Waterfront

Selector: April 24-30, 2013

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FRIDAY 26

Robot Chicken

Marking the end of the special exhibit Between Frames: The Magic Behind Stop Motion Animation, the comedic geniuses behind the hit Adult Swim TV show Robot Chicken — Stoopid Buddy Stoodios — are coming to the city this weekend for several special events celebrating their craft. Join Seth Green, Matthew Senreich, John Harvatine IV, Eric Towner, and Alex Kamer on Friday night for an after-hours museum party featuring food, drinks, an audience Q&A, and screenings of behind-the-scenes footage. Then on Saturday there’s a special animation workshop followed by a panel discussion taking a closer look at the hilarious TV show. (Sean McCourt)

Fri/26, 7pm; Sat/27, 10am and 2pm, $8–$60

Walt Disney Family Museum

104 Montgomery, SF

(415) 345-6800

www.waltdisney.org

 

San Francisco Global Vietnamese Film Festival

A three-day celebration of films from Vietnam (as well as Cambodia, Canada, France, Japan, the Czech Republic, and the United States), the San Francisco Global Vietnamese Film Festival offers up both narratives and documentaries, as well as experimental works. Highlights include screenings of Oscar nominee Tran Angh Hung’s dreamy 2010 adaptation of Haruki Murakami’s novel Norwegian Wood — as well as Duc Nguyen’s brand-new doc about Vietnamese refugees, Stateless, and a shorts program comprised of Yxine Film Festival standouts. (Cheryl Eddy)

Opening gala tonight, 7:30pm, $10

Artists’ Television Access

992 Valencia, SF

Festival screenings Sat/27-Sun/28, 2:30pm-midnight, $10

Roxie Theater

3117 16th St., SF

sfgvff.wordpress.com

 

“SF Choral Society and Volti present battle hymns”

Making Love may be a more common theme for dance than Making War. This did not stop Philadelphia-based choreographer Leah Stein, whose small company dances big and not just on stage, and collaborating composer David Lang. Stein has created a reputation for site-specific, improv-inspired choreography combined with an uncommonly sophisticated musicality. Lang based his choral work, Battle Hymn, on texts from the Civil War. Together they have created a meditation on a topic that, unfortunately, is as timely a ever. Stein’s dancers and 150 singers — including SF music group Volti, San Francisco Choral Society vocalists, and the Piedmont East Bay Children’s Choir — will perform along with the percussion score conducted by Robert Geary. (Rita Felciano)

Fri/26, 8pm; Sat/27, 3 and 8pm; Sun/28, 3pm, $30–$50

Kezar Pavilion

755 Stanyon, SF

(415) 392-4400

www.cityboxoffice.com


SATURDAY 27

“Fortuna Paper Moon”

In art, process can be everything. In the case of Jovi Schnell, the colorful and lively works that seem to borrow from folk art, celestial imagery, and mechanical ideas speak for themselves, but the story of their creation embeds them with particular meaning — or rather, an intriguing lack of meaning. In paintings such as Honeycomb Hideaway, repeated rolling of dice determined the order of colors and the pattern that comprises the piece (which is no pattern at all). Schnell has invented a language in paint, collage, and sculpture that is whimsical, energetic, and overall, fascinating. The “Fortuna Paper Moon” exhibition is on view at Gregory Lind Gallery until June 1. (Laura Kerry)

Through June 1

4pm, free

Gregory Lind Gallery

49 Geary, SF

(415) 296-9661

www.gregorylindgallery.com

 

Queen’s Day

You love excessive drinking in the street and the color orange, right? (Don’t lie SF, I’ve seen many a fake tan Bay to Breakdown.) A celebration for the Queen of the Netherlands’ birthday in SF goes down in the park this year and will feature Dutch cheese and DJs, a beer garden, and family activities, sponsored by the Consulate General of the Netherlands. Head up the road to the de Young afterward for even more Dutch madness: more DJs and a 7pm lecture on the country’s royal family that you won’t remember the next day if you’re celebrating in the traditional manner. (Caitlin Donohue)

Noon-5pm, free

Murphy Windmill

Lincoln Way and Great Highway, Golden Gate Park, SF

www.sfdutch.com

 

“Night Light: Multimedia Garden Party”

Disco dancing about diasporas, an opera in shadow, moving crystals, nude hula hooping, a slowed down wave, and a technological cocoon: these are not club names mentioned by Stefon in Saturday Night Live, but some of the art pieces that will be on display at SOMArts’ Multimedia Garden Party. With more than 50 artists displaying their music, dance, video installations, sculptures, and art in various other mediums, the night promises to be overwhelmingly spectacular. While art is often confined to the quiet and clean spaces of museums and galleries, tonight it participates in a party. SOMArts offers a chance to participate with it. (Kerry)

8pm, $12

SOMArts

934 Brannan, SF

(415) 863-1414

www.somarts.org

 

Men in Suits

Long before computer graphics became all the rage in Hollywood, a special breed of actors and special effects magicians worked together to bring a vast array of wild monsters, creatures, beasts and more to life on the big screen, entertaining (and scaring) generations of movie-goers. Take a look back at that golden age of film making tonight at a screening of Men In Suits, a new documentary about the people who played monsters in the movies, ranging from the Creature From The Black Lagoon to Predator. Writer-director Frank Woodward will be on hand for a discussion, along with special displays, prizes, and a second flick, 1955’s Revenge of the Creature. (McCourt)

7pm, $12–$15

Historic Bal Theater

14808 East 14th St., San Leandro

www.bayareafilmevents.com


SUNDAY 28

How Weird

Do we love New Orleans so because it reflects a more diverse, wilder, woolier, earlier version of our fair city? Play out your Nola dreams with lunch at the gorgeous SF Jazz Center’s Big Easy-inspired restaurant South, and then head to the 14th year of the How Weird street fair in your best freak flag. Per usual, a sizable portion of SoMa will be blocked off and filled with wacky vendors, art, and 10 stages of music — mainly EDM, but with this year’s “Weirdi Gras” theme, five marching bands will be strutting the streets to syncopate your Sunday. (Donohue)

Noon-8pm, $10 suggested donation

Howard and Second St., SF

www.howweird.org


SUNDAY 28

Cave Singers

At first listen, the Cave Singers’ music inhabits a place directly related to rotting porches on the edges of mountainous forests. They play folk. Spend a little more time with them, though, and it starts to make sense that their favorite bands are the Replacements, the Pixies, and Fleetwood Mac. Pete Quirk’s singing, a bit raspy and raw, recalls other genres that typically involve more yelping and distortion (he was previously a part of a Seattle post-punk band); the compositions have a little too much edge to be played from a porch in the mountains. Yes, it’s folk that they’ll play at Great American Music Hall, but it’s the Cave Singers’ version of it. (Kerry)

With Bleeding Rainbow

8pm, $16

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

Marnie Stern

On the cover of Marnie Stern’s new album, Chronicles of Marnia, the artist walks on the beach in a summer dress, silhouetted by a setting sun. This would suggest that inside, one would find some sweet, vulnerable melodies in a singer-songwriter style. And that is not completely wrong — her soul-bearing songwriting comes up in some very positive reviews of her four albums — but what Stern does particularly well, is shred on the electric guitar; her finger tapping post-punk experimental rock sound earned her a spot on many greatest guitarist lists. Stern is the real deal, and you can see her bear shred (and bear her soul) at the Rickshaw Stop tonight. (Kerry)

With SISU, E V Kain

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com


MONDAY 29

La Mar Cebicheria pisco dinner

Sure, when Peru’s Gaston Acurio opened up his first US restaurant here on our waterfront we knew we weren’t going to be regulars — that sustainable seafood doesn’t come cheap, babe. That being said, there’s something about shellfooding out on a special occasion. So we wanted to let you know about this: a four-course dinner, each course paired with a dram of pisco, or a cocktail based off that Peruvian liquor that’s been beloved in SF since the days of the Gold Rush. Before the heavy plates come in, check out the 6pm pisco seminar taught by Manuel Ainzuain, Alfonso Rouillon, and La Mar bar manager Joselino Solis. (Donohue)

Reservations required

Open 5:30-9:30pm, $75/person

La Mar Cebichería Peruana

Pier 1½, SF

(415) 397-8880

www.lamarsf.com

 

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Editor’s Notes

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tredmond@sfbg.com

EDITORS NOTES It was breezy and San Francisco-spring-perfect along the Embarcadero the other day. People were jogging, and rollerblading, and sitting in the sun. Red’s Java House was doing brisk business.

Out on the old, crumbling piers, cars were sitting in the lots that now make up most of the economic use of some of the city’s most spectacular and valuable land. Kind of a waste — but the upside (and it’s a big one) was the feeling of open space, the idea that we were all so close to the Bay, that nothing blocked the views of the waterfront or that sense that this is still a city that has some connection to the marine environment that surrounds it.

And then I imagined the Warrior’s Arena. Right there in the middle of everything. And I stopped for a second and wondered what I’d be feeling if I were walking past it 10 years from now. And it made me kind of sad.

I know that parking lots aren’t the best use of Port of San Francisco land. I know that the Port needs huge amounts of capital to rebuild the piers. I know that the most obvious way to get that money is to give developers pieces of waterfront land. I know that a new Warriors Arena will create jobs and bring in tax money. I know that AT&T Park has been a great success for the Giants, the city, and the neighborhood.

I also know that some of the people who oppose the arena are well-off homeowners who don’t want to lose the sight of the Bay out of their fancy condo windows.

But ever since San Francisco, with the help of Mother Nature and a 7.3 earthquake, tore down the Embarcadero Freeway, the waterfront area from Harrison to the Ferry Building has been a really nice place to hang out. Not perfect; not the “Grand Boulevard” that some dream of. But a part of the city where humans can feel the salt breeze and enjoy the outdoors in a relatively mellow way, just blocks from the downtown core. Put an 18-story arena there and it all changes. It mostly goes away.

Is this really the best we can do with the waterfront? What about a bond act for open space, and another Dolphin Club for swimmers, and waterfront parks? Other cities have done it; can’t San Francisco have a world-class waterfront too?

Party Radar: Bruno Pronsato, No Way Honey, Harlum Muziq, Tube & Berger, Candis Cayne

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This week’s Super Ego clubs column is full of signs and wonders for the coming weekend, but here’s a further quintet of banging joints to top you off just right, Your soundtrack is “Triscuits,” because that’s my theme song right now. (Oh, and just a reminder — that rained-out, positively drenched Hunky Jesus contest has been rescheduled for tonight, too!)

http://www.youtube.com/watch?v=3_Qtkc4Tov0

 

BRUNO PRONSATO

The massive Texan technician, now hailing from Berlin like everybody else pretty much, hits us with a stop on his short, sharp tour. Really good, often wiggy but groovy stuff.

Fri/19, 9:30pm-3am, $10-$15. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

CANDIS CAYNE

The knockout transgender club legend comes to our favorite kooky-artsy drag weekly Some Thing — it’s gonna be a mix of something wonderful and strange, methinks.

Fri/19, 10pm, $7. The Stud, 399 Ninth St., SF.

 

NO WAY HONEY

Two of our best DJ crews, No Way Back and Honey Soundsystem, continue their fruitful collaboration, and give kids some space to just dance to killer house and techno.

Fri/19, 10pm-4am, 10pm, Beatbox, 314 11th St., SF. www.residentadvisor.net/event.aspx?463602


TUBE & BERGER

I’m throwing a little bit of underground in here, as the longtime German duo, which has gotten a lot more sophisticated lately, takes to the waterfront somewhere.

Fri/19, 9pm, $10-$20. tubeandberger.eventbrite.com

 

THROWBACK WITH HARLUM MUZIQ

One listen to the masterpiece vinyl mix below by Jayvi Velasco from a previous Throwback party, which pumps up the old-school ’90s house jams, will let you know why I’ll be living on the dancefloor for this. Harlum Muziq label heroes David Harness and Chris Lum will preside. With Julius Papp, Galen, and — yes! — Jayvi Velasco. High kicks.

Sat/20, 9pm-late, free. Mighty, 119 Utah, SF. www.mighty119.com

Indicator city

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steve@sfbg.com

When biologists talk about the health of a fragile ecosystem, they often speak of an “indicator species.” That’s a critter — a fish, say, or a frog — whose health, or lack thereof, is a signal of the overall health of the system. These days, when environmentalists who think about politics as well as science look at San Francisco, they see an indicator city.

This progressive-minded place of great wealth, knowledge, and technological innovation — surrounded on three sides by steadily rising tides — could signal whether cities in the post-industrial world will meet the challenge of climate change and related problems, from loss of biodiversity to the need for sustainable energy sources.

A decade ago, San Francisco pioneered innovative waste reduction programs and set aggressive goals for reducing its planet-cooking carbon emissions. At that point, the city seemed prepared to make sacrifices and provide leadership in pursuit of sustainability.

Things changed dramatically when the recession hit and Mayor Ed Lee took office with the promise to focus almost exclusively on economic development and job creation. Today, even with the technology and office development sectors booming and employment rates among the lowest in California, the city hasn’t returned its focus to the environment.

In fact, with ambitious new efforts to intensify development along the waterfront and only lackluster support for the city’s plan to build renewable energy projects through the CleanPowerSF program, the Lee administration seems to be exacerbating the environmental challenge rather than addressing it.

According to conservative projections by the Bay Conservation and Development Commission, the Bay is expected to rise at least 16 inches by 2050 and 55 inches by the end of the century. BCDC maps show San Francisco International Airport and Mission Bay inundated, Treasure Island mostly underwater, and serious flooding the Financial District, the Marina, and Hunters Point.

Lee’s administration has commissioned a report showing a path to carbon reduction that involves promoting city-owned renewable energy facilities and radically reducing car trips — while the mayor seems content do the opposite.

It’s not an encouraging sign for Earth Day 2013.

 

HOW WE’RE DOING

Last year, the Department of the Environment hired McKinsey and Company to prepare a report titled “San Francisco’s Path to a Low-Carbon Economy.” It’s mostly finished — but you haven’t heard much about it. The department has been sitting on it for months.

Why? Some say it’s because most of the recommendations clash with the Lee administration’s priorities, although city officials say they’re just waiting while they get other reports out first. But the report notes the city is falling far short of its carbon reduction goals and “will therefore need to complement existing carbon abatement measures with a range of new and innovative approaches.”

Data presented in the report, a copy of which we’ve obtained from a confidential source, shows that building renewable energy projects through CleanPowerSF, making buildings more energy-efficient, and discouraging private automobile use through congestion pricing, variable-price parking, and building more bike lanes are the most effective tools for reducing carbon output.

But those are things that the mayor either opposes and has a poor record of supporting or putting into action. The easy, corporate-friendly things that Lee endorses, such as supporting more electric, biofuel, and hybrid vehicles, are among the least effective ways to reach the city’s goals, the report says.

“Private passenger vehicles account for two-fifths of San Francisco’s emissions. In the short term, demand-based pricing initiatives appear to be the biggest opportunity,” the report notes, adding a few lines later, “Providing alternate methods of transport, such as protected cycle lanes, can encourage them to consider alternatives to cars.”

Melanie Nutter, who heads the city’s Department of the Environment, admits that the transportation sector and expanding the city’s renewable energy portfolio through CleanPowerSF or some other program — both of which are crucial to reducing the city’s carbon footprint — are two important areas where the city needs to do a better job if it’s going to meet its environmental goals, including the target of cutting carbon emissions 40 percent from 1990 levels by the year 2025.

But Nutter said that solid waste reduction programs, green building standards, and the rise of the “shareable economy” — with Internet-based companies facilitating the sharing of cars, housing, and other products and services — help San Francisco show how environmentalism can co-exist with economic development.

“San Francisco is really focused on economic development and growth, but we’ve gone beyond the old edict that you can either be sustainable or have a thriving economy,” Nutter said.

Yet there’s sparse evidence to support that statement. There’s a two-year time lag in reporting the city’s carbon emissions, meaning we don’t have good indicators since Mayor Lee pumped up economic development with tax breaks and other city policies. For example, Nutter touted how there’s more green buildings, but she didn’t have data about whether that comes close to offsetting the sheer number of new energy-consuming buildings — not to mention the increase in automobile trips and other byproducts of a booming economy.

Tom Radulovich, executive director of Livable City and president of the BART board, told us that San Francisco seems to have been derailed by the last economic crisis, with economic insecurity and fear trumping environmental concerns.

“All our other values got tossed aside and it was all jobs, jobs, jobs. And then the crisis passed and the mantra of this [mayoral] administration is still jobs, jobs, jobs,” he said. “They put sustainability on hold until the economic crisis passed, and they still haven’t returned to sustainability.”

Radulovich reviewed the McKinsey report, which he considers well-done and worth heeding. He’s been asking the Department of the Environment for weeks why it hasn’t been released. Nutter told us her office just decided to hold the report until after its annual climate action strategy report is released during Earth Day event on April 24. And mayoral Press Secretary Christine Falvey told us, “There’s no hold up from the Mayor’s Office.”

Radulovich said the study highlights how much more the city should be doing. “It’s a good study, it asks all the right questions,” Radulovich said. “We’re paying lip service to these ideas, but we’re not getting any closer to sustainability.”

In fact, he said the promise that the city showed 10 years ago is gone. “Gavin [Newsom] wanted to be thought of as an environmentalist and a leader in sustainability, but I don’t think that’s important to Ed Lee,” Radulovich said.

Joshua Arce, who chairs the city’s Environmental Commission, agreed that there is a notable difference between Newsom, who regularly rolled out new environmental initiatives and goals, and Lee, who is still developing ways to promote environmentalism within his economic development push.

“Ed Lee doesn’t have traditional environmental background,” Arce said. “What is Mayor Lee’s definition of environmentalism? It’s something that creates jobs and is more embracing of economic development.”

Falvey cites the mayor’s recent move of $2 million into the GoSolar program, new electric vehicle charging stations in city garages, and his support for industries working on environmental solutions: “Mayor Lee’s CleantechSF initiative supports the growth of the already vibrant cleantech industry and cleantech jobs in San Francisco, and he has been proactive in reaching out to the City’s 211 companies that make up one of the largest and most concentrated cleantech clusters in the world.”

Yet many environmentalists say that simply waiting for corporations to save the planet won’t work, particularly given their history, profit motives, and the short term thinking of global capitalism.

“To put it bluntly, the Lee administration is bought and paid for by PG&E,” said Eric Brooks with Our City, which has worked for years to launch CleanPowerSF and ensure that it builds local renewable power capacity.

The opening of the McKinsey report makes it clear why the environmental policies of San Francisco and other big cities matter: “Around the globe, urban areas are becoming more crowded and consuming more resources per capita,” it states. “Cities are already responsible for roughly seventy percent of global carbon dioxide emissions, and as economic growth becomes more concentrated in urban centers, their total greenhouse gas emissions may double by 2050. As a result, tackling the problem of climate change will in large part depend on how we reduce the greenhouse gas emissions of cities.”

And San Francisco, it argues, is the perfect place to start: “The city now has the opportunity to crystallize and execute a bold, thoughtful strategy to attain new targets, continue to lead by example, and further national and global debates on climate change.”

The unwritten message: If we can’t do it here, maybe we can’t do it anywhere.

 

ON THE EDGE

San Francisco’s waterfront is where economic pressures meet environmental challenges. As the city seeks to continue with aggressive growth and developments efforts on one side of the line — embodied recently by the proposed Warriors Arena at Piers 30-32, 8 Washington and other waterfront condo complexes, and other projects that intensify building along the water — that puts more pressure on the city to compensate with stronger sustainability initiatives.

“The natural thing to do with most of our waterfront would be to open it up to the public,” said Jon Golinger, who is leading this year’s referendum campaign to overturn the approval of 8 Washington. “But if the lens you’re looking through is just the balance sheet and quarterly profits, the most valuable land maybe in the world is San Francisco’s waterfront.”

He and others — including SF Waterfront Alliance, a new group formed to oppose the Warriors Arena — say the city is long overdue in updating its development plan for the waterfront, as Prop. H in 1990 called for every five years. They criticize the city and Port for letting developers push projects without a larger vision.

“We are extremely concerned with what’s happening on our shorelines,” said Michelle Myers, director of the Sierra Club’s Bay Chapter, arguing that the city should be embracing waterfront open space that can handle storm surge instead of hardening the waterfront with new developments. “Why aren’t we thinking about those kinds of projects on our shoreline?”

David Lewis, director of Save the Bay, told us cities need to think less about the value of waterfront real estate and do what it can to facilitate the rising bay. “There are waterfront projects that are not appropriate,” Lewis said. Projects he puts in that category range from a scuttled proposal to build around 10,000 homes on the Cargill Salt Flats in Redwood City to the Warriors Arena on Piers 30-32.

“We told the mayor before it was even announced that it is not a legal use of the pier,” Lewis said, arguing it violated state law preserving the waterfront for maritime and public uses. “There’s no reason that an arena has to be out on the water on a crumbling pier.”

But Brad Benson and Diana Oshima, who work on waterfront planning issue for the Port of San Francisco, say that most of San Francisco’s shoreline was hardened almost a century ago, and that most of the planning for how to use it has already been done.

“You have a few seawall lots and a few piers that could be development sites, but not many. Do we need a whole plan for that?” Benson said, while Oshima praises the proactive transportation planning work now underway: “There has never been this level of land use and transportation planning at such an early stage.”

The Bay Conservation and Development Commission was founded almost 50 years ago to regulate development in and around the Bay, when the concern was mostly about the bay shrinking as San Francisco and other cities dumped fill along the shoreline to build San Francisco International Airport, much of the Financial District, and other expansive real estate plans.

Now, the mission of the agency has flipped.

“Instead of the bay getting smaller, the bay is getting larger with this thing called sea level rise,” BCDC Executive Director Larry Goldspan said as we took in the commanding view of the water from his office at 50 California Street.

A few years ago, as the climate change predictions kept worsening, the mission of BCDC began to focus on that new reality. “How do we create a resilient shoreline and protect assets?” was how Goldspan put it, noting that few simply accept the inundation that BCDC’s sea level rise maps predict. “Nobody is talking about retreating from SFO, or Oakland Airport, or BART.”

That means Bay Area cities will have to accept softening parts of the shoreline — allowing for more tidal marshes and open space that can accept flooding in order to harden, or protect, other critical areas. The rising water has to go somewhere.

“Is there a way to use natural infrastructure to soften the effect of sea level rises?” Goldspan asked. “I don’t know that there are, but you have to use every tool in the smartest way to deal with this challenge.”

And San Francisco seems to be holding firm on increased development — in an area that isn’t adequately protected. “The seawall is part of the historic district that the Port established, but now we’re learning the seawall is too short,” Goldspan said.

BCDC requires San Francisco to remove a pier or other old landfill every time it reinforces or rebuilds a pier, on a one-to-one basis. So Oshima said the district is now studying what it can remove to make up for the work that was done to shore up Piers 23-27, which will become a new cruise ship terminal once the America’s Cup finishes using it a staging ground this summer.

Yet essentially giving up valuable waterfront real estate isn’t easy for any city, and cities have both autonomy and a motivation to thrive under existing economic realities. “California has a history of local control. Cities are strong,” Goldspan said, noting that sustainability may require sacrifice. “It will be a policy discussion at the city level. It’s a new discussion, and we’re just in the early stages.”

 

NEW WORLD

Global capitalism either grows or dies. Some modern economists argue otherwise — that a sustainable future with a mature, stable economy is possible. But that takes a huge leap of faith — and it may be the only way to avoid catastrophic climate change.

“In the world we grew up in, our most ingrained economic and political habit was growth; it’s the reflex we’re going to have to temper, and it’s going to be tough.” Bill McKibben writes in Eaarth: Making a Life on a Tough New Planet. “Across partisan lines, for the two hundred years since Adam Smith, we’ve assumed that more is better, and that the answer to any problem is another burst of expansion.”

In a telephone interview with the Guardian, McKibben discussed the role that San Francisco could and should be playing as part of that awakening.

“No one knows exactly what economy the world is moving toward, but we can sense some of its dimensions: more localized, less material-based, more innovative; these are things that San Francisco is good at,” he told us, noting the shift in priorities that entails. “We need to do conservation, but it’s true that we also need to build more renewable power capacity.”

Right now, CleanPowerSF is the only mechanism the city has for doing renewable energy projects, and it’s under attack on several fronts before it even launches. Most of the arguments against it are economic — after all, renewable power costs more than coal — and McKibben concedes that cities are often constrained by economic realities.

Some city officials argue that it’s more sustainable for San Francisco to grow and develop than suburban areas — thus negating some criticism that too much economic development is bad for the environment — and Radulovich concedes there’s a certain truth to that argument.

“But is it as green as it ought to be? Is it green enough to be sustainable and avert the disaster? And the answer is no,” Radulovich said.

For example, he questioned, “Why are we building 600,000 square feet of automobile-oriented big box development on Hunters Point?” Similarly, if San Francisco were really taking rising seas seriously, should the city be pouring billions of dollars into housing on disappearing Treasure Island?

“I think it’s a really interesting macro-question,” Jennifer Matz, who runs the Mayors Office of Economic Development, said when we asked whether the aggressive promotion of economic development and growth can ever be sustainable, or whether slowing that rate needs to be part of the solution. “I don’t know that’s feasible. Dynamic cities will want to continue to grow.”

Yet that means accepting the altered climate of new world, including greatly reduced fresh water supplies for Northern California, which is part of the current discussions.

“A lot of the focus on climate change has moved to adaptation, but even that is something we aren’t really addressing,” Radulovich said.

Nutter agreed that adapting to the changing world is conversation that is important: “All of the development and planning we’re doing today needs to incorporate these adaptation strategies, which we’re just initiating.”

But environmentalists and a growing number of political officials say that San Francisco and other big cities are going to need to conceive of growth in new ways if they want to move toward sustainability. “The previous ethos was progress at any cost — develop, develop, develop,” Myers said, with the role of environmentalists being to mitigate damage to the surrounding ecosystem. But now, the economic system itself is causing irreversible damage on a global level. “At this point, it’s about more than conservation and protecting habitat. It’s about self-preservation.”

CEQA change moves faster in SF than Sacto

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So the Guv says he doesn’t think he’s going to be able to gut CEQA this year. I think he’s right: The party he supposedly leads (but doesn’t tend to follow him) won’t go for it, any more than the party Obama leads will got for cuts to Social Security.

It’s partly that both are hard-fought pieces of progressive history. The late 1960s and early 1970s were a good time for the environmental movement — Congress passed both the National Environmental Policy Act and the Endangered Species Act, and Nixon signed both. The California Legislature passed CEQA in 1970, and Gov. Reagan signed it. Back then, even Republicans thought it was a good thing to be on the side of protecting the planet.

But there’s more — and it’s interesting that the state Leg, typically not known as a bastion of progressive thought, is better on this issue than San Francisco, where some sort of changes to CEQA are almost inevitable.

Some background:

What NEPA and CEQA did, first and foremost, was eliminate the problem of “standing” that had plagued environmental lawyers for years. If I couldn’t prove that a horrible development project on the San Francisco waterfront would personally injure me (which would typically mean I had to own adjacent property), I had no right to go to court to oppose it. CEQA mandates a valid, complete environmental review of any major project, which gives anyone the right to sue; I may not be able to describe specific financial damages from a project, but as a citizen, I have a legal right to an adequate Environmental Impact Report.

Likewise, anyone can appeal a development in San Francisco to the Board of Supervisors on the grounds that the EIR was inadequate.

CEQA review slows down projects and costs money. If you “streamline” the process, you make life easier for developers. But there’s a hefty price to pay — because while Sup. Scott Wiener talks about homeowners fixing rotting handrails, very few CEQA suits or appeals are ever filed over that kind of thing. Yeah, there are exceptions; year, one lone bike-hater slowed down the city’s bicycle plan. Yeah, NIMBYs will sometimes slow down affordable housing projects.

But most major CEQA lawsuits and appeals are over big projects, ones that, in San Francisco, tend to slide through the official approval process no matter how horrible they are. Mayors of this city for most of the past half-century have liked developers; mayors appoint the majority of the Planning Commission, and they appoint commissioners who like developers. There’s big money in San Francisco real-estate development, and the savvy builders spread enough of it around that they typically get their way.

CEQA gives the rest of us a way to fight back. Most of the time, it doesn’t work: A CEQA appeal, for example, didn’t stop the atrocious 8 Washington project. CEQA hasn’t stopped developers from building about 50 million square feet of office space in the city since the 1970s. CEQA didn’t stop that hideous Rincon Hill tower. Oh, and it hasn’t stopped a single affordable housing project.

In a city where developers rule and bad decisions are made all the time, for all the wrong reasons, you have to look at tradeoffs. Is it worth accepting a delay in the bike plan and the Dolores Park plan because lone nuts are using CEQA — if that means we can force big commerical projects to mitigate some of the damage their doing? CEQA isn’t perfect, but “reforming” it to make appeals harder is, on balance, a bad idea.

Have at me, trolls. I am a backward-thinking luddite who hates success and never wants anything in the city to change. I am an old curmudgeon. I am whatever you come up with next.

Or maybe I’ve just lived here long enough to see that much of what passes for “progress” in this town does more damage than good.

 

Warriors Arena proposal rouses supporters and opponents

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UPDATED Rival teams have formed in the last week to support and oppose the proposed Warriors Arena at Piers 30-32 as the California Legislature considers a new bill to approve the project, a new design is about to be released, and a trio of San Francisco agencies prepares to hold informational hearings.

Fresh off the collapse of two of the city’s biggest development deals, Mayor Ed Lee and his allies are pushing hard to lock in what he hopes will be his “legacy project.” A new group of local business leaders calling itself Warriors on the Waterfront held a rally on the steps of City Hall today, emphasizing the project’s job creation, community partnerships, and revitalization of a dilapidated stretch of waterfront.

That launch event followed last week’s creation of the San Francisco Waterfront Alliance, made up mostly of area residents and environmental organizations that oppose the project, including the Sierra Club and Save the Bay. The group today released a press release and artist’s rendering of how the 13-story arena and two condo towers may block views of the bay.

Last week, SFWA put out a press release criticizing Assembly Bill 1273 by Assembly member Phil Ting, claiming it would allow the project to avoid scrutiny by the Bay Conservation and Development Commission, which oversees and issues permits for waterfront projects. “One of the primary reasons we have regulatory agencies like the BCDC is so that local jurisdictions don’t run roughshod over the Bay and the waterfront,” group President Gayle Cahill said in the release. “The San Francisco Waterfront Alliance strongly believes that BCDC should retain its jurisdiction in this project to ensure independent oversight for the Bay and for all of us.”

Yet Ting and supporters of the project say the legislation doesn’t change BCDC’s oversight of the project, pointing to language that explicitly acknowledges the agency’s authority. While the legislation would remove the need for the three-member State Lands Commission to approve the project, proponents said approval by the full Legislature is a higher bar that ensures more public scrutiny and accountability.

“It does not waive BCDC. It goes through the same BCDC process,” Ting told us. “By going through the Legislature, you do have more hearings and public process. The idea was to make this more thoroughly vetted.”

The Port’s Brad Benson told us that State Lands staff is also still actively scrutinizing the project. “We’ve been working closely with State Land and BCDC staff to incorporate their concerns,” Benson said. For example, the arena configuration has already been moved closer to shore than originally proposed because of BCDC concerns about maritime access to a deep-water berth at the site.

In addition to approval by the Legislature and BCDC, the project must also be approved by the Port Commission and Board of Supervisors. The latest design for the project is scheduled to be released on May 6 and will be discussed by the Board of Supervisors Land Use and Economic Development Committee that day, said Gloria Chan of the Mayor’s Office of Economic and Workforce Development. The Planning Commission will then hold an informational hearing on the new design May 9, following by a May 14 hearing before the Port Commission. 

The project is proposed to include a 17,500-seat arena that would host more than 200 Warriors games, concerts, and other events per year, starting in 2017, on 13 acres of rebuilt piers. The adjacent, 2.3-acre Seawall Lot 330 would include up to 130 new condos, a hotel of up to 250 rooms, and 34,000 square feet of restaurants and retail space.

The whole project would include just 830-930 parking spaces, making its still-unfolding transportation plan key to the project’s approval. Opponents of the project also criticize the project’s height and its financing package and say this intensive development isn’t consistent with city plans or state laws that protect waterfront lands for maritime and public uses.

“We told the mayor before it was even announced that it is not a legal use of the pier,” Save the Bay Executive Director David Lewis told the Guardian. “There’s no reason that an arena has to be out on the water on a crumbling pier.”

Yet proponents tout the project’s economic benefits to the city and the need for an arena that size to host concerts and conventions, beyond the prestige of luring the Warriors away from Oakland and back to its original home city. “It will be privately financed and turn a crumbling pier and unsafe parking lot into a state-of-the-art venue that generates new revenue for the region and provides a spectacular new facility for the Bay Area’s NBA team.”Jim Wunderman, CEO of the Bay Area Council and an honorary co-chair of Warriors on the Waterfront, said in the press release.

UPDATE: Rudy Nothenberg, who served five SF mayors financing big civic projects and helped found SF Waterfront Alliance, disputes several assertions made by project proponents. “The first version of [AB 1273] unquestionably moved BCDC out of the way,” he said, claiming that bill language was altered after input from BCDC and the consultant to the Assembly Natural Resources Committee. BCDC has not yet returned a call from the Guardian on the issue. Nothenberg also says AB 1273 turns the deliberate fact-finding process required for the State Lands Commission to make its public trust determination into a political process that is a less thorough vetting of the project.

He also took issue with the statements by Wunderman and others that this is a privately funded project, noting that taxpayers will be paying $120 million to rebuild these piers and will give up future property taxes on the site, which will be diverted by a special tax district to help repay the bonds. Nothenberg told us, “Their continued assertion that there is no public money involved in blatantly untrue.”

 

The 8 Washington shit show

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The latest problem with the 8 Washington condo project emerged March 12 when the Chron reported on a new study that shows construction of the most pricey condos in San Francisco history could threaten a major sewer line that serves a quarter of the city. That report, which is pretty scathing, came the same day the SF Public Utilities Commission voted to sign off on environmental approvals and sewage easements that would allow the developer to move forward with preliminary design work — even though the project will be the subject of a voter referendum in November.

The engineering report says, among other things, that construction on the project (involving significant excavation and the driving of 100-foot pilings) could cause the ground around a main sewer pipe to shift by as much as 5 1/2 inches, when “the normally accepted limit for tolerable ground movement is less than an inch.” That’s kind of a problem, since the North Force sewer pipe handles an awful lot of shit, and would be very expensive to repair.

There’s also an underground sewage vault that could be damaged by the construction work.

And the developer isn’t helping much. As Brian Henderson, chief engineer for the PUC, told the commissioners, “we’ve agreed to disagree about these issues.”

In other words, the 8 Washington folks are giving the city a big FU — and still asking for approval to begin work on a project that more than 30,000 voters insisted go on the ballot first.

That ought to be enough reason for the commission to put this whole thing on hold, wait until some more studies are completed (and the PUC engineering staff is satisfied that the developer won’t shatter a sewage main). After all, no construction work can begin until after November anyway; what’s the rush?

Well, Commissioner Francesca Vietor asked that very question: What happens if we say no? General Manager Harlan Kelly hemmed and hawed. Assistant General Manager Mike Carlin said the developer “would have no incentive” to work on a better design. And all of the PUC senior staff said there’s no reason to worry, since this would all come back again once negotiations with the developer are completed.

Oh, and by the way, they said, the Port of San Francisco has asked for this. (Actually, no: According to Sup. David Chiu, Port officials have said they do not intend to push for any preliminary approvals for 8 Washington until after November.)

Carlin insisted that there was no reason to be concenred about the data in the report that the city had commissioned and spent more than $100,000 on. “We are very diligent about protecting our infrastructure,” he said, adding that existing building codes protected the city’s interests anyway. See, if your neighbor digs a new foundation and screws up your foundation, your neighbor has to pay to fix it.

So no worries; about 200,000 San Franciscans might be unable to flush the toilet for a while, but in the end, the developer (a limited liability company controlled by Simon Snellgrove) will be on the hook for the repairs, after the lawyers are all done fighting it out.

In fact, the very concept that the commission might not go along with this deal seemed foreign to Carlin, who from the beginning talked about “what you will be approving today” — as if the votes were already lined up and his job was just to instruct the puppets so they understand what they’re supposed to be doing.

Among the items the commission “would be approving:” a change in the environmental findings related to design changes that, by the way, might make the sewage problem worse. The PUC staff found that the changes would have no impact on the environment; that finding came two days before the sewage report arrived.

And, of course, as land-use lawyer Sue Hestor noted, the environmental documents alone are 125 pages. “When did you get them, and when did you get a chance to read them,” she asked. None of the commissioners answered.

In the end, there were no surprises — Commissioner Ann Moller Caen made the motion to approve, Commissioner Anson Moran seconded, and on a voice vote, the deal was approved.

Now let me predict what’s going to happen. Kelly and the PUC staff will negotiate with Snellgrove and come back and tell the commissioners that they still don’t have the assurances they need, not really, but there’s no choice any more because the PUC already voted to approve the environmental findings and the easements, and the developer has spent millions on design changes, and now it’s too late to go back.

That’s how things work in this city.

And when, as I predict, the voters kill this whole thing in November, the PUC is going to look foolish.

 

 

From the Rocketship to Bay Lights, “temporary” is the key that unlocked public art in SF

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In the wake of The Bay Lights coming on to rave reviews and mesmerized gazes last week, next weekend the Raygun Gothic Rocketship will be taken down from the Pier 14 launch pad it’s occupied since 2010, the latest transitions in San Francisco’s trend of using temporary public art placements to bypass the protracted, emotional, and expensive battles that once defined the siting of sculptures on public lands in San Francisco.

By partnering with private arts organizations and calling the pieces “temporary” – even though almost all of them have been extended past their initial removal deadlines, sometimes by years – the San Francisco Arts Commission, the Port of San Francisco, and other local entities have allowed public art to flourish in the City.

The commission’s longtime public art director Jill Manton told us that temporary public art placements go back to the early ’90s, usually involving smaller pieces while big, years-long controversies continued to rage on over bigger pieces such as “the foot” that never went in on the Embarcadero, the Cupid’s Span piece that Don Fisher did finally place on the waterfront (and which many critics wish had been only a temporary placement), and a big, ill-fated peace sign in Golden Gate Park.

“It’s not as threatening to the public, not as imposing, so it doesn’t seem like a life-or-death decision,” Manton said of the trend toward temporary placements.

But the real turning point came in 2005 when then-Mayor Gavin Newsom, Manton, and other city officials began to embrace the Burning Man art world by bringing a David Best temple into Patricia Green in Hayes Valley, Michael Christian’s Flock into Civic Center Plaza, and Passage by Karen Cusolito and Dan Das Mann onto Pier 14 (a transition point that I chronicle in my book, The Tribes of Burning Man).

Each piece was well-received and had its initial removal deadlines extended. Since then, temporary placements of both original art and pieces that returned from the playa – including Cusolito’s dandelion in UN Plaza, the rocketship, Kate Raudenbush’s Future’s Past in Hayes Valley, and Marco Cochrane’s Bliss Dance on Treasure Island, which is now undergoing a renovation to better protect it against the elements during its longer-than-expected and now open-ended run – have enlivened The City.

“They get to rotate art and people get excited about what’s next,” said Tomas McCabe, director of the Black Rock Arts Foundation, a Burning Man offshoot organization that has helped with fundraising and logistics for most of the burner-built placements.

We spoke by phone on the afternoon of March 8 as he was working with Christian to install The Bike Bridge – a sculpture using recycled bicycle parts that local at-risk teens helped Christian build thanks to a grant from the National Endowment for the Arts – at the intersection of Telegraph and 19th in Oakland as a temporary placement.

The Bike Bridge will officially be unveiled on April 5 during the increasingly popular monthly Art Murmur, and the party will get extra pep from a conference of Burning Man regional representatives that is being held just down the block that day.

McCabe said the connection between Burning Man and the temporary art trend doesn’t just derive from the fact that Bay Area warehouses are filled with cool artwork built for the playa that is now just sitting in storage. It’s also about an artistic style and sensibility that burners have helped to foster.

“We try to help the art pieces have a life after Burning Man, but it’s more the style of community-based art that we promote,” McCabe said, noting that BRAF also helps with fundraising and other tasks needed to support these local art collectives. “We like to see the artists get paid for their work, we’re funny like that.”

Manton said there are currently discussions underway with San Francisco Grants for the Arts (which is funded by the city’s hotel tax) and other parties to put several large pieces built for Burning Man on display in either UN Plaza or Civic Center Plaza, a proposal Manton called UN Playa. “We bring the best of Burning Man to the city,” she said.

Most of the art placements in San Francisco have been labors of love more than anything, and a chance to win over new audiences. When the Five-Ton Crane crew and other artists placed the Raygun Gothic Rocketship on the waterfront in 2010, they had permission from the Port to be there for a year. Then it got extended for another year, and then another six months, and it will finally come down this weekend.

There will be final reception for the Rocketship this Friday evening (with music from the fellow burners in the Space Cowboys’ Unimog) and then the crane will come up on Sunday morning to remove it, in case any Earthlings want to come say hello-goodbye.

“The Rocketship and its crew have had a fantastic 2.5 years on display at Pier 14. Maintenance days were always a pleasure, giving us a chance to talk to people – and see the smiles and joy people got from the installation,” one of its artists, David Shulman, told us. “We’ve had tremendous support from, and would like to thank, the people of San Francisco, the Port of San Francisco, and the Black Rock Arts Foundation. But Pier 14 is intended for rotating displays, and we’re excited to see what comes next.”

Dan Hodapp, a senior waterfront planner for the Port district, said they don’t currently have plans for the site, although he said it will include more temporary art in the future. “The Port Commission and the public are supportive of public art at that location,” Hodapp told us. “But right now, we’re just reveling in the new Bay Lights and we’re not in a hurry to replace the Rocketship.”

Manton said The Bay Lights – the Bay Bridge light sculpture by art Leo Villareal that began what is supposed to be a two-year run (but which Mayor Ed Lee is already publicly talking about extending) on March 5 – has already received overwhelming international media attention and is expected to draw 55 million visitors and $97 million of additional revenue to the city annually.

“It is public art as spectacle. It’s amazing,” Manton said of the piece, which the commission and BRAF played only a small roles in bringing about. “It’s so good for the field of public art.”

She that the success of recent temporary art placements and the role that private foundations have played in funding them have not only caused San Franciscans to finally, truly embrace public art, but it has ended the divisive old debates about whether particular artworks were worth the tradeoff with other city needs and expenditures. And it has allowed the Hayes Valley Neighborhood Association and other neighborhood organizations to curate the art in their public parks.

Meanwhile, even as the Port gives Pier 14 a rest, Hodapp said another temporary artwork will be going up this fall at Pier 92, where old grain silos will be transformed into visual artworks, and that Pier 27 will be turned into a spot for a rotating series of temporary artworks once the Port regains possession of the spot from the America’s Cup in November.

As he told us, “The public really enjoys art on the waterfront, and they’re most supportive when we do temporary art, so there’s a freshness to it.”

The America’s Cup is killing us!

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First Larry Ellison and his rich cronies try to perpetrate an audacious real estate scam on San Francisco, after pitting us against other cities to host his America’s Cup race. Even though we were able to scale back that swindle, they still evicted Teatro ZinZanni from Pier 27 so they could profit from overpriced waterfront concerts at the spot they supposedly need for their boat race — lying, cheating and corrupting the system along the way.

Then we learned that Ellison, the world’s fifth richest man, and the other 1-percenters on the America’s Cup Organizing Committee, may stick San Francisco taxpayers with a $20 million bill for their race because they’re all too greedy and selfish to honor their private fundraising commitment – which they could cover by simply writing checks for amounts they would barely notice, and which they’d probably find a way to write off of their taxes anyway.

And now, on top of all those outrageous indignities … they’re killing people!

Well, maybe Ellison and his crew aren’t actually committing murder. But during last weekend’s venerable Escape from Alcatraz triathlon – which was moved up from the warm-ish summer months to the frigid winter because the yachts are apparently unable to share the bay for a few hours one morning – one man died of a heart attack and 150 participants had to be rescued (three times the normal number) because the water was so dangerously cold.

Just one more example of how overentitled rich people, with the active complicity of the Mayor’s Office, are having their way with San Francisco, heedless of the consequences.

Stardust tea in Japantown: Crown and Crumpet re-opens in a quicker format

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The beloved tearoom Crown and Crumpet Tea Room – which closed down its previous Ghirardelli Square location nine months ago – reopened in the first floor lobby of Japanatown’s New People entertainment hub and shopping center.

After deciding not to renew the lease on their waterfront space, Crown and Crumpet owners, husband and wife team Amy and Chris Dean were asked to open up a Japantown location by the folks behind New People. To the Deans the neighborhood seemed like a natural fit.

“We partner with the J-Pop festival and have a lot of fans like Lolita girls who love Crown and Crumpet and Japantown as well,” Amy Dean tells me on my trip to the shop on its first day up and running. “Because we collaborate with them a lot they asked if we would open up a Crown and Crumpet here.”

The new space is significantly smaller than its old location, which is why it has appropriately enough, been packaged a “tea stop café” as opposed to a tearoom. Dean explains, “we wanted to make it a little different so that people would know it is a casual, quicker version of our old shop. It’s a quicker experience but you still get afternoon tea.”

Crown and Crumpet is currently working to create cinema snacks and bento boxes for the movie theater in New People’s basement. The casual vibe is reflected in the shop’s prominent positioning of its to-go service, and it’s on the way to selling Blue Bottle coffee. (As of right now, Amy and Chris are working to get their degree from Blue Bottle’s training program before they can start brewing).

But though the small space might not allow for as much lingering as the Ghirardelli Square location, but that doesn’t mean vistors won’t want to stick around. From the giant teacup clock hanging on the wall to trademark floral-and-polka-dot tablecloths to the staff’s coordinating aprons, Crown and Crumpet’s a sweet sight.

The three-tiered afternoon tea was the standard order among customers on the afternoon I visited. Amy Dean personally explained each item on the plates as she simultaneously ran around working out some standard opening day kinks. The service was stacked: petit fours on top, crumpets and a scone in the middle, and sandwiches on the bottom level of the tray.

I opted to try out their signature stardust black tea, which was delightfully sweet but more importantly, sparkled! The blend has tiny silver shimmering specks in it.

Crown and Crumpet is still working to open up a bigger location, similar to its former site. The Deans aim to open that up before Christmas in the Union Square neighborhood. “We tentatively have a space where we hope to include a library area for the men as well as a party room,” Dean says.

There is no denying Crown and Crumpet’s Tea Stop Café offers a different experience compared to the old shop. But with 110 reservations on the books for its second day of service, and 62 visitors by the time I visited on Friday, it would seem customers still have a sweet spot for the place. “It’s really amazing that we have so many people that love us,” says Dean. “There are other tearooms in San Francisco but we really pay attention to details, the charm, and whimsicalness of it all.”

Crown and Crumpet Tea Room 1746 Post, SF. (415) 771-4252, www.crownandcrumpet.com

 

Big waterfront projects prompt study of new transportation ideas

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The massive development projects being proposed along San Francisco’s central waterfront – from the proposed Warriors Arena at Pier 30 through the Giants’ housing/retail project at Pier 48 down to Forest City’s sprawling proposal around Pier 70 – will create huge challenges for the city’s already overtaxed transportation system.

Nobody is more aware of that issue than Warriors President Rick Welts as he seeks approval to build a 17,500-seat arena with just a smattering of parking spaces. “We’re investing a billion dollars in this property, and if people aren’t comfortable getting to it and leaving it, we have a problem,” Welts told a gathering of the California Music and Culture Association on Tuesday night, responding to a local resident who raised the concern. “We have to get that right, it’s at the top of our list.”

With Muni and BART already at capacity during peak hours, and thousands of new housing units being built in the coming years both along the waterfront and from nearby SoMa down through the Eastern Neighborhoods Plan area, city transportation planners are trying to get ahead of potential problems created by the development boom.

“We’re now taking a step back and looking at the long-term needs from the Exploratorium down to Pier 70,” says San Francisco Municipal Transportation Agency planner Peter Albert, who is leading a comprehensive waterfront transportation study that will inform the environmental studies done for each of these projects. “What we get is an environmental review that is much smarter because we have all this advanced planning….EIRs are important, but they aren’t really planning.”

Albert is looking at everything from working with various transportation agencies to beef up bus, train, and ferry services to the area; using these projects to complete the ambitious but underfunded and long-stalled Blue-Greenway bicycle path along the waterfront; accelerating capital projects that are already in the SFMTA’s queue; and exploring a dozen or so new ideas.

“What’s also coming out of this are new ideas we’re coming up with, things we weren’t even thinking of that may make sense,” Albert told us, noting that he’ll be doing his first presentation of some of these ideas to the SFMTA Board of Directors on March 5.

They include extending new streetcar service along the Embarcadero to the Caltrain station at 4th and King or possibly all the way out to the Anchor Steam Brewing-anchored project at Pier 48 (which would probably involve construction of new streetcar turn-arounds); better integrating the Central Subway project into Mission Bay and the Embarcadero with new bus and rail connections around 20th and 3rd streets; and expansion of the Embarcadero BART station to increase its peak capacity.

Welts said BART will be an important connector to the new Warriors Arena, noting that the walking distance from Pier 30 to the Embarcadero station is actually about the same distance as the Coliseum BART station is from the entrance to the Warriors’ current arena. He said that he’s excited about Albert’s work and wants to cooperate with helping the city meet its transportation needs: “We have a lot of process to go through and we’re embracing that process.”

Funding the needed improvements will be a challenge, particularly because new development projects generally don’t pay for their full impacts to the transportation system, as SFMTA head Ed Reiskin and Sup. Scott Wiener have told the Guardian. On Monday, Wiener amended the Western SoMa Community Plan to increase how much developers would pay in transportation impact fees.

Albert said funding for the needed improvements to the area’s transportation system would come from a combination of mitigation fees from the developers, reprioritizing the SFMTA’s existing capital budget, and securing state and federal transportation grants by developing impactful projects that are shovel-ready, thanks to this advanced planning effort.

These three waterfront development projects alone could have huge impacts. The Warriors Arena would host more than 200 concerts and sporting events per year, drawing anywhere from a few thousand to more than 17,500 people. The Giants’ Pier 48 proposal involves 27 acres of new development, including retail, office, Anchor Brewing, and about 1,500 homes. And Forest City’s proposal for Pier 70 involves about 1,000 homes, 2.2 million square feet of office space, and 275,000 square feet of retail and light manufacturing.

Addressing the waterfront’s transportation challenges, Board of Supervisors President David Chiu told the Guardian, “It is possibly the most difficult and important question surrounding the Warriors project, and I’ve encouraged all parties to make sure they get it right.”

A fine use for Larry’s fine art

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A loyal reader contacted us with a great suggestion to solve all the fundraising problems of the America’s Cup.

This summer, it turns out, will be about more than racing for the city’s mega-billionaire yacht-race king. The Asian Art Museum’s latest program guide notes that from June 28-Sept. 22, the museum will host “In the Moment: Japanese Art from the Larry Ellison Collection.”

The museum will present “works from the rarely seen collection of Larry Ellison, owner of cup defender Team Oracle USA. The exhibition introduces about 80 artworks spanning 1,300 years. Included are works of the Momoyama (1573-1615) and Edo (1615-1868) periods.” According to the Metropolitican Museum of Art, “this period was characterized by a robust, opulent, and dynamic style, with gold lavishly applied to architecture, furnishings, paintings, and garments.”

Oh, and it’s worth noting that the Momoyama and Edo periods were also marked by the dominance of brutal warlords who claimed much of the nation’s wealth while most subjects lived in dire poverty.

At any rate, I’m sure the stuff is nice. Beautiful, even. And pricey. Bet a philanthropist of Ellison’s stature could auction off just a couple of those 80 pieces and raise enough to pay off the entire AC budget deficit. Eh, Larry?

 

Our Weekly Picks: February 20-26, 2013

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WEDNESDAY 20

Mega Shark vs. Giant Octopus

Head on down to the waterfront tonight for a hilarious night of bad B-movie fun! Where could be better to watch the schlocky sci-fi flick Mega Shark vs. Giant Octopus (featuring over-the-top cheesy performances from Deborah Gibson and Lorenzo Lamas) than an actual aquarium on the San Francisco Bay? Part of Aquarium of the Bay’s “Octopalooza,” a week-long fete celebrating cephalopods, the price of admission to this “Bad Movie Night” will include two drinks, popcorn, admission to the aquarium, and live satiric commentary about the film from Dark Room Theater. (Sean McCourt)

6pm, $16

Aquarium of the Bay, Bay Theater

Pier 39, SF

(415) 623-5300

www.aquariumofthebay.com

 

Patricia Schultz

Travel writer Patricia Schultz explained how she selected entries for her New York Times-bestseller 1,000 Places to See Before You Die in the book’s introduction: “In the final analysis, the common denominator I chose was a simple one: that each place impress upon the visitor — and, I hope, upon the reader — some sense of the earth’s magic, integrity, wonder, and legacy.” Lately, Schultz seems like she is looking for the next 1,000 places to pass on to readers. She has made stops in Connecticut, Boston, and California this month, and has a 10-day jaunt through Ethiopia in April ($5,400 to join her) followed by a 19-day cruise ship voyage near the Antarctic coast in November ($9,500). Interested (and perhaps more frugal) travelers can listen in tonight on her latest adventures. (Kevin Lee)

7pm, $12–$20

Oshman Family Jewish Community Center

3921 Fabian Way, Palo Alto

(415) 597-6700

www.commonwealthclub.org


THURSDAY 21

“Migration Now!”

The creators of the fabulous People’s History poster series, Justseeds, and Culturestr/ke have assembled a poster show to heal the psychic wounds you’ve done to yourself listening to the Right rage on against immigrants ruining our country. Seriously, this is the antidote: undocumented queer activist Julio Salgado’s peaceful odes to cross-border gay marriage, the flock of monarch butterflies that Portland, Ore.’s Roger Peet has conjured, alighting on a human skull in protest of the War on Drugs. King of the subversive poster Emory Douglas will also show work, along with many others. The opening reception features hip-hop performance, panel discussion, an appearance by the Filipino Caregiver Theater Ensemble, and more. (Caitlin Donohue)

Through Feb. 28

Opening reception: 6-10pm, free

Eric Quesada Center for Culture and Politics

518 Valencia, SF

www.justseeds.org

www.migrationnow.com

 

“Fabulous Artistic Guys Get Overtly Traumatized Sometimes: the Musical!”

After a sold-out weekend premiere in October, DavEnd’s sharp-witted, madcap, acronym-inviting musical comes back for another raucous binge of self-obsession and doubt before the bedroom mirror. Fabulous Artistic Guys Get Overtly Traumatized Sometimes features writer, composer, performer, chanteuse, accordionist, and costume designer extraordinaire DavEnd as, who else, queer artist DavEnd and her active — very active — imagination. Upon reflection (her own that is, courtesy of a full-length looking-glass (Maryam Farnaz Rostami)), solipsism turns to schism as DavEnd confronts a fractured fashion show of ideal or not-so-ideal types, MC’d by her Fairy Drag Mother (luminous burlesque star World Famous *BOB*). Discerning direction by D’Arcy Drollinger and musical director Chris Winslow support a pitch-perfect combo of the effervescent and deadpan, in a comedy that actually asks stark present-day questions about difference, acceptance, and validation of the self. (Robert Avila)

Through Sun/24, 8pm; (also Sun/24, 3pm), $20–$25

Counterpulse

1310 Mission, SF

(415) 626-2060

www.counterpulse.org


CHERYL at the Asian Art Museum

In the third century BCE, a Chinese emperor wanted to defeat death by commissioning a life-size terracotta army of over 7,000 warriors. In 2013, New York-based art collective CHERYL wants to defeat convention by throwing a party in honor of 10 of these warriors. At the opening of the Asian Art Museum’s “China’s Terracotta Warriors: The First Emperor’s Legacy,” the collective, joined by DJ Hakobo and the Extra Action Marching Band, will set up a video installation, an excellent set of tunes, and a bar, and they invite you to join them (preferably in a costume of your choosing). Probably not what the emperor had in mind, but it just might work. (Laura Kerry)

7pm, $18

Asian Art Museum

200 Larkin, SF

(415) 581-3500

www.asianart.org


FRIDAY 22

“Sexual Politics”

The full title of the Roxie’s first post-SF Indiefest event is “Sexual Politics: The Occasionally Autobiographical and Always Personal Films of Joe Swanberg,” a mouthful befitting a prolific filmmaker who is only 31 and yet has already made nearly 20 films. His debut, 2005’s Kissing on the Mouth, isn’t included here, but his second and third films are — LOL (2006) and Hannah Takes the Stairs (2007), both of which rushed him to the forefront of the lo-fi, low-budget, mostly-improv’d genre known (for better and worse) as “mumblecore.” (Both also star Hollywood’s next big thing, Greta Gerwig.) Among the 12 Swanberg selections is IndieFest closer All the Light in the Sky, a 2012 release that isn’t even his most recent (that’s be Drinking Buddies, which just screened at Sundance). Never sleep, Joe. (Cheryl Eddy)

Fri/22-Mon/25, $6.50–$10

Roxie Theater

3117 16th St, SF

www.roxie.com

 

Dave Alvin and Marshall Crenshaw

Fans of Americana, rockabilly, and roots music — or just plain old fashioned rock’n’roll — are in for a special treat tonight as two of the greatest singer-songwriters-guitarists of the past 30 years come to town on tour together — Dave Alvin and Marshall Crenshaw. First displaying his formidable chops as a member of the Blasters, Alvin has gone on to a distinguished solo career, as has Crenshaw, who gained mainstream exposure with his 1981 hit “Someday, Someway,” and portrayed Buddy Holly in the 1987 film La Bamba. Get ready for a night of shredding Stratocasters as these two tunesmith titans, who just keep getting better with age, play live backed by the Guilty Ones. (McCourt)

8pm, $22

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

Chrome Canyon

At this rate, I’ll never make it to the future. But when I do, I know exactly what would make the perfect soundtrack. Giorgio Moroder’s Metropolis, Wendy Carlos’s Tron, John Carpenter’s Escape From New York, Michael Jarre’s Dreamscape, and Hirokazu Tanaka’s Metroid. Of course, that’s too much for one Walkman, but since I’ll be going that direction anyway, I’ll make a point to procure a copy of Elemental Themes, the recent analog synth saturated non-soundtrack from Brooklyn’s Chrome Canyon. It captures the mood. First order of business: find a place that sells cassettes. Second: restore causality. (Ryan Prendiville)

Voltaire Records and Stones Throw Present, with Peanut Butter Wolf (DJ set), Jonas Reinhardt, Shock, Chautauqua (DJ set)

9pm, $13-15

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com


SATURDAY 23

FaltyDL

Producer Drew Lustman may hail from New York, but his newest release Hardcourage impressively fuses the pace and smoothness of Chicago house with the synths and bleeps found in Detroit techno. The result is a multilayered work that leans more toward spacey introspection than frenetic movement, a somewhat surprising departure from vintage FaltyDL productions of two-step and UK-influenced garage. Consistent throughout Lustman’s discography is an emphasis on melody and texture that is quite fitting, given Lustman played upright bass and piano in jazz groups and counts Miles Davis as a big influence. How Lustman mixes groovier works like the luscious “She Sleeps” with harder-stepping garage in the tighter confines of Public Works’ loft space will bear watching. (Lee)

9:30pm, $10–$20

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com


SUNDAY 24

Morrissey

It’s difficult to describe the voice — a tinge of a yowl but always fluid and warm. Then there’s the songwriting — mysteriously transcendent. And the incredible style that is both quirky and catchy. OK, this might be gushing, but come on, it’s Morrissey, and he’s coming to Davies Symphony Hall (and we’re keeping our fingers crossed that he actually makes it to the Bay this time). The influential artist, who established his reputation with the Smiths in the ’80s, will release a “very best of” album in April. Even though he’s looking back on career classics, he wants to show us he can still rock out. Morrissey, we wouldn’t doubt you for a second. (Kerry)

With Kristeen Young

8pm, $50-$90

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.daviessymphonyhall.org

 

Matmos

Relax. Try to concentrate. I’m going to play some sounds. Tell me what you see. A triangle? No. Try again. A velvet blivet? No. Focus, please. What? I assure you, no one has had sex on this table. One more. A damn deacon? Please, there’s no call for that sort of language. Fail, a complete fail. Correct answer was A Marriage of True Minds, an auditory experiment into ESP by former SF — now Baltimore — residing duo Matmos. Yes, extra-sensory perception. Telepathy for the layperson like you. Here, give it a listen the next time you’re in the flotation tank. (Prendiville)

With Horse Lords, C.L.A.W.S. (DJ set), Kit Clayton, and visuals by Golden Suicide

8pm, $10

Public Works

161 Erie St., SF

(415) 932-0955

www.publicsf.com


MONDAY 25

Surfer Blood

Surfer Blood has discovered a magical formula. When the band came together in ’09, it united with the simple goal to produce an album and go on tour, but with the album and EP it has released since that time, the quartet has earned impressive recognition for its unceasingly gratifying pop-rock. Surfer Blood’s four-year-old goal continues with the launch of another tour leading up to the June release of Pythons. In the single, “Weird Shapes,” the magic continues in a catchy tune that somehow recalls both the Strokes and the Beach Boys. Come see what other tricks it has up its sleeve. (Kerry)

With Grand Rapids, Aaron Axelsen

8pm, $11

Brick and Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

Time out by the Bay

5

OPINION Pretend that you and your best friends are entrusted — temporarily — with responsibility to run a big city. The energy of its people, the diversity of its residential neighborhoods, and its natural beauty have made this a successful city. The centerpiece of its natural beauty is its front yard, a body of sparking water called “The Bay.” You are entrusted with keeping the Bay accessible and visible to the people — all of whom own it.

One day developers come along and say that they want to build an entertainment complex on public property, right on this Bay. It will be a big, 14-story structure. It will bring in some 2 million patrons for more than 200 entertainment events each year. And, the developers go on, it will be in the middle of a residential community, mess up traffic and block physical and visual access to the Bay. Furthermore they tell you, we will need you to violate all the controls you have painfully placed on building heights and uses on the waterfront. And, by the way, they will need a subsidy of $120 million in public money.

Lastly they tell you, they will play 41 professional basketball games in the building. This will double or triple the value of their franchise — but unfortunately requires that they significantly increase the ticket price for their fans.

As a good manager you might ask what the landlord, the Port — which holds the land as a public trust — will get in return for its $120 million subsidy and for the use of public property. You are astonished to learn that, for the next many decades, the Port receives not a penny. Knowing the environmental damages, the impact on transportation in your city and being concerned about maintaining livable neighborhoods, you might then say: “Hold on — this is a bad deal. Is there not a better, less costly, less destructive, less divisive location in our city?”

You might say that — but SF’s city management has not. There has been no effort whatsoever to find a more appropriate location, one less destructive to San Francisco’s environmental values, that would require less than a $120 million subsidy.

And time has virtually run out to ask the basic question of whether the proposed site on Pier 30/32 is an appropriate site for this entertainment complex. The city is rushing headlong into making this deal. The Board of Supervisors does have final authority, but when it gets there, so much time and effort will have been spent that the likelihood of it being stopped is virtually zero.

You, the pretend manager, would surely call a time out. You would put together city officials and representatives of the city’s neighborhoods with the developer and require that they, together, come up with a site that all could gladly support. That might be what you’d do -– but it is not what is happening in the real world of City Hall.

It’s time for people like you, and others like you, to demand that the real city officials call a temporary halt to their juggernaut and provide a process that would first answer the basic question of whether Pier 30/32 is an appropriate site for this entertainment complex or whether alternative sites would not better serve the city and its Bay.

Rudy Nothenberg has held senior positions in the administrations of six San Francisco mayors.

Editor’s notes

37

tredmond@sfbg.com

EDITORS NOTES This is how dysfunctional the San Francisco housing market has become:

The Chron reported in late January that young people who are just arriving in San Francisco are paying exorbitant rents for tiny spaces — $500 for a laundry room, $600 for an upper bunk — and often living in substandard conditions.

And on Feb. 11, The New York Times reported that a significant number of high-end condos in that city were vacant almost all the time, owned by the uber-rich who used them as pieds a terre — something that’s going on increasingly in San Francisco.

The Times notes:

“The higher up you go in price, the higher the concentration is likely to be of owners who spend only a few months, a few weeks or even just a few days each year in their apartments. This very costly form of desolation means that some of the city’s most expensive residential buildings stand mostly dark, lonesome and empty on the inside.”

I called Brad Paul, a former deputy mayor for housing and a longtime expert on development in San Francisco and read him that quote. “As my nine-year-old son would say, ‘You think?'” he said. My kids would be shorter: “Duh.”

The more housing you build that only multimillionaires can afford, the more likely your serving a population that has three or four other houses and just wants this one for the couple of weeks a year that they jet into San Francisco.

Planning Commission member Katherine Moore has mused about the problem in public, noting that in her Nob Hill neighborhood, there are more and more dark apartments.

Who cares? Everyone should — for a couple of reasons. For one, empty neighborhoods are no good for small businesses. They’re also not as safe. And it just seems so ass-backward: A city that can’t provide decent affordable housing for current residents, much less for the next generation of immigrants who keep the place lively, is giving up valuable land to build housing for people who aren’t going to live here at all.

That’s what the fight over the new condo projects on the waterfront, 8 Washington and 75 Howard, ought to be about.

At the very least, the city ought to get some data here. It’s not that hard — just check property records against the tax documents filed for homeownership exemptions. As Sup. David Chiu told me, “It would be good for us to know if San Francisco’s high-end condos are actually being used.”

Maybe we should find that out before we build any more. You think?

 

Hearing called on America’s Cup “fundraising fiasco” as Mayor Lee talks about scaling back the event

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Amid reports that San Francisco taxpayers could be on the hook for more than $20 million in America’s Cup expenses because of anemic fundraising efforts by the America’s Cup Organizing Committee, today Mayor Ed Lee talked about scaling back the event and offering public naming rights to wealthy donors and Sup. John Avalos called for a Board of Supervisors hearing to look into the matter.

Following his monthly question time appearance before the Board of Supervisors, Lee was questioned about the issue by reporters, and he downplayed the idea that the city will go into the hole for its overzealous sponsorship of billionaire Larry Ellison’s big boat race.

“We’re not in the hole, but we will be if we don’t raise enough money. And I don’t want the pressure on the General Fund, and that would end up being an obligation that we have. By the way, while I’m raising, or helping to raise, some $20 million to cover that, I’m also asking all departments now that we have a, relative to what was going to be a larger race, now we don’t have as many boats, the expenses might be off so we have to kind of update it and reduce it. So with the combination of reducing the expense side and then raising some money as we’re doing from the private sector, we’re getting some new traction,” Lee said.

“We still have plans to spend upwards of $30 million to cover all the expenses, and we’re hoping that gets down to much less than that. But my goal right now is to get reports from all the departments about how to reduce their spending on this. I’m still going to try to raise the $20 million with the help of Senator Feinstein, Nancy Pelosi, and Lt. Gov. Newsom,” Lee said.

He also alluded to public goodies that he may offer to wealthy potential donors, including making a passing reference that “we’ve created some ongoing legacies, naming rights in areas that haven’t been named yet, we’ve cleared that with the Port to make sure it’s a very attractive package for them.” But ultimately, he said that city taxpayers are on the hook to pay for the impacts of this race: “This is a financial obligation that we signed on.”

Earlier in the day, the Telegraph Hill Dwellers – which has been active since the America’s Cup was first proposed in trying to ensure the event makes financial sense for the city – sent a letter to the board calling for a hearing and highlighting the ethically dubious actions by city officials that got us into this mess.

That letter follows in its entirety:

February 12, 2013

Supervisor Carmen Chu, Chair

Supervisor David Campos

Supervisor Malia Cohen

Government Audit and Oversight Committee

San Francisco Board of Supervisors

1 Dr. Carlton B. Goodlett Place

San Francisco, CA 94102

Re: Request for Oversight Hearing on America’s Cup Organizing Committee “Fundraising Fiasco”

Dear Members of the Government Audit and Oversight Committee:

As a northern waterfront neighborhood leader who has supported bringing the America’s Cup to San Francisco since Day One, I feel compelled to urge you to take urgent action to begin to restore a profound breach of public trust while there is still time left to salvage this event. 

News reports this week revealed the stunning news that San Francisco taxpayers may have to pay upwards of $20 million to subsidize the America’s Cup[1] despite public commitments stating that the event would not be taxpayer-funded and a signed contract designed to make that happen.[2]  In light of such astonishing news this close to the race, I request that you schedule a public hearing now to get answers to this critical question: what happened and how can we fix it?

Specifically, I encourage you to solicit testimony and an appearance before the Committee from the two individuals most responsible for the current $20 million shortfall out of the $32 million in private fundraising that was committed to prevent the need for taxpayer subsidies:  America’s Cup Organizing Committee Executive Director Kyri McClellan and America’s Cup Organizing Committee Chair Mark Buell.  These are the two individuals whose primary job it has been for the past two years to ensure that the America’s Cup Organizing Committee complied with its fundraising obligations.  Both Ms. McClellan and Mr. Buell have made numerous public statements over the past two years aimed at rebuffing all concerns about their ability to raise the $32 million. 

For example:

1)  “I have every confidence we will meet our obligations,” – Kyri McClellan, 6/13/11[3]

2)  “Yep, we are not running behind in the least bit,” – Kyri McClellan, 9/19/11[4]

3)  “I am confident that all the money will be raised,” – Mark Buell, 1/6/12[5]

4) “I’m busting my ass raising (money) for it.” – Mark Buell, 2/7/12[6]

5)  “we are confident that the agreement we have with the (America’s Cup) Event Authority coupled with our continued fundraising successes will ensure we meet our obligations to the city.” – Mark Buell, 2/7/12[7]

6)  “There is definitely more heavy lifting to be done, but we think we’re well-positioned to do that,” – Kyri McClellan, 2/8/12[8]

The role that Ms. McClellan has played in creating what is being referred to as a “fundraising fiasco”[9] should particularly be evaluated in light of the two ethics laws that were waived by the San Francisco Ethics Commission at the urging of members of the Board of Supervisors to enable her to shift seats across the negotiating table from her previous job working as the Mayor’s America’s Cup deal negotiator on behalf of the City into her private role working for the America’s Cup Organizing Committee.[10]  The twin dangers of reduced accountability and lax scrutiny that stem from this kind of “revolving door” between government and the private sector are precisely what the ethics laws that were summarily waived were put in place to prevent.  The question now must be asked whether the decision to waive ethics rules to allow someone playing such a central role to shift sides deserves a significant part of blame for the problems that have begun to come to light.

As a long-time supporter of the America’s Cup, I hope you will take swift action to get answers and correct the course of the event before it is too late.  Thank you very much for your time and consideration. 

Sincerely,

Jon Golinger

President

Telegraph Hill Dwellers

 


[1] America’s Cup could cost S.F. millions, Matier & Ross, S.F. Chronicle 2/10/13

[2] “[T]he [America’s Cup Organizing] Committee will endeavor to raise up to $32 million over a three year period from private sources, to reimburse the City for a portion of the City’s costs (including, without limitation, costs associated with CEQA review), and lost revenues, and City expenditures required to meet its obligations under Sections 8 and 10 (including resources from the police, and public works departments, the Port, DPT and MTA). The Committee’s fundraising targets for the three year period are $12 million for year one, and $10 million for years two and three.” – Section 9.4, 34th America’s Cup Host and Venue Agreement, 12/14/10

[3] America’s Cup Fundraising is Floundering, NBC News, 6/13/11

[4] America’s Cup reach tax exempt status, KGO ABC News, 9/19/11

[5] America’s Cup organizers hit first fundraising goal, SF Chronicle, 1/6/12

[6] America’s Cup needs ‘significant additional fundraising,’ SF Chronicle, 2/7/12

[7]Significant’ fundraising needed for America’s Cup group, SF Business Times, 2/7/12

[8] Controller:  America’s Cup needs more fundraising to cover city costs, SF Examiner, 2/8/12

[9] City Pushes to Fill Fundraising Gap for America’s Cup, KTVU Ch. 2, 2/11/13

[10] “In order to accommodate McClellan, commissioners agreed to waive two post-employment restrictions for city officials.  The first is a yearlong post-employment communications ban, and the second prohibits former city employees from receiving compensation from city contractors for two years. . . . Asked what would happen if ACOC somehow failed to raise the agreed-upon funds, placing McClellan in the position of having to explain the shortfall or re-negotiate with her former coworkers, Ethics Commission Deputy Executive Director Mabel Ng allowed, ‘If something like that happened, there might be a conflict.’ And what justification was given for waiving the ban on former employees receiving compensation from city contractors? “For that one, in the law itself, it says the commission may waive it … if it would cause extreme hardship,” Ng explained. “There would be a hardship, because … this is a great opportunity for her, and there was a short timeline for her to do it.”  Pressed on that point, Ng confirmed that the “hardship” in this case was the possibility of being barred from a great job opportunity, not the threat of financial impact or job loss. The other issue, Ng said, was that without McClellan serving in that post, the committee’s fundraising effort might not be successful. “It just seemed like, you need to have somebody take charge,” she said. “The committee may suffer without her at the helm. If she were not able to do that, the committee — which plays a very crucial role in this — may not be able to meet its obligations.’” Mayoral staff member to direct America’s Cup Organizing Committee, SF Bay Guardian, 4/7/11

 

 

For $999, you can watch sailing, on public land

14

Here’s the deal of a lifetime: For $999, you can get a ticket to watch the America’s Cup races. From beachers built on public land. Where the non-wealthy public won’t be allowed.

The America’s Cup Event Authority, run by Larry Ellison, who is the third-richest person in the world, has sent out an email soliciting buyers for this special early deal: Buy now, and you will be guaranteed a “reserved section in a preferred area of the bleachers,” as well as exclusive access to parties and events, and a chance to get your picture taken with the Cup.

Which, by the way, is having trouble raising money — and could leave the city on the hook for as much as $20 million. Which loudmouth critics like Aaron Peskin and Chris Daly warned about from the start. So we’ve gone from the races being a huge economic boon, worth billions to the city, to poor Mark Buell, who has to ask people to give money to underwrite Larry Ellison’s yacht party, saying that even if the city loses money, it will still all be worth it.

Those poor San Francisco plebians who don’t have $1,000 will be able to see the races, but Ellison’s team recommends spending the cash, now: “There will be a section of free-view bleachers,” the Event Authority’s Ryan Carroll told me. “But those seats will be limited, and we expect them to fill up quickly.”

And there may still be some cheaper seats coming; tickets for individual races will go on sale later, and seats at the prelims in June might not cost as much, Carroll said.

Other areas for public waterfront viewing “will be congested,” he said.

Jane Sullivan, marketing director for the America’s Cup Organizing Committee (which is the city’s operation, separate and distinct from Ellison’s), said it’s not neccessary to give Ellison a thousand bucks to see the sailboats whip by at 50 miles an hour: “The entire waterfront will not be filled up and congested,” she said. “There will be ample and lovely free viewing of all the races.”

So let me sum this up: The taxpayers spend $20 million underwriting Ellison’s race. Then Ellison’s team wants us to pay him $999 for the right to sit on a bench on public land and watch. Who does this gentleman think he is? (Oh right: He’s Larry Fucking Ellison.)

 

Who really lives in those fancy condos?

25

Interesting piece in the NY Times about the growing number of high-end condos in the city that are empty most of the year. Thurns out that the more expensive the housing, the more likely it will be owned by somebody who hardly ever lives there:

Pieds-à-terre exist throughout the New York City condo market, a separate little world of vacation homes and investment properties. But the higher up you go in price, the higher the concentration is likely to be of owners who spend only a few months, a few weeks or even just a few days each year in their apartments. This very costly form of desolation means that some of the city’s most expensive residential buildings stand mostly dark, lonesome and empty on the inside.

Worth thinking about as the voters prepare to weigh in on the 8 Washington project, which will be the most expensive new condos in the city’s history, and 75 Howard, another set of high-end condos.

New York City has no idea how many of these fancy properties are occupied on only a very part-time basis:

There are no reliable statistics on the number of pieds-à-terre in New York City, but real estate experts say that global economic jitters have drawn more and more astonishingly wealthy people into the market in recent years. They come from all over, whether Monaco, Moscow or Texas, looking for a safe place to put their money, as well as a trophy, and perhaps a second — or third or fourth or fifth — home while they’re at it.

And as far as I know, and I’ve been watching this for a long time, the city’s never done that sort of study, either. We’re getting ready to turn over large, valuable portions of the waterfront to developers who want to build housing for the very rich — and we don’t even know if the people who buy this units are actually going to live here.

Shouldn’t we at least be asking that question?

High-rise risk

The fate of 8 Washington, a luxury high-rise project planned for San Francisco’s northern waterfront, remains uncertain after landing at the center of a political firestorm last year. Yet a whopping $42 million, invested by the California State Teachers Retirement System (CalSTRS), is currently tied up in the project.

Months from now, in the November 2013 election, San Franciscans will vote on a building height-limit variance crafted for this particular development. If the variance goes down, the luxury development – in spite of winning entitlements last June with an 8-3 vote of the Board of Supervisors – will be toast. That outcome could jeopardize CalSTRS’ $42 million contribution, and some retired teachers are beginning to ask questions.

“We have been watching with particular concern what appears to be an incredibly risky investment by CalSTRS,” four retired CalSTRS members from San Francisco wrote in a letter to the pension fund’s investment committee last October, requesting information about how project developer Pacific Waterfront Partners had made use of the funds.

Investment amount increased 

In response to the teachers’ request for information, CalSTRS indicated that the investment committee had actually increased its contribution up from $31.7 million last March, when final project approval seemed imminent.

The CalSTRS investment committee added the project to its investment portfolio in 2006 with an initial $26.7 million commitment. Prior to that, the pension fund had partnered with Pacific Waterfront Partners in a different venture to refurbish San Francisco Piers 1 ½, 3 and 5. That development was well received by the community, and since CalSTRS earned a healthy return on investment, the 8 Washington project seemed like a safe bet at the time.

But now that it’s frozen for months and faces possible reversal, pressure is mounting on the CalSTRS investment committee.

Earlier this week, a Change.org petition created to ask the CalSTRS board to reconsider its investment garnered 150 online signatures in the first 24 hours. The online petition website lists the initiator as “Lorraine Honig, Retired Teacher,” but could just as easily read No Wall on the Waterfront, the name of the opposition campaign created last year to amass signatures for a voter referendum on 8 Washington. Honig and several retired teachers initially queried the pension fund’s investment committee in league with Jon Golinger, a key driver behind No Wall on the Waterfront and chairman of the Telegraph Hill Dwellers, a neighborhood organization.

Honig, who is actually a retired social worker, explained that she used to be a member of the Golden Gateway Tennis and Swim Club, a community fitness center that would be razed to make way for 8 Washington. She’s since moved away from the neighborhood, but feels the planned 8 Washington waterfront housing complex is the wrong kind of development for San Francisco.

“The thing I object to is, it’s high end luxury housing,” she said. “There’s nothing that’s going to cost under a million. A lot of it is going to be absentee owners.” As for the CalSTRS investment, Honig said she felt worried: “I’m concerned that our money will be used to influence the voting.”

Funding used to counter signature gathering campaign

CalSTRS’ response letter also revealed that project developer Pacific Waterfront Partners had used nearly $31,000 to counter No Wall on the Waterfront’s efforts to gather enough signatures to qualify for a referendum. An expense roster showed that funds were used to cover graphic design, flyer printing, legal and compliance advice and “outreach personnel” costs.

A flurry of news reports from last July, however, indicated that some “outreach personnel” did no more than stand on the streets and physically block signature gatherers from asking passersby to sign the petition against 8 Washington. According to one account, when a signature gatherer approached project principal Simon Snellgrove to complain about this behavior, he responded: “That’s their job.”

At the end of the day, Pacific Waterfront Partners’ $31,000 expenditure to try and derail No Wall on the Waterfront’s bid for the ballot is decimal dust compared with the full investment in a building that has not been constructed, and may never be.

CalSTRS spokesperson Michael Sicilia declined to offer comment to the Guardian, instead pointing to the CalSTRS letter of response to its members. That letter stated in part: “CalSTRS is optimistic that the successful development of the underutilized space along the San Francisco waterfront will provide benefits to CalSTRS members in the form of investment income, as well as many direct benefits to the neighboring community and the city.”

So far, CalSTRS has not provided documents in response to a public records request submitted by the Guardian seeking more information about the investment. And neither CalSTRS nor Pacific Waterfront Partners has answered questions about just what would become of that significant investment if the project were ultimately killed. When we put this question Pacific Waterfront Partners spokesperson PJ Johnston, he responded: “I certainly would not speculate on what happens after the outcome of the election.”

How is the money being spent?

All of this leaves some open questions. Will that investment be washed away if voters effectively reject the project? Is the rest of the money still sitting in Pacific Waterfront Partners’ accounts, or was it eaten up by pre-construction costs? Is Snellgrove’s firm biding its time until November, when some of the funding can be tapped as a war chest to respond to No Wall on the Waterfront’s ballot referendum with an oppositional blitzkrieg?

“I don’t have a breakdown of their investment costs,” Johnston told the Guardian when posed with questions about how the funds had been used. “All pre-development phases require funding,” he added, referencing environmental impact studies, permitting, and other pre-construction hurdles that major developments must clear. “This process was drawn out over a number of years.”

Johnston also criticized the No Wall on the Waterfront campaign, saying, “A small band of corporate and really, really rich neighbors have put this on the ballot.”

And the project opponents who have deep pockets know a thing or two about investment, Golinger suggested in a letter to CalSTRS. He wrote, “The supporters of No Wall on the Waterfront who have experience with institutional investing warn that some money managers resist learning from their mistakes and, instead, double down on them, trying to prove they were right all along. The beneficiaries of the funds with which you are entrusted are sensitive to warning signs … that may be happening here.”

CalSTRS is the nation’s second largest pension fund and a source of financial support for retired educators throughout the state. About 70 percent of the money used to provide benefits is derived from investment income, and the $152.1 billion pension fund had $21.8 billion invested in real estate as of July 2, 2012. The Sacramento Bee reported earlier this week that the pension fund faces a $64 billion deficit, and would need $4.5 billion per year to become fully solvent.

Uncertain outlook

With the fate of 8 Washington now hitched to the unpredictable forces of San Francisco politics and voter sentiment, this luxury high-rise investment looks far riskier than it likely did when Pacific Waterfront Partners approached CalSTRS’ investment committee years ago.

On a broader scale, there are signs that higher-risk investments are becoming problematic for pension funds across the board. An academic study released by researchers from Yale University and Maastricht Univeristy in the Netherlands tracked public pension systems in the U.S. and elsewhere, and determined that major U.S. funds like CalSTRS are trending toward higher risk investments.

“Gradually, U.S. public funds have become the biggest risk-takers among pension funds around the globe,” the authors concluded. “A major worry is that their increased risk-taking is reckless and could lead to substantial future costs to taxpayers or public entities if their more volatile risky investments fail to meet the expected rates of return.” 

At this stage of the game, it’s too soon to say whether CalSTRS’ investment in 8 Washington will ultimately become a statistic backing up that worrisome finding. Early polling results from David Binder Research showed that voters would likely reject the height-limit increase by 56 percent. But November is still many months away.

Exploratorium Explainers educate while the city waits for new Pier 15 location

1

The Exploratorium is in the middle of an epic move to its new home at Pier 15 — its new location is set to open April 17th at 330,000 square feet, five times the size of its former digs at the Palace of Fine Arts. But while staff is busy nesting the Explainersthe museum’s science-savvy youth docents, have been hard at work. The volunteers have been hosting pop-up exhibits around the city. Needing a science fix, I stopped by their event last week at the Tenderloin National Forest.

There are two kinds of Explainers: the diverse group of high school Explainers, the museum’s youngest paid employees who engage visitors at exhibits, lead demonstrations, and help run various museum operations. Field trip Explainers perform the same tasks, but as experienced young educators, take more leadership roles.

Both were present on the afternoon of Jan. 31, when I enter the Tenderloin National Forest. I’m greeted to the slice of urban wilderness by the familiar Exploratorium logo printed on black flags, and by lots of friendly folks in orange vests — the Explainers themselves, who had transformed this pocket of urban wilderness into a wonderland of interactive science exhibits. 

The first thing that catches my eye was a fruit and flower dissection demonstration, meant to teach about the various parts of a plant. Senior field trip explainer Kat Stiff asks the students, “does anyone know what a flower is made out of?” One boy in the back proudly shouts, “Cauliflower?” 

Most of the students seem more interested in the giant magnifying glasses on the table than the lesson. As I watch Stiff’s demonstration, a girl with a magnifying glass comes up to me and starts to sift through my hair with her newfound tool. I ask her if she spots anything and to which she responds, “yes. Hair.”

Across from the plant dissection workshop is the outdoor cart – which has gone with the Explainers to most of their recent events. The cart bears a poster illustrating different clouds, and a plastic soda bottle that helps you create your own cumulus formations. Before I can get started on my own personal sky, high school Explainers Zakiya Percy and Terrance Gee quiz me on my cloud knowledge.

What is a cloud made of? I should definitely know this… I know that water is involved… After I fail to pick up on their hints for the other two ingredients, they reveal that a change in pressure and the inclusion of dust particles is also necessary.

Gee does a demonstration for me. With about a half-cup of water at the bottom of the plastic liter soda bottle, he lights a match, blows it out, and places it upside-down over the opening of the bottle. He does this, he says, to add dust particles to the water. Gee caps the bottle, and I help by pumping air into it until it’s about to pop. He takes the cap off, and dollhouse-sized clouds float out. I am then quizzed again on what type of cloud we just made. The answer: fog, because of our low elevation.

As I head towards the back of the forest, Phanna Phay, a high school Explainer supervisor, is sitting down doing card tricks. Smack dab in the middle of the space is a brick oven where Explainers are helping kids heat up pizza donated by Inner Sunset favorite Arizmendi Bakery. All the way in the back, kids paint wooden veggie cut-outs, which will to be used to decorate the nearby Hotel Senator’s rooftop garden.

These pop-up Explainer exhibits have appeared at the Ferry Building and Civic Center farmer’s markets, and even aboard a ferry bound for Jack London Square.

Senior field trip explainer Lia Frantti tells me about these previous events. “We were doing our fruit and flower dissection [at the farmer’s market], so that people who are shopping for those fruits and vegetables can stop and think about where they are coming from and how they are growing. We were on the ferry boat talking about navigation and finding north.” 

When I ask Frantti about the benefits these pop-up exhibits have brought to the Exploratorium she explains, “it’s been really nice because people often put us in this hole of a children’s museum – which we’re not. Adults and children can definitely have an equally amazing experience at the Exploratorium. At some of the other spots we’ve been at, we have had more adults stopping by. So that has been a little bit different to have less youth and more adults spending time with us.”

Looking forward to the museum’s new digs? When it re-opens, the Exploratorium will have triple the exhibition space, and double the number of classrooms. Acclaimed San Francisco chef Loretta Keller of Bon Appétit will head a sidewalk café on the west side of the pier, and there will be a waterfront café on the east side. The event in the Tenderloin was the last full scale Explainer exhibit until the Exploratorium settles into its new space. But the group will be holding outdoor events featuring the plant dissection table, mainly along the Embarcadero.

Libertine dream

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marke@sfbg.com

SUPER EGO One of my supreme happy places, apparently, turned out to be the packed dancefloor of an underground fundraiser for Radical Faerie Burning Man camp Comfort and Joy, right around 3am a couple Fridays ago, when the drag queen DJ dropped “Rock the Casbah” and some behooded elfin rogue’s giant LED rainbow wings lit up and blinded me. Joe Strummer smiles from heaven, surely.

Alas, that drag queen, mi amiga grande Ambrosia Salad, will soon join the current nightlife exodus to Los Angeles, to follow her twinkling star (and cheaper rent) along the path to immortality — or at least an all-night churro cart. Can we get one here please thanks. But just when I despair of the city emptying of its precious idiosyncracies and after-dark characters, someone amazing pops up to charm the hotpants off of me and remind me of both San Francisco’s resilient weirdness and its cyclical subcultural nature.

“Oh, I moved out of the Castro when the drones moved in. Everyone started wanting to look the same, dress the same. It really took the fun out of the gay scene, these marching costumes coming in and stamping out the magic.” That’s twinkle-toned Todd Trexler, poster artist, AIDS nurse, and legendary bon vivant, speaking over the phone — not about about the samey-samey Wienerville the Castro has become, but the Castro clones of the mid-1970s. For all the renewed interest in the workboots, cut-offs, and mustaches of pre-AIDS SF gay culture (see local director Travis Mathews’ exciting, upcoming, James Franco-starring Interior. Leather Bar, which imagines the lost orgy footage from classic homoerotic/gay panic slasher flick Cruising and wowed ’em at Sundance last week), it’s good to remember there were also some fabulous butterfly dissenters to that macho wannabe world.

Trexler was a player in one of the seminal moments of alternative gay culture — after snagging an art degree from SF State, he designed the posters for the queer-raucous, acid-kaleidoscopic performance troupe The Cockettes’ first official shows, as well as the Midnight Movie series, later the Nocturnal Dream Shows at the Palace Theater in North Beach in the early ’70s, back when North Beach was a magnet for free-lovin’ freaks and nightlife oddities. (See, anything can happen). Now, he’s reprinted many of those iconic and visually stunning “Art Deco revival meets Aubrey Beardsley louche meets underground comics perversion” ink-and-photo masterpieces for surprisingly affordable purchase at www.toddtrexlerposters.com.

Divine in her iconic, kooky crinoline (“Basically she just threw on a bunch of stuff from the trunk of our car and voila, Divine!”) outside the Palace of Fine Arts for the “Vice Palace” play and, later, starring in Multiple Maniacs and “The Heartbreak of Psoriasis”; Sylvester looking his sultry best for a New Year’s Eve concert, and featured on a controversially explicit piece for decidedly hetero rock outfit the Finchley Boys; Tower of Power, Zazie dans le Metro, Mink Stole as Nancy Drew, the Waterfront gay bar — Trexler’s platinum stash of memorabilia will reinvigorate anyone zoinked out by our increasingly conformist, consumerist moment. (Trexler was prodded into reprinting by my favorite classic SF eccentric, Strange de Jim.)

And hey, there’s some hope for a freakish future, even: lauded local theater troupe Thrillpeddlers, which includes a couple gorgeous surviving Cockettes itself, will put on the Cockettes’ 1971, Trexler-postered “Tinsel Tarts in a Hot Coma” starting March 28, www.thrillpeddlers.com.

Trexler’s importance to gay culture doesn’t end with his glamourous posterization, however. After his ’70s time “crafting assemblage sculptures from gems found at Cliff’s Variety Store, hand-drawing the posters in the flat at 584B Castro Street, smoking weed with Sebastian [Bill Graham’s accountant, who instigated the whole Nocturnal Dream Emissions insanity], and hanging out at the Palace and the Upper Market Street Gallery,” he moved down to Monterey and became a registered nurse, cared for the first GRID, aka AIDS, patient in the area, and pitched in on the groundbreaking early work on the epidemic with UCSF and the National Institutes of Health.

“What troubles me most now,” he says, reflecting on his experience, “is the rising prevalence of HIV infections among young gay men.” Some cycles don’t need repeating, k?

 

BROWN SUGAR

Heck yes — the classic hip-hop soul joint is back, scooping you up for free after the Oakland Art Murmur’s First Fridays blast, which is amazing. Brown Sugar crew Jam the Man, The C.M.E, and Sake 1 spin with the Local 1200 crew on the street and then take it inside to the spanking new Shadow Lounge (formerly Maxwell’s). Welcome back, fellas.

Fri/1 and first Fridays, 9:30pm, free. Shadow Lounge, 341 13th St., Oakl.

 

MATTHEW DEAR

Moody-poppy Detroit techno pretty boy is a favorite around these parts. He may have started the recent (sometimes regrettable) trend of DJs singing, but he’s one of the best at it — and his compositions aren’t afraid to get deep and edgy.

Fri/1, 9pm, free. 1015 Folsom, SF. www.1015.com

 

VINTAGE

Icon Ultra Lounge is dead — please welcome new, neater venue F8 in its place. Also, after a horrific hit-and-run accident last year, beloved and crazy DJ Toph One is alive! He’s returned with his crew to reboot this eclectic-tuned early evening fave every Friday to fly you into the weekend.

Fridays, 5:30-9:30, free. F8, 1192 Folsom, SF. www.feightsf.com

 

KAFANA BALKAN SIXTH ANNIVERSARY

Holy Balkans, Batman! Six years of wild, whirling, stomping, shouting Romani-inspired music goodness from one of the best and most unique parties anywhere, with DJ Zeljko, the Inspector Gadje brass band, and a Balkan bellydance blowout with the inimitable Jill Parker and the Foxglove Sweethearts. Get there early.

Sat/2, 9pm, $15. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

 

GAVIN AND ROBBIE HARDKISS

OK, the headliner for this event is actually the excellent old-school California techno wizard John Tejada (along with fellow mage Pezzner playing live) downstairs in the big room of Public Works — but the big news is a reunion of two of SF’s wiggy, wowza Hardkiss Brothers all night long upstairs in the loft. Bigness!

Sat/2, $12 advance, $15 door. Public Works, 131 Erie, SF. www.publicsf.com

Proposal to raze I-280 linked to train and real estate deals

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It’s a bold idea, discussed for years behind closed doors and recently announced in a strangely understated and pro-growth way: Tear down the last mile of Interstate 280 and replace it with an wide boulevard – reminiscent of the removal of the Central and Embarcadero freeways – in order to facilitate the extension of electrified Caltrain and high-speed rail tracks into the Transbay Terminal.

For almost three years, city planners have been discussing the idea and drawing up closely guarded plans to tear down the freeway, discussions sparked by the state’s Environmental Impact Reports on electrifying the Caltrain tracks and bringing high-speed trains into town. With an increasing number of trains traveling those tracks, access to the rapidly growing Mission Bay area from the west on 16th Street would turn into a traffic nightmare, either with long waits for an at-grade train crossing or the creation of ugly and uninviting underpasses for cars and bikes.

Mayor Ed Lee and other top politicians have long sought to bring those trains downtown in Transbay Terminal through a still-unfunded tunnel, rather than having them stop at the existing Caltrain station at 4th and King streets. But the existence of the I-280 pilings made it structurally impossible to send the train underground before it got to 16th street.

So the idea was raised to raze the elevated 280 freeway and better integrate Mission Bay and the Potrero Hill/Showplace Square area, where Kaiser plans to build a huge new medical facility, creating a bike- and pedestrian-friendly corridor without the shadow of an antiquated freeway overhead.

“If you get the freeway out of the way, it’s a ton of space,” said Greg Riessen, the city planner who developed and studied the idea. “The whole corridor of the freeway is blocking the ability to do anything else.”

But it wasn’t until the political class and their capitalist partners also realized the enormous development potential of the idea – raising money that could be used to fund the train tunnel – that it was finally floated as a public trial balloon for the first time this week. The Chron’s Matier & Ross led their Sunday column with a short item on the idea, apparently tipped off to its quiet debut a couple weeks earlier.

The city’s Transportation Policy Director Gillian Gillett unveiled the idea in a Jan. 7 letter to the Municipal Transportation Commission, repeating it Jan. 10 at a forum on high-speed rail held at the San Francisco Planning and Urban Research Association. The letter was a response to the MTC’s request for information on “San Francisco’s policy goals and objectives regarding the much-needed electrification of Caltrain.”

Yet rather than deal directly with that issue, the letter said the answer “must be broadened to address the need for growth in the downtown and South of Market areas,” which it said requires funding to bring the trains into Transbay Terminal and to then let developers have at the 21 acres of land surrounding the existing Caltrain station, where transportation officials planned to store the trains.

“We need to create a faster and cheaper DTX [Downtown Extension project] alignment, realize the full value of the 4th & King Streets Railyard site, and eliminate the intrusiveness of I-280 in Mission Bay by terminating it at 16th Street and replacing it with a boulevard, based on the lessons learned from the removal of the Embarcadero Freeway to create a new Rincon Hill neighborhood, and the Central Freeway to create the new Market-Octavia neighborhood. Reenvisioning Caltrain electrification and the DTX could increase ridership, reduce costs considerably and create additional real estate value that would, in turn, provide for both more jobs to create revenue for both Caltrain and DTX and attract investment,” Gillett wrote.

She calls current plans to electrify Caltrain “shortsighted because it reduces the City’s ability to meet its regional job growth allocations, because more than 20 acres are covered with trains, and it eliminates an important opportunity to create real estate value which can be used to fund transit and Caltrain investments,” she wrote.

The letter doesn’t address where the increasing number of trains coming into San Francisco would be stored if the railyard is turned into luxury condos and commercial spaces, which has long been a goal of SPUR and other pro-development cheerleaders. High-speed rail officials have suggested Brisbane, but sources say city officials there have balked at the idea. Although Gillett hasn’t returned our calls with follow-up questions, the Mayor’s Office seems to see such logistical questions as secondary to this cash-cow idea.

So a staff-level proposal to solve a transportation challenge with an elegant multi-modal solution that follows in the city’s tradition of tearing down freeways has morphed into a real estate deal. Quentin Kopp, the father of high-speed rail in California, has already derided the Transbay Terminal project (which is funded by the sale of state land surrounding the site to office tower developers) as little more than a real estate deal, and now the city is apparently seeking to extend that deal further into Mission Bay.

Former Mayor Art Agnos, who worked on both the Embarcadero and Central freeway tear-downs, told us, “In general, I really support the concept of demolishing freeways that bisect the city.”

Yet he said there are many key details and questions that need to be addressed, particularly given the Mayor’s Office support for the new Warriors arena on the Central Waterfront, a project whose unaddressed traffic impacts would be exacerbated by an intensification of development at the Caltrain station, into Mission Bay, and further south.

“It could drown the city, this tsunami of cars, particularly with all the development planned all the way down to Hunters Point,” Agnos said. “I like the idea, but we need a serious discussion of the details, particularly with all these development proposals.”