SFBG Blogs

Saint Gravy

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There is a certain faction of society — I think it’s pretty large, if you judge by NorCal standards — that regards Wavy Gravy as some sort of mystical deity from their parents’ generation. We’re not sure what he did, but you should probably address him as Mr. Gravy ’til he tells you not to.

This is a perception that is left unquibbled-with by director Michelle Esrick’s ten year labor of docu-love, Saint Misbehavin’: The Wavy Gravy Movie (opening Fri/3 in Bay Area theaters), and further untouched by my interview with Esrick and the man himself.

Saint Misbehavin’ opening scenes are an iteration of a tie-died holy man’s daily routine. We start out in Wavy’s corner bedroom, awash in sitting Buddha figurines, plastic Disney toys, beads, books, and other sacred objects. Wavy enters, and says a pray and a brief recitation of his heroes. 

This spoken list serves as a blueprint for the bio-pic to come: Jesus, Mohammed, Ghandi, MLK Jr., Jerry Garcia are among those name-dropped. They serve as a background compass for the movie’s neatly plotted trajectory of Wavy’s life: Gravy is born in New York, goes from folk-beatnik Greenwich Village, to acid be-ins with Kesey in California, to the Further Bus.

And then: a stint with the Hopi tribe, and later, off to the East: to Nepal to heal blindness (with the aide of his international medical non-profit Seva). Of course, his creation of Camp Winnarainbow, a summer camp that has been teaching West Coast flower children how to play for three generations now. Today, Wavy is an elder statesman of hippies and their descendents as well as a frozen dessert. His sold-out birthday spectaculars attract crowds like a Phish concert. 

A more recognizable Gravy. Photo Courtesy of Ripple Effect Films

But for our movie-viewing purposes those names at the start also essential because we don’t get to hear a whole lot about Wavy’s inner monolouge in the flick – he’s onstage here, clowning away as he does, well everywhere, not really dishing per se. Saint Misbehavin’ is no E! True Hollywood Story

So when I got the chance to sit face to face with the man (I wore a Ringling Brothers clown hat, he had on a blue bowler and carried his familiar fish on a leash), I thought maybe we’d talk a little about how he got so Gravy. “It’s not too many kids that grow up to be a seminal member of so many artistic scenes,” I say. “Washington Park in the early ’60s, SF during the ’60s, Woodstock… but what was special about Hugh Romney (that was his square name from before he was Wavy — even before his first nom de nonsense Al Dente), how’d you get to where you are today?”

Gravy, just a little sleepy-looking in the warm office building where our interview takes place, tells me “one thing just followed from another, listing off his general path across the world.” Such is the role of a tribe elder talking to a youngster: there are things that we are not to know. What more do we need to know, really? He quotes Thelonius Monk, a friend who stand-up comedian Hugh Romney opened for. “Everyone is a genius by just being themselves.”

That’s his deal: the rainbow he travels on is available to us all, if we can only see it and trust to it’s pretty suspended bands of color. Luckily, we do have Saint Misbehavin’ to get literal with. Esrick has put together a wild ride and the information it contains teaches about Wavy’s contributions to the hippie and anti-Vietnam war movement. He was on the front lines back then – Esrick tells me that the way he deals with the chronic pain he sustains from police beatings from those days is one of the most impressive things she learned about Wavy in the 10 years she spent researching for the film with him. 

I ask Wavy his reaction to seeing his epic life laid out on celluloid for thousands of strangers’ viewing pleasure. He refused to see early versions of the film when Esrick was still editing: what was it like to finally view the real thing? “You realize what a long strange trip it was – and continues to be,” he says after a moment’s pause. “It was the only time I’ve ever seen Wavy speechless,” Esrick smiles.

And so I leave our interview without really having gained any insider info on the life of Gravy. But I haven’t departed without a few gems, the primos being the story of meeting his wife (“she put peanuts in my hamburger and I fell in love,”) tips for graceful protests: “I always gave the best cop my rose. They were always very touched,” vegetarianism: “remember you are not what you eat, you are what you don’t shit,”and the truth about relations with the Middle East, spoken by a man who traveled through Iraq and Afghanistan on a rainbow bus in the 1970s: “They know the difference – there are ugly Americans that you see, and there are fellow travelers on the path of life. They recognized us as the latter.”

This from Michelle: “A full biography of Wavy’s would be 10 movies. I was interested in stringing a necklace of pearls together.” Maybe there are things we’re not supposed to know about those on high, or rather, that we don’t have to in order to know that they’re up there.

Epilogue: To gauge what maybe I am missing from the story of Wavy by virtue of not having been there in the glory days, I texted my mom today. “What did Wavy Gravy mean to you back in the day? Was he cool?” She wrote back “I don’t remember him!” Which of course, means she was really there. 

 

Saint Misbehavin’: The Wavy Gravy Movie opens Fri/3 in Bay Area theaters.  

 

SF Weekly gets it all wrong

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This is a few days late, but still worth noting. After the Supreme Court ruled in our favor and shot down SF’s Weekly’s final appeal in our predatory pricing lawsuit, the Weekly’s Andy Van De Voorde launched another of his notorious screeds aimed at dismissing all of the proven, factual assertions in our case. Fron day one, Van De Voorde’s been wrong about everything — he said the case was stupid and would be quickly dismissed, he said we’d lost at trial, he said we’d lose on appeal … and every step of the way, he’s been proven wrong. Now he’s going after the judges:


Brugmann certainly has been treated like royalty by the city’s elected judges, who function as the legal arm of the local Democratic machine.


But as Bob Egelko, the Chron’s widely respected court reporter, noted in a remarkable blog post, Van De Voorde is simply factually wrong:


The judge who presided over the trial in San Francisco Superior Court, and more than doubled the jury’s damage award against the Weekly, was Marla Miller — appointed by Republican Gov. Arnold Schwarzenegger. The appeals court justice who wrote the ruling upholding the verdict was Robert Dondero — first appointed to the bench by Republican Gov. Pete Wilson, and named to the appeals court by Schwarzenegger. And of the six Supreme Court justices who voted to deny a hearing on the Weekly’s appeal, five were appointed by Republican governors.


I can go even further. The first judge who handled the case, Richard Kramer — who refused to dismiss the suit and tossed most of the Weekly’s pre-trial motions out the door — was appointed by a Republican (Pete Wilson). Of the three judges on the Appeals panel, two — Dondero and James Marchiano — were appointed by Republicans. And while the third justice, Sandra Margulies, was elevated to the appelate bench by Gray Davis, her first judicial appointment to the Superior Court came from a Republican, George Deukmejian.


So there really weren’t any elected Democratic judges in the mix. (And the judges certainly aren’t part of any political machine; the entire local bench, including every single judge, Democrat, Republican or Independent, supported the re-election of Judge Richard Ulmer in November, while the Democratic Party, and the Bay Guardian, supported challenger Michael Nava.)


Sorry, Andy — as has been the case from day one, the facts speak louder than your ranting. The Guardian won this case on the evidence and the legal merits, all the way along.

Tax breaks we can’t afford

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The big front-page headline on today’s Examiner: “Workers we can’t afford.” It’s a classic story of the Ex genre, a look at how much labor costs are increasing and eating a hole in the city budget. But what gets me is thal it’s not just the Ex; the Chron takes this line, too, and so do news outlets all over the state (and all over the country). The problem is always labor.


You never see a big headline telling the other side of the story: “Tax breaks we can’t afford.”


The thing is, tax cuts and tax breaks are expenses, just like labor costs. The impact the budget in the same way. And at least city workers DO something; a lot of the tax cuts don’t.


I was watching the City Channel last night (yes, Mr. Mayor, I was one of the “ten people” you joked about who were actually watching) and Newsom was giving a speech out at Mission Bay, welcoming a new biotech outfit to the city. And he went on and on about how his administration has attracted all these companies by giving them tax breaks.


He said that, unlike South San Francisco, this city “taxes jobs.” (That’s just silly; we have a payroll tax because you have to have some form of business tax, and the state won’t let us tax corporate income, and a gross receipts tax also has problems, and a payroll tax is at least an approximation of the size of a company. If we taxed gross receipts instead he’d complain that we were “taxing success.”)


And then when he was done with his prattle, the guy from UC who sets up the Mission Bay incubator space for biotech businesses spoke, and talked about all the reasons busineses want to move into the area, mainly the direct connection with UC researchers and experts in business development and the quality of the workforce. He didn’t say a word about taxes.


Because taxes, particularly the very modest payroll tax the city charges, are such a minor factor in business location decisions that tax breaks like Newsom’s don’t do much good in attracting employers. But they do cost the city money.


And those are expenses — yes, expenses — that we can’t afford.


 

Live Shots: The Books, Palace of Fine Arts, 11/30/2010

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How do I describe the music of The Books? When I’m listening to it, there seems to be no beginning or end, I’m just immersed in it, floating in some exotic place and it’s hard to know how I even got there. Seriously, sometimes I wonder, “What is going on?” (Even they sometimes feel that way.)

The Books sound is an eclectic mix of found soundbites teamed with their own stellar cello and guitar playing. They performed Tuesday to a super ecstatic hipster crowd as part of a tour for the release of their new album The Way Out, which includes pieces about golf, hypnotherapy, and my favorite, crazy kids. “A Cold Freezin’ Night” (the crazy kid one) takes snippets from cassette tapes that the band found at thrift stores of kids in the ’80s and ’90s, ranting and raving and getting pretty mad about who-knows-what. It’s beyond hilarious and also slightly creepy. But I love it. The Books also make odd and perfectly timed videos to go with their music and showed them during the concert, several of which sparked tons of laughter due to their honesty and downright weirdness.

The opening band, the Black Heart Procession, were not exactly my cup of tea. Their whiny and depressing tunes were also backed with a visual slide show, but the images were at times so disturbing I feared nightmares would come to haunt me if I stared at them too long. Luckily they were soon forgotten as I found my brain quickly absorbed by the ever stimulating talent of The Books.

One latte, art therapy on the side

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What will your art look like when you have trouble remembering your last painting — or offspring? On the week of next, you’ll be able to sip your Cafe International espresso and ponder the answer. In the cafe’s new art installation, one-third of the pieces on the walls will be by Alzheimer patients (Tues/7). 

What you can look forward to: “The pointillist and – let’s call it aboriginal flavor of some of the work can be seen as a common trait,” says Patricia Ris, co-curator of the exhibit. “Some artists will bend their vertical lines, and there seems to be a tendency toward some aspects of surrealism and superimposition. But I’m being very unscientific here.” 

Ris (a creative activities coordinator at an SF adult day care center) and gerontologist-theater artist Caitlin Morgan of the Alzheimer’s Association decided to bring attention to their innovative work with seniors by integrating their art into the Care International’s regular wall fare of professional etchers and sketchers. 

The pieces are created as part of a therapeutic program that allows patients to take their mind off of memory loss for a moment. With the help of an instructor, Alzheimer’s sufferers create vivid canvas evocations that can bring up elemental reactions in the viewer. In one, a red-headed woman holds a hand over her shocked face — a key indication at discomfort over what is coming out of her mouth.  

Morgan also runs weekend camps for these older folk that not only give caretakers a chance to have a 24-hour period to focus on their own lives, but also give the Alzheimer’s patients a chance to try some new things. A recent NPR piece on her work highlighted Morgan’s focus on letting patients do what they feel needs to be done – telling a grandmother who insists she’s late for school that there’s no classes that day, or letting an elderly ex-carpenter work at a chair leg for the better part of an hour with invisible tools. It’s all a part of “reading between the lines,” fostering that interior mind that can seem to be in jeopardy for many people, but that is often just struggling to adjust to a new world. 

“Having worked with many Alzheimer’s patients who have lost their word-finding ability, I have seen firsthand, over and over, that art is a way for them to express what words no longer can,” says Morgan, who first came into contact with senior citizen patients while she was performing with a traveling theater troupe. She says that art can be a method of alleviating frustration for those that can’t deal with early symptoms of the disease – as well as a way of describe the weird, wacky world that they are coming into contact with through their memory loss. “The connection between Alzheimer’s and art is one of necessity,” concludes Ris. 

Morgan says that the work of Alzheimer’s patients probably shouldn’t be judged by the same yardsticks as other coffee shop work, that it’s primary use is that of therapy for the artist themselves. But I can imagine sitting next to Maurice’s eerie bird-woman, or Patricia’s bouquet of impressionist flowers and reflecting on an entirely different breed of cleansing: that life — even in the midst of degenerative disease — will go on and on, and in color no less.

(From top to bottom, paintings by Tamara, Maurice, and Patricia)

“Painting from the Heart: Alzheimer’s Art”

Opening reception Tues/7 6-9:30 p.m., free

Cafe International

508 Haight, SF

(415) 867-4617

 

 

 

 

 

 

 

 

Privatizing the parks

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I’m not going all crazy on the idea of pretzel stands in Golden Gate Park, or even a lobster-roll place behind the bandshell. I’m kind of against the lease change at Stowe Lake because I hate to see an out-of-town operator take over a local concession (and I like the funky boats, and the popcorn, and the overall 1950s-era quality of the food stand, which — by the way — makes the best soda water anywhere in town, yumm, so extra fizzy and nice ….).


But it’s worth sounding the alarm about the direction that Phil Ginsberg and Mark Buell are taking the Recreation and Park Department. And it’s not just evicting the HANC recycling center.


I realize that the city’s broke, and Rec-park is broke, and if they can’t raise money by selling coffee and lobster rolls they might have to lay off even more recreation directors. I fell the pain. But there’s a dangerous road ahead, and it looks like this:


Once you decide that parks have to pay for themselves, you’ve destroyed the whole notion of public space.


Check out what happened at the Presidio, where a plan by Rep. Nancy Pelosi to tun the park into essentially a private outfit, with the mandate to reach financial self-sufficiency, led to all sorts of problems and set the stage for a debate over privatizing more parks.


This is, of course, part of a larger discussion, but parks are by their very nature supposed to be places that the community — the taxpayers — support and preserve for the good of all. They aren’t supposed to pay for themselves. You’re not supposed to charge admission. Any commercial activity ought to be designed to benefit the users (it’s nice to have a place to buy a bottle of water on a hot day or a snack for your kids) and not to pay the maintenance bills for the facility.


This is what annoys me more than anything else about Gavin Newsom. He talks about vision and sounds like an environmentalist and progressive, but he misses the whole point. You fund public services with tax dollars, not by auctioning them off to the private sector.


At least, you used to.

EDITORIAL: Save the HANC recycling center

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The foes of the Haight Ashbury Neighborhood Council recycling center — including the mayor and Rec-Park Director Phil Ginsberg, who desperately want to get the low-income riff-raff who sell cans and bottles for a living out of the Haight and Inner Sunset — pulled out all the stops Dec 2, dragging good ol’ Chuck Nevius, who’s always ready to stand up for what isw clean and well-manicured and free of urban grit, into the fight. The Nevius column in the Chron is almost too perfect; he describes the center as “a noisy, ugly industrial plant” that doesn’t belong in Golden Gate Park. Well, the center is technically in the park, I suppose, but it’s not exactly smack amid Speedway Meadow or the Arboretum; it’s way off on the edge, in an area that most people don’t even think of as the park.

But see, here’s the real issue:

It is a magnet for the down and out, some of whom use the can and bottle payout as an ATM for booze and drugs, and even raid the neighborhood bins to fill their carts.

Imagine: A magnet for the “down and out” in the Haight. Imagine: A way for people to make some money without panhandling (which Nevius dislikes) or hassling tourists (which Nevius dislikes) or selling drugs (which Nevius dislikes) or stealing (which all of us dislike). Imagine: A community-run institution that actually creates green jobs for people who might otherwise be homeless (and doing things that Chuck Nevius dislikes).

The real issue is that the mayor never liked HANC (since he lives in the Haight, he ought to stop by a HANC meeting sometime; it’s really not that scary) and doesn’t like the idea of homeless people congregating around the recycling center, and would just as soon get rid of anything that doesn’t fit his vision of a squeaky clean, fully gentrified city.

And it’s not as if Ginsberg wants to restore that corner of the park to native flora; it will be, in his vision, a community gardening center. Nice, but not exactly a natural space. The new center would also attract small crowds — but of a very different demographic. Which, again, is what this is all about.

The HANC recycling center does everything that Gavin Newsom claims to support. It provides green jobs. It offers employment opportunities for people who are on the margins of society, and lets them get back on their feet — without a penny of taxpayer money. It promotes recycling and sound urban ecology.

The private company that collects our garbage and recycling, which is called Recology, doesn’t like the fact that poor people go around and collect cans and bottles from the blue bins on the sidewalk; the stuff is worth money, and the company would rather keep it. But in the end, the material goes to the same place and stays out of the landfills, which ought to be the point. And honestly, isn’t scavenging and recycling cans and bottles a better occupation than agressive panhandling and crime?

The center’s a bargain for San Francisco, and the personal peeves and suburban sensibilities of Newsom, Ginsberg and Nevius shouldn’t shut it down. The Recreation and Parks Commission should direct Ginsberg to back off on eviction proceedings and let the center stay.

 

 

Sip Snack and Shop on Chestnut Street

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The Marina Merchants Association & The San Francisco Bay Guardian Present:

Sip Snack & Shop on Chestnut Street

Thursday, December 2nd from 6-9PM — Start your holiday shopping this season in the Marina, woo! There’ll be great deals and yummy treats all evening.

Ticket includes:
Tastings from over 20 restaurants and more than 25 beverage sponsors! Raffles & discounts of 15% or more at all participating businesses. Live Entertainment!


$30 Tickets available at http://sipsnackshop.eventbrite.com

Ticketed guests may pick up your wristbands, wine glass, and program guide at either of these locations on Dec. 2nd starting at 6PM:
Eastside West – 3154 Fillmore Street (at Greenwich)
Wells Fargo – 2197 Chestnut Street
Kelly Keiser Splendid Interiors – 2381 Chestnut St.

*All proceeds benefit the Marina Merchants Association.

Participating Businesses
The Animal Connection II | Arbonne International | Benefit | Bin 38 | Books Inc. | Circa | City Optix | Crunch Fitness | E’Angleo | Eastside West | eCosway | GAP | Heritage Row | Isa |J’s Galleria | Jack’s | Judy’s Café | Kara’s Cupcakes | Kelly Keiser Splendid Interiors | Marina & Kebab | Marine Layer | Mezes | Monkey on Chestnut | Pacific Catch | Paper Source | Patxi’s Chicago Pizza | The Plant | Pluto’s | Pottery Barn | Pure Beauty | Rabat | The Republic | Ristorante Parma | San Francisco Optics on Chestnut | SusieCakes | Toss Designs | Two Skirts | Wandering Vet | We Olive | Wells Fargo | Y&I Clothing Boutique

Sponsors
Artesa | Bear Flag | Black Star | Blue Moon | Brugal Rum | Chateau Potelle | DeLoach | Don Pilar | FIJI Water | Haamonii | Honest Tea | Hope & Grace | Hotel Del Sol | Long Meadow Ranch | M Squared | Magners | Millesime Cellars | Pale Moon | Peroni | Pretzel Crisps | Red Bull | Rock Sake | Solerno | Spring Mountain Vineyard | St. Supery | Svedka | Tres Agaves | Trumer | Vivid Bliss | Y. Rousseau

Partners
The Bachelors of San Francisco | Crawl SF | Marina Community Association | PinchIT | San Francisco Ballet | SF City Dish | Spinsters of San Francisco | Urbanis | Yelp

Entertainment
The Clef Divers | The Lollipop Guild, a San Francisco Gay Men’s Chorus ensemble | Marina Middle School Band

For a family-friendly affair on the next night check out Chestnuts on Chestnut: http://www.face

Let’s play the “local hire” numbers game

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There’s been a lot of discussion at City Hall about the pressing need for mandatory local hire legislation, as opposed to San Francisco’s current “good faith” efforts. And it seems that everyone agrees upon is that something needs to be done, as the Board prepares to vote December 7 on Sup. John Avalos’ local hire proposal, which seeks to ensure that 50 percent of workers hired on city-funded construction projects will be local residents.
The move comes at a time of high unemployment in the recession-hit construction industry, but would kick in as San Francisco stands poised to spend $27 billion on public works projects over the next decade.
‘The city needs to leverage its funding position to ensure that our residents benefit from these investments,” Avalos said at a Dec. 1 committee hearing on his legislation, which would require 25 percent of hours on city-funded construction projects, to be worked by local residents in the first year. This rate would rise 5 percent each year to 50 percent.
It would also require 50 percent of apprentice hours to be worked by local residents in the first year (with out-of-state workers exempt from these requirements).

These requirements currently apply to each individual construction trade (carpenters, painters, laborers, operators, brick masons, plasterers) and not to overall project hours.

The city would pay incentive bonuses to contractors that exceed the requirements.
Contractors who failed to meet the requirements would have the option of paying liquidated damages to the city, or sponsoring apprentices during the project.

But a December 1 report from Ted Egan, the city’s chief economist, estimates the legislation would raise the city’s contracting costs by $9.3 million per year, while creating 350 jobs.
 
Egan breaks down the city’s estimated $9.3 million in contracting and administrative costs into three distinct piles: $2 million in higher bid costs from hiring the unemployed, $4.5 million in higher bid costs from hiring the already unemployed, and $2.8 million in higher costs associated with penalties.

‘This cost represents approximately 1 percent of the city’s $934 million estimated annual spending on covered projects,” Egan noted, adding that the cost to the city will be lower in early years, because unemployment is high now and labor is widely available.

“This is a conservative estimate,” Egan added, “as it assumes no contractor exceeds the target and receives incentive bonuses from the city, and also excludes any contractor productivity losses caused by breaking up core crews.”

Egan acknowledges that most city expenses are associated with inflated contractor bids.
“These will occur because the local supply of skilled trades workers is insufficient to meet the local hiring requirements of the legislation,” he observed. “Contractors will be forced to pay above-the-market wages to workers that already have jobs, and pay the city penalties because resident labor is unavailable in many trades. These costs will be passed on to the city. This excess cost to the city could largely be mitigated by choosing local hiring targets that better reflect local supply.”

“The legislation will increase local employment and associated spending at local businesses, at the cost of higher City contracting costs,” Egan warned. “The legislation creates a net spending and jobs benefit, as written; with recommended mitigations, the positive economic impact can increase, and the cost to the city can decline.”

Egan calculated that estimated costs to the city could be reduced to $2.4 million, if Avalos’ proposed legislation is amended in the following ways:

1.    Replace across-the-board 50 percent mandatory requirements with trade-specific mandates to reflect “supply and demand in each trade.”
Egan argues that across-the-board requirement would lead to higher contracting costs “for several trades where required demand exceeds current supply.”
These impacted occupations include operators, brick masons and plasterers, and represent 50 percent of projected demand for city projects, over the next ten years, Egan said.
“Other occupations, such as carpenters, painters, laborers, and drivers are less impacted and can sustain the scheduled mandate, provided goals are set on an industry-wide and not a project-by-project basis,” Egan stated.

2.    Require a study every two years “to modify requirements and assess progress to a 50 percent mandatory requirement.”
Egan’s report suggests that the city conduct a review for two years, and then set mandatory participation levels for two years for brick masons, block masons, stone masons, cement masons, carpet, floor and tile installers and finishers, concrete finishers and terrazzo workers, construction equipment operators (except paving, surfacing and tamping equipment operators), drywall installers, ceiling tile installers and tapers, electricians, pipe layers, plumbers, pipe fitters and steam fitters, plasterers, stucco masons, roofers and sheet metal workers.
Egan’s proposal is that the city assess the length of time required for each of these trades to develop a pool of qualified resident workers to support a 50 percent local hire mandate, and then, if necessary, propose amendments to the mandatory levels for these trades.

3.    Allow contractors to transfer credit hours
Egan suggests that contractors and sub-contractors could accumulate credit for hiring local residents on non-City funded projects, transfer those accumulated credit hours to other contractors, and apply those credit hours to contracts for covered projects to meet the applicable minimum mandatory hiring requirements, or work off assessed liquidated damages. “Transferred credit hours may only be applied against mandatory hiring requirements for the trade in which they were accumulated,” Egan’s report states.

4.    Eliminate incentive payments
Egan recommends eliminating incentive payments, “since the ability to transfer accumulated credit hours provides a similar, and more efficient, incentive for contractors to exceed targets.”

Egan notes that his analysis assumes that annual public works spending is equal to the 10-year average in the city’s capital plan, which is $3.1 billion.
“60 percent of that will be spent on projects not covered by the legislation, because they are state- or federal-funded,” Egan stated.

He predicts that unemployment in the trades will average 10 percent in the next decade.
“Current unemployment in construction is 20 percent in San Francisco,” Egan said.

Egan argued that allowing contractors that exceed local hire requirements to transfer the additional hours, within a trade, to other contractors “would allow the same local hiring targets to be met on an industry-wide basis, not a project-by-project basis.”

He also recommended eliminating proposed incentive payments.
‘Giving contractors the ability to sell their excess hours creates a private incentive to exceed hiring targets. Contractors which do not meet the local hire requirements will compensate those that do,’ Egan wrote.

But at a Dec. 1 hearing by the Board’s Budget and Finance committee, not everyone agreed with Egan’s findings.

Missing from his “economic costs” equation, some speakers observed, were estimated savings from reduced law enforcement costs and poverty rates, if residents got jobs.
Egan acknowledged that his report does not factor in socio-economic benefits of the plan.
‘It’s a very fair point, but it’s hard to quantify,” Egan told the Guardian.

And while Avalos’ legislation proposes to phase in the local hiring mandate over the course of six years, Egan’s report simply focuses on costs when the city hits 50 percent.

Egan said he could have broken down his report into a phased-in, year by year, basis.
“But it gives the impression of greater certainty,” Egan said, noting that it’s not clear how much the city is going to spend on construction next year. “So, given what we’re planning to spend over the next 10 years, here’s an average estimate,” he explained.

I asked Egan about his report’s claim that there is a 20 percent unemployment rate in the construction industry in San Francisco, given that other city officials, including Mayor Gavin Newsom and Sup. John Avalos, have cited a 40 percent rate.

“The 2009 census figures came out in November and it said that 20 percent of San Francisco residents who are in construction say they are unemployed,” Egan said.

He acknowledged that the 40 percent unemployment rate that Newsom and Avalos cited likely refers to unemployment among folks who work in San Francisco’s construction industry, but live outside the city, where housing prices are cheaper.

Asked if his office was recommending that the local hire percentage start at 20 percent, as some building trades requested during the Budget Committee hearing on Avalos’ proposal Egan indicated this was not the case.
“We don’t see a problem in year one,” Egan explained. “There are a lot of unemployed people in year one that are available, so that target is not hard to meet.

The main problem, to Egan’s mind, was not the mandatory 50 percent local hiring goal, per se, but the requirement that it be achieved by every individual trade.
“That’s why we recommend doing a process every two years to take a look at how good a job individual trades are doing, and then set targets based on the rates of producing a supply of qualified workers,” he said.

“Some won’t take seven years to achieve a 50 percent rate, but others could take much longer,” Egan explained. ‘Otherwise, contractors, will have to raise bids so they can afford to pull qualified workers off other contracts. That would lead to shuffling people around, and the city paying for it, without new people being trained.”

So, that’s where the conversation seems to be headed going into Tuesday’s Board meeting, with the building trades still pushing for amendments, and Avalos, the chief sponsor of the legislation, reportedly trying to win support from Sup. Bevan Dufty, so that he can pass veto-proof legislation before the end of the month. Stay tuned.

‘Infinite City’ maps out inexhaustible SF

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In the introduction to her thrilling new book, Rebecca Solnit provides the best explanation for why Infinite City: A San Francisco Atlas (University of California Press) can only be referred to as a San Francisco atlas, not the San Francisco atlas. “Every place is if not infinite then practically inexhaustible … any single map can depict only an arbitrary selection of the facts on its two-dimensional surface…”

What makes Solnit’s atlas appealing is the very arbitrary nature of the facts she chooses to have represented through a selection of 22 gorgeously rendered maps and a series of essays — many written and curated by guest collaborators with a particular interest in the storied intersection between geography and culture: poets, activists, archivists. From a map of “the names before the names,” an overview of the more than 100 indigenous tribes settled within the Bay Area circa 1769, to a map of the few remaining 6 a.m. bars which once catered to a large population of third-shift workers, to a map juxtaposing 2008’s tally of 99 murders within San Francisco proper with its flourishing population of Monterey cypress trees, the atlas reveals the truths simmering beneath the accepted fictions.

Or rather, a series of selective truths — for part of the joy of Infinite City is the infinite ways in which it can be read. The geo-politically inclined will want to take note of map #4: Right Wing of the Dove, which documents the locations of corporations such as Bechtel, military outposts such as Travis Air Force Base, and defense research laboratories such as Lawrence Livermore National Laboratory while maps for the Bay Area’s self-proclaimed foodie set include both map #7: Poison/Palate, and map #18: The World in a Cup, which details just a sampling of our many beloved coffee houses. Other maps include overviews of black history, butterfly habitats, queer spaces, Ellis act evictions… The subjects, like the possibilities, seem endless.

There’s even a map of San Francisco reimagined as a human head, accompanied by a tongue-in-cheek phrenological reading by novelist Paul La Farge.

It’s the map of Solnit’s internal San Francisco juxtaposed with that of performance artist Guillermo Gómez-Peña’s that comes closest to explaining the human compulsion to want to map out our known territories. In this particular map, both subjects define a series of unrelated places by defining who they are when they are there. From Rebecca: “In the Japanese Tea Garden I am always six years old; in the Sunset, I am almost Irish enough, but not San Franciscan enough; in the Excelsior, I am some chick from the Mission.” From Guillermo: “On the Golden Gate Bridge I still don’t feel suicidal; in Chinatown I am mistaken as a tourist from Spain or Argentina; In the Bollywood Café at 19th and Capp, I am the wrong kind of brown.”

As any of the greats of travel literature might point out, it’s tapping into our relationships with place that we are able to explore our relationships with others and ourselves more deeply. Infinite City offers a more than a few possibilities for each.

SFBG Radio: He won’t be back — grading Arnold

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In today’s episode, we talk about the outgoing governor, and how to grade his record. Hint: When you think of Arnold Schwarzenegger’s legacy, does anything of substance come to mind (except financial disaster)? Anything? Listen after the break

sfbgradio12/1/2010 by endorsements2010

Hot sexy events: December 1-7

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Are you an ecosexual? Do you enjoy skinny dipping, walking barefoot through tall grasses, thrill to a particularly hot sunset – perhaps fill with a lover’s rage at the notion of mountaintop removal and clear-cut forests? 

Well then. Annie Sprinkle is out, and proud, and ready to help you be too: the classic neo-porn star has participated in lavish art weddings the world over with partner Beth Stevens to bind themselves to Mother Earth’s peaks and valleys (often with Annie’s 36E peaks on prominent display). Sprinkle is taking the show to Mission Control for an eco-party tomorrow (Thurs/2), along with Carol Queen’s demonstration of eco-friendly sex toys, and a Gaiia-centered ritual with Francesca Gentille. You may just come out of the earth-loving closet yourself, nature mama.

 

Bunny Pistol’s Holiday Party

Before you unwrap your presents, watch your (onstage) presents unwrap themselves – burlesque woman-about-town Bunny Pistol is bringing her friends, door presents, and goodies to one of Polk Street’s best bars: the Hemlock. Come make merry…

Wed/1 8:30-11:30 p.m., $6

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com


Speakeasy: Ecosexual

Green porno, x-rated environmental activists, closed door rites with a tantra shaman, oh my! Mission Control’s pushing pause on their swinging sex-a-thons for a night to honor the earth. Turns out there’s quite a few of our town’s sex luminaries that are more than willing to connect their cumming with conservation.

Thurs/2 7-11 p.m., $15-20 members and allies only

Mission Control

2519 Mission, SF

www.missioncontrolsf.org


Bent Black and Blue Gala

SF’s kinky youth fiesta is turning five and best believe they’re throwing themselves a soiree. This one will include a designated whipping girl for birthday spanks, magic shows, an anal ring toss (!), and all-night showings of This Ain’t Avatar on the big screen. Plus all the play you can play, you naughty young things.

Fri/3 9 p.m.-2 a.m., $20

SF Citadel

1277 Mission, SF

(415) 626-2746

www.sfcitadel.org


First Friday Follies: F#%k the Holidays

Started as a bangin’ burlesque after-party for downtown Oakland’s Art Murmur walk, First Friday Follies has turned into an attraction unto itself – no cover burlesque? No problem! I’ve had reports that previous shows have involved the onstage canoodling of a ham and cheese sandwich (different lovely ladies playing each filling ingredient), and this week’s theme, F#%k the Holidays, seems like it will lend itself to striptacular shenanigans. 

Fri/3 9:30 p.m., free

Stork Club

2330 Telegraph, Oakl.

(510) 444-6174

www.storkcluboakland.com


Joy Alchemy Playshop

This new sex play space in downtown Oakland has taken to offering regular theme nights that center around rather ambiguous, good things. This month: entice and titillate. At the same time?! Yes, I know, it’s a bit repetitious, but the night promises to be chock-full of everything. Yes everything: art, story-telling, improv, nudity, acceptance, lovin’. Plus, your registration gets you a “session with Hamid”! Who is Hamid, you ask? Direct all questions to hamidrb@yahoo.com. Oh, and it’s also a potluck.

Sat/4 5:30-9:30 p.m., $40-45 pre-registration encouraged

Joy Alchemy

2273 Telegraph, Oakl.

(510) 693-6822

www.joyalchemy.joyofcreativity.com


Eclipse

5,400 square feet of dungeon play space for all women, women-identified, or transpeople. Hosted by Ms. Cat and Ajax, Eclipse is a regularly occurring female space, and this party promises to be no less steamy and sexy as the rest of their three years of frolicking have been.

Sat/4 8 p.m.- 1 a.m., $25

SF Citadel

1277 Mission, SF

(415) 626-2746

www.sfcitadel.org

 

Rites of nude math professors and Berkeley

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“Frankly, I’m a bit baffled by all this,” Frenkel told us in an email follow-up to a phone interview conducted later this week. The UC Berkeley math professor was referring to the fact that the Mathematical Sciences Research Institute, who had announced they would sponsor today (Wed/1)’s US premiere of his sensual math film, Rites of Love and Math, decided to pull their support earlier this week.

They had us at “sensual math film.”

“I don’t look at it as an erotic film, but there are some erotic elements,” says Frenkel. After meeting with some filmmakers in Paris, where he was on a research trip, Frenkel teamed up with Reine Graves to produce a 26-minute short that is shot on a Japanese kabuki set in a vivid palette of reds, whites, and blacks. He and co-star Kayshonne Insixieng May appear naked on a bed throughout most of the piece.

The film was inspired by a Japanese writer, Yukio Mishima, whose movie Yukoku (its English title: Rites of Love and Death, get it?) follows an army lieutenant faced with his friends’ planned coup ‘d état against their emperor. The lieutenant makes love to his wife for the last time before they ritually disembowl themselves. Years later, Mishima committed a similar suicide.

Frenkel’s version, though it borrows heavily from the aesthetics of Yukoku, has been called slightly more “Dan Brown.” In his film, a mathematician finds the formula of love, precious information he realizes might be harnessed by the powers of evil. Sensing impending doom, the brave calculator arrives at his lover’s house to etch the formula onto her stomach – preserving it. It is meant to be commentary on the dilemmas that scientists face when they discover life-changing findings – think Robert Oppenheimer of the Manhattan Project.

We asked Frenkel whether he expected that his nude scenes the movie would change his students’ view of math (and their professor) and he replied “to me, the ideas expressed in this film aren’t far from what I teach [students] in my class. Although, when I do it in the classroom, I do it in a much more conventional way.” Missionary? We kid. He expects the film to make the connection between math and the humanities, math and the world around us.

Frenkel also wrote the script in an effort to combat the strident negative stereotyping of mathematicians in the media as anti-social mad scientists. “A formula could be beautiful, like a piece of music, or a poem, or a painting,” he says.

Which seems like something the Mathematical Sciences Research Institute would be on board with. The organization’s stated mission is “to foster the genuine interest in mathematics held by people of all ages.” What better than a temperature-raising ode to the power of plus, minus, and divide? (For the record, the short’s unrated, though Frenkel somewhat optimistically estimates it would be deemed PG-13.)

Robert Bryant, the MSRI’s director, did have this to say in a letter published on the group’s website: “Early in the week of November 22, I began to get emails from distressed and upset colleagues who had viewed the trailer and found it disturbing, offensive, and/or insulting to women.” Though Bryant himself has seen both Frenkel’s version and the Mishima original, and found a screening of the two together “at first glance, to be a natural fit for MSRI,” he eventually caved to pressure from those for which Frenkel’s trailer “was revealing deep-seated gender issues in the mathematics community.” Another of MSRI’s stated goals are the advancement of women in all levels of the study of math.

Frenkel, who grew up in a small town near Moscow is surprised at the response to his film in his adopted community, home of such a storied free speech movement. 

“It appears that the criticism came mostly from people who have not seen the film!” he says in his email response. “I think one shouldn’t jump to conclusions about any film after watching a two-minute trailer. I think some will view this as a form of prior censorship, because those who have criticized the film and put enormous pressure on MSRI to pull out have in effect tried to suppress the film before it was shown.” 

He adds that his co-director Graves is “herself a woman director in a male dominated field,” and that the film has been screened on three different continents and featured positively in a number of publications including Science magazine. “The film is not a commentary of gender issues in science, and it should not be interpreted this way.”

At any rate, it all should make for a thrilling Q and A at the end of the free screening, which will be attended by Frenkel himself.

Marginalizing women? Or celebrating their role in truth and integers?

Rites of Love and Math and Rites of Love and Death (Yukoku)

Wed/1 7 p.m.; 

Free with tickets available at East Bay Media Center (1939 Addison, Berk.)

Landmark Shattuck Cinemas

2230 Shattuck, Berk.

(510) 464-5980

www.ritesofloveandmath.com

 

Newsom and downtown groups court Cohen

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A rogue’s gallery of downtown power brokers and moderate politicians is lining up to give D10 supervisor-elect Malia Cohen money during a fundraiser at Democratic Party money man Wade Randlett’s house tonight (Wed/1). And while the group may be trying to buy the support of a candidate they didn’t support in the election, Cohen and some of her progressive supporters say she’s been open to developing relationships across the ideological spectrum.

“Fear not,” Cohen told us when we raised an eyebrow at the host committee, and she noted that most of those on the list didn’t endorse her candidacy. “It is a fundraiser event, and now that I’m a newly elected supervisor, I look forward to meeting everyone.”

The guest list includes Mayor Gavin Newsom, former Mayor Willie Brown, Sup. Sean Elsbernd, Assembly member Fiona Ma, Building Owners and Managers Association director Ken Cleaveland, lobbyist Sam Lauter, Brook Turner with Coalition for Better Housing, Kevin Westlye of Golden Gate Restaurant Association, Janan New of San Francisco Apartment Association, as well as building trades head Michael Theriault and Tim Paulson of the San Francisco Labor Council.

“That’s not my perception of it,” Randlett – who used to run the downtown political organization SFSOS – told us when we asked about downtown’s attempt to buy influence with a candidate who finished the campaign about $20,000 in debt. He also rejected the characterization that it was a high-roller event, noting that prices initially listed at $100-$500 have since been lowered to $50. “Anyone who wants to attend at any price is welcome,” he said.

“I think it’s smart of their part, because they didn’t support her in the election, to try to give her money in the end,” said Gabriel Haaland of SEIU Local 1021, which did endorse Cohen. “It remains to be seen where she’s going to land [politically], but it seems clear what this group is attempting to do, to influence her votes.”

Cohen also received endorsements from the San Francisco Democratic County Central Committee, its Chair Aaron Peskin, and Board of Supervisors President David Chiu, who says he isn’t concerned about the Randlett fundraiser. “I understand that she has been celebrating with people from across the ideological spectrum,” Chiu said.

Indeed, Cohen said she is anxious to get to know representatives of San Francisco constituencies across the spectrum, borrowing a line from Shirley Chisholm, the first African-American women elected to Congress, in calling herself “unbought and unbossed.” Cohen said, “I will do a great job representing everyone. I will protect the interests of District 10 residents.”

Randlett, who flamed out with SFSOS before reviving his standing as a top-tier Democratic Party fundraiser by being an early backer of Barack Obama’s presidential bid, told us that was a connection he shares with Cohen. “The only reason I supported Malia from the beginning and am hosting the event for her is that like me she was there for Barack from Springfield through election night, never wavered in her support for him, and continues to stick by him now, when fair weather friends are carping from the sidelines,” Randlett told us.

Paulson told us that Cohen asked him to co-host a fundraiser with Newsom – who Cohen once worked for although he didn’t support her in this election – and that he didn’t see the complete roster until a couple days ago. “I am surprised there was this list,” Paulson said of the groups that regularly oppose progressive candidates and legislation.

But Haaland said that labor and the left will also be reaching out to Cohen, whose lack of a strong ideological grounding and representation of a district slated for the city’s most ambitious redevelopment plans will make her a pivotal vote on the new board. “We have to do our best to reach out to her as well,” Haaland said.

 

Slideshow from Mission High DREAM Act rally

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Click here to read the Guardian’s coverage of the DREAM Act rally outside Mission High, nationwide efforts to rally support for this legislation which Congress will vote on during its lame-duck seesion, and how the proposal could offer a pathway to citizenship for thousands of undocumented youth.

Emergency forum Tues. / 30 on HANC recycling center eviction

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An emergency community forum will be held tonight, Nov. 30, about the Recreation and Parks Department’s plan to evict the Haight Ashbury Neighborhood Council (HANC) Recycling Center from a parking lot in Golden Gate Park. If Mayor Gavin Newsom and his former chief of staff, Rec & Park General Manager Phil Ginsburg, succeed in their plan to evict the 36-year old recycling center, they’ll kill 10 green jobs, eliminate a rare source of income for poor people, and put an end to a community resource that costs San Francisco taxpayers nothing.

HANC believes the recycling center is being targeted by Newsom’s administration as a form of political payback, since the progressive organization opposed Proposition L, the sit / lie ordinance, which Newsom supported.

Ginsburg wants to evict the recycling center, which pays rent to the city, and replace it with a community gardening center that would cost $250,000. The shaded lot doesn’t seem like an ideal site for growing produce.

A memo issued Nov. 29 from Ginsburg to Rec & Park Commissioners notes that it is legal for the department to move forward with the eviction without commission approval. Apparently, Newsom’s administration intends to send 10 people to the unemployment line and kick a 36-year-old green resource to the curb without any public input, despite receiving 400 postcards from San Francisco residents opposing the eviction. The Rec & Park Commission will take up the issue of the new community garden center at its Thurs., Dec. 2 meeting.

Tonight’s emergency forum, organized by Keep Arboretum Free, is an attempt to open up a space for public dialogue.

A stakeholder meeting took place this afternoon with Ginsburg, District 5 Sup. Ross Mirkarimi, Department of the Environment Director Melanie Nutter, representatives from the San Francisco Police Department, represenatives from the offices of Assembly Member Tom Ammiano and City Attorney Dennis Herrera, HANC, and area residents.

Jim Rhoads of the HANC Recycling Center told the Guardian just after the meeting, “They’re going to evict us by the end of December. That’s their goal. The mayor has it in for us and he wants to get us out before he leaves.”

The recycling center, located at Frederick and Arguello streets, operates a buyback program for recyclable materials as well as a San Francisco native plant nursery. Residents from the Inner Sunset Park Neighbors have voiced complaints about “quality-of-life issues” that they link with some of the center’s patrons. During buyback hours, held from 10 a.m. to 3 p.m., people arrive with shopping carts filled of cans and bottles to exchange for small amounts of cash. Some of them are homeless.

Representatives from HANC, Rec & Park, and the Inner Sunset Park Neighbors have been invited to speak at tonight’s forum. “There are strongly felt opinions on both sides,” a flier for the event notes. “In the interest of a broad discussion, a number of long time local residents organized this forum for a full public airing of the issues prior to the Dec. 2 Commission meeting.”

The forum will be held tonight, Tuesday, Nov. 30, from 7 to 9 p.m. at St. John of God, 5th Avenue at Irving St.

To voice your opinion about Rec & Park’s plan to evict HANC, call Phil Ginsburg at 415-831-2701 or email him at Philip.Ginsburg@sfgov.org.

Where the plastic bag ban started

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Even Gov. Schwarzenegger is now supporting a ban on plastic bags in California, saying the measure, which narrowly failed in the state Senate last session, is a top environmental priority. But let’s remember:

While Debra Saunders is making fun of those wacky supervisors in San Francisco who try all these crazy things, it was Sup. Ross Mirkarimi, who pushed the first ban on plastic bags, and the San Francisco supervisors who approved it.

Of course, when the rest of the country starts to realize that pushing high-fat, high-calorie foods to kids by hawking plastic toys is a bad public policy idea, Saunders will be making fun of something else.

SFBG Radio: No austerity for the rich

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Everyone’s talking about austerity these days, from the prime minister of Ireland to the president of the United States, who wants to freeze wages for federal workers. But somehow, there’s one class of people who aren’t facing any austerity at all. Funny thing about that. Check out the discussion after the jump.

sfbgradio11/29/2010 by endorsements2010

There are no secrets

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I see Hillary Clinton is all indignant about the latest Wikileaks release. And there will be no end of hand-wringing in journalistic and political circles about whether this material should have been leaked, released, published etc. (But you have to admit, it’s great stuff; I particularly like the comments about the the looney leader of North Korea is still “quite a good drinker.”) And there is, of course, important data that the public ought to have, and I think the NY Times did the right thing by publishing the material.


But there’s another side of this, something that Clinton and Obama and the whole CIA/national security/spy apparatus ought to already know: These days, it’s really hard to keep anything secret for long.


Daniel Ellsberg had to make clandestine photocopies of thousands of pages of Pentagon Papers docs, then smuggle them out of his office and slip them to a Times reporter in a hotel room. These days? Click of a mouse. Hard to trace, impossible to stop. Once documents of any sort have gone to more than one or two people, you might as well assume they’re going out to the whole world.


Anyone who uses email on a professional basis has been told that. Think of poor Brad the Cad. About time the secretary of state caught on.


 


 

Live Shots: Yard Dogs Road Show, The Independent, 11/27/10

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All photos by Allen David

Note to self: stuff pockets with glitter. The concept was out in full force for Yard Dogs Road Show’s “Glitter and Gold” Thanksgiving weekend show at The Independent (on Saturday, the second of a two-night run). And those prancing, bejeweled pony girls sure didn’t disappoint — neither did the dancing, singing marionette girls, or the multi-cannon explosions of confetti with which the show climaxed. Great visuals, them. The music ranged from Broadway D-Liscious’ rubber-ankled lounge rendition of “The Life of the Party,” to head bangers, to sexy, warbled somethings — which sounded sexier (like they always do) when sung by a woman on an accordian. Here’s hoping we don’t have to wait another two years for the Dogs to get let out in the Bay once more. 

Why selling state buildings is so dumb

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To stem the massive hemorrhaging in the budget, the state of California has authorized the sale of 24 state-owned office buildings across the state to private investors. The state would then rent back the office space.


It’s a classic case of short-term thinking: In the end, the state will end up paying more money in rent than it will gain from the sales. The nonpartisan Legislative Analyst’s Office reported in April that over the next 30 years, the lease payments will likely cost $5  billion more than if the property had stayed in the state’s possession.


But it would provide an immediate injection of $1.2 billion into the state’s general fund.


But there’s an interesting twist that hasn’t been reported on: The state buildings are currently exempt from local property taxes. Once they’re in private hands, county assessors can put them on the tax rolls.


And the way the deal is structured, the state — that is, the taxpayers — will be subsidizing the private owners to cover the local property tax bills. In effect, the deal means that the state will be shifting more money from its general fund to local government — a good thing for counties, but not a terribly good deal for Sacramento.


According to Eric Lamoureux, spokesperson for the Department of General Services, if the local cities decide to tax the new owners, the rent state agencies pay would increase to make up the difference. The private owners would pay nothing.
“The [cost of the tax] is built into lease terms. Ultimately, the state would be paying that.” Lamoureux said.


And while San Francisco City Attorney’s office is still unsure of the exact terms of the sale-lease back agreement, they plan on looking out for the city’s best interests.


 “The city attorney is going to be extremely diligent with the recorder-assessor to collect all the taxes that are owed,” Matt Dorsey, press spokesperson for City Attorney Dennis Herrera, told us. And by collecting property tax, the local city governments would get a nice boost in revenue.


The sale to California First LLC, a partnership between Hines Interests and Antarctica Capital, has already been met with opposition including a lawsuit and an injunction trying to prevent the deal.

Caretaker mayor concept blasted by Daly

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There’s been much talk about naming a “caretaker mayor” to replace Mayor Gavin Newsom in January – most of it coming from downtown-oriented politicians, advocates, and publications, who are in the minority on the Board of Supervisors – but Sup. Chris Daly offered a full-throated denunciation of the idea this week.

At the end of Tuesday’s long debate on adopting a procedure for choosing a successor mayor, Daly appealed to his colleagues, “Can we please spend a minute talking about what we’d like to see in the new mayor of San Francisco?” And in his remarks that followed, he focused on shooting down the notion that a caretaker mayor is what this troubled city needs.

The idea behind a caretaker would be to choose a technocrat who would pledge not to run for reelection in the fall, thus keeping any prospective candidate from gaining an advantage from incumbency. Names most frequently cited by moderate politicians and media voices are SFPUC head Ed Harrington, Sheriff Michael Hennessey, and City Administrator Ed Lee. Some more progressive caretaker names that get dropped include former Mayor Art Agnos and SF Democratic Party chair Aaron Peskin.

But Daly – publicly sounding a perspective that’s been widely discussed in progressive circles, who question why the board’s progressive majority would purposefully punt away the chance to lead – said the idea is fundamentally flawed: “You would be putting someone in office who is necessarily weak and hamstrung.”

While Daly acknowledges that he’d like to see a progressive in Room 200 and that “the political divide is real” between progressives and moderates, he said the flaws in installing a caretaker mayor should be apparent to everyone. To deal with a $400 million deficit and other structural budget issues, the new mayor is going to have to show leadership and have a base of support, which a caretaker mayor wouldn’t.

Although the Hearst-owned Chronicle has been promoting the idea of a caretaker mayor now, Daly noted that the Hearst-owned Examiner editorialized against the idea last time the city was in this position, in 1978 after Mayor George Moscone was assassinated and the board picked Dianne Feinstein to become mayor. “The City should not have to accept a “caretaker” mayor invested with only a thin veneer of authority,” editorialized the Examiner.

“It would be a colossal mistake,” Daly said of choosing a caretaker mayor. “We need to do better than just someone who knows the inner workings of city government.”

But the fear that the board’s progressive majority would put a progressive in office – or even a moderate politician with some progressive inclinations and connections – seems to be downtown’s greatest fear right now. The fun begins Dec. 7 when the board resumes its discussion of the issue and could start taking nominations.