SF

Guns ‘n’ rosés

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If you like Beretta – and Beretta is very likable – you’ll likely like its younger sibling, Starbelly. I wonder who is thinking up the names in the Beretta folks’ briskly expanding universe of restaurants. “Beretta” makes me think of guns, while “Starbelly” sounds like a spoof of Spaceballs, Mel Brooks’ epic spoof of the Star Wars franchise.

The restaurant opened in the fall in a space (at 16th and Market streets) that once was Josie’s Juice Joint. Subsequent occupants include ZAO Noodle Bar and Asqew Grill, a pair of local chains that pitched affordable, high-quality, quick-turnaround food to younger people. Starbelly certainly attracts younger people and their traveling circus of noise but, as befits its status as a version of the California café, it has all kinds of people, including older ones and heterosexuals. The crowd is, to my eye, less hipstery and tech-moneyed than Beretta’s, although the glow of human energy is similar. Starbelly is too stimulating to be relaxing, but once you’re seated, your blood pressure does return to something like normal. Because the restaurant doesn’t take reservations for small parties, there can be a scrum near the host’s podium at the front. If you want a less hubbuby table, angle for one in the rear, past the bar, where the dining area opens out some.

In matters of food, Starbelly and Beretta are like fraternal twins: similar in certain respects but sharply different in others. The most conspicuous similarity is the prominence of pizza on both menus, along with the little wire stands to serve them on. But pizza is less dominant at Starbelly, where chef Adam Timney’s cooking rolls away in a number of sophisticated directions. Starbelly is probably the highest gastronomic peak in the Castro District at the moment, much as 2223 was 15 years ago. Of course, we should remember that the Castro has long been the Death Valley of restauranting and temper our enthusiasm accordingly. Still, Starbelly is good.

The dinner menu tilts toward smaller, shareable plates and divides among the categories “snacks” ($5 each), “small,” “salads,” and “vegetables.” Then come the pizzas and bigger plates. “Snacks” often means a dish of warm, spicy nuts, but here you can indulge in such witty treats as mini corn dogs, each riding its little toothpick and ready for dipping in spicy mustard (coarse, country-style) or house-made ketchup (fruity in a way the commercial product can never be and worth the price of the dish just for the experience).

The kitchen handles seafood skillfully. Grilled baby octopus ($9), recommended by our server, turned out to be nicely tender with a faint hint of smoke; the octopus was arranged on an arugula salad. Pan-roasted diver scallops ($14) also had been expertly cooked, but I thought the accompanying gingered yam purée, scattered with pepitas, was a little too sweet. Scallops, like pork, are naturally sweet and seem to invite sweet harmonies, but I (and here I state a personal preference) would rather have counterpoint, something sour, spicy, or salty.

Pizzas do not disappoint. The crusts are on the thin side, with a bit of puff on top and a hint of blister underneath but — hooray — no charring. Toppings range from the classic (tomato sauce, mozzarella, and basil on a margherita) to New World (Mexican chorizo with eggs and cilantro) but on the whole are fairly simple. A good example is a pie topped with Starbelly bacon ($13) along with market peppers and tomatoes. All that red lends a certain Murder in the Cathedral look, but the tangy, aromatic combination of toppings catches the sense of summer shading into autumn.

Speaking of fall: brussels sprouts have been on just about every menu I’ve seen since Labor Day, and they’re on Starbelly’s, too ($6). Here they’re halved and pan-roasted with chunks of bacon until nicely caramelized at the edges. Bacon seems to be the consensus remedy for the palatability issue that haunts brussels sprouts, and a good roasting, whether in an oven or pan, has set right many a troublesome vegetable. A shot of lemon juice wouldn’t have hurt here, for a final bit of zing.

The big plates are reasonably priced, mostly in the low to mid-teens; only lamb chops breaking the $20 barrier. The kitchen does offer what might be sly homage to Zuni Café: a half-chicken ($15), roasted on a rotisserie until sensuously tender and juicy, then plated with a spinach panzanella — basically swirls of braised greens in a warm, savory bread pudding under a roasted-onion vinaigrette. It’s not formally offered for two like the Zuni version, but it’s ample enough to be quite shareable, especially if you’ve previously stocked up on some of the smaller plates.

Which undoubtedly you will have done, since at Starbelly, the path to a full belly is a winding one, with many delightful turn-outs and outlooks along the way. *

STARBELLY

Mon.-Thurs., 11:30 a.m.–11 p.m.; Fri., 11:30 a.m.–midnight.

Brunch: Sat.–Sun., 10:30 a.m.–4 p.m.

Dinner: Sat., 4 p.m.–midnight; Sun., 4–11 p.m.

3583 16th St., SF

(415) 252-7500

www.starbellysf.com

Beer and wine

AE/MC/V

Noisy

Wheelchair accessible

Brunch fitness

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Good morning, sunshine! Or shall we say good afternoon? You are perhaps in need of a solid dose of protein, vitamin C, and a little hair of the dog in observance of this fine new trip around the sun? No worries — we are blessed to live in a city that takes its lingering late morning gluttony very seriously. Here are eight sites to struggle out to for New Year’s Day brunch.

FRONT PORCH

Get your beauty sleep before you’re ready to face the waiting lists and mimosa-or-bloody mary decision. You’ll fit right in with the crew at this South Mission favorite. Front Porch’s “fried and pickled” crab boil doesn’t start serving till noon. Couple your shellfish with a heaping side of black-eyed peas — traditional food for good luck in the new year — and nod your head to beats graciously supplied by KUSF’s DJ Adam.

65A 29th St., SF. (415) 695-7800. www.thefrontporch.com

FARMERBROWN

Where other chefs see the holidays as a chance to shill higher-priced, posh versions of their menu, farmerbrown is taking a different route. The industrial chic Tenderloin hot spot will be offering a discounted price tag on its popular brunch buffet this New Year’s Day. Sure, chef Jay Foster has a few tricks up his sleeve — almond and orange brioche french toast and fried catfish will find their way into grateful 2010 bellies — but $25 will still get you fed on Southern comfort food, drunk on a bottomless mimosa, and happy from sweet tunes by jazz group Blue Roots.

25 Mason, SF. (415) 409-FARM. www.farmerbrownsf.com

PRESIDIO SOCIAL CLUB

Originally built in 1903 as enlisted men’s barracks, the Social Club has a bygone-era atmosphere — a feeling echoed by their throwback 1960s brunch, heavy on the beignets and stick-to-your-ribs biscuits and gravy plates. On Jan. 1, it is also busting out $12 bottomless bloodys or Harvey Wallbangers — for the uninitiated, Mad Men-worthy cocktails made of vodka, Galliano, and orange juice.

563 Ruger, SF. (415) 885-1888. www.presidiosocialclub.com

MAMA’S

Fight the post-Christmas tourists to this old school North Beach spot, open for 40 years right across the street from Washington Square. Mama is taking advantage of this season’s iconic SF fruit of the sea by serving up a Dungeness crab benedict with fresh baby spinach ($11.50), or a crab omelet with avocado and brie ($18).

1701 Stockton, SF. (415) 362-6421. www.mamas-sf.com

BOARDROOM

What if you’re having trouble finding that after-after party and your stomach is starting to rumble? Enter this aesthetically pleasing sports bar, which starts its full brunch at 6 a.m., plying the “still awake and hungover” crowd with a $5 chicken and waffles special — a tradition that started last year. Also present: four televisions blasting college athletic competitions all day long to make intelligible conversation a non-issue.

1609 Powell, SF. (415) 982-8898. www.woodyzips.com

TRIPTYCH

This SoMa hangout is adding a few special New Year’s items to its already formidable brunch arsenal. They range from traditional (crabcake benedict with a side of sweet chile, english muffin, poached egg, and roasted potatoes for $12) to veggie-friendly fare (a Malibu organic garden burger made with wild rice, bell peppers, and oats for $8). Couple one of these plates with a side of Triptych’s crowd-pleasing sweet potato fries and an orange, mango, or raspberry mimosa ($8 a glass, $20 a pitcher) while you recap what dropped after the ball last night.

1155 Folsom, SF. (415) 703-0557. www.triptychsf.com

DOTTIE’S TRUE BLUE CAFE

Blessed/cursed with a worshipful crowd of customers (lines regularly extend out the door), Dottie’s is the spot for affordable breakfast classics to ring in 2010. This year it’ll be guaranteeing you prosperity with its traditional black-eyed pea cake, topped with sour cream and homemade pico de gallo and accompanied by eggs, a piece of grilled chile-cheddar cornbread, and home fries ($8.95). Now that’ll set you on your feet after a season of champagne and eggnog.

522 Jones, SF. (415) 885-2767

ZAZIE

Did you pass out before you had time to blow through all that cash in your wallet? If you’re part of the financially stable set, you can head to Cole Valley’s finest for its $39 prix fixe, which includes an appetizer, entrée, a half bottle of Charles de Fere champagne, a pitcher of your favorite juice, and espresso. Among your options are homemade cream cheese coffee cake, gingerbread pancakes with lemon curd and roasted Bosc pears, eggs monaco, and roasted white trout. That diet resolution can probably start tomorrow, right?

941 Cole, SF. (415) 564-5332. www.zaziesf.com

2k10 zonkers

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SUPER EGO Wherein we present an alphabetical rundown of New Year’s Eve nightlife diversions, sprees, galas, fetes, and carousals.

AFROLICIOUS Around the world! Ultimate Latin funk brothers Senor Oz and Pleasuremaker team up with DJ Jimmy Love of Non-Stop Bhangra and Trinidadian MC Fresh4Life for a global-groove blast.

9:30 p.m., $15–$25. Elbo Room, 647 Valencia, SF. www.elbo.com

BE It’s another glorious case of trance mania — perfect for our ADD times — at 1015 Folsom. Above and Beyond, Super8 and Tab, and DJ Taj keep the eve pumping wildly.

10 p.m.–8a.m., $50–$100. 1015 Folsom, SF. www.1015.com

BEARRACUDA Will large, hairy gay men still be in next year? Probably. DJ Ted Eiel of MegaWOOF sheds all over the tables at this rump-pumping free-for-all.

8 p.m.–4 a.m., $32 advance. Deco, 510 Larkin, SF. www.bearracuda.com

BEYOND BEYOND Find a queer hottie to kiss in the new as the wonderfully alt Stay Gold kids, DJs Rapid Fire and Pink Lightning, host Dr. Sleep, Bunny Style, and tons of shawties.

9 p.m., $15. Makeout Room, 3225 22nd St., SF. www.makeoutroom.com

BLOW YOUR WHISTLE Miss Juanita More! gathers a gaggle of queer underground superstars to pop your cork, including DJ Pee Play, Stanley Chilidog, Joshua J, Tiara Sensation, and Miss Honey.

9 p.m., $35. Bambuddha Lounge, 601 Eddy, SF. www.juanitamore.com

BOOTIE BOOTLEG BALL Mashup the decades at the city’s — possible world’s — biggest mashup club, with Adrian and Mysterious D, Smash Up Derby, and Freddy King of Pants.

8 p.m.–late, $40 advance only. DNA Lounge, 375 11th St., SF. www.dnalounge.com

CLUB 1994 Don’t let the name fool you — there’ll be classic jams pumped for sure, but with special electro guests Wallpaper the vibe will be pure 2010.

9 p.m.-3 a.m., $18.50 advance. Paradise Lounge, 1501 Folsom, SF. www.club1994.com

CLUB COCOMO NYE What would New Year’s be without a little salsa? Break out your cha cha heels and join live band Avance and KPFA DJ Luis Medina on the floor.

8 p.m., prices vary. 650 Indiana, SF. www.clubcocomo.com

CODA NYE Jazz it up for the next chapter of the millennium at the deluxe supper club, with the Mike Olmos Organ Combo, Dynamic, and Hot Bag.

6 p.m., prices vary. Coda, 1710 Mission, SF. www.codalive.com

COMEDY COUNTDOWN Ha ha ha — the naughts. It was to laugh! And still will be, with chuckleheads Greg Behrendt, Maria Bamford, Amy Schumer, Doug Benson, and loads more.

8:30 p.m., $49.50. Palace of Fine Arts, 3301 Lyon, SF. www.livenation.com

DEBASER + BOOTY BASEMENT Party down ’90s style, when Debaser’s grunge meltdown meets Booty Basement’s hip-hop gangsta swagger. DJs Jamie Jams, Dimitri Dickenson, Emdee, and Ryan Poulsen bring it.

9 p.m.-4 a.m., $15. The Knockout, SF. 3223 Mission, www.knockoutsf.com

DECADANCE Acoustic rock meets electro-hop in the universe of headliner (and apparent hair model) Chris Clouse. Longtime dance favorites DJ Zhaldee and Chris Fox warm it all up.

9 p.m.–3 a.m., $99 advance. Mezzanine 444 Jessie, SF. www.mezzaninesf.com

THE GLAMOROUS LIFE Omnivorously poppy-hoppy DJ White Mike pops the cork at the newly renovated (and quite lovely) Beauty Bar.

10 p.m., $10. Beauty Bar, 2299 Mission, SF. www.beautybar.com

MARGA GOMEZ NYE SPECTACULAR More hilariously hilarious queers (and friends) than you can count at the off-her-awesome-rocker comedian’s, yes, spectacular. With David Hawkins, Ben Lehrman, and Natasha Muse. Balloon drop!

7 p.m. and 9 p.m., $25/$30. Victoria Theatre, 2961 16th St., SF. www.therhino.org

OM 2010 Work it on out with the OM Records stable and some surprising talent, including techno Jesus Nikola Baytala, Lance DeSardi, Galen, M3, and Sammy D

9 p.m.-4 a.m., $20 advance. Triple Crown, 1760 Market, SF. www.triplecrownsf.com

OPEL NYE Bass-shaking goodness at the ever-bumping Opel’s year-end teardown, with Stanton Warriors, Syd Gris, Dex Stakker, and Melyss.

10 p.m.–4 a.m., $20–$50. Mighty, 119 Utah, SF. www.mighty119.com

PLANET ROCK Oh, Afrika Bambaata, “Amen Ra of Universal Hip-Hop Culture” — how could we not pop and lock it with you, and three floors of others, for 2k10?

8 p.m.–4 a.m., $25 advance. Club Six, 60 Sixth St., SF. www.clubsix1.com

REDLINE Dubstep took over in 2009 — celebrate the dominance with the Bay’s best steppers, like Sam Supa, Ultraviolet, Kozee, and Spacer.

8 p.m., $10. Matador, 10 Sixth St., SF. www.myspace.com/redlinedjs

SEA OF DREAMS The cavernous, Burnerish NYE joint celebrates 10 years with a stellar lineup — Glitch Mob, Ozomatli, Bassnectar, Ghostland Observatory, Sila and the Afrofunk Experience …

9 p.m.–5a.m., $75–$125. Concourse Center, 635 Eighth St., SF.

SOM NYE The turntablistic wonderfingers of Triple Threat meet the hiphop party cunning of Distortion 2 Static, with DJs Vinroc, Shortkut, and Prince Aries at this new hotspot.

9 p.m.- a.m., $25/$30. SOM, 2925 16th St., SF. www.som-bar.com

TEMPLE OF LIGHT Templekeepers Paul Hemming, Ben Tom, A2D, Jaswho?, Nacho Vega, and so many more ring in the new Zen.

9 p.m.–late, $40–$60. Temple, 540 Howard, SF. www.templesf.com

TRIGGER NYE The exquisite steroid pop of DJ Mykill is sugar rush enough to get you through a night of Trigger and the Castro as the balls drop

9 p.m., $15 advance. Trigger, 2344 Market, SF. www.clubtrigger.com

THE TUBESTEAK CONNECTION

DJ Bus Station John helps all the nice-naughty queers cruise into a dirty new decade of bathhouse disco indulgence.

9 p.m., $10. Aunt Charlie’s Lounge, 133 Turk, SF. www.auntcharlieslounge.com

QOOL NYE

The longest running happy hour dance party in SF joins with Honey Soundsystem and takes on the night, with DJs Silencefiction, Peeplay, Jondi & Spesh, Ken Vulsion, Derek Bobus, and Looq Records playmates.

9 p.m., $15–$50. 111 Minna Gallery, 111 Minna, SF. www.qoolsf.com

Hot sex events this week: Dec 30-Jan 5

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Explore sensual intimacy at the Sacred Temple in Sebastopol this weekend.

————-

>> NYE with Carmen Milagro Band and Hot Pink Feathers
Celebrate the new year with a bit of burlesque to benefit the Mission Language and Vocational School and Culinary Academy.

Thurs, 8pm
$20 for show, $68 includes dinner
Florida Street Cafe
710 Florida, SF
www.partyatfloridastreetcafe.comfirst

————-

>> Underwear Party
It’s a special New Year’s Eve super party, complete with balloon drop, party favors, champagne toast, and, of course, a super wet underwear contest at 12:30am.

Thurs/24, 9pm
$5-$10
Powerhouse
1347 Folsom, SF
(415) 552-8689
www.powerhouse-sf.com

————-

>> First Friday Follies
Join host Margaret France for the first burlesque show of the year, featuring Bowie-themed performances by Kitty Von Quimm, Honey Penny, Twinkletoes McGee, Cupcake, and more.

Fri/1, 9pm
Free
Stork Club
2330 Telegraph Ave, Oakl
www.storkcluboakland.com

————-

>> Sacred Kink: The Eightfold Paths of BDSM and Beyond
Dive into the depths of adventurous sex and personal truth with Lee Harrington, who’ll lead a class and book party.

Sat/2, 1pm
$10-$30
Center for Sex and Culture
1519 Mission, SF
sexandculture.org

————-

>> Burlesque ‘n’ Brass
Join Hot Pink Feathers and Blue Bone Express for some hot cabaret showgirl dance and cool jazz.

Sat/2, 8:30pm
$10
Cafe Van Kleef
1621 Telegraph, Oakl
www.hotpinkfeathers.com

————-

>> Therapeutic and Tantric Massage for Couples
Learn a sensual language that naturally empowers couples into deeper and more intimate rapport in this non-sexual — but certainly sensual — workshop.

Sun/3, 2pm
$50
Sacred Arts Temple
Sebastopol
RSVP to snakedancer@earthlink.net
www.sacredtemplehealing.com

————-

>> Sexecological Walking Tour
Join Annie Sprinkle and Elizabeth Stephens for a fun, kinky, and spiritually satisfying tour of the sexecological sites around the Castro.

Sun/3, 2pm
$15
Femina Potens Art Gallery
2199 Market, SF
(415) 864-1558
www.feminapotens.org

————-

>> Hubba Hubba Revue
Kingfish and Eddie host this weekly burlesque review, this time featuring Cherry Contrary of London and Seattle.

Mon/4, 9pm
$5
The Uptown Club
1928 Telegraph, Oakl
www.hubbahubbarevue.com

This Week’s Picks

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WEDNESDAY 30th

DANCE

Rhythm & Motion 30th Anniversary Dance Bash

If you’re really going to throw down on the dance floor this New Year’s Eve, it’s time to train, and there is no better time or place than the 30th birthday celebration of Rhythm and Motion, a center for global dance and dance workout created by Consuelo Faust. The events include team-taught, all-star master classes, an evening performance by the Rhythm and Motion teachers, and a dance party finale. Everyone is invited. (Johnny Ray Huston)

10 a.m.–midnight, free

ODC Dance Commons

351 Shotwell, SF

(415) 863-9830 x100

www.rhythmandmotion.com

MUSIC

X

Legendary Los Angeles punk rockers X distinguished themselves from other bands of their era by honing the same searing energy that propelled their counterparts and adding the rock solid rhythms of DJ Bonebrake, the guitar virtuosity of Billy Zoom, and the poetic lyrics and intimate vocal interplay of John Doe and Exene Cervenka. This holiday season finds the band celebrating a “Merry Xmas,” having recently released new recordings of holiday favorites “Jingle Bells” and “Santa Claus Is Coming To Town.” Despite Cervenka’s recent multiple sclerosis diagnosis, she and the band sound stronger than ever. They’re the perfect musical friends to help welcome in a rockin’ New Year. (Sean McCourt)

With Dave Gleason and the Golden Cadillacs (Wed.) and the Heavenly States (Thurs.)

9 p.m. (also Thurs/31), $31–$71

Slim’s

333 11th St., SF

(415) 255-0333

www.slims-sf.com.

THURSDAY 31st

MUSIC

Boyz IV Men

Don’t be fooled: you might think this band altered their name in parodic jest, but really, it was just an evasive maneuver to throw everyone off while they continue campaigning under their banner of complicit subjection to everything that is male. Boyz IV Men like to think of it as being in the closet — a closet inside an even bigger closet. Their sound is of equal subterfuge: two of them play children’s keyboards with pinky fingers while the third cranks out aggressive, tantrum-driven disco beats. This is all to say that I also grow my beard out for every one of their shows. Spending NYE with a bunch of sweaty, hairy-chested boys and men? Count. Me. Down. (Spencer Young)

With 1.2..3 … Knife!, DJ Summer Camp, and B4M DJ Set

9 p.m., free

Five Points Art House

72 Tehama, SF

(415) 989-1166

www.fivepointsarthouse.com

FILM

“Quintessential Chaplin”

Things you could do tonight at the movie theater: visit an overstuffed multiplex, and suffer through something with the word “Squeakquel” in its title. What you should do instead: head to gorgeous Grace Cathedral for three Charlie Chaplin shorts with live organ accompaniment by Dorothy Papadakos. The bill compiles three movies from 1917: The Cure, in which the Little Tramp is a drunk on the mend; The Immigrant, in which he encounters immediate money woes upon landing in America; and The Adventurer, in which he’s an escaped convict. Classic shenanigans all, with nary a chipmunk in sight. (Cheryl Eddy)

7 and 10 p.m., $10–$15

Grace Cathedral

1100 California, SF

(415) 392-4400

www.gracecathedral.org

MUSIC

Disco 2010 with Glass Candy

Mirror mirror, on the wall, which is the fairest disco NYE event of all? No question: it’s Disco 2010. Aside from some Popscene DJ spots, this is a showcase for the formidable Johnny Jewel, bringing two of his musical projects together on one bill. Most people know of Glass Candy and their aerobic appeal. Not as well-known and newer on the scene is Desire, whose debut recording on Italians Do it Better brought one of 2009’s catchiest and most haunting pop songs, “Don’t Call,” a four-minute breakup anthem that tapped into the “Billie Jean” backbeat before MJ’s death, adding a mournful but propulsive string arrangement to a tale of new independence. (Huston)

9 p.m., $45

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

FRIDAY 1st

EVENT

Supper Club’s Breakfast in Bed

I enjoy my bed. Comfortable, familiar, a place where everybody knows my name. But after this year’s fabulous New Year’s Eve carousing, how anticlimactic will it be to sink into the same old sheets? Luckily, I don’t have to, because Supper Club is planning a party. Breakfast in Bed includes a breakfast buffet, mimosas, the chain’s trademark mattress hangouts, and house beats that are respectful of the fact that this is probably not the first party you’ve gone to in the last 12 hours. For $140, you and three of your accomplices can even reserve your own bedstead, complete with pillow-side food and drink service. If you’re not a total hedonistic degenerate, you can go to bed when the ball drops and head out here sober to live vicariously through the hangovers of others. (Caitlin Donohue)

5–11 a.m., $10–$40

Supper Club

657 Harrison, SF

(415) 348-0900

www.supperclub.com

SATURDAY 2nd

VISUAL ART

“When Lives Become Form: Contemporary Brazilian Art, From the 1960s to the Present”

Kick off the new year with a blast of Technicolor via this traveling exhibition dedicated to the formidable and ever-morphing visual art and music phenom known as tropicália. With a range that extends from the Brazilian movement’s originator, Hélio Oiticica, to newer artists such as the pre-Ryan Trecartin and pre-Paper Rad color assaults of assume vivid astro focus, “When Lives Become Form” might make it a little easier to forgive Os Mutantes for that McDonald’s commercial. (Huston)

Noon-8 p.m. (through Jan. 31), $5–$7

Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787

www.ybca.org

SUNDAY 3rd

FILM

You, the Living

“Be pleased then, you the living, in your delightfully warmed bed, before Lethe’s ice-cold wave will lick your escaping foot.” This Goethe quote opens Roy Andersson’s You, the Living, the sequel to his 2000 tragicomedy Songs From the Second Floor. Composed of 50 absurdist vignettes, You, the Living does not transcend existential ennui; neither does it wallow in angst. Rather, it couples pain with love, portraying a bleakly comic world where despair and happiness carry the same weight. The palette of drab blues and yellows mimic the color of pills, and one could say the film serves as an advertisement for Prozac. The dissonant noise of sousaphones, bass drums, and banjos create an artifice of comedic musicality set against a backdrop of frumpy bedrooms, bars, and office buildings, where nothing really happens. Just everyday life. (Lorian Long)

2, 4, 7:15 and 9:20 p.m. (also Mon/4, 7:15 and 9:20 p.m.)

Red Vic Movie House

1727 Haight, SF

(415) 668-3994

www.redvicmoviehouse.com

CLASS

Yoga and Ayurveda for Real Life

Here, tallied and totaled, is the approximate intake of the average festive individual over the last week: a cheese plate, a bite of questionable ham, three scoops of black-eyed peas, two pounds of turkey, 15 latkes with applesauce, 110 frosted cookies, a barely edible door off of some poor child’s gingerbread house, a carafe of mulled cider, six cups of eggnog, eight flutes of champagne, a half bottle of Jack Daniels, three trips to the mall after you said you weren’t going to go this year, and the guilt of getting a camera tripod from Aunt Sara when you sent her a very nice bar of soap. A few days late. Yes, your body hates you. Get back in its good graces with a class from one of the most affordable, least judging yoga/massage studios in the city. The Mindful Body’s Kate Lumsden is offering a tutorial on integrating yoga — back? — into your life for the new year, the perfect chance to feel centered again before Monday. (Donohue)

1–4 p.m., $35

The Mindful Body

2876 California, SF

(415) 931-2639

www.themindfulbody.com

MUSIC

Hunx and His Punx, Brilliant Colors

The world was in need of a true gay Teen Beat pin-up, not a closeted one. Luckily, the fun and sexy Hunx came to the rescue, posing in a jockstrap splayed out on a bed filled with pop culture treasures. He’s made some great clips with music video wunderkind Justin Kelly, and his new LP Gay Singles (True Panther/Matador) is great front and back — as evidenced by its cover, which presents crotch-and-ass close-ups of zebra bikini briefs. Do your makeup, and then do someone at this show, which doubles the pop appeal with Slumberland girls Brilliant Colors. (Huston)

With Gun Outfit

9 p.m., $6

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

TUESDAY 5th

MUSIC

Pirate Cat Radio Benefit Show

After 13 years of putting the “arr!” in radio (sorry, couldn’t resist), Pirate Cat Radio has officially been fucked by the FCC. The corporate whores slapped the unlicensed broadcast radio station with a $10,000 fine back in August, and gave founder Daniel K. Roberts (“Monkey”) 30 days to either pay up or challenge the fine. As Roberts fights to put Pirate back on the air, several benefit shows are being held to help save SF’s favorite renegade station. One such show will be at Bottom of the Hill, where local music cuties Hey Young Believer and Blood and Sunshine will play electropop alongside UK electronic artist Con Brio. (Long)

8:30 p.m., $9

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

FILM

Rocky

SFMOMA’s “Museum Highs, Museum Lows” film series continues the binary theme of last year’s film series “Vegas Highs, Vegas Lows,” but shifts locales. The Italian stallion, Mr. Balboa, starts things off, not just because he’s everyone’s favorite underdog — and thus the perfect archetype for overcoming the terrible economy — but because he’s enshrined in bronze at the top of the Philadelphia MoMA’s steps. The thought behind this whole “High/Low” dichotomy is in line with camp — so bad it’s good — so perhaps SFMOMA’s is out to reverse Philly MoMA’s embarrassment about the statue. But who cares about that damned thing? It’s Rocky’s will to survive that we want to see. (Young)

Noon, free

Phyllis Wattis Theater

San Francisco Museum of Modern Art

151 Third St., SF

(415) 357-4400

www.sfmoma.org

Meister: Union rights for airport screeners

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Airport screeners and other vital employees of the
Transportation Safety Agency should finally have the basic rights and protections they have so long needed and deserved

(Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century.)

The underpaid, overworked and otherwise poorly treated airport screeners who are essential to air passenger safety may finally be winning their long struggle for the badly needed union rights guaranteed other federal employees.

There are more than 40,000 screeners –- a first line of defense against terrorism — posted at X-ray machines, checkpoints and elsewhere in air terminals throughout the country. They work for the Transportation Safety Agency (TSA) that was set up in the wake of the terrorist attacks of Sept. 1, 2001.

Such related workers as federal border guards and immigration and Custom Service employees are unionized. But in 2003, President Bush denied union rights to screeners and other TSA employees on grounds that their unionization would somehow “threaten national security.”

A majority in the House and Senate voted in 2007 to restore the screeners’ union rights. But the congressional majority wasn’t large enough to overturn a veto threatened by the president, and the attempt was abandoned.

Denying the fundamental right of unionization to the screeners, as the United Nations’ International Labor Organization ruled, violates “core labor standards.”

The screeners’ need for unionization should be as obvious as the nation’s need for their invaluable service. Their complaints are widespread and numerous. They cite, for instance, inadequate pay, low morale, a high rate of workplace injuries, unfair promotion and scheduling policies, arbitrary work rules and high turnover rates.

The screeners’ hope for wining union rights rests primarily with President Obama, who voted as a senator to grant screeners union rights and promised during his presidential campaign to make granting them the rights “a priority for my administration.”

Winning congressional approval won’t be easy, but is also expected, despite stiff opposition expected to be led by a notably anti-labor Republican senator, John DeMint of South Carolina. He argues, much as George Bush had argued, that unionizing TSA employees would amount to putting air security and safety in the hands of those old right-wing bugaboos, “union bosses.”

Senator DeMint and his reactionary colleagues probably will lose their attempt to deprive some of our most deserving workers their basic rights. But they undoubtedly will cause some damage along the way to their ultimate defeat.

DeMint already has managed to stall Senate confirmation of Obama’s nominee to head the Transportation Safety Agency and carry out the reforms sought by Obama and TSA‘s employees. He’s invoked Senate rules to postpone the vote on whether to confirm the president’s appointment of a well-regarded former FBI agent and assistant chief of the Los Angeles Airport Police, Erroll Southers, to run the agency.

In the meantime, two government employee unions are competing for the right to represent TSA employees once they are granted union rights. The competition undoubtedly will result in more and stronger employee demands for improved conditions as the two unions vie vigorously to represent them.

One of the unions is the largest of federal employee unions, the 600,000-member American Federation of Government Employees, the other the 150,000-member National Treasury Union. But despite its much smaller size, the Treasury Union won three years ago in competing with the Federation of Government Employees to represent airport Customs and border protection officers.

The unions have been waging a vigorous campaign , signing up members, establishing union locals at airports nationwide, helping workers appeal unfair disciplinary actions, filing grievances against employer mistreatment and other actions. Both unions have promised to press hard for pay raises, better promotion policies and work rules and other matters important to TSA employees.

No matter which union wins, it’s certain that the airport screeners and other vital employees of the Transportation Safety Agency should finally have the important basic rights and protections they have so long needed and so long deserved.

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century. Contact him through his website, www.dickmeister,com, which includes more than 250 of his recent columns.

Holiday Street Threads: Andy

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SFBG photog Ariel Soto scoops SF street fashion during the holiday shopping rush. See the previous Look of the Day here.

Today’s Look: Andy, Market and Castro

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Tell us about your look: “It’s warm! I made the hat and gloves. I have a blog about the things I make: crochetandy.blogspot.com.”

The Big Zero – SF version

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By Steven T. Jones
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I can’t stop thinking about Paul Krugman’s wonderfully biting recent commentary, “The Big Zero,” and his persuasive point that in the last decade, “we achieved nothing and learned nothing.” The Nobel laureate economist was talking about the national economy, but I think his point can also be applied to other realms as well, and specifically to San Francisco.

Sprawl development and over-reliance on the automobile have strained public resources and contributed to global warming, bad air quality, and diminished quality of life. The bursting of the housing bubble and its related lies shows clearly that most people can’t afford to buy a home and must rent. Stagnant wages, decimated 401Ks, and the dead promise that we’ll be OK if we work hard and play by the rules show that we’re all in the same boat, equally vulnerable to hard times and ultimately dependent on government and each other if things really get bad.

So what are we doing with these lessons learned? The core of this city’s housing policy is to simply let an untrustworthy, financially weak corporation, Lennar, build 16,000 homes – the vast majority for sale at pricey market rates – in the two most isolated parts of the city: southeast SF and Treasure Island (which will need to be severely hardened against rising seas). And to make it worse, Mayor Gavin Newsom’s big revenue idea is to let rich people buy their way out of the condo conversion lottery, further depleting the rental stock relied on by two-thirds of city residents.

We’re promoting shitty private sector jobs at all cost (including refusing to adequately tax big corporations) and cutting public sector jobs that have good pay and benefits without a thought, in the process hurting our public health and social service functions. Newsom is still taking his cues from the realtors, landlords and Chamber of Commerce – who have all been so obviously wrong in their advocacy this decade – and refusing to even meet with advocates for tenants, immigrants, environmentalists, and the working class, the very people who most need the help and attention of the Mayor’s Office.

To me, being a progressive simply means that we can do better, that we can progress, that we can learn from the past to improve the future. So Krugman’s insightful column should be a wake-up call, a needed reminder that the economic conservatives like Newsom have been dangerously wrong and that we need to chart a new course.

New Year’s relief

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SONIC REDUCER Ah, if only one could give the gift of foresight, how many of us would just throw in the towel, ditch the bitching squeeze, and descend into a netherworld of never-again when faced with the prospect of a dubious New Year’s Eve celebration? Oh, the effing pressure to perform, to live it up and to have a ball, especially when booting out a good-riddance-already year like ’09.

Yet who wants to send it out with a whine rather than on a note of sublime? Who wants to crash to the curb rather than kicking it with joyful liberation and libation? Not I, La Reducer. So let me take the effort out of the forced merriment, remove the angst from the party ranks: here’s the best New Year’s Eve plan for everyone — no matter how magnificent or misguided, buttoned-up or taste-challenged they may be. Pick your NYE poison — then take two Advil and drink a big glass of water before you pass out during the warmed-over breakfast buffet the following morning, at the start of a new decade.

For my keeping-it-casual soul music maestro with a taste for the live jammies The Roots keep their distance from that adorable but far-too-desperate-to-please Jimmy Fallon for NYE and break out the deep originals, assisted by the sprawling SoCal Orgone, at this “sneakers required” beatdown. 9 p.m., $72–$95. Warfield, 982 Market, SF. www.goldenvoice.com

For our favorite mulleted hesherette, forever in acid-washed blue jeans Jump on your bad motor scooter — Montrose is totally bringing some rock candy to Avalon, the same Silly-con nightspot that came through with Y&T last year. With Voyeur and Terry Lauderdale. 8 p.m. doors, $35 advance. 777 Lawrence Expressway, Santa Clara. www.liveatavalon.com

For your too-cool coworker with the asymmetrical crop and the skinniest jeggings on the block Too hep to 12 step? Glass Candy’s nouveau disco darlings Ida No and Johnny Jewel make you wanna strive for the next level in awesome. With Desire. 9 p.m., $45. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

For that shy, retiring indie-rock cutie-pie with a sweetly sunken chest and a song in his heart His fave local indie rockers Morning Benders just signed onto Rough Trade for their next long-player, Big Echo. Time is now to trip on the new songs. With Miniature Tigers and A B and the Sea. 10 p.m., $20. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

For my vintage Bettie Page still mourning the passing of the lindy-hop revival Lee Presson and the Nails keep the antics on edge, alongside veteran Southland stompers Big Sandy and His Fly-Rite Boys. And we’ll all wanna get a gander of the infamous Girl in the Fishbowl. With Project: Pimento and the Cottontails. 8 p.m. doors, $60. Bimbo’s 365 Club, 1025 Columbus, SF. www.bimbos365club.com

For our indie hip-hop homes with a penchant for a smoking party Devin the Dude wants to put you at ease and bring you home in one piece — blunts and brews intact. 9 p.m., $20. Shattuck Down Low, 2284 Shattuck, Berk. www.shattuckdownlow.com

For that indie kid with a wild streak and a secret love of FM radio Local up-and-comers Audrye Sessions might be just the ticket to check out, while Hottub bid y’all to jump in and test its waters. With Soft White Sixties and Manatee. 9 p.m., $12–$15. Uptown, 1928 Telegraph, Oakl. www.uptownnightclub.com

For your art-jam darling with a proggish spirit Chop-chop to the multitalented NorCal player Les Claypool. 9 p.m., $59.50. Fillmore, 1805 Geary, SF. www.livenation.com

For my Southern crust-vamp with a pointy-toed bootie in both the burner and retro-gypsy camps Squirrel Nut Zippers skirt the definable before sinking teensy-tiny incisors into a kind of bluesy cabaret. With Steve Soto and the Twisted Hearts. 9:30 p.m., $65. Café du Nord, 2170 Market, SF. www.cafedunord.com

For that up-for-anything music fan in the mood to shake his milky bottom line You’re down with anything, as long as it’s got a groove or a bit of blue-eyed soul — so get thee to Bay-bred Brett Dennen, A.L.O., and SambaDA, all determined to get the party ‘tarded. 8 p.m., $40–$50. Fox Theater, 1807 Telegraph, Oakl. www.apeconcerts.com

SF soldier’s death was tragic and unnecessary

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By Steven T. Jones
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Staff Sgt. David H. Gutierrez was killed on Christmas Day by an IED near Kandahar Air Base.

The flags at the State Capitol are flying at half-staff to honor Sgt. David H. Gutierrez, a soldier from San Francisco who was killed in Afghanistan on Christmas Day. Obviously, the death of this 35-year-old father of three by an improvised explosive device is sad and tragic, but it’s a dangerous fantasy to cast his life as the price we must pay for freedom and security.

“David was committed to the safety and protection of his fellow Americans and we are forever grateful for his service. We join all Californians in honoring David’s sacrifice and we send our thoughts and prayers to his family, friends and fellow soldiers,” Gov. Arnold Schwarzenegger wrote in a public statement.

It may be true that Gutierrez had noble intentions, but this was also a senseless and unnecessary death, one of what will be an increasing number of dead American soldiers caused by President Obama’s escalation of the war in Afghanistan. And the more we accept the notion that this is a necessary and heroic effort to protect Americans, the higher the death toll will rise and longer this so-called “War on Terror” will drag on.

Meister: A lesson too long unlearned

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Wisconsin has enacted a law that makes the teaching of labor history and collective bargaining part of the state’s model standards for social studies classes in the state’s public schools

(Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for half-century)

Despite the importance of unions in our lives, our schools pay only
slight attention to their importance – or even to their existence.

Little is done in the classroom to overcome the negative view of organized labor held by many Americans, little done to explain the true nature of organized labor.

There have been many attempts to remedy that situation, none more promising than the steps taken recently in Wisconsin with enactment of a law that makes the teaching of labor history and collective bargaining part of the state’s model standards for social studies classes in the state’s public schools.

The law does not mandate the teaching of labor history and collective bargaining, as its sponsors had wanted. But it amounts to just about the same thing, by requiring the state superintendent of public instruction to make the subjects part of the state’s educational standards and to provide schools and teachers assistance in teaching labor subjects.

The Wisconsin Labor History Society, the state AFL-CIO and other labor and educational groups worked a dozen years to finally win enactment of the law, the first such state law anywhere. But the History Society fully expects other states to follow Wisconsin’s example.

The importance of including labor history in the classroom was underscored effectively in the latest issue of the American Federation of Teachers journal,

American Educator.

“With the key protections for workers that unions have gained under attack,” said a journal article, “there is a greater need for the next generation to understand the real role of working men and women in building the nation and making it a better place.”

James Green, a professor at the University of Massachusetts-Boston, explains that, in studying labor, students learn important lessons – above all “the contributions that generations of union activists have made to building a nation and democratizing and humanizing its often brutal workplaces.”

Fred Glass, communications director of the California Federation of Teachers,

provides an ideal primer for students studying labor. His summary is an excellent guide to what they should know about labor – a guide to what we should all know.

“Some people,” said Glass, “interpret the decline of organized labor as if unions belong to the past, and have no role to play in the global economy of the 21st century. They point to the numbers and say that workers are choosing not to join unions anymore.

“The real picture is more complex and contradicts this view. Most workers would prefer to belong to unions if they could. But many are being prevented from joining, rather than choosing not to join.”

Unions, Glass concludes, “remain the best guarantee of economic protection and political advocacy for workers. But as unions shrink, fewer people know what unions are, and do. And fewer remember what unions have to do with the prosperity of working people.”

That’s what our schools should be teaching, and presumably what they’ll be teaching in Wisconsin shortly, thanks to the new law there. If we’re fortunate, more states will soon follow suit.

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for half-century. Contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.

Lush bash: One of the best post-Xmas sales started today

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By Kimberly Chun

One of the finest post-Christmas sales has to be the ask-and-they’ll-tell, somewhat-secret sale going down at Lush on Union Square.

No signs in the windows herald its arrival, but just ask a salesperson and they’ll spill the beans about the highly scented, ordinarily pricey products: buy one holiday bath bomb and you get two more free. Purchase a wrapped gift package of, say, vegan bath bombs, shower gels, and soaps and you get another free. Buy a soap and you get two more free. And so on… so get to it, if you’re a fan of the UK bath and skincare brand.

Lush Cosmetics
2116 Union St., SF
(415) 921-5874
www.lush.com

We seize SF Weekly’s rent check

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By Tim Redmond

Our efforts to collect on the $21 million that SF Weekly and its parent company owe us continue. Here’s the latest — the SF Superior Court ruled that we can seize the rent that the SF Weekly’s subtenant pays to the paper.

Creditor Wins Collections Rights Action Against Village Voice Chain

San Francisco (12/23) — The San Francisco Bay Guardian Company on Tuesday was granted its motion to intercept the income of the SF Weekly, one of the newspapers in the Village Voice Media chain.

The Bay Guardian is pursuing the collection of its nearly $21 million judgment against the SF Weekly and New Times Media LLC, the holding company for the Village Voice chain.

The Village Voice chain is financed by a consortium of banks led by Bank of Montreal, which has exposure of over $80 million in loans to the chain according to a declaration filed in the case by BMO managing director Thomas McGraw on 12/17/09.

In a court hearing on Monday, an attorney for the Village Voice chain, Randall Farrimond, pleaded for the court not to enter the order assigning part of the SF Weekly’s income to the Bay Guardian. “If this motion is granted, the bank will declare a default,” Farrimond told the court, and concluded, “If the Bay Guardian thinks there are more assets than those pledged to Bank of Montreal, they are mistaken.”

The Bay Guardian is exploring the possibility of placing the Village Voice chain into an involuntary bankruptcy, but has also made a formal demand on Bank of Montreal to marshal the assets of the Village Voice chain as required by California law.

“Our fight is not with Bank of Montreal at this point,” said collection attorney Jay Adkisson, who successfully argued the motion on behalf of the Bay Guardian. “We’d be perfectly happy if Bank of Montreal was repaid every cent that it loaned to the Village Voice chain plus interest, and leave us to proceed against the rest.”

Several court hearings scheduled for January have the potential to substantially advance the Bay Guardian’s collection efforts, which have gained momentum in recent weeks. In November, the Bay Guardian successfully auctioned off vehicles belonging to the SF Weekly.

The judgment was entered after a jury found that several of the Village Voice companies engaged in predatory pricing against the smaller, locally-owned Bay Guardian. Shortly after the jury verdict, the court also entered an injunction against the guilty Village Voice companies to prohibit any future predatory pricing activities against the Bay Guardian.

The Bay Guardian has alleged that the Village Voice chain has continued its predatory pricing campaign even in violation of the injunction.

Under California law, post-judgment interest accrues at 10% per annum, which is more than $4,900 per day. The Village Voice chain will also be responsible for the substantial fees of the Bay Guardian’s attorneys which were incurred in collection efforts.

The Candlestick farce

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No one was really surprised when commissioners for the Redevelopment Agency and Planning Department voted last week to only give the public a Scrooge-like 15 days to review a six-volume, 4,400-page draft environmental impact report for Lennar Corp.’s massive 700-acre Candlestick Point redevelopment project.

Everybody knew that Michael Cohen, Mayor Gavin Newsom’s top economic advisor, wanted to jam this proposal through the certification process by early June in a last-ditch effort to win back the 49ers, even though the team has said it wants to go to Oakland if the City of Santa Clara doesn’t vote to build a new stadium.

The decision gives the public until Jan. 12th to submit written comments on the DEIR. A broad coalition of community and environmental justice groups asked for a 45-day extension.

And the entire process — including condescending remarks by commissioners, a fight, the forcible removal of several members of the audience, and statements from developer allies that were, at best, highly misleading — can only be described as a farce.

The rush to approve the document is entirely political. Santa Clara voters go to the ballot June 8 to decide if they want to build the 49ers a fancy facility near Great America. But June 8 is the same day, according to a spreadsheet maintained by city Shipyard/Candlestick planners, that the San Francisco Board of Supervisors is scheduled to approve the EIR for Lennar’s proposal.

The city’s DEIR envisions building a new 49ers stadium on the shipyard — a position that would allow thousands of luxury condos to be built on the site where the team currently plays, including a significant slice of Candlestick Point State Recreation Area.

To meet the increasingly artificial-looking June 8 EIR deadline, Cohen signaled he’d only be able to squeeze out 15 extra days for draft EIR review.

LENNAR’S PAID SUPPORTERS

With Cohen nowhere in sight at the DEIR hearings last week, his deputy, Tiffany Bohee, was left to kick off Redevelopment’s Dec. 15 and Planning’s Dec. 17 DEIR hearings.

“Time does matter for this project,” Bohee told commissioners, claiming that the project has been vetted exhaustively, including at least 177 public meetings — when the truth was that the public had never had an opportunity to review the complete draft EIR, a binding legal document, before its recent release.

“The consequence of delays is that it precludes the city’s ability to get ahead of the Santa Clara election in June,” Bohee said.

Bohee’s introduction was followed by a string of “no delay” and other off-point comments from representatives of the San Francisco Labor Council, the San Francisco Organizing Project, SF ACORN, and other groups that signed a community benefits agreement with Lennar in May 2008 that promised them millions of dollars in work and housing benefits — provided they show up at public meetings and support the development.

SF Labor Council vice president Connie Ford told commissioners that her organization “looks forward to the day when much-needed resources and support comes our way.”

A dozen residents of the Alice Griffith public housing project talked about their deplorable living conditions.

Asked by Redevelopment commissioner London Breed what the impact of a DEIR review extension would have on the planned rebuild of the Alice Griffith project, Bohee said, “It will jeopardize our ability to get any city decision on the project by June. As a result, delays to Alice Griffith could be indefinite.”

But that’s a stretch — at best. According to Lennar and the city’s own schedule, new Alice Griffith replacement units won’t be available before 2015 at the earliest. An additional 30 days of environmental review at this point will make no difference.

THE BOZO COMMISSIONERS

Compounding the city’s half-truths was the patronizing attitude of those commissioners who thought that their opinion of the DEIR should satisfy members of the public who hadn’t had enough time to review it.

“I think it’s an extremely well done document,” Planning commissioner Michael Antonini told a crowd that had sat through five hours of testimony and been warned by Planning Commission chair Ron Miguel that they’d been thrown out if they spoke during others’ testimony.

Bizarrely, planning commissioner Bill Lee tried to use the fact that the public wasn’t making many substantive comments on the DEIR as an argument against giving anyone more time to read it. Commissioner Gwyneth Borden made the equally odd argument that since people are almost certain to sue the city over the DEIR, there’s no reason to give an extension now.

And Miguel asked the public to put their faith in some vague meeting in the future rather than agreeing to what were asking for at the meeting. “I do believe that when all the comments are considered and answered and the final EIR comes before us and the Redevelopment Agency, that everything will come together,” Miguel said.

By that time, Arc Ecology’s director Saul Bloom, Jaron Browne of People Organized to Win Employment Rights, and POWER’s attorney Sue Hestor told the commissioners that they believe the project’s impacts on transportation, state park habitat, and the foraging requirements of the peregrine falcon had not been adequately analyzed. Eric Brooks of the Green Party expressed concern that sea level rise will be more pronounced than the DEIR projections.

Bloom also explained that a lack of adequate review time hindered his staff’s ability to prepare comments in time for a hearing that came only a month after the DEIR’s release.

Planning Commission vice president Christina Olague and commissioners Kathrin Moore and Hisashi Sugaya tried to extend the review period to February. As Olague pointed out, the commission recently granted a public DEIR review extension to a 15,959-square-foot parcel in Russian Hill, which is tiny compared to Lennar’s 708-acre proposal in the Bayview, where residents have the city’s lowest educational levels

But the Planning Commission’s 4-3 vote against a February extension revealed how mayoral appointees ignore common sense once they have their political marching orders.

COHEN’S FANTASY

“This appears to be all about Cohen’s fantasy of out-maneuvering Santa Clara to get the 49ers to move into a new Hunters Point stadium,” Hestor told the Guardian.

Hestor also pointed to a Dec. 18 San Francisco Business Times guest editorial titled “Business Leaders Can Save the Niners” that Planning Commissioner Michael Antonini had clearly written before Planning’s marathon Dec. 17 hearing.

“The editorial illuminates why, at the Planning Commission on Dec. 17, Antonini argued against any extension for public comment on the DEIR beyond Dec. 28,” Hestor said, noting that Dec. 28 was the absolute minimum DEIR review period required under the California Environmental Quality Act — a review period that straddled Thanksgiving, Hanukkah, Kwanza and Christmas (see Holiday Snowjob, 12/09/09).

Earlier this month, a coalition of environmental and community development groups, including Arc Ecology, the Sierra Club, the Potrero Hill Democratic Club, San Francisco Tomorrow, Literacy for Environmental Justice, Young Community Developers, the Neighborhood Parks Council, the South East Jobs Coalition, Walden House, Urban Strategies Council, India Basin Neighborhood Association, California Native Plants Society, Golden Gate Audubon Society, and the Bayview Resource Center, wrote to Mayor Gavin Newsom, requesting a 45-day DEIR review extension.

The request seemed further vindicated when it became apparent that most of the people who showed up at the DEIR hearings, including those opposed to extending the review period, admitted that they had not actually read the documents in question. And the commissioners’ failure to honor the extension request represents a new low in a process that threatens to become a classic lesson in the dangers of public-private partnerships.

Opponents of giving the public a decent chance to read the DEIR argue that there have already been hundreds of meetings on the proposed project. But as Bloom pointed out, the character and focus of EIR is different from any other document that has been produced for discussion. “If an issue is not raised during the EIR process, it cannot be raised subsequently,” Bloom said. “Releasing an EIR during the holiday season and providing the minimum amount of time allowable under the law for public review undermines the public’s ability to evaluate an EIR and disenfranchises people at one of the most critical points of the project approval process.”

Bloom also noted that a standard strategy for drastically limiting public input while appearing to be transparent is to spend time evaluating nonbinding documents while providing the minimum time required to evaluate the legally binding stuff.

“The Phase 2 Urban Design Plan released in October 2008 was in public discussion until it was approved in February 2009 — five months,” Bloom observed, noting that nothing in that document was legally binding. Neither was Lennar required to disclose negative effects of its plan. But an EIR is a legally binding document. “It’s a fiction that a 45-day DEIR public review extension would have cause a domino effect of indefinitely delaying the approval of the project,” Bloom added.

Digging

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SUPER EGO This time of year, everyone’s showering their Top 10 lists down upon an eager, listless world. I’ll get to mine just as soon as I finish this bottomless pomosa, but I want to give a special shoutout to a couple recent local releases I’ve been digging that may have slipped past your Beatport. (Remember to always use a water-based lubricant with digital. Safety first!)

The first is the absolutely lovely Brick by Brick (Nightlight) by Alland Byallo which sounds excellent either on the dance floor or on a rainy Monday, chilling as you attempt to pour some bottomless pomosa into a giant thermos in your backpack without the waitress seeing, like I am now. As the title suggests, this is a minimal-techish release, building up numbers with a very limited set of elements. Those elements are impeccably produced snatches of sound that propel each track forward with an unfussy chug and even a few flashes of wry humor. Standout tracks like “Bebring” and “Casual Sax” break the minimal mold by giving us some good ol’ funk.

Also yummy: the recently released An-ten-nae Presents Acid Crunk Vol 2 (Muti) acts as a superb compendium of the still intriguing if increasingly in-jokey glitch hop sound. The mysterious An-ten-nae splits his time between L.A. and the Bay, spinning and promoting up a storm, and here he’s gathered a whirl of big names like Marty Party and ill.gates to follow up his first EP. Many seem on their best behavior, but tracks like Akira Kiteshi’s “Ulysses” and Robot Koch’s “Hard to Find” are more than just wobbly punchlines.

OK, my bottomless stocking’s full — let’s go find a party.

CHRISTMAS DAY COSTUME CALAMITY

At first I was going to write “Just try saying ‘Christmas Day Costume Calamity’ real fast three times,” but then I tried it and I could! Yay! The medication still works. A whole bunch of party kids staying in town for the holiday — Richie Panic, Kirin Rider, Willie Maze, Similak Chyld, more — are taking that whole Nightmare Before Christmas mashup seriously and throwing another Halloween for Noel. (Noelloween?) You don’t have to dress as Santa, just dress as something and rock out.

Dec 25, 10 p.m.–4 a.m., free. Som, 2925 16th St., SF. www.som-bar.com

STEVE FABUS

Direct from the past but wholly of the knees-deep-in-disco-revival present — and looking amazing, might I add — Steve Fabus, one of the city’s most admired DJs from some of San Francisco’s most storied clubs (including the Trocadero Transfer) joins the younger generation of groove-heads at the very fun Go Bang!

Sat/26, 9 p.m.late, $5. Deco Lounge, 510 Larkin, SF. www.decosf.com

FLOW THE FUNK

Vinyl. It is back. And not just in that fetishy backlash way where some people just hate everything new so they pretend nothing after 1995 happened. Avant-techno musicians like the Durian Brothers are wringing crazy textures from “prepared” turntables, much like composer John Cage did from prepared pianos in the 1940s. Underground dance music artists have released a flood of colored-vinyl rarities to increase their PR potential. And, on the more fun side of things, all-vinyl nights have taken off at such DJ-nurturing places as Triple Crown. Appropriate, then, that DJ M3, Triple Crown’s commander-in-chief, would be pulling out an all-vinyl marathon session from his bag of tricks at the new flapper-styley Eve. Five hours, no digital, all free.

Sat/26, 9 p.m., free. Eve, 575 Howard, SF. www.eveloungesf.com

FLOOR SCORE

Next week I’ll be laying down some New Year’s Eve party picks — and probably laying down a little myself in preparation. Bring Momma a little cocktail and a big Australian before her nap, sweetie. But not the toothy, manscaped kind. What? Impossible? Sheesh, just make him Italian, then. Somebody please take the clippers away from Down Under. Anyway, everyone knows that it’s actually the ability to party all the way through New Year’s Day that separates the hot wings from the boneless. Dragging yourself across the finish line (resolutions!) won’t be too hard this year, with promoter Ryan Robles’ Floor Score waiting at the front end of 2k10. Although queer-oriented, this party has enough going for all persuasions, including DJ Pee Play from Honey Soundsystem and Gemini Disco’s Nicky B. ringing in the future.

Jan. 1, 10 p.m.–4 a.m., $6. Siberia, 314 11th St., SF.

STOMPY + SUNSET

Another New Year’s Day secret, only for the sexy (and possibly addicted) people — this 12-hour rager from classic SF techno-house crews Stompy and Sunset. The frankly amazing Stanley Frank of Chilidog kicks things off with some sublime rare-cuts wackiness. Charles Webster from the U.K. headlines. Galen, Solar, Taj, and tons more join in. You make sure to carry some concealer in your purse.

Jan. 1, 2 p.m.–2 a.m., $10/$20. Cafe Cocomo, 650 Indiana, SF. www.pacificsound.net

8, 9 … 2010

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1. SF garage rock goes pop This year saw Bay Area garage rock go pop in style and impact without losing its soul. I’m thinking of the Fresh and Onlys, and of Ty Segall’s second solo effort Lemons (Goner), a lovely one. I’m thinking of Girls’ Album (True Panther/Matador), which threw down the crossover-move gauntlet with no shame in its game: Christopher Owens’ interviews were as entertaining as his music and brasher — his real talk about sex and drugs made good headline fodder for the excitable British press, but contained the kind of truth that honors life over rules or boring definitions. The secret keeper, though, was the Mantles’ self-titled debut on Siltbreeze. Drew Cramer’s lead guitar and Michael Oliveras’ vocals were even better live, the mark of a band in bloom.

2. The AfroSurreal In May, D. Scot Miller helped put together a special AfroSurreal issue of the Guardian, a collection of words and visions journeying beyond the potential of Barack Obama’s presidency. The Kehinde Wiley piece on the cover wasn’t the only AfroSurreal image on this paper’s front pages — just last week, Conrad Ruiz’s Godzilla-size Yes We Can stomped around the city. Musically, AfroSurrealism manifested in the mind- and mirror-bending quality Dam-Funk’s Toeachizown (Stones Throw) and the rehab hallucinations and Dante-like funeral marches of Chelonis R. Jones’s Chatterton (Systematic). It floated in through cracks in the time warp as well: the ghetto opera of 24 Carat Black’s Gone: The Promises of Yesterday (Numero Group); the proto-punk of Death’s For the World to See (Drag City), especially “Politicians in My Eyes”; and weirdest of all, the gothic funk and skronk of Wicked Witch’s Chaos: 1978-1986 (E.M.).

3. 21st century goth From blackness to deathly whiteface — something gothic this way came in 2009, thanks to Cold Cave’s Cremations (Hospital Productions) and Love Comes Close (Matador). Both staked a claim that the genre is as applicable as death metal to a post-Bush presidency globe. But while those albums notched acclaim and attention, the similar yet more audacious Cure and Cabaret Volatire moves of Jones’ months-earlier Chatterton went ignored and unappreciated. Evidence of racism, proof that German techno only gets appreciated years after the fact, or both?

4. Hauntological mutations In 2009’s sonic mansion, ghosts haunted the hallways leading to and from the gothic banquet hall, and hauntology — a Derrida term applied to music by the critic Simon Reynolds — continued to morph, just as any self-respecting specter should, well beyond dubstep. The maze-like passages of Rooj’s The Transactional Dharma of Rooj (Ghost Box) and Broadcast and the Focus Group’s Broadcast and the Focus Group Investigate Witch Cults of the Radio Age (Warp) both suggested that spirits have short attention spans, while Demdike Stare’s Symbiosis (Modern Love) traded seances on wet afternoons for retro-futurist meetings with medieval wicked witches.

5. Library music For evidence that the past resides in and fuels the present, go to the library. Specifically, to the abundant compilations and Web sites dedicated to library music — the scores of incidental music produced and recorded for soundtrack use on film, television, and radio. In the wake of his gorgeous book The Music Library (Fuel Publishing), Jonny Trunk released more albums devoted to library labels. The Parisian DJs Alexis Le-Tan and Jess put out a pair of Space Oddities library collections — one electronic, one psychedelic — on Permanent Vacation. Wax Poetics published a lengthy piece to the subject. In an interview, Trunk noted that his Scrapbook (Trunk) shares the same fast-change aesthetics of Broadcast and the Focus Group’s hauntological recordings, just one example of how library music of the past forms the music of now.

6. The new ambient The new ambient is not afraid of extreme melancholy, or long compositions — no longer only Kompact, it can be epic. One of the form’s peak representatives is San Francisco’s Brock Van Wey, whose White Clouds Drift On and On (Echospace) bravely strived for, and sometimes reached, sublime solitude. Another was Klimek, whose Movies is Magic (Anticipate), on which a track such as “pathetic and dangerous” lives up to its death-knell title. The last was Leyland Kirby. His three-CD contribution sums up the current moment in both its title and the name of its label: Sadly, the Future is No Longer What it Was (History Always Favours the Winners).

7. 2009=1989, synthpop and shoegaze I explored this theme in last week’s Decade in Music issue. See: Atlas Siund (in particular “Shelia,”), Crocodiles, Fuck Buttons, Loop, Night Control, Pains of Being Pure at Heart, Washed Out (responsible for two of this year’s most gorgeous tracks, “Belong” and “Hold Out”), Wavves, and the xx.

8. How old is now? As the music industry continues to fracture, reissues or uncovered old sounds were as vital and revelatory as new releases. In San Francisco, this meant new rereleases by San Francisco Express, the Units, and most excitingly, Honey Soundsystem’s work on behalf of Patrick Cowley and Jorge Socarras’ Catholic project. Beyond SF, it meant a one-of-a-kind treasure like Connie Converse’s How Sad, How Lovely (Lau derette): one woman, one guitar, one tape recorder, and perhaps the best music of this sad, lovely year.

Curtain calls

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THEATER Up to around 8:30 p.m. on Dec. 12, Thrillpeddlers were having a very good year. One of 2009’s Goldie recipients, the city’s connoisseurs of Grand Guignol–style fresh flesh were riding a remarkable wave of success with their inspired revival of Pearls over Shanghai, by San Francisco’s storied Cockettes, when an altogether different current overtook them.

No doubt the vicious cold snap of those days had something to do with it, but sources report that a 100-year-old water main located just outside the front door of the Hypnodrome — Thrillpeddlers’ rumored-to-be-haunted haunt at 10th and Division streets — let loose some 2 million gallons of water, the bulk of which burst into the packed theater in a two-foot high crest that inundated the stage smack in the middle of actor and artistic director Russell Blackwood’s exquisite tap number, “Cruising.” Cast and audience members alike scurried through one of those evacuations they’re always vaguely referring to by law just prior to curtain or takeoff. In this case, escape was made through the back dressing room, where SF firemen heroically carried audience members and heavily tarted-up actors to safety as the power was cut, owing to the very real danger of electric shock. I’m happy to report that the piano was saved, thanks to quick coordination of hands from both sides of the footlights, but clearly there’s a very soggy theater to deal with, so more than ever your prayers, and much better yet your patronage, should be directed toward the intrepid Thrillpeddlers. (Shows resume Jan. 1.)

Now this just goes to show that, one, I’m never there on the best night. And, two, the year ain’t over until it’s over. So let’s say this year-end wrap up, while it tries to take in all sides, is necessarily partial and provisional.

On the bright side:

Skylight at Ashby Stage. David Hare’s play dexterously puts the nuts and bolts of modern politics into modern romance like no other, but it came to life in director Patrick Dooley’s production for Shotgun Players better than I could have hoped were I coughing up three figures for a Broadway ticket. Leads Emily Jordan and John Mercer were startlingly good.

Killing My Lobster’s Pure Shock Value at the Exit. Odds were against them in producing their second full-length play, if only because the first, Peter Sinn Nachtrieb’s Hunter Gatherers, was so strong. But KML pulled it off.

Jericho Road Improvement Association at Phoenix Theatre. Hella Fresh Theater’s strong debut was a solid production of writer-director John Rosenberg’s West Oakland tale, a neighborhood story that navigated the complexities of history, race, and social roles with intelligence and real dramatic force. Sadly for us, Hella Fresh has freshly relocated east to Philly, but they contributed to a memorable year.

On the dark side:

Thom Pain (based on nothing) at Exit on Taylor. Cutting Ball’s strong local premiere of Will Eno’s broodingly sardonic off-Broadway hit featured an exceptionally fearless and intimidating solo turn by actor Jonathan Bock.

The Lieutenant of Inishmore at Berkeley Rep. Maybe this belongs on the light side. It depends how you take to a stage strewn with sawed off limbs and cat brains, all awash in veritable barrels of blood. I found it amusing.

The Creature at Thick House. Trevor Allen’s appealingly shrewd adaptation of Mary Shelley’s Frankenstein began as a podcast but, under director Rob Melrose and a great design team, blossomed into a supple, protean piece of live theater. The three-person cast was very strong, but James Carpenter’s beautifully wrought performance in the title role managed to surprise even those who know he’s one of the top actors on Bay Area stages.

The Walworth Farce at UC Berkeley’s Zellerbach. Leading Irish playwright Enda Walsh’s darkly hilarious, structurally ingenious, and all-around exhilarating play was more like farcical tragedy, or tragical farcity, which is to say something very fresh and gripping. Druid Ireland matched it perfectly in their incredibly deft and intelligent production.

On the right side:

SF Mime Troupe’s Too Big to Fail. “Right” isn’t the best adjective to stick in front of the Mime Troupe, but as free-theater-in-the-park hell-raisers for 50 years and counting you know whose side they’re on. Anniversary events continue through the New Year (sfmt.org).

On the tight side:

Fat Pig at Aurora Theatre. Aurora’s production of Neil LaBute’s play had a very strong ensemble going for it. There were others too this year, some of the most memorable including casts of Jack Goes Boating (also at Aurora), In the Next Room, or the vibrator play (Berkeley Rep), The Model Apartment (Traveling Jewish Theater), This World in a Woman’s Hands (Shotgun Players); Old Times (TheatreFIRST), and two exceptional ensembles courtesy of Off-Broadway West in The Homecoming and A View from the Bridge, respectively.

On the hype side:

American Idiot at Berkeley Rep. Actual satisfaction with Michael Mayer (Spring Awakening) and Green Day’s Broadway-bound behemoth proved inversely proportional to the hype. (Among new musicals about American 20-somethings, the real McCoy was up the hill at UC Berkeley in the premiere of Joe Goode’s Dead Boys.)

Also, Spamalot. Rhymed with everything but laughed-a-lot.

On the south side:

Ghosts of the River at Brava. The second collaboration between playwright Octavio Solis and director Larry Reed’s Shadowlight Productions, a set of immigrant ghost tales set along the Rio Grande, was as aesthetically unique and engaging as it was humane and thought provoking.

Also from the Mission District: Theatre Rhinoceros vacated its space on 16th Street after god knows how long to wander itinerant for a while. They are still very much around and active, though (therhino.org).

And from Intersection for the Arts came word of the tragic loss of a large and unique talent: actor and Campo Santo cofounder Luis Saguar, gone at 52. Saguar was an integral and always fascinating part of some exceptional theater history, and you never saw another actor quite like him. To help the family he leaves behind, donations are being accepted through Intersection for the Arts (www.theintersection.org/luis/).

Eleventh-hour shopping

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Some years, you’ve got it all together. You finished your holiday shopping by Thanksgiving, decorated your tree before most people got around to buying one, and finished the prep for your Christmas Eve dinner a full 12 hours before you needed to start cooking. But this is not that year. Whatever the reason — extra-long hours at work (or perhaps extra-tall glasses of nog) — the holidays seem to have crept up on you this season. Now you’re only days away from the big gift-exchange bonanza and you have yet to acquire anything to give. Don’t fret! You don’t have to show up empty-handed or, worse, with a haphazard assortment of “gifts” pulled from the aisles of the 24-hour grocery store on the way to your mom’s house. We’ve compiled a list of shopping destinations that are open Christmas Eve (and, in rare cases, on Christmas Day) with offerings that don’t scream “last resort.” As for not getting so drunk at dinner that you tell your brother what you really think of his wife? For that, you’re on your own.

BEAT MUSEUM

Nothing says “San Francisco” like a classic beat-era beret, Charles Bukowski poster, or limited-edition Grateful Dead autograph. Get ’em all at this North Beach locale.

540 Broadway, SF. Christmas Eve, 10 am.–7 p.m.; (415) 399-9626, www.kerouac.com

CLIFF’S VARIETY

At this Castro District hardware store, you’ll find everything from nuts and bolts to napkin rings and boas.

479 Castro, SF. Christmas Eve, 8:30 a.m.–6:30 p.m.; (415) 431-5365; www.cliffsvariety.com

COLLAGE GALLERY

Delisa Sage is owner and curator of this charming Potrero Hill shop, which features a mix of vintage and locally-made items with a focus on female designers and handmade objects.

1345 18th St., SF. Christmas Eve, 11 a.m.–5 p.m. (415) 282-4401, www.collage-gallery.com

COMMUNITY THRIFT

Known for reasonable prices, good organization, and a diverse selection of used and vintage items, this Mission District second-hand store also is beloved for donating proceeds to a roster of more than 200 local nonprofits. Also? The $1 rack. ‘Nuff said. (Rather than regifting, why not donate your castoffs here?)

623 Valencia, SF. Christmas Eve, 10 a.m.–3 p.m.; (415) 861-4910, www.communitythriftsf.org

CURRENTS

The perfect spot for soaps, aromatherapy products, and adorable bath-time accessories for adults (novelty hot water bottles shaped like fish!) and kids (terry-cloth slippers shaped like little pigs!), this Valencia boutique also stocks a variety of packaged options for fast, easy selection.

911 Valencia, SF. Christmas Eve, 10 a.m.–6 p.m.; (415) 648-2015, www.currentssf.com

EMBARCADERO CENTER

Though we usually try to stay away from anything resembling a mall this time of year, we can’t help but want to support the local businesses that have outposts at Embarcadero Center, especially Ambassador Toys, the SF institution famous for its creative and well-made toys, and On the Fly, where you can spoil the man in your life with T-shirts, shaving sets, and cufflinks.

FABRIC8

Possibly the coolest shop in the Mission District, Fabric8 specializes in unusual gifts made and designed by local artists.

3318 22nd St., SF. Christmas Eve, 11 a.m.–5 p.m.; (415) 647-5888, www.fabric8.com

HEARTFELT

You’ll find just about anything under the exposed beams of this Bernal Heights store: picture frames, stationery, organic cotton baby jumpers, candles, and much more.

436 Cortland, SF. Christmas Eve, call for hours; (415) 648-1380, www.heartfeltsf.com

KID ROBOT

Delight collectors big and small with limited-edition toys from this hipster enclave in the Haight.

1512 Haight, SF. Christmas Eve, 11 a.m.–5:30 p.m.; (415) 487-9000, www.kidrobot.com

PEKING BAZAAR

You can’t beat the hours at this emporium of gifts in Chinatown. Many of the store’s bagatelles come in beautiful silks: totes and wallets, lanterns and pillows, kimonos for him and her. It also specializes in iron tea sets and houses a large jewelry section.

826-832 Grant, SF. Christmas Eve and Christmas Day, 10 a.m.–10 p.m.; (415) 982-9847, www.pekingbazaar.com

THERAPY

The Mission District retailer has cozy sweaters, handsome leather-band watches, and purses in a variety of shapes, sizes, and prices. And though it’s closed Christmas Eve, the shop will be wide open Christmas Day — and hosting a sale with everything starting at 20 percent off.

541 Valencia, SF. Christmas Day, 11 a.m.–8 p.m. (415) 265-9758

Le Colonial

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DINE Could there be a more enchanted address for a restaurant in San Francisco than 20 Cosmo Place? No. “Cosmo” gives us an urban, even cosmopolitan, glamour, while “place” suggests, at least, a degree of refuge from the maelstrom of city traffic. Cosmo Place does not disappoint; it has something of the air of Shepherd Market, the warren of quaint lanes stashed well off the main thoroughfares in London’s posh Mayfair district, and also of the small plazas ringed with outdoor cafes you might find near the waterfront in Barcelona.

For more than 40 years, until the early 1990s, 20 Cosmo Place was the home of Trader Vic’s, which was probably the most famous restaurant in the city and one of the best-known in the country. Although there were — and remain — other Trader Vic’s restaurants around the country and the globe, none could match Cosmo Place for sheer atmospherics. But the founder and namesake, Vic Bergeron, had died in 1984, and with his passing came a reordering of the empire that included closing the Cosmo Place restaurant. Trader Vic’s reopened some years later in the city, in the old Stars location on Golden Gate Avenue, but that experiment was short-lived.

On Cosmo Place, meanwhile, a new presence arrived in 1998. This was Le Colonial, a high-end Vietnamese spot with (like Trader Vic’s) outposts in several other major U.S. cities, including New York, Los Angeles, and Chicago. There was, for me, a certain sorrow in the passing of Trader Vic’s, which was certainly a San Francisco institution of the first order. But the transition was smooth enough, the newcomer thrived, and now, more than a decade on, Le Colonial seems as permanent as Trader Vic’s once did. Yet one cannot forget the predecessor.

When I crossed the threshold at 20 Cosmo Place recently, it was for the first time in nearly 30 years. One evening early in that long-ago June, a group of us came to the city and to Trader Vic’s as graduating college seniors, got massively blitzed on tropical drinks that came in gigantic tureens, and left … well, I don’t remember leaving. I know only that I must have. Three decades on, the basic layout came as a delightful surprise to me despite (by all accounts) being pretty much the same as before.

The entryway is still a long breezeway set with tables, wicker chairs, and potted plants covered by a roof of ironwork and glass such as you might find in a belle époque rail station. It is reached from the street, or lane, by an impressive set of stairs. At the far end of the breezeway sits a set of heavy wood doors that open to the host’s podium. Beyond, and upstairs, lay three dining areas, one of which was, once upon a time, the coveted Captain’s Cabin.

The mood these days seems a little more relaxed, although the crowd is still stylish and the Captain’s Cabin still exists. The interior design speaks in tones of elegance and, oddly, heat: starched linen table cloths and ceiling fans, plush carpeting and wicker chairs even in the main dining room. These cues might lead you to imagine that you’re sweltering at the edge of a steamy jungle instead of wondering why you forgot to wear a scarf.

As the restaurant’s name reminds us, Vietnam was a French colony for about a century, and executive chef Joseph Villanueva’s fine menu captures glints of the resulting cross-cultural pollination. Among the most compelling examples of his ambidexterity are the pan-fried brussels sprouts ($10), or rau xao­ — all the dishes bear Vietnamese names — in which the halved sprouts are cooked with portobello mushrooms and plenty of ginger before being liberally slathered with sweet chili sauce. Using such intensely flavorful ingredients to subdue a notoriously uncooperative vegetable is the culinary equivalent of an enhanced interrogation technique, but when a confirmed brussels sprouts-hater takes a tentative taste or two (after much cajoling), then serves himself a big heap, we know all the bother was worth it.

Luckily, most of the menu doesn’t need this kind of strong-arming. Wok-tossed Blue Lake beans ($8) are wonderfully crisp-tender and simply dressed with a garlic-soy sauce. Niman Ranch pork ribs ($14) are rubbed with five-spice powder, given a honey-ginger glaze, and roasted to an aching tenderness. The same glaze ends up on fried quail ($14), which is only marginally less tender. Among the lemongrass-inflected dishes, it would be hard to beat chicken two ways ($25), roasted and sautéed, and served with a warm salad of shiitakes, baby spinach, and micro-cilantro.

There are disappointments. The fresh rolls wrapped in rice paper are a little tough and, tastewise, on the delicate side. On the indelicate side, we have black tiger prawns ($29) in a coconut curry broth that sounds promising but is made with powdered curry, rather than the Thai-style paste, with a certain metallic harshness as a consequence.

But knocking a few points off a dish here and there does nothing to diminish the overall experience in a place as atmospheric as Le Colonial. As with a view restaurant, the temptation must be strong to lean on the enchanted setting and its storied past while letting the food and service discreetly slip. It’s a credit to Le Colonial that if the restaurant served its menu in a setting a tenth as compelling, we would still judge it worthy.

LE COLONIAL

Dinner: Sun.–Wed., 5:30–10 p.m.;

Thurs.–Sat., 5:30–11 p.m.

20 Cosmo Place, SF

(415) 931-3600

www.lecolonialsf.com

Full bar

AE/DC/MC/V

Well-managed noise

Wheelchair accessible

Street Threads: Emily

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Emily, Vicente and West Portal

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Tell us about your look: “All my clothes were gifts.”

Dick Meister: Too damn old!

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The right to protection from age discrimination will remain a second class civil right

(Dick Meister, formerly labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century.)

Racism and sexism we know plenty about. But what of ageism?

Ageism can strike anyone once they reach a certain age – sometimes as early as 40 – and it can make the victim feel unwanted, unneeded and oppressed by all in this work and youth oriented society.

It doesn’t matter if you’re white or black, brown or Asian, man or woman. What matters is your age.

Federal law and several state laws say employers cannot consider your age in deciding if you should be hired, fired, retired, promoted, laid off or whatever. But the laws are widely violated, and sometimes invalidated by courts.

Some of the court decisions have been downright bizarre. One recent ruling, for example, found that an employer who told a worker he was being fired because “you’re too damn old for this kind of work” was not violating the law. Another court said a boss who told a worker he had to make way for younger workers was simply stating “a fact of life.”

The Supreme Court recently made a key ruling that workers who are fired because of their age will have to prove that their age was the decisive factor in the firing, not just a contributing factor. A bill currently in Congress would invalidate that ruling.

The number of workers filing legal complaints of age discrimination has been growing steadily. Between 2007 and 2008, the number grew by 30 percent to nearly 25,000 cases. The actual number of older workers discriminated against is undoubtedly even higher, if only because many victims can’t afford the court proceedings that often follow the filing of complaints.

Age discrimination is expected to become an even greater problem as the number of older workers continues to grow steadily and because of current economic conditions that are forcing more and more older workers of retirement age to seek jobs.

The drying up of pension funds and the increase in the Social Security retirement age has also led more older people to seek jobs – jobs that are hard enough for anyone to find, but particularly hard for many older workers. Their unemployment figures have been consistently higher than those of most other groups.

Not all the unemployed older workers want or need jobs. But most do, as has been shown repeatedly in studies by private and public agencies. Many badly need the income. Most also seek jobs as the way to gain self-esteem and an active, meaningful existence.

But younger workers, of course, can be paid less than older workers with seniority and usually are less demanding and more easily directed because of their inexperience and eagerness to secure a foothold.

Employers also are greatly influenced by the myths about older workers that many people still accept as fact.

The widely-held assumption that as workers age their productivity declines, for instance, is simply not true on a general basis, As a matter of fact, the studies show that among white-collar workers, those 45 or older produce more than their younger counterparts, thanks to their greater knowledge and experience. Among blue-collar workers, there is no substantial difference in output.

Older workers also have lower rather than higher rates of absenteeism than younger workers, fewer on-the-job accidents and at least as great a capacity to learn new skills required by new technology.

Generally, older workers also are more stable and dependable. They show more satisfaction with their jobs and hold them much longer.

Those facts alone should be enough to cause employers to mend their prejudicial ways. But they haven’t been, and aren’t likely to be in the future. The right to protection from age discrimination, the right to protection from ageism sadly will remain what one writer calls a second-class civil right.

Dick Meister, formerly labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century. You can contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.

SCENE: Sirron Norris bears all

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Interview by Caitlin Donohue. From SCENE: The Guardian Guide to Nightlife and Glamour — on stands in the Guardian now!

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“When you walk into a room in San Francisco, half the people in there are going to know who I am — or at least the bear,” says “cartoon literalism” artist (and palindrome) Sirron Norris. Norris may be right about his citywide ubiquity. The friendly blue bears and pink rabbits that frolic through his Technicolor streetscapes are probably brightening up a wall near you, from Balmy Alley to the neighborhood cheesesteak restaurant. But the lightheartedness of Norris’ popular work belies an artist with an intense drive to be commercially viable in the increasingly barebones world of art. Upcoming projects include Bob’s Burgers, an animated series on Fox, and a studio at 1406 Valencia where he’ll hawk his own work and teach cartooning classes — even a proposed reality show. Ever opinionated, Norris pulls no punches when it comes to taggers, the Mission anti-gentrification movement, and the value of commercialism.

SFBG How did you get started in the SF art scene?
SIRRON NORRIS I fell into fine art. I’d never planned on it at all. I was making video games at a software development company in San Rafael and painting on the side out of frustration. I was doing these canvases on my own and [one day] I took them down to Luggage Space, which was the hot gallery at the time. A few months later, I had a show.

SFBG I think, given the aesthetic of your work, a lot of people would be surprised to find out that you don’t come from a graffiti background.
SN I have a huge disdain for graffiti. My murals have been ripped apart by it. I exercise a lot and the main reason I started is honestly because I wanted to stay up super-late at night and run around with a baseball bat and find [taggers]. People don’t understand when they ruin my murals how hurtful that is. You are stealing that artist’s life away from them. And for what — you want people to notice you? I just think that it’s sad and self-indulgent. I’m an artist too, but when [someone tags a wall] it’s gonna be their name, or an elaborate form of their name, or their crew. It’s not like the murals, where we’re trying to tell some rich indigenous history or something about apartheid.

Retail for the people: Black Panther Clothing

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By Caitlin Donohue

It’s possible that on December 3rd, 1969, when he was arrested for alleged death threats against President Richard Nixon, Black Panther Chief of Staff David Hilliard could not have predicted he’d have a lasting fashion legacy. It was near the height of the Panthers’ international freedom fighting activities. The group was involved in providing food, medical care and legal aid to underserved African-American communities- but in a time of serious governmental persecution, Hilliard was arrested on numerous occasions for everything from possession of a weapon in a public place to his participation in the Oakland police shoot out that killed his comrade Bobby Hutton.

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“Hey Panther, where’d ya get that jacket?” A fashion show Friday’s got the answer

They were rebels, social leaders, badasses- and man, could they dress. The “Panther look”- berets, traditional African textiles and sharp leather jackets- were a hipper, sleeker activist chic than the haphazard “hippie” look prevalent at the time. Although they didn’t set out to be style icons, “the greatest threat to the internal security of the United States” (as J. Edgar Hoover memorably dubbed them) definitely made their mark on the fashion scene.

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SF fashion designer Andrea Lamadora with her artistic inspiration, Black Panther David Hilliard

It’s a tricky business, commodifying a social movement, but in preparation for creating a clothing line based on the Panthers’ innate vogue, fashion designer Andrea Lamadora had the unique chance to learn from a key player in the movement- Hilliard himself. Her friendship with the activist gave her “the privilege of seeing the Black Panther Party archives, including never seen by the public images and photos of actual Panther clothing from the ‘60s and ‘70s,” Lamadora says. “I was immediately inspired to lend my creative style to this very important historical, political and cultural organization.” After the jump, what she came up with.

Street Threads: Jill and Ra

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Jill and Ra, Castro Station

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Tell us about your look: “We both like a lotta layers.”