Local

Put ’em in the glass

Michael Redmond
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0
Put ’em in the glass

marke@sfbg.com

BEER + WINE You may be a growler geek, a craft connoisseur, an export expert, a noble hops know-it-all … but are you a real Beer Nerd? A new Trivial Pursuit-like game from local publishing powerhouse Chronicle Books (www.chroniclebooks.com) tests your brew knowledge — “brewledge”? — as you advance around a colorful board. But here’s the delicious twist: players can land on “blind taste test” squares and really show their hops IQ. It’s a drinking game where drinking can actually help you win. Truly, we live in an age of wonders.

 

BRING IT, MAKE IT, RIDE IT

Yes, yes, small-batch urban wineries are still all the rage, but how does one distinguish itself in the great grape landscape? Well, if you’re the folks behind Tank 18 (1345 Howard, SF. www.tank18.com), you make your own wine, yes, but you also open up your beautiful, rustic-modern space for big events and parties (including a cheeky, sexy one during Folsom Street Fair) with a full bar. You also hit a sweet green spot with a BYOB-like event every third Saturday called “Sustainable Bottling” — patrons bring in rinsed-out bottles of wine they’ve already enjoyed at home to exchange for discounted, full Tank 18 bottles. Starting at $7.99 per bottle, that’s an upcycle we’ll gladly uncork.

Then there’s the Dogpatch WineWorks (2455 Third St, SF. www.dogpatchwineworks.com), which opened last year in a huge 15,000-square-foot space, and follows in the footsteps of Potrero Hill fave Crushpad by inviting people to come make their own wine. Budding vintners get to choose their own vineyard and varietal adventure, and the Dogpatch experts guide everyone through the process in a casual environment. This is the kind of team-building corporate exercise we’d like to see replace trust falls and retreats.

Oh, and did you know that you can take a bike tour of SF’s urban wine scene and learn some of the awesome century-old history of local grape cultivation? Gears and Grapes (www.gearsandgrapes.com) offers a breezy $99 day-ride through the city’s hotspots, stopping for tastings along the way. “Over 100 wineries flourished in the places that new tech start-ups now thrive,” G&G informs us. Can we have those wineries back, please?

 

SPEAKEASY SMOKIN’

Speakeasy (1195 Evans, SF. www.goodbeer.com) just celebrated its sweet 16 with a huge block party in the Bayview outside its brewery. But if you missed it, never fear. You can visit Speakeasy’s lovely Tap Room (Tue-Thu, 3-8pm; Fri-Sat, 1-9pm; Sun, 1-6pm) for some primo tastes, possibly including some of the new brews debuted at the block party (Bourbon Barrel-Aged Scarface Imperial Stout, 2009 Old Godfather Barleywine). Here’s an extra tip — Sundays they invite some of the city’s yummiest BBQ in to soak up some of those suds. Upcoming Smokin’ Sundays feature Memphis Minnie’s on Oct. 13 and Baby Blues BBQ on Nov. 10.

 

OH YEAH, THAT THING

Just like the October appearance of seasonal craft beer favorites — Anchor Brewing’s deep, rich Big Leaf Maple, 21st Amendment’s nicely spiced Fireside Chat, and, on a broader scale, Shock Top’s Pumpkin Wheat — so we must tighten our lederhosen in preparation for Oktoberfest by the Bay (Sept. 20-22, Pier 48, SF. www.oktoberfestbythebay.com). In addition to the hordes of revelers, you can catch entertainment from the Chico Bavarian Band accompanied by traditional dancing from the Nature Friends Schuhplattler (despite the name, not a nude oompah-pah association, alas). Plus, of course, a million steins of Spaten bier. Expect an overload of dirndls. *

 

BART resists safety reforms in labor negotiations

Michael Redmond
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1
BART resists safety reforms in labor negotiations

BART maintenance workers training under safety instructor Saul Almanza are taught this most important lesson: the objective when you go to work is to come home afterward.

He remembers two BART engineers who were hit and killed by the trains they were charged with repairing: Robert Rhodes in 2001, and James Strickland in 2008. Almanza imagines the dark tunnels where the safe places to stand are small and the lighting is scarce. He says he thinks of Rhodes and Strickland every day.

As talks between BART labor unions and management resumed Sept. 9, negotiations over safety overhauls had stalled, according to representatives from SEIU Local 1021. On Sept. 11, union members on the negotiating team — which includes Almanza — released a chart of fines the transit agency received from the California Occupational Safety and Health Administration, stemming from those accidents.

The chart shows 20 citations from OSHA since 2001 that the unions said have been unaddressed. BART management, unsurprisingly, disputes this. The list shows incidents as minor as rain getting into a fare gate and as major as the two aforementioned deaths. All told, the safety fines add up to $192,375.

The complaints were also listed on CAL/OSHA’s website, with additional details revealing that some of the investigations into the complaints were closed, contrary to the union’s claim. But that doesn’t mean the underlying causes of the problems have been solved, and they remain a sticking point in the negotiations between BART management and SEIU.

BART spokesperson Rick Rice said the lighting issues that led to Rhodes’ death will soon be resolved. Strickland’s death was a separate issue, though, as dense vegetation blocked a driver’s line of sight, leading to the mechanic’s death. That was also addressed, Rice said.

“Starting next year there’s $4.5 million allocated by the board to improve all the lighting,” Rice told the Guardian, and that other changes have made the tunnels safer since the 2001 accident.

But Almanza said he won’t believe it until he sees it in writing. So far, that hasn’t happened.

“The only change that took place was they added signage to the location saying you can’t enter the area without ‘simple’ approval,” Almanza said. Simple approval is a process where the worker recites a waiver that absolves BART of fault should they be injured or die. “They make you proclaim that you won’t interfere with operations, and it means if you delay something or die, it’s your fault.” Robert Bright, a train mechanic at the Hayward BART shop, also told us he was worried about safety conditions for BART workers. In our previous coverage, “Tales from the Tracks,” he said he’s seen workers crushed under machinery and electrocuted due to lax safety conditions. CAL/OSHA’s required changes are simple enough, requiring trained electricians to shut off power to the third rails and remove power breakers before maintenance crews work on the tracks to prevent the power from accidentally being switched back on. Almanza said the procedure saves lives. But BART management has paid its lawyers to resist the changes recommended by CAL/OSHA, documentation shows. Recent minutes from BART Board of Directors show the board voted unanimously to retain legal services from law firm Glynn and Finley to “mount a vigorous defense” against the safety citations issued by OSHA, saying the recommended changes were unnecessary and would have little effect on safety. Meeting minutes show the directors don’t think it’s a necessary procedure, but Almanza contends that it’s a cost-saving measure, since electricians must be paid to remove the breakers. “If this prohibition is implemented, it would drastically change the way BART performs maintenance operations with no anticipated improvement in safety,” according to meeting minutes. It went on to state that the procedure introduces additional safety risks, which Almanza denies. The board then moved to approve a $188,000 increase for legal services to challenge the CAL/OSHA changes — almost as much as the agency paid in fines for safety violations in the first place.

Bay Bridge turns Brown

Michael Redmond
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15

The California Senate gave its blessing to the rename the western span of the Bay Bridge after former San Francisco Mayor Willie Brown on Sept. 12, blatantly disregarding its own rules and strong local opposition to the proposal.

Since ACR 65 is a nonbinding resolution, Gov. Jerry Brown cannot veto it even though he went on record earlier this week saying the 77-year-old bridge should keep the same name it’s always had.

San Francisco Sens. Mark Leno and Leland Yee both voted in favor of the resolution.

As the Senate gave final approval to the measure, attorneys G. Whitney Leigh and Lee Hepner filed a complaint seeking injunctive relief to overturn the resolution on behalf of their client, good government advocate Bob Planthold.

At a press conference, Planthold said the lawsuit “has nothing to do with Willie,” but rather sought to remedy what he perceived as state lawmakers ignoring their own rules, including reserving such honors for the deceased, a state of affairs he characterized as “Orwellian.”

Leigh questioned why Sacramento legislators were in such a rush to rename part of the Bay Bridge when construction of the eastern span had only just been completed, following long delays and overruns partly caused by Brown when he was mayor.

“There is a shadiness and irregularity to this procedure,” Leigh said.

The suit alleges “arbitrary suspension and/or violation of legislative rules and policies” to fast track the legislation. Specifically, Hepner said, lawmakers ignored an established timeline for introducing new proposals, instead allowing ACR 65 to be submitted four months after the formal deadline.

Formal Assembly criteria states that clear community consensus must be in place when a major piece of public infrastructure is renamed. Yet in the case of the Willie L. Brown Jr. Bridge, no such consensus exists.

Leigh is the former law partner of Matt Gonzalez, a former president of the San Francisco Board of Supervisors, who joined former board presidents Quentin Kopp and Aaron Peskin to formally call on Senate pro Tem Darrell Steinberg to stop the resolution from going forward.

On Aug. 29, the trio fired off an open letter to Steinberg in an attempt to halt the proposal from going any further, claiming “there exists significant concern in our community that naming the Bay Bridge for him is not appropriate.”

Peskin had a more colorful take on Brown and bridge when he spoke to the Guardian: “I think they should name the old eastern span, that they’re demolishing, after him. You know why? Because it’s old and crooked and a danger to society.”

Fighting foreclosures

Michael Redmond
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1
Fighting foreclosures

joe@sfbg.com

It will be a long war, but for now, Richmond is winning.

Two battles in the start of the city of Richmond’s war on foreclosures were fought and won in the past week. A US District Court of Appeals judge dismissed Wells Fargo’s lawsuit against Richmond’s controversial plan to use eminent domain to save residents with underwater mortgages (see “Not for sale,” Sept. 3). And Mayor Gayle McLaughlin successfully fought off legislation at the Richmond City Council to torpedo the plan before it started.

“I’m willing to go as high as the Supreme Court to settle this on behalf of our community,” McLaughlin told us. These are the first fledgling steps in that long fight, a fight McLaughlin calls a just cause.

Half of all mortgages in Richmond are underwater, and as homes get foreclosed upon, the problems stack up: blighted neighborhoods, declining property tax revenues, public employee layoffs, rising crime, and homeless families. To stem the tide of foreclosures, Richmond teamed with Mortgage Resolution Partners (MRP) to attempt to buy the loans of 624 underwater mortgages and allow the owners to keep their homes.

Richmond’s government sent out offers, and it is still waiting to hear back from the owners of the loans.

The controversy comes when the banks that hold the loans refuse to sell. In that case, Richmond would invoke the power of eminent domain to seize the mortgage loans.

Wells Fargo said in its lawsuit that this is a plan to line the pockets of MRP and the city of Richmond, a greedy and unconstitutional land grab. Eminent domain has never been used for this purpose, but as the judge noted in the lawsuit’s first hearing Sept. 12 in San Francisco, the plan has yet to be acted on.

“Okay, let’s end the suspense, I don’t believe (the case) is ripe for determination,” Judge Charles Breyer told the attorneys from Wells Fargo. “There are a series of steps that can or cannot take place…. If they do take place, that’s the time for the court to take a look at it.”

Breyer noted that if and when Richmond wanted to use eminent domain to seize mortgage loans, the council would need to file a resolution of necessity through state court. At that point, he could act.

On Sept. 16, the case was dismissed. Too little has happened, and it is entirely too early to make any decisions, Breyer said.

Stacey Leyton, a lawyer representing Richmond in the lawsuit, explained the judge’s decision plainly: “Courts are not supposed to review legislative actions before the (legislative body) has decided which action to take.”

The Guardian reached out to Wells Fargo but we were told that it had nothing to say beyond its court filings, and referred us to the investors in the loans, of which Wells Fargo is a trustee.

But why is Wells Fargo pushing so fast for the courts to intervene? The eminent domain plan could mean a possible loss of revenue for Wells Fargo and the investors it represents, sending chills down the spine of Wall Street, a representative of MRP said.

MRP founder John Vlahoplus told us the eminent domain tactic is powerful because for Wells Fargo, legally challenging every municipality in the United States is much tougher than paying off a few fat cats in Congress.

So the stakes are high: if Richmond wins the eminent domain battle, cities across the country could use the tactic to rescue underwater mortgages, and the families that would otherwise lose their homes, swinging the balance of power from Wall Street toward cities.

Score one for Richmond, and zip for Wells Fargo, so far.

 

LOCAL FRONT

But the real drama happened closer to home. Before Richmond could fight the enemies from without, it fought the enemies within.

On Sept. 10, Richmond’s controversial plan for preventing home foreclosures using eminent domain was almost torpedoed at the Richmond City Council meeting, where its members waged a nasty fight before more than 300 attendees.

Advocates for city intervention against the banks won when the council voted 5-2 against a resolution to rescind the city’s offer to purchase 624 underwater mortgages and halt any effort by the city to seize those mortgages through eminent domain.

A separate resolution by Mayor McLaughlin to establish a joint powers authority, uniting cities to battle litigation against the eminent domain plan, also passed.

Vice Mayor Courtland “Corky” Boozé and Councilmember Nathaniel Bates sponsored the resolution attacking the plan, and cast the only votes in its favor.

Boozé and Bates said the city risks bankruptcy if Well Fargo wins its lawsuit, putting Richmond’s financial solvency on the line, but their colleagues were dubious.

“My vote is not supposed to be if (Wall Street investors) are a bunch of jerks and I want to stick it to them,” Councilmember Jim Rogers said to the audience.

After the city laid off a third of the government’s workforce in lean economic years, Rogers has reason to worry. City Manager Bill Lindsay laid out the risks for those in the auditorium.

Because no city has ever tried this before, he said, no liability insurance exists for this kind of work, which MRP has acknowledged. “If you believe the potential loss (of a lawsuit) is catastrophic, it’s important to acknowledge that’s an issue,” he said.

He also said it was tough for the city go it alone as a single entity, explaining the need for a joint powers authority, which would build a coalition of cities against Wells Fargo and other litigants.

State law requires a supermajority of the council, five members, to back any eminent domain action and only at the time that it would take place, he said.

Hours of back and forth passed between the city manager and Boozé who, after some arguing, asked the audience in frustration, “Are 110,000 people worth fighting Wall Street for?”

The crowd roared its answer immediately: “YES!”

The ideological split of the audience was clear: Eminent domain supporters wore yellow shirts with a logo of the activist group Alliance of Californians for Community Empowerment, and those against wore red shirts branded “Stop Investor Greed.”

Those sporting the red shirts were mostly from the real estate industry, and in public comment they generally expressed that if someone were to lose their home, well, “so what?”

Lisa Johnson, clad in red, said, “My house is an investment, not a right.”

A representative from Richmond’s Council of Industries asked the mayor to reconsider the eminent domain plan, and to rescind the initiative.

Jerry Feagley, whose Feagley Realtors has sold homes since 1966, said the plan risks damaging all of Richmond’s ability to get credit. He was a seemingly mild-mannered man who is exactly who you’d picture if you think of a businessman from the ’50s, gray suit and all. “If this would go into effect, this would change loans in the entire country,” he said, passionately.

Well, that’s the idea, the supporters countered.

“I was at the March on Washington with Martin Luther King 50 years ago. Yes, I’m that old,” said one woman. She was bent over with age but spoke with volume. “That’s exactly what we have to do. We’re going to have to meet power with power and challenge the status quo.”

More than 50 supporters spoke at the podium. The meeting started at 7pm, and stretched on well past 1am. If there was one central theme to their sentiments, it was this: Richmond has hit rock bottom, and now is the time to fight back.

Councilmember Tom Butt put it in plain terms. “What we’re voting for is a giant game of chicken, and it’s clear two of my colleagues have blinked,” he said, referring to Boozé and Bates. “I’m not blinking.”

The council voted, and amid the turmoil and arguing and anger, the Boozé and Bates measure was rejected.

Having already lost once that night, Bates did not fare well when time came to vote on forming a joint powers authority. El Monte may be the first to join, McLaughlin said, which would help homeowners in need who are often people of color. Bates countered that McLaughlin should look out for “her people” and not try to use “his people” as a front for her legislation. “You don’t speak for my community,” he said, referring to African Americans. When another black council member, Jovanka Beckles, spoke up to thank her “white brothers and sisters” for joining in a fight for justice, Bates was uncompromising. “You are not African American,” he told her. Boozé also had words for the other dissenting African American Councilmember Jael Myrick. “One day you’ll have to stand up and be black,” he said. McLaughlin’s measure then passed 4-3, with council members Boozé, Bates and Rogers dissenting. The last remaining supporters waved their yellow flags and the dwindling crowd clad in yellow shirts left victorious, for now.

Legal foes invited to weigh in on healthcare policy

Michael Redmond
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4

A few years ago, the Golden Gate Restaurant Association lost a legal battle it waged over the employer mandates in the city’s landmark Health Care Security Ordinance, a universal healthcare program that has provided safety-net services for the city’s uninsured since its passage in 2006, partially through the Healthy San Francisco program.

Composed of San Francisco restaurant owners, GGRA took issue with a mandatory employer spending contribution designed to help employees cover healthcare costs. While the city’s flagship healthcare program ultimately emerged unscathed, the lawsuit went all the way to the U.S. Supreme Court and consumed city staff time and legal expenses.

Now that the federal Affordable Care Act is poised to begin, with enrollment in low-income programs starting in October, a new debate has surfaced over whether current employer requirements should stay the same under Obamacare. While ardent supporters of HCSO have urged the city not to make any drastic policy changes because the existing system can help low-wage workers take advantage of federally subsidized healthcare options, local business interests have signaled that they think it’s time to scale back employer contributions.

In late August, representatives from the city’s Department of Public Health sent out invitations to various stakeholders to join an advisory body called the Universal Healthcare Council, which will be charged with “reviewing local policies against the backdrop of the federal law.” Despite the failed, messy legal battle that nearly undermined Healthy SF just a few years ago, and the more recent scandals involving restaurants fraudulently using customer surcharges and still stiffing employees (see “Check please,” April 23), an invitation was sent to Rob Black, executive director of GGRA. For the sake of uninsured employees throughout San Francisco, let’s hope the restaurant association doesn’t have another lawsuit up its sleeve.

Power struggle

Michael Redmond
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51
Power struggle

steve@sfbg.com

Jason Fried could barely believe what was coming out of the squawk box in his office at the San Francisco Local Agency Formation Commission on Sept. 10, as he listened to Mayor Ed Lee describe the CleanPowerSF program Fried had spent years helping to develop.

The program would give San Franciscans the choice of buying their electricity from clean, renewable energy sources rather than Pacific Gas & Electric’s oil, coal, hydro, and nuclear dominated power portfolio, a program that was finally able to become competitive with PG&E on price and still fund the creation of local clean energy projects.

But the program that Lee described — which three of his appointees on the San Francisco Public Utilities Commission have recently decided to block, against the wishes of the Board of Supervisors supermajority that approved it (see “Fizzling energy,” Aug. 21) — sounded nothing like the program that Fried, LAFCo’s senior program officer, knows so well.

As Lee described it, CleanPowerSF is “based on vague promises” and has “questionable environmental benefits,” claiming it has “gotten progressively more expensive” and “creates no local jobs.”

“What the San Francisco Public Utilities Commission did was in the best interests of the city,” Lee said. The city has spent untold hours and dollars over the last decade developing and approving CleanPowerSF.

“It was very frustrating to watch, particularly when you see him just making stuff up,” said Fried. “If he wants to be against CCAs [Community Choice Aggregation, that state-created program the CleanPowerSF is a part of], fine, just say that…But he wasn’t even getting his numbers right.”

 

LIES, DAMN LIES, AND STATISTICS

Questioned by the Guardian following his monthly mayoral policy discussion at the board, where all five questions from frustrated supervisors were about CleanPowerSF, Lee cast himself as sticking to the facts.

“I know that elements of this are somewhat complicated because you have to actually read a lot of volumes of materials to understand the choice aggregation program,” Lee said, claiming, “I’m taking it exactly from facts that were presented.”

But in reality, Lee was cherry-picking facts that were either out-of-date or presented in a misleading way, while ignoring inconvenient questions like how the city can still achieve its clean energy goals without it, or why his appointees are subverting broadly supported public policy on technical grounds that appear to exceed their authority.

Take Lee’s claim that the CleanPowerSF program approved by the board “was 95 percent renewable on day one,” which he used to support his argument that “when the final project is so vastly different than the original intent, the SFPUC has to intervene.”

Lee is referring to the “three buckets” from which the program will draw its energy, as defined by the California Public Utilities Commission. Bucket 1 is the gold standard: juice coming directly from certified renewable energy sources in California. Bucket 2 is renewable energy that isn’t reliable and must be “firmed and shaped” by other energy sources, such as wind or solar farms supplemented by fossil fuels when there’s little wind or sunshine. And Bucket 3 is Renewable Energy Credits, which support creation of renewable energy facilities or green power purchased from other states.

When the board approved the program in September 2012, the SFPUC called for it to secure 10 percent of the power from Bucket 1, 85 percent from Bucket 2, and 5 percent from Bucket 3, although these were just guidelines and the SFPUC was specifically authorized to change that mix.

Lee and other critics of the program decried the program’s cost of more than 14 cents per kilowatt-hour, while supporters worried the price would cause more customers to opt-out, so the SFPUC decided to allow more RECs, while also substantially increasing the amount of guaranteed green power.

“The difference between buckets two and three is not that big a difference,” Fried said, noting the Bucket 2 can actually include a substantial amount of dirty energy. “It really depends on how you’re firming and shaping.”

So the SFPUC increased the size of Bucket 1 to 25 percent and Bucket 3 to 75 percent, with idea being that RECs are only an interim step toward issuance of revenue-bonds to build renewable energy projects that would eventually fill Bucket 1 to overflowing. All for the not-to-exceed rate of 11.5 cents per kilowatt-hour that the SFPUC is refusing to approve.

“Our entire mix would be 100 percent greenhouse-gas-free, but the mayor is ignoring that because it doesn’t fit his ‘green’ argument,” Fried said, also noting that it would be generated in-state by union workers. “PG&E can’t make that same claim.”

CPUC statistics show PG&E derives less than the state-mandated 20 percent of its energy from clean, renewable sources, and that the percentage of its portfolio that is greenhouse gas-free actually dropped in 2012, to 51 percent from 59 percent in 2011. And despite Lee’s emphasis on local jobs, PG&E’s three largest solar projects built in 2012 are outside California.

By contrast, CPSF contractor Shell Energy North America wrote in an Aug. 12 letter that in addition to setting aside $1.5 million for local buildout after its first year, which “should create local jobs,” it is now negotiating in-state wind and hydroelectric (“operated by union labor”) contracts to meet the program’s demands.

But at this point, supporters of the program are running out of options to get that contract approved.

 

“CHARTER CRISIS”

CleanPowerSF has broad political support in San Francisco, from Sups. David Campos, John Avalos, and other progressives, to moderates including Sup. Scott Wiener and state Sen. Mark Leno, who authored legislation to protect nascent CCAs from PG&E meddling and has been a steadfast supporter of CleanPowerSF.

“There’s a constitutional crisis, or a [City] Charter crisis, of sorts,” Leno said, referring to the standoff. “The legislative body has been unequivocal in its desire to proceed and it’s not for this commission to interfere with that decision.”

Leno said PG&E and its allies have played strong behind-the-scenes roles in sabotaging this program. “They are definitely exerting their influence,” Leno said, “they have never stopped trying to derail this.” SFPUC Chair Art Torres, who is leading the obstruction, didn’t return a Guardian call for comment.

If there is a silver lining, Leno said it’s that “PG&E has had to present its own version of green energy. But the two can coexist. We want competition.”

So does Fried, LAFCo, and all of the supervisors who sit on that commission, which has long tried to break PG&E’s monopoly.

“It’s close to checkmate, but we’re trying to breathe new life into this,” Sup. John Avalos, who sits on LAFCo, told us. “Part of the politics can be seen in the mayor’s statements, which are full of misinformation.”

Sup. David Campos, also on LAFCo, told us CleanPowerSF is “a good program, and it’s consistent with what the Board of Supervisors approved. I think it’s a mistake for the city not to move on this and it’s a bad thing for consumers.”

The newest member of LAFCo, Sup. London Breed, authored a resolution supporting CPSF that the Board of Supervisors was set to consider on Sept. 17, after Guardian press time. It recites a history of strong support for the program by the Board of Supervisors, starting with a unanimous votes in 2004 and 2007 to launch the CCA and continuing through the supermajority approval of CleanPowerSF and a $20 million appropriation to launch it in September 2012.

It noted that the SFPUC held 18 meetings on the program between September 2012 and August 2013, and that its Rate Fairness Board determined that rates for the Phase 1 are “technically fair.”

The resolution emphasizes an important governance issue at stake: “Irrespective of the particular policy decision, the Board of Supervisors must protect and defend its authority to make policy decisions.”

Yet there’s been a concerted effort to undermine CleanPowerSF this summer, led by appointees and allies of Lee and PG&E.

At the Aug. 6 Commission on the Environment meeting, Commissioner Joshua Arce pushed Department of the Environment head Melanie Nutter to renounce CPSF as no longer a green power program, something she refused to do. Arce fell a vote short of approving a resolution characterizing the program as not meeting “all of the commission’s original goals” and urging the SFPUC “to work with the Department of the Environment to craft a program that is acceptable to the San Francisco Environment Commission.”

Breed said she was disappointed in Lee’s approach, although she takes him at his word when he says he’s open to alternatives.

“The questions were answered, but there wasn’t any closure in terms of what this means for the future,” Breed said. “If not this program, what’s the alternative?”

If the city is going to meet its greenhouse gas reduction goals, which call for reducing 1990’s carbon emissions by 25 percent by 2017 and 40 percent by 2025, it’s going to have to offer some alternative.

“We need to be aggressive about moving in this direction,” Breed said, “and we need to make sure the public has an alternative to PG&E.”

 

Alerts: September 18 – 24

Michael Redmond
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0

WEDNESDAY 18

Discussing Art and Social Change Mission Cultural Center for Latino Arts (MCCLA), 2868 Mission, SF. missionculturalcenter.org. 7-9 p.m., free. The MCCLA is hosting a discussion on the use of art to take a stand against oppression, and to bring about change in public policy. A panel of six local, Latino artists will discuss their work and influences, including Paz De La Calzada and Eliza Barrios — who re-purposed newspaper stands in Downtown SF to display messages about economic problems.

THURSDAY 19

Spiritual support for the Trust Act Alameda County Sheriff’s Office, 1401 Lakeside Dr., Oakland. www.icir-clue.blogspot.com. 8:30-10am, free. Join The Interfaith Coalition for Immigrant Rights (CLUE-CA), Faith for a Moral Economy and the East Bay Interfaith Immigration Coalition (EBIIC) as they stand together in support of the Trust Act (AB 4), a bill that directly opposes the repressive Secure Communities program. Since 2008, S-Comm has deported more than 160,000 Californians and detained countless others. The Trust Act’s main opposition is the CA State Sheriff’s Association, and the president of the association, Sheriff Gregory Ahern, is based in Alameda County. The group will be sharing testimonials, prayer and meditation in favor of the Trust Act. RSVP by sending an email to either dlee@clueca.org or kristi@workingeastbay.org.

FRIDAY 20

Affordable Care Act information workshop SF Public Library Chinatown Branch, Chinatown Meeting Room, 1135 Powell, SF. tinyurl.com/ACA920. 3-4pm, free. Spokespeople from the Chinese Community Health Plan (CCHP) will explain the Affordable Care Act and Covered California, new options for health care coverage under federal healthcare reform. Learn what options are available to you, whether financial assistance is available and how to enroll. Information will be available for individuals, families and small businesses. The presentation will also be given in Cantonese 2-3 p.m. For more information and resources, visit http://tinyurl.com/m8zl2hx.

SATURDAY 21

Baile Annual de MUA El Rio, 3158 Mission, SF. mujeresunidas.net 3-8 p.m., $15. Join Mujeres Unidas y Activas for its annual benefit and dance party, featuring Latin American food and DJs spinning the best of Latin contemporary, banda, punta, Durangense, salsa, and cumbia. MUA is a nonprofit organization based in SF and Oakland that works with Latina immigrants, and is dedicated to both the personal transformation and working toward social and economic justice.

SUNDAY 22

4 Little Girls 1187 Franklin, SF. tinyurl.com/4Lgirls. 12:30-2pm, free. Spike Lee’s 1997 documentary, 4 Little Girls, is showing at the Unitarian Universalist Center on Sun/22, the 50th anniversary of the 16th Street Baptist Church bombing in Birmingham. The documentary chronicles the tragic 1963 attack, which took the lives of four young girls of color. Sponsored by the Unitarian Universalists for Peace (San Francisco) and Sensible Cinema. Lunches are available for a suggested donation of $5.

 

Advocates say solidarity is key to achieve real immigration reform

Sasha Cuttler And Mary Magee
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13

by Reed Nelson

When Lourdes Perez got off work in the recent past, she didn’t put her feet up. She said she couldn’t worry about dinner or her son’s extracurricular activities. All she could think about was her safety and the safety of her son.

Perez was trapped in an abusive relationship, and — like many other undocumented women in the Bay Area — felt that calling the police wasn’t an option. Perez doesn’t speak much English, making her an easy target for her abusive spouse and fearful of local authorities charged with protecting the abused. And that makes no sense.

But for an estimated 2.6 million undocumented Californians, things haven’t made sense in quite some time. Fear of deportation has forced many, like Perez, to try and go unnoticed day in and day out. Now, with federal immigration reform moving forward and policy initiatives at the local level aimed toward improving safety for undocumented survivors of domestic violence, advocates have finally seen some progress – yet immigrant rights advocates seem to agree that the work as being far from finished.

Dozens of community members turned out for a Sept. 12 event, “What’s Beyond DOMA in Immigration Reform? The Next Steps for Women & LGBTQ Communities,” hosted in San Francisco by Asian Students Promoting Immigrant Rights Through Education (ASPIRE) and API Equality Northern California.

The event marked the first time “we’ve had a round table or panel discussion that brings in so many different perspectives and community organizations,” co-host Sammie Wills noted.

In 1996, then-President Clinton signed a sweeping legislation banning safety-net access for millions of immigrants and refugees, according to panelist Gabriela Villareal, policy manager for the California Immigrant Policy Center. “[The law] basically barred [immigrants and refugees] from safety-net support for the first five years of them being here,” Villareal said.

But things have worsened since then. Much of the panel discussion focused on the draconian Secure Communities (S-Comm) — a shadowy partnership between the FBI and the U.S. Immigration and Customs Enforcement (ICE) that began in 2008, and has resulted in the deportations of 784 San Franciscans since 2010, according to data provided by the office of Sup. John Avalos.

A week before the forum, Avalos’ proposed Due Process for All ordinance received veto-proof supermajority support (8-3) from the San Francisco Board of Supervisors. An attempt to neutralize S-Comm at the local level, the legislation makes it illegal for law enforcement to detain undocumented citizens solely in response to immigration detainer requests issued by ICE under S-Comm.

Stacy Umezu, programs co-director at Community United Against Violence (CUAV), urged forum participants to contact state elected officials urging support for the TRUST Act, statewide legislation similar to Due Process for All which would bar police from detaining individuals solely in response to requests from federal immigration authorities.

In the meantime, activists are continuing to advocate for meaningful reform. Alex Aldana, part of the East Bay Immigrant Youth Coalition, for instance, found civil disobedience to be the most effective mode for change. “I’m undocumented and unafraid, queer and not ashamed,” Aldana said during the discussion.

Amy Lin, from Aspire, perhaps summed up the mission of this eclectic group best when she discussed her personal experience as a doubly marginalized individual. As part of the LGBTQ community and the undocumented community, she said, she is stigmatized by even those already marginalized.

Solidarity was key, she said. And by sticking together, she and the rest of the panelists hope to steer immigration reform toward the inclusive and fair plateau they’ve been seeking all along.

Ki-ki-ki-ah-ah-ah: new movies for Friday the 13th

Sue Vaughan
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Ki-ki-ki-ah-ah-ah: new movies for Friday the 13th

Naturally, there’s at least one horror movie, Insidious: Chapter 2,  opening in honor of Friday the 13th — two if you count Our Nixon — as well as a new series paying tribute to the singular Pier Paolo Pasolini (check out Dennis Harvey’s round-up here). Read on for more new reviews and one special holiday recommendation.

http://www.youtube.com/watch?v=rNk1YL9G2QA

And While We Were Here This second collaboration between writer-director Kat Coiro and actor Kate Bosworth is a far cry from 2011’s oops-a-baby comedy Life Happens — owing, perhaps, to that film’s co-scripter and co-star, Krysten Ritter. There’s no snarky, raunchy Ritter-ness in And While We Were Here, a drama about a brittle woman named Jane (Bosworth) whose marriage to a workaholic viola player (Iddo Goldberg) is more polite than passionate; their relationship has baggage that he’d prefer not to work through, despite the expanding tension between them. On a trip to Naples, Jane meets a free-spirited 19-year-old (Jamie Blackley) who sparks her interest; before long, it’s groove-reclaiming time. Alas, sun-dappled scenery can’t offset a familiar story — with themes heavily underlined by a subplot that has Jane listening to tapes of her grandmother (richly voiced by Claire Bloom) reminiscing about love and loss during wartime. Jane’s too self-centered to be particularly likable (to her husband, mid-argument: “You’re not curious about me!”), but Here deserves some backhanded props for gender-bending a tired plot device. Ready or not, the manic pixie dream boy has arrived. (1:23) (Cheryl Eddy)

http://www.youtube.com/watch?v=WMFan9K243w

The Family It’s hard to begrudge an acting monolith like Robert De Niro from cashing out in his golden years and essentially going gently into that good night amid a volley of mildish yuks. And when his mobster-in-witness-protection Giovanni Manzoni takes a film-club stage in his Normandy hideout to hold forth on the veracity of Goodfellas (1990), you yearn to be right there in the fictional audience, watching De Niro’s Brooklyn gangster take on his cinematic past. That’s the most memorable moment of this comedy about an organized criminal on the lam with his violent, conniving family unit. Director-cowriter Luc Besson aims to lightly demonstrate that you can extract a family from the mob but you can’t expunge the mob from the family. There’s a $20 million bounty on Giovanni’s head, and it’s up to his keeper Stansfield (Tommy Lee Jones) to keep him and his kin quiet and undercover. But the latter has his hands full with Gio penning his memoirs, wife Maggie (Michelle Pfeiffer) blowing up the local supermarket, daughter Belle (Dianna Agron, wrapped in bows like a soft-focus fantasy nymphet) given to punishing schoolyard transgressors with severe beatings, and son Warren (John D’Leo) working all the angles in class. Besson plays the Manzoni family’s violence for chuckles, while painting the mob family’s mayhem with more ominous colors, making for a tonal clash that’s as jarring as some of his edits. The pleasure here comes with watching the actors at play: much like his character, De Niro is on the run from his career-making albeit punishing past, though if he keeps finding refuge in subpar fare, one wonders if his “meh” fellas will eventually outweigh the Goodfellas. (1:51) (Kimberly Chun)

http://www.youtube.com/watch?v=YDSrN_yKYUc

Insidious: Chapter 2 Hot off this summer’s The Conjuring, horror director James Wan turns in a sequel to his 2011 hit, also about a family with big-time paranormal problems. (1:30)

http://www.youtube.com/watch?v=odTZDplswDg

Our Nixon Cobbled together from previously unseen footage shot by some of Richard Nixon’s closest aides — the destined-for-infamy trio of H.R. Haldeman, John Ehrlichman, and Dwight Chapin — Penny Lane’s doc, which also uses Oval Office recordings and additional archival material (not to mention the best-ever use of Tracey Ullman’s 1983 pop confection “They Don’t Know”), offers a new perspective on Tricky Dick and White House life during his tumultuous reign. But while Our Nixon brings fresh perspective to notable moments like Nixon’s visit to China and Tricia Nixon’s lavish wedding, and peeks behind the public façade to reveal the “real” Nixon (hardly a spoiler: he’s shown to be biogoted and behind the times), the POTUS is just one of many figures in this inventive collage. The home movies themselves are the real stars here, filled with unguarded moments and shot for no reason other than personal documentation; as a result, and even taking Lane’s editing choices into account, Our Nixon feels thrillingly authentic. (1:25) Roxie. (Cheryl Eddy)

Populaire Perhaps if it weren’t set in the 1950s, this would be the fluorescent-lit story of a soul-sucking data entry job and the office drone who supplements it with a moonlighting gig. But it is the ’50s — a cheery, upbeat version of the era — and director Régis Roinsard’s Populaire reflects its shiny glamour onto the transformation of small-town girl Rose Pamphyle (Déborah François) from an incompetent but feisty secretary with mad hunting-and-pecking skills into a celebrated and adored speed-typing champion. Her daffy boss, Louis Échard (Romain Duris), is a handsome young insurance salesman who bullies her (very charmingly) into competing against a vast secretarial pool in a series of hectic, nail-biting tourneys, which treat typing as a sporting event for perhaps the first time in cinematic history. (See also: scenes of Rose cranking up her physical endurance with daily jogs and cross-training at the piano.) The glamour slips a touch when Populaire starts to delve into psychological motivations to rationalize some of Louis’s more caddish maneuvers. But meanwhile, back in the arena, bets are made, words-per-minute stats are quoted by screaming, tearful fans in the bleachers, hearts are won and bruised, a jazz band performs that classic tune “Les Secrétaires Cha Cha Cha,” and we find ourselves rooting passionately for Rose to best the reigning champ’s 512(!)-wpm record. (1:51) (Lynn Rapoport)

And in honor of Friday the 13th, here’s Crispin Glover rocking out in 1984’s Friday the 13th: The Final Chapter, aka “the one with Corey Feldman,” the fourth (and despite the title, by no means final) entry in the series. RELAX, JIMBO!

Twelve years after BART train kills mechanic, lighting and electrical safety not improved

Erica Hanna
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Twelve years after BART train kills mechanic, lighting and electrical safety not improved

When BART maintenance workers train under safety instructor Saul Almanza, the most important thing they learn is this: your objective when you go to work is to come home. 

When he recites that mantra he remembers two BART engineers who were hit and killed by the trains whose tracks they were charged with repairing: Robert Rhodes in 2001, and James Strickland in 2008. Almanza imagines the dark tunnels, where the safe places to stand are small and the lighting is scarce. He thinks of Rhodes and Strickland every day.

As talks between BART labor unions and management resumed Sept. 9, negotiations over safety overhauls have stalled, representatives from SEIU Local 1021 said. On Sept. 11, union members on the negotiating team — which includes Almanza — released a chart of fines the transit agency had received from the California Occupational Safety and Health Administration, stemming from those accidents. 

The chart shows 20 citations from OSHA since 2001 that the unions said have been unaddressed. BART management, unsurprisingly, disputes this. The list shows incidents as minor as rain getting into a fare gate and as major as the two aforementioned deaths. All told, the safety fines add up to $192,375. 

spreadsheet documenting BART's safety violations

The complaints were also listed on the federal OSHA website, with additional details revealing that some of the investigations into the complaints were closed, contrary to the union’s claim. That doesn’t mean the underlying causes of the problems have been solved, though. Many of the problems persist, Almanza told us, endangering workers’ lives.

Those safety issues remain a sticking point in the negotiations between BART management and SEIU. 

BART spokesperson Rick Rice said the lighting issues that led to Rhodes’ death will soon be resolved. Strickland’s death was a separate issue, though, as dense vegetation blocked a driver’s line of sight led to the mechanic’s death. That was also addressed, Rice said. 

“Starting next year there’s $4.5 million allocated by the board to improve all the lighting,” Rice told the Guardian, he said other changes have also made the tunnels safer since the 2001 accident.

But Almanza said that while he’s heard that all before, he won’t believe it until he sees it in writing. So far, that hasn’t happened. 

“The only change that took place was they added signage to the location saying you can’t enter the area without ‘simple’ approval,” Almanza said. Simple approval is a process where the worker recites a waiver that absolves BART of fault should they be injured or die.  “They make you proclaim that you won’t interfere with operations, and it means if you delay something or die it’s your fault.”

Rhodes’ death in 2001 was a result of inadequate markings and lighting, he said, but Strickland’s death in 2008 was due to his being hidden behind tree ovegrowth. The union is asking for a dedicated grounds crew to cut back vegetation to improve visibility, hopefully saving lives in the process. BART management said progress was made on that point.

“Since the accident they’re referencing, there’s been extensive changes to the safety procedures and vegetation management,” Rice said. But Almanza told us those changes embedded groundskeepers with mechanics, and they started doing jobs that had nothing to do with groundskeeping. They weren’t even handed chainsaws for a year, he said. 

A train mechanic at the Hayward BART shop, Robert Bright, also told us he was worried about safety conditions for BART workers. In our previous coverage, “Tales from the Tracks,” he said he’s seen workers crushed under machinery and electrocuted due to lax safety conditions.

Almanza said BART’s resistance to making electric work safer is a prime example of their attitude toward safety. OSHA issued multiple citations requiring BART to change safety procedures for when mechanics work on or near the rails. 

“The third rail is electrified with a rubber blanket over it for protection,” Almanza explained. BART also uses a method of cutting power to the rail while a worker places a plastic board down to protect them from it. But the power could easily be turned back on, meaning electrocution or death for the workers. 

Electric third rail cover

This is the cover BART workers use when working on the third rail.

OSHA’s changes are simple enough, requiring trained electricians to shut off power to the third rails and remove power breakers before maintenance crews work on the tracks to prevent the power from accidentally being switched back on. Almanza said the procedure saves lives. 

But BART management has even paid its lawyers to resist the changes recommended by OSHA, documentation shows. 

>

Recent minutes from BART’s board of directors shows the board voted unanimously to retain legal services from law firm Glynn and Finley to “mount a vigorous defense” against the safety citations issued by OSHA, saying the recommended changes were unnecessary and would have little effect on safety. Meeting minutes show the directors don’t think it’s a necessary procedure, but Almanza contends that it’s a cost-saving measure, since electricians must be paid to remove the breakers.

“If this prohibition is implemented, it would drastically change the way BART performs maintenance operations with no anticipated improvement in safety,” according to meeting minutes. It went on to state that the procedure introduces additional safety risks, which Almanza denies. 

The board then moved to approve a $188,000 increase for legal services to challenge the OSHA changes — almost as much as the agency paid in fines for safety violations in the first place.

BART spokesperson Jim Allison said that by next week BART will look at the union’s proposals around safety and will respond to their concerns.

Senate OKs Bay Bridge name change, lawsuit seeks to overturn it

Sasha Cuttler And Mary Magee
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The California Senate gave its blessing to the rename the western span of the Bay Bridge after former San Francisco Mayor Willie Brown on Sept. 12, blatantly disregarding mounting local opposition to the proposal. Since ACR 65 is a nonbinding resolution, Gov. Jerry Brown cannot veto it even though he went on record earlier this week saying the 77-year-old bridge should keep the same name it’s always had.

San Francisco Sens. Mark Leno and Leland Yee both voted in favor of the resolution.

The same day, Attorneys G. Whitney Leigh and Lee Hepner filed a complaint seeking injunctive relief to overturn the resolution on behalf of their client, good government advocate Bob Planthold.

At a press conference, Planthold said the lawsuit “has nothing to do with Willie,” but rather sought to remedy what he perceived as state lawmakers ignoring their own rules, a state of affairs he characterized as “Orwellian.” Here’s an excerpt of his comments to reporters:

For his part, Leigh questioned why Sacramento legislators were in such a rush to rename part of the Bay Bridge when construction of the eastern span had only just been completed, following long delays and overruns. “There is a shadiness and irregularity to this procedure,” he said.

The suit, directed at the California Senate and the Assembly and all the lawmakers responsible for pushing it through, alleges “arbitrary suspension and/or violation of legislative rules and policies” to fast track the legislation.

Specifically, Hepner said, lawmakers ignored an established timeline for introducing new proposals, instead allowing ACR 65 to be submitted four months after the formal deadline. Additionally, he said, the Senate Committee on Transportation and Housing was technically barred from meeting between Sept. 3 and 13 – a rule likely meant to keep lawmakers focused on more pressing issues, like approving 400+ bills before a Sept. 13 deadline – but nevertheless, ACR 65 passed out of that committee on Sept. 9 on an 8-1 vote.

Planthold previously served on the city’s Sunshine Ordinance Task Force and was previously an officer on the San Francisco Ethics Commission. Leigh is the former law partner of Matt Gonzalez, a former president of the San Francisco Board of Supervisors who joined two other former board presidents to formally call on Senate pro Tem Darrell Steinberg to stop the resolution from going forward.

Despite Gov. Brown’s opposition to renaming the Bay Bridge, it remains unclear exactly what he’ll do about it now that it has formally passed. In response to a query about whether he would take steps to halt implementation, spokesperson Evan Westrup responded in an email: “Got your message. Don’t expect we’ll be providing further comment today.”

Mayor Lee distorts reality in defending CleanPowerSF obstruction by his appointees

Sasha Cuttler
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151
Mayor Lee distorts reality in defending CleanPowerSF obstruction by his appointees

Mayor Ed Lee yesterday answered a series of five questions from the Board of Supervisors about CleanPowerSF, the renewable energy program it approved last year on a veto-proof 8-3 vote, but which three of Lee’s appointees on the San Francisco Public Utilities Commission are now blocking.

Lee reaffirmed his opposition to the program and support for the three commissioners who are refusing to approve a maximum rate for the program, while making a series of statements that were misleading, contradictory, and, according to Sup. John Avalos, some outright falsehoods.

CleanPowerSF would group tens of thousands of city residents into a renewable energy buying pool, a system called Community Choice Aggregation authorized by state legislation, which would compete against Pacific Gas & Electric’s illegal local monopoly. Initally, the energy would be purchased under a contract with Shell Energy, but the main goal of the program is to build city-owned renewable energy facilities by issuing revenue bonds supported by the program’s ratepayers.

Yet the program Lee described has little resemblance to CleanPowerSF — and his statements of support for the concept belie his longstanding opposition to the program and support for PG&E, whose union is leading the campaign to kill CleanPowerSF.

“I know that many members of the Board of Supervisors are upset,” Lee began in his first answer to similar questions posed by Sups. Eric Mar, David Chiu, London Breed, David Campos, and John Avalos, who all represent the odd-numbered districts whose turn it was to submit questions to the mayor for this month’s appearance.

Lee then explained that one of the duties of  the SFPUC is to protect ratepayers, which he called “the overriding concern they have when faced with any issue,” adding that, “The commission ultimately decided that the rate wasn’t a fair rate.”

Ironically, the top rate that the commission is being asked to approve in order to finally launch CleanPowerSF was just 11.5 cents per kilowatt-hour, only slightly more than current PG&E rates and a substantial reduction from the rate that was discussed last year when supervisors approved the program.

PG&E, Lee, and other critics of the program had attacked its high cost, so SFPUC staffers tweaked the program to allow the initial use of Renewable Energy Credits, which support the creation of renewable energy projects, rather than being purely juice directly from solar, wind, and other renewable sources, which is more expensive.

So Lee criticized that change as a departure from what the board approved last year, telling the supervisors that the program should be at least “95 percent renewable on day one,” saying that, “This is what a green power program should look like.”

Yet when it did look like that, Lee opposed it, something he didn’t mention yesterday. And yet he still made the argument that the SFPUC was simply exercising its fiduciary responsibility in blocking a program that has gotten cheaper than when the board approved it.

“The San Francisco Public Utilities Commission did its job in protecting ratepayers,” Lee said. “I agree with the majority of the PUC.”

So, on one hand, Lee said that CleanPowerSF has “gotten progressively more expensive as time goes on,” citing statements made years ago about the goal of trying to meet-or-beat PG&E’s rates, which have been subsidized by taxpayers over the years.

And when the program then got close to matching those rates, he criticized the use of RECs to get there, saying the climate change benefits “need to be real and tangible and not based on vague promises.”

Yet even city-commissioned studies have shown that San Francisco won’t meet its own greenhouse gas reduction goals without substantially changing the energy portfolio of city residents, and CleanPowerSF is the only plan on the table to get there, except for PG&E’s vague promises to offer more renewable energy in the future.

While Lee touted city efforts to improve the energy efficiency of commercial buildings and the recent launch of a regional bike share program — neither of which will come close to meeting city climate change goals — even he acknowledged the “need to expand our in-city renewable energy generation,” citing the $4 million SolarSF as an example.

But Lee never made reference to CleanPowerSF’s plan to build up to $1 billion in renewable energy projects whose impacts would be far more impactful. Instead, he said the program “creates no local jobs,” which wouldn’t be true during the buildout phase.

While praising PG&E, Lee also glossed over the fact that a majority of supervisors still support CleanPowerSF, and that the SFPUC vote was supposed to be on the rate and not these ancillary issues, raising fundamental democratic issues when three mayoral appointees can override the decision of elected supervisors who represent all city residents.

“When a final project is so vastly different than the original intent, the San Francisco Public Utilities Commission has to intervene,” Lee said.

Avalos called many of Lee’s statements “lies,” so I followed Mayor Lee back to his office after the hearing and we had the following conversation as several reporters from other media outlets listened in:   

SFBG: Supervisor Avalos just said that you’ve made a number of statements that are not factually accurate, and certainly misleading, including saying that the program has changed substantially. Given that you opposed the program initially, and you seem to make statements that criticize those changes, and clearly the majority still supports it, how can you make the argument that the PUC is acting against it because the program has changed?

Mayor Lee: Well, you know, I know that elements of this are somewhat complicated cause you have to actually read a lot of volumes of materials to understand the choice aggregation program, cause it has those three aspects and I would….

SFBG: As guidelines, not as rates….

Mayor Lee: I would point to those numbers that were discussed at the board and presented to the [SF] Public Utilities Commission, because that’s what I’m quoting from. I’m taking it, not from even verbiage, I’m taking it exactly from facts that were presented at the commission at the Board of Supervisors and I specifically lifted quotes from the board about their comments about local jobs and all the other things, so, I don’t think I’m inaccurate at all. I think I’m actually quite on point.

SFBG: But the rates have come down from when they approved it and you made it sound like the rates have gone up.

Mayor Lee: The rates were up and they came down in trade off with less green.

SFBG: Right…

Mayor Lee: That’s about the point I was trying to make is that we wanted these other goals to happen and they couldn’t happen cause people were trading off things in order to set the rates and that was going to become a bigger and bigger gap as to what the original goals were. That’s the way…

SFBG: But the board clearly wants this program. Why, as a matter of policy, as a matter of city procedure, why isn’t the elected body the one to make this decision, instead of your appointees?

Mayor Lee: Well, I think that’s the whole reason why they presented it to the Public Utilities Commission. They’re charter mandated to set these rates. It’s not just an automatic acceptance of what the board says. They also independently review what the board has said. And in their independent review, they said they had gone well beyond what they stated their goals were and so they couldn’t set the rates and still honor all the goals that the board was suggesting.

SFBG: But those rates are less than what the Board has approved. How can they be exercising fiscal oversight… I mean, it doesn’t make any sense.

Mayor Lee: I think we have a big disagreement there. They’re mandated by the charter to set those rates responsibly, not just to follow what the board has stated and so, in their independent review, they went and reviewed all the goals that the board has said and said ‘This is not the program that they have stated should be fulfilled.’

SFBG: Even though the majority of the Board of Supervisors disagree with that statement that you just made?

Mayor Lee: Well, you know, then again, are we not respecting peoples’ right to disagree over what is being done here?

SFBG: But your argument that the program changed from what they approved, a  majority is saying ‘that’s not true,’ that you’re misrepresenting that.

Mayor Lee: No, I don’t think that I’m misrepresenting that. I disagree with that.

SFBG: A majority of the Board of Supervisors who approved it says you are.

Mayor: Well, I disagree with that assessment.

 

 

 

The Selector: September 11-16, 2013

Jesse Hawthorne Ficks
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WEDNESDAY 11

Jimmy Cliff

At age 65, reggae legend Jimmy Cliff is experiencing perhaps one of the greatest bursts of artistic productivity in all of his five-decade-long and counting career. He’s inspired countless other musicians over the years, including Bay Area punk rocker Tim Armstrong of Rancid and Operation Ivy, who was brought aboard to produce and perform on Cliff’s newest album, last year’s excellent Rebirth. The record includes an outstanding cover of the Clash’s “Guns of Brixton,” which references Cliff’s movie and song “The Harder They Come” in its lyrics — bringing the music full circle, as it were. Don’t miss the Rock and Roll Hall of Famer when he hits the Fillmore stage tonight. (Sean McCourt)

8pm, $39.50

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

Chris Hardwick

In addition to appearing in a vast array of television (hello, Singled Out), film, radio, and online productions over the past 20 or so years, Chris Hardwick helped found Nerdist Industries, which has grown from one podcast in 2010 into a vast cross-medium mecca for all that proudly embrace their inner geek. Hardwick comes to the city this weekend with his hilarious stand-up act, and based on his guest spots at recent Wootstock events, he’s sure to riff on both his Nerdist loves, as well other awkward yet uproariously comedic facets of life. (McCourt)

Wed/11-Thu/12, 8pm; Fri/13, 8 and 10:15pm; Sat/14, 7:30 and 9:45pm, $25

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

 

THURSDAY 12

Secrets like These

While Enrico Labayen is a respected choreographer on his own terms, he also has a curious and generous spirit, opening his Labayen Dance Company to other dance makers. For this program, jam-packed with two of his own world premieres in addition to rep work, he invited Anandha Ray to present her new Quimera Project for which she’ll bring a chorus of up to 30 tribal belly dancers. Additionally, two company members will debut pieces. Laura Bernasconi’s Nourishment and Hunger will draw on ballet, classical Indian Odissi, and acro-yoga. For his new Secrets Like These, Victor Talledos is creating a narrative to music by Diana Krall. Labayen’s small company also offers performance opportunities to dancers from around the world: Daiane Lopes da Silva (Brazil), Sandrine Cassini (France), Talledos (Mexico). (Rita Felciano)

Through Sat/14, 8pm; Sun/15, 3pm, $20–$25.

ODC Theater,

3153, 17th St, SF

(415) 853-9834

www.odctheater.org

 

The Singularity

Back in March, when San Francisco filmmaker Doug Wolens was promoting his DIY iTunes hit The Singularity, he explained the meaning of the title: “the point in time when computers become smarter than people.” Some, including futurist Ray Kurzweil (one of the experts interviewed here), say it’s an inevitability — a thought-provoking idea, to say the least. Chat with Wolens in person at tonight’s screening of The Singularity as part of the Yerba Buena Center for the Arts’ “Local Boy Makes Good: New Bay Area Film” series; he’ll also be in residence at the Castro Theatre next week with a trio of his films, rounded out by 2000 environmental-activist profile Butterfly and 1996’s toke-tastic doc Weed. (Cheryl Eddy)

7pm, $10

Yerba Buena Center for the Arts

701 Mission, SF

Also Mon/16, screenings begin at noon, $11

Castro Theatre

429 Castro, SF

thesingularityfilm.com/screenings

 

FRIDAY 13

“Too Much Light Makes the Baby Go Blind”

Thirty plays in 60 minutes — that might sound like too much even for the most attention span-challenged theatergoers among us. Fortunately, the raucous Neo-Futurists troupe has been putting on the surreal channel surf known as “Too Much Light Makes the Baby Go Blind” for 25 years in its hometown Chicago, and for 10 in New York — where it’s won a celebrity cult following — so it’s got this thing down to an almost metaphysical science. A night of semi-improv performance (a timer is set and the audience yells out the titles of the plays to be performed from a “menu”) that whiplashes from affecting dramatic to absurdist comedy, with plenty of good-natured silliness thrown in, TMLMTBGB is like a strobe of emotions and situations — plates, buckets, ice cubes, wigs, and stuffed animals usually go flying, as do many preconceived notions of what theater ought to be. (Marke B.)

Through Sept. 29, 8pm, $15

Boxcar Theatre

505 Natoma, SF

(415) 967-2227

www.boxcartheatre.org

sfneofuturists.com

 

Death in June

Extremely depressing neofolk band Death in June is stopping by San Francisco for its long-awaited US tour. Initially starting as a post-punk, industrial project in the 1980s, the band shunned pretty-boy rock ideals, often donning ghoulish masks and costumes on stage. Death in June has given influence to plenty of contemporary bands such as metal band Agalloch and darkwave horde Faun, but the band isn’t without controversy of its own. It’s been known for using a skull, the totenkopf, synonymous with the Nazi movement. Often criticized for using SS insignia, the band has derided any and all accusations of fascism and white supremacy, being active in the British ’80s anti-fascist movement and playing in concerts such as “Rock Against Racism.” So back to the music: the group released Snow Bunker Tapes, guitar-backed versions of Peaceful Snow, on Neuropa this year. Get sad, get creepy, and slump over to the Mezzanine. (Erin Dage)

120 Minutes with oOoOO, DJ Omar, CHAUNCEY_CC

9pm, $30

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

SATURDAY 14

Autumn Moon Festival

This widely-attended cultural festival is the gold star of Chinatown events, filling its chaotic streets with even more buzz than normal and thousands of additional of people. A myriad of crafts, art, live music, dancers in costume, drumming groups, and curious attendees congregate for a fun and lively weekend each year. The Moon Festival, traditionally celebrated when the moon is said to be at its fullest and brightest of the year, gives families the opportunity to get together while enjoying great food and participating in the Lion and Dragon dances, both of which you don’t want to miss if you plan on attending. The whole weekend is an explosion of color and the perfect chance to learn a little more about Chinese culture. (Hillary Smith)

Through Sun/15, 11am-6pm, free

California and Grant, SF

www.moonfestival.org

 

Atheist Film Festival

The Atheist Film Festival, now in its fifth year, is cheeky enough to refer to itself as “a film festival you can believe in” — which bodes well for the sort of programming one can expect. The fest packs a lot into a single day, including a world premiere (doc Hug an Atheist, about what it means to be an atheist in America today) and acclaimed narratives The Magdalene Sisters (2002) and Creation (2009). Plus, a trio of docs: fake-guru experiment Kumaré (2011); fundamentalism-in-public-schools exposé Sophia Investigates the Good News Club; and The Revisionaries, which won the Best Doc jury prize at the 2013 SF IndieFest. The power of film compels you! (Eddy)

Noon, $12 (festival pass, $45)

Roxie Theater

3117 16th St, SF

www.sfatheistfilmfestival.org

 

Magic Trick

If there’s anything supernatural about the band Magic Trick, it’s in frontperson Tim Cohen’s seeming ability to be in several places at once. Between the Fresh & Onlys, solo projects, and work with other bands, his prolificacy makes you wonder. But more than witchcraft, magic tricks usually involve sleight of hand. With Cohen’s signature deep voice and romantic songwriting, Magic Trick at times directly echoes the Fresh & Onlys. Don’t be fooled: With three added band members and a minimalism that makes the music more contemplative and a little stranger, Magic Trick surprises. See what tricks lie up the record sleeve on the band’s new album, The Glad Birth of Love, which the Chapel will celebrate on Saturday. (Laura Kerry)

With the Range of Light Wilderness, Pure Bliss, Cool Ghouls

9pm, $12

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

Rock The Bells

The country’s pre-eminent hip-hop festival will coming to the Bay Area this Saturday and Sunday, bringing a large and diverse crew of rap acts. There’s something for every kind of hip-hop head at this festival. For fans of weird rap, there’s Danny Brown, for fans of ratchet rap, there’s Juicy J, for the homers, there’s a E-40-Too $hort duet and IamSu!, and for fans of hologram rap there will be performances from hologram Eazy-E and ODB. For those you taking Caltrain from the city, remember that the train only runs once a hour and takes more than a hour to get to Mountain View. (George McIntire)

Also Sun/15, 11am, $65–$239

Shoreline Amphitheater

One Amphitheatre Pkwy, Mountain View

(800) 745-3000

www.rockthebells.net

 

SUNDAY 15

Darwin Deez

Darwin Deez is known for nutty antics like bringing a head of cabbage out onto the stage (as a “symbol of frugalness”) and chucking it at the crowd to eat. And his wriggly, emo-pop second album Songs for Imaginative People proved that he hasn’t forgotten about his equally nutty fanbase. His half-joking-totally-serious approach to songwriting garners a very unique brand of follower, the kind of person who likes things weird. The tracks on Songs aren’t as easy to swallow as those on his debut, self-titled album Darwin Deez. Tracks swing by in a cacophony of synthy beats and buzzing electric riffs and Deez’s frequently deadpan voice undeniably weaves through them in a disjointed way — adding a disheveled tone to the album. But from the silly and unpredictable misfit whose greatest obsession may be breakfast food, who’d expect anything else? (Smith)

With Caged Animals, the Soonest

$15, 9pm

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

MONDAY 16

John Williams

Composer John Williams has written the scores for some of the most beloved films of all time — pieces of music that has become so interwoven with the onscreen narratives that it’s almost impossible to imagine the movies without them — Star Wars, JAWS, Indiana Jones, Superman, E.T., Close Encounters of the Third Kind, Jurassic Park, and many, many more. Tonight is a rare chance to see the maestro live and in person, conducting the San Francisco Symphony and leading them through some of his greatest works. Friend and frequent collaborator director Steven Spielberg will also appear for part of the program as a special guest host. (McCourt)

8pm, $15–$152

Davies Symphony Hall

201 Van Ness Ave., SF

(415) 864-6000

www.sfsymphony.org

 

TUESDAY 17

The So So Glos

Did you want to spend a night pogo-ing around like the animal you are? The So So Glos, gritty DIY punks from Brooklyn, have just what the doctor ordered. Literally a band of brothers (the majority of the group is blood-related), the So So Glos lay testament to what hard work and determination can accomplish. Helping establish East Coast all-ages DIY venues such as Market Hotel and “Shea Stadium” (where the band also lives), the group is dedicated to keeping the proverbial DIY scene alive. Often compared to fellow Brooklynites Japanther, the So So Glos are hot off their newest release Blowout. The album has been described “in your face” and hi-fi! Also on the bill is unfortunately-named Diarrhea Planet, and Unstrung. Straight off Burger Records, the Tennessee-based Diarrhea Planet is Southern-fried Ramones worship while SF-based trio Unstrung goes for a more aggressive, punk route. (Dage)

9pm, $10

Brick and Mortar Music Hall

1710 Mission, SF

(415) 371-1631

www.brickandmortarmusic.com

Alerts: September 11-16, 2013

Jesse Hawthorne Ficks
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0

ALERTS

Wednesday 11

Vandana Shiva on biotechnology Goldman Theater, David Brower Center, 2150 Allston, Berk. www.kpfa.org. 7:30pm, free. Join world-renowned environmental philosopher and author Vandana Shiva for a forum on the biotechnology industry. Shiva will illuminate the corporate assault on biological and cultural diversity, in conversation with Gopal Dayaneni of Movement Generation: Justice and Ecology Project. She’ll help concerned activists to connect the dots: What is the East Bay “Green Corridor,” who’s behind it, and what are the implications for communities here and around the globe?

Friday 13

Oil and unions in Iraq SEIU 1021 office, 350 Rhode Island, SF. 1021.seiu.org. 6:30pm, free. Listen as Hassan Juma’a Awad, president of the Iraq Federation of Oil Unions, shares his experience in struggling for basic labor rights for Iraqi workers. Iraq’s public sector workers (including the oil sector) lack the legal right to organize or engage in collective bargaining, more than a decade after the end of the dictatorship. Earlier this year, Hassan faced criminal charges in retaliation for worker strikes, and was accused of undermining Iraq’s economy.

Saturday 14

North by Northwest bike ride Velo Rouge Cafe, 798 Arguello, SF. 1:30pm, free. Interested in street design, bikeways, traffic calming, and other kinds of improvements along San Francisco city streets? Join a group of cyclists on this afternoon ride to learn about the history and current projects that shape the streets on which we walk and bike. This ride will feature a series of stops and information about how the 2009 Bike Plan and other ongoing projects are shaping the northwestern parts of San Francisco.

 

Monday 16

Mexican Independence Day 2940 16th St., SF. Livingwage-sf.org. 7pm, $10–$15. Join the San Francisco Living Wage Coalition for a concert and celebration of Mexican Independence Day. “Songs of Healing for Juarez” will provide an emergency benefit concert for Las Hormigas, an organization that has been working to address violence and poverty in Ciudad Juarez. The concert will feature Diana Gameros, Francisco Herrera and other guests, as well as a live art auction. For more information, call (415) 863-1225.

Jill Stein on movements vs. money Unite Here Local 2, 209 Golden Gate, SF. 6-9pm, free. Jill Stein, the Green Party Presidential Candidate of 2012, will discuss the creation and intent of The Green Shadow Cabinet, an organization that includes nearly 100 prominent community and labor leaders, physicians, cultural workers, veterans and others with the goal of providing an ongoing opposition and alternative voice to dysfunctional Washington, DC politics. Stein will speak on current political dynamics and strategies for creating good jobs, ending student debt, cultivating democracy and breathing new life into the environmental movement. Hosted by OccupyForum.

 

Sammy Hagar runs through the hits at the America’s Cup Pavilion

Tony Robles
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6

Celebrating 40-plus years on the rock scene, Rock and Roll Hall of Famer Sammy Hagar hit the stage in San Francisco on Saturday night before a crowd of thousands of enthusiastic fans.
 
Playing the America’s Cup Pavilion, the Red Rocker blazed through a set spanning most of his career, starting out with Montrose songs, then on to his solo material, through his stint with Van Halen, and up through his current output.
 
Sporting his signature shaggy hair and shades look, Hagar kicked off his set with several tunes from his first successful band, the Bay Area-based Montrose, for whom he sang back in the early 1970s.
 
Taking to the stage with two of his former Montrose bandmates, Bill Church and Denny Carmassi, along Y&T guitarist Dave Meniketti, who was filling in for the late Ronnie Montrose, Hagar ran back and forth, pumping up the audience with classic cuts like “Rock Candy” and “Bad Motor Scooter.”
 
When his current backing group took over, Hagar wasted no time in getting to some of his early signature solo hits, running through “Red” and then “I Can’t Drive 55,” which got fans — many of whom looked to have been following him since the beginning — singing along and dancing around, much to the chagrin of the bouncers, who seemed intent on keeping people firmly planted in front of their assigned seats.
 
The seating situation was one of the drawbacks to the temporary venue, or at least how it was configured for this particular show; you could tell lots of fans wanted to dance around and let loose, which is hard to do when you’re surrounded a sea of metal folding chairs and security forces keeping a watchful eye on everything.
 
Otherwise, the outdoor amphitheater located along the city’s waterfront was an ideal location for the concert — it definitely helped that it was one of those great late summer/early fall days and nights in San Francisco, where the sun was out all day, and the fog held off rolling in until the show was nearly over.

Landmarks like the the Transamerica Pyramid and Coit Tower provided a stunning backdrop to watching Hagar traverse the stage, at times bounding around and encouraging the crowd the yell or sing along, at others picking up a guitar and reminding concertgoers that he is also a formidable six string slinger in addition to being one of the best known singers in the realm of classic rock.
 
And that voice still sounds as strong as ever, belting out more hits such as “There’s Only One Way To Rock,” “Why Can’t This Be Love,” and “Heavy Metal” among others.
 
Hagar’s old cohort in Van Halen, Michael Anthony, joined in on bass for several tunes, eliciting a roar of approval when he appeared on stage and bantered back and forth with Hagar, who plied him with a bottle of liquor and tried to convince him to move out of LA to join him here in the Bay Area.
 
While playing one of Van Halen’s hits, “Right Now,” a video montage appeared on a giant screen behind the band, culling parts of the vintage video clip and adding a few newer additions. One said, “Right Now…People are hungry in San Francisco,” with the words “You Can Help” and shared the website for the San Francisco Food Bank — keeping with the fact that Hagar himself had previously announced that he would donate money to a couple of local charities when he made this tour stop.
 
Although it seemed he needed no extra help in winning over the crowd’s admiration, Hagar also scored some hometown points when he took a moment to tell everyone how he had “moved to San Francisco back in 1968 with a suitcase, a guitar, and about $5 in my pocket — and I’ve lived here ever since!”
 
He then added that in recent interviews everyone has been asking him, “When are you going to retire?” 

“I tell them I retired when I moved here and started playing music!”
 
 

Music Listings: Sept. 11-16, 2013

Jesse Hawthorne Ficks
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0

WEDNESDAY 11

ROCK

Boom Boom Room: 1601 Fillmore, San Francisco. The Coffis Brothers & The Mountain Men, 9:30 p.m., $5.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Megan & Liz, DJ Jakeey P, 6 p.m., $15-$40.

DNA Lounge: 375 11th St., San Francisco. Moving Units, Some Ember, The Trims, DJ Aaron Axelsen, 8 p.m., $15-$17.

El Rio: 3158 Mission, San Francisco. Rock Bottom, The Triple Sixes, Chrome Eagle, 9 p.m., $6.

Elbo Room: 647 Valencia, San Francisco. Golden Drugs, Biosexual, The Hot Dark, Popgang DJs, 9 p.m., free.

Hemlock Tavern: 1131 Polk, San Francisco. The Breaks, Wringer, The Vans, 8:30 p.m., $8.

Milk Bar: 1840 Haight, San Francisco. Joshua Cook / The Key of Now, The Saint Ides, Benjamin Brown, Zoology, 8:30 p.m., $2.

SFSU Campus/Cesar Chavez Student Center: 1650 Holloway, San Francisco. Hot Flash Heat Wave, Seatraffic, Stars Are Projectors, Kindergarten Cop, 6 p.m., free.

Union Square Park: 333 Post, San Francisco. The Breaks, Wringer, 12:30 p.m., free.

DANCE

The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8 p.m., free.

Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30 p.m., $5-$10.

Club X: 715 Harrison, San Francisco. “Electro Pop Rocks,” 18+ dance party, 9 p.m., $10-$20.

Edinburgh Castle: 950 Geary, San Francisco. “1964,” w/ DJ Matt B & guests, Second and Fourth Wednesday of every month, 10 p.m., $2.

F8: 1192 Folsom St., San Francisco. “Housepitality,” w/ Tone of Arc, Sean Murray, Tyrel Williams, Mozhgan, 9 p.m., $5-$10.

Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10 p.m.

The Knockout: 3223 Mission, San Francisco. “Disorder,” w/ Pixel Memory, Normalien, DJ Nickie, 10 p.m., $5.

Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7 p.m.

Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9 p.m., free.

MatrixFillmore: 3138 Fillmore, San Francisco. “Innov8,” 8 p.m.

Monarch: 101 6th St., San Francisco. Darshan Jesrani, Conor, Joey Alaniz, 9 p.m., $8-$10.

Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9 p.m., $3.

HIP-HOP

Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, 10 p.m., free.

Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9 p.m., $5.

ACOUSTIC

Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7 p.m., free.

Club Deluxe: 1511 Haight, San Francisco. Happy Hour Bluegrass, 6:30 p.m., free.

Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, Every other Wednesday, 9:30 p.m., free/donation.

Plough & Stars: 116 Clement, San Francisco. Hogan & Moss, 9 p.m.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Quinn DeVeaux, 8:30 p.m., free.

JAZZ

Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7 p.m., free.

Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.

Feinstein’s at the Nikko: 222 Mason St., San Francisco. Michael Feinstein: “Swingin’ Back Home,” Through Sep. 13, 8 p.m., $30-$65.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.

Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7 p.m., free.

Oz Lounge: 260 Kearny, San Francisco. Hard Bop Collective, 6 p.m., free.

Pier 23 Cafe: Pier 23, San Francisco. Sara & Swingtime, 6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. Michael Parsons Trio, Every other Wednesday, 8:30 p.m., free/donation.

Savanna Jazz Club: 2937 Mission, San Francisco. “Cat’s Corner,” 9 p.m., $10.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30 p.m., $5.

Zingari: 501 Post, San Francisco. Chris Duggan, 7:30 p.m., free.

INTERNATIONAL

BeatBox: 314 11th St., San Francisco. “Salsa-XS,” queer salsa night, 8 p.m.

Bissap Baobab: 3372 19th St., San Francisco. Timba Dance Party, w/ DJ WaltDigz, 10 p.m., $5.

Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7 p.m., $5-$10.

Pachamama Restaurant: 1630 Powell, San Francisco. “Cafe LatinoAmericano,” 8 p.m., $5.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Freddy Clarke & Wobbly World, 8 p.m., $15-$19.

REGGAE

Neck of the Woods: 406 Clement St., San Francisco. Ekolu, Mango Kingz, 9 p.m., $15-$20.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Kevin Russell, 8 & 10 p.m., $15.

The Saloon: 1232 Grant, San Francisco. Craig Horton, 9:30 p.m.

Union Square Park: 333 Post, San Francisco. Nitecaps, 6 p.m., free.

FUNK

Vertigo: 1160 Polk, San Francisco. “Full Tilt Boogie,” w/ KUSF-in-Exile DJs, Second Wednesday of every month, 8 p.m.-1:30 a.m., free.

THURSDAY 12

ROCK

Boom Boom Room: 1601 Fillmore, San Francisco. The Bell Boys, Vela Eyes, Diamond Dez, 9:30 p.m., $5-$8.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. The Moondoggies, The Maldives, Mahgeetah, 9:30 p.m., $10-$12.

Cafe Du Nord: 2170 Market, San Francisco. David J, Sky Parade, Cellar Doors, DJ Jay Tibbs, 7:30 p.m., $12-$15.

The Chapel: 777 Valencia St., San Francisco. Weekend, Disappears, Wymond Miles, 9 p.m., $14.

S.F. Eagle: 398 12th St., San Francisco. Thursday Nite Live: Abu Ghraib, Donkee, Tiger Honey Pot, 9 p.m., $7.

Hemlock Tavern: 1131 Polk, San Francisco. S, Night Cadet, Upside Drown, Sea Knight, 8:30 p.m., $7.

The Knockout: 3223 Mission, San Francisco. Meat Market, Swiftumz, Wet Drag, Yi, 9 p.m., $6.

Slim’s: 333 11th St., San Francisco. Vista Chino, Black Pussy, 9 p.m., $23.

Thee Parkside: 1600 17th St., San Francisco. Evil Eyes, Cocktails, The Electric Magpie, 9 p.m., $7.

DANCE

1015 Folsom: 1015 Folsom St., San Francisco. A Free Party with DJ Snake, Deejay Theory, DJ Dials, Teleport, 9 p.m., free with RSVP.

Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10 p.m., free.

Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9 p.m., $5-$7.

BeatBox: 314 11th St., San Francisco. “Jukebox,” w/ DJ Page Hodel, 9 p.m., $10.

The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9 p.m., $5.

Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9 p.m., $6 (free before 9:30 p.m.).

The Cellar: 685 Sutter, San Francisco. “XO,” w/ DJs Astro & Rose, 10 p.m., $5.

Club X: 715 Harrison, San Francisco. “The Crib,” 9:30 p.m., $10, 18+.

Danzhaus: 1275 Connecticut, San Francisco. “Alt.Dance,” Second Thursday of every month, 7 p.m., $7, 18+.

DNA Lounge: 375 11th St., San Francisco. “8bitSF,” w/ Uglyhead, Extent of the Jam, Hyperwave, DJ Coco, 9 p.m., $8-$11.

Elbo Room: 647 Valencia, San Francisco. “Afrolicious,” w/ DJs Pleasuremaker, Señor Oz, and live guests, 9:30 p.m., $5-$8.

The EndUp: 401 Sixth St., San Francisco. EDMSF Thursdays, 10 p.m., $10 (free before midnight).

Harlot: 46 Minna, San Francisco. “You’re Welcome,” w/ Ana Sia, Poorboy Richkid, Benjamin K, 9 p.m.

Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10 p.m., $10.

Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9 p.m., $5 after 10 p.m.

MatrixFillmore: 3138 Fillmore, San Francisco. “Fusion,” w/ DJ Big Bad Bruce, 9 p.m., $5.

Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9 p.m., free.

Raven: 1151 Folsom St., San Francisco. “1999,” w/ VJ Mark Andrus, 8 p.m., free.

Ruby Skye: 420 Mason, San Francisco. “Awakening,” w/ Angger Dimas, Nari & Milani, 9 p.m., $15-$25 advance.

The Tunnel Top: 601 Bush, San Francisco. “Tunneltop,” DJs Avalon and Derek ease you into the weekend with a cool and relaxed selection of tunes spun on vinyl, 10 p.m., free.

Underground SF: 424 Haight, San Francisco. “Bubble,” 10 p.m., free.

Vessel: 85 Campton, San Francisco. “Base,” w/ Miguel Campbell, 10 p.m., $5-$10.

HIP-HOP

Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9 p.m., free.

John Colins: 138 Minna, San Francisco. “Party with Friends,” w/ resident DJs IllEfect, GeektotheBeat, Merrick, and Delrokz, SecondThursday of every month, 9 p.m., free.

Manor West: 750 Harrison, San Francisco. “Twerk Thursdays,” w/ DJ Alie Layus, 10 p.m.

Park 77 Sports Bar: 77 Cambon, San Francisco. “Slap N Tite,” w/ resident Cali King Crab DJs Sabotage Beats & Jason Awesome, free.

The Parlor: 2801 Leavenworth, San Francisco. “Locals Night Out,” w/ DJ Illy D, 9 p.m., free.

Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10 p.m., free.

ACOUSTIC

Amnesia: 853 Valencia, San Francisco. Kacey Johansing, Magic Magic Roses, Kathryn Anne Davis, 9 p.m., $7-$10.

Atlas Cafe: 3049 20th St., San Francisco. Jinx Jones & Jessica Rose, 8 p.m., free.

Bottom of the Hill: 1233 17th St., San Francisco. We Became Owls, Minor Kingdom, The Gospel Flats, 9 p.m., $10.

Plough & Stars: 116 Clement, San Francisco. Tipsy House, 9 p.m.

JAZZ

Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30 p.m., free.

Bottle Cap: 1707 Powell, San Francisco. The North Beach Sound with Ned Boynton, Jordan Samuels, and Tom Vickers, 7 p.m., free.

Cafe Claude: 7 Claude, San Francisco. Dick Fregulia Trio, 7:30 p.m., free.

Center for New Music: 55 Taylor St., San Francisco. Fei-Perkis Duo, Looney-Robinson-Mezzacappa Trio, 7:30 p.m., $8-$10.

Feinstein’s at the Nikko: 222 Mason St., San Francisco. Michael Feinstein: “Swingin’ Back Home,” Through Sep. 13, 8 p.m., $30-$65.

Le Colonial: 20 Cosmo, San Francisco. Steve Lucky & The Rhumba Bums, 7:30 p.m.

Pier 23 Cafe: Pier 23, San Francisco. Judy Hall Trio, 7 p.m., free.

Red Poppy Art House: 2698 Folsom, San Francisco. Michael Gallant Trio, 7:30 p.m., $10-$15.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Tin Cup Serenade, 9 p.m., free.

The Royal Cuckoo: 3202 Mission, San Francisco. Chris Siebert, 7:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eddy Ramirez, 7:30 p.m., $5.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30 p.m., $10.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The United Trumpet Summit: Randy Brecker, Dr. Eddie Henderson, Jeremy Pelt, and Leon Jordan Jr., 8 & 10 p.m., $20-$25.

Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30 p.m., free.

INTERNATIONAL

Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10 p.m., $5.

Pachamama Restaurant: 1630 Powell, San Francisco. “Jueves Flamencos,” 8 p.m., free.

Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9 p.m., $10-$15.

REGGAE

Make-Out Room: 3225 22nd St., San Francisco. “Festival ‘68,” w/ Revival Sound System, Second Thursday of every month, 10 p.m., free.

Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9 p.m., free.

BLUES

50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30 p.m., free; Dr. Mojo, 10 p.m., free.

Biscuits and Blues: 401 Mason, San Francisco. Daniel Castro, 8 & 10 p.m., $15.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.

Lou’s Fish Shack: 300 Jefferson St., San Francisco. Nat Bolden, 8:30 p.m.

The Saloon: 1232 Grant, San Francisco. P.A. Slim, 4 p.m.; Steve Freund, 9:30 p.m.

Yerba Buena Gardens: Fourth St. & Mission, San Francisco. Nitecaps, 12:30 p.m., free.

EXPERIMENTAL

The Luggage Store: 1007 Market, San Francisco. Piece Warnecke, Cosmists, 8 p.m., $6-$10.

SOUL

Cigar Bar & Grill: 850 Montgomery, San Francisco. Big Blu Soul Revue, 7:30 p.m., free.

FRIDAY 13

ROCK

Bottom of the Hill: 1233 17th St., San Francisco. Swingin’ Utters, Get Dead, ToyGuitar, 9:30 p.m., $15.

El Rio: 3158 Mission, San Francisco. Friday Live: Steel Hotcakes, DJ Emotions, 10 p.m., free.

Mezzanine: 444 Jessie, San Francisco. Death in June, oOoOO, DJ Omar, Chauncey CC, 8 p.m., $30.

Milk Bar: 1840 Haight, San Francisco. Blisses B, Caldecott, A Yawn Worth Yelling, 9 p.m., $10.

Neck of the Woods: 406 Clement St., San Francisco. Gamble, Gamble, Die; Not Sure. Not Yet; Don’t Touch Me, 9 p.m., $6-$8.

Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. The Videos, Know Secrets, Holy Fever, Culture Abuse, 8 p.m., $7.

Thee Parkside: 1600 17th St., San Francisco. La Plebe, Ruleta Rusa, Las Otras, Poliskitzo, Unstrung, 9 p.m., $8.

DANCE

1015 Folsom: 1015 Folsom St., San Francisco. “Re:Creation,” w/ Dirt Nasty, Gladkill, Russ Liquid, Blowfly, Smasheltooth, Nebakaneza, Mr. Kitt, Johnny5, Danny Weird, 10 p.m., $20-$25.

Amnesia: 853 Valencia, San Francisco. “Indie Slash,” w/ DJ Rance & DJG, 10 p.m., $5; “Indie Slash,” w/ resident DJs Danny White, Rance, and Sweethearts, Second Friday of every month, 10 p.m., $5.

BeatBox: 314 11th St., San Francisco. Pet Shop Boys Electric Tour Celebration, 10 p.m., free.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Sound Remedy, 10 p.m., $15.

Cafe Flore: 2298 Market, San Francisco. “Kinky Beats,” w/ DJ Sergio, 10 p.m., free.

The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9 p.m., $5.

Cat Club: 1190 Folsom, San Francisco. “Dark Shadows: Friday the Thirteenth Party,” w/ DJs Daniel Skellington, Owen, Melting Girl, and Keyz, 9:30 p.m., $7 ($3 before 10 p.m.).

The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10 p.m.

Elbo Room: 647 Valencia, San Francisco. “Last Nite: A 2000s Indie Dance Party,” w/ DJs EmDee & Jamie Jams, Second Friday of every month, 10 p.m., $5-$10.

The EndUp: 401 Sixth St., San Francisco. “Fever,” 10 p.m., free before midnight.

F8: 1192 Folsom St., San Francisco. “Vintage,” w/ DJ Toph One & guests, 5 p.m., free.

The Grand Nightclub: 520 4th St., San Francisco. “We Rock Fridays,” 9:30 p.m.

Infusion Lounge: 124 Ellis, San Francisco. “Escape Fridays,” 10 p.m., $20.

Lone Star Saloon: 1354 Harrison, San Francisco. “Cubcake,” w/ DJ Medic, Second Friday of every month, 9 p.m.

Lookout: 3600 16th St., San Francisco. “HYSL,” 9 p.m., $3.

Manor West: 750 Harrison, San Francisco. “Fortune Fridays,” 10 p.m., free before 11 p.m. with RSVP.

MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9 p.m.

Monarch: 101 6th St., San Francisco. Dusky, Sleight of Hands, Jimmy B, 9:30 p.m., $10-$20.

OMG: 43 6th St., San Francisco. “Release,” 9 p.m., free before 11 p.m.

Public Works: 161 Erie, San Francisco. “As You Like It: 3-Year Anniversary,” w/ Jeff Mills, Kassem Mosse, Daniel Wang, Mossmoss, Sassmouth, Bells & Whistles, Conor, Jason Kendig, Rich Korach, 9 p.m., $20 advance.

Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9 p.m., $3.

Rickshaw Stop: 155 Fell, San Francisco. Trapeze: The Big Bass Burlectro-Swing Affair, With music by Mr. Jennings, The Klown, Love Jocelyn, and Brycie Bones, plus burlesque by Meka La Creme, The Amazon, Mojo DeVille, Sugar Lee, and Emily Athena., 9 p.m., $10-$15.

Showdown: 10 Sixth St., San Francisco. “Electric WKND,” w/ The Certain People Crew, Second Friday of every month, 10 p.m., free.

Slide: 430 Mason, San Francisco. “E2F,” Second Friday of every month, 9 p.m.

Temple: 540 Howard, San Francisco. Nikko Gibler, Francesco Signorile, Scody, Speaker Bomb, Tone & Von, 10 p.m., $15.

Underground SF: 424 Haight, San Francisco. “Bionic,” 10 p.m., $5.

Vessel: 85 Campton, San Francisco. Tim Mason, Festiva, OneMoHit, 10 p.m., $10-$30.

Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10 p.m., free.

HIP-HOP

EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9 p.m.

John Colins: 138 Minna, San Francisco. “Heartbeat,” w/ resident DJ Strategy, Second Friday of every month, 9 p.m., $5 (free before 11 p.m).

Mighty: 119 Utah, San Francisco. True Skool 14-Year Anniversary, w/ Dan the Automator, Ren the Vinyl Archeologist, DJ Shortkut, Pam the Funkstress, DJ Platurn, DJ Goldenchyld, 9 p.m., $5.

Slate Bar: 2925 16th St., San Francisco. “The Hustle,” w/ DJs Sake One & Sean G, Second Friday of every month, 9 p.m.

ACOUSTIC

The Chapel: 777 Valencia St., San Francisco. Jason Isbell, Amanda Shires, 9 p.m., $20-$22.

Hemlock Tavern: 1131 Polk, San Francisco. Foxtails Brigade, Bells Atlas, The Spencer Owen Time Share, 9:30 p.m., $8.

The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10 a.m., $5.

JAZZ

Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8 p.m., free.

Bird & Beckett: 653 Chenery, San Francisco. Jimmy Ryan Quintet, Second Friday of every month, 5:30 p.m., free.

Cafe Claude: 7 Claude, San Francisco. Jerry Oakley Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. Cyril Guiraud Quartet, 9 p.m.

Feinstein’s at the Nikko: 222 Mason St., San Francisco. Michael Feinstein: “Swingin’ Back Home,” Through 8 p.m., $30-$65.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.

Pier 23 Cafe: Pier 23, San Francisco. Hard Bop Collective, 8 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7 p.m., $8.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9 p.m., $10.

Zingari: 501 Post, San Francisco. Joyce Grant, 8 p.m., free.

INTERNATIONAL

Bissap Baobab: 3372 19th St., San Francisco. “Makossa West,” w/ The Latin Soul Brothers (Wonway Posibul & Joe Quixx), Second Friday of every month, 10 p.m., $5.

Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30 p.m., $15 (free entry to patio).

Cigar Bar & Grill: 850 Montgomery, San Francisco. Saboriche, 8 p.m.

Little Baobab: 3388 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m.

Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15 p.m., $15-$18.

Red Poppy Art House: 2698 Folsom, San Francisco. pickPocket Ensemble, 7:30 p.m., $12-$15.

REGGAE

Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30 p.m., free.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Andrew “Jr. Boy” Jones, 8 & 10 p.m., $20.

Boom Boom Room: 1601 Fillmore, San Francisco. Bill Phillippe, 6 p.m., free.

Lou’s Fish Shack: 300 Jefferson St., San Francisco. Jo Jo Diamond, 8:30 p.m.

The Saloon: 1232 Grant, San Francisco. Jinx Jones & The KingTones, 4 p.m.; Delta Wires, 9:30 p.m.

EXPERIMENTAL

Brava Theater Center: 2781 24th St., San Francisco. 14th Annual San Francisco Electronic Music Festival: Raven Chacon, Moe! Staiano & Ensemble, Éliane Radigue & Laetitia Sonami, 8 p.m., $12-$25.

FUNK

The Independent: 628 Divisadero, San Francisco. Orgone, J-Boogie’s Dubtronic Science, 9 p.m., $15.

Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, & Tom Thump, 10 p.m., $5.

SKA

Slim’s: 333 11th St., San Francisco. The Slackers, The Impalers, DJs Big Dwayne & Another Jerk, 9 p.m., $16.

SOUL

Boom Boom Room: 1601 Fillmore, San Francisco. Ziek McCarter & The Revival Band, 9:30 p.m., $10.

Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10 p.m., free.

The Knockout: 3223 Mission, San Francisco. “Nightbeat,” w/ DJs Primo, Lucky, and Dr. Scott, Second Friday of every month, 10 p.m., $4.

Madrone Art Bar: 500 Divisadero, San Francisco. “Yo Momma: M.O.M. Weekend Edition,” w/ DJ Gordo Cabeza, Second Friday of every month, 9 p.m., $5 (free before 10 p.m.).

SATURDAY 14

ROCK

Bottom of the Hill: 1233 17th St., San Francisco. Big Tree, Waterstrider, Ghost Tiger, 9:30 p.m., $10-$12.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Cosmic Psychos, plus a screening of the band’s documentary film Blokes You Can Trust, 9 p.m., $12-$15.

The Chapel: 777 Valencia St., San Francisco. Magic Trick, The Range of Light Wilderness, Pure Bliss, Cool Ghouls, 9 p.m., $12.

El Rio: 3158 Mission, San Francisco. Gaymous, Ancient Wing, The Go2s, Bestfriend/Grrlfriend, DJ Brontez, 3 p.m., $6.

Hemlock Tavern: 1131 Polk, San Francisco. Clipd Beaks, Midday Veil, Creepers, 9:30 p.m., $7.

Milk Bar: 1840 Haight, San Francisco. The Epilogues, The Gold Medalists, Cure for Gravity, Together We Can Rule the Galaxy, 9 p.m., $10.

DANCE

Amnesia: 853 Valencia, San Francisco. “2 Men Will Move You,” w/ DJs Primo & Jordan, Second Saturday of every month, 9 p.m.

BeatBox: 314 11th St., San Francisco. “Bearracuda,” w/ DJS Jason Kendig & Robert Jeffrey, 9 p.m., $6-$10.

Cafe Flore: 2298 Market, San Francisco. “Bistrotheque,” w/ DJ Ken Vulsion, 8 p.m., free.

Cat Club: 1190 Folsom, San Francisco. “Club Gossip: Joy Division vs. Blondie,” w/ DJs Melting Girl, Daniel Skellington, Damon, Shon, and Low-Life, 9 p.m., $5-$8 (free before 9:30 p.m.).

DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ DJs from Mars, A+D, DJ Dada, Smash-Up Derby, Miss Rahni, Mr. Washington, Myster C, Entyme, B33son, 9 p.m., $10-$20.

S.F. Eagle: 398 12th St., San Francisco. “Dark Days,” w/ Lady Bear, DJ Le Perv, guests, Second Saturday of every month, 3 p.m.; “Sadistic Saturdays,” Second Saturday of every month, 10 p.m., free.

Elbo Room: 647 Valencia, San Francisco. “Tormenta Tropical,” w/ Beat Buffet, Disque DJ, Oro11, Deejay Theory, 10 p.m., $5-$10.

The EndUp: 401 Sixth St., San Francisco. “Eclectricity,” Second Saturday of every month, 10 p.m.

Harlot: 46 Minna, San Francisco. Sky Nellor, 9 p.m., $10-$20.

The Hot Spot: 1414 Market, San Francisco. “Love Will Fix It,” w/ DJ Bus Station John, Second Saturday of every month, 10 p.m., $5.

Infusion Lounge: 124 Ellis, San Francisco. “One Way Ticket Saturdays,” w/ Eric D-Lux, Second Saturday of every month, 10 p.m., $20.

The Knockout: 3223 Mission, San Francisco. “Galaxy Radio,” w/ resident DJs Smac, Emils, Holly B, and guests, Second Saturday of every month, 9 p.m.

Lookout: 3600 16th St., San Francisco. “Bounce!,” 9 p.m., $3.

Madrone Art Bar: 500 Divisadero, San Francisco. “Music Video Night,” w/ DJs Satva & 4AM, Second Saturday of every month, 10 p.m., $5.

Mezzanine: 444 Jessie, San Francisco. “Summersalt: The After-Party,” w/ Kill Paris, Girls N Boomboxes, Robot De Niro, Tech Minds, L.A. Wolfe, 9 p.m., $10-$15.

Mighty: 119 Utah, San Francisco. “Salted,” w/ Chuck Love, Rick Preston, Julius Papp, 10 p.m., $10 before 11 p.m.

Monarch: 101 6th St., San Francisco. “Lights Down Low,” w/ Ejeca, Tom Trago, Sleazemore, DJ M3, Richie Panic, 9:30 p.m., $10-$20.

Public Works: 161 Erie, San Francisco. “Isis,” w/ Tornado Wallace, Tyrel Williams, Mountaincount (in the OddJob Loft), 9:30 p.m., $10-$15.

Rickshaw Stop: 155 Fell, San Francisco. “Cockblock,” w/ DJ Koslov & Natalie Nuxx, 10 p.m., $10.

Ruby Skye: 420 Mason, San Francisco. Robbie Rivera, 9 p.m., $20 advance.

Showdown: 10 Sixth St., San Francisco. “The Shit Show,” w/ resident DJ Taurus Scott, Second Saturday of every month, 10 p.m., two for $5.

Slate Bar: 2925 16th St., San Francisco. “The KissGroove S.F.,” w/ DJ Vinroc & The Whooligan, Second Saturday of every month, 10 p.m., free.

The Stud: 399 Ninth St., San Francisco. “Frolic: A Celebration of Costume & Dance,” w/ resident DJ NeonBunny, Second Saturday of every month, 8 p.m., $8 ($4 in costume).

Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. “Batcave S.F.,” w/ DJs Marchosias, Burning Skies, and Owen, 9:30 p.m., $5.

Vessel: 85 Campton, San Francisco. Scooter & Lavelle, 10 p.m., $10-$30.

Wish: 1539 Folsom, San Francisco. “All Styles & Smiles,” w/ DJ Tom Thump, Second Saturday of every month, 10 p.m., free.

HIP-HOP

111 Minna Gallery: 111 Minna St., San Francisco. “Back to the ‘90s,” Second Saturday of every month, 9:30 p.m., $10.

Amoeba Music: 1855 Haight, San Francisco. Talib Kweli, 2 p.m., free.

Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, Second Saturday of every month, 10 p.m., free.

John Colins: 138 Minna, San Francisco. “Second Saturdays,” w/ resident DJ Matt Cali, Second Saturday of every month, 10 p.m., free.

ACOUSTIC

Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco & Meredith Axelrod, Saturdays, 4-6 p.m., free.

El Rio: 3158 Mission, San Francisco. Tiny Television, Big Eagle, Skystone, 10 p.m., $8.

Pier 23 Cafe: Pier 23, San Francisco. Misisipi Mike & The Texas 5, 10 p.m., $10.

Plough & Stars: 116 Clement, San Francisco. Secret Town, 9 p.m.

JAZZ

Cafe Claude: 7 Claude, San Francisco. The Monroe Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. Robert Kennedy Organ Trio, 9 p.m.

Cigar Bar & Grill: 850 Montgomery, San Francisco. Josh Jones Latin Jazz Ensemble, 8 p.m.

Feinstein’s at the Nikko: 222 Mason St., San Francisco. Michael Feinstein: “Swingin’ Back Home,” Sept. 14-15, 7 p.m., $30-$65.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.

The Lucky Horseshoe: 453 Cortland, San Francisco. The TedTones, 9 p.m.

Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7 p.m., $8.

Zingari: 501 Post, San Francisco. Amanda King, 8 p.m., free.

INTERNATIONAL

1015 Folsom: 1015 Folsom St., San Francisco. “Pura,” 9 p.m., $20.

Bissap Baobab: 3372 19th St., San Francisco. Misión Flamenca, Monthly live music and dance performances., Second Saturday of every month, 7:30 p.m.

The Emerald Tablet: 80 Fresno St., San Francisco. Flamenco del Oro, 8 p.m., $10.

Little Baobab: 3388 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m.

Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10 p.m., $5.

Pachamama Restaurant: 1630 Powell, San Francisco. Peña Eddy Navia & Pachamama Band, 8 p.m., free.

Public Works: 161 Erie, San Francisco. “Non Stop Bhangra: Dholrhythms 10-Year Anniversary,” w/ Bang Data, J-Boogie, Aima the Dreamer, Baraat Mob, DJ Jimmy Love, Rav-E, more (in the main room), 9 p.m., $10-$15.

The Ramp: 855 Terry Francois, San Francisco. N’Rumba, 5:30 p.m.

The Riptide: 3639 Taraval, San Francisco. The Mano Cherga Band, 9:30 p.m., free.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Karen Lovely, 7:30 & 10 p.m., $22.

Lou’s Fish Shack: 300 Jefferson St., San Francisco. Robert “Hollywood” Jenkins, 8:30 p.m.

The Saloon: 1232 Grant, San Francisco. Dave Workman, Second Saturday of every month, 4 p.m.; Curtis Lawson, 9:30 p.m.

EXPERIMENTAL

Brava Theater Center: 2781 24th St., San Francisco. 14th Annual San Francisco Electronic Music Festival: Joshua Churchill & John Davis, EKG with Bill Hsu, Thomas Köner, 8 p.m., $12-$25.

SUNDAY 15

ROCK

Bottom of the Hill: 1233 17th St., San Francisco. Darwin Deez, Caged Animals, The Soonest, 9 p.m., $13-$15.

Hemlock Tavern: 1131 Polk, San Francisco. Learning Team, Cold Eskimo, 8:30 p.m., $6.

The Knockout: 3223 Mission, San Francisco. Dirty Fences, Bad Coyotes, Dirty Reason, Blank Spots, Self Inflicted Wounds, 4 p.m., $7.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Biff Bam Boom, The Barneys, 9 p.m., free.

DANCE

BeatBox: 314 11th St., San Francisco. “Tea-Rex,” w/ DJ James Torres, 4 p.m., $10.

The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9 p.m., free.

The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8 p.m.

Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ DJ Sep & Vinnie Esparza, 9 p.m., $6 (free before 9:30 p.m.).

The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6 a.m.-6 p.m.; “Soul Affair,” Third Sunday of every month, 8 p.m.; “Sunday Sessions,” 8 p.m.

F8: 1192 Folsom St., San Francisco. “Stamina Sundays,” w/ guest DJ Icicle, 10 p.m., free.

Holy Cow: 1535 Folsom, San Francisco. “Honey Sundays,” w/ Honey Soundsystem & guests, 9 p.m., $5-$10.

The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10 p.m., free.

Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8 p.m., $2.

Monarch: 101 6th St., San Francisco. Mr. C, Jason Greer, Alex Windsor, 10 p.m., $10.

Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9 p.m., $5 (free before 11 p.m.).

The Parlor: 2801 Leavenworth, San Francisco. DJ Marc deVasconcelos, 10 p.m., free.

Q Bar: 456 Castro, San Francisco. “Gigante,” 8 p.m., free.

Showdown: 10 Sixth St., San Francisco. “The Dark Wave Rises,” w/ DJ Xtine Noir & DJ From Full House, Third Sunday of every month, 10 p.m.

Slate Bar: 2925 16th St., San Francisco. “She Said…: A Queer Affair,” Third Sunday of every month, 4 p.m., $3-$5.

Temple: 540 Howard, San Francisco. “Sunset Arcade,” 18+ dance party with bar games and video arcade, 7 p.m., $5.

HIP-HOP

Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30 p.m., free.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Fifth Annual BAPC Beat Battle & Artist Showcase, 9 p.m., $10-$15.

ACOUSTIC

Amnesia: 853 Valencia, San Francisco. The B-Stars, Third Sunday of every month, 9 p.m., $7.

Lou’s Fish Shack: 300 Jefferson St., San Francisco. Sam Johnson, 4 p.m.

The Lucky Horseshoe: 453 Cortland, San Francisco. Sunday Bluegrass Jam, 4 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8 p.m., free.

Neck of the Woods: 406 Clement St., San Francisco. “iPlay,” open mic with featured weekly artists, 6:30 p.m., free.

Pier 23 Cafe: Pier 23, San Francisco. Erica Sunshine Lee, 5 p.m., free.

Plough & Stars: 116 Clement, San Francisco. Seisiún with Marla Fibish, 9 p.m.

St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5 p.m., free.

Thee Parkside: 1600 17th St., San Francisco. Before the Brave, The Show Ponies, Hannah Glavor & The Family Band, Joseph, 8 p.m., $8.

JAZZ

Chez Hanny: 1300 Silver, San Francisco. Johnnie Valentino/Kenneth Burgomaster Quintet featuring Michael Pedicin, 4 p.m., $20 suggested donation.

Feinstein’s at the Nikko: 222 Mason St., San Francisco. Michael Feinstein: “Swingin’ Back Home,” Sept. 14-15, 7 p.m., $30-$65.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4 p.m., free/donation.

The Riptide: 3639 Taraval, San Francisco. The Cottontails, Third Sunday of every month, 7:30 p.m., free.

The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30 p.m., free.

Zingari: 501 Post, San Francisco. Hubert Emerson, 7:30 p.m., free.

INTERNATIONAL

Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30 p.m., $10 ($15-$20 with dance lessons).

Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30 p.m., free.

The Ramp: 855 Terry Francois, San Francisco. Boca do Rio, 5:30 p.m.

Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30 p.m.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Ed Earley, 7 & 9 p.m., $15.

Jane Warner Plaza: Market, San Francisco. Blue on Green, 1 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. HowellDevine, 8:30 p.m., free/donation.

The Saloon: 1232 Grant, San Francisco. Blues Power, 4 p.m.; Silvia C, 9:30 p.m.

Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 9 p.m., free.

EXPERIMENTAL

Brava Theater Center: 2781 24th St., San Francisco. 14th Annual San Francisco Electronic Music Festival: Ben Tinker & Nick Wang, Ashley Bellouin, Richard Pinhas, 8 p.m., $12-$25.

Musicians Union Local 6: 116 Ninth St., San Francisco. Impromptu Latticework, Dapplegray, 7:30 p.m., $8-$10.

SOUL

Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10 p.m., free.

MONDAY 16

ROCK

Amoeba Music: 1855 Haight, San Francisco. Islands, 6 p.m., free.

Bottom of the Hill: 1233 17th St., San Francisco. Cosmonauts, Pangea, Gap Dream, 9 p.m., $10.

The Chapel: 777 Valencia St., San Francisco. Parachute, Matt Hires, Paradise Fears, 9 p.m., $15-$17.

El Rio: 3158 Mission, San Francisco. The Love Dimension, Haberdasher, Witness, 7 p.m., $6.

Elbo Room: 647 Valencia, San Francisco. StarGazer, Knelt Rote, Abnutivum, 9 p.m., $10.

The Knockout: 3223 Mission, San Francisco. Spider Heart, French Girls, Unruly Things, The Family Flaw, 9 p.m., $5.

Slim’s: 333 11th St., San Francisco. Valient Thorr, Lord Dying, Ramming Speed, 8 p.m., $14.

DANCE

Delirium Cocktails: 3139 16th St., San Francisco. “Null & Void,” w/ DJs Bite Mark & Erix, 10 p.m., free.

DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30 p.m., $3-$5.

Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9 p.m., free.

Rickshaw Stop: 155 Fell, San Francisco. Kate Boy, ASTR, DJ Aaron Axelsen, 8 p.m., $12-$14.

Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10 p.m., free.

ACOUSTIC

Amnesia: 853 Valencia, San Francisco. Windy Hill, Third Monday of every month, 9 p.m., free.

The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7 p.m., free.

Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30 p.m., free/donation.

Hotel Utah: 500 Fourth St., San Francisco. Open mic with Brendan Getzell, 8 p.m., free.

Milk Bar: 1840 Haight, San Francisco. Nikki Lang, Blood & Dust, Raye, George Krikes, 8 p.m., $7.

Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7 p.m., free.

The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4 p.m.

JAZZ

Cafe Divine: 1600 Stockton, San Francisco. Rob Reich, First and Third Monday of every month, 7 p.m.

Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7 p.m., free.

The Union Room at Biscuits and Blues: 401 Mason, San Francisco. The Session: A Monday Night Jazz Series, pro jazz jam with Mike Olmos, 7:30 p.m., $12.

Zingari: 501 Post, San Francisco. Nora Maki, 7:30 p.m., free.

REGGAE

Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10 p.m., free.

BLUES

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.

The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30 p.m.

SOUL

Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8 p.m., free.

TUESDAY 17

ROCK

50 Mason Social House: 50 Mason, San Francisco. The Walking Faces, Peg, Black Hole Oscillators, Jared Cohen & The Future Proof, 8 p.m., $6.

Boom Boom Room: 1601 Fillmore, San Francisco. ZuhG, Third Tuesday of every month, 9:30 p.m., $5.

Bottom of the Hill: 1233 17th St., San Francisco. CIVC, Daisy Pushers, Best Guest, Mike Huguenor, 9 p.m., $8.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Diarrhea Planet, The So So Glos, Unstrung, 9 p.m., $10.

The Knockout: 3223 Mission, San Francisco. Protected Left, Rush & Attack, The Lucky Eejits, DJ Ryan, 9:30 p.m., $6.

Rickshaw Stop: 155 Fell, San Francisco. Girl in a Coma, Hunter Valentine, Krissy Krissy, 8 p.m., $15.

Slim’s: 333 11th St., San Francisco. The Julie Ruin, La Sera, 8 p.m., $18.

DANCE

Amoeba Music: 1855 Haight, San Francisco. Beats Antique, 6 p.m., free.

Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10 p.m., $2.

MatrixFillmore: 3138 Fillmore, San Francisco. “TRL,” w/ DJ Big Bad Bruce, 10 p.m.

Monarch: 101 6th St., San Francisco. “Soundpieces,” 10 p.m., free-$10.

Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9 p.m., $3.

Underground SF: 424 Haight, San Francisco. “Shelter,” 10 p.m., free.

Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8 p.m., free.

HIP-HOP

Skylark Bar: 3089 16th St., San Francisco. “True Skool Tuesdays,” w/ DJ Ren the Vinyl Archaeologist, 10 p.m., free.

ACOUSTIC

Bazaar Cafe: 5927 California, San Francisco. Songwriter-in-Residence: Nina Jo Smith, 7 p.m. continues through Sep. 24.

The Chapel: 777 Valencia St., San Francisco. Poor Old Shine, 9 p.m., $12.

Plough & Stars: 116 Clement, San Francisco. Seisiún with Autumn Rhodes, 9 p.m.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Drizzoletto, 9 p.m., free.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. “The Artist Sessions,” w/ Gabriel Kahane, Eleni Mandell, 8 p.m., $18-$22.

JAZZ

Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7 p.m.

Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7 p.m., free.

Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.

Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7 p.m.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. M.B. Hanif & The Sound Voyagers, 7:30 p.m., free.

Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7 p.m.

Oz Lounge: 260 Kearny, San Francisco. Emily Hayes & Mark Holzinger, 6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5 p.m., free; Eli Wallace with Jon Arkin, Karl Evangelista, and Kasey Knudsen, 8:30 p.m., free.

Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9 p.m., $10-$12.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8 p.m., $22.

Zingari: 501 Post, San Francisco. Amanda King, 7:30 p.m., free.

INTERNATIONAL

Cafe Cocomo: 650 Indiana, San Francisco. “Descarga S.F.,” w/ DJs Hong & Good Sho, 8 p.m., $12.

The Cosmo Bar & Lounge: 440 Broadway, San Francisco. “Conga Tuesdays,” 8 p.m., $7-$10.

Elbo Room: 647 Valencia, San Francisco. “Porreta!,” all night forro party with DJs Carioca & Lucio K, Third Tuesday of every month, 9 p.m., $7.

F8: 1192 Folsom St., San Francisco. “Underground Nomads,” w/ DJ Sep & Verbatim Dance, 9 p.m., $5 (free before 9:30 p.m.).

REGGAE

Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10 p.m.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Bob Malone Band, 8 & 10 p.m., $15.

The Saloon: 1232 Grant, San Francisco. Lisa Kindred, Third Tuesday of every month, 9:30 p.m.

FUNK

Madrone Art Bar: 500 Divisadero, San Francisco. “Boogaloo Tuesday,” w/ Oscar Myers & Steppin’, 9:30 p.m., free.

SOUL

Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30 p.m., free.

The Selector

Sasha Cuttler
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WEDNESDAY 9/11

 

Jimmy Cliff

At age 65, reggae legend Jimmy Cliff is experiencing perhaps one of the greatest bursts of artistic productivity in all of his five-decade-long and counting career. He’s inspired countless other musicians over the years, including Bay Area punk rocker Tim Armstrong of Rancid and Operation Ivy, who was brought aboard to produce and perform on Cliff’s newest album, last year’s excellent Rebirth. The record includes an outstanding cover of the Clash’s “Guns of Brixton,” which references Cliff’s movie and song “The Harder They Come” in its lyrics — bringing the music full circle, as it were. Don’t miss the Rock and Roll Hall of Famer when he hits the Fillmore stage tonight. (Sean McCourt)

8pm, $39.50

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

WEDNESDAY 9/11

 

Chris Hardwick

In addition to appearing in a vast array of television (hello, Singled Out), film, radio, and online productions over the past 20 or so years, Chris Hardwick helped found Nerdist Industries, which has grown from one podcast in 2010 into a vast cross-medium mecca for all that proudly embrace their inner geek. Hardwick comes to the city this weekend with his hilarious stand-up act, and based on his guest spots at recent Wootstock events, he’s sure to riff on both his Nerdist loves, as well other awkward yet uproariously comedic facets of life. (McCourt)

Wed/11-Thu/12, 8pm; Fri/13, 8 and 10:15pm; Sat/14, 7:30 and 9:45pm, $25

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

THURSDAY 9/12

 

Secrets like These

While Enrico Labayen is a respected choreographer on his own terms, he also has a curious and generous spirit, opening his Labayen Dance Company to other dance makers. For this program, jam-packed with two of his own world premieres in addition to rep work, he invited Anandha Ray to present her new Quimera Project for which she’ll bring a chorus of up to 30 tribal belly dancers. Additionally, two company members will debut pieces. Laura Bernasconi’s Nourishment and Hunger will draw on ballet, classical Indian Odissi, and acro-yoga. For his new Secrets Like These, Victor Talledos is creating a narrative to music by Diana Krall. Labayen’s small company also offers performance opportunities to dancers from around the world: Daiane Lopes da Silva (Brazil), Sandrine Cassini (France), Talledos (Mexico). (Rita Felciano)

Through Sat/14, 8pm; Sun/15, 3pm, $20–$25.

ODC Theater,

3153, 17th St, SF

(415) 853-9834

www.odctheater.org

THURSDAY 9/12

 

The Singularity

Back in March, when San Francisco filmmaker Doug Wolens was promoting his DIY iTunes hit The Singularity, he explained the meaning of the title: “the point in time when computers become smarter than people.” Some, including futurist Ray Kurzweil (one of the experts interviewed here), say it’s an inevitability — a thought-provoking idea, to say the least. Chat with Wolens in person at tonight’s screening of The Singularity as part of the Yerba Buena Center for the Arts’ “Local Boy Makes Good: New Bay Area Film” series; he’ll also be in residence at the Castro Theatre next week with a trio of his films, rounded out by 2000 environmental-activist profile Butterfly and 1996’s toke-tastic doc Weed. (Cheryl Eddy)

7pm, $10

Yerba Buena Center for the Arts

701 Mission, SF

Also Mon/16, screenings begin at noon, $11

Castro Theatre

429 Castro, SF

thesingularityfilm.com/screenings

FRIDAY 9/13

 

“Too Much Light Makes the Baby Go Blind”

Thirty plays in 60 minutes — that might sound like too much even for the most attention span-challenged theatergoers among us. Fortunately, the raucous Neo-Futurists troupe has been putting on the surreal channel surf known as “Too Much Light Makes the Baby Go Blind” for 25 years in its hometown Chicago, and for 10 in New York — where it’s won a celebrity cult following — so it’s got this thing down to an almost metaphysical science. A night of semi-improv performance (a timer is set and the audience yells out the titles of the plays to be performed from a “menu”) that whiplashes from affecting dramatic to absurdist comedy, with plenty of good-natured silliness thrown in, TMLMTBGB is like a strobe of emotions and situations — plates, buckets, ice cubes, wigs, and stuffed animals usually go flying, as do many preconceived notions of what theater ought to be. (Marke B.)

Through Sept. 29, 8pm, $15

Boxcar Theatre

505 Natoma, SF

(415) 967-2227

www.boxcartheatre.org

sfneofuturists.com

FRIDAY 9/13

 

Death in June

Extremely depressing neofolk band Death in June is stopping by San Francisco for its long-awaited US tour. Initially starting as a post-punk, industrial project in the 1980s, the band shunned pretty-boy rock ideals, often donning ghoulish masks and costumes on stage. Death in June has given influence to plenty of contemporary bands such as metal band Agalloch and darkwave horde Faun, but the band isn’t without controversy of its own. It’s been known for using a skull, the totenkopf, synonymous with the Nazi movement. Often criticized for using SS insignia, the band has derided any and all accusations of fascism and white supremacy, being active in the British ’80s anti-fascist movement and playing in concerts such as “Rock Against Racism.” So back to the music: the group released Snow Bunker Tapes, guitar-backed versions of Peaceful Snow, on Neuropa this year. Get sad, get creepy, and slump over to the Mezzanine. (Erin Dage)

120 Minutes with oOoOO, DJ Omar, CHAUNCEY_CC

9pm, $30

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

SATURDAY 9/14

 

Autumn Moon Festival

This widely-attended cultural festival is the gold star of Chinatown events, filling its chaotic streets with even more buzz than normal and thousands of additional of people. A myriad of crafts, art, live music, dancers in costume, drumming groups, and curious attendees congregate for a fun and lively weekend each year. The Moon Festival, traditionally celebrated when the moon is said to be at its fullest and brightest of the year, gives families the opportunity to get together while enjoying great food and participating in the Lion and Dragon dances, both of which you don’t want to miss if you plan on attending. The whole weekend is an explosion of color and the perfect chance to learn a little more about Chinese culture. (Hillary Smith)

Through Sun/15, 11am-6pm, free

California and Grant, SF

www.moonfestival.org

SATURDAY 9/14

 

Atheist Film Festival

The Atheist Film Festival, now in its fifth year, is cheeky enough to refer to itself as “a film festival you can believe in” — which bodes well for the sort of programming one can expect. The fest packs a lot into a single day, including a world premiere (doc Hug an Atheist, about what it means to be an atheist in America today) and acclaimed narratives The Magdalene Sisters (2002) and Creation (2009). Plus, a trio of docs: fake-guru experiment Kumaré (2011); fundamentalism-in-public-schools exposé Sophia Investigates the Good News Club; and The Revisionaries, which won the Best Doc jury prize at the 2013 SF IndieFest. The power of film compels you! (Eddy)

Noon, $12 (festival pass, $45)

Roxie Theater

3117 16th St, SF

www.sfatheistfilmfestival.org

SATURDAY 9/14

 

Magic Trick

If there’s anything supernatural about the band Magic Trick, it’s in frontperson Tim Cohen’s seeming ability to be in several places at once. Between the Fresh & Onlys, solo projects, and work with other bands, his prolificacy makes you wonder. But more than witchcraft, magic tricks usually involve sleight of hand. With Cohen’s signature deep voice and romantic songwriting, Magic Trick at times directly echoes the Fresh & Onlys. Don’t be fooled: With three added band members and a minimalism that makes the music more contemplative and a little stranger, Magic Trick surprises. See what tricks lie up the record sleeve on the band’s new album, The Glad Birth of Love, which the Chapel will celebrate on Saturday. (Laura Kerry)

With the Range of Light Wilderness, Pure Bliss, Cool Ghouls

9pm, $12

Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

SATURDAY 9/14

 

Rock The Bells

The country’s pre-eminent hip-hop festival will coming to the Bay Area this Saturday and Sunday, bringing a large and diverse crew of rap acts. There’s something for every kind of hip-hop head at this festival. For fans of weird rap, there’s Danny Brown, for fans of ratchet rap, there’s Juicy J, for the homers, there’s a E-40-Too $hort duet and IamSu!, and for fans of hologram rap there will be performances from hologram Eazy-E and ODB. For those you taking Caltrain from the city, remember that the train only runs once a hour and takes more than a hour to get to Mountain View. (George McIntire)

Also Sun/15, 11am, $65–$239

Shoreline Amphitheater

One Amphitheatre Pkwy, Mountain View

(800) 745-3000

www.rockthebells.net

SUNDAY 9/15

 

Darwin Deez

Darwin Deez is known for nutty antics like bringing a head of cabbage out onto the stage (as a “symbol of frugalness”) and chucking it at the crowd to eat. And his wriggly, emo-pop second album Songs for Imaginative People proved that he hasn’t forgotten about his equally nutty fanbase. His half-joking-totally-serious approach to songwriting garners a very unique brand of follower, the kind of person who likes things weird. The tracks on Songs aren’t as easy to swallow as those on his debut, self-titled album Darwin Deez. Tracks swing by in a cacophony of synthy beats and buzzing electric riffs and Deez’s frequently deadpan voice undeniably weaves through them in a disjointed way — adding a disheveled tone to the album. But from the silly and unpredictable misfit whose greatest obsession may be breakfast food, who’d expect anything else? (Smith)

With Caged Animals, the Soonest

$15, 9pm

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

MONDAY 9/16

 

John Williams

Composer John Williams has written the scores for some of the most beloved films of all time — pieces of music that has become so interwoven with the onscreen narratives that it’s almost impossible to imagine the movies without them — Star Wars, JAWS, Indiana Jones, Superman, E.T., Close Encounters of the Third Kind, Jurassic Park, and many, many more. Tonight is a rare chance to see the maestro live and in person, conducting the San Francisco Symphony and leading them through some of his greatest works. Friend and frequent collaborator director Steven Spielberg will also appear for part of the program as a special guest host. (McCourt)

8pm, $15–$152

Davies Symphony Hall

201 Van Ness Ave., SF

(415) 864-6000

www.sfsymphony.org

TUESDAY 9/17

 

The So So Glos

Did you want to spend a night pogo-ing around like the animal you are? The So So Glos, gritty DIY punks from Brooklyn, have just what the doctor ordered. Literally a band of brothers (the majority of the group is blood-related), the So So Glos lay testament to what hard work and determination can accomplish. Helping establish East Coast all-ages DIY venues such as Market Hotel and “Shea Stadium” (where the band also lives), the group is dedicated to keeping the proverbial DIY scene alive. Often compared to fellow Brooklynites Japanther, the So So Glos are hot off their newest release Blowout. The album has been described “in your face” and hi-fi! Also on the bill is unfortunately-named Diarrhea Planet, and Unstrung. Straight off Burger Records, the Tennessee-based Diarrhea Planet is Southern-fried Ramones worship while SF-based trio Unstrung goes for a more aggressive, punk route. (Dage)

9pm, $10

Brick and Mortar Music Hall

1710 Mission, SF

(415) 371-1631

www.brickandmortarmusic.com

Self service: SF Fringe Festival tells it like it is

Sue Vaughan
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Self service: SF Fringe Festival tells it like it is

Note: this is an extended version of an article that appears in this week’s print version.

Sitting in the Exit Café with a can of Guinness and the San Francisco Fringe Festival program is one of life’s modest but absorbing pleasures. For those without much inside knowledge on the lineup (currently encompassing 36 companies and 158 performances), it’s a little like taking a vacation by pitching darts at a wall map. There were several immediate sub-themes to choose from for 2013. I could have picked shows with bananas in the title, for instance. But for whatever reason, I dived into the service and servitude sector.

Of course, the Fringe, now in its 22nd year, is a lottery-based operation, so it is fate’s fingers that pluck these patterns from the cultural whirl. At the same time, you don’t need the I Ching to know that serving the rich is about all that’s left of the economy for most of us, making it hardly surprising to find so many stories of bartenders, wait staff, sex workers, and mermaids-who-are-also-sex-workers floating in the pool.

Things began on a high note with Jill Vice’s witty and deft solo, The Tipped & the Tipsy, which brings the querulous regulars of a skid-row bar to life vividly and with real (quasi-Depression era) charm. Without set or costume changes, Vice (who developed the piece with Dave Dennison and David Ford) proves a protean physical performer, seamlessly inhabiting the oddball outcasts lined up before bartender Candy every day at Happy’s — names as loaded as the clientele.

After some hilarious expert summarizing of the dos and don’ts of bar culture, a story unfolds around a battered former boxer and his avuncular relationship with Candy, who tries to cut off his bar service in fear of his deteriorating health, much to the consternation and even greater fear of his barfly associates and the self-aggrandizing sleazeball owner, Rocco. With a love of the underdog and strong writing and acting at its core, Tipsy breezes by, leaving a superlative buzz.

This was largely squandered a half hour later in Sandra Brunell Neace’s Parly Girl, an uneven and unpersuasive testimonial by a New York City waitress with a bad attitude and a traumatic back story. Neace, whose incidental characters are weakly written and delivered, is best in fleeting moments of genuine reflection. But these are few, and the piece flags early on, only to be at best partially redeemed in a hasty turnaround of a conclusion.

Service work gives way to involuntary servitude, and the horrifying reality of child sex trafficking, in writer-performer and activist Regina Y. Evans’ 52 Letters (co-directed with Louel Senores). More than a global scourge, this is a local story, and Evans delivers it with burning compassion in a poetical voice ringing with the resiliency and freighted history of the African American spiritual. The emotional register varies little, which can weaken somewhat the force it justly means to convey. Nevertheless, Evans and her urgent message as a modern-day abolitionist leave one impressed and unsettled.

O Best Beloved isn’t about service work, but the theme still crops up in the opening story — “How the Camel Got Her Hump” — an unburdened beast (played by Sam Jackson) whose relaxed work ethic draws negative attention. It’s one of three scheduled children’s tales by Rudyard Kipling (adapted by actor Joan Howard and director Rebecca Longworth), delivered by a rowdy six-person cast of storytellers. This playful piece is somewhat hectic and a bit garbled (in speech that can get lost in the reverberations of the Exit’s main stage). But it’s colorfully worked up (in costuming and properties as well as performances) and no doubt ideal for families or those happy to revel in light insouciance and unyielding silliness.

Sean Andries and Siouxsie Q’s Fish-Girl, meanwhile, has limited charm as a carny fable of doomed love between a nerdy young man (Andries, who also directed) and the freak-show beauty (Q, in sequined tail and half-shell bra) he’s hooked on. Co-creator Siouxsie Q hosts “The Whorecast” podcast showcasing the voices of American sex workers, and the mermaid’s plight takes on literal and metaphoric overtones of sex work. But the bland love story at the center keeps things bathtub shallow, albeit buoyed by a few decent songs belted out by poised songwriter Siouxsie Q to her own accompaniment on the ukulele — that spinet of the well-bred mermaid.

Hard on Fish-Girl‘s floppy heel came The Women of Tu-Na House, completing the evening’s sub-sub-theme of the aquatic erotic. (For cross-referencing purposes, another bartender’s tale, with fish tails too, stood out in the program but was not seen in time for review: Alexa Fitzpatrick’s sushi-restaurant confessional, Serving Bait to Rich People.) Nancy Eng’s solo is a smart, sassy, and blushingly frank account of the workers at an Asian massage parlor. Although Eng’s characters are not always readily distinct, she marshals an unexpected angle and winning élan in bringing this worthwhile story to life.

Not every show in the Fringe need conform to a surface or sub theme. Dark Porch Theatre’s StormStressLenz brings its own thematic taxonomy with it, in director Martin Schwartz’s uneven but intriguing, vivacious remixing of the work of Jakob Michael Reinhold Lenz (1751–1792), the Baltic German author of the proto-Romantic, anti-rational Sturm und Drang school of literature.

Schwartz’s Lenz remix comes across as an alternately cool and hyperactive investigation of the essence of melodrama, employing a fast-changing four-person ensemble (Nathan Tucker, Margery Fairchild, Ryan Hayes, Meg Hurtado) in a series of scenes shorn of their immediate context and aggregated under various section headings (“Love,” “Tricks,” “Sorrow,” etc.) The subheads are called out by Schwartz, seated at a table to the left of the stage calmly scrutinizing the action, asking the lighting booth for the odd musical interlude (MC5 one minute, Brahms the next), and bouncing his palm lightly on a desk bell to trigger the beginning and the end of each scene. These range widely and wildly, making for a raucous but tonally patchy hour. The broadest and subtlest range of characters comes from Tucker and Fairchild, who between them suggest some of the darker elements otherwise left out of a largely comic romp. But if the show leaves one wanting more complexity and shading, its eccentric enterprise is still worth a stab, as they say.

Finally, San Francisco dancer and performance maker Cara Rose DeFabio’s admirable solo strikes its own idiosyncratic tone, or rather many of them, in another intriguing investigation, this time of the online afterlife to which we are all increasingly subject — whether willingly or not. After the Tone is a smart and provoking exploration of the intersections of grief, technology, memory, ideology, and individuality that uses DeFabio’s sly narrative persona, movement, video, and audio pastiche, and interactive audience participation (via those celebrated and hated cellphones) to productively turn over a subject too close to most of us to be clearly grasped otherwise.

SAN FRANCISCO FRINGE FESTIVAL
Through Sept. 21, $12.99 or less
Exit Theatreplex
156 Eddy, SF
www.sffringe.org

Holy terror

Sasha Cuttler
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Holy terror

LIT A tale of horrors so unbelievable it could only be plucked from real life, Tom Kizzia’s Pilgrim’s Wilderness: A True Story of Faith and Madness on the Alaska Frontier (Crown Publishers, 336 pp., $25) details the saga of self-styled religious fanatic “Papa Pilgrim,” aka Robert Hale, who in 2002 moved his wife and 15 children to McCarthy, a remote Alaska community.

The Pilgrims lived off the land; they followed their patriarch’s interpretation of the Bible with cultlike fervor. Though they gained local fame for their bluegrass band, their greatest notoriety came courtesy of a battle with the National Park Service, thanks to an illegally-bulldozed road and the complications that ensued.

But any folk-hero status was obliterated when the true story of the Pilgrim family — from Robert Hale’s dark past, including the mysterious death of his first wife, to the shocking abuse endured by all of his children, particularly oldest daughter Elishaba — came to light. Homer, AK-based journalist Kizzia had an insider’s advantage when it came to reporting the story, since he owns a cabin near McCarthy and was familiar with the characters that populated the surrounding wilderness. He wrote about the Pilgrim story as it unfolded, and later turned his research and findings into Pilgrim’s Wilderness.

SF Bay Guardian I was just reading your original Anchorage Daily News articles on this story, and the first headline, from June 2003, is “The Pilgrims, a family of inholders in McCarthy, clear 13 miles of national park land.” At what point did you realize this story was more than simply an eccentric rural family’s squabbles with the National Park Service?

Tom Kizzia That first story, I did over the phone, and [Papa Pilgrim’s] patter was so eccentric that I realized it would make a great story to see what this family is like up close. It was really when I got out there that I realized there was a really strange edge to the place.

That was also when I realized that more [information] had to come out before I could say I really understood what the story was. Right at that time, I stumbled onto [Papa Pilgrim’s] past, that he wasn’t this quaint, hillbilly hermit that he was making himself out to be. That raised all sorts of interesting questions as well. But it was years before the family really blew up and anything was known about what had been going on inside.

SFBG It seems like you were the ideal person to write this story — not only were you writing some of the earliest articles about the family, you also own a cabin near McCarthy.

TK [Papa Pilgrim] was such a great manipulator that he played that up, even to me. “I won’t talk to other reporters, but I’ll talk to you.” He always knew how to make you feel puffed up. He was playing me, I could tell. I’ve been a reporter a long time! But I was playing him back, too. If he wanted to play that game, and it was going to get me access, then I played along.

It was kind of fun to talk about that in the book, just as one of many small sub-themes — that back-and-forth that goes on between subject and journalist. And I asked myself later, did I go too easy on him when I was up at his wilderness lair? Should I have asked tougher questions?

But I think you could reasonably say that was a somewhat perilous situation to be in. You don’t necessarily want to be too in-your-face when you’re out in the wilderness with the guy. Plus, I knew that he had a phone, so I could call him later if I found out more — which I did. And indeed, those phone conversations got testier and testier.

SFBG I had never heard the term “inholder” — people who own property within National Park Service land — before I read your book. Why do communities like McCarthy sometimes have antagonistic feelings toward the Park Service?

TK It’s a big thing in the West. I’d heard about these kinds of frictions just growing up and reading about Western history — and in Alaska, it was being played out in the modern day.

It was partly a holdover from the 1970s, when the debate was going on over what the creation of these new parks in Alaska was going to mean to the local lifestyle. For a lot of people, it was the coming of government to a rural area that had very little government before. It was, “We used to be able to do what we want, and now there’s someone telling us we have to do things a certain way.” That put people off.

But the parks in Alaska were created, in a way, to try to allow that rural lifestyle to continue. A lot of that impetus came out of a desire to protect the Alaska native cultures, and their hunting and fishing traditions. Congress chose to provide those rights for all rural Alaskans, native and non-native. And as a consequence, you end up with families like the Pilgrims moving out into the bush and taking advantage of those opportunities.

SFBG I kept wondering why, if Papa Pilgrim really wanted to keep his family isolated, he picked so many fights with the Park Service.

TK As we came to understand only much later, he thrived on having external enemies. So the park, and its bureaucracy, made a convenient enemy for him; he could rally his family and, for awhile, others in the community, to defend him.

But I puzzled at that: If you really want to be isolated, why build a road to your doorstep? There’s a contradiction there. But that’s sort of the great American contradiction, too — the great story of Western expansion. Building up your valley, and then trying to keep it to yourself.

SFBG Pilgrim’s daughter Elishaba, who suffered the most abuse, emerges as sort of the hero of the story. At what point did she open up to you?

TK It was really in the latter parts of my research where she became comfortable telling me her story. I think it had partly to do with her coming forward in church fellowship settings and talking about her experiences, and realizing what it meant to others to hear what she had been through and how she had come out of it.

And she also realized that even within a non-Christian setting, it’s helpful for victims of domestic violence to realize that you can get out, even from the most desperate situation that you could imagine — which would be her situation, not only physically, but also mentally and psychologically. She was trapped by her sense of her soul being in peril if she rebelled. But she found the strength to do it. *

TOM KIZZIA

Sept. 18, 7pm, free

Books Inc.

301 Castro, Mtn. View

Sept. 19, 7pm, free

Book Passage

51 Tamal Vista, Corte Madera

www.tomkizzia.com

 

Stage listings

Sasha Cuttler
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Opens Fri/13, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Oct 13. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

“Bay One Acts Festival” Tides Theatre, 533 Sutter, SF; www.bayoneacts.org. $20-40. Opens Sat/14, 8pm. Programs One and Two run in repertory Wed-Sun, 8pm. Through Oct 5. The 2013 BOA fest presents the world premieres of 13 short plays in partnership with 13 Bay Area theater companies.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Previews Wed/11-Sat/14, 8pm; Sun/15, 2:30pm; Mon/16, 7pm. Opens Tue/17, 8pm. Runs Tue, 7pm; Wed-Sat, 8pm; Sun, 2:30. Through Oct 6. Magic Theatre performs a revival of Sam Shepard’s Pulitzer-winning classic.

The Golden Dragon ACT’s Costume Shop, 1117 Market, SF; www.doitliveproductions.com. $15. Opens Fri/13, 9:30pm. Runs Thu-Sat, 9:30pm. Through Sept 28. Do It Live! Productions presents Roland Schimmelpfennig’s tragicomic take on globalization, set in and around an Asian restaurant.

1776 ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-160. Previews Wed/11-Sat/14 and Tue/17, 8pm (also Sat/14, 2pm); Sun/15, 7pm. Opens Thu/19, 8pm. Runs Tue-Sat, 8pm (also Wed and Sat, 2pm; Sept 24, show at 7pm); Sun, 2pm. Through Oct 6. American Conservatory Theater performs the West Coast premiere of Frank Galati’s new staging of the patriotic musical.

The Shakespeare Bug Stage Werx Theatre, 446 Valencia, SF; www.killingmylobster.com. $15-30. Previews Thu/12-Fri/13, 8pm. Opens Sat/14, 8pm. Runs Thu-Sun, 8pm. Through Sept 29. Killing My Lobster in association with PlayGround perform Ken Slattery’s world-premiere comedy.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 8:30pm. Through Oct 12. Lynne Kaufman’s acclaimed play returns to the Marsh, with Warren David Keith reprising the titular role.

American Dream New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $35-45. Wed/11-Sat/14, 8pm; Sun/15, 2pm. A recently divorced and recently out architect falls in love with his Spanish teacher — and tries to bring him from Mexico to California — in this world premiere by Brad Erickson at the New Conservatory Theatre Center.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

In Friendship: Stories By Zona Gale Z Below, 470 Florida, SF; www.zspace.org. $20-50. Wed/11-Thu/12, 7pm (also Wed/11, 3pm); Fri/13, 8pm. Word for Word performs Zona Gale’s “comedy of American manners.”

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Thu-Sun, 6pm. Through Oct 6. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

Macbeth Main Post Parade Ground Lawn, Presidio of San Francisco, SF; www.sfshakes.org. Free. Sat/14-Sun/15, 2pm. In its 31st season, Free Shakespeare in the Park also takes on one of the Bard’s major tragedies.

“San Francisco Fringe Festival” Exit Theatreplex, 156 Eddy, SF; www.sffringe.org. $12.99 or less (passes, $45-75). Through Sept 21. The 22nd SF Fringe presents 36 shows that explore the boundaries of theater and performance.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Extended through Oct 6. Aurora Theatre opens its 22nd season with the Bay Area premiere of Amy Herzog’s family drama.

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Opens Sat/14, 8:30pm. Runs Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed, 7:30pm; Thu-Sat, 8pm (also Sept 28 and Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Good People Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Wed/11, 7:30pm; Thu/12-Sat/14, 8pm (also Sat/14, 2pm); Sun/15, 2 and 7pm. Marin Theatre Company performs the Bay Area premiere of David Lindsay-Abaire’s Broadway triumph about class and poverty.

Orlando Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. $10-30. Thu/12-Sat/14, 8pm; Sun/15, 5pm. TheatreFIRST performs Sarah Ruhl’s gender-shifting comedy, which takes place over a span of 300 years.

PERFORMANCE/DANCE

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sun/15, Sept 21, Oct 6, 12, 20, 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Dancing Poetry Festival” Florence Gould Theater, California Palace of the Legion of Honor, 100 34th Ave, F; (510) 235-0361. Sat/14, noon-4pm. $6-15. Now in its 20th year, this festival combines poetry and dance, with companies from across Northern California lending their talents.

“Faux Queen Pageant 2013: Sisters Grimm” Slim’s, 333 11th St, SF; www.slimspresents.com. Sat/14, 7pm. $20. “Drag Queens trapped in women’s bodies” compete for supremacy at this contest, a benefit for local charities including Mickaboo Companion Bird Rescue, SaveABunny, and Women Organized To Make Abuse Nonexistent, Inc.

“Here and Then” ODC Studio B, 351 Shotwell, SF; www.humanshakes.com. Sat/14-Sun/15, 8-9:30pm (no admission after 8:45pm). $17-20. Tim Rubel Human Shakes performs a dance installation dedicated to Harvey Milk and other human rights workers.

Kathleen Madigan Yoshi’s San Francisco, 1330 Fillmore, SF; www.yoshis.com. Sat/14, 8 and 10pm. $45. The comedian performs.

“Maestros of the Movies” Davies Symphony Hall, 201 Van Ness, SF; www.sfsymphony.org. Mon/16, 8pm. $15-152. John Williams conducts SF Symphony for this tribute to his iconic film scores. Frequent collaborator Steven Spielberg co-hosts the performance.

“A Match Made in Hell” Bindlestiff Studio, 185 Sixth St, SF; www.matchmadeinhellmusical.com. Fri/13-Sat/14, 8pm. $15-20. Max Weinbach’s original musical follows a couple brought together by the Devil.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Monkey Gone to Heaven” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/13-Sat/14 and Sept 19-21, 8pm; Sun/15 and Sept 22, 7pm. $20. EmSpace Dance performs the world premiere of a dance-theater work inspired by the relationship between primates and prayer.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“Signaling Arcana” Z Space, 450 Florida, SF; www.cimimarie.com. Thu/11-Sat/14, 8pm (also Sat/14, 2pm); Sun/15, 5pm. $25. Cinematic shadow theater with 3D effects and original music from director-inventor Christine Marie and composter Dan Cantrell.

“Swingin’ Back Home” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.ticketweb.com. Wed/11 and Fri/13, 8pm; Sat/14-Sun/15, 7pm. $30-65. Michael Feinstein performs his new tribute to popular songs. *

 

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