Election

Three words: Vote June 8

1

The problem with the June 8th ballot is that the Democrats aren’t fighting with each other.


I mean, it’s great that Jerry Brown and Barbara Boxer will emerge from the primary season unscathed, flush with money and ready to go after opponents who have been battered and beaten mercilessly in their own primaries. It’s great that Steve Poizner drove down Meg Whitman’s positives and made her look so bad that she’s now behind Jerry Brown (who isn’t even campaigning yet) in the polls. It’s great that Carly Fiorina was forced so far to the right that she had to endorse allowing people on the no-fly list to buy handguns. The expensive and ugly GOP primary battles may have saved Boxer’s job and put Brown in the governor’s office.


But around the state, Democrats don’t have as much reason to vote. Fiorina, Poizner, Whitman — they’re all spending millions to bring Republicans to the polls. There’s no similar statewide GOTV operation on the Democratic side. So the electorate could wind up skewing considerably to the right — and that’s going to hurt us on the ballot propositions.


Johnny Angel and I were talking on our radio show today about the fact that Republicans — those who aren’t complete idiots — ought to oppose Prop. 16 and Prop. 17. Those aren’t partisan measures; they’re just corporate scams. And nobody from any political party likes Pacific Gas and Electric Co. these days.


But the reality is, PG&E has aimed its Prop. 16 campaign directly at the heart of the more conservative electorate, with its anti-government message. And Mercury insurance has aimed its campaign at the better-off consumers who aren’t likely to drop their car insurance any time soon. I don’t see Prop. 16 winning big in any constituency — but it will do better among Republicans.


So Democrats have to get to the polls — and get their friends to the polls, and their families to the polls, and their neighbors to the polls, and a few dead people, too, if they can find them (just kidding, Arthur Evans, lighten up).


And in San Francisco, where there are no races for mayor or supervisor, it’s easy to want to sit this one out — but that would be a major mistake. The election for Democratic County Central Commitee alone is worth a trip to the polling place, since the makeup of that body will have a significant impact on the fall supervisorial races.


So you have to vote, folks. Here’s our endorsements.


 

In Mexico, turtles and oil privatization

0

MEXICO CITY (June 3rd) — The turtles of Caribbean Mexico are an ancient race. Their ancestors paddled with dinosaurs and prehistoric fish. Kemp’s Ridley turtles were burying their eggs in Gulf Coast sanctuaries countless millennia before the Olmecs, Mexico’s matrix civilization, installed their mysterious giant heads on the Veracruz plain. The presence of turtles in indigenous iconography is evidenced by artifacts displayed in anthropological museums in Mexico City and Jalapa Veracruz. The 20th Century naturalists recorded “arribos” (“arrivals”) of tens of thousands of Kemp’s Ridley females at Rancho Nuevo beach Tamaulipas; with few exceptions, Kemp’s Ridleys (named for an amateur turtle-ologist and the smallest and rarest of all sea turtles) nest only at Rancho Nuevo and Padre Island, Texas.


But for Gulf waters, turtles are like canaries in the coalmines. The 1979 blowout of Ixtoc 1, a Mexican National Petroleum Company (PEMEX) platform off the southern state of Tabasco, gushed uncontrollably for nine months. Some 3,000,000 barrels spewed into the Gulf of Mexico, fouling beaches and nesting grounds. The Rancho Nuevo arribos shrank below 4,000. Although Mexican Kemp’s Ridleys have staged a modest comeback (the population is now calculated at 8,000), the April 20th explosion of a British Petroleum deep-sea drilling rig on the Macondo Prospect (with apologies to Gabriel Garcia Marquez) 130 miles southeast of New Orleans could spell doomsday for these primordial creatures.


Across the Gulf, Mexican authorities are watching this travesty unfold with furrowed brows. The blow-out of the Deepwater Horizon platform that killed 11 and wounded 17 workers is now the largest oil spill in U.S. history, almost doubling the size of the Exxon Valdez fiasco in Alaskan waters (10,000,000 gallons) and threatening biblical devastation of Caribbean wildlife from Mexico to Cuba. Already, Gulf Coast fishing grounds have been shut down, shrimp and oyster beds contaminated, colonies of marine mammals such as dolphins and manatees are menaced, and bird life, particularly brown pelicans, is at extreme risk. In just the first 20 days of the catastrophe, 156 dead Kemp’s Ridley sea turtles were counted.


The good news — at least for Mexico — is that deep-water oil plumes have been caught up in loop currents that threaten environmental mayhem as far east as the Florida Keys and Communist Cuba, but will not touch home. The bad news is that, come August, when the hurricane season blows in (2010 is being touted as a record year for tropical hurricanes with 15 giant storms headed for the Caribbean and the Gulf of Mexico), those currents will shift dramatically south towards Mexico. Even now, deep water “cyclones” are sweeping gobs of oil towards Veracruz and Tamaulipas turtle breeding grounds, and Mexico’s environmental secretary, Rafael Elvira, is preparing to file suit against BP, whose $325 billion earnings in 2009 is larger than Mexico’s total annual budget.


BP efforts to plug the leak with everything from old tires to tons of mud, robot submarines and never-before-tested “domes” have met with serial failure. A slant drill to relieve pressure on the undersea gusher will not be in place until August, when the currents turn towards Mexico. Kemp’s Ridleys nest from April through August.


President Felipe Calderon’s brow is further corrugated by the prospect that the mammoth BP spill will torpedo his pledge to privatize (he calls it “modernize”) both Mexico’s oil industry and PEMEX, the national petroleum consortium. The explosion of the Deepwater Horizon, a joint venture between BP, Halliburton, and TransOcean (controlled by a Swiss holding company), has certainly slowed, if not slain, Calderon’s plans to contract similar transnationals for deep sea drilling in Mexico’s slice of the Gulf.


According to U.S. Department of Energy evaluations, Mexico has only nine years of proven reserves left before it becomes a net oil importer. Major offshore wells like Cantarell in the Sound of Campeche are played out, and no new land-based deposits have been located. Rummaging through the remains of the old Chicontepec field in Veracruz (Halliburton is an important subcontractor) has yielded meager results.


One joke making the rounds has Calderon delighted by the BP spill, because it will bring more oil to Mexican waters.


In the vision of Big Oil, Mexico’s only hope for economic survival lies in its “aguas profundas,” or deep waters, five miles down in the Gulf. Of course, only Big Oil has the technology to get at these riches. According to the transnationals, PEMEX must be reformed and partner up with them (“an association of capitals”) for a percentage of the take. So-called risk contracts are currently barred by the Mexican Constitution. 


Following orders from his backers (Halliburton, the number one PEMEX subcontractor, was a generous contributor to Calderon’s fraud-tarred 2006 election victory), the Mexican president submitted “energy reform” legislation to Congress in 2008 that laid out a “strategic alliance” with Big Oil and “flexibilization” of PEMEX opening the state company to private investment and risk contracts. The Calderon media machine cranked up an infomercial campaign depicting an azure Caribbean under which Mexico’s true wealth lay buried. “The Treasure of Mexico” was repeatedly shown at prime time on this distant neighbor nation’s two-headed television monopoly, Televisa and TV Azteca.


Mexico is fast running out of oil, the president warned to make his point. Deep sea drilling is the only option. “Energy reform” was put on congressional fast track.


By seeking to privatize Mexico’s petroleum industry, Felipe Calderon is swimming against global currents. World-class producers like Russia and Saudi Arabia are consolidating their state-run oil companies, Glasprom and Aramco, rather than selling them off to the private sector.


Petroleum is a volatile liquid in the Mexican mix. Oil and sovereignty have been joined at the hip ever since depression-era president Lazaro Cardenas expropriated and nationalized the industry in 1938 from Anglo and American owners — the so-called Seven Sisters — when they defied the Mexican Supreme Court during an oil workers’ strike. Those opposed to Calderon’s scheme went into hullabaloo mode to push back his privatization legislation.


Ex-left presidential candidate Andres Manuel Lopez Obrador, from whom many Mexicans believe Calderon stole the 2006 election, organized his social base and the “Adelitas,” women partisans dressed up as “soldaderas” or female fighters in the Mexican revolution, donned sombreros and long skirts, toy carbines and bandaleros of fake bullets crisscrossed across their breasts, and encircled the Mexican Senate. Inside both houses of congress, Lopez Obrador’s colleagues seized the podiums and paralyzed all legislative activity for ten days.


The stand-off resulted in a series of nationally televised debates over the next four months during which energy experts, academics, Big Oil reps, PEMEX honchos, lawyers, leftists, senators, deputies, impresarios, and even a poet or two argued about the privatization proposal. The debates were carried live on a big screen in the great Zocalo plaza, where hundreds of outraged citizens gathered every afternoon to cuss out the privatizers.


By autumn 2008, a compromise was struck between Calderon’s PAN party and the former ruling PRI, which still holds a majority in both houses. Anti-Lopez Obrador elements within the left-center PRD also signed off on the deal, which delineated hundreds of exploration tracts in Mexican deep sea waters, but put a hold on transnational participation and risk contracts. The compromise did not please the transnationals, but Calderon okayed it reluctantly and was preparing fresh legislation to assuage their concerns when the Deepwater Horizon blew out at the bottom of the Gulf, putting the kibosh on Big Oil’s pipedreams.


The struggle to stop the privatization of PEMEX is symbolic and illusory. Thirty one out of the company’s 41 divisions are, in effect, subcontracted out to the likes of BP and Halliburton;  most contracts are concentrated in the PEP or exploration and perforation sector. Ironically, players like BP, the biggest producer in the Gulf of Mexico today, and Shell are reincarnations of British interests that dominated petroleum production in Veracruz before expropriation — Royal Dutch Shell evolved from Lord Cowdry’s (Weetman Pierson) Aguila Oil. Moreover, Exxon is reported to be dickering for BP (which now incorporates Amoco and Atlantic-Richfield), a merger that would restore John D. Rockefeller’s Standard Oil taken down by trustbusters in 1911. Standard Oil’s James Doheny and Pierson ruled Mexican oilfields before 1938, and once threatened to secede and form their own “Republic of The Gulf of Mexico.” 


The U.S. and Mexico dispute a pair of potentially abundant fields in the deep waters of the Gulf. Designated “Donas,” the eastern polygon is triangulated between the Yucatan, New Orleans, and Cuba. The much-larger (16,000 square kilometers) western polygon sits between Tamaulipas and Texas. Mexico’s share of the western “Dona” (62%) purportedly holds up to 34,000,000,000 barrels, twice current reserves.


Preliminary delineation of the Donas was agreed upon by Washington and Mexico City in 2000, and deep-sea drilling is set to begin as early as next year. Chevron and Shell have reportedly already won contracts to work the U.S. sites. But Mexico does not have the technology to get at its “treasure” and Houston oil guru George Baker confirms that it will be another decade before PEMEX comes into possession of the tools to drill baby drill at such depths.


Advocates for continued state control of Mexico’s oil like Professor Fabio Barbosa of the National Autonomous University (UNAM) rebut the claim that PEMEX cannot drill deep, citing development of the Nab platform in mile-deep waters off Yucatan  (the Dona reserves are thought to be three to five miles down in the Gulf.)


In a recent El Universal op-ed, Barbosa recalled then-BP vice president Cris Sladen’s warning to a 2006 oil conference in Veracruz that Mexico would go belly-up if it didn’t dissolve PEMEX and let the latest version of the Seven Sisters handle the deep sea exploration and drilling.


Closer to the bottom of the food chain, the voices of the turtles are not heard in this debate between privatizers and nationalists. Deep sea drilling presages unprecedented carnage for their already exhausted species. BP itself has an unblemished record of species genocide — its Arctic projects threaten protected bowhead whales in the Beaufort Sea and a 900,000 gallon spill in Prudhoe Bay in 2000 plus its plans to trash the Alaska National Wildlife Refuge put dozens of species, from Polar bears and caribou to the Arctic tern, the longest-flying migratory bird on Planet Earth, on the brink of extinction.


In an exhibition of unbridled cynicism, BP greenwashes its tarnished image with full-page New York Times professions of its concern for the environment and by handing out conservation awards and grants. So far as is known, no Kemp’s Ridley sea turtle has ever won one.


The indigenous peoples of the Pacific Northwest liken the American continent to the back of a turtle — humans are allowed to live on it but must do so in harmony with the planet. “Turtle Island” is the translation of the name of the place where we live in several Indian languages, a designation that once lent its name to Gary Snyder’s Pulitzer Prize-winning poems imploring environmental respect and salvation.


But the poet’s metaphors do not carry much weight in the boardroom. BP and its cronies in corporate crime and capitalist greed have put Turtle Island at the top of their hit list.          


John Ross is back in “El Monstruo,” the title of his latest cult classic (“pulsating and gritty” the NY Post) and can be reached at johnross@igc.org

About Peskin’s “coup”

45

It’s interesting that the Examiner and Chron both seem to be pushing the same slate of 24 candidates for the Democratic County Central Committee — and most of the folks on the list are not incumbents. Electing the so-called “moderate” slates would, in fact, mark a dramatic change in the politics of the DCCC — and yet, the Ex’s Ken Garcia still talks about a “progressive coup.” As if somehow the left is trying to take over a committee that hasn’t really changed all that much in years.


Garcia:


A few years back, the local Democratic party organization was the object of a coup engineered by former Supervisor Aaron Peskin and the aforementioned Daly that rid the group of many of its moderate members and replaced them with like-minded ultra-liberals, several of which were elected to the Board of Supervisors in large part because of the support of the DCCC, which controls slate mailers, raises money and otherwise does everything in its power to increase its power.


In fact, in 2008 Peskin was elected to the DCCC and became chair. But it was hardly a dramatic change in the commitee’s politics. Let’s look at the numbers.


You can read the list of candidates who won slots on the committee in 2006, before the supposed “takeover,” here. And you can see the list of candidates who won in 2008, the “coup” year, here. Guess what? They’re remarkably similar. In the 12th Assembly District, only three of 12 seats changed hands. Susan Hall, a progressive, retired. Dan Dunnigan and Jason Wong, both part of the more moderate wing, lost. Jake McGoldrick, Eric Mar and Michael Bornstein, all progressives, were elected. Net political change: exactly two sets for the progressives.


In District 13, Sue Bierman, an incumbent in 2006, died and was replaced by David Chiu, who was re-elected in 2008. Gerry Crowley retired, and exactly two other incumbents — Holli Thier and Bill Barnes — were unseated, replaced by Peskin and Chris Daly.


“Many of the moderate members,” Ken? Try four. Out of 24 elected seats. That’s a turnover rate of about 16 percent. Some coup.


As it turns out, the balance of power in the committee shifted just enough for Peskin to get elected chair, in a very close vote. But most of the votes on the committee, on most of the key issues, are fairly lopsided; a motion to oppose the sit-lie law, for example, passed overwhelmingly.


So the real coup attempt here is a well-funded move by downtown to oust the current incumbents and move the Democratic Party to the right. That’s what this election is about. 

Newsom and his commissioners just love Candlestick/Shipyard report

4

 Text by Sarah Phelan, photos by Luke Thomas

Today, I’m dedicating Michael Franti’s  “Say hey, (I love you)” to the entire Redevelopment Commission and the four Planning Commissioners who approved the City’s final Environmental Impact Report plan for Lennar’s Candlestick/ shipyard development. I’m doing so, not because I love these commissioners, who are  all mayoral appointees, but because they all seem to love everything about the final report, despite ongoing concerns about building a bridge over an environmentally sensitive slough, taking park land for luxury condos and unresolved questions about the Navy’s cleanup of the shipyard.(Yes, the EIR doesn’t address the toxic cleanup, but does it make sense to approve it before the Navy has completed its cleanup assessment plan?)

I’m also dedicating Franti’s bubbly soul-lifting song to Planning Commissioners Christina Olague. Kathrin Moore and Hisashi Sugaya for refusing to rubberstamp the final EIR or the related CEQA findings. Thanks guys for having some moral backbone!

Mayor Gavin Newsom, presumably tweeting while leaving town again on the Lt. Governor campaign trail, hailed yesterday’s rubberstamping process as a critical milestone.
“This is a major milestone for our efforts to transform the shipyard from an environmental blight to a showcase of jobs, affordable housing, parks and green-technology investment for the Bayview and our entire City,” Newsom said in a press release. “The approvals of the EIR and Redevelopment Plan reflect the years of hard work, rigorous study and extensive community involvement invested in revitalizing our City’s Southeastern Waterfront…our progress today is a testament to their leadership and commitment to thoroughly cleaning up the Shipyard so we can forge ahead towards a new vision for Hunters Point.”

One of the key points to emerge from last night’s hearing is the bifurcated nature of the process, which yesterday let the city push the EIR certification through, before the Navy completes a related EIS (environmental impact statement) about the cleanup on the shipyard—including areas of land where Lennar hopes to develop homes if the 49ers leave.

Fog City Journal’s Luke Thomas told me today that during public comment, the Nation of Islam’s Minister Christopher Muhammad called the commissioners “paid prostitutes” and “political whores” and said there would be a “political earthquake” if the commissioners go forward with EIR. 

“However, I don’t think he understood that the EIR and the EIS (which deals with the toxic cleanup) are two separate documents,” Thomas said, accurately noting that the joint commission was only voting on the EIR yesterday.

(According to Thomas, the Minister also promised that coalition of activists that would dog Newsom up and down the State during his campaign for Lt. Governor to expose Newsom’s record, so expect more fireworks along the campaign trial this summer.)

Another key fact to emerge from yesterday’s hearing was the lack of public comment on the part of almost all the candidates running to replace D. 10 Sup. Sophie Maxwell, whose district includes this massive development. Only Kristine Enea, Tony Kelly and Espanola Jackson spoke on the record—with Enea in favor of the plan with amendments, and Kelly and Jackson opposed as things currently stand.

Now, you’d think that everyone running in this race would be eager to show D. 10 constituents (and beyond) that they were at the meeting, not only silently tracking, but also publicly expressing their opinions. And while it’s true that Marlene Tran and DeWitt Lacy filled in speaker cards, Chris Jackson showed up during the proceedings, and Lynette Sweet got ushered into the press box by Sup. Bevan Dufty, none of these D. 10 candidates got their thoughts in the public record. Now, no doubt Cedric Akbar, Bill Barnes, Isaac Bowers, James Calloway, Malia Cohen, Ed Donaldson, Marie Franklin, Rodney Hampton Jr., La Vaughan Moore, Geoffrea Morris, Steve Moss, Jacqueline Norman, Nina Pickerrell, Dwayne Robinson, Diane Wesley Smith, Eric Smith, (and the many others rumored to be running) had their reasons for not being there, and I’d be happy to hear all about it from all of them between now and the November election.

But it doesn’t instill confidence in candidates when they won’t say in public what they are only too willing to say off the record. So, kudos to Enea, Kelly and Jackson for taking that leap and refusing to act like politicians before they have even been elected.

“So much of it was shocking but not surprising,” Tony Kelly told me today, after he recovered from last night’s meeting which lasted until 2 a.m. ‘Everyone knew there would be a snappy 4-3 decision by the Planning Commission on the stuff that mattered. And in a way, I can see why the mayoral appointees on the Commission would decide that they would leave it to the elected officials on the Board to stop this plan. But there was zero excuse for the lameness of the Redevelopment Commission [who are all mayoral appointees]. Still, it showed what the Planning Commission [which today consists of four mayoral appointees, and three Board appointees] must have been like  before it was reformed [and still consisted solely of mayoral appointees].”

“It was heartbreaking to see the endless parade of Bayview Hunters Point residents saying, ‘I need a job,’ or ‘ I need to live in a new house,’ as they argued in favor of certifying the project’s final EIR, despite all the flaws,” Kelly acknowledged.

Still, as Kelly points out, the city could have pushed to acquire foreclosed housing in D. 10 so residents in substandard public housing could be relocated into decent units now, instead of having to stay at least another five years, or longer, in rat, cockroach and sewage inundated units, under Lennar’s plan.

Kelly also notes that the city could have used the Redevelopment Agency’s “massive power” to do stuff up and down Third St, where unemployment is especially visible.

“Having done planning elsewhere, this plan [for Candlestick and the shipyard] is like planning on Mars,” Kelly said. ‘This is a bigger badder version of 555 Washington.”

Last but not least, Kelly voiced concern that a couple of peaker plants will be built within Lennar’s project area.
.“There are going to be two combustion turbines generating steam heat, but not electricity within the project boundaries,” Kelly clarified. “That means they don’t have to register as a power plant, but they will be generating greenhouse gases. The only difference is they won’t be generating electricity.”

So, now the charade of approvals heads to the Port Commission, which has got some folks asking whether Port Commissioner Stephanie Shakofsky, another Newsom appointee should recuse herself , given that her non-profit is clearly such a fan of the project.

 

 

SFBG Radio: Tim and Johnny on the election

15

Today, Johnny and Tim talk about California Republican gubernatorial cadidates Meg Whitman and Steve Poizner and the upcoming voter initiative to legalize marijuana in the November election. You can listen after the jump.

 

SFBG.com Radio 6/1/10 by SFBG

Political juggernaut

3

sarah@sfbg.com

City officials are scrambling to secure final approvals to allow Lennar Corp. to move forward with its 770-acre Candlestick/Hunters Point Shipyard redevelopment of San Francisco’s impoverished and polluted southeast sector. But the community remains divided on the project, raising concerns that wary residents will end up being steamrolled by this politically powerful juggernaut.

Some groups say the project needs major amendments, but fear it will be rushed to the finish for political reasons. Others say they are hungry to work and desperate to move into better housing units, so they don’t want all the myriad project details to slow that progress. And Mayor Gavin Newsom’s administration is arguing that approving the project’s final environmental impact report by June 3 is crucial if San Francisco wants to keep the San Francisco 49ers in town.

But many observers fear Lennar wants its entitlements now before its project can be subjected to greater scrutiny that could come with the November elections. Newsom, who made Lennar’s project the centerpiece of his housing policy, will be replaced as mayor if he wins the lieutenant governor’s race. And a crowded field of candidates, many of them progressives concerned about the project’s impacts on the poor and the environment, are vying to replace termed-out Sup. Sophie Maxwell, whose district includes Lennar’s massive territory.

“It’s 180 percent about the 49ers,” land use attorney Sue Hestor told the Guardian, referring to the city’s proposed rush job, as evidenced by a rapid entitlement schedule that the Newsom’s administration wants city commissions and the board to follow.

Under that schedule, which Hestor procured from the Mayor’s Office, Planning and Redevelopment commissioners are expected to certify the project’s final 6,000-page EIR, adopt California Environmental Quality Act findings, approve amendments to the project’s original disposition and development agreement, and authorize land trust and open space reconfigurations — all during a June 3 meeting where public comment will likely last for many hours.

Saul Bloom, executive director of Arc Ecology, a community-based nonprofit that tracks the development, says this schedule stretches the credulity that this is a deliberative process. “There’s no way anyone could make a functional reasoned assessment,” Bloom told us. “How do you have any meaningful public conversation under those circumstances?”

Michael Cohen, Newsom’s chief economic advisor, asserted in an April 29 article in The New York Times that Lennar’s plan is a “really, really good project,” echoing the glowing praise he’s heaped on the project since its conception.

“But there’s nothing new in their proposal,” Bloom told us. “That’s because they haven’t been listening to the public’s concerns. [Cohen] says, ‘Haven’t we talked enough? The community’s been waiting all these years!’ But waiting to get what done?”

Lennar’s project — which had early backing from Newsom, U.S. Sen. Dianne Feinstein, and other political power brokers — was sold as creating “jobs, housing, and parks” and “revitalizing the abandoned shipyard” when voters approved the Lennar-financed Proposition G in 2008.

“Proposition G is from the community and for the community,” Lennar’s campaign promised. “You can turn the abandoned Hunters Point Shipyard into a clean, healthy, sustainable, livable neighborhood — a place where people can raise their children.”

The shipyard once employed thousands of workers, including African Americans who were recruited from the South in the 1940s and ’50s. But the district’s economic engine fell into disrepair when the military left in 1974. Today the neighboring Hunters Point and Bayview neighborhoods have the highest unemployment and crime rates and the largest concentration of African American families in the city.

But the city’s final EIR for the project, which the Planning Department released mid-May, shows that 68 percent of the developer’s proposed 10,500 new housing units will be sold at market rates unaffordable to area residents, and that many of these units will be built on state park land at Candlestick Point.

Lennar is also proposing to build a bridge across the environmentally sensitive Yosemite Slough, significantly changing the southeast waterfront. Lennar says it plans to develop the project’s remaining 3,000 units at below market prices, including one-for-one replacement of rundown Alice Griffith public housing units. Its proposal includes a dozen high-rise towers, 2.7 million square feet of commercial space, 1 million square feet of retail space, a performing arts theater, and an artists colony.

Lennar claims its proposal will create 1,500 construction jobs annually during the project’s 20-year build-out, along with 10,000 permanent jobs, thanks to a United Nations Global Compact Sustainability Center and a vaguely defined green technology office park.

The project and its impacts are already an issue in this year’s District 10 supervisor’s race (see “The battle for the forgotten district,” Feb. 23). Candidate Chris Jackson says Lennar’s proposal is weak when it comes to creating well-paying, low-skilled green collar jobs. He supports Arc’s proposal to including green maritime industrial use at the shipyard.

Arc recommends that the city’s final EIR allow recycling and repairing of ships, including the Suisun Bay Ghost fleet — decommissioned U.S. Navy, cruise, and ferry ships — arguing that “ship recycling and repair are resurgent strategic industrial activities yielding employment opportunities for our existing pool of skilled and unskilled workers.”

Jackson, who was elected to the Community College Board in 2008 and recently jumped into the District 10 race, wants the city to assert that the project is not a regional housing plan.

“It’s a local housing plan for local residents,” Jackson asserts. “It’s not here to provide housing for Silicon Valley. It’s for Bayview-Hunters Point and District 10 residents.”

Jackson understands why some local residents want no delays on final EIR approval: “I can never blame folks in Alice Griffith public housing for coming out and saying ‘no delays.’ They really want something real, housing that is not rat and cockroach infested.”

As a policy analyst (a position he’s quitting to focus on the District 10 race) for the San Francisco Labor Council — which gave key backing to the project in the 2008 election — Jackson knows labor is frustrated by all the project meetings. “I try to tell them it’s better to get this project right than rush it through and find out later that it goes against the interests of labor,” Jackson said.

In May 2008, the Labor Council signed a community benefits agreement (CBA) with Lennar. Since then labor leaders have urged no delays on the project’s draft EIR review. But Jackson believes the city must demand that financial consequences, such as liquidated damages, be a project approval condition if the developer reneges on the CBA.

“Right now the only push-back the city has is to threaten to kill the whole project if Lennar doesn’t meet its timeline,” Jackson said. “But people are really invested in this project, and I don’t believe anyone would pull the trigger and end the entire development. We don’t need to throw everything out; we just need to change them.”

Jackson wants to see the inclusion of a special-use district that would create a cooperative land trust to ensure affordability and home ownership opportunities for local residents. “I love open space and sustainability, but I also want affordable housing and real light-industrial opportunities that can employ people living in the district now.”

Special-use districts, Jackson argues, give city commissioners a way to amend this project to make it more acceptable.

Jackson wants to see strong tenant protections for public housing residents. “The vast majority of those residents are African American. At the end of the day, I want to see economic and environmental justice, so we can say we brought the right change to our community.”

Jackson also would like to see a more independent Mayor’s Office. “Don’t you feel like its 2002/2003, and that if you speak out against the project, it’s like you are speaking out against the Iraq war, and all of a sudden you are not patriotic?”

Fellow District 10 candidate Eric Smith concurred. “The powers that be are definitely moving this thing forward,” he said. “And this is a monster train, a juggernaut that is gathering steam. But how it shakes out down the road remains to be seen. My whole mantra is that there needs to be greater transparency down the line. If I become the sheriff, I’ll be shining a light on all this stuff.”

Smith warned that the community needs to work together or it won’t win a better deal. “It’s clear that folks in the city are hoping against all odds that Lennar can pull this stuff off so they can prove all the naysayers wrong and these community benefits can be realized, and that scrutiny of the projects can go on while all this happens,” he said.

But Arthur Feinstein, the Sierra Club’s political chair, worries that the city’s rush job is resulting in seriously flawed documents and decision-making. “It’s difficult for folks to digest 6,000 pages of comments and responses on the draft EIR in the three weeks since planning posted them online,” Feinstein said. “And nothing has changed despite all the comments, which is why it continues to be a nonsense process.”

Feinstein says the Sierra Club’s top concerns are the Parcel E-2 cleanup on the shipyard, a deal to transfer 23 acres at Candlestick Park for development, and the bridge over Yosemite Slough.

“You can cover most of the site,” he said. “But when it comes to Parcel E-2, where the dump burned for six months in 2002, that’s only 20 acres, it could and should be removed. This is the environmental justice issue that has the community up in arms.”

Feinstein worries about the precedent that selling a state park for condos sets. “This is our park, and they are shrinking it.” He is also concerned that the developer wants to bridge Yosemite Slough for cars.

How many of these concerns will be addressed at the June 3 hearing, which is just days before Santa Clara County voters decide whether to try to lure away the 49ers with a new publicly financed stadium? We’ll see.

Stage listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. Opens Thurs/3, 9pm. Runs June 10, July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Previews Fri/4-Sat/5, 8pm. Opens Tues/8, 8pm. Runs Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Custom Made performs two comedies by Christopher Durang: Sister Mary Ignatius Explains It All For You, and The Actor’s Nightmare.

Forever Never Comes Boxcar Playhouse, 505 Natoma; www.crowdedfire.org. $10-25. Previews Sat/5, 8pm; Sun/6, 5pm. Opens June 9, 8pm. Runs Wed-Sat, 8pm. Through June 26. Crowded Fire performs Enrique Urueta’s world premiere "psycho-Southern queer country dance tragedy."

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Previews Fri/4-Sat/5, 8pm; Sun/6, 5pm. Opens June 10, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater performs Samuel Beckett’s comedy, which the company has previously mounted to wide acclaim.

BAY AREA

John Steinbeck’s The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, www.calshakes.org. $34-70. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also June 26, 2pm); Sun, 4pm. Through June 27. Cal Shakes kicks off its season with Octavio Solis’ world-premiere adaptation of John Steinbecks’s 1932 novella.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 27. TheatreWorks performs Michael Hollinger’s drama, set in the world of chamber music.

ONGOING

All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through June 26. Actors Theatre performs Arthur Miller’s masterwork.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to "enter" Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through June 12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

The Breath of Life NohSpace, 2840 Mariposa; www.brownpapertickets.com. $25. Thurs/3-Sat/5, 8pm; Sun/6, 5pm. Spare Stage Productions performs David Hare’s drama about a wife and mistress dumped by the same man.

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Fantasy author Peter S. Beagle (The Last Unicorn) penned the source material for Stuart Bousel’s world-premiere play.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard "Scrumbly" Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

"Something C.O.O.L.: The Summer Cabaret Festival" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; June 13, 20, and July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Fri/4, June 11, 18, 9pm; Sun/6, June 20, 7pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Against a frozen, deceptively empty-looking landscape of perpetual winter, an anguished married couple stagnates in grief over the accidental death of their young son. Estranged by the sorrow and guilt they feel, they spend most of the time apart but not alone: Mel (Beth Wilmurt) stays at home, where she loses herself in obsessive domestic projects while fielding questions from their surviving daughter — the equally traumatized but far more resilient Lanie (Nika Ezell Pappas) — with assists from the Tooth Fairy (Melinda Meeng) and G.I. Joe (Keith Pinto); meanwhile, Ted (Ryan O’Donnell) wanders in his business suit through a string of airports and airport bars commiserating with other lost souls (Joe Estlack and Zehra Berkman). New York-based playwright Jenny Schwartz’s whimsical meditation on the process of grieving is something like The Rabbit Hole as written by Ionesco, fueled by dialogue that makes an overly showy and eventually tedious hysterical poetry of the banalities, clichés, and platitudes spoken by her stricken characters as a kind of prefab linguistic armor — everything and anything to avoid saying something. Director-choreographer Erika Chong Shuch stages the action in this Shotgun Players production with warm energy and imagination, however — and a handful of tuneful, clever songs from composer Daveen Digiacomo — compensating somewhat for the motionless plot. Moreover, Shuch undercuts the play’s maudlin tendencies by moving her able actors and even the stage properties around in swift, comical, aptly dreamlike fashion, as the stunned couple continue their largely separate meanderings, meaningfully spouting "meaningless" lines about bucking up, or settling in, or riding off, etc. The problem is there is not much beneath this frozen surface of clichés beyond more cliché. (Avila)

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Thurs/3, June 12, or 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her "alternative" family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with "blind spots," much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Thurs-Sat, 8pm; Sun, 5pm (no show Sun/6). Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darned easy. To set a crass comedy about class, obsession, and mistaken identity at "Illyria Studios" in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Tues, Thurs-Sat, 8pm (also June 10, 1pm; Sat/5 and June 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

"Bakla Show II" Thick House, 1695 18th St; www.brownpapertickets.com. Thurs-Sat, 8pm. Through June 12. $15-20. Bindlestiff Studio presents this theatrical exploration of queer Filipino identities, inspired by myths and folktales.

"Festival of New Voices II: The Next Wave of Solo Performance" Marsh San Francisco, 1062 Valencia; 1-800-838-3006, www.themarsh.org. Wed-Thurs, 7:30pm; Fri, 8pm; Sat, 5, 5:30, 8:30, and 9pm; Sun, 3pm. Through June 13. $7.50-50. Six new full-length works and 11 shorter works make up this solo-performance fest.

"Richmond/Ermet AIDS Foundation presents One Night Only Cabaret" Theatre 39, Pier 39; 273-1620, www.helpisontheway.org. Mon, 7:30. $38-58. This fundraising show features cast members from Broadway musical In the Heights, plus Jai Rodriguez, Marga Gomez, and RJ Helton.

"San Francisco Ethnic Dance Festival" Palace of Fine Arts, 3301 Lyon; 474-3914, www.worldartswest.org. Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

"Standing in the Current" Dance Mission Theater, 3316 24th St; 273-4633, www.brownpapertickets.com. Fri-Sat, 8pm; Sun, 3pm. $20. Spinning Yarns Dance Collective performs in partnership with Robin Anderson and Chicago-based RE/Dance.

"Ungrateful Daughter: One Black Girl’s Story of Being Adopted into a White Family That Aren’t Celebrities" StageWerx, 533 Sutter; www.stagewerx.org. Thurs-Sat, 8pm. Through June 12. $20-25. Lisa Marie Rollins performs her autobiographical show.

Affordable housing group’s shady, “shameless” endorsements

0

Editors note: This article orginally ran in October, 2000.T


he Brown machine’s soft money operation is churning out some very
duplicitous propaganda. While we haven’t seen many mailers attacking
independent candidates yet (they’re usually deployed in the final days
of the campaign, when the targets don’t have a chance to respond), we’ve
come across flyers that aim to portray business-friendly machine
candidates as champions of progressive causes.



Perhaps the most egregious comes from an organization called the
Affordable Housing Alliance.



Once a legitimate tenant advocacy group, the AHA does little these days
except endorse candidates and send out mailers during election season.
Numerous well-known tenant activists say the AHA reflexively promotes
the candidates of the Willie Brown machine — no matter where they
stand on tenant issues.



And from what we’ve learned about the group’s endorsement process, AHA
director Mitchell Omerberg isn’t even trying to give the group the
appearance of legitimacy.



Omerberg, who works as a deputy city attorney for San Francisco, was
active in the 1979 fight for rent control. We called him several times
and left messages at the AHA, at his home, and at his city office. He
never called us back or faxed us a copy of the group’s endorsements.
The shenanigans began when Omerberg invited candidates to speak at the
AHA’s endorsement meeting. Chris Daly, the District Six hopeful who has
inspired more enthusiasm from tenant activists than any other candidate
in the city, wasn’t even invited. Daly told us his campaign called
Omerberg to ask when the meeting was scheduled, and Omerberg never
called back.


At the Sept. 28 meeting, the candidates whom Omerberg did invite made
their speeches. Then the group’s supposed members voted on the club’s
endorsements. But it’s not clear who most of those members are or where
they came from.


Progressive activist Richard Ow, who probably attends more political
meetings than anyone in San Francisco, told us he didn’t recognize a
single other tenant activist among the voting members. Ow sits on the
boards of the San Francisco Tenants Union, the Housing Rights Committee,
and the Senior Action Network and is active in dozens of other tenant
groups.


The most egregious maneuver came at the end of the meeting. According
to District One supervisorial candidate Jake McGoldrick (one of the few
people who stayed until the end) Omerberg refused to open the ballot box
and tally up the votes there and then.



Instead, he insisted on taking the ballot box home with him.
Apparently Omerberg prefers to count the ballots alone: one former AHA
member, who asked to remain anonymous, told us he did the same thing
after at least two endorsement meetings in years past.


Alex Wong, chair of the Democratic County Central Committee, helped
Omerberg run the meeting, introducing the candidates and watching the
clock as they spoke. Wong, a Brown ally, told us he didn’t know if Omerberg had taken the ballots home with him; he says he, too, had left the meeting by that point. Then he got off the phone, saying he’d call
us back. He never did.



With Omerberg and Wong keeping mum, we couldn’t track down a copy of
the group’s endorsement list. (McGoldrick campaign manager Jerry Threet
says he asked Omerberg for a copy and Omerberg flat out refused.) But an
AHA mailer sent to tenant voters in the Richmond provides a clue.
“Renters have two choices in the November election,” the flyer
proclaims. “Michael Yaki will preserve rent control. Rose Tsai wants to
repeal it.”


Of course, Richmond renters have more than two choices. There are five
candidates on the District One ballot, including McGoldrick. McGoldrick
has been active on tenant issues for decades, including a term as a San
Francisco Rent Board commissioner from 1988 to 1992 and another as
cochair of the now defunct Housing and Tenants Council, an umbrella
coalition for the movement.


“Jake has a long history of being pro-tenant, from his days on the Rent
Board to doing grassroots work on every tenant campaign and every piece
of tenant legislation,” said Ted Gullicksen of the Tenants Union. The
city’s preeminent renters’ advocacy group, the Tenants Union gave
McGoldrick its enthusiastic endorsement. If you believe the AHA’s
mailer, he’s not even in the race.


On the other hand, Gullicksen said, “Yaki initiated legislation to stop
owner move-in evictions — but then, under pressure from landlords,
killed it himself. Since then he has consistently been against tenants
and with the real estate industry.”


That’s the candidate of the Affordable Housing Alliance. Yaki has a
strong claim on AHA support: he is backed by Willie Brown, of whom he
has been a stalwart ally, and Omerberg worked on Yaki’s 1998 campaign
for the board.


“As a tenant who went through an owner-move-in eviction, I strongly
believe in protecting our rent-control laws and stringently enforcing
protections for seniors and the disabled,” Yaki told us through his
consultant Ellie Schafer. “I am proud to have supported all the measures
which passed the Board of Supervisors expanding OMI and Ellis Act
protections.” (Note Yaki’s careful phrasing: he supported the measures
that passed, and opposed the measures that failed. The same can be said
for most of Willie Brown’s other appointees; that’s why those measures
passed and the others failed.)


The AHA also endorsed Meagan Levitan in District Three, according to a
Levitan mailer. Her opponent Aaron Peskin, who spoke at the endorsement
meeting, has the support of the Tenants Union and just about every other
legitimate tenant activist. Yaki and Levitan are both endorsed by the
Small Property Owners Association and the San Francisco Apartment
Association, which lobby for landlords.


The AHA’s endorsements of Yaki and Levitan were no surprise to longtime
members of the tenant movement. “Historically, the Affordable Housing
Alliance hasn’t endorsed credible pro-tenant supervisors,” Robert
Haaland of the Housing Rights Committee told us. “It’s a group that’s
used to perpetuate machine candidates. It’s another shameless example of
how the machine stays in power.”

A public power landmark — and the battle to come

0

CCA allows communities to offer an alternative — to buy cleaner power in bulk and resell it at comparable or cheaper rates to residents and businesses

EDITORIAL It’s been 97 years since Congress passed a landmark law mandating public power in San Francisco, 67 years since the U.S. Supreme Court ruled that the city was violating the law by allowing Pacific Gas and Electric Co. to operate a private monopoly in town, and 42 years since the Guardian first broke the story of the Raker Act scandal and launched a campaign to bring public power to the city. And now, even operating under a tight PG&E-imposed deadline, the San Francisco is moving very close to establishing a modest type of public power.

Community choice aggregation (CCA) isn’t what John Edward Raker and his supporters had in mind in 1913 when they allowed San Francisco to build a dam in Yosemite National Park, breaking John Muir’s heart. The idea — which the city explicitly accepted in a formal written agreement — was to use the dam not just for water but for electricity, specifically to create a public power beachhead in Northern California that would prevent any private company, specifically PG&E, from getting control of the electricity grid.

CCA leaves PG&E’s private grid in place and allows the investor-owned utility to continue to sell power in the region. But it also allows communities to offer an alternative — to buy cleaner power in bulk and resell it at comparable or cheaper rates to residents and businesses.

Since 2002, when the state Legislature passed a bill authorizing CCAs, the concept has slowly started to take hold. Marin County launched its CCA this spring. San Francisco last week reached an agreement with PowerChoice LLC, a vendor that will oversee the procurement of electricity, to begin service here, and the contract is headed to the SF Public Utilities Commission and the Board of Supervisors for approval.

That’s a huge step forward for public power — but the city faces a tight deadline. PG&E has placed Proposition 16 on the June 8 ballot, which would require a two-thirds vote before any local agency could get into the electricity business. That’s an almost impossible threshold (see: the state Legislature). Prop. 16 may still go down to defeat, despite PG&E’s $45 million campaign to pass it.

But even if it passes, any existing agency — that is, any community that has its CCA in place before the election is certified — will be grandfathered in.

City Attorney Dennis Herrera argues, with good authority, that San Francisco is already protected from Prop. 16. The city already has taken enough steps to implement CCA (the implementation plan has been approved by the supervisors) that the inevitable lawsuit by PG&E will probably fail. But every step the city takes to bring the process closer to completion provides more protection, and the stakes could not be higher.

With CCA, the city will have control of its own energy future, be able to offer power that doesn’t contribute to global warming — and be able, at long last, to take a step toward complying with the Raker Act. (And remember: the law says, and the Supreme Court confirmed, that the federal government can move at any time to seize the Hetch Hetchy dam and uproot the city’s entire water system for failure to comply with the 1913 agreement.)

It seems almost certain that by June 8 the city will have a contract with a vendor and state certification that defines San Francisco as a CCA. Then, whatever the outcome of Prop. 16, the city needs to move forward with the program. And if PG&E sues to block it, then every official in San Francisco will have to be prepared to wage the legal and political battle of all time. PG&E can and probably will take the city to court — and the city can immediately start talking about breaking the 1930s-era franchise agreement that gives PG&E a low franchise fee in perpetuity, and enforcing the Raker Act, and taking the corrupt utility to task on every possible front.

A public power landmark — and the battle to come

1

EDITORIAL It’s been 97 years since Congress passed a landmark law mandating public power in San Francisco, 67 years since the U.S. Supreme Court ruled that the city was violating the law by allowing Pacific Gas and Electric Co. to operate a private monopoly in town, and 42 years since the Guardian first broke the story of the Raker Act scandal and launched a campaign to bring public power to the city. And now, even operating under a tight PG&E-imposed deadline, the San Francisco is moving very close to establishing a modest type of public power.

Community choice aggregation (CCA) isn’t what John Edward Raker and his supporters had in mind in 1913 when they allowed San Francisco to build a dam in Yosemite National Park, breaking John Muir’s heart. The idea — which the city explicitly accepted in a formal written agreement — was to use the dam not just for water but for electricity, specifically to create a public power beachhead in Northern California that would prevent any private company, specifically PG&E, from getting control of the electricity grid.

CCA leaves PG&E’s private grid in place and allows the investor-owned utility to continue to sell power in the region. But it also allows communities to offer an alternative — to buy cleaner power in bulk and resell it at comparable or cheaper rates to residents and businesses.

Since 2002, when the state Legislature passed a bill authorizing CCAs, the concept has slowly started to take hold. Marin County launched its CCA this spring. San Francisco last week reached an agreement with PowerChoice LLC, a vendor that will oversee the procurement of electricity, to begin service here, and the contract is headed to the SF Public Utilities Commission and the Board of Supervisors for approval.

That’s a huge step forward for public power — but the city faces a tight deadline. PG&E has placed Proposition 16 on the June 8 ballot, which would require a two-thirds vote before any local agency could get into the electricity business. That’s an almost impossible threshold (see: the state Legislature). Prop. 16 may still go down to defeat, despite PG&E’s $45 million campaign to pass it.

But even if it passes, any existing agency — that is, any community that has its CCA in place before the election is certified — will be grandfathered in.

City Attorney Dennis Herrera argues, with good authority, that San Francisco is already protected from Prop. 16. The city already has taken enough steps to implement CCA (the implementation plan has been approved by the supervisors) that the inevitable lawsuit by PG&E will probably fail. But every step the city takes to bring the process closer to completion provides more protection, and the stakes could not be higher.

With CCA, the city will have control of its own energy future, be able to offer power that doesn’t contribute to global warming — and be able, at long last, to take a step toward complying with the Raker Act. (And remember: the law says, and the Supreme Court confirmed, that the federal government can move at any time to seize the Hetch Hetchy dam and uproot the city’s entire water system for failure to comply with the 1913 agreement.)

It seems almost certain that by June 8 the city will have a contract with a vendor and state certification that defines San Francisco as a CCA. Then, whatever the outcome of Prop. 16, the city needs to move forward with the program. And if PG&E sues to block it, then every official in San Francisco will have to be prepared to wage the legal and political battle of all time. PG&E can and probably will take the city to court — and the city can immediately start talking about breaking the 1930s-era franchise agreement that gives PG&E a low franchise fee in perpetuity, and enforcing the Raker Act, and taking the corrupt utility to task on every possible front.

Infectious

0

arts@sfbg.com

VIDEO What brings down a presidential campaign, makes Stephen Colbert break out his lightsabers, and inspires protest in Oakland and Tehran? The alpha and omega of online video: YouTube and my camera phone equal a jillion eyeballs and our itchy mouse finger clicking “Play” and passing it on. All those moments, all those sticky little memes, are now forever linked and embedded in the cultural fabric, touchstones certain to become engrained in our collective unconscious as the grainy image of the Beatles playing Ed Sullivan or the Challenger exploding on camera.

At all of five years old, YouTube can claim more than 2 billion views a day. Twenty-four hours of video are uploaded to the site every minute and admittedly few of those snippets find traction in the stream of life. Yet the evolution of online video is just beginning. So say knowledgeable observers like Jennie Bourne, author of Web Video: Making It Great, Getting It Noticed.

“Viral has become a dirty word in Web video because people’s concerns in going viral tend to be linked to trying to monetize a web video, and very often a video that’s getting a lot of views is not making a lot of money,” Bourne explains. And while the rise of citizen broadcast journalists and DIY documentarians is laudable, she adds, “I have to say the flip side of that — people walking around with cameras on their foreheads all the time video blogging — can get a little boring without a structure and style. I think there will be a shakeout at one point, and Web video will mature. It’s not there yet — it’s effective as a distribution medium and effective as a social medium but still developing as a commercial medium.”

For now, what do some of the last five or even (gasp) 10 years’ most widely distributed viral videos say about this generation’s particular sickness?

With the advent of camera phones, the revolution will be webcast Is it any surprise that moving images activate us more than words? The outrage over the BART station shooting of Oscar Grant was fueled by the sights captured by viewers with camera phones. Six months after Grant’s death, the killing of Neda Agha-Soltan during the Iranian election protests was captured by multiple observers, causing it to become a flashpoint for reformists and activists. The videos depicting what one Time writer described as “probably the most widely witnessed death in human history” ended up winning last year’s George Polk Award for Videography.

Pre-online video, the mainstream news media likely would have shielded the public from these images in the interest of so-called public decency. But the availability of these videos online — and the reaction they generated — triggered a rethink. The shadowy online presence of the beheading videos made by Islamist terrorists following 9/11 might have prepared some for the horrors of the very real faces of death, but obviously the intent behind more recent spontaneous acts of DIY documentation has been radically different. Consider this the nonviolent, amateur response to Homeland Security-approved surveillance — a quickly-posted flipside to the filter of traditional journalism.

We appreciate raw talent There’s the professional article, like the demo tape of Jeremy Davies’ lengthy Charles Manson improvisation. But viewers often prefer to feed on more unvarnished talent-show-esque efforts: the stoic, high-geek style of Tay Zonday’s “Chocolate Rain,” or Eli Porter of “Iron Mic” infamy. As one aficionado said of the latter, Porter is an “enigma, for no one knows where the FUCK Eli is! His battle was done in 2003, and he sort of vanished, leaving legions of fans wanting more.” The invisible — both the private ritual and the would-be performer striving for a public — is made visible. This is why recent clips such as a little girl dunking through her legs or the “Dick Slang” video of circle-jerking hip-hoppers shaking their penii like hula hoops are so wickedly sticky.

The reveal can’t be concealed You can’t hide your anger management issues, whether you’re a Chinese woman punching and kicking on Muni or Bill O’Reilly flipping out about getting played out with a Sting song (“We’ll do it live! Fuck it!”). Nor can you forget that pesky Katie Couric clip if you’re Sarah Palin: the notorious snippet of the wannabe vice president attempting to explain her nonexistent foreign policy experience lives on in a YouTube feature box. If you decide to get more than 1,000 prisoners in the Philippines to replicate the “Thriller” video, rope a slew of tarted-up tots to do the “Single Ladies” routine, or organize a flash mob of dancers for your (500) Days of Summer-cheesy proposal in New York City’s Washington Square Park, you can bet it won’t stay a secret. Especially when a good portion of the bystanders blocking your shot are hoisting up cameras and phones of their own.

We like to play with our food and gobble pet vids The dancing fountains of “Diet Coke and Mentos” and the elegiac meltdowns of so many innocent, candy-colored sundaes and ‘sicles in “The Death & Life of Ice Cream” rock our pop, though they’re no match for sneezing baby pandas, dramatic chipmunks, very vocal cats, and dogs either verbalizing, skateboarding, or balloon-munching.

Passion counts Especially when it comes to Chris Crocker’s “Leave Britney Alone” protestations, Obama Girl’s undulations, the kakapo parrot shagging a hapless nature photographer’s skull, and Zach Galifianakis’ hilariously bad “Between Two Ferns” interviews. Even Soulja Boy’s vlogs, in which the pop tell-’em-all cranks the virtues of the Xbox, seem obsessed — with getting the viewer’s attention. That also goes for the “Numa Numa” xloserkidx singing along to O Zone’s “Dragostea Din Tei” and the twirling, ducking, and capering Canadian high-schooler in the “Star Wars Kid” video, which marketing company the Viral Factory estimates has been viewed more than 900 million times.

Just gird yourself for the edit “Star Wars Kid” is one primo example: it inspired Stephen Colbert to kick off a viral loop of his own, challenging viewers to edit and enhance the green-screen video tribute of his own lightsaber routine. No one is exempt from a little creative tinkering, an inspired tweak or 2,000, be it “Longcat”; Ted Levine in Silence of the Lambs; or pre-YouTube animated vid “All Your Base Are Belong To Us,” the classic mother of all video hacks, where images ranging from beer ads to motel signs are Photoshopped with the Zero Wing Engrish subtitle. And you thought the remix was dead.

Stage Listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

THEATER

OPENING

“Something C.O.O.L.: The Summer Cabaret Festival” Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Opens Mon/31, 7:30pm. Runs Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

BAY AREA

“Fireworks Festival” Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. June 1-July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes “Scoop” Nisker.

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Previews Fri/28-Sat/29, 8pm. Opens Mon/31, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm (no show June 6). Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Previews Thurs/27-Sat/29, 8pm; Sun/30, 2 and 7pm. Opens June 1, 8pm. Runs Tues, Thurs-Sat, 8pm (also June 10, 1pm; June 5 and 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

ONGOING

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to “enter” Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through June 12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Opens Thurs/27, 8pm (gala opening Fri/28, 8pm). Runs Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; June 6, 23, and 20, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

The Breath of Life NohSpace, 2840 Mariposa; www.brownpapertickets.com. $25. Thurs-Sat, 8pm; Sun, 5pm. Through June 6. Spare Stage Productions performs David Hare’s drama about a wife and mistress dumped by the same man.

Company Fat Exit Stage Left, 156 Eddy; www.brownpapertickets.com. $20-25. Thurs/27-Sat/29, 8pm. Exit Theatre and Pumpjam Productions perform Bill Levesque’s darkly comic play, set in the Depression-era South.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed/26, 8pm. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Echo’s Reach Brava Theater Center, 2781 24th St; 665-2275, www.citycircus.org. $14-35. Fri/28-Sat/29, 8pm (also Sat/29, 4pm); Sun/30, 4pm. City Circus premieres an urban fairytale by Tim Barsky.

*Fishing Shotwell Studios, 3252 19th St; www.fishingtheplay.com. $25. Fri/28-Sat/29, 8pm. David J. Duman’s piquant and entirely palatable satire of San Francisco foodie culture gets a knowing, deceptively casual staging from savvy newcomers OpenTab Productions in association with Footloose. The story, divided scene-wise into a series of short comic morsels, unfolds in a rising seafood restaurant with a recently branded three-star rating, run by an unusually talented but haplessly oafish chef (Matt Ingle) and his bright but bored manager (Laurie Burke) with her eye on getting the hell out of the restaurant world. (Good luck.) They soon begin a semi-torrid affair — much to the suspicion of their prurient young wait staff, comprised of a bright, gay know-it-all waiter (Ben Euphant) and a coarse, cutie bartender sans scruple (Carla Pauli). Other regular occupants include a fussy, sexually frustrated couple (Molly Gazay and Alex Plant) cocky-proud of their entirely sublimated, half-assed knowledge of food and wine. Director Mark Drumm keeps the pace swimming and the performances are uniformly crisp and captivating in this truth-filled night of “dinner” theater served up on a bed of filthy innuendo and rampant promiscuity. (Avila)

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Fantasy author Peter S. Beagle (The Last Unicorn) penned the source material for Stuart Bousel’s world-premiere play.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard “Scrumbly” Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-6988, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $18-50. Wed/26-Fri/28, 8pm; Sat/29, 5pm; Sun/30, 3pm. Starting July 8, runs Thurs-Fri, 8pm; Sat, 5pm; Sun, 3pm, through Aug 8. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Rhino Boxcar Playhouse, 505 Natoma; 776-1747, www.boxcartheatre.org. $14-25. Wed/26-Sat/29, 8pm. A stark spotlight, a vibrant cellist, masked players, and a chairless theatre space greet audience members attending Boxcar Theatre’s Ionesco adaptation, Rhino. Though encouraged to move about freely, most audience members (the night I attended) settled for turning their otherwise static bodies to follow the action occurring in every corner of the small room. Though a courageous choice in staging, it didn’t quite provide the feeling of the familiar under siege that it could have with more overt interaction with the not-quite-captive-enough public. And while certain of the short snipped scenes were tense and evocative, less subtle imaginings such as the intermittent lockstep marches fell flat. (Gluckstern)

“San Francisco International Arts Festival” Various venues; 1-800-838-3006, www.sfiaf.org. Most shows $25. Through May 31. In its seventh incarnation, the fest hosts dance, theater, and other artists from ten countries.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway “Beatlemania” comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sun/30, June 6, 20, 7pm; June 4, 11, 18, 9pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Shotgun Players perform Jenny Schwartz’s drama about grief; Erica Chong Shuch directs.

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Sat/29, June 3, 12, or 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her “alternative” family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with “blind spots,” much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darned easy. To set a crass comedy about class, obsession, and mistaken identity at “Illyria Studios” in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

Dan Carbone Dark Room, 2263 Mission; 401-7987. Fri, 10pm, $10. The absurdist writer-performer presents an encore performance of his new works.

Circus Finelli Revue Stage Werx Theatre, 533 Sutter; www.brownpapertickets.com. Wed, 8pm. $10-15. This variety show features music, circus arts, and comedy.

Dionysian Festival Mary Sano School of Duncan Dancing, 245 Fifth St, Studio 314; 357-1817, www.duncandance.org. Sat, 8pm; Sun-Mon, 6pm. $18. The Mary Sano School of Duncan Dancing presents its annual celebration of Isadora Duncan’s birth.

“Formerly Known As: Male Sex Worker Performance” LGBT Center, 1800 Market; www.brownpapertickets.com. Tues, 7pm. $10-20. Kirk Read curates this evening of performance, with Suppositori Spelling, Inbred Hybrid Collective, Adela Vazquez, and more. Scott Wells and Dancers CounterPULSE, 1310 Mission; www.counterpulse.org. Fri-Sun, 8pm (June 19 show, 9:30pm). Through June 19. $22. The high-flying company performs BALL-IST-IC.

Beating the reaper

1

rebeccab@sfbg.com

The wholesome-looking woman in the Pacific Gas and Electric Co.-funded Yes on Proposition 16 commercial seems trustworthy. "Voters should have the final say," she intones over a background of soothing music, "because we’re paying the bills."

TV-friendly slogans aside, many have deemed PG&E’s $45 million (a new figure well over the $35 million initially committed by the company — paid for by ratepayers who had no say) Prop. 16 campaign to be a subversion of the democratic process and corporate deception at its worst. And it’s aimed in part at stopping San Francisco — one of PG&E’s most lucrative territories and the home of its central office — from implementing a modest public power program called community choice aggregation (CCA).

But San Francisco may be slipping under the deadline. With a last-minute push by Sup. Ross Mirkarimi and other public-power supporters, it appears that the city will have the legal underpinning of a CCA program in place before the June 8 election.

It’s still complicated and a bit tricky, but under questioning by Mirkarimi April 21, SF Public Utilities Commission general manager Ed Harrington said that the city is going to meet all the necessary deadlines.

Prop. 16 seeks to require a two-thirds majority vote before a local government can move forward with a municipal electricity program. Voter approval of the measure on June 8 would effectively weed out any potential competition within PG&E’s service territory, particularly given that PG&E overwhelms all campaigns with multimillion dollar propaganda blitzes.

Paul Fenn helped craft the state law that created CCA, which allows local governments to purchase power on behalf of their citizens, a vision for an alternative to PG&E that lies squarely in the crosshairs of Prop 16. "Unfortunately, it’s mostly up to Republicans in Southern California how it turns out," Fenn said, because this election will attract conservatives to the polls to decide between gubernatorial candidates in the GOP primary. "Unless people in the Bay Area become aware."

BEAT THE CLOCK


Public power advocates are fighting to stop Prop. 16 — but at the same time, in San Francisco, there’s a frantic effort to gets its own CCA in place. The city is poised to have completed a CCA contract by June 8 — election day.

Although the contract will not be finally approved by committees, the Board of Supervisors, and the mayor until after the election, City Attorney Dennis Herrera says the steps are solid enough to protect the city against the inevitable PG&E lawsuit.

The approaching election day has sent the SFPUC scrambling in a months-long race against the clock to seal the deal on CleanPower SF, the CCA program that envisions offering energy customers the choice of a climate-friendly, 51 percent renewable mix by 2019.

Had the city agency failed to strike a deal with Power Choice Inc. (PCI), the program’s service provider, before the June 8 election, years of effort to get the clean power program off the ground could have gone down the tubes. Mirkarimi, City Hall’s strongest advocate for CleanPower SF, urged the SFPUC to get into gear, nicknaming Prop. 16 "the grim reaper."
Things grew tense in April and May as contract negotiating sessions wore on without success, green-power advocates sparred publicly with the SFPUC, and the "grim reaper" approached. A breakthrough came May 21: the SFPUC announced at a meeting of the city’s Local Agency Formation Commission (LAFCo) that it had finally signed a term sheet agreement with PCI.

A contract based on the terms is expected to be prepared by early June, Harrington said, adding that it could be introduced to the Board of Supervisors on June 8. A month-long review period is expected to follow.

"Today was an announcement of a very critical milestone," Mirkarimi, who chairs LAFCo, noted after the meeting. "I’m delighted to see us turn a corner, and I think … having a term-sheet signed, having a CCA implementation plan approved by the CPUC, and having literature sent out in three different languages to 250,000 households in San Francisco is all a testament that we are, as a city, absolutely serious in implementing and delivering our clean power energy program."

He nonetheless kept cracking the whip on advancing the goals of the program during the meeting. "Any hiccup whatsoever on timelines is a dangerous hiccup," Mirkarimi said.

"We fully expect to meet all deadlines," Harrington responded.

Public power advocate Eric Brooks, who has helped move the CCA program forward since the outset, expressed trepidation at a stakeholders meeting about the SFPUC’s commitment to the program, saying he believed that the city could have cleared the deadline months earlier without having to worry about Prop. 16 as a deadline.

Brooks advocated for Local Power, Fenn’s firm and a city contractor, to play a more central role in program design, saying that as long as the SFPUC remained at the helm, the program would be shaped by "the same inside-the-box thinking" and limited enthusiasm.

LITIGATION LIKELY


Despite recent leaps forward, the common wisdom around City Hall is that CleanPower SF is nonetheless unlikely to escape PG&E’s litigious wrath — particularly if Prop. 16 gets a thumbs up at the polls. If it passed, Prop. 16 would become effective immediately, according to the City Attorney’s Office.

"It’s not a foregone conclusion that Prop 16 will pass," City Attorney’s Office spokesperson Matt Dorsey pointed out. And if it does? "In our view," he said, "San Francisco has already implemented its CCA program," making it capable of withstanding a legal challenge.

"We are talking to the city attorney every single day," Harrington noted during a recent SFPUC stakeholders meeting.

But Fenn warned that a complicated lawsuit could still inflict damage. "Litigation processes can outlast political possibility," he cautioned. "San Francisco may be caught up in the courts." Or, if Prop 16 passes and the program moves forward as planned, "[CCA] might be a weird new variant that only exists in San Francisco and Marin."

Marin County’s CCA program is already up and running, and the Marin Energy Authority recently began providing power to its customers. PG&E — which is bound by state law to "cooperate fully" with CCA implementation — fought it by contacting customers to persuade them to opt out of the program via mailers sent in violation of CPUC laws that only allow CCAs to solicit opt-outs. PG&E earned a sharp rebuke in a May 3 letter from CPUC executive director Paul Clanon, specifically warning the company to "refrain from sending any mailers of this nature in the future."

On May 12, Clanon was back with a second letter. "On May 4, PG&E mailed a letter to every customer that had not opted out of MEA’s service, formatted in a manner that directly conflicts with the direction I provided to PG&E just one day earlier," he wrote. This time, he warned the utility that it was "in danger of the commission’s imposing significant and continuing fines and other penalties."

PG&E responded by saying the mass mailing of illegal opt-out notices had been an accident, and apologized. "They accidentally licked envelopes, accidentally stuck the stamps, and accidentally sent them out?" asked an incredulous Ben Zolno, a Prop 16 opponent, in a phone conversation with the Guardian.

"Nobody quite remembers PG&E acting so outrageously," Sen. Mark Leno remarked to the Guardian in the wake of the debacle. The CPUC later determined that any opt-outs solicited by PG&E’s illegal mailers were void.

At a May 20 meeting, the CPUC bolstered restrictions prohibiting PG&E from printing false statements about CCA programs in mailers but made no move to impose penalty fines. City officials characterized the decision as falling short of the action needed to halt the utility’s attempts to sabotage Bay Area CCAs.

"We would expect the CPUC to tell them to cooperate," Harrington told the Guardian. "What the CPUC said was ‘you can’t lie.’"

Meanwhile it’s up to the CPUC to decide whether to honor PG&E’s request for a $4 billion rate hike, which will amount to an average 30 percent increase on customer bills over three years. "They’re not always guaranteed to get what they ask for," CPUC spokesperson Andrew Kotch noted. Public hearings on the increase are coming soon, with a final decision scheduled for December.

"There have been other sizable rate increases and PG&E keeps coming back for more," says Dwight Cocke of The Utility Reform Network (TURN), which is also part of the Prop. 16 opposition campaign. "Up until recently, PG&E was shutting off 15,000 customers per month" for nonpayment, forcing customers to pay extra deposits and reconnect fees to get their electric service back.

"For a lot of people on fixed incomes and low incomes," he said, "it spirals out of control."

Read up: www.prop16.org; www.powergrab.info

Realtors send deceptive mailer to SF renters

0

The San Francisco Association of Realtors, which has a long history of actively opposing the protection of tenants and rental housing, now wants tenants to believe it is on their side. The Realtors even recently formed and funded the Committee to Preserve Rental Housing to alert tenants about a ballot measure that they say favors dreaded rich people.

The only problem: It’s complete bullshit.

“Wealthy tenants will benefit most if Proposition F passes,” warns a mailer that landed this week in the mailboxes of San Francisco apartment dwellers, referring a local ballot measure that would allow renters to delay rent increases if they lose their job or their salaries dip by 20 percent or more.

But the mailer warns that the measure would somehow favor rich renters, citing this example: “Take a tenant whose annual income has dropped, for any reason, from $250,000 to $200,000. Under Proposition F, that tenant would be able to apply for financial hardship status and, at the discretion of a public official, qualify for financial relief.”

Yet the measure doesn’t really allow that scenario. Ted Gullicksen, director of the San Francisco Tenants Union, which helped draft the measure, points out that it only applies to renters who pay 33 percent or more of their incomes in rent, which in the Realtors’ example, would be a $5,500 per month home.

“Which, even in San Francisco, is pretty high,” he said. Plus, the Rent Board (that “public official” the mailer darkly warns of) could still tell that poor rich guy, sorry, you’re denied, perhaps it’s time to find a slightly cheaper place to live. But Gullicksen said he’s not surprised at such a deceptive attack from the Realtors (which formed the group on April 30 using campaign attorney Jim Sutton, downtown’s usual dirty trickster, according to an Ethics Commission filing).

“The Realtors over the years have increasingly taken the lead in fighting rent control measures, so they are now even more active than groups like San Francisco Apartment Association,” Gullicksen said, noting the Realtors have also pushed hard on ending condo conversion limits and other efforts to protect rental housing. “The individual Realtors are also landlords and speculators to a great degree.”

I called the Association of Realtors for comment and am waiting for a return call, but I’ll add their response as a comment if and when I hear back.

Gullicksen was confident renters would see through the mailer, particularly because it was required by law to include the line “major funding by San Francisco Association of Realtors.” He’s more worried about voter turnout, which could be low for the June 8 election. And even though two-thirds of San Franciscans are renters, they aren’t the most reliable voters and could constitute as low as 40 percent of voters in this election.

So if you rent, don’t be fooled and don’t forget to vote.

Progressives, labor, grassroots win in May 18 primaries

4

Forget all the talk of anti-incumbent (and by implication, anti-Democrat and anti-Obama) sentiment in the electorate. The primaries May 18, which I talk about here, actually sent a much more interesting message.


Yes, there was the election of Rand Paul, who is about as looney as they come , but Republicans have nominated looneys before. What’s interesting is that in most contested Democratic races, the more progressive candidate won. Randy Shaw points out that CNN had it all wrong, and refuses to acknowledge what actually happened. The Chron actually notes (in one of the few intelligent MSM post-election pieces) that labor, particularly the AFL-CIO, won big in Pennsylvania and Arkansas. In the only open house seat, the Democrats won.


In the Democratic primary in Kentucky, the more progressive candidate won. In Pennsylvania, the more progressive Democrat won. In Arkansas, a Democrat in name only is facing a runoff she might lose.


So the progressives and the grassroots organizers can get people to the polls — if there’s a candidate to vote for. What Nancy Pelosi needs right now is a good national issue to run on. Electoral reform, for example.

DTS voters must re-register to cast DCCC ballots

10

Like nearly 30 percent of San Franciscans, I’m not registered with a political party, but when I got a letter from the Department of Elections a few weeks ago letting me know that I had the option of choosing either a Democratic or Republican ballot, I thought that I was all set to be able to vote for my favorite Democrats in the June 8 primarily election.

So last night, I sat down with my “(NP) Democratic Party” absentee ballot to vote, I made strong and clear “No” votes on state Propositions 16 and 17, I voted for Jerry Brown and other Democrats for statewide office, and I flipped the ballot over and over to find the Democratic County Central Committee race – but it wasn’t there.

It turns out, only registered Democrats are allowed to vote for the DCCC, the body that controls San Francisco’s Democratic Party operations and will be hugely influential in the fall elections for the Board of Supervisors. Even some DCCC candidates weren’t aware of the restrictions and are now scrambling to let their supporters know to re-register as Democrats.

May 24 is the deadline to register – or to re-register – for the June 8 primarily election. And Elections officials say that if you’ve already received your absentee ballot, it’s best if you bring it with you down to the Department of Elections in the basement of City Hall and turn it in as a spoiled ballot as you re-register.

And once you do, click here to vote for the Guardian’s slate of progressive DCCC candidates.

East Bay endorsements

0

EDITORIAL There’s not a lot to bring voters out to the polls in Berkeley and Oakland, but two important races deserve attention. Proposition C, a bond act to replace the city’s aging public pools, has widespread support, but needs two-thirds of the vote to pass. And in a race for an open judicial seat, Victoria Kolakowski has the opportunity to become the first transgender person to serve on a trial court in the United States.

OUR ENDORSEMENTS


YES ON PROPOSITION C


Berkeley has four public pools, three outdoors and the indoor Berkeley High School Warm Pool. All four are badly in need of repair, but the Warm Pool faces imminent closure. That would primarily affect the disabled and senior communities, who use the pool for exercise, recreation, and therapy. It’s not a wealthy group overall, and having a place to go year-round to swim (or in some cases, just do physical therapy in the water) is a big deal.

The remaining pools are used by kids, adults, local swim clubs, and Berkeley residents who can’t or don’t want to spend the money on private gyms. Prop. C would provide the money to build a new Warm Pool and fix the cracks and do seismic upgrades and needed repairs on the other facilities. It’s the kind of measure that’s hard to oppose (it would cost the typical homeowner less than $100 a year in increased taxes) and every member of the City Council has endorsed it.

But with no major local issues on the ballot, progressives may not turn out in large numbers, which means the more conservative voters (who tend to dominate low-turnout elections) could account for enough votes to deny Prop. C a two-thirds majority. So Berkeley residents need to get out and vote — yes on C.

KOLAKOWSKI FOR JUDGE


Three people are contending for Seat No. 9 on the Alameda County Superior Court. It’s a rare open seat, and all three candidates have strong legal records and appear to be qualified for the job. But Kolakowski is our pick, in part because she’d make history — but more so because of her long history of public service and her progressive values.

John Creighton, a career prosecutor, has 25 years experience in the Alameda County District Attorney’s Office. He has the support of a lot of local law enforcement groups and a long list of judges. Louis Goodman, a defense lawyer, also served as a deputy D.A. before going into private practice. All the judges who haven’t endorsed Creighton are backing Goodman. We have nothing against either candidate — except that the bench is already full of former prosecutors.

Kolakowski is a different type of candidate. She’s spent much of her career as an administrative law judge, and for two years she helped the state try to recover some of the money that private utilities and energy traders stole during the 2000-01 energy crisis. She also has been deeply involved in community activities, serving as chair of Berkeley’s Human Welfare Commission, working with the city’s Police Review Commission on LGBT sensitivity training for police officers, and sitting on Oakland’s Budget Advisory Committee. She’s been on the Board of San Francisco’s Tenderloin AIDS Resource Center and is currently co-chair of the Transgender Law Center Board.

She’s an advocate for openness in the courts and wants to push for more transparency in how the Administrative Office of the Courts spends its budget. She also wants to make the courts more accessible to people who can’t afford lawyers.

Her election would be more than an historic statement — it might help change the way courts deal with transgender people (who often wind up in court, either for what ought to be simple things like identification changes or for the more serious problems facing a marginalized community with high unemployment). She has the support of Oakland City Attorney John Russo, Alameda County Supervisor Keith Carson, Oakland City Council Member Rebecca Kaplan, and many other progressive leaders. Vote for Kolakowski.

ENDORSEMENTS

Our endorsements  for the upcoming election were originally published on April 27. We’re republishing them here for the benefit of absentee voters. Our clip-out guide to take to the polls will appear in our June 2 issue and online.

On the eve of the June 8 election, we’ll be publishing our handy clip-out guide for you to take to the polls. Before then, however, take a minute to read about our decisions — and why they’re important for the future of the country, the state, and San Francisco.

ENDORSEMENTS:

>>NATIONAL AND STATE RACES

>>STATE BALLOT MEASURES

>>SAN FRANCISCO BALLOT MEASURES

>>JUDICIAL RACES

 

Pictured above: 

OUR CHOICES FOR DCCC

We’ve already endorsed candidates for the Democratic County Central Committee (see “Our endorsements for DCCC,” 3/30). We’re listing them again here for easy reference — in the order they will appear on the ballot. (Since it’s unfair to present candidates in a crowded field in alphabetical order, the state every year does a random alphabetical drawing to set the order in these races.)

The election is crucial — DCCC controls the local Democratic Party endorsements, which can make a huge difference in district supervisorial contests.

 

ASSEMBLY DISTRICT 13

Debra Walker

Aaron Peskin

Eric Quezada

Joe Julian

Alix Rosenthal

Michael Goldstein

David Campos

David Chiu

Rafael Mandelman

Kim-Shree Maufas

Carole Migden

Robert Haaland

 

ASSEMBLY DISTRICT 12

Chris Gembinski

Connie O’Connor

Michael Bornstein

John Avalos

Hene Kelly

Melanie Nutter

Sandra Lee Fewer

Eric Mar

Milton Marks

Jane Morrison

Jake McGoldrick

Larry Yee

 

Pelosi needs to support the Fair Elections Act

8

In the wake of the horrible Supreme Court decision in Citizens United, Rep. John Larson of Connecticut has introduced a bill that would reform substantially the way members of Congress are elected. It’s not perfect, but it’s a big step. The Fair Elections Now Act, H.R. 1826, would create partial public funding for Congressional races, with a 4-1 match for contributions of $100 or less. The money would come from a small fee on goverment contractors.


There are now more than 130 co-sponsors in the House, and they’re pusing for a floor vote. But Speaker Nancy Pelosi hasn’t decided whether to allow the bill to come to the floor.


The politics of that are crazy. If the Democrats want to keep control of the House, they need to have something to campaign on this fall. During the presidential campaign, the party promise reform — but so far, other than a mild health care bill, there’s no real reform on the table.


“If Democrats don’t have a real reform agenda that includes election reform — and that shows the party wants to change how business is done in Washington — we could be in big trouble in the fall,” Steve Hildebrand, a former Obama strategist who is helping the Fair Elections Now Act folks, told me.


So what’s up. Nancy?  Why not at least give the bill a chance.


 

Chris Jackson leaps into the District 10 race

9

Community College Board Trustee Chris Jackson has thrown his hat into the District 10 Supervisor race. The move is guaranteed to upset the already crowded field of candidates in the district. District 10 lies in the city’s southeast sector and is home to San Francisco’s largest remaining African American community, and some of its most economically disadvanted communities and environmentally polluted lands.

Jackson was elected to the Community College Board in 2008, winning more than 8,000 votes in District 10, as part of that citywide election. And he has done a good job on the Board ever since.

The only African-American male currently holding elected  public office in San Francisco, Jackson works as a policy analyst for the San Francisco Labor Council. That position is sure to raise questions about Jackson’s ties to Lennar’s redevelopment proposal at Candlestick Point and the former Hunters Point Naval Shipyard. The Labor Council entered a community benefits agreement with the developer shortly before the June 2008 election on Prop. G. and Labor Council representatives appear to be proponents of Lennar’s draft environmental impact report (DEIR). A final version of that report is expected to come before  the Board of Supervisors for approval in June.

But Jackson told us that he will fight to keep District 10 a middle-class district and not a neighborhood dominated by millionaire’s condos.

 

GOP debate sets up Brown for gov campaign

0

I don’t know how many people were watching a Sunday afternoon Republican gubernatorial debate, but it hardly matters: All that Steve Poizner and Meg Whitman did was help the Democrats.


This race is over — Poizner can’t win. He’s too far down, with too little money against a candidate who will spend every penny it takes, and has the pennies to do it. All he can do now — and he’s getting really good at it — is create soundbites for the Jerry Brown campaign (or more likely, for the well-funded independent expenditure effort that we all know is coming).


Whitman’s greatest vulnerability is her background as a rich businesswoman with ties to Goldman Sachs and a fortune built and expanded at a time when much of the state is badly hurting. Every time you say the words “Whitman” and “Goldman Sachs” in the same sentence, she loses votes.


And Poizner did that wonderfully during the debate:


“Meg Whitman has massive investments in Goldman Sachs, made huge amounts of money from the collapse of the housing market, and then, when it was time for Goldman Sachs to get bailed out by taxpayers, Meg Whitman actively campaigned for a taxpayer funded (bailout). The question is, did she let people know?”


And:


Wow, you really don’t get this Meg…You were the CEO of eBay receiving investment banking services from Goldman Sachs, then you joined the Goldman Sachs board and their compensation committee, then Goldman Sachs started to feed you these sweetheart deals, not one, not two but 100 of them, and you made a fortune, a separate fortune from your eBay fortune and then until you got caught you didn’t think anything was wrong. But the fact is, Congress investigated what you did, they called it corrupt, the SEC investigated what you did and immediately declared what you did illegal, and the eBay shareholders investigated what you did and they sued you. They sued you for a huge conflict of interest and the only reason why you paid back any of this money is because you had to settle the lawsuit.


None of that is going to elect Poizner (who essentially ceded the Latino vote by announcing he supports the Arizona immigration law), but it’s going to make great copy for the attack ads on Whitman this fall.


That’s the problem with primaries that become entirely negative — they come back to get you in the general election.


 

Supes try applying pressure to urge CCA contract

At the April 27 Board of Supervisors meeting, Sup. David Campos made a motion to push back board approval for San Francisco Public Utilities Commission infrastructure improvement projects until a contract was in hand for the city’s Community Choice Aggregation program. If a contract isn’t signed by June 8, when voters will decide on Pacific Gas & Electric Co.’s Prop 16 in the June election, the city could be vulnerable to a legal strike against its green municipal power program from PG&E.

“Having watched the very slow process” of negotiating a contract, “I believe CCA should be the top priority,” Campos said.

Sup. Ross Mirkarimi, who chairs the Local Agency Formation Commission (LAFCo) and has been the primary driver behind CCA on the board, acknowledged that asking the board to withhold funding for city infrastructure projects was “an extraordinary act,” but warned that the imminent threat of Prop 16 called for drastic measures. “Given this external threat from a corporation that is doing everything in its power to subvert and deny San Francisco’s right to move forward, it alarms me, like I know some of you, that we do not have a contract in hand … knowing very well the kind of resources and fervor that have been demonstrated or exemplified in the past by the PUC or by the administration or by whatever other combinations of political forces who insist on something getting done by certain timelines and deadlines,” Mirkarimi said.

But while Campos and Mirkarimi won the support of Sups. Chris Daly and Eric Mar, they failed to bring the others around. The tactic of withholding approval on an ordinance in order to send a clear message to a city department about a separate issue “sets a real, real bad precedent for how we’re going to be doing our work here,” Avalos said, though he did voice his support for CCA.

Sup. Sean Elsbernd came out strongly against the move, and made a motion to table Campos’ initial motion to push the vote back for two weeks until a CCA contract was finalized. Then, in one of those dizzying contests the Supes sometimes get into, Daly made a motion to table Elsbernd’s motion to table Campos’ motion to table the vote.

To put it simply, six supervisors voted to move forward with the vote as scheduled, while four voted to hold back on approving funding for SFPUC projects until a finalized CCA contract was in hand. Sups. Mirkarimi, Chris Daly, and Eric Mar voted with Campos to hold off; Sups. Bevan Dufty, John Avalos, David Chiu, Michela Alioto-Pier, and Carmen Chu voted with Elsbernd to proceed. (Sup. Sophie Maxwell was absent.) After that skirmish went down, all ten voted to approve the funding for the SFPUC infrastructure projects.

When reached later by phone, Board President David Chiu said, “We are fully committed to seeing a CCA contract happen before the June election,” and noted that he brought up the urgency of the matter in a meeting with the mayor, who in turn voiced his own commitment.