Coffee

Best of the Bay 2013 Readers Poll: Food and Drink

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BEST OF THE BAY 2013: READERS POLL

Food and Drink

 

BEST OVERALL RESTAURANT

NOPA

560 Divisadero, SF

www.nopasf.com

 

BEST NEW RESTAURANT

COQUETA

The Embarcadero

Pier 5, SF

www.coquetasf.com

 

BEST BUDGET RESTAURANT

TU LAN

8 6th St, SF

 

BEST SPLURGE RESTAURANT

GARY DANKO

800 N Point, SF

www.garydanko.com

 

BEST LATE NIGHT RESTAURANT

GRUBSTAKE

1525 Pine, SF

www.sfgrubstake.com

 

BEST ROMANTIC RESTAURANT

FOREIGN CINEMA

2534 Mission, SF

www.foreigncinema.com

 

BEST FOOD/DRINK FESTIVAL (TIE)

EAT REAL

www.eatrealfest.com

SF STREET FOOD

www.sfstreetfoodfest.com

 

BEST FOOD CART

THE CHAIRMAN TRUCK

www.thechairmantruck.com

 

BEST FARMERS MARKET

FERRY PLAZA

1 Ferry Bldg, SF

www.cuesa.org

 

BEST PIZZA

LITTLE STAR

Multiple locations

www.littlestarpizza.com

 

BEST SANDWICHES

IKE’S PLACE

Multiple locations

www.ilikeikesplace.com

 

BEST BURRITOS

TAQUERIA CANCUN

2288 Mission; 3211 Mission St; 1003 Market St, SF

 

BEST SMALL PLATES

CHA CHA CHA

Multiple locations

www.cha3.com

 

BEST BURGER AND FRIES

SUPER DUPER

Multiple locations

www.superdupersf.com

 

BEST BARBECUE

MEMPHIS MINNIE’S

576 Haight, SF

www.memphisminnies.com

 

BEST SUSHI

ICHI SUSHI

3369 Mission, SF

www.ichisushi.com

 

BEST BOWL OF NOODLES

KATANA-YA

430 Geary, SF

www.katanayausa.com

 

BEST SALADS

BLUE BARN

Multiple locations

www.bluebarngourmet.com

 

BEST SEAFOOD

BAR CRUDO

655 Divisadero, SF

www.barcrudo.com

 

BEST SOUL FOOD

BRENDA’S

652 Polk, SF

www.frenchsoulfood.com

 

BEST ITALIAN

PALIO D’ASTI

640 Sacramento, SF

www.paliodasti.com

 

BEST MIDDLE EASTERN

LA MEDITERRANEE

Multiple locations

www.cafelamed.com

 

BEST INDIAN

DOSA

Multiple locations

www.dosasf.com

 

BEST MEXICAN (TIE)

PUERTO ALEGRE

546 Valencia, SF

NOPALITO

www.nopalitosf.com

 

BEST CHINESE

MISSION CHINESE

2234 Mission, SF

www.missionchinesefood.com

 

BEST THAI

LERS ROS

Multiple locations

www.lersros.com

 

BEST VEGETARIAN

GREENS

Fort Mason, Bldg A, SF

www.greensrestaurant.com

 

BEST VEGAN

MILLENNIUM

580 Geary, SF

www.millenniumrestaurant.com

 

BEST BREAKFAST

DOTTIE’S TRUE BLUE CAFÉ

28 6th St, SF

www.dotties.biz

 

BEST BRUNCH

MISSION BEACH CAFÉ

198 Guerrero, SF

www.missionbeachcafesf.com

 

BEST LUNCH

MARKET & RYE

Multiple locations

www.marketandrye.com

 

BEST APPETIZERS

SAUCE

Multiple locations

www.saucesf.com

 

BEST DESSERT

HEY, COOKIE!

www.heycookiesf.com

 

BEST SERVICE

GARY DANKO

800 N Point St, SF

www.garydanko.com

 

BEST FOOD/DRINKS WEBSITE

TABLEHOPPER

www.tablehopper.com

 

BEST CAFÉ

ATLAS CAFÉ

3049 20th St, SF

www.atlascafe.net

 

BEST CUP OF COFFEE

SIGHTGLASS

270 7th St, SF

www.sightglasscoffee.com

 

BEST CUP OF TEA

SAMOVAR

Multiple locations

www.samovarlife.com

 

BEST OVERALL BAR

MONARCH

101 6th St, SF

www.monarchsf.com

 

BEST NEW BAR

VIRGILS SEA ROOM

3152 Mission, SF

www.virgilssf.com

 

BEST DIVE BAR

EL RIO

3158 Mission, SF

www.elriosf.com

 

BEST SWANKY BAR

REDWOOD ROOM

495 Geary Street, SF

 

BEST SINGLES BAR

MADRONE ART BAR

500 Divisadero, SF

www.madroneartbar.com

 

BEST SPORTS BAR

HI-TOPS

2247 Market, SF

www.hitopssf.com

 

BEST HAPPY HOUR

GREEN’S SPORTS BAR

2239 Polk, SF

 

BEST WINERY (TIE)

V. SATTUI WINERY

1111 White Lane, St. Helena

www.vsattui.com

BLUXOME STREET WINERY

53 Bluxome St, SF

www.bluxomewinery.com

 

BEST WINE BAR

NOETECA

1551 Dolores, SF

www.noeteca.com

 

BEST BREWERY

ANCHOR BREWING

1705 Mariposa, SF

www.anchorbrewing.com

 

BEST SELECTION OF BEERS

TORONADO

547 Haight, SF

www.toronado.com

 

BEST CREATIVE COCKTAILS

TRICK DOG

3010 20th St, SF

www.trickdogbar.com

 

BEST BLOODY MARY

ZEITGEIST

199 Valencia St, SF

www.zeitgiestsf.com

 

BEST BAR STAFF

DNA LOUNGE

375 11th St, SF

www.dnalounge.com

 

BEST CANNABIS EDIBLES

THE GREEN CROSS

4218 Mission St, SF

www.thegreencross.org

 

BEST BAKERY

ARIZMENDI

Multiple locations

www.arizmendi.coop

 

BEST BUTCHER SHOP

AVEDANO’S

235 Cortland, SF

www.avedanos.com

 

BEST CHEESE SHOP

COW GIRL CREAMERY

1 Ferry Bldg, SF

www.cowgirlcreamery.com

 

BEST CHOCOLATIER

FOG CITY NEWS

455 Market St, SF

www.fogcitynews.com

 

Pleased to meat you: Fatted Calf Charcuterie

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If you’ve ever found yourself waiting for the 16 Express on the corner of Fell and Gough, then it’s easy to bet you’ve swiveled around on that red bench to peer through the glass wall of the charcuterie and butcher shop behind, where ruby-colored sausages, pâtés, smoked ham, bacon and meatloaf show off their curves inside a refrigerated display. Unthinkingly, you’ll have walked in.

The Hayes Valley location of the Fatted Calf Charcuterie — the store also has a Napa outpost and a weekly presence at the Ferry Plaza Farmers’ Market — sells a plethora of coveted artisanal delights as well, like hard cheese, house-pickled beets, dried beans, and impeccable pastas. Among the sandwiches, the coffee-bourbon barbeque pulled pork sandwich contains a moist piquancy, while the toasty Croque Monseiur, dripping of Mornay sauce and overlaid with squiggles of cured ham, is worth missing the next bus for. (Grab an extra napkin — these beasts invariably fall apart in your hands and lap.)

You can’t take the entire shop with you, but luckily owners Taylor Boetticher and Toponia Miller just published their first cookbook, In the Charcuterie (Ten Speed Press, 2013), which reads like a whole world of meat — one I’ve become enamored with, after making the Flaky Leaf Lard Biscuits. I caught up with Boetticher before the couple left on a promotional trip, asking him about their journey in charcuterie.

SF Bay Guardian What draws you to charcuterie in particular?

Taylor Boetticher I started making charcuterie when I began working at Cafe Rouge in Berkeley in 1999, and it drew me in almost instantly. I think a large part of what I liked about it was that I was doing this while working behind the meat counter, so I had a really good connection with everyone who was buying the food we were making. It’s different in that sense than working in a restaurant kitchen, you never really interact much with the people you’re cooking for even if you’re in an open kitchen.

When you’re getting feedback about a terrine or a new bacon cure two or three days after you introduce it, it enables you to really get a good sense of what’s working and what isn’t. What continues to draw me to charcuterie is that, at this point, I’m lucky enough to not only work with my wife but with a wildly talented group of individuals whose sole interest is in making the best food we can make… That and the growing interest on the part of the general public make what we do really rewarding. Not much feels better than when a customer comes back in and tells you that you had a part in one of the best dinner parties they’ve ever thrown.

SFBG In the Charcuterie is comprehensive, enlightening, and I’ll admit, a little daunting. Who did you write this book for?

TB Thanks! We wrote this book for anyone who’s a little curious about making the most out of the meat they buy and cook, from enthusiastic novices to seasoned professionals. Our goals with this book are to inspire confidence in people when they set out to make something and give them a comprehensive set of basics which will make every bite count.

SFBG Where in your book do you recommend a new-to-meat home cook should begin? 

TB I’d start with the 5 Spice Baby Back Ribs or the Gingery Braised Duck Legs. Both use relatively common cuts (chicken legs are just as awesome if you don’t have access to duck legs) but with exceptionally flavorful treatments that aren’t very complicated. They’re both good examples of how to take a very straightforward cut and really make it sing.

SFBG The book mentions a trip to Spain, Portugal, France, and Italy. How does travel inspire your work?

TB A huge part of travel for us has always been about seeing what and how other people eat, and the role that food plays in different cultures. It’s one of the few things that everyone does and shares. Travel for us is both relaxing and invigorating, just like it is for most people. Wherever we go, we try and keep open minds and eat what everyone else is eating. It’s good to just go with the flow. A lot of time we’ll try different versions of things we’ve been making already, which is always cool. It doesn’t necessarily mean you have to go back and change it immediately when that happens.

I think one of the most exciting things in food right now is the idea that it’s good to know how something is made in its place of origin but not have to be a slave to authenticity. Like with our pulled pork sandwich — I’ve had a lot of them, all over the country. Some are better than others, but I have zero interest in arguing with anyone about the “right” way to do it. Is it tasty? Do you and your guests like it? Those are more important than any pedigrees, in my opinion.

SFBG What is your favorite aspect or variety of charcuterie to make?

TB Tough choice. Right now it’s our brined and smoked meats — we’ve been playing around with a couple new holiday hams that I’m really enjoying. I’ll just say this — when your big experiment of the week is getting a bourbon/honey/gelée glazed smoked ham nailed down 100 percent, it’s a pretty good job overall.

SFBG What is your personal favorite recipe in the book — or what do you crave for your next meal?

TB Errr, it’s probably the meat loaf. I really love that damn recipe.

SFBG Do you have a personal philosophy on eating animals?

TB My personal philosophy on eating animals is pretty simple: make it count. There’s no such thing as cheap meat, and we have a responsibility to make the most out of anything, especially something with a heartbeat, that’s grown for food. I’d love to completely get away from factory farms in this country and have meat animals be more a part of where they started — on farms as part of a program of crop rotation and land management.

Lots has been written about the politics and money involved that make it hard for farmers to do just that, but anything that grows with fresh air, sunshine, room to move around, and good food and water is going to be healthier. And tastier. This is indisputable.

SFBG What is your number one, most essential advice to home cooks on charcuterie?

TB Start small.

SFBG What’s next for the two of you?

TB We’re doing some travel to promote the book on the East Coast and through Texas, then holiday madness will be upon us. In January, we’re hoping to take a vacation. It’s been a pretty busy year.

 

FATTED CALF (Hayes Valley location)

Open daily, 10am-8pm

320 Fell, SF

www.fattedcalf.com

Music Listings: Oct. 9-15, 2013

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WEDNESDAY 9

ROCK

Bottom of the Hill: 1233 17th St., San Francisco. Coliseum, Red Hare, Kowloon Walled City, 9 p.m., $10-$12.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Minerva, Agria, Los Tiliches, 9 p.m., $5.

El Rio: 3158 Mission, San Francisco. Shannon & The Clams, Guantanamo Baywatch, The Chuckleberries, 9 p.m., $8.

Elbo Room: 647 Valencia, San Francisco. Religious Girls, Grill Cloth, Urthdance, Popgang DJs, 9 p.m., free.

Hemlock Tavern: 1131 Polk, San Francisco. Venkman, Bad Daddies, Brain Attack, No Business, 8:30 p.m., $5.

The Independent: 628 Divisadero, San Francisco. Fuck Buttons, 9 p.m., $18-$20.

Rickshaw Stop: 155 Fell, San Francisco. Iceage, The Videos, Cairo Pythian, DJ Omar, 8 p.m., $15.

Slim’s: 333 11th St., San Francisco. Anberlin, The Maine, Lydia, From Indian Lakes, 8 p.m., $26.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The Winery Dogs, 10:30 p.m., $25-$30.

DANCE

The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8 p.m., free.

Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30 p.m., $5-$10.

Club X: 715 Harrison, San Francisco. “Electro Pop Rocks,” 18+ dance party with DJ Icon, more, 9 p.m., $10-$20.

DNA Lounge: 375 11th St., San Francisco. Book of Love, DJ Shindog, 9 p.m., $25-$30.

Edinburgh Castle: 950 Geary, San Francisco. “1964,” w/ DJ Matt B & guests, Second and Fourth Wednesday of every month, 10 p.m., $2.

The EndUp: 401 Sixth St., San Francisco. “Tainted Techno Trance,” 10 p.m.

F8: 1192 Folsom St., San Francisco. “Housepitality,” w/ Martin Landsky, Michael Perry, Sean Murray, Bob Campbell, 9 p.m., $5-$10.

Harlot: 46 Minna, San Francisco. “Qoöl,” 5 p.m.

Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10 p.m.

The Knockout: 3223 Mission, San Francisco. “Disorder,” w/ Warm Hands, Tuxedo Gleam, YLLW LDDRS, DJ Russell EL Butler, DJ Nickie, 10 p.m., $6.

Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9 p.m., free.

MatrixFillmore: 3138 Fillmore, San Francisco. “Reload,” w/ DJ Big Bad Bruce, 10 p.m., free.

Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9 p.m., $3.

HIP-HOP

Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, 10 p.m., free.

Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9 p.m., $5.

ACOUSTIC

Bazaar Cafe: 5927 California, San Francisco. Steve Key, Kate Kilbane, Mike Annuzzi, Gary Garrett, 7 p.m.

Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7 p.m., free.

The Chapel: 777 Valencia St., San Francisco. Keaton Henson, 9 p.m., $20-$22.

Club Deluxe: 1511 Haight, San Francisco. Happy Hour Bluegrass, 6:30 p.m., free.

Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, Every other Wednesday, 9:30 p.m., free/donation.

Hotel Utah: 500 Fourth St., San Francisco. Jared & The Mill, Jim Bianco, Amber Snider, 8 p.m., $10.

Union Square Park: 333 Post, San Francisco. The Anita Lofton Project, 12:30 p.m., free.

JAZZ

Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7 p.m., free.

Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.

Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7 p.m., free.

Oz Lounge: 260 Kearny, San Francisco. Hard Bop Collective, 6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. Michael Parsons Trio, Every other Wednesday, 8:30 p.m., free/donation.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Shannon Wolfe with Grant Levin, 8:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. “Cat’s Corner,” 9 p.m., $10.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30 p.m., $5.

Zingari: 501 Post, San Francisco. Joan Getz, 7:30 p.m., free.

INTERNATIONAL

Biscuits and Blues: 401 Mason, San Francisco. Rolando Morales, 7 & 9 p.m., $15.

Bissap Baobab: 3372 19th St., San Francisco. Timba Dance Party, w/ DJ WaltDigz, 10 p.m., $5.

Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7 p.m., $5-$10.

Pachamama Restaurant: 1630 Powell, San Francisco. “Cafe LatinoAmericano,” 8 p.m., $5.

REGGAE

Boom Boom Room: 1601 Fillmore, San Francisco. Indubious, Native Elements, 9:30 p.m., $10.

BLUES

The Royal Cuckoo: 3202 Mission, San Francisco. Big Bones & Chris Siebert, 7:30 p.m., free.

The Saloon: 1232 Grant, San Francisco. P.A. Slim, 9:30 p.m.

EXPERIMENTAL

Explorist International: 3174 24th St., San Francisco. Music for People & Thingamajigs, w/ Octoplayer + 1, 6:30 p.m., free.

Meridian Gallery: 535 Powell, San Francisco. Music for People & Thingamajigs, w/ Bob Marsh (performing “The Spirit of Detroit”), 7:30 p.m., $10-$20.

FUNK

Vertigo: 1160 Polk, San Francisco. “Full Tilt Boogie,” w/ KUSF-in-Exile DJs, Second Wednesday of every month, 8 p.m.-1:30 a.m., free.

SOUL

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Alice Russell, 8 p.m., $20.

THURSDAY 10

ROCK

Boom Boom Room: 1601 Fillmore, San Francisco. Pamela Parker Band, Jelly Bread, 9:30 p.m., $10-$12.

Bottom of the Hill: 1233 17th St., San Francisco. French Cassettes, The Lower 48, Survival Guide, 9 p.m., $10.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Heart of the Whale, Cash for Gold, Ultra Violent Rays, Dum Spiro Spero, 8 p.m., $10.

The Chapel: 777 Valencia St., San Francisco. Thee Oh Sees, OBN III’s, The Blind Shake, Fryborg, 8:30 p.m., $15-$18.

DNA Lounge: 375 11th St., San Francisco. We Came As Romans; Silverstein; Chunk! No, Captain Chunk!; The Color Morale; Dangerkids, 6 p.m., $20-$23.

S.F. Eagle: 398 12th St., San Francisco. Thursday Nite Live: Hammers of Misfortune, Hazzard’s Cure, Serpents of Dawn, 9 p.m., $10.

Hemlock Tavern: 1131 Polk, San Francisco. Command Control, Momotaro, What Fun Life Was, 8:30 p.m., $6.

The Independent: 628 Divisadero, San Francisco. J. Roddy Walston & The Business, Gringo Star, 8 p.m., $12.

The Knockout: 3223 Mission, San Francisco. Lord Nasty & The Seekers of Perversion, White Barons, Sweat Lodge, DJ Crappleton, 10 p.m., $8.

Rickshaw Stop: 155 Fell, San Francisco. “Popscene,” w/ Houses, Amp Live, Okta Logue, 9:30 p.m., $12-$14.

San Franpsycho: 505 Divisadero St., San Francisco. “Buried Treasure,” Treasure Island Music Fest Pop-Up Shop concert with Meat Market, Fine Steps, DJ Ben Van Houten, more, 6 p.m., $3.

SFSU Campus/Cesar Chavez Student Center: 1650 Holloway, San Francisco. Radiation City, Social Studies, Look!, Edward’s Crossing, 6 p.m., free.

Thee Parkside: 1600 17th St., San Francisco. “NOT Made in the U.S.A.,” w/ Exile Parade, The Novocaines, The Copper Gamins., 9 p.m., $10.

DANCE

Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10 p.m., free.

Audio Discotech: 316 11th St., San Francisco. “Phonic,” w/ MAKJ, Ron Reeser, Alexx Adam, Brenn Wilson, 9:30 p.m.

Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9 p.m., $5-$7.

The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9 p.m., $5.

Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9 p.m., $6 (free before 9:30 p.m.).

The Cellar: 685 Sutter, San Francisco. “XO,” w/ DJs Astro & Rose, 10 p.m., $5.

Club X: 715 Harrison, San Francisco. “The Crib,” 9:30 p.m., $10, 18+.

Danzhaus: 1275 Connecticut, San Francisco. “Alt.Dance,” Second Thursday of every month, 7 p.m., $7, 18+.

DNA Lounge: 375 11th St., San Francisco. “8bitSF,” w/ Starpause, Bleeds, Wizwars, DJ Mr. Smith, 9 p.m., $8-$11.

Elbo Room: 647 Valencia, San Francisco. “Afrolicious,” w/ DJs Pleasuremaker, Señor Oz, and live guests, 9:30 p.m., $5-$8.

Harlot: 46 Minna, San Francisco. “Set,” w/ Guy J, Darren Grayson, Matt Hubert, 9 p.m., $10.

Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10 p.m., $10.

Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9 p.m., $5 after 10 p.m.

Mighty: 119 Utah, San Francisco. “Stereo,” w/ Le1f, Lakutis, Matrixxman, WolfBitch, 9 p.m., $15 advance.

Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9 p.m., free.

Raven: 1151 Folsom St., San Francisco. “1999,” w/ VJ Mark Andrus, 8 p.m., free.

Ruby Skye: 420 Mason, San Francisco. “Awakening,” w/ DJ Bl3nd, 9 p.m., $15-$20 advance.

The Tunnel Top: 601 Bush, San Francisco. “Tunneltop,” DJs Avalon and Derek ease you into the weekend with a cool and relaxed selection of tunes spun on vinyl, 10 p.m., free.

Underground SF: 424 Haight, San Francisco. “Bubble,” 10 p.m., free.

Vessel: 85 Campton, San Francisco. “Base,” w/ Shonky, Alessandro, 10 p.m., $5-$10.

HIP-HOP

1015 Folsom: 1015 Folsom St., San Francisco. 2Racks Rap Contest, presented by Sellassie, 8 p.m., $20.

Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9 p.m., free.

The EndUp: 401 Sixth St., San Francisco. “Cypher,” w/ resident DJ Big Von, 10 p.m., $5-$10.

John Colins: 138 Minna, San Francisco. “Party with Friends,” w/ resident DJs IllEfect, GeektotheBeat, Merrick, and Delrokz, Second Thursday of every month, 9 p.m., free.

Neck of the Woods: 406 Clement St., San Francisco. “Skratchpad,” Second Thursday of every month, 10 p.m., free.

Park 77 Sports Bar: 77 Cambon, San Francisco. “Slap N Tite,” w/ resident Cali King Crab DJs Sabotage Beats & Jason Awesome, free.

Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10 p.m., free.

ACOUSTIC

Amnesia: 853 Valencia, San Francisco. Anna Ash, Wooden Suns, DonCat, 9 p.m., $7-$10.

Cafe Du Nord: 2170 Market, San Francisco. Houndmouth, Andrew Combs, 9 p.m., $12.

Plough & Stars: 116 Clement, San Francisco. John Caufield, 9 p.m.

Rebel: 1760 Market, San Francisco. Bobby Jo Valentine, Stephen Leonard & Manny Capozzi, $10.

JAZZ

Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30 p.m., free.

Bottle Cap: 1707 Powell, San Francisco. The North Beach Sound with Ned Boynton, Jordan Samuels, and Tom Vickers, 7 p.m., free.

Cafe Claude: 7 Claude, San Francisco. Dick Fregulia’s Good Vibes Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. West Side Jazz Club, 9 p.m.

Cigar Bar & Grill: 850 Montgomery, San Francisco. Sara & Swingtime, 8 p.m.

Le Colonial: 20 Cosmo, San Francisco. Steve Lucky & The Rhumba Bums, 7:30 p.m.

The Royal Cuckoo: 3202 Mission, San Francisco. Chris Siebert, 7:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eddy Ramirez, 7:30 p.m., $5.

SFJAZZ Center: 205 Franklin St., San Francisco. “Hotplate,” w/ Si Perkoff (playing Thelonious Monk’s Brilliant Corners), 8 & 9:30 p.m.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30 p.m., $10.

Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30 p.m., free.

INTERNATIONAL

Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10 p.m., $5.

Cafe Cocomo: 650 Indiana, San Francisco. Salson, DJ Good Sho, 8 p.m., $12.

Pachamama Restaurant: 1630 Powell, San Francisco. “Jueves Flamencos,” 8 p.m., free.

Slim’s: 333 11th St., San Francisco. Los Texmaniacs, Blanca, 8 p.m., $21.

Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9 p.m., $10-$15.

REGGAE

Make-Out Room: 3225 22nd St., San Francisco. “Festival ‘68,” w/ Revival Sound System, Second Thursday of every month, 10 p.m., free.

Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9 p.m., free.

BLUES

50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30 p.m., free.

Biscuits and Blues: 401 Mason, San Francisco. Chris Cain, 7 & 9 p.m., $20.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.

The Saloon: 1232 Grant, San Francisco. Tom Bowers, 4 p.m.; Cathy Lemons, 9:30 p.m.

EXPERIMENTAL

Exploratorium: Pier 15, San Francisco. Resonance: Selections from Antarctica – Music from the Ice, w/ Cheryl E. Leonard & Phillip Greenlief, 7 p.m.

The Luggage Store: 1007 Market, San Francisco. French Radio, Dapplegray, 8 p.m., $6-$10.

SOUL

Amoeba Music: 1855 Haight, San Francisco. Alice Russell, 5 p.m., free.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Alice Russell, 8 p.m., $22.

FRIDAY 11

ROCK

Amnesia: 853 Valencia, San Francisco. The We Shared Milk, Old Age, 6:30 p.m., $7.

Bottom of the Hill: 1233 17th St., San Francisco. Sallie Ford & The Sound Outside, Wooden Indian Burial Ground, Down Dirty Shake, 9:30 p.m., $12-$14.

Cafe Du Nord: 2170 Market, San Francisco. No Captains, Build them to Break, The Bruises, Orchid Belly Dance, 9 p.m., $10.

The Chapel: 777 Valencia St., San Francisco. Thee Oh Sees, OBN III’s, The Blind Shake, Old Light, 8:30 p.m., $15-$18.

Elbo Room: 647 Valencia, San Francisco. Sabbat, Antebellum, Invocation War, Cardinal Wyrm, 9 p.m., $12-$15.

Hemlock Tavern: 1131 Polk, San Francisco. Tjutjuna, Permanent Collection, Groonies, 9:30 p.m., $7.

The Independent: 628 Divisadero, San Francisco. An Evening with Steve Kilbey & Greg Dulli, plus Alain Johannes., $30.

Rickshaw Stop: 155 Fell, San Francisco. Mike Donovan, Tal National, BreakArts, G. Green, 8 p.m., $10.

Thee Parkside: 1600 17th St., San Francisco. Cold Eskimo, Telenovela, St. Marie of the Sea, 9 p.m., $8.

DANCE

1015 Folsom: 1015 Folsom St., San Francisco. Mr. Oizo, MPHD, DJ Dials, Mophono, Niteppl, 10 p.m., $17.50 advance.

Amnesia: 853 Valencia, San Francisco. “Indie Slash,” w/ DJs Danny White & Rance, 10 p.m., $5.

Audio Discotech: 316 11th St., San Francisco. Plastic Plates, Bit Funk, Lane 8, 9:30 p.m.

Balancoire: 2565 Mission St., San Francisco. “Heavy Duty,” w/ DJ Spun, DJ Jenö, Cosmic D, 9 p.m., $10 (free before 11 p.m.).

BeatBox: 314 11th St., San Francisco. “Werq,” w/ DJ Escape, 10 p.m., $5-$10.

Cafe Flore: 2298 Market, San Francisco. “Kinky Beats,” w/ DJ Sergio, 10 p.m., free.

The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9 p.m., $5.

Cat Club: 1190 Folsom, San Francisco. “Dark Shadows: Second Annual Masquerade Ball,” w/ DJs Daniel Skellington, Panic, Melting Girl, and Joe Radio, 9:30 p.m., $7 ($3 before 10 p.m.).

The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10 p.m.

DNA Lounge: 375 11th St., San Francisco. “Turbo Drive,” w/ Delorean Overdrive, Kat Haus, Devon, MyKill, Sparkle, Tracer, Fact.50, Mr. Smith, 9:30 p.m., $8.

The EndUp: 401 Sixth St., San Francisco. “Fever,” 10 p.m., free before midnight.

F8: 1192 Folsom St., San Francisco. “Vintage,” w/ DJ Toph One & guests, 5 p.m., free; “Hidden Measure: 1-Year Anniversary,” w/ Gary Beck, Memnok, Mac Vaughn, Daya, Nayive, Thomas Treffry, Symn Bnjmn, 9 p.m., $12-$25.

The Grand Nightclub: 520 4th St., San Francisco. “We Rock Fridays,” 9:30 p.m.

Infusion Lounge: 124 Ellis, San Francisco. “Escape Fridays,” 10 p.m., $20.

Lone Star Saloon: 1354 Harrison, San Francisco. “Cubcake,” w/ DJ Medic, Second Friday of every month, 9 p.m.

Lookout: 3600 16th St., San Francisco. “HYSL,” 9 p.m., $3.

Manor West: 750 Harrison, San Francisco. “Fortune Fridays,” 10 p.m., free before 11 p.m. with RSVP.

MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9 p.m.

Mighty: 119 Utah, San Francisco. VibeSquaD, Freddy Todd, Bogl, Ryury, 10 p.m., $10 advance.

Monarch: 101 6th St., San Francisco. No Regular Play, Ghosts on Tape, Kimmy Le Funk, 9:30 p.m., $10-$20.

OMG: 43 6th St., San Francisco. “Release,” 9 p.m., free before 11 p.m.

Public Works: 161 Erie, San Francisco. “Modular,” w/ Stephan Bodzin, Pedro Arbulu, MFYRS (in the main room), 9:30 p.m., $12-$20; “Odyssey: 2-Year Anniversary,” w/ Eli Escobar, Lloydski, Robin Simmons (in the OddJob Loft), 9:30 p.m., $10.

Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9 p.m., $3.

Qi Ultra Lounge: 917 Folsom St., San Francisco. Fourth Annual Fleet or Flight, Edgewood Center for Children & Families benefit with DJ Chucky Brown, presented by the Spinsters of San Francisco., 8 p.m., $30-$40 advance.

Ruby Skye: 420 Mason, San Francisco. Emma Hewitt, Ben Gold, 9 p.m., $20-$25 advance.

Showdown: 10 Sixth St., San Francisco. “Electric WKND,” w/ The Certain People Crew, Second Friday of every month, 10 p.m., free.

Slide: 430 Mason, San Francisco. “E2F,” Second Friday of every month, 9 p.m.

Underground SF: 424 Haight, San Francisco. “Bionic,” 10 p.m., $5.

Vessel: 85 Campton, San Francisco. “A Night with Skills,” w/ Dyloot, John Beaver, Blix Cannon, 10 p.m.

Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10 p.m., free.

HIP-HOP

EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9 p.m.

Hotel Utah: 500 Fourth St., San Francisco. “Poets & Empowerment,” w/ Aima the Dreamer, Davu Flint, Khafre Jay, Champlu, 9 p.m., $10.

John Colins: 138 Minna, San Francisco. “Heartbeat,” w/ resident DJ Strategy, Second Friday of every month, 9 p.m., $5 (free before 11 p.m).

Slate Bar: 2925 16th St., San Francisco. “The Hustle,” w/ DJs Sake One & Sean G, Second Friday of every month, 9 p.m.

Slim’s: 333 11th St., San Francisco. Roach Gigz, Husalah, Bobby Brackins, The Goomba Circus, DJ Skimask, 9 p.m., $19.

ACOUSTIC

Bazaar Cafe: 5927 California, San Francisco. Eve Fleishman & Joe Rathbone, 7 p.m.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Lucy Rose, Dresses, Magic Magic Roses, 9 p.m., $10-$12.

The Lost Church: 65 Capp St., San Francisco. Brian Belknap, 8 p.m., $10.

Plough & Stars: 116 Clement, San Francisco. Rain or Shine, Charley Crockett, 9 p.m.

The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10 a.m., $5.

JAZZ

Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8 p.m., free.

Bird & Beckett: 653 Chenery, San Francisco. Jimmy Ryan Quintet, Second Friday of every month, 5:30 p.m., free.

Cafe Claude: 7 Claude, San Francisco. Nick Rossi Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. Ken Husbands Jazz Trio, 9 p.m.

Cliff House: 1090 Point Lobos, San Francisco. Dick Fregulia’s Good Vibes Quartet, 7 p.m.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Conscious Contact, 9 p.m., free.

The Royal Cuckoo: 3202 Mission, San Francisco. Wil Blades & Jack Tone Riordan, 7:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Jim Butler Group, 7:30 p.m., $8.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9 p.m., $10.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The Messenger Legacy, featuring Ralph Peterson, Donald Harrison, Brian Lynch, Billy Pierce, Donald Brown, and Reggie Workman., 8 & 10 p.m., $25-$31.

Zingari: 501 Post, San Francisco. Joyce Grant, 8 p.m., free.

INTERNATIONAL

Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.

Boom Boom Room: 1601 Fillmore, San Francisco. Debauche, Juno What?!, 9:30 p.m., $15 advance.

Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30 p.m., $15 (free entry to patio).

Cigar Bar & Grill: 850 Montgomery, San Francisco. Mazacote, 8 p.m.

Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15 p.m., $15-$18.

Red Poppy Art House: 2698 Folsom, San Francisco. Colm Ó Riain, 7:30 p.m., $15-$20.

San Francisco Community Music Center: 544 Capp, San Francisco. Alejandro Ziegler Quartet, 8 p.m., $10-$15.

REGGAE

Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30 p.m., free.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Kim Nalley Blues Band, 7:30 & 10 p.m., $24.

The Saloon: 1232 Grant, San Francisco. Jinx Jones & The KingTones, 4 p.m.; Delta Wires, 9:30 p.m.

EXPERIMENTAL

Meridian Gallery: 535 Powell, San Francisco. Music for People & Thingamajigs, w/ Voicehandler, Bryan Day, 8 p.m., $10-$15.

FUNK

Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, & Tom Thump, 10 p.m., $5.

SOUL

Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10 p.m., free.

The Knockout: 3223 Mission, San Francisco. “Nightbeat,” w/ DJs Primo, Lucky, and Dr. Scott, Second Friday of every month, 10 p.m., $4.

Madrone Art Bar: 500 Divisadero, San Francisco. “Yo Momma: M.O.M. Weekend Edition,” w/ DJ Gordo Cabeza, Second Friday of every month, 9 p.m., $5 (free before 10 p.m.).

The Ramp: 855 Terry Francois, San Francisco. “Soul Soirée,” w/ The Tony Saunders Band, 6 p.m.

SATURDAY 12

ROCK

Amnesia: 853 Valencia, San Francisco. Big Still, Roger!, 6 p.m.

Bender’s: 806 S. Van Ness, San Francisco. Castle, Wild Eyes, 10 p.m., $5.

Bottom of the Hill: 1233 17th St., San Francisco. Guitar Wolf, The Coathangers, Coward, 9:30 p.m., $13-$15.

The Chapel: 777 Valencia St., San Francisco. Thee Oh Sees, OBN III’s, The Blind Shake, Dreamsalon, 8:30 p.m., $15-$18.

Connecticut Yankee: 100 Connecticut, San Francisco. Andrea & The Bad Sugar Daddies, Pelicanopolis, 10 p.m.

El Rio: 3158 Mission, San Francisco. The Spyrals, Hot Lunch, Cool Ghouls, Feral Ohms, 4 p.m., $8.

Hemlock Tavern: 1131 Polk, San Francisco. Peace Creep, Gaytheist, Monogamy Party, Sex Snobs, 9 p.m., $7.

Hotel Utah: 500 Fourth St., San Francisco. Dylan Fox & The Wave, The Cabin Project, Wes Fox & The Loons, 9 p.m., $10.

The Independent: 628 Divisadero, San Francisco. Marky Ramone’s Blitzkrieg with Andrew W.K., Figo, The Meat Sluts, 9 p.m., $25.

The Knockout: 3223 Mission, San Francisco. The Bar Feeders, Pollo Del Mar, Virgil Shaw, 10 p.m., $5.

Slim’s: 333 11th St., San Francisco. The Pretty Reckless, Heaven’s Basement, Louna, 9 p.m., $16.

DANCE

Amnesia: 853 Valencia, San Francisco. “2 Men Will Move You,” w/ DJs Primo & Jordan, Second Saturday of every month, 9 p.m.

Audio Discotech: 316 11th St., San Francisco. Treasure Fingers, Spektor, Manics, 9:30 p.m.

Balancoire: 2565 Mission St., San Francisco. “Play It Cool,” w/ Lovefingers, Guillaume Galuz, Matthew Howell, Derek Opperman, Avalon Emerson, 9 p.m., $5.

BeatBox: 314 11th St., San Francisco. “Bearracuda: Underwear Party,” w/ DJs Russ Rich & Matt Stands, 9 p.m., $6-$10.

Cafe Flore: 2298 Market, San Francisco. “Bistrotheque,” w/ DJ Ken Vulsion, 8 p.m., free.

California Academy of Sciences: 55 Music Concourse, San Francisco. SFAF Tribute Celebration, The San Francisco AIDS Foundation takes over the museum with a dinner program honoring Dr. Anthony S. Fauci, MD, followed by an after-party with cocktails plus music by DJ Josh Cheon., 6 p.m., $75-$500.

Cat Club: 1190 Folsom, San Francisco. “Club Gossip: We Love Siouxsie,” w/ DJs Melting Girl, Daniel Skellington, Damon, Shon, and Ryan B, 9 p.m., $5-$8 (free before 9:30 p.m.).

DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ Elocnep, A+D, Ding Dong, Haute Mess, Ernie Trevino, JoeJoe, Myster C, Mr. Washington, Hubba Hubba Revue, more, 9 p.m., $10-$15.

S.F. Eagle: 398 12th St., San Francisco. “Sadistic Saturdays,” Second Saturday of every month, 10 p.m., free.

The EndUp: 401 Sixth St., San Francisco. “Eclectricity,” Second Saturday of every month, 10 p.m.

The Hot Spot: 1414 Market, San Francisco. “Love Will Fix It,” w/ DJ Bus Station John, Second Saturday of every month, 10 p.m., $5.

Infusion Lounge: 124 Ellis, San Francisco. “One Way Ticket Saturdays,” w/ Eric D-Lux, Second Saturday of every month, 10 p.m., $20.

The Knockout: 3223 Mission, San Francisco. “Galaxy Radio,” w/ resident DJs Smac, Emils, Holly B, and guests, Second Saturday of every month, 9 p.m.

Lookout: 3600 16th St., San Francisco. “Pink Mammoth Marathon,” w/ David Harness, MoeMoe, Zach Walker, RawC, Derek Hena, 4 p.m., free before 9 p.m.

Madrone Art Bar: 500 Divisadero, San Francisco. “Music Video Night,” w/ DJs Satva & 4AM, Second Saturday of every month, 10 p.m., $5.

Mezzanine: 444 Jessie, San Francisco. “Tormenta Tropical,” w/ Jubilee, Oro11, Deejay Theory, 10 p.m., $5-$10.

Mighty: 119 Utah, San Francisco. “Salted,” w/ Miguel Migs, Julius Papp, guests, Second Saturday of every month, 10 p.m., $10 before 11 p.m.

Monarch: 101 6th St., San Francisco. Disco Knights, Anthony Mansfield, DJ M3, Shiny Objects, 9 p.m.

OMG: 43 6th St., San Francisco. “Fixup,” Second Saturday of every month, 10 p.m., free before 11 p.m.

Public Works: 161 Erie, San Francisco. “Distrikt: Pre-Decompression,” w/ Ben Seagren, Matt Kramer, Darren Grayson, Paul Geddes, Brett Rubin, Syd Gris, Tamo, Jamie Schwabl, Atron, Peter Blick (in the main room), 9 p.m., $10-$20.

Q Bar: 456 Castro, San Francisco. “Shoop!,” w/ DJs Tommy T & Bryan B, 9 p.m.

Qi Ultra Lounge: 917 Folsom St., San Francisco. Dark Beauty Magazine Halloween Party, With music by Pixel Memory, Meikee Magnetic, and Creepy B, plus fashion shows, burlesque, more., 9 p.m., $8.

Rickshaw Stop: 155 Fell, San Francisco. “Cockblock: Super Heroes vs. Villains,” w/ DJs C-Lektra & Kidd Sysko, 10 p.m., $10.

Ruby Skye: 420 Mason, San Francisco. “World Town,” w/ Qulinez, Norman Doray, Trevor Simpson, 9 p.m., $20 advance.

Slate Bar: 2925 16th St., San Francisco. “The KissGroove S.F.,” w/ DJ Vinroc & The Whooligan, Second Saturday of every month, 10 p.m., free.

SOMA StrEat Food Park: 428 11th St., San Francisco. “Local Flavour,” w/ DJs Tyrel Williams, Blue Soul, Dao & Pwny, Benjamin Vallery, Andy Kershaw, Bob Campbell, Darrell Tenaglia, Menage à Moi, and more, plus local art and food, noon-midnight, free.

The Stud: 399 Ninth St., San Francisco. “Frolic: A Celebration of Costume & Dance,” w/ resident DJ NeonBunny, Second Saturday of every month, 8 p.m., $8 ($4 in costume).

Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. “Warm Leatherette,” w/ Profligate, Samantha Vacation, Justin Anastasi, Nihar, Jason P, Dreamweapon, 10 p.m., $10.

Temple: 540 Howard, San Francisco. Dirtyloud, Lucas Med, BMFJ, Wes Kraven, J-Trip, DVS, 10 p.m., $20.

Vessel: 85 Campton, San Francisco. Tristan Garner, Clinton VanSciver, 10 p.m., $10-$30.

Wish: 1539 Folsom, San Francisco. “All Styles & Smiles,” w/ DJ Tom Thump, Second Saturday of every month, 10 p.m., free.

HIP-HOP

111 Minna Gallery: 111 Minna St., San Francisco. “Back to the ‘90s,” Second Saturday of every month, 9:30 p.m., $10.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. “The 45 Sessions,” w/ DJ Platurn & Deejay Saurus, 10 p.m., free.

Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, Second Saturday of every month, 10 p.m., free.

John Colins: 138 Minna, San Francisco. “Second Saturdays,” w/ resident DJ Matt Cali, Second Saturday of every month, 10 p.m., free.

Milk Bar: 1840 Haight, San Francisco. CBG (Chill Black Guys), 9 p.m., $5.

Mission Cultural Center for Latino Arts: 2868 Mission, San Francisco. Raices del Barrio, MCCLA benefit with music by Cempoalli 20, Kaila Love, Chhoti Maa, and MADlines., 7:30 p.m., $13.

Showdown: 10 Sixth St., San Francisco. “The Shit Show,” w/ resident DJ Taurus Scott, Second Saturday of every month, 10 p.m., two for $5.

ACOUSTIC

Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco & Meredith Axelrod, Saturdays, 4-6 p.m., free.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Luce, Victoria George, David Luning, 9 p.m., $12-$15.

Cafe Du Nord: 2170 Market, San Francisco. Joe Pug, Vandaveer, K.C. Turner, 9:30 p.m., $12-$14.

The Riptide: 3639 Taraval, San Francisco. Rustangs, 9:30 p.m., free.

Thee Parkside: 1600 17th St., San Francisco. Austin Lucas, Lee Bains III & The Glory Fires, TV Mike & The Scarecrowes, 9 p.m., $10.

JAZZ

Cafe Claude: 7 Claude, San Francisco. The Monroe Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. JBM Jazz Group, 9 p.m.

Cigar Bar & Grill: 850 Montgomery, San Francisco. Josh Jones Latin Jazz Ensemble, 8 p.m.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.

The Royal Cuckoo: 3202 Mission, San Francisco. Steve Lucky & Carmen Getit, 7:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Gina Harris & Torbie Phillips, 7:30 p.m., $8.

Sheba Piano Lounge: 1419 Fillmore, San Francisco. The Robert Stewart Experience, 9 p.m.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Fourplay, 8 & 10 p.m., $35.

Zingari: 501 Post, San Francisco. Brenda Reed, 8 p.m., free.

INTERNATIONAL

1015 Folsom: 1015 Folsom St., San Francisco. “Pura,” 9 p.m., $20.

Bissap Baobab: 3372 19th St., San Francisco. Misión Flamenca, Monthly live music and dance performances., Second Saturday of every month, 7:30 p.m. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.

Boom Boom Room: 1601 Fillmore, San Francisco. Debauche, Scary Little Friends, 9:30 p.m., $15 advance.

Cafe Cocomo: 650 Indiana, San Francisco. Elio Revé y Su Charangon, 10 p.m., $30 advance.

KZV Armenian School: 825 Brotherhood Way, San Francisco. Chookasian Armenian Concert Ensemble, 7:30 p.m., $15-$30.

Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10 p.m., $5.

Pachamama Restaurant: 1630 Powell, San Francisco. Peña Eddy Navia & Pachamama Band, 8 p.m., free.

The Ramp: 855 Terry Francois, San Francisco. Alexis y la Original, 5:30 p.m.

Red Poppy Art House: 2698 Folsom, San Francisco. Persian Starr, 7:30 p.m., $15-$20.

Roccapulco Supper Club: 3140 Mission, San Francisco. Don Chezina, Punta Cartel, 8 p.m.

St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. “Legends of the Celtic Harp,” w/ Patrick Ball, Lisa Lynne, and Aryeh Frankfurter., 8 p.m., $12-$17.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Sugaray Rayford, 7:30 & 10 p.m., $22.

Plough & Stars: 116 Clement, San Francisco. Crosscut, 9 p.m.

The Saloon: 1232 Grant, San Francisco. Dave Workman, Second Saturday of every month, 4 p.m.; Barry “The Fish” Melton Band, 9:30 p.m.

EXPERIMENTAL

Meridian Gallery: 535 Powell, San Francisco. Music for People & Thingamajigs, w/ Fred Frith & Sudhu Tewari, Tim Phillips, Todd Lerew, 8 p.m., $10-$15.

SUNDAY 13

ROCK

Amnesia: 853 Valencia, San Francisco. Sweat Lodge, The Steganothings, Devon McClive, 8 p.m., $7.

DNA Lounge: 375 11th St., San Francisco. The Legendary Pink Dots, Orbit Service, Big City Orchestra, DJs Decay & Sage, 9 p.m., $20-$25.

El Rio: 3158 Mission, San Francisco. Vows, Dead Panzies, Tears Club, 8 p.m., $6-$10.

Hemlock Tavern: 1131 Polk, San Francisco. IAMOGB, Aberrant Phase, Gladiators Eat Fire, 8:30 p.m., $6.

Slim’s: 333 11th St., San Francisco. King Khan & The Shrines, HellShovel, Slipping Into Darkness, 8 p.m., $16.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Peter Murphy (performing Bauhaus), 7 & 10 p.m., $30-$65.

DANCE

Cafe Cocomo: 650 Indiana, San Francisco. Decompression 2013: Heat the Street Faire, Who needs the playa? Burners convene to decompress from this year’s desert escapades with a multi-block party featuring art installations, stage performances, fire dancers, EDM DJs, and all the usual costumed hoopla (and/or hula hoops) expected from Burning Man’s rabid devotees., noon, $15-$20.

The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9 p.m., free.

The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8 p.m.

Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ Digitaldubs, Vibration Lab, DJ Sep, 9 p.m., $7-$10.

The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6 a.m.-6 p.m.; “The Rhythm Room: Knocktoberfest,” w/ Rick Preston, Cris Herrera, Brian Salazar, C.J. Larsen, J Funk, Nick Garcia, Mike Tyler, 8 p.m., $15-$20; “Sunday Sessions,” 8 p.m.

F8: 1192 Folsom St., San Francisco. “Stamina Sundays,” w/ Cyantific, Lukeino, Jamal, 10 p.m., free.

Holy Cow: 1535 Folsom, San Francisco. “Honey Sundays,” w/ Honey Soundsystem & guests, 9 p.m. continues through Oct. 20, $5-$10.

The Independent: 628 Divisadero, San Francisco. Griz, Two Fresh, Anvil Smith, 8 p.m., $20.

The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10 p.m., free.

Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8 p.m., $2.

MatrixFillmore: 3138 Fillmore, San Francisco. “Bounce,” w/ DJ Just, 10 p.m.

Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9 p.m., $5 (free before 11 p.m.).

The Parlor: 2801 Leavenworth, San Francisco. DJ Marc deVasconcelos, 10 p.m., free.

Q Bar: 456 Castro, San Francisco. “Gigante,” 8 p.m., free.

HIP-HOP

Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30 p.m., free.

Ruby Skye: 420 Mason, San Francisco. “The Ol’ Skool House Party,” w/ Naughty by Nature, plus DJs Pos Red, Supreme, and C.J. Flash, 10 p.m., $30 advance.

ACOUSTIC

Cafe Du Nord: 2170 Market, San Francisco. Tony Lucca, Jenn Grinels, Shawn Brown, 8 p.m., $15.

The Chapel: 777 Valencia St., San Francisco. KT Tunstall, Brian Lopez, 9 p.m., $25-$30.

Hotel Utah: 500 Fourth St., San Francisco. Steve Kaul, Teja Gerken, Jared Clifton, 8 p.m., $8.

The Lucky Horseshoe: 453 Cortland, San Francisco. Sunday Bluegrass Jam, 4 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8 p.m., free.

Neck of the Woods: 406 Clement St., San Francisco. “iPlay,” open mic with featured weekly artists, 6:30 p.m., free.

Plough & Stars: 116 Clement, San Francisco. Seisiún with Darcy Noonan, Richard Mandel, and Jack Gilder, 9 p.m.

St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5 p.m., free.

JAZZ

Amnesia: 853 Valencia, San Francisco. Slim Jenkins, Second Sunday of every month, 9 p.m., $7-$10.

Bird & Beckett: 653 Chenery, San Francisco. Retro Blue, 4:30 & 5:30 p.m., free/donation.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10 p.m., free.

Martuni’s: 4 Valencia, San Francisco. Madame Jo Trio, second Sunday of every month, 4-6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4 p.m., free/donation.

The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30 p.m., free.

Zingari: 501 Post, San Francisco. Kitt Weagant, 7:30 p.m., free.

INTERNATIONAL

Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30 p.m., $10 ($15-$20 with dance lessons).

Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30 p.m., free.

El Rio: 3158 Mission, San Francisco. “Salsa Sundays,” Second and Fourth Sunday of every month, 3 p.m., $8-$10.

Pa’ina: 1865 Post St., San Francisco. Raq Filipina with Florante Aguilar & Ron Quesada, 6:30 p.m., $20.

The Ramp: 855 Terry Francois, San Francisco. BrazilVox, 5:30 p.m.

Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30 p.m.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Jason King Band, 7 & 9 p.m., $15.

Revolution Cafe: 3248 22nd St., San Francisco. HowellDevine, 8:30 p.m., free/donation.

The Saloon: 1232 Grant, San Francisco. Blues Power, 4 p.m.; The Door Slammers, 9:30 p.m.

Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 9 p.m., free.

Swig: 571 Geary, San Francisco. Sunday Blues Jam with Ed Ivey, 9 p.m.

COUNTRY

The Riptide: 3639 Taraval, San Francisco. Joe Goldmark & The Seducers, Second Sunday of every month, 7:30 p.m., free.

SOUL

Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10 p.m., free.

MONDAY 14

ROCK

Bottom of the Hill: 1233 17th St., San Francisco. Overseas, Radar Brothers, 9:30 p.m., $15.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Brasil, Vum, CIVC, Drab Majesty, DJs Neil Martinson & Mashi Mashi, 9 p.m., $5-$7.

DNA Lounge: 375 11th St., San Francisco. Fucked Up, Tony Molina, 8:30 p.m., $15.

Elbo Room: 647 Valencia, San Francisco. SLV, Snow Angel, 9 p.m., $7.

DANCE

DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30 p.m., $3-$5.

Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9 p.m., free.

Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10 p.m., free.

ACOUSTIC

Amnesia: 853 Valencia, San Francisco. The Pick Bluegrass Jam, Second Monday of every month, 6 p.m., free; Toshio Hirano, Second Monday of every month, 9 p.m., free.

The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7 p.m., free.

Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30 p.m., free/donation.

Hotel Utah: 500 Fourth St., San Francisco. Open mic with Brendan Getzell, 8 p.m., free.

Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7 p.m., free.

The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4 p.m.

JAZZ

Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7 p.m., free.

Sheba Piano Lounge: 1419 Fillmore, San Francisco. City Jazz Instrumental Jam Session, 8 p.m.

The Union Room at Biscuits and Blues: 401 Mason, San Francisco. The Session: A Monday Night Jazz Series, pro jazz jam with Mike Olmos, 7:30 p.m., $12.

Zingari: 501 Post, San Francisco. Nora Maki, 7:30 p.m., free; Gayle Wilhelm, 7:30 p.m., free.

REGGAE

Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10 p.m., free.

BLUES

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.

The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30 p.m.

SOUL

Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8 p.m., free.

TUESDAY 15

ROCK

Amnesia: 853 Valencia, San Francisco. Major Powers & The Lo-Fi Symphony, Tiger Honey Pot, The Lurk, 9 p.m., $8-$10.

Boom Boom Room: 1601 Fillmore, San Francisco. ZuhG, Third Tuesday of every month, 9:30 p.m., $5.

Bottom of the Hill: 1233 17th St., San Francisco. Har Mar Superstar, Harold Ray Live in Concert, Michael Gaughan, The Reefer Twins, 9 p.m., $10-$12.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Halsted, Churches, Buckeye Knoll, 9 p.m., $5-$8.

DNA Lounge: 375 11th St., San Francisco. Diamond Head, Raven, Volture, Owl, 8 p.m., $20-$25.

Hemlock Tavern: 1131 Polk, San Francisco. Disappearing People, Creepers, Buffalo Tooth, Sutra, 8 p.m., $7.

Hotel Utah: 500 Fourth St., San Francisco. The Jaunting Martyrs, Kitten Grenade, Blood Party, Coffee Shop Dropout, 9 p.m., $6.

The Knockout: 3223 Mission, San Francisco. War Child, Catacomb Creeps, Rock Bottom, DJ Handlebars, 9:30 p.m., $7.

Thee Parkside: 1600 17th St., San Francisco. The Body, The New Trust, Know Secrets, 8 p.m., $8.

DANCE

Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10 p.m., $2.

Monarch: 101 6th St., San Francisco. “Soundpieces,” 10 p.m., free-$10.

Otis: 25 Maiden, San Francisco. “Vibe,” w/ Binkadink, Third Tuesday of every month, 6 p.m., free.

Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9 p.m., $3.

Underground SF: 424 Haight, San Francisco. “Shelter,” 10 p.m., free.

Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8 p.m., free.

HIP-HOP

Skylark Bar: 3089 16th St., San Francisco. “True Skool Tuesdays,” w/ DJ Ren the Vinyl Archaeologist, 10 p.m., free.

ACOUSTIC

Bazaar Cafe: 5927 California, San Francisco. Songwriter-in-Residence: Olivia Clayton, 7 p.m. continues through Oct. 29.

Plough & Stars: 116 Clement, San Francisco. Seisiún with Autumn Rhodes & Pat O’Donnell, 9 p.m.

Rickshaw Stop: 155 Fell, San Francisco. Tim Kasher, Laura Stevenson, Jake Bellows, 8 p.m., $15.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Drizzoletto, 8:30 p.m., free.

JAZZ

Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7 p.m.

Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7 p.m., free.

Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.

Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7 p.m.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. M.B. Hanif & The Sound Voyagers, 7:30 p.m., free.

Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7 p.m.

Oz Lounge: 260 Kearny, San Francisco. Emily Hayes & Mark Holzinger, 6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5 p.m., free; Panique, Third Tuesday of every month, 8:30 p.m., free/donation.

Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9 p.m., $10-$12.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8 p.m., $22.

INTERNATIONAL

Cafe Cocomo: 650 Indiana, San Francisco. “Descarga S.F.,” w/ DJs Hong & Good Sho, 8 p.m., $12.

The Cosmo Bar & Lounge: 440 Broadway, San Francisco. “Conga Tuesdays,” 8 p.m., $7-$10.

Elbo Room: 647 Valencia, San Francisco. “Porreta!,” all night forro party with DJs Carioca & Lucio K, Third Tuesday of every month, 9 p.m., $7.

F8: 1192 Folsom St., San Francisco. “Underground Nomads,” w/ rotating resident DJs Cheb i Sabbah, Amar, Sep, and Dulce Vita, plus guests, 9 p.m., $5 (free before 9:30 p.m.).

REGGAE

Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10 p.m.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. John Garcia Band, 7 & 9 p.m., $15.

The Saloon: 1232 Grant, San Francisco. Lisa Kindred, Third Tuesday of every month, 9:30 p.m.

FUNK

Madrone Art Bar: 500 Divisadero, San Francisco. “Boogaloo Tuesday,” w/ Oscar Myers & Steppin’, 9:30 p.m., free.

SOUL

Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30 p.m., free. 2

Theater Listings: October 9 – 15, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

BooKKeepers: A True Fiction Southside Theatre, Fort Mason Center, Marina at Laguna, SF; www.generationtheatre.com. $20-35. Opens Thu/10, 8pm. Runs Thu-Sat, 8pm; Sun, 3pm. Through Oct 27. GenerationTheatre presents Roland David Valayre’s Kafka-inspired fantasy.

Dirty Little Showtunes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Opens Fri/11, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Nov 10. New Conservatory Theatre Center presents the return of Tom Orr’s bawdy Broadway parody.

First Stage Werx, 446 Valencia, SF; www.firsttheplay.com. $25-35. Opens Sat/12, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Altair Productions, the Aluminous Collective, and PlayGround present the world premiere of Evelyn Jean Pine’s play, which imagines a 20-year-old Bill Gates’ experiences at a 1976 personal computer conference.

Gruesome Playground Injuries Tides Theatre, 533 Sutter, SF; www.tidestheatre.org. $20-40. Previews Thu/10, 8pm. Opens Fri/11, 8pm. Runs Wed-Sat, 8pm. Through Nov 9. Tides Theatre performs Rajiv Joseph’s drama about two people who first meet as eight-year-olds in the school nurse’s office.

Randy Roberts Live! Alcove Theatre, 414 Mason, SF; www.randyroberts.net. $40. Opens Thu/10, 9pm. Runs Thu-Sat, 9pm. Through Nov 2. The famed female impersonator performs. He will also perform a different show with jazz pianist Tammy L. Hall: Mon/14, Oct 21, and 28, 7pm, $20, Martuni’s, 4 Valencia, SF.

BAY AREA

I and You Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Previews Thu/10-Sat/12, 8pm; Sun/13, 2pm. Opens Tue/15, 8pm. Runs Tue, Thu-Sat, 8pm (also Oct 19 and Nov 2, 2pm; Oct 24, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Nov 3. Lauren Gunderson’s world premiere explores how Walt Whitman’s words affect the lives of two teenagers.

Rich and Famous Dragon Theatre, 2120 Broadway, Redwood City; www.dragonproductions.net. $15-35. Previews Thu/10, 8pm. Opens Fri/11, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Nov 3. Dragon Theatre performs John Guare’s surreal musical comedy.

strangers, babies Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Previews Oct 15-17, 8pm. Opens Oct 18, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Nov 17. Shotgun Players present Linda McLean’s drama about a woman confronting her past.

Warrior Class Mountain View Center for the Performing Arts, 500 Castro, Mtn View; www.theatreworks.org. $19-73. Previews Wed/9-Fri/11, 8pm. Opens Sat/12, 8pm. Runs Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Nov 3. TheatreWorks performs Kenneth Lin’s incisive political drama.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri/11, 8pm; Sat/12, 8:30pm. Playwright Lynne Kaufman invites you to take a trip with Richard Alpert, aka Ram Dass (Warren David Keith) — one of the bigwigs of the psychedelic revolution and (with his classic book, Be Here Now) contemporary Eastern-looking spirituality — as he recounts times high and low in this thoughtful, funny, and sometimes unexpected biographical rumination on the quest for truth and meaning in a seemingly random life. Directed by Joel Mullennix, the narrative begins with Ram Dass today, in his Hawaiian home and partly paralyzed from a stroke, but Keith (one of the Bay Area’s best stage actors, who is predictably sure and engagingly multilayered in the role) soon shakes off the stiff arm and strained speech and springs to his feet to continue the narrative as the ideal self perhaps only transcendental consciousness and theater allow. Nevertheless, Kaufman’s fun-loving and extroverted Alpert is no saint and no model of perfection, which is the refreshing truth explored in the play. He’s a seeker still, ever imperfect and trying for perfection, or at least the wisdom of acceptance. As the privileged queer child of a wealthy Jewish lawyer and industrialist, Alpert was both insider and outsider from the get-go, and that tension and ambiguity make for an interesting angle on his life, including the complexities of his relationships with a homophobic Leary, for instance, and his conservative but ultimately loving father. Perfection aside, the beauty in the subject and the play is the subtle, shrewd cherishing of what remains unfinished. Note: review from an earlier run of this show. (Avila)

Beautiful: The Carole King Musical Curran Theatre, 445 Geary, SF; www.shnsf.com. $55-210. Tue-Sat, 8pm (also Sat, Wed/9, and Oct 16, 2pm); Sun, 2 and 7:30pm (no evening show Sun/13 or Oct 20). Through Oct 20. Pre-Broadway premiere of the musical about the legendary songwriter.

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed/9-Sat/12, 8pm; Sun/13, 2pm. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Wed/9-Sat/12, 8pm; Sun/13, 2:30. A rural family in slow free-fall finally sees the ground rushing up to meet it in Sam Shepard’s raucous, solemn, and spooky American gothic. The 1978 Pulitzer Prize-winner not only secured a place for Shepard in the upper echelons of American playwrights but helped remake the theatrical landscape when it first premiered, 35 years ago, at the Magic Theatre. The Magic’s current revival tends to show the ways in which the play has aged, however, rather than the ways in which it endures. Loretta Greco’s perfunctory direction inadvertently underscores what has since become formula in the resolutely surreal undercurrent beneath its surface naturalism. Meanwhile her cast —though it includes some normally dependable actors like Patrick Alparone, Rod Gnapp and James Wagner — never comes together as a cohesive ensemble, further distancing us from the still vital dynamism in the text (more of that was captured last year in Boxcar Theatre’s admittedly rocky but overall more persuasive production). Alparone (as long-lost son Vince) and Patrick Kelly Jones (as his belligerent one-legged brother Bradley) manage to infuse some momentary energy, but from the opening lines, delivered offstage by chattering matriarch Halie (Denise Balthrop Cassidy), the tension remains mostly slack, the acting haphazard, and the themes muted. (Avila)

Carrie: The Musical Victoria Theatre, 2961 16th St, SF; www.rayoflighttheatre.com. $25-36. Wed-Sat, 8pm (also Oct 26, 11:30pm; Nov 2, 2pm). Through Nov 2. Just in time to complement the Carrie film remake, Ray of Light Theatre performs the musical adaptation (initially a Broadway flop, then a re-tooled off-Broadway hit) of the Stephen King horror novel.

The Disappearance of Mary Rosemary Phoenix Theatre, 414 Mason, SF; secondwind.8m.com. $15-25. Thu-Sat, 8pm; Sun, 2pm. Through Oct 26. Script-wise, Second Wind Production’s J.M. Barrie adaptation The Disappearance of Mary Rosemary might well be the most unique ghost story of the season. But in contrast to their masterfully suspenseful The Woman in Black (staged in 2009), Disappearance falls to sustain that charged atmosphere of unease that defines the best terror tales. It begins promisingly enough in a purportedly haunted parlor being shown to a young soldier (Ryan Martin) by its taciturn caretaker (Juanita Wyles). After she leaves him alone in the room, lights flicker, his video camera spontaneously begins to play, and a mysterious light emerges from under a locked door, all evidence pointing to either a supernatural event, or to a PTSD-style mental breakdown. Cutting to the same parlor 29 years before, where domestic tranquility prevails, a lot of that initial tension gets lost, and even though the equally unexplainable events which ensue prove to be much bigger in actual scale, they don’t quite manage to scare so much as to puzzle. Of the performances, Gigi Benson’s matter-of-fact matriarch is by far the most nuanced, and her chemistry with her stage husband (Dave Sikula) is far more convincing than that of their daughter and son-in-law (Caroline Elizabeth Doyle and Brian Martin). Finally, a very unexpected twist turns this story of a young woman who never grows old into one who has grown perhaps too fast, uncomfortably invoking V.C. Andrews rather than J.M. Barrie, and not for the better. (Gluckstern)

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Forbidden Fruit Garage, 715 Bryant, SF; www.brownpapertickets.com. $25. Fri-Sat and Mon, 8pm. Through Oct 28. Back Alley Theater and Footloose present the West Coast premiere of Jeff Bedillion’s stylized love story that takes on social and religious conformity.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Wed-Thu, 8pm; Sat, 5pm. Through Oct 26. Geoff Hoyle’s hit solo show, a comedic meditation on aging, returns to the Marsh.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

An Indian Summer Exit Theatre, 156 Eddy, SF; www.wehavemet.org. $20-40. Thu-Sat, 8pm. Through Oct 19. Multi Ethnic Theater performs Charles Johnson’s drama set in the 1980s Deep South.

It’s a Bird … It’s a Plane … It’s Superman Eureka Theatre, 215 Jackson, SF; www.42ndstmoon.org. $25-75. Wed-Thu, 7pm; Fri, 8pm; Sat, 6pm (also Sat/12, 1pm); Sun, 3pm. Through Oct 20. 42nd Street Moon kicks off its 21st season with this 1966 musical homage to the Man of Steel.

The Scion Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-100. Fri, 8pm; Sat, 8:30pm. Through Oct 26. Popular solo performer Brian Copeland (Not a Genuine Black Man, The Waiting Period) performs a workshop production of his latest, “a tale of privilege, murder, and sausage.” The show has its official world premiere Jan. 9, 2014.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

“Shocktoberfest 14: Jack the Ripper” Hypnodrome, 575 10th St, SF; www.thrillpeddlers.com. $25-35. Thu-Sat and Oct 29-30, 8pm. Through Nov 23. Thrillpeddlers presents their 14th annual Grand Guignol show, “a evening of horror, madness, spanking, and song.”

The Taming Thick House, 1695 18th St, SF; www.crowdedfire.org. $10-35. Wed-Sat, 8pm (no show Wed/9). Through Oct 26. Crowded Fire Theater presents the world premiere of Lauren Gunderson’s modern farce.

The Voice: One Man’s Journey into Sex Addiction and Recovery EXIT Theatre, 156 Eddy, SF; www.theexit.org. $15-25. Fri-Sat, 8pm. Through Oct 26. David Kleinberg performs his autobiographical solo show.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-11. Sun, 11am. Through Oct 27. Soapy, kid-friendly antics with Louis Pearl, aka “The Amazing Bubble Man.”

BAY AREA

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed/9, 7:30pm; Thu/10-Sat/12, 8pm (also Sat/12, 2:30pm). Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Vanya and Sonia and Masha and Spike Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $35-89. Tue and Thu-Sat, 8pm (also Sat, 2pm); Wed, 7pm; Sun, 2 and 7pm. Extended through Oct 25. Berkeley Rep performs Christopher Durang’s comedy about a dysfunctional family in rural Pennsylvania.

A Winter’s Tale Bruns Amphitheater, 100 California Shakespeare Theater Way, Orinda; www.calshakes.org. $35-72. Tue-Thu, 7:30pm; Fri-Sat, 8pm (also Oct 19, 2pm); Sun, 4pm. Through Oct 20. Cal Shakes concludes its 2013 season with the Bard’s fairy tale, directed and choreographed by sister team Patricia and Paloma McGregor.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. “Horror Super Scene,” Fri, 8. Through Oct 25. “Improvised Farce,” Sat, 8pm. Through Oct 26.

Bill T. Jones/Arnie Zane Dance Company CounterPULSE, 1310 Mission, SF; www.ybca.org. Wed/9, 8pm. $50. The company performs the world premiere of /Time: Study I. Yerba Buena Center for the Arts, Lam Research Theater, 700 Howard, SF; www.ybca.org. Fri/11-Sat/12, 8pm; Sun/13, 3pm. The company, with SITI Company, presents the West Coast premiere of A Rite.

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/12, Oct 20, and 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

Margaret Cho Nob Hill Masonic Center, 1111 California, SF; www.livenation.com. Sat/12, 8pm. $41.50-74. The acclaimed comedian performs her new show, Mother.

“Comedy Returns to El Rio” El Rio, 3158 Mission, SF; www.brownpapertickets.com. Mon/14, 8pm. $7-20. With Jabari Davis, Eloisa Bravo, Stefani Silverman, Howard Stone, and Lisa Geduldig.

Dance Theatre of San Francisco ODC Theater, 3153 17th St, SF; www.odctheater.org. Fri/11-Sat/12, 8pm; Sun/13, 7pm. $25-27. The new contemporary dance company founded by Annabelle Henry presents “Debut,” with works by Erik Wagner, Sandrine Cassini, and others.

“The Kepler Story” Morrison Planetarium, California Academy of Sciences, 55 Music Concourse Dr, SF; www.calacademy.org. Sun, 6:30pm. Through Oct 27. $15. Cal Academy and Motion Institute team up to produce this “immersive performance work” about astronomer Johannes Kepler.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Mongrels and Objects” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/11-Sat/12, 8pm; Sun/13, 7pm. $20-30. Headmistress — Amara Tabor-Smith and Sherwood Chen — presents solo and duo dance work.

“Mortified” DNA Lounge, 375 11th St, SF; www.getmortified.com. Fri/11, 7:30pm. $21. Also Sat/12, 7:30pm, $20. Uptown, 1928 Telegraph, Oakl. Embarrassing tales told by those who lived them as teenagers.

“MythBusters: Behind the Myths Tour” Orpheum Theatre, 1192 Market, SF; www.shnsf.com. Sat/12, 2 and 8pm. $45-95. Adam Savage and Jamie Hyneman bring their Discovery Channel show to the stage.

Davy Rothbart Jewish Community Center of San Francisco, 3200 California, SF; www.myheartisandidiotbook.com. Thu/10, 8pm. $12. The Found magazine editor and “This American Life” contributor shares his latest finds and reads from his new book, My Heart is an Idiot.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

Smuin Ballet Palace of Fine Arts Theatre, 3301 Lyon, SF; www.smuinballet.org. Thu/10-Sat/12, 8pm. $25-72. Smuin Ballet kicks off its 20th anniversary season with its “Xxtremes” fall program, including Jiri Kylian’s Return to a Strange Land and Amy Seiwert’s Dear Miss Cline.

BAY AREA

Paufve Dance Hillside Swedenborgian Community Church, 1422 Navallier, El Cerrito; www.brownpapertickets.com. Fri/11-Sat/12, 6pm. $15-20. Randee Paufve and company present Soil, a quintet of new and revised solo works.

“The Shout: Life’s True Stories” Grand Lake Coffee House, 440 Grand, Oakl; www.theshoutstorytelling.com. Mon/14, 7:30pm. $5-20. Amazing but true short storytelling. *

 

Art 111

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arts@sfbg.com

NIGHTLIFE In 1993, before SOMA officially became one of San Francisco’s big art districts, 111 Minna Gallery opened for business on a quiet downtown backstreet. Eiming Jung, a young entrepreneurial student of rhetoric, had ambitious plans, “I had an idea for a rather unconventional gallery,” recalls Jung on the eve of 111 Minna’s 20th anniversary, “I wanted to support local artists but I also wanted to create an environment for the broader art community.”

The original gallery space had a bar serving wine and beer and a monthly schedule of exhibitions which attracted curious scenesters. By night, the gallery transformed into a much needed venue for the underground music scene, with raucous parties that fostered some of SF’s biggest talents. It was a crossover concept that breathed new life into San Francisco’s art agenda, perfect for showcasing more “urban” styles like those of soon-to-be-famous spray paint artists Doze Green and Chor Boogie, and members of the Mission School.

The expense of running an art gallery was daunting but Jung was innovative and diversified further, offering the space for one-off events: film screenings, award ceremonies, book signings, product launches, and even weddings.

In 2000, the next-door retail unit became available and Jung took the plunge, tripling the size of the gallery. The new space was renovated to include a fully licensed bar and a luxurious expanse of pristine white walls. Looking in through the gallery’s large shop windows on Second Street, passersby see the high-ceilinged gallery awash with natural light, patrons comfortably viewing the art, having meetings or working on their laptops while enjoying the gallery’s latest offering: Fourbarrel coffee and Josie of the Mill’s scrumptious hot toast.

“We thrive on creativity and work hard to create new possibilities for the space,” says Michelle Delaney, the gallery’s longtime manager, of 111’s latest rep as a laidback idea incubator for the downtown tech and business crowd.

A close collaboration with Last Gasp, the lauded local publishers of graphic art and comics, has been especially rewarding, bringing recognition and exposure to artforms marginalized in more conventional galleries. Legends were made here: During the first dot.com boom, the Wednesday night mixer, Qoöl, was the essential meeting-place for newcomers who networked and partied from happy hour until closing. Pumping underground techno tunes and attracting scrappy art world figures helped save the place from any dot-com tackiness.

The quintessential 111 Minna event is Sketch Tuesdays, a monthly happening since 2006: Artists come and make art in the gallery, finished pieces are pinned to a board and priced affordably from $5 to $30. Passing by tables cluttered with paints, inks, and brushes on a recent evening, one could hear experimental jazz from the turntablist mingle with the sociable clink of glasses and hum of conversation. On the board a little pen and ink study’s price tag read, “Yours for a whiskey on the rocks.” Perfectly cheeky, and epitomizing 111 Minna’s unpretentious ethos.

111 MINNA 20TH ANNIVERSARY SHOW AND PARTY with DJ Toph One and Hyper D Fri/6, 5pm-late, free. 111 Minna, SF. www.111minnagallery.com

 

Get to the show, weirdos

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FALL ARTS There are so many things competing for your precious time: long lines for pricey gourmet coffee, civic responsibilities and volunteer work, actual work, glazed fake cronuts or whatever the kids are into these days. Make live music a priority as well — your days will float by on a pink cloud of fuzzy, hangover-fueled memories.

As we’re lucky enough to live in a region stuffed with musicians and venues that take in touring acts, the options for every week are damn near endless. Here are some shows to take note of this season, one for (nearly) every day of the upcoming months. (Note that dates and locations are subject to change, so always check the venue site.)

>>READ MORE FALL ARTS GUIDES HERE

Plug them in to your Google Calendar. Better yet, stick this list to your wall with chewed-up bubblegum. Either way, impress your friends with superior show knowledge:

Aug. 30 [UPDATE: postponed due to illness] Icona Pop: As silly as it’s always been, bubbly Swedish electro-pop duo Icona Pop is in the running for the arbitrary media-hyped “song of the summer” (or as Slate puts it, the yearly “Summer Song–Industrial Complex”) thanks to party track, “I Love It,” featuring fellow up-and-comer Charli XCX. And, get this, the album from which “Love It” springs, This Is… (Record Company Ten/Big Beat Records), isn’t even out until Sept. 24. Squeeze out the last bits of this very poppy season and hold out for the recorded versions by taking in this live set. Fillmore, SF. www.thefillmore.com

Aug. 31 [Here’s another to make up for that cancellation above] Rin Tin Tiger, French Cassettes Great American Music Hall, SF. www.slimspresents.com

Aug. 31 Sonny and the Sunsets, Shannon and the Clams Chapel, SF. www.thechapelsf.com

Sept. 2 Ty Segall Great American Music Hall, SF. www.slimspresents.com

Sept. 3 Superchunk and Mikal Cronin Fillmore, SF. www.thefillmore.com

Sept. 4 Zomby (live) Public Works, SF. www.publicsf.com.

Sept. 5-6 “UnderCover Presents Bob Dylan’s Highway 61 Revisited:” For this event, the UnderCover Presents collective dives deep into the introspective, folk-rock world of Bob Dylan’s ’65 gem (which gave us “Like a Rolling Stone”) with covers by Carletta Sue Kay, Quinn DeVeaux, Whiskerman, Beth Lisick, and guest music director Karina Denike, among others. Freight & Salvage. www.thefreight.org. Also Sept. 8, Contemporary Jewish Museum. www.cjm.org.

Sept. 6 Mission Creek Oakland: The month-long fall music and arts festival packs a punch with dozens of local bands playing 15 East Bay venues, including the Uptown, the Stork Club, and Children’s Fairyland (!). It kicks off with a free opening party tonight at the Uptown with Naytronix, Clipd Beaks, YNGBMS, and Safeword. Various venues, Oakl. www.mcofest.org.

Sept. 7 Push the Feeling with Exray’s Underground SF, www.undergroundsf.com

Sept. 8 Lil Bub book signing with Nobunny: So Lil Bub is this famous Internet cat and Nobunny is the infamous IRL punky masked Bunny-Man; together they’ll claw through the Rickshaw Stop all day and night. This multipart Burger Bub Mini-Fest includes a Lil Bub book signing and doc film screening, plus live sets by Nobunny, Colleen Green, the Monster Women, and the Shanghais. Paws up, everyone. Rickshaw Stop, SF. www.rickshawstop.com.

Sept. 9 Sex Snobs Elbo Room, SF. www.elbo.com

Sept. 10 Bleeding Rainbow Rickshaw Stop, SF. www.rickshawstop.com.

Sept. 11 Moving Units DNA Lounge, SF. www.dnalounge.com.

Sept. 12 Julie Holter Great American Music Hall, SF. www.slimspresents.com.

Sept. 13 120 minutes presents Death in June Mezzanine, SF. www.mezzaninesf.com.

Sept. 14 Rock the Bells: the annual touring hip-hop fest returns, headlined by Kid Cudi, A$AP Mob. feat. A$AP Rocky, E-40, and Too $hort, Common, and Bone Thugs-N-Harmony on Sept. 14; Wu-Tang Clan, Black Hippy feat. Kendrick Lamar, and Deltron 3000 on Sept. 15. Shoreline Amphitheatre, Mtn View. www.livenation.com.

Sept. 16 Kate Boy Rickshaw Stop, SF. www.rickshawstop.com.

Sept 17 Julie Ruin: Kathleen Hanna returns to her pre-Le Tigre output but beefs it up with a full band including fellow Bikini Kill bandmate Kathi Wilcox and is set to release bouncy feminist dancepop record Run Fast Sept. 3. A few weeks later the Brooklyn band lands in SF. Slim’s, SF. www.slimspresents.com.

Sept. 18 Berkeley Old Time Music Convention Various venues, Berk. www.berkeleyoldtimemusic.org

Sept. 19 Hard Skin 1-2-3-4 Go!, Oakl. 1234gorecords.com.

Sept. 20 Foxygen Independent, SF. www.theindependentsf.com

Sept. 21 Tape Deck Mountain and Battlehooch El Rio, SF. www.elriosf.com.

Sept. 22 “Radio Silence presents: Doe Eye performing Arcade Fire” Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Sept. 24 Wax Tailor Mezzanine. www.mezzaninesf.com.

Sept. 26 Zola Jesus Palace of Fine Arts, SF. www.palaceoffinearts.org.

Sept. 27 Peter Hook and the Light Mezzanine, SF. www.mezzaninesf.com.

Sept. 28 “Station to Station:” This train-travelin’ art and music experiment, organized by artist Doug Aitken, pulls a stop in Oakland with live performances by Dan Deacon, Savages, No Age, Sun Araw and the Congos, Twin Shadow, and more. And the train itself is designed as a moving kinetic light sculpture, so expect a bright show. 16th St. Station, Oakl. www.stationtostation.com.

Sept. 30 Chelsea Wolfe Great American Music Hall, SF. www.slimspresents.com

Oct. 1 Peach Kelli Pop Hemlock Tavern, SF. www.hemlocktavern.com.

Oct. 3Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Oct. 4-6 Hardly Strictly Bluegrass: Bonnie Raitt, Bettye LaVette, Nicki Bluhm & the Gramblers, Devil Makes Three, Chris Isaak, Mark Lanegan, First Aid Kit, Sallie Ford & the Sound Outside. As the free annual fest releases lineup names in glorious song medleys, this is who we know for sure will fill GG Park with folk-country-hardly-strictly-bluegrass notes this year, as of press time. There will be more added in the coming weeks, so check the site. Golden Gate Park, SF. www.hardlystrictlybluegrass.com.

Oct. 5 Har Mar Superstar Bottom of the Hill, SF. www.bottomofthehill.com.

Oct. 7 No Joy Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Oct. 8 Fucked Up Terror Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Oct. 9 Iceage Rickshaw Stop, SF. www.rickshawstop.com.

Oct. 10 Thee Oh Sees Chapel, SF. www.thechapelsf.com

Oct. 11 Extra Action Marching Band Mezzanine, SF. www.mezzaninesf.com

Oct. 12 Marky Ramone with Andrew W.K.: Is this pairing crazy enough that it just might work? While Joey Ramone has sadly passed on to punk rock heaven (lots of leather and skinny jeans), drummer Marky Ramone is carrying on the legacy by enlisting pizza guitar-having party rocker Andrew W.K. as his frontperson. The band known as Marky Ramone’s Blitzkrieg performs classic Ramones songs. Independent, SF. www.theindependentsf.com.

Oct. 13 Legendary Pink Dots DNA Lounge, SF. www.dnalounge.com.

Oct. 14 Langhorne Slim Great American Music Hall, SF. www.slimspresents.com

Oct. 15 Tim Kasher Rickshaw Stop, SF. www.rickshawstop.com.

Oct. 16 Dustin Wong Great American Music Hall, SF. www.slimspresents.com.

Oct. 17 CHVRCHES Fox Theater, Oakl. www.thefoxoakland.com.

Oct. 18 Robert Glasper Experiment SFJazz Center, SF. www.sfjazz.org.

Oct. 19 Treasure Island Music Festival: the forward-thinking two-day fest out on windswept Treasure Island includes Atoms for Peace, Beck, Major Lazer, Little Dragon, Animal Collective, James Blake, Holy Ghost!, Sleigh Bells, and more. Giraffage, and Antwon are the locals on the bill. Treasure Island, SF. www.treasureislandfestival.com.

Oct. 20 Goblin Warfield Theatre, SF. www.thewarfieldtheatre.com.

Oct. 21 Hunx & His Punx Chapel, SF. www.thechapelsf.com.

Oct. 22 Brian Wilson and Jeff Beck Paramount Theater, Oakl. www.paramounttheatre.com.

Oct. 23 Oh Land Independent, SF. www.theindependentsf.com.

Oct. 24 Woodkid Regency Ballroom, SF. www.theregencyballroom.com.

Oct. 25 The Blow Bottom of the Hill. www.bottomofthehill.com.

Oct. 26 Airfield Broadcasts: For this large-scale event, composer Lisa Bielawa will turn Chrissy Field into a giant “musical canvas” in which listeners can interact with broad sounds floating through the area with the help of nearly a thousand professional and student musicians including orchestras, choruses, bands, and experimental new groups. The musicians will begin in the center of the field then slowly move outwards, playing Bielawa’s original score. Chrissy Field, SF. www.airfieldbroadcasts.org.

Oct. 29 The Jazz Coffin Emergency Ensemble El Rio, SF. www.elriosf.com.

Oct. 30 Save Ferris Regency Ballroom, SF. www.theregencyballroom.com.

Oct. 31 Danzig Warfield, SF. www.thewarfieldtheatre.com.

Nov. 1 Janelle Monáe: Futurist soul crooner Janelle Monáe has had a big year, releasing “Q.U.E.E.N.” with Erykah Badu in the spring, and more recently she fired off Miguel duet “PrimeTime.” The last time the pompodoured singer made it to SF she was dancing down the aisles at the SF Symphony’s Spring Gala (earlier this year), but a darkened venue is much more her speed. Think she’ll be wearing black and white? Warfield Theatre, SF. www.thewarfieldtheatre.com.

Nov. 7 Wanda Jackson: The stylish rockabilly queen, and former real life Elvis paramour — and crackling vocalist behind tracks like “Fujiyama Mama” and “Let’s Have a Party” — is still brash and still touring at age 75. And she’s still putting out new tunes too, with her own 2012 LP Unfinished Business, and just before that a collaboration with Jack White on The Party Ain’t Over (2011). Yes, the party continues. Chapel, SF. www.thechapelsf.com.

Nov. 8 Of Montreal Great American Music Hall, SF. www.slimspresents.com.

Nov. 13 Those Darlins Chapel, SF. www.thechapelsf.com.

Nov. 14 Kayhan Kalhor and Ali Bahrami Fard SFJazz Center, SF. www.sfjazz.org.

Nov. 16 Melt Banana Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Nov. 17 Rhys Chatham: This is vastly bigger than your average rock concert. See, avant-punk composer Rhys Chatham will perform the West Coast premiere of his “A Secret Rose” with an orchestra of 100 electric guitars. That’s right, 100-times the shred. The Other Minds-presented hourlong performance will include musicians from Guided By Voices, Akron/Family, Tristeza, and more. Craneway Pavilion, Richmond. www.brownpapertickets.com.

Nov. 18 Misfits Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Nov. 22 Kate Nash Fillmore, SF. www.thefillmore.com.

 

Alerts: August 28 – September 3, 2013

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FRIDAY 30

Pre-Labor Day breakfast Hilton San Francisco, 333 O’Farrell Street, SF. www.sflaborcouncil.org. 8am, $75. Join the San Francisco Labor Council for an annual event, the Pre-Labor Day Breakfast. The keynote speaker will be Assemblyman Tom Ammiano and guests will also hear from Executive Secretary Treasurer of the California Labor Federation, Art Pulaski. Mix around, sip coffee, and get updates on worker campaigns. RSVP to Emily Nelson at emily@sflaborcouncil.org.

 

Summer of Solidarity concert and forum ILWU Local 34, 801 2nd St, SF. www.summerofsolidarity.org. 4:30-10pm, donation. The Summer of Solidarity tour is a 17-day, 13-city nationwide tour of local union activists and community allies aimed at supporting local struggles and connecting them with the broader fight against corporate power. Cosponsored by Laborfest, the event will begin with a forum on labor journalism at 4:30pm, followed by a forum on labor and community struggles at 6pm and a concert at 7:30pm featuring Anne Feeney, Michael O’Brien and others. For more visit www.laborfest.net.

SAT 31

Community forum on transit workers Unitarian Universalists’ Hall, 1924 Cedar, Berk. www.bfuu.org, workweek@kpfa.org. 2-4pm, $5–$10 donation. Join KPFA for a town hall style labor community meeting. The talk will include the voices of transit workers, riders, and researchers about what is happening with our transit systems, and how to solve problems facing workers, communities and the public. Sponsored by KPFA WorkWeek, and the BFUU Social Justice Committee.

 

SUNDAY 1

San Francisco Zinefest 2013 County Fair Building, Golden Gate Park, 1199 9th Ave, SF. sfzinefest.org. 11-5pm, free. This year’s Zinefest convenes over 140 creators of art, comic, and writing zines packed into two exhibition halls, including workshops with local and national zinesters and artists, plus a reading room and library. Off-site poetry readings and post-festival party are open to all. Japan Dolphins Day Fisherman’s Wharf, between Piers 41 and 43, SF. japandolphinsday.net. 11am-2pm, free. Activists will gather to call attention to the slaughter of dolphins in Japan, a cruel practice that was exposed by the award-winning documentary, The Cove. This peaceful gathering will coincide with Japan Dolphins Day, an annual event created by activist Ric O’Barry, who has gathered more than 2 million petitions to put a stop to the dolphin slaughter.

Heads Up: 8 must-see concerts this week

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The Internet never forgets. I realized this yet again today after discovering the complete 1979 BBC documentary, Who Is Poly Styrene, and with the more globally appealing announcement that it looks like JT and the rest of the ‘N Sync gang will perform at MTV’s Video Music Awards, Sunday. Oh and Cher has a new video, which is her first in 12 years! There may be hope for you yet, Gotye (the coffee shop I was at this morning played his hit, which reminded me of his existence.) 

Anyways, this week (and slightly beyond), the Bay Area will host both legendary and up-and-coming must-sees, with the Melvins, Black Sabbath, My Bloody Valentine topping the list, along with Deerhunter and No Age, and newbies the Parmesans, the She’s, and Ovvl. All acts to catch if you have the chance (and you do, see below).

Here are your must-see shows: 

The She’s
“If you walked anywhere in the downtown area during July, you’re probably already familiar with the She’s. The band was featured by the Converse Represent campaign, and its image, pushing a drum kit up one of SF’s trademarked hills, has been boldly splashed around the city. Converse chose well. The She’s embody all the youth, DIY attitude, and vintage pop that San Francisco loves. Their debut album, appropriately titled Then It Starts To Feel Like Summer, retrofits dreamy ’60s pop with a crackling teenage energy (these ladies are still in high school) and they’re finishing up a much-anticipated EP, tentatively titled We’re not Best Coast (But They’re Cool Too). The band, which has credited much of its success to the open and supportive SF music scene, is giving back tonight at Bottom of the Hill, where it’s headlining this Save KUSF Benefit.” — Haley Zaremba
With the Yes Go’s, False Priest
Tue/20, $10, 9pm
Bottom of the Hill
1233 17th St, SF
www.bottomofthehill.com

http://www.youtube.com/watch?v=LoRGt9PjXGA

The Melvins
“And they said a stoner metal cover of Roxy Music’s “In Every Dream Home a Heartache” couldn’t be done. Well, sludge metal veterans the Melvins are here to prove them wrong. The longstanding band is making a voyage to Slim’s to play its 2013 cover album, Everybody Loves Sausages. Get ready for things to get a little weird and campy, as a bunch of middle aged dudes play a diverse selection of tunes throughout the ages. Embarking on their 30th anniversary tour, the Melvins will be playing songs by artists such as freak folk band the Fugs, the dear and departed drag queen Divine (John Waters’ muse), Queen, David Bowie, and the Jam. In short: don’t miss this hit parade.” — Erin Dage
With Honky
Thu/22, 9pm, $22
Slim’s
333 11th St, SF
(415) 255-0333
www.slimspresents.com
http://www.youtube.com/watch?v=z1mi_zvk0yQ

No Age
The newest album from LA noise-punks No Age, An Object, seems almost restrained compared to the bombast of previous records like 2010’s Everything in Between. With An Object, there’s a sense of tense build-up without release, tightly coiled guitar lines over paranoid drumming, and faraway hollers on the Sub Pop record, which comes out Aug. 20. Like much arty post-punk, it makes you feel like you’re holding your breath for the entirety of the tracks, unable to unclench. Relax and settle in: the experiment of An Object is a success, and the album is worthy of passionate intake. Continuing down the experimental route, the duo takes its live show to a more unexpected location this time: the Berkeley Art Museum and Pacific Film Archive. And if you miss this stop, No Age will be back in Oakland Sept. 28 for the Station to Station fest at 16th St. Station.
With Devin Gary and Ross, Sun Foot
Fri/23, 7:30pm (doors at 5pm), $7
Berkeley Art Museum and Pacific Film Archive
2625 Durant, Berk.
www.bampfa.berkeley
http://www.youtube.com/watch?v=ZVb4QyF8fDY

My Bloody Valentine
“This is the reunion for which we dared not hope. Until this year, My Bloody Valentine’s genre-defining masterstroke of the shoegaze movement, 1991’s Loveless, was the last we had heard from the Irish-English band, and as a result, it was canonized as one of those pristine, “perfect” albums, frozen in time and untainted by inferior follow-ups. And then, this past Groundhog Day, the unthinkable happened: after an excruciating, 22-year wait, and countless broken promises, bandleader Kevin Shields casually posted a new record, mbv, on the web, In Rainbows style, surprising his diehard fans with the legendary third album they had been hopelessly fantasizing about only a week before. This Friday, My Bloody Valentine will pay a visit to the Bill Graham Civic Auditorium for their first SF show since the early ’90s.” — Taylor Kaplan
With Beachwood Sparks, Lumerians
Fri/23, 8pm, $45
Bill Graham Civic Auditorium
99 Grove, SF
(415) 624-8900
www.billgrahamcivicauditorium.com
http://www.youtube.com/watch?v=FyYMzEplnfU

The Parmesans
Local countrified indie-folksters the Parmesans released their full-length debut, Wolf Eggs, this week. The record’s full of swoony multipart harmonies, plucky instruments, and a chipper sense of hot-sauced humor. All of that is on fine display in track, “Load Up on Eggs and Bacon,” which begins with a solo voice, “when I wake up/I feel shaken” then layered barbershop quartet-style with additional harmonies, “load up on eggs and bacon,” and the sound of an egg cracking. Add to that the strings of guitars and mandolins and banjos, bellowing trumpet, and a light and tight rhythm section. Then bake on high.. (Savage)
With Before the Brave, Garden Party, Greg Downing
Fri/23, 9pm, $10
Thee Parkside
1600 17th St, SF
www.theeparkside.com
http://www.youtube.com/watch?v=0Srcmhe1ogg

Ovvl
“If you’ve been to a local metal show in recent months, chances are Ovvl was on the bill. If not, there was probably an Ovvl member standing next to you in the crowd. But, hesher, stop now if you’ve been taking ’em for granted. With a new album and tours on the horizon, the four-piece is about to be mighty scarce around these parts.” — Cheryl Eddy
With Crag Dweller
Sat/24, 9pm, $5
Bender’s Bar and Grill
806 S. Van Ness, SF
www.bendersbar.com
http://www.youtube.com/watch?v=V6Up1tS8fOs

Black Sabbath

Before reality television and famous flame-haired wives, even before that bloody bat-biting incident, Ozzy Osbourne was simply a wild-eyed young boy from a hardscrabble town who, together with guitarist Tony Iommi and drummer Bill Ward, formed the world’s first heavy metal group. This year, Black Sabbath released its first new album together in decades, 13, a lumbering return to form produced by Rick Ruben. With it came instantly timeless first single, “God is dead?” an eight-minute metal epic. Beyond all the hype, myth, and druggy tabloid brouhaha, a vital band still stands before us, wicked as it ever was, and willing to crowd-please with old tracks mixed in with the new. According to live reviews of this headlining non-fest tour, the band has been opening with “War Pigs.”
Mon/26, 7:30pm, $40–$149.50
Shoreline Amphitheatre
One Amphitheatre Parkway, Mountain View
www.livenation.com
http://www.youtube.com/watch?v=OhhOU5FUPBE

Deerhunter
“Many who have flirted with musical greatness have also teetered on the fine line between eccentricity and insanity, and Deerhunter frontperson Bradford Cox is no exception. While the Atlanta band’s garage rock albums continue to receive glowing reviews and growing numbers of dedicated fans, Cox’s mental (in)stability has also been featured center stage in the group’s evolution. His charming eccentricities — rambling and semi-incoherent stage banter — are shadowed with more off-putting stunts, as when Cox responded to a fan’s snarky request for “My Sharona” with an hour-long cover of the song in Minneapolis. A Deerhunter show is many things — insane, beautiful, confusing, and frequently very moving — but there is one thing it will never manage to be. Bradford Cox will never be boring.” — Haley Zaremba
With Lonnie Holley, Avey Tare’s Slasher Flicks
Mon/26, 8pm, $21
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.slimspresents.com
http://www.youtube.com/watch?v=G5RzpPrOd-4

Celebrating food (and the food biz) at La Cocina’s Food and Entrepreneurship Conference

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La Cocina — known for its ability to break down cultural barriers through food and for aiding low-income food entrepreneurs in their journey to sustainability — drew many fresh faces to its fourth annual Food and Entrepreneurship Conference Sun/18. The conference wrapped up a busy weekend for the organization, which also hosted the fifth annual San Francisco Street Food Festival Sat/17.

The all-day conference, held at SOMArts Cultural Center, was a mixing bowl of talented women cooks, curious food-business pioneers, new volunteers, and delicious food. Needless to say, the atmosphere was buzzing.

The theme was centered around work, women, and food. Three panels throughout the day featured business owners, food writers, and urban food-access coordinators, who discussed their inspirations for cooking, how to catch a food writer’s attention, and how to provide affordable food to urban landscapes, among other topics.

Carlos Rivera, director of Radio Laser Los Angeles, a family-centered Latino radio station based in Los Angeles, said he came to soak up La Cocina’s mission and hopes to spread it in the LA area.

“We’re discovering what they’re doing here. The most important thing is culture,” he said, adding that the LA area would benefit tremendously from La Cocina’s services. “There is a division of culture. We [Los Angeles] will need three or four La Cocinas. Thousands of people come to these seminars, but only a few catch the idea — culinary culture with fresh, healthy foods.”

The sharing of cultures is one goal that La Cocina and the businesses within it hit dead-on. It’s certainly true of Chiefo Chukwudebe, chef and owner of Chiefo’s Kitchen, with wares available at La Cocina’s Ferry Building kiosk, among other locations.

Chukwudebe spoke at the event about her culinary journey and her inspirations. She specializes in home-cooked Nigerian dishes like grilled suya chicken (“marinated in fresh ginger garlic and roasted peanut sauce and coated with West African peanut pepper spice rub,” according to the Chiefo’s Kitchen website). Another customer favorite is her take on Scotch eggs.

“Not a lot of people know about Nigerian food,” said Chukwudebe, who’s been with La Cocina for three years. “Most of what they know [about Nigeria] is from the news. But the best way to get to know a culture is through food. My goal is to bring the best of West Africa to the Bay Area. I want people to taste Africa, to taste the sunshine. There’s more to food than what’s on the plate.”

She is glad to be a part of La Cocina and said the business brings the issues of food to the forefront, and above all, provides her with a network of fellow cooks and owners.

“Most important to me is the community of women business owners providing support,” she said. “It’s hard work, but I wouldn’t change it.”

The event drew in people who are new to the food business and others who hope to jump in soon, including an Oakland resident who preferred not to give her name for professional reasons. She hopes to quit her job and start a community food space, kitchen, and market place in Oakland later this year, and she’s enjoyed drawing up ambitious plans for her future sustainable food business.

“It’s been fun connecting with people who are excited about making it happen,” she said, noting that she was inspired by the food owner speakers at the event. “People are doing pieces of what I want to do.”

Throughout the day, between panels and during coffee breaks, there was lots of upbeat chatter and excited conversations. Anna Rakoczy, a new business owner and founder of Homemade, an organization that holds weekly healthy cooking meet ups for sustainable weight loss, was especially enthused about the event. La Cocina, she noted, “helps entrepreneurs who are cooking real food with real ingredients.”

To the fit Stanford graduate, helping others become healthy is not just a job. “For me, to actually show people how easy it is to achieve weight loss and a sustainable lifestyle just by eating delicious, healthy, natural, real food … that, for me, is so inspiring and exciting,” said Rakoczy.

Luis Gonzales, a Treasure Island resident who volunteered at the event, aptly captured the spirit of La Cocina, and its small food businesses. “People look for homemade food and the public helps them [small food businesses] survive,” he said. “It’s like a symbiotic relationship.”

Milo grows up

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arts@sfbg.com

MUSIC The Descendents have been around since the early 1980s, writing fast, coffee-driven punk music with lyrics about trashy, tongue-in-cheek rebellion in songs like “My Dad Sucks” and “I’m Not a Loser.” The group has undergone various lineup changes, losing drummer Bill Stevenson to Black Flag for a while, and periodically losing lead singer Milo Aukerman to his pursuit of higher education and biochemistry (which the band named its most popular record after).

Brad Nowell of Sublime and Jason Thirsk of Pennywise died within months of each other in the summer of 1996, right around the time when the Descendents regrouped to record the landmark album Everything Sucks. How is this all connected? These three groups (well, Sublime with Rome now) will play the America’s Cup Pavillion together on Sun/4. The Descendents on-again/off-again frontperson, Dr. Aukerman, spoke with me recently about the upcoming show, his dual-life as a biochemist and band leader, and his influence on rockers who didn’t make it out of the ’90s.

SFBG First of all, happy 50th birthday! Do you think that your famous massive coffee intake has helped your longevity in any way?

Milo Aukerman Probably not. I think coffee can be good for you in moderation; it has antioxidant properties, for example. But like anything else you put into your body, it’s not good to overdo it. I am a caffeine abuser, for sure. But I like it, and it helps me rock out. At least I’m not strung out on something harder.

SFBG So when Milo [went] to College after releasing the record of the same name, you split briefly from the band and got a Ph.D. in biochemistry. Why the decision?

MA Actually, first I left to get my undergraduate degree (1982-1986), played again with the band (1985-1987), and then left for my Ph.D. (1987-1992). I’ve always said I would be a scientist, and that music was just a hobby for me. It’s a very intense hobby, and one that makes me some extra cash, but I never considered music as a career, and I still don’t. My career is in science, as I always wanted.

SFBG How do you decide to divide up your time?

MA In 1996 I was really burned out on science; I didn’t have a permanent position, so it was pretty easy to walk away from for a while. Once I got a permanent position, I couldn’t realistically take a break from science. Now, my decision to stay connected with music has been primarily based on wanting to have that creative outlet. While science is creative in its own way, I find that music keeps me feeling alive and young in ways that science cannot. So now, although I cannot really “walk away” from science, I take little vacations from it whenever the band gets together to play or record.

SFBG Do you have a quiet, “clone” of a “Suburban Home” in Delaware when you’re back to being Dr. Aukerman?

MA I do have a suburban home! The irony is that Tony Lombardo wrote “Suburban Home” as a way to poke fun at himself, because when he wrote it, he already owned a house. Let’s face it, we all grew up and took on more adult responsibilities and possessions, but we still have to look in the mirror and laugh at ourselves. Many of our songs are self-critical, some in a more humorous way than others.

SFBG You’re opening for Sublime with Rome at the America’s Cup Pavillion. They covered your song “Hope” on 40oz. to Freedom, did you ever meet or play with Brad Nowell while he was alive?

MA They also covered “Myage,” “Sour Grapes,” and “I’m Not a Loser” — I only learned after Nowell’s death how much they liked the Descendents. We never played with Sublime, nor did I ever meet Brad. I looked at their Wiki page, which lists their “Years Active” as 1988 to 1996…that’s the exact same time frame as our hiatus before Everything Sucks, so, there you go. But I’m really looking forward to seeing [Sublime with Rome] play; there will always be the naysayers saying “you can’t fill Brad’s shoes,” but if a band’s good, I don’t care about that shit. Eric shreds on bass, Rome has a good voice and I like their new stuff, so it’s all good.

SFBG Do you write songs like “I Like Food” as fast you play them?

MA Those type of songs usually start out in your head as a jumble of lines, and usually induced by too much caffeine. You may repeat them over and over, and say them to your friends for a laugh. So by the time you actually write them on paper, it’s pretty quick to finish them. Bill’s the master at these; he wrote “Weinerschnitzel,” then realizing it wasn’t short enough, wrote “ALL.”

THE DESCENDENTS

With Pennywise, Sublime with Rome

Sun/4, 5:30pm, $39.50

America’s Cup Pavilion

27-29 San Francisco Pier 33

(415) 371-5500

americascup.com/concert-series

 

Warm-ups

0

culture@sfbg.com

COCKTAIL HOUR Yes, the rest of the country is sipping piña coladas and pink lemonade margaritas, while we shiver and pour whiskey into our hot tea. No problem: this is a primo time to ditch the sickly sweet and explore some solid bellywarmers in the cocktail category.

 

IRISH COFFEE AT BUENA VISTA CAFE

Let’s start with this classic — Buena Vista claims that it was invented here, why not, and the Fisherman’s Wharf-adjacent cafe’s gotten a rep for being a tourist magnet. Don’t let that detour you, it’s all super-charming. Served piping hot with coffee, whiskey and topped with whipped cream, the Buena’s Irish Coffee ($8) is pretty perfect for sipping as you imagine knitting little sweaters for the seagulls darting over the frigid bay.

2765 Hyde, SF. www.thebuenavista.com

 

MEXICAN HOT CHOCOLATE AT TRADITION

Coffee not your thing? Pop over to Tradition in the Tenderloin and see if you can handle its version of Mexican Hot Chocolate ($10). Rich in vitamin agave (this drink contains both mezcal and tequila), a few sips of this will thaw you out in no time. It’s usually on radition’s winter menu, but asking for it at the bar is well worth a try: even if they can’t whip one up, the bartenders will steer you in a warm direction.

441 Jones, SF. www.tradbar.com

 

CHAMOMILE TODDY AT BRASSERIE S&P

The easy-to-make hot toddy cocktail is a staple during cold weather. But the lovely Brasserie S&P in the Mandarin Oriental kicks it up a notch on the serenity scale by replacing the traditional bourbon with gin — and adding a pour of chamomile tea ($12). All that’s missing is the purr of a cat and a good hardcover book.

222 Sansome, SF. www.mandarinoriental.com

 

MANHATTAN SHAKE AT THE CORNER STORE

There’s nothing like a milkshake on a warm day, but yeah, about that…. This thick, rich Manhattan Shake ($10) is a nice compromise with SF weather. A cold concoction with the kick of a well-made Manhattan, the Corner Store’s treat will booze you up to the point that you’ll forget you’re drinking it in the fog.

5 masonic, SF. www.thecornerstore-sf.com

 

WHATAMELON AT ELIXIR

When the clouds part and we are blessed with hot day, Elixir has the perfect summer, fruit-filled cocktail menu. I originally visited in search of another warm drink for this list, but was instantly swayed by the bartender’s suggestion: a Whatamelon ($11). A tequila drink with watermelon juice, elderflower liqueur, agave nectar, and mint, it was light, tasty, and refreshing. Perfect for summer, even if just the summer in your mind.

3200 16th St., SF. www.elixirsf.com

 

Labors of love

0

arts@sfbg.com

THEATER A white passenger van pulls to the curb in a Santa Rosa neighborhood, discharging a group of Latino men and women at the door of a converted warehouse. The visitors vary by age, class, and education. All hail from Mexico or Central America, but more recently Los Angeles, where they’re among the city’s thousands of jornaleros, or day laborers, making their way job by job, often without secure documentation or security of any kind.

Standing beside the warehouse on this quiet street, they could be mistaken for an ad hoc work crew. But the warehouse is a theater, and this sunny afternoon in June is the culmination of a precious week off. Not that these men and women aren’t here in Santa Rosa to work — just this time, it’s on a play.

Brent Lindsay and Amy Pinto, artistic directors of the Imaginists, greet the visitors as they collect outside the theater and saunter in, joining other members and friends of the Santa Rosa company. It’s the final day of a weeklong artistic exchange between the Imaginists and Teatro Jornalero Sin Fronteras (Day Laborer Theater Without Borders), a Los Angeles–based Spanish-language ensemble theater created by and for the immigrant day laborer population. The ten-member troupe, founded in 2008 under the umbrella of LA’s Cornerstone Theater and led by co–artistic directors Juan José Mangandi and Lorena Moran, has created 15 short plays that they perform mostly at day laborer centers across Los Angeles — although last year saw TJSF tour both Northern California and El Salvador. The plays examine everything from the legal and human rights of immigrant workers to the transnational cultures migrant workers share and foster.

After a light breakfast of coffee and pan dulce, the two companies gather in a circle for warm up exercises led by both Lindsay and Moran. Then they all get back to work on a playlet they’ve been developing from improvisations. It begins with two workers who alternately pay off and slip by a snoozing guard (played by Imaginists company member Eliot Fintushel) to dump toxic waste into a nearby stream. When this causes an environmental disaster, a government spokesperson (Pinto) assures people in the audience that their organic produce is safe. Meanwhile, a cleanup crew of migrant workers is slowly poisoned to death. A news team rushes to the scene of the eco-disaster, but seems to take no notice of the brown bodies sprawled over it. Left alone onstage, the workers rise as ghosts — beginning with one who sings, “They’re carrying me off to the cemetery. Don’t anyone cry for me. Just sing my favorite song…” — and one by one exit the stage.

Throughout, Lindsay directs from a chair audience-side, giving advice or suggestions. All, however, are welcome to chime in with comments and do. An elderly woman named Adela Palacios, for instance, suggests that before departing the stage each ghost can simply state their name and what they did for a living, a suggestion readily embraced by all. Soon the form of the scene has a solid arc, and a tone that makes a virtue of the mix of amateur and professional actors. Combining slapstick, winking asides, an eerie sense of tragedy, and a moving use of direct address, it’s a surprisingly affecting bit of work.

“We come to the theater as older people,” explains Moran. “But we feel we’ve found a company [in the Imaginists] like us. We share the same path.” A native of Guatemala who worked in business administration before fleeing domestic abuse and the country, Moran (translated by Gustavo Servin of the Imaginists) speaks eloquently about the company she joined five years ago amid a dangerous working life both foreign and alienating to her. She acknowledges frankly, “Theater saved my life.”

TJSF is currently developing its first full-length play, Caminos al Paraíso (Paths to Paradise), written by Mangandi and directed by Moran. This exchange in Santa Rosa, made possible by a grant from the Network of Ensemble Theaters, has offered TJSF members the opportunity to learn important technical aspects of crafting a full evening’s production from their more experienced colleagues. At the same time, it’s offered the Imaginists, which has grown into a bilingual company since rooting itself in Santa Rosa, a chance to advance its own mission through contact with a deeply community-driven Latino theater. But neither motive really captures the personal ties and mutual respect that have been forming here, the subtle and profound reciprocity of influence, and the solidarity emerging from it all.

“TJSF is a brave, important theater company that is telling stories that we don’t usually hear,” reflected Pinto by email. “Coming together for a week, we were able to strengthen our own resolve to tell these stories, not to be afraid of being deemed ‘political.’ For the Latino members of the Imaginists, the exchange was a catalyst to be empowered by their histories and stories. This exchange reinforced how necessary it is to have comrades, to share experiences and methods, to have a network of support throughout the country for this work.”

The Imaginists plan to travel to Los Angeles for another face-to-face meeting with TJSF over next steps. Together they hope to develop something that can tour to labor centers across the country.

In the meantime, inspired by the exchange, the Imaginists are concocting a new play, based on a famous children’s story, which will address the plight of undocumented people. Working title: REAL. *

For an extended version of this story, visit www.sfbg.com/pixel_vision.

 

Lia Rose lets go on new album ‘Bricks and Bones’

6

Bay Area country-folk artist Lia Rose is a ball of sunshine both on stage and off. But if you listened to her songs, you’d know it’s not because life’s been easy, it’s just that she’s chosen to face its struggles head on, chin up.

Rose played the Great American Music Hall with Blame Sally in early May and performed on NPR’s West Coast Live in April, where she met author Ruth Ozeki, with whom she’s currently collaborating on a song. Her second full-length solo album Bricks and Bones will be released this Sat/20, the night of her record-release party at the Chapel in San Francisco. In short, the bubbly, talented musician is doing quite well.

After listening to an early preview of Bricks and Bones, I noticed quite a few differences from her first two albums When You Need Me Most (self-released, 2011) and Conspire (self-released, 2012). Most obvious of these changes is an overall sunnier sound. Though there are darker toned tracks, like “Mary Edith Barnes” and “Jesse Got Trapped in a Coal Mine,” Rose has emerged more self-informed and in control than ever before, and paradoxically, it was when she let go and let others in to her process.

When the graceful singer walked into Haus Coffee, a café in the Mission on 24th Street, to meet me with a broad smile, I wanted to hear from her firsthand how these differences came about.

She’s certainly changed things around both with the new album and in her live performances.

“I don’t want every show to be the same,” Rose told me in between bites of a veggie galette and sips of green tea. “I tend to just keep my options open and play with quite a lot of folks. I like to adapt the show to the particular audience.”

This album has been a big opportunity for her to not only evolve as an artist, but also to collaborate – something that wasn’t so simple for her in the past.

On Bricks and Bones, though, Gawain Mathews assisted Rose with recording, and contributed acoustic guitar, piano, and bass lines, Charlie Wilson and John Kirchner with engineering, Michael Fecskes on cello, and Kelly McFarling with harmonies. And Rose couldn’t be happier with her decision to broaden her horizon.

“I started to do a lot of coproducing and co-writing, and that has been awesome because I think it becomes way better than anything I could have done on my own. And that’s the case for sure on this album because I got to work with Gawain Mathews.” 

For the artist whose first musical memory is of jumping on the bed at the age of 3, screaming Billy Joel’s “The Longest Time” at the top of her lungs, music has long been an integral part of life. This is why it took her a while to work up the courage to let others in on her creative process.

“It takes a lot of trust – a lot of letting go of what you think it’s supposed to be.”

Rose has tried being the only captain on the ship before, and it’s turned out alright, according to her. But that wasn’t what she was looking for this time around.

“If I stayed control freak on the whole project, which I’ve done in the past – which I can do – it’ll turn out fine. But it won’t be the magic. The magic comes, I think, when you can let go of that control and surround yourself with folks who you love the paint that they throw. And letting go and letting it be something that maybe doesn’t sound right to you right away.”

To me, Bricks and Bones sounded great upon first listen, but even better upon second. Filled with lively, acoustic-heavy twang and stomp, and spitting lyrics – that prove there may just be some fire in this graceful being after all.

“I’m like a loaded mousetrap or a hairpin trigger/I will bite, I will scratch/There’s no tellin’ what I’ll do/It’s a bad state I’m in,” sings Rose in “Trainwreck Tuesday,” letting us know there’s more to her than the soft, gentle side you’ll likely see if you meet her.

Rose seems to have come even more into her own on these tracks, singing of facing down her fears (“Snake in the Water”) and simple straightforward romance (“Secret Stories”).

It’s true, this album is a natural evolution for Rose, but there is one constant – the quality. Her vocals have never been so pure and the dreamy melodies are still present on Bricks and Bones.

Though her album’s title implies a solid, unmoving structure, Rose’s sound is anything but rigid.

“I feel like you’ve got to be able to bend, otherwise you’ll break,” she said.

This is the way the album plays out – it’s quite flexible.

It moves through the angry steam of “Trainwreck Tuesday,” to a cover of “Jesse Got Trapped in a Coal Mine,” a haunting folk tune written by Avi Vinocur of band Goodnight, Texas about a man who met death before his wedding.

You can hear the progression for yourself on Bricks and Bones and even celebrate with her at her live show at the Chapel on July 20. Listen to the angelic vocals of Lia Rose, get lost in her rich acoustic melodies. But don’t expect it to be all lollipops and rainbows. She will bite.

Lia Rose
With We Became Owls, Annie Lynch, Michaela Anne
Sat/20, 9pm, $15
777 Valencia, SF
(415) 551-5157
www.thechapelsf.com

Labors of love

0

Los Angeles’s Teatro Jornalero Sin Fronteras makes common cause with Santa Rosa’s the Imaginists

(Note: what follows is an extended version of a story and interview that appears in this week’s Guardian.)

A white passenger van pulls to the curb in a largely residential Spanish-speaking neighborhood in Santa Rosa, discharging a group of Latino men and women at the door of a converted warehouse. The visitors vary by age, class, and education. All hail from Mexico or Central America, but more recently Los Angeles, where they’re among the cities thousands of jornaleros, or day laborers, making their way job by job, often without secure documentation, or much security of any kind.
Standing beside the warehouse on this quiet street, they could be mistaken for an ad hoc work crew. But the warehouse is a theater, and this sunny afternoon in June is the culmination of a precious week off. Not that these men and women aren’t here in Santa Rosa to work — just this time it’s on a play.

Brent Lindsay and Amy Pinto, founders and artistic directors of the Imaginists, greet the visitors warmly as they collect outside the theater and slowly saunter in, joining other members and friends of the Santa Rosa company inside its spacious single room, together with their small children. The two groups have known each other barely a week, but already seem more than colleagues — more like extended family.

It’s the final day of a weeklong artistic exchange between the Imaginists and Teatro Jornalero Sin Fronteras (Day Laborer Theater without Borders), a Los Angeles–based Spanish-language ensemble theater created by and for the immigrant day laborer population. The ten-member troupe, founded in 2008 under the umbrella of LA’s Cornerstone Theater and led by co-artistic directors Juan José Mangandi and Lorena Moran, has so far created 15 short plays that they perform mostly at day laborer centers across Los Angeles — although this last year saw TJSF tour both Northern California and El Salvador. The plays examine everything from the legal and human rights of immigrant workers to health issues to the transnational cultures migrant workers share and foster.

After some socializing over a light breakfast of coffee and pan dulce, the two companies gather in a circle for some warm up exercises led by both Lindsay and Moran. One particular challenging memory game provokes mild frustration and laughter. “This is why we do this exercise,” explains Moran to her actors, all amateurs and volunteers united by the unique opportunities their theater has offered them. “We need to connect to another person and remember details about them.”

Then they all get back to work on a playlet they’ve been developing from improvisations. It begins with two workers who alternately pay off and slip by a snoozing guard (played by Imaginists company member Eliot Fintushel) to dump toxic waste into a nearby stream. When this causes an environmental disaster, a government spokesperson (played by Pinto) assures people in the audience that their organic produce is safe. Meanwhile, a cleanup crew of migrant workers is slowly poisoned to death. A news team rushes to the scene of the eco-disaster, but seems to take no notice of the brown bodies sprawled over it. Left alone onstage, the workers rise as ghosts — beginning with one who sings, “They’re carrying me off to the cemetery. Don’t anyone cry for me. Just sing my favorite song…” — and one by one exit the stage.

Throughout, Lindsay directs from a chair audience-side, giving advice or suggestions at various points. All, however, are welcome to chime in with comments and do. An elderly woman named Adela Palacios, for instance, suggests that before departing the stage each ghost can simply state their name and what they did for a living, a suggestion readily embraced by all. Soon the form of the scene has a solid arc, and the action gains many subtleties, as well as a tone that makes a virtue of the mix of amateur and professional actors. Combining slapstick, winking asides, an eerie sense of tragedy, and a moving use of direct address, it’s a surprisingly affecting bit of work.

“We come to the theater as older people,” explains Moran. “But we feel we’ve found a company [in the Imaginists] like us. We share the same path.” A native of Guatemala who worked in business administration before fleeing domestic abuse and the country, Moran (translated by Gustavo Servin, a young member of the Imaginists) speaks eloquently about the company she joined five years ago amid a dangerous working life that was both foreign and alienating to her. She acknowledges frankly, “Theater saved my life.”

TJSF is currently developing its first full-length play, Caminos al Paraíso (Paths to Paradise), written by Mangandi and directed by Moran. This exchange in Santa Rosa, made possible by a grant from the Network of Ensemble Theaters, has offered TJSF the opportunity to learn important technical aspects of crafting a full evening’s production from their more experienced colleagues. At the same time, it’s offered the Imaginists, which has grown into a bilingual company since rooting itself in Santa Rosa, a chance to advance their own mission through contact with a deeply community-driven Latino theater. But neither motive really captures the personal ties and mutual respect that have been forming here, the subtle and profound reciprocity of influence, and the solidarity emerging from it all.

“TJSF is a brave, important theater company that is telling stories that we don’t usually hear,” reflected Amy Pinto recently by email. “They tell them with humor, with heartache, in a group, in Spanish. Coming together for a week, we were able to strengthen our own resolve to tell these stories, not to be afraid of being deemed ‘political.’ For the Latino members of the Imaginists, the exchange was a catalyst to take ownership and be empowered by their histories and stories. This exchange reinforced how necessary it is to have comrades, to share experiences and methods, to have a network of support throughout the country for this work.”

The Imaginists plan to travel to Los Angeles for another face-to-face meeting with TJSF over next steps. Together they hope to develop something that can tour to labor centers across the country.

In the meantime, inspired by the exchange, the Imaginists are concocting a new play, based on a famous children’s story, which will address the plight of undocumented people. Working title: REAL.

“For Teatro Jornalero there is no division,” notes Pinto. “They are telling the stories of their lives. They are humanizing a ‘political’ situation. We have to let that sit in us, that uncomfortability — can we turn our politics off and on? No. Everything in art is a choice.”

She adds that the encounter held surprises for them too. “To have an encounter where all your expectations are turned upside down,” she marvels, “theater can do that. We are changed. There was so much laughter the entire week. And a fare share of tears.”

Voices from Teatro Jornalero Sin Fronteras

The following excerpts are from conversations that took place on Saturday, June 22, at the warehouse theater of the Imaginists in Santa Rosa. Members of the Imaginists and Teatro Jornalero Sin Fronteras had just completed their rehearsal, ahead of a public performance that evening, and were seated in a semi-circle to answer a few questions about their collaboration. Translation was provided by Julie Kaiser.

SF Bay Guardian Can I ask a general question of the members of Teatro Jornalero? Anyone who would like to answer please do. What brought you to the company, and why did you join? What does being in the company offer you?

Teatro Jornalero Sin Fronteras My name is Alberto Scareño. I found out about this when some of my friends told me about it. It was really interesting, so I called them up to see if there was a spot for me. They said, sure, come that day. And I went in. I’ve never been an actor. We started with exercises. It was really interesting and relaxing. Sometimes I have a lot of stress, or I’m just mad, and to come to this place that relaxes me — it relieves my stress, and time flies. Now what I hope for is to work with even more verve and learn more about the theater.

SFBG What kind of work do you do to make a living?

TJSF Every morning I go out and look for work at a corner in central Los Angeles. I’m a day laborer.

SFBG And you still find energy after a long day’s work for theater?

TJSF The deal is, I don’t get work everyday. So if I don’t work one day, then I have energy to go. When I work, I’m tired, but I get there, and I get my friends, and we do the exercises and I relax. And it’s fascinating.

SFBG Anyone else?

TJSF My name is Xico [pronounced “Chico”] Salvador Paredes. I was on a workers’ corner in California — I’d joined a battle to have a [day laborer] center made — and the first person that [I met] was Juan José. He had participated in theater as an actor, and he was starting to work on his play about illegals. Then he invited me and Lorena [Paredes is married to artistic director Lorena Moran], and other guys, to work in theater. At first I didn’t like it, because I’m a worker: I just get work, get work, get work — I’m not interested in anything else. I send money [home]. That was my only vision, to have a day of work.

But after I came in, I realized, it’s a weapon for communication and understanding, a means of connecting with other people. We started to create pieces out of our own experience, and to recreate our experience. It serves to take out of us what’s inside of us, and to let us know that we’re not alone. The best part of being in this theater is that we’re getting together with people who don’t know what a day laborer is. A day laborer stands on a corner. In the morning he’s cold. He doesn’t have anything to eat. He doesn’t have the security he’s going to actually get work. People walk by and say, “Oh what a lazy guy,” or they pass by as if you’re just a tree, because you’re just standing there all the time. Nobody understands what you’re doing standing there. But a day laborer has huge hope. And he doesn’t know if he’s going to get work. And that’s us.

With the theater, we’ve told many people about what a day laborer is, and shared with those who don’t know anything about their rights. Now we can say, “This is what it is.” It’s really difficult. I just got into a situation where I’ve gotten into the deportation process. I’m in the struggle, but I also have to go to court. I have to do lots of things. And I might get deported. I came here not just to work; I came here to tell my story. And my story’s big. No bigger than anybody else’s. But it’s very positive for people to hear: Here we are.

TJSF I’m Mario Rivera, and I’m very happy to be here sharing with you all. I’m also, like my friends here, a day laborer and I work in central Los Angeles. I came into the theater because I was invited by Lorena. What I like is learning from my compañeros. I had nerves when people looked at me, and I lost that. I lost that fear, and I really like being here. I’d like to learn more from everybody. And I like the play that we’re doing here [with the Imaginists]. This all suits me. I like all of this.

TJSF I’m Adela Palacios. And I’m not very good for talking. The reason why I’m in the theater is because I don’t have work. I studied nursing. Two times I graduated in nursing. I am a nurse. But I had an accident. Now I can’t find work. In this country there’s a lot of discrimination about age. I looked for work for two years. The only opportunity I’ve found, that opened doors for me without discrimination, was this theater. We are volunteers. We don’t have work. They help us. Sometimes they give us food. I am very grateful to this great person, Lorena. And I’m very grateful to Cornerstone Theater. We have some understanding there. We are not heard as we should be [in society], but they do a little, what they can. They give us a little bit of a normal life. My stress is better than it was. And they’ve done everything possible. They do what they can. They can’t do more. I’m really grateful. You have to accept what there is and not ask for much.

TJSF I’m Heidi Guevara. My problem is I have a fear of being in front of people. But now it’s gone. I didn’t think I’d ever do something like this, because I’m really embarrassed easily. Now I have the courage to be in front of people. Lorena gives us exercises. And they help you to use your voice and express yourself, to overcome your shame. It’s a little complicated, but I’m learning more little by little. And here we go! I’ve been with them one year — you have to keep learning and learning. You know this. You have to keep going and learning. Little by little, but I’m going. Thank you, Lorena.

TJSF My name is Raul Salinas. I’m from northern Mexico. Chihuahua. I have six kids. I’ve been ten years here. Now I’m in the Centro Jornalero for work. I don’t have full-time work. I’ve been with the theater three months. How did I get here? I don’t know. It was just chance. One day Lorena came to the work center. She came to do casting for a play that they’re doing called Ways to Paradise. I wasn’t going to do it. No. But there was another person who wanted to go and I helped him with directions to the place where they were doing the casting. And then I got involved. Now I’m involved with Ways to Paradise, about the problems facing migrant workers, explaining who we are, what we’re doing: Yeah, we’re undocumented, we’re from Central America, Mexico … I started thinking about the work, and I really like it. So I stayed. That’s it. There’s not much more to tell.

SFBG I’d like to ask Lorena: How did you become involved in the theater, and how has your relationship with it evolved over the years?

Lorena Moran I would like to tell you the story of Teatro Jornalero, how the project got created. In 2006, Michael John Garcés, the director of Cornerstone Theater, wrote a play called The Illegals. He went and did castings at all the day laborer centers. [Co–artistic director] Juan José [Mangandi] came out of that. He participated in the work, along with other workers from day laborer centers at the national level. And they were invited to a national congress of day laborers. One day they were bored, just hanging out. And Juan José said, “You know what? I have the script of The Illegals. Why don’t we just do a little piece of it and present it to the congress?” It was a marvelous idea.

We have lots of ideas that are marvelous. We need a reason to do it and we also need people to help us. Nothing is possible without that. This was a great idea of Juan José. And we got a lot of help from Michael Garcés and Cornerstone Theater. Roberta Uno of the Ford Foundation gave us our first grant, a big grant of several thousand dollars for two years. And right now, we’re working on a small grant of $25,000 for two years. It’s not much — it’s a big deal to maintain 21 people on $25,000. But it would not have been possible at all if we didn’t have these workers — gardeners, housekeepers, bouncers, day laborers, nurses — they all have stories and voices. And they can educate others, and educate themselves about the rules of this country, the laws, their status as undocumented people.

In 2008, I was invited to participate in a casting for the first company of Teatro Jornalero Sin Fronteras. We were 12 members, two directors. Ethan Sawyer, an American graduate of Northwestern, helped train Juan José, who didn’t know anything about the technical part of theater but had a big spirit for it. They helped us, and the other 12 members of the company.

And that’s how my story starts. I’d had just a year here. I’m from Guatemala. I suffered domestic violence; that’s something I don’t want to remember. They even have my three kids; they’re still there now. But I’m here. And I’m growing a better life. And my dream is that when I’m a citizen I can bring my kids here. But nevertheless, I’ve had five years in this country, and the theater saved my life. And if I’m well, I want my friends to be well, in spite of the traumas, the economic problems. I was this close to getting deported once. I was this close to getting deported once. I was working on a corner with my husband, Xico. I was working gardening, in construction, cleaning houses. I spent five months making six houses. Twelve men, one woman. I was the only woman building houses.

All that showed me the world of day laborers from the roots up. We’d get up at 5:00 in the morning and be standing next to Home Depot. And somebody would drive up and say, “I need somebody,” and we’d run. It was like trying to play the raffle. In my country I’m actually a business administrator. I have a university degree. It’s a totally different life. And there I am, standing on the day laborer corner. I’ve had to clean bathrooms, deal with sexual harassment, I’ve had to clean, and change floors out, and paint — it was a completely different thing for my life. And I realized this is the moment to find a sense of what it’s like to be a migrant. Separated from our families, from our countries; we’re not raking in money, we just want to live with dignity.

So we did a casting. We had some administrative help from Michael John Garcés. And I was named the managing director. It was a whole process. It didn’t happen immediately. But from the beginning I was a part of this group. There’s a moment when you’re present, and there’s a moment when you leave. I don’t know when I’ll leave. But I want people to love this group. We have a voice, and we have a story. We ourselves are part of this story, and we’re writing it.

For today, I’m grateful for my life, and I share with Brent and Amy and their group. I haven’t stop writing, because each day I want to get down every word that drops out of their mouths. For me, it’s part of my learning. That’s what this exchange is all about. We’re training in technical ways with a group that has a lot of similarity with us. They’re helping our community of day laborers and house cleaners. We’re talking. Not in the same idiom, but the same language. And I’m very grateful.

SFGB Can you say a little more about what it’s been like to work with the Imaginists?

LM This is a dream. It’s a dream. To think it all started those years again with Juan José and Sergio in Washington, DC. Juan José Mangandi, the other artistic director, he dreams all the time. He thinks of all these big ideas. For four years we’ve been looking for funds to do this. And we found a grant. And here we are. And we’re dreaming of a second one. We don’t know when or how, but we have a dream, we’re going to keep going, we want to build a network of theaters nationally in the same line as [Teatro Jornalero]. But even so, we have to talk more. This coming together now is a first pass.

We’re just dreaming — some groups in a bus, in a van, connecting with each other from different cities. We’re empowering our voice as immigrants with respect to the larger population of whites, African American, and other groups. This is the story that we have. We’re trying to remove the barriers to our opportunities. It’s huge that we came together.

SFBG What about for the Imaginists?

Amy Pinto For us, the kind of work we’re doing — in bringing Spanish and English together, the issues of the day laborers, and bringing people who are day laborers and professionals together to perform — sometimes the community doesn’t understand, and we’re not always supported. So you [Teatro Jornalero] coming here gives us strength. You teach us how to be strong and to come together to make this kind of work. I think for [Imaginists company members] Zahira [Diaz], and Sergio [Zavala], and Marcela [Mejia], and Gustavo [Servin], who is young, meeting all of you — they see the road then; and it can empower them to take more leadership.

Brent Lindsay It reminds us of why we do theater.

LM I have one question for Amy and Brent. How did it come about that two white people decided to come so close to our community, and do such magic things and help empower us? There’s migrants and Latinos — how did two white people decide to tell our stories, to live our stories?

BL There was a gentleman in the video that you showed. Close to the end, he said, I want to be proud of what I do in life. Like you, Lorena, theater saved me. And it became my religion because it saved me. My investment in theater now is the investment of human beings, what theater can give to others. Because what it did for us, that gift — now we should become its messenger. We have to invite every person into this art form. For the reasons that you’re finding: It heals us. It’s too easy to let fear divide us. We have to worker harder, to overcome fear and come together. Because so much of that fear is based on nothing. It’s nonsense. And the best way we learn that is to do what we’re doing now.

A conversation with co–artistic director Juan José Magandi [translation by Marcela Mejia]

SFBG Can you tell me about Caminos al Paraíso and your part in the production?

Juan José Mangandi As the dramaturg, I try to put the stories together in a cohesive way, drawing from the experience of the actors and my own — as a day laborer, as a community organizer, as an undocumented person. There was a lot of pressure of impose specific themes or stories, but in the end I put in what I felt was the most appropriate for the story as a whole. I was tempted to tell my own personal story, but I tried to tell the story of our community. it’s the first full-length play of Teatro Jornalero since I’ve been working with them, seven years now.

SFBG What was the starting point for this new project?

JJM I’ve worked for many years on behalf of day laborers, and have heard many stories, experiences, tragedies, dreams, songs. So Caminos al Paraíso is the story of the breakdown of connection, of what it feels like for people to lose their home, their town, their country. For example, Chronic Stress Disorder is something that affects many immigrants. Every time you cross a border, and then another, the syndrome grows worse. You don’t get rid of it. It manifests in the way you behave — in anxiety, fear, even the change in the diet has an effect, in addition to the intrinsic dangers that a journey like that implies.

So we speak about these things, so people know what happens when one cross the border, including the abuses on the Mexican side of the border. Everybody talks about the US and the racism and the discrimination of an imperialistic government, but what happens when our own people are the ones that are doing the discriminating? So the governments from Mexico and Central American countries say they want to protect the rights of our emigrants and yet they are often the first ones to commit abuses. So it’s a critique of the economic, political, and social conditions. It’s an industry, an industry of immigrants, not only here but there as well, where for the ones that benefit — the government, the traffickers, the narcos, everybody — it’s a business, it creates a lot of employment for people.

So there are a lot of tragic events that immigrants experience before they arrive in the US. And then what happens when we arrive in “paradise”? That will be the second half, and that’s a totally different story. We start to mix with other races, and we start to change. I mentioned already the diet, but also the culture, the values, the sense of belonging to a community, not necessarily a country. And chronic health problems can ensue. Many become bipolar or diabetic, suffer from high cholesterol, high blood pressure. It’s like the body is not prepared for all of this processed food. It’s a big shock physically, in addition to all the other aspects impacting the humanity of the immigrant.

We are escaping because we are old, victims of the corruption, the lack of opportunities. But we come here and there are no jobs really, and we don’t have a social identity — just the paper itself makes such a difference. It’s like being invisible. Besides doing dangerous work, we are also breaking with our cultures, with our identities, who we were and where we came from. Some people get really uptight about clinging to their past identities. It can become a big obstacle to making bridges to connection with each other, to understand each other.

SFBG Do you see the theater you’re making as a means of helping forge a new culture, bridging those divides?

JJM I think that the theater is a weapon of social struggle and transformation—not only for the people that are out in the audience but also for the actors themselves. The government teaches us about political borders, and then the poverty and the ignorance help us create another border, another barrier. We want to be different, we want to be better than the other, we want to separate form each other—a Salvadoran has to be better than a Mexican, a Mexican has to be better than a Guatemalan, and so on. For me, in my experience, the great problem is, and my big question is: Why can’t we integrate? This is what Teatro Jornalero is searching and striving for, to break these separations. We’ve had people from Cuba, Mexico, Salvador, Guatemala… Sometimes it gets heavy between the actors. There’s an inner racism. All of these themes that hurt so much, that we don’t want to talk about, are in Caminos al Paraíso. But then there is also a message for the community. That we should get ready to integrate. That we like this country. That we have adopted it as our own. Now we want them to adopt us as well, as members, and let us taste the good of this country so we can practice compassion for the ones that come after us.