SFBG Blogs

Republicans favor unemployment

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I like the chart that the Economic Policy Institute has put out on the value of spending vs. tax cuts, but one of the critical points is deep in the report: The GOP budget plans in Washington would lead to the loss of as many as 800,000 jobs in the next year.


Considering that business leaders and economists of all political stripes agree that the modest uptick in new jobs (about 210,000 in March) shows signs of a slow, fragile recovery, you’d think that the loss of four times that many jobs would be a matter of concern.


But no: public-sector jobs don’t count. 

SFBG Radio: Parents gone wild

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In today’s episode, Johhny takes a break from budget politics to talk about crazy parents and youth sports. Imagine: Johnny Angel, peaceful soccer dad. Next, the minivan. Listen after the jump.

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Will Muni youth passes be saved?

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A popular and successful program that gave free group bus passes to summer programs for kids is up for renewal — but nobody knows if Muni officials will approve it.


The Summer Youth Group Pass allowed thousands of children in 50 different nonprofit summer programs access to free rides for field trips. Last year 850 passes were made available and each covered a groups of roughly 20 students.
But despite political support from educators and youth activity leaders, and a official letter from Sup David Campos and City Attorney Dennis Herrera, San Francisco Municipal Transporttion Agency Executive Director Nathaniel Ford remains mute on whether the program will continue.


Herrera and Campos issued the letter March 31 detailing the importance of the passes and urging action. Herrera said, “I’m hopeful [it will be renewed]. It was a tremendous success last year and I see no reason why it won’t continue this year.”
But SFMTA spokesperson Kristin Holland a decision has yet to be made. She said staff must look at the finances of renewing the program and that she has yet had audience with Ford to ask his response to the letter.


The politicians in support of the passes are taking their cues from educators and youth advocates on the ground. Education advocate Margaret Brodkin, for example, said she believes “we need to make summer a much more enriching time for young people, especially for low income people.”


One person she said is working toward that goal is Jeff Feinman, executive director of Mission Graduates. Feinman explained, group passes “allow kids to see different parts of the San Francisco they wouldn’t have opportunity to see otherwise. It’s a reward for the work they do.”


From an organizational perspective, group passes are important for two major reasons. Feinman said, “logistically, they make coming and going easy.” Instead of requiring a pass for each student, one pass can work for an entire group. He added that “the cost saving is huge for our programs that are cash strapped.”


When it comes to public transit, Campos said it is important to not only alleviate funding woes but to move forward with comprehensive support for low-income Muni riders. “[Group passes] is one piece of a larger puzzle,” he said. “We want to make Muni more accessible affordable to students in the public schools.”


He added, “We have been exploring the possibilities of making Muni free for all youth in San Francisco. That’s a long term plan.”

American Idol: The Pia shocker

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When I first saw that Jacob was in the bottom three, I wondered: Did the hard-core Christian vote fail to turn out in a crucial election? Did his on-camera (much hyped) decision to make a moral statement about Marvin Gaye (he refused to sing “Let’s Get it On” because he couldn’t do a song about people “doing the nasty”) make enough of us want to puke that his incredible singing talent was eclipsed?


No: He made it through. Which is fine; the guy can sing. My kids love him. I just hope he’s not a finalist; there’s enough religion on the airwaves as it is.


Now to the real scandal: Pia.


A couple of weeks ago, I was the one complaining about her being boring, and she clearly needs a new stylist; if she’d worn the Thursday outfit (whoa!) for the Wednesday performance, instead of those silly bloomers, she’d have won about 10 million more votes.


But still — she has an amazing voice, and this week’s “River Deep Mountain High” was a breakout performance.
J-Lo was in tears when Ryan announced the last results: Stephano, in, Pia out. Stephano? One of the weakest competitors? One of the two (along wth Paul) who everyone knows is on borrowed time?


I have to feel a little sorry for the guy — the audience bitterly booed when he was left standing. But he didn’t deserve to continue on, and she did, and the judges knew it and the audience knew it and you know it too. And now he can’t possibly succeed — everyone pissed about Pia will vote against him next week.


Next week’s losers: Paul (who mangled “Folsom Prison Blues”), Stefano (see above) and Haley (you can’t sing Janis Joplin with a stupid shit-earting grin on your face.)


You read it here first. I haven’t been right yet.

Sinisterism and lost hills: The Slow Poisoner joins forces with Fantomas in San Francisco

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In conjunction with the continuing “Fantomas by the Bay” series presented by City Lights, the Cultural Services of the Consulate General of France, and the Mechanics’ Institute Library, here’s an interview with the Slow Poisoner, who may be casting a musical shadow over the Fri./8 event, “An Elegant Threat.” The man also known as Andrew Goldfarb holds forth on his Fantomas bonds, surrealist activity in San Francisco, and the Slow Poisoner’s current and next moves.

SFBG What is your interest in Fantomas, and do you have any favorite Fantomas-related works?
Andrew Goldfarb I first discovered French villain Fantomas during an absinthe binge abroad, and was immediately drawn to his unrepentant sinisterism and stylish fashion sense, especially the black mask and top hat combination. I would say that aside from the original 1911 literary serial, my favorite Fantomas work is the 1915 film series, because there’s nothing that captures the decadence of criminal Paris like a hand-cranked silent movie tinted with blood.

SFBG You’re a native San Franciscan. Do you feel there is surrealist activity present here at the moment, and if so, what are its facets?
AG As long as San Francisco is coated with a thick coat of fog in the morning, the City will remain mysterious, and surrealistic activity will be present. I’d say my favorite examples of modern surrealism in S.F., aside from the schizophrenic rants posted on telephone poles in the Tenderloin, are the costumed noise bands that flourish in the Mission District, such as the Spider Compass Good Crime Band, which features two oversized vultures, one of whom plays lounge music on an organ while the other generates electronic dissonance with analog synthesizers. Very entertaining, and feathered.

SFBG What is the Slow Poisoner up to these days?
AG I just completed a roots-rock-opera about ghosts and liquor, which is titled Lost Hills. It tells of my days as a traveling curio salesman, my brief engagement to a phantom hitchhiker, and my eventual hanging (after some misfortunes involving a tainted Mint Julep). I’ve been illustrating it with felt art, kindergarten-style. I’ve also just brewed up a new batch of my Slow Poisoner Miracle Tonic, which is made with pure Egyptian oil and is proven effective in the treatment of Consumption, Women’s Troubles, Gout, Neuralgia, Wandering Limbs, Stoutness, Onanism, Disinterested Bladder, Elephantiasis, Cholera, Barnacles and Boils, The Fits, Excessive Abscesses, Necrosis, Lavender Fever and General Wasting.

FANTOMAS BY THE BAY: AN ELEGANT THREAT
Fri/8, 8 p.m.
Location undisclosed and secret (invitations available at the front desk of City Lights); free
(415) 362-8193
www.citylights.com

Live Shots: Caitlin Rose at Cafe du Nord, 4/7/11

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To be honest, I could have cared less who the Cafe Du Nord headliners were that night. I was there for only one reason: to see the opener, Nashville-born singer Caitlin Rose.

I found Caitlin Rose’s music on one of those lucky Youtube click-happy sessions. You know what I’m talking about. Where you go from one “recommended” video to the next, until finally you land on something good. And that goodness was Caitlin Rose’s “Own Side,” a melancholy, sweet bluesy, twang-licious song. Oh yes, this was a very good recommendation. And as luck would have it, she was going to be coming to San Francisco in less than three weeks. Perfection.

At the show last night, Rose brought a beautiful set of songs to the stage about everything from sleeping around to pushing people into wells. Her voice has a bit of Iris Dement and Patsy Cline, mixed in with classic country chords, that rolled effortlessly off the lap steel guitar. 

I’ll confess, I used to be a pretty big country music fan back in high school, but then when Bush took over the White House, I just couldn’t do it anymore. It just felt dirty and wrong. But I think Caitlin Rose has got me back into it, because her music is not about American pride or getting a new washing machine. Her songs are about teen pregnancy and the inevitable shotgun wedding, or about falling in love with a gorilla man. This is new country, that’s quirky, catchy, and it’s music that I would definitely recommend to you and yours.

 

And below — this is amazing. Best cover by a 5 years old ever:

 

Male lingerie: The proof is in the panties

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Lingerie has long been a lady thing. Lots of lace, ribbons and girly details ideally made to display womanly humps and lumps. Dudes can easily purchase a pair of Vicky’s panties to pretty up their anatomy but not all bodies can or want to rock their cock in female style. Options do exist.

These options, of course, vary from the stereotypical intimates that women are presented with — guy lingerie, at least the kind available ready-made in San Francisco, strips away the uber femme touches and gets down to business in a more functional way.

“We sell underwear that enhances. It lifts, supports, and projects forward,” says Bill Tull, owner of Injeanious, a Castro shop with 20-plus years of catering to men’s need for awesome underthings. 

Tull tells it like it is: “Men want to look bigger.”

There are lots of chicks out there shopping for sturdy underwires and promising push-ups, and their male counterparts are looking to make their junk more visually appealing, too. Injeanious has got answers for any department that needs a little boost: padded fronts, padded backs, control tops, girdles, back-less, front-less, briefs, trunks, thongs, ball danglers, built-in jock-straps with added ass-lifting and even pairs that promise ample dick-lifting.

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Injeanious employee Thomas Williams is currently obsessed with a pair of Andrew Christian briefs that feature a ‘hang free pouch.’ These hott briefs are a one-up on the traditional silk stunners—they’re made from bamboo! Earth friendly and delightfully soft.

“Underwear has come such a long way. It’s not just Hanes and Fruit of the Loom anymore.”

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Color options run the gamut from stark white to naughty brights, but there isn’t a pinch of lace to be found at Injeanious. Black mesh presents a more badass choice and a few sheer, transparent fabrics (even one with polka dots) account for the more decorative options — nothing too sparkly or sweet for the family jewels. Toll says there are no plans to include such items on his shelves.

“The customers are not interested. It’s just a bit beyond the pale.”

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What they do want is obvious from one glace in the store windows: plump, engorged pouches. This is why they purposely overstuff the mannequins with big ol’ wads of potential penis. Guys are visual and they want to see it — theirs or that of another, hanging out in a glorified satchel. Who needs bows and lace when you’ve got a bulge like that? It’s simply unnecessary frill. 

Sunday Streets could spawn skating world records

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A Guinness world record for the longest roller skating chain may be broken here in San Francisco this weekend. The car-free Sunday Streets returns to the Great Highway and Golden Gate Park, where “godfather of skating” David Miles plans to break the record now held by Samsung Asia Pte Ltd. in Singapore, with 280 skaters on August 6, 2006.

In addition to the going for the longest chain of skaters record, he’ll also create the record for longest skating serpentine and longest chain of inline skating as well. For the longest inline skater record, each skater must hold onto the other skaters hips as the group moves together a distance of at least 400 meters without breaking the chain. For the longest serpentine, which includes both inline and regular roller skates, participants must hold hands and follow the head of the serpentine as he or she makes turns to the left and right and moves forward creating a snake like motion with the skaters.

Mayor Ed Lee has agreed to participate and possibly lead a group as well. Although Sunday Streets event is free, registration to participate in this record is $10 and skate rental is $5. Skaters who plan to be part of the record must be registered and can do so here. Miles says there are currently 120 participants signed up but people wanting to participate can register the day of the event starting at 8a.m. The first attempt to break the record starts at 11 a.m. starting at the skating center at 6th Ave and JFK. In addition, Miles and his crew will be performing a “Thriller” dance on skate and “Cha-Cha-Cha Slide” starting at 2:30 p.m.

Sunday Streets also offers free bike rentals for one hour from Bike and Roll and Bay City Bikes at JFK and Transverse or at Lincoln and Great Highway. The seven-person funcycle will be on route and can be flagged down for a try. Roller skate rentals will be at 6th Ave and JFK. Rock the Bike returns with a bike pedal-powered stage at the Rivera sea wall on the Great Highway. For five hours, feel free to walk, run, bike, skate, or waddle. Other fun activities will start at the end of Martin Luther King Drive.

At this event, The Department of Public Works in collaboration with the SF Arts will host a free mural wall painting at The Great Highway and Lincoln. The art piece will be 40 foot long on a blank wall and everyone is invited to paint on it. Spray paint is provided and Francisco “Twick” Aquino, who created the mural at 21st and Capp streets in the Mission, will be the guest host at the free wall.

Sunday Streets encourages people to enjoy streets as open space and perform or lead activities such as yoga. The idea of this event comes from Bogota, Columbia and San Francisco joined this global movement in 2008 to create a healthier city.

“As San Franciscans, we are tapping into what communal creating is,” Sunday Street Coordinator Susan King said. “For 2011, Sunday Streets created a new policy for programming events, allowing for greater community participation and, allowing for more spontaneous activities. We are making participation more accessible and leading activities at Sunday Streets easier…the space itself is the activity.”

Miles also says, “when roads are closed to traffic, we can do all the things we are supposed to do, like be active and be healthy.”

The car- free event will last from 11am to 4pm, rain or shine.

First Thursday: Deathly portraits, cubic rams, smudgy painted mutts, and Aids 3-D

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April is usually one of the liveliest months for the make-your-own-maze blitz of art openings that is “first Thursday,” and this year is no exception. One highlight is definitely the debut solo show by Dean Dempsey, who graced the cover of the 2010 Photo Issue of the Guardian, and was interviewed on the Pixel Vision blog. Dempsey has since relocated to New York, and “Selected Works” at Togonon Gallery offers a new glimpse into his idiosyncratic “pictorial sculpture” take on portraiture. Speaking of which, glitter painter Jamie Vasta invokes Caravaggio in a new show at Patricia Sweetow Gallery. More about hers and other openings after the jump.

In “After Caravaggio,” 2007 Guardian “Flaming Creator” Vasta gathers friends and associates as subjects for a take on the master painter that coincides with the 400th anniversary of his death. There’s a deathly presence in more than one or two first Thursday shows, from Dempsey’s and Vasta’s to the X-ray images in Guardian Photo Issue alum David Maisel’s “History’s Shadow” at Haines Gallery, a logically dis-ease oriented extension of his recent large-scale renderings of rusty urns containing the ashes of anonymous mental institution patients.

Other first Thursday shows, works, and exhibitions of note: Aids 3-D (Daniel Kollar and Nik Kosmas) bring audience-energy solar panels to Altman Siegel Gallery; Shawn Smith serves up a colorful cubic ram at Cain Schulte Contemporary Art; Eric Zener presents emotionally evocative tree paintings at Hespe Gallery; Eric Ginsberg’s smudgy mutts and other dogs find a home at Mina Dresden; and Fauxnique talks about performance at Gallery 16.

Alexis Blair Penney, “Lonely Sea”

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This past weekend Honey Soundsystem held a release party for the 7-inch single release of Alexis Blair Penney’s “Lonely Sea.” Now the video for “Lonely Sea,” directed by Justin Kelly, is up for viewing. We’ve written about Kelly’s videos a few times in the past, and devoted a cover story to High Fantasy co-hosts Penney and Myles Cooper last year. Kelly’s video for “Lonely Sea” finds him and Penney tapping into at least a triad of ’80s video divas, as well as natural and mythological undercurrents.

Ammiano says support is growing for TRUST Act

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Assemblymember Tom Ammiano says that statewide support is building for AB 1081 (the TRUST Act), which would give local governments the right to opt-out of the controversial Secure Communities program.

As the Guardian previously reported, ten months after ICE’s controversial S-Comm program was activated in San Francisco, our “sanctuary city” ranks among the top 38 counties nationwide deporting “non-criminal aliens.”

“Unlikely allies are lining up behind this bill because ICE misled the public about S-Comm, whose real focus is more spin than safety,” Ammiano said in a press release today. “In fact, seven in ten Californians deported under S-Comm had committed no crime or were picked up for minor offenses like traffic violations. The program is ruining trust between immigrant communities and the police. But here in California, we can do better. This bill is a practical solution that lets local governments have a say and restores some balance to this dysfunctional system.”

Joining Ammiano as co-sponsors of the TRUST (Transparency and Responsibility Using State Tools) Act are Assemblymembers Gil Cedillo and Bill Monning and Sen. Leland Yee. And the act, which is billed as a pro-safety and pro-transparency proposal, already has the support of over 50 organizations and a slew of elected local officials.

These officials include San Francisco Sheriff Mike Hennessey who blew the whistle on the program last May, when federal authorities privately told local law enforcement agencies that S-Comm was going live in San Francisco in June 2010. At the time, there had been no public hearings on the proposed program, which links fingerprints taken when folks are booked at county jails with federal and international databases—in other words, before folks charged with crimes have had their day in court.

A press release from Ammiano’ s office states that S-Comm’s “misleading focus, over-broad reach and lack of transparency” has eroded trust between police and immigrant communities and sparked considerable open government concerns —problems the TRUST Act aims to fix.

In addition to allowing municipalities to opt-out, the TRUST Act would also sets basic safeguards for local governments that participate in the program to guard against racial profiling, protect the rights of children and domestic violence survivors. And it would uphold the right to a day in court by only reporting for deportation individuals convicted, not merely accused, of crimes. 

“Under S-Comm, a desperate call for help can quickly turn into a nightmare situation for victims of domestic violence,” said Tara Shabazz, Executive Director of the California Partnership to End Domestic Violence. “We’ve seen victims of abuse reported for deportation from San Francisco to Lodi, California. This bill will protect abuse victims and remove an important barrier to reaching out for help, and we are proud to support it.”

Ammiano’s office says that these serious public safety and civil liberties concerns have pushed local governments to seek a way out of the program, imposed on communities with no transparency or opportunity for local oversight. They note that the Santa Clara Board of Supervisors unanimously requested to opt out of S-Comm program in September 2010, but after months of confusion, ICE refused to honor the county’s request.

“The Federal Government forced this program on my jail without my consent,” SF Sheriff Michael Hennessey said. “By allowing local governments to opt out of this flawed program, AB 1081 will help law enforcement win back some trust with immigrant communities. That, in turn, will help improve public safety for everyone.” 

 “The TRUST Act raises this unregulated and inaccurate program to California’s standards and ensures transparency and accountability through clear data reporting requirements for local jurisdictions opting to participate in S-Comm,” said Chris Newman, National Day Laborer Organizing Network’s legal director.
 AB 1081 will be heard in the Assembly Committee on Public Safety on Tuesday, April 26 at 9 a.m. in State Capitol Room 126.

Snap Sounds: Arnaud Fleurent-Didier

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ARNAUD FLEURENT-DIDIER
La Reproduction
(Columbia/Sony Music)

If you’re a lover of chanson-tinged pop and you found Benjamin Biolay’s recent double-LP a letdown, then there’s bittersweet relief to be found in this song collection, which covers similarly vast instrumental terrain with an ease that the ostentatious Biolay didn’t manage. Fleurent-Didier reminds me a bit of Gerard Manset, but not quite as brooding — there’s modernity and whimsy to his compositions and vocal delivery. The interplay between vulnerable voice, acoustic guitar, piano, electronics, and orchestration in “Reproductions” is flat-out gorgeous. The Contempt-inflected music video for that song is one of the best I’ve seen in quite a while. Totally, tenderly, tragically, after the jump.

ARNAUD FLEURENT-DIDIER, “Reproductions”:

http://www.youtube.com/watch?v=2LFHL2KbJzU

Mayoral staff member to direct America’s Cup Organizing Committee

The San Francisco Ethics Commission voted unanimously on March 14 to waive a pair of ethics rules in order to allow Kyri McClellan, a project manager in the Mayor’s Office of Economic and Workforce Development (OEWD), to become executive director of the nonprofit America’s Cup Organizing Committee (ACOC). The fundraising arm of the America’s Cup effort, ACOC’s role in bringing the world-famous sailing regatta to San Francisco is to secure corporate donations to offset city costs.

For months, McClellan has been on the city’s side of the negotiating table in discussions with ACOC to hash out a memorandum of understanding (MOU) concerning its fundraising obligations to the city. Without skipping a beat, she’ll now be interfacing with the city on the ACOC side. At press time, it was unclear whether McClellan had already started her new job, but her voicemail with OEWD was still in service. We left a message, but haven’t heard back.

McClellan sat down with the Guardian last November for an interview about the America’s Cup. She seemed knowledgeable and organized — and race organizers were clearly impressed with her performance. Regardless of how qualified she may be, however, the Ethics Commission’s decision to grant these waivers raises the question of whether McClellan received special treatment from the very entity that’s tasked with ensuring ethical government conduct.

The move also raises concerns about a revolving door between the Mayor’s Office of Economic and Workforce Development and the powerful private-sector interests behind the prestigious sailing event. Rather than preserving the ethical barrier that the rules intended, ACOC will now gain a team member who has detailed knowledge of OEWD’s inner workings.

In order to accommodate McClellan, commissioners agreed to waive two post-employment restrictions for city officials. The first is a yearlong post-employment communications ban, and the second prohibits former city employees from receiving compensation from city contractors for two years.

To better understand the intent behind these bans, the Guardian phoned the Ethics Commission and was connected to Deputy Executive Director Mabel Ng. She explained that the communications ban prohibits former city employees from taking private-sector positions that interface with the same department they worked for, “because you might have some undue influence.”

The two-year ban on receiving compensation from city contractors is meant to ensure that city officials engaged in negotiating contracts are not doing so to secure an outcome that would benefit them personally. “This again, just to make sure that when you are negotiating a contract … you’re doing this on behalf of the city,” Ng said.

Asked to explain the commission’s reasoning behind the granting McClellan the waivers, Ng said it was because “it determined that there would not be a potential for undue influence … because it seemed like [ACOC’s] interests were aligned with the city’s interests.”

As one ethics commissioner pointed out during the meeting, however, the same could be said of virtually any nonprofit entering into an agreement with the city.

Asked what would happen if ACOC somehow failed to raise the agreed-upon funds, placing McClellan in the position of having to explain the shortfall or re-negotiate with her former coworkers, Ng allowed, “If something like that happened, there might be a conflict.”

And what justification was given for waiving the ban on former employees receiving compensation from city contractors? “For that one, in the law itself, it says the commission may waive it … if it would cause extreme hardship,” Ng explained. “There would be a hardship, because … this is a great opportunity for her, and there was a short timeline for her to do it.”

Pressed on that point, Ng confirmed that the “hardship” in this case was the possibility of being barred from a great job opportunity, not the threat of financial impact or job loss.

The other issue, Ng said, was that without McClellan serving in that post, the committee’s fundraising effort might not be successful. “It just seemed like, you need to have somebody take charge,” she said. “The committee may suffer without her at the helm. If she were not able to do that, the committee — which plays a very crucial role in this — may not be able to meet its obligations.”

When we mentioned to Ng that the committee was composed of some very well-connected individuals, she noted that she was not familiar with its membership.

As we reported in previous coverage of the America’s Cup, ACOC is a veritable who’s who. Hollywood mogul Steve Bing, who’s donated millions to the Democratic Party and funded former President Bill Clinton’s 2009 trip to North Korea to rescue two imprisoned American journalists, is on the committee. Tom Perkins, a Silicon Valley venture capitalist, billionaire, and former mega-yacht owner, has a seat. George Schultz and his wife, Charlotte, are members. Billionaire Warren Hellman, San Francisco socialite Dede Wilsey, and former Newsom press secretary Peter Ragone are also on the committee. And that’s to say nothing of the less well-known investors, or the honorary members — elected officials serving at all levels of government. Would a powerful crew such as this have a difficult time raising money without McClellan’s leadership? Seems like a stretch, but that reasoning was offered as a factor in the decision to grant the waiver.

In an odd twist, McClellan might also be working alongside her former boss on the America’s Cup effort. In January, ACOC named its “first ever” Ambassador at Large: Lt. Governor Gavin Newsom.

While several ethics commissioners raised questions before granting the waiver, the vote ultimately came to 4-0 in favor of McClellan’s request. Board President David Chiu sent his legislative aide, Judson True, to speak in support of issuing the waiver.

WonderCon: Local legends

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All photos by Luis Allen

Sure, the glitz and glamour of the big labels, with their video game consoles and upcoming movie tie-ins, were enticing at WonderCon (check out yesterday’s post for more costume awesomeness and our sociology nerd analysis of the convention). But of course, this being San Francisco and this being the Guardian, we found the “small press” aisles of the convention a little more enticing. Below, three of our favorite independent comic projects from around California.

Age Scott

When he was but a young thing in the East Bay, Age Scott’s teacher assigned him his final in comic book form, trying his best to get Scott interested in schoolwork. “I asked him what it had to be about, and he said ‘whatever you want.’” He wound up making a seven page book about a hip-hop mouse, his classmates started asking him for copies, and Scott realized that this whole comic book thing could work for him. 

Fast forward twenty years, Scott is still making it work. A self-dubbed “raptoonist,” at WonderCon he was hawking a series of titles about his characters Won and Phil, “hip-hop heroes.” I checked out Won and Phil: Dedicated to the Rap Generation, which turned out to be a choose your own adventure story, wherein the reader gets to decide the duo’s journey throughout the game. Sign with Death Row, Wu Tang, or Rocafella? Follow Old Dirty Bastard when the cops bust into the studio or hang back? Have beef with other emcees, wind up in the mental hospital, side with Jay-Z or Damon Dash? It’s all in there. 

Emily C. Martin

She had me at “fish people,” the hoodie-wearing gang of squat fish-men that show up halfway through Emily C. Martin’s SF-based graphic novel adventure, Otherkinds. “They’re in an antagonist role in this story,” Martin tells us. “But eventually I want them to be protagonists.” The fish men steal a nautilus from Steinhart Aquarium, and “imply a connection with a huge under-Atlantis beast,” says the Sonoma County comic artist, who includes an illustrated guide at the back of the book that talks about each of the fishmen’s real-life aquatic counterparts. I love the fishmen so much that their good-evil status doesn’t concern me, and briefly consider buying one of the buttons with the characters that Martin was displaying on her table. 

Chula Vista High Tech High Graphic Novel Project

Tucked away in the Moscone Center’s labyrinth network of halls and conference rooms, we stumbled across a panel of young men and women who were using comics to connect with their community. Students from a charter school in the San Diego area had started making comics and holding classes in the art for younger kids. The group produces full-length graphic novels with names like La Sombra de America and Wings of Freedom that benefit youth programs and organizations that help build community across the border. The Chula Vista kids were all wearing black buttondowns, they had the funniest PowerPoint presentation of the conference (as far as I’m concerned) and most importantly, these wonderkids are using their powers for good.

 

Is Burning Man going communal or selling out?

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“Man on the move,” the headline I gave to my current Guardian article and an extended personal blog post on the announcement that Burning Man will next month form a nonprofit group to eventually run the event, raises a number of interesting issues that are likely to be vigorously debated within this huge, active burner community in the coming months and years.

How should Burning Man be governed? What is the event worth – if it can even be quantified – and who created and should benefit from that value? Are Black Rock City LLC board members being selfless stewards of the culture in giving up control or are they being greedy control freaks in holding on for six more years and expecting a big payoff in the end? Or, like much about this dynamic culture, is the truth somewhere in the middle?

Event founder Larry Harvey’s big announcement last week, made during a speech that was unusual for its insights into the thoughts and internal dynamics of the BRC board, stressed how to value an event whose central ethos opposes such commodification.

“I thought it was time the owners stepped out from behind the veil of secrecy,” Harvey told me during a follow-up interview this week. He repeatedly emphasizes the benevolence of a corporate board voluntarily giving up control over its assets and revenue stream. “What we’re doing, as far as normal capitalism, is aberrant…What we’re doing is giving up a lot of money.”

But the way that Harvey is trying to frame this issue seems antithetical to how most burners see the event and culture that they’ve spent decades helping to create, from using the term “owners” to describe the six board members to suggesting Burning Man has any relation to “normal capitalism,” even to the claim that there’s “a lot of money” to give up, and that they might be more entitled to that money than the thousands of burners who have contributed their sweat equity to the event.

“We have people who have 10,000 volunteer hours at Burning Man,” says Chicken John Rinaldi, a longtime burner and critic of how Harvey and the board have run the event, believing that they have always overstated their importance considering Black Rock City is built each year almost entirely by its participants. “This event throw itself.”

Yet Harvey and the other board members, such as Michael Mikel and Marian Goodell, insist that the board plays an important role in shepherding the event and the culture that has grown up around it, which is why they plan on waiting three years to turn control of the event over to the new nonprofit, the Burning Man Project, and another three years after that until they liquidate their ownership of the name and associated trademarks and are paid for their value.

“We want it to get on its feet and be able to raise money on its own,” Harvey said of the nonprofit. The board is also creating a committee called the Philosophical Center “to ensure the cultural continuity as we pour Burning Man into a new vessel.” Mikel said he insisted on that because “for me, it’s not about the art. It’s really about the culture.”

The nonprofit board will be comprised of the six LLC board members and at least seven more members that those six members will select, and Harvey said they are doing interviews now, including talking to many longtime burners who were represented at last week’s summit of Burning Man regional leaders from around the world. Chicken said it was offensive that Harvey would tell this gathering that it would take six years before they’d have full control over Burning Man.

“What they’re saying is it’s going to take years to pass the torch over, and they’re saying this to a room full of people who have been involved in Burning Man for decades,” Chicken said. He was particularly critical of Harvey’s statement that the board discussed coming up with a value for Burning Man and dividing that by six. “Once that comes out of someone’s mouth, the bets are off.”

Chicken’s conclusion: “They’ve turned Burning Man into a commodity. They’re selling the event.”

Burning Man doesn’t have much by way of assets now, and its roughly $12 million annual revenue stream from selling tickets goes almost entirely to staging the annual event and supporting the year-round operations of the organization.

But once the nonprofit forms up and starts taking tax-exempt donations and finding other ways of diversifying its revenue stream for the three years before the current board members cash out, Chicken predicts the board members will walk away with about $1 million each. “But I’m not going to let them get away with it,” pledged Chicken, who has already starting agitating and rabble-rousing in online forums, just as he did in 2004 when he launched the rebellion that became known as Borg2.

Harvey has confirmed the board members will walk away with well more than the $20,000 that they’re currently entitled to if they resign, “but we’ll have to work for a living,” he said. Mikel told me, “It’s never been about the money, for me it was there was no succession plan. I really want Burning Man to continue beyond my involvement with it.”

Yet they also said that the bitter divisions on the board have evaporated since the new plan was developed. “Now that we can all see the future,” Mikel said, “we’re getting along wonderfully.”

But Chicken says he’s determined not to let these six board members, who have been getting the highest salaries for the last six years anyway “simply for ordering the PortaPotties,” profit from an event he helped created that has always been been about communal effort and decommidified relationships.

“Burning Man should be a labor of love,” he said. “I think Burning Man should exist outside of commerce.”

Guardian City Editor Steven T. Jones is the author of The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture.

Photos of Larry Harvey from April 1 speech by

Ana Grillo Photography and Multimedia Productions

Choices, choices at this weekend’s Green Fest

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Red, white, or green? You can go for all three, at least at this weekend’s celebration of all things sustainable. Jon Frey’s biodynamic vineyard will be pouring away — alongside 190 other exhibitors — at Sat/9-Sun/10’s Green Festival.

If the extensive alphabetical list of vendors gives an apt portrayal of Green Fest’s floorplan, Frey will shack up alongside From War to Peace, a husband-wife jewelry team that creates fashion from dismantled nuclear missile systems. One booth over, Frontier Angel Soap will leave passer-bys sweet-smelling and squeaky clean. Displays of sustainable goodies in other aisles of the Concourse Exhibition Center? Eco-friendly river rafting, passively-powered thermal art, and rolfing, a holistic system of soft tissue massage created by Dr. Ida Rolf.

In addition to the dozens of exhibitions, more than 130 speakers from the US and abroad will cover topics ranging from environmental justice to green finance to the chic new farming movement (courtesy of Planet Green’s “Beekman Boys,” Josh Kilmer-Purcell and Brent Ridge). Despite the festival’s distinctly international appeal, some home-grown representatives will peddle their nifty goods – or pedal, in the case of San Francisco-based electric bike company New Wheel.  

Also in attendance, with one comfy, sustainably-sandaled foot in SF and one in Bali, will be IndoSole, a shoemaker that uses salvaged motorbike tires for its soles with soul. And for the fully foreign, be sure to visit Mr. Ellie Pooh LLC. Though based in Brooklyn, the company specializes in fair trade exotic gifts and paper made from – you guessed it – elephant excrement. The, er, raw material comes from Sri Lanka, and helps ensure the elephant’s continued presence in that increasingly densely settled county.

And just in case you were wondering the Green Festival has a history of offsetting its impact through recycling, composting, and other programs — both here in its SF incarnation and in the five other cities where it unleashes the green team.

 

For more info on getting green in the big city, check out this week’s SFBG Green Issue, on newsstands today. 

 

Green Festival SF

Sat/9, 10 a.m. – 7 p.m.; Sun/10, 11 a.m. – 6 p.m., $10-$25

Concourse Exhibition Center

635 Eighth St., SF

www.greenfestivals.org/sf     

Snap Sounds: Silk Flowers

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SILK FLOWERS
Ltd. Form
(PPM)

There’s something endearingly ungainly about Aviram Cohen’s singing, but Silk Flowers is most successful in instrumental mode, and the majority of Ltd. Form steers clear of the morbid imagery and Michael Gira-like or Andrew Ridgely-type baritone posturing that characterizes three of the album’s tracks. The highlight is “Small Fortune” (which I keep wanting to call “Small Wonder”), an electric dream Phil Oakey would covet. It cries out for a dramatic pop vocal, yet likely is more resplendent without one. Listen in after the jump.

Silk Flowers, “Small Fortune”:

http://www.youtube.com/watch?v=wWutGTlS_WQ

Silk Flowers, “Small Fortune” live on WFMU:

http://www.youtube.com/watch?v=s25cFudEDqs

Hot sexy events: April 6-12

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Hey sexy momma. No really, all you mothers out there – you need love too! And though Good Vibes has been holding their Mommy’s Playdates for awhile, flush with sex toy consultations and complimentary refreshments for female breeders, now there’s a new event that especially geared towards those mamis out there: this month’s Femina PotensKinky Mamas. Local kinky ladies with offspring will bare their souls on the mic, sure to be an affirming evening.

Why the emphasis on uterus production? We haven’t left the Virgin-Madonna paradox behind, guys. One need only point to the discomfort stirred up by a photo of a naked pregnant woman (or that sex scene in Knocked Up) to see that sexy motherhood – well, it’s just not accepted in the public arena. But with Femina Potens founder Madison Young, sexy webcaster Suzie Bright, and Thea Hillman – part of the “homosexual revolution,” according to Focus on the Family — all having boarded the child-rearing train, it’s high time to start considering where a sex-positive life fits into having little ones.  

“Couple Seeking… : How to Have a Threesome”

Is there a more complicated sexual situation than the couple-and-a-third threesome? I’m sure you readers can think of one – but there’s no getting around the fact that this is a bedroom bang that deserves some forethought. Let sexperts Danielle Haral and Celeste Hirschman guide you through the basics of selecting your playmate and what to do with them once you’ve got them. Note: this workshop caters towards heterosexual couples seeking a male or female third. 

Weds/6 6-8 p.m., one person $20-25, couples $35-45

Good Vibrations

1620 Polk, SF

(415) 345-0500

www.goodvibes.com 


Sizzle: Sexy Mamas

Porn stars, authors, sex educators – mothers all, and they’re here to revel in it. Celebrate sex-positive motherhood at this Femina Potens event at Mission Control. 

Thurs/7 8:30-11:30 p.m., $10 Femina Potens or Mission Control members only

Mission Control 

www.missioncontrolsf.org


Bawdy Storytelling: The Unlikeliest Places

It’s begun: Bawdy Storytelling has started its gradual takeover of the planet with the storytelling series’ first show outside SF city limits. For the event’s East Bay debut, the exhibitionists onstage will discuss those moments when they did that … there? Rumor has it the evening will include a tale of getting drunk in a hospital – but who hasn’t done that?

Thurs/7 8 p.m., $10

The Uptown Night Club

1928 Telegraph, Oakl.

www.uptownnightclub.com


Kinky Karaoke 

Just a good old-fashioned, no-pressure karaoke meet-up – although if you happen to catch sparks with that sexy singer belting out “My Way,” just give them a nudge if they sit down at the table near the stage with the stuffed animal on it. That’ll be the place to go if you’re looking to hang with other local kinksters. Just remember, dress casual – karaoke’s open to the public, so you might want to leave your strap-on in your satchel. 

Thurs/7 7-11 p.m., two drink minimum

The Mint

1942 Market, SF

www.soj.org


The Society of Janus sampler night

A BDSM buffet for those interested in trying something new, tonight at SF Citadel instructors will have areas set up for demonstrations and “samples” of various kink techniques. Electrical play, bondage, impact play, and psychological play will all be demonstrated – now that’ll make you hot for teacher. 

Sun/10 6:30-9:30 p.m., free

SF Citadel 

1277 Mission, SF

(415) 626-2746

www.sfcitadel.org 


“The Price of Sex”

Well it’s hardly hot or sexy, but it is part of our world’s carnal reality, and we should all probably be up on the issue. Here’s a screening of a documentary on the netherworld of Eastern European sex trafficking, an investigation launched by Bulgarian photojournalist Mimi Chakarova. Chakarova will be on-hand for a post-screening Q&A, as will be her filmmaking team and a retired FBI agent (!). 

Tues/12 7-8:30 p.m., free with RSVP

Sutardja Dia Hall Banatao Auditorium

UC Berkeley, Berk. 

(510) 642-3394

journalism.berkeley.edu

 

SFBG Radio: If the government shuts down

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What will happen if the federal government shuts down, and 800,000 people lose their jobs, and basic services ground to a halt — and how long will this nasty game last? Johnny Angel and Johnny Venom discuss the implications after the jump.

sfbgradio462011 by endorsements2010

Barry Bonds trial: Why?

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Can somebody pleae explain why the United States government is spending all this money trying to put someone in jail who is clearly no threat to society, already has had his career ruined (unlike the Wall Street guys who actually damaged the economy and got away not only without criminal charges but with increased riches) and at worst, lied about something that he knew would leak out?


Remember: Bonds was worried from the start that his grand jury testimony would not remain confidential. And it didn’t.


I don’t know. The case is weak, the prosecution is weak, I don’t care about the size of his testicles and this is all costing the taxpayers millions of dollars. Why can’t the U.S. attorney prosecute some real bad guys? How about investigating municipal corruption?


Okay, I’m done now.

Smooth criminal: Fantomas slinks into San Francisco!

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Tonight is the kickoff of City Lights’ “Fantomas By the Bay” series, with absinthe-soaked readings (by Brian Lucas, Andrew Joron, and others) and performances (including a collaboration between Daniel Handler and Jill Tracy). In honor of the festivities, the time is right to link to the opening passage of Guardian contributor Erik Morse’s intense and extensive 2008 rendering of the shape-shifting Fantomas phenomenon for Arthur magazine, and to present scene-stealing Maggie Cheung in a stealing scene from Olivier Assayas’s 1996 Fantomas-influenced movie Irma Vep. Look for more here on “Fantomas by the Bay,” and check out Cheung and info about tonight’s festivities after the jump.

Maggie Cheung in Irma Vep (1996):

FANTOMAS STRIKES THE BAY!
Wed/6, 7 p.m.
City Lights Booksellers
261 Columbus, SF
(415) 393-0100
www.citylights.com

Where’s Jerry Brown’s leverage?

17

Jerry Brown’s travelling around the state, trying to get Republican voters to urge their legislators to go along with his budget plans. And he’s telling the harsh truth: If he’s forced to do an all-cuts budget, not just the poor but the middle class will get hammered. One of the most dramatic changes will be in higher education.


Brown says that if he has to make another $15 billion in cuts, the price of a year at UC will go up to $20,000. That’s going to price a lot of kids out of the college market and undermine one of the pillars of California society — the provison of affordable higher education for all. It will have another insidious impact: More kids will graduate deeper in debt — and will be unable to pursue public-interest occupations that don’t pay well.


Think about it: You graduate with $80,000 in debt, it’s much harder to work at a community-based nonprofit, or even as a teacher. God forbid you decide to go to law school or medical school; by the time you’re out, there’s no way you’re doing public interest law or working in a community clinic.


That, of course, is part of the hidden agenda here: The people who want tax cuts and small government also want to get rid of those pesky social change organizations and povery lawyers.


Here’s the odd thing, though, about Brown’s barnstorning tour:


He’s going into Republican districts — and threatening to do exactly what the Republicans in Sacramento want. They want an all-cuts budget, and they want a Democrat to have to take responsibility. So Brown what Brown is saying to the GOP legislators is: Do what I ask — or I’ll give you everything you want. Not exactly an offer they can’t refuse.


His big mistake was assuming that the Republicans would ever work with him. He should have started back in January with a signature drive to put an all-taxes (or mostly taxes) solution on the ballot. You want to block my half-cuts, half-taxes budget? Fine — I’ll give you a budget with no cuts at all. That’s how you deal with assholes.


And that’s why the Democrats need to be pushing their own ballot initiative(s) — now.