SF Symphony

This Week’s Picks: Sept. 24 – 30, 2014

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WEDNESDAY 24

 

Jean-Pierre Gorin

The title of the Pacific Film Archive’s terrific Jean-Luc Godard retrospective is “Expect Everything From Cinema,” but in the aftermath of May 1968, Godard’s radical deconstructions of film form suggested a less sanguine outlook. His comrade in the collectivist Dziga Vertov Group, Jean-Pierre Gorin, visits the PFA tonight to lecture on this frequently underestimated period. Always a lively presence, Gorin will stick around for another night to introduce a screening of Ici et ailleurs (1976), an hourlong reckoning of 1970 footage shot in Palestinian refugee camps, charged by subsequent events (specifically the 1972 Munich Olympics). “The film’s complex, layered text and imagery, its anguish and skepticism all confute its agit-prop approach,” writes James Quandt, “and the result is as touching and beautiful as it is incensing.” (Max Goldberg)

Gorin speaks Wed/24 and Thu/25 at 7pm; each event $9.50

Pacific Film Archive Theater

2575 Bancroft, Berk.

(510) 642-1412

www.bampfa.berkeley.edu

 

 

 

50th Big Book Sale

Claiming to be the “biggest book sale west of the Mississippi,” the 50th annual Big Book Sale at Fort Mason is a collector’s dream, with over 500,000 books, DVDs, CDs, vinyl, tapes — you name it — all to be scavenged for under $3. (At a super big sale on Sunday, prices plummet to $1.) If that isn’t exciting enough, Friends of the SF Public Library have hidden prizes amongst the towering stacks of words, so follow the clues and you could win tickets to the SF Symphony, DeYoung, the Roxie, and more! All proceeds benefit the SF Public Library’s education programs. (Haley Brucato)

Through Sun/28, 10am-6pm; free

Fort Mason Center

2 Marina, SF

(415) 441-3400

www.friendssfpl.org

 

THURSDAY 25

 

 

Slaughterhouse-Five

Become “unstuck in time” with Billy Pilgrim as he recounts his life, spent largely as an American prisoner of war and witness to the firebombing of Dresden, in this satirized theatrical adaptation of Kurt Vonnegut’s anti-war 1969 classic, Slaughterhouse-Five. Produced by Custom Made Theatre Co. — known for its socially conscious and intimate productions — this is sure to be an emotionally-moving and humorous 100-minute performance (without intermission), mirroring Vonnegut’s own nonlinear narrative style. (Haley Brucato)

Through Sat/27 at 8pm; also Sun/28 at 7pm, $35-$40

Gough Street Playhouse

1620 Gough, SF

(501) 207-5774

www.custommade.org

 

 

 

 

Oakland Underground Film Festival

The Oakland Underground Film Festival is back for its sixth year, and the programming is, as the East Bay kids say, hella great. Opening night films are Aussie writer-director Hugh Sullivan’s sci-fi rom-com The Infinite Man (a hit at South by Southwest and Fantasia), and Brazil-set martial arts saga Falcon Rising — featuring the high-flying Michael Jai White, star of 2009 OAKUFF hit Black Dynamite. There’s also ¿Qué Caramba Es La Vida?, a doc about female Mariachi musicians; a late-night screening of 1988 cult classic Heathers (how very!); multiple shorts programs (including “Sick and Twisted Horror Shorts”); Nick Cave docudrama 20,000 Days on Earth, and more. (Cheryl Eddy)

Through Sun/28, $10

Grand Lake Theatre

3200 Grand, Oakl

 

Humanist Hall

390 27th St, Oakl

www.oakuff.org

 

 

FRIDAY 26

 

decker.

San Franciscans may think they have the market cornered on psychedelia, but things sound a little different in the desert — dusty, moody, lonely, and super atmospheric. All of these are apt words for decker., a Sedona-based “desert folk” act led by singer-songwriter Brandon Decker that won hearts with its soulful live act at SXSW, among other stages. This show, which serves as a record release party for the band’s fifth album, Patsy, will actually be a double-helping of soul: Oakland favorites Whiskerman, with Graham Patzner’s whiskey-coated vocals at the helm, will help open the evening. (Emma Silvers)

With Whiskerman and Brother Graham

9pm, $12

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com


SATURDAY 27

 

5th Annual SuperHero Street Fair

Villain or hero? You decide. For the fifth year, thousands of event-goers will be disguised in their favorite capes, masks, and tights, donning a sword or perhaps a whip, to fulfill their ultimate superhero fantasies. Thanks to the co-creators of How Weird Street Fair, Sea of Dreams NYE, and Decompression Street Fair, this heroic outdoor fetish-fest will bump the costume-ridden streets with seven electronic music stages, light installations, comic exhibits, climbing walls, cartoon art, and a Jack Kirby museum. But the founders challenge each to first ponder one thing: “What creativity and superpowers do you bring to the everyday world?” (Haley Brucato)

1pm-11pm; $15

Waterfront Boardwalk Oasis

1700 Indiana, SF

www.superherosf.com

 

 

 

Yatra: Masters of Kathak and Flamenco

In his collaboration with Jason Samuel Smith, Kathak virtuoso Chitresh Das explored common and different qualities in their improvisatory approach to percussive dance-one donned tap shoes, the other ankle bells. So, now Das has taken the idea closer to home. Flamenco, as historians have speculated for a long time, may have had its origins in Northern India—Kathak’s own territory—from where gypsies brought it through the Middle East and North Africa to Spain. In Yatra: Masters of Kathak and Flamenco, Flamenco dancer Antonio Hidalgo Paz and Das bring their own musicians, who hopefully will have a collaborative moment of their own. What do we know for sure that they have in common? Fierce feet, verticality, an almost reverential use of the music, expressive use of arms and hands, and an immaculate sense of timing. (Rita Felciano)

Sept. 27 8pm, Sept. 28, 2pm, $28-$58

Palace of Fine Arts

3301 Lyon St, SF

(415) 333-9000

www.kathak.org

 

 

Iranian Film Festival

Iran’s rich cinematic tradition has perservered despite the country’s political upheaval and unrest — and a new generation of filmmakers continue to emerge and share their stories. The Iranian Film Festival spotlights indie films made by or about Iranians, no matter where they live. Its two-day run packs in 12 programs, most of which include a feature and multiple shorts. True tales include Oliver Stone’s Untold History of the United States, about the CIA’s role in the 1953 coup in Iran; and Abbas Kiarostami: A Report, a doc about the pioneering filmmaker. There are also several empowering films about women, including Sepideh — Reaching for the Stars, about an Iranian woman who dreams of a near-impossible career as an astronaut, and Iranian Ninja, about, yes, Iran’s first female ninja. (Eddy)

Through Sun/27, $11-12 (passes, $60-120)

San Francisco Art Institute

800 Chestnut, SF

www.iranianfilmfestival.org

 

 

SUNDAY 28


Hushfest

How do you get away with throwing a bonkers dance party on public Ocean Beach in broad daylight? Pipe the music directly into the crowd’s headphones, that’s how. The Silent Frisco crew has found the ultimate underground vibe, above ground. Here’s how it works – gather at the party spot (imbibe your libations beforehand, please, no drugs or alcohol on the beach), pay $20 for special wireless headphones, and dance in the sand with a huge gaggle of other wildly, silently gesticulating aficianados. DJs at this annual event around include genius duo Psychmagik, who rejigger deepest funk-rock memories of the 1970s, Rob Garza of Thievery Corporation, and Fort Knox Five. Yes, you can still yell “woo!” (Marke B.)

11am, $20

Ocean Beach, SF

www.silentfrisco.com


MONDAY 29


John Darnielle

Mountain Goats devotees know him as the prolific pen and idiosyncratic voice behind the band’s complex story-songs — some 14 studio albums of ’em, over the course of 18 years. But with Darnielle’s richly imagined and darkly memorable debut novel, Wolf in White Van, the lyricist proves his writing chops go well beyond the CD insert, weaving a mysterious tale through the eyes of a narrator we won’t soon forget: All readers know at the novel’s outset is that our loner protagonist runs a complex, interactive adventure game from his house, and that he was seriously disfigured at some point in his youth. In the process of uncovering his full story, we find ourselves sympathizing with people we might never expect. At the only Bay Area stop of his book tour, Darnielle will read from the novel and discuss it with author Robin Sloan. (Silvers)

7pm, free

Green Apple Books on the Park

1231 9th Ave, SF

www.greenapplebooks.com



TUESDAY 30


Royal Blood

Up-and-coming UK duo Royal Blood may have formed just last year, but the band is already making quite a name for itself on the basis of awesomely blues-fueled, snarling garage rock, which is showcased on the new, self-titled album that came out last month on Warner Bros. Records. That release debuted at No. 1 on the British charts, and the band is up for a prestigious Mercury Prize. Tonight is your chance to catch the explosive band in an intimate setting — the newly remodeled Masonic — before the pair likely moves on to much bigger venues. Royal Blood opens for The Pixies. (Sean McCourt)

7:30pm, $50-$75

The Masonic

1111 California, SF

www.sfmasonic.com

 

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Rep Clock : Sept. 24 – 30, 2014

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Schedules are for Wed/24-Tue/30 except where noted. Director and year are given when available. Double features marked with a •. All times pm unless otherwise specified.

ANSWER COALITION 2969 Mission, SF; www.answersf.org. $5-10 donation. Revolutionary Medicine: A Story of the First Garifuna Hospital (Freeston and Geglia, 2013), Wed, 7.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-10. “ATA Lives!”: “Gaze: 30,” short films and video by women, Wed, 8; “An Evening with George and Mike Kuchar, Part One: Mike Kuchar, New and Recent Works,” Thu, 8; “Part Two: George Kuchar, Storm Squatter,” Fri, 8. “Other Cinema:” •Autumn Sun: A Story About Occupy Oakland (Martinez, 2013) and The Uprising (Snowdon, 2013), Sat, 8:30.

BALBOA 3630 Balboa, SF; cinemasf.com/balboa. $7.50-10. “Thursday Night Rock Docs:” Super Duper Alice Cooper (Dunn, Harkema, and McFadyen, 2014), Thu, 7:30. My Little Pony: Equestria Girls — Rainbow Rocks (Thiessen and Rudell, 2014), Sat, 10:30am and 10pm; Sun, 10am and 11am; Mon, 7:30pm; Oct 1, 7:30pm.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •Red Desert (Antonioni, 1964), Wed, 7, and Mickey One (Penn, 1965), Wed, 9:10. •Mood Indigo (Gondry, 2013), Thu, 7, and Eternal Sunshine of the Spotless Mind (Gondry, 2004), Thu, 8:50. •Bubba Ho-Tep (Coscarelli, 2002), Fri, 7:30, and Evil Dead 2: Dead By Dawn (Raimi, 1987), Fri, 9:15. “Peaches Christ Productions presents:” Hocus Pocus (Ortega, 1993), with pre-show spooktacular, “Coven: Return of the Manderson Sisters,” Sat, 3, 8. Advance tickets ($30-100) at www.peacheschrist.com. •Pickup on South Street (Fuller, 1953), Sun, 2:30, 7:15, and Park Row (Fuller, 1952), Sun, 4:05, 8:50. A Fuller Life (Fuller, 2013), Sun, 5:40. •What Dreams May Come (Ward, 1998), Tue, 7, and The Survivors (Ritchie, 1983), Tue, 9:10.

“CINE+MAS PRESENTS: SAN FRANCISCO LATINO FILM FESTIVAL” Various venues including Opera Plaza Cinema, 601 Van Ness, SF; www.sflatinofilmfestival.org. Sixth annual festival celebrating work from Argentina, Brazil, Colombia, Mexico, and other Latin American countries, plus the US, including documentaries, narratives, and short films. Wed-Sat.

COURTHOUSE SQUARE 2200 Broadway, Redwood City; www.redwoodcity.org. Free. Muppets Most Wanted (Bobin, 2014), Thu, 8:45.

DAVID BROWER CENTER Goldman Theater, 2150 Allston, Berk; www.browercenter.org. $5-12. “Reel to Real:” Watermark (Baichwal and Burtynsky, 2013), Thu, 7.

DAVIES SYMPHONY HALL 201 Van Ness, SF; www.sfsymphony.org. $43-158. The Wizard of Oz (Fleming, 1939), with Constantine Kitsopoulos conducting the SF Symphony, Sat. 8.

EXPLORATORIUM Pier 15, SF; www.exploratorium.edu. Free with museum admission ($19-25). “Off the Screen:” Impossible Light (Ambers, 2014), Thu, 7:30. Outdoor screening. “Saturday Cinema: Bodies,” short films, Sat, 1, 2, 3.

GOETHE-INSTITUT SF 530 Bush, SF; www.goethe.de/ins/us/saf/enindex.htm. $5 suggested donation. “100 Years After WWI:” Diaries of the Great War — Part 1 and 2 (Peter, 2014), Wed, 6:30.

“OAKLAND UNDERGROUND FILM FESTIVAL” Grand Lake Theatre, 3200 Grand, Oakl; Humanist Hall, 390 27th St, Oakl; www.oakuff.org. $10. Narrative films, docs, and shorts, Thu-Sun.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Jean-Luc Godard: Expect Everything from Cinema:” “The Dziga Vertov Group: Lecture with Clips by Jean-Pierre Gorin,” Wed, 7; Ici et ailleurs (Godard, Miéville, and Gorin, 1976), Thu, 7. With Jean-Pierre Gorin in person. “Discovering Georgian Cinema:” Blue Mountains (Shengelaia, 1984), Fri, 7:30; Twenty-Six Commissars (Shengelaia, 1932), Sat, 6:30; The White Caravan (Shengelaia and Meliava, 1963), Sat, 8:30; Repentance (Abuladze, 1984/1987), Sun, 4; An Unusual Exhibition (Shengelaia, 1968), Mon, 7; Will There Be a Theater Up There?! (Janelidze, 2011), Tue, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. “Docunight #8:” Be Like Others (Eshaghian, 2008), Wed, 7. Memphis (Sutton, 2013), Wed-Thu, 9. This Ain’t No Mouse Music (Simon and Gosling, 2013), Wed-Thu, 7 (also Wed, 9:30; Thu, 9). Tamala 2010: A Punk Cat in Space (t.o.L., 2002), with “Wake Up!! Tamala,” Thu, 7. Starred Up (Mackenzie, 2013), Sept 26-Oct 3, call for times. 20,000 Days on Earth (Forsyth and Pollard, 2014), Sept 26-Oct 2, 7:15, 9:30. “Girl Talk: Teen Monologue Series #2,” Sun, 2. •Dr. Strangelove (Kubrick, 1964), and The Shining (Kubrick, 1980), Sun, 7.

SAN FRANCISCO ART INSTITUTE 800 Chestnut, SF; www.iranianfilmfestival.org. $11-12 (passes, $60-120). Iranian Film Festival, “discovering the next generation of Iranian filmmakers,” Sat-Sun.

SAN FRANCISCO CONSERVATORY OF MUSIC 50 Oak, SF; www.leftcoastensemble.org. $15-30. “Films and Interludes,” silent films accompanied by live scores with the Left Coast Chamber Ensemble, Mon, 8. Program repeats Oct 2, 8pm, 142 Throckmorton Theatre, 142 Throckmorton, Mill Valley.

SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. This Ain’t No Mouse Music (Simon and Gosling, 2013), Wed-Thu, call for times. “Alec Guinness at 100:” The Ladykillers (Mackendrick, 1955), Sun, 5, 7. Last Days in Vietnam (Kennedy, 2014), Sept 26-Oct 2, call for times. In the Cobbler’s Shoes (Marks, 2013), Sat, Mon-Tue, 7.

UNITARIAN UNIVERSALISTS OF SAN MATEO 300 E. Santa Inez, San Mateo; www.sanmateopeaceaction.org. Free. The Wisdom to Survive: Climate Change, Capitalism, and Community (Macksoud and Ankele, 2013), Sat, 7.

VOGUE 3290 Sacramento, SF; www.cinemasf.com/vogue. $8-$10.50. Born to Fly: Elizabeth Streb vs. Gravity (Gund, 2014), Sept 26-Oct 2, check website for times.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “Invasion of the Cinemaniacs:” The Brides of Dracula (Fisher, 1960), Thu, 7:30. Sol LeWitt (Teerink, 2013), Sat, 7:30 and Sun, 2, 4. *

 

Guardian Intelligence: May 21 – 27, 2014

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P>Because nothing screams “invest in healthcare” like an aging Sammy Hagar: The former Van Halen rocker teamed up with Metallica’s James Hetfield, Green Day’s Billie Joe Armstrong, Train’s Pat Monahan, Nancy Wilson of Heart, and other rock ‘n roll veterans for a special one-time acoustic show at The Fillmore May 15, benefiting the Pediatric Cancer program at UCSF Benioff Children’s Hospital — what organizers were calling the first annual “Acoustic-4-A-Cure” show. That’s a lot of oversized egos for one stage, but hey, we can’t knock rockin’ for a good cause.

 

HAIL THE TRAIL

Celebrate the 25th anniversary of the San Francisco Bay Trail — still a work in progress, with 60 percent of the “ring around the Bay” having been completed — Sat/24, at a re-dedication of the Rosie the Riveter World War II National Historic Park visitor center in Richmond. The center houses exhibits dedicated to civilian efforts on the home front during World War II, embodied by the iconic female factory worker. The festive ceremony will be a vintage-themed affair, complete with WWII-era big band jazz, swing dancing, and a costume contest. And in a nod to our current century, the event will also unveil the first Bay Trail smartphone app. Let the summer hiking season begin! www.baytrail.org

 

PROP. 13 PRESSURE

Public policy group Evolve California sent out a survey to California candidates for public office, and discovered that a full 80 percent support reforming Prop. 13. The nearly four-decades-old law bases property taxes on purchase price, not current market value, and is often blamed for lost revenues that could go toward, say, rescuing California’s public education system from the dregs. The vast majority of hopefuls running for federal, state, and local office said they’d support reassessing commercial properties at market value, as long as small businesses, homeowners, and renters remain protected.

 

GUTS OF THE CITY

A daylong conference Sat/31 will expose curious participants to some of the lesser-known aspects of city life: The design and planning of public transit, water systems, wireless networks, and other kinds of urban infrastructure. MacroCity, to be held at the Brava Theater on 24th Street in the Mission, will feature talks on everything from San Francisco’s modern military ruins, to the city’s transportation history, to water systems feeding San Francisco. Visit themacrocity.com for more.

 

BISON: “YAWN”

One Bay to Breakers participant apparently heard the call of the wild, as the poncho-clad man was caught on video jumping into the Golden Gate Park bison paddock. Two officers arrested him in short order, and the SFPD Richmond station tweeted afterwards, “The bison seemed unimpressed.”

 

PORN DISCRIMINATION

San Francisco based porn star Eden Alexander was rushed to an emergency room after a near-fatal reaction to a common prescription drug. But when she tried using crowd-funding site Giveforward to cover the cost of her treatment, she was told by its payment operators, WePay, that her fundraiser would be cancelled because its terms state “you will not accept payments … in connection with pornographic items.” Alexander only sought funding for her medical costs.

 

MISSION: RUMBA

Dust off your feather headdress — it’s time yet again for Carnaval (Fri/23-Sun/25) when Harrison between 16th and 24th streets becomes one giant celebration of the music, dance, food, and art of Latin America. This year’s theme is “La Rumba de la Copa Mundial,” or a Celebration of the World Cup, which starts June 12 in Brazil. Sure, there’ll be plenty of drunken revelry, but this is also a great showcase of the deep-rooted Latino arts scene that’s holding on here, determinedly, even as the Mission changes: Look for the Arte Expo, featuring works from the Mexican Museum, Mission Cultural Center, Galleria de la Raza, Accion Latina, BRAVA, and Precita Eyes. The parade’s on Sun/25; see www.carnavalsanfrancisco.org to plan your route.

 

WANGIN’ IT

Insanely talented Chinese pianist Yuja Wang drops in on our SF Symphony once a year to tickle the ivories and steal a few hearts. Seriously: Her annual appearance here has become an event as eagerly anticipated as the return of the swallows to Capistrano or a sweet, light beating at the Folsom Street Fair. This time around (Thu/22-Sun/25, www.sfsymphony.org) she’ll be taking on Prokofiev’s magical, romping Piano Concerto No. 1 and Litolff’s whirling scherzo from Concerto Symphonique — a double treat for music lovers.

 

MEAT US SOON

We had doubts about 4505 Meats moving into the old Brother-in-Law BBQ #2 space on Divisadero — that hood moved upscale long ago, but a fancy BBQ in that particular space had the potential to be more sacrilegious than celebratory. Well, at least one local outlet is smitten: SFist has been drooling over 4505’s $18 “Big Mac” — “two beef patties lovingly caressing a block of fried macaroni and cheese” — and “famed bacon-studded hot dogs wrapped in macaroni and cheese and then deep fried.” We’ll let you know how all that goes down, once we can afford it!

Happy Hour: The week in music

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— The 2014 Music Video Race, the competition that pairs local bands with filmmakers for the 48-hour speed-creation of music video magic, is now accepting applications from musicians and filmmakers. The filmmaking weekend is July 11-13, and the screening/party, due to popular demand, has been upgraded to The Independent on July 20. Yours truly will be one of the judges, so, er, make this tough for me.

— The Stern Grove Festival, AKA one of the few summer festivals that delivers killer live performances without killing your hopes of ever sending your unborn kids to college, announced this year’s lineup of Sunday afternoon shows. For the low price of zero dollars, you’ll get such heavy hitters as Smokey Robinson, Rufus Wainwright, Andrew Bird, Darlene Love, Allen Stone, and plenty of other local stars, like LoCura, Vetiver, and, of course, the SF Symphony. Pack a picnic, bring a jacket (this is summer in San Francisco, after all) and get there early if you actually want to see the stage.

— Here is an insane new video from A Million Billion Dying Suns:

— The women of Warpaint stuck their feet in their pretty mouths, calling out Beyoncé and Rihanna for dressing like “sluts,” then they apologized. Some people had some smart things to say about it.

— Best rap feud ever.

Rep Clock: February 12 – 18, 2014

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Schedules are for Wed/12-Tue/18 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $7-12. “Sistah Sinema: A Queer Women of Color Valentine,” short films, Fri, 8. “Small Press Traffic: Douglas Kearney, Claudia Rankine, Normal Cole,” reading, Sun, 5.

BALBOA THEATRE 3630 Balboa, SF; cinemasf.com/balboa. $7.50-10. “Popcorn Palace:” The Muppet Movie (Frawley, 1979), Sat, 10am. Matinee for kids.

BERKELEY FELLOWSHIP OF UNITARIAN UNIVERSALISTS 1924 Cedar, Berk; www.bfuu.org. $5-10. Rosa Luxemburg (von Trotta, 1986), Thu, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •Fargo (Coen and Coen, 1996), Wed, 7, and The Man Who Wasn’t There (Coen and Coen, 2001), Wed, 8:55. •Age of Consent (Powell, 1969), Thu, 6:30, and Lolita (Kubrick, 1962), Thu, 8:30. “Marc Huestis presents:” The Color Purple (Spielberg, 1985), Valentine’s Day Celebration with Oscar nominee Margaret Avery (“Shug”) in person, Fri, 7:30 (gala), 8:45 (film only). This event, $11-35; advance tickets at www.ticketfly.com. Annie (Huston, 1982), presented sing-along style, Sat-Sun, 1. This event, $10-16; advance tickets at www.ticketweb.com. •Miami Blues (Armitage, 1989), Sat, 6, and Scarface (De Palma, 1983), Sat, 8. •Baraka (Fricke, 1992), Sun, 5:05, 9, and Samsara (Fricke and Magidson, 2011), Sun, 7. •The Hunger Games: Catching Fire (Lawrence, 2013), Mon, 2:30, 8, and The Hunger Games (Ross, 2012), Mon, 5:20.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. times. “Oscar Nominated Short Films 2014,” call for dates and times. Gloria (Lelio, 2013), call for dates and times. The Past (Farhadi, 2013), call for dates and times. The New Public (Gunther, 2013), Wed, 7. Merrily We Roll Along, recorded live at West End London’s Harold Pinter Theatre, Sun, 7; Feb 23, 1; Feb 28, 7. “Mostly British Film Festival,” Feb 18-20. Visit www.mostlybritish.org for schedule.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Harold and Maude (Ashby, 1971), Fri-Sun, midnight.

DAVIES SYMPHONY HALL 201 Van Ness, SF; www.sfsymphony.org. $25-80. “A Symphonic Night at the Movies:” “A Night at the Oscars,” famous clips and movie music with the SF Symphony, Sat. 8.

EXPLORATORIUM Pier 15, SF; www.exploratorium.edu. Free with museum admission ($19-25). “Resonance: The Freddy McGuire Show,” with video artist Anne McGuire and collagist Wobbly, Thu, 7. “Saturday Cinema:” “Lovesick Cinema,” short films, Sat, 1, 2, 3.

MECHANICS’ INSTITUTE 57 Post, SF; milibrary.org/events. $10. “CinemaLit Film Series: Villains We Love:” No Way to Treat a Lady (Smight, 1968), Fri, 6.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. $10. The Motherhood Archives (Lusztig, 2013), Tue, 7. With filmmaker Irene Lusztig in person.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Film 50: History of Cinema:” Singin’ in the Rain (Donen and Kelly, 1952), with lecture by Emily Carpenter, Wed, 3:10. “African Film Festival 2014:” “Between Cultures: Recent African Shorts,” Wed, 7. “Against the Law: The Crime Films of Anthony Mann:” T-Men (1948), Thu, 7; Raw Deal (1948), Fri, 8:50. “Funny Ha-Ha: The Genius of American Comedy, 1930-1959:” Gentlemen Prefer Blondes (Hawks, 1953), Fri, 7. “The Brilliance of Satyajit Ray:” The Big City (1963), Sat, 5:45. “Jean-Luc Godard: Expect Everything from Cinema:” Contempt (1963), Sat, 8:20. “Committed Cinema: Tony Buba:” “The Braddock Chronicles” (1972-85), Tue, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. SF IndieFest, through Feb 20. For program info, visit www.sfindie.com.

TANNERY 708 Gilman, Berk; berkeleyundergroundfilms.blogspot.com. Donations accepted. “Berkeley Underground Film Society:” “LOOP Presents:” “Soundies!”, cinematic jukebox of rare musical films, Sat, 7:30; Take the Money and Run (Allen, 1969), Sun, 7:30.

VOGUE 3290 Sacramento, SF; www.mostlybritish.org. $12.50. “Mostly British Film Festival,” 25 classic and new films from the UK, Ireland, Australia, and India, Feb 13-20.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “2013 British Arrow Awards,” award-winning commercials, Thu-Sat, 4, 6, 8; Sun, 2, 4, 6. *

 

Beathoven

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marke@sfbg.com

SUPER EGO A couple of years ago, Muni put out a public safety campaign that showed this gorgeous woman in giant silver headphones texting ferociously right before she stepped into the path of an oncoming train. Tagline: “Do you want Beethoven to be the last thing you hear?

Which was a bit unintentionally hilarious because, yes, I do want Beethoven to be the last thing I hear, specifically the insanely great, otherworldly “late string quartets,” which would be a fine soundtrack with which to finally divest myself from this gorgeous, all-natural, all-me, not-silicone-at-all, nope-definitely-not, personal body.

But I’ll take any Beethoven at all, really — and local contemporary “laptop classical” composer Mason Bates is teaming up with the SF Symphony for a special treat: two nights of great Beethoven works paired with Bates’ electronica-obsessed orchestral pieces (Symphony No. 7 and The B-Sides Jan. 8-11, and Mass in C Major and Liquid Interface Jan. 15-18, www.sfsymphony.org).

If you’re unfamiliar with Bates, he uses digital and electronic instruments to bring lush, eerie dancefloor atmospherics and a leftfield backbeat to a full symphony and chorus setting. Adding Beethoven’s existential and ecstatic works to the mix might start some kind of weird fire.

 

AMBIVALENT

The Berlin-via-NYC favorite, a.k.a. Kevin McHugh, takes a heady, design-oriented approach to techno, reaching back into minimal to tease skeins of pulsing sonic ideas into a more visceral present. And you can dance to it. With Mossmoss, Brian Knarfield, Bob Five, and more.

Fri/10, 9pm-4am, $15. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

HOT SINCE ’82

And he is hot! Out of the current crop of tech house pretty boys, Daley Padley of Leeds is also one of the sharpest, with a thoughtful sound that isn’t afraid to recall your champagne hangovers and long-lost puppy love dreams.

Fri/10, 9:30pm, $15-20. Audio Discotech, 316 11th St., SF. www.audiosf.com

 

MR. TIES

Have you heard this Berlin bearded queer techno wonder’s killer, slow-burn three-hour Boiler Room DJ set? Kind of all you need to hear. He’s coming in from his beloved Homopatik club to play Honey Soundsystem’s “Midi Slave” party, and it will get steamy.

Fri/10, 9pm-4am, $10–$15. F8, 1192 Folsom, SF. mrtieshoneysoundsystem.eventbrite.com

 

CIRCUIT SLAVE

Experimental psychedelic electronic music brings all the kids to the yard for a mini-festival of sorts. Headliners Circuit Slave slice punk angst through the wiring; duo Cry gets emotive with some 4AD-influenced eeriness, Bezier’s loops and arpeggios drive us back to analog days. With Redredred, PSSNGRS, and PowWow.

Sat/11, 9pm, $5, The Holdout, 2313 San Pablo Ave., Oakl. www.tinyurl.com/circuitslaveOAK

 

DJ DEEON

“Let me bang!” The legend of booty bass comes to the jackin’ Two Men Will Move You party for a night of low-low-low.

https://www.youtube.com/watch?v=hMtBpGqA1mU

Sat/11, 9pm, $8. Amnesia, 853 Valencia, SF.

 

KIM ANN FOXMAN

The NYC superfox of house grooves somes to the monthly Isis party, bringing with her a dose of classics with a devilishly danceable helping of transcendent 1980s and early ’90s sound-a-likes. Nice and funky, with a slow-motion vogue-ready twist. With Avalon Emerson, Hi Today, and Brittany B.

Sat/11, 9:30pm-3:30am, $10 advance. Public Works, 161 Erie, SF. www.publicsf.com

 

LESLIE AND THE LYS

Rickshaw Stop celebrates 10 years of rolling us out — wow, remember the insanely fun hipster-glitzy hardcore electro scene there? — with this appearance by the Iowan queen of hyper-ironic dance rap (she made it into art). Grab your gem sweater and let’s reach for the gold!

Sun/12, 8pm, $16, all ages. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

 

2014 dreams

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marke@sfbg.com

SUPER EGO Hey, hey, hey — it’s that time again — New Year’s Eve comes hard upon us. Avoid the amateur hour on the streets and duck (sauce) into these warm ragers. All parties below take place Tue/31. Find more rockin’ NYE shindigs here and general fun events here. Clink!

 

ARAABMUZIK

 

Damn, I love this performer, who makes live hip-hop and ’90s big-room beats at lightning speed — and knows how to get a crowd up. He’s with DJ Apollo and St. John at Temple’s grand three-room NYE.

9pm-4am, $50–$60. Temple, 540 Howard, SF. www.templesf.com

 

BEARRACUDA NYE

 

Hundreds of hot fat, furry, friendly gay guys dancing 2013 right out the door — how ’bout it? With DJs Paul Goodyear and Matt Stands.

9pm-late, $20 advance. Beatbox, 314 11th St, SF. www.bearracuda.com

 

BEATPIG NYE

 

“Pop the Pork” with drag goddess Juanita More and Sidekick on the decks, plus hostess with the mostest chicharrones Walter, at fashionable gay sex dungeon the Powerhouse. Lots of flesh and pretty mess.

9pm-2am, $5–$10. Powerhouse, 1347 Folsom, SF. www.powerhouse-sf.com

 

BIG QUEER NYE

 

The gorgeous House of Babes presents this pink hip-hop blowout, hosted by Kelly Lovemonster and Krylon Superstar, with tunes by DJs Pink Lightning, Rapidfire, Boyfriend, Jenna Riot, davO, and more. Get on it!

9pm-late, $10 advance. f8, 1192 Folsom, SF. bigqueernye.eventbrite.com

 

BOOTIE NYE

 

Let’s mash all that 2013 ish up and fire only positive vibes — and kooky costumes! — into next year. DJ Adrian and Mysterious D’s inimitable mashup party pulls out all the stops. The theme of this four-room banger? Sh!t show, of course.

9pm-late, $30–$40. DNA Lounge, 375 11th St, SF. www.dnalounge.com

 

CHAMPAGNE SHOWERS

 

Lezzies! Queers! Friends! Lend me your New Years: This party at too-cute dyke bar the Lexington will cause you enough fun trouble for the rest of 2014. With DJs Footy and Janine Da Feen.

9pm-2am, free. Lexington Club, 3464 19th St, SF. www.lexingtonclub.com

 

DANNY BROWN

 

My favorite rapper of the moment brings his goofball cheer and anarchic antics to Mezzanine — who knows what’s gonna happen? With Traxamillion and Flatbush Zombies.

9pm-late, $45–$85. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

’80S NYE

 

The name of this party is far less creative than the wonderful music that will be playing — and that everyone will sing along to. Special guest: Kurt Harland from Information Society! Any guesses as to what they’ll play at midnight? (My money’s on the Human League’s “Fascination” — but you know Kurt will probably have to play “Pure Energy.”)

9pm-4am, $20. Cat Club, 1190 Folsom, SF. www.sfcatclub.com

 

HOLY GHOST!

 

Aw, who can resist the sweet, disco-haunted catchiness of this live NYC duo, who met cute in seventh grade. Fun, dancey times.

9pm, $30. Independent, 628 Divisadero, SF. www.theindependentsf.com

 

MAMMOTH MASQUERADE NYE

 

Burner royalty the Pink Mammoth crew takes over Mighty, with energetic UK duo Blond:ish headlining a “night of sexiness” (LOL why is it never a “night of sexiness” when there’s a good-looking male headliner?). It’ll be a rampager.

9pm-late, $40. Mighty, 119 Utah, SF. www.mighty119.com

 

MANGO NYE

 

The classic soulful ladies’ party is back, as El Rio celebrates a queer New Year. “Hot hip-hop and spicy Latin beats” from Olga T, Marcella, and more (plus yummy gumbo and burgers!) and an even hotter and spicier crowd.

8pm-2am, $15. El Rio, 3158 Mission, SF. www.tinyurl.com/mangonye2014

 

MATTHEW DEAR

 

The leather-jacketed, pompadoured pretty boy’s own music has an exquisite dark techno sound descended from Depeche Mode — when he DJs, as he will here, he expands that with an incredibly deep knowledge of house and techno (he’s from Detroit, duh). This Honey Soundsystem + Sunset + Public Works collaboration will bring out an amazing crowd of party freaks.

9pm-4am, $20–$40. Public Works, 131 Erie, SF. www.publicsf.com

 

MOBY

 

The annual Streets of SF party is visually stunning and draws great headliners (although the crowd is a little broad). This year, everyone’s favorite vegan techno-punk Moby graces us with his exacting presence on the turntables.

9pm-2am, $160. Fort Mason, 2 Marina Blvd, SF. streetsofsfnye-fb.eventbrite.com

 

MOM + WILL MAGID NYE

 

Motown on Mondays, one of SF’s best things, is teaming up with supercute global-funk trumpeter Will Magid and his crew (including vocalist Aima the Dreamer) for a very night of worldly sounds and classy cheer.

8pm-2am, $40. Local Edition, 691 Market, SF. www.momfam.com

 

NEW BOHEMIA

 

If you add classic ’90s electronic act Crystal Method to the Kink Armory (transformed from giant porn studio into a “kaleidoscopic wonderland” for the occasion), and pour on the high-flyin’ Vau de Vire Society troupe and Opel rave crew — you will definitely get a party, a new Bohemia, even.

9pm-4am, $50 and up. Kink Armory, 1800 Mission, SF. www.newbohemianye.com

 

NEW GEAR MASQUERADE BALL

 

Don your gay fetish apparel — oh wait, that was the last holiday. OK, hit the reset and don your gay fetish apparel again, as Casey Spooner and Ministat host (and DJ DAMnation DJs) this kinky-boots ring-in, the Eagle’s first.

9pm-2am, $15 in gear, $20 without. SF Eagle, 398 12th St, SF. www.sf-eagle.com

POP NYE

“Let love bloom” is the theme of this massive EDM-fest at Oracle Arena. Headiners include Nero, New World Punx, and Bingo Players.

6pm-2am, $100–$140, 18+. Oracle Arena, 7000 Coliseum Way, Oakl. www.popnye.com

 

PSYCHEMAGIK

 

Yes! One of my favorite ever DJ duos — their specialty is rare disco and funk edits mixed with sunny, psychedelic house vibes — comes to Monarch for what it’s calling the Extravaganza Ball (no vogueing, confusingly, but OK). Sleight of Hand, Greer, Shiny Objects, and more round off this deliciously breezy outtake on the past year.

9pm-late, $40–$100. Monarch, 101 Sixth St, SF. www.monarchsf.com

 

RISE & HARMONIZE

 

Start off the new year on a good foot, as the People crew spreads war soulful house vibes and celebrates the life of Nelson Mandela with a fabulously colorful crowd — a rainbow nation, indeed. With Jayvi Velasco, Patrick Wilson, Cecil, and many more.

9pm-3am, $10–$20. New Parish, 579 18th St, SF. www.thenewparish.com

 

SEA OF DREAMS

 

The annual sight-and-sound explosion moves to the cavernous Bill Graham Civic Auditorium, with a huge lineup to match: Thievery Corporation, Little Dragon, A-Trak, Dillon Francis, Emancipator, LowRIDERz, Minnesota, the dirtybird crew, and many, many more.

8pm-3am, $90 and up, 18+. Bill Graham Civic Auditorium, 99 Grove, SF. www.seaofdreamsnye.com

 

SOUL PARTY!

 

The Elbo Room brings its tremendously successful soul Saturdays to NYE. Do the mashed potato with Phengren Oswald, Paul Paul, and more.

9pm-2am, $20–$25. Elbo Room, 647 Valencia, SF. www.elbo.com

 

SF SYMPHONY MASQUERADE BALL

 

Style, people, style! This Symphony tradition may be one you need to save up for, but it’s dapper, dazzling, and just plain dandy. Everything from classic Viennese songbook tunes (with mezzo-soprano Sasha Cooke) to swing jams with the Peter Mintun Orchestra will be on offer (plus lots of free bubbly, duh.)

8pm-2am, $85-$195. Davies Symphony Hall, 201 Van Ness, SF. www.sfsymphony.org

 

WILDFIRE

 

Next year will be pure fiyah if these dub and bass masters from favorite crews like Surya Dub, Dutty Artz, Que Bajo, and Tormenta Tropical have any say in the matter (they do). Cumbia, dancehall, tropical, and afro sounds — plus techno in the yard! — with Chief Boima, Kush Arora, Geko Jones, Mano, Uproot Andy, Ushka, Oro11, and many more. Hotness.

9pm-2am, $10-$20. Riddim, 581 Fifth St, Oakl. www.riddimdancehall.com *

Stage listings

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Opens Fri/13, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm. Through Oct 13. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

“Bay One Acts Festival” Tides Theatre, 533 Sutter, SF; www.bayoneacts.org. $20-40. Opens Sat/14, 8pm. Programs One and Two run in repertory Wed-Sun, 8pm. Through Oct 5. The 2013 BOA fest presents the world premieres of 13 short plays in partnership with 13 Bay Area theater companies.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Previews Wed/11-Sat/14, 8pm; Sun/15, 2:30pm; Mon/16, 7pm. Opens Tue/17, 8pm. Runs Tue, 7pm; Wed-Sat, 8pm; Sun, 2:30. Through Oct 6. Magic Theatre performs a revival of Sam Shepard’s Pulitzer-winning classic.

The Golden Dragon ACT’s Costume Shop, 1117 Market, SF; www.doitliveproductions.com. $15. Opens Fri/13, 9:30pm. Runs Thu-Sat, 9:30pm. Through Sept 28. Do It Live! Productions presents Roland Schimmelpfennig’s tragicomic take on globalization, set in and around an Asian restaurant.

1776 ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-160. Previews Wed/11-Sat/14 and Tue/17, 8pm (also Sat/14, 2pm); Sun/15, 7pm. Opens Thu/19, 8pm. Runs Tue-Sat, 8pm (also Wed and Sat, 2pm; Sept 24, show at 7pm); Sun, 2pm. Through Oct 6. American Conservatory Theater performs the West Coast premiere of Frank Galati’s new staging of the patriotic musical.

The Shakespeare Bug Stage Werx Theatre, 446 Valencia, SF; www.killingmylobster.com. $15-30. Previews Thu/12-Fri/13, 8pm. Opens Sat/14, 8pm. Runs Thu-Sun, 8pm. Through Sept 29. Killing My Lobster in association with PlayGround perform Ken Slattery’s world-premiere comedy.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 8:30pm. Through Oct 12. Lynne Kaufman’s acclaimed play returns to the Marsh, with Warren David Keith reprising the titular role.

American Dream New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $35-45. Wed/11-Sat/14, 8pm; Sun/15, 2pm. A recently divorced and recently out architect falls in love with his Spanish teacher — and tries to bring him from Mexico to California — in this world premiere by Brad Erickson at the New Conservatory Theatre Center.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

In Friendship: Stories By Zona Gale Z Below, 470 Florida, SF; www.zspace.org. $20-50. Wed/11-Thu/12, 7pm (also Wed/11, 3pm); Fri/13, 8pm. Word for Word performs Zona Gale’s “comedy of American manners.”

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Thu-Sun, 6pm. Through Oct 6. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

Macbeth Main Post Parade Ground Lawn, Presidio of San Francisco, SF; www.sfshakes.org. Free. Sat/14-Sun/15, 2pm. In its 31st season, Free Shakespeare in the Park also takes on one of the Bard’s major tragedies.

“San Francisco Fringe Festival” Exit Theatreplex, 156 Eddy, SF; www.sffringe.org. $12.99 or less (passes, $45-75). Through Sept 21. The 22nd SF Fringe presents 36 shows that explore the boundaries of theater and performance.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Extended through Oct 6. Aurora Theatre opens its 22nd season with the Bay Area premiere of Amy Herzog’s family drama.

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Opens Sat/14, 8:30pm. Runs Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed, 7:30pm; Thu-Sat, 8pm (also Sept 28 and Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Good People Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $37-58. Wed/11, 7:30pm; Thu/12-Sat/14, 8pm (also Sat/14, 2pm); Sun/15, 2 and 7pm. Marin Theatre Company performs the Bay Area premiere of David Lindsay-Abaire’s Broadway triumph about class and poverty.

Orlando Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. $10-30. Thu/12-Sat/14, 8pm; Sun/15, 5pm. TheatreFIRST performs Sarah Ruhl’s gender-shifting comedy, which takes place over a span of 300 years.

PERFORMANCE/DANCE

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sun/15, Sept 21, Oct 6, 12, 20, 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Dancing Poetry Festival” Florence Gould Theater, California Palace of the Legion of Honor, 100 34th Ave, F; (510) 235-0361. Sat/14, noon-4pm. $6-15. Now in its 20th year, this festival combines poetry and dance, with companies from across Northern California lending their talents.

“Faux Queen Pageant 2013: Sisters Grimm” Slim’s, 333 11th St, SF; www.slimspresents.com. Sat/14, 7pm. $20. “Drag Queens trapped in women’s bodies” compete for supremacy at this contest, a benefit for local charities including Mickaboo Companion Bird Rescue, SaveABunny, and Women Organized To Make Abuse Nonexistent, Inc.

“Here and Then” ODC Studio B, 351 Shotwell, SF; www.humanshakes.com. Sat/14-Sun/15, 8-9:30pm (no admission after 8:45pm). $17-20. Tim Rubel Human Shakes performs a dance installation dedicated to Harvey Milk and other human rights workers.

Kathleen Madigan Yoshi’s San Francisco, 1330 Fillmore, SF; www.yoshis.com. Sat/14, 8 and 10pm. $45. The comedian performs.

“Maestros of the Movies” Davies Symphony Hall, 201 Van Ness, SF; www.sfsymphony.org. Mon/16, 8pm. $15-152. John Williams conducts SF Symphony for this tribute to his iconic film scores. Frequent collaborator Steven Spielberg co-hosts the performance.

“A Match Made in Hell” Bindlestiff Studio, 185 Sixth St, SF; www.matchmadeinhellmusical.com. Fri/13-Sat/14, 8pm. $15-20. Max Weinbach’s original musical follows a couple brought together by the Devil.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Monkey Gone to Heaven” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Fri/13-Sat/14 and Sept 19-21, 8pm; Sun/15 and Sept 22, 7pm. $20. EmSpace Dance performs the world premiere of a dance-theater work inspired by the relationship between primates and prayer.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“Signaling Arcana” Z Space, 450 Florida, SF; www.cimimarie.com. Thu/11-Sat/14, 8pm (also Sat/14, 2pm); Sun/15, 5pm. $25. Cinematic shadow theater with 3D effects and original music from director-inventor Christine Marie and composter Dan Cantrell.

“Swingin’ Back Home” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.ticketweb.com. Wed/11 and Fri/13, 8pm; Sat/14-Sun/15, 7pm. $30-65. Michael Feinstein performs his new tribute to popular songs. *

 

The Selector: August 28-September 3, 2013

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WEDNESDAY 28

The Troublemaker

Hey, daddy-o! While other outdoor movie nights program known crowd pleasers (and hey, nothing wrong with that — who doesn’t love 1980’s Xanadu under the stars?), trust the Pacific Film Archive to dig a little deeper. Directed by Theodore J. Flicker (it was the perfectly-named filmmaker’s first feature; he was also an improv comedy pioneer and directed dozens of 1970s TV episodes) and co-written with Saturday Night Live stalwart Buck Henry, 1964’s The Troublemaker offers a bouncy throwback to the beatnik era. A chicken farmer dreams of opening a coffeehouse in Greenwich Village; the Mob doesn’t agree, but the finger-snapping cool cats have his back. Wear your beret and come early for the pre-film poetry reading. (Cheryl Eddy)

8:30pm, free

BAM/PFA Sculpture Garden

2575 Bancroft, Berk

www.bampfa.berkeley.edu

 

Resident Artist Workshop: Victor Talledos, Joy Prendergast, Rachel Elliot

A couple of years ago, Mexican-born and trained ballet dancer Victor Talledos landed in the Bay Area like a comet — fiery, fierce, and impossible to ignore. Joy Prendergast is part of a hotbed of budding women choreographers nourished by the SF Conservatory of Dance. Rachel Elliot, a recent graduate of the Dominican University/LINES Ballet program, spent her study abroad time traveling and watching dance in China. This trio of artists is the latest crop of choreographers showing work in progress they have developed at the Garage’s all essential RAW (Resident Artist Workshop) studio space — 12 weeks of four to six hours free rehearsal time with two scheduled performances.” Small is beautiful” was a mantra in the 1970s. It’s still valid. A little bit of support, consistently offered, can create wonders. (Rita Felciano)

Through Thu/29. 8pm. $10–$20.

Garage

715 Bryant, SF

www.brownpapertickets.com

 

“Root to Stalk Cooking” with Tara Duggan

Omnivore Books often outdoes itself with inventive workshops and tasty food contests. Still, “Root to Stalk Cooking: The Art of Using the Whole Vegetable” should truly be one for the books. Author Tara Duggan, a James Beard award-winning independent journalist and cookbook author, will talk trash. Well, technically, she’ll talk roots, stalks, tops, ribs, and other pieces of vegetables that tend to get scratched. And she’ll discuss recipes that included those too-often discarded veggie elements. The workshop is not only a unique opportunity to meet an insightful SF native author, but also to learn how to cook delicious meals while still being frugal. Stop wasting and start cooking. (Hillary Smith)

6-7:30 pm, free

Omnivore Books

3885a Cesar Chavez, SF

www.omnivorebooks.com

 

THURSDAY 29

Café Tacvba

There are parts of the world where ska music is still valued. “Las Flores” is a rude boy-baiting uptempo Café Tacvba song that seemed right at home in 1994, when lead singer Albarrán Ortega was sporting his Coolio-styled hair on an early episode of MTV Unplugged. But how does a song like that hold up almost 10 years later at an epicenter of up-and-coming sounds like Coachella? Well, the Coachella crowd’s enthusiasm for the ska tune spoke volumes about truly heartfelt and infectious rhythms shattering the limitations of what is currently considered cool in music. A lot of genres come and go, but groups like Café Tacvba, which has gone without member changes since its inception in 1989, will continue to motivate listeners with just about any style it plays. Expect the unexpected. (Ilan Moskowitz)

8pm, $37.50–$52.50

Warfield

982 Market, SF

(415) 673-4653

www.thewarfieldtheatre.com

 

FIDLAR

LA-based garage-punk band FIDLAR creates a mess of distortion-heavy guitar lines, scratchy vocals, and angry percussion, which makes for a wild show guaranteed to permit letting loose. And there may even be some reckless flailing of the arms, if you’re lucky. The group seems to attract more than the typical garage rock fan who simply loves to go batshit in the pit. Enthusiasts stalk their social media pages, pour over their every Tumblr post, and even tattoo themselves with the group’s name, all proving one thing — FIDLAR has made a serious mark in a brief amount of time. And with this almost cult-like following, the four young musicians are touring through the UK and the States until November, tearing up stages with their rambunctious, exhilarating performances. And the band’s relationship with its fans seems to be symbiotic. I suspect the fans are so die-hard and loyal because that’s exactly what the group puts out there on stage: a straightforward, honest, in-the-moment show. (Smith)

With Meat Market

9pm, $14

Bottom of the Hill

1233 17th St.,SF

(415) 626-4455

www.bottomofthehill.com

 

FRIDAY 30

Macbeth

Witches, betrayals, violence, madness — no wonder Shakespeare’s Macbeth is so popular among both theater troupes and audiences. Case in point: two local companies are mounting adventurously staged versions of “the Scottish play” (does the curse count if your theater is outdoors?), opening on practically the same day, with lengthy runs and non-clashing show times that’ll make it possible for Bard diehards to catch both. Tonight, We Players — who did The Odyssey on Angel Island and Hamlet on Alcatraz — kicks off its production amid historic Fort Point’s foggy, windy, toil-and-trouble-friendly environs; tomorrow, another part of the Presidio, the Main Post Parade Ground Lawn, hosts Free Shakespeare in the Park’s production of the same. No doubt a drama-crazed town like SF has room for both. (Eddy)

We Players’ Macbeth

Through Oct 6

Previews Fri/30-Sun/1, 6pm; opens Sept 5, 6pm; runs Thu-Sun, 6pm, $30–$60

Fort Point, end of Marine Dr, Presidio, SF

www.weplayers.org

Free Shakespeare in the Park’s Macbeth

Through Sept 15

Opens Sat/31, 2pm; runs Sat-Sun and Mon/2, 2pm, free

Main Post Parade Ground Lawn, Presidio, SF

www.sfshakes.org

 

Hitcher

Hitcher, a movement play based off Jim Morrison’s original, unproduced screenplay, The Hitchhiker, is making its debut tonight. Hitcher combines cinema, movement, and new music from San Francisco bluegrass band dinnerwiththekids. In this production, writer and director Alex Peri tells the story of Billy, a hitchhiker accompanied by an imaginary trio of hobos making his way on the road to be reunited with a prostitute he fell in love with in Mexico. The cast features up-and-coming local artisans Derek Caplan, Michelle Hair, Earl Alfred Paus, Malia Rapisarda, and Kelly Sanchez. This should be of interest to people who worship at the altar of the “Lizard King” and those who enjoy theater and rock ‘n’ roll fusion. If you’re not able to attend its debut, there will be showings of Hitcher through Sept. 8. (Erin Dage)

THROUGH SEPT. 8, 

8PM, $15

THICK HOUSE

1695 18TH ST., SF

(415) 401-8081

WWW.THICKHOUSE.ORG

 

Handsome Hawk Valentine’s “The Hop”

You don’t need a DeLorean tricked out with a Flux Capacitor driven by Marty McFly to head back in time to the good ol’ 1950s tonight — just head down to the Mission where Handsome Hawk Valentine presents “The Hop,” a blast from the past party with a special “Ladies’ Night” theme. Featuring bands such as local favorites Thee Merry Widows and the Rumble Strippers, the fête also boasts burlesque performances, DJs, a “beefcake contest” sponsored by Bettie Page Clothing, along with free retro styling by Peter Thomas Hair, free photo sessions, and more. Slick back that pomp or strap on those stilettos and get going! (Sean McCourt)

9pm, $13

Elbo Room

647 Valencia, SF

(415) 552-7788

www.elbo.com

 

SATURDAY 31

Major Powers and the Lo-Fi Symphony

Major Powers and the Lo-Fi Symphony is a raucous, humorous, piano-driven trio that sound like Queen playing symphonic punk rock. Sort of like a light-hearted, more jangly Muse. I cannot recommend its album We Created Monsters enough. It is all free on its website and worth $10 to see live. Freddie Mercury would be proud. Hell, so would Andrew W.K. Not to say that headliner the Greening doesn’t have its own merits — it’ll even give you a free shirt and a bunch of other swag if you buy advanced tickets to this show — but when one of your opening acts sounds like a mix between Madness and Queen and the other is a Latin mod band that sings catchy, upbeat tunes about telenovelas, the star slot in the show is only a scheduling formality. (Moskowitz)

With the Greening, Dot Punto

8:30pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

Duane Peters Gunfight

Legendary pro skateboarder and eternal punk rocker Duane Peters has rightfully earned his nickname “The Master of Disaster” — it was hard won over decades of pushing the limits on wheels and decks (not to mention his own battered and bruised body) and inventing a slew of tricks now considered an essential part of skate culture. He quickly approached playing music with the same anything-goes attitude, and has been slamming stages with several bands (U.S. Bombs and Die Hunns) ever since. He comes to the city tonight with Duane Peters Gunfight. Are you ready to drop into the bowl and the pit? (McCourt)

With White Barons, Rock Bottom, Dime Runner

9pm, $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

SUNDAY 1

Oakland Pride

Yes, yes, “we are family.” But in that case, San Francisco Pride is that loud, messy, half-dressed, downright crazy family — kind of a Kardashians without the Porsches — while younger Oakland Pride hails more from plucky, hardy, loving Little House on the Prairie stock, but with a whole lot more people of color. Not that Oakland Pride’s out in the middle of nowhere, of course, but it’s a much more down-to-earth, self-produced affair that really feels like a family picnic. Everyone’s freaking out that ’90s R&B sensation En Vogue is performing, but don’t miss the big-big Mexican-Chicago sound of Grupo Montez de Durango or the high-energy drag king shenanigans of the Rebel Kings of Oakland. Did we mention that everyone at this thing is smokin’ hot? Not to judge by looks or anything, but whoo-wee. (Marke B)

11am-7pm, $10

20th Street and Broadway, Oakl.

www.oaklandpride.org

 

MONDAY 2

Ty Segall

If you want to beat a case of the Mondays: Bay Area Lo-fi favorite Ty Segall is playing the entirety of his new album, Sleeper, with experimental folk artist David Novick and that guy from Sic Alps — Mike Donovan. On his new album, Segall is deconstructing his typical sound and going for a more stripped-down approach. For this show (as well as the whole tour), Segall will only be playing Sleeper, and will have a decidedly different setup, featuring two acoustic guitars, electric bass, drums, and the occasional electric guitar. The show should be a great indicator of how fans receive Segall’s new album, and whether or not the old boy still has it. If you like raw, energetic live shows — this performance is not to be missed. (Dage)

With David Novick, Mike Donovan

8pm, $18

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

TUESDAY 3

Audra McDonald

What’s that you hear? It’s the sound of every Broadway maven, cabaret jazz aficionado, “Glee”-ful gay man, and fan of incredible music breaking piggy banks, shaking out gowns, and fluffing tuxes to glimpse the effervescent glory of show tune-blues soprano Audra McDonald at the SF Symphony Opening Gala. Singing selections from the American songbook like “Somewhere” and “I Could Have Danced All Night,” McDonald will highlight a jazzy night’s program, which includes George Antheil’s fracture-happy “A Jazz Symphony,” George Gershwin’s “An American in Paris” and tons of free drinks, treats, and people-watching. McDonald’s hilarious, house-rocking performance at the Tonys with Neil Patrick Harris this year brought a new generation of Audra acolytes into the fold; expect the same wattage to light up Davies Symphony Hall. (Marke B.)

7pm-11pm, $160

Davies Symphony Hall

201 Van Ness, SF.

(415) 864-6000

www.sfsymphony.com

The Selector: August 27 – September 3, 2013

0

WEDNESDAY 8/28

 

The Troublemaker

Hey, daddy-o! While other outdoor movie nights program known crowd pleasers (and hey, nothing wrong with that — who doesn’t love 1980’s Xanadu under the stars?), trust the Pacific Film Archive to dig a little deeper. Directed by Theodore J. Flicker (it was the perfectly-named filmmaker’s first feature; he was also an improv comedy pioneer and directed dozens of 1970s TV episodes) and co-written with Saturday Night Live stalwart Buck Henry, 1964’s The Troublemaker offers a bouncy throwback to the beatnik era. A chicken farmer dreams of opening a coffeehouse in Greenwich Village; the Mob doesn’t agree, but the finger-snapping cool cats have his back. Wear your beret and come early for the pre-film poetry reading. (Cheryl Eddy)

8:30pm, free

BAM/PFA Sculpture Garden

2575 Bancroft, Berk

www.bampfa.berkeley.edu

WEDNESDAY 8/28

 

Resident Artist Workshop: Victor Talledos, Joy Prendergast, Rachel Elliot

A couple of years ago, Mexican-born and trained ballet dancer Victor Talledos landed in the Bay Area like a comet — fiery, fierce, and impossible to ignore. Joy Prendergast is part of a hotbed of budding women choreographers nourished by the SF Conservatory of Dance. Rachel Elliot, a recent graduate of the Dominican University/LINES Ballet program, spent her study abroad time traveling and watching dance in China. This trio of artists is the latest crop of choreographers showing work in progress they have developed at the Garage’s all essential RAW (Resident Artist Workshop) studio space — 12 weeks of four to six hours free rehearsal time with two scheduled performances.” Small is beautiful” was a mantra in the 1970s. It’s still valid. A little bit of support, consistently offered, can create wonders. (Rita Felciano)

Through Thu/29. 8pm. $10–$20.

Garage

715 Bryant, SF

www.brownpapertickets.com

WEDNESDAY 8/28

 

“Root to Stalk Cooking” with Tara Duggan

Omnivore Books often outdoes itself with inventive workshops and tasty food contests. Still, “Root to Stalk Cooking: The Art of Using the Whole Vegetable” should truly be one for the books. Author Tara Duggan, a James Beard award-winning independent journalist and cookbook author, will talk trash. Well, technically, she’ll talk roots, stalks, tops, ribs, and other pieces of vegetables that tend to get scratched. And she’ll discuss recipes that included those too-often discarded veggie elements. The workshop is not only a unique opportunity to meet an insightful SF native author, but also to learn how to cook delicious meals while still being frugal. Stop wasting and start cooking. (Hillary Smith)

6-7:30 pm, free

Omnivore Books

3885a Cesar Chavez, SF

www.omnivorebooks.com

THURSDAY 8/29

 

Café Tacvba

There are parts of the world where ska music is still valued. “Las Flores” is a rude boy-baiting uptempo Café Tacvba song that seemed right at home in 1994, when lead singer Albarrán Ortega was sporting his Coolio-styled hair on an early episode of MTV Unplugged. But how does a song like that hold up almost 10 years later at an epicenter of up-and-coming sounds like Coachella? Well, the Coachella crowd’s enthusiasm for the ska tune spoke volumes about truly heartfelt and infectious rhythms shattering the limitations of what is currently considered cool in music. A lot of genres come and go, but groups like Café Tacvba, which has gone without member changes since its inception in 1989, will continue to motivate listeners with just about any style it plays. Expect the unexpected. (Ilan Moskowitz)

8pm, $37.50–$52.50

Warfield

982 Market, SF

(415) 673-4653

www.thewarfieldtheatre.com

THURSDAY 8/29

 

FIDLAR

LA-based garage-punk band FIDLAR creates a mess of distortion-heavy guitar lines, scratchy vocals, and angry percussion, which makes for a wild show guaranteed to permit letting loose. And there may even be some reckless flailing of the arms, if you’re lucky. The group seems to attract more than the typical garage rock fan who simply loves to go batshit in the pit. Enthusiasts stalk their social media pages, pour over their every Tumblr post, and even tattoo themselves with the group’s name, all proving one thing — FIDLAR has made a serious mark in a brief amount of time. And with this almost cult-like following, the four young musicians are touring through the UK and the States until November, tearing up stages with their rambunctious, exhilarating performances. And the band’s relationship with its fans seems to be symbiotic. I suspect the fans are so die-hard and loyal because that’s exactly what the group puts out there on stage: a straightforward, honest, in-the-moment show. (Smith)

With Meat Market

9pm, $14

Bottom of the Hill

1233 17th St.,SF

(415) 626-4455

www.bottomofthehill.com

FRIDAY 8/30

 

Macbeth

Witches, betrayals, violence, madness — no wonder Shakespeare’s Macbeth is so popular among both theater troupes and audiences. Case in point: two local companies are mounting adventurously staged versions of “the Scottish play” (does the curse count if your theater is outdoors?), opening on practically the same day, with lengthy runs and non-clashing show times that’ll make it possible for Bard diehards to catch both. Tonight, We Players — who did The Odyssey on Angel Island and Hamlet on Alcatraz — kicks off its production amid historic Fort Point’s foggy, windy, toil-and-trouble-friendly environs; tomorrow, another part of the Presidio, the Main Post Parade Ground Lawn, hosts Free Shakespeare in the Park’s production of the same. No doubt a drama-crazed town like SF has room for both. (Eddy)

We Players’ Macbeth

Through Oct 6

Previews Fri/30-Sun/1, 6pm; opens Sept 5, 6pm; runs Thu-Sun, 6pm, $30–$60

Fort Point, end of Marine Dr, Presidio, SF

www.weplayers.org

 

Free Shakespeare in the Park’s Macbeth

Through Sept 15

Opens Sat/31, 2pm; runs Sat-Sun and Mon/2, 2pm, free

Main Post Parade Ground Lawn, Presidio, SF

www.sfshakes.org

FRIDAY 8/30

 

Hitcher

Hitcher, a movement play based off Jim Morrison’s original, unproduced screenplay, The Hitchhiker, is making its debut tonight. Hitcher combines cinema, movement, and new music from San Francisco bluegrass band dinnerwiththekids. In this production, writer and director Alex Peri tells the story of Billy, a hitchhiker accompanied by an imaginary trio of hobos making his way on the road to be reunited with a prostitute he fell in love with in Mexico. The cast features up-and-coming local artisans Derek Caplan, Michelle Hair, Earl Alfred Paus, Malia Rapisarda, and Kelly Sanchez. This should be of interest to people who worship at the altar of the “Lizard King” and those who enjoy theater and rock ‘n’ roll fusion. If you’re not able to attend its debut, there will be showings of Hitcher through Sept. 8. (Erin Dage) THROUGH SEPT. 8, 8PM, $15 THICK HOUSE 1695 18TH ST., SF (415) 401-8081 WWW.THICKHOUSE.ORG

FRIDAY 8/30

 

Handsome Hawk Valentine’s “The Hop”

You don’t need a DeLorean tricked out with a Flux Capacitor driven by Marty McFly to head back in time to the good ol’ 1950s tonight — just head down to the Mission where Handsome Hawk Valentine presents “The Hop,” a blast from the past party with a special “Ladies’ Night” theme. Featuring bands such as local favorites Thee Merry Widows and the Rumble Strippers, the fête also boasts burlesque performances, DJs, a “beefcake contest” sponsored by Bettie Page Clothing, along with free retro styling by Peter Thomas Hair, free photo sessions, and more. Slick back that pomp or strap on those stilettos and get going! (Sean McCourt)

9pm, $13

Elbo Room

647 Valencia, SF

(415) 552-7788

www.elbo.com

SATURDAY 8/31

 

Major Powers and the Lo-Fi Symphony

Major Powers and the Lo-Fi Symphony is a raucous, humorous, piano-driven trio that sound like Queen playing symphonic punk rock. Sort of like a light-hearted, more jangly Muse. I cannot recommend its album We Created Monsters enough. It is all free on its website and worth $10 to see live. Freddie Mercury would be proud. Hell, so would Andrew W.K. Not to say that headliner the Greening doesn’t have its own merits — it’ll even give you a free shirt and a bunch of other swag if you buy advanced tickets to this show — but when one of your opening acts sounds like a mix between Madness and Queen and the other is a Latin mod band that sings catchy, upbeat tunes about telenovelas, the star slot in the show is only a scheduling formality. (Moskowitz)

With the Greening, Dot Punto

8:30pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

SATURDAY 8/31

 

Duane Peters Gunfight

Legendary pro skateboarder and eternal punk rocker Duane Peters has rightfully earned his nickname “The Master of Disaster” — it was hard won over decades of pushing the limits on wheels and decks (not to mention his own battered and bruised body) and inventing a slew of tricks now considered an essential part of skate culture. He quickly approached playing music with the same anything-goes attitude, and has been slamming stages with several bands (U.S. Bombs and Die Hunns) ever since. He comes to the city tonight with Duane Peters Gunfight. Are you ready to drop into the bowl and the pit? (McCourt)

With White Barons, Rock Bottom, Dime Runner

9pm, $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

SUNDAY 9/1

 

Oakland Pride

Yes, yes, “we are family.” But in that case, San Francisco Pride is that loud, messy, half-dressed, downright crazy family — kind of a Kardashians without the Porsches — while younger Oakland Pride hails more from plucky, hardy, loving Little House on the Prairie stock, but with a whole lot more people of color. Not that Oakland Pride’s out in the middle of nowhere, of course, but it’s a much more down-to-earth, self-produced affair that really feels like a family picnic. Everyone’s freaking out that ’90s R&B sensation En Vogue is performing, but don’t miss the big-big Mexican-Chicago sound of Grupo Montez de Durango or the high-energy drag king shenanigans of the Rebel Kings of Oakland. Did we mention that everyone at this thing is smokin’ hot? Not to judge by looks or anything, but whoo-wee. (Marke B)

11am-7pm, $10

20th Street and Broadway, Oakl.

www.oaklandpride.org

MONDAY 9/2

 

Ty Segall

If you want to beat a case of the Mondays: Bay Area Lo-fi favorite Ty Segall is playing the entirety of his new album, Sleeper, with experimental folk artist David Novick and that guy from Sic Alps — Mike Donovan. On his new album, Segall is deconstructing his typical sound and going for a more stripped-down approach. For this show (as well as the whole tour), Segall will only be playing Sleeper, and will have a decidedly different setup, featuring two acoustic guitars, electric bass, drums, and the occasional electric guitar. The show should be a great indicator of how fans receive Segall’s new album, and whether or not the old boy still has it. If you like raw, energetic live shows — this performance is not to be missed. (Dage)

With David Novick, Mike Donovan

8pm, $18

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

TUESDAY 9/3

 

Audra McDonald

What’s that you hear? It’s the sound of every Broadway maven, cabaret jazz aficionado, “Glee”-ful gay man, and fan of incredible music breaking piggy banks, shaking out gowns, and fluffing tuxes to glimpse the effervescent glory of show tune-blues soprano Audra McDonald at the SF Symphony Opening Gala. Singing selections from the American songbook like “Somewhere” and “I Could Have Danced All Night,” McDonald will highlight a jazzy night’s program, which includes George Antheil’s fracture-happy “A Jazz Symphony,” George Gershwin’s “An American in Paris” and tons of free drinks, treats, and people-watching. McDonald’s hilarious, house-rocking performance at the Tonys with Neil Patrick Harris this year brought a new generation of Audra acolytes into the fold; expect the same wattage to light up Davies Symphony Hall. (Marke B.)

7pm-11pm, $160

Davies Symphony Hall

201 Van Ness, SF.

(415) 864-6000

www.sfsymphony.com

Get to the show, weirdos

2

FALL ARTS There are so many things competing for your precious time: long lines for pricey gourmet coffee, civic responsibilities and volunteer work, actual work, glazed fake cronuts or whatever the kids are into these days. Make live music a priority as well — your days will float by on a pink cloud of fuzzy, hangover-fueled memories.

As we’re lucky enough to live in a region stuffed with musicians and venues that take in touring acts, the options for every week are damn near endless. Here are some shows to take note of this season, one for (nearly) every day of the upcoming months. (Note that dates and locations are subject to change, so always check the venue site.)

>>READ MORE FALL ARTS GUIDES HERE

Plug them in to your Google Calendar. Better yet, stick this list to your wall with chewed-up bubblegum. Either way, impress your friends with superior show knowledge:

Aug. 30 [UPDATE: postponed due to illness] Icona Pop: As silly as it’s always been, bubbly Swedish electro-pop duo Icona Pop is in the running for the arbitrary media-hyped “song of the summer” (or as Slate puts it, the yearly “Summer Song–Industrial Complex”) thanks to party track, “I Love It,” featuring fellow up-and-comer Charli XCX. And, get this, the album from which “Love It” springs, This Is… (Record Company Ten/Big Beat Records), isn’t even out until Sept. 24. Squeeze out the last bits of this very poppy season and hold out for the recorded versions by taking in this live set. Fillmore, SF. www.thefillmore.com

Aug. 31 [Here’s another to make up for that cancellation above] Rin Tin Tiger, French Cassettes Great American Music Hall, SF. www.slimspresents.com

Aug. 31 Sonny and the Sunsets, Shannon and the Clams Chapel, SF. www.thechapelsf.com

Sept. 2 Ty Segall Great American Music Hall, SF. www.slimspresents.com

Sept. 3 Superchunk and Mikal Cronin Fillmore, SF. www.thefillmore.com

Sept. 4 Zomby (live) Public Works, SF. www.publicsf.com.

Sept. 5-6 “UnderCover Presents Bob Dylan’s Highway 61 Revisited:” For this event, the UnderCover Presents collective dives deep into the introspective, folk-rock world of Bob Dylan’s ’65 gem (which gave us “Like a Rolling Stone”) with covers by Carletta Sue Kay, Quinn DeVeaux, Whiskerman, Beth Lisick, and guest music director Karina Denike, among others. Freight & Salvage. www.thefreight.org. Also Sept. 8, Contemporary Jewish Museum. www.cjm.org.

Sept. 6 Mission Creek Oakland: The month-long fall music and arts festival packs a punch with dozens of local bands playing 15 East Bay venues, including the Uptown, the Stork Club, and Children’s Fairyland (!). It kicks off with a free opening party tonight at the Uptown with Naytronix, Clipd Beaks, YNGBMS, and Safeword. Various venues, Oakl. www.mcofest.org.

Sept. 7 Push the Feeling with Exray’s Underground SF, www.undergroundsf.com

Sept. 8 Lil Bub book signing with Nobunny: So Lil Bub is this famous Internet cat and Nobunny is the infamous IRL punky masked Bunny-Man; together they’ll claw through the Rickshaw Stop all day and night. This multipart Burger Bub Mini-Fest includes a Lil Bub book signing and doc film screening, plus live sets by Nobunny, Colleen Green, the Monster Women, and the Shanghais. Paws up, everyone. Rickshaw Stop, SF. www.rickshawstop.com.

Sept. 9 Sex Snobs Elbo Room, SF. www.elbo.com

Sept. 10 Bleeding Rainbow Rickshaw Stop, SF. www.rickshawstop.com.

Sept. 11 Moving Units DNA Lounge, SF. www.dnalounge.com.

Sept. 12 Julie Holter Great American Music Hall, SF. www.slimspresents.com.

Sept. 13 120 minutes presents Death in June Mezzanine, SF. www.mezzaninesf.com.

Sept. 14 Rock the Bells: the annual touring hip-hop fest returns, headlined by Kid Cudi, A$AP Mob. feat. A$AP Rocky, E-40, and Too $hort, Common, and Bone Thugs-N-Harmony on Sept. 14; Wu-Tang Clan, Black Hippy feat. Kendrick Lamar, and Deltron 3000 on Sept. 15. Shoreline Amphitheatre, Mtn View. www.livenation.com.

Sept. 16 Kate Boy Rickshaw Stop, SF. www.rickshawstop.com.

Sept 17 Julie Ruin: Kathleen Hanna returns to her pre-Le Tigre output but beefs it up with a full band including fellow Bikini Kill bandmate Kathi Wilcox and is set to release bouncy feminist dancepop record Run Fast Sept. 3. A few weeks later the Brooklyn band lands in SF. Slim’s, SF. www.slimspresents.com.

Sept. 18 Berkeley Old Time Music Convention Various venues, Berk. www.berkeleyoldtimemusic.org

Sept. 19 Hard Skin 1-2-3-4 Go!, Oakl. 1234gorecords.com.

Sept. 20 Foxygen Independent, SF. www.theindependentsf.com

Sept. 21 Tape Deck Mountain and Battlehooch El Rio, SF. www.elriosf.com.

Sept. 22 “Radio Silence presents: Doe Eye performing Arcade Fire” Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Sept. 24 Wax Tailor Mezzanine. www.mezzaninesf.com.

Sept. 26 Zola Jesus Palace of Fine Arts, SF. www.palaceoffinearts.org.

Sept. 27 Peter Hook and the Light Mezzanine, SF. www.mezzaninesf.com.

Sept. 28 “Station to Station:” This train-travelin’ art and music experiment, organized by artist Doug Aitken, pulls a stop in Oakland with live performances by Dan Deacon, Savages, No Age, Sun Araw and the Congos, Twin Shadow, and more. And the train itself is designed as a moving kinetic light sculpture, so expect a bright show. 16th St. Station, Oakl. www.stationtostation.com.

Sept. 30 Chelsea Wolfe Great American Music Hall, SF. www.slimspresents.com

Oct. 1 Peach Kelli Pop Hemlock Tavern, SF. www.hemlocktavern.com.

Oct. 3Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Oct. 4-6 Hardly Strictly Bluegrass: Bonnie Raitt, Bettye LaVette, Nicki Bluhm & the Gramblers, Devil Makes Three, Chris Isaak, Mark Lanegan, First Aid Kit, Sallie Ford & the Sound Outside. As the free annual fest releases lineup names in glorious song medleys, this is who we know for sure will fill GG Park with folk-country-hardly-strictly-bluegrass notes this year, as of press time. There will be more added in the coming weeks, so check the site. Golden Gate Park, SF. www.hardlystrictlybluegrass.com.

Oct. 5 Har Mar Superstar Bottom of the Hill, SF. www.bottomofthehill.com.

Oct. 7 No Joy Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Oct. 8 Fucked Up Terror Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Oct. 9 Iceage Rickshaw Stop, SF. www.rickshawstop.com.

Oct. 10 Thee Oh Sees Chapel, SF. www.thechapelsf.com

Oct. 11 Extra Action Marching Band Mezzanine, SF. www.mezzaninesf.com

Oct. 12 Marky Ramone with Andrew W.K.: Is this pairing crazy enough that it just might work? While Joey Ramone has sadly passed on to punk rock heaven (lots of leather and skinny jeans), drummer Marky Ramone is carrying on the legacy by enlisting pizza guitar-having party rocker Andrew W.K. as his frontperson. The band known as Marky Ramone’s Blitzkrieg performs classic Ramones songs. Independent, SF. www.theindependentsf.com.

Oct. 13 Legendary Pink Dots DNA Lounge, SF. www.dnalounge.com.

Oct. 14 Langhorne Slim Great American Music Hall, SF. www.slimspresents.com

Oct. 15 Tim Kasher Rickshaw Stop, SF. www.rickshawstop.com.

Oct. 16 Dustin Wong Great American Music Hall, SF. www.slimspresents.com.

Oct. 17 CHVRCHES Fox Theater, Oakl. www.thefoxoakland.com.

Oct. 18 Robert Glasper Experiment SFJazz Center, SF. www.sfjazz.org.

Oct. 19 Treasure Island Music Festival: the forward-thinking two-day fest out on windswept Treasure Island includes Atoms for Peace, Beck, Major Lazer, Little Dragon, Animal Collective, James Blake, Holy Ghost!, Sleigh Bells, and more. Giraffage, and Antwon are the locals on the bill. Treasure Island, SF. www.treasureislandfestival.com.

Oct. 20 Goblin Warfield Theatre, SF. www.thewarfieldtheatre.com.

Oct. 21 Hunx & His Punx Chapel, SF. www.thechapelsf.com.

Oct. 22 Brian Wilson and Jeff Beck Paramount Theater, Oakl. www.paramounttheatre.com.

Oct. 23 Oh Land Independent, SF. www.theindependentsf.com.

Oct. 24 Woodkid Regency Ballroom, SF. www.theregencyballroom.com.

Oct. 25 The Blow Bottom of the Hill. www.bottomofthehill.com.

Oct. 26 Airfield Broadcasts: For this large-scale event, composer Lisa Bielawa will turn Chrissy Field into a giant “musical canvas” in which listeners can interact with broad sounds floating through the area with the help of nearly a thousand professional and student musicians including orchestras, choruses, bands, and experimental new groups. The musicians will begin in the center of the field then slowly move outwards, playing Bielawa’s original score. Chrissy Field, SF. www.airfieldbroadcasts.org.

Oct. 29 The Jazz Coffin Emergency Ensemble El Rio, SF. www.elriosf.com.

Oct. 30 Save Ferris Regency Ballroom, SF. www.theregencyballroom.com.

Oct. 31 Danzig Warfield, SF. www.thewarfieldtheatre.com.

Nov. 1 Janelle Monáe: Futurist soul crooner Janelle Monáe has had a big year, releasing “Q.U.E.E.N.” with Erykah Badu in the spring, and more recently she fired off Miguel duet “PrimeTime.” The last time the pompodoured singer made it to SF she was dancing down the aisles at the SF Symphony’s Spring Gala (earlier this year), but a darkened venue is much more her speed. Think she’ll be wearing black and white? Warfield Theatre, SF. www.thewarfieldtheatre.com.

Nov. 7 Wanda Jackson: The stylish rockabilly queen, and former real life Elvis paramour — and crackling vocalist behind tracks like “Fujiyama Mama” and “Let’s Have a Party” — is still brash and still touring at age 75. And she’s still putting out new tunes too, with her own 2012 LP Unfinished Business, and just before that a collaboration with Jack White on The Party Ain’t Over (2011). Yes, the party continues. Chapel, SF. www.thechapelsf.com.

Nov. 8 Of Montreal Great American Music Hall, SF. www.slimspresents.com.

Nov. 13 Those Darlins Chapel, SF. www.thechapelsf.com.

Nov. 14 Kayhan Kalhor and Ali Bahrami Fard SFJazz Center, SF. www.sfjazz.org.

Nov. 16 Melt Banana Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Nov. 17 Rhys Chatham: This is vastly bigger than your average rock concert. See, avant-punk composer Rhys Chatham will perform the West Coast premiere of his “A Secret Rose” with an orchestra of 100 electric guitars. That’s right, 100-times the shred. The Other Minds-presented hourlong performance will include musicians from Guided By Voices, Akron/Family, Tristeza, and more. Craneway Pavilion, Richmond. www.brownpapertickets.com.

Nov. 18 Misfits Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Nov. 22 Kate Nash Fillmore, SF. www.thefillmore.com.

 

The Selector: August 7 -13, 2013

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WEDNESDAY 7

White Fence

Listen to White Fence’s psych-folk track “To The Boy I Jumped In The Hemlock Alley,” off the spring-released full-length Cyclops Reap, and it may renew your faith in classic songwriting. Or at least make you feel like you’re listening to the Beatles for the first time on acid. The woozy tune has a consistently mellow flow sliced through with glistening pysch riffs that sound like a flaming saw singeing through campfire wood. The album picks up quicker elsewhere, in blistering, boiling Nuggets-fashion on electrifying “Pink Gorilla.” But this much is now expected from LA/SF songwriter-guitarist Tim Presley — he’s the main force of White Fence — a consistently compelling and inventive musician, and frequent collaborator with the likes of Ty Segall. The show tonight includes essential openers like local singer-songwriter Jessica Pratt and Foxygen’s Bob Dylan-esque singer Jonathan Rado performing his solo work, Law and Order. (Emily Savage)

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

THURSDAY 8

Goodnight, Texas

Having blown up in the past year, San Francisco’s Goodnight, Texas has gotten the opportunity to make its pleasantly earnest vocals, foot-stomping banjo riffs, and catchy melodies quite public. Frontperson Avi Vinocur conveys a nostalgic realness in his voice so immediate that it’s almost impossible not to get pulled away into one of the group’s old-time, dust-and-bones, gritty country blues stories. Something real and excitably beautiful translates in the group’s music. Listen to the pure vocals alongside pleasant acoustic melodies and simply try not to believe everything Vinocur is singing — it’s damn hard. (Smith)

With Fox and Woman,and Vandella

8pm, $10

Cafe Du Nord

2170 Market,SF

(415) 861-5016

www.cafedunord.com

 

casebolt and smith

Very charming, very chatty Los Angeles-based duet dance theater company casebolt and smith (comprised of Liz Casebolt and Joel Smith) visits San Francisco with O(h) — “a title that makes no sense,” the group muses in a YouTube clip of the work. Also contained therein: an energetic, rollin’-like-Ike-and-Tina riff on “Proud Mary;” a deadpan conversation about breakdancing (“I’ve taken, like, two classes”), underpants-clad flailing; and show-tune crooning, with a sudden nervous pause to wonder if the singer maybe should be singing in a lower register. In other words, it’s not your typical night of dance, but neither is it entirely goofy — all those self-deprecating jokes and pop-culture references are worked into a sly commentary on the dancemaking process. (Cheryl Eddy)

Through Sat/10, 8pm, $28

ODC Theater

3153 17th St, SF

www.odctheater.org

 

The Calamity Cubes

They’re an unexpected group, and the Calamity Cubes’ take on country music is unpredictable. Instead of the lonesome, lovesick ramblings of a cowboy, the group creates a vibe more like that of a cowpoke who just fell off his horse. They play harder than country, calling their style “thrashicana.” The twangy tugs of banjo, upright bass, and acoustic guitar teeter on bluegrass only to be played with such force and speed that punk wouldn’t be a far off description either. The trio may be rough around the edges, but its sound is anything but. Extremely versatile, the group’s tunes go from a basic country number with howling vocals to an electrified thrash of a song with energy that can’t be ignored. (Hillary Smith)

With the Goddamn Gallows, Kountry Kittens

9pm, $12

Bottom of the Hill

1233 17th St., SF

(415) 626-445

www.bottomofthehill.com

 

FRIDAY 9

Bay Area Deaf Dance Festival

Under the leadership of artistic director Antoine Hunter, who’s also among the performers with his Urban Jazz Dance Company, the first-ever Bay Area Deaf Dance Festival aims to “showcase the contributions of the deaf community to the arts, raise deaf awareness in non-deaf populations, and encourage artistic expression in Bay Area residents.” The three-day event features collaborations between deaf and hearing-impaired artists with hearing artists in both the performing and visual arts realms. Participants include Half-N-Half, composed of children of deaf adults who incorporate ASL storytelling into their act; Beethoven’s Nightmare, a musical group whose name pays tribute to the famously deaf composer; the National Deaf Dance Theater; the all-male, all-deaf troupe Wild Zappers; dance-physical theater group Lux Aeterna Dance Company, and more. (Eddy)

Through Sun/11, 7:30pm, $20

Dance Mission Theater

3316 24th St, SF

www.dancemission.com

 

Jessye Norman

The last time we saw grand opera diva Jessye Norman, she was typing out a French love letter on the SF Symphony stage in a stunning Issey Miyake gown, before tasting a fruit smoothie made by conductor Michael Tilson Thomas. It was all part of John Cage’s brilliantly random 1970 Song Books composition, which moved the crowd to tears of joy. A longtime traveler through many musical realms, the regal Norman is game for anything. This time with the Symphony she’ll be giving a recital of another songbook, the American one, with selections from Gershwin, Arlen, and Rodgers and Hammerstein. (She’ll be coming directly from Washington, DC, where she’ll take part in a 50th commemoration of the March on Washington by slipping into the shoes of the great Marian Anderson.) There won’t be any smoothies this time, but the music will be fresh and light. (Marke B.)

Fri/9, $15–$115

Davies Symphony Hall

201 Van Ness, SF.

(415) 864-6000

www.sfsymphony.org

 

Glass Candy

The synth-heavy, electro-punk group that is Glass Candy returns to San Francisco this weekend, fresh off a jarring slot at that oh-so-hip Pitchfork Music Festival. The broader crowds still, after all these years, seem not quite sure what to make of the amorphous, experimental, and ever-evolving duo. And that’s precisely what keeps it interesting. Producer Johnny Jewel (also of Chromatics, and co-owner of dance label Italians Do It Better) and casual, Nico-esque vocalist Ida No have been doing this whole Glass Candy gig since ’96, yet each tour, each new release (2003’s Love Love Love, 2007’s B/E/A/T/B/O/X) brings some different flavor of stimulating Italo-disco glitter cut with speed and Kraut. This is also why those who’ve fallen in line behind the duo have long been itching for a new record, the promised Body Work, which is purportedly coming out soon, after a teaser single of “Halloween” released on Oct. 31, 2011. (Savage)

With Omar Perez, Stanley Frank, Bus Station John

9pm, $20

Mezzanine

444 Jessie, SF

(415) 625-8800

www.mezzaninesf.com

 

SATURDAY 8/10

Pistahan Parade and Festival

The Bay Area is home to a robust Filipino American population, which means Filipino American Arts Exposition’s annual Pistahan Parade and Festival — now in its 20th year — offers authentic tastes, sounds, and sights for all who attend. Highlights include the energetic parade (today, 11am, begins at Civic Center and ends near Yerba Buena Gardens), which offers prizes for the best costume, best choreography, and best overall contingent. Plus: a Culinary Pavilion (whose adobo will conquer the competition? Who will gobble the most balut?); a Martial Arts Pavilion (with kids battling it out for stick-fighting supremacy); and a generous array of entertainment on multiple stages, including youth dance crews, traditional dance and music performances, comedian Rex Navarette, and a pair of reality stars (X Factor Philippines winner KZ Tandingan, and American Idol semi-finalist Jordan Segundo). (Eddy)

Through Sun/11, 11am-5pm, free

Yerba Buena Gardens

Mission at Third St, SF

www.pistahan.net

 

Cheech and Chong

“Dave’s not here man!” But the original dynamic duo of dope, Cheech and Chong, is indeed going to be in the city tonight to light up the comedy scene in the way that only it can do. Once again bringing their marijuana-laced humor and stoned stage show to their fans around the world, Cheech Marin and Tommy Chong may be older, but the humor of their act remains ageless. The two pontiffs of pot recently released an animated film, using clips from many of their records and skits — here’s your chance relive those classic bits live (and high) in person — get your tickets now before they all go up in smoke! (Sean McCourt)

7:30pm, $35–$79.50

America’s Cup Pavilion

Piers 27/29, SF

www.livenation.com


King Tuff

King Tuff, the man, the myth, the guy with the “sun medallion” is coming along with his pals and bandmates to play at Brick and Mortar Music Hall the day before his Outside Lands performance. Mixing glam and garage rock, King Tuff crafts music that makes you want to shuffle on the dance floor. He’s come into success with career milestones such as being added to the lineup at OSL — he’s usually known for playing smaller fests like Burger Record’s Burgerama

and 1-2-3-4 Go! Records’ Go! Go! Fest. The artist has also reached #8 in Billboard’s Heatseeker Albums with Was Dead, after its late May reissue on Burger Records. In short, come see this animal before it disappears into the vast expanse known as Golden Gate Park (for Outside Lands, duh)! (Erin Dage)

With the Men, Twin Peaks

10pm, $20

Brick and Mortar Music Hall

1710 Mission, SF

(415) 371-1631

www.brickandmortarmusic.com

 

SUNDAY 8/11

King Kong vs Godzilla

With Pacific Rim still hanging in there at the box office, what better time than now to revisit one of the original massive monster mash ups? As part of Will Viharo’s awesome “Thrillville” series of film events, August Ragone — award-winning author of Eiji Tsuburaya: Master of Monsters, which looked at the life of the Japanese special effects legend — will host King Kong vs Godzilla, the 1962 romp that pitted the two titanic creatures against each other in a no-holds-barred, city-smashing smackdown. Hear about the making of the movie, see behind the scenes photos, then grab some beers and get ready to rumble! (McCourt)

6pm, $6

New Parkway

474 24th St., Oakl.

www.thenewparkway.com

 

TUESDAY 8/13

Jeff Rosenstock (of Bomb the Music Industry!)

Blistering, honest punk rock from a man and his laptop: Jeff Rosenstock manages to take the stripped-down guitar and computer layout of a minimal Beck set and flip it on its ear with DIY punk rockness. Doing so, he creates unexpectedly intricate, yet rambling, song structures. Basically, he’s a room-galvanizing force of singalongs, like with the track “Amen” from his new album I Look Like Shit, which asks “So what’s the difference if the bombs fall from the sky? So what’s the difference if you like being alive?” Rosenstock, who previously sung about an unending purgatory of watered-down all-ages shows clashing with his dreams of maturing as a musician, will be playing with labelmates Dog Party, teenage sisters representing the age bracket of most of Rosenstock’s fans. Also that guy from Andrew Jackson Jihad whom everyone’s always talking about (Sean Bonnette) and Hard Girls, who write songs about the movie Major Payne. (Ilan Moskowitz)

8:30pm, $10

Bottom of the Hill

1233 17th Street, SF (415) 626-4455

www.bottomofthehill.com

Feeling Fillmore: 5 stores that make the strip

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The Fillmore Street Goodwill, I will tell anyone who listens, is the best in the city. I have a theory about this: Pacific Heights ladies-who-laze, on a motivated day when they’re not dressing their doggies in argyle or eating sandwiches with the crusts cut off, pack up their gently-used cardigans, sheath dresses, and colored pumps and bring them to the SF Symphony’s consignment shop. Should the cashier reject their finery, they sniff, and pick their way down the hill to the Goodwill. After dropping off the load they go get their hair blown out at a salon that doesn’t do cuts or colors, as its plate glass window proclaims to the world: only blowouts

Basically, there are always a ton of really nice, jewel-toned heels at the Fillmore Goodwill. And many more clothing stores with character, right down the block. Here’s some stand-outs.

>>CHECK OUT MORE ADVENTURES FROM OUR STREET SEEN STYLE COLUMN

Brooklyn Circus

Though I covet this brand (created in yes, Brooklyn by Bay native Gabe Garcia and Quincy “Ouigi” Theodore) for its current crop of chambray baseball hats, letterman’s jacket-style coats, and sleek leather boots for my own, menswear-loving self, I mainly pass through to check out what my dream boyfriend would be wearing. Urban dandy, grown and sexy — call it what you want to call it, the BKc look is hot. The Fillmore location is about to celebrate its fifth birthday, coinciding as ever with July’s Fillmore Jazz Festival

1521 Fillmore, SF. (415) 359-1999, www.thebkcircus.com

Pass by the baubles and grills at Mr. Bling Bling’s and you’ll happen across the phenomenal street art that lines one side of Avery Street. Thank you Richard Coleman for appropriately capturing my feelings behind a challenging day at the office. All photos from this point forward by Caitlin Donohue

Asmbly Hall 

Per our effusive writeup accompanying its Best of the Bay award last year, Asmbly Hall stocks San Francisco-style prep chic. Its colorful men’s and women’s fashions are highlighted by local labels — there’s cute-as-a-button Fashion Star alum Ronnie Escalante’s Powell and Mason line of striped scarves, Japanese fabric buttondowns made by Blade + Blue. Owner Tricia Benitez let me know that she’s always on the lookout for more Bay Area producers. I went south for my favorite piece the day I visited, however: a striped velour pullover from LA brand Slvdr’s Spring 2013 collection. Kinda reminded me of the onesies I rocked as a wee one. I had a great chat with Benitez about how the young business owners in the area have really banded together to re-envision the neighborhood — she often coordinates events with Social Study, the adorable wine, beer, and small plates bar that Harmony Fraga (previously bar manager at the TL’s Farmerbrown) opened on Geary and Fillmore. 

1850 Fillmore, SF. (415) 567-5953, www.asmblyhall.com

A case of Stance socks at Asmbly Hall. Love the Mondrian-esque owl design

QUEENS TAKE NOTE SHADE SOLD HERE

Scotch and Soda

I had to check out this Amsterdam brand, a recent arrival to the strip (the company also opened up a Financial District location this year), and even if its entire spendy collection of Spring Breakers neons set off with faux bleach swaths and leather feather accents didn’t set me to “stun”, I did fall in love with a floral-print hoodie with the world’s most complicated wrap neckline. When arranged just… so, the two pull strings protruded out over each other, like some carefully balanced work of modern art, or Sloth’s eyeballs. I found the linen and general color palette of this store to be a younger person’s version of the stock up the street at fancy-pants boutique Erica Tanov. I don’t imagine, however, that Tanov would ever spell out the word “Malibu” on a t-shirt with neon love beads.

2031 Fillmore, SF. (415) 580-7443, www.scotch-soda.com

Tropical sweatshirt lifestyle at Scotch and Soda

Steven Alan

Once on a trip to Stockholm, a friend reverently dragged me to an Acne Studios sample sale, where I could do nothing but run my fingers across complicatedly draped tunics and diaphanous silk dresses. The Acne items that this chain store sells are a bit more wallet-friendly (also, f**k the kroner’s enviable stability and impossible exchange rate), and everyday: mainly, tons of colored jeans. Steven Alan is good for basics-with-flair — classic Levi’s styles, and smaller name brands abound at the men’s and women’s store. 

1919 Fillmore, SF. (415) 351-1499, www.stevenalan.com

Mio

Yes, elder richer women shop here — but the eccentric kind, the sort who drop dimes in the museum gift shop so that every outfit they wear is comprised of conversation pieces. I spent a good stoned second staring at a rack of tightly pleated and ruched crepe-y Issey Miyake garments that stood, colorfully, in complete defiance of the laws of physics. And loved the preponderance at Mio of Miyake’s line of geometric Baobao bags (which are without a doubt the kind of gems that I’ll be wearing, once that lottery ticket comes through). 

2035 Fillmore, SF. (415) 931-5620, www.miosf.com

Seriously guys, this shirt at Mio. It’s command of/refusal to live in three-dimensional space is impressive.

To twerk at the symphony: Tipping on the tightrope with Janelle Monae

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There was a moment at Janelle Monae’s show at the SF Symphony last night when it looked as if the diorama of world-class musicians behind the diminutive person in black-and-white striped shoes, pompadour, and endless progression of tailored tuxedo jackets was a natural growth. If the trombone-and-oboe look isn’t an every day occurance for Monae, she did not let on as the final moments of Prince’s “Take Me With You” surged around her. The andro-android turned her back to the audience and almost subconsciously, began waving her arms, a sudden conductor. 

And then by the end of the next song the entire spangly gown crowd was on their pave-jeweled feet, twerking in the aisle. Maybe Monae can’t always have a back-up symphony, but the Symphony should always have a Monae in front of it.

“I’ve never seen that before,” said a friend whose been to “over a dozen” shows at Davies Symphony Hall. The crucial moment when floor-length dresses with complicated back straps found themselves navigating approximations of Monae’s duck-footed pops and jazz hands, came about three quarters of the way through the show, after her covers of the tender “Smile” (originally an instrumental in Charlie Chaplin’s Modern Times, eventually sung by Nat King Cole in 1954), the Jackson 5’s “I Want You Back”, “Goldfinger”, and her own concotions: “Peach Tree Blues”, “Sincerely, Jane”.

“I did not quite feel comfortable with myself as a young woman,” the famously androgynously attired Monae announced to the crowd. The song that followed, she said, was meant to assist anyone feeling similarly unhinged. “For everybody out there who has ever felt weak, this song is for you.” 

She launched into a one-two of her singles “Cold War” and “Tightrope”, and we went there. Had the elder statespeople, the rich blonde stunners, the swath of young, well-turnt, and apparently rich (considering the ticket price for the show, which was a fundraiser gala for the Symphony’s impressive public school programming), the tightly-curled man who secured his ginger locks with what I swear was a black tie scrunchie, ever felt out of place? “You better know what you’re fighting for,” Monae hollered, thrillingly. You could feel the crowd feeling their own, each, personal fight, even if it was just their plans to breach the VIP lounge at the post-show open bar reception across the street at City Hall. 

She ran into the crowd? She dropped her new single featuring Erykah Badu in an absolutly inevitable encore? She wins the day. On Monday, Monae takes the show to Chicago’s Symphony, a stand-in for an ailing Queen Aretha Franklin. I doubt the Windy City will be disappointed, and I hope it wears its dancing scrunchie. 

FYI, the show was one in a series of concerts at which the Symphony is featuring guest artists from varying genres — Rufus Wainwright is coming up June 9, will he get the crowds rolling ass in the aisles too?

Selector: May 15-21, 2013

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WEDNESDAY 15

Appleseed Cast

Change seems to be the only constant for Lawrence, Kansas’ meandering Appleseed Cast. Chris Crisci’s 14-year-old band has produced eight albums, dabbled in about as many different genres, and has a revolving-door lineup that would exhaust any frontperson. But Crisci shows no signs of tiring. In fact, the lyrics for the band’s most recent album, this year’s Illumination Ritual, were written over the course of three nights, between the hours of midnight and 4am. Though the band’s career has arced far from its oldschool emo beginnings, the vespertine Illumination Ritual gets back to its moody roots. With a fresh lineup and a nostalgic new sound, the Appleseed Cast’s tender instrumentals and Crisci’s earnest vocals have never sounded so good. (Haley Zaremba)

With Hospital Ships, the Dandelion War

8:30pm, $14

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com


THURSDAY 16

ArtPad

Here’s an idea for a surrealist film: enter one hotel room and find metal hands that respond to their viewers, enter another and find a strange light sculpture, then cut to a performance of a synchronized swimming team in a pool in the courtyard. This is no film plot, but a description of ArtPad, the arts fair that will take over the entire Phoenix Hotel for three days. With galleries from the Bay Area and beyond filling every room with experimental exhibitions, while food, drink, and performances contribute to the festive vibe, the event promises to be surreally epic. (Laura Kerry)

Through May 19

$15–$40

Phoenix Hotel

601 Eddy, SF

www.artpadsf.com

 

Liss Fain

It was almost exactly a year ago that Liss Fain Dance premiered her luminous The Water is Clear and Still at Z Space. It’s perhaps her must successful collaboration with her longtime designer Matthew Antaky, who created a translucent multi-level space that welcomed Fain’s choreography and her fine dancers. It was one of those wondrous installation pieces that you could walk around in, but most of us stayed glued to our spots in an attempt to catch everything. Water is steeped in Jamaica Kincaid’s lyrical memories of a Caribbean childhood, both painful and exotic. Fain now has added a prologue. Solid Ground, based on Kincaid’s latest book, in which she revisits those childhood memories from a mature woman’s perspective. The piece is also moving from Z Space to YBCA’s Forum, which has successfully hosted other Liss Fain Dance installations. (Rita Felciano)

Thu/16-Sat/18, 8pm; Sun/19, 5pm forum, $15–$30

Yerba Buena Center for the Arts

700 Howard, SF

www.lissfaindance.org

 

Sandra Bernhard

It’s hard to pinpoint the moment when one learned that Sandra Bernhard was amazing. The stand-up comedian has been doing the damn thing for so long (since the ’70s), that she’s always just — been around, a fixture of the alternative culture firmament. A foulmouthed, straightforward, erudite queer back when they never made it network TV, she languidly lent cameos to Isaac Mizrahi’s Stripped and Madonna’s Truth or Dare, turned in seam-busting rants for her epic performance art-concert films like 1990’s Without You, I’m Nothing, and yes, was the first regular-appearing gay character on a network sitcom on Roseanne. To miss Bernhard’s first run in San Francisco in two years would be a revocation of your cool card, don’t do it. (Caitlin Donohue)

Also Fri/17

9pm, $45

Bimbo’s 365 Club

1025 Columbus, SF

(415) 474-0365

www.bimbos365club.com

 

Big Boi

Any lingering notions of Big Boi as the “conventional” half of legendary Atlanta hip-hop duo Outkast should be dispelled by his two solo albums, including his most recent effort Vicious Lies and Dangerous Rumors, released last November. Aided by cameos from Phantogram and Little Dragon in “Vicious,” Big Boi dives into rock guitars, female vocalists, and electronic bass to present a fearless, kaleidoscopic vision of rap. Track “Objectum Sexuality” sees Big Boi wax lyrical about women in between Phantogram’s Sarah Barthel’s floating vocals, a French interlude, and samples of atmospheric harp plucking. And just when you think he has slipped too far into moody, indie-fusion territory, Big Boi snaps you back with a devastating, horns-laden, proudly Atlantan club banger “In the A” with T.I. and Ludacris. (Kevin Lee)

With Killer Mike, Fishhawk, Goast

8:30pm, $35

Mezzanine

444 Jessie

(415) 625-8880

www.mezzaninesf.com

 

Janelle Monae at the SF Symphony

“Is it peculiar that she twerk in the mirror?” You can’t really blame her if you’ve caught R&B andro-angel Janelle Monae’s newest single with Erykah Badu “Q.U.E.E.N.” — the ode to iconoclasm, with its simple, catchy bass line is the perfect soundtrack to strutting and popping in front of reflective surfaces. Catch the singer’s turn with the SF Symphony tonight — the musicians have prepared original arrangements for her songs, and you’ll get tunes from her new album to boot. The ticket price is fairly astronomical, but the evening is a fundraiser for the Symphony’s educational programs, so there’s that. Plus attendees are granted access to a pre-show sparkling wine reception and after-party at City Hall. (Donohue)

7pm reception, 8pm concert, $90-$275

Davies Symphony Hall

201 Van Ness, SF

www.sfsymphony.org


FRIDAY 17

Midi Matilda

The first time I was confronted with local pop duo Midi Matilda, I was not-so-patiently waiting for Starfucker to take the stage at the Regency Lodge last September. Not expecting much from an electronic duo that was playing one of its very first shows, I was dumbstruck by the second song. Midi Matilda is the embodiment of everything that’s missing from contemporary twee-pop. It has a sense of intimacy, soul, and joy, embodied by great hooks and hilarious choreographed dances that are absolutely infectious. Operating backward from most bands, Midi Matilda wrote and recorded music before it ever established a live presence, gaining attention on the web with its “Day Dreams” music video. The duo’s catchy, dreamy pop songs make for a nice listen, but it is its goofy antics and blissful onstage presence that make a great new addition to the San Francisco music scene. (Zaremba)

With OONA, holychild

8:30pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com


Dale Earnhardt Jr. Jr.

“You’re Supposed To Roll Your Hips In Time/ You’re Supposed To See Your Age Rewind” intones Dale Earnhardt Jr. Jr. on the bright electronic pop track “If You Didn’t See Me (Then You Weren’t On The Dancefloor),” off its new Patterns EP. On its albums, the Detroit duo of Daniel Zott and Joshua Epstein alternate between aw-shucks folksiness and the party-hearty synth-and-rock of MGMT and Phoenix. While firmly rooted in the here and now, DEJJ have shown respect to its musical inspirations with covers to classics by Madonna and the Beach Boys. The duo paid homage to Gil-Scott Heron with a shimmering, upbeat take on his funk classic “We Almost Lost Detroit,” resplendent with a video showcasing authentic locals and establishments from the Motor City. (Lee)

9pm, $16

Independent

628 Divisadero

(415) 771-1421

www.theindependentsf.com


SATURDAY 18

Disappears

A 16-minute song has to do a lot of work to keep its listeners invested, but the strange thing about Disappears’ “Kone” off of the band’s April EP is that it is compelling because it doesn’t seem to make too much of an effort. An experiment in Kraut and psych-rock, the song harkens back to the very beginnings of proto-punk; though it involves less muddy intensity, it recalls those stretches in some Velvet Underground songs that don’t feel the need to arrive anywhere, but simply relish the ride. And isn’t that the aim of any good concert? It certainly will be at the Disappears’ Bottom of the Hill show. (Kerry)

With LENZ, the Tambo Rays

10pm, $12

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

Exrays and Mwahaha

Going to the Lab is like a weekly, weekend celebration of “the other.” You might see any combination of drag, performance art interludes, or Sunday’s ritual Godwaffle Noise Pancakes, but should definitely count on some underground, experimental shit. Hidden among the crowded club corridor along 16th and Mission, at times it becomes a mini-rave cave. This Sat/18 should be no exception to those guidelines when Exrays (members of THEMAYS and Maus Haus) bring their old-school Atari-sounding glitchiness. The band hangs on to fun melodies while the frontperson delivers mopey vocals (it could just be that his voice is deep). Oakland’s Mwahaha headlines and goes for more of a sensory overload approach. It’s collaborated with tUnE-yArDs and will open for Sigur Ros in London this summer. (Andre Torrez)

With Seventeen Evergreen, Mohani

9pm, $7–$15 (sliding scale)

Lab

2948 16th St., SF

(415) 864-8855

www.thelab.org

 

Hunx and His Punx

It was a dark day here in the Bay when Seth Bogart, a.k.a Hunx, packed up his bags and moved to Los Angeles, leaving the city’s burgeoning garage rock scene a little less gay in every way. Despite this tragic loss, Bogart hasn’t slowed down at all since his relocation, with a variety web TV show (Hollywood Nailz), his own novelty record label (Wacky Wacko), a new solo album, and a brand new Hunx and His Punx record on the way. Despite the 2011 dissolution of the Punkettes, Hunx still rocks a deliciously genderqueer persona and is backed by some truly kickass ladies. This intimate show, featuring bandmate Shannon Shaw’s own group Shannon and the Clams as well as fellow SF ex-pat Ty Segall’s Fuzz is like a big, happy Bay Area reunion — and everyone’s invited! (Zaremba)

With Shannon and the Clams, Fuzz, Peach Kelli Pop, Twin Steps

8pm, $15

New Parish

579 18th St, Oakl.

(510) 444-7474

www.thenewparish.com


SUNDAY 19

Gothic Tropic

For a band that has released so little music — only the 2011 EP Awesome Problems — Gothic Tropic has a developed sense of itself. Part of it is in frontperson Cecilia Della Peruti’s tendency to perform shoeless so as not restrict her dance moves. Another aspect arises in her nickname for the trio, “the Sacred Three.” The primary feature, though, is the band’s sound. As its name suggests, Gothic Tropic plays sunny and exotic psych-pop tinted with some grit and darkness, and it plays it well. See the band in all of it’s fully-formed glory at Brick and Mortar. (Kerry)

With Seatraffic, Cruel Summer

9pm, $10

Brick and Mortar

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com


TUESDAY 21

“Eating Nose-to-Tail: The Whole Animal Movement”

Let’s face it, Americans loves meat. But everyday consumers and informed connoisseurs are grappling with an increasing number of unanswered health and environmental questions with their meat, questions that an increasingly centralized food industry has left mostly unanswered. Unsatisfied with the growing gaps along the production chain, farmers, butchers, and chefs have banded together under the Whole Animal movement, which emphasizes using all of an animal for preparation and consumption. At this talk, four of the Bay Area’s meat authorities slice into how the movement stresses conservation and connects local producers, preparers, and eaters. After the talk, Dave the Butcher gives a whole animal butchery lesson while diners delve into delectables at the Ferry Building, with proceeds going to the Center for Urban Education about Sustainable Agriculture. (Lee)

With Chris Cosentino, Ryan Farr, John Fink and Tia Harrison

6:30pm program, $12–$20; 8pm butchering demo, $80–$100

Commonwealth Club

95 Market

(415) 597-6700

www.commonwealthclub.org


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4 reasons that spending $150 on Janelle Monae tickets is not 100 percent ridiculous

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1. Her Thu/16 show is at the symphony It is! The show is at Davies Symphony Hall and features actual symphony musicians playing actual orchestral arrangements to back up android-andro chic Ms. Monae, whose set will include material from her new album even. She’s dropping through the Chicago Symphony later this month as a last-minute stand-in for Aretha Franklin, so you can go to her SF gig and chortle about the Windy City getting our original orchestral arrangement sloppy seconds. This will be a wonderful chance to see the Symphony dames approximate Rocky Horror Picture Show, if Thursday night’s fashion scene is anything like this episode of 106th and Park:

2. It’s a fundraiser Your million dollars are going towards teaching childrens how to play musical instruments. The SF Symphony’s Adventures in Music program reaches all 23,000 kidlets on the 91 SF Unified School District campuses, and exposes them to in-school concerts, musical curriculum, and private concerts at Davies Symphony Hall. Elementary school kids in SF get to go through five years of Adventures in Music programming, and the program also does professional development offerings for teachers and administrators. 

3. Alcohol, mingling Few concerts you will attend this year figure pre-and-post-parties into the ticket prices, but there you are — the Symphony has you covered. Get to the venue at 7pm and you will dive politely into a carefully meted vat of sparkling wine in the well-lit, curving foyer wonderland of Davies Symphony Hall. After the concert, all will reconvene across the street at City Hall to talk about how wonderful everything was during yet another cocktail hour. 

4. Monae’s new single with Erykah Badu You’ve heard this, right? Not guaranteeing that it’ll be performed on Thursday with the full compliment of world-class musicians, but we have heard that Fat Belly Bella has been creeping around the Bay recently, performing at the Bonobo show at the Warfield earlier this month. Manifest it, friends. The video is genius: 

Janelle Monae at SF Symphony

Thu/16, 7pm reception, 8pm show, $150-340

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.sfsymphony.org

YEAR IN MUSIC 2012: Blowing like the wind

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marke@sfbg.com

SUPER EGO Look, if I was doing my job properly, there’s no way in Hello Kitty I’d remember what happened on the club scene the past year. It’s all fuzzy shapes and drunk colors, like Barbara Bush in a bathhouse. Last February, it took me two whole pages of tiny type just to list my favorite weekly clubs, so I’m not gonna go into all that here. (I will say that parties like Housepitality, Honey Soundsystem, Lights Down Low, Icee Hot, Dub Mission, Non-Stop Bhangra, No Way Back, As You Like It, Forward, Deep, Base, and Sunset continued to introduce us to incredible DJs. And wasn’t there someone from Detroit here, like, every week?) Here are some things, however, I do recall

Loudest: Body and Soul at Mighty — my ears rang for a week, my feet for three.

Wowest: Amon Tobin’s giant tetris of digital video projections for his ISAM Live 2.0 tour at the Greek Theater.

Scary-Hottest: International leather techno entity Luther at Folsom Street Fair.

Coolest: Marco De La Vega, cross-genre promoter of the year, watching from the DJ booth as a kick-ass $3000 light falls on a table’s-worth of Balam Acab and Andy Stott’s live electronic equipment at Public Works. Then finishing his cocktail before handling the ensuing panic.

Wowest, part 2: The SF Symphony’s American Mavericks concert series (including a Kate Bush-referencing piece by DJ Masonic), SF Opera’s “Nixon in China,” the amazing Soundwave Festival, the hella robust Electronic Music festival.

Trippiest: Those immersive projections at Public Works, which turned Laurent Garnier’s live show into a cartoon-heart-filled rave aquarium and Jeff Mills’ into a star-map vortex.

Cutest: The tiny flashing lights on the ceiling of the remodeled, excellent 222 Hyde.

Latest: We got a trap club (Trap City), a new wave of cyber-horror drag performance artists (at Some Thing, Dark Room, High Fantasy), a packed gay sports bar (Hi Tops), a great-sounding new club (Monarch), a lunchtime dance party (Beats for Lunch, also at Monarch), an outbreak of vogueing (everywhere), a queer nu-hip-hop club (Swagger Like Us), a queer funk classics party (Love Will Fix It), and a weird “sparkling alcohol water” (Air). But we lost Club Six, which I loved. Also I think dubstep died.

Loveliest: Dancing in a church with 30 other people to hip-house legend Tyree Cooper, singing along to “Turn Up the Bass.” Watching real house parties like The People blow up in the East Bay. Sipping homemade sljivovica behind the decks with DJ Zeljko of Kafana Balkan. Doing the jerk ’til I melted at Hard French. DJing (eek!) Club Isis classics on vinyl at Go Bang. I think I almost made out with Kenny Dope at Red Bull Music Academy? Oh, and running into you.

>>Check the rest of our YEAR IN MUSIC 2012 issue.

 

MARKE B.’S 2012 JAMS

1. Todd Terje, “Inspector Norse” This was a dance music year that sometimes seemed to vacillate among three primary moods — prim sophistication, moneyed “indulgence,” and too-broad jokes. But Norwegian Terje dared proffer the sweetest humor in this instant earworm’s worth of re-engineered nostalgia, embracing the cheery electronic toodles of early ’80s British and Scandinavian TV show themes (cf. especially “Grange Hill” and “Swap Shop,” though not “Inspector Morse”) and bringing smiles back to the dance floor.

2. John Talabot, FACT Mix 315 A spectacular year for the Spaniard, whose expansive take on the decades-old Balearic sound already had him pegged for a 2012 favorite, even before he dropped excellent album Fin, which toyed with melancholic UK bass sounds and yielded my second favorite tune of the year, hopelessly romantic “So Will Be Now” with Pional. But this mix for FACT showed that the dark underpinnings of witchy house and the sunstroked uplift of Ibiza could be reconciled via a tingly rush of subtle, brilliant psychedelia. Trippy, lovely, and the right little bit of creepy.

3. Plan B, “Ill Manors” I detested The Prodigy the first time around — they were goofy twats who had nothing to be angry about. No surprise “Firestarter” was played for the Queen at this year’s Olympics opening ceremony. So much for anarchy in the UK, although Azaelia Banks mashing it up with “212” at Coachella was fun. UK rapper-singer Plan B managed to weld the Prodigy (and nascent drum and bass) revival to the real world anarchic energy of last year’s UK riots, his Tchaikovsky-sampling tune shivering with council flat rage, ambivalent violence, Olympic protest, and youthful nihilism. Watch his self-directed, horrifically poignant shoestring video, then laugh at the Grammys as accolades rain down on Romain Gavras’ extravagant ripoff for “No Church in the Wild.”

4. Rrose, Smoke Machine Podcast 069 Electronic Body Music for our time, rippling with muscular textures and ethereal trap doors.

5. Justin Martin, Crackcast 019 For all the diversity of the local scene, the Dirtybird crew is still our major player on the global dance music stage. (Of our three big breakout acts this year, Safeword is rad, Poolside is cute, Pillow Talk leaves me cold so far.) Fine, I adore them. Nobody else sounds like they’re having more fun while slyly executing tricky, emotionally satisfying bass maneuvers like Claude VonStroke and his stable. This year was stellar for the fiendishly clever Justin in terms of addictive mixes (his album “Ghettos and Gardens” was good, too, but I took issue with the insensitive tone of some of the promotional materials). This podcast, along with his Fabric and Clash ones, never left my iRotation.

OTHERS: MK, Old School Classics Mix; Le1f, “Wut”; Azaelia Banks, “Fierce”; Fantastic Mr. Fox, “San’en”; Andy Stott, “Luxury Problems EP”; Dutch Uncles, “Fester”; Ripperton, “Let’s Hope”; Sailor & I, “Tough Love (Aril Brikha remix)”; Jessie Ware and Julio Bashmore, “110%,”; Disclosure, “Latch”; Prince Club and Steve Huerta, “Can’t Let Go”; Bwana, “Baby Let Me Finish (Black Orange Juice Remix)”; Stereogamous, “Feel Love Anew”; Little People, “Aldgate Patterns.”

Run over by a reindeer

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culture@sfbg.com

EVENTS

Union Square ice-skating rink Union Square, SF. www.unionsquareicerink.com. Through Jan. 16, 10 a.m.-11:30 p.m. except for when closed for private parties, $10 for 90-minute session. Sweetheart, the rink is open, grab my hand and try not to twist an ankle as we glide in circles around downtown’s living room.

Westin St. Francis sugar castle Westin St. Francis, Landmark Lobby, 335 Powell, SF. www.westinstfrancis.com. Through Jan. 24, on view 24 hours/day. Don’t lick it. For although this ever-growing sweet behemoth which each holiday season occupies the lobby of downtown’s classic luxury digs with its 1,300 pounds, 20 towers, 30 rooms, and sugar replicas of 2012’s movers and shakers has a hold on our heart, its original dimensions were sugar-spun back in 2005. Incredibly made, undeniably festive, but altogether inappropriate for dietary purposes.

Jack London Square holiday tree lighting Jack London Square, Oakl. www.jacklondonsquare.com. Nov. 30, 4:30-7pm, free. Performances by Disney-approved pop stars! Reindeer petting zoo! Miss California 2012 and a kids dress-up station with costumes from the Oakland Ballet! You’ll be hard-pressed not to find some holiday cheer at this annual lighting of Jack London’s fir tree for the masses.

Oakland-Alameda Estuary Lighted Yacht Parade Visible from Jack London Square, Oakl. www.lightedyachtparade.com. Dec. 1, 5:30pm, free. Let those cheeks get rosy, it’s boat-watching time. This yearly tradition sees the yacht owners of the East Bay putting their aquatic rides on display, stringing bulbs galore across decks and sails.

Festival of lights Union between Van Ness and Steiner, Fillmore between Union and Lombard, SF. www.sresproductions.com. Dec. 1, 3-7pm, free. Wiggle your nose at Santa at this explosion of twinkly tinsel and Cow Hollow reindeer — today Union Street puts on the holiday glitz and lays out the welcome mat. Cudworth Mansion (2040 Union) will be hosting a cupcake-decorating session from 3:30-5:30pm, at which Old St. Nick himself will make an appearance out front.

Golden Gate Park holiday tree lighting McLaren Lodge, 501 Stanyan, SF. www.sfrecpark.org. Dec. 6, 5pm, free. A tradition started by Golden Gate Park grandfather and San Francisco’s first park superintendent John McLaren in 1929, the lighting of the tree returns to Fell Street for the 83rd year in a row. Accompanying fanfare includes live performances, carnival rides, and a visit from Saint Nick.

Great Dickens Christmas Fair Cow Palace, 2600 Geneva, SF. www.dickensfair.com. Fri/23 and Sat.-Sun. Sat/24-Dec. 23, 10am-7pm, $21-25. For an ace weekend drunk this holiday season, toodle over to the Cow Palace. Once ensconced in the warm period embrace of the Dickens Fair, you will have the run of five bars (absinthe!), a multitude of meat pie shoppes, hilarious accents, near-constant stage shows, and the company of “famous Victorians,” including Charles Dickens and Her Majesty, the queen herself.

Family holiday crafts day Randall Museum, 199 Museum Way, SF. (415) 554-9600, www.randallmuseum.org. Dec. 1, 10am-3pm, free admission, activities fees vary. Bring the kiddos to the always-free-admission Randall Museum so they can spend the morning making holiday decorations and gifts. Cap off the morning with a performance by Asian American performance troupe Eth-Noh-Tec and its fusion of ancient and contemporary movement.

Community Hanukkah candle lighting Jewish Community Center, 3200 California, SF. (415) 292-1200, www.jccsf.org. Dec. 8-14, 4:30pm, free. Join up with your neighbors for the Jewish Community Center’s daily lighting of the menorah in the building’s atrium. Attend the Shabbat celebration on Dec. 14 for a family storytelling session, grape juice, hallah, and Hanukkah gelt.

Bill Graham Menorah Day Union Square, SF. www.chabadsf.org. Dec. 9, festivities start at 3pm, menorah lighting at 5pm, free. Each day from December 8-15, a candle will be ceremoniously lit on the Bill Graham mahogany menorah, a gift from the famous San Francisco promoter to his city. But on the 9th, Bill Graham Menorah Day festivities will occupy Union Square, a beautiful beginning to the Festival of Lights in the city.

Public library winter celebration Bernal Heights Library, 500 Cortland, SF. www.sfpl.org. Dec. 12, 6:30-8:30pm, free. The library’s got all kinds of free holiday programming this year, from cupcake-decorating and card-making to a magic show with a winter wonderland theme. Today’s no exception: join the Bernal Heights community for a kid-friendly celebration featuring the Bernal Jazz Quintet, refreshments, and children’s movies.

Frosting the Conservatory Conservatory of Flowers, 100 John F. Kennedy, SF. (415) 831-2090, www.conservatoryofflowers.org. Dec. 15, 11am-3pm, $10. Make your own ginger-greenhouse at this event amid the hothouse blooms of the Conservatory of Flowers. This events gets our thumbs-up for guaranteed toastiness, because being warm and cozy is a pre-req for Christmas cheer.

Jewish Christmas with Broke Ass Stuart The Make-Out Room, 3225 22nd St., SF. www.makeoutroom.com. Dec. 25, 5-11pm, $10. Strip dreidel set to the tune of streaming Woody Allen, Larry David, and Sascha Baron Cohen footage sounds like our kind of Christmas. Such was the vision of DJ Matt Haze and host Broke Ass Stuart, who designed this kitschy extravaganza for all of you (Chosen and Left Behind alike) who can’t stomach staying in on a perfectly good day off. Did we mention there will be a Chinese food buffet?

Kwanzaa celebration Bay Area Discovery Museum, 557 McReynolds, Sausalito. www.baykidsmuseum.org. Dec. 26, 9am-5pm, free. A traditional Kwanzaa altar will greet you upon arriving at the kids museum’s celebration of African-American culture, featuring two performance (at 11am and 1pm) by African Roots of Jazz.

PERFORMANCE

The Christmas Ballet Various times and Bay Area locations. www.smuinballet.org. Nov. 23 — Dec. 23, $25-65. Back by popular demand, the Smuin Ballet Company returns with this annual production, split this year into two acts: “Classical Christmas” and “Cool Christmas.” Both promise eye-opening, energetic entertainment set to eclectic tunes from Elvis to klezmer.

A Christmas Carol American Conservatory Theatre, 415 Geary, SF. (415) 749-2228, www.act-sf.org. Nov. 30-Dec. 24, various times, $20–$160. Stressful election year and rumors of apocalypse tightened those purse strings? Exorcise your inner Scrooge at this classic stage production of Charles Dickens’ terrifying ode to generosity and kindness towards diminutive children.

The Golden Girls: The Christmas Episodes Victoria Theatre, 2961 16th St., SF. www.victoriatheatre.org. Dec. 6-30, Thu.-Sat. 8pm, Sun. 7pm, $30. Our cover girl Cookie Dough co-stars as Sophia Petrillo in this now-traditional SF holiday stage production of the classic sitcom that employs more shoulder pads, even, than the original TV show. You’ll never know a catty elderly network television star until you’ve seen her re-enacted by a drag queen. Buy tickets pronto, the shows usually sell out.

California Revels Oakland Scottish Rite Center, 1547 Lakeside, Oakl. (510) 452-8800, www.californiarevels.org. Dec. 7-9, 13-15. Fridays 8pm, Saturdays and Sundays 1 and 5pm, $20-55. Feast and family are cornerstones of this annual interactive period piece performance celebrating the winter solstice. Hoist your mead and turkey leg and sway to the music, friends, good times will be upon ye here.

The Nutcracker Palace of Fine Arts, 3301 Lyon, SF. www.cityballetschool.org. Dec. 8, 2pm & 7pm; Dec. 9, 2pm, $20. Yes, everyone does The Nutcracker. At this point, it’s like the Rocky Horror Picture Show of ballet. (Would that ballet patrons donned Rat King costumes to attend!) Embrace the tradition, and check out the City Ballet School’s production of a classic.

Charles Phoenix Retro Holiday Show Empress of China Ballroom, 838 Grant, SF. www.charlesphoenix.com. Dec. 12, 8pm, $25. The creator of the Cherpumple, a pie-stuffed cake concoction that rises to the dizzying heights of kitsch, humorist Charles Phoenix celebrates the retro in every occasion. Tonight, he regales the crowd with tales of his favorite SF landmarks, road trips, and yes, feats of food fantasy.

Holiday youth mariachi concert Mission Cultural Center for Latino Arts, 2868 Mission, SF. www.missionculturalcenter.org. Dec. 14, 7:30-9pm, $15. Three mariachi troupes made of young people join forces for this exciting holiday program. The hat-dropping, guitar plucking action will be highlighted by Zenon Barron’s Mexican youth folk dance class.

The Snowman Davies Symphony Hall, 201 Van Ness, SF. (415) 864-6000, www.sfsymphony.org. Dec. 22, 11am, $13.50-57. Even the smallest budding season ticket holder will find this film-symphony presentation of Joe Nesbø’s classic children’s book a welcome boost to their holiday cheer. The animated version of this story of a youg’n’ whose bud is a Frosty-like chap will soar when paired with the world-class musicians of the SF Symphony.

Kung Pao Kosher Comedy New Asia Restaurant, 772 Pacific, SF. www.koshercomedy.com. Dec. 22-25, various times, $44-64. There’s nothing like having dinner on Christmas to up your alterna (or simply, not pan-Christian) cred. Add stand up comedy and you have a winning formula, which is obvious from the longevity of Lisa Gedulig’s annual show. This year features yucks from Judy Gold, Mike Capozzola, and Adrianne Tolsch.

Clairdee’s Christmas Yoshi’s San Francisco, 1330 Fillmore, SF. (415) 655-5600, www.yoshis.com. Dec. 24, 8pm, $20. Everything could use a little soul in lives and the holidays are no exception. Come hear the sounds of soul-jazz vocalist Clairdee, and soak in her ensemble’s rhythmic takes on Christmas standards.

“Holiday Memories” double feature A rare 16mm showing of Dylan Thomas’ A Child’s Christmas in Wales will be accompanied by a screening of The Sweater, a tale of a young hockey player’s passion for the sport, and the dangers that come of wearing the wrong jumper. Dec. 22, 2pm, Exploratorium, 3601 Lyon, SF. (415) 563-7337, www.exploratorium.edu

PEACE ON EARTH

Darkness and Light: A Hanukkah Meditation Retreat Jewish Community Center, 3200 California, SF. (415) 292-1200, www.jccsf.org. Dec. 9, 10am-5pm, $50-60. No prior experience is needed for this day-long workshop on finding the light within during the Hanukkah season. Sitting and walking meditation will be covered — the perfect primer for a month that can try the patience of even the most festive reveler.

Winter solstice ceremony San Francisco Zen Center, 300 Page, SF. (415) 863-3136, www.sfzc.org. Dec. 21, 6:15pm, free. Recharge on the longest night of the year in the peaceful confines of the SF Zen Center. The crowd here promises to be made of meditation newbies, Zen Center students, and all those in-between. It will also be your best bet to avoid jingles and tinsel, if that’s what your body is craving at this point.

Reclaiming’s Sing Up The Sun ritual Inspiration Point parking lot, Tilden Park, Berk. www.reclaiming.org. Dec. 21, 6:30am, free. Wake up before the sun does to greet it on this, the day of the year when it spends the least time out of its bed. A pagan celebration, you’re welcome to bring musical instruments and a warm Thermos of liquid to the community gathering.

GIFTS

Celebration of Craftswomen Herbst Pavilion, Fort Mason Center, SF. (650) 615-6838, www.celebrationofcraftswomen.org. Nov. 24-25, Dec. 1-2, 10am-5pm, $9 or $12 two-day pass. The first edition of this alternative holiday fair took place 34 years ago at the now-defunct Old Wives’ Tales Bookstore on Valencia Street with 22 female makers-of-things. Today, the event fills the Herbst Pavilion, features 150 juried artists and a mini-film festival. It’s still the best place for feminist shopping, some things don’t change.

Holiday Design Bazaar Intersection for the Arts, 925 Mission, No. 109, SF. www.artsedmatters.org. Nov. 30, 5-8pm; Dec. 1, noon-6pm, free. An arts fair with 25 local creators, plus live music and refreshments that may well make a difference in our kids’ art education. The event is a benefit for Arts Ed Matters, a group that is looking to build community support for art in schools.

Creativity Explored holiday art sale Creativity Explored, 3245 16th St., SF. www.creativityexplored.org. Dec. 1-2, noon-5pm, free. Shop at this studio for developmentally-disabled artists and half of your bill will go straight into their pocket — standard practice for Creativity Explored, which has been the real-deal spot for outsider art in San Francisco since 1983.

Paxton Gate holiday party Dec. 1, 3-6pm at Paxton Gate’s Curiosities for Kids, 766 Valencia; 8-10pm at Paxton Gate, 824 Valencia, SF. (415) 824-1872, www.paxtongate.com. One of the city’s most beloved families of taxidermy/kid’s toys/nursery shops, Paxton Gate is turning two decades of age this weekend. What better time to shop there? And what better to get your face painted “Victorian-style” (?!), check out stilt walkers and an accordionist-ballerina duo, and eat snacks during the day at its kids location — then walk two doors down later that night for more circus freakery, door prizes and a Hendrick’s gin open bar at 826 Valencia’s pirate shop?

Palestinian Craft Fair Middle East Children’s Alliance office, 1101 Eighth St., Berk. www.mecaforpeace.org. Dec. 1-2, 10am-5pm, free. Sip Arabic coffee while you paw through painted ceramics from Gaza, children’s book, scarves, West Bank olive oil, and more at this chance to support a nonprofit benefiting craftspeople living in Palestine — a particularly salient cause in this year of war and turmoil.

Bazaar Bizarre Concourse Exhibition Center, East Hall, 620 Seventh St., SF. www.bazaarbizarre.org. Dec. 1-2, 11am-6pm, free. This traveling indie craft fair stocks all the twee and yippee you need to get your gift recipients in your pocket. New in 2012: a mini-version of Forage SF’s Underground market, for all your small biz-sourced holiday edible needs.

Muir Beach Quilters Holiday Arts Fair Muir Beach Community Center, 19 Seascape, Muir Beach. www.muirbeach.com/quiltersfair. Dec. 1, 10am-5pm, Dec. 2 10am-4pm, free. Make a blustery beach journey that has time to spare for handicraft browsing. This annual gift fair stocks locally-made knickknacks by local groups (Muir Beach Garden Club included), and has more than retail opportunities. Hands-on crafts bars will stoke the creative fire of kids and big person shoppers alike.

La Cocina Gift Bazaar Crocker Galleria, 50 Post, SF. www.giftbazaarsf.com. Dec. 7, 1-7pm, free. You’re not going to have problems finding foodie-friendly presents at this fair — but getting them safely to their intended destination sans bite marks might be a problem. La Cocina business incubator program graduates Clairesquares, Onigilly, Love & Hummus Co., Chiefo’s Kitchen, and more will all have their wares for sale.

East Bay Alternative Book and Zine Fest Berkeley City College, 2050 Center, Berk. Dec. 8, 10am-5pm, donations suggested. www.eastbayalternativebookandzinefest.com. For the indie comic nerds on your list, you’ll want to check out this expo of all things zine. Talks by New Yorker illustrator Erik Drooker and Go the Fuck to Sleep author Adam Mansbach spice up the fair’s schedule and there’s rumor of a dance party to take place at day’s end.

KPFA Crafts Fair Concourse Exhibition Center, 635 Eighth St., SF. www.kpfa.org/craftsfair. Dec. 8-9, 10am-6pm, $10. Our public radio station hosts 220 artists and their wares for this no-brainer shopping weekend. Pick up unique wrapables from leather fashion to gourmet snacks to lotions and creams to pamper your loved ones.

Mercado de Cambio/The Po’ Sto’ market and knowledge exchange 2940 16th St., SF. www.poormagazine.org. Dec. 15, 3-7pm, donations suggested. We can pretty much guarantee you that there is no other gift fair that will have better hip-hop music. The Mercado de Cambio organized by POOR Magazine aims to counterbalance the corporatization of our holiday season. Go here for aforementioned live beats, indigenous crafts, Occupy gear, and POOR-published literature.

Renegade Craft Fair holiday market Concourse Exhibition Center, 635 Eighth St., SF. www.renegadecraft.com. Dec. 15-16, 11am-6pm, free. A DIY gift wrap station is one of the attractions at this one stop for cute gift shopping, which makes one of its two yearly appearances in the Bay Area for the holiday season. The Oakland Museum of California will truck out its mobile “we/customize” exhibit, and of course, there will be crafters: over 250 will have booths hawking clothes, accessories, home stuff, kid stuff — most handmade, and most awesome.

 

Our Weekly Picks: October 31-November 6

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WEDNESDAY 31

Halloween at Thee Parkside

There was a pretty sizable chunk of paper last week dedicated to the eye-popping range of spooky/trashy/candy-coated Halloween events out there for you to dig into. Though on this night, this favorite holiday of many, I throw my vote to the tribute band. It’s just fun to see local bands dressed as other bands, rocking a catalogue they likely researched on Wikipedia and/or Youtube. That’s why I doff my cat-eared hat to Thee Parkside’s linup: Glitter Wizard as the Seeds, Twin Steps and the Cramps, Meat Market as G.G. and the Jabbers, and the Parmesans as the Kinks. Plus, some monster mashups via DJ Dahmer, MOM’s spook booth, tarot card readings, and (creepy?) silent film projections. (Emily Savage)

8pm, $8

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

THURSDAY 1

Mr. Kind

Less than a year old, Oakland foursome Mr. Kind is still in its infancy. But when the band formed in March, it hit the ground running, releasing its first EP OK just a few months in. Now, three months later, Mr. Kind is taking on another ambitious project by playing Wilco’s Yankee Hotel Foxtrot in its entirety. The 2002 best-selling, alt-country masterpiece celebrated its 10th anniversary this year. When the band discussed which album they wanted to honor with a tribute show, Yankee Hotel Foxtrot was the unanimous choice, described in the group’s press release as “a classic album that has played a big part in influencing the members of Mr. Kind.” To top off the celebration, Mr. Kind will be joined onstage by various Bay Area musicians, including members of Please Do Not Fight and Finish Ticket. And one more thing: be sure to keep wearing your costume, Halloween’s not over yet. (Haley Zaremba)

With River Shiver, Marquiss

9pm, $10

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

 

When We Were Young and Dumb: the Stranger vs. Believer

You’re currently reading the San Francisco Bay Guardian (thanks!), but if you lived in Seattle, you would probably be scanning Dan Savage’s home paper, the Stranger. As comrades in free-thinking liberal media, we can’t help but support their appearance in a face-off with another great publication, the Believer. One of Dave Eggers many projects, the literary journal lets writers do what they do best: ramble. It started by publishing only rejects from other literary journals and now specialize in longer form interviews and original work. Writers from both publications will be speaking of their younger days, including some key cornerstones: Jesus, LSD, and virginity. (Molly Champlin)

6pm, free

Makeout Room

3225 22 St., SF

(415) 647-2888

www.makeoutroom.com

 

Kirk Von Hammett Presents: Day of the Dead Bash

That guy from Metallica? Stringy-haired lead shredder Kirk (Von) Hammett? He’s also way into horror paraphernalia, and has packed his home with a collection of monster-movie memorabilia, including Bela Lugosi’s Dracula script and original Frankenstein posters. He’s got so much stuff, that he compiled an entire 224-page coffee table book on the subject — Too Much Horror Business — and will fête said tome’s release with zombies, Day of the Dead burlesque by Hubba Hubba Revue, and live performances by veteran Concord metal band Death Angel, and local string-metal trio Judgement Day tonight at Public Works. (Savage)

9pm, $13.99

Public Works

161 Eerie, SF

(415) 932-0955

www.publicsf.com


FRIDAY 2

“Private Life Studies”

Being a soldier and an artist is not a natural fit. But think about it. For both you need dedication, discipline, a willingness to submit your ego to something bigger than yourself and, for dancers, an ability to work with others. So, perhaps, it should be no surprise that Private Freeman, one of ODC/Dance’s most generous, witty, and focused dancers, managed to successfully integrate these two, seemingly contradictory impulses. Deborah Slater’s work-in-progress Private Life Studies is exploring some of these issues as a series of “dance stories”, based on strategies from Sun Tzu’ “The Art of War.” Sun was just one of some of history’s most brilliant minds writing about war; Machiavelli and von Clausewitz were others. Odd, isn’t it? (Rita Felciano)

Also Sat/3, 8pm; Sun/4, 2pm, $15–$25

CounterPULSE

1310 Mission St. SF

(877) 297-6805

privatelife-eorg.eventbrite.com

 

Day of the Dead altars and procession

Although the changing nature of the crowd at the Mission’s annual night of remembrance for those who’ve passed has earned it the affectionate nickname “Dia de los Dead Gringos,” there’s no denying that the community-led, candle-lit procession and park full of homemade altars can be breathtakingly lovely. Arrive early at Garfield Park to tiptoe around meticulously, sometimes even extravagantly decorated tributes to dead family members and public figures. Add a note of your own to the interactive exhibits, and await the arrival of the costumed procession, whose inevitable approximations of La Catrina are a distinctly San Franciscan way of celebrating the holiday. (Caitlin Donohue)

Procession: 6-7pm, free

Starts at Bryant and 22nd St., SF

Festival of Altars: 6-11pm, free

Garfield Park

Harrison and 26th St., SF

www.dayofthedeadsf.org

 

Chilly Gonzales

It’s not hard to come up with a list of catchy things about Chilly Gonzales to entice you to go to his show. And he knows it. While his strongest talents lie in piano, he has made quite a scene on Youtube, adapting his skills to popular demand with his genuine love of rap (and bongos, hula hoops, and pink suits). He has provided compositions for Feist, Drake, and Steve Jobs and then turned the tables to rap with the BBC Philharmonic Orchestra. Now though, like a true artist, he’s returning from his pop adventures and getting serious with his latest work, “Piano Solo II,” which is mostly short piano pieces showcasing serious skill in a still modern, easily digestible format. (Champlin)

8pm, $20

Swedish American Hall

2170 Market, SF

(415) 861-5016

www.cafedunord.com


SATURDAY 3

Informant

No documentary subject in recent memory is as infuriating as Brandon Darby — the radical activist turned FBI informant turned Tea Party chucklehead at the center of Informant, local documentary filmmaker Jamie Meltzer’s most recent work. (Prior to this, Meltzer was probably best-known for 2003’s wonderfully bizarre Off the Charts: The Song-Poem Story.) Scream at the screen (you will want to) at Other Cinema tonight, Informant’s first local showing since its San Francisco International Film Festival bow earlier this year. (Cheryl Eddy)

8:30pm, $6

Artists’ Television Access

992 Valencia, SF

www.othercinema.com

 

SF Symphony Dia de los Muertos community concert

Is a skeleton a xylophone or a marimba? You can bet your sweet sugar skull there’ll be an ocean of chromatic bones, dancing akimbo, at the vibrant annual celebration of the afterlife. The family favorite boasts performances from the SF Symphony Youth Orchestra (playing Aaron Copland’s El Salón México and Jose Pablom Moncayo’s Huapango), dance company Los Lupeños de San José, Mariachi Nuevo Tecalitlán, and more, all narrated by the twinkling Luis Valdez, “father of Chicano theater.” Face painting, paper flower-making, tons of colorful art, and a pre-show by the Mixcoatl Anahuac Aztec dancers, the 30th Street Chorus, and the Solera singers boost the fun — but really they had us at cinnamon-infused Mexican hot chocolate and pan de muerto. (Marke B.)

2pm, $17.50–$68

Davies Symphony Hall

401 Van Ness, SF.

(415) 864-1000

www.sfsymphony.org

 

AU

In my younger and more vulnerable years, certain music videos left definitive scars on my brain. Faith No More’s “Epic” — seemingly an over-the-top ode by Mike Patton to drowning fish and exploding pianos — taught me the meaning of the word in a way that no amount of Greek literature could. Things have largely remained that way until listening to the latest adventurous pop album from Portland’s AU, which opens with another “Epic” — an instrumental soundscape where technical, Hella-tight drumming is joined by impossibly high rising GY!BE guitars as part of a larger Tim-Riggins-winning-the-big-game-triumphant structure. The lexographically challenging track is only the first surprise on the record, and demands a live rendition. (Ryan Prendiville)

With Zammuto

9pm, $15

Independent

628 Divisadero, SF

(415) 771-1421

 www.theindependentsf.com


SUNDAY 4

Kid Koala

It’s been a big year for Eric San, the Montreal turntablist better known as Kid Koala. Not only did he contribute to the revival of Deltron 3030 after a decade-long hiatus; he’s also managed to release 12 Bit Blues, his first solo record in six years. Conceptually inspired and determined, the album utilizes a clunky, old-school sampler, à la Public Enemy, to reconstruct blues music from the ground up, resulting in a man vs. machine sort of tension that makes for a constantly engaging listen. Luckily, for those fans hesitant to watch a dude spin records for two hours, Kid Koala’s “Vinyl Vaudeville Tour” is loaded with bells and whistles to keep things interesting: Puppets! Dancing girls! Parlor games! Robots! If only more electronic acts were bold enough to co-opt these kooky antics of the Flaming Lips variety. (Taylor Kaplan)

With Adira Amram and the Experience

9pm, $20

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com


MONDAY 5

Jens Lekman

“Hey do you want to go see a band? No I hate bands. It’s always packed with men spooning their girlfriends, clutching their hands, as if they let go their feet would lift off the ground and ascend,” Swedish pop master Jens Lekman sings on I Know What Love Isn’t, his first full-length since 2007’s classic Night Falls Over Kortedala. Gone are the enraptured recollections of romantic highs — this is the ever autobiographically charming Lekman, soberly looking at relationships from the outside. But on this “break-up” album, Lekman’s observations on past failures and limitations break through to a melancholic optimism for the future. Recreating the album’s full palette of ’80s balladry, Lekman will be performing with a full band. (Prendiville)

With Taken By Trees, Big Search

8pm, $25–$35

Fillmore

1850 Geary, SF

(415) 346-6000

 www.thefillmore.com

 

TUESDAY 6

Reverend Peyton’s Big Damn Band

Reverend Peyton’s Big Damn Band must be exhausted. Not only does the trio have to live up to its highfalutin’ damn big title, it found time this year to release its eighth full-length album while maintaining its ridiculous, awe-inspiring average of 250 shows per year. The Indiana-based Americana blues band consists of a Reverend Peyton on guitar and vocals, his wife Breezy on washboard, and Peyton’s cousin, Aaron “Cuz” Persinger on drums. For the band’s newest effort Between the Ditches, the Rev. and company slowed down enough to get into a studio and lay out the record instrument by instrument, track by track, instead of recording it live all in one big, enthusiastic rush as usual. The result is a beautifully recorded bit of nostalgia that transports the listener to a big wraparound porch in the Southern summer. And trust me, it’s exactly where you want to be. (Zaremba)

With The Gypsy Moonlight Band, Anju’s Pale Blue Eyes

9pm, $10

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

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