen. And nobody’s sending elementary school kids on Muni to school alone.)

If the supermarket isn’t built before most people move in, then you’ve got the grocery problem: It’s hard to do a week’s shopping on Muni and then a ferry. And what happens when you forget the milk (or run out of beer on the weekend?) No way to walk to the store, so you get in the car.

To make it even worse, 80 percent of the people who live there will be rich (since that’s who can afford market-rate housing). They’ll all have cars (and the developer kindly is providing parking spaces for all of them).

I just don’t see how it’s going to work. 

Treasure Island goes to the Board

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There’s three reasons I’ll always remember the Chronicle’s Phil Bronstein: he used to be married to Sharon Stone, he got bitten by a Komodo Dragon at the L.A. zoo, and he had the audacity to write a column in the Chronicle that was titled “Treasure Island eco-dream is bad choice for funds.”
Now it’s true that Bronstein was a 1986 Pulitzer Prize finalist for his work in the Philippines. But that was 25 years ago, and I didn’t read what he wrote, so I can’t comment on the quality of his work  then. But now I live in the East Bay and drive past Treasure Island most days of the week—and I have been waiting for someone at the Chronicle to finally voice something other than their usual preppy praise for this increasingly large development in the middle of the Bay.
 
And Bronstein certainly did have plenty to say about Treasure Island. And it wasn’t the usual upbeat pap about “bold and robust visions” that the Chron usually serves up when it concerns anything that involves Lennar and public-private development. Instead,  Bronstein began by describing T.I.  as a “onetime secretive Navy base filled with deer, political patronage and who knows what buried in the ground.”

Now, part of Bronstein’s fire may have been a result of him writing his column in April, a few weeks after a massive earthquake and tsunami hit Japan, triggering a nuclear meltdown. Or two or three.

Bronstein’s infamous rant even mentioned some of the radiologically impacted things at Treasure Island that, as he put it, “leached into the soil from weaponry or other deadly items: radium and PCBs 100,000 times the acceptable levels.”
And then he compared Lennar and billionaire Ron Burkle to “contemporary development pirates.” Believe me, that was a surprise to read in the Chronicle.

“This year, they’re scheduled to break ground on a huge multibillion-dollar public-private ecotopia mini-city built upon toxic waste and landfill,” Bronstein wrote. “This glorious contradiction might become a triumph of super-green living and high-end dreams. But it also represents something else: bad choices about how to spend public money in ever tighter times.”

Bronstein noted that the Board has a brief panic in April when they considered whether a Japan-style disaster could wipe out the T.I. plan, but that Rich Hills of the Mayor’s Office said the “disaster potential has already been addressed.”
“Unless we have what Hills called ‘a freak disaster,’” Bronstein added with a cutting bite that his Komodo dragon would have been proud of, including Bronstein’s inclusion of the fact that Treasure Island is on the California Emergency Management Agency’s tsunami inundation map, and that while we are coughing up $105 million to developers who want to profit from high-density living on T. I, all of us are neglecting aging infrastructure that we already have.

“While T.I. developers are busy putting some kind of shower cap-like cover over the land so trees and foundations don’t touch toxic ground that can’t and won’t be cleaned up, our children stand a pretty good chance of being flattened like pancakes in existing structures while they’re learning math and history during the next, inevitable big quake,” Bronstein concluded.
Meanwhile, those of us who drive the seismically-compromised Bay Bridge each day can’t help wondering how folks who decide to move to the development that’s being planned for Treasure Island will ever get off the island—unless they have a pirate ship.

That’s because every morning, we get to see a long line of drivers waiting—without much success—for drivers on the Bay Bridge to slow down and let them into the traffic.

Those of us who sometimes commute by ferry also know how tricky it is try and catch the last ferry, which leaves the San Francisco Ferry Building at 8:25 p.m. That’s way earlier than most commission meetings end. And earlier than most nightlife begins.

And then there’s the question of what happens when you get back to Treasure Island–and realize you forgot to buy milk, collect the dog, or pick up the kids from day care.

Now, maybe the city and the developers believe they have thoroughly considered and answered all these questions. But have they done any outreach to East Bay commuters, whose journey will likely be further impacted by the T.I. plan? If so, I certainly haven’t heard about it. And what about the folks in Berkeley who likely won’t be able to see San Francisco once a bunch of high-rises pop up in the Bay? Have they been consulted?

This Tuesday (June 7) at 5 p.m., the Board will hear an appeal of the city’s Treasure Island environmental impact report and consider a huge batch of related documents. (And I’m willing to bet that most current supervisors don’t know too much about this plan, and probably have only flipped through the thousands of pages of documentation related to it)

The appeal was filed by the Sierra Club, Golden Gate Audubon Society, and Arc Ecology, who last year filed an appeal around the city’s EIR for Lennar’s massive Hunters Point Shipyard/Candlestick Project. Only this time, this trio is being joined by a group of Treasure Island residents—and former Board President Aaron Peskin.

Which reminds me: Three weeks after Bronstein wrote his amazing Treasure Island hit, piece, his fellow columnists at the Chronicle, Phillip Matier and Andy Ross, were back, sounding much more like the Chronicle’s attack dogs usually do, when it comes to anyone who dares to find the city and Lennar’s massive plans less than perfect: “Peskin, who as a supervisor was notorious for his middle-of-night phone rants to department heads, called the proposed high-rise plan that just squeaked by the Planning Commission a ‘laughingstock mistake,’” M& R crowed.

But in the end, they quoted the very thought that Peskin wants M&R to print and Chronicle readers to consider about the city’s current Treasure Island plan:

“It will horrify San Francisco and the Bay Area for decades to come,” Peskin said.

Now, as the folks joining Peskin in opposing the city’s current plan note, they aren’t trying to stop the development of Treasure Island. They are simply fighting the latest plan.

“The developer and the city already have an approved EIR and project plan for a 6,000 unit smaller scale, more transit friendly project that was passed in 2006,” Arc Ecology states in a flier that it plans to distribute at the June 7 hearing. “Environmentalists and many of the appellants supported that plan. Don’t be fooled by the rhetoric. It was the earlier plan that won all the awards for sustainability.”

And as Arc points out, the city’s latest EIR and the plan currently before the Board is an entirely different animal from the city’s 2006 plan.

“It’s 25 percent bigger than the 2006 plan, tipping the scales on its impacts,” Arc states. “It increases the housing by 25 percent to 8,000 units, decreases transit service and affordable housing and competes with hotels and businesses that already exist downtown.”

“What can you do? Tell the Board to go back to the 2006 plan,” Arc advises.

The flier also lists a bunch of bullet points that outline some of the coalition’s objections.

“It’s unsustainable,” the flier states, claiming that under the new plan, there will be, “too many cars, too much traffic, too much air pollution.”

Under the new plan, there is also a seven percent reduction on the affordable housing set aside and a 17 percent reduction in overall affordable housing units, Arc notes. That’s another way of saying, “There is not enough affordable housing.”

And Arc claims the island will remain contaminated (see Bronstein’s rant about radionuclides and PCBs at the beginning of this post) even after the Navy completes its toxic and radiological cleanup. That the 40-story high-rise towers will obstruct views of San Francisco from the East Bay, and vice versa. And that the project financing plan will drive the city further into debt for at least another 15 years.

Arc’s flier concludes by asserting that the whole plan is undemocratic.
“Once approved, there will be no further environmental review of project plans—ever!” Arc claims. “Once approved the project will be implemented by an unelected nonprofit corporation. There has been no outreach or involvement of East Bay residents despite traffic and view impacts. The plan repays $55 million in additional developer costs to purchase this island with hundreds of millions of dollars of impacts on Bay Area residents.”

Now, I’m sure officials for the City and the developer will have plenty of counter arguments–and possibly busloads of low-income T.I. residents/unemployed SF workers, who will be shipped into the Board’s Chambers to argue that they need the Board to approve this plan so they can have new homes and jobs. Because that’s what happened last year, when Arc and the Sierra Club and Golden Gate Audubon expressed their concerns about plans to carve up the Candlestick State Park Recreation Area and build a bridge over the Yosemite Slough. And suddenly found themselves cast as the big bad villains, when it came to the city and Lennar’s wish to ram through the Candlestick/Shipyard plan.

But regardless of whether you believe in the project, oppose it, or don’t know much about it, make sure you show up at 5pm in Room 250 at City Hall on June 7, if you want to hear what actually goes down. Especially if you work in San Francisco, and live in the East Bay, because much of the Treasure Island traffic will directly impact the East Bay. 

Or as Arc puts it, “This new project is 25 percent larger than the prior one and like the difference between a 75 degree day and a 100 degree day – this increase in size makes all the difference. The new project will overdrive bridge capacity, create too much traffic, not enough transit, reduced levels of affordable housing, and vests enormous public power in an unaccountable, unelected development authority.  Please tell the Board they don’t have to go back to the drawing board – just to the 2006 plan and recirculate the EIR.”
 

Sneaky campaign to draft Lee sullies political environment

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At a time when City Hall is taking on several important issues – from the budget and pension reform to massive projects such CPMC’s mega hospital and housing project and the redevelopment of Parkmerced and Treasure Island – an ambitious cabal of political operators bent of convincing Mayor Ed Lee to break his word and run for office is poisoning the environment under the dome.

A series of unfolding events over the last week makes it clear that Sup. Jane Kim’s campaign team – political consultants Enrique Pearce and David Ho, Tenderloin shot-caller Randy Shaw, and their political benefactors Willie Brown and Rose Pak – are orchestrating another campaign to convince Lee to run for office, apparently abandoning the mayoral campaign of Board President David Chiu.

The Bay Citizen reported that Pearce was pursuing creation of a mayoral campaign that Lee could simply step into, while blogger Michael Petrelis caught Pearce creating fake signs of a grassroots groundswell for Lee over the weekend. That effort joins another one by the Chronicle and a couple of downtown politicos to create the appearance of popular demand for Lee to run despite a large field of well-qualified mayoral candidates representing a wide variety of constituencies.

And then today, Shaw joined the effort with a post in his Beyond Chron blog that posed as political analysis, praising the John Avalos campaign – an obvious effort to ingratiate himself to the progressive movement that Shaw alienated by aggressively pushing the Twitter tax break deal and Kim’s candidacy – while trying to torpedo the other mayoral campaigns, calling for Lee to run, and offering a logic-tortured take on why the public wouldn’t care if Lee breaks his word.

Pearce and Ho – who sources say have been aggressively trying to drum up support for Lee in private meetings around town over the last couple weeks – didn’t return our calls. Kim, who is close to both Chiu and Avalos, told us she is withholding her mayoral endorsement until after the budget season – which, probably not coincidentally, is when Lee would get into the race if he runs.

Fog City Journal owner Luke Thomas, who Petrelis caught taking photos for Pearce over the weekend – told us Pearce’s Left Coast Communications, “hired me in my capacity as a professional photographer to take photographs of people holding ‘Run Ed Run!’ signs and should not be construed as an endorsement of the effort to draft Ed Lee into the mayor’s race.”

In an interview with the Guardian last week, Lee reiterated his pledge not to run for mayor – which was the basis for his appointment as a caretaker mayor to finish the last year of Gavin Newsom’s term – but acknowledged that Pak and others have been actively trying to convince him to run. Pak has an open disdain for candidate Leland Yee and fears his ascension to Room 200 would end the strong influence that Pak and Brown have over the Mayor’s Office and various department heads.

“I am not running. I’ve told people that. Obviously, there is a group of good friends and people who would be happy for me to make a different decision, so they’re going to use their time trying to persuade me. I’ve told them I’m not interested and I have my personal reasons for doing that but they’re not convinced that someone who has held this office for five months and not fallen into a deep abyss would not want to be in this office and run for mayor. I’ve been honest with people that I’m not a politician. I’ve never really run for office nor have I ever indicated to people that I’d like to run for mayor of San Francisco. That’s just not in my nature so it’s been a discussion that is very foreign to me that has been very distracting for me in many ways because I set myself a pretty aggressive piece of work that this office has to get to. The way I do it is very intensely. I do meet a lot of people and seek their input before I made a decision,” Lee told us.

Even Sup. Sean Elsbernd, who nominated Lee for mayor, told the Chronicle that he doesn’t support the effort to pressure Lee into running and he feels like it could hurt sensitive efforts to craft compromises on the budget and pension reform. When asked by the Guardian whether he would categorically rule out a run for mayor, Lee told us he would.

“I’ve been very adamant about that yet my friends will still come up to me and they’ll spend half their time talking to me about it. And I say thank you, I’m glad you’re not calling me a bum and trying to kick me out,” Lee told us, noting that Pak – a longtime ally who helped engineer the deal to get Lee into office, for which Chiu was the swing vote, parting from his five one-time progressive supervisorial allies in the process – has been one of the more vociferous advocates on him running.

Asked whether there are any conditions under which he might change his mind, Lee told us, “If every one of the current supervisors in office asked me to run and those supervisors who are running voluntarily dropped out.” But Avalos says he’s committed to remain in the race, and his campaign has been endorsed by three other progressive supervisors.

A different Mayor’s Office

10

A group of Guardian reporters and editors met with Mayor Ed Lee June 2, and while the mayor and I don’t agree on everything, I have to say: It was refreshing.


Refreshing because the mayor has a sense of humor and doesn’t act like an infallible monarch. Refreshing because his office looks like, well, a working office. Refreshing because he smiled, was polite and never said “I dispute the premise of your question.”


What a difference.


Under Willie Brown, the mayor’s office was an imperial sanctum. If His Royal Williness deigned to favor one of his servants or subjects with the boon of a royal visit, you were expected to crawl on your hands and knees and kiss the floor. 


When Gavin Newsom was the occupant, the place was a cross between a museum and an Architectural Digest showplace — not a scrap of paper on the desk, every hair perfectly in place, the Robert Kennedy pictures and books lined up perfectly for the visitor to admire.


Both mayors treated the press with hostility. Both expected to be treated as potentates. The mayor was better than you and I — and you needed to understand that right away, or risk disdain and dimissal.


Ed Lee isn’t doing what I want with the budget. He’s not talking about raising taxes on the rich. He’s probably going to go along with ParkMerced and maybe even Treasure Island. He signed the Twitter tax break. I worry (a lot) about his ties to past corrupt regimes.


But he’s happy to have reporters in his office. He’s got stacks of reports on his desk and a notepad that suggests he’s actually reading them. He showed us his private “man cave” in the back, and offered us walnuts. He’s not always right on policy, and I don’t think he should run in the fall … but he’s not a jerk. And given the recent history of San Francisco mayors, that’s pretty radical.


  

Bliss Dance grooves on Treasure Island

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Dancing against the San Francisco skyline, perhaps looking even more vibrant and beautiful that she did at Burning Man last year, Bliss Dance – a 40-foot steel sculpture by Marco Cochrane and company of a nude woman feeling her musical bliss – was feted by city leaders and residents during a reception at its temporary new home on Treasure Island last night.

Mayor Ed Lee thanked the Black Rock Arts Foundation, a nonprofit offshoot of Burning Man that helps place art in San Francisco and other cities, for its work on this and other local projects. “You’re really helping us revitalize so many areas,” Lee said, adding, “I know there will be many more sculptures on this island.”

Lee pledged to extend the six-month temporary placement, telling the crowd of hundreds, “It will go beyond October out here,” And he even expressed an interest in visiting Black Rock City when he said, “Perhaps I will join you one day at Burning Man.”

Cochrane and his crew built Bliss Dance for Burning Man right there in a Treasure Island warehouse, where an increasing number of projects for the event have been built in recent years. His latest piece, Truth and Beauty, is now under construction on the island, as is artist Peter Hudson’s latest work, Charon, and many others.

After being introduced by Lee, Cochrane said he appreciated being raised in California by hippie parents who encouraged his “puppy-like optimism…And I was fortunate enough to be able to keep it.” They encouraged him to “follow your bliss to the fullest” and “to believe that you have an inherent nature and to believe that it’s good.”

Cochrane was drawn to express his artistic vision by conveying the mysterious beauty and fire of women because “their energy is difficult to quantify in this world.” It is also difficult to explain the impact this sculpture has on those who see it, particularly during an event like last night’s when it spectacular lighting effects were on full display, a vivid and inspiring image when set against our scenic city.

“Follow your bliss and it will open doors where you didn’t know doors existed,” Cochrane told the crowd before restarting the dance party with a musical performance by Deja Solis, the model for both Bliss Dance and Cochrane’s latest work, Truth and Beauty, in which the nude woman will be stretching her arms to the sky, 55-feet into the air.

Summer fairs and festivals

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ONGOING

Young At Art Festival de Young Museum, Golden Gate Park, SF. (415) 695-2441, www.youngatartsf.com. Through May 22, free. The creative achievements of our city’s youth are celebrated in this eight day event curated and hosted by the de Young Museum.

* Oakland Asian Cultural Center Asian Pacific Heritage Festival Oakland Asian Cultural Center, 388 Ninth St., Oakl. (510) 637-0462, www.oacc.cc. Through May 26. Times and prices vary. Music, lectures, performances, family-friendly events in honor of Asian and Pacific American culture and traditions.

DIVAfest Exit Theatre, 156 Eddy, SF. (415) 931-2699, www.theexit.org. Through May 28. Times and prices vary. Bastion of the alternative, EXIT Theatre showcases its 10th annual buffet of fierce women writers, performers, and directors. This year features two plays, beat poetry, musical exploration, and more.

* Yerba Buena Gardens Festival Yerba Buena Gardens, Mission and Third St., SF. (415) 543-1718, www.ybgf.org. Through Oct. 31. Times vary, free. A series of cultural events, performances, activities, music, and children and family programs to highlight the green goodness of SoMa’s landscaped oasis.

 

May 18-June 5

San Francisco International Arts Festival Various venues. (415) 399-9554, www.sfiaf.org. Times and prices vary. Celebrate the arts through with this mish-mash of artistic collaborations dedicated to increasing human awareness. Artists included hail from around the world and right here in the Bay Area.

 

May 21

* A La Carte & Art Castro St. between Church and Evelyn, Mountain View. (650) 964-3395, www.miramarevents.com. 10am-6pm, free. With vendors selling handmade crafts, microbrewed beers, fresh foods, a farmers market, and even a fun zone for kids, there’s little you won’t find at this all-in-one fun fair. Asian Heritage Street Celebration Larkin and McAllister, SF. www.asianfairsf.com. 11am-6pm, free. This year’s at the country’s largest gathering of APA’s promises a Muay Thai kickboxing ring, DJs, and the latest in Asian pop culture fanfare — as well as tasty bites to keep your strength up.

Freestone Fermentation Festival Salmon Creek School, 1935 Bohemian Hwy, Sonoma. (707) 479-3557, www.freestonefermentationfestival.com. Noon-5pm, $12. Learn about the magical wonders of fermentation with hands-on and mouth-on demonstrations, exhibits, and tasty live food nibbles.

Uncorked! San Francisco Wine Festival Ghirardelli Square, SF. (415) 775-5500, www.ghirardellisq.com. 1-6pm, $45-50 for tasting tickets, free for other activities. Uncorked! brings you the real California wine experience with tastings, cooking demonstrations, and even a wine 101 class for those who are feeling not quite wine-refined.

 

May 20-29

SF Sex Worker Film and Art Festival Various venues, SF. (415) 751-1659, www.sexworkerfest.com. Times and prices vary. Webcam workshops, empowering film screenings, shared dialogues on plant healing to sex work in the age of HIV: this fest has everything to offer sex workers and the people who love ’em.

 

May 22

Lagunitas Beer Circus Lagunitas Brewing Co., 1280 N McDowell, Petaluma. (303) 447-0816, www.craftbeer.com. Noon-6pm, $40. All the wonders of a live circus — snake charmers, plate spinners, and sword swallowers — doing their thing inside of a brewery!

 

May 21-22

* Maker Faire San Mateo County Event Center, 2495 South Delaware, San Mateo. www.makerfaire.com. Sat, 10am- 8pm; Sun, 10am-6pm, $5-25. Make Magazine’s annual showcase of all things DIY is a tribute to human craftiness. This is where the making minds meet. Castroville Artichoke Festival Castroville, Calif. (831) 633-0485, www.artichokefestival.org. Sat., 10am- 6pm; Sun., 11 am- 4:30 p.m., free. Pay homage to the only vegetable with a heart: the artichoke. This fest does just that, with music, parades, and camping.

 

May 28-29 

San Francisco Carnaval Harrison between 16th and 22nd St., SF. 10am-6pm, free. The theme of this year’s showcase of Latin and Caribbean culture is “Live Your Fantasy” — bound to bring dreams alive on the streets of the Mission.

 

June 3-12

Healdsburg Jazz Festival Various venues, Healdsburg. (707) 433-463, www.healdsburgjazzfestival.org. Times and prices vary. Bask in the lounge-lit glow of all things jazz-related at this celebration in Sonoma’s wine county.

 

June 3-July 3 

SF Ethnic Dance Festival Zellerbach Hall, Berk. and Yerba Buena Center for the Arts, SF. www.worldartswest.org. Times and prices vary. A powerful display of world dance and music taking to the stage over the course of five weekends.

 

June 4

* Berkeley World Music Festival Telegraph, Berk. www.berkeleyworldmusicfestival.org. Noon-9pm, free. Fourteen world music artists serenade the streets and stores of Telegraph Avenue and al fresco admirers in People’s Park.

Huicha Music Festival Gundlach Bundschu Winery, 2000 Denmark St., Sonoma. (707) 938-5277, www.gunbun.com/hmfevent. 2-11pm, $55. Indie music in the fields of a wine country: Fruit Bats, J Mascis of Dinosaur Jr, Sonny and the Sunsets, and more.

 

June 4-5

Union Street Eco-Urban Festival Union from Gough to Steiner and parts of Octavia, SF. (800) 310-6563, www.unionstreetfestival.com. 10am-6pm, free. Festival goers will have traffic-free access to Cow Hollow merchants and restaurant booths. The eco-urban theme highlights progressive, green-minded advocates and products.

The Great San Francisco Crystal Fair Fort Mason Center, Building A., SF. (415) 383-7837, home.earthlink.net/~sfxtl/index.html. Sat., 10am-6pm; Sun., 10am-4pm, $6. Gems and all they have to offer: beauty, fashion, and mysterious healing powers.

 

June 5

* Israel in the Gardens Yerba Buena Gardens, SF. (415) 512-6420, www.sfjcf.org. 11am-5pm, free. One full day of food, music, film, family activities, and ceremonies celebrating the Bay Area’s Jewish community and Israel’s 63rd birthday.

 

June 10-12

Harmony Festival Sonoma County Fairgrounds, 1350 Bennett Valley, Santa Rosa. www.harmonyfestival.com. 10am-10pm, $45 one day, $120 for three day passes. This is where your love for tea, The Flaming Lips, goddess culture, techno, eco-living, spirituality, and getting drunk with your fellow hippies come together in one wild weekend.

Queer Women of Color Film Festival Brava Theater. 2789 24th St., SF. (415) 752-0868, www.qwocmap.org. Times vary, free. A panel discussion called “Thinkers and Trouble Makers,” bisects three days of screenings from up-and-coming filmmakers with stories all their own.

 

June 11-12

* Live Oak Park Fair 1301 Shattuck, Berk. (510) 227-7110, www.liveoakparkfair.com. 10am-6pm, free. This festival’s 41st year brings the latest handmade treasures from Berkeley’s vibrant arts and crafts community. With food, face-paint, and entertainment, this fair is perfect for a weekend activity with the family.

 

June 11-19 

San Mateo County Fair San Mateo County Fairgrounds. 2495 S. Delaware, San Mateo. www.sanmateocountyfair.com. June 11, 14, 18, and 19, 11am-10pm; all other days, noon-10pm, $10 for adults. It features competitive exhibits from farmers, foodies, and even technological developers — but let’s face it, we’re going to see the pig races.

 

June 12

Haight Ashbury Street Fair Haight between Stanyan and Ashbury, SF. www.haightashburystreetfair.org. 11am-5:30pm, free. Make your way down to the grooviest corner in history and celebrate the long-standing diversity and color of the Haight Ashbury neighborhood, featuring the annual battle of the bands.

 

June 16-26

Frameline Film Festival Various venues, SF. www.frameline.org. Times and prices vary. This unique LGBT film festival comes back for its 35th year showcasing queer documentaries, shorts, and features.

 

June 17-19 Sierra Nevada World Music Festival Mendocino County Fairgrounds. 14400 CA-128, Boonville. (916) 777-5550, www.snwmf.com. Fri, 6pm-midnight; Sat, 11am-midnight; Sun, 11am-10pm, $60 for Friday and Sunday day pass; $70 for Saturday day pass, $150 three day pass. Featuring Rebulution, Toots and the Maytals, and Jah Love Sound System, this fest comes with a message of peace, unity, and love through music.

 

June 18 

Summer SAILstice Encinal Yacht Club, 1251 Pacific Marina, Alameda. (415) 412-6961, www.summersailstice.com. 8am-8pm, free. Boat building, sailboat rides, sailing seminars, informational booths, music, a kid zone, and of course, wind, sun, and water.

Pinot Days Festival Pavilion, Fort Mason Center, SF. (415) 382-8663, www.pinotdays.com. 1-5pm, $50. Break out your corkscrews and head over to this unique event. With 220 artisan winemakers pouring up tastes of their one-of-a-kind vino, you better make sure you’ve got a DD for the ride home.

 

June 18-19

North Beach Festival Washington Square Park, SF. (800) 310-6563, www.northbeachchamber.com. Sat, 10am-6pm; Sun, 10am-6pm, free. Make your way down to the spaghetti capital of SF and enjoy food, music, arts and crafts booths, and the traditional blessing of the animals.

Marin Art Festival Marin Civic Center, San Rafael. (415) 388-0151, www.marinartfestival.com. 10am-6pm, $10. A city center designed by Frank Lloyd Wright plays host to this idyllic art festival. Strolling through pavilions, sampling wines, eating grilled oysters, and viewing the work of hundreds of creative types.

 

June 20-Aug 21

Stern Grove Music Festival Stern Grove. Sloat and 19th Ave., SF. (415) 252-6252, www.sterngrove.org. Sundays 2pm, free. This free outdoor concert series is a must-do for San Francisco summers. This year’s lineup includes Neko Case, the SF Symphony, Sharon Jones, and much more.

 

June 25-26

San Francisco Pride Celebration Civic Center Plaza, SF; Parade starts at Market and Beale. (415) 864-FREE, www.sfpride.org. Parade starts at 10:30am, free. Gays, trannies, queers, and the rest of the rainbow waits all year for this grand-scale celebration of diversity, love, and being fabulous. San Francisco Free Folk Festival Presidio Middle School. 450 30th Ave., SF. (415) 661-2217, www.sffolkfest.org. Noon-10pm, free. Folk-y times for the whole family — not just music but crafts, dance workshops, crafts, and food vendors too.

 

June 29-July 3

International Queer Tango Festival La Pista. 768 Brannan, SF. www.queertango.freehosting.net. Times vary, $10-35. Spice up your Pride (and Frameline film fest) week with some queer positive tango lessons in culturally diverse, welcoming groups of same sex couples.

 

June 30-July 3

High Sierra Music Festival Plumas-Sierra Fairgrounds, Quincy. www.highsierramusic.com. Gates open at 8am Thursday. $205 weekend pass, $90 parking fee. Yonder Mountain String Band, My Morning Jacket, and most importantly, Ween. Bring out your sleeping bags for this four day mountaintop grassroots festival.

 

July 2

Vans Warped Tour Shoreline Amphitheatre, Mountain View. www.vanswarpedtour.com. 11am, $46-72. Skating, pop punk, hardcore, screamo, and a whole lot of emo fun.

 

July 2-3

Fillmore Jazz Festival Fillmore between Jackson and Eddy, SF, 1-800-310-6563, www.fillmorejazzfestival.com. 10am-6pm, free. Thousands of people get jazzed-up every year for this musical feast in a historically soulful neighborhood.

 

July 4

City of San Francisco Fourth of July waterfront celebration Pier 39, Embarcadero and Beach, SF. (415) 709-5500, www.pier39.com. Noon-9:30pm, free. Ring in the USA’s birthday on the water, with a day full of music and end up at in the city’s front row when the fireworks take to the sky.

 

July 9-10

Renegade Craft Fair Fort Mason Festival Pavilion. Buchanan and Marina, SF. (312) 496-3215, www.renegadecraft.com. 11am-7pm, free. Put a bird on it at this craft fair for the particularly indie at heart.

 

July 14-24

Midsummer Mozart Festival Various Bay Area venues. (415) 627-9141, www.midsummermozart.org. Prices vary. You won’t be hearing any Beethoven or Schubert at this midsummer series — the name of the day is Mr. Mozart alone.

 

July 16-17

Connoisseur’s Marketplace Santa Cruz between Camino and Johnson, Menlo Park. (650) 325-2818, www.miramarevents.com. 10am-6pm, free. Let the artisans do what they do best — you’ll polish off the fruits of their labor at this outdoor expo of artisan food, wine, and craft.

 

July 21-Aug 8

SF Jewish Film Festival Various Bay Area venues. www.sfjff.org. Times and prices vary. A three week smorgasbord of world premiere Jewish films at theaters in SF, Berkeley, the Peninsula, and Marin County.

 

July 22-Aug 13

Music@Menlo Chamber Music Festival Menlo School, 50 Valparaiso, Atherton. (650) 330-2030, www.musicatmenlo.org. Classical chamber music at its best: this year’s theme “Through Brahms,” will take you on a journey through Johannes’ most notable works.

 

July 23-Sept 25

 SF Shakespeare Festival Various Bay Area venues. www.sfshakes.org. Various times, free. Picnic with Princess Innogen and her crew with dropping a dime at this year’s production of Cymbeline. It’s by that playwriter guy… what’s his name again?

 

July 30

Oakland A’s Beer Festival Eastside Club at the Oakland-Alameda Coliseum, 7000 Coliseum Way, Oakl. www.oakland.athletics.mlb.com. 4:05-6:05pm, free with game ticket. Booze your way through the Oakland A’s vs. Minnesota Twins game while the coliseum is filled with brewskies from over 30 microbreweries, there for the chugging in your souvenir A’s beer mug.

 

July 30-31

 Berkeley Kite Festival Cesar Chavez Park, 11 Spinnaker, Berk. www.highlinekites.com. 10am-5pm, free. A joyous selection of Berkeley’s coolest kites, all in one easy location.

 

July 31

Up Your Alley Dore between Folsom and Howard, SF. www.folsomstreetfair.com. 11am-6pm, $7-10 suggested donation. Whether you are into BDSM, leather, paddles, nipple clamps, hardcore — or don’t know what any of the above means, this Dore Alley stroll is surprisingly friendly and cute once you get past all the whips!

 

Aug 1-7

SF Chefs Various venues, SF. www.sfchefs2011.com. Times and prices vary. Those that love to taste test will rejoice during this foodie’s paradise of culinary stars sharing their latest bites. Best of all, the goal for 2011’s event is tons of taste with zero waste.

 

Aug 7

SF Theater Festival Fort Mason Center. Buchanan and Marina, SF. www.sftheaterfestival.org. 11am-5pm, free. Think you can face about 100 live theater acts in one day? Set a personal record at this indoor and outdoor celebration of thespians.

 

Aug 13

San Rafael Food and Wine Festival Falkirk Cultural Center, 1408 Mission, San Rafael. 1-800-310-6563, www.sresproductions.com. Noon-6pm, $25 food and wine tasting, $15 food tasting only. A sampler’s paradise, this festival features an array of tastes from the Bay’s best wineries and restaurants.

 

Aug 13-14

Nihonmachi Street Fair Post and Webster, SF. www.nihonmachistreetfair.org. 11am-6pm, free. Founded by Asian Pacific American youths, this Japantown tradition is a yearly tribute to the difficult history and prevailing spirit of Asian American culture in this SF neighborhood.

 

Aug 20-21

Oakland Art and Soul Festival Entrances at 14th St. and Broadway, 16th St. and San Pablo, Oakl. (510) 444-CITY, www.artandsouloakland.com. $15. A musical entertainment tribute to downtown Oakland’s art and soul, this festival features nationally-known R&B, jazz, gospel, and rock artists.

 

Aug 20-22

* SF Street Food Festival Folsom St from Twenty Sixth to Twenty Second, SF. www.sfstreetfoodfest.com. 11am-7pm, free. All of the city’s best food, available without having to go indoors — or sit down. 2011 brings a bigger and better Street Food Fest, perfect for SF’s burgeoning addiction to pavement meals.

 

Aug 29-Sept 5

Burning Man Black Rock City, Nev. (415) TO-FLAME, www.burningman.com. $320. This year’s theme, “Rites of Passage,” is set to explore transitional spaces and feelings. Gather with the best of the burned-out at one of the world’s weirdest, most renowned parties.

 

Sep 10-11

* Autumn Moon Festival Street Fair Grant between California and Broadway, SF. (415) 982-6306, www.moonfestival.org. 11am-6pm, free. A time to celebrate the summer harvest and the end of summer full-moon, rejoice in bounty with the moon goddess.

 

Sept 17-18

SF International Dragon Boat Festival California and Avenue D, Treasure Island. www.sfdragonboat.com. 10am-5pm, free. The country’s largest dragon boat festival sees beautiful man-powered boats take to the water in 300 and 500 meter competitive races.

 

Sept 23-25

SF Greek Food Festival Annunciation Cathedral. 245 Valencia, SF. www.sfgreekfoodfestival.org. Fri.-Sat., 11am-10pm; Sun., noon-9pm, free with advance ticket. Get your baba ghanoush on during this late summer festival, complete with traditional Greek dancing, music, and wine.

 

Sept 25

Folsom Street Fair Folsom between 7th and 12th St., SF. www.folsomstreetfair.org. 11am-6pm, free. The urban Burning Man equivalent for leather enthusiasts, going to this expansive SoMa celebration of kink and fetish culture is the surest way to see a penis in public (you dirty dog!).

 

Sept 30-Oct 2

Hardly Strictly Bluegrass Speedway Meadows, Golden Gate Park, SF. www.strictlybluegrass.com. 11am-7pm, free. Pack some whiskey and shoulder your banjo: this free three day festival draws record-breaking crowds — and top names in a variety of twangy genres — each year.

 

Items with asterisks note family-fun activities.