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The man in “Control:” Jim Jarmusch interview

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By Erik Morse

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Poster for Jim Jarmusch’s latest film, The Limits of Control.

San Francisco Bay Guardian: I was trying to think how to go about this interview and present something slightly different to you than the same old questions you’ve been asked a hundred times over. I kept going back to various anthropology texts I’ve been reading recently. Have you heard of James Clifford’s essay “Traveling Cultures”?

Jim Jarmusch: No.

SFBG: Would you mind if I read a bit of it to you? I think it could be very relevant to our discussion.

JJ: Sure.

SFBG: “To begin, a quotation from C.L.R. James in Beyond a Boundary: ‘Time would pass, old empires would fall and new ones take their place. The relations of classes had to change before I discovered that it’s not quality of goods and utility that matter, but movement, not where you are or what you have, but where you come from, where you are going and the rate at which you are getting there.’”

“Or begin again with hotels: Joseph Conrad, in the pages of Victory: ‘The age in which we are encamped like bewildered travelers in a garish, unrestful hotel.’ In Tristes Tropiques, Levi-Strauss evokes an out-of-scale concrete cube sitting in the midst of the new Brazillian city of Goiania in 1937. It’s his symbol of civilization’s barbarity, ‘a place of transit, not of residence.’ The hotel as station, airport terminal, hospital: a place ou pass through, where the encouters are fleeting, arbitrary.”

It’s a very long and incredible essay and I thought of it immediately after seeing your latest film.

Sing those blues, Sita

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By Dennis Harvey

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Sita Sings the Blues

A few years ago, independent animator and comic strip artist Nina Paley left San Francisco for India, where her boyfriend had found employment. A while later, during a visit home, she received a surprise, brusque communication from the bf informing her she need not return — the relationship was over. Just what the bf ultimately got out of this episode is unknown. But Paley got posterity: her first feature film, inspired by both the breakup and the ancient Sanskrit epic the Ramayana, is artistic therapy that also happens to be just about the most delightful movie in eons, cartoon or otherwise. Utilizing very different animation techniques, she cuts between a blatantly autobiographical tale of romantic woe and the mythological travails of Sita, beloved of the noble Rama. He rescues her from an amorous, abducting rival, but his chivalry dies when false accusations about her "purity" threaten to tarnish his image. Then, as now, men are pigs. Sita wriggles through her fate like a Bollywood Betty Boop, frequently crooning vintage 78 tracks by Jazz Age blues chanteuse Annette Hanshaw, and the visual wit on display is akin to Max Fleischer’s antics plus intellectual gamesmanship, grotesque streaks, and eye-popping color. Paley breaks the fourth wall in umpteen ingenious ways. Sita Sings the Blues is so full of fun and invention you may start looking forward to seeing it again after it’s barely started.

Sita Sings the Blues trailer

SITA SINGS THE BLUES runs Fri/8–Tues/12 at the Red Vic..

The Blender: What we’ve been eating

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By the hungry hungry Guardian staff

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(1) Cabernet and oysters, Bistro St. Germain, SF

(2) Strawberry shortcake with vanilla ice cream and honey

(3) Five kinds of Pyramid Ale with beer-soaked mussels, Pyramid Brewery and Alehouse, Berk.

(4) Bacon-wrapped sausage, bacon-wrapped marshmallows, and bacon-wrapped bacon, Trout Camp, Shasta Springs

(5) Herradura chicken with red chili pesto

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Shanti, Charles J. Brenham and McAllister

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Tell us about your look: “I like wearing lots of color and today it was lots of gold.”

Obama meets Mantis in Lace!

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The blogosphere and cable television got more heated than fried cheese in Paula Dean’s kitchen about President Obama’s and Vice-President Biden’s recent trip to Ray’s Hell Burger.

Peeping the footage at a corner store, I didn’t give a damn about the story’s culinary focus. I was thrilled to see the most famous man in the world sharing the frame with a huge poster for Mantis in Lace! Now this is the kind of juxtaposition that makes life worth living. In fact, I think I’ll call it a day as soon as I finish posting this item.

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Look over your shoulder, Biden. Mantis in Lace‘s Lila has a cleaver for you.

Psychotronic maniacs will tell you that Mantis in Lace is the tale of Lila, a loner stripper chick who doses herself with copious LSD as she seduces men back to her beatnik lair and kills them. It has a theme song, lots of mod wackiness, and one of the best movie titles ever. It’s also a favorite of the artist and zine inventor G.B. Jones.

It’s great to see our leader eating next to this archival treasure from Times Square’s heyday. But I won’t be fully satisfied until we see Obama eating a vegetarian meal next to a lobby card for Deadly Spawn.

“Hellish grammar safer”: Artist Kevin P. Mosley patterns his instructors

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By Marke B.

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Jeff Linder

I’m a big admirer of SF (by way of Kansas and NYC) artist Kevin P. Mosley‘s work. The bright, flickering patterns of his aplique-on-found-glass output somehow convey to me a feeling of camp guignol: vibrantly psychedelic yet rigidly hallucinogenic — kind of like what I imagine pill-popping housewives from ’50s movies might see when the high kicks in and the children are screaming from the solarium. On Easter. If those housewives were trapped in gay men’s bodies.

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Rosa Jimenez-Vasquez

Strangely, the works are also almost soothing to get lost in — they register any changes in light impeccably; I especially like them on golden-sunny late afternoons — and they’re pretty like a little girl’s hat. His latest batch of works, which Mosley calls “portraits,” is receiving a monthlong showing at Magnet in the Castro.

Fashion forward at the third annual Alchemy fashion show

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By Juliette Tang

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If I were to wear something in lieu of a shirt, it probably wouldn’t be a breastplate cleaved onto someone else’s even smaller breastplate. But looking at these photos from the Alchemy fashion show that took place earlier this month at the California Modern Art Gallery, I can’t help but be intrigued.

Thown by False Profit LLC, the annual Alchemy party showcases an eye-catching fashion production by Missing Piece, a San Francisco based artist representative agency promoting some of San Francisco’s most talented emerging designers. Included in the show were collections by Joshu + Vela, Montree, Miranda Caroligne, Callibug Designs, and Antiseptic Fashion and Ivana Ristic.
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Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Landon, Market and Grant

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Tell us about your look: “I’m trying to keep it light for Spring.”

Mope n’ twee: SFIFF 52’s second weekend

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By Lynn Rapoport. Read Lynn’s report from the first SFIFF weekend here, and Natalie Gregory’s review of SFIFF flick Crude here.

Parked a little ways past the midway point in the SFIFF calendar, the fest’s official centerpiece film, the romantic comedy 500 Days of Summer, packed the Sundance Kabuki’s main house on Saturday night, with most of the appreciative audience lingering for the post-screening Q&A with director Marc Webb and stars Zooey Deschanel and Joseph Gordon-Levitt. (The latter set a lighter tone, or perhaps just startled audience members, by adopting a Ministry of Silly Walks stride and monster-metal voice for the pre-screening introductions.)

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Eternal Summer of the spotless mind?

Film review: ‘American Violet’

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By Natalie Gregory

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Lawyer movies can be really entertaining. Tim Disney’s American Violet certainly is. I was sucked in from minute one. Based on true events, it’s the story of Dee Roberts (an awesome performance by Nicole Beharie), a single mother with four little girls living in the projects of a small Texas town. In these particular projects, there are frequent drug raids. The law states that a single informant’s testimony justifies an indictment — and Dee is wrongfully accused. ACLU lawyer David Cohen (a brilliant Tim Blake Nelson), believes Dee’s community is being harassed because residents are black, although the theory is very difficult to prove. The district attorney Calvin Beckett (a sadistic Michael O’Keefe) is tough, and he likes plea bargains. David, Dee, and do-the-right-thing local lawyer Sam Conroy (the great Will Patton) challenge Beckett. American Violet is not only an interesting story, it’s based on a true one. You can’t help rooting for Dee and hoping that justice will prevail.

American Violet Trailer

AMERICAN VIOLET opens Fri/1 in Bay Area theaters.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Elsa, Market and Front

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Tell us about your look: “Always look nice.”

Appetite: Sticky toffee, casual clambake, Mama mia, Jimmy the Greek. and more

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Each week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Scottish Eggs, Chips & Pastie at Martins West. Photo by Chris Andre

———–

NEW RESTAURANT and BAR OPENINGS

Martins West helps you wash down fine eats
Time to trek down South (the Peninsula, that is) to Redwood City for this week’s hot opening, Martins West Pub. The original Martins is in Edinburgh… this locale is an homage to that gastropub (I’ll admit, an overused term) where comfort, hand-crafted beers, and hearty food meet seasonal, gourmet sensibilities. Like the beer, cocktails and scotch selections are extensive so you can wash down Michael Dotson’s (of Tahoe’s Plumpjack Cafe) quality "pub grub" (think Ploughman’s lunch, herb-crusted marrow bones or house-made charcuterie). Pastry Chef, Kelly Fields (of Sens and some of New Orleans best restaurants) stays sweet with sticky toffee pudding, drunken raisin ice cream or hot toddy pot de creme. Inside the 1896 Alhambra building, once a theater and saloon, you’ll feel the spirit of Wyatt Earp, who used to frequent the place while his wife, Josie, sang from the adjoining theater. Belly up to the 25-foot bar, boys!
831 Main Street, Redwood City
650-366-4366

www.martinswestgp.com

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Sake bar at Otoro Sushi. Photo by Virgina Miller

Tiny but chic Otoro Sushi makes three in Hayes Valley
Hayes Valley already hasSebo and Domo for impeccable sushi, but why not one more? A couple blocks away from the heart of Hayes, lunch and dinner of the fresher kind can be had at tiny but chic Otoro, just opened a few days ago. I’ve already enjoyed a generously-portioned lunch and look forward to more. There’s a snug, eight-seat sushi bar, sake bar and a handful of tables, with plenty of sashimi, udon, and rolls like the Hip Hop Roll, topped with garlic white tuna.
205 Oak Street
415-553-3986

Fly Bar debuts in Brick space with pizza and video games
Brick morphs into a Fly, or rather, into sister location to ever-popular Fly on Divisadero. Responding to the times with nothing over $12, Fly Bar will surely win some fans. A 4:30-6:30pm Happy Hour offers drink specials and half-price pizzas (like Southwestern or Jimmy the Greek), while the usual menu means apps, pizzas and sandwiches galore. Playful cocktails are only $7-8 at full price, like Island Root Beer (dark rum, Abita root beer and house-made ginger syrup), or Scrum: Boddington’s with a shot of Jameson. Sneak to the back room for a four-player arcade, snazzed up with cup holders and free games! It’s good to reinvent oneself from time to time.
1085 Sutter Street
415-441-4232

Rockstars and “indipires” at Seattle Fashion Week

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Laura Peach reports from last month’s Seattle Fashion Week

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Design by Blayne Walsh. All photos by NW Action Shots

Although Seattle is a city even further off the fashion map than San Francisco, where Keens and Birkenstocks swamp the sidewalks and most outfits, often comprised of hooded windbreakers and kakis, seem a little more fit for a hike in the mountains than a day in the city.

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Design by Blayne Walsh

Thankfully, there is a part of Seattle’s population who does not consider Eddie Bauer the height of fashion. And they showed up strong and stylish at Seattle Fashion Week to scope out and support their talented local designers.

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Design by Blayne Walsh

Project Runway star Blayne Walsh pranced his sweet self onstage and said, “If a Native American and a vampire had offspring, my line would be their children.”

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Design by Blayne Walsh

I was so preoccupied with trying to figure out what that would be called, exactly, that I barely saw the beaded vests, feathered hair, and black party dresses parading past me. Until a fabulous open-necked red sweater forced my jaw to drop. It struck me as so perfect for San Francisco. Oh, and I decided that Walsh’s prodigy would have to be “Indipires.”

Design on a Dime: Free art for wall wonders

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By Laura Peach

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Feed Your Soul image by Tara Hogan

Since everyone seems to be keeping a tight clamp on their cash these days, projects considered less necessary are being cast aside. Personally, I’ve always been a fan of going above and beyond spring cleaning and in favor of a full spring interior redecoration. It’s wonderful when your interior mirrors the sunny, blossomy exterior world (even if it’s raining right now). Also, getting out of bed on Monday morning is a little easier when your home feels happy and new.

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Feed Your Soul image by Michelle Cavigliano

Stop feeling stuck in your domestic space.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Stephan of SF Boylesque, 5th Street and Martket

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Tell us about your look: “I’m kind of a boot whore. With fashion, if people aren’t shaking their heads at you, you’re not doing it right.”

And kielbasa for all: Polish Festival this Sunday

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By Marke B.

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Apologies, my veganista friends

I may be the world’s biggest queer Arab disco hip-hop leather muppet, but my last name is Bieschke and I was raised Polish (and French Canadian, but that’s another story for another “post-racial” day). And man, do I love a nice big grilled kielbasa dressed on a bed of tart, moist sauerkraut. I’ll be getting my fill — and taking in some serious polka oompah-pah and traditional polska loveliness at this Sunday’s Polish Festival in Golden Gate Park. Not sure if I’ll be dressing in traditional costume, despite the fact that hipster decolletage sure is trending that way …. somebody hand that fixie-pixie a tuba!

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And if the weather clears up, me and Hunky Beau might even take our mustard-stained mugs over to the deYoung entrance to watch the swingin’ participants of Lindy in the Park if they’re out and about … and even join in. Now that’s multicultural.

San Francisco Polish Festival
5/3, 11am-5pm, free
San Francisco County Fair Building
Golden Gate Park
(9th Ave and Lincoln Way)
www.polishfestival.com

Have a little art: Vagaboom! Fun(d)raiser

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By Molly Freedenberg

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A high-flyin’ Vagaboom! participant

Some of my favorite memories of elementary school are due to arts programming: watching singing science duo Janet and Judy or a traveling theater troupe act out The Jabberwocky in the round; playing flute in the band and dancing to Broadway hits in our annual musical; studying — and then making my own versions of — pointillist, Impressionist, and landscape artwork. Who would I be if I’d never learned to read music? To appreciate silent theater? To identify Georgia O’Keeffe? And what will the world be like in the future if today’s kids don’t learn to explore their creativity? The artists and activists behind Vagaboom! hope we never have to answer that question. The group of acrobats, musicians, actors, and artists — including Del Arte graduate Martina Oskarsson, Cirque Destino cofounder Marina Karadjieva, and Think13 visionary Dee Kennedy — have pooled their resources and channeled their individual expert training into creating a nonprofit that brings arts programs to kids, particularly those least likely to be exposed to art and music. Lucky for us, we adults will get a taste of what Vagaboom! does at its May 2 fundraiser. The action-packed event features music by Think 13, Cohen, Scattershot Theory, and DJ Centipede; dance performances; acrobatics; and scenes from the experimental theater piece Simple Matters. Sure beats math class …

Vagaboom! Fun(d)raiser Sat/2, 8pm. $10-$20. SomArts, 934 Brannan, SF. www.vagaboom.org

Kuchar alert! Zombies of Zanzibar

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‘Tis the season — San Francisco is alive with movie brilliance. To what do I refer? George Kuchar’s latest class production at San Francisco Art Institute. If you don’t have a job right now, or if you don’t have to work on International Worker’s Day, go to SFAI to see Zombies of Zanzibar.

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Spring cinema in the Bay Area hits a peak with a free screening of a movie made by Kuchar and his film production class. Billing them as the Studio 8 Players, the characteristically alliterative Zombies promises a zany array of “ACTION!…ROMANCE…TERROR…AND SPECTACLE.” Did I say it was free?

ZOMBIES OF ZANZIBAR
Fri/1, noon, free
San Francisco Art Institute Lecture Hall
800 Chestnut, SF
(415) 771-7020
www.sfai.edu/

To get you in the mood, some Kuchar on YouTube after the jump:

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Sonera, Hyde and McAllister

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Tell us about your look: “I’m wearing mostly hand-me-downs.”

The Blender: What we’ve been eating

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By the peckish Guardian Staff

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(1) Tonno puttanesca, Pesce, SF

(2) Meyer lemon ginger ale

(3) Tofu stew and vegan brownies, San Francisco Zen Center

(4) Trader Joe’s chile-spiced mango slices

(5) Fish tacos and mango agua fresca, El Metate

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Nikola, Market and Franklin

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Tell us about your look: “I wake up in the morning and think how can I stand out by wearing something different from what I wore yesterday.”

Raise a glass to Paul Taylor Dance Company

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By Rita Felciano

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Let’s send a libation or some other such thing in the direction of Terpsichore — the muse of dance — because Paul Taylor Dance Company is back. For five consecutive years, we’ve had an opportunity to gain a perspective on Taylor’s 50-plus years of dance-making. Then the money ran out. Thankfully San Francisco Performances found a way to have these remarkable dancers return with another set of three different Taylor programs. The earliest, the very dark Scudorama, which was thought to be lost, dates back to 1963. The most recent, Beloved Renegade, inspired by Walt Whitman and Francis Poulenc, premiered in February of this year. Taylor is sometimes considered old-fashioned because early in his career he abandoned self-conscious formal experimentations in favor of honing his pieces — the way a jeweler does when he polishes a diamond in order to bring out its many facets. In Taylor inspiration is wedded to musicality and craft. He also happens to be a sardonic observer of our foibles and vices. And when he strikes — hypocrisy is a favorite topic — he cuts to the bone. Few choreographers have made work which can be so joyously celebratory in one piece — both Esplanade (1975) and Arden Court (1981) are in the line-up — and so mordantly corrosive in the next that it leaves you shivering.

PAUL TAYLOR DANCE COMPANY Wed/29-Sat/2, 8 p.m.; Sun/3, 2 p.m., $32-$49. Novellus Theater, Yerba Buena Center for the Arts, 700 Howard, SF. (415) 392-2545, www. performances.org

SFIFF 52 review: “Crude”

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By Natalie Gregory

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If you were unaware of the lawsuit between the indigenous Ecuadorian people and Chevron/Texaco, watching Joe Berlinger’s Crude will get you up to speed. It’s a documentary about the case following the plaintiffs and their lawyers in their seemingly impossible fight against one of the most powerful American companies. Pablo Fajardo is the Ecuadorian native lawyer who battles with impressive, inspiring fervor on behalf of his indigenous citizens. Joining him is New York attorney Steven Donziger, a bilingual Harvard whiz who seems amazed that they are even getting through proceedings (the film certainly mentions the David vs. Goliath element of the lawsuit). The case is still locked in litigation and pending testimonies. But the film is powerful in its defense for the native people of Ecuador, and the state of the Amazon. If you only half-questioned Chevron’s ethics before, this film will make you opt for a Shell station — or some form of alternative transportation.

Crude screens at the San Francisco International Film Festival Wed/29, 6:30pm, Sundance Kabuki; Thurs/30, 6:30pm, Sundance Kabuki; and Sat/2, 6:15pm, PFA.