SFBG Blogs

Coal company gets punked by the Yes Men

The Yes Men, that prankster-activist group that has ruined many a corporate exective’s day, have struck again. This time their target is the notorious Peabody coal company, which operates environmentally devastating mountaintop removal mining sites in West Virginia and has strip mining operations in Arizona.

It may take a minute to realize that Coal Cares is a fake. Designed to look like a website for a Peabody-funded nonprofit, the faux charity offers free “Puff-Puff” designer inhalers for kids living within 200 miles of a coal plant. The site features a “Kidz Koal Korner” (an interesting spelling choice that could be meant as a subtle reminder of the environmental racism issues associated with coal-fired power plants), and a selection of inhalers with themes ranging from “Miley Cyrus” to “The Bieber” to “Punk / Emo.”

The humor is dark. For example, a kids’ game page features a maze with a drawing of the character “Jimmy” at the beginning and an inhaler at the end. It’s titled, “Help! Jimmy is having trouble breathing. Help him find his inhaler, quick!”

A section called “‘Clean’ Energy” features some over-the-top misinformation about wind power: “Wind technology is another ‘alternative’ wild card. Every single year, gargantuan wind turbines kill literally thousands of birds—especially when the turbines are located in the middle of migration paths. Exploding bats are also a growing problem, as vibrations from turbines causes the rodents’ lungs to burst apart in mid-flight.”

But a press release on the Yes Men’s website reveals that the issues that inspired this hoax are no laughing matter. Peabody was targeted for lobbying against new pollution standards for power plants that have been proposed by the Environmental Protection Agency — rules that the agency has calculated could prevent 120,000 cases of childhood asthma per year in the United States.

The press release noted that the action was dreamed up by a small environmental and public health group called Coal is Killing Kids (CKK), which aims to challenge coal industry lobbying against rules that would strengthen the Clean Air Act. “We don’t have their millions, but we do have a knack for incredibly tasteless jokes,” said Veronica Tomlinson, a pediatrician and member of CKK.

“Sure, it’s kind of tasteless to say that ‘Bieber’ inhalers are a solution to childhood asthma,” said Janet Bellamy, a spokesperson for CKK. “But it’s a great deal more tasteless to cause that asthma in the first place, as coal-fired power plants have been proven to do.” Added CKK spokseperson Justin V. Bond: “It’s even more tasteless to disproportionately kill poor people.”

Live Shots: Kinna Grannis at the Swedish American Hall, 5/10/11-5/11/11

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It’s rare these days to go to a concert and feel like you really saw something truly wholesome. It’s more likely you leave smelling of booze, covered in dance-floor sweat, and with the beat of the drums still pounding in your ears. Luckily, there are still musicians like Kinna Grannis making beautiful, simple songs that can make an audience just sit in total silence as gentle guitar chords wave over them. Grannis is performing at the Swedish American Hall for two nights this week (last night and tonight, Weds/11).

The first of these gigs left people standing out in the horribly cold wind, staring at the sold-out sign plastered to the door. Grannis, who has become famous mostly through the powers of Youtube, shared the stage with her equally talented sisters, Misa and Emi. Lots of her songs have to do with love and happy moments, which will just make you smile, and on her Youtube channel she’s explored all sorts of covers, from Tracy Chapman to Britney, bringing a bit of her own folksy twist to all of them.

Imaginary Friend started out the evening with melancholy ballads, just the thing you’d want to play when you’re all alone with that special someone.

There was something so pleasantly innocent and precious about the whole night — maybe if you’re lucky enough to get a seat, tonight you can go experience that wholesomeness for yourself.

 

Kinna Grannis:


Imaginary Friend:

 

 

Hot sexy events: May 11-17

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On the website for Kink Studios – Kink.com‘s foray into the world of arthouse porn cinema – one scrolls down a quote from, of all people, that strapping hunk of man meat Roger Ebert. It’s about The Last Tango in Paris

The movie frightened off imitators, and instead of being the first of many X-rated films dealing honestly with sexuality, it became almost the last. Hollywood made a quick U-turn into movies about teenagers, technology, action heroes and special effects. And with the exception of a few isolated films like The Unbearable Lightness of Being (1988) and In the Realm of the Senses (1976), the serious use of graphic sexuality all but disappeared from the screen.

But being the innovators, perverts, and getting-things-done Type A’s that they are, the minds behind Kink.com decided to do something about this dearth of sexy, smart art. To wit, they made a film, Indietro, that combines all the flogging and excited screams that you’ve come to expect from the website’s more conventional BDSM flicks, with haunting piano trills and – gasp! – character development. They stocked the film with acting turns by Madison Young, Aurora Snow, and William Van Toland, and is written and directed by Vivian Darkbloom. 

It’s playing at Mission Control (via Femina Potens‘ programming) on Thurs/12, along with a Q&A with cast and crew. See it to believe it – and bring Mr. Ebert, won’t you?

 

Virgie Tovar presents “Burlesque Basics for the Shy and Awkward”

Amazing alert: the fantabulously fat burlesque star Dulce de Lecherous (Miss Tovar if you’re nasty) is doing this course on Burly Q gratis for the wonky and discombobulated set. I bet you never thought you’d be able to shimmy in stilettos, or twirl tassels with tact – but this here Virgie is ready to ease all comers – boys, girls, bois, “girls” – into stageside sexiness. Or, at least get you on the right path. We’re only talking about an hour-long class here, people. 

Thurs/12 6:30-7:30 p.m., free

Good Vibrations

1620 Polk, SF

(415) 345-0500

www.goodvibes.com


First Full of Kink: Indietro

Watch Kink Studios’ first foray into art porn, ask all your perverted wonderings of its cast and crew, then enjoy black and white porn and live burlesque performances. Afterwards, you can stay for the play party – if you’re a member of Femina Potens. Keep it classy, art freaks. 

Thurs/12 8 p.m.-1 a.m., $15

Mission Control

www.feminapotens.org


“Saburau: The Warrior’s Path of Service”

A educational run-down of positive power exchange practices in the Japanese samauri tradition. Sure, it’s not your run-of-the-mill Exiles class (they tend to focus on more explicitly S&M teachings), but that’s why this course sounds so cool. Ground your play time in a background of service-oriented community. 

Fri/13 8-10 p.m., $4 members/$10 non-members

The Women’s Building

3543 18th St., SF

www.theexiles.org


Dungeon monitor training

This training is not about loving control – or maybe it is, but don’t walk into it whip in hand. Being a dungeon monitor is a big deal, a crucial role in the pursuit of a healthy S&M scene. This orientation is open to everyone, and features interactive scenes showing problematic dungeon happenings in which you’re asked to practice your better judgement to mediate. Not into becoming a monitor, per se? You’re still welcome to learn and hone your skills as a member of a smart and safe community. 

Sat/14 4:30-7:30 p.m., $5-10 suggested donation

SF Citadel

1277 Mission, SF

(415) 626-2746

www.sfcitadel.org 


Naked Girls Reading: Burlesque legends

SF’s regularily-occurring lit night is famous for letting it all hang out. Really — the women on stage are naked as jaybirds. And though once again local luminaries like Lili St. Cyr, Lady Monster, and Cherry Galette will be orating from honored texts, this time around at least part of the show will be occuring offstage. Burlesque legends from Holiday O’Hara to Satan’s Angel will be in attendance – and you can sit next to one of the lovelies, if you’re down to shell out another five bucks. Deal! 

Sun/15 8:30-10 p.m., $15-20

Center for Sex and Culture

1349 Mission, SF

(415) 552-7399

www.sexandculture.org

 

 

Appetite: Our picks from Dry Creek

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Last year’s Passport to Dry Creek festival (April 30-May 1) was quite the weekend of hops between wineries in Dry Creek Valley. How was it different than any of the dozens of events in wine country at any given time, you might ask?

Unlike barrel tasting weekends mobbed with drunken carousers and not-yet-mature wines, or smaller events where you gain merely a handful of tastes, Passport includes the majority of wineries in the Dry Creek valley and keeps the crowds regulated enough to be enjoyable. Each winery serves unlimited food and wine, often with live music and engrossing themes.

With a Passport ticket in hand, it’s like you’re invited to a private party at each winery. Some of the wines triumphed over the others, but then, many of the vineyard settings bested the rest during the weekend’s typically brilliant weather. After visiting 24 wineries, here’s my take on this year’s Passport highlights in the categories of ambiance, food, and of course, wine.

 

AMBIANCE

Bella Vineyards: 

Just like last year, Bella‘s African safari theme and moody, cool caves were a highlight of the entire weekend. Lingering here with a crisp rose is a joy every time.

Truett Hurst Vineyards:

Your drinking buddies at Truett Hurst

Another top spot from last year, Truett Hurst has a memorable zinfandel rose ($15) best enjoyed in the spot’s red Adirondack chairs alongside the river running through its property – after you’ve visited the goats and sheep on the back of the property. A dreamy respite, I always leave this winery relaxed.

Family Wineries: 

I don’t go to Family for the wine, nor for the cluster of non-descript tasting rooms situated off the parking lot, but I stop in annually here to spend a happy hour watching the California Cowboys play. A truly an awesome country band that keeps it real with tunes any classic country fan will love (from Waylon Jennings to Roger Miller), plus a few newer favorites. Vocals, musicianship, the Cowboys are top-notch.

Seghesio Family Vineyards:

A bowlful of steamin’ zydeco at Seghesio

With a raucous New Orleans theme based on the winery family’s NoLa roots, Seghesio boasted one of the top bands of the weekend: Andre Thierry & Zydeco Magic. Grilling Cajun ribs and spooning up bowlfuls of seafood gumbo, the spirit was festive and familial here, like one big backyard party.

 

FOOD

Frick Winery: 

I’m impressed every year by Frick‘s complicated bite-sized snacks offered by chef John Mitzewich and Michele Manfredi, a husband and wife dynamic duo. Chef John is known for his site Food Wishes (last year’s Saveur winner for best food video blog, nominated again this year).

Manfredi created SFQ sauce, our fair city’s first native BBQ sauce (try it if you haven’t!). Its East-meets-West flair appeared at this year’s Passport in their duck a la SFQ: duck confit in SFQ sauce on a cocoa corn chip, garnished with duck crackling remolata. Yum. 

My two favorites? Main line Philly cheesesteak: mini-baguettes topped with Snake River Farms Kobe-style steak over truffled “cheese whiz” (you read right — chef John is on the money with this one. I’ll take a jar?) Dotted with peppadew peppers and jalapeños, its perfection.

One of the ‘simplest’ bites was the best: the sausage luxe, Boccalone‘s sweet Italian sausage dusted with fennel pollen and skewered with a Luxardo maraschino cherry. Seductive and lush.

 

WINE

Quivara Vineyards: 

Quivara‘s high quality relies on hand-picked grapes and biodynamic farming methods. Its wines reflect care and attention, whether you’re sipping its 2008 grenache ($26) or 2008 mourvedre ($32).

Frick Winery: 

Frick is a Dry Creek favorite – from grenache blanc to C3 and C2 (Rhone blends), Bill Frick produces sophisticated wines that maintain Old World balance. This year, I’m really taking to his cinsaut and grenache.

Seghesio Family Vineyards: 

Seghesio‘s home ranch zinfandel has been an at-home go-to for a balanced zin, reflecting dark berries and the clay soil it’s grown in. At Passport, we tasted pre-releases of 2009 Home Ranch Zin ($38), a highlight of the 10 Seghesio wines sampled.

Unti Vineyards:

I’ve enjoyed Unti‘s wines the last couple years, and was reminded again last weekend that its 2007 grenache is a standout with blackberry, pepper, and even licorice notes.

Stephen & Walker: 

Besides appreciating their female winemaker, Nancy Walker, who I had the pleasure of meeting during Passport, there was a number of drinkable wines from Stephen & Walker‘s line-up of 10. The most celebrated is Walker’s 2006 Howell Mountain cabernet sauvignon ($65). Winner of multiple awards and the vineyard’s benchmark wine, it’s a fine showcase of the region’s cabs.

— Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot

 

Campos urges Lee to implement entire due process law

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Text by Sarah Phelan. Photographs by Luke Thomas


After the Guardian broke the news that Mayor Ed Lee was planning to only partially implement Sup. David Campos’ due process legislation, we headed to City Hall to witness Lee announce his partial shift during question time. And afterwards, Lee told reporters that he spent the months since he was appointed reviewing the policy and talking with leaders in the city’s juvenile justice departments.


“I looked at the difference between youth with family here and youth who did not,” Lee said, noting that his decision to let youth that have family here to have their day in court is in keeping with his policy of focusing on family reunification and getting families more involved.


Lee stressed that youth with family here will still need to be enrolled in school and not be repeat offenders in order to have their day in court.


“It will be decided upon on a case by case basis,” he said.


Lee said he has had conversations with the federal government and US Immigration and Customs Enforcement (ICE) about the policy shift. “We have discussed this,” Lee said. “And we did get a very strong feeling that the federal government is a bit confused.”


Asked how far he is willing to go to defend this latest policy shift, Lee said, “I’ll take that up as it comes. President Obama is struggling with immigration right now.”


Reminded that his predecessor Mayor Gavin Newsom refused to implement any aspect of Campos’ due process legislation, even though a super-majority of the Board passed the ordinance in 2009, Lee said, “I don’t compare myself with the former mayor.”


Asked what percentage of immigrant youth that end up getting booked are “unaccompanied,” Lee said he did not have those statistics. “Check with Siffermann,” he said, referring to the head of the city’s Juvenile Probation Department.”


Lee’s announcement was met with mixed reviews among immigrant advocates.


Civil rights groups applauded Lee’s decision to immediately begin implementation of Campos’ legislation, which was passed in November 2009, restores due process for immigrant youth in the city’s juvenile justice system and ensures that innocent youth are not torn from their families for deportation.  But they also expressed disappointment that Lee will only be implementing the policy for youth who have immediate family here, and not for unaccompanied youth.  And they all urge him to fully implement what they described as Campos’ “duly-enacting, common-sense law so that all innocent youth receive protections.”


They noted that implementation of Campos’ broadly-supported law, which has been endorsed by over 70 organizations, had been stalled until today due to former Mayor Newsom’s refusal to enact the law. 


Under Newsom’s direction, Juvenile Probation reported over 160 youth to ICE at the point of arrest, prior to the youth receiving due process, based only on a juvenile probation officer’s “reasonable suspicion” that a youth is undocumented. 


Civil rights advocates note that Newsom’s problematic policy was responsible for tearing innocent youth from their families and spreading fear among immigrant residents around coming forward to cooperate with police, either as witnesses or victims of crime.  


And they observe that the policy that Juvenile Probation Department has been enforcing since the summer of 2008, and which involved reporting youth for life-altering deportation at arrest, went well above and beyond any obligations under federal law. 


They noted that, as a cadre of legal scholars, including University of San Francisco Law Professor Bill Ong Hing, have repeatedly made clear, there is no requirement imposed on city officials under federal law to ask about immigration status or to report individuals suspected of being undocumented.”


Ana Perez, executive director of Central American Resource Center, agreed.“While we appreciate Mayor Lee taking action to finally begin implementation, we are concerned that he is only implementing the policy for accompanied youth and not for youth who may be unaccompanied because they are trafficked to this country, are orphans, or are escaping persecution.”


“I’m certain it’s not for all youth,” Pérez continued. “So, it’s a small win. But what about the kids who are victims of human trafficking? The fact is we spent so much time developing a policy that was approved by a majority of the Board. So, this is bitter sweet.”


Asked what became of the criminal grand jury investigation that then US Attorney Joe Russoniello initiated in 2008, when Mayor Gavin Newsom was running for governor, and news first broke that the city was accompanying youth who weren’t here with family back to their home country, Pérez suppressed a snort. “It seems that was a bunch of empty threats to try and get the city to move to a more conservative position,” she said. “It’s been a whole new day with Obama.”


Angela Chan, staff attorney at the Asian Law Caucus said that Juvenile Probation’s prior policy of reporting innocent youth exacerbated the impact of a broken federal immigration system on local immigrant families. “We appreciate that Mayor Lee has taken this long awaited step forward because he values family unity and due process for youth,” Chan said. “However, we ask that the Mayor not exclude unaccompanied youth from receiving due process protections.”


Patricia Lee, managing attorney in the Juvenile Unit at the Public Defender’s Office also supported the demand for complete implementation of Campos’ legislation. “If you want the immigrant community to feel safe enough to cooperate with police and probation, then those agencies should not be viewed as representatives of immigration,” she said. “My clients and their families are scared of probation, they are scared of police. Selective implementation of the due process policy for only accompanied youth and not to unaccompanied youth does not solve this problem.” 


And Charles Washington, the Muni bus driver and longtime San Francisco resident, whose wife and 14 year old son were almost separated from him as a result of the prior Juvenile Probation policy, expressed concern that the policy would only be implemented for some youth. “I’m glad to see Mayor Lee is doing the right thing by implementing the due process policy,” he said. “However, he should not leave any youth, especially those who are most vulnerable, behind.”


Sup. Campos applauded the Mayor for implementing the policy while expressing disappointment that it is only partial implementation. As Campos’ stated during the Board meeting, but after Lee had already left, “This body enacted that law and that law needs to be respected.  It is not up to the executive branch to second guess the legislative branch.” 


Sup. Eric Mar added that he supports full implementation for all youth.


 And Sup. Jane Kim, who asked the Mayor during the Board’s Question Time about his plans for implementation, stated, “My hope is that he will commit to full implementation of this policy.”


But in the end, the burden fell on Campos to explain why partial due process is unjust. “This is a good first step, but it doesn’t go far enough,” Campos explained. “As I understand it, the decision Mayor Lee has taken is, that if you are a minor, and are accused of a felony, you will be given due process if you have family here. But if you are charged with a felony, but don’t have family here, then you will not be given due process. Let me begin by thanking Mayor Lee for at least taking one step in the right direction. That said, we still will not have full compliance with a law that was duly enacted by this body. Full compliance means giving every child that interacts with the juvenile justice system due process. So, {Mayor Lee’s first step] is simply not sufficient.”


Campos noted that when mayors are sworn in, they agree to uphold laws that the Board enacts. “So, the law needs to be respected,” Campos said. “It’s not up to the executive branch to second guess the legislative body. That second guessing can only be done by the courts. Therefore, we, once again, ask the mayor of San Francisco to comply with full implementation.”


Noting that a bedrock of the U.S.’ justice system is the principle that we are innocent until proven guilty, Campos said that if the mayor does not fully implement the law, as approved by the Board, “There’s a very real possibility that children that we are reporting [to ICE for possible deportation] are not guilty of what they have been accused of. So, once again, I ask the mayor to reconsider his opinion.”


Campos also noted that there are already procedures in place, within the existing juvenile justice system, to ensure that “we do not have individuals released who should not be.”


After the meeting, Campos noted that the format for the Board’s question time with the mayor currently leaves something to be desired: an opportunity for the Board to reply.


“It would be better if it would allow for some exchange, though obviously, we don’t want it to be a ‘gotcha’ game. But at this moment, it’s too rigid.”


 Asked who drafted the current Question Time format, Campos replied, “Board President David Chiu.”

Bedbugs and pickpockets: a non-travelers tale

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I am a hotel aficionado. I wrote my undergraduate thesis in a New Haven hotel lobby, watching the light fade from pink to orange to a deep purple-blue each night, sometimes not leaving until the floor-to-ceiling panes of glass began to brighten with the morning.


Some of my favorite places in San Francisco are hotels: I love their bars and cafes, awash at all hours with a tide of voices bubbling forth in languages I don’t understand. I love the scale and grandeur of the marble foyers and reams of upholstery. I love making up stories about the passers-by: this one with jetlagged eyes and too much eyeliner; that one walking an unwieldy assortment of shopping bags like too many dogs; the last, an anachronism with a cigar and seersucker.


Like the airport bar, hotels hold all the romance of a moment suspended: an alternate reality, set apart from the day-to-day. Of course, most people associate traveling with a whole set of very real hassles – from which, I found out yesterday, my little non-vacation vacations are not immune. I experienced some authenticity along with all that atmosphere: in the lush upholstery, bedbugs, and among the tides of travelers, at least one very skilled pickpocket.


Picture me: a steaming pot of Earl Grey, settling into a sofa, the sun slanting through the gauzy drapes. No sooner have I unfolded my laptop and set Pandora to supply the elevator music (embarrassing but true) than I feel a tickle on my neck. Absentmindedly, I brush it away, and there – sitting right there on my hand – is an impudent, shameless, full-grown bedbug.


I’d like to point out that I am not a paranoid person. But the bedbug’s reputation precedes him, and the tales of horror are too overwhelming to take lightly. Bedbugs, parasites that snack on human blood, can survive temperatures that dip below freezing and soar above 100 degrees. They can go months without feeding – some say more than a year. More than enough to warrant my jumping, yelping reaction.


I smushed the bug, heart racing, and looked for the nearest escape. But simply running away would not do. Instead, I needed to assess my situation.


I put Mr. Bug in a Ziploc bag (despite a thorough smashing, he waved jauntily as I sealed him shut) and began to examine the couch. Bedbugs particularly like seams, corners, rolls in the fabric, and cording. If an infestation is severe, piles of cast-off skins and small white eggs can be found in little caches. The bugs also leave dark brown droppings dotted over areas where they have recently fed.


My search didn’t reveal much, but adults – flat, rusty-brown, and about the size of a pencil-eraser – generally hide during the day. Nymphs range from .5-4mm – easily small enough to hitch a ride on clothing, shoes, luggage, or hair without arousing suspicion. Once they reach their new home, they will burrow into the cracks around baseboards, to say nothing of the raging party they will have in mattresses.


The thing about bed bugs is that they can come from anywhere. Even if a hotel is scrupulous about maintenance, any person who walks in and sits on a couch can bring them and transfer them to the next person. Females lay eggs continuously (300 in a lifetime) so a lone straggler is enough to start an infestation.


So, I did what any sane and sensible person in my position would: I politely informed the hotel staff that I had found the dreaded critter, and then I got the heck out. I had the urge to tear off my clothes and burn them, but I settled for locking myself in the bathroom of the hotel next door and performing a careful inspection. I would need to wash my clothes in hot water and dry on “high” when I got home – a good policy for all travelers, especially if they’ve received suspicious bites on their trip. Suitcases should also be thoroughly inspected and vacuumed.


I said good-bye to Mr. Bug and threw him out in his sealed Ziploc – never throw out infested items (such as vacuum bags used to clean buggy furniture) without sealing them first – and sighed, secure in the knowledge that I’d sufficient precautions.


I settled down with a new pot of Earl Grey in my new hotel, ready to regain my earlier calm. It was a bustling lobby of tiny tables overflowing with a tipsy happy-hour crowd. Hotel happy hours are another reason I love this city’s hospitality industry: the bartenders are less hassled than at the typical neighborhood watering hole, and the people-watching is far better.
After a happy few hours (during which I switched from plain tea to G&T), I had finished a pile of work and was ready to pack up. I bid adieu to the bartender and looked for my pocketbook to leave a tip.


It was gone.


For the second time that day, I found myself groveling on the floor, lifting up couch cushions, and sweeping through curtains. I wished I’d had enough to drink to call the whole thing a hallucination, but by the time I found myself riffling the leaves of the potted plants, I had to admit that my wallet was not going to reappear.


I dumped out my purse (which is really just a canvas shoulder bag) I realized my phone was gone, too. Both had been in the bag, which had spent the last couple hours hanging on the back of my chair. This, obviously, was a huge mistake.
In all that cheery hustle and bustle, I’d been totally hustled. I have to hand it to my assailant – who, I’ll deduce from the $800 Nordstrom splurge, was a woman. She managed to get both items out of my possession without my noticing a thing. Of course, I did her a huge favor by favoring an open-style bag without a zipper or other closure. I love that my laptop and other sundries fit in the loose sack, and Ms. X loved that it enabled her to take a quick trip to Saks.


In just a few hours, Ms. X loaded a total of $6,000 of charges onto my Merrill Lynch Visa. To their credit, the folks at Chase Bank didn’t let the same thing happen to my debit card – when I called the hotline, a representative read me a list of fraudulent charges they had denied. Five minutes and a few identifying security questions later, I was slated to receive a new card in the mail.


It may seem obvious, but if your wallet is stolen, the absolute first order of business is to cancel your cards – even if means spending, as I did, the hours of 12 a.m. to 3 a.m. on the phone with a series of outsourced Visa workers. Word to the wise: it’s far easier to call your bank directly than deal with your credit card company. Like most US banks, Merrill Lynch has a 24-hour customer support line, and if I’d dialed it rather than the number I found on the Visa website, I’d have bypassed a long painful process. Furthermore, only my bank was able to tell me what charges had been made, and what I will need to do to reverse them.


And then there’s the police report: it’s a pain, especially because fraudulent charges mean you must appear at the station in-person, rather than filing online or by phone. But it’s also crucial in case you have troubles down the road with your bank, credit card company, or someone who wants to pretend they’re you. Reports are kept on file, and copies may be requested at a later date.


Verizon received an A+ for swiftly cutting service to my cell phone, switching me back to my old dumb-as-a-brick phone, and automatically crediting charges for my no longer needed data plan. By then, it was 4:00 a.m. The next day, I would need to tackle the new driver’s license, the new student ID, and the new keys. But first, I needed a good night’s sleep – in my own non-vaction home, in my bed bug-free bed.

TED taps Flux to talk about building community through art

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In the wake of its artistic and community-building success building the Temple of Flux at Burning Man last year, which I profiled in “Burners in Flux” following a five-month immersion journalism project, the nonprofit Flux Foundation has been selected as finalists to address TED2012: Full Spectrum. TED, which stands for Technology, Entertainment and Design, has become the country’s premier cutting edge speakers forum.

Principal artists Rebecca Anders, Jessica Hobbs, Catie Magee, and Peter Kimelman will travel to New York City to do a live presentation with three other Flux crew members to the TED selection panel on May 24. The opportunity was opened up by a great video the team produced, which accentuated the transcendent nature of this collaborative art project, closing with the line, “We built community through art and we’d like to show you how.”

That idea – big art as a catalyst to creating community – was a major theme in my article, as well as the conclusion of my book, The Tribes of Burning Man: How an Experimental City in the Desert is Shaping the New American Counterculture, which focused the Temple of Flux. And it’s something the Flux crew is continuing to do out in its American Steel workspace in West Oakland, where they are working on another ambitious new installation art piece.

Brollyflock, “a renegade flock of umbrellas,” was commissioned by event producer Insomniac for the Electric Daisy Carnival in Las Vegas and Noctural in San Bernardino, and which the crew hopes to display at TED2012. But to realize its ambitious goals, Flux Foundation has started a Kickstarter campaign with a $2,000 goal, so kick in if you want to see this homegrown success story continue to ascend.

Mayor Lee to partially implement Campos’ due process ordinance

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Today at question time, Sup. Jane Kim will ask Mayor Ed Lee what his plan is to implement a due process ordinance that Sup. David Campos authored and a super majority of the Board approved in 2009, prohibiting the Juvenile Probation Department from reporting undocumented youths at the time of arrest. And according to an anonymous source, Lee will say he has decided to implement the policy, if the youth in question are “accompanied,” which means they have family here.

Immigrant advocates say Mayor Lee should be commended for his leadership in implementing the due process policy to keep immigrant families together. But they believe that Lee needs to go the whole way. “Immigrant and civil rights groups are adamant that the policy must be implemented for all youth, accompanied and unaccompanied, and this has to be immediately,” our source said. “The due process policy does not discriminate between these two groups and the policy cannot be selectively enforced.”
 
As Kim planned to point out during the Board’s question time, voters approved San Francisco’s Sanctuary City Ordinance in 1989. That ordinance prohibits our Police Department and local government officials from assisting in the prosecution of immigration enforcement unless it is required under federal or state law.

In 2009, the Board, under Campos’ leadership, passed-by a supermajority-a clarification to that ordinance to prohibit local law enforcement from reporting undocumented youths unless they are convicted of a felony. To date, this ordinance has not been followed by the City.

But in a May 9 memo to the city’s Probation Department personnel, Juvenile Probation Department Chief Probation Officer William Siffermann and Assistant Chief Probation Officer Allen Nance wrote that since revising JPD’s policy 8.12 nearly three years ago [per Mayor Gavin Newsom’s instructions], they have closely monitored JPD’s implementation of its protocols.

And after considering all perspectives and after careful review, they have decided to “modify our existing policy in a manner that aligns our Departmental policies more closely with the values inherent within San Francisco’s Sanctuary City ordinance, without compromising our balanced commitment to public safety and the best interests of the minor.”

“Effective immediately, San Francisco Juvenile Probation Department notices to the federal authorities of minor/persons booked on felonies who are suspected of being undocumented AND are accompanied (lives with a verifiable parent, guardian or blood relative in the immediate Bay Area and is enrolled in school) will be made only upon a felony adjudication, upon apprehension on an outstanding warrant, or upon issuance of a new warrant following release from custody pending adjudication,” the JPD memo reads. “Minor/persons booked on felonies who are suspected as being undocumented, AND are verified adults or unaccompanied by any verifiable parent, guardian or blood relative residing in the Bay Area, whether or not enrolled in school, will continue to be reported to the federal authorities upon determination of this status.”

“Policy 8.12 will continue to ensure that all suspected undocumented minors booked and convicted of committing a felony will continue to be reported to the federal authorities,” the JPD memo continues. ‘While the Department will neither assist nor interfere with the federal authorities’ overwhelming duties and responsibilities related to the enforcement of immigration laws, we will continue to honor their lawful detainers regarding suspected illegal immigrants.”

“We are confident that your uniform compliance with this policy adjustment will continue to reflect the Department’s interest and your professional commitment to preserving families while we discharge all of our many duties that protect public safety,” the JPD memo concludes.

Legal scholars weigh in on Secure Communities

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In face of statements by Secretary of Homeland Security Janet Napolitano, three legal scholars in California have offered their opinions on recent developments surrounding immigration enforcement in California and “Secure Communities” (S-Comm) a program run by U.S. Immigration and Customs Enforcement (ICE) that automatically shares fingerprints at the point of arrest by local law enforcement.

Napolitano recently asserted that states and localities have no power to decide whether to participate in S-Comm, raising serious concerns about overreaching by the federal government and intrusion into local police power. In response, Aarti Kohli Director of Immigration Policy at the Warren Institute on Law & Social Policy at UC Berkeley’s law school, and law professors Hiroshi Motomura and Bill Ong Hing have weighed in on the growing controversy to provide, “accurate and important analysis on the legal terrain surrounding S-Comm.”

Kohli said that the reason academics are weighing in now is to point out that just because the federal government is asserting that it has certain authority doesn’t mean that’s the case, and that there are people who are interpreting the law differently.
“It’s not a cut and dry situation,” Kohli said of the federal government’s current position. “Strong arguments can be made that the federal government is overreaching.”

Kohli notes that at least 60 percent of the people who are currently in the country unlawfully entered the United States before 2000. “So, they have been here for over 11 years,” she said, noting that the last legalization opportunity for folks who entered unlawfully occurred in 1986. “So, you are talking 26 years ago,” she said, noting that there used to be many more options for people to adjust their status. “So, now you have people who have lived in the country for two decades who have not been able to legalize their status.”

Kohli observed that given the economic crisis, cooperating with the feds’ controversial “Secure Communities” program also becomes a question of priorities. “It becomes a question of where do you want to put your enforcement dollars,” she said, noting that state and local governments facing restraints in terms of jail space and resources. “So, does it make us safer to lock up low-level offenders, people who we would otherwise never dream of locking up, particularly in face of the constraints at the state and local levels?”

Initial research conducted by UC Berkeley’s Warren Institute’s indicates that S-Comm does implicate the use of local resources. 
“Data indicates that the majority of non-citizens who are booked into ICE custody through Secure Communities have been accused of low-level offenses, including traffic-related misdemeanors,” Kohli said in a press statement. “ Under typical circumstances, localities would allow low-level arrestees to post bond soon after an arrest.  However, if ICE issues a request for the local jurisdiction to hold the person, then bond is often denied and the person must remain in the local jail until the case comes before a judge.  Because of ICE holds, local jurisdictions use their own limited resources to feed, detain, and manage low-level offenders who would ordinarily not remain in custody.  All of this occurs before the person is even taken into custody by ICE.  Secure communities has resulted in a dramatic rise in ICE holds issued to local jails, thereby overburdening local law enforcement with the detention of those arrested on minor offenses who would not normally be held for extended periods.

Hiroshi Motomura, a law professor at UCLA, asserted that S_Comm undermines trust between local law enforcement and immigrant communities, may overstep the constitutional authority of the federal government to tell local governments how to run their police departments—and has a more basic flaw that has  policy and constitutional dimensions. “It is that the program delegates to local police the discretion to decide who—through stops and arrests—will be put into the immigration enforcement system, and who will not,” Motomura said in a press statement. “Even if the federal government retains the theoretical power to decide not to deport some non-citizens, local police will become the gatekeepers. As a practical matter, their decisions to arrest some residents but not others, to get tough with some neighborhoods but not others, will drive and direct federal immigration policy.  The constitutional command that U.S. citizenship is national citizenship means that immigration enforcement decisions can’t be left to local preferences—and local prejudices.  The local government proponents of opt-out aren’t arguing that they should be allowed to make immigration decisions.  Instead, they are arguing that no local officials should be allowed to make what must ultimately be national policy.”

And Bill Ong Hing, a law professor at the University of San Francisco reacted to ICE’s stated position that states and local governments must participate in S-Comm: “In the immigration field, the concept of preemption is an appropriate check on over-zealous local enforcement efforts that directly affect immigration regulation, while the Tenth Amendment is a check on federal intrusion on a local jurisdiction’s attempt to be more protective of individual rights and when the locality has a legitimate non-immigration-related purpose such as public safety,” he said. “The central teaching of the Tenth Amendment cases is that ‘even where Congress has the authority under the Constitution to pass laws requiring or prohibiting certain acts, it lacks the power directly to compel the States to require or prohibit those acts.’ Congress may not, therefore, directly compel states or localities to enact or to administer policies or programs adopted by the federal government. It may not directly shift to the states enforcement and administrative responsibilities allocated to the federal government by the Constitution. Such a reallocation would not only diminish the political accountability of both state and federal officers, but it would also ‘compromise the structural framework of dual sovereignty,’ and separation of powers. Thus, Congress may not directly force states to assume enforcement or administrative responsibilities constitutionally vested in the federal government.”

Ong Hing also noted that S-Comm’s current Memorandum of Agreement (MOA) between ICE and the State of California provides that it may be ‘modified at any time by mutual written consent of both parties. “The implication of this provision is clear: the terms of the MOA are negotiable,” he said

The trio’s move comes as local authorities in California and across the nation are increasingly turning against S-Comm, arguing that it overburdens local law enforcement with civil immigration enforcement, and results in high budgetary and social costs. 
Community advocates and several elected officials have already asserted that S-Comm harms community policing strategies by eroding trust between victims and witnesses of crime and police who fear immigration consequences. They cite examples of domestic violence victims in San Francisco and Maryland who have been placed in deportation proceedings after they called local law enforcement agencies for help.

In San Francisco, Sheriff Michael Hennessey has already asked to opt out of S-Comm because it casts “too wide a net”. Under the current program, S-Comm calls for fingerprinting and federal immigration database checks of arrestees, including those jailed for minor offenses like a broken taillight. And community advocates warn that the program can result in deportation without conviction or a trial. But the federal government has stated that only states can opt out. Last week, shortly after Illinois announced that it was pulling out of S-Comm, and a bill that Assemblymember Tom Ammiano authored, requiring the Attorney General to allow California counties to opt out of the program passed out of a committee, Hennessey announced that he will start releasing from jail undocumented immigrants who have been arrested for low-level crimes, even if federal officials notified through S-Comm’s fingerprint identification program request that they be held for deportation hearings.

Hennessey’s new policy is set to begin June 1. It means that undocumented immigrants arrested for petty crimes such as disorderly conduct, drunk in public or shoplifting will not be held in jail until ICE come to collect them. And it will make San Francisco the first California county to implement such a policy.

Hennessey explained that local jails are not required to hold inmates if ICE has identified them as undocumented, so sheriff’s deputies won’t be violating the law. Currently, sheriff’s deputies hold undocumented immigrants who have been booked for low-level offenses until ICE picks them up. But under the new policy sheriff’s deputies will release them with a citation as they do in cases involving U.S. citizens.

Hennessey, who is retiring and has endorsed Sup.Ross Mirkarimi in the race to replace him this fall, says the shift is intended to uphold the city’s sanctuary ordinance, which prohibits local officials from assisting ICE unless a felony crime is involved.

ICE’s own statistics seem to support Hennessey’s concerns: From June 2010 until February, 111 people that S-Comm identified were deported without being convicted in criminal court. 85 people who committed the lowest two levels of crimes were deported, plus 45 who committed felonies, including rape and assault.

But ICE spokeswoman Virginia Kice decribed Hennessey’s decision as “unfortunate”.
“ICE detainers are an effective tool to ensure that individuals arrested on criminal charges, who are also in violation of U.S. immigration law, are not released back into the community to potentially commit more crimes,” Kice said in a statement.

5 Things: May 10, 2011

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>>IF YOU WATCH ONE MOVIE THIS YEAR, DON’T LET IT BE THIS ONE Looking to revisit the magic that was 2009’s cinematic syrup of ipecac – and looking for a fix for idle hands? Princess Animal, SF’s sassiest eponymous yarn store owner, has lain down the gauntlet: whosoever shall craft the best human centipede shall receive a skein of locally-made Pigeonroof Studios “at only the cost of materials and your dignity.” 

>>FLOWER POWER Katie Bush makes digital and analog art, and this month she’s showing work at two sites, Spunk Salon and The Lexington Club. The advance writeup for her show at the Lexington, “Mesmerizing Lady Parts,” promises “a month-long detonation of flowering lady parts” and “militarized bouquets of church-resistant ovariangasms.” The show runs through mid-June, and the opening is from 7 to 9 p.m. tonight, May 10.

Live from the Cadillac… 

>>GROWN FOLKS TUNES Kids these days with their hippity-hoppity and their Lady Gaga – take a break from the Tweets of the week and hone in on three shows that pay homage to the days when people were smarter than their cell phones (that didn’t exist yet). Jazz Mafia will be playing their annual Stevie Wonder birthday tribute show not once, but twice, and over at the historic Cadillac Hotel, SF Recovery Theatre will be performing “A Night at the Black Hawk,” an original play that tells the story of artists at the Tenderloin’s famous jazz club. The historical beat drops at 12:30 p.m. on Friday, and the public is free to attend.

>>WE OLOVE BLACKBERRIES It takes very little (cold snaps aside) to get us to fire up the grill. That being said, We Olive (a local gourmet shop that’s one of our favorite stops when we make it over the Pac Heights hill to the Marina) has just given us the best reason of the season: a new, locally-produced balsamic blackberry vinegar fit to beat the band. Made from blackberry puree, the vinegar is light and tart and gets us in the mood for those purple-stained fingertips that are still a few months out. We Olive recommends it as a marinade for skate – we can see it dressing our arugula, or adding a sweet tang to some well-peppered grilled veggies. 

>>HERE’S HOPING THEY’RE KIND BUDS Spotted near AT&T Park. Apparently Budweiser has tapped into the Bay’s Giants game refreshment of choice and wants to add its products to the pairing menu:

 

 

Editorial: Preserving preservation in San Francisco

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 San Francisco has a terrible record preserving its past. In the past 50 years, so many parts of the city’s history have been demolished, bulldozed, flattened, or destroyed in the name of development. The number of landmarks that are gone vastly exceeds the number of buildings or landscape features saved by historic preservation laws.

So when Sup. Scott Wiener called a hearing May 2 to discuss possible changes in the city’s historic preservation policies, it got a lot of neighborhood activists nervous. And for good reason. In a city where developers always seem to call the shots, where blocking a bad project is a difficult and expensive process, anything that removes a weapon from the quivers of the neighborhoods is potentially dangerous.

And coming in the wake of a 6-5 February vote at the board to appoint an unqualified, pro-development candidate to the Historic Preservation Commission, there’s a disturbing trend here. And the supervisors should be careful not to dismantle the protections that the 2008 ballot measure, Proposition J, put in place to protect the city’s history.

Wiener assures us he’s not out to gut preservation he supported Prop. J and doesn’t think that the preservation movement has gone too far. “I just want to make sure that we are taking into account other policy priorities,” he said.

Wiener pointed to a few potential situations where historic preservation could get in the way of improvements to transportation and streetscapes. The street lights along Van Ness Avenue might have to be removed to make a bus rapid transit lane work and some people might consider them historic structures. Pedestrian safety improvements along Dolores Street might require minor changes in the tree-lined median, which is not a landmark but potentially could be. He’s looking at changes in the City Planning Code provisions dealing with historic preservation and potentially, with the way the Planning Department applies the California Environmental Quality Act.

There are always times when preservation conflicts with progress, and there will always be dubious uses of preservation law. But overall, in the course of many, many years, the pendulum has swung far in the other direction: historic preservation has been trumped again and again by the greed and political power of developers and the construction industry. And even well-meaning attempts to adjust city law will almost certainly become loopholes for more destruction.

Almost everything good in this city, from the cable cars to the Presidio, has been threatened with extinction at some point. Battling to save the city’s treasures is a full-time occupation.

There are ways to balance preservation against valid public policies like the need for affordable housing (almost never blocked by preservationists) and street improvements (one anti-bicycle character delayed new bike lanes for years, but not on the grounds of historic preservation). But there has to be a clear line: no changes or loopholes aimed at helping private, for-profit developers. Nothing that limits the ability of neighborhood groups to stop the destruction of city history.

The problem in San Francisco is not too much historic preservation, it’s that we allow too much to get lost. That’s why Wiener needs to tread lightly on this ground and his colleagues have to make sure he doesn’t go too far. 

The Performant: Vice squad

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The Thrillpeddlers take on Poe, plague, and poop

In Edgar Allan Poe’s grisly tale The Masque of the Red Death, a group of wealthy nobles hole up in a fortified abbey to avoid the ravages of a mysterious ailment sweeping the countryside, which causes its victims to sweat blood and keel over dead in the streets. 

Led by their host, Prince Prospero, they gather beneath his roof and weld the gates shut against the outside world, availing themselves of the comforts he provides: food, wine, and “all the appliances of pleasure”. Six months into their isolation the Prince arranges a masquerade ball, a gala affair that fills seven rooms, each decorated in a different color. In his zeal to describe at length how each room even boasted windowglass the color of the décor, and how the partiers were costumed with “much glare and glitter and piquancy and phantasm,” Poe neglects to describe much of the evening’s entertainment. 

Fortunately for the curious, the gender-bending, genre-blending ensemble The Cockettes decided to reimagine the spectacle in their final show, Vice Palace, now being revived by the Thrillpeddlers in their way-off-market digs, the Hypnodrome.

As grotesque and depraved as Poe must have imagined the desperate pastimes of the filthy rich to be, it’s my guess that he wouldn’t have come up with entertainments half as perverse as those showcased in Vice Palace

Wrangled into place by flamboyant, fabulously-coiffed hostess Divina (Leigh Crow) and her crop-wielding, high-bosomed secretary Bella (Eric Tyson Wertz), the entertainers went right for the gusto early in the “yellow room” with a buxom burlesque dancer (Tina Sogliuzzo) and a ribald ditty about a camel’s hump(s) performed by dishy tattooed “boy toys” Steven Satyricon and Joshua Devore (the artist formally known as Tober Brandt). 

Next followed a lascivious ode to tantric sex, a bawdy, bloody ballad about Caligula, a Cockettes classic “A Crab on Uranus (Means You’re Loved),” and a sweetly-sung solo performed by Birdie-Bob Watt as Vagina Dentata about her life as a floating turd. Incidentally, this last song included a “scat break”. Of course it did! But even this paled in comparison to the titillating, wordless “Flesh Ballet” performed by an acrobatic (and totally nekkid) Ste Fishell.

The greatest thrill of the production is watching how easily the company weds their long-standing focus on the Grand Guignol with their more recent forays into Theatre of the Ridiculous territory in a single piece. Incorporating all of the gratuitous violence and bloodshed of the former, with the audacious camp of the latter, this show provides a quick and dirty primer on their longstanding love affairs with both. Blood, babes, beefy love slaves, boss wigs, striking black-and-white costumes (designed by Kara Emry), creepy blood effects (Rob Fletcher), and terrific tunes (Richard “Scrumbly” Koldewyn): this charming little anti-musical has something in it for everyone, with the possible exception of Poe. But he’s dead. 

 

Vice Palace: The Last Cockette Musical

Through July 31, $20-35

The Hypnodrome

575 10th St., SF

(415) 377-4202

www.thrillpeddlers.com

 

Avalos and Chiu vie for bike vote at Sunday Streets

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If yesterday’s jam-packed Sunday Streets event in the Mission was any indication, only two mayoral candidates are vying for the votes of bicyclists, skaters, and strolling families who appreciate carfree streets: John Avalos and David Chiu. They were the only two candidates who showed up, and both had lots of supporters with signs to help campaign for them, with Avalos supporters enjoying a slight edge in overall numbers.

It’s a testament to the lackluster field of mayoral candidates this year that Avalos and Chiu were the only ones campaigning at such a popular, cool, and high visibility event. It also foreshadows what is likely to be a tough fight between the two sitting supervisors for a constituency they each need to win.

With more than 13,000 dues-paying members, the San Francisco Bicycle Coalition is the city’s largest grassroots political organization, an active and high-profile group of voters that both candidates have sought to stake their claims with.

Chiu often touts the fact that he doesn’t own a car and bikes regularly, he took a fact-finding trip to Amsterdam with bike advocates last year, and he sponsored legislation setting the policy goal of 20 percent of SF vehicle trips being by bike by 2020. Avalos has the strongest progressive credentials in the race, he sometimes rides his bike from the far-flung Excelsior District, and he has close and deep relationships with many bike-riding political activists.

The choice could determine where bike-advocacy ends and progressivism begins, particularly at a time when Chiu has sought to marginalize Avalos and what was once a solid progressive majority on the board. Chiu has won over some SFBC leaders and snagged a few early endorsements from the bike community (such as SFMTA board member Cheryl Brinkman, who spoke at Chiu’s campaign kickoff), but the endorsements are made by a vote of SFBC membership that is likely to be hotly contested.

Well, hotly contested by the only two candidates who seem to care about the bike vote.

Guardian poll: Do we still need the yellow pages?

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Sup. David Chiu is pushing legislation to restrict the delivery of yellow pages phone books in the city. His proposal: If you want the books, you should ask for them. Right now you get the stuff piled up on your door whether you like it or not — and that creates a fair amount of waste.


But some small business groups say that local independent businesses still use the yellow pages (and there are a lot of plumbers and locksmiths who clearly agree) — and consumer groups like The Utility Reform Network worry about seniors and people without internet access, many of whom might not understand that they have to opt in to keep getting the books.


Too much trash? Public service? You can vote after the jump.






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SFBG Radio: can anyone stop the oil companies?

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Johnny thinks the oil industry is on its last legs, that everyone hates the oil companies right now, that Obama wants to get rid of their tax breaks — and that solar tech will soon render them little more than burned out hulks. Tim thinks the industry is still so powerful that nothing is going to change in Washington. Check out the Great Oil Debate after the break.

I HateOilCompanies by endorsements2010

Pure pop bliss: Beach Fossils, Craft Spells, and Melted Toys at Slim’s

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A lot of bands these days have been resurrecting the C86-like pop music sensibilities of the jangly guitar heroes from the 1980s and early ’90s, either sounding familiar and welcome to some, or new and au courant to others, as in the past. Captured Tracks, a small label out of Brooklyn, New York, has a few such bands under its wing, two of which played energetic, danceable sets at Slim’s last Thurs/5 – Brooklyn’s Beach Fossils and Seattle’s Craft Spells. San Francisco’s Melted Toys completed the trifecta, opening the night with pure pop bliss.

The Beach Fossils headlined, transforming a breezy, surf-tinged recorded sound into an aggressively upbeat and kinetic live performance, turning Slim’s into an all-out dance party. Now playing with bass, dueling guitars, and a full kit of drums, Dustin Payseur and company sounded full and lush, keeping things interesting while on the last leg of their U.S. tour. 

The Craft Spells’ performance was a bit of a homecoming for singer-guitarist-songwriter and Stockton native Justin Vallesteros, whose family was in the audience. Backed by sparkly dream-pop melodies, his somber baritone invoked the spirit of Factory Records, yet was more inspired and less derivative than one might think.

Melted Toys also rely heavily on the ’80s pop revival, yet stand apart from the bandwagon with a mellower, slightly more drugged-out sounding post-punk set than the show’s headliners. They do “dreamy” without shoving it it your face, with a subtle and assured nod to their musical influences, creating perfect lazy day music.

 

 

 

 

 

 

 

 

Appetite: Source’s vegetarian victories

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Yes, I’m a meat eater. I want animals treated humanely and have loving care and long lives. But I don’t feel I could possibly be a full-fledged food writer and not eat virtually everything. Food prejudices are not allowed. My motto: if any culture of the world eats it, I can too (followed by: if I don’t like something, I keep eating it until I do).

But leave it to two New York brothers to make a vegetarian meal that’s surprisingly hearty, satisfying, and inventive. In Potrero Hill’s design district, a non-descript warehouse holds Source (there’s even parking out front – take note!). The recently-opened space is modern and peaceful (though it stops short of a Zen or hippie feel) with a wall of running water and filtered air circulating through the dining room and open kitchen. A dramatic, gas-fired Mugnaini brick oven reads as a gaping dragon’s mouth. It certainly stands out, another one-of-a-kind feature that makes you curious as to what the restaurant is all about.

Water comes to your table triple filtered, ionized, and energized ($3.55 a carafe). Executive chef Mitchell Fox and his brother and co-owner, Andrew Fox, have thought through every detail of the atmosphere, menu, and experience. As Andrew says: “Source is more than an eating establishment. It is a place for people to be nurtured — their body, their mind, their soul.”

I dive into the vegetarian-vegan menu of sandwiches, salads, dosas, and pizzas prepared to eat fresh ingredients but still wondering what the level of flavor and satisfaction will be. But Source had me at the avocado, oink bits, and mozzarella burger ($8.95). Ok, it’s not really a burger, but a veggie patty made of black beans, beets, celery, carrots, wild rice, and onions inside a pita. 

I’m a burger fanatic and nothing can replace a perfect beef burger. But Source’s version stands on its own. The patty retains a smoky, grilled essence, black beans give it heft, and each ingredient adds nuance. It’s fresh yet savory — an exciting vegetarian offering that even a meat eater could love.

Tacos to da Bronx: Source’s perfect pies

Moving on to pizzas. The Fox brothers grew up in the Bronx and my old high school stomping grounds of New Jersey, places where you are legally required to know about pizza. But I was still shocked at how good these pies are. The dough, a special recipe 25 years in the making, is reminiscent of Una Pizza Napoletana. (Yeah, I said it.) It’s warm, doughy texture is addictive. The taco version ($13.95) comes loaded with salad, cheddar, salsa, guacamole, and soy sour cream. But I’d go straight for Da Bronx ($9.95) to savor the purity of the dough, sweet-savory tomato sauce, EVOO and homemade mozzarella. 

Though the pizza and burger are reasons enough to cross town, there are many pleasures here. The fries ($3.95) are fun, particularly with their accompanying range of salt choices and delightful dipping sauces like Caribbean banana ketchup, jalapeno jam, and Gilroy garlic aioli. Meat substitute entrees are surprisingly tasty, like the Jamaican jerk cluck (a chicken subsitute that clocks in at $13.95). Baked goods are another house specialty (vegan and gluten free options available), from whoopie pies to raw food rocky road cheesecake.

Doctor’s orders

Another pleasure is Source’s elixir bar, created in consultation with an herbalist and alternative doctor. Non-alcoholic sips include fermented elixirs, house sodas, teas, herbal blends, and smoothies with cashew milk. They even do their versions of a New York egg cream and creamsicle. The three drinks I tried were all worthwhile, even elegant.

With a casual order at the counter set-up and an über friendly staff, this is a welcoming place to eat in or take-out. And as far as I’m concerned, it’s already among the best vegetarian restaurants in San Francisco.


— Subscribe to Virgina’s twice monthly newsletter, The Perfect Spot

 

SFBG Radio: The economy gets a C+

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Today Johnny and Johnny talk about the new jobs figures — and why the economic growth really only merits a C+. Check it out after the jump.

AllMattersEconomic by endorsements2010

Guardian poll: The secret Bin Laden photos

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There’s a huge debate in journalism and open goverment circles about the wisdom of releasing the photos of the dead Bin Laden with bullets in his head. A lot of people who normally push open-government issues say this one’s dangerous; if the photos get circulated, it could incite violence around the world. On the other hand, they were taken by U.S. troops using U.S. tax dollars; we paid for this stuff, grisly as it is, and the public ought to be able to look at it.


But it’s complicated. And the topic of today’s poll. Check it out after the jump. 





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The Performant: Herrre’s Johnny!

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Entering The Room

Harley-Davidson. Twinkies. Michael Jackson. Some things are so uniquely American they practically ooze stars and stripes, no matter how far across the borders they stray.

Another all-American tradition – right up there with Miller-in-a-can and Wheel of Fortune – has got to be Bad Movie Night: the deliberate screening of movies so awful they make the viewer scream tears of laughter, or sit in horrified silence, too traumatized by dubious production values or script incoherence to muster the strength to tear their eyes away.

The compulsion to celebrate these cinematic misfits holds a singular place in our national consciousness. They even feed our civic pride: what may be California’s best-loved cult flick of the decade The Room is set right here in San Francisco, with plenty of slo-motion shots of the Golden Gate Bridge to prove it

“I’ve seen this movie 25 times now,” confessed Red Vic employee-owner Sam Sharkey during his introduction, a slightly desperate gleam in his eye. As the opening credits rolled over some stock-style footage of the sun sparkling on the bay, the Palace of Fine Arts, and the California Street cable car, the oddience immediately set phasers to “heckle”. When the credit for director of photography, Todd Barron, flashed on the screen they shouted as one “Fuck you, Todd!” When the door to a non-descript, upscale apartment swings open and “Johnny” (Tommy Wiseau) walked into his living room, the theater erupted into an ecstatic cheer.

“Hi babe,” he responded as if on cue, though of course he was really speaking to his co-star Juliette Danielle, cast in the unenviable role of Tommy’s whiny girlfriend, Lisa.

None of the characters are particularly sympathetic, which perversely is part of what makes the flick such a guilty pleasure. It’s simply impossible to feel bad for these jerks, even if they are trapped in a movie world they didn’t create. Besides Tommy, who appears perpetually zonked on airplane glue and speaks with an outrageous accent of indeterminable origin, and Lisa, who appears to be about 30 years younger and only living with him because, as her acerbic mother (Carolyn Minnott) points out, she can’t support herself, there’s his best friend Mark (Greg Sistero), a preternaturally handsome youth who allows Lisa to seduce him, Denny (Philip Haldiman), a socially-inept teenager who manages to almost get shot in a nefarious drug deal gone awry, and random friends who drop by to have sex on Tommy’s Ikea-issue living room sofa.

For aficionados of cult films such as The Rocky Horror Picture Show and events such as Midnight Mass with Peaches Christ, a screening of The Room will seem familiar. Scripted cat-calls, impromptu sound effects, the tossing of footballs and, more importantly, spoons don’t deviate overmuch from the generally accepted cult movie experience.

But for San Franciscans, The Room provides more than just an outlet for poking fun at a film, it’s a way for us to poke fun at ourselves. Though filmed mostly in LA, the random shots of the Golden Gate Bridge, the Marina, and Alcatraz conspire to remind the viewer that the movie is partly a love letter, albeit sloppily written, to San Francisco. A city which embraces even its most incongruous misfits.

“If a lot of people loved each other,” Tommy as Johnny perseveres, despite all evidence to the contrary, “the world would be a better place to live.” We are all Tommy Wiseau now.

 

The Room screens monthly at The Red Vic Movie House

 

Appetite: Upcoming contests, from Napa cocktails to the ultimate sausage recipe

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It’s a privilege to be part of a food and drink judging panel. One witnesses wild creativity from up-and-coming stars as well as established greats in the field. Competitions are where food geniuses take risks, and step out further than the bounds of set menus sometimes allow. 

Here are two upcoming contests I’ll be judging: one for cocktails up in Napa (wine country bartenders, please apply!) and one in SF showcasing five local chefs creating gourmet sausage recipes.

2nd Annual Wine Country Cocktail Competition 

Head to Calistoga’s Solage Resort on a Monday night to support your favorite wine country bartender. The mixologists will compete for best cocktail using two winning products: Charbay’s exceptional spirits and Perfect Purée of Napa Valley’s purees and concentrates. Top three winners get cash prizes, while first place gets to participate in a drink photo shoot at Perfect Purée’s headquarters. Bartenders work with ingredients like Perfect Purée’s yuzu luxe sour and carmelized pineapple concentrate, and are allowed to use any base spirit from Charbay’s portfolio, from vodkas to rum (with the exception of its Whiskey Release II, Nostalgie, and brandy). 

The last Charbay-Perfect Purée contest I judged at Rye delivered many memorable beauties. Wine country in the spring is already worth an excursion north, and if you attend the contest you can experience a growing cocktail scene in a region traditionally dominated by wine  – not to mention a showcase of two of the area’s best local products.

Monday, May 16, 6-8 p.m., free

The Solage Resort 

755 Silverado Trail, Calistoga

www.charbay.com 

www.perfectpuree.com

 

Tailgate Throwdown

Mark your calendars for what will be one of the most fun competitions of the summer. Tres Restaurant is the setting, and $10 is an oh-so-right price to sample five unique recipes featuring Saag’s Sausage. Here’s the meat of the competition: five popular Bay Area chefs will vie for best tailgating sausage recipe. You’ll get to sample each entry, along with classic game day sides like potato salad and coleslaw, then vote on who you think is top dog of the night. You’ll take home a swag bag stuffed with sausage samples, recipes, and more — the winning chef gets $250. Best of all, all ticket proceeds benefit Food Runners of San Francisco

Monday, June 20, 6:30-8:30 p.m., $10

Tres Restaurant 

130 Townsend, SF

(415) 227-0500

www.tailgatethrowdown.eventbrite.com 

 

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SF’s top cops differ on local control

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The announcement by Sheriff Michael Hennessey that he won’t honor federal deportation holds for undocumented prisoners accused of low-level crimes is a great illustration of local control – which is the reason why we elect our sheriff and district attorney – but it is a concept that District Attorney George Gascon doesn’t seem to understand.

As the Guardian recently reported in a cover story by Sarah Phelan, Gascon ignored local control, civilian police oversight, and even standing police general orders as police chief by taking a highly deferential stance with the FBI and its domestic spying operations. Then, in a Chronicle op-ed on the death penalty last weekend, Gascon went even further in declaring himself to be merely a minion of higher government authorities.

While stating his opposition to capital punishment, Gascon said he wouldn’t rule out seeking the death penalty because he doesn’t think his own view or that of the vast majority of San Franciscans should determine his office’s actions. “I don’t believe district attorneys should be allowed to supplant the views of the state with those of their own,” he wrote.

That is a rather astounding statement that only an inexperienced prosecutor and an individual who has spent almost his entire career in the rigid hierarchies of police departments – rather than actually working as an attorney – would make.

“That’s where rookies make mistakes because they don’t have the experience to use their prosecutorial discretion,” said Sharmin Bock, a career prosecutor who works in the the Alameda County District Attorney’s Office, and who is running against Gascon (who did not return our calls for comment). “The DA has discretion over charging decisions and when you pick a DA it is for their discretion.”

For example, Bock cited the Three Strikes You’re Out law, which allows prosecutors to seek a sentence of 25 years to life even for the most minor crimes when they are committed by two-time felons. If all prosecutors used that full authority in every case, California’s severely overcrowded prison system would be even worse, which is one reason why prosecutors in places like San Francisco, Alameda County, and Los Angeles use their discretion and only seek Three Strikes sentencing standards for violent felons.

Similarly, in San Francisco, former DA Kamala Harris upheld her campaign pledge to never seek the death penalty, just as her predecessor Terence Hallinan used his prosecutorial discretion in dealing with local medical marijuana dispensaries or refusing to throw the book at those who committed low-level drug crimes.

Otherwise, the DA is nothing more than an administrative position, and San Francisco is forced to endure the same prosecutorial standards and values that are promulgated by intolerant conservatives from rural counties who have loaded up the Penal Code with costly and unjust new crimes and sentencing enhancements.

Hennessey understands that San Franciscans don’t want the same harsh treatment of our immigrant neighbors that the intolerant residents of Fresno, Orange, or Placer counties might demand. That why San Francisco’s elected officials made this a sanctuary city, and it’s why Hennessey told the Examiner, “I’m just doing our best to enforce local law. That’s my job.” But if Gascon thinks it’s his job to simply be an agent of the state and federal governments, perhaps San Francisco voters should cast their ballots accordingly.