San Francisco

Ma leads fight against Tibet resolution

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By Tim Redmond

San Francisco Assembly member Fiona Ma led the battle in Sacramento to derail a pro-Tibet resolution, leaving some activists scratching their heads.

Sure, the measure was sponsored by a Republican, Sam Blakeslee, R-San Luis Obispo, and sure, that made some Democrats nervous. But frankly, it wasn’t that big a deal — the Assembly passed a virtually identical resolution last year, honoring the Dalai Lama. The U.S. Congress has passed stronger pro-Tibet resolutions.

Ma, however, insisted it would harm U.S.-China relations:

“[The Obama] administration has been proactively engaging in diplomacy with China including human rights,” Ma said. “I believe we shouldn’t undermine the proactive efforts being done at the federal level.”

I asked her by email why it was fine to pass a pro-Tibet resolution last year, but not okay this year. Her response:

Last year was a different time and situation. I asked to send this Resolution back to committee for further review. I’m proposing amendments so will let you know what happens.

Tom Ammiano, who also represents San Francisco, scoffed at the move to send the measure to the Rules Committee, which typically means a bill is dead. “I wanted it voted on on the floor,” he told me. “It had the votes to pass.”

Typically, sending a bill

Sonic Reducer Overage: Farflung, MSTRKRFT, Eleni Mandell, the Homosexuals, and mo’

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Men at work: MSTRKRFT’s “Work on You.”

Yes, San Francisco, you’re unstoppable. As usual, the city by the Bay bays – nay – howls at the moon. More worthy sounds that didn’t make it to print.



Judgement Day

The Bay Area band is using the tools of Bach and Beethoven for… devil horn-throwin’ eve-ill! Wed/18, 8 p.m., $10. Cafe du Nord, 2170 Market, SF. (415) 861-5016.

Eleni Mandell and Victor Krummenacher
The LA singer-songwriter strikes an arch, jazzy note with her praised **Artificial Fire** (Zedtone) and the ex-**Guardian** art director digs deep with **Patriarch’s Blues** (MagneticMotorworks, 2008). Thurs/19, 8 p.m., $12-$15. Cafe du Nord, 2170 Market, SF. (415) 861-5016.

Swedish fetish

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Americans have always been lured by the siren call of those blindingly blonde babes and bewitching blue-eyed boys, but what exactly is "it" about Sweden that keeps us wanting more? The country is known for being progressive, well educated, sexually liberal, and neutral in wartime. A Swede even holds the Guinness World Record for spinning the most yo-yos simultaneously (nine).

Sweden has infiltrated American style; I don’t know anyone who doesn’t own at least one thing from Ikea, H&M, or Cheap Monday. These companies convey a sleek, stackable, skinny image. This impression is debunked slightly by the current Yerba Buena Center for the Arts exhibition "Irreverent: Contemporary Nordic Craft Art," a showcase for clothes you can’t wear and furniture you can’t use, such as Frida Fjellman’s chandeliers populated by glass owls and frosted squirrels.

There are also the images Bergmania has left us: stunning and haunting images of long coastlines, 18 hours of daylight in June, and splendid mountain ranges shrouded in December darkness. The snow-white vampires of Tomas Alfredson’s Let the Right One In (2008) proliferate our nightmares. The comic glum chums of Roy Andersson’s You the Living (2007) will soon come calling.

For a country with a landscape that’s roughly equivalent to California and a population of about 9 million, Sweden is an impressive exporter of music — the third largest in the world, bested only by the U.S. and U.K. The boom began in the 1970s with those pop perfectionists, ABBA, who crossed the Atlantic to bliss us out with the melancholy euphoria of 1976’s "Dancing Queen" (their sole U.S. chart-topper, although they were the most commercially successful band of the decade).

Following ABBA’s footsteps and to some degree formula, lesser and at times laughable groups emerged from Sweden in the 1980s to reinforce the bright blonde stereotype. Europe advised us to "Open Your Heart" and Roxette counseled to "Listen to Your Heart." Although these acts managed to break into the mainstream, none attained the same timeless staying power of Agnetha, Benny, Björn, and Anna-Frid, with their teen anthems about sneaking out under mama’s nose and "having the time of your life," and their darker, more adult post-Arrival (Polar, 1976) material.

The 1990s only solidified Sweden’s reputation as a pop paradise. It brought some ludicrous acts, such as Rednex with 1994’s "Cotton Eye Joe." But Ace of Base gave us "The Sign" in 1993, and the Cardigans crafted powerful, lasting songs and even albums. Perhaps most notably, Max Martin made Britney Spears famous by writing and producing her 1998 debut single "… Baby One More Time" and creating many more hits for her and the Backstreet Boys. He also collaborated with Robyn, who has achieved cult and critical success at home and more recently in the U.S. with her own songs.

In the 21st century, Sweden’s international music presence has grown more multifaceted. The Hives brought rock to the American charts in 2000 with "Hate To Say I Told You So," and American indie kids and Kanye West went bananas in 2006 for the whistling jam "Young Folks" by Peter, Björn, and John, whose fifth and newest album Living Thing is set for release this month. The female vocalist on "Young Folks," ex-Concretes member Victoria Bergsman, is now focusing on a solo project, Taken By Trees. Psych-folk-jazz rockers Dungen put out their fourth proper album, helpfully titled 4, last fall. The group’s U.S. label is Kemado, while its sound is increasingly Komeda — as in Roman Polanski’s early film composer Krzysztof Komeda.

The Swedish acts, if not hits, keep coming: last month brought femme foursome Sahara Hotnights’ album of cover versions Sparks (Universal); January delivered delicate folkster Loney Dear’s Dear John (Polyvinyl); and charming, Björk-influenced Maia Hirasawa puts out her second album next week. The beautiful Lykke Li recently played the Fillmore, where her opening act, the Västra Götalands Iän duo Wildbirds and Peacedrums, was to die for. Indie-pop trio the Bell recently played the Independent, and the Dylan-inspired Tallest Man On Earth (a.k.a. Kristian Matsson) breaks free from touring with Bon Iver to headline shows in support of the acclaimed Shallow Grave (Gravitation).

Sweden’s second largest city, Gothenberg, plays host to lovelorn troubador Jens Lekman, Madchester-influenced boy duo the Tough Alliance, and doo-wop dolly El Perro del Mar. Another Gothenberg resident, acoustic singer/songwriter José González, gained popularity in 2003 when his cover of Swedish electro duo the Knife’s "Heartbeats" was set to a Sony commercial in which 250,000 colored balls bounced down the steepest streets of San Francisco.

González’s version of "Heartbeat" resparked interest in the Knife’s original, and brother and sister duo Olaf Dreijer and Karin Dreijer Andersson built on that audience with 2006’s critical fave Silent Shout (Mute). This week, sister Karin introduces her solo recording project, Fever Ray. Like her work with the Knife, the 10 songs on Fever Ray (Mute) couple icy electronic atmospheres with quite literal lyrics — one song even refers to dishwasher tablets.

Whatever the "it" is that has captured the hearts of so many Americans and sent all these acts across the ocean to us, it continues to grow and assume new forms. If you ever make the trek to pop paradise, remember: they refer to Swedish Fish as "winegum candy" in Sweden. It’s kinda like how the French don’t use the term "french fries."

THE TALLEST MAN ON EARTH

with Herman Dune

March 25, 7:30 p.m., $12–$14

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

West ghost

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› johnny@sfbg.com

This land isn’t your land, or my land, and it wasn’t made for you and me — such is the insightful and incite-full impression one gets from California Company Town, Lee Anne Schmitt’s beautifully photographed, concisely narrated, and ominously structured look at the Golden State and the state of capitalism. Sneak previewing at Other Cinema for one night before it screens in full 16mm glory at the upcoming San Francisco International Film Festival, Schmitt’s labor of love, shot between 2003 and 2008, is a provocative piece of American history. On a semi-buried level, it’s also an extraordinary act of personal filmmaking that subverts various stereotypes of first-person storytelling by women while simultaneously learning from and breaking away from some esteemed directors of the essay film.

Categorically speaking, Schmitt’s left-leaning survey of the American landscape belongs next to recent cinematic people’s histories such as Travis Wilkerson’s An Injury to One (2002) and John Gianvito’s Profit Motive and the Whispering Wind (2007). Her dedicated photographer’s eye for still-life truths of American sightseeing is influenced by Cal Arts filmmaking elder James Benning, while her carefully selective use of archival audio — in particular, radio — makes California Company Town an understated female answer to the gay reading of homophobia in Ohio within William E. Jones’s too-obscure classic of new queer cinema, Massillon (1991).

One by one, California Company Town investigates this state’s ghost towns — doom-laden boomtowns of the past where today, at best, bedazzled modern day cowboys and cowgirls reside and line dance for tourists. Surveying forgotten landscapes that verge on post-human, Schmitt has an eye for signs of the times, whether they be literal ("USA WILL PREVAIL" on a theater’s marquee in Westwood; "Stay out" spray-painted over a "Prayer Changes Things" billboard in Trona) or figurative: spider webs of broken glass; a tree falling through the roof of a house; punk rock kids skateboarding near factory ruins. She pairs these sights with the sounds of speeches by FDR, Eldridge Cleaver, Cesar Chavez, Ronald Reagan, radio testimonials, and — most contentiously — her deceptively flat voice-over, which renders each titular site as a place that looks like a dead end yet has roiling life beneath its stingy, abandoned surface.

California Company Town is a one-woman road movie. A lonely film, but also an act of strong resolve built to last — and, in its original filmic form, slowly decay. Over and over, from Chester to Scotia through to McCloud and even Richmond, Schmitt traces the varied yet similar ways in which private interests crush community and exploit natural resources. In the process, she reveals the ultimate forfeiting of American pride of ownership. Grim stuff, yet presented in a manner that ultimately flouts the dry speechifying of academia, doctrinaire ideologues, and public television pablum-pushers. Schmitt concludes her film with a mute final gesture designed to start arguments.

CALIFORNIA COMPANY TOWN

Sat/21, 8:30 p.m.; $6

Other Cinema at Artists’ Television Access

992 Valencia, SF

(415) 824-3890

www.othercinema.com

CALIFORNIA COMPANY TOWN is also screening April 30, May 2, and May 4 at various venues as part of the Golden Gate Awards Competition in the 52nd San Francisco International Film Festival. www.sffs.org>.

Say you, say me

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› superego@sfbg.com

SUPER EGO Adult contemporary is alive and well and thriving in Southeast Asia. I just touched down from a refreshing jaunt to that worldly hot spot: Cambodia a capitalist riot of beauty and pollution, untamed Laos a communist stoner’s wet dream. Everyone Hunky Beau and I met was gorgeous, despite the odd backpacker overload, which occasioned a few frightful spottings of crocadreadles — northern Europeans sporting poorly waxed dreadlocks, jingle pants, and stomach-churning Crocs.

Memo to the Danes: please stop.

Still, even that led to some perfect Putamayo moments, as when a lovely Jewish-Korean singer at Dead Fish Tower guesthouse in Siem Reap launched into her acoustic version of Daft Punk’s "One More Time." Many of the citizens themselves, however, seemed happily obsessed with Lionel Richie, Westlife, Yanni (it lives!), and Thailand’s answer to Nickelback, Big Ass. The gay clubs were pumping the usual homo-panglobal Kylie Minoguerrhea, sigh, yet the drag was way brill. But alternative DJ and dance music culture — and even the hip-hop aspirations my Amerocentric, quasi-Orientalist mind expected to sense in the region’s rapidly developing economic climate — seemed banished to the land of wind and ghosts.

I’d say I felt a little sorry for the baby-boom youth there, but who am I to make value judgments? Value judgments give me acne, Jessica Simpson — and a few weeks probably aren’t enough time to properly shake out an underground. Besides, here on the other side of the rim our dance charts are clogged with Lady GaGa blah-blah-blah, zombie Prodigy retreads, and something called "Total Dance 2009." Goddess help us all. If ever there was a moment to hit the reboot on Western mainstream dance music — hell, even drag to trash and go running with the night — this may be it.

THE ID LIST

MIKE SLOTT AND KOTCHY


"If you’re tired of all the retro shit, holla," woozes New York City’s Kotchy on one of his typical genre-fuck tracks, blending ambient squelches with trippy bloops from inner space. "Our culture must be in a coma, and I’m not a doctor." Glasgow-based future bass collective LuckyMe brings twilit melodies, brogue-inflected park bench rhymes, and wry Scots humor to the burgeoning genre. Both Kotchy and LuckyMe’s Mike Slott will bruise the speakers with live performances, while graffiti artists sear your sinuses, at this month’s installment of Bass Camp.

Thu/19, 9 p.m., $10–$15. 111 Minna, SF. www.111minnagallery.com, www.myspace.com/basscampsf

DAVIES AFTER HOURS


Do the words "electric strings" excite you as much as they do me? Yeah, that’s right, I’m a geek. The San Francisco Symphony, following in the frisky footsteps of other wildly successful nightlife-aware arts institutions, is launching a monthly post-performance shindig composed of cutting-edge styles. Cellist Alex Kelly’s avant-jazz combo kicks off this month, with electric strings and rock from NTL in April and the massive DJ Masonic with Mercury Lounge in May.

Fri/20, April 24, and May 22, after 8 p.m. concert, free with purchase of symphony performance ticket. Davies Symphony Hall, 201 Van Ness, SF. www.sfsymphony.org

WORLD OF DRUM ‘N BASS


The name may sound like a trade show — and I’m here to tell you that drum ‘n bass fans make pretty great trade — but this huge affair brings serious low-end to Temple’s multiple floors, and a boffo chance to reconnect with, and lose your droopy drawers to, the fractured sound of yore. Chase and Status, Radioactive, 2 Cents, A.I., Havoc, and more break it up. Let’s get ready to rumble.

Fri/20, 10 p.m., $20. Temple, 540 Howard, www.templesf.com

DJ SNEAK


Ah, Sneak, how you play with our heart-shaped equalizers. One minute you’re banging chunky techno tunes, the next you’re upping the bongos for some well-earned soul release — and then you drop some serious freaking Chicago house gangster shit on us and we can’t stop screaming. Through it all you keep a shroom-happy smile on our faces and work the soles off our Keds. Here’s to another 15 years of squeaking the woodwork, and your choo-choo new contribution to the Back in the Box series. With Hector Moralez and Oscar Mirada.

Fri/20, 9 p.m., $10–$20. Six, 66 Sixth St., SF. www.clubsix1.com

CLIVE HENRY


Anyone who caught house legend Francois K.’s head-scratching but still rewarding set at Vessel on March 12 may have taken away the same thought I did — the sparkling Balearic revival of the past few years has now congealed into a full-on non-ironic Ibiza attack. That’s kind of scary, but maybe the crappy-champagne-and-carnival-siren sound is an interesting comment on now. Prolific DJ and producer Clive Henry, of the glittery Circo Loco party based at Ibiza’s humongous DC10, may be the best person to help you rethink the microgenre at EndUp. Whether or not he’ll be sponsored by Got 2 B Magnetik hair gel with pheromones, like most Ibiza denizens, remains to be seen.

Sat/21, 10 p.m., $10–$20. EndUp, 401 Sixth St., SF. www.theendup.com, www.sensesf.com

BOOKA SHADE


The moody duo is still touring — and bridging the gap between thoughtful Berlin minimal and the more laconic side of electro. Yet why would Walter Merziger and Arno Kammermeier ever stop accumuutf8g bonus miles as one of the most acclaimed live acts in dance music, especially with their Get Physical label still scoring kudos and their hoards of ready and willing fans? You may have seen it all before, but that doesn’t mean it’s not the tits.

Sun/22, 8:30 p.m., $22 advance. Independent, 628 Divisadero, SF. www.theindependentsf.com

Station leaves the train

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› steve@sfbg.com

GREEN CITY The Transbay Terminal rebuild is moving forward, but this multi-modal downtown transportation station seems to be pulling away from what was supposed to be its showcase centerpiece — the California High-Speed Rail Project — before it can satisfy the design and capacity needs rail officials require.

San Francisco officials from Mayor Gavin Newsom to Sup. Chris Daly, who sits on the Transbay Joint Powers Authority (TJPA) Board of Directors, all say high-speed rail must be a component of the Transbay Terminal. Yet they were caught off-guard when the California High-Speed Rail Authority (CHSRA) recently made clear that the station would need to handle up to 12 trains per hour, more than double what current station designs can accommodate.

Even as phase one of the station got underway in December (see "Breaking ground," 12/10/2008), it lacked the more than $300 million needed for a so-called train box that would make it easier and cheaper to later bring high-speed rail and Caltrain into what would otherwise be a $4.3 billion bus station and commercial complex.

TJPA officials were struggling with how to secure that money, ideally through federal stimulus funds, when officials from CHSRA and Caltrain told a Feb. 25 Metropolitan Transportation Commission meeting that current designs were inadequate for their needs (see "Stimuutf8g transit, 3/4/09).

While the demand for straight platforms, rather than the curved ones TJPA designed, can be fairly easily addressed, the volume issue is far more significant and costly. During a March 12 TJPA meeting on the issue, engineers said that adding the third floor of trains that would be needed to handle 12 trains per hour would add $1 billion to the cost. Even if no train box is built, TJPA officials say that just the foundation work and deeper dig needed for the higher capacity would add $500–$700 million to the cost of the project’s first phase.

The good news is the federal stimulus package sets aside $8 billion for high-speed rail development, and Transbay Terminal is one of the few shovel-ready projects out there that would qualify for immediate assistance. The bad news is the criteria for attaining those funds won’t be ready by the time TJPA plans to sign its construction contracts in late May.

Delaying the project would not only increase costs and forestall the immediate economic stimulus impacts of the construction, it would also anger bus transit agencies such as AC Transit, which kicked in $57 million to the project. "AC Transit expects the TJPA to meet its commitment to AC Transit and its passengers, as well as keep the construction of phase one on schedule," AC Transit attorney Kenneth C. Scheidig wrote to TJPA March 11.

At the March 12 meeting, TJPA members uniformly reacted with dismay to their dilemma, criticizing CHSRA for its unrealistic demands. Program manager Emilio Cruz said the agency had designed to high-speed rail specifications and only learned in January of the desire for trains to run up to every five minutes during peak hours.

"They were presented without adequate justification for why they need increased frequency," Cruz told the TJPA board as he offered his analysis for why that frequency isn’t needed to handle the 12 million annual riders the system predicts for 2030 and noting that Tokyo — which has far greater volume and density — is the only high-speed rail station in the world to run 12 trains per hour.

CHRSA executive director Mehdi Morshed said Cruz isn’t a rail expert and disputed his analysis, noting that Tokyo and Paris each have multiple stations that together run far more than 12 trains per hour. He also noted that the BART system is at capacity after just 30 years.

"We are building a train that has the capacity to hold not just the riders in 2030, but beyond that," he said. "They are trying to fit the high-speed trains of the future in a very limited space, and we’re telling them that’s not adequate."

Morshed said his agency is still years away from getting into station design, but has been as accommodating as possible with TJPA’s desire to move forward now. Daly and others have pointedly criticized CHSRA and its chair, Quentin Kopp, to which Morshed said, "Sure, we can take all the blame, but how is that going to help San Francisco get its station?"

The rise and fall of a Polk Street hustler

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› news@sfbg.com

Last June, a small group of costumed 20-something activists from Gay Shame — wielding saxophones, loudspeakers booming electronica, and bullhorns — held a "séance" on Polk Street to "summon the ghosts of Polk Street’s past."

They performed in front of the recently constructed First Congregational Church — what they call "ground zero" for Polk Street gentrification — built over the remains of what they characterize as a gay hustler bar pushed out of the area by Lower Polk Neighbors (LPN), an organization not coincidentally holding its monthly meeting just a few feet beyond the window during the ear-splitting performance.

It was one of many ongoing clashes as new condos, upscale businesses, and trendy "metrosexual" bars replace Polk Street’s SRO apartment buildings, shuttered businesses, and hardscrabble hustler bars.

Protesters blamed the transition on LPN, a "pro-gentrification attack squad" working to transform the city’s "last remaining public gathering place for marginalized queers." New business and neighborhood associations counter that they are only working to beautify, make safer, and "revitalize" the area — a benefit to everyone, including the street’s marginal residents.

But what has been lost in the noise of this high profile, ongoing clash are the stories, needs, and wishes of the very people purportedly at the center of this conflict: the "marginal queers" and the homeless.

I conducted interviews with more than 60 people during the past year, including sex workers, merchants, the homeless, and social service providers — thanks to a grant from the California Council for the Humanities and the sponsorship of the GLBT Historical Society. And I learned that changes on Polk Street stem from a collapse of the area’s community-based economic and social safety nets in the 1990s, combined with the absence of a viable alternative from the city, the neighborhood, or an increasingly affluent gay political establishment.

That trend is illustrated by the story of one such "marginal queer," known on the street as "Corey Longseeker." In a changing neighborhood divided by distrust and tension, it seems that even people from opposing viewpoints are united in their familiarity with a story that has become the stuff of legend: the most beautiful, most successful boy on Polk Street who became the saddest, poorest homeless man in the neighborhood.

Now, during a time of recession and drastic budget cuts to mental health, drug abuse, and HIV-related services, Corey’s story traces the neighborhood’s history and its present challenges.

THEN AND NOW


Corey, now 39, is a constant presence in the neighborhood. He’s always alone when I see him, sometimes sitting on the sidewalk, his head of long stringy hair in his lap, rocking back and forth slightly. Or walking up and down the alleyways, sometimes stooping over and making cupping motions with his arms — picking up imaginary children, I’m later told. Or walking slowly, alone, near City Hall, his arms straight by his side, his body hunched.

"I came to San Francisco because I wanted to be an artist," he told me. He speaks slowly, softly, laboring, with long pauses. "When I first got here, there were a lot more people. We used to play guitars and drink beers or smoke a joint and just hang out and stay out of trouble."

He was diagnosed with schizophrenia, compounded by years of methamphetamine use and complications related from AIDS — a triple diagnosis that is unusually common among homeless people on Polk Street. Corey’s flashes of clarity alternate with moments in which memories blend into different times and places, and seemingly into dreams and fantasy: "I’ve been trying to protect my little self and my little brother and I’m about 500 homicides behind and I don’t know how to bump and grind to pick up the little morsels and the pieces of the people I liked and loved the way I used to know how to." He paused. "So I just keep on."

Dan Diez, now the co-chair of LPN, believes that homeless on the street such as Corey are negatively affecting businesses and residents who "should not have to put up with people sleeping in their doorways." He even talks of moving the homeless to facilities on Treasure Island as one solution. "I think it’s one of the reasons why these condos that have gone up have not been filled."

Corey and Diez may seem to have little in common, but they maintained a close relationship with each other for more than a decade, and Diez felt so close to him that he characterized himself as part of Corey’s "surrogate family."

It was 19 years ago that Diez first laid eyes on Corey, then a fresh-faced 19-year-old who had just moved to San Francisco. Diez, then a city government employee living in the East Bay, was sitting in the Q.T. II, Polk Street’s premier hustler bar — on the very plot of land where protesters later clashed with the LPN meeting.

Corey "wasn’t what I expected someone like a hustler to look like," Diez said. "I cannot tell you, this kid had movie star written all over him. He was extremely clean and very attractive and he just looked like somebody who walked out one of these suburban towns."

Dan befriended Corey, taking him to Burger King, listening to rock music in his car while Corey drew and writing poetry. Dan slipped him $20 bills and took him to movies. With time, he also brought him to the spas to clean Corey up, took care of his laundry, and bought him clean underwear and food.

"A lot of the kids on the street were hustling," Diez said, "but I did not pick up at that time. Corey was the only person I was really interested [in] ‘cuz he was something different. He was a person with a creative bent, which I really admired."

Diez says their relationship was not sexual, though he did enjoy being physically close with Corey. "He was someone I liked being around. It was just really a nice relationship."

In a letter Corey wrote in the late 1990s, he calls Dan one of his "sponcers" [sic], along with another man Diez said is a "multi-multimillionaire" and "very well known in San Francisco." This man bought Corey a car and provided him with plenty of cash and drugs as one of his clients. In Corey’s letter, he says the man "made me into a liveing legand [sic] at the age of twenty two years old by letting me have enough money." Corey listed as his "Boss" a bartender at the Q.T., widely known for facilitating hookups between johns and hustlers, and spoken of warmly by many as being a "big mama" to kids on the street.

By this time, many of the buildings that had held thriving businesses in the ’70s and ’80s were shuttered, leaving sex work and drug sales as a few of the street’s dominant economies. People such as Corey, widely considered to be the most beautiful and lucrative sex worker at the time, were Polk Street’s economic engines.

In fact, Q.T. manager Marv Warren was president of the merchant’s association in the 1990s. The sex trade turned profits on the streets and in the bars. "Most of us didn’t like the idea of these kids hanging out because it didn’t look good," Steve Cornell, owner of Brownies Hardware, recalled. "[But] if there are male prostitutes out there and there are businesses that thrive on that, they’re part of the business association too."

THE BOTTOM LINE


The current conflict on Polk Street has been framed as one between profit-hungry business owners and marginalized queers. But on Polk Street, a coveted bloc of city space long zoned as a commercial corridor, the buck has always been the bottom line.

This is not to discount the deeply emotional ties many have to the area, many who reported escaping abusive families and discrimination to find themselves and their first real family in Polk Street. Just the opposite: the history of Polk Street shows that community and commerce were closely linked.

In the early 1960s, gay men bought up failing shops along the street and created posh clothing stores, record shops, and elegant restaurants. Failing bars and taverns cashed in on gay consumer power. The community combined economic and political power to win major gay rights battles.

Most famously, bartenders formed the Tavern Guild in 1962, the nation’s first gay business association, which combined economic self-interest with charitable support for the nascent gay community. According to historian Nan Alamilla Boyd, the Guild "represent[ed] a marketplace activity that, in order to protect itself, evolves into a social movement."

The Imperial Court, part of the Guild’s fundraising arm, elected Empresses who raised funds for people in the community who needed housing, drug treatment, mental health services, or help with their medical bills. In the ’70s and ’80s, the Polk Gulch was a magnet for young people around the country escaping abusive homes and discrimination, and who therefore did not have the educational or employment background to make it on their own in the city.

Anthony Cabello came to Polk Street from a working class family in Fresno as a teenager in the late 1960s, dining as the guest of an older lover at the posh P.S. Lounge. As a student at a nearby college, he formed lifelong relationships with men on the street who took him to fancy hotels, plays, and dinners. "I did not mind the monetary help, but that wasn’t my primary concern," he said. "I was getting exposed to things that normally, I wouldn’t have the ability to do." He toured Europe in a theater troupe, worked a number of jobs on Polk Street, and now manages the neighborhood’s Palo Alto Hotel, which continues to house people living with AIDS and people of meager means.

Coy Ellison found a safe haven in Polk Street as a teenager in 1978. He did under-the-table work at gay businesses through an unofficial job pool at the street’s bars. That allowed him to avoid being caught by the police and sent back to an abusive home. "There were a lot of people doing that at the time," he said. "Let’s say you needed your apartment painted, was there a kid here who knows how to paint and [the bartenders would] send him off." He later climbed the employment ladder through the bars by working as a bouncer, providing support for new young people coming to the area. He now lives a few blocks away with his partner.

Kevin "Kiko" Lobo moved from San Francisco’s Mission District to Polk Gulch in the early 1980s and found work on the street as a sex worker in bars like the Q.T. "Nobody lost because the bar made money, I got a few drinks, and I met clients." He pooled money with his "street family," made up of teenagers escaping abusive homes and discrimination. On the street, "everything was family," Lobo said. "We all looked out for each other. If you didn’t make any money that day it didn’t mean you were going to sleep on the street." Kiko eventually worked his way into the bar business, becoming a bouncer and later a DJ.

COREY’S STORY


Diez learned that Corey grew up in a deeply religious family in a small town in Minnesota. His mother and father worked in factories, and hunted and fished in the countryside. But "something happened in that family," Diez said. "Either he did something really wrong and they could not put up with him, or they did something wrong and he could not put with up with them, or both — I don’t know." Corey never graduated high school, instead leaving Minnesota for San Francisco.

Corey gave Dan clues as to his move in a series of letters he wrote him from jail, where he was sent on a series of drug charges in the late 1990s. He wrote about three "childhood nightmares" that were "true life stories" and "part of my past survived existence."

He wrote of being part of a "bunch of little gay boys" in high school who "were not allowed to live a normal life one on one with their partners, among lost immediate family, and unforgiven [sic], misunderstanding, or nonaccepting [sic] religious traditional old fashioned folks.

"Our very own parents used to laugh and giggle, and be cruel to us. And no matter how gifted each child was, our parents watched us and made harsh comments, and truly not funny jokes, and then forced us by broken pride, trust, and rejection to survive in Satan’s swamp.

"Some parents are not willing to understand the flower children of the nineties," Corey wrote, but now "I am trying to step out of a nightmare and back into a Dream … [to] kickstart the new flower child era" in San Francisco, "like the hippies once did, so will we rise above once again."

A San Francisco State University study published in Pediatrics in January found that LGBT youth who reported higher rates of family rejection were eight times more likely to report having attempted suicide, and more than three times more likely to use illegal drugs and have unprotected sex, compared with their peers who reported lower levels of family rejection.

Those escaping persecution also appear more likely to be runaways or homeless. While approximately 3-10 percent of the U.S. population identifies as lesbian or gay, 30 percent of youth served by San Francisco’s Larkin Street Youth report that they are lesbian, gay, bisexual, transgender, or intersex.

POLK FALLS APART


By the time Corey arrived in 1990, the twin epidemics of AIDS and methamphetamine addiction were wreaking havoc on Polk Street.

Harvard-educated ethnographer Toby Marotta, who worked on several federally funded research projects in the Polk Gulch, said that by the mid-1980s "the whole southern end of Polk Gulch was being transformed because of methamphetamine use."

Speed was the perfect drug for the early days of AIDS, when people were terrified and confused: it produced feelings of euphoria, a sense of invulnerability, focus, and a desire for sex. But while the drug "produced long mind-escapes" for people who used it, Marotta said, it "completely undercut the personal relationships and social obligations essential to functioning community."

Combined with a national recession and a rash of Polk Street business closures, the economic health of the street, and the support systems enabled by it, suffered a tremendous blow. The money, energy, guidance, and options for street youth employment through local bars and businesses were quickly disappearing.

By the late 1970s, the city’s gay political center had moved to the more affluent Castro District. "For those of us that depended on the street to survive, the money was harder and harder and harder to make," Lobo said. "And that’s what [began] the downward spiral. Some very pretty boys have become very ugly people because of the … loss of the great community."

A large homeless shelter moved onto Polk in 1990, along with much of the hardscrabble Tenderloin population. A different kind of john came to the street, and there was less respect for sex workers, leading to more escape through drug use. Ellison left his work at the bars in the 1990s, when the community of bartenders that had kept violent crime in check on the street broke down. Sex workers increasingly started advertising in newspapers, and later on the Internet.

Corey began using the speed that was rampant on the block, quickly becoming addicted. Diez worried that by continuing to give Corey money, which he used for drugs, he was "keeping him where he was at" instead of helping. "I eventually always gave in because I always wanted to see him have something better," Diez said. "I just enjoyed being with him. Even if we weren’t talking and he was just writing, I just liked him being there. He was company."

As Corey began using more speed, his artwork "became wilder and wilder." He started to lose his teeth, and his blonde hair turned brown. "He went down, I would say, fairly fast," Diez recalled. Spas began to refuse to serve him. He would wander into the street to pick up imaginary children, and began to be more difficult to talk with. "He went into a lot of gibberish or psychobabble," Diez recalled. "He started to look almost Charles Manson-like."

James Harris, a Polk Street community member since 1978, met Corey when he came to the city in 1990. Harris left in the mid-’90s, and when he returned in 2001, he barely recognized Corey. "I just could not believe what I was seeing. What was once a strapping, good-looking, young man had been reduced to this homeless, toothless guy. It freaked me out so bad. It took me a little while to get over it."

Harris has no doubt that Corey’s decline was linked to the breakdown of the Polk community. "If Corey came to Polk Street in 1980, he would have a job as bartender maybe, working somewhere, maybe living in the Castro," he said. "No question about it." Many people who now work in Polk Street businesses and social service organizations started as runaways and sex workers on Polk.

"In the ’60s and the ’70s, it was like a big party atmosphere. I, fortunately was taken under several people wings," said Cabello, the Palo Alto Hotel manager. "Now people don’t have the cash flow, ‘cuz economically times have really changed. People who were out partying and being able to take somebody home and help them find a job are basically waiting in line at Social Security and making sure that their housing is together."

INTO THE SYSTEM


Gay bar patronage decreased citywide in the 1980s and 1990s, the result of AIDS-related deaths, a generational shift, and later the rise of the Internet. The Tavern Guild disbanded in 1995, and by the late 1990s, most of the Polk Street bar owners had either died or retired. Most of the remaining gay bars were remade into upscale heterosexual or mixed drinking establishments, serving new residents attracted by low rents during dot.com era.

Lower Polk Neighbors represented this new bloc of business owners. Diez joined LPN in 2001, when he retired and moved to Pacific Heights. They planted trees, cleaned sidewalks, and successfully pressured the city officials to increase the number of police patrols in the area. In one of their most controversial actions, they opposed the relocation of the RendezVous bar, which they blamed for nurturing the street and hustler population.

Corey and people like him, once the street’s economic engine, were now bad for business. After his string of arrests on drug charges in the late 1990s, Corey always came back to Polk Street after being released. In 1997, he was arrested, diagnosed with HIV while in jail, and sent to a psychiatric hospital.

The most recurrent theme in Corey’s letters from this period were finding love and proving to himself that his love was okay. In a poem, he wrote, "God’s gift a soul /it was not shattered, battered, but whole / … My love from within /was not curse … scattered, tattered, or sin/than [sic] I found I did win /see like yang of yin /by forgiving within /my mind and my kin. I’m forgiving their sins."

When the Rev. Megan M. Rohrer, director of the Welcome Ministry, first met him in 2001, Corey was having "loud, yelling conversations" on the sidewalk outside Old First Presbyterian Church, where he often slept at night. "He was having the conversation of the day he came out to her, and his Mom was always trying to tell him why he couldn’t be gay, and why it was a bad thing. He was always trying to have the conversation that that was who he was, and it was how he loved, and he just kept having the conversation over and over and over, trying to have a different result, which never happened."

The organization formed in the late 1990s as a result of complaints about the increasing number of homeless in the area. Rohrer estimates that 98 percent of the homeless who live in the Polk Gulch and come to the Welcome Ministry have been part of the Polk Street sex work industry. Like Corey, they had aged into the general homeless population.

For four years, Rohrer tried unsuccessfully to place Corey in a hospital or get long-term treatment from the city. Ironically, it was the result of increasing neighborhood complaints that he finally found this. "The neighbors were getting really angry and wanted to get rid of the homeless from the area," Rohrer recalls. In 2005, Corey was arrested on drug charges as part of what she characterized as a sting operation.

The breakthrough came when he was arrested and declared mentally unfit to stand trial for the first time since 1997. The court sent him to Napa State Hospital, a secured mental facility where he was required to take medications. "Finally Corey was getting the mental health services he needed," she said.

In the absence of sufficient social services, this has become standard policing practice, according to Al Casciato, who heads San Francisco Police Department’s Northern Station. "We do not have a front end to the criminal justice system in the health arena that allows us to take these people and put them in a secure facility," he told the Guardian.

"What happens is that we wait until they get in trouble in order to put them in jail to get them off the street and then try to get them into services. We should be trying to get them into services first, but we do not have the capacity to accept everybody into services." Even after police convince a person to use services, during the long waits due to the lack of services, sometimes months at a time, "they fall back into their pattern of either drug abuse, or if they have a mental health issue, their depression starts to spin out again."

Corey was at Napa State for nearly a year on medications. "Corey make some really good strides there," Diez said. "He was also at his artistic high points … he built balsawood airplanes that he gave to children." When he was declared competent to stand trial and sent back to San Francisco, "he was like a completely different person," Rohrer recalled. "He was so with it. He was really clear about what he wanted and where he wanted to go."

But Rohrer spent two months navigating the bureaucracy to get Corey the medication he needed, during which he had slid back into schizophrenia and was no longer willing to take his prescriptions. "It was like watching Corey emerge in this beautiful way and then to disappear," Rohrer said. He’s never been back on medication, and his condition has not improved.

Rohrer was able to find him housing in a nearby SRO hotel through the Homeless Outreach Team, instituted in 2004 as part of Care Not Cash — part of a dramatic move indoors for the homeless in the area. It was an improvement from the streets, on which the supportive "street families" had now broken down. But it’s unclear whether Corey is capable of living on his own, or whether the case managers assigned to him are sufficient.

"They weren’t there," Diez says. "Because I was vacuuming his floor, I was cleaning his sink, I was taking his dirty clothes out. As much as I hate to say it, Corey needs to be in a medical facility where he can have some psychiatric help."

When I visited Corey in his apartment a few months ago, cartoons played on the television, the only piece of furniture other than his bed. His walls were bare and the sink fastened to the wall was clogged with brackish water. The carpet was filthy with cigarette butts and a mouse ran over my feet.

BOTTOMING OUT


Now, with major budget cuts across the board, services are being cut at the time when they are most needed. This will have a tremendous negative impact not only on people like Corey, but also on business owners and service providers in the Polk neighborhood.

The Welcome Ministry will lose big grants next year, Rohrer said. Jennifer Friedenbach, director of the Coalition on Homelessness, says that budget cuts in the works will have a "huge and dramatic impact" on people like Corey and will "devastate" mental health treatment services — with as much as a 44 percent reduction in the publicly-funded mental health treatment system and similar reductions for substance abuse treatment.

Ann R.P. Harrison, director of New Leaf, a mental health organization that serves 1,500 LGBT people a year, says they recently reduced staff hours and the amount of services offered, and, like most nonprofits, are looking at up to a 20 percent budget reduction starting July.

Toby Eastman of Larkin Street Youth, which serves youth under 25, says that $100,000 in HIV prevention services cuts from the Department of Public Health mean "significantly reduced the prevention staff." Eastman expects the cuts to increase next year, at a time when she sees other smaller agencies closing their doors.

Diez and Rohrer take away different lessons from their experiences with Corey. Diez says he has "hardened" about homelessness and has stopped talking with Corey. "I was an enabler for him, which I didn’t like doing but I was always hoping that what I was doing was helping him," he said. "But maybe not. Corey made choices, and maybe they weren’t good choices. And you can’t blame that on the city. It’s gotta go both ways." Once the keeper of Corey’s Social Security card, money, and other personal items, he has now handed that responsibility to Rohrer.

Rohrer sees a failure of the social safety net. "There’s a barrier to getting mental health services that seems like it’s set up so that people will fail," she said. "Places that accept MediCal or city patients can take two months before they can get an appointment. The hospital does not even have the capacity to help those police deem a threat to themselves or others."
"There were gay bars here, and there were affluent men, and that’s not here anymore," Diez said. "The bars are gone, those people who went to those bars don’t come anymore, and Corey’s just a remnant. He’s just existing. He’s surviving. He’s just something that’s eventually going to disappear from the scene."
For now, Corey poses both a challenge for the emerging Polk community and an opportunity for a divided neighborhood to find common ground. He still has dreams, Rohrer says, even if they might not be realistic. "We’re not expecting him to be a Wall Street CEO," she said. "But he’s always going to be stuck in the past if he doesn’t achieve some of his future hopes."
Joey Plaster is curator of "Polk Street: Lives in Transition," an exhibit open through May 31 at the GLBT Historical Society. More information at www.glbthistory.org/PolkProject.

Strap ’em on and ride with IMsL

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By Marke B.

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“It’s THAT time again. Time to pack your leathers, shine up your latex, lace that damned corset, polish those sexy black boots and get your hot ass to San Francisco. International Ms Leather Weekend is calling YOU!”

Hells yeah. Two years ago, Hunky Beau and I had the unique pleasure of attending the climactic event of this wondrous annual weekend-long affair, the International Ms. Leather competition. We were surprised not only by the warmth and openness of the community but by the humor, dedication, and depth displayed by all the contestants — those skill-testing questions were hard! (The best one: “You’re given a stick of gum, a SuperBall, and a frog. How would you use them in a scene?”) And the outfits and talent numbers were damn hot-hot-hot. At the end we were cheering all the contestants on like happily disciplined schoolboys.

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International Ms. Boot Black 2007 Ms. V (front), IMsL runners up Shdiva and Joanne G (right and left) and IMsL 2007 Lauren, from Phoenix. Photo by David Schnur.

It looks like registration is still open for all you sexy (and sexy curious) leatherwomen out there. This is a perfect opportunity to network with your peers, learn a few deliciously naughty and technically challenging tricks, check out an incredibly diverse array of hotties, renew your commitment to the leather code (Honesty, Trust, Respect, and Integrity), and, of course, cruise the multiple play spaces!

International Ms. Leather Weekend 2009
w/ International Ms. Leather and International Ms. Boot Black competition
March 17-19, 2009
www.imsl.org

Save the Chronicle!

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EDITORIAL The San Francisco Chronicle story March 15 on Mayor Gavin Newsom’s frequent absence from the city drew comments from many who believe the mayor is out of touch, wandering the state seeking votes for governor at a time when the city is facing a historic financial crisis. The news was really nothing new — we’ve been reporting for months now that the mayor is disengaged in the business of running the city. But it appeared on the front page of the local daily newspaper, and that put the story right in the center of civic discourse.

We’ve been as critical of the Chron as anyone in town. For 42 years, we’ve been reporting on the failures of the daily newspapers in San Francisco, and we regularly blast the Hearst-owned near-monopoly daily for its failure to cover major stories and its biased slant on others.

And as the first alternative newspaper in the country founded specifically to provide an editorial and advertising alternative to the moribund dailies, we’re the first to agree that the Chron doesn’t, and shouldn’t, have the final word on what’s important in this city. We’re big supporters of all sorts of alternative media, and we’re glad to see that Web-based news publications, some of them daily, are appearing and offering different ways for people to find information.

But if the Chronicle dies, the city will lose an important, if often infuriating, civic institution. Hearst should not be allowed to turn San Francisco into the first major American city with no major daily newspaper — not without extensive oversight, hearings, and a chance for somebody else to take over the paper and try to make it work.

Hearst is complaining that the Chronicle is losing about $50 million a year. Of course, Hearst, a private corporation, won’t show anyone, even its own unions, its books.

We realize the newspaper business is rough right now, but we’re not convinced that running a daily paper in San Francisco is a doomed proposition. This is one of the wealthiest, best-educated markets in the world — and the fact that Hearst can’t sell enough newspapers and ads to float its operation is in significant part a sign of how miserable the paper’s management has failed. It tried to be a regional paper, which flopped. It’s become so politically conservative that progressives, particularly young progressives who make up the future of its demographic base, see little reason to subscribe.

And let’s not forget — Hearst has made a fortune in San Francisco. In 1965, the Hearst-owned Examiner and the family-owned Chronicle formed a joint operating agreement — a government-sanctioned monopoly, blessed by special legislation, that allowed two ostensibly competing companies to fix prices, share markets and pool profits. For the next 26 years, the JOA was a license to print money. Local advertisers paid billions in high rates to the newspaper combine, and those profits far, far eclipse anything the Chron has lost since Hearst bought it.

When the New York company bought out the deYoung Thieriot family in 2001, it sought to create a true monopoly by shutting down the Ex entirely. A local outcry, a lawsuit by Clint Reilly, and threats by federal regulators forced Hearst to sell the bones of the Ex to the Fang family, which essentially got the paper free and was given a $66 million subsidy to run it.

Now, after all this, Hearst is threatening to close shop and walk away, destroying hundreds of union jobs and wiping out a newspaper that is, by its nature, something of a public utility. And once again — ironically, just as the Chron reported — Mayor Newsom is missing in action. Newsom should be taking the lead on preventing the loss of a major local business. Rep. Nancy Pelosi, who is asking the Justice Department to relax anti-competitive rules on newspaper ownership (a bad idea), should instead push legislation barring a daily newspaper in a one-paper town from closing down unless and until the owners offer it for sale at a fair price and give someone else a chance to run it. Senators Dianne Feinstein and Barbara Boxer should join her.

The Chron unions have talked of an interest in buying the paper. Financier Warren Hellman confirmed to us that he supports creating a nonprofit entity to take over Chronicle operations. Hearst Corp., which has almost certainly already written off its $600 million purchase as a tax loss, should be forced to work with potential buyers — and give them a deal no worse than what the Fangs got in 2001.

The future of the Chron has implications for the entire industry — and if Hearst is going to carry out the assassination of a newspaper, it should be done in a fishbowl. Congress, the state Legislature, and the San Francisco supervisors should hold hearings, subpoena the Hearst executives, and push alternatives. And Newsom needs to quit gallivanting around the state and start working on his own city’s problems. *

Editor’s Notes

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› Tredmond@sfbg.com

My sister did a sociology project in college that involved the culture of laundromats. Nothing revolutionary, and I suspect it’s been done before, but she hung out in coin-ops and watched what happened when somebody ran out of money before the final load. What she discovered (again, nothing that sociologists haven’t written about for years) was that the less money patrons had, the more likely they were to lend it to someone else. You can imagine what the poorer folks told her: "Hey, last week that was me needing a quarter."

I know this is a huge, vast, sweeping generalization, but I’ll cop to it: Poor people are better at building communities than rich people. If you’re someone who is always living on the edge, always one step away from economic disaster, you’re more likely to play a role in a community that helps others in your situation.

So check out our cover story this week, because it gives some perspective on the evils of gentrification.

In the 1980s, lower Polk Street had an active sex-worker community. Hustlers and bartenders and guys looking for hustlers took care of each other. New kids in town, many of them runaways fleeing homophobic and abusive situations, got connections, work (not always sex work), and a chance to build a life. There are quite a few prominent, successful San Franciscans who came out of that world. It wasn’t always pretty, and was often dangerous, but it was a legitimate community.

But as more upscale businesses and residents started to displace the hustler bars and push the kids off the streets, the community fell apart. It didn’t help that the drug of choice was changing from pot to meth, and that AIDS was ravaging queer San Francisco, particularly places like Polk Street, and a lot of the damage would have occurred anyway. Still, the gentrification made it worse.

And as organic, self-sustaining communities made up of people who help each other are riven by economic displacement, the costs are shifted to the public sector. In other words, gentrification is bad for the taxpayers.

I saw this happening way back in the early 1980s, when I was a volunteer with the Haight Ashbury Switchboard. We saved the city millions, mostly by helping people in the neighborhood help each other. My friend Jasin, who was living on SSI, had a flat with some extra space, and we sent homeless crashers to stay with her while they got on their feet. A few of the local communes took in crashers too. We told people how to work the system, how to say out of trouble, how to survive in the big city.

But as rents went up, and people who had plenty of time to volunteer either left town or had to take full-time jobs, and the communes and food conspiracies disappeared, and SSI no longer paid for a five-room flat — as the Haight gentrified — that model fell apart. There are still plenty of community-based services and organizations in the Haight and elsewhere, but it’s harder, much harder. And the sense that we’re all in this together, that we’re all kind of struggling but we’re all going to help each other make it through, is almost gone.

I don’t know. Maybe the depression brings it back. *

Real set-aside reform

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Whenever conservative elements within San Francisco’s political mix put forth measures that carry the moniker "good government," liberals, progressives, and those of us concerned that good government serve the people rather than the corporations should take notice.

Last year, one so-called good government measure usurped the right of four members of the Board of Supervisors to check a mayoral veto by putting a measure on the ballot at the last minute. The reform imposed a requirement that hearings be held before the supervisors put any legislation on the ballot.

Never mind that empirical evidence shows no correlation between the route to the ballot and the quality of measures; good as well as crap has made it onto the ballot and into law from all origins. Never mind that there were other ways to ensure that voter-initiated ordinances were amendable and flexible. Downtown wanted to crimp the power of the Board of Supervisors and our neighborhoods and, with the help of some progressives, succeeded.

They’re back at it again, as government grapples with revenue shortfalls caused by the second Great Depression, a depression caused by the economic policies championed by our local conservative/moderate coalition. We are seeing another effort at good government that would only benefit those who wish to destroy popular public services, to enable Reaganism, and to wipe away much of the public sector.

In order to secure a dedicated, reliable stream of funding, activists have run campaigns to create set-asides for various public programs. The earliest funded the San Francisco Symphony during the first Great Depression. Since then, programs that carry great public appeal, from the Children’s Fund to the Open Space Fund to Muni have been given set-asides by the votes.

The proposal on the table now would change the way the city handles budget set-asides, ostensibly to allow greater flexibility during tough times. It would allow the Board of Supervisors, under certain budgetary shortfall conditions, to dip into funds earmarked for particular purposes. But the result would be dangerous to the ongoing essential function of government. And the proposal would prevent the voters from solving a problem created by our City Charter — the inability to do multiyear budgeting.

What this city needs is a way for voters to express their long-term funding priorities and to hold the feet of elected officials to the fire in funding those priorities — but in a manner that accounts for the vicissitudes of the economy.

The reason the city can’t do multiyear budgeting without a Charter set aside is that any regular ordinance passed by the board and the mayor can override any other ordinance. One way to approach the problem: amend the charter to create a new class of ordinance, one that would allow for multiyear budgeting. This class of ordinance would need to be classified as a multiyear budget ordinance when proposed, and would require either a vote of the people or a super majority at the Board of Supervisors and a mayoral signature to enact.

The multiyear budgeting ordinances would govern subsequent years’ budgets and could be overridden only with a super-majority vote, and only under conditions of economic hardship. In normal times, the city could set longer-term spending priorities for projects and priorities that last longer than one budget year, as well as those areas that are important to San Franciscans year in and year out. *

Marc Salomon is a neighborhood activist in San Francisco.

“Fridays at the Ballet”

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PREVIEW By now the fact that San Francisco Ballet is one of the hottest ballet companies in the country is no longer news. It’s also common knowledge that ballet is an extremely expensive art form. Ticket prices reflect that unfortunate reality. That’s why SFB’s "Fridays at the Ballet" are such a good deal. For $59 (or even less if you shop around) you get a performance plus drinks afterward in the War Memorial Opera House lobby. The first of this season’s "Fridays" features Helgi Tomasson’s lovely, romantic On a Theme of Paganini (2008) and two glories of the repertoire — Jardin aux Lilas (Lilac Garden) and The Concert. The SFB premiere of Antony Tudor’s 1936 Jardin aux Lilas celebrates Tudor’s 100th birthday with an early work that is perhaps his all-time masterpiece. Its drama, its heat, its agony are underground; nothing is spelled out, everything is implied. Yet this story about love acknowledged and love denied will haunt you. Jerome Robbins’ 1956 hilarious The Concert strikes an altogether different note. Ballet doesn’t take to comedy easily, so Robbins was in for a challenge — but he watched silent movies and studied comedic timing. His mayhem in the concert hall has become a classic, and SFB has the dancers to pull it off. It’s the first of Robbins’ choreographies set to Chopin, a composer he would use very differently in later works, and all you can do is pity the poor pianist who has to contend with the kind of audience Robbins gave him. "Fridays at the Ballet," with a different program, returns April 3.

"FRIDAYS AT THE BALLET," Fri/20, 8 p.m., $59, War Memorial Opera House, 301 Van Ness, SF. www.sfballet.org/fridays

Local Artist of the Week: Renee Gertler

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LOCAL ARTIST Renée Gertler

TITLE Instability collapses (gold leaf, acrylic paint, expandable foam, bass wood; 17 by 11 inches)

THE STORY "Modality Room" muses on the magnitude of nothingness, black holes, wormholes, and outer space. Building from the impossibility of fully understanding such complex concepts, Gertler constructs a domestic setting as the environment in which to explore these mysteries.

BIO Gertler was born in Santa Barbara and currently lives and works in San Francisco. She received her MFA from California College of the Arts in 2007. She is participating in upcoming group shows at Ping Pong Gallery and Southern Exposure.

SHOW "Modality Room," Sat/21 (reception Sat/21, 7–10pm) through April 17. Sat.–Mon., noon–5 p.m.; first Fridays, 7–10 p.m. Blank Space, 2208 San Pablo, Oakl. (510) 547-6608. www.blankspacegallery.com.

WEB www.web.mac.com/reneegertler

Budget & Finance Committee to discuss solar plant

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By Rebecca Bowe

A proposed solar-power project slated for discussion at the city’s Budget & Finance Committee on March 18 could help San Francisco edge a little closer to its greenhouse-gas reduction goals. But instead of owning and operating the solar photovoltaic system itself, the San Francisco Public Utilities Commission would enter into a long-term contract with a private entity – and the new approach has raised questions from committee members.

Supervisor Carmen Chu and Mayor Gavin Newsom proposed the deal. The idea is to establish a 25-year power purchase agreement between the SFPUC and Recurrent Energy for a solar-photovoltaic power plant. The large-scale system would be constructed atop a 480,000-square foot rooftop at the SFPUC’s Sunset Reservoir. The city would lease the space to the company for $1 a year, and the SFPUC would agree to purchase power from Recurrent Energy at a rate estimated to be just under $2 million a year. According to a report prepared by the city’s Budget Analyst’s Office, the cost for electricity over the entire 25-year stretch would come out to about $68.5 million.

Read Pelosi’s letter, attend Chron forum, reaffirm love of newsprint.

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Discuss the future of the Chronicle and other print media organizations at the SF Public Library, TONIGHT!

House Speaker Nancy Pelosi’s letter to US Attorney General Eric Holder, seeking changes to the antitrust restrictions that govern newspapers, is a revealing document.

Pelosi states that her decision to write Holder wasn’t just prompted by the economic challenges facing the San Francisco Chronicle and other Bay Area news organizations, “but also by major news organizations across the country.”

“I am sure you agree that a strong, free and independent press is vital for our democracy,” Pelosi continues, noting how newspapers have been, “the indispensable source of public information and a check on the abuses of government and other powerful interests,” for more than two centuries.

And then she signals that the House Judiciary Subcommittee on Courts and Competition Policy, which is chaired by Rep. Hank Johnson, (D-Ga.) will soon hold a hearing and discuss the implications of newspaper survival for antitrust policy.

Pelosi acknowledges that “antitrust laws have been an essential protector of competitive choice in the newspaper business,” and that, “the antitrust laws are every bit as vital in this industry as elsewhere in the economy, and perhaps more so given the First Amendment issues that are also at stake.”

But then she asserts that she is, “confident” that the AntiTrust Division, “in assessing any concerns that any proposed mergers or other arrangements in the San Francisco area might reduce competition, will take into appropriate account, as relevant, not only the number of daily and weekly newspapers in the Bay Area, but also the other sources of news and advertising outlets available in the electronic and digital age, so that the conclusions reached reflect current market realities.”

“This is consistent with antitrust enforcement in recent years under both Republican and Democratic administrations,” Pelosi concludes. “And the result will be to allow free market forces to preserve as many news sources, as many viewpoints, and as many jobs as possible. We must ensure that our policies enable our news organizations to survive and to engage in the news gathering and analysis that the American people expect.”

Pelosi reportedly released this letter, which you can read here, after meeting with Hearst general counsel Eve Burton and Chronicle at-large editor Phil Bronstein in D.C. last week, where they discussed the future of the Chronicle as well as federal media shield legislation.

Her letter immediately fueled rumors that Dean Singleton’s MediaNews chain, which already owns the San Jose Mercury News, the Contra Costa Times and the Oakland Tribune, and Hearst, which has a one-third stake in Singleton’s non Bay Area papers, are hoping to consolidate operations.

If so, that’s doesn’t bode particularly well for newspaper workers, who have only lost jobs, suffered pay cuts and seen reduced investigative reporting under both regimes. But maybe they can use Pelosi’s letter to open up a much needed public discussion of the future of newsprint.

Ironically, that discussion is already going on within the blogosphere. And judging from the comments, some folks don’t give a toss if print newspapers die, right here, right now.

Burning Man season in San Francisco

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By Steven T. Jones, aka Scribe

Burning Man is more than an annual event popular with San Franciscans: it is a year-round culture, one that really comes into season right around now as the art projects take shape and the myriad theme camps starting fundraising. And recently, there have been some fun and inspiring manifestations of this festive season.

Opulent Temple, Burning Man’s biggest and most enduring large-scale sound camp (and my former camp), threw a massive March 6 fundraiser in a Treasure Island warehouse, featuring legendary DJ Carl Cox (and a long list of other spinners) and mind-blowing art pieces by the Flaming Lotus Girls and Peter Hudson. The NBC news clip above insightfully focuses on how the Bay Area’s art communities help each other during hard economic times.

Then last week, there was the benefit party for Hollis Hawthorne, a friend of the Guardian and Burning Man families who is in coma. The event at Slim’s turned out a wide range of talented acts and community-minded burners that raised a staggering amount of money for a one-night event to bring Hollis home to the Bay Area.

The Burning Man story itself came to the stage in San Francisco in January as “A Burning Opera: How to Survive the Apocalypse,” and after receiving critical acclaim for this talented production’s limited engagement, the crew will hold two fundraisers this week to stage another run: Wednesday at the Sisters of Perpetual Indulgence “Burning Bingo” event and this Saturday evening at Café Flore.
There’s also the release of a film about the event, “Dust & Illusions” (an early version of which I reviewed here) by Oliver Bonin (who was embedded with the Flaming Lotus Girls at the same time I was). Among other showings is one at Chicken John’s place on March 28.
Meanwhile, the company that stages Burning Man, Black Rock LLC, is about to be homeless. That well-entrenched crew is getting bounced out of its Third Street headquarters to make way for a massive new UC hospital on the Mission Bay site. Word is they’re still looking for the right digs and only have until next month to find them.

Should California be split up?

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By Tim Redmond

It’s an interesting question. Nothing new, really — folks up in the northern part of the state have been talking about secession since the 1940s.

But these days, the talk has shifted from North-South to Central Valley-Coast.

There’s plenty of discussion going on — the New York Times
reports on a move by farmers in Visalia, who say those of us in the more liberal western regions don’t understand what it’s like in the center of the state:

Frustrated by what they call uninformed urban voters dictating faulty farm policy, Mr. Rogers and the other members of the movement have proposed splitting off 13 counties on the state’s coast, leaving the remaining 45, mostly inland, counties as the “real” California.

The reason, they say, is that people in those coastal counties, which include San Francisco and Los Angeles, simply do not understand what life is like in areas where the sea breezes do not reach.
“They think fish are more important than people, that pigs are treated mean and chickens should run loose,” said Mr. Rogers, who said he hitched a ride in 1940 to Visalia from Oklahoma to escape the Dust Bowl, with his wife and baby son in tow. “City people just don’t know what it takes to get food on their table.”

A former Assembly member is pushing a vertical split, too :

“Citizens of our once Golden State are frustrated and desperately concerned about the imposition of burdensome regulations, taxation, fees, fees and more fees, and bureaucratic intrusion into our daily lives and businesses,” declares downsizeca.org, the movement’s website.

And all of this comes as reformers form both the left and the right are talking about a new Constitutional Convention.

Athough some of the proponents are clearly nutty, the idea isn’t. As the noted political economist Gar Alperovitz wrote two years ago

The United States is almost certainly too big to be a meaningful democracy. What does “participatory democracy” mean in a continent? Sooner or later, a profound, probably regional, decentralization of the federal system may be all but inevitable.

He was talking about California becoming its own nation, but I’d argue that the same problem applies here. The budget crisis, the gridlock in Sacramento … all of it suggests that maybe California itself is too big to govern. There’s also clear evidence of dramatic regional differences. If you take the Central Valley from about Redding on down, and wrap in Orange County, you have a red state within a blue state where most of the residents say they want lower taxes and smaller government. Along the coast from about Sonoma County down to the southern part of Los Angeles County, you have people who generally would like to see taxes pay for public services. If the coast were a state, we could repeal Prop. 13 and build world-class schools. We’d have same-sex marriage and single-payer health insurance. And we’d still be one of the biggest states in America.

Now, I’m not sure the people in the central valley quite realize the problem with their plans, which is illustrated in this wonderful chart that comes from the office of Assemblywoman Noreen Evans of Santa Rosa (PDF):

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The chart shows that the people who dislike and distrust government and don’t want to pay taxes are in fact the beneficiaries of the tax dollars that the rest of us pay. In California, tax money from the coast winds up paying for services in the central valley.

But that’s okay — if they don’t want our money any more, maybe we should tell them we’re fine with that. Maybe we should split the state not just in two but into three: Let the northern counties become the state of Jefferson, where pot will be legal and the residents will be so wealthy from taxes and exports of that cash crop that they’ll make oil-richAlaskans seem like paupers. Pot will be legal in the coastal communities, too, and will generate tax revenue.

We’ll have a Democratic governor, and overwhelmingly Democratic legislature, fewer prisons, better schools, cleaner air, no Ellis Act, rent controls on vacant apartments, more money for transit, strict gun control, support for immigrant rights … and no more of these ugly battles over budgets held hostage by right-wing Republicans.

And in the central valley, they can have their low taxes and conservative values, and watch their roads, schools, and public services go to hell. Maybe eventually they’ll figure it out.

Of course, we’d have to figure out the water rights. The folks in Jefferson would have control over much of the water that now goes South, and there would have to be some long-term water contracts between the states, but that shouldn’t be an insurmountable roadblock.

And the solution would create its own problems; The GOP would control the central state, and would move to abolish the Agricultural Labor Relations Act and make life even more miserable for farmworkers. But then, maybe Jefferson would turn off the water and big agribusiness would be SOL anyway.

As part of the break-up, all parties would have to agree to create a special relocation fund to help lonely, sad liberals from Modesto come west and to help lonely, sad Republicans in San Francisco to move east. I wonder which way the net migration would go.

Meanwhile, Evans has introduced my favorite tax bill of the year, AB 1342, and it’s related to this entire discussion. She wants to allow counties to levy their own income taxes and vehicle license fees. “We went through this difficult process of trying to arrive at a budget,” her spokesperson, Anthony Matthews, told me. “For those communities that have a different view of government [than the Republicans], this bill would let them raise their own taxes to fund their priorities.”

Rally held outside Israeli Consulate over West Bank shooting

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By Rebecca Bowe

At least 200 demonstrators gathered outside the Israeli Consulate on Montgomery Street in downtown San Francisco March 16 for a rally and march organized by friends and supporters of Oakland activist Tristan Anderson, who was critically wounded in the West Bank by Israeli Defense Forces on March 13.

Anderson, 38, was shot in the head with a high-velocity teargas canister while demonstrating against a wall that is being constructed through the West Bank village of Ni’lin. He was transported to a hospital in Israel, where he underwent brain surgery the following day. He remains in stable, yet very serious condition, according to demonstrator David Martinez.

Editorial: Save the Chronicle!

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If Hearst is going to assassinate yet another newspaper, it must do so in a fishbowl. Congress, the state Legislature, and the supervisors should hold hearings, subpoena Hearst executives, and push alternatives.

The San Francisco Chronicle story March 15 on Mayor Gavin Newsom’s frequent absence from the city drew comments from many who believe the mayor is out of touch, wandering the state seeking votes for governor at a time when the city is facing a historic financial crisis. The news was really nothing new — we’ve been reporting for months now that the mayor is disengaged in the business of running the city. But it appeared on the front page of the local daily newspaper, and that put the story right in the center of civic discourse.

We’ve been as critical of the Chron as anyone in town. For 42 years, we’ve been reporting on the failures of the daily newspapers in San Francisco, and we regularly blast the Hearst-owned near-monopoly daily for its failure to cover major stories and its biased slant on others.

Ladita: Sweet as an organic gluten-free cupcake

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Quaintly nestled in San Francisco’s dreamy Bernal Heights district at 827 Cortland Avenue, Ladita is a darling little eco-boutique in that could be described as “similar to Anthropologie, but much better for the environment.” Even for someone whose overtly girly side is as repressed as mine, it will prove impossible to resist Ladita’s quiet charm. On my visit, scented (soy) candles bouqueted the store with the abstract but pleasant aroma of wildflowers, the soft, fuzzy sound of old folk LPs purred on the vintage record player and, in an almost suspiciously perfect touch, a lazy cat (the owner’s pet) napped under the cash register in a swath of warm afternoon sun. If a shopping experience could be distilled to a soothing cup of tea, this would be it.

There is no shortage of the lovely and the whimsical at Ladita, but Christine, the owner, is also a practical businesswoman, and her store is stocked with crowd-pleasing brands like James Jeans and Ella Moss, which complement more specific, eco-oriented labels like Stewart + Brown, Taxi CDC, and Sworn Virgins. Ladita offers a comprehensive and well-edited baby department, which includes Kicky Pants and Speecees, both favorites with eco-leaning moms and dads, as well as Erbaviva, a wonderful line of bath and body products for babies and moms-to-be.

Meister: A new deal for american workers

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By Dick Meister

(Dick Meister, a San Francisco-based journalist, has covered labor and political issues for more than a half-century.)

The preliminaries are over and what’s certain to be one of the fiercest political fights in many years is finally underway. It pits the nation’s labor unions and their Democratic allies against the pillars of corporate America and their Republican allies.

The stakes are huge. A union victory would give U.S. workers the unfettered right to unionization that would raise their economic and political status substantially. But that would come at the expense of employers, who have been able to block a large majority of them from exercising the union rights that the law has long promised all workers.

The union-employer fight began in earnest on March 10 with the re-introduction in Congress of the long-proposed Employee Free Choice Act. The bill would strengthen the National Labor Relations Act to make it easier for workers to form and join unions, the stated purpose of the NLRA.

Cruising Craigslist: Breakfast of champions

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Each week, Justin Juul combs the SF Craigslist Personals and Missed Connections for true gems that prove there’s enough love for everyone. View his last installment here.

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If there’s one thing that sucks about living in San Francisco it’s the fact that most of us have to hustle our asses off just to make rent every month. We have to work shitty side jobs to avoid homelessness through grad school or we have to hold down three careers simultaneously just so we can maintain one that makes us feel good. It wouldn’t be so bad if our bodies and minds were designed to handle such frantic schedules, but the fact of the matter is that they’re not. We have to sleep at least 20 hours a week and we have to eat at least once a day. And yes, we have to have sex sometimes too. The question is, “When?”

Well, if you’re life is anything like ours, the only time of day that’s almost always open is dawn. You don’t have to be anywhere, you don’t have to answer any emails, etc. With a small tweak to your sleep schedule, you can transform your early mornings from the nicotine-and-caffeine binges they are now into the hot and heavy love sessions you’ve been missing out on. The only problem is, where the hell are you going to find a compatible sex partner at 5am?

Craigslist, duh.

Early morning discreet fun – m4w – 28 (san Jose east)
Reply to: [redacted]
Date: 2009-03-05, 10:46PM PST

Hi, thanks for taking the time to check out my post. I am looking for a discreet encounter w/ a sexy woman who would like me to come over around 5 am and leave around 6:30 am. I am very oral and love to make a woman moan with pleasure as I lick you to ecstasy. I am not picky, just want clean, disease free, 420 friendly woman. fairly open minded pls feel free to email me if you have questions.

Early AM Oral – m4m – 44 (redwood city)
Reply to: [redacted]
Date: 2009-03-05, 9:39PM PST
I love the taste of cock in the morning – can I taste you Friday around 7am? I will be on my way to work in RWC, near oracle, and would love to have a hard one shoved down my throat until I gag but service that dick until it shoots cream that I swallow. Sound like a good time? Write me back and I will answer in the AM – or send me a location to meet you and I will take care of your stiff dick.

The best thing to do right when you wake up… – w4m – 24 (mountain view)
Reply to: [redacted]
Date: 2009-03-06, 9:32PM PST
It’s extra early, and I’m extra horny! Looking for someone to hook up with this morning! 40 and over, pic w/ reply!

Early morning suck – m4t– 22 (Vallejo / Benicia)
Reply to: [redacted]
Date: 2009-03-07, 2:21AM PST
Lets see i am visiting the bay area looking for a early morning fun. basically I want you to come suck me off and leave no more no less I want to use you and kick you out this is a huge fetish for me please help me I’m 5’9″ one sixty five pounds I am straight but I have a weakness for you T girls. I am only visiting this month. Haven’t had me a Cali T-girl yet so prove to me you better then the girls back home.

your pik gets mine no pik no reply

Johny

Nurses’ union sues Sutter’s CPMC

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By Steven T. Jones and Joe Sciarrillo

The California Nurses Association (CNA) today filed a federal lawsuit to compel the California Pacific Medical Center to comply with two previous binding arbitration rulings and restore healthcare benefits that the unions says the Sutter Health-affiliated facility illegally cut.

The arbitration helped resolve last year’s CNA strikes at CPMC facilities, and they came against the backdrop of other controversies involving CPMC in San Francisco, including efforts to scale back primary care services at St. Luke’s Hospital, which serves poor Mission residents, while trying to open a high-end hospital on Cathedral Hill.

Sutter and CPMC have long tried to break its outspoken nurses union, which has pushed progressive reforms such as single-payer health care and high nurse-to-patient ratios. A March 2008 CPMC press release (PDF) criticizing the CNA strikes quoted a nurse claiming that employee conditions were fine. “During the time I’ve been working here the conditions have been great,” said Rosangel Klein, R.N., an oncology nurse at the Pacific campus.

But Nato Green, the labor representative for the CNA nurses at CPMC and St. Luke’s hospital, believes that CPMC is acting like an elite employer out of step with San Francisco values. He claims that it is “the worst non-profit hospital when it comes to charity care,” and he also fault its for union busting and rejection of recent arbitrations.

Despite CPMC’s refusal to uphold healthcare contracts and reimburse nurses’ medical payments, the Guardian has reported that its parent organization enjoyed a net income in 2006 of more than $500 million and employed sketchy tactics to pocket millions while maintaining its non-profit tax status.

Six-leafed clover for St. Patty’s

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Besides following your priorities and getting green drunk (even ecologically drunk) tomorrow night, here’s six four-star musical events totally worth tottering off your pub stool toward. But don’t mistake that leprechaun for your designated driver! Call a cab, Molly O’Shaumessy!

St. Patty’s Day Punk Bash
With La Plebe, Ribzy, Get Dead, Abrupt, Dope Charge, and Excuse the Blood.
Tue/17, 6pm, $8
Elbo Room
647 Valencia, SF
(415) 552-7788
www.elbo.com

Culann’s Hounds, Hooks, Gasmen
Part of the San Francisco Irish Music Festival
Tue/17, 8pm, $20
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.gamh.com

A Very Special St. Patrick’s Day 45 Club
The funky side of soul on 45 rpm with dX the Funky Grandpaw, Dirty Dishes, and English Steve.
Tue/17, 9pm, $2.
Knockout
3223 Mission, SF
(415) 550-6994
www.theknockoutsf.com

Farley’s Coffee 20th Anniversary and St. Patrick’s Day Celebration
Bagpipes and Irish music from 9am-noon; 8pm music and dancing, with a performance from local faves Soul Delights.
Tue/17, 9am-10pm, free
Farley’s coffeehouse
1315 18th St, SF
(415) 648-1545
www.farleyscoffee.com

Food Stamp Tuesdays
This new monthly (second Tuesdays) kicks off with a cheap drink Patty’s Day special at the usually pretty pricey Vessel. With disco soul glammers from DJs Miss Juanita More, Initials P.B. and Pete Notori
Tue/17, 5pm-midnight, free
Vessel
85 Campton Place, SF
(415) 433-8585
www.vesselsf.com

Get Wild St. Patty’s
New crazy-boots band The Primitivas, featuring members of the La-Teenos and the Guardian’s own Dulcinea Gonzalez will funk up Aunt Charlies, with DJ Alexis and hostesses Hunx and Liza Thorn.
Tue/17, 10pm, cheap
Aunt Charlie’s Lounge
133 Turk, SF
www.auntcharlieslounge.com