Nightlife

In their words: party people from the Guardian’s Club Action cover

0

Last week we got to photograph folks from several different corners of the Bay Area nightlife scene for Marke B’s Club Action cover story. Listen to them talk to Guardian art director Mirissa Neff and contributing photographer Matthew Reamer about what they love to do when they’re out and about in the wee hours.

Cookie Dough, The Monster Show:

cookiedough by SFBayGuardianSounds

DJ Love Gun, Iron Maiden Lane at Otis:

djlovegun by SFBayGuardianSounds

davO and Krylon Superstar, Electro-Hop duo Double Duchess:

doubleduchess by SFBayGuardianSounds

 

Odie Kim, Flo-ology House Dance Crew:

odiekim by SFBayGuardianSounds

 

Vicki Virk, Non Stop Bhangra:

vickivirk by SFBayGuardianSounds

 

The war is over. Fun won.

1

steve@sfbg.com

>>Read Sup. Scott Weiner’s op-ed on SF nightlife here

Two years ago, the war on fun that the Bay Guardian had been chronicling and decrying since 2006 — involving overzealous cops, NIMBY neighbors complaining about noise, escalating fees on outdoor events, and politicians scapegoating nightclubs for urban violence –- seemed to be reaching a peak of official intolerance.

The San Francisco Police Department and California Department of Alcoholic Beverage Control were running amok, with an especially troublesome pair of enforcers harassing disfavored club owners and guests, getting rough with patrons at private parties, and seizing laptop computers from DJs and cameras from those who documented the abuses (see “The new War on Fun,” 3/23/10). Then-Mayor Gavin Newsom and then-Police Chief Heather Fong and their underlings only fed the conflict with brash statements and by refusing to support the nightlife industry.

But today, all involved say the situation has turned completely around, with the nightlife industry asserting its importance to San Francisco’s culture and economy and getting key support from a new generation of political leaders. It may be too early to say the war on fun is over, but everyone is certainly enjoying a welcome cease-fire.

Police Chief Greg Suhr has longstanding relationships with many leaders in the nightlife community -– and he’s someone who says that he goes out regularly and has a son who plays drums for a local band.

“I consider many of the people in the entertainment community to be personal friends,” Suhr told us. “And if there’s a problem, I don’t think anyone has been shy about approaching me personally.”

At the same time, the industry has taken on a higher political profile in town since forming the California Music and Culture Association two years ago during the height of the conflicts with the city and the ABC. The group now has monthly meetings with a nightlife liaison that Suhr has assigned to work through issues.

“The lines of communication are open. Despite some differences in opinion, there is a growing sense of trust and respect that is developing in these meetings,” CMAC co-chair Alix Rosenthal told us.

Rather than bashing the nightclubs as a source of trouble, political officials have been openly courting CMAC, which holds regular public events and forums on nightlife issues, including an “Industry Cocktail Hour with Mayor Ed Lee” on the evening Feb. 29 from 5-7 p.m. at The Grand, a club owned by the newest Entertainment Commission member, Steven Lee.

Sup. Scott Wiener has also been a strong advocate for nightlife issues, and has commissioned a city study on the economic benefits of the nightlife industry, which he discusses in this week’s Guardian Op-ed and which will be the subject of March 5 rally and hearing at City Hall.

Preliminary results in the study, with was conducted by City Economist Ted Egan, show that the nightlife industry generates $4.2 billion in annual spending, $55 million in taxes, and employs 48,000 people. And those figures don’t include outdoor events such as street fairs or the Outside Lands Festival, which another recent study by concert organizers found generated $60.6 million in San Francisco and $6.6 million in surrounding communities last year.

“People coming into the city to enjoy themselves is our number one industry,” Suhr said, noting how important it is to balance public safety concerns with support for the city’s cultural and entertainment offerings.

Rosenthal said CMAC was happy that Wiener commissioned the study. “This study is going to be helpful,” she said. “We’ll have hard data to show how much the entertainment economy contributes to San Francisco’s entire economy.”

Our Weekly Picks: February 29-March 6

0

WEDNESDAY 29

Jacques Lu Cont

Stuart Price is a mixmaster of mystery. The British producer-DJ goes by many aliases, including Paper Faces, Thin White Duke, Jacques Lu Cont, and Les Rythmes Digitales. How could a Brit use French pseudonyms? Well, after you’ve won three Grammy Awards and worked with an entire spectrum of musicians ranging from Madonna to Miike Snow, from the Killers to Kylie Minogue, from Seal to the Scissor Sisters, then you’re off the hook for that faux pas. Price, the son of two classically trained pianists, developed his version of French electro house after hearing the sounds of the Human League. Expect Price and his trusty synthesizers to give guilty-pleasure makeovers to familiar songs and vocals (Kevin Lee).

With Robb Green

10 p.m., $5

Vessel

85 Campton, SF

(415) 433-8585

www.vesselsf.com

 

Nellie McKay in “I Want To Live!”

From the get-go, Nellie McKay has bucked against the typical musical confines: releasing her first album in 2004 as a double CD when it might have fit in one, calling it Get Away From Me in a jab at Norah Jones and to avoid being lumped in as just another female jazz singer. One listen to her actual music then and since, a maddening blend of pop, calypso, hip-hop, rock, reggae and (yes) vocal jazz, with maddening humor and reassuring warmth, assured that one label would simply never work. “I Want To Live!” showcases all McKay’s uncaged skill as performer as she reinvents the story of San Quentin death row inmate Barbara Graham as noir cabaret. (Ryan Prendiville)

8 p.m., $30

Rrazz Room

222 Mason, SF

(415) 394-1189

www.therrazzroom.com


THURSDAY 1

It Came From Hangar 18 book party

Two men, one brand-new sci-fi epic: It Came From Hangar 18 touches down from Planet Pulp this week at the Forbidden Island Tiki Lounge, which is actually one of the book’s settings, and serves a mighty tasty array of exotic cocktails to boot. Written by noted B-movie film programmer and author Will Viharo (A Mermaid Drowns in the Midnight Lounge) and software-engineer-with-a-dark-side Scott Fulks, Hangar 18 is self-described as “the most action-packed, erotic science fiction epic since the Bible — but with even more sex and violence!” Also: vampires, mobsters, and (I’m guessing) umbrella drinks galore. The release party features live surf music by retro-futurists Tomorrowmen. Whatever you do, keep watching the skies! (Cheryl Eddy)

7 p.m., free

Forbidden Island Tiki Lounge

1304 Lincoln, Alameda

(510) 749-0332

www.forbiddenislandalameda.com

 

RED BULL Thre3STYLE DJ COMPETITION

Every year, Red Bull pops in to provide a swell showcase of our current nightlife scene, inviting a variety of local disc jocks to compete for the chance to advance to national and international levels — and possibly win an enormous golden calf that squirts endless supplies of energy drink from its nipples. KIDDING. I’m sure they win something, but the real reward is ours, watching fine hometown talent display some flexibility on the decks. (The “Thre3style” part means competitors must include three different genres of music in their 15-minute sets.) This year’s amped qualifiers are KingMost, Zita, Theory, Just, Miles Medina, and John Beaver, as well as Seattle winner Four Color Zack and Portland winner Playtime. If last year’s wonderfully diverse crowd and hyper energy are anything to go by, this will be the party.

9 p.m. (show at 9:30 p.m.), $12, 18+

Ruby Skye

420 Mason, SF.

(415) 693-0777

www.redbullusa.com/thre3style

 

Zola Jesus

Russian-American Nika Roza Danilova grew up in Wisconsin, which is pretty much as close to Russia, climate-wise, as you’re going to get in the continental U.S. In the bitter cold of the Midwest, young Danilova sang opera before transitioning into rock, nabbing a keyboard here and a drum machine there. A few EPs, studio albums, and a critically acclaimed LP later, Danilova’s Zola Jesus is preaching to the masses, belting and wailing while electronic glitch samples and piano chords crash against each other. Most recent release Conatus (Sacred Bones Records) is something akin to industrial sprinkled with a pinch of classical, culled together by Danilova’s haunting, resonant voice. (Lee)

With Wymond Miles of the Fresh & Onlys, Talk Normal

9 p.m., $21

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com


FRIDAY 2

O’ Brother

A brutally captivating four-piece out of Atlanta, O’ Brother combines industrial, screaming metal, and the hard edge of Southern rock. A barrage of guitars —grounded by drummer Michael Martens, with shifting vocals by Tanner Merritt —results in a sound that’s syrupy and sludgy one moment, airy the next. Released in late 2011, O’ Brother’s first full length album, Garden Window, recalls the drive of Queens of the Stone Age, the atmosphere of Sigur Ros, and the march of Tool, without being too heavily indebted to any one part. (Prendiville)

With Junius, Happy Body Slow Brain

9 p.m., $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

 

Prizehog

Don’t let the lack of a bassist fool you — Prizehog gets heavy. The San Francisco trio deploys a keyboard alongside large-gauge drums and down-tuned guitar to create music that veers effortlessly between tectonic post-rock, thundering doom blues, and Hawkwind-style, spaceship-launch psychedelia. Patience and an open mind are two necessary virtues; they’ll prepare you for the band’s shuddering builds, non-traditional arrangements, and sudden stylistic shifts. Concertgoers looking for a potent dose of local, experimental volume should look to get high on the ‘Hog. (Ben Richardson)

With Bobb Saggeth, Hell Ship

9 p.m., $8

Thee Parkside

1600 17th St., SF

(415)-252-1330

www.theeparkside.com

 

Ty Segall

Ty Segall has managed to produce ecstatic, psychedelic lo-fi garage punk rock that retains the catchiest elements of rock’n’roll — seductive drumbeats, wailing guitars, and arresting lyrics — really quickly. Last year he released full-length album Goodbye Bread, along with three EPs. This spring he’s touring with Tim Presley of White Fence to promote their collaborative LP, Hair, out April 28. Hair features Segall’s brand of bright and fuzzy electric doo-wop and Lucy-in-the-Sky-with-Diamonds-inspired melodic distortion. Segall rocked the Great American Music Hall last year with his curly blonde head-banging antics and returns this week to shake it out some more. (Mia Sullivan)

With White Fence, Mikal Cronin, the Feeling of Love

8:30 p.m., $15

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com


SATURDAY 3

Bad Weather California

Let’s start a new religion. Let’s start a cult. Let’s go to bed. Let’s get high. Let’s get fucked up. Let’s start a band. Let’s get a van. Let’s make some music. Whatever its problems may be, Denver-based freaked out rocker band Bad Weather California offers a lot of simple solutions, without falling into the typical pratfalls of musical contrivance. It’s a rebellious rock streak without being punk, hippy utopian idealism without being a jam band, spiritual fervor without preachy religiosity. The Akron/Family label-mates have a sunny optimism in the face of bad shit and a sound that might have you going along. Maybe even that cult part. (Ryan Prendiville)

With He’s My Brother She’s My Sister

9 p.m., $8–$11

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com


SUNDAY 4

“Balboa Birthday Bash”

Hey, jazz baby: between 2011 hits The Artist, Hugo, and Midnight in Paris, the 1920s are the cinematic decade du jour. What better way to re-live the flapper era than at a movie theater that’s been around since 1926? Cheer the Balboa’s 86th birthday — yep, it’s older than the Oscars — at a fiesta co-presented by the San Francisco Silent Film Festival. On tap are a screening of Harold Lloyd classic Safety Last! (1923) on 35mm with piano accompaniment by Frederick Hodges; a screening of shorts by Georges Méliès (a.k.a. Ben Kingsley’s character in Hugo); a live vaudeville show; an illustrated lecture by author and Safety Last! expert John Bengtson; birthday cake; and more. As they said in the ’20s (or at least, they always say in movies set in the ’20s), it’ll be the cat’s pajamas. (Eddy)

7 p.m., $7.50–$10

Balboa Theatre

3630 Balboa, SF

(415) 221-8184

www.balboamovies.com


MONDAY 5

The Driftwood Singers

Listening to the Driftwood Singers makes you feel like you’re ambling down a dusty country road toward something that might not exist anymore. This lo-fi folk duo of Pearl Charles and Kris Hutson writes foreboding, bluesy love ballads laden with longing nostalgia. Charles’ warm, milky vocals blend seamlessly with Hutson’s slightly twangy voice as Charles picks her autoharp and Hutson strums his guitar (or mandolin/banjo, depending on the number). This pair hails from LA (no, really) and recorded their debut EP, Look!, with a Sony Walkman. Their upcoming seven-inch, out March 27, was recorded a bit more expertly, but channels the same raw honesty. (Sullivan)

With Birdhouse, Lauren Shera, and Infantree

8:30 p.m., $12

Café Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com


TUESDAY 6

Mia Doi Todd

Los Angeles singer-songwriter Mia Doi Todd’s latest offering, Cosmic Ocean Ship (City Zen Records), was inspired by journeys into Cuba, Brazil, France, Mexico, and India. Her lilting, reflective vocals relay tones of nostalgia, affection, and optimism. Opening track “Paraty” refers to a Brazilian coastal town and brings in some lighthearted samba, while “Under the Sun” sees Todd turn tropical island chanteuse; her romantic crooning bringing to mind a couple taking a post-luau stroll on the beach. The take-away message might best be encapsulated by Cosmic‘s last track, a touching cover of Chilean Folk artist Violeta Parra’s “Gracias a la vida.” (Lee)

With Bells

8 p.m., $16–$26

Yoshi’s

1330 Fillmore

(415) 655-5600

www.yoshis.com

 

Romeo and Juliet

Romeo and Juliet is the only 20th century ballet that can give a run to the 19th century biggies Nutcracker and Swan Lake. No matter who choreographs, it will find an audience. Fortunately, you have to be really good to keep control of the subject matter’s complexity, not to speak of an audience’s expectation about a beloved story and, of course, the music. Helgi Tómasson has the chops. His 1994 version is gorgeous, sumptuously choreographed and designed. The depth of the company is such that it has any number of first-rate dancers to fill the roles, not just the major ones of the lovers, but minor characters — the villain and the best friend, the gypsy girls and the rejected suitor. (Rita Felciano)

Through March 11, 8 p.m., $36–$285

War Memorial Opera House

301 Van Ness, SF

(415) 865-2000

www.sfballet.org

 

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

On the Cheap Listings

0

On the Cheap listings are compiled by Soojin Chang. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 29

Nutrition class for cyclists Sport Basement, 1881 Ygnacio Valley, Walnut Creek. (925) 941-6100, www.sportbasement.com. 7 p.m.-8 p.m., free with RSVP. It is the worst when you’re still 20 minutes away from your destination and your energy decides to crash on you. In this nutrition class, experts give perspectives on quality food choices, review specific bars and powders, and provide simple and delicious recipes for on and off the bike.

Radical Directing lecture series with Terry Zwigoff San Francisco Art Institute, 800 Chestnut, SF. (415) 771-7020, www.sfai.edu. 7:30 p.m., free. Long-time San Franciscan Terry Zwigoff makes feature films out of underground comic strips and turns down corporate project offers in favor of ‘tooning for smaller outfits. Join Zwigoff as he discusses his experience writing screenplays and making documentaries.

THURSDAY 1

“After Dark: Vinyl” interactive presentation Exploratorium, 3601 Lyon, SF. (415) 561-0360, www.exploratorium.edu. 6 p.m.-10 p.m., free with museum admission. In the heyday of vinyl, records were made of fragile materials such as wax and shellac. Experimental physicist Carl Haber recovers the sweet tunes that we once believed were gone forever.

The End of Money: Counterfeiters, Preachers, Techies, Dreamers—and the Coming Cashless Society author discussion The Booksmith, 1644 Haight, SF. (415) 863-8688, www.booksmith.com. 7:30 p.m., free. These days, you can get far without the greenbacks — as long as you’ve got dough on your plastic. In his newest book, David Wolman embarks on a paper cash-less journey around the world, encountering people and technologies whose alternatively embrace and fear the end of tangible money.

“So You Think You Can Paint?” SoMa art party Club Six, 60 Sixth St., SF. (415) 863-1221, www.clubsix1.com. 7 p.m.-11 p.m., free. Your task is to complete as many eight-foot art pieces as you possibly can. If you have any doubts to your skills or just want to learn more, there will be a free art class from 6 p.m. to 7 p.m. Huge walls, paint, brushes, and tunes will be provided.

Nightlife’s Darkroom photography event California Academy of Sciences, 55 Music Concourse, SF. (415) 379-8000, www.calacademy.org/nightlife. 6 p.m.-10 p.m., $12. Come meet the folks from Instagram for a night dedicated to the recent transmutations of photography. Enjoy live music and images of beautiful coral reef while checking out the innovations of Lytro’s light field camera, artist Genevieve Quick’s hand-made cameras, Lomography’s analog cameras, and aerial photographer Michael Layesfsky’s balloon camera.

FRIDAY 2

True Stories Lounge story telling performance The Make-out Room, 3225 22nd St., SF. (415) 647-2888, www.makeoutroom.com. 7:30 p.m., $10. Telling a good story is a particularly difficult art to master. Join seven professional storytellers who’ll be keeping this oral tradition alive by divulging their memoirs, essays, reportages, and narrative column writings.

SATURDAY 3

Origami club San Francisco Public Library, 500 Cortland, SF. (415) 355-2810, www.sfpl.org. 2 p.m.-4 p.m., free. Ah, the progressive addiction of origami. First you’re making a crane, and then you’re drinking out of an ornate paper teacup. Not surprising at all that there is a local club devoted to the art — now where’s the 12-step program?

“Zeke Greenwald, Potential Roommate” comedy show 222 Hyde, SF. (415) 345-8222, www.222hyde.com. 8 p.m.-10 p.m., free. Anyone who has ever searched Craigslist for housing in San Francisco know of the comedic horror that lies within each potential roommate. Five local comedians stand up to share their stories.

Dr. Seuss’s birthday celebration Playland-Not-at-the-Beach, 10979 San Pablo, El Cerrito. (510) 592-3002, www.playland-not-at-the-beach.org. Through Sunday. 10 a.m.-5 p.m., $10 children; $15 general admission. Celebrate the birthday of the guy who reminded us all that crazy is awesome and the imagination is limitless. There will be penny arcades, haunted houses, interactive exhibits, and magic sideshows. High-fives for everyone who dresses up.

Sperm Whale Soiree art and science reception Randall Museum, 199 Museum, SF. (415) 561-6622, www.randallmuseum.org. 7 p.m.-10 p.m., $15 advance tickets. Moby Dick gave sperm whales a bad rep. But the truth is they’re extremely interesting animals that nowadays, are sadly endangered (no thanks to you, Captain Ahab). Learn about their amazing diving skills and their even more intriguing sex lives.

SUNDAY 4

Actual Jazz Series with the John Schott Trio and special guests Actual Cafe, 6334 San Pablo, Oakl. (510) 653-8386, www.actualcafe.com. 5 p.m., free. Actual Cafe’s new house band plays twice a month on first and third Sundays. Its set list includes everything from standard jazz to obscure Ukrainian songs. First Sundays feature younger jazz musicians from the Bay Area, guest singers, and spoken word collaborators.

MONDAY 5

Mental Aerobics San Francisco Public Library, 100 Larkin, SF. (415) 355-2822, www.sfpl.org. 1 p.m.-3:30 p.m., free. Feeling a little brain-dead lately? You can do something about that, y’know. Come work out your cerebral organs and spark your cognitive vitality in this class designed to get your synapses firing.

TUESDAY 6

Andy Warhol: Polaroids/Matrix 240 Berkeley Art Museum, 2626 Bancroft, Berk. (510) 642-0808, bampfa.berkeley.edu. Through May 20. Gallery hours Wed.-Sun. 11 a.m.-5 p.m., $7–$10. Long before Instagram, there was Polaroid. The Prince of Pop Andy Warhol took thousands of snapshots that were never shown to the public until now. Come check out photos of O.J. Simpson, Daryl Lillie, Diane von Furstenberg, and of course, bananas.

Nightlife: Fun plus jobs

8

By Supervisor Scott Weiner

OPINION We all know the cultural benefits of nightlife. It’s fun. We get to meet people — friends, lovers, and all the rest. We build community. We hear great music. We dance. We spend time outside on our streets. For LGBT people, we meet other LGBTs and keep our community strong. The list goes on: Without a strong entertainment scene, including bars, clubs, live music venues, arts venues, night-time restaurants, and street fairs, our city would be a less interesting and less diverse place.

But the undisputed cultural importance of nightlife isn’t the whole story. Nightlife is a significant economic contributor to San Francisco. It creates jobs, particularly for working-class and young people. It generates tax revenue that helps fund Muni, health clinics, and parks. It allows creative entrepreneurs to start businesses. It generates tourism. It draws foot traffic into neighborhoods to the benefit of other neighborhood businesses.

This is all pretty intuitive. Yet, as a city, we’ve never actually measured the economic impact of our nightlife scene. One of my first acts a member of the Board of Supervisors was to request the city economist to conduct an economic impact study doing just that.

The study is almost done, and we already have a few preliminary results. Nightlife in San Francisco generates $4.2 billion a year in spending, with $1 billion of that amount coming from bars, clubs, performance venues, and art spaces. Some 48,000 people are employed in nightlife businesses, and these businesses contribute $55 million a year in local taxes. On March 5, we’ll announce the full results of the study at a hearing of the Land Use and Economic Development Committee.

This data will help us make smart public policy around nightlife. In the past, those decisions frequently have been driven by anecdote and over-reaction to isolated events. Trouble near a small number of nightclubs? The city responds by making it difficult for all nightclubs to operate, even those with excellent safety records and despite the dramatic improvement in the Entertainment Commission’s oversight. Or, the city goes even further and proposes requiring all clubs, even small ones, to scan ID cards of everyone who enters. (That proposal, thankfully, was roundly rejected.)

When we make these decisions, we should do so with a full understanding not just of the downsides of nightlife but of the positives, including cultural and economic benefits.

Entertainment is under pressure in San Francisco. There are neighborhoods with significant friction between housing and nightlife. Some of that friction results from a small number of problem venues. Other times, a good venue is jeopardized for simply conducting its business within the limits of San Francisco law — for example, a single neighbor got Slim’s shut down for a few weeks for noise, despite the club’s compliance with our noise ordinance.

We also continue to have bizarre Planning Code restrictions that undermine entertainment, such as the Mission Alcohol Special Use District, which makes it difficult or impossible to start creative new businesses in the Mission if alcohol is involved. This provision almost prevented a new bowling alley from locating at 17th and South Van Ness. Similarly, some are concerned that the Western SoMa Plan, as currently written, will undermine nightlife on 11th Street by surrounding clubs with new housing and by reducing the number of venues.

A thriving nightlife scene is key to our city’s cultural identity and economic future. Now that we have the data on its benefits, we can take a more balanced and thoughtful approach.

Supervisor Scott Wiener represents District 8 on the Board of Supervisors. The March 5 hearing will start with a noon rally on the steps of City Hall followed by the hearing at 1 p.m. in City Hall Room 263.

 

Krushin’ on

0

SUPER EGO I’ve only a wee bit of space this week before I rush off back into the Mardi Gras of my mind, but I’ve got to three times diagonal-snap for local fashion designer Jeanette Au (jeanetteau.carbonmade.com) who tore it up for SF on the NY Fashion Week runways last week with her debut collection of 3-D knit fantasias. Ruling!

 

RED BARAAT

The Non Stop Bhangra (www.nonstopbhangra.com) monthly party’s return two weeks ago was beautiful-insane — if you missed it, or must fulfill your yearning for incredible Indian-inspired dance music sounds before the next installment, check out this live act featuring irrepressible bandleader Sunny Jain on the dhol drum, backed by a high-stepping nine-piece brass band. Bollywood meets Mardi Gras is the shorthand, but the ringing grooves transcend categorization.

Thu/23, 7:30 p.m., $12–$15, all ages. Slim’s, 333 11th St., www.slimspresents.com

 

ROLLER DISCO

Oh man, David Miles Jr., our patron saint of skate — “The Godfather of Skate,” actually, who founded the essential Black Rock Roller Disco and keeps peeps rollin’ from the Embarcadero to Golden Gate Park — lost everything in a tragic fire. He and his family are OK, but here’s a great event to help get them back on their (wheeled) feet. Skate rental available: Lots of good DJs.

Thu/23, 9 p.m., donations at the door. Mighty, 119 Utah, SF. www.mighty119.com

 

CUTE FANGS 4EVER!

It’s no secret that hyper-productive tech-breaks player and Cute Fang label owner Forest Green is one of my favorite people. It’s hard not to leave her parties with a smile plastered on your face — partly from the room-wobbling beats, partly from her pure positivity transmission. This is her two-room blowout birthday party, with a slew of bonkers local guests like DJ Denise, Dragn’fly, Raydeus, Tek 9, and Base Hed. And it will be cute!

Fri/24, 9 p.m.-4 a.m., $5 before 10 p.m., $10 after. Icon, 1192 Folsom, SF. www.forestgreen.org

 

SITUATION

Part of the reason door fees have risen so much in San Francisco is our insistence on relying on foreign or guest DJs to bring something interesting to the table. Flights are expensive, cover rises. Well here comes Situation, a free party deliberately designed to showcase local talent and some snappy grooves: “the new disco sound of New York, bangin’ house joints, 12-inch dance versions, and more than a few non-sequitors to keep things interesting,” quoth host DJ (along with Eug and Ash Williams) Derek Opperman, my nightlife critic counterpart at the Weekly, who’s basically an adorable human Shazam. Move out, yazoo.

Fri/24, 10 p.m., free. 222 Hyde, SF. www.222hyde.com

 

DJ KRUSH

Let’s just admit that future bass was the trip-hop revival, OK? And while Flying Lotus et al. took the sound to unfathomable new highs/lows (and old hands like Amon Tobin sizzled retinae with his ISAM stage-show comeback), there’s sometimes no beating the originals. After 20 years, Tokyoite chill-wizard DJ Krush can still gently ride those intelli-stoned waves into the stratosphere: a three-hour set should do you quite solid.

Sat/25, 9 p.m., $17.50 advance. Mezzanine, 444 Jessie, SF. www.blasthaus.com

SPRING NIGHTLIFE GUIDE 2012

0

 

Coming February 29

From techno throwdowns to hip-hop hurrahs: the 40 parties you should be going to this spring.

To find out more about advertising in this special section of the Bay Guardian reaching 275,000 of our readers, please click here (PDF).

Guardian editorial: Saving money on sunshine

2

We hate to pick on Scott Wiener, who is a polite guy who always takes our calls and takes public policy seriously. He’s got an extensive legislative agenda — good for him — and he’s effective at getting bills passed. We’re with him on nightlife, and even on nudity towels in the Castro.

But he’s been taking on some more disturbing causes of late — he’s managed to tighten the rules for the use of Harvey Milk Plaza and now he’s asking for an audit of the Sunshine Ordinance Task Force that looks at how much each city department spends responding to sunshine requests. We’re not against audits nor government efficiency, but this could lead to a lot of mischief.

There are plenty of problems with the task force, which hears complaints against city agencies that are denying the public access to documents. The biggest problem is that the task force has no enforcement authority — when the members find an agency or official to have willfully defied the law, the best they can do is turn those findings over to the Ethics Commission, which simply drops the case. Nobody ever gets charged with anything or gets in any trouble for refusing to follow what every public official in town piously insists is an excellent law.

And yeah, the meetings run long, and sometimes city employees have to sit around for hours waiting for their cases to come up. (Activists who testify before city commissions are used to that, but city employees are on the clock, and Wiener’s worried that it’s running up a large bill.)

But nobody’s talking about the money that the city has saved by those annoying government watchdogs keeping an eye on public spending — through the use of the Sunshine Ordinance. Nor is anyone talking about the immense amount of time activists and journalists have to spend fighting over records that should have been public in the first place — or how much money the Task Force has saved the city by creating a forum for resolving these issues out of court.

We can see the outcome here: The audit will show some large number, some cash amount with a bunch of zeros behind it, and the Chronicle will run a big headline about the high cost of this sunshine bureaucracy — and someone will suggest we find ways to streamline the process by clipping the task force’s wings.

That’s the wrong approach — particularly when there’s a much easier answer. Why not do what sunshine activists have suggested for years — make electronic copies of every document created by any city agency and post them in a database on the web? No more secrecy, no more hassle. It’s easy — if anyone at City Hall is serious about saving money on sunshine requests.

Saving money on sunshine

9

EDITORIAL We hate to pick on Scott Wiener, who is a polite guy who always takes our calls and takes public policy seriously. He’s got an extensive legislative agenda — good for him — and he’s effective at getting bills passed. We’re with him on nightlife, and even on nudity towels in the Castro.

But he’s been taking on some more disturbing causes of late — he’s managed to tighten the rules for the use of Harvey Milk Plaza and now he’s asking for an audit of the Sunshine Ordinance Task Force that looks at how much each city department spends responding to sunshine requests. We’re not against audits or government efficiency, but this could lead to a lot of mischief.

There are plenty of problems with the task force, which hears complaints against city agencies that are denying the public access to documents. The biggest problem is that the task force has no enforcement authority — when the members find an agency or official to have willfully defied the law, the best they can do is turn those findings over to the Ethics Commission, which simply drops the case. Nobody ever gets charged with anything or gets in any trouble for refusing to follow what every public official in town piously insists is an excellent law.

And yeah, the meetings run long, and sometimes city employees have to sit around for hours waiting for their cases to come up. (Activists who testify before city commissions are used to that, but city employees are on the clock, and Wiener’s worried that it’s running up a large bill.)

But nobody’s talking about the money that the city has saved by those annoying government watchdogs keeping an eye on public spending — through the use of the Sunshine Ordinance. Nor is anyone talking about the immense amount of time activists and journalists have to spend fighting over records that should have been public in the first place — or how much money the Task Force has saved the city by creating a forum for resolving these issues out of court.

We can see the outcome here: The audit will show some large number, some cash amount with a bunch of zeros behind it, and the Chronicle will run a big headline about the high cost of this sunshine bureaucracy — and someone will suggest we find ways to streamline the process by clipping the task force’s wings.

That’s the wrong approach — particularly when there’s a much easier answer. Why not do what sunshine activists have suggested for years — make electronic copies of every document created by any city agency and post them in a database on the web? No more secrecy, no more hassle. It’s easy — if anyone at City Hall is serious about saving money on sunshine requests.

Nite Trax: DJ Rekha brings the ‘Basement’ beats to Non Stop Bhangra

0

“I have been around the bhangra block,” says DJ Rekha, NYC’s ambassador for the highly danceable contemporary Punjabi (by way of London) sound, and founder of the popular, long-running Basement Bhangra party. “The biggest gig was definitely the White House. I have played all over the US and in Brazil, Sweden, New Zealand. I’ve done a bunch of music festivals and performed at cultural spaces including the Kennedy Center in DC.”

Talk about “world music” (even if that term has fallen from fashion). Rekha brings her Basement Bhangra spin — which includes a good bit of hip-hop and global bass influence — to our own beloved Non Stop Bhangra this Sat/11, joining the monthly party’s dholrhythms dance crew and DJ Jimmy Love for its reboot at Public Works, as I detailed in this week’s Super Ego nightlife column. In an email interview, Rekha wrote about bhangra’s changing scene, her favorite moments from the past 15 years at her club (Padma Lakshmi, anyone?), and her favorite bhangra bangers of the moment. 

http://www.youtube.com/watch?v=zgfMjwfs7H0

SFBG Can you share some of your favorite moments from Basement Bhangra?

DJ REKHA There have been a few.
1) I guess the first favorite moment is the first time I saw the line extend to the end of the block. We were always crowded, but by the following summer it was all the way down the street and not single file.
2) Having Wyclef stop by in the first few years of the night.
3) Dropping the Basement Bhangra anthem the first time.
4) Playing Panjabi MC’s Beware of the Boys after it was already hitting New York radio, having playing it there so much several years before.
5) Watching Ted Forstmann (RIP) crawl and look for his date Padma Lakshmi’s phone after she dropped it dancing
6) Getting a note to the booth saying I am Anil Kapoor (the game show host in Slumdog Millionaire) — and me dismissing it as a ploy to alter the bhangra musical direction of the night to Bollywood.

http://www.youtube.com/watch?v=DJztXj2GPfk

SFBG Have you been to San Francisco before, and if you have can you tell me if you think there are any differences between the bhangra scene here and in NYC?
   
DJ REKHA I have been to SF many times but I must sheepishly admit I have never been to a bhangra party there. But Non-Stop Bhangra is very well-known and regarded so I am super excited to be playing there Saturday.  My DJ experiences in SF have been awesome — most recently at the Asian Art Museum and for the 25th Anniversary of Trikone. In both cases I play a range of sounds. But SF is home to the best bhangra dance crew — Bhangra Empire — they’ve performed at the White House, professional sporting events. 

http://www.youtube.com/watch?v=WKWPzTF8-sw

SFBG Besides the fact that bhangra is infectious (I grew up partly in London and have loved it since the ’80s), do you think the influx of young Indian people moving to the US in the past couple decades has helped fuel bhangra’s popularity in clubs here?

DJ REKHA I think South Asian culture is more prevalent due to many factors —  Bollywood Dreams, Slumdog, globalization. Specifically for bhangra it’s the dance teams on the college scene that really help keep the music alive. Every major city in the US has some form of regular South Asian club night but only a few are actually focused musical on bhangra. Every major university has a bhangra team.  
 
SFBG What other types of music besides bhangra are you into — anything that might surprise some of your regulars?

DJ REKHA I love many styles of music.  Being from NY, I love hip-hop, but also dancehall, electronic, tropical bass. I am big Beatles and Prince fan.

SFBG What developments do you see happening within the bhangra sound?

DJ REKHA I think the latest thing we are seeing/hearing is Punjabi vocals with no actually bhangra music in the track. For example the song Amplifier by Imran Khan.  There is also a lot more over hip-hop stylings in the song in terms of vocals and not just beats.  The lines of what is a bhangra track vs something that is desi urban are being blurred.  Its never easy to keep a genre constrained.   Also in the last year or two as a reflection of dance music today there are a lot more faster tempoed songs.

SFBG Can you share your bhangra top 5 of the moment?

DJ REKHA My top 5 joint of the moment are:

>>”Tohar,” Garry Sandhu

>>”Electro Love Boliyan,” Ranbir S. and Bikram Singh

 

>>”Jatti,” Panjabi MC

 

>>”Jogi,” Jr. Dred

 

>>”Sadi Gal Hor Yah (feat. DCS),” PBN

Loveless?

2

SUPER EGO The last time I tried to make out with a cute boy who wasn’t my husband, he actually said, “OK, I’m going to stand over there now. But you’re a great dancer.” Smooth save, Cornelius J. McRejector. I mean, if I had any pride left to be wounded do you think I’d be standing here wearing pink Baby Phat bedazzled cutoff jeans, a sequined visor that reads “Party Bottom,” possum-brown Keds, and some totally offensive, insensitively appropriated Native American item, possibly a dreamcatcher nose ring? I don’t need you! I’m busy re-embracing irony.

Anyway, that whole tackiness is over, and the point is this: dancing. If it seems there are more wild Valentine’s themed parties than ever this year (check out our roundup in this issue), there are also, well, more parties in general, including choice ones such as below. Just like Lana del Ray’s top lip, there’s always enough nightlife to go around. So don’t let some piddly fear of rejection lock you in the closet with zombie Mitt Romney. Be the great dancer you are.

 

LIGHT ASYLUM

Wide-ranging party players Marco de la Vega, Gary Riviera, and Brian Furstman have launched the new Future Perfect weekly at Monarch with the intent to obliterate whatever few genre boundaries remain in dance music — no central feel, “just good, forward thinking, contemporary” music, de la Vega told me. That’s a tough trick: without a definable flavor for a crowd to hold onto, you need to sustain a wholly unique energy (drink specials help!) or rely on big guest names to draw people back. Future Perfect seems to be succeeding at both strategies. The party’s already hosted Cold Cave, Jokers of the Scene, and Nguzunguzu; the latest big name is beguilingly dark live duo Light Asylum, anchored by singer Shannon Funchess’ throaty vocals. Considering Light Asylum’s justifiable reputation as one of the most riveting live acts around, this party’s energy will keep building.

Thu/9, 9 p.m., $10–$15. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

BACK2BACK SEVENTH ANNIVERSARY

SF’s cosmic jam legends Jeno and Garth brought down club Mighty’s roof when they played at their original party Wicked’s 20th anniversary last year. Now they’re celebrating the lucky seventh of the party that sees them both on decks at the same time, finishing each others’ musical sentences. Poetry for your feet, child, and not to be missed for anyone interested in DJ sets that color outside the lines. (I’m so excited, I’m mixing my metaphors.)

Fri/10, 8 p.m.-4 a.m., free before 11 p.m., $7 after. Mighty, 119 Utah, SF. www.mighty119.com

 

NON STOP BHANGRA

Rad dance sounds from India seemed in danger of fading from the SF club scene recently. The lively Bollyhood Cafe in the Mission closed. (The space was taken over by expanding Senegalese restaurant-nightclub Bissap Baobab, so all is not lost worldwise). Forward-thinking global bass collective Surya Dub had faded from local DJ decks, although member Kush Arora continued to release ass-kicking riddim tracks at a furious pace. And when I heard long-running monthly dance extravaganza Non Stop Bhangra was looking for a new home I totally got a Punjab sad. Luckily, Non Stop has now landed on second Saturdays at Public Works — last month’s launch included the return of the Surya Dub crew, even. Whirl away with the expert Dholrhythms dance crew to DJ Jimmy Love’s bhangra bangers and a truly diverse Bay Area crowd, now going afterhours. This month, DJ Rekha of NYCs raucous Basement Bhangra guests. (Check out my interview with her — full of some amazing tunes — here.)

Sat/11 and second Saturdays, 9 p.m.-3 a.m., $10 advance, $15. Public Works, 161 Erie, SF. www.nonstopbhangra.com

OPEL 10-YEAR ANNIVERSARY, PART ONE

A part of our nightlife so huge, its decade celebration had to be split in two. Opel usually blows up the underground with tech house and drum and bass glory — founding member Syd Gris is responsible for the massive Lovevolution festival. But this above-board extravaganza at Mezzanine boasts Opel stalwart DJs Meat Katie, Dylan Rhymes, Syd, and Melyss downstairs, and a “looking back” room upstairs with longtime spinners Kramer, Ethan Miller, Dutch, and Spesh.

Sat/11, 9 p.m.-4 a.m., $20 advance. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

DROOG

Some tasty undergroundish events have been popping up at 46 Minna lately — raising a few eyebrows, since 46 Minna is otherwise known to the mainstream bottle-service crowd as Harlot. A recent chat with one of my favorite DJs, Adnan Sharif of the Forward SF house collective, cleared up the mystery: the Harlot peeps want to draw a more adventurous crowd to their lovely space on non-weekend days. Rebranding’s fine with me, especially if it brings a four-hour set by Droog, the LA trio of expert house deconstructionists who fill their funky mindtrips with all kinds of electronic Easter eggs. This is the launch of Forward SF’s weekly Forward Sundays Sessions (with a fresh fruit buffet!). Adnan himself is opening up.

Sun/12, $10–$20, 6 p.m.-midnight. 46 Minna, SF. www.forwardsf.com

On the Cheap Listings

0

WEDNESDAY 8

Aphrodesia Afterhours Valentine’s Day Conservatory of Flowers, Golden Gate Park, 100 John F. Kennedy, SF. (415) 831-2090, www.conservatoryofflowers.org. 6 p.m.-10 p.m., $10.

Chocolate is hands down the best part of Valentine’s Day. Join local chocolatier TCHO’s chief chocolate guru, Brad Kintzer, for his demonstration on how to transform beans into bliss. Afterwards, grab a love potion from the Cocktail Lab, frolic amongst the orchids, and enjoy a live performance by Le Quartet de Jazz. Remember to take a picture in the photobooth — a night dedicated to chocolate is a night to remember.

Love on Wheels dating game Public Works, 161 Erie, SF. (415) 932-0955, www.sfbike.org. 6 p.m., $5 for SF Bicycle Coalition members; $10 for non-members. The cutest people always seem to be railing past each other on their bikes. The SF Bicycle Coalition is going to sit all you guys down so you can date already. Lovebirds will quiz three potential dates (hidden from view) and go on a date provided by one of the sponsors. This annual tradition is a cute hoot.

THURSDAY 9

“Animal Attraction” NightLife aquarium gallery and sex talk California Academy of Sciences, 55 Music Concourse, SF. (415) 379-8000, www.calacademy.org. 6 p.m.-10 p.m., $12. Cal Academy’s weekly Thursday evening party, NightLife, is launching a new gallery for fish-lovers (and friends!) with a series of reproduction-themed talks. Various experts will be talking about mating strategies in the animal kingdom, penis bones of different species, and the sex life of Zodiac signs. Dr. Carol Queen from Good Vibrations will be sharing her knowledge about the science of orgasms. So let’s do like they do on the Discovery Channel.

“Cupid’s Back” sixth annual Valentine’s Day party Supperclub, 657 Harrison, SF. (415) 348-0900, cupidsback.kintera.org. 8 p.m.-midnight, $30-35. Gay charity impressario Mark Rhoades is back — like Cupid, you might say — with this popular shindig that brings together oodles of hot men. DJ Juanita More will fluff the crowd, and it all goes to help out our invaluable GLBT Historical Society. Shoot your arrow and it goes real high …

“Go Deep” lube wrestling for the boys El Rio, 3158 Mission, SF. (415) 379-8000, www.calacademy.org/events/nightlife. 8 p.m.-11:30 p.m., $10–<\d>$15. What says romance more than watching half-naked queer boys with fantastical monikers like Yogzar and Red Dragon wrestling in a vat of lube? Slide your way into V-Day at this monthly grip ‘n slip put on by neo-Vaudevillian troupe SF Boylesque, with DJ Drama Bin Laden, a performance by the Bohemian Brethren, and Cajon food from Family Meal available on the back patio.

FRIDAY 10

Bardot A Go Go Pre-Valentine’s Dance Rickshaw Stop, 155 Fell, SF. (415) 861-2011, www.bardotagogo.com. 9 p.m., $10. “Music by French people for everybody” is the motto of the neato longtime roving Bardot A Go Go — and that includes a bubbly beretful of cute folks who revel in 1960s pop glamour filtered through contemporary va-va-voom. Live band Nous Non Plus is très adorable, and DJs Pink Frankenstein, Brother Grimm, and Cali Kid bring French kisses galore. Plus: free hairstyling by Peter Thomas Hair Design, d’accord.

I Heart Some Thing The Stud, 399 9th St., SF. (415) 863-6623, www.studsf.com. 10 p.m.-late, $8. “We love love! We just love it!” scream the awesome queens of Some Thing, the mind-altering weekly friday drag show and party at the Stud. You may detect a hint of the sardonic in there, but the smart Some Thingers always cover their bases with a healthy dose of sincerity to go with the staged pop culture send-ups. heart-shaped performers include Glamamore, Manicure Versace, Cricket Bardot, and Nikki Sixx Mile. Afterhours dancing, too.

Mortified’s Annual Doomed Valentine’s Show DNA Lounge, 375 11th St., SF. (415) 626-1409, www.getmortified.com. 7:30 p.m., $14 adv; $21 at door. Do you remember your first kiss when you went in for the gold, missed completely, and your lips puckered mid-air? Well, the folks at Mortified sure do. They have sorted through the oldest and nerdiest notebooks, letters, photos, and shoeboxes so that they can share with you their most humiliating romantic encounters. Reinvigorate your disdain for this holiday by taking comedic comfort in the mishaps of these thick-skinned Valentine’s veterans.

Ninth Annual Food from the Heart Festival Ferry Building Marketplace, 1 Ferry Building, SF. (415) 983-8000, www.ferrybuildingmarketplace.com. Through Saturday. 5:30-8 p.m., free entrance. Nothing says “I love you” like food. Give the gift of a happy stomach to your lover this Valentine’s in the candlelit Grand Nave of the Ferry Building, with a night of dancing and eating. Revel in the magic of the waterfront, sip on wine poured by local Napa Vinters, and taste a scrumptious hors-d’oeuvre or five.

“On The Edge 2” erotic photography exhibition Gallery 4N5, 863 Mission, SF. (415) 522-2400, www.gallery4n5.com. Through Sunday. Gallery hours Fri., 4 p.m.-9 p.m.; Sat., 11 p.m.-9 p.m.; Sun., noon-5 p.m., free. Valentine’s Day may be about romance for some people, but for us it’s about getting naked. (And eating, but mostly getting naked.) This group exhibition features 400 pictures of artful sexiness taken by 25 erotic photographers who bring on the nudes.

SATURDAY 11

“Drunk with Love” with Carol Peters The Emerald Tablet, 80 Fresno, SF. (415) 500-2323, www.carolpeters.net. 8 p.m., $10. Carol Peters, a.k.a. “Velvet Voice,” is known for her passionate and amorous renderings. For one steamy night in light of Valentine’s Day, Peters will grace the stage to croon sensual tunes that capture the many dimensions of love.

Valentine’s Surprise SF Lindy Ball Womens Building, 3543 18th St., SF. sfswingjam.eventbee.com. 7:30 p.m.-12:30 a.m., $22 This Lindy Hop and Swing ball is actually the centerpiece of a three-day swing summit in celebration of romance (check the website for full line-up) — because what says, “I love you” more than artfully mopping the floor with your partner? We sure don’t know. Hoppin’ workshops and technique tune-up sessions complement the ball, which consists of a Lindy contest, live swing music, and a surprise 91st birthday celebration for classic movie star Ray Hirsch.

Watson’s “Naked at the Art Museum Scavenger Hunt” Legion of Honor, 34th Ave, SF. (415) 750-3600, legionofhonor.famsf.org. Through Sunday. 2 p.m.-4:30 p.m., $20. Who said museums had to be tame? Bring a lover or friend this weekend to the Legion of Honor for a sexy scavenger hunt. You will scope the halls for studly sculptures, titillating paintings, bathing beauties, and many sexy inanimate objects more. Museums will never be the same again.

SUNDAY 12

SF Mixtape Society’s “Under The Covers” music exchange and contest The Make-Out Room, 3225 22nd St, SF. (415) 440-4177, www.sfmixtapesociety.com. 6 p.m., free with mix. Don’t have someone to make a mixtape for this year? It’s OK. Your ex’s music taste was awful anyways! Put that playlist you love on a CD, cassette, or USB drive and have it land right in the ears of a random yet lucky someone. You’ll end the night with someone else’s coveted mix, and everyone will get to vote for the playlist with the best track listings and artwork.

MONDAY 13

Litquake Literary Festival presents: Love Hurts readings of grief-stricken passages of love and lust The Make-Out Room, 3225 22nd St, SF. (415) 440-4177, www.litquake.org. 7 p.m., $10. Ten Bay Area writers will give their own cynical (and mostly hilarious) twists on the forlorn words of some of the most melancholic and/or melodramatic novels ever written. Come sort out the parallels between drug dependency and romance in Valley of the Dolls, the masochistic plotline of The Story of O, and many more classics that well forewarned of broken hearts.

TUESDAY 14

Club Neon’s Eighth Annual Vaslentine’s Day Underwear Party The Knockout, 3223 Mission, SF. (415) 550-6884, www.theknockoutsf.com. This is THE event for fresh and nubile indie heartbreakers, stripping down to make you all “damn!” and stuff. One of our favorite annual pantsless throwdowns, with steamy rock DJs Jamie Jams and EmDee making you want to take it all off.

The Fifth Annual Poetry and Music Battle of ALL of the Sexes Uncle Al and Mama Dee’s Cafe at POOR Magazine, 2940 16th St, SF. (415) 865-1932, www.poormagazine.org. 7 p.m., $5-$20 suggested donation for dinner and show. Instead of scribbling your words in to a Hallmark card, show off your love this Valentine’s in rhyme and verse. All proceeds will support POOR magazine, a local arts organization that advocates education and media access for struggling communities. The theme is 1950s, but the beats will be timeless.

Love Story film showing and gala with Justin MX Bond Castro Theatre, 429 Casto, SF. (415) 621-6120, www.castrotheatre.com. 8 p.m., $10 film only; $25 for gala tickets. Relive the drama, the tragic heartaches, and the swooning love story of the 1970 film classic. Ali MacGraw will be at the Castro mezzanine in person, “Theme from Love Story” will be sung by Katya Smirnoff-Skyy, and special guest Mx Justin Vivian bond will be doing a “sorry” medley.

Passion Punch Valentine’s day kickboxing class UFC Gym, 1975 Diamond, Concord. (925) 265-8130, www.ufcgyms.com. 6:30 p.m., free. Valentine’s got you foaming at the mouth? Let it out. This 60-minute class will incorporate dynamic boxing moves so that you can punch away all the annoyances you will be feeling by the end of this day.

The Crackpot Crones present “I Hate Valentine’s Day” sketch comedy and improv show The Dark Room, 2263 Mission, SF. (415) 648-5244, www.crackpotcrones.com. 8 p.m., $20. Outrageous duo Terry Baum and Carolyn Myers are providing a public service for the romantically challenged. They will be making fun of everything Valentine’s related — especially silly little concepts like true love and soul mates. Belt along to the song, “The Twelve Days of Being Dumped,” and give your best evil cackle at this sketch comedy show.

Valentine’s Day Party with T.I.T.S and Uzi Rash Hemlock, 1131 Polk, SF. (415) 923-0923, www.hemlocktavern.com. 9 p.m., free. There is no need for all the fuss, the fancy gifts, the cutesy ribbons, or the overpriced dinner. If you’re sick of the pink, come dance your anti-heart out at this doom punk show. Flowers wilt anyways.

Cheap dates!

0

VALENTINE’S Whether you’re hopelessly in love, completely philophobic, or somewhere in between, here’s a sweet slew of events on the horizon that won’t tap you dry. We’ve chosen our favorites that are all less than $20 (except for a couple worthwhile charity fundraisers). Now go out and get starry-eyed, you kid.  

 

——-

WEDNESDAY 8

Aphrodesia Afterhours Valentine’s Day Conservatory of Flowers, Golden Gate Park, 100 John F. Kennedy, SF. (415) 831-2090, www.conservatoryofflowers.org. 6 p.m.-10 p.m., $10. Chocolate is hands down the best part of Valentine’s Day. Join local chocolatier TCHO’s chief chocolate guru, Brad Kintzer, for his demonstration on how to transform beans into bliss. Afterwards, grab a love potion from the Cocktail Lab, frolic amongst the orchids, and enjoy a live performance by Le Quartet de Jazz. Remember to take a picture in the photobooth — a night dedicated to chocolate is a night to remember.

Love on Wheels dating game Public Works, 161 Erie, SF. (415) 932-0955, www.sfbike.org. 6 p.m., $5 for SF Bicycle Coalition members; $10 for non-members. The cutest people always seem to be railing past each other on their bikes. The SF Bicycle Coalition is going to sit all you guys down so you can date already. Lovebirds will quiz three potential dates (hidden from view) and go on a date provided by one of the sponsors. This annual tradition is a cute hoot.

 

——-

THURSDAY 9

“Animal Attraction” NightLife aquarium gallery and sex talk California Academy of Sciences, 55 Music Concourse, SF. (415) 379-8000, www.calacademy.org. 6 p.m.-10 p.m., $12. Cal Academy’s weekly Thursday evening party, NightLife, is launching a new gallery for fish-lovers (and friends!) with a series of reproduction-themed talks. Various experts will be talking about mating strategies in the animal kingdom, penis bones of different species, and the sex life of Zodiac signs. Dr. Carol Queen from Good Vibrations will be sharing her knowledge about the science of orgasms. So let’s do like they do on the Discovery Channel.

“Cupid’s Back” sixth annual Valentine’s Day party Supperclub, 657 Harrison, SF. (415) 348-0900, cupidsback.kintera.org. 8 p.m.-midnight, $30-35. Gay charity impressario Mark Rhoades is back — like Cupid, you might say — with this popular shindig that brings together oodles of hot men. DJ Juanita More will fluff the crowd, and it all goes to help out our invaluable GLBT Historical Society. Shoot your arrow and it goes real high …

“Go Deep” lube wrestling for the boys El Rio, 3158 Mission, SF. (415) 379-8000, www.calacademy.org/events/nightlife. 8 p.m.-11:30 p.m., $10–$15. What says romance more than watching half-naked queer boys with fantastical monikers like Yogzar and Red Dragon wrestling in a vat of lube? Slide your way into V-Day at this monthly (second Thursdays) grip ‘n slip put on by neo-Vaudevillian troupe SF Boylesque, with DJ Drama Bin Laden, a performance by the Bohemian Brethren, and Cajon food from Family Meal available on the back patio.

 

——–

FRIDAY 10

 ——–

FRIDAY 10

Bardot A Go Go Pre-Valentine’s Dance Rickshaw Stop, 155 Fell, SF. (415) 861-2011, www.bardotagogo.com. 9 p.m., $10. “Music by French people for everybody” is the motto of the neato longtime roving Bardot A Go Go — and that includes a bubbly beretful of cute folks who revel in 1960s pop glamour filtered through contemporary va-va-voom. Live band Nous Non Plus is très adorable, and DJs Pink Frankenstein, Brother Grimm, and Cali Kid bring French kisses galore. Plus: free hairstyling by Peter Thomas Hair Design, d’accord.

I Heart Some Thing The Stud, 399 9th St., SF. (415) 863-6623, www.studsf.com. 10 p.m.-late, $8. “We love love! We just love it!” scream the awesome queens of Some Thing, the mind-altering weekly friday drag show and party at the Stud. You may detect a hint of the sardonic in there, but the smart Some Thingers always cover their bases with a healthy dose of sincerity to go with the staged pop culture send-ups. heart-shaped performers include Glamamore, Manicure Versace, Cricket Bardot, and Nikki Sixx Mile. Afterhours dancing, too.

Mortified’s Annual Doomed Valentine’s Show DNA Lounge, 375 11th St., SF. (415) 626-1409, www.getmortified.com. 7:30 p.m., $14 adv; $21 at door. Do you remember your first kiss when you went in for the gold, missed completely, and your lips puckered mid-air? Well, the folks at Mortified sure do. They have sorted through the oldest and nerdiest notebooks, letters, photos, and shoeboxes so that they can share with you their most humiliating romantic encounters. Reinvigorate your disdain for this holiday by taking comedic comfort in the mishaps of these thick-skinned Valentine’s veterans.

Ninth Annual Food from the Heart Festival Ferry Building Marketplace, 1 Ferry Building, SF. (415) 983-8000, www.ferrybuildingmarketplace.com. Through Saturday. 5:30-8 p.m., free entrance. Nothing says “I love you” like food. Give the gift of a happy stomach to your lover this Valentine’s in the candlelit Grand Nave of the Ferry Building, with a night of dancing and eating. Revel in the magic of the waterfront, sip on wine poured by local Napa Vinters, and taste a scrumptious hors-d’oeuvre or five.

“On The Edge 2” erotic photography exhibition Gallery 4N5, 863 Mission, SF. (415) 522-2400, www.gallery4n5.com. Through Sunday. Gallery hours Fri., 4 p.m.-9 p.m.; Sat., 11 p.m.-9 p.m.; Sun., noon-5 p.m., free. Valentine’s Day may be about romance for some people, but for us it’s about getting naked. (And eating, but mostly getting naked.) This group exhibition features 400 pictures of artful sexiness taken by 25 erotic photographers who bring on the nudes.

 

——–

SATURDAY 11

“Drunk with Love” with Carol Peters The Emerald Tablet, 80 Fresno, SF. (415) 500-2323, www.carolpeters.net. 8 p.m., $10. Carol Peters, a.k.a. “Velvet Voice,” is known for her passionate and amorous renderings. For one steamy night in light of Valentine’s Day, Peters will grace the stage to croon sensual tunes that capture the many dimensions of love.

Valentine’s Surprise SF Lindy Ball Womens Building, 3543 18th St., SF. sfswingjam.eventbee.com. 7:30 p.m.-12:30 a.m., $22 This Lindy Hop and Swing ball is actually the centerpiece of a three-day swing summit in celebration of romance (check the website for full line-up) — because what says, “I love you” more than artfully mopping the floor with your partner? We sure don’t know. Hoppin’ workshops and technique tune-up sessions complement the ball, which consists of a Lindy contest, live swing music, and a surprise 91st birthday celebration for classic movie star Ray Hirsch. Lessons offered!

Watson’s “Naked at the Art Museum Scavenger Hunt” Legion of Honor, 34th Ave, SF. (415) 750-3600, legionofhonor.famsf.org. Through Sunday. 2 p.m.-4:30 p.m., $20. Who said museums had to be tame? Bring a lover or friend this weekend to the Legion of Honor for a sexy scavenger hunt. You will scope the halls for studly sculptures, titillating paintings, bathing beauties, and many sexy inanimate objects more. Museums will never be the same again.

 

———-

SUNDAY 12

SF Mixtape Society’s “Under The Covers” music exchange and contest The Make-Out Room, 3225 22nd St, SF. (415) 440-4177, www.sfmixtapesociety.com. 6 p.m., free with mix. Don’t have someone to make a mixtape for this year? It’s OK. Your ex’s music taste was awful anyways! Put that playlist you love on a CD, cassette, or USB drive and have it land right in the ears of a random yet lucky someone. You’ll end the night with someone else’s coveted mix, and everyone will get to vote for the playlist with the best track listings and artwork.

 

———

MONDAY 13

Litquake Literary Festival presents: Love Hurts readings of grief-stricken passages of love and lust The Make-Out Room, 3225 22nd St, SF. (415) 440-4177, www.litquake.org. 7 p.m., $10. Ten Bay Area writers will give their own cynical (and mostly hilarious) twists on the forlorn words of some of the most melancholic and/or melodramatic novels ever written. Come sort out the parallels between drug dependency and romance in Valley of the Dolls, the masochistic plotline of The Story of O, and many more classics that well forewarned of broken hearts.

 

———

TUESDAY 14

Club Neon’s Eighth Annual Valentine’s Day Underwear Party The Knockout, 3223 Mission, SF. (415) 550-6884, www.theknockoutsf.com. 10 p.m.-2 a.m., $5, free with no pants before 11 p.m.! This is THE event for fresh and nubile indie heartbreakers, stripping down to make you all “damn!” and stuff. One of our favorite annual pantsless throwdowns, with steamy rock DJs Jamie Jams and EmDee making you want to take it all off.

The Fifth Annual Poetry and Music Battle of ALL of the Sexes Uncle Al and Mama Dee’s Cafe at POOR Magazine, 2940 16th St, SF. (415) 865-1932, www.poormagazine.org. 7 p.m., $5-$20 suggested donation for dinner and show. Instead of scribbling your words in to a Hallmark card, show off your love this Valentine’s in rhyme and verse. All proceeds will support POOR magazine, a local arts organization that advocates education and media access for struggling communities. The theme is 1950s, but the beats will be timeless.

Love Story film showing and gala with Justin MX Bond Castro Theatre, 429 Casto, SF. (415) 621-6120, www.castrotheatre.com. 8 p.m., $10 film only; $25 for gala tickets. Relive the drama, the tragic heartaches, and the swooning love story of the 1970 film classic. Ali MacGraw will be at the Castro mezzanine in person, “Theme from Love Story” will be sung by Katya Smirnoff-Skyy, and special guest Mx Justin Vivian bond will be doing a “sorry” medley.

http://www.youtube.com/watch?v=oMjsuYytrkg

Passion Punch Valentine’s day kickboxing class UFC Gym, 1975 Diamond, Concord. (925) 265-8130, www.ufcgyms.com. 6:30 p.m., free. Valentine’s got you foaming at the mouth? Let it out. This 60-minute class will incorporate dynamic boxing moves so that you can punch away all the annoyances you will be feeling by the end of this day.

The Crackpot Crones present “I Hate Valentine’s Day” sketch comedy and improv show The Dark Room, 2263 Mission, SF. (415) 648-5244, www.crackpotcrones.com. 8 p.m., $20. Outrageous duo Terry Baum and Carolyn Myers are providing a public service for the romantically challenged. They will be making fun of everything Valentine’s related — especially silly little concepts like true love and soul mates. Belt along to the song, “The Twelve Days of Being Dumped,” and give your best evil cackle at this sketch comedy show.

Valentine’s Day Party with T.I.T.S and Uzi Rash Hemlock, 1131 Polk, SF. (415) 923-0923, www.hemlocktavern.com. 9 p.m., free. There is no need for all the fuss, the fancy gifts, the cutesy ribbons, or the overpriced dinner. If you’re sick of the pink, come dance your anti-heart out at this doom punk show. Flowers wilt anyways.

On the Cheap Listings

0

Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 1

“Singing the Golden State” early Californian music exhibition Society of California Pioneers, 300 Fourth St., SF. (415) 957-1849, www.californiapioneers.org. Through Dec. 7. Gallery hours Wed.-Fri., 10-4 p.m.; $2.50 for seniors and students; $5 general admission. The Frederick Sherman Collection and the private collection of James M. Keller join musical forces to bring to you two floors of sheet music and recording samples of songs composed in California from1849 through the 1930s. This is equivalent to striking gold for any music lover, especially those who are nostalgic for the sounds of California pre-Katy Perry.

“Acknowledged: Portraits of Project Homeless Connect” exhibition opening San Francisco Public Library, 100 Larkin, SF. (415) 557-4400, www.sfpl.org. Through March 25. Library hours Mon., 10-6 p.m.; Tue.-Thurs., 9-8 p.m.; Fri., noon-6 p.m.; Sat., 10-6 p.m.; Sun., noon-5 p.m.; free. A picture is worth a thousand words — and you need would need even more than that to describe what it’s like to be homeless in San Francisco. Photographer Joe Ramos has partnered up with Project Homeless Connect to feature 55 program participants in this powerful look at our society’s unhoused.

THURSDAY 2

“Bourbon and Bull” NightLife at the Academy California Academy of Sciences, 55 Music Concourse, SF. (415) 379-8000, www.calacademy.org/nightlife. 6-10 p.m., $12. Mix a shot of George Dickel Whisky and a sample of Bulleit Bourbon with the acoustic tunes of Jeanie and Chuck’s Country Roundup. Now add an electric bull to the mix. Sounds like our dream cocktail.

After Dark: Heartworks Exploratorium, 3601 Lyon, SF. (415) 563-7337, www.exploratorium.edu. 6-10 p.m., free with museum admission. With Valentine’s Day looming annoyingly close, many are already weary at any mention of the word “heart.” But before writing off love as an esoteric fib, join the Exploratorium for a hands-on experiment with a man-made metal heart — and maybe leave with a more tangible understanding of what makes your ticker skip a beat.

Bicycle Bingo fundraising event and launch party Actual Cafe, 6334 San Pablo, Oakl. (510) 653-8386, www.actualcafe.com. 7-9 p.m., free. Make Thursday night a bingo night and win an assortment of prizes while giving back to the Bay Area community at the debut of this weekly charity funtacular. All bingo card proceeds, along with 10 percent of cafe revenues, will go directly to the nonprofit of the week. Tonight, play for the East Bay Bicycle Coalition. Next week: Rebuilding Together Oakland.

FRIDAY 3

Secession from the Broadcast: The Challenge to Create on the Same Scale as We Can Destroy film screening and director presentation YBCA, 701 Mission, SF. (415) 978-2787, www.ybca.org. 7:30pm., $6–$10. Gene Youngblood has been talking about alternative cinema and media democracy since the 1970s. He used to write about things like the Beatles and George Lucas — tonight you can join him as he talks about the new shriek-inducing fad, the Internet.

UrbanYenta launch party Roe Nightclub, 651 Howard, SF. (415) 227-0288, www.roe-sf.com. 6-8 p.m., free. Did your last online date just completely freak you out? Now when dates goes wrong, you have an actual human matchmaker to go cry to, instead of frantically checking off comment boxes home alone on a Saturday night. UrbanYenta hopes to match you not just with a pixilated image, but a partner who will do you right.

SATURDAY 4

“The Uncomfortable Zones of Fun” experimental performance workshop Temescal Art Center, 511 48th St., Oakl. (510) 526-7858, www.temescalartcenter.org. 8 p.m., free. “Uncomfortable” and “fun” are often hard to use in the same sentence. But leave it Frank Moore, world-known performance artist, to pair the two in his improv dance, acting, and music class. Bring your instruments and sense of humor.

Little Song sonnet writing workshop Pro Arts Gallery, 150 Frank Ogawa Plaza, Oakl. (510) 763-4361, www.proartsgallery.org. 1-3 p.m., free. Poetry is said to be a way of taking life by the throat — take hold and express your soul’s desires in this sonnet workshop. There will be a limit of 30 people and seating will be first-come, first-served.

Upcycle Ball San Francisco Yellow Bike Project fundraiser and dance party Rickshaw Stop, 155 Fell, SF. (415) 861-2011, www.rickshawstop.com. 8 p.m., $10 presale; $12-25 at door. A bike-enthusiast’s version of what prom never was. Raise funds for the volunteer-powered community shop while you dance your wheels off to live performances by maus haus, Hottub, DJ Deep, and Mr. Pillz.

Bernal Yoga Literary Series author readings The Bernal Yoga Studio, 461 Cortland, SF. (415) 643-9007, www.bernalyogaseries.wordpress.com. 8 p.m., $5 suggested donation. A literary event packed with breathtaking readings from local authors. The evening will feature writers Jeff Hoffman, Li Miao Lovett, and Peter Orner, plus local authors Tom Comitta, Lara Durback, and Marisela Treviño Orta.

SUNDAY 5

Year of the Dragon celebration Asian Art Museum, 200 Larkin, SF. (415) 581-3500, www.asianart.org. 11 a.m.-4 p.m., free. Celebrate the Year of the Dragon with lion dancers, a chance to listen to dragon tales, arts and crafts, and even a yoga flow session at the end of the day. This event is perfect for people who already gave up on their New Year’s resolution and want a re-do.

MONDAY 6

The Right to Love: An American Family film premiere Castro Theatre, 429 Castro, SF. (415) 621-6120, www.castrotheatre.com. 4 p.m., $10; free for students. Bay Area filmmaker Cassie Jaye follows Jay and Bryan Leffew, a legally married gay couple living in Santa Rosa, and their two adopted kids, Daniel and Selena. The family became a YouTube sensation after posting their home videos on a channel called “Gay Family Values.” Meet with the awesome Leffews at the first public screening of their documentary.

TUESDAY 7

Exit Strategies Granta & Zyzzyva literary event and launch party City Lights Books, 261 Columbus, SF. (415) 362-8193, www.citylights.com. 6:30 p.m., free. Do you find yourself repeatedly scratching your way out of the hole you dug with your own hands? Daniel Alarcon zooms in on this conundrum in his latest novel rightly titled, Exit Strategies. He will be followed up by ZYZZYVA, who will present their latest winter issue, which includes 200 pages of poetry, prose, and visual art made by West Coast writers and artists.

Live Shots: Decentralized Dance Party

0

All photos by Bowerbird Photography
 
When Sam Love and I finally arrived at Union Square on Fri/27 night, we were surprised by the mass of boomboxes perched on peoples’ shoulders, like a thousand John Cusacks in Say Anything, heading down Powell Street. Somehow, we found our friends (Ickles and Eckles) when the party descended at the Powell Street BART station. The music blared and tourists careened their heads over the banisters of the station to see what the heck was going on. It was a Decentralized Dance Party (DDP), where strangers get dressed up, gather with their old boomboxes, and wait for the organizers to hijack a radio frequency, where they send out the jams on long antennas, for some major noise and wild Friday night dancing.

The theme was “Strictly Business,” so at times it was hard to tell the downtown suits from the party people, which just added more crazy to the mix. Of course, it got pretty hot on the concrete dance floor and layers were quickly stripped. Eventually, we found ourselves walking down Market, a hoard of twinkle-toed goofballs, getting down to everything from Journey to LMFAO. Almost to the Ferry Building, we stopped in a business park at 1 Bush Plaza and were told — gleefully? — that we had amassed 400 noise violations. The cops gave us one more song. Little did they know, DDP would pick a nearly 15 minute-long song – extending the party just long enough to finish off those “water” bottles and find someone’s shoulder to dance on.

Sorrow, tears, blood — and dance

0

arts@sfbg.com

MUSIC Musical genius, human rights activist, cultural legend, African icon — late Nigerian Afrobeat pioneer Fela Kuti encompassed multitudes, but to his 1980s-era guitarist Soji Odukogbe, he provided not only inspiration but a way into his music.

“The music was written by Fela, so if you were good enough, you could add to it, and he wouldn’t say anything. But if you were not good enough, he’d say, ‘This is the line,'” explains Odukogbe, 49, by phone from Berkeley where he now lives. “Afrobeat is a written music — you can’t add to it. You can add if you know your instrument, and it’s sweet enough, then you can go there.”

Fortunately the Lagos, Nigeria, native — who as a child was inspired enough by Fela’s hits to take a wood plank, hammer a nail into it, and pretend it was a guitar — was good enough to take his liberties on guitar on legendary Fela albums like Teacher Don’t Teach Me Nonsense, Beasts of No Nation, and Underground System (all Barclay; 1986, 1989, and 1992). “[Fela] was anxious to meet me [after he got out of prison], and when he saw me, he was so happy — he said, ‘I have a guitar player that’s really good!,'” recalls Odukogbe, who joined Fela’s band in ’85. “One day I said, ‘Fela, I want to take a guitar solo. He only allowed horn and keyboard solos, and he said, ‘Yeah, go ahead,’ and I blew his mind. He was so proud of me.” Odukogbe appears with kindred Fela player Baba Ken Okulolo at a “Fela Kuti Extravaganza” dance party at Cafe Du Nord Jan. 28.

The guitarist played with Fela for five years before deciding to take his chances in the U.S. where a so-called world music movement was catching fire with the success of Nigerian juju master King Sunny Adé, Le Mystere des Voix Bulgares (Nonesuch, 1987), and Brazil Classics 1: Beleza Tropical (Luaka Bop, 1990). Now, with publications such as The New York Times trumpeting an “African invasion” in indie rock and a fascination with African music takes hold once more — morphed and bent to new ends by performers ranging from Vampire Weekend to Dirty Projectors to this year’s Pazz and Jop poll-topping tUnE-yArDs — the time seems right to revisit Fela’s legacy.

Long before African outfits like Tinariwen and Blk Jks threaded rock ‘n’ roll guitar into indigenous rhythms, and hipster-cred comps such as the Ethiopiques and Congotronics series touched down stateside, Fela was hybridizing jazz and highlife with a potent dose of James Brown-style funk, a black power sensibility (not for nothing did he dub himself the Black President), and a driving thirst for justice, even after being jailed some 200 times, suffering at the hands of soldiers (the wounds Fela revealed when he dropped his trousers in the 1982 documentary Music Is the Weapon are heartbreaking), and undergoing a level of government harassment and abuse that would break most mortals. It all appeared to climax in 1977 after the release of his military-mocking 1977 LP Zombie (Barclay) and the subsequent invasion of his Kalakuta Republic commune by soldiers, which led to the death of his mother and the beating and brutalization of the performer, his family, wives, and friends.

Though mainstream superstars Will Smith and Jay-Z threw their producing weight behind the recent Tony Award-winning musical production of Fela!, it’s tough to imagine an artist quite like Fela in today’s music scene, fighting back from the top of the pop charts, occupying the public imagination with his radical politics and spiritual beliefs, and speaking his mind, loudly and outrageously. Still, Fela’s story and music speak louder than ever, especially in the context of indie’s less-than-political appropriation of African sounds, the recent SF run of Fela!, the 2011 rerelease of Fela’s Universal-controlled albums in North America by Knitting Factory Records, the upcoming film directed by artist-filmmaker Steve McQueen, and continuing tide of injustice in Nigeria, where weeks of protests continue over fuel prices and the country has undergone its worst oil spill in a decade.

“The thing that’s most interesting about Fela’s music is how traveling and seeing other cultures, going to the United States, and getting familiar with American music and James Brown and American politics inspired him to fulfill his own roots and look back on himself and to really see these international forces as part of his background and his own culture,” observes Will Magid, 26, who organized the Fela dance party and has played with Odukogbe and Okulolo. Magid’s own forthcoming debut album promises to mix Kuti’s influence with Balkan, pop, and funk sounds. “We need more people who are like that and who are speaking up.”

El Cerrito-by-way-of-Nigeria bassist Okulolo played with Fela as well as King Sunny Ade and has performed with Odukogbe in the Kotoja, the Western African Highlife Band, and the Nigerian Brothers. Magid’s friend and mentor since the two met through Okulolo’s son at UCLA, the musician sees “Fela Kuti Extravaganza” as a teaching opportunity.

“Fela was a great musician, and his music will never die,” says Okulolo. “I think it would be a good idea to continue educating people about his music and how beautiful it is. I worked with [Fela] briefly, and I know the man well, and so many bands are playing Afrobeat now — generally the music needs to be out there.”

“It has funk; it has jazz; it has an African beat; it has everything,” he continues. “It’s our opportunity to showcase it to as many people as we can and make it valuable, to put it in a category that someday will be what reggae is today.”

And during hard times, we can all learn something from Fela, his still-vibrant music, and his way of moving, fluidly and artfully, through oppression, through pain. “There’s this element of social consciousness, of people dancing and then hearing about these oil spills,” muses Magid of the upcoming dance party. “It’s a different kind of dancing when you’re dancing through suffering.” *

 

WILL MAGID’S WORLD WIDE DANCE PARTY: FELA EXTRAVAGANZA

With Baba Ken Okulolo and Soji Odukogbe, Will Magid Trio with Fely Tchaco, MSK.FM, and izzy*wise

Sat/28, 9:30 p.m., $15

Cafe Du Nord

2170 Market, SF

www.cafedunord.com

Live Shots: The old-timey escapades of the Edwardian Ball

1

The Edwardian Ball, thrown by Rosin Coven and the Vau de Vire Society, never fails to amaze — and absinthe-addled though we were, we managed to take in all the sights, from petticoats a-plenty to splendid corsetry to handsome haberdashery from an era gone by.

Despite the fact that stunning vintage apparel has come to be expected, the Edward Gorey-inspired event — now in its 12th year — is anything but old hat.

Between the World’s Faire, the Vendor Bazaar, and the ball itself, organizers of the old-timey escapade had plenty to add: midway games, an artist lineup that included a neo-Victorian hip-hop time-traveler and his dancing gorilla, a carousel of bikes by Cyclicide, Gorey-themed puppetry, plus freakshow performers with tricks that were anything but same-old. Forget slipping doller bills into your sideshow gal’s panties, and think staple-gunning fivers to her tongue. Strictly period? Not exactly. But lots of fun — for the audience, at least.