sfbg

America’s Next Top Supervisor

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Eleven began the competition, but after last week’s spectacular fiasco involving Ross Mirkarimi and a ring-tailed lemur, only five finalists are left to face our panel of sublebrity judges, who reviewed their looks, poise, style, and grace during a session of drunken Googling (Droogling). Which one will receive a $100 modeling contract with Board Babes and a seven-slide spread on HuffPo? Who’s gonna be on top?

THE JUDGES:

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Nicole Markoff of local label Nicacelly (www.nicacelly.com), fashion goddess

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Anna Conda of clubs Charlie Horse (myspace.com/charliehorsecinch) and Herr-A-Chick, merciless queen

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Marke B. of SFBG, noted closet case

THE HOPEFULS:

MICHELA ALIOTO-PIER


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Nicole Oh, you round-the-way girl. Peek-a-boo lacey undergarments haven’t looked this good since Jody Watley. As for your slimmed-down bamboo hoops — nice touch! We know you’re feeling underground, all gold chains and sweet blue eyes. Represent!

Anna You’re a beautiful woman with great eyes and hair, but would a little color — just to break up the funeral gray — kill you?

Marke She’s definitely working the "sweet as apple pie," all-American look. But you know that within that pie lurks a coiled python as pink and sweaty as any hot dog, and that’s what brought down the auto industry.

CHRIS DALY


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Nicole C-Diddy, you’re pushing up on some Sarah Palin eyewear, but I’m not hating. I’m feeling your approach and evolution, running from the "Didn’t we meet at Pops a couple years ago?" 5 o’clock-smudged hipster through proud beard-papa.

Anna Wha … hunh? Oh, I’m sorry. Just a little nap.

Marke I thought Chris was really going to blow it on the Bollywood challenge, but he barely edged out Jaslene by last-minute waxing his thighs with some packing tape and break dancing right through the herd of elephants. Who’s sari now, Jaslene?

Ask Nate

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The Guardian introduces a new weekly advice column from Nathan Ballard, press secretary to Mayor Gavin Newsom. We hope you enjoy his insights as much as we always have.

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Dear Nate:

Times are tough in San Francisco for a lot of people, but my life seems to be bottoming out these days. My good city job just got eliminated, the after school program my kids love was cut, my elderly grandmother just lost her home health nurse, and the police still have no idea who murdered my husband last year. He was even shot right in front of one of those crime cameras. What should I do?

Desperate for Help

Dear Dessie:

I reject the premise of your question. Things are going great in San Francisco, particularly under this mayor’s strong leadership. But we feel your pain, which seems to stem from the Board of Supervisors refusing to give the Police Department more money or the authority to constantly monitor those cameras. Sup. Aaron Peskin is the reason your husband’s killer hasn’t been caught. He may actually be the murderer.

Nate

Dear Nate:

I was thinking about going into politics. Do you have any advice for someone considering running for office?

Budding Candidate

Dear Bud:

As my boss has repeatedly said, being mayor is the toughest and most thankless job in the world. He’s constantly dealing with uppity supervisors and complaining constituents, at least when he’s in town. And if you’re one of those spineless, whiny so-called progressives, my advice is to just do something else. Get a real job, something in the private sector. But if you share Mayor Newsom’s belief in building a better San Francisco with more public-private partnerships — and you’ve got a lot of rich friends — I say go for it. But make sure you hire the best advisers by calling Storefront Political Media and Earned Media. We — , er, uh, I mean they really know what they’re doing.

Nate

Dear Nate:

I’m new to San Francisco and trying to understand the political dynamics here. Is the central struggle really between progressives and moderates? Those are the two labels I hear the most, but it doesn’t make much sense to me. What about liberal vs. conservative?

Political Science Student

Dear Poli-Sci:

I reject the label progressive, and so does the San Francisco Chronicle now that we convinced them to. So actually the central struggle in this town is between the radical and unrealistic ultra-liberals and moderates like Gavin Newsom. The mayor can be a fiscal conservative when he needs to be, and he’s liberal on social issues, which makes him a moderate and therefore the voice of reason. He could even be a progressive on some issues, if there were such a thing as a progressive, which there’s not. But he’s never ultra-anything, because that would make him crazy, which he also isn’t. Is that clear?

Nate

Music pick: Pier Paolo — uberexperimental post-cultural pan-Euro Situational demigods one-upped indie before indie was all uptight about it

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They thought through it first, then

By Max Goldberg

PREVIEW Though not as well known as contemporaneous post-punk politicos Gang of Four and Scritti Politti, Milanese quintet Pier Paolo produced a trio of wildly experimental EPs in the late 1970s that refuse to assimilate to faddish rock historiographies. Avanti (Rabbit’s Moon, 1978) and Naked City (Dérive, 1978) shadow Gramsci-inspired lyrical denouements with febrile musical leitmotifs that seem to dissolve as soon as they are discerned. Putting to shame Factory Records’ later situationist-ripping tactic of sheathing 12-inch singles in sandpaper, they even released one single as a 78 rpm wrapped in pages from Cuir magazine. Pier Paolo has long known how to cultivate an enigmatic image, right down to posing for their own photos. The group’s central innovation — a split-screen approach to rhythm and textural ambience, set astride by Gérard Lebovici’s dry production — may not sound like much on paper, but the double-drummer chaos suggests what would have happened if the Talking Heads and Brian Eno had pushed past bourgeois niceties. The band’s unmatched achievement is Abjection (NoNo, 1979), a mutant mix of millennial dub, soft-hewn minimalism, and verses cribbed from The Society of the Spectacle. Thirty years later, Pier Paolo is making its first stateside appearances, and the shows promise to be a bold redress of the usual reunion tactics.

PIER PAOLO with Conrad’s Bane. Wed/1, 8 p.m., $20. Direland, 401 Paril Loofs, SF. (555) TEO-REMA, www.fakebands.com

Street Threads: Look of the Day

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See the previous Look of the Day here.

The Blender: What we’ve been eating

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By the peckish Guardian staff

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(1) Assorted canapes, Secret Garden, SF

(2) Pik-khing bpet, Basil Canteen, SF

(3) 2004 Castle Rock merlot

(4) Lamb brioche with flageolets, L’Ardoise, SF

(5) Chongga kimchi

Local Artist of the Week: Dean Smith

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LOCAL ARTIST Dean Smith

TITLE thought form #13a, 2008, graphite on paper, 24 by 17.8 inches

THE STORY "Revisiting the 1905 spiritualist book Thought Forms by Annie Besant and Charles Leadbeater, I present an updated group of visual thought forms. Composed primarily of graphite on paper, this precise and deliberate series is rooted in my interest in scientific illustration and the concomitant aesthetics of wonder: an old and constant human impulse to render the invisible visible."

BIO Smith lives and works in the East Bay. His work has been collected by the British Museum, L.A. County Museum of Art, the Albright-Knox Gallery of Art, the UCLA Hammer Museum, and the Berkeley Art Museum, among other public collections.

SHOW "thought forms 2003-2009," Wed/1 through April 25 (reception Thu/2, 6–8 p.m.). Tues.–Fri., 10 a.m.–5:30 p.m.; Sat., 10 a.m.–5 p.m. Gallery Paule Anglim, 14 Geary, SF. (415) 423-2710.

WEB www.deansmith.us

A little luck, a little pluck

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By Andrea Nemerson. View more alt.sex columns here.

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› andrea@altsexcolumn.com

Dear Andrea:

I’m not 40, like the author of the "40 and Frustrated" letter, but I’m afflicted with another "less than desirable" characteristic: color. Oh, and a bit of meat on my bones, although that’s never been much of a problem. I’m a black woman and I date(d) all sorts of men. Online has never been the right place for me to meet men because, in a field of redheads and green eyes, men pass right by my photo. I got absolutely no interest except from men I am not interested in. And if I happened to get an interested male inquiry, I too found that the communication petered out quickly.

Several years back, I moved to the city on my own. Finally — no roommates, no significant other, just me. My friends were in relationships or newly married and I had to find activities that allowed me to have fun and meet single men. When I went out with friends, I was always just another girl in the crowd.

I got the best results when I began going out by myself, walking into an establishment where I knew no one, ordering a drink, sitting at the bar, and looking desirable and approachable with a book or a snack. A month ago, I even had a CL Missed Connections ad placed for me by a nice Irish man after visiting a local pub and having a burger and beer. It is a 99.9 percent given that if you are female and alone, a male will walk up to you and begin a conversation. Despite your age, your looks, your size, your ethnicity, if a man sees you alone, without a crew of other females to choose from, he will feel compelled to find out your story and see if he has a shot with you.

Two years ago, out by myself, I met a man I had eyed a few times over the years. We chatted. We joked. We got to know each other. Two-and-a-half years later, we’re still together.

We both have an independent nature, which still leads me to frequent places on my own. Each and every time, I am approached. I’m attractive, but I’m not all that, so this is something any woman can do. I feel that we, as women, need to step it up a notch and realize that we need to depend mostly on ourselves and not our friends or the Internet to hook us up or place us in situations where we’ll meet people.

Photofabulous GayVNs (NSFW)

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Photos by Darwin Bell. Text by Marke B.

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Logan McCree, the inky “it” porn boy of the moment (whither Francois Sagat?) accepts his “Performer of the Year 2009” award. His current studio, Raging Stallion, swept the awards again this year.

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Those ravishing Hungarians, the Visconti Triplets, on the GayVN red carpet. The won nothing.

Well! The sprawling, exhaustive GayVNs (“the Oscars of gay porn”) pretty much swallowed the weekend whole for many of us. The stars! The awards! The tragedies! The complete winners list is here.

All in all, though, the entire thing was pretty relaxed and entirely fun — moreso than I expected. There was even a charity aspect, with a pricey pre-ceremony “Porn Brunch” at the LookOut in the Castro attracting a number of curious onlookers, rabid fans, and stellar anal wattage for a taping of salacious and sometimes humorous Webisodic adventure “The Tim and Roma Show” — raising some bug bucks for StopAIDS. I wish there had been more food, but the “bottomless” (ha!) mimosas soon made me forgot that I was probably the only hungry person there.

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Logan, pre-win, on the couch at the LookOut

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Logan’s man helps him show off his assets

The endless night before had seen porn studio “reception” (double ha!) parties all over the Castro, in which boneriffic stars got very “up close and personal” with fans and photogs alike. Snapper Darwin Bell was there until the bitter, bitter end. Below is one more shot of my current threefold obsession, the Visconti Triplets, and then after the jump — and so, SO NSFW — perennial porno sunshine boy (and media mogul!) Barrett Long demonstrates his tongue-tickling talent for autofellatio. It took a couple tries, but we stuck with him!

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Appetite: She-Crab Soup, hot Pican, a Dogpatch Kitchenette, Cosmpolitan special, and more

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By Virginia Miller

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The Cosmopolitan on Spear Street. See “Deals” below.

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city each week on SFBG. View the last Appetite installment here.

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NEW RESTAURANT and BAR OPENINGS

Awesome sandwiches out of a Dogpatch garage at Kitchenette
Debuting less than two weeks ago out of warehouse in Dogpatch is Kitchenette, a project from chefs who’ve worked at places of such high caliber as Incanto, Chez Panisse and Foreign Cinema, creating daily offerings that are, you guessed it: fresh and seasonal. Check the website for the changing menu which usually consists of a meat and vegetarian sandwiches (occasionally pizza), a salad, fresh juice and cookie. Last week I was converted by the fabulous Bahn Mi-like sandwich of beer & tangerine roasted Berkshire pork ($8) with cilantro, jalapeno, cabbage plus a side of macaroni salad. Washed down with a tart Meyer lemon, tangerine, blood orange juice ($2), I was already planning my next visit. Bring your cash (no other option) and come early because once their daily creations of lunchtime goodness are gone, well… they’re gone.
Monday-Friday, 11:30am-1:30pm or until food runs out
958 Illinois Street (in the American Industrial Center)
www.kitchenettesf.com

Fine dining made more affordable at La Folie’s Lounge
San Fran’s 21-year old French fine dining mecca, La Folie, may not be cheap even in lounge form, but if I don’t have to pay $70 to $105 for the only option of tasting menus in the dining room, I can still make a night of it ordering a la carte in the next door lounge, opening March 31 during their 21st birthday party. You can now eat as little or as much as you wish of the Michelin-starred food given a lounge-twist (think Lobster Croque Monsieurs), cocktail in hand (note: the bar is helmed by Casper Rice of Michael Mina and Rubicon).
2316 Polk Street
415-776-5577
www.lafolie.com

Cafe Altano, a casual, new restaurant in Hayes Valley
Hayes (Valley, that is) is home to a regular foodie row with primo sushi, German food, coffee and chocolate within a couple blocks. Cafe Altano is a humble entry into to the ‘hood, a corner Med-Italian eatery taking over the Modern Tea space (R.I.P.) With pizzas, pastas, mussels, paninis and beers, it sounds like a relaxing late afternoon spot to chill, sitting at the copper bar, communal or sidewalk tables.
602 Hayes Street
415-252-1200

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Sam, 26th and Castro

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A note from Ariel: “Sam doesn’t know I’m submitting this — but he’s just so darling, I had to!”

Interview part two: author and actor Amber Benson

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By Louis Peitzman

Editor’s note: See below or click here for part one!

San Francisco Bay Guardian: When you were writing Death’s Daughter, did you think about casting any of the characters?

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Benson as Tara on Buffy the Vampire Slayer.

Amber Benson: It’s funny — somebody asked me about that recently, and I was like, I’d love to play [Calliope] myself. But I don’t know, I try not to give actors to the characters when I’m writing, because then, all of a sudden, they’re talking in that person’s voice, and it gets a little muted and weird. So I try to keep them separate, and give them their own sort of — like, I have an idea of what they look like in my head. Like, I always thought Calliope looked like Zooey Deschanel, but less hip. But definitely that elfin sort of look. Also, the character of Jarvis, I did cast, only because I worked with this guy named Ashley Artus on this film called Gryphon, and I’m like, that’s what Jarvis looks like. Jarvis looks like Ashley and sounds like Ashley and is kind of just like Ashley.

SFBG: This was your first solo novel. How was it different writing by yourself instead of with a collaborator?

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s look: Jocelyn, Hayes and Laguna

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Tell us about your look: “As long as you have one robust color on, you can wear all black and you’ll be golden.”

Interview: author and actor Amber Benson

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By Louis Peitzman

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Though she’s probably best known for playing Tara on Buffy the Vampire Slayer, Amber Benson has kept busy since her three-season stint on the series. A screenwriter, director, and author, she recently released her first solo novel. The first in a trilogy, Death’s Daughter follows Calliope Reaper-Jones as she’s forced to take over for her father (that would be Death) while trying to locate his whereabouts. I spoke to Amber about the origins of the story, her mythologist ambitions, and the future of the series.

San Francisco Bay Guardian:
My first question is sort of the obvious one — where did these ideas come from?

Amber Benson: You know, I hadn’t really read a lot of paranormal romance, and then I read Charlaine Harris’ Sookie Stackhouse series, and I was like, this is an awesome genre. I really like it, the paranormal romance-slash-urban fantasy world. And I thought I’d like to try something in that vein. Until then, I’d written mostly horror with a Victorian slant to it, so I started just trying to come up with ideas for something in that genre. And then I was like, well, I love mythology, I love American Gods by Neil Gaiman. Maybe there’s a way to incorporate this mythological sort of context to the paranormal romance. That’s when I came up with the idea of Death’s Daughter. What would happen if death was run like a corporation, and the daughter of Death had to come and take it over because her dad was missing, and she didn’t want any part of it? I guess that’s where the idea came from: working all these things that I liked into a genre I was curious about.

SFBG: So did you end up doing any research, or was this all mythology you were already familiar with?

Black Joe Lewis gets raw on the good foot

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By Todd Lavoie

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BLACK JOE LEWIS & THE HONEYBEARS

Tell ‘Em What Your Name Is!

(Lost Highway)

Well, great gosh-a-goddamn, what a sweet surprise: two weeks ago, I’d never even heard of Austin-based soul-whuppers Black Joe Lewis & The Honeybears, and now here I am, once again, swervin’ and stompin’ away to their major-label debut for the millionth time. As far as brassy, blazing tear-’em-up and tear-’em-on-down soulful sonic bad-assery is concerned, this high-octane octet has the genuine know-how: gritty and greasy garage rock meets old-school Wilson Pickett/Otis Redding-style vein-popping r&b, packed into a lean and hungry thirty-minute roar.

With its quick-and-to-the-point playing time and unfussy, straight-to-tape production (courtesy of Spoon’s Jim Eno), Tell ‘Em What Your Name Is! could probably be easily mistaken for a lost treasure from the late Sixties/early Seventies— and that’s exactly the whole idea, judging from Lewis’ obvious adoration for the Pickett/Redding era. Still, with the band frequently playing like their hair’s on fire — charging and crashing and running gleefully into the red — these folks at times remind me of Texan spiritual cousins to The Dirtbombs and The Bellrays, two contemporaries also serving up swaggering minglings of soul and garage sounds. Live, I imagine they must be riveting— we’ll get a chance to catch them in the Bay Area at Slim’s on May 16.

Black Joe Lewis, “Sugarfoot”

A look-see of the band’s MySpace will steer you right to the sources of the disc’s raw-and-ready firepower. The members cite James Brown, Hound Dog Taylor, and Rocket From The Tombs as influences, for example. They all make sense, too: Lewis’ full-throated shout definitely hoots a potent analog to Brown’s get-on-the-good-foot, and his formidable backing band the Honeybears are deserving of all the JB’s comparisons they get.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Tadesse, Gough and Hayes

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Tell us about your look: “I’m a ballet dancer, so I don’t have much time to think about what I’m putting on — but I always try to keep it colorful.”

Ang Lee: Let’s talk about sex?

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By Danica Li

Ang Lee and James Schamus have, in tandem, produced and directed nearly a dozen movies. They count between them a trio of Taiwanese family dramas, a civil war epic, an Austen-derived austerely British comedy of manners, an encounter with the Hulk, and a Chinese-language film about flying warriors and a green sword of destiny that grossed a whopping 200 million bucks worldwide. The duo took the stage at Berkeley’s Zellerbach Hall recently, in conversation with the Berkeley English Department’s Professor Jeffrey Knapp. The premiere topic of conversation for the first half-hour? Sex.

I diagnose this as program coordinators On the Same Page‘s gesture at edginess and being “with it” — or at least as an effort at warding off the buttoned-up stodginess and rehearsed, by-rote deliveries that have plagued past presentations (see: Stephen Hawking, Garry Wills). For starters, the audience was treated to a presentation clip in which a series of explicit splices from 2007’s Lust, Caution were cross-cut with characters from Lee’s other films expressing distaste and affecting grimaces, a dynamic that ended with a raunchily symbolic big bang (taken from 2003’s Hulk). It was enough to provoke a smattering of laughs from the audience, and was an easy enough segue into the first question: Why do so many of Lee’s films involve sex, as it were?

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An unguarded moment from Ang Lee’s 2007 film Lust, Caution

Oh, the Comedy (Central)

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By Natalie Gregory

(Editor’s note: intrepid film intern Gregory reviews a pair of upcoming Comedy Central shows.)

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Lt. Dangle protects and serves.

Reno 911!, how come you’re so good? The upcoming sixth season looks pretty spectacular. When Jonah Hill is the guess star of the premiere episode, I think it’s an omen for good things to come. There are some new members of the troop, including Deputy Frank Rizzo (Jo Lo Truglio, who you might remember from Superbad) who has a stocked resume, but no recommendations. A stakeout explains why (think drug busts and prostitutes). New officer Sergeant Jack Declan (Ian Roberts) has a hilarious scene coding out a street kids’ lingo for the happenings on the street. Nick Swardson fans, prepare to laugh out loud in that scene. And of course there’s always Lieutenant Dangle (Thomas Lennon) who utters “Goddamnit!” better than anyone in the world. Side note: it’s always nice to see veterans of The State doing well, even if I still miss “I’m Doug. And I’m outta heeeeeerrre”. When’s The State DVD release gonna happen, already?

This week: A six-pack of rock picks

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By L.C. Mason and Andre Torrez

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THEE OH SEES AND EAT SKULL

Fuzz is the new black — at least according to the gospel preached by Thee Oh Sees and Eat Skull. The two West Coast combos will take the beer- and noise-soaked pulpit at the Eagle Tavern to bang out hazy sermons of garage wit and wisdom.

With Grant Hart and the Fresh and Onlys. Thurs/26, 9 p.m., $5. Eagle Tavern, 398 12th St., SF. (415) 626-0880. www.sfeagle.com

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DARK DARK DARK

Dark Dark Dark released its debut album in 2008 on Rhode Island’s Supply and Demand label. The group’s folky, rootsy instrumentation and female-to-male vocal tradeoffs take over the Caretaker’s House.

Fri/28, 8 p.m. www.myspace.com/darkdarkdarkband

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TRANS AM, EZEE TIGER, FUTUR SKULLZ

Imagine you’re in high school: Trans Am are the electronics nerds who jam to Rush, Anthony Petrovic of Ezee Tiger is the misunderstood indie guy who is into the Flaming Lips and Lightning Bolt while you’re still spinning Sublime, and Futur Skullz are the long-hairs who know metal is cool five years before you will — and who just got busted for stealing Dad’s whiskey.

Sun/29, 9 p.m., $14. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455. www.bottomofthehill.com
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Pics: Chocolate love overwhelms Fort Mason

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By Ariel Soto. For more chocolate love (tis the season?) on Pixel Vision, click here.

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Chocoholics swarmed Herbst Pavilion March 21st for the 3rd Annual San Francisco International Chocolate Salon at Fort Mason. One had to have sharp elbows and quick maneuvering tactics to get to the tables piled high with samples with everything for durian fruit truffles to, my favorite, locally made chocolate covered Brazilian Honey Cakes by Kika’s Treats. There were also chocolate flavored liquors and Omnivore Books, a bookstore specifically dedicated to books on food and drink. Something for everyone — and I left shaking from so much caffeine and chocolate goodness running through my veins, my fingers sticky and stained a rich, luscious color.

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Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Stefanie, Market and Hyde

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Tell us about your look: “I love mixing old vintage pieces with new clothes.”

GAYVNs: the long, hard rundown of events

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By Marke B.

The GayVN Awards: You’ve felt the gay dude excitement, you’ve felt the straight dude excitement. Now, feel the excitement for yourself at the upcoming onslaught of gay porn-related events, as we explode through the wormhole of this weekend’s fabulous — and flab-u-less — events. OMG — meet the stars! Share the love! Be a part of history!

Hey, don’t shoot me — I’m just the 12-inch pianist.

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Will the violent, controversial To the Last Man from Raging Stallion take home the GayVN for Best Picture? Will you take home its stars? Maybe

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Friday, March 27th

6PM

Falcon Studios’ GayVN Weekend Kick-off Party
Hosted By Juanita MORE!
Q Bar
456 Castro

Roll In Style
A Safer Sex Fashion Show
With NakedSwordsman 2009 Steve Cruz
Sui Generis
218 Church

To The Last Man Signing
Does Your Mother Know?
4141 18th St.

7PM

Raging Stallion Studios Party
The Edge
4149 18th St.

Bel Ami Studios Party
440 Castro
440 Castro

Barrett Long’s Cockstar
Moby Dick
4049 18th St.

Jet Set Men Studios Party
The Mix
4086 18th St.

Dirty Boy Video Studios Party
Twin Peaks
401 Castro

GayRealityPorn and PornTeam
The Midnight Sun
4067 18th St.

Peepshow: Gay porn for spring

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Each week Justin Juul highlights a rad upcoming local sexy event

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Who Have you ever seen that movie where the guy pulls out his dick and rubs it on some other guy’s face and then another guy comes in and he’s like “Hey there buddies, can I get me summa dat?!” Or no, wait! How about the one where the guy is sitting in the sauna at 24 Hour fitness just minding his own business, reading the paper, and then another guy comes up and he’s like “Fancy a blowjob, sir?” Those movies were great! Someone should set up an awards show for all the people involved in making them, don’t you think? They could charge tons of money for admission, throw tailgate parties in The Castro, and invite that dude from Ugly Betty to perform stand up comedy. Maybe Margaret Cho could come too. Just a thought.

Hot sex events this week: March 25-31

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Compiled by Molly Freedenberg

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Turn up your inner thermostat with the ladies of Body Heat.

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>> Body Heat: Femme Porn Tour 2009
The collective of fierce, sassy, irreverent Femme artists known for smashing stereotypes and challenging assumptions — including Amber Dawn, kathleen delaney, Meliza Banales, Jen Cross, Vixen Noir — returns to CSC with porn, kink, smut, erotica, mind-blowing performances and a sex writing workshop.

Thu/26-Fri/27, 7pm, $7-$10
Center for Sex and Culture
1519 Mission, SF.
www.sexandculture.org

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SCENE: RedLine shakes the bass up

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Taken from SCENE: The Guardian Guide to Nightlife and Glamour — on stands in the Guardian now. Interview by Marke B. Photo by Pat Mazzera. Art Direction by Mirissa Neff. Mens room courtesy of Matador.

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Ultraviolet, Kozee, Roommate, Rob Cannon, and Blackheart

To say that the woofer-rumbling, ragga-ripping dubstep sound has exploded on the club scene in the past few years is an understatement almost as low as the genre’s freakiest frequencies. Dubstep seems perfect for our hyper-multicultural, urban-nomadic age, blending street rhythms with the most intricate laptop sonic technology available. It’s especially perfect for the Bay, with its shimmering blend of moody menace and artistic bombast, and has duly been embraced by a number of DJs here, many with roots that stretch back to the early days of 2-step, drum ‘n bass, and even rave.

DJ Ultraviolet (pictured in red, at left), heads up the fab two-year-old RedLine dubstep collective, and has been bringing her immaculate technique and overflowing energy to the decks in San Francisco since 1997. She was a seminal player in the drum ‘n bass and breakbeat scene, as part of the Sleeveless collective with the Femmes Fatales, and was associated with the legendarily raucous Sister DJ crew. As a true vinyl fetishist, she was being booked at the tender age of 19 to play jungle at underground ’90s raves and played a part in the Future Breaks FM (miss you!) juggernaut of the early aughts.

Now, along with the wonderfully gifted DJ Kozee, her "second in command," Ultraviolet reps the burgeoning female dubstep explosion, producing tracks and bringing a touch of grimy glamour to the scene with the MakeOut Sessions, RedLine’s regular blowout at Matador. The upcoming installment of MakeOut features Matty G of Santa Cruz (www.myspace.com/mattygbeatz) pumping tracks from his new album, Take You Back.

MAKEOUT SESSIONS
Fri/27, 9pm, free
Matador
10 Sixth Street, SF.
www.myspace.com/redlinedjs

SFBG Who’s all involved in RedLine?

ULTRAVIOLET Kozee and I, who do a lot of the event planning and are working on a big project together; Babylon System (www.myspace.com/thebabylonsystem), a.k.a Roomate and No Thing, is one of the top production crews in dubstep, currently on tour in Europe; the three DJs of Blackheart (www.myspace.com/lordsofblackheart) from Oakland are our newest addition; DJ Rob Cannon (www.myspace.com/djrobcannon), our youngest member; our L.A. residents Emu and Pawn, who are also a part of the SMOG crew down there, and on our business end, Cyn, Bruxxy, and Dymphna.

SFBG Do you think the dubstep sound is reaching a critical mass? Is the scene in danger of getting stale?