Independent

San Francisco’s chance at seeing 3D porn goes flat

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If you thought wizards and animated toys were fun in 3D, imagine putting on a pair of those nerdy glasses and getting popped in the face by some erect nipples. Sex on the big screen is always a thrill, but the Chinese film, Sex and Zen, is taking eroticism to a whole new dimension (corny pun intended) and is sure to get viewers foolishly grasping at the seemingly tangible passion. Keep your hands at your sides, San Franciscans; unfortunately the film’s debut in our city will only be offered in standard 2D.

Based on the ancient Chinese novel, The Prayer Mat of Flesh, and a remake of the 1991 film with the same name, Sex and Zen claims to be a bold, sexual comedy about a lustful scholar’s sexual adventures to become the ideal lover for his new wife. Practice makes perfect and therefore the film is packed with colorful sex and stars a roster of hot bods, including Japanese porn stars Hara Saori and Suo Yukiko and Hong Kong actress Vonnie Liu. Sex and Zen is considered soft-core, so don’t get your hopes up for massive erections or explosive female ejaculation, but you can still get your shameless 3D kicks with gags featuring jiggly breasts and a gigantic horse cock. 

So why is the Bay Area being teased and then restricted from the 3D amusement? Sex and Zen’s distributor, China Lion Film Distribution, brings about 15 films a year to the US, usually without issue, but this film’s mix of campy-eroticism earned a NC-17 rating from Motion Picture Association of America, meaning big, fat corporate theaters weren’t interested in showing the movie and most smaller, independent art house theaters don’t have the ability to show in the third dimension. China Lion CEO and Kiwi Milt Barlow, says in general, finding happy host screens in the US has been a battle, but San Francisco seems to be the biggest loser in this round.

“On the surface, America is a very conservative country and I find it quite puzzling. It’s supposed to be the land of free speech, sex, drugs, and rock ‘n’ roll,” says Barlow, chuckling, although audibly disappointed. “Americans invented porn, didn’t they?”

According to the MPAA, NC-17 simply means the film contains visuals “most parents would consider patently too adult for their children 17 and under” and “does not mean ‘obscene’ or ‘pornographic’ in the common or legal meaning of those words, and should not be construed as a negative judgment in any sense.” Many corporate theaters uphold policies that restrict the showing of anything past the ‘R’ rating. When you take a glimpse at the types of programming available on cable or even prime-time TV, it feels likely some creepy censorship shit. 

“You can see some pretty rugged stuff on Showtime. Sex and Zen is not a porn– it’s an erotic farce. It’s slapstick and campy.”

The film’s popularity on opening night in Hong Kong surpassed Avatar and stripped the original, highly popular Sex and Zen from its title for highest grossing adult film. Barlow, and I’m guessing many a San Franciscan, are hoping that this potential cult classic will garner a positive response from other theaters in the US who are showing in 3D, such as Dallas, Portland and LA, and eventually swing back around in its intended form. Until then, our hands are tied, and not in a fun way. Boo America. 

 

Sex and Zen

Fri/12, check theater website for showtimes

Four Star Theater

2200 Clement St., SF

(415) 666-3488

http://www.lntsf.com/4-star_theatre

 

Return of the rock

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emilysavage@sfbg.com

MUSIC Outside Lands has stepped up its game in its fourth year. The mix of bands this time around is truly inspired — if a bit pilfered from old lineups at other fests like Treasure Island. No matter, it’s riding high in 2011.

This was not always the case. Last year, the Golden Gate Park festival seemed lackluster in the music department; the lineup wasn’t as solid as it had been previously, and it lacked that one giant-but-dependably-awesome act like Radiohead (or this year’s Arcade Fire). In the process, it may have lost a festival-goer or two.

It also went down to just two days in 2010 (it was three in 2008 and 2009), which Another Planet Entertainment vice president Allen Scott says was originally the plan. He later added, “[Last] year there weren’t a lot of touring headliners because of the recession. A lot of bands and artists decided to take last year off.”

This year, however, it’s back to long-weekend status. Saturday is already sold out, unless you want to do it up big and invest in a three-day pass or VIP tickets. That leaves, as of press time, the option of going either Friday or Sunday.

The highlights below are meant to help you more easily maneuver your way through the thick bustle of crowds and trees when you get out to those green fields. For the most part, I steered clear of headliners, since those are the artists who likely inspired your decision to attend in the first place. Here’s how to get the most (audio) bang for your buck.

 

FRIDAY

Do not miss:

Big Boi: Despite Big Boi’s arrest for drug possession last weekend, Scott says, “We are expecting Big Boi to be performing at Outside Lands this Friday.” Chances are, you were not one of the lucky few who jumped on tickets to see Big Boi at the Independent earlier this year — a venue far smaller than his usual digs. Needless to say, that show was way, way sold out. While the Outside Lands stage is far larger, his presence with silky-smooth vocals and casual flowing skills are big enough to dominate.

Joy Formidable: The acclaimed Welsh trio has been lauded for ushering a return to ’90s-era pop and shoegaze. With driving guitar riffs and strong female vocals, there’s a definite glint of Breeders in there. Dave Grohl, a man well familiar with the grunge decade, chose the band to open for Foo Fighters later this year.

Toro Y Moi: South Carolina native Chaz Bundick, known as Toro Y Moi on stage, is one of those talented genre smashers. His sophomore album Underneath the Pine, which came out earlier this year, has elements of dance, funk, and dream pop; Bundick is said to be influenced by French house, ’80s R&B, and Stones Throw hip-hop. And you can throw a little Off the Wall-era Michael Jackson in there as well.

Worth checking out:

Kelley Stoltz: He’s got connections with Sonny Smith (of Sonny and the Sunsets) — he appeared on the Sunsets’ album Tomorrow is Alright — but Kelley Stoltz is a talented musician to watch in his own right. The singer-songwriter-guitarist is at the heart of San Francisco’s garage scene, has been compared to Brian Wilson (Beach Boy, not Giant), and will likely perform tracks off his excellent 2010 Sub Pop release To Dreamers.

 

SATURDAY

Do not miss:

Black Keys: With just two members, the Black Keys has a notoriously big sound. This will travel well, even if you’re stuck towards the back of the crowd, and that deep soul will likely cause some uncontrollable shoulder shaking.

Old 97s: One of the early pioneers of alt-country, Old 97s was at the forefront of a new classification of music in the early ’90s. Since then, singer Rhett Miller has struck out on his own with well-received solo albums, but catching his sound where it all started is a rarer treat.

Worth checking out:

STRFKR: Portland, Ore.-based dance pop quartet STRFKR (pronounced “Starfucker”) injects emotion into live electronic dance music. Call it that now-retro genre electro pop, call it the LCD Soundsystem effect, call it whatever you wish: just dance.

 

SUNDAY

Do not miss:

Beirut: Beirut doesn’t play very often — the last time it stopped in San Francisco was at the Treasure Island Festival in 2008 — but when it does, it’s imperative that you watch. The result is an inspired jumble of brass horns and ukulele, Balkan folk, and Eastern European-influenced torch songs. Band leader Zachary Condon’s vocals soar live and he emotes convincingly at each stop.

Deadmau5: The tripped-out lights, lasers, and holograms of the show are worth sticking around for regardless of sound. But Deadmau5, nestled in a lit-up diamond cube and wearing an oversize foam mouse head, does bring music as well; it’s haunting yet danceable electronica with moving beats and breakdowns.

tUne-YarDs: Colorful, paint-streaked Merrill Garbus (a.k.a. tUne-YarDs) could likely be dubbed acid queen of 2011 — minus any actual drugs. Her looping drums, ukulele, and bass compositions are a dizzying work of art. And if you’ve seen her weirdo video for “Bizness,” you know she’s got a few unique ideas floating around. All that brain power manifests itself into a superior live show. Plus, she brought “two free-jazzing saxophonists” to the Pitchfork Music Festival, so here’s hoping she’ll do the same in her adopted Bay Area home.

Worth checking out:

Fresh & Onlys: The band may on the verge of outgrowing this place, but for now, Fresh & Onlys can be described as very San Francisco. As in, its music is one of a few local favorites to be included in the Hemlock Tavern’s meticulously selective jukebox. The garage rockers play moody, ’80s-tinged rock ‘n’ roll — soundtrack music for backseat teenage make-out sessions.

Major Lazer: You know Diplo, that guy who made M.I.A. good? He is also a member of Major Lazer, along with another producer you may know through M.I.A., Switch. Diplo has described Major Lazer’s sound as “digital reggae and dancehall from Mars in the future,” which: yeah. The show includes eye-popping costumes, hype men, and a refreshing bent towards live audio.

 

OUTSIDE LANDS MUSIC AND ARTS FESTIVAL Fri/12-Sun/14, noon, $85 Golden Gate Park, SF www.sfoutsidelands.com

Music Listings

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WEDNESDAY 10

ROCK/BLUES/HIP-HOP

Blah Boutique, Love Axe, Genius and the Thieves Rickshaw Stop. 8pm, $10.

Grady Champion Biscuits and Blues. 8 and 10pm, $18.

Clap Your Hands Say Yeah Independent. 9pm, $20.

Outside Lands Night Show. Mad Noise Yoshi’s San Francisco. 8pm, $5.

Outdoorsmen, Mordecai, SF Water Cooler Hemlock Tavern. 9pm, $6.

Personal and the Pizzas, X-Mas Island Knockout. 9pm, $6.

Return to Earth, Suggies, Symbolick Jews, Guitar Wizards of the Future Elbo Room. 9pm, $6.

Roundups 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Steinway Junkies, Shake Me!, Mick Leonardi, Prose In Rosette Bottom of the Hill. 8:30pm, $8.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho with Tamar Korn, Michael Abraham Amnesia. 7pm, free.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Steve Taylor-Ramirez Plough and Stars. 9pm.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, free. Funk, swing, rare grooves, and more with Dr. Musco and guests.

Death or Glory Milk. 9pm, free. Punk rock dance party with Handsome Hawk Valentine and DJs Bazooka Jules and Queen-e.

English Pound Radio Otis Lounge, 25 Maiden Lane, SF; www.otissf.com. 9pm, $5. Reggae.

Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.

Megatallica Fiddler’s Green, 1333 Columbus, SF; www.megatallica.com. 7pm, free. Heavy metal.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

THURSDAY 11

ROCK/BLUES/HIP-HOP

Best Coast, Eskmo California Academy of Sciences, 55 Music Concourse Dr, SF; www.calacademy.org/nightlife. 6pm, $12.

Outside Lands Night Show. Eels, Submarines Great American Music Hall. 9pm, $28.

Equipto Amoeba, 1855 Haight, SF; www.amoeba.com. 6pm, free. Evaline, Lite Brite, Fake Your Own Death Botttom of the Hill. 9pm, $10.

Alan Iglesias Biscuits and Blues. 8 and 10pm, $16. Stevie Ray Vaughan tribute.

Jésus and the Rabbis Blackthorn Tavern, 834 Irving, SF; www.blackthornsf.com. 10pm, free.

Memorials, Secret Secretaries, NIAYH Café Du Nord. 9pm, $12.

Pins of Light, Young Lions, Hornss Knockout. 9:30pm, $7.

White Pee, Birch Cooper and Polly Darton Hemlock Tavern. 9pm, $6.

Zoot Woman Rickshaw Stop. 10pm, $12. With Popscene DJs.

JAZZ/NEW MUSIC

SF Jazz Hotplate Series Amnesia. 9pm.

Soul jazz party with Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Shareef Ali and the Radical Folksonomy Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Kentucky Twisters Atlas Café. 8-10pm, free. Maxi Priest Yoshi’s San Francisco. 8 and 10pm, $24-32.

Bradley Reeves 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Shannon Céili Band Plough and Stars. 9pm.

DANCE CLUBS 

Afrolicious Elbo Room. 9:30pm, $5. Afrobeat, Tropicália, electro, samba, and funk with DJs Pleasuremaker and Señor Oz, plus guest Ursula 1000.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party features video DJs Mark Andrus, Don Lynch, and celebrity guests.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

 

FRIDAY 12

ROCK/BLUES/HIP-HOP

Alma Desnuda, Dogman Joe Slim’s. 9pm, $17.

Califone, Yesway, Sands Bottom of the Hill. 9:30pm, $12.

Damned Things, Maylene and the Sons of Disaster, Fair to Midland, Hourcast, I Am Empire Fillmore. 8pm, $20.

Dex Romweber Duo, Ferocious Few, Touch-Me-Nots Thee Parkside. 9pm, $10. Moon Rockers, Lumps, Joy Hemlock Tavern. 9pm, $6.

“Outside Lands Music and Arts Festival” Golden Gate Park, SF; www.SFOutsideLands.com. Noon, $85. With Phish, Shins, MGMT, Original Meters, and more.

Sadies, Jesse Sykes and the Sweet Hereafter Great American Music Hall. 9pm, $17.

Soft Bombs, Aerosols, These Hills of Gold, Skystone Knockout. 9pm, $7.

Vetiver, Extra Classic Rickshaw Stop. 10pm, $15.

Outside Lands Night Show. We The Kings, Summer Set, Downtown Fiction, Hot Chelle Rae, Action Item Regency Ballroom. 6:30pm, $18.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Gaucho with Tamar Korn Caffe Pascucci, 170 King, SF; www.caffe-pascucci.com. 8pm, $10.

Jazz Organ Party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

Paula West with the George Mesterhazy Trio Yoshi’s San Francisco. 8 and 10pm, $25-35.

FOLK/WORLD/COUNTRY

Kitchen Fire Plough and Stars. 9pm.

Song Preservation Society 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Torreblanca, Bang Data, Andrea Balency, DJ El Kool Kyle Elbo Room. 10pm, $10.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5.Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Blow Up vs. Popscene 8 DNA Lounge. 10pm, $20. With DJs Jeffrey Paradise, Fred Falke, Omar, and more.

Breakiosaurus: Elephant Bird Camp Fundraiser and Outside Lands After Party Blue Macaw, 2565 Mission, SF; www.thefunkyones.com/breakiosaurus. 10pm, $5-10. Hip-hop.

No Way Back Public Works. 10pm, $15. With Theo Parrish, Conor, and Solar. Re:Creation Temple SF, 540 Howard, SF; www.templesf.com. 10pm, $20. With Polish Ambassador, Quitter, Dnae Beats, Samples, and more.

Vintage Orson 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

 

SATURDAY 13

ROCK/BLUES/HIP-HOP

Matt Berkeley Blackthorn Tavern, 834 Irving, SF; www.blackthornsf.com. 9:30pm, free.

Big Sandy and His Fly-Rite Boys, Eilen Jewell, Zoe Muth and the Lost High Rollers Slim’s. 9pm, $16.

Matthew Edwards and the Unfortunates, Sean Smith Make-Out Room. 7:30pm, $8.

“Elv-O-Rama King Size Variety Show” Knockout. 9:30pm, $10. With Elvis Herselvis, Quarter Mile Combo, Naked and Shameless, and more.

Forgotten Passage 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free. 

Heartsounds, Story So Far, This Time Next Year, Shotdown Thee Parkside. 9pm, $8.

Hooks, Eastern Span, InterChords, Clash City Sirens Bottom of the Hill. 9:30pm, $10.

“Jimmy McCracklin’s 90th Birthday Bash” Biscuits and Blues. 8 and 10pm, $20. With Ben Petry, BigCat, Bobby Cochran, and more.

Sid Luscious and the Pants, CH-3, Doormats Thee Parkside. 3pm, free.

“Outside Lands Music and Arts Festival” Golden Gate Park, SF; www.SFOutsideLands.com. Noon, $85. With Muse, Black Keys, Girl Talk, Roots, and more.

“Rotfest III” Hemlock Tavern. 5pm, $10. With 3 Stoned Men, Natural Fonzie, Wiki Wiki Uke Band, and more.

“Swing Goth Presents: Bowie Ball 2: 2 Times the Bowie” Café Du Nord. 9:30pm, $20. With Scission and Tiger Club.

JAZZ/NEW MUSIC

Carlitos Club Deluxe, 1511 Haight, SF; (415) 552-6949. 9pm.

Soul Jazz Party with Jules Broussard and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Paula West with the George Mesterhazy Trio Yoshi’s San Francisco. 8 and 10pm, $25-35.

FOLK/WORLD/COUNTRY

DaMaDa Westside Art House, 540 Balboa, SF; www.westsidearthouse.com. 8:30pm, $5.

Mutineers, Misisipi Mike Wolf, Big Jugs Plough and Stars. 9pm. Sweet Chariot Riptide Tavern. 10 and 11:15pm, free.

Craig Ventresco and Meredith Axelrod Atlas Café. 4-6pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF: Eight Year Anniversary Show DNA Lounge. 9pm, $10-15. With DJs Adrian and Mysterious D, Trixxie Carr, and more.

Cockblock Rickshaw Stop. 10pm, $8-10. With Natalie Nuxx. DJ Questlove, DJ Mark DiVita Public Works. 9pm, $15.

Tormenta Tropical Elbo Room. 10pm, $5-10. Electro-cumbia with DJs Shawn Reynaldo and Oro 11.

 

SUNDAY 14

ROCK/BLUES/HIP-HOP

Bare Wires, Liquor Store, Natural Child Hemlock Tavern. 9pm, $8.

Ronnie Baker Brooks Biscuits and Blues. 8 and 10pm, $22.

Buck 65 Slim’s. 8pm, $16.

Cosa Brava, Grex, Jack O’ the Clock Great American Music Hall. 8pm, $20.

“Outside Lands Music and Arts Festival” Golden Gate Park, SF; www.SFOutsideLands.com. Noon, $85. With Arcade Fire, Deadmau5, Decemberists, John Fogerty, and more.

Solo and the Skyrider Band, Dosh Bottom of the Hill. 9pm, $12.

Underground Railroad to Candyland, Arrivals Knockout. 9pm, $6.

Warren Haynes Band, Stone Foxes Independent. 10pm, $30.

Young Offenders, Airfix Kits, Only the Messengers Hemlock Tavern. 3pm, $5.

JAZZ/NEW MUSIC

Creative Voices Musicians’ Union Hall, 116 Ninth St, SF; www.noertker.com. 7:30pm, $10.

Jazz organ party with Lavay Smith and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free. Mezghoon Ensemble Yoshi’s San Francisco. 7pm, $35.

Sunday Jazz Jam 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

FOLK/WORLD/COUNTRY

Maria Fibush and friends Plough and Stars. 9pm. Javier Limón featuring Buika, La Shica, Sandra Carrasco, and Luisa Maita Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Zach Lupetin and the Dustbowl Revival Amnesia. 8pm, $7.

Saddle Tramps Thee Parkside. 4pm, free. Secret Sisters Café Du Nord. 8pm, $17.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Ludichris, and guest Roger Mas.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

 

MONDAY 15

ROCK/BLUES/HIP-HOP

Bomb the Music Industry, Sidekicks, Blanks, Caps Bottom of the Hill. 9pm, $10.

Kirby Sewell Band featuring John Nemeth Biscuits and Blues. 8 and 10pm, $15.

Ovens, Culture Kids, Sourpatch, DJs Harkin and Chominski Knockout. 9pm, $5.

Winter, Noothgrush, Trap Them, Black Breath, All Pigs Must Die, Acephalix Elbo Room. 7pm, $25.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

DJ Brian Turner Hemlock Tavern. 6pm, free.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

 

 

TUESDAY 16

ROCK/BLUES/HIP-HOP

Bipolaroid, Nectarine Pie, Shrougs, DJ Tina Boom Boom Knockout. 9:30pm, $7.

Go Go’s, Girl In A Coma Fillmore. 8pm, $39.50. Heavy Hawaii, Bleached, Plateaus Hemlock Tavern. 9pm, $7.

Milk Carton Kids, Andrew Belle Café Du Nord. 9pm, $12.

Pentagram, Pelican, Alpinist, Masakari, Early Graves, Baptists Mezzanine. 6:30pm, $25.

Holcombe Waller, Mia Doi Todd, Garrett Pierce Bottom of the Hill. 9pm, $12.

 

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. 

What not to M.O.O.P.

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caitlin@sfbg.com

PLAYA PREP In Miranda Caroligne’s Mission District sewing studio, there is a dress dummy covered in used Carhartt remnants that are being reborn as an asymmetrical mini-dress. It’s a project that the designer, whose fanciful style has made her a popular check box on pre-Burning Man to-do lists, is working on for Margaret Long, a member of the Flaming Lotus Girls fire art collective. Please note: no fun fur or tribal accents are visible on the soon-to-be-dress.

These are the rush months for Caroligne and other burner designers, like SF-based Silver Lucy and Tammy Hulva of Tamo Design, prime time for helping burners to realize their sartorial fantasies. Caroligne makes form-fitting, whimsically-stitched fleece jackets that hang by the bundle throughout her bright creative space, and one-size-fits-all boot covers made from old suit sleeves. But she says that for her custom-made creations, she prefers a little vision in her clients. In other words, please don’t come to her for furry boots and glow sticks.

“I tend to speak out against that,” she says of trends towards the homogenization of playa culture. “I only design for people if they have a very clear vision of something they want to express. I consider myself the conduit to making that happen.” When people come in for the standard Mad Max raver treatment, she sits them down to clarify what about the look resonates with them.

Burning Man fashions have evolved over the last quarter-century, with the old emphasis on crazy DIY costumes eventually morphing into distinct burner fashion aesthetics, such as the feather-and-leather look popularized by the El Circo camp and the late designer Tiffa Novoa and featured in SF stores such as Five and Diamond.

It is perhaps indicative of the spread of Burning Man culture that Caroligne’s potential clients sometimes ask for the same style. It’s been popularized by a hundred wholesale websites — fun fur bikinis and (particularly popular in the Bay Area, according to the designer) the “dark leather and feather tribal look that’s mass produced in Bali.”

Stores from SoMa to San Rafael to New York advertise themselves as one-stop shopping venues for burner-fied fashion, and numerous expos make similar claims here in the Bay Area — Aug. 14’s second Prepare for the Playa street fair of the year being one of them.

Independent designers are at creative odds with the uniformity that is developing in some camps — but they’re also concerned with the sustainability of the designs, which are often imported and disposable. “That disgusts me,” Caroligne says. “A lot of that stuff is very M.O.O.P.-y.” (M.O.O.P. being the burner acronym for to-be-avoided-at-all-costs “matter out of place,” or any waste that could harm the playa’s natural ecosystem).

It wasn’t always this way. Before the turn of the 21st century, it would have been difficult to determine the Burning Man uniform. People made clothes for themselves and friends, or they wore regular clothing-redux in the hot Nevadan sun. Ironically nowadays, Caroligne says, “I’ve heard many people talk about walking into a Burning Man party and feeling judged (because of what they were wearing).”

She’s still a little unsure of the implications of working as a for-profit businessperson within a nonprofit culture. But Caroligne tries to mitigate the disconnect by doing pieces for busy artists that contribute to the Burning Man community (she was particularly excited to have costumed Burning Man board member Marian “Maid Marian” Goodell for the ritual burning of The Man one year, and be-suited Glitch Mob’s Justin Berreta for another).

In a previous incarnation, Caroligne was a physical therapist. When she began her fashion career, she did so with an eye toward her clothing’s effect on individual body dynamics. She created weighted coats that swung appealing when their owner strode across dusty Black Rock streets, sexy dresses made of cozy fabric that could be doubled around the face for warmth or privacy. At times, her clothing can even reflect the party philosophy of the wearer– she often asks customers whether they’d like the softest fabric of their new wardrobe item on the inside or outside. “Do you want to feel it or do you want other people to feel it?”

She believes what one wears at Burning Man can be empowering. “We’re finding your superhero self. What does your superhero look like?” is a common topic of discussion in initial consultations.

Judging from the length of her in-process dress’ skirt, Long’s superhero is sultry — but also here to get some work done. An intact overall strap has been left to speak for itself on the right shoulder, and below, grease-stained Carhart pieces have been left whole so that Long’s customary wrench loop will continue to ride comfortably on her right hip. Caroligne is attempting to create an outfit that expresses the wearer.

“During my 12 years at Burning Man, I’ve seen the change from self-made to high fashion,” says Hulva, whose Tamo Design clothes “originate from ideas about making my wardrobe more functional and fashionable on the playa.

Hulva makes luxe faux fur that doesn’t shed M.O.O.P. like the cheaper stuff you’ll find at many a mall store. Her popular “Baroness” jacket is late-night-early-morning playa crawl dream wear, with a hood to hide in, fabric that gives, deep pockets to store party essentials — and you don’t have to be so glum about covering up your LED tube top: it’s sexy, to boot.

When pumped about hot playa trends for 2011, Caroligne and Hulva were loathe to cite anything too specific (though Caroligne expressed her enthusiasm for “playful 1980s revival styles”), rooting instead for individuality.

Burning Man fashion is about “a platform for self-expression,” according to Caroligne. Clothes, she says, “are the primary way that people can express themselves,” accessible even to those that specialize in other forms of playa magic, like Long.

But they did note a general trend arch over the festival’s history. The past of Burning Man lay in DIY clothes, self-made everything. The present has brought professionally-made garb, and the mass accessibility of a certain playa “look.” The future? Hulva hopes it holds “a trend to be more sustainable and practical — in addition to keeping things light and fun.”

She’s working on it. On Sunday, Aug. 7, Hulva is organizing the Haute Pool Show, a gathering at the Phoenix Hotel of 20 local, independent designers selling their high quality, playa-ready belts, vests, and accessories. It’s a follow up to her last event — July’s Beyond the Fence at Mighty — and both cater to those preparing for their journey to Black Rock City.

Only these aren’t clothes you’ll be reserving for the desert. Sure, they’re whimsical, but Burning Man fashion — particularly here in the Bay Area — really is stepping beyond the playa fence. The festival’s recent sell-out of tickets and an expected crowd of around 52,000 underline the fact that its impact is growing, and style cues picked up from the playa may just be finding their way into year-round usage.

“Versatile styles are hot this year,” says Hulva. “Burning Man fashion has really migrated into the everyday self expression, so people are buying things they can wear on the playa and back home.”

HAUTE POOL SHOW

Sun/7 2-8 p.m., free

Phoenix Hotel

601 Eddy, SF

Facebook: Haute Pool Show

PREPARE FOR THE PLAYA

Aug. 14 noon-7 p.m., free

Cafe Cocomo

650 Indiana, SF

www.preparefortheplaya.com

 


 

MIRANDA CAROLIGNE’S MUST-HAVES FOR THE PLAYA

Comfortable shoes

Cotton socks

Daytime clothes in light colors

A good shade hat and/or parasol

Silk long underwear for easy layering

A warm coat (“that you’ll have fun with”)

A thrift store cashmere sweater that you can tailor to be form-fitting

Music Listings

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Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

 

WEDNESDAY 3

ROCK/BLUES/HIP-HOP

Carolyn Wonderland Cafe Du Nord. 9:30pm, $15.

DNTEL, One Am Radio, Geotic Rickshaw Stop. 8pm, $10-$12.

Early and Often, Goodriddler, Build Us Airplanes Bottom of the Hill. 9pm, $8.

Midnite Snaxx, Veronica Hemlock Tavern. 9pm, $5.

Proclamation, Sanguis Imperem, Pale Chalice Elbo Room. 9pm, $10-$12.

This is Hell, Decoder, Endwell, Until Your Heart Stops Thee Parkside 8pm, $10.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Ben Marcato and Mondo Combo Top of the Mark. 7:30pm, $10.

Curtis Salgado Biscuits and Blues. 8 and 10pm, $18.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, free. Funk, swing, rare grooves, and more with Dr. Musco and guests.

Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

 

THURSDAY 4

ROCK/BLUES/HIP-HOP

AXXONN, En, Holly Herndon Hemlock Tavern. 9pm, $7.

A Decent Animal, Bitter Honeys Cafe Du Nord. 9pm, $10.

Exhumed, Macabre, Cephalic Carnage, Withered Slim’s. 8pm, $16.

Flexx Bronco 330 Ritch. 9pm, $8.

Halden Wofford and Hi Beams Amnesia. 9pm, $7.

Hydroponic, Agent Deadlies, Over the Falls Bottom of the Hill. 9pm, $8.

Texas Thieves, Unko Atama, Paper Bages Knockout. 10pm, $7.

Tornado Rider, Phenomenauts, Judgement Day Great American Music Hall. 8pm, $14.

Wailers, Revival Sound System Independent. 9pm, $25.

JAZZ/NEW MUSIC

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Tom Lattanand, Jon Raskin Quartet El Valenciano, 1153 Valencia, SF; (415) 826-9561. 9pm, $5.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. Afrobeat, Tropicália, electro, samba, and funk with DJs Pleasuremaker and Señor Oz.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party features video DJs Mark Andrus, Don Lynch, and celebrity guests.

PAWAS, Clint Stewart, Atish and Mark Slee, Dheeraj Sareen, Jamaica Suk Public Works. 10pm, $5-$7. Electronic dance music.

Shit Robot DJ Set Rickshaw Stop. 10pm, $7.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

 

FRIDAY 5

ROCK/BLUES/HIP-HOP

Bastard Noise, Landmine Marathon, Voetsek, Hosebeast Sub/Mission, 2183 Mission;www.sf-submission.com. 8pm, $10.

Brass Tax Amnesia. 9pm, $5.

Rick Estrin and Nightcats Biscuits and Blues. 8 and 10pm, $20.

La Corde, Ggreen,Waldo Astoria Hemlock Tavern. 9:30pm, $7.

Mirah, Tara Jane O’Neil El Rio. 9pm, $5-$10.

Mr. Big Fillmore. 9pm, $35.

Mustache Harbor, Private Idaho Slim’s. 9pm, $15.

New Monsoon, Sean Leahy and Friends, Kiyoshi Foster with late night set by New Monsoonageddon Great American Music Hall. 9pm, $15.

Pollux, Cure for Gravity, Repeat After Me Bottom of the Hill. 10pm, $10.

True Mad North, Red Weather, City Tribe, MilesCountry Hotel Utah Saloon. 8:30pm, $8.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Rick Estrin and Nightcats,Little Charlie Baty Biscuits and Blues. 8 and 10pm, $20.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Vaughan Johnson Jazz Combo Jack’s Club, 2545 24th St., SF; (415) 641-1880. 7pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Duniya Dancehall Bollyhood Cafe, 3372 19th St., SF; www.duniyadance.com. 10pm, $5-$10. Bangra, Bollywood, and West African dance.

Oldies Night Knockout. 9pm, $2-$4. Doo-wap, one hit wonders, and soul with DJ Primo, Daniel and Lost Cat.

120 Minutes Elbo Room.10pm, $5-$10. With Resident Djs Whitch and Nako plus special guest Nike 7UP.

Steffi, Mike Huckaby, Beautiful Swimmers, Lovefingers Public Works. 9pm, $10-$15.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

 

SATURDAY 6

ROCK/BLUES/HIP-HOP

Justin Ancheta Amnesia. 10pm, $30.

Annie Bacon and Her Oshen Riptide. 10 and 11:15pm, free.

Cast of Thousands featuring Brady Kids String Players, Kindness and Lies, Tremor Low Cafe Du Nord. 9:30pm, $10.

Dredg, Trophy Fire, Strange Vine Great American Music Hall. 8pm, $20.

Dub Fillmore Festival Gene Suttle Plaza and Fillmore Center, Fillmore and O’Farrell; www.dubfillmorefest.com. 10am, free.

Mickey Hart Band Independent. 9pm, $30.

Moenia Fillmore. 9pm, $35.

Oakhelm, Walken, Negative Queen El Rio. 10pm, $7.

San Francisco Rock Project Amoeba. 2pm, free.

San Frandelic Summer Fest Thee Parkside. 2pm, $12.

Sioux City Kid, Kill Moi, Tiny Television Bottom of the Hill. 10pm, $10.

Torche, Big Business, Thrones Slim’s. 9pm, $15.

Wet Illustrated, Angora Debs, Dimples Hemlock Tavern. 9pm, $5.

WomenROCK’s Fifth Anniversary Celebration Box Factory,865 Florida, SF; (415) 637-6870. 2pm, free.

JAZZ/NEW MUSIC

Bonjour, Tristesse St. Gregory of Nyssa Episcopal Chuch, 500 De Haro, SF; www.pacificcollegium.org. 8pm, $10-$30.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

John Weise, C. Spencer Yeh, Bill Orcutt, Pod Blotz Lab, 2948 16th St., SF; www.thelab.org. 9pm, $6-$15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF DNA Lounge. 9pm, $8-$10. Mashups with DJ Paul V, DJ Fox, and John!John!

Club 1994 Rickshaw Stop. 9pm, $10-$15. ’90s hip-hop and TRL classics

Debaser Knockout. 9pm, $5. ’90s alternative dance party with DJ Jamie Jams and Emdee.

ESL Music Showcase Public Works. 930pm, $10-$20. Featuring Nickodemus, Rob Garza, Afrolicious, DJ Sep.

Sanafrica Bollyhood Café. 9pm, $7-10. West African and Latin fusion party with Jose Luis, DJ Nado, and DJ Mignane.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul 45s with DJs Lucky, Phengren Oswald, and Paul Paul.

 

SUNDAY 7

ROCK/BLUES/HIP-HOP

Bowling for Soup, Dollyrots, Sunderland Bottom of the Hill. 9pm, $15.

Gorilla Takeover DNA Lounge. 5:30pm, $10-$12.

Hipwaders at JAMband Family Festival Park Chalet, 100 Great Hwy., SF; www.parkchalet.com. 3pm, free.

Hurd Ensemble, Ellul Hemlock Tavern. 9pm, $6.

“Jerry Day” Jerry Garcia Amphitheater,40 John F. Shelley, SF; jerryday.org. Noon, free.

Aaron Neville and Quinn Deveaux, Blue Beat Review Stern Grove, 19th Ave. and Sloat, SF; www.sterngrove.org. 2pm, Free.

Kally Price Old Buster Blues and Jazz Band, Emperor Norton’s Jazz Band Amnesia. 9pm, $5.

Twang Sunday with Going Away Party, Creak Thee Parkside. 4pm, free.

YOB, Dark Castle, Hornss Elbo Room. 3pm, $10-$12.

JAZZ/NEW MUSIC

Bonjour, Tristesse St. Gregory of Nyssa Episcopal Chuch, 500 De Haro, SF; www.pacificcollegium.org. 8Pm, $10-$30. A cappella music from the 20th century on.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Matt Schofield Biscuits and Blues. 8 and 10pm, $20.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Fresh Ruby Skye. 6pm. DJ Kevin Lee and Derek Monteiro. Benefiting Glide Memorial Church.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Ludichris, and guest Matt Haze.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

Tropical Hot Dog Night Knockout. 10pm, free. Mutant disco and post punk with DJ Placentina, Lady of the Night.

 

MONDAY 8

ROCK/BLUES/HIP-HOP

Adam Arcuragi and Lupine Choral Society, Fancy Dan Elbo Room. 9pm, $7.

Dominique Leone, Horns of Happiness, Aaron Novik/Thorny Brocky Knockout. 10pm, $7.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

 

TUESDAY 9

ROCK/BLUES/HIP-HOP

Timothy Bloom Cafe Du Nord. 9:30pm, $12.

Bombshell Betty and Her Burlesqueteers, Fromagique Elbo Room. 9pm, $10.

Imelda May Independent. 8pm, $20.

Misner and Smith Dastardly Amnesia. 9:30pm, $5.

Tortured Genies,Roomate, Sunbeam Rd Hemlock Tavern. 9pm, $6.

 

Our weekly picks: Aug. 3-11, 2011

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WEDNESDAY 3

FILM

“John Musker on the Art of Animation”

For the latest in its “Behind the Scenes: The Art and Craft of Cinema” series, the Pacific Film Archive turns to Disney animator John Musker, part of the writing-directing team for several of the studio’s new-revival hits, including 1989’s The Little Mermaid, 1992’s Aladdin, and 2009’s The Princess and the Frog. Musker’s three-day event kicks off with a clip show and discussion, sure to be jam-packed with insidery info (like, how much was Robin Williams’ Aladdin genie scripted, anyway? And how do animators deal with actors who like to improvise?). Next, he’ll introduce the most recent entry into Disney’s fairy tale arsenal, The Princess and the Frog, and Sunday brings a screening of 1940 classic Pinocchio — still magical, even without the benefit of newfangled 3D or CGI. (Cheryl Eddy)

Wed/3-Thurs/4, 6:30 p.m.; Sun/7, 3 p.m., $5.50–$9.50 Pacific Film Archive, 757 Bancroft, Berk. www.bampfa.berkeley.edu

 

THURSDAY 4

MUSIC

Exhumed

Exhumed could most assuredly provide the soundtrack if we were ever faced with a zombie apocalypse. As the still living population struggled in vain to escape dismemberment and ran screaming through the blood-soaked streets, blast beats and frenzied shredding would seal their doom. The goregrind pioneer from San Jose, Calif. has more than enough lyrical content to describe the ensuing mayhem and its ferocious riffs speak volumes on their own. Long dormant, Exhumed has returned with a new album and new line-up but retained its dependable brutality. Supporting Exhumed is the equally dependable Cephalic Carnage to unleash a further grind beat-down and aurally describe a world in which intestines pave the roads. (Cooper Berkmoyer)

With Macabre, Cephalic Carnage, and Withered

8 p.m., $16 Slim’s 333 11th St., SF. www.slims-sf.com

 

MUSIC

Shit Robot

When I last saw Shit Robot, the DJ was in a tin foil rocket ship in the 200s section of Madison Square Garden, performing during LCD Soundsystem’s “final” show. While thousands of people can say they were there for the end, Shit Robot a.k.a. Irish musician Marcus Lambkin is one of two who were there at the beginning, having reportedly swapped records with and introduced James Murphy to good dance music. Murphy would later return the favor, lending production and vocals to Shit Robot’s 2010 LP From the Cradle to the Rave. Featuring vocals from LCD’s Nancy Whang and Hot Chip’s Alexis Taylor, it was a long-awaited debut and distillation of electro, house, and (another result of that trade) rock. (Ryan Prendiville)

With Hands, and Popscene DJs 9 p.m., $10–$13 Rickshaw Stop 155 Fell, SF. www.rickshawstop.com

 

FRIDAY 5

MUSIC

Bastard Noise

Earlier this summer in East LA, Bastard Noise celebrated the 84th birthday of Grandpa, a longtime presence in the punk underground. Now they’re helping Amy Lawless, a DJ at Radio Valencia and ceaseless DIY supporter of local hardcore and metal, pummel into her 45th (her thrash heavy band, Voetsek, is playing too). Twenty years ago, Bastard Noise spawned from the legendary Man is the Bastard, which pioneered the aesthetics of powerviolence: fast, political, hectically tempo changing, dual basses yet no guitar, custom-crafted electronics. Perhaps their newest vocalist, Aimee Artz, and Landmine Marathon’s Grace Perry will team up for a growling version of “Happy Birthday.” “And many [deep breath]: Mmmooooorrrrre!” (Kat Renz)

With Landmine Marathon, Voetsek, Hosebeast 8 p.m., $10 Sub/Mission 2183 Mission, SF.  www.sf-submission.com

 

MUSIC

KMFDM

If ever there were a band synonymous with industrial music, KMFDM would be it. Buzzing guitars and a mechanical assault of synthesizers and drum machines have for over 20 years laid the groundwork for KMFDM’s unique sound. Add to that political overtones, German accents, and the ever-evolving vision of Sascha Konietzko, KMFMD’s founding member and front man, and you’d be hard pressed to find better music to lace up combat boots to. The live show is part Head Bangers Ball and part rave: a confluence of industrial beats, driving riffs, and performance art; the latter of which has diminished in recent years but continues to influence KMFDM’s endlessly mimicked aesthetic. (Berkmoyer)

With Army of the Universe, 16volt, and Human Factors Lab. 9 p.m., $14 Regency Ballroom 1300 Van Ness, SF (415) 673-5716 www.theregencyballroom.com

 

MUSIC

Low End Theory

Top billing for this stellar monthly has gone to Syd, one of OFWGKTA’s ancillary producers and (apparently) only female member. While that acronym brings out a contingent of hyped up little bros shouting “Swag!” until raw, tha Kyd has shown potential for a less posturing, honestly sexy sound on solo tracks. Next on this stacked deck are locals Secret Sidewalk, crafting beats live in a way reminiscent of the Glitch Mob. Also, Virtual Boy should be making a triumphant return (having killed at Public Works in the fall) and if you haven’t caught a set by regular the Gaslamp Killer (who DJs like a psychedelic Muppet come alive) you really should. (Ryan Prendiville)

With Mux Mool, Daddy Kev, DJ Nobody, D-Styles, and MC Nocando 10 p.m., $15 103 Harriet St., SF. www.1015.com

 

MUSIC

Think and Die Thinking Festival

Is San Jose finally . . . cool? The Bay Area’s largest city is held by many to also be its most boring: a suburban sprawl without the thriving radical-youth culture of it’s metropolitan neighbors. A close-knit community of D.I.Y. enthusiasts, however, is waging a battle to save their city’s soul and the Think and Die Thinking festival is as promising an opening sortie as any. The three-day festival will feature Grass Widow, Broken Water, Sourpatch, Brilliant Colors, and more as well as local arts, crafts, literature, and resources like the Billy DeFrank Center (which will receive some of the proceeds from the festival). Maybe one day soon, you’ll even want to live in San Jose. With an average daily temperature of 73 degrees and festivals like this one, who wouldn’t? (Berkmoyer)

With Grass Widow, Broken Water, Brilliant Colors, Sourpatch, and more Fri/5 — Sun/7, $7 — $10 Various locations, San Jose thinkanddiethinking.tumblr.com

 

SATURDAY 6

MUSIC

San Frandelic Summer Fest

Whatever you may find lacking in San Francisco, garage rock definitely isn’t going to be on that list. It makes sense that the city that gave the world the Mummies would be responsible for more lo-fi stripped down rocking than almost any other, although Oakland is fast overtaking SF in terms of the sheer volume of leather jackets and frayed jeans. San Frandelic Summer Fest is an opportunity for long hairs from both sides of the bay to join forces in bestowing fuzz, with acts such as Bare Wires and Nectarine Pie representing the East Bay, and Poor Sons and Outlaw, the west. The Groggs are coming all the way from Santa Cruz, and over ten bands is total will take part in the all day event. (Berkmoyer)

With Bare Wires, the Groggs, Nectarine Pie, Poor Sons, and more. 8 p.m., $10 Thee Parkside 1600 17th St., SF. www.theparkside.com

 

MUSIC

Kill Moi

San Francisco’s Kill Moi sets itself apart from other indie rock bands in the local and national scene with a mature mix of beautiful melodies, hypnotic rhythms, and a healthy sprinkling of trombone and trumpet accents. Led by Ryan Lambert, whose long musical journey not only includes a stint with local favorites Elephone, but reaches back all the way to his childhood, when he was a cast member on the ’80s TV show Kids Incorporated, Kill Moi celebrates the release of its brand new, debut full length album Hold Me, Motherfucker at tonight’s show. (Sean McCourt)

With Sioux City Kid and Tiny Television 10 p.m., $10 Bottom of the Hill 1833 17th St., SF. www.bottomofthehill.com

 

MUSIC

Big Business

There’s no mistaking the distinctive tones of Big Business. Drummer Coady Willis’ kit sounds like a shopping cart full of kitchenware careening down a stairwell. Singer-bassist Jared Warren sports an outraged yowl, like an otherwise mild-mannered man getting a mustard stain on his favorite t-shirt. Though Big Business added a guitarist, Toshi Kasai, in 2008, and then another, Scott Martin, in 2010, the six-string effect on the band is minimal. New EP Quadruple Single is still powered by bass, drums and vocals, although it may well be named in honor of the band’s new four-person line-up, which is referred to, hilariously, as a “power quartet.” No quibbling there — this band is powerful. (Ben Richardson)

With Torche, Thrones 9 p.m., $15 Slim’s 333 11th St., SF. www.slims-sf.com

 

MONDAY 8

COMEDY

Comedy Returns to El Rio!”

You can’t beat a night out at El Rio: cheap drinks, a huge patio, douchebag-free crowds, and a huge range of affordable entertainment, from metal bands to queer DJ nights to burlesque performers. Tonight, hit up the Mission District venue for five comedians, including local favorites Joe Klocek, Nick Leonard, and host Lisa “Kung Pao Kosher” Geduldig, a prolific event producer who got her start telling jokes on El Rio’s stage over 20 years ago. Also in the mix are SF native Carla Clayy and new local Karinda Dobbins, whose bio explains she’s “fluent in three languages: English, Lesbian Lingo, and Corporate-Speak.” (Eddy)

8 p.m., $7–$20 El Rio 3158 Mission, SF. www.koshercomedy.com

 

TUESDAY 9

MUSIC

Imelda May

Although many of her American fans may have gotten their first live stateside glimpse at Irish chanteuse Imelda May on The Tonight Show last month, the dervish from Dublin has been rocking stages for well over a decade in the UK. Taking the sounds of traditional rockabilly and giving them an injection of her own infectious energy and style, May’s sultry and sumptuous voice can make listeners swoon at a ballad or jump to attention on the searing rockers that pepper her set. May comes to the city tonight in support of her latest album Mayhem — catch the rising star in an intimate setting while you still can. (McCourt)

With Dustin Chance and the Allnighters 8 p.m., $10 Independent 628 Divisadero, SF. www.independentsf.com

 

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Mayor’s race a tight pack, but Gascón lags in DA’s contest

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Despite the hype and spin from various mayoral campaigns and newspapers, the big story in yesterday’s release of semi-annual campaign finance reports is that there isn’t much of a story: It’s pretty much what everyone has been expecting, a tight field of qualified mayoral candidates with comparable financial resources.

It was also no surprise that Progress for All, the deceptive committee behind the effort to draft Mayor Ed Lee into breaking his word and running to keep his job, was funded mostly by a narrow group of business interests connected to longtime power brokers Rose Pak and Willie Brown, mostly with $5,000 contributions, or 10 times the contribution limit for legitimate mayoral campaigns.

The real story in yesterday’s numbers was in the district attorney’s race where the conventional wisdom that incumbent George Gascón is the clear frontrunner (“wisdom” that we’ve always questioned given his lack of local roots) was cast into doubt by his lackluster fundraising, big spending for small results, and the fact that each of his two major challengers have twice as much money in the bank.

Alameda County prosecutor Sharmin Bock led the fundraising race this year with $240,337, about $6,000 more than Gascón. And after spending $156,916 in just six months, Gascón has just $77,570 in the bank. David Onek, who has been getting progressive support and retail campaigning up a storm, raised $126,386 this year, but his early start and frugal spending leaves him with $153,474 in the bank.

In the mayor’s race, while both the Chronicle and Examiner led with David Chiu’s impressive fundraising this year, leading the pack with almost $400,000, all that really did was put him into financial contention with the top-tier candidates who have been raising money since last year: Leland Yee, Dennis Herrera, Bevan Dufty, Joanna Rees, and Michela Alioto-Pier.

As of last month, their campaigns’ cash-on-hand was Herrera at $586,294, Dufty at $493,372, Yee at $444,820, Ress at $441,168, Alioto-Pier at $406,574, and Chiu at $396,754. On the next tier down, Phil Ting appears dead in the water, raising just $67,526 and having more debt than money in the bank, although his campaign consultant Eric Jaye said public funds are just starting to come in and the campaign is on track to meet its $300,000 fundraising goal.

Two other major candidates were also well behind the pack, but both are running with an outsiders’ appeal that should keep them in the running throughout the race. Tony Hall, a conservative with a strong independent appeal, raised $102,612, has $173,368, and will likely continue nipping at the heels of the mainstream pack.

And then there’s progressive favorite John Avalos, who has been running a visible, enthusiastic campaign with lots of volunteer support, although he raised just $86,882 this period and has about $100,000 in the bank (contrary the erroneous report in today’s Chronicle that he only had $500, apparently because the reporter looked at his supervisorial campaign report instead of his mayoral – whoops).

But Avalos supporter Chris Daly said the campaign has recently raised another $32,000 and is due to soon receive about $120,000 in matching funds, bringing them up to around $250,000. “That’s what [then-mayoral candidate Tom] Ammiano had in his entirety in ’99,” Daly said, noting that progressive mayoral favorites always get outspent and usually by margins greater than what Avalos now faces. “Our people don’t have as much money or city contracts.”

By contrast, Chiu has been raking in the dough this year, with lots of $500 contributions mostly from lawyers, bankers, developers, people with Chinese surnames, and employees of Google and other tech firms, with almost half of the contributions from out of town.

“We raised almost a hundred grand more than the closest competitor,” said Chiu campaign manager Nicole Derse. “We’re in a super strong position.”

In addition to the big money sources that usually gravitate to strong moderate candidates, Chiu also had some notable financial support from some progressive constituencies, including bicyclist activists (such as Gary Fisher, Dan Nguyen-Tan, Jason Henderson, architect David Baker, and MTA member Cheryl Brinkman), progressive activists Susan King and Amy Laitenen (Matt Gonzalez’s former board aide), and medical marijuana advocate Kevin Reed from Green Cross.

Jim Stearns, who is running the Yee and Bock campaigns, said the funding picture is about what he and others predicted would be the case given public financing (and its $1.475 million spending cap) and the large field of qualified candidates. “That’s the interesting thing about this race, it’s like the World Series of Poker with everyone getting the same stake,” he said. “This is unlike every other mayor’s race where there have been huge disparities in funding.”

Many political analysts privately fear that this dynamic, with nobody really pulling away from the pack of candidates, could encourage Lee to get into the race. But Stearns notes that Lee, despite the power of incumbency, will have a hard time catching up in fundraising and a huge target on his back because of breaking his word, the sleazy “Run Ed Run” campaign tactics, and just the fact that he would become the instant frontrunner.

“In the ranked choice voting scenario, if there’s someone who looks like he’s going to come in first, you don’t lose anything by attacking him because his second place votes aren’t going anywhere,” said Stearns, who said the current mayor’s race appears to be a game of inches. “It’s an infantry game rather than an air game, where the gains are slow and people are proceeding carefully.”

 

 

Ethics Commission to discuss Progress for All

San Francisco Chronicle reporter John Cote’s scoop highlighting how Recology executives were working behind the scenes under pressure from Chinatown power broker Rose Pak to encourage Mayor Ed Lee to seek a full term is just the latest development for a committee that’s raised eyebrows already, and it may be just the beginning.

Five mayoral candidates — board President David Chiu, City Attorney Dennis Herrera, state Sen. Leland Yee, former Supervisor Michela Alioto-Pier, and businesswoman Joanna Rees — have teamed up to encourage the San Francisco Ethics Commission to investigate whether Progress for All has run afoul of local election laws, rallying behind an effort spearheaded by Democratic County Central Committee Chair Aaron Peskin in a July 28 letter to commissioners.

At the heart of the issue is whether Lee or any of his representatives have been coordinating with agents of Progress for All. If they are, Progress for All would have to be considered Lee’s own, candidate-controlled committee, Peskin asserts in the letter.

“Given the close relationship between Ms. Pak, the Mayor, and Progress for All, it is very possible that the committee has ‘consulted’ or ‘coordinated’ with the Mayor, and therefore its expenditures should be deemed to be made ‘at his behest,'” Peskin’s letter to the Ethics Commission argues. A City Hall insider told the Guardian that Pak — a primary driver behind the Run, Ed, Run campaign — is regularly observed going to and from the mayor’s office.

“If Progress for All or any of these other committees has been acting on Mayor Lee’s behalf, those committees may have violated the $500 contribution limit and prohibitions against accepting corporate, union or city contractor money, restrictions that apply to all candidate committees,” the letter states.

Financial disclosure filings for committees fundraising for the Nov. 8 election are due Monday.

Aside from the question of whether there is coordination between Lee, who has not yet announced that he will run for mayor, and Progress for All, concerns have been raised about city contractors aiding in the efforts of the campaign. Under the city’s Campaign Finance Reform Ordinance, contractors doing business with the city are not allowed to make political contributions.

(Given the revelations that Recology executives’ signature gathering efforts were done in violation of company policy, it’s no wonder Recology executives become bashful when approached by reporters who ask tough questions.)

Meanwhile, Recology might not be the only city contractor that Pak has encouraged to support Run, Ed, Run. A column that former Mayor Willie Brown published recently in the San Francisco Chronicle suggests that this isn’t the first conversation of this kind.

“One thing you can say about Chinatown powerhouse Rose Pak, she is not shy,” Brown’s column begins. “Holding court at the party for the opening of the new airport terminal, Rose was seated at the table with interim Mayor Ed Lee and his wife, Anita, and a host of other local officials. ‘I want every one of you to call his office and tell him he should run for mayor,’ Rose told the table. ‘And do it right away so that there’s no misunderstanding.’ Then she turned to the architect David Gensler. ‘Didn’t you do this terminal?’ she asked. ‘Yes,’ he said. ‘Didn’t you remodel this terminal before?’ ‘Yes,’ he said. ‘Then your firm should raise a million dollars for his election campaign.'”

While Brown may not be a visible player in the Run, Ed, Run campaign, he’s certainly been at the table with a key driver behind it and Lee himself — and he’s using his platform in the Chronicle to get the word out about Lee’s potential mayoral campaign.

“The specific revelations of unethical and possibly illegal activity are very troubling and need to be fully investigated by the Ethics Commission as soon as possible,” Chiu told the Guardian.

Political consultant Jim Stearns, whose firm is managing Sen. Yee’s mayoral campaign, joined the chorus in calling for an investigation. “If you think about the fact that these guys still, according to press reports, are eating together once a week, and there’s not supposed to be any coordination … You have this committee that is essentially operating in complete disregard of the campaign law,” he said. “It’s sort of like there’s a crime being committed, and where’s the police?”

The San Francisco Ethics Commission will hold a policy discussion about how to treat Progress for All at its Aug. 8 meeting, Ethics director John St. Croix told the Guardian.

“We’ve told the committee that we believe they’re a primarily form committee, which is an independent expenditure committee on behalf of a candidate for office or a ballot measure,” St. Croix explained. “They’re claiming that there’s no candidate, so they can’t be that committee, even though they’re acting pretty much exactly like one would.”

As things stand, Progress for All has filed as a general purpose committee, he added. “A general purpose committee is what you would think of as a [political action committee]. They usually represent an organization or elected group of individuals, they tend to exist for a long period of time, and they contribute to multiple campaigns, whereas a primarily formed committee is created to support or oppose a single candidate or a single ballot measure in a single election,” he explained. Another key distinction: “Independent expenditure committees don’t have contribution limits the way that candidate committees do. Candidate committees have a $500-per-contributor contribution limit.”

Peskin, meanwhile, hinted that there may be more to come. “There’s a lot of it,” he said, “and I think there are many people who have stories to tell.”

What’s next for San Francisco’s small theaters? The Roxie has an idea…

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The Red Vic closed this week, and a recent SFgate.com article reported that Balboa Theater owner Gary Meyer will be leaving the Richmond District landmark at the end of the summer. What’s a small, independent movie theater to do in these troubled times?

The Roxie, San Francisco’s oldest continually operating theater (it’s had a few different monikers, but the Mission District space opened in 1909; it became a non-profit in 2008), has a plan, according to a press release that landed in my inbox this morning. It boils down to a four-letter word: BEER.

According to the release, “At a spry 102-years-young, the Roxie Theater has applied for a permanent beer license. Over the past year, the Roxie has used its non-profit status to obtain day use permits for on-site alcohol, and the response was so overwhelmingly positive that we’re trying to make it permanent. Our application is in! The Roxie hopes to add beer sales as part of its mission statement to make the theater a place of gathering and celebration, as well as a business model for the survival of neighborhood theaters.”

The release goes on to explain that the programming won’t change (have you seen World on a Wire yet?), and there will still be kid-friendly events planned to balance out the 21-and-over-only screenings. Also: “It has not yet been decided if beer will be offered every day, just weekends or just special events.”

Cross your popcorn butter-stained fingers that the Roxie finds success with this new endeavor, and in the name of all that is (cinematically) holy — get out there and see a movie! Check out the Roxie’s upcoming programming here.

Music Listings

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Music listings are compiled by Guardian staff. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 27

ROCK/BLUES/HIP-HOP

Audacity, Pterodacdudes, Hysterians Knockout. 9pm, $5. Part of Total Trash Fest 3.

Bear Hands, Birdhand, Thelittlestillnotbigenough Hotel Utah. 8pm, $8.

Buttercream Gang, Horde and the Harem, Brownshoe Café Du Nord. 8pm, $10.

Guy Davis Biscuits and Blues. 8 and 10pm, $20.

Definite Articles, Dirty Mittens, Il Gato Rickshaw Stop. 8pm, $10.

Grass Widow, Cold Showers, Dunes, Petals Thee Parkside. 8pm, $8.

Memorials, Rough Waters, Straight Ups Bottom of the Hill. 9pm, $8.

My Parade, Get Dead, Axewound Red Devil Lounge. 9pm, $6.

Sabertooth Zombie, Humilitate, Street Justice Hemlock Tavern. 9pm, $7.

Yuck Independent. 8pm, $15.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Realistic Orchestra Yoshi’s San Francisco.8pm, $15.

Rob Figliuzzi Trio 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

DANCE CLUBS

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, free. Funk, swing, rare grooves, and more with Dr. Musco and guests.

Full-Step! Tunnel Top. 10pm, free. Hip-hop, reggae, soul, and funk with DJs Kung Fu Chris and Bizzi Wonda.

Mary Go Round, the New Generation Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

THURSDAY 28

ROCK/BLUES/HIP-HOP

Billy and Dolly, Karina Denike, Carletta Sue Kay Bottom of the Hill. 9pm, $10.

Guy Davis Biscuits and Blues. 8 and 10pm, $20.

Eat Skull, Unnatural Helpers, Uzi Rash, Street Eaters Hemlock Tavern. 9pm, $7.

Flakes, Swiss Family Skiers, Poontang Wranglers Knockout. 9:30pm, $5. Part of Total Trash Fest 3.

Frail, Survival Guide, Tigercat Thee Parkside. 9pm, $8.

Skylar Grey Rickshaw Stop. 9pm, $12. With Popscene DJs.

Zach Rogue: Release the Sunbird Café Du Nord. 8pm, $14.

JAZZ/NEW MUSIC

Gerald Albright Yoshi’s San Francisco. 8pm, $28.

Cosmo Alleycats Blondie’s, 540 Valencia, SF; (415) 864-2419. 9pm, free.

Dave Parker Quartet Purple Onion, 140 Columbus, SF; (415) 956-1653. 7:30-10:30pm, free.

Josh Smith Trio Rose Pistola, 532 Columbus, SF; www.rosepistola.com. 8pm, free.

Tom Lander and friends Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

Tom Lattanand, Jon Raskin Quartet El Valenciano, 1153 Valencia, SF; (415) 826-9561. 9pm, $5.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

Paul Press Band featuring Kai Eckardt and Peter Horvath Savanna Jazz. 7pm, $10.

Soul jazz party with Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

Swing with Stan Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm.

FOLK/WORLD/COUNTRY

Greensky Bluegrass Slim’s. 9pm, $16.

J.L. Stiles Café Royale, 800 Post, SF; (415) 641-6033. 8pm, free.

YeYe Suarez Red Poppy Art House. 8pm, $12-20.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. Afrobeat, Tropicália, electro, samba, and funk with DJs Pleasuremaker and Señor Oz, plus guest Vibrometers.

Culture Corner Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Roots reggae, dub, rocksteady, and classic dancehall with DJ Tomas, Yusuke, Vinnie Esparza, and Basshaka and ILWF.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party features video DJs Mark Andrus, Don Lynch, and celebrity guests.

Supersonic Bollyhood Café. 10pm, $5. Fly the friendly skies with SF’s Tasty Crew, spinning wold beats from the Balkans, Brazil, Colombia, and more.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests. This week, Romeo Void’s Debora Iyall spins a special DJ set.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 29

ROCK/BLUES/HIP-HOP

American Steel, Angry Amputees, Shotdown Bottom of the Hill. 10pm, $12.

Bells, Steve Taylor, Alameda, We are the Willows Amnesia. 9pm, $7.

Black Dahlia Murder, Whitechapel, Darkest Hour, Six Feet Under, Dying Fetus, Powerglove, As Blood Runs Black, Oceano, Hourcast, Fleshgod Apocalypse Fillmore. 3:30pm, $27.

Lance Canales and the Flood Union Room at Biscuits and Blues. 8:30pm, $10.

Das Racist, Black Mahal, Ren the Vinyl Archaeologist Mezzanine. 9pm, $18.

Thomas Dybdahl Brick and Mortar Music Hall. 9pm, $13.

“A Good Idea Fundraiser” Rickshaw Stop. 8pm, $30. With California Honeydrops, Con Brio, Neurovoltaic Orchestra, and more.

Heather Combs Band, Ponies, Alden Café Du Nord. 9pm, $12.

John Lee Hooker Jr. Biscuits and Blues. 8 and 10pm, $22.

David J, Emily Jane White, Chelsea Set Red Devil Lounge. 9pm, $12.

Chick Jagger and the Sticky Fingers, Liquid Sky, Jean Genies Rockit Room. 8pm, $5.

Katdelic with Brian Jordan Boom Boom Room. 9:30pm, $12.

Maps and Atlases, Princeton, Sister Crayon Slim’s. 9pm, $15.

Mazer Laser Lightshow 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Mean Jeans, Black Jaspers, Guantanamo Baywatch, Teutonics Thee Parkside. 9pm, $10-30. Part of Total Trash Fest 3.

Prizehog, Nero Order, Ghetto Blaster Hemlock Tavern. 9:30pm, $7.

Ben Sollee, Thousands Swedish American Hall (upstairs from Café Du Nord). 8pm, $15.

Woods, Fresh and Onlys, Mantles, DJ Britt Govea Independent. 9pm, $15.

JAZZ/NEW MUSIC

Gerald Albright Yoshi’s San Francisco. 8 and 10pm, $35.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Jazz Organ Party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Linda Kosut Savanna Jazz. 7pm, $10.

North Beach All Stars Rose Pistola, 532 Columbus, SF; www.rosepistola.com. 8pm, free.

“Playback > Audiobus: The Genie” Million Fishes, 2501 Bryant, SF; www.me-di-ate.net. 8 and 9pm, $20-200. Live concert on a double-decker bus.

Vaughan Johnson Jazz Combo Jack’s Club, 2545 24th St., SF; (415) 641-1880. 7pm, free.

FOLK/WORLD/COUNTRY

Family Vibes featuring Sila and Nonstop Bhangra Elbo Room. 10pm, $10.

Tango No. 9 Red Poppy Art House. 8pm, $12-20.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Blow Up DNA Lounge. 10pm-2am, $20. Electro with Jeffrey Paradise and guests.

DJ Dirty Dreams Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, $10.

Mission United Public Works. 9pm. Celebrate the Mission with Afrolicious, Hard French Crew, a fashion show, and more.

Sweater Funk’s Three Year Anniversary with Steve Arrington Som. 9pm, $15. Funk.

Teenage Dance Craze: The Number One Twisting Party in the Universe Knockout. 10pm, $4. With DJs Russell Quan, dX the Funky Granpaw, and Okieoran Scott.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

SATURDAY 30

ROCK/BLUES/HIP-HOP

Bam Bam, Silent Pictures, Schande Hemlock Tavern. 9:30pm, $7.

Cornmeal, TV Mike and the Scarecrows Café Du Nord. 9:30pm, $15.

Delta Bombers Knockout. 9pm, $7. With DJs Badass Daniel Bermudez and dX the Funky Granpaw.

Fab Four Yoshi’s San Francisco. 8pm, $35.

Fiver Brown and the Good Sinners 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Julia Fordham and Paul Reiser Bimbo’s 365 Club. 9pm, $28.

Hank IV, John Wesley Coleman, Rayon Beach El Rio. 9pm, $7.

South Bay Surfers, Okmoniks, Shruggs, Night Howls, S’Lobsters Thee Parkside. 2pm, $8. Part of Total Trash Fest 3.

Spits, Black Jaspers, Personal and the Pizzas, Therapists, Apache Thee Parkside. 9pm, $15. Part of Total Trash Fest 3.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

Those Darlins, White Arrows, Motopony Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Daniel Casares Trio Rose Pistola, 532 Columbus, SF; www.rosepistola.com. 8pm, free.

Erik Deutsch, Scott Amendola, John Schifflett Red Poppy Art House. 9pm, $12-20.

Jazz Organ Party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

“Playback > Audiobus: Christopher Willits” Everybody Bikes, 1288 15th Ave, SF; www.me-di-ate.net. 8 and 9pm, $20-200. Live concert on a double-decker bus.

Savanna Jazz Trio Savanna Jazz. 7pm, $5.

Lavay Smith and Her Red Hot Skillet Lickers Club Deluxe, 1511 Haight, SF; www.sfclubdeluxe.com. 10pm, $10.

FOLK/WORLD/COUNTRY

Toshio Hirano Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm.

Tango No. 9 St. Cyprian’s Church, 2097 Turk, SF; www.noevalleymusicseries.com. 8pm, $15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Blowoff Slim’s. 10pm, $15. With DJs Bob Moul and Rich Morel.

Bootie’s Best Dance Crew Mezzanine. 9pm, $8-15. Dance crews perform live, plus DJ sets by Adrian and Mysterious D.

DeeCee’s Soulshakedown Eighth Anniversary Bash Club Six. 9pm, $10-15. Reggae, dancehall, and hip-hop with Jan Warrior Shelter Hi-Fi, SAKE 1, ACTIV808, and more.

DJ Johnny 5 Medjool, 2522 Mission, SF; www.medjoolsf.com. 10:30pm, $10.

Icee Hot with MK, Scottie Deep, and Todd Edwards Public Works. 10pm, $10. House-garage.

Jock Jams Elbo Room. 10pm, $5. Hip-hop with the Arabian Prince and DJ Thrifty Lips, plus residents Nu-Jack and X2SIH.

Kafana Balkan Rickshaw Stop. 9pm, $10. With Brass Menazeri and DJ Zeljko.

New Wave City: 19th Anniversary DNA Lounge. 9pm, $7-12. Eighties dance party with DJs Skip and Shindog, Lowlife, and guests.

Roots and Rhythm Amoeba, 1855 Haight, SF; (415) 831-1200. 2pm, free. With DJ Harry Duncan.

SUNDAY 31

ROCK/BLUES/HIP-HOP

Matt Adams, Ayla Nereo, Trails, Katie Clover Hemlock Tavern. 9pm, $5.

Bone Cootes and friends Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm.

Fab Four Yoshi’s San Francisco. 7pm, $35.

Debora Iyall, True Margrit, Kate Kilbane and the Cellar Doors Bottom of the Hill. 6pm, $8.

Olin and the Moon Café Du Nord. 8pm, $10.

Rasputina, Smoke Fairies Great American Music Hall. 8pm, $16.

Zoé Regency Ballroom. 8pm, $38.

JAZZ/NEW MUSIC

Jennifer Bryce, Josh Workman Bliss Bar, 4026 24th St, SF; www.blissbarsf.com. 4:30pm, $10.

Jazz organ party with Lavay Smith and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Tom Lander and friends Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

Savanna Jazz Jam Savanna Jazz. 7pm, $5.

Sunday jazz jam 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

FOLK/WORLD/COUNTRY

Mandatory Merle Thee Parkside. 4pm, free.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Ludichris, and guest Roommate.

45 Club Knockout. 10pm, free. Funky soul with DJs Dirty Dishes, English Steve, and dX the Funky Granpaw.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 1

ROCK/BLUES/HIP-HOP

Blues Traveler Yoshi’s San Francisco. 8pm, $45.

Buffalo Killers, Greg Ashley Band, Strangers Family Band Hemlock Tavern. 6pm, $6.

Screamin’ Cyn Cyn and the Pons, Hepa/Titus, Deep Teens, WWE, Shane Shane, Shlitz Claiborne Stud. 9pm, $5.

Tally Hall, Speak, Casey Shea Bottom of the Hill. 9pm, $12.

Yemen Blues Independent. 8pm, $20.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

TUESDAY 2

ROCK/BLUES/HIP-HOP

Audacity, Fuzz Hemlock Tavern. 9pm, $7.

Blues Traveler Yoshi’s San Francisco. 8pm, $45.

Dismantled, Everyting Goes Cold, Limnus DNA Lounge. 8pm, $13.

Matisyahu, Trevor Hall, John West Regency Ballroom. 8pm, $32.

Nerv, Lean, Radio Revolt, DJ Taypoleon Knockout. 9:30pm, $5.

One A-Chord, Bobby Tenna Elbo Room. 9pm, $8.

Real Estate, Dominant Legs, Melted Toys Independent. 8pm, $15.

Scattered Treets, Alternative Routes, Halsted Rickshaw Stop. 8pm, $10.

Best of the Bay 2011: BEST EMANCIPATION STATION

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Independent broadcast radio can be hard to locate on the dial these days. But we can still turn to KPOO, an African American owned and operated — and nonprofit — radio station. Since 1971 it’s been playing the silkiest, grooviest, most obscure soul, jazz, R&B, rap, blues, and gospel out there. KPOO also broadcasts weekly meetings of the San Francisco Redevelopment Agency, as well as community-minded interviews and event coverage catering to underserved audiences — y’know, Native Americans, women, LGBT folk, youth, and low-income listeners. Click over to 89.5 FM, pump up the volume, and listen. That’s the sound of freedom from corporate media, folks.

1329 Divisadero, SF. (415) 346-5373, www.kpoo.com

Harding’s family speaks out

On July 25, the family of Kenneth Wade Harding, Jr. — the 19-year-old who was killed in the Bayview by a gunshot wound after he ran from being detained for MUNI fare evasion by San Francisco police — attended a press conference in Oakland at the law offices of John Burris.

News of Harding’s criminal history quickly surfaced in the days following his death, with reports focusing on how the African American man from Seattle had served time in prison for attempting to promote prostitution, and had been named as a person of interest in connection with the fatal shooting of a 19-year-old Seattle woman.

Harding’s mother, Denika Chatman, presented an alternative profile of her son, describing him as an independent person who cared for his family and dreamed of a music career as a rapper. Chatman said Harding had planned on attending Seattle Central Community College and would have turned 20 on Aug. 5. As for his criminal background and allegations that he violated his parole, “it doesn’t have anything to do with what happened to him,” she said.

Chatman and Pointer asserted that Harding was not in San Francisco because he was on the run. Instead, they said, he was there to visit with family and friends in the Bay Area and meet with his music manager. Chatman said Harding’s older brother is signed on with a record label in San Francisco, but declined to say which label.

Attorney Adante Pointer called Harding’s death “a tragedy and a shocking incident, which has brought us here seeking answers.” While he did not directly address the police account of the shooting thus far — that he was killed not by multiple rounds fired by San Francisco police officers, but a self-inflicted gunshot wound — Pointer did express skepticism.

“Those stories continuously shift,” Pointer said. “That’s nothing that you can build any kind of trust or credibility with.” He added, “This community is seeking some type of logical explanation as to what happened, as opposed to what amounts to be knee-jerk speculation.”

Pointer said his office had met with five eyewitnesses so far and hoped to find more. “There are eyewitnesses, there are persons in that community who’ve said this young man never fired a shot,” he said. “That’s inconsistent with what the police have said … let’s find out what the truth is.”

Pointer and Chatman were joined by members of Harding’s extended family, as well as African American community leaders in the Bay Area including Nation of Islam minister Rev. Christopher Muhammad and Rev. Renard Allen of San Francisco’s Third Baptist Church. Also present was Cephus “Uncle Bobby” Johnson, the uncle of Oscar Grant, the 20-year-old Hayward man who was fatally shot Jan. 1, 2009 by BART police officer Johannes Mehserle in a case which prompted riots. The Law Offices of John Burris represented Grant’s mother in a federal civil rights lawsuit against BART, striking a $1.3 million settlement with the transit agency in late June.  

Video by Rebecca Bowe

Ed Lee is going to run

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We might as well get used to it: Mayor Ed Lee is going to run in November.


It’s not just about getting his old job back. It’s about the fact that he’s starting to really like being mayor — and that his closest allies have made it clear to him that the choice is either him or State Sen. Leland Yee, and that they find Yee unacceptable.


Lee has been talking to all the people you would expect him to talk to over the past few days, my sources tell me, letting them know that he’s seriously considering it and looking for support. It’s a little late to be lining up big endorsements; a lot of people have already signed on with one of the other candidates. But he’ll be happy with co-endorsements and second-place endorsements — and given his connections, he’ll be able to raise substantial amounts of money quickly.


Oddly enough, if he gets in, the big loser won’t be Yee, who will go out and try to run a campaign as an independent outsider against the old machine (and who doens’t have to worry about offending Lee’s supporters, who dislike him anyway). And John Avalos will be running to the left of both of them. 

Grab your deck, Tha Hood Games riding out tomorrow Sat/23

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Mini ramps in front of murals, skate shoes stomping around, multiple forms of media sharing the spotlight for tomorrow (Sat/23)’s all-day multimedia art exhibit at the African Art and Culture Complex. Thanks to Parks and Recreation and an East Bay youth creativity non-profit you can shoulder your deck and head to Tha Hood Games exhibition.

Founded in East Oakland in 2005 by Keith “K-Dub” Williams & Ms. Barbara “Adjoa” Murden, Tha Hood Games was created to give “youth a creative platform to share their talents,” according to the group’s website. Tha Hood Games has ramped up 30 skate events and youth art festivals all over the Bay Area, in Las Vegas, Long Beach, and at the X Games.

The group’s events highlight the talents of Bay Area youth skateboarders. In an interview with the San Francisco Bay Area Independent Media Center, Williams said that, “Tha Hood Games gives youth an opportunity to showcase and nurture their skills in skateboarding, music, dance, and the visual arts in their own communities. This exhibition is our way of sharing our journey visually, and spotlighting our family of creative people and the many youth, cities and communities we have visited.”

So of course, there’s gonna be art on Saturday — the exhibit features murals and paintings on helmets and car hoods. There’s gonna be skateboarding – a temporary park’s been erected in the parking lot of the the African Art and Culture Complex that’ll be open from 10 a.m.-4 p.m. Also included will be live performances, live art, skate demos, and vendor booths.  Pro skater and associate of Tha Hood Games Karl Watson will be in attendance, as will be pro skater Nyjah Huston. An opening reception in the art gallery will take place from 5-7 p.m., and a fashion show  from 7-9 p.m.

 

“Tha Hood Games: Kids, Community, Comrades”

Sat/23, 11 a.m.-9 p.m., free

African Art and Culture Complex

762 Fulton, SF

(415) 292-6172

Facebook: Tha Hood Games Exhibition

www.aaacc.org


 

Editorial: Don’t gut SF campaign law

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The U.S. Supreme Court, which has already ruled that corporations can spend all the money they want on political campaigns, dealt another huge blow to democracy in June when it struck down a campaign finance law in Arizona that was designed to level the playing field for candidates running against better-financed opponents.

The ruling has implications for San Francisco’s public finance law, and already the Ethics Commission has moved to amend — some would say gut — the ordinance. The supervisors also have to approve the changes, and they should move cautiously; there is much about the local law that can still be saved, and there are experts working on alternative models that could still work under the Arizona ruling.

The Arizona law gave public funds to candidates who agreed to limit personal spending to $500. The more privately financed opponents and independent expenditure (IE) committees spent on a candidate, the more public matching money the other candidates received.

The idea: if one rich candidate — or one candidate supported by deep-pocketed special interests — tried to dominate the election, the others would be given enough money to make things fair.

That’s the same motivation behind San Francisco’s law, which sets a spending limit for the mayoral and supervisorial races, provides matching funds for small contributions — and gives public money to candidates who are attacked by outside independent expenditure committees.

It’s possible that the current IE match won’t hold up to legal scrutiny under the Arizona decision. And already some of the city’s biggest downtown interests are threatening to sue to overturn the local ordinance. But there is much about the San Francisco law that will likely survive a court challenge.

Bob Stern, a campaign finance expert and president of the Center for Governmental Studies in Los Angeles, told us that he’s working on a new model law for cities like San Francisco. The Ethics Commission knew that when it voted July 11 to eliminate matching for IEs and to reduce the available pot of money.

Now the law comes to the Board of Supervisors, where eight votes are required to accept the Ethics Commission amendments. Good government advocates say the supervisors should do only what is clearly legally necessary: “The Ethics Commission should have used a scalpel, not a sledgehammer,” Oliver Luby, a former commission staffer, told us.

The November mayor’s race is a huge test for the city’s law; this will be the first time effective public financing will be in place for a citywide race, and the success of the ordinance will draw national attention. The supervisors should stop short of so badly amending it that it will lose all its teeth.

The board should hold public hearings and solicit input from local and national experts. The supervisors shouldn’t be intimidated by downtown lawsuits and consider only the most limited changes — after reviewing every possible alternative. 

 

 

 

Our Weekly Picks: July 20-26

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FRIDAY 22

FILM/MUSIC

Casablanca with the San Francisco Symphony

When you think about the music from the classic 1942 film Casablanca, the first thing that likely comes to mind is “As Time Goes By,” the Herman Hupfeld song that Sam is asked to play (again) by both Ingrid Bergman and Humphrey Bogart. As iconic as the piano tune is, one shouldn’t overlook the outstanding score by Max Steiner, who incorporated themes from the French and German national anthems to act as motifs and punctuate the onscreen drama. At tonight’s special concert, the San Francisco Symphony performs the score live as an accompaniment to a screening of the movie, and concertgoers are encouraged to show up early for cocktails and a piano sing-along, a party truly befitting Rick’s Café Américain. (Sean McCourt)

8 p.m., $30–$70

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.sfsymphony.org

 

MUSIC

Doc Martin

The exact date is unclear, but noted electronic musicologist and rave historian David Sevene of Chicago University believes it took place between 1990-91. The location was a Where the Wild Things Are-theme party, an all-night Wild Rumpus in L.A. Doc Martin, already at the forefront of the West Coast scene, entered the DJ booth to find Charlie Sheen, Flavor Flav, and Nicolas Cage exchanging drugs. The three were making a pact: to “go all out,” “party the night away,” and “cut loose.” It was the beginning, many believe, of a path that would lead to collective insanity, assault convictions, self-destruction, and 1992’s Honeymoon in Vegas. For Doc Martin, who remains an unparalleled deep house DJ, it was just another night. (Ryan Prendiville)

With Garth, Nikola Baytala, Galen, Bo, and Rouzbeh

10 p.m., $15–$18

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

THEATER

Bay Area Playwrights Festival

Be the first to see a local hit or even a work by a future Tony winner at the 34th Bay Area Playwrights Festival, a two-week showcase of fresh works by seven emerging playwrights, performed script-in-hand at Potrero Hill’s Thick House. The fest includes full-length works like Lauren Gunderson’s Rock Creek: Southern Gothic and Dan Dietz’s Home Before Zero, as well as a program of short plays (Bay Area Shorts, or BASH!). A highlight will surely be Oakland-born writer-on-the-rise Chinaka Hodge’s new short play about a friendship between two track stars, the East Bay-set 700th & Int’l. (Cheryl Eddy)

July 22–31, $20

Thick House

1695 18th St., SF

www.playwrightsfoundation.org

 

MUSIC

1-2-3-4 Go! 10th Anniversary

Since its inception in 2001, 1-2-3-4 Go! has proven itself not only as the proprietor of the best record store in the East Bay, but as a quality label in its own right, boasting an impressive (and ever expanding) roster of punk and garage bands from our own backyard and beyond. In honor of these achievements, 1-2-3-4 Go! is hosting a three day festival packed full to bursting with every act your punk-hungry ears could dream of. It would be impossible to list every noteworthy band on the bill without simply reproducing it in its entirety, but to name a few: the Bananas, the world’s greatest/drunkest pop-punk band, will be joined by a reunited Zero Boys and local garage-champion Nobunny, as well as King Khan and many more, plus record swaps and DJs … and now I’m out of breath. (Cooper Berkmoyer)

Through Sun/24

8:30 p.m., $14–$15

Oakland Metro Operahouse

630 Third St., Oakl.

(510) 763-1146

www.oaklandmetro.org

 

FILM

Harold and Maude

This is it, folks: the last film to ever play the Red Vic as we know it. The Haight Street theater shuts its doors after more than three decades following a run of one of its perennial favorites, Hal Ashby’s 1971 black comedy, Harold and Maude — an appropriate choice not just for its Bay Area setting, but also because of its bittersweet themes (helped along by Cat Stevens’ soundtrack songs). The Red Vic’s final day coincides with its 31st birthday. Expect a profusion of daisy petals and not many dry eyes. Head out, pull up a bench, dig into some yeasty popcorn, and celebrate the collectively-run theater — and thank its staff for their long run of matching quirky programming with a one-of-a-kind film going experience. Red Vic, you’ll be missed. (Eddy)

Fri/22–Mon/24, 7:15, 9:15

Also Sat/23–Sun/24, 2, 4), $6–$9

Red Vic Movie House

1727 Haight, SF

(415) 668-3994

www.brownpapertickets.com

 

MUSIC

Earth

Mixing stately, meditative guitar hums with a new-found twang, influential Seattle outfit Earth is poised to thrill San Francisco concertgoers — at least those with long attention spans. Since its founding in 1989 the band has perfected “drone doom,” a repetitive, tectonically shifting subgenre of extreme music. Though some elements have stayed constant — slow tempos; warm, somnolent guitar tones — Earth has gradually transformed its sound, incorporating keyboards, cellos, and aforementioned twangy leads, redolent of country music. The result is ominous, evocative music that often sounds like the score from some depressing, not-yet-filmed psychedelic western. (Ben Richardson)

With Angelo Spencer and Les Hauts Sommets, Whirr

9 p.m., $15

Slim’s

333 11th St., SF

(415)-255-0333

www.slims-sf.com


SATURDAY 23

MUSIC

Uncle Rebel

Definitive Uncle Rebel song “Take Your Rest” has no percussion. Instead, the backbeat is held down by a bizarre, eerie sound effect that sounds like someone plucking a tightly coiled spring. Over top appears the haunting acoustic guitar and pained, bluesy singing of Matt Welde, who eventually launches into a shuddering solo on electric. Welde’s band and its somber, Americana-inflected tunes will be joined at Slim’s by the Soft White Sixties, a five-piece that, as its name implies, seasons exuberant, danceable rock with hefty does of 1960s R&B. Fans of homegrown rock ‘n’ roll with vintage sensibilities are sure to enjoy what they hear. (Richardson)

With the Hypnotist Collectors

8:30 p.m., $14

Slim’s

333 11th St., SF

(415)-255-0333

www.slims-sf.com

 

PERFORMANCE

“Brave New Voices Grand Slam Finals”

I just watched Russell Simmons’ HBO-ification of the international youth spoken word competition Brave New Voices, and even through the reality show treatment, the kids’ performances were making my fists ball and throat hurt — such was the emotional power hemorrhaging out of their poet bodies as they spat the biggest issues in their world. Their ultimate showdown comes to the Bay Area for the first time this year. Tonight’s finals are the culmination of writing workshops and multiple rounds of competition featuring pieces the teams busted so hard that the stages were left covered with un-ignorable piles of real, young-person emotion. Damn, there’s that lump in my throat again. Go see it. (Caitlin Donohue)

7–10 p.m., $18–$100

War Memorial Opera House

301 Van Ness, SF

www.bravenewvoices.org


SUNDAY 24

FILM/EVENT

“2011 SFJFF Freedom of Expression Award: Kirk Douglas”

Actor, producer, and author Kirk Douglas is a true Hollywood legend and icon. For nearly 70 years, he has not only entertained and enlightened audiences, he has stoically fought for what he believes in. Perhaps the most famous example is when he broke the Hollywood blacklist by insisting that Dalton Trumbo be given screenwriting credit for his work on the 1960 epic Spartacus — an action for which, along with his incredible career, he is being honored today by the San Francisco Jewish Film Festival. Douglas, who was born Issur Danielovich, will appear live on stage to receive the 2011 Freedom of Expression Award, and to be on hand for a special 50th anniversary screening of Spartacus. (McCourt)

1 p.m., $16–$18

Castro Theatre

429 Castro, SF

www.sfjff.org

 

TUESDAY 26

MUSIC

Symbolick Jews

Making good on the promise of lo-fi, bombarding an audience with equal parts noise and rock ‘n’ roll, and releasing more albums in a year than most bands eek out in a lifetime, the Symbolick Jews embody much of what is great about independent music. Loud, raucous, fun and always on the verge of collapsing, a Symbolick Jews song is like a dog pile with your wasted friends on the Fourth of July. Fireworks explode somewhere deep inside the pile of beer-soaked flesh and denim and all you can do is laugh-scream as chaos erupts and bodies slump to the side. It isn’t incoherent: part shitgaze, part Pixies-era indie rock, Symbolick Jews captures something like the avant-garde songcraft of Pere Ubu, but at its most rocking heights rather than its weirder experimental adventures. (Berkmoyer)

With Baby Talk and the Gems

7 p.m., $5

El Rio

3158 Mission, SF

(415) 282-3325

www.elriosf.com

 

MUSIC

Yuck

While it might be impossible to ignore the blatancy with which Yuck wears its late-1980s and early-1990s indie rock influences on its sleeves, the band pulls it off so flawlessly that it ultimately winds up little more than an afterthought. Obvious touchstones include Dinosaur Jr.’s fuzzy guitar assault and the loose charm of early Pavement albums, all coupled with a melodic sweetness that stops just short of turning overly saccharine. The London-born songwriting pair of Daniel Blumberg and Max Bloom lies at the core of Yuck, and thanks to a firestorm of hype after the release of the band’s debut LP early this year, the two have found themselves touring nonstop and headlining SXSW showcases before they’d even hit their 20s. (Landon Moblad)

With Unknown Mortal Orchestra

July 26–27, 8 p.m., $13–$15

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com


The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Music Listings

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WEDNESDAY 20

ROCK/BLUES/HIP-HOP

Barn Owl, Sean Smith, 3 Leafs Elbo Room. 9pm, $8.

Brush Prairie, Sexy Water Spiders, Ruby Feathers Knockout. 9pm, $10.

“DAMSF” DNA Lounge. 10pm. Emerging artists’ showcase with dancers, musicians, and more.

Liturgy, Chelsea Wolfe, Common Eider King Eider, DJ Rob Metal Bottom of the Hill. 9pm, $10.

Hamilton Loomis Biscuits and Blues. 8 and 10pm, $18.

Mental 99, Wesley Morgan Madrone Art Bar. 7pm, free. Every Wed. in July.

Jeremy Messersmith, Lumineers, Rin Tin Tiger Hotel Utah. 8pm, $10.

Paper City Kimo’s. 8pm, $6.

Tim Robbins and the Rogues Gallery Band Bimbo’s 365 Club. 8pm, $28.

Spyrals, VonVeederVeld, Nectarine Pie, Outlaw Hemlock Tavern. 8:30pm, $8.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Cosmo Alleycats Le Colonial, 20 Cosmo, SF; www.lecolonialsf.com. 7pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Jazz organ party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

“Outsound New Music Summit: Face Music” San Francisco Community Music Center, 544 Capp, SF; www.outsound.org. 8:15pm, $12.

“Underground Sound” Stage Werx, 533 Sutter, SF; www.brownpapertickets.com. 8pm, $12. With Kurt Weill Project and Kat Downs.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Buena Onda Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, free. Funk, swing, rare grooves, and more with Dr. Musco and guests.

Joe Clausell, Afrolicious DJs Public Works, 161 Erie, SF; www.publicsf.com. 10pm.

Mary Go Round, the New Generation Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.

No Room For Squares Som., 2925 16th St, SF; (415) 558-8521. 6-10pm, free. DJ Afrodite Shake spins jazz for happy hour.

Third Wednesdays Underground SF. 10pm-2am, $3. With Ms. Jackson, DJ Loryn, and Becky Knox spinning electro, tech, house, and breaks.

 

THURSDAY 21

ROCK/BLUES/HIP-HOP

Big Talk with Ronnie Vannucci Rickshaw Stop. 10pm, $15. Plus Popscene DJs.

Con Brio, Audiafauna Café Du Nord. 8:30pm, $13.

Dreamdate, Lotus Moons, Skystone Amnesia. 9pm, $7.

Johnny Gill with live band Yoshi’s San Francisco. 8 and 10pm, $38.

Laurie Morvan Band Biscuits and Blues. 8 and 10pm, $16.

Mannequin Planet, Slave Unit, Spellbound, Scission Red Devil Lounge. 9pm, $6.

Memory Tapes, Painted Palms, Sleep Over Slim’s. 9pm, $15.

Asada Messiah, Lord Dying, Nether Regions, Pigs Thee Parkside. 9pm, $7.

Naked Fiction 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Soundgarden, Mars Volta Bill Graham Civic Auditorium, 99 Grove, SF; www.ticketmaster.com. 7:30pm, $62.75.

Steel Hot Cakes, Olive Ewe, Inferno of Joy Hemlock Tavern. 9pm, $6.

Superhumanoids, Easy Street, Half-handed Cloud Bottom of the Hill. 9pm, $10.

Chris Webby 330 Ritch. 8pm.

Zodiac Death Valley, Lilac, Cannons and Clouds, DJ Mikey Tashjian Independent. 8pm, $12.

JAZZ/NEW MUSIC

Dave Parker Quartet Purple Onion, 140 Columbus, SF; (415) 956-1653. 7:30-10:30pm, free.

Dime Store Dandy Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm.

Gilbert Fix Trio Rose Pistola, 532 Columbus, SF; www.rosepistola.com. 8pm, free.

Organsm featuring Jim Gunderson and “Tender” Tim Shea Bollyhood Café. 6:30-9pm, free.

“Outsound New Music Summit: The Freedom of Sound” San Francisco Community Music Center, 544 Capp, SF; www.outsound.org. 8:15pm, $12.

Savanna Jazz jam Savanna Jazz. 7pm, $5.

Soul jazz party with Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Crooked Still, Cahalen Morrison and Eli West Great American Music Hall. 8pm, $20.

Muddy Roses, Emily Bonn and the Vivants Hotel Utah. 9pm, $6.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. Afrobeat, Tropicália, electro, samba, and funk with DJs Pleasuremaker and Señor Oz.

Culture Corner Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Roots reggae, dub, rocksteady, and classic dancehall with DJ Tomas, Yusuke, Vinnie Esparza, and Basshaka and ILWF.

Double Down John Colins, 138 Minna, SF; www.johncolins.com. 9pm, $5. Soul, funk, and hip-hop with DJs Guillermo, E Da Boss, and Kung Fu Chris, plus a live performance by Myron & E.

Guilty Pleasures Gestalt, 3159 16th St, SF; (415) 560-0137. 9:30pm, free. DJ TophZilla, Rob Metal, DJ Stef, and Disco-D spin punk, metal, electro-funk, and 80s.

1984 Mighty. 9pm, $2. The long-running New Wave and 80s party features video DJs Mark Andrus, Don Lynch, and celebrity guests.

Thursday Special Tralala Revolution Café, 3248 22nd St, SF; (415) 642-0474. 5pm, free. Downtempo, hip-hop, and freestyle beats by Dr. Musco and Unbroken Circle MCs.

Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with Dangerous Dan, Skip, Low Life, and guests.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

 

FRIDAY 22

ROCK/BLUES/HIP-HOP

Automatic Rival, Endroit, Phantoms, Era Escape Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 9pm, $10.

B’z Fillmore. 8pm, $55.

Frank Bey Biscuits and Blues. 8 and 10pm, $20.

Mike Burns Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm.

Earth, Angelo Spencer et Les Hauts Sommets, Whirr Slim’s. 9pm, $15.

Ben Folds, Kenton Chen Warfield. 8pm, $38.

I The Mighty, A Lot Like Birds, Case In Theory, Quiet Game Starting Now Bottom of the Hill. 8:30pm, $12.

Love is Chemicals, Mist and Mast, To The Sea Hemlock Tavern. 9:30pm, $8.

Odd Future Regency Ballroom. 8pm, $22.

Old-Fashioned Way, Altars, Upstairs Downstairs, Honey for the Bears Café Du Nord. 9:30pm, $12.

Peeling Grey, Tongue + Teeth, DJ MIB Retox Lounge. 9pm.

Langhorne Slim, Henry Wolfe Independent. 9pm, $15.

Tainted Love, This Charming Band Bimbo’s 365 Club. 8pm, $23.

Velvet Teen, Silian Rail, Worker Bee, Not to Reason Why Great American Music Hall. 8:30pm, $13.

Nick Waterhouse and the Tarots, Allah-Las, DJ Lucky Elbo Room. 10pm, $10.

JAZZ/NEW MUSIC

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Dan Heffez Trio Rose Pistola, 532 Columbus, SF; www.rosepistola.com. 8pm, free.

“Outsound New Music Summit: The Art of Composition” San Francisco Community Music Center, 544 Capp, SF; www.outsound.org. 8:15pm, $12.

Suzanna Smith Savanna Jazz. 7pm, $8.

Soul Jazz Party with Jules Broussard and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Vaughan Johnson Jazz Combo Jack’s Club, 2545 24th St., SF; (415) 641-1880. 7pm, free.

FOLK/WORLD/COUNTRY

Spoonbill 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Baxtalo Drom Amnesia. 9pm, $7-10. Gypsy punk and belly dance.

DJ Cam Yoshi’s San Francisco. 10:30pm, $20.

Doc Martin, Garth, Nikola Baytala, Galen, Bo, Rouzbeh Public Works, 161 Erie, SF; www.publicsf.com. 10pm.

Duniya Dancehall Blue Macaw, 2565 Mission, SF; (415) 920-0577. 10pm, $10. With live performances by Duniya Drum and Dance Co. and DJs dub Snakr and Juan Data spinning bhangra, bollywood, dancehall, African, and more.

Dillon Francis, Adam F., Ototoxik, Manics, Ultraknock Rickshaw Stop. 10pm, $13-16.

Greasetrap Underground SF. 10pm. DJs Cutso, Doc Fu, and Mr. Lucky spin ghettotech, booty bass, and more.

Hubba Hubba Revue: That Old Time Religion DNA Lounge. 9pm, $10-15. Bible-thumpin’ bump n’ grind.

Soul Rebel Koko Cocktails, 1060 Geary, SF; www.kokococktails.com. 10pm, free. Reggae, punk, 2tone, oi, and more with Dougie, Tim, and Tomas.

Vintage Orson, 508 Fourth St, SF; (415) 777-1508. 5:30-11pm, free. DJ TophOne and guest spin jazzy beats for cocktalians.

 

SATURDAY 23

ROCK/BLUES/HIP-HOP

Ambrosia Biscuits and Blues. 8 and 10pm, $30.

Audiodub, Sean Tabor Band, Starving Millionaires Independent. 9pm, $15.

Alvarius B, Porest, Cave Bears Hemlock Tavern. 9:30pm, $12.

Alan Choy and Dingle 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Ferocious Few, Rad Cloud, Indianna Hale Amnesia. 9pm, $10.

Hallflowers Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm.

Mister Loveless, Books On Tape, Stripmall Architecture Bottom of the Hill. 10pm, $10.

Nothington, Build Us Airplanes, Semi Evolved Simians, Why I Hate Thee Parkside. 9pm, $8.

Socialists Party, Yes Gos Thee Parkside. 3pm, free.

Tainted Love, This Charming Band Bimbo’s 365 Club. 8pm, $23.

Uncle Rebel, Soft White Sixties, Hypnotist Collectors Slim’s. 8:30pm, $14.

Wallpaper, Hood Internet Great American Music Hall. 9pm, $19.

Zoo Station: The Complete U2 Experience, Lovefool: The Quintessential 90s Party Band Café Du Nord. 9pm, $15.

JAZZ/NEW MUSIC

Dee Dee Bridgewater Yoshi’s San Francisco. 8 and 10pm, $25-30.

Eddie Duran Duo Rose Pistola, 532 Columbus, SF; www.rosepistola.com. 8pm, free.

Escalay Seventh Avenue Performances, 1329 Seventh Ave, SF; www.sevenperforms.org. 7:30pm, $15-20.

Gina Harris and Mark Jordan Savanna Jazz. 7pm, $10.

Jazz Organ Party with Graham Connah Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Lisa Mezzacappa’s Bait and Switch Red Poppy Art House. 9pm, $10-12.

“Outsound New Music Summit: Sonic Foundry Too!” San Francisco Community Music Center, 544 Capp, SF; www.outsound.org. 8:15pm, $12.

Sunday jazz jam 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

FOLK/WORLD/COUNTRY

Hafez Modirzadeh and Ethel Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. 8pm, $25.

Maurice Tani, Jenn Courtney, 77 El Deora St. Cyprian’s Episcopal Church, 2097 Turk, SF; www.noevalleymusicseries.com. 8pm, $13-15.

DANCE CLUBS

Afro Bao Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Bootie SF: Mysterious D’s Birthday DNA Lounge. 9pm, $8-15. Mash-ups with a special birthday set by resident DJ Mysterious D.

Fog & Laser #2 Rickshaw Stop. 10pm, $7-10. With DJs EmDee and RamblinWorker, plus an electro set by Little Wings.

4OneFunktion Elbo Room. 10pm, $5-10. Hip-hop and funk DJs.

Go Bang! Deco Lounge, 510 Larkin, SF; www.gobangsf.com. 9pm, $5. Atomic dance floor disco action with DJs Pat Les Stache, Mykill, Kuze, Steve Fabus, and Sergio.

 

SUNDAY 24

ROCK/BLUES/HIP-HOP

Cody Canada and the Departed Slim’s. 8pm, $15.

Coathangers, Swann Danger, Morning Crazies Hemlock Tavern. 9pm, $7.

Cults Redwood Room and Velvet Room, Clift Hotel, 495 Geary, SF; cliftsessions@morganshotelgroup.com. 9pm, free (RSVP required).

Pokey LaFarge and the South City Three, Swamp Noir Amnesia. 9pm, $7-10.

Emily Wells, Blank Tapes Café Du Nord. 8pm, $10.

JAZZ/NEW MUSIC

Dee Dee Bridgewater Yoshi’s San Francisco. 5 and 7pm, $5-25.

Jazz organ party with Lavay Smith and Chris Siebert Royal Cuckoo, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Little Brown Brother Jazz and Blues Jam Savanna Jazz. 7pm, $5.

Rob Evans Trio Rose Pistola, 532 Columbus, SF; www.rosepistola.com. 8pm, free.

Sherri Roberts, David Udolf, Chris Amberger Bliss Bar, 4026 24th St, SF; www.blissbarsf.com. 4:30pm, $10.

San Francisco Symphony Sigmund Stern Grove, 19th Ave at Sloat, SF; www.sterngrove.org. 2pm, free.

Sunday jazz jam 50 Mason Social House, 50 Mason, SF; www.50masonsocialhouse.com. 9pm, free.

Tom Lander Duo Medjool, 2522 Mission, SF; www.medjoolsf.com. 6-9pm, free.

DANCE CLUBS

Batcave Cat Club. 10pm, $5. Death rock, goth, and post-punk with Steeplerot Necromos and c_death.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and guest Dub Snakkr.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

 

MONDAY 25

ROCK/BLUES/HIP-HOP

Zachary Cale, Fort King, Cabinet of Curiosities Knockout. 9pm, $7.

Cold Cave, Austra, Prurient Great American Music Hall. 8pm, $16.

Fucked Up Independent. 9pm, $15.

Iceage, Cult of Youth, DJ Omar Elbo Room. 9pm, $12.

Project Film, Moonbell, Horsefly Kimo’s. 8pm.

Ana Popovic Biscuits and Blues. 8 and 10pm, $22.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Sausage Party Rosamunde Sausage Grill, 2832 Mission, SF; (415) 970-9015. 6:30-9:30pm, free. DJ Dandy Dixon spins vintage rock, R&B, global beats, funk, and disco at this happy hour sausage-shack gig.

 

TUESDAY 26

ROCK/BLUES/HIP-HOP

Sharif Ali and the Radical Folksonomy Kimo’s. 8pm, $6.

Bombino, Magic Leaves Slim’s. 8pm, $25.

Faye Carol Yoshi’s San Francisco. 8pm, $10-20.

Ghost Animals, Kids on a Crime Spree, Permanent Collection Hemlock Tavern. 9pm, $7.

Iceage Amoeba, 1855 Haight, SF; www.amoeba.com. 6pm, free.

Thurston Moore, Kurt Vile, Hush Arbors Great American Music Hall. 8pm, $22.

Sheens, Sad Bastard Book Club, Cryptics Bottom of the Hill. 9pm, $8.

Tidelands, Debbie Neigher, Blue Rabbit Café Du Nord. 8pm, $10.

Yuck, Unknown Mortal Orchestra Independent. 8pm, $15.

Music listings are compiled by Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

Pod people

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arts@sfbg.com

LIGHTS OUT Ironically, the Bay Bridged founders Christian Cunningham and Ben Van Houten were on their yearly pilgrimage to South by Southwest when they came up with the idea for a local music website.

In 2006, the two were watching a San Francisco band whose name has since been lost to time, wondering why they’d come all the way to Austin to discover how much they liked this band from their own town. “It just struck us as odd,” Van Houten explains.

Life-long music fans, they decided they wanted to take active roles in promoting the local SF indie scene. When they returned to the Bay Area, they started an audio podcast. “Since I had done college radio, my friend kept telling me about podcasting and he finally sold me on the idea,” Van Houten says. “We just decided we would interview a band every week that was always local, and that all the music was going to be local.”

From there, the mission expanded — now the Bay Bridged is a nonprofit with a complete website that gives out recording grants and other creative support to local music groups. The podcast continues, airing every other week. During the first week of the month, the site offers tracks from a sampling of bands coming to the Bay Area. Later in the month, it releases a mixtape with a thematic binding agent, like a single artist (the most recent mix featured a set of 15 favorite Ty Segall songs) or a festival (for example, 20 tracks by bands playing at SF Pop Fest 2011). “The question we’ve been asking ourselves for the past five years is how to get people interested in local music,” Van Houten says.

These days, it’s not a Bay Bridged deal breaker if you’re not a local band. Van Houten explains that the organization’s new focus is on getting people out to see the music for themselves. “If you stay just on the Internet, then you’ll discover good things — but you’ll never have that visceral experience one gets with live music.”

Many Bay Area shows are a mix of local and other music, a combination of sounds that becomes part of the experience of seeing these bands. The site clues you into a gig with one of your favorite visiting bands, and in the process you discover a rad local opener: mission accomplished. The website also curates its own concert and festivals, including the third annual Regional Bias fundraiser showcase that will stuff four local indie groups into the Verdi Club on Aug. 6.

“On the radio waves you can’t find independent rock in San Francisco,” Van Houten says. “[But] podcasts are good for many of the same reasons radio is great. I still think there’s a value to being a passive participant in music, to being part of the audience and letting someone else do the programming.”

We’re living in an era when most of our AM and FM radio waves are stuck in a controlled loop. Luckily, it’s also the age of the Internet and for many music fans, creating a podcast is just mic check away.

The Bay Bridged recently made its 250th podcast. And Van Houten sees no end to his role as a local hype man. “Periodically we say, ‘Surely, we’re going to run out of things we’re interested in.’ But It hasn’t happened yet — and I don’t see it happening in the near future.”

THE BAY BRIDGED’S REGIONAL BIAS 2011

With Royal Baths, Little Wings, Sea of Bees, and White Cloud

Aug. 6, 8 p.m., $10–$50 donations

Verdi Club

2424 Mariposa, SF

www.thebaybridged.com

 

Digging into the juicy details of Recology’s proposed landfill disposal and facilitation agreements

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Last weekend, I tried to review online the details of the landfill disposal and facilitation agreements with Recology that the Board’s Budget & Finance committee votes on Wednesday, July 20, (assuming Waste Management’s petition for a writ of mandate doesn’t throw a monkey wrench into the committee’s scheduled vote on those agreements. And when I finally got to view the agreements in person, they raised a number of questions.

(WM has asked the Superior Court to issue a temporary, preliminary and permanent injunction, immediately enjoining the City and Recology from conducting any further action in connection with those agreements, including finally awarding them to Recology, and requiring the City to set aside and vacate the agreements, based on the grounds that they were not procured in accordance with the City’s competitive procurement laws. But as of press time, the City Attorney’s office had not issued any statement leading me to conclude that the hearing will proceed as planned.)

As it happens, my online research was thwarted by the fact that not all of the details in the proposed agreement with Recology are available electronically. So, on Monday I headed to City Hall. And I spent most of the day in the Clerk of the Board’s office, where I reviewed a) the contract language, b) the history of how the Recology was tentatively awarded the 10-year landfill disposal contract by the Department of the Environment, c) how Waste Management has been complaining ever since about what it perceives to be the unfair process whereby Recology was also awarded the city’s facilitation agreement, which governs how San Francisco’s waste would be hauled to the landfill, and d) why the Budget and Legislative Analyst recommended that the Board consider submitting a proposition to the voters to repeal the city’s 1932 refuse ordinance so future refuse collection and transportation services would be awarded under the city’s normal competitive bidding process, and require that refuse collection rates for residential and commercial services be henceforth subject to Board approval.

Heading into tomorrow’s hearing at 10 a.m, the Board has still not submitted any such ordinance (So, here are some of the questions that came up as a result of my research that I would like to learn more about before the committee takes its vote.

1. Why pay $10 million to build a rail spur in Yuba County if San Francisco’s goal is to have zero waste by 2020?

The landfill disposal agreement grants the city the right to deposit at Recology’s Ostrom Road landfill in Wheatland, Yuba County, all solid waste collected in San Francisco until Dec. 31, 2025, or until 5 million tons has been deposited. But according to the landfill disposal agreement’s Appendix B, which cites the city’s landfill disposal targets, San Francisco is projected to produce 2.4 million tons of trash between now and 2019, with zero waste projected for 2020. That got me wondering why get San Francisco ratepayers paying $10 million for the construction of a rail spur in Yuba County that would only get a few years heavy use, if these estimates are indeed accurate?

2. Just how green is my city?

According to the landfill agreement, the commencement date, when all or substantially all of the city’s solid waste is first accepted, may not be later than January 1, 2019. But according to the agreement’s Appendix B, San Francisco has an annual disposal target of 36, 614 tons in 2019, and zero waste in 2020. So are those figures just pie in the sky? And if so, is San Francisco’s claim to be the “greenest city in the U.S.” a tad overblown? Or is an independent agency like Cal ReCycle auditing these claims?

3. Oops. Are we about to authorize a $10-million annual slush fund?

Last year, the city held a hearing to consider plans to reallocate 1.3 percent of its ratepayers’ overall refuse rates that previously went to a special reserve fund that then contained $28 million, and that was initially created as a result of the city’s 1987 facilitation agreement to cover extraordinary costs associated with WM’s Altamont landfill and hazardous waste control and disposal.

There are still several years to go at Altamont (see number 1), but last fall, the Rate Board, which consisted of then City Administrator (and now mayor) Ed Lee, Deputy City Controller Monique Zmuda and SFPUC director Ed Harrington, voted 3-0 to authorize the Director of Public Works to reallocate the 1.3 percent billing surcharge to an impound account to offset DPW’s recycling and waste management costs for the period of July 1, 2010 to September 30, 2011.

“The change will not affect the monthly rate charged for residential collection service and the reallocation will be reviewed as part of the public process to review and update refuse rates, expected to take place in 2011 or 2012,” DPW’s website stated. “The city is proposing these changes to help meet San Francisco’s goal of diverting 75 percent of its waste from landfills by 2010 and to achieve zero waste by 2020.” (See number 2 in my list.)

The city also noted the need for a public hearing to discuss the special reserve fund and its uses, before September 30, 2011 (which is 10 weeks away). But to date, there appears not to have been any such hearing. Meanwhile, the city’s proposed amended facilitation agreement with Recology mentions establishing another special reserve fund, for no less than $10 million, this time funded from a one percent surcharge on all waste delivered to Recology’s transfer station, landfill and back-up landfill.

And the agreement stipulates that Recology may draw upon the reserve fund “from time to time” to reimburse costs that have or will be incurred by Recology, but have not yet been fully reimbursed, (“e.g. because a corresponding adjustment in rates has not yet taken effect, or has taken effect but has not yet been fully reimbursed.”) Such costs include all fees and penalties, including the $10 million cost of constructing a new rail spur and facility in Yuba County that Recology could become liable for if the city breaches the landfill disposal contract, or there is a delay in the contract’s commencement date.

So, does this mean that Recology will potentially have access to an additional $10 million a year for a decade, in addition to its guaranteed $200 million-a-year from the rest of the city’s collection, consolidation, transfer and composting non-biddable agreements? And does that inflate the worth of Recology’s landfill disposal and facilitation agreements by an additional $100 million?

4. Why isn’t the business related to San Francisco’s mandatory composting ordinance put out to bid, since our organics appear to be processed in Vacaville?

In the city’s master file on the disposal and facilitation agreements, I came across the following figures related to the carbon footprint of the city’s proposed rail tranportation plan: in 2008, an estimated 471, 551 tons of San Francisco material were trucked to Waste Management’s Altamont landfill. And 140,213 tons were hauled to the Hay Road landfill in Vacaville of which 105,704 tons were composted, and the remaining 34,509 tons were used as alternative daily cover.

Moving forward, the proposed plan is to rail transport the city’s annual tonnage to Recology’s Ostrom Road landfill for disposal, organics processing and alternative daily cover, and transport some of the organics for digestion by the East Bay Municipal Utility District. What’s less clear is the value of the city’s mandatory composting ordinance from a business perspective, how it came to fall under Recology’s monopoly, given that it’s being processed outside city limits, and whether the organics hauling was factored into DoE’s “green” equation, when evaluating landfill disposal proposals, and Recology’s facilitation agreement?

5. Has WM actually acquired a temporary writ and if so, what does this mean for any vote that the Board subcommittee takes on the proposed agreements? Neither the City Attorney’s Office nor WM’s attorneys got back to me with an answer to this question, as of press time, but it would be good to clear this question up before the voting begins tomorrow.

I have more questions which I hope Sups. Carmen Chu, Jane Kim and Ross Mirkarimi, who sit on the Board’s Budget & Finance sub-Committee, will drill into tomorrow, but either way, stay tuned as we approach what promises to be an educational vote tomorrow, one way or another….

Turning the tide

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arts@sfbg.com

DANCE Joan Lazarus is one determined woman. This month, WestWave Dance celebrates its 20th anniversary. WestWave originated in 1991 as SummerFest by choreographer Cathleen Murphy; Lazarus joined her three years later, and the two women ran it together until Murphy moved on.

A few months ago Lazarus made noises about perhaps calling it quits. She was frustrated because in all the years of curating these annual menus of contemporary, often brand-new, choreography, “I could not make it work,” she says. Audiences remained small, budgets smaller.

From the beginning, Summerfest/WestWave had a clear idea of its role within the panoply of Bay Area dance. Most important was offering opportunities to choreographers who may not be on other presenters’ radar screens and who didn’t have the cash — or energy — to self-produce. The application process has always been wide open. This year, for instance, Lazarus programmed three unknown-to-her choreographers simply on the basis of the video they submitted. “I was intrigued by their work,” she explains.

It was imperative to present each choreographer under the best circumstances, which meant a professional presentation — lighting, sound, tech — in a professional setting, like the Cowell or ODC theaters. It was also important to create visibility, which usually translated into getting reviews. “It was only in year seven or eight that we started getting reviewed,” Lazarus remembers. “That’s when we noticed a tremendous jump in people who wanted to be in.” Still, the festival barely scraped by. Every year it was touch and go.

Lazarus sounds newly invigorated about starting another decade for this problem child of local dance that, nonetheless, has given many a choreographer — Katie Faulkner, Ben Levy, and Kara Davis among them — a push up the professional ladder. So what happened?

An experienced local presenter Lazarus consulted with told her that what she did didn’t work because it couldn’t be done. Audiences, she was told, will not attend contemporary performances on successive nights, so forget about trying to run this type of program as a festival. She should also forget about preferring world premieres (something Lazarus admits she was “prejudiced toward”) and insist instead that the artists present the best pieces they have. “You choose the artists based on their previous works and then let them make the decision on what they want to show,” she recalls from the conversation.

Last year — by programming WestWave on three monthly Monday nights — Lazarus took a first step in rectifying the situation. The overall quality of the three evenings turned out to be more than respectable.

For the 20th anniversary season she expanded the format. Evenings of solos, duets, trios, and more will again be shown on Monday nights: Aug. 15, Sept. 12, and Oct. 10 at ODC Theater.

This month, Lazarus wanted to feature some of the artists for whom WestWave had been an important early step. This weekend (July 22-24) at Z Space, she offered Seiwert — in 2007, WestWave had hosted her first full-evening concert — another program along the same lines. But Seiwert demurred, wanting her im’ij-re dancers to grow beyond her own choreography. So with Lazarus’ assent, Seiwert commissioned works from Matthew Neenan (Philadelphia), Adam Houghland (Cincinnati), and Susan Roemer (San Francisco).

For the second July program (July 28-29), the artists Lazarus selected asked to co-choreograph a single work. Lazarus told Manuelito Biag, Davis, Faulkner, and Alex Ketley to go ahead. Since each of them has a well-developed independent voice, this collaboration could prove fascinating. Later that weekend (July 30), Viktor Kabaniaev and Tina Kay Bohnstedt — Diablo Ballet’s strong in-house-nurtured choreographers — present an evening of their own work. Why? “Because they have never had one, and it’s about time,” Lazarus says.

One more change. Lazarus quit her daytime jobs so that she won’t have to steal an hour here and an hour there, often at midnight, to work on WestWave. “We’ll see how it goes, ” she laughs, ever the optimist.

WESTWAVE DANCE

July 22–31, 8 p.m., $18–$25

Z Space

450 Florida, SF

Aug. 15, Sept. 12, and Oct. 10, 8 p.m., $18–$25

ODC Theater

3153 17th St., SF

1-866-55-TICKETS

www.westwavedancefestival.org