San Francisco

Appetite: Caffeinated Comics, Chocolate Salon, Masa’s at a discount, and more

0

By Virginia Miller

chocolate0316a.jpg
Chocolate time! See “events” below

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with finding and exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine. I started with my own service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city. View the last installment of Appetite here

————

NEW RESTAURANT & CAFE OPENINGS

Caffeinated Comics, the breakfast of champions
Four Barrel coffee, free wi-fi, comic books and donuts? Could this possibly all be in one place? It is now with Caffeinated Comics, SF’s first comic book/coffee shop rolled into one. The Outer Mission shop is a bright red, orange and yellow space where you can sift through superhero memorabilia or check out DC or Marvel’s latest comic books, all while sipping a high-quality espresso. (Note: there’s also affogatos using neighbor, Mitchell’s, legendary ice cream). CaffCom’s applied for green certification with green lighting, building materials and energy efficient freezers and fridges. Holy caffeinated geekdom, Batman.
Caffeinated Comics
Weekdays 7am-6pm
Weekends 9:30am-5pm
3188 Mission Street
415-829-7530
www.caffcom.com

Livin’ La Dolce Vita at Pizzanostra
Jocelyn Bulow of the Chez Papa and Chez Maman restaurant group and Italian chef, Giovanni Aginolfi (who was cooking pizzas in Nice, France, prior to coming to SF), join forces for a new pizzeria/osteria on Potrero Hill called Pizzanostra. Aginolfi placed sixth in the World Pizza Championship and now we can get ’em right here. There are two themes to this restaurant: a pizzeria serving Aginolfi’s famed pies, and an osteria with a menu of antipasti, foccacias, salumi, pastas, gelatos and Italian wines. The outdoor sidewalk terrace will be a huge hit on sunny days for filling up on bruschetta topped with eggplant, prosciutto, mozerella and tomato, a salad of celery hearts and fennel, or pizzas covered in lamb sausage and egg or clams and prawns. This is la dolce vita realized.
Pizzanostra
300 De Haro Street
415-558-9493
www.pizzanostrasf.com

———

EVENTS

March 17: Screening and Iyemon Cha Tea Reception as part of the Asian American Film Fest
Asian film screening and tea tasting sound good? Iyemon Cha is a one-of-a-kind organic bottled green tea made at the historic Fukujuen tea house in Kyoto, Japan. Only recently available in our city, the tea and complimentary appetizers will be served at an exclusive pre-screening reception you have to sign up for online. At the reception you’ll meet the director, Dave Boyle, and cast of that night’s film, “White on Rice.” Consider it a culturally fun education in tea and Asian film.
5:30pm reception at Bar Bistro; 6:45pm Film Screening
Free for pre-screening reception but must register on website ahead of time
Film screening, $10: www.festival.asianamericanmedia.org/2009.
Sundance Kabuki Theatre
1881 Post Street
www.iyemonchaevents.com

Objects of Obsession: Branch out

0

SFBG’s Laura Peach rounds up local items and experiences to die for. See her last installment here.

As a girl, I would spend summers wandering through island woods at my grandparent’s house. I always loved the birch tree bark, and would peel pieces off the trees to make little dresses of white and pale pink for my dolls, always wishing that there was a big enough section of bark to create a skirt my size.

Although I was never able to wear the wood of my childhood, recently I’ve been on the lookout for ways to bring the forest alive in my everyday urban home life. Here are a few of my favorite finds, wooden through and through. They just may bring out a different type of tree hugger in you.

————–

1. Wooden Wallet

Evergreen_0309.jpg

A real slab of wood is not the best thing to have in your pocket. No one wants slivers in their behind. But the thoughtful, science geek designers at San Francisco’s Hlaska were enamored by the beauty and grace of wood grain. They reproduced the patterns found in a real pine tree onto Italian leather for their Evergreen wallet ($125).

Hlaska, 2033 Fillmore, SF. (415) 440-1999, www.hlaska.com

————

2. Log Life

waterloggedcan_0309.jpg

This watering can ($16) is the sweetest stump I’ve ever seen. Hydrate thirsty plants using the log pitcher and they may be inspired to grow grander and greener. Made from recycled plastic, so no trees were harmed and you can hold the branch handle guilt free. Oh, it also makes for a nifty vase.

Doe SF, 629 A Haight, SF. (415) 558-8588, www.doe-sf.com

————

3. Pink Poison

tucker_branch_tee_0309.jpg

The bright, bold berries bursting off the black branch on this t-shirt ($28) are supposedly poisonous. But such a pretty pink color makes them hard to resist. I might be tempted to pop one in my mouth.
Designed by San Francisco contemporary art golden boyTucker Nichols exclusively for Richmond’s hippest object/art/book shop Park Life, this berried branch shirt is a catchy closet addition for sure.

Park Life, 220 Clement, SF. (415) 386-7275, www.parklifestore.com

Printless in Seattle

0

Text by Sarah Phelan

Unable to find a buyer for the Seattle Post-Intelligencer, which it put up for sale in January, Hearst is kiling P-I’s print version. Starting tomorrow.

Hearst’s chief honchos, Frank A. Bennack, Jr., vice chairman and chief executive officer, Hearst Corporation, and Steven R. Swartz, president of Hearst Newspapers, tried to give the announcement a positive spin, stating that the P-I “will become the nation’s largest daily newspaper to shift to an entirely digital news product.”

(But for those of us who love and appreciate everything about newsprint, this is like saying, it’s too expensive to grow flowers anymore, but hey, you will be able to see cyber flowers online.)

“The P-I has a rich 146-year history of service to the people of the Northwest, which makes the decision to stop publishing the newspaper an extraordinarily difficult one,” Bennack said. “We extend our profound gratitude and admiration to our P-I colleagues who have done such an exemplary job under extremely difficult circumstances over the past several years. Our goal now is to turn seattlepi.com into the leading news and information portal in the region.”

“Seattlepi.com isn’t a newspaper online—it’s an effort to craft a new type of digital business with a robust, community news and information Web site at its core,” said Swartz.

“On the business side, we are assembling a staff to form a local digital agency that will sell local businesses advertising on seattlepi.com as well as the digital advertising products of our partners: Yahoo! for display advertising, Kaango for general marketplaces and Google, Yahoo!, MSN and Ask.com for search engine marketing,” Swartz said.

Hearst also noted that in January, Nielsen ranked seattlepi.com among the top 30 newspaper Web sites with 1.8 million unique users. The site has an average of 4 million monthly visitors, according to internal Hearst tracking.

You can read Hearst’s full statement about the Seattle P-1 here.

The annoucement came two days after workers at the San Francisco Chronicle voted 10-1 to accept Hearst’s proposal to cut 150 jobs and end seniority, moves Hearst Corp. stated were necessary to avert the immediate closure and/or sale of the city’s major daily newspaper. But even Guild workers were clear that voting to accept Hearst’s proposal was no guarantee that the Chronicle would thrive, unless a new business model can be found.

Carl Hall, the Guild’s lead negotiator for workers at the Chroncile, said that no amount of concessions can prop up a failed business model for long.

“This is the start of the real battle,” Hall said. “We have to find a solution, a real solution, to save what we really care about here – quality journalism and quality jobs.”

.

Oakland activist critically wounded in West Bank

2

By Rebecca Bowe

31509tristana.jpg

Oakland activist Tristan Anderson, 38, was critically wounded March 13 in the village of Ni’lin in the West Bank, when he was shot in the head with a high-powered tear-gas canister fired by Israeli forces.

The shooting occurred during a protest over the separation barrier that Israel is erecting between itself and the West Bank, according to a press release from the International Solidarity Movement.

Anderson is a dedicated activist who has traveled to conflict zones in Oaxaca, Iraq and other conflicted regions and reported on the struggles there. He was also among a group of tree-sitters who fought to save a grove of oaks and redwoods next to UC Berkeley’s Memorial Stadium.

He was taken to an Israeli hospital, Tel Hashomer, near Tel Aviv, where he underwent brain surgery and is in critical condition. In-depth reports, including a graphic video filmed just after the shooting took place, can be found here, here and here.

The Israeli army began using to use a high velocity tear gas canister in December 2008, according to ISM. The black canister can shoot over 400 meters.

On March 16, at 4 p.m., a protest will be staged in front of the Israeli Consulate in San Francisco, according to a post on IndyBay.org.

Guild votes 10-1 to accept Hearst proposal

1

The California Media Workers Guild voted today to accept a proposal that Hearst Corp. says is necessary to avoid closing the 144-year-old San Francisco Chronicle.

You can read the full proposal at the Guild’s website at http://mediaworkers.org/index.php?ID=6223.

Meister: The massacre at Ludlow

0

By Dick Meister

(Dick Meister, a San Francisco-based journalist, has covered labor and political issues for more than a half-century)

It began at 10 o¹clock on a cold morning 95 years ago this month, on April 20, 1914 in the southern Colorado town of Ludlow. National guardsmen, professional gunmen and others high on a hillside unleashed a deadly stream of machine-gun and rifle fire into a tent colony below that housed some 1000 striking coal miners and their families.

Strikers grabbed their hunting rifles and fired back. Two men and a boy on their side were killed. One Guardsman died.

The battle raged throughout the day. Finally, as night fell, Guardsmen wielding torches dashed down the hill, doused the tents with coal oil and set them aflame. They shot to death 10 of those who fled — men, women and children alike ­ as well as three strike leaders they had captured. Thirteen others, two women and 11 infants and children, were burned alive or suffocated as they huddled in a pit under a tent where they had sought refuge.

Why Chronicle workers need to see Hearst’s books

2

redflagjpg.jpg
Hearst and the Chronicle’s refusal to share its audited books should raise serious red flags for workers.

Text by Sarah Phelan.

We all know that the economy is in bad shape and that the newspaper industry is hurting. But before Guild members vote this Saturday at the Parc 55 Hotel on whether to accept a deal that cuts 150 jobs and eliminates seniority, they should demand to see the audited records of both the Hearst and the Chron.

Back in 2005-2006, Local 4, which represent pressmen at the Chronicle, hired Peter Donahue of PBI Associates to assess allegations that the Chron and/or Hearst could not meet its obligations to the pressmen and other Chronicle employees.

To assess these claims, Donahue suggested the union should request audited financial statements for Hearst for the past ten years, audited financial statements for the Chron, and detailed statements of non-operating and operating costs, “distinguishing clearly between actual expenditures, set-asides and inter-corporate transfers” for Hearst, the Chron, SFgate and the San Francisco Newspaper Agency, for the past 10 years.

“No such information was provided by Hearst,: Donahue advised Local 4’s then President Anthony Price. “Without such information, allegations that the newspaper or the Corporation are unable to meet their obligations are unfounded, only repeat claims that the company has been unwilling and unable to support with credible evidence.”

To see the full text of Donahue’s letter, click here.

Supervisorial candidate excuses police abuse

12

By Steven T. Jones

Scott Wiener seems to have a real zeal for his job as a deputy city attorney defending San Francisco against police abuse lawsuits, but his attitude and public statements raise serious concerns about his goal of being elected to the District 8 seat on the Board of Supervisors next year.
Take this story, for example, in which Wiener is defending the city in an excessive force case in which Officer Sean Frost and other SFPD officers chased down Chen Ming after being called to a loud argument in SoMa. After they caught him and held him down, Frost hit Ming in the face with his billyclub, breaking Chen’s jaw and knocking out 10 of his teeth.
“The officer did not do anything wrong,” Wiener told the Chronicle, a statement he repeated to me the other day, although he wouldn’t say more about how he arrived at that conclusion (such as whether it was supported by an internal affairs investigation), claiming he could not discuss the facts of the case.
Yet excusing such obviously excessive force — including use of a billyclub in a way that goes against officer training and SFPD general orders, and using extreme violence against a suspect who was down and not threatening anyone — is commenting on the facts of this case.
Wiener could have simply denied the city’s culpability in a general way, but he chose to go further, excusing inexcusable police conduct and sending a scary message to the general public.

Weirdness at the Washbag

1

By Steven T. Jones

There was a surreal air to last night’s celebration of the Board of Supervisors’ Class of 2000 at the Washington Bar and Grill in North Beach. That weird vibe was created mostly by the fact that the event was sponsored by Platinum Advisors and the Residential Builders Association, two groups that didn’t always see eye-to-eye with that progressive-dominated class.
That class – which included progressive firebrands Matt Gonzalez and Chris Daly, liberals Aaron Peskin and Jake McGoldrick, and independent conservative Tony Hall – were swept into office largely as a backlash against the top-down rule of then-Mayor Willie Brown, who shares both an office and a corporatist ideology with Platinum.
All those guys were in attendance and the mood was buoyant, helped by the free booze and food. Hall called the supervisors elected in 2000 “the original class of rebels,” while Peskin told the crowd, “Thank you for keeping the progressive spirit of San Francisco alive.”
But it was Brown who had the quote of the night in his not-so-subtle dig at the prickly current Mayor Gavin Newsom (who was rumored to be upset about the gathering): “My guess is if that class was still in place today, they would want me as their mayor.”

At LAFCo, more trouble getting CCA into gear

2

2 Illinois-gear_collection.jpg

By Rebecca Bowe

Supervisor Ross Mirkarimi, who serves as chair of the Local Agency Formation Commission, frowned at what he characterized as “shadiness” at a March 6 LAFCo meeting, and ultimately moved to hold off on a decision to award a contract that would have pushed things forward with San Francisco’s Community Choice Aggregation program.

Ironically, many of the advocates who typically voice concerns that the municipal-power program is moving too slowly expressed relief that this decision was stalled, saying that if the contract had gone to the wrong firm, the integrity of San Francisco’s CCA program would have suffered.

LAFCo is charged with working alongside the San Francisco Public Utilities Commission to implement a community-choice aggregation program, which would bring municipal electricity to San Francisco using locally produced, cleaner energy generation.

Talk about Chron’s demise, binge on green beer

0

Text by Sarah Phelan

Just kidding about the binge drinking. But the Northern California Society of Professional Journalists has chosen St. Patrick’s Day to sponsor “A Conversation about the Chronicle,” a public discussion about the severe cutbacks and threatened closure of the Chronicle, and the impacts those developments will have for Bay Area readers.

And it’s likely that this meeting, (5:30-7:30 p.m, Tuesday, March 17, Koret Auditorium, San Francisco Main Library, 100 Larkin St.) will leave folks tempted to hit the bottle, given the grim situation that newspapers face nationwide.

Or maybe it will be an upper, in which folks will come together, figure out a way to buy the Chron and every other hurting paper in the nation, and we can all go drink champagne, along with our green beer. Which brings me to my dream of a world where everyone is literate and able to digest newspaper articles, online and in print.

Before we get to that, it’s worth reading David Carr’s analysis of the newspaper industry’s current problem. (Or at least, read Carr’s first suggestion, since research suggests that online readers only read part of an article before jumping to another link.)

Carr’s first suggestion–that there should be “no more free content”–is a tempting, but unlikely prospect, given that folks are already sucking for free on the Internet’s ever ready teat. Not unless someone sells the next generation and their parents on the need to pay for the news equivalent of an iPod– the “iPad,” if you will–if they want to avoid being brainwashed and brainshrunk by PR firms, Fox News and other celebrity news outlets.

Take, for instance, today’s second most read online story. It’s about Alaska Gov. Sarah Palin’s 18 year-old daughter Bristol breaking up with the father of her baby.

Now, while it’s true, as TMZ’s celebrity news guru Harvey Lezin points out, that stories about Rihanna raise “all kinds of issues about domestic violence,” (and therefore Bristol’s breakup raises all kinds of issues about the inefficacy of politicians who promote celibacy and oppose birth control, n’est-ce-pas?) does this mean that the future of the news industry hinges on the reality that most people really just want to sit and look at pictures and articles that prove that the stars really are just like them, black eyes, teenage pregnancies, and dating boys who aren’t ready to be men, and all?

And what about those folks who can’t afford a computer at home? Or like to read the newspaper in the bath? Can’t the newspaper industry find ways to reduce the cost of newsprint, so that print products remain fiscally viable? California is already talking about legalizing cannabis, so why not talk about hemp as a low cost, environmentally friendly alternative to cutting down trees for newsprint?

If you are reading this and thinking you have a better idea, great: come on down to the SF Public Library on Tuesday and share your hopes and fears. Journalists the world over will be glad to hear that you cared.

SFIAAFF: “All Around Us” and “The Chaser”

0

By Natalie Gregory

Some movies do not need to be so long. Ryosuke Hashiguchi’s All Around Us feels a little like that. One of the installments in this year’s San Francisco International Asian American Film Festival, it’s mainly about a couple in the 1990s who aren’t all that in love, but come to care for one another. A few key things happen that guide the story: they have a baby who dies in infancy, which sparks a depression in Shoko, the wife. Kanao, the husband, gets a job as a courtroom sketch artist, witnessing the real life trials that occurred in the nineties. The crimes are bizarre and fucked up.

As far as representing the progression of a relationship, this film nails it. There’s a moment mid-way through the film where Shoko breaks down and expresses her frustration with Kanao’s inability to communicate. It’s a semi-climactic scene. Before this, they truly don’t communicate very much. At least not very well. Anyway, the argument ends with a better understanding between the two. Kanao says he wants to kiss her, but instead he wipes the snot from her face (she’s been crying). It’s actually pretty romantic. It feels like we are witnessing an intimate moment, something real and connected.

allaroundus.jpg

Who can buy (and run) the Chronicle?

1

By Tim Redmond

If Hearst Corp. isn’t satisfied with the concessions it gets from San Francisco Chronicle unions — or if the media giant never intended to keep the paper open — the time may come when the only major daily in San Francisco is circling the drain.

At this point, SF Appeal is reporting, the unions would like a chance to buy the paper , and Gawker is playing around with names of people who might invest.

A little perspective here.

First of all, the Chron isn’t worth much of anything right now. Hearst paid $660 million for the paper, but I’m sure the accountants have already written that off as a total loss and are ready to take the tax deduction. Nobody should be serious thinking that they have to raise a lot of cash to take it over.

The bigger issue is running the thing. Even with really smart management, and a new editorial plan, , the Chron will be losing money for a while, and it would take, say, $50 million to guarantee operating expenses for a couple of years. So any angel investor would need deep pockets and a willingness to lose money for quite some time.

But let’s stop and think about this. When Hearst bought the Chron, the bean counters in New York wanted to shut down the Examiner, but after the feds intervened, the company was forced to sell the Ex to the Fang family. Although “sell” isn’t actually the right word — the Fangs got the paper for nothing, and got $66 million cash to run it.

So why should we tolerate Hearst simply stopping the presses?

We shouldn’t.

Mayor Newsom, Speaker Pelosi, Senators Feinstein and Boxer — all the political leaders in this town — should be demanding that Hearst make a reasonable effort to sell the Chronicle. And by “reasonable,” I mean a deal no worse that what the Fangs got with the Ex.

If the Guild (or some other credible group with a reasonable business plan) wants to buy the paper, Hearst should give it to them — and provide $66 million in transition money. That’s still a good deal for the conglomerate — if the Chron is in fact losing $50 million a year, then the transition pay isn’t much more than one year’s losses. Hearst gets a major tax write-off, gets rid of a money-losing headache, and looks like a decent corporate citizen.

San Francisco gets to keep a daily newspaper, and somebody else gets a chance to try to make it work.

I’m not sure if the feds can order a company not to fold a newspaper right now, but I know that Congress has the power to pass a law preventing a newspaper closure unless and until every effort is made to find a buyer (at a cost the reflects the actual value of the asset, which in this case is about $1.75). Nancy? Dianne? Barbara?

Opening up

0

› sarah@sfbg.com

Shortly after his election in November 2008, President Barack Obama received a letter from Public Citizen and 59 other nonprofit groups noting that the public’s access to information about the government had been shut down under President George W. Bush.

The groups urged Obama to help "by issuing a presidential memorandum on Day One that makes clear that government information belongs to the people and that directs federal agencies to harness technology and personnel skills to ensure maximum accessibility of government records, consistent with law, regulation, and administrative orders."

Obama responded to these concerns on his second day as president by sending a memo to heads of executive departments and agencies that committed his administration to more transparency and unprecedented disclosures of information.

"In our democracy, the Freedom of Information Act, which encourages accountability through transparency, is the most prominent expression of a profound national commitment to ensuring an open government," Obama said, noting that FOIA "should be administered with a clear presumption: in the face of doubt, openness prevails."

Open government advocates warmly welcomed Obama’s announcement. But 50 days later, as they wait for U.S. Attorney General Eric Holder to issue new FOIA implementation guidelines, some worry that the new administration may still need more prodding.

Peter Scheer, executive director of the San Rafael–based California First Amendment Coalition (one of the letter’s signatories), told the Guardian that it remains to be seen how Obama’s directive will be implemented.

"The directive is good. The spirit is right. But what really matters is whether more information is turned over to the public on a timely basis," said Scheer, who hopes the Obama administration will explore ways to change the FOIA incentive structure so that agencies have a genuine bias in favor of giving out more information, not less.

"Right now, the incentives are all in favor of withholding information," Scheer explained.

Lucy Dalglish of the Reporters Committee for Freedom of the Press told the Guardian that she is looking forward to the U.S. Attorney General’s new FOIA guidelines. "I imagine they will say, ‘If you have discretion to disclose information do so, make a greater effort to meet FOIA deadlines, and put an emphasis on proactively posting stuff online,’" Dalglish predicted.

"The difficulty I see lying ahead is a lack of money to help agencies tackle the backlog of FOIA requests," Dalglish said. "But otherwise, I think we’re going to be in pretty good shape."

Scheer was happy about the Obama administration’s March 2 release of nine highly controversial memoranda and legal opinions that the U.S. Department of Justice’s Office of Legal Counsel prepared under Bush in the aftermath of 9/11, purporting to authorize warrantless national security wiretaps on U.S. citizens, extrajudicial detention of US citizens suspected of terrorism, and use of the military to conduct counterterrorist operations in the U.S.

In the last days of the Bush administration, DOJ officials claimed that most of these opinions were withdrawn by 2003, but open-government advocates believe their release helps prove the extent to which the Bush regime violated the constitution.

"Let’s just hope Obama is just as amenable to releasing his own legal memoranda, four years from now, as he is to release the prior administration’s more embarrassing documents," added Scheer.

He would also like to see an acceleration of the process for declassifying older national security materials and Federal Bureau of Investigation materials, and hopes that a review of Bush–era DOJ use of the state secrets privilege will "result in a modification or abandonment of that policy, except where absolutely necessary to protect vital national security interests.

"I think everyone became quite reasonably suspicious during the Bush years, when a privilege that was previously rarely invoked was popping up in literally dozens of cases and clearly being overused," Scheer explained.

Yet Dalglish fears that sunshine gains under Obama could be offset by the demise of mainstream newspapers.

"If the San Francisco Chronicle and Seattle Post-Intelligencer join Denver’s Rocky Mountain News in closing this year, the United States will be in a world of trouble in the future in terms of fighting for greater openness and transparency in government," Dalglish opined. "For the last 50 years, the mainstream media, not the alternative press, has been waging most of these battles pushing for open government."

I see London, I see France …

1

By Juliette Tang

pinuptourheadera.jpg

Attention all you narcissists, fetishists, and exhibitionists, Bombshell Betty’s crew of pin-up photographers are coming to San Francisco this Sunday, March 15, and they want to take naughty photos of you in your unmentionables. If you bring your bod to Hotel Frank in Union Square on Sunday between 3 to 9pm, along with your cutest skivvies and your sassiest ‘tude, you’ll get some star treatment that includes a pin-up posing workshop, a hair and make-up session, and a photoshoot that will make you feel like a burlesque goddess like Bombshell Betty herself. Afterward, you get to keep the disc of more than 200 of your own pin-up portraits, which will make a great present for a significant other, and an even better present for yourself. If you can’t make it this Sunday to the group session, you can schedule a private one here.

Along with being the birthplace of Bombshell Betty, San Francisco is also home to other talented pin-up photographers who can help you channel the spirits of Betty Page and Gypsy Rose Lee. Check out some more great local pin-up photography services, after the jump.

Appetite: WashBag is back!

0

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with finding and exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine. I started with my own service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city. View her last installment here.

———-

NEW RESTAURANT OPENINGS

Herb Caen glory days hang on as North Beach’s classic WashBag returns
Herb Caen would be proud. When Washington Square Bar & Grill closed last year, many mourned the loss of one of SF’s most beloved classics, a preferred hang-out of the aforementioned Caen, local writers and politicos ever since the ’70’s. Under new ownership, Liam and Susan Tiernen of Tiernan’s (www.tiernans.com), the historical spot returns with brasserie menu intact. Pull up to the long wood bar or dine on white tablecloths as you order the famed WashBag burger on Dutch crust bun. Bartender Michael McCourt is also back… so bring on the Mad Men-reminiscent martini lunches!
Washington Square Bar & Grill
1707 Powell, SF.
415-433-1188

———-

EVENTS – FOODIE DINNERS

March 18-20 – Jamie Lauren creates a four-course scallop dinner in honor of her Top Chef run

Ok, all you Top Chef fans, Jamie Lauren is back to her home base of Absinthe, with an ode to Fabio’s “Top Scallop” comment by cooking a special, four course Scallop Tasting menu (reserve quickly – it’s sure to fill up fast!) Beginning with Bay Scallop Crudo, moving on to Scallop Clam Chowder, then a Hokkaido Grilled Scallop with sunchoke puree, artichokes, erbette chard and Meyer Lemon, finishing up with Seared Dayboat Scallops with asparagus, creamed green garlic and fava beans. Now you can pretend you’re a Top Chef judge, giving props to our very own Jamie.
5:30pm throughout dinner service
$75, not including beverages, tax or gratuity
Absinthe
398 Hayes Street
415-551-1590
www.absinthe.com

March 16 – Splurge for a James Beard Dinner at Fifth Floor
Food fanatics, save up your pennies (and then some) for a rare James Beard Foundation dinner at Fifth Floor, themed on the Cuisine of Southwestern France. The event honors famed cookbook author (and James Beard Award-winner), Paula Wolfert. Fifth Floor Sommelier, Emily Wines, selects wine pairings for the decadent six-course meal, including dishes like Foie Gras with shallot confit and quince compote or Braised Rabbit with sauteed crepes and dried plums. Headed up by Fifth Floor and Aqua’s Laurent Manrique, each course is created by a different chef: Jennie Lorenzo and Lionel Walter (also of Aqua and Fifth Floor), Ariane Daguine of D’Artagnan in NYC, Jean Pierre Moulle of Chez Panisse and Gerald Hirigoyen of Piperade. Whew, what a line-up! That crew can cook me dinner any time.
6pm reception; 7pm dinner
$165, including wine pairings ($150 for James Beard members)
Fifth Floor
12 4th St., SF
415-348-1555
www.fifthfloorrestaurant.com
www.jamesbeard.org

3/23-3/25 – Incanto’s annual Head-to-Tail Dinner returns

Incanto has long been my favorite Italian restaurant in the Bay Area, bar none, and when it comes to whole hog and offal, Chris Cosentino was doing it long before it was trendy. As a frequent Iron Chef (www.foodnetwork.com/iron-chef-america/index.html) competitor and charcuterie master chef, his popular Head-to-Tail Dinners (http://incanto.biz/information.html) come but once a year and book up fast. That leaves three nights for you to reserve for a five-course meal including Venison Heart Tartare, Goose Intestines with artichoke and fava bean (visions of Hannibal Lecter in my head), or a fascinating “Coffee and Doughnuts” dessert of pork liver, blood, chocolate, espresso. Adventurous eaters, this one will expand your horizons.
March 23-25 – 6pm
$75, not including beverages, tax or gratuity
Incanto, SF.
1550 Church Street
415-641-4500
www.incanto.biz

———-

DRINK NEWS and EVENTS

Don’t forget to vote in the Guardian’s 7th Annual Best Bartender in the Bay… we’ll award bartenders in the categories of funniest, sexiest, crankiest, best cocktail invention and more… based on your votes!

March 14 – Press Club offers education on wine basics with a Saturday School Program

Every Saturday through April 11, downtown’s unusual don’t-call-it-a-wine-bar wine tasting room, Press Club, launches a Saturday School program offering informal education on wine basics. If you haven’t been to Press Club yet (and if you love CA wines, you should), it comprises eight Nor Cal wineries with tasting stations/bars in an urban-mod basement, with staff straight from the wineries offering tastings or helping you select the right glass or bottle. Five of the eight wineries host the Saturday sessions, the first one being Landmark Vineyards, who’ll guide you through smelling essentials as you sample various wines (and food bites). If you’ve ever wanted to be able to talk more eloquently about “the nose” of a wine, this is your class (sign up on their email list or check the Web site for subjects of future sessions).
Every Saturday from March 14-April 11th
1-2pm
$20
Press Club
20 Yerba Buena Lane
415-744-5000
www.pressclubsf.com

———-

DEALS

Just for You serves up Cajun food and happy hour specials
Dogpatch’s breakfast standard, Just for You, livens up late afternoons with a happy hour of $3 Pacificos, $2 MGD, $4 house red wine, with free chips and salsa or french fried yams. Cheap beers and wine pair nicely with their new Cajun specials like Seafood (Gulf shrimp, Washington oysters, Dungeness Crab), Chicken & Andouille Sausage Jambalaya and Shrimp Creole (all under $12 with salad and garlic bread). I’ve only been here for their popular brunch but these are some good reasons to head out for an early dinner.
Wednesdays, Thursdays, Fridays 4-6pm (happy hour), 4-9pm (Cajun specials)
732 22nd Street
415-647-3033
www.justforyoucafe.com

Transbay Terminal still lacks rail solution

2

transbay.jpg
By Steven T. Jones

It’s still an open question whether the trains will ever arrive at the new Transbay Terminal, an impasse that the Transbay Joint Powers Authority Board of Directors will discuss tomorrow morning in City Hall.
After breaking ground on the new terminal in December, the project was thrown into doubt last week with surprise revelations that officials with both the California High-Speed Rail Authority and Caltrain say there are fatal design flaws that could preclude their use of the multi-modal transportation hub.
Since then, there’s been lots of finger-pointing but no real progress, frustrating city officials and transportation advocates. As Dave Snyder, transportation policy coordinator for the San Francisco Planning and Urban Research Association (SPUR), told the Guardian, “The most important thing really is that the different agencies stop fighting and figure it out so we can get this downtown extension.”

Designer Dish: Pop Junkie’s spring sugar rush

0

By Laura Peach

DiscoRoosters1_0309.jpg
Old West meets Studio 54 retro with Pop Junkie’s “Disco Roosters” Tee.

This week, we chatted up local master printmakers Aaron Feiger and Ashley Marcinczyk about the sugary sweet, super sexy San Francisco-inspired designs they’ll be pulling off the press in the next few weeks. Their whimsical T-shirts sprouted into screenprinting project Pop Junkie. The funky, fun tees and totes are popping up not only on the streets of our fair city, but also across the country and in fashion forward, graphic-obsessed Japan. Here’s what the design duo had to say about their work, life, and love of San Francisco style.

SFBG: So… what are you working on right now? Tell us about the new spring line you’re currently cultivating.

Aaron: This season we’ve done our own take on a Barberella theme. I watched it over and over as a kid—I was only 7 or 8 years old. Looking back I can’t believe my mom let me watch something with so many sexual references. We’re adding some geometric shapes into these designs too.

Ashley: I’m making some re-usable beer bags. Everyone’s out at Dolores Park brownbagging it, and I thought it would be great to have an attractive, eco-friendly option. Our homewares will be expanding: we’ll be making more pillows and bags, and coming out with some laser-cut candleholders.

Artists sue over La Contessa arson

1

lacont.jpg
By Steven T. Jones

Almost three years after La Contessa – an authentic Spanish galleon built on a bus for Burning Man by members of the Extra Action Marching Band – was deliberately burned to the ground by Nevada rancher Mike Stewart, the artists have filed a civil lawsuit seeking more than $900,000 in damages.
A 2007 Guardian cover story told the tale of this unique artwork, its colorful builders, and the man who admitted torching it. Stewart and his attorney claimed he had a right to destroy La Contessa because it had been left on property he purchased. “I was forced to clean it up,” Stewart told Washoe County Sheriff’s Deputy Tracy Bloom.
But the suit is based the federal Visual Artists Rights Act of 1990, which makes it illegal to destroy artwork even if it is no longer in the artist’s possession. “It’s right on point with the facts of this case,” attorney Paul Quade told the Guardian.
contessa.jpg
Stewart is a major landowner in the region around Gerlach, where Burning Man has been held since 1989 after it moved from San Francisco’s Baker Beach, and he has a history of battling both the organization and its attendees. Although Bloom considered the fire arson, he opted not to recommend criminal charges because he thought Steward lacked criminal intent. As he told us at the time, “Chances are this is something they will pursue civilly.”

Pineapple express?

0

In the late 1950s and early 1960s, Hollywood’s hitherto stereotypical or simply indifferent portrayal of Asians progressed, albeit in one-step-forward-two-steps-back fashion. (Notably horrifying was Mickey Rooney’s 1961 yellowface caricature as Holly Golightly’s "Japanese" neighbor Mr. Yunioshi in Breakfast at Tiffany’s.)

South Pacific (1958), Flower Drum Song (1961), The World of Suzie Wong (1960), and several Sam Fuller–directed pulp actioners (like 1959’s The Crimson Kimono) promoted tolerance and understanding, however compromised they might look now. Nor is sincerity an issue in 1963’s Diamond Head, which gets a rare revival screening at this year’s San Francisco International Asian American Film Festival. This glossy Panavision soap opera, based on a pulpy novel (Peter Gilman’s Such Sweet Thunder), offers a perfect mixed-message read of Hollywood’s hesitant multiculturalist liberalism at the time.

Charlton Heston, then at the height of box-office stardom (concurrently a significant civil rights activist, before his infamous conservativism later in life) plays the politically aspirational, bullwhip-wielding macho Richard "King" Howland, ruler of a vast Hawaiian pineapple ranch. He’s got a borderline incestuous interest in preventing kid sister Sloane (Yvette Mimieux) from marrying "half-caste" Paul (teen idol James Darren in light-cocoaface). That intervention is intervened by Paul’s big brother Dr. Dean (West Side Story‘s George Chakiris, two years later, again with the dusky "ethnic" makeup). Meanwhile Heston’s "Dick" (ahem) hypocritically keeps mistress Mai Chen (a stilted Frances Nuyen, famed from South Pacific and ridiculously self-serving protests against 1993’s The Joy Luck Club when her big scene was cut). Blackmail, jealousy, arguably accidental death, and provocative Caucasian hula-dancing likewise figure into the contrived melodramatics.

Diamond Head sports the sort of juicy-coarse plotting that used to be called "claptrap." It’s not wholly camp yet. But the widescreen gloss, corny emoting, and sheer presence of über-alpha-male Heston at his Sir Smirksalot peak are getting there, fast. Buried somewhere in these vanilla histrionics are fairly sharp digs against ethnic prejudice. Mimieux even says, "Someday all bloods will be mixed and all races gone. Where’s the loss?" — a remarkably hopeful statement for 1963. Or today. Diamond Head semi-embarrasses now. Yet it also tries admirably hard to get over its inherent miscegenationalist sensationalism, which does count for something.

DIAMOND HEAD

Sun/15, noon, $11

Castro Theatre, 429 Castro, SF

www.asianamericanmedia.org

THE SAN FRANCISCO INTERNATIONAL ASIAN AMERICAN FILM FESTIVAL March 12–22. Main venues are the Castro, 429 Castro, SF; Sundance Kabuki, 1881 Post, SF; Pacific Film Archive, 2575 Bancroft, Berk; and Camera 12 Cinemas, 201 S. Second St., San Jose. Tickets (most shows $11) are available at www.asianamericanmedia.org. For this week’s schedule, see film listings.

Legs that just won’t quit

0

Long Legged Woman seemed to come out of left field when it performed at the Eagle Tavern a few months back. The group had the feel of a touring band: freakish energy, precision, and a name I hadn’t heard before. And the self-proclaimed ‘Tardcore trio turned out to be a terrifically raucous opening act for some of San Francisco’s most favored indie bands.

As drummer Justin Flowers informed me months later, Long Legged Woman may be new to SF, but its members certainly aren’t new to the game. In fact, they’re more south field than left field.

The three-year-old, once-Athens, Ga.-based thrash-rock combo was just "ready to get the fuck out of Georgia," Flowers told me as he sucked down Marlboros at a coffee shop. The outfit — which will import a fourth member from Georgia soon — has been reaping the benefits of its integration into the San Francisco underground ever since its move. An upcoming tour with Dark Meat to South by Southwest, accompanied by a 7-inch split, are just some of the big plans Long Legged Woman is optimistically pursuing.

One of the best things about music coming out of the past decade has been the birth of the most killer subgenres in the world. Psych-rock, surf punk, and deathcore — to name a few — are the direct results of the filtered interests of versatile musicians fitting all their favorite filthy influences into one song. Long Legged Woman is one of the finest examples of this. You must see them and own the record to get your fill.

Live, you will get a taste of Mayyors-esque thrash in terms of the vocals, while Nobody Knows This Is Nowhere (Pollen Season, 2008), which was recorded on a 4-track, offers a more psychedelic, garage-pop feeling and an eclectic batch of tunes. "We all write songs for the band," says Flowers with a slight Southern twang. "So they’re always different."

Long Legged Woman finds its own sound by rotating members Gabe Vodicka, Alex Cargile, and Jeff Rahuba on bass, guitar, and vocals. The result is a ratatouille of Neil Young-meets-Death-in-an-opium-bar: it makes you want to light your flannel on fire and throw it onstage. (Jen Snyder)

LONG LEGGED WOMAN

With the Hospitals and Eat Skull

Sat/14, 8 p.m., call for price

Li Po Lounge

916 Grant, SF

(415) 982-0072

Home suite home

0

› cheryl@sfbg.com

How’s this for lowest common denominator? The first sentence of Kiyoshi Kurosawa’s Wikipedia entry explains that he is a "Japanese filmmaker best known for his many contributions to the J-horror genre." With his latest film, family drama Tokyo Sonata, particularly fresh in my mind, I’d nearly forgotten he was even part of that late-1990s trend. It’s inarguable that he made one of the best of the genre — 2001’s cult nugget Pulse, a meditation on the cold, paralyzingly lonely soul of the Internet masquerading as a sublimely creepy ghost story. Pulse is the only one of Kurosawa’s films made widely available to American popcorn-munchers, albeit in the dumbed-down form of a bastardized PG-13 remake starring Kristen Bell (tagline: "You are now infected.")

Fortunately, as the San Francisco International Asian American Film Festival program notes point out, you’ll soon be getting a chance to see the original Pulse on the big screen, where its sinister sparseness should freak out even those who’ve already watched it on DVD. SFIAAFF’s spotlight on Kurosawa, encompassing seven films (including the local premiere of Tokyo Sonata) and an in-person visit from the man himself, couldn’t have been easy to curate. His filmography stretches back to the 1970s, with pink films and yakuza films and pre-J-horror horror films. His breakthrough, at least to stateside art house patrons and festival attendees, was 1997’s Cure, a serial-killa-thrilla lacking anything resembling Hollywood-style story beats. As the New York Times marveled, "Kurosawa constructs an elaborate psychological maze and then strands us in the middle of it" — a favorite technique that echoes throughout his work.

Though the SFIAAFF program spotlights Kurosawa, in many ways it’s also the Sho Aikawa show, with the actor appearing in paired films The Revenge: A Visit from Fate and The Revenge: The Scar that Never Fades (both 1997), and Eyes of the Spider and Serpent’s Path (both 1998). The stone-faced Aikawa — also a Takashi Miike regular, having triggered the total destruction of Planet Earth at the end of 1999’s Dead or Alive, among other triumphs — is particularly moving in the later films, wherein he plays a same-named character caught up in mirror-image circumstances who is, nonetheless, decidedly not the same dude. A child is snatched and murdered, and vengeance is sought, but Kurosawa focuses on the mundane aspects of gangsterhood, with the crew in Eyes of the Spider, for example, discussing polar bears and fishing strategies during stretches of downtime.

But this ain’t no Tarantino-style crimes-‘n’-chuckles set of films. With Tokyo Sonata, Kurosawa does away with the yakuza element, along with the overtly scary stuff, though the film is so timely it’s near-eerily prophetic. The economy is the boogeyman here, as an average Japanese family fractures when Dad is laid off (and doesn’t tell Mom) and the older son decides that joining the U.S. military seems like a pretty good career option. Dinner-table calm is soon replaced by ever-bizarre and sometimes tragic events, but the hidden talents of the younger son suggest all may not be dark in the world. The end result is Kurosawa’s most fulfilling work to date, in a career that’s already delivered quite a few winners. To borrow the title of one of those films, a bright future awaits.

THE SAN FRANCISCO INTERNATIONAL ASIAN AMERICAN FILM FESTIVAL March 12–22. Main venues are the Castro, 429 Castro, SF; Sundance Kabuki, 1881 Post, SF; Pacific Film Archive, 2575 Bancroft, Berk; and Camera 12 Cinemas, 201 S. Second St., San Jose. Tickets (most shows $11) are available at www.asianamericanmedia.org. For this week’s schedule, see film listings.

Keeping their cool

0

>>Click here for our complete SFIAAFF coverage

Did Asian American hipsters arrive with the cinematic appearance of Mr. Miyagi or Gregg Araki? The moment Hipster Bingo included an "über-hot Asian hipster (female)" square? Face it, we are everywhere — bubbling up from every microniche to make zines, play in bands, draw comics, and chafe against those model-minority, math-geek stereotypes, ready to rage against the Man’s machine.

According to You Don’t Know Jack: The Jack Soo Story, it all started with the star of Flower Drum Song (1961) and late-1970s TV series Barney Miller. Oakland-raised Goro Suzuki got his start as the life of the Tanforan and Topaz internment camps, evolving into a popular crooner-comedian in the Midwest where he attempted to sidestep prejudice by shortening Suzuki to the more Chinese Soo. He hit the Hollywood big time with his scene-stealing nightclub owner Sammy Fong and his beloved Detective Sgt. Nick Yemana, a role showcasing an understated wit that seems to define Asian cool. Alas, The Slanted Screen (2006) director Jeff Adachi concentrates so hard on Soo’s hipster cred, reinforced by pals like George Takei, that the drumbeat gets a bit deafening in this valuable if flawed doc, which fails to truly reveal the man behind the parts.

That’s the flip side of cool — the more you stress on it, the more elusive it is. On the opposite side of the spectrum: the 1990s-ish iconoclastic, workaholic breed of Asian hip obsessively worked by David Choe in Dirty Hands: The Art and Crimes of David Choe. Exhaustively documenting the Los Angeles-born artist for eight years as he matures before our eyes, director Harry Kim charts the growth spurts: from mischievous tot to shoplifter and graf artist to porn illustrator to street-art superstar to spiritual penitent after a stint in a Tokyo jail. The filmmaker doesn’t seem to know quite when to stop, but then neither does his subject: an obviously intelligent, playful talent who specializes in compulsively analyzing himself and pushing himself to the limits of the law, his work, and his own (r)evolution as a human being. So driven in his pursuit of edge-skating experiences that he comes off as less hipster than haunted, Choe and his Bukowskian tendencies, Vice aesthetics, and "deep" thoughts rivet long after the bodily fluids and sensory overload murals congeal.

YOU DON’T KNOW JACK: THE JACK SOO STORY

Sun/15, 2:30 p.m., and March 18, 7 p.m., Kabuki

DIRTY HANDS: THE ART AND CRIMES OF DAVID CHOE

Sat/14, 9:30 p.m., Castro

Tues/17, 4:30 p.m., Kabuki
———

THE SAN FRANCISCO INTERNATIONAL ASIAN AMERICAN FILM FESTIVAL March 12–22. Main venues are the Castro, 429 Castro, SF; Sundance Kabuki, 1881 Post, SF; Pacific Film Archive, 2575 Bancroft, Berk; and Camera 12 Cinemas, 201 S. Second St., San Jose. Tickets (most shows $11) are available at www.asianamericanmedia.org. For this week’s schedule, see film listings.