San Francisco

Newsom’s Orwellian doublespeak on city layoffs

Sasha Cuttler
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Newsom’s Orwellian doublespeak on city layoffs

One of the things that irritates people most about Mayor Gavin Newsom is his Orwellian doublespeak, in which he makes claims that conflict with his actions, and that was on vivid display with his recent decision to lay off 15,000 city workers and then hire most of them back for shorter workweeks.

These are frontline workers (managers, cops, and firefighters were excluded) who will either be fired or take a 6.25 percent pay cut – while the public will see a rollback in the hours devoted to providing city services – but Newsom’s press release claims that he’s actually helping both the workers and the public.

“Mayor Newsom used his YouTube update this week to discuss the City’s budget and his plan to save thousands of city jobs and services by offering 37.5 hour part time positions to most city employees. This proposal will allow the City to maintain services for residents, while saving the City an estimated $50 million. San Francisco faces a projected $522 million budget deficit for the 2010-11 fiscal year.” the press release, which was sent out on Saturday (presumably so the media ignores it), begins.

As the Chronicle reported that day, none of the affected employees are happy about this “offer” they can’t refuse, and their unions are even talking about suing the city. As for this plan to “maintain services,” that’s based simply on Newsom’s demand that city employees – who, because of the layoffs in previous years, are often already doing several people’s jobs – do 40 hours of work in 37.5 hours.

Now, this reduced workweek plan might not be so terrible if Newsom had worked on it with the unions, made deeper cuts to senior management and his taxpayer-paid political team in recent years, coupled it with a push to try to increase local taxes, and been honest about its impact to city services and the local economy.

Instead, we hear that we must burn the village in order to save it, which was dubbed the “enlightened approach” in the press release (which failed to mention that Newsom plans to not rehire an unspecified number of the employees he’s firing). “The point is to keep people employed and to keep their benefits,” Big Brother Newsom said in the press release.

Later in the release, Newsom goes on to laud Thursday’s Day of Action events, in which speaker after speaker called for increased taxes on wealthy corporations and individuals in order to prevent continued cuts to the public education system – despite the fact that Newsom has been the single biggest obstacle in San Francisco to such tax increases. “They’re shutting down opportunities. Its [sic] impacted faculty, its [sic] impacted morale, and it’s going to devastate the economy of the state unless we wake up and say enough’s enough,” Newsom said, sounding like the sympathetic populist instead the mayor who has proudly touted the fact that his budgets haven’t raised taxes, relying entirely on cuts.

Big Brother couldn’t have said it better himself.

Chelsea Handler bang bangs

Andrew Lam
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Witness, if you will, the cast of the Jersey Shore‘s interview with Chelsea Handler. “I was excited to see what your body looked like in person, and I must admit I’m pleased,” Handler greeted Snookie, MTV’s bowling-ball-shaped Guidette. The host immediately progressed to feeling the neo Italian clan’s gel heavy coifs and commenting on Snookie’s famous roundhouse to the face made famous by the show.

It was an inspired conversation. The Jersey Shore cabal is blessed with a singular sense of humor about the deprecating whirlwind of fame that surrounds them these days, and Handler has built a career on being frank with her party girl lifestyle. After all, one of her three books was titled Are you there Vodka? It’s me, Chelsea. As the only female in the late night television game, lady’s got to be tough. And her show Chelsea Lately, a cross between the standard interview format and entertainment news hash-out, has carved a niche for itself based largely on Handler’s biting wit, self awareness and willingness to take it there. It continues to soar in ratings and ad revenue, even from its non traditional nest on the E! network. She’s bringing the noise to Davies Symphony Hall this weekend (Fri/12), so raise your glass to the lady of sass. 

San Francisco Bay Guardian: It’s already been quite the year. Which celebrity news story of 2010 have you had the best time covering on “Chelsea Lately”?

Chelsea Handler: I guess Tiger Woods. That story officially started in 2009, but it’s carried over into this year. He made my job easy for weeks. I didn’t need to think, I just needed to go on line and there would be a new VIP hostess telling yet another humiliating story about him giving her an extra big tip.

SFBG: Your upcoming stand up show sold out real fast in SF- so fast you scheduled a second. The gays just love them some Chelsea, don’t they?

CH: I think they all assume deep down I’m a lesbian. Which I’m not…unless you count college, which I didn’t even go to.

 

SFBG: Is this what you wanted to be when you grew up?

CH: I just knew I wanted to leave New Jersey. I couldn’t handle my father humiliating me anymore. I figured I’d either do something in the entertainment industry or take over for Julie McCoy on the Love Boat. I just always wanted to sit on the Captain at the Captain’s table. Once that dream died, I went for plan B…not the morning after pill; my actual plan B.

 

SFBG: I just got done reading “Memoirs of a Beatnik” by Diane di Prima and the author was sharing her sex life in explicit detail even back then in the 1960s. Will the kind of sexually up front, unapologetic humor that you do ever NOT be considered shocking, coming from a woman?

CH: I don’t think so. For some people, sure…but there will always be a large percentage of people who think a woman shouldn’t talk so openly about those things. I just disagree. Once I figured out what I could pull off in a room by myself, I knew finding a boy to do it with could only make my discovery that much better. Why wouldn’t I want to talk about it? If talking about sex saves at least one virgin in her late twenties from carrying out that whole “not before marriage” thing, then my work is done.

 

SFBG: I read an online review of “My Horizontal Life” that suggested the book might “inspire bad girls to more bad behavior”- but what is a ‘bad girl,’ nowadays?

CH: The only “Bad Girls” I know are the one from that Oxygen show, and they seem really annoying.

 

SFBG: Your show devotes a large amount of time to celebrity news, or rather, to mocking our obsession with celebrity news. Has there ever been a time when you’ve felt the brunt of paparazzi or had a ridiculous story about you hit the news?

CH: Perez Hilton once reported that I had vaginal rejuvenation surgery. So, there’s that.

 

SFBG: How do you get the celebrity guests on your show to get off the talking points they walked in with?

CH: The person that prepares the interview usually lets the guest know that I like to talk about things that wouldn’t normally be talked about on other late night shows. I think they’re usually prepared for my sense of humor. I don’t necessarily want to know about somebody’s new role in a movie, but I would like to know how they got their body or who they porked on set. So I just ask.

 

SFBG: You’re not exactly tip-toeing around a lot of your guests’ egos on the show- has anyone ever had an adverse reaction to your brand of humor?

CH: Probably, but that’s why I don’t read my e-mails.

 

Chelsea Chelsea Bang Bang Tour

Fri/12 10:30 p.m., $49.50- 75.50

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.livenation.com

Making the protests count

Zelda Bronstein
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Making the protests count

It was wonderful to see so many people all over the state taking to the streets to protest cuts in education and public services. The rally at San Francisco’s Civic Center wasn’t just young radical agitators, either — most of the people there were parents with kids, families, people who are just fed up with the threats to the future of this state and don’t want to take it any more.


And now that the press and public and maybe even the elected officials are focused on the issue, it’s time to move to the next step. Politicians can talk all they want about “standing with the families” and supporting education, but in the end, there’s only one way to adequately fund K-12 and higher education in California. And that’s to raise taxes.


You can talk about waste all you want, and there’s certainly waste at the University of California. But we’re looking at a need that runs into the billions, multiple billions, tens of billions — and eliminating a few million bucks of waste here and there isn’t going to solve the problem.


You’re not going to solve it by reallocating the state’s budget money, either, since there’s no single large pot of cash that can be taken and given to the schools without devastating another necessary public service. The only real possibility is the prison system, a financial sink hole if ever there were one — but again: You can’t just cut prison spending by eliminating services to prisoners. They get so little as it is — and the federal courts won’t allow any reductions in health care and the state’s already under court order to reduce overcrowding.


You could probably solve half of the schools’ fiscal problems by releasing from prison every single inmate serving time for a drug offense; that’s the kind of dramatic steps we’re talking about. And if anyone wants to launch a political campaign to let 30,000 prisoners free tomorrow, I’m with you.


But it’s not going to happen, not in this climate. So the only real option is to get more revenue. That means raising taxes at the state level, repealing Prop. 13 to allow local property tax hikes, or raising taxes at the city level.


And here’s who the protesters need to be targeting:


1. The governor. Arnold Schwarzenegger not only refuses to allow new taxes as part of the budget, he vetoed Sen. Mark Leno’s bill that would have allowed local government to raise its own car taxes. He’s at (916)-445-2841.


2. The Republican leadership of the state Legislature. These folks go into the budget talks with the power of a minority that can block the two-thirds vote required for tax hikes, and they’ve both signed “no new taxes” pledges. These two people are among the single largest reason that the California school are facing such huge cuts. Assemblymember Martin Garrick,  916-319-2074. Senator Dennis Hollingsworth, (916) 651-4036.


3. Attorney General Jerry Brown. He’s running for governor as the Democratic candidate, and he has already announced that he won’t raise taxes and that Prop. 13 is untouchable. He won’t even support Assemblymember Tom Ammiano’s bill to legalize and tax marijuana. He needs to hear from his constituents that those positions won’t fly. (916) 322-3360


4. The mayor of San Francisco. Gavin Newsom is happy to announce that he supports education funding, but he’s never come forward with a single significant new tax increase for the city. Local taxes could be split between the general fund and the schools, and the progressives on the Board of Supervisors are looking for revenue options. Call the mayor and tell him: If Sacramento won’t raise taxes to educate our kids, we’d like to do it at home, in San Francisco. 415-554-6141.


5. Any state or local official who claims to support the schools but won’t publicly endorse and work for higher taxes. Folks, there’s no other way out of this.


And at the next rally, let’s chant: Repeal Prop. 13, Now! Tax the rich in San Francisco — Now!

MUNI driver: luck, not system, saved my family

Mary Magee
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MUNI driver: luck, not system, saved my family

MUNI bus driver Charles Washington says it was luck that won his family a reprieve from a federal deportation order. His Australian bride Tracey, who he married in Reno last April, and her 13-year-old son were served deportation orders after the boy got into a schoolyard fight and a police officer wrote him up with three felony charges. Under the city’s current policy, felony charges against undocumented youth triggers an immediate referral to ICE before the youth can prove their innocence.

Charles and Tracey Washington hug outside a hearing on the city’s policy towards immigrant youth. After the hearing, the juvenile probation department dropped language from its policy that advocates say could lead to racial profiling, but JPD Chief William Sifferman said the department cann’t allow kids due process for fear of being accused of harboring and transporting aliens.

Washington’s family won a reprieve after the media learned of their plight, an outcome Charles puts down to luck, not evidence that the system is working. He believes the nightmare his family is going through proves that the city’s policy towards immigrant youth isn’t working. And he wants those responsible for setting that policy to take responsibility and fix what’s broken,  not pass the buck by trying to hide behind federal laws they claim prevent them from fixing their own policy.

“The problem with the policy is that is doesn’t allow for due process,” Washington said during a March 4 hearing on the city’s policy which Mayor Gavin Newsom ordered in 2008.”The policy is based upon the original charges that a police officer made, a  field officer who has to make a quick decison based upon a couple of known facts,” Washington said. “Kids get treated as if they are guilty before they are proven innocent. There has to be a better way for the system to work.”

Washington doesn’t blame the city’s police or probation officers for his stepson getting referred to the feds before he could prove he was innocent of felony-level charges.

Gabe Calvillo, president of the city’s probation officers union, congratulated the Washington family on their reprieve, but repeated concerns that giving kids their day in court would put his members at risk.

And Washington does not blame city workers for the fact that federal immigration agents used his stepson as bait to get his wife to come in to their Sansome Street office where they handed her and her son deportation orders and slapped an electronic monitoring device on her ankle–a device she is still wearing to this day.

 Tracey Washington demonstrates the device that the feds are forcing her to wear, making her feel like a “murderer,” even though the couple say federal contractors gave them misinformation about when to apply for a green card, after she got married to  Charles Washington while she and her two sons were here on a visa waiver.

As a city worker, Washington gets that these city workers were simply following orders. But as a husband, father and US citizen who is still fighting to keep his family intact, he believes that those responsible for the policy that led to this nightmarish sequence of events are hiding behind claims that their hands are tied by federal law. And he wants them to get off their hands and back to the drawing board, so other families don’t have to go through what his family just experienced.

And unlike many families that feel they were unnecessarily ripped apart by the city’s policy towards immigrant kids, Washington can articulate his concerns without fear of being deported himself.

“It’s unbelievable how any family could have been put in that position,” Washington said, recalling how his son landed in ICE’s hands, after a SFPD officer wrote him up for three felony charges, following a schoolyard fight over 46 cents.

When an SFPD officer charges a juvenile with a felony, juvenile probation is required to refer the kid to US Immigration and Customs Enforcement (ICE), if they suspect the youth is here without legal documentation.

Once Washington’s stepson was referred to ICE, under a policy that Mayor Gavin Newsom ordered in 2008, the feds ordered him and his mother deported, without waiting to see if local courts actually find the boy guilty of any felony charges.

It was only when Washington went public with his family’s nightmare and the media started making calls that ICE backed off.

But while it was the city’s flawed policy that landed the Washingtons in this dilemma, the Mayor’s Office did not offer to try and help. Instead, the Mayor’s office claimed that their case proves that Newsom’s policy is “not draconian.” (You can read Newsom’s full statement at the end of this post.)

“The Mayor’s Office could have contacted me, tracked me down,” Washington said. “But they just sat back and waited to jump on the band wagon, whichever way it went.”

Mayoral spokesperson Tony Winnicker said the Mayor’s Office was sympathetic to the family’s plight but could see no reason to get involved in what he described as “a federal immigration matter.”

But Washington notes that it was Newsom’s policy that led to his stepson being referred to ICE, and the feds would have deported his family this week, if they hadn’t gone public with their case,a step most immigrant families are afraid to take.

“The bottom line is that we got lucky,” Washington said. “How many families wouldn’t know what to do in this situation? When I spoke at the press conference at the Asian Law Caucus,  I didn’t know what to do either. What if the Asian Law Caucus had been too busy, or the media hadn’t come to the press conference? Does everybody have to contact a lawyer. Our story shows that the system failed, and that it was luck that saved us.”

While folks are acting as if the Washingtons’ problems are over, the family still faces huge financial and legal challenges.

“For the time being, we’ve had a huge burden lifted off of us, but the next huge problem is that we are bing requested to have one-way plane tickets ready for the first part of April, though we are not being asked to leave now until May 4, that’s several thousand dollars that we have to lose,” Washington said, noting that it will cost over $4,000 to apply for green cards.
“Meanwhile, It looks like everyone wants to point the finger at someone else instead of focusing on the fact that there is a problem.”

Washington made his comments after a hearing that Sup. David Campos called to determine why the Juvenile Probation department hasn’t implemented an amendment that Campos introduced in 2009 to address the Catch 22 situation that’s  hidden within Newsom’s current policy and that ensnared the Washingtons’ kid.

Campos’ amendment instructed probation officers to wait until kids have had their day in court before referring them to ICE. But Mayor Newsom said he will ignore the amendment, and JPD Chief Sifferman has refused to implement it.

Either way, Campos’ March 4 hearing offered a rare insight into the, some would say, dysfunctional dynamics within the city’s juvenile justice department since it came under the microscope of US Attorney Joe Russoniello in 2008.

A Bush appointee, Russoniello has been ideologically opposed to the concept of sanctuary ever since the city enacted its City of Refuge ordinance in the 1980s, when he was first US Attorney for Northern California.

After Kevin Ryan was fired as US Attorney in 2006 and hired as Newsom’s director of criminal justice in 2007, Russoniello resumed his post as top federal prosecutor, a position of power that let him launch a federal Grand Jury investigation in 2008 to determine if JPD’s former practices violated federal law.

Ryan has since resigned from the Mayor’s Office, and the Obama adminstration is vetting Russoniello’s replacement, but the City claims it can’t give immigrant kids their day in court for fear of federal retaliation. And some believe the unresolved tension between the city’s sanctuary policy and the federal immigration laws will continue, unless national immigration reform occurs.

Juvenile Probation Department Chief William Sifferman said today that his department is eliminating language from its juvenile immigrant policy that could be an invitation to racial profiling.

JPD Chief William Sifferman told Campos that his department looked into Campos’ amendment, which directs JPD to modify its policies and practices to the “extent permitted by federal law”‘and concluded that it cannot modify them.

Sifferman recalled what happened when JPD used to return immigrant youth to their country of origin or place them in group homes, with no notification to ICE.

“Many of these youth were arrested for selling crack cocaine in the Tenderloin, were placed in group homes, ran away, were rearrested, selling drugs again,” Sifferman testified.

He recalled how JPD officers were interrogated and threatened with arrest by federal agents who intercepted them at Houston airport as they were accompanying minors to Honduras. And that Russoniello subsequently convened a Grand Jury to investigate JPD’s actions.

“That investigation continues to this day,” Sifferman said. “The department’s current policy was adpoted becoasue of these concerns.”

“Until a court rules otherwise, the department must conclude that [federal] law would not allow the city to change its policy,” Sifferman said.

He said probation officers are trained not to directly question juveniles or their parents about their immigration status. And hee noted “a marked reduction” in the number of unaccompanied Honduran minors who have been arrested for selling crack cocaine.

“We believe our policy has significantly reversed a 15-year trend in the city’s history,” he said.

Sifferman said he did not receive Campos’ request for time estimate information until 48 hours before the March 4 hearing, though Campos said he made his request weeks ago.

But he offered some statistics, including the fact that “since July 2008, JPD has released 107 unduplicated youth to ICE, 125 times.”

“This means that 17 were referred to ICE twice, that they returned to country of origin, then reoffended,” Sifferman explained.

He also noted that 92 percent of the youth are released to ICE after a felony finding.

“Only a small number are released to ICE without having determined if they had committed a felony,” Sifferman said.

The monthly average of kids referred to ICE for the first four months of the city’s new policy was ten, Sifferman said.

“And for the past 16 months, it’s been five,” he said. “We attribute this decline to undocumented Honduran youth no longer returning to the Tenderloin to sell crack with the same frequency.”

But he claimed that while there has been a reduction in releases to ICE, there had been no measurable decline in probation officer’s case or work load.

‘They continue to supervise kids who have not been referred to ICE,” he said.

“We have dedicated none of our resources to working with ICE,” he added.

Contact with ICE is limited to fax transmissions, follow-up phone calls, and follow-up responses, Sifferman said.

“Probation officers do not arrest or detain youth based on their undocumented status nor do they assist in taking youth into ICE custody,” Sifferman said. “We must always recognize the public safety impliations of our policy.”

Asked what kind of resources JPD spends on this contact, Sifferman said, “De minimus.”

Pressed  for more details,  Sifferman said, “It’s difficult to estimate given that our staffing level functions are ministerial—a fax being sent a record placed in a file, a phone call about a potential release date. We haven’t done a time study.”

Campos noted that unlike JPD’s former policy, the amendment he enacted last fall does not call for prior policing and actual transport of youth across the country. But Sifferman countered that if youth are released back into the community, JPD could be aked to transport them “to various locales.”

Campos questioned Sifferman as to the origin of language in Newsom’s current policy that immigrant advocates believe could lead to racial profiling (language that, as the Guardian learned today, has now been deleted from the policy).

“In determining whether there is reasonable suspicion that youth is undocumented, one of the criteria listed in the policy says, ‘presence of undocumented persons, ‘ but how would you know when a person is undocumented?” Campos asked.

“There could be information in the arresting report describing the conditions,” Sifferman suggested.

“How did you decide to include this language in the policy?” Campos asked.

“It was based on research and advice we received from the City Attorney’s office,” Sifferman said. “The entire policy is based on review and approval of the City Attorney’s office.”

“Can you see how something as open-ended as this could lead to racial profiling?” Campos asked.

‘It could, it requires vigilant oversight, if that criterion was taken alone, we’d have  a problem wth that,” Sifferman said.

Sup. Eric Mar said he was “very upset,” that Sifferman did not have the cost estimates available.
Mar also voiced concerns that the policy sounded “like a justification for racial profiling.”

“I really respect you, but it sure sounds like you’re flying in the face of San Francicso values when you are not implementing a policy to protect due process,” Mar said.

“I disagree that we have been intentionally stalling,” said Sifferman, who has been hit with budget cuts and staffing reductions in the past couple of years like other department heads.

Campos took issue with Sifferman citing Title 8, Section 1373 of the US code as justification for not implementing his policy amendment.

That section of the US code states that, “Notwithstanding any other provision of Federal, State, or local law, a Federal, State, or local government entity or official may not prohibit, or in any way restrict, any government entity or official from sending to, or receiving from, the Immigration and Naturalization Service information regarding the citizenship or immigration status, lawful or unlawful, of any individual. “

“Can you point to a section of the federal law that requires you to report?” Campos said
“No, I can’t,” Sifferman said.

But Sifferman subsequently noted  that there is a prohibition against “transporting and harboring any person known to be undocumented,” a position that leaves JPD officers feeling vulnerable given that the department has received three federal Granf Jury subpoenas related to JPD’s previous policy towards juveniles.

During public comment, UC Davis Law Professor Bill Ong Hing addressed the fact that a bunch of misinformation continues to swirl around the city’s immigrant juvenile policy.

“I would encourage the Board, Chief Sifferman, the Mayor’s Office and City Attorney’s office to sit down together,” Hing said. “A lot of misinformation is floating around.”

Hing noted that there is nothing in the Campos amendment that prohibits reporting kids to ICE.

“But you do not have to volunteer information to them, if it’s not required,” Hing said.

“The vast majority of jurisdictions don’t contact ICE [before kids have day in court], they recognize that’s not good policing, ” Hing continued. “Under the rules of federalism, there is nothing that prohibits this ordinance.”

“And there has never been a prosecution of a city worker [for following a city’s sanctuary policy], and [a prosecution of a city worker for that] wouldn’t be authorized by the Obama admininstration,” Hing claimed.

He also said that a confidential memo that Mayor Newsom leaked to the Chronicle was ‘laughable”.

“It exagerrates the likelihood of a successfully overruling the sanctuary ordinance,” Hing said.

Hing concluded that City Attorney approved language in Newsom’s current policy, “is a complete inviation for racial profiling.”

City Attorney spokesperson Matt Dorsey responded forcefully to these accusations.

“Racial profiling is illegal, and something we take very seriously,” Dorsey wrote in an email.” Part of the City Attorney’s duty is to advise against illegal conduct. If a client department informs us that a policy could risk illegality, we will work with our clients to make sure laws aren’t broken, and that no one’s rights are violated. That’s a job lawyers do every day.  And that’s especially true here, where the matter involves litigation, threats of litigation, and a federal criminal investigation.”

And today, JPD decided to eliminate the language that was triggering racial profiling concerns.

Meanwhile, mayoral spokesperson Tony Winnicker noted that of the 125 reports to ICE since July 2008, 97 percent were for felony arrests, and the other 3 percent were “misdemeanors with priors.”

Winnicker also emailed a statement from Newsom that reads as follows:

“I have long supported our sanctuary policy and a range of policies and programs designed to assist our immigrant community. I believe San Francisco continues to be an international leader with our efforts to protect immigrants in our community. However, the sanctuary ordinance as originally conceived and adopted was designed to protect all residents of our city, not as a shield for felons and criminal behavior. I will not put City staff, our sanctuary city policy and thousands of residents at risk to shield felony criminal behavior by a few. Immigration and Customs enforcement is a federal responsibility. San Francisco cannot be the arbiter of immigration cases that take place within the City. That’s why many other counties in California have a similar policy of reporting suspected juvenile felons to Immigration and Customs Enforcement at the booking stage. The recent example of the Washington family validates that our current policy is appropriate. Juvenile Probation officials report undocumented felony arrests to Immigration & Customs Enforcement, and Immigration & Customs Enforcement officials determine the appropriate response. In this case, once President Obama’s Immigration and Customs Enforcement office became aware of the exceptional circumstances around the case, they took commendable action to ensure that the young boy and his family were given time to resolve their residency status.San Francisco’s Sanctuary Ordinance continues to strike the appropriate balance between offering a welcoming hand to our immigrant community and protecting the public safety of law-abiding residents of our City.”

That’s a fine statement, and I’m sure the mayor cares about youth, whatever their nationality and immigration status. But  immigrant youth still face a  Catch 22 trap within his policy that has led kids who haven’t committed felonies being referred to ICE for deporation. The question now becomes, can a miracle happen? Will everyone involved–at the city and federal level–sit down and hash out an equitable solution? Will heads of other city departments acknowledge their role in this process or will Sifferman be hung out to dry all on his lonesome? And will a bunch more kids get thrown under the bus before we as a nation find our way towards a saner and more equitable immigration process? Stay tuned.

Young people protest school cuts

Sasha Cuttler
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Young people protest school cuts

By Brady Welch

The scene was relatively quiet around 1:45 p.m. on March 4—just another sunny afternoon in the Mission District. Fifteen minutes later, things got much louder. Hundreds of Mission High students, accompanied by faculty and staff, poured out upon Dolores Street near the intersection of 18th, banging drums, blowing whistles, chanting, and holding handmade signs reading “Stop Crippling Public Education,” and “DREAM: Act Now.” Cars halted at the intersection honked in support, and the marching students, invariably stoked to have left school almost an hour early, grew louder in response.

It was one of the first actions in the Mission in conjunction with dozens of others across the state in protest against massive budget cuts in public education. The Mission High marchers continued their march south along Valencia Street, eventually converging with numerous other school and civic groups at the 24th and Mission BART station. In preview of the boisterousness that was to follow, a group of students from Cupertino was chanting, “You say cut backs, we say fuck that!”

One of them, Lucas Ho, told me that with the massive budget cuts, “The chances for student success are being limited,” citing rollbacks in honor programs and not hiring tutors. Another student who only gave her name as Stacey, came with about 30 other students from Balboa High School. “Our education is important,” she said emphatically, before our conversation was cut short by more chanting and drumming.

Particularly heartening were the large number of enthusiastic elementary school students, who at many points during the day’s rallies, seemed to be leading the charge. The San Francisco Community School, in particular, seemed to come armed with a number of assertive youngsters, one of whom on the verge of yelling themselves hoarse with crowd-hyping chants over a megaphone.

Fifth-grader Deontay Harper stood by holding a large banner. “We’re protesting for justice and to save our teachers,” he told me with surprising erudition. Without proper funding, “it’s gonna be harder for us to learn.” SF Community School 4th and 5th grade teacher Robin Yorkey concurred. The budget cuts “are going to ruin us,” she told me over the din. “They’re going to make class size huge, and we’re incredibly concerned.” In the background, the aforementioned pint-sized Eugene Debs on the megaphone engaged in the classic call-and-response, “What do we want? Justice! When do we want it? Now!”

Across the street, 11th grader Moneace Smith came with fellow students and teachers from June Jordan School for Equity. “It is our future money—we need that,” she told me, showing a level of recognition of the cuts’ long-term impact. “We want our education. We want to go to college.”

SF State students march

Sasha Cuttler
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Story and photos by Nima Maghame

San Francisco State University added pageantry to the Day of Action protest, one of the many schools from around the Bay Area from Kindergarten to Ph.D that united on the steps of San Francisco City Hall yesterday.

Students, faculty and staff painted their faces, wore colorful t-shirts and paraded 10-feet high puppets depicting a skull-faced grad, a crying queen and a fossilized dinosaur; each representing greedy politics and the killing of education.

SF State students started the day with blocking traffic on Holloway and 19th streets, an echo of the 1968 student strike when SF State students did the same thing to protest civil rights. Police were ordered to clear the protesters out of the streets, but students continued on the sidewalk before merging with several other organized demonstrations in Malcolm X plaza.

Hundreds of students filled the open-air plaza to dance to music, hear spoken word poetry and chant. By 3:30 p.m. the festivities moved to City Hall where university students marched along side elementary, middle and high school students. “We’re in solidarity with everyone in this protest. Not centralized but many coming together to send one message. We have elementary students protesting, for the first time ever all facets of education are joining up. It’s beautiful and it’s healthy,” Phil Lassky, an Ethnic Studies teacher.

Empowerment was the feeling in the air. Many who participated had stories about how budget cuts have kept them from graduating, sitting on the floor in classrooms and not receiving their financial aid checks. “They have forgotten about us. Here we are paying for the bank’s debt and we get our budgets cut? Time for this to stop,” said Andrea Thomas a senior at SF State. Some teachers were uncertain if they’ll have work in the fall, and some were certain they would have no classes to teach.

Not all on the Gator campus were eager to spray paint a sign. Some students said they thought the Day of Action was futile and contradictory. “Ditching class is a hypocritical message that goes against what we are all trying to do,” said Travis Northup, SF State sophomore. “Instead of posters with vague statements we should be trying to find solutions that are reasonable.”

But most of the campus community seemed down with the cause. Ramon Castellblanch, health professor and California Faculty Association president for the university, was one of the leading protest organizers for SF State. Planning had begun back in January and he was astounded by the number of students willing to volunteer. Speaking on those who have chosen not to join in, Castellblanch remarked, “They need to decide the best way to spend their time, usually it’s being in the classroom, other times it’s not. If something doesn’t happen, there may not be any classes left to be in.”

Live Shots: El Perro Del Mar and Taken By Trees, Café du Nord, 3/2/10

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Back in the early ’90s, when MTV played video after video and I was still a kid, I remember seeing tall, hot chicks like Sarah Assbring, the sole member of El Perro Del Mar, flash across the screen, dancing to Axl Rose and Aerosmith. Taking the stage, Assbring immediately struck me as a rock video model, her bright blonde hair chopped off with a stiff asymmetrical edge, lips dark with black-red lipstick, and lids full of smoky shadow. I was immediately envious of her black silky jumper, stitched with an oversupply of fabric under the sleeves that made for the perfect raven wings whenever she lifted her arms.

The sounds of El Perro Del Mar are always sweet and shy, much like the musician herself. She said very little and smiled even less, and yet had me wrapped around her every breath. When she sang, her eyes focused intently on an unknown object in the back of the room, with her eyebrows at a constant downward angle. Often she would raise her hands into the air or send them straight out in front of the mic, nearly reaching the fans in front. She was intense.

Highlights were “A Change of Heart,” which was as delightful live as it is on Love is Not Pop, and “Gotta Get Smart.” After singing the lyrics to the breakup anthem,, Assbring posed a question to the crowd: “Have you ever had your heart broken?”

“Two times,” a man in the front row answered.
“Will you ever be able to love again?” she asked him directly.
“I already have…thanks to you.”

The crowd giggled and awed; Assbring blushed and started “A Better Love” almost immediately. Near the end of the set she covered The XX’s “Shelter,” giving the song a smoky, jazzy twist that continued to build and build until its rushing end. When the set finished, the crowd cheered and yelped, hoping that the double-headliner show would still allow for an encore. Assbring and the band returned,  thanking the crowd for requesting their return with an ABBA-esque number, setting the perfect mood for Taken By Trees.

A multitude of drums and mallets filled the space with African beats, inviting Victoria Bergsman, the solo singer who takes on the name Taken By Trees onto the dark stage. After the first song finished and the crowd cheered, Bergsman’s wild eyes searched the room. A naughty smirk swept across her lips.

“I heard a wolf in the crowd and now I know where you are.”

In terms of energy, Bergsman’s songs were a stark contrast to El Perro Del Mar. Reminding of Lion King, with feel-good micro melodies galloping left and right, I wanted to dance and leap.

Bergsman dedicated a song to a dear friend, encouraged the crowd to clap, and consistently closed her eyes while she sang, often folding her hands in front of her. She was still and mischievous, always looking like she was planning her next cat attack.

Telling the crowd of her tour of San Francisco earlier that day, she explained that she was falling in love with the area.

“I’m thinking about moving here. Should I move here?” she playfully asked the crowd. Without a delay, the place burst into a mess of encouragement.

Protests demand more money for education

Sasha Cuttler
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Images from yesterday’s protests by Charles Russo

Yesterday’s Day of Action to protest deep cuts in public education and other vital services was far larger – and occasionally more militant – than many had expected, sending a strong message to Sacramento that it’s time to pursue new revenue options instead of simply cutting the public sector to the bone.

More than 150 people were arrested (including Guardian intern Jobert Poblete, who is still among at least 80 awaiting booking this morning at the overwhelmed Santa Rita Jail in Dublin) for allegedly climbing onto the freeway at Interstate 880 in Oakland and blocking traffic around 5 p.m., the most confrontational event in an otherwise peaceful yet forceful day of protest.

The biggest Bay Area event was outside San Francisco City Hall, were more than a dozen smaller events and marches converged at 5 p.m. Civic Center Plaza was filled with thousands of people of all ages, backgrounds, and ethnicities, from sign-wielding kindergarteners to United Educators of San Francisco President Dennis Kelly, who served as MC of a program that explicitly excluded elected officials.

“We’re here today because never again should any of us feel helpless,” Kelly boomed, declaring, “The budgets of California will not be built on the backs of our future.”

It was indeed an inspiring, passionate presentation to the largest crowd that has filled the plaza since the start of the Iraq War in 2003. Some speakers even drew on that connection in scoffing at statements by elected officials that the budget cuts – which have results in hundreds of teacher layoffs and steep tuition hikes — are unavoidable.

“When the government wants to wage war, the money is there. When the government wants trillions of dollars to bail out the banks, the money is there,” Chabot College teacher Kip Waldo said.

Susan Solomon, a San Francisco kindergarten teacher, said the budget decisions being made today are incredibly myopic and unjust. “We are here today to address a crime, the crime of stealing education from our kids,” she said, going on to attack the belittling mantra that educators need to simply live within the budgets they’re given. “We are sick and tired of doing more with less. Let’s try something new. Let’s try doing more with more.”

Then she spelled out what she – and the majority of people who were out there, people who don’t usually take to the streets in protest – are advocating: “We want progressive taxation. The people and the corporation who have all the money should pay their fair share.”

Whether this nascent movement can help bring that about is yet to be determined, but its leaders sounded confident yesterday. As California Faculty Association President Lil Taiz said, “We have here the seeds of a movement that can lead this state to the kind of future we believe in.”

Tying one on with Dave Attell

Andrew Lam
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Dave Attell had my dream job. In the Comedy Central series, Insomniac, from 2001-2004, Attell took the typical travel show concept and gave it a degenerate edge, showcasing the people and places that come alive in towns across the country after midnight. The show was a smash hit in its own right… but I think he’s tired of talking about it now. So more importantly, he’s a super sharp stand up comedian with a rather dead pan manner and a knack for making hecklers feel like fools. He rocks the USO circuit on the regular, but he’s doing a civilian show on a stage near you shortly (Fri/12 & Sat/13, Cobb’s Comedy Club). He asked me to let y’all know that he’ll be performing new materials- so all the real comedy fans, come out and play.

San Francisco Bay Guardian: So we’re all really stoked you’re coming to San Francisco…

Dave Attell: I love SF. That’s where I started headlining. That’s probably where I’m going to end headlining, too. I have nothing but good thoughts about SF- even though now that it’s all fancy and PC it’s not as fun anymore, everyone knows that.

SFBG: How long have you been doing standup?

DA: Twenty years.

SFBG: Oh yeah, some change has gone down then. The thing I keep reading about you is that you’re a comedian’s comedian. What does that even mean?

DA: It means you can’t act. I can’t. I’m a horrible actor. I like jokes, I like writing jokes. But yeah, I don’t really know what that means. It’s a compliment, I hope.

SFBG: Has your comedy matured/grown over time? New themes?

DA: That’s a great question and the answer is no. Being in your mid forties and still talking about drinking and porn, I’d say the answer is no. I’m a good comic, not a great comic.

SFBG: Who, in your eyes, are?

DA: There are so many great comics. Everyone says Richard Pryor, George Carlin, which is true. The longer I do comedy, I realize it’s hard to always come to the table enthused. Bill Hicks, who was an amazing, important part of SF comedy. He was another guy who was ahead of the curve. But I’m nothing like those guys, I go for dirty humor. I can spread the word about them, though! There’s so many new guys- and I know people don’t like dragging their ass out to a new club, but that’s how it’s supposed to be done, club experiences. Cobb’s is a club where you do that, where you can bring out the new material, it’s great. Every year or so I check in at Cobb’s. 

SFBG: I have to tell you, I have a not so secret dream to be a travel show host. I loved Insomniac, was that a fun project to work on?

DA: Yes. But I’m too old to be a travel show host, I’m a has been. I encourage you to go out and do it, though. We need to see a woman’s perspective. I would go to the Middle East. It’s rough out there, but there’s a few places where you can party. Abu Dhabi and Dubai. It’d be a lot of money, but…

SFBG: Dubai! All I always hear about are those apartment islands they’ve built in the shape of the continents.

DA: Well their economy is in the shitter too, so they’re not building land masses anymore. It’s weird for people who fear God to act like God. Building the earth, isn’t that his job?

 

“I realize it’s hard to always come to the table enthused.” 

SFBG: Were the cities featured ones you were familiar with before the show? How’d you scout the locations and people you talked to?

DA: I mean, it wasn’t magic. It was hit a bar, talk to folks, get a couple shots, roll out. The part no one talks about is the late night jobs. There’s a lot of shows that focus on different jobs now, but I think we were unique on that.

SFBG: Were there any jobs you featured that you could see yourself doing?

DA: Not the coal mine. I hate being trapped. The coal miners have these sleds that go into the mountain, and then after twelve hours they pull them out. I have serious claustrophobia, couldn’t do that. I’m not a big fan of the water either, so not the ocean jobs. Of course, [we did the show] back when there still were jobs.

SFBG: I hear you are a fixture on the USO circuit. What’s that like?

DA: Ah good, a new topic. I’ve done four shows in Iraq, five in Afghanistan. I don’t know if they’re going to want me back, I’m kind of dirty. But really, it’s hard for the troops because it’s really boring, but really, really dangerous. You get a perspective on what these people do and how cool they are. Everybody talks about how “amazing” they are, but they keep it low key, do their jobs, and then come back for more- some of these guys are doing second, third tours of duty. The Olympics, they fill you with pride, but the army… it does, more.

SFBG: Lots of different acts do the USO tour, right? Were you traveling with, like, a bunch of cheerleaders as well?

DA: Being in the USO, you get to see a lot of other acts. The last one I did was with Billy Ray Cyrus. We never would have met otherwise. The thing is there’s USO stuff going on all over the world and the people that do it are really, really cool. The USO has a small budget, its not a government thing, it’s privately funded. I mean, I’m really a nobody in that scene. Robin Williams, Dane Cook, they do it. That’s amazing. The troops, they’re in the dirt, the mud- and all of sudden they look up, and there’s a star.

SFBG: Do you have family that were in the military?

DA: My dad was in the Navy, he told me some great stories. He wasn’t a career man though. Retail was his real calling, him being a Jew.

SFBG: How’d you get into the USO gig?

DA: Why wouldn’t I? I’m too old to fight. I’m lucky to have the opportunity to go over there and do it. These are the times we live in. This is what we do during a war on terror, whether it’s wrong or right. It comes down to; either we have to end the war or I need to get more material.

SFBG: Or we need to get the draft going, new audiences, right?

DA: Right. What we should do, all the people that lose on the Biggest Loser, we should send out there. We should say ‘you can go on this show, but if you lose you have to go to war.’

SFBG: Or how about all the reality shows! There’s your draft.

DA: Right.

 

And so! Dave Attell and I = Problem. Solved.


Fri/12 & Sat/13, 8 p.m. & 10:30 p.m., $35.50

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

The Guardian Presents: FOLK YOU!

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The Guardian Presents: FOLK YOU!

Please join us for this FREE! Friday Nights de Young event! on March 19th from 6 to 8:45pm.  The Guardian is hosting FOLK YOU!  in celebration of the Amish Abstractions Quilt exhibit.
Enjoy a live set with local country great, Red Meat.  A Psychedelic Barn Dance with Honky Tonk, Texas Swing, Bluegrass and Outlaw Country by KUSF’S DJ Schmeejay.

Plus a showcase of two local artists: Sonya Philip (fiber artist) & Vera Costa (visual artist)

Visit the Urban Fauna Studio table in the Murals Room, learn the ancient tradition of hand spinning yarn and needle felt a wool patch to use in your own quilt or fiber art piece!

Stop by the Guardian table at the event, and enter to win prizes by local retailers: Isso, Secession, and Dema!
March 19 6-8:45pm @ de Young, Golden Gate Park, 50 Hagiwara Tea Garden Dr, San Francisco, CA
*Please note this is an all ages event and regular admission applies to visit the galleries.

Uproot: Little City Gardens gots to get paid

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Uproot: Little City Gardens gots to get paid

By Robyn Johnson

In a manifesto of sorts released by Civil Eats, Brooke Budner of Little City Gardens, co-owned by Caitlyn Galloway, lays out the farm’s intention to create San Francisco’s first for-profit urban micro-farm in that generates a viable income for farmers, thus paving the way for more potential urban farmers follow suit:
       
“Our approach to growing the urban agriculture movement is based upon the premise that urban food production will not reach its full potential unless there are avenues in the local market economy for growers to make a living through the sales of their produce. Currently, San Francisco’s urban agriculture is largely anchored in the realms of education and non-profit work. While a substantial amount of food can be grown […] the quantity pales in comparison to what could be grown if farmers could earn a living wage through the cultivation and sales of food in the city.“

She admits that the concrete details outside of their business plan are a little vague and that a time of trial and error lies ahead. But the energy behind their can-do-ness and optimism is infectious, and especially invigorating in these crisitunity-loaded times. With others exploring creative economics—take Mission Street Food’s radical new model relying upon 100 investors or even People’s Grocery alliance with for-profit grocery store in West Oakland—perhaps it’s time to be a little open to out-of-the-box possibilities.

Their fundraising campaign (they’ve been unable to apply for loans as an experimental business) has already met and exceeding its target by at least two months in advance. So clearly, the community has got their back.

What do you think? Can Little City Gardens foster a sustainable market for urban farms to thrive in San Francisco?

Trash Lit: Grafton’s craft in ‘U is for Undertow’

John Elberling
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Trash Lit: Grafton’s craft in ‘U is for Undertow’

U is for Undertow
Sue Grafton
Putnam. 403 pages, $27.95

I love the Sue Grafton books. I bought A is for Alibi in 1983, when it came out, and I’ve read every one of them since. Unlike, say, Patricia Cornwell, whose characters age (and get crabbier) as time passes, Kinsey Milhone is eternal, always young, always living in a town called Santa Teresa that’s a lot like Santa Barbara, always living with her old (but never dying) landlord, Henry, always eating at the foul Hungarian restaurant down the street. Milhone is a comfortable protagonist, never deeply tortured, but never exactly adjusted either, and even her OCD habits (locking her car – and telling us she locked her car – about 50 times a book) are endearing.

This one’s set in 1988, where Milhone is quite at home, and in 1963-1967, where Sue Grafton is less so. Grafton’s got a problem with hippie chicks – one of the central villains in U is for Undertow is a girl named Shelly who later changes her name to Destiny. She’s an almost embarrassing parody of how middle America saw flower children in the late 1960s – except that she appears in 1963, before there were a lot of real hippies about in the land. To make matters worse, she brags that she was part of the beat scene in San Francisco and slept with both Ferlinghetti and Ginsberg – which is fairly unlikely, even in fiction; I don’t know who Allen Ginsberg, a proudly gay poet, was fucking in 1963, but I don’t think there were many hippie chicks on the list.

The horror of the dirty girl is almost too much to believe! Destiny is living in a bus with the son of a respectable family who dropped out of college to join her – and she has a child by another man who’s left the picture! And she’s raising her child (gasp) a vegan! And he runs around naked! And she’s preggers again, this time with his kid, and she insists on natural childbirth! She is, of course, also a total beyotch, who doesn’t respect the mother of the once-nice-young-boy loser who is under her hippie-chick spell.

There’s other stuff I didn’t love in here – one young character, who hates his stepmom, gets in trouble at his fancy private school and is forced to transfer to the horrors of a public school, where he of course meets awful bad kids who corrupt him entirely and turn him into a druggie.

In and around all this, though, is a fascinating mystery. It involves two kidnappings from the ’60s, a guy who might or might not have fabricated repressed memories, a dead dog in a dead girls’ grave, and a tangled tale across three decades that weaves the lives of the good and the bad (and it’s deliciously hard to tell which is which) into a first-rate detective story.

We also along the way learn some new clues about Milhone’s past (great trivia about Aunt Gin for serious fans of the series) and get a couple of excellent Grafton comments about the important things in life:

“At the time, I’d introduced [cancer patient] Stacey to junk food, which he’d never eaten in his life. Thereafter, I tagged along with him as he went from McDonald’s to Wendy’s to Arby’s to Jack in the Box. My crowning achievement was introducing him to the In-N-Out Burger. His appetite increased, he regained some of the weight he’d lost during the cancer treatments, and his enthusiasm for life returned. Doctors were still scratching their heads.”

Hippie-chick sex. Hippie chick seduction of a high school kid. Sweet Kinsey-shoots-murderer scene. (“It’s only in the movies the bad guys keep firing. In real life, they sit down and behave.”) I almost gagged on the ’60s stuff, but I stayed up way past my bedtime to get to the end.

Noise Pop 2010: Loquat at BOTH; Edward Sharpe and the Magnetic Zeros at Bimbo’s

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Loquat at Bottom of the Hill

The San Francisco band started their set with a request for more blue lighting at the Bottom of the Hill Friday Feb. 27, half-joking and half-hoping to make things look “cooler” and more “ocean-like.” Loquat has been playing their brand of electro-pop in the Bay Area for almost a decade and therefore I was expecting some really sweet synth action as a precursor to headlining band, Memory Tapes. Instead, racing guitars and strong bass muddled all of my most favorite parts of Loquat’s soun: the subtle waving melodies and vocalist Kylee Swenson’s floating lyrics. Their newfound heavier sound translated into a rock version of L.A.’s Bitter:Sweet, with tons of energy that twinkled over the crowd like the venue’s vintage Christmas lights.

Throughout the set, Swenson’s voice was crisp and beautiful as always, trading between songs from their 2008 release, Secrets of the Sea and older tracks revived from years passed. “Harder Hit” and “Sit Sideways” were definitely the highlights of the show, a promising couple of songs that never fail to sting and caress simultaneously with Swenson’s solid range and complimentary smooth guitars. The dainty piano plunks and slight echoes were exactly the details I had been longing to hear. And just before I closed my eyes, I noticed all four members of the band had already done so, concentrating and enjoying the moment just as much as the packed crowd. 

Edward Sharpe and the Magnetic Zeros at Bimbo’s 365

Ten people and double the number of instruments cluttered the stage as Los Angeles’ Edward Sharpe and the Magnetic Zeros began their set of folk-rock revival. The smell of sweet grass wafted over the sold-out crowd on Feb. 28, trumpet melodies, accordions, tambourines, and all the rest blaring triumphant anthems as the group of musicians jumped and danced around in circles. The room was overflowing with endorphins, everyone smiling and bouncing around like we had collectively discovered the fountain of youth.

I was filled with butterflies while watching vocalists Alex Ebert (a.k.a. the fictitious character Edward Sharpe) and Jade Castrinos interact, reminding me of the romantic fuzzies I felt when watching the fairytale love story between Titanic’s Jack and Rose. The winking, smiling and flirtatious affection was constant between the two and it really hit during “Home”, their whistle-laden love duet.

The vocal couple could have been the mom and pop of the Magnetic Zeros; a group that could have easily been one that stumbled out of a Portland farming co-op. Ebert’s scruffy beard, dangling red scarf and strangely patterned pants (which he said were a present from a friend that came “pre-dirted,” just the way he likes) fit right in with the rest of the group’s sweet vintage duds. Miss Castrinos looked like a charming child from the ’30s, her pixie cut paired perfectly with pinned-up oversized dress, complete with white bib.

The set list included lots of slow, ’60s style rock ballads, of which Ebert prefaced by shouting “It’s time to get serious”, the disco ball slowly casting reflections over what should have been a dance hall in a Western canyon. The show was equal parts sexy and like being with one huge Mormon family, with a sense of community, peace, and love sewn into every note.

My only complaint: not enough from Castrinos’ beautiful vocal cords. She is fantastic and it’s hard to believe such a rough, Joplin-esque voice bellows from that little body. She did sing one song on her own that was pure delight. “Isn’t it nice to be in San Francisco,” she asked Ebert, in her shy speaking voice. “It’s so magical here.” The set ended with Ebert asking a few people to come up on stage and sit down. Then he convinced the entire crowd to also take a seat— he suggested on one another’s laps so that no one would have to sit on the floor. An entire room of people together, hugging, humming and holding hands. I’ve never been to a show that quite mastered the feeling of togetherness that Edward Sharpe did. San Francisco is magical? I think they brought a little magic of their own…

Police Commission shoots down Tasers

Zelda Bronstein
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Police Commission shoots down Tasers

The San Francisco Police Commission came to its senses last night, and — after an immense amount of work by community activists and Commissioner Petra DeJesus — voted 4-3 not to move forward with a plan for giving the cops Tasers.


A lot of the discussion revolved around the safety of the stun guns; zapping someone with 50,000 volts can cause injury and sometimes death. But there’s another issue here, and the pres coverage only touched on it.


When, exactly, would Tasers be used?


From the Chron:


After becoming chief in July, Gascón commissioned a study of officer-involved shootings in San Francisco over five years that found that as many as one-third could have been avoided had police been able to use Tasers.


…


But 38-year SFPD veteran Vince Repetto, who joined a contingent of officers waiting to speak in favor of Tasers, said before the meeting that the Taser proposal is literally “a life-or-death decision.”
“It’s not if, but when, a Taser is used to stop a knife-wielding suspect and a life is saved,” he said. “Then you will see the results of your decision. Let us hope that same suspect is not shot dead because an officer lacked a valuable option to deadly force.”
Okay, so the idea here is that a Taser is a replacement for lethal force? That cops should use Tasers instead of their service pistol in an instance when a shooting would otherwise be justified?


Remember: Under police general orders, it’s only okay to draw and fire a gun when an officer’s life of the life of another person is in imminent danger. That means a suspect has a lethal weapon of his or her own, and is directly threatening someone with it.


Gascon says that there were five instances where a police shooting could have been prevented if the cops had Tasers. As he told my colleague Rebecca Bowe in an interview:


We just did a study of San Francisco police shootings in the last five years. We looked at 15 or 16 shootings, and of those we have determined at least five that, if the officer would’ve had a Taser available, they would have been able to control the situation without having to unload their firearm. And some of those shootings, by the way, resulted in the death of the other individuals. So we believe that even within the deadly force universe if you will, the Tasers sometimes have a very useful place in reducing violence.


What this says to me — since a Taser isn’t considered a substitute for a gun in a case where there’s a real threat — is that there were five cases where the cops shouldn’t have shot someone. Somehow, I can’t see the SF cops using Tasers on people they think are about to kill another person. 


What I do see is officers using their Tasers on people who are just a pain in the ass; it’s way easier to cuff a difficult suspect if you zap him immobile first.


The chief acknowledged to Bowe that Tasers could be misused:


Any time that you have human beings involved  there will be sometimes when they will be involved in aberrant behavior.


Do we have officers that overdrive? We do.


One of the deadliest weapons we have is an automobile, but I don’t hear people saying we should take their cars away and make them walk. It’s a tool, and it it’s a tool that has the potential for being misused. How do you reduce that misuse? Training, discipline and supervision.


The problem is that people in San Francisco — particularly people of color, low-income people and people in some neighborhoods — have had such a bad experience with the SFPD in the past that they aren’t going to trust the department to properly train, discipline and supervise its armed force. I think Gascon needs to rebuild that trust first — and one way to start is by demonstrating that the department is serious about internal discipline. Then we can talk about adding more firepower.


(Oh, and by the way: This entire episode demonstrates the value of having appointments to the Police Commission split between the mayor and the supervisors. The differing perspectives and opinions allowed for some real debate.

Day of Action field reports

Sasha Cuttler
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We’re starting to get some field reports from today’s big Strike and Day of Action — which culminates in a 5 p.m. rally in Civic Center Plaza — from some Guardianistas who we have covering various marches. And it sounds like the turnout is big and lively.

Over at SF State, hundreds of protesting students blocked 19th Avenue before being cleared by police. Then, for those students who hadn’t walked out in protest of rising fees and declining class offerings, someone pulled a fire alarm and shut down classes that way.

Meanwhile, in the East Bay, intern Jobert Poblete is with a march that he estimates to be a couple thousand people that has taken Telegraph Avenue and is trying to go all the way from the UC Berkeley campus to downtown Oakland, where they’ll rally in the Frank Ogawa Plaza outside Oakland City Hall this afternoon. So far, they’ve met with little resistance or police activity.

Currently, there are already hundreds of protesters outside Oakland City Hall, which has been locked down, and the crowd is expected to swell to several thousand once the Telegraph protest and other East Bay events converge there. It’s the same story outside San Francisco City Hall, where a rally is now underway with several satellite protests making their way there now.

See Alerts for more on the various marches and check back to this post later for updates and photos.  

2:15 update: Brady Welch reports that around 100 Mission High students have walked off campus together and are now marching up Valencia Streets, banging drums and chanting slogans, with some SFPD squad cars providing an escort. We’ve also heard from various sources through SF and the East Bay that there’s been more than a dozen smaller protests, many of them involving grade school children carrying protest signs. SF Public Press has an interesting report by a former Guardian intern on that phenomenon.

Shot of crowd at East Bay march.

And a couple photos from Brady Welch:

 

This photo (taken from inside Oakland City Hall by my friend, Deputy City Attorney Alix Rosenthal, less than an hour ago) shows a smaller than expected turnout:

Meanwhile, San Francisco Mayor Gavin Newsom has issued a statement of support for the Day of Action that begins, ““I join the thousands of students, parents and teachers across California and here in San Francisco today calling for adequate, equitable education funding for our public schools and universities.”

Newsom also opposed the Iraq War but never took part in any of the peace marches (unlike progressive members of the Board of Supervisors, who marched and gave speeches at the events), but I’m headed to the Civic Center rally soon, so I’ll let you know if he makes an appearance. We’ll have more extensive coverage of today’s events and what they mean tomorrow.

UPDATE: Guardian intern Jobert Poblete was among 150-200 people arrested in the East Bay during the Day of Action protests this evening, a group that he says including several journalists. Details are sketchy in the brief messages that we’ve had from him, but most of the arrests reportedly occurred when the protesters briefly blocked Interstate 880. They’ve been taken to Alameda County Jail in Dublin where jail personnel tell us most of those arrested are likely to be cited and released sometime tonight. Meanwhile, a 5 p.m. rally at Civic Center Plaza in San Francisco was packed with an exhuberant crowd of several thousand, the largest demonstration there in years. We’ll have a full report of the day’s events tomorrow.

The Guardian Presents: Cutest Pet in the Bay

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The Guardian Presents: Cutest Pet in the Bay

Guardian readers love their wild and furry friends and we’re on a hunt to find The Cutest in the Bay!

It’s a battle of the pets and there can only be 1 ultimate winner in the 3 categories: 1. Dogs 2. Cats 3. Other.  The Guardian editorial staff will pick the top 5 finalists in each category that will move on to the final round.  The 15 finalists will have their pet’s photo in the March 17th issue, from which Guardian readers will elect The Cutest Pet in the Bay!

Winners in each category will be featured in the PET Issue, on stands March 31st and receive prize packages from  EmBARKadero Social Club, Cheengoo, and Nuena.

To enter, send a short paragraph on why your animal is The Cutest in the Bay and one photo to promos@sfbg.com (subject line: Cutest Pet in the Bay).  Or mail to : Cutest Pet in the Bay, c/o Guardian, 135 Mississippi St, San Francisco, CA 94107.  All entries must be in house by 3/15 by 2pm.

Five Questions: Sara talks, minus Tegan

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Five Questions: Sara talks, minus Tegan

It’s been 12 years and the two adorable Canadian Twins are still making perfectly pleasant, political pop. Their latest album, Sainthood, is a stellar collection of matured, electronically hinged tracks that never fail to get stuck in your head. The sassy duo plays at the Fox in Oakland Friday and are sure to reign in a full crowd of Bay Area queer ladies.

It’s hard not to fall for Tegan and Sara, their cute haircuts, charming smirks, and songs that seem to nuzzle up to any mood. And these ladies put on an awesome show with mouthfuls of quirky conversation and honest, adorable blabbing about all sorts of intelligent topics.

Before setting up shop at venue in Austin, Sara took a few minutes to let me in a few tour secrets and proved that her hilariously eccentric stage presence isn’t an act in the slightest.

SFBG: Name a song you’ve had on repeat this week.
SARA: Four Tet, “Angel Echoes”

SFBG: The most impressive meal you’ve had on the tour?
SARA: New Orleans, duck and sausage jambalaya

SFBG: Your must-visit spot in San Francisco?
SARA: City Lights Bookstore

SFBG: A recent exciting addition to your wardrobe?
SARA: I’ve stopped wearing jeans recently, but when I was in New York I had a moment where I couldn’t figure out why I didn’t have any jeans. Like, who did I think I was fooling? So I bought a pair of jeans and I’m wearing them right now.

SFBG: Any new tattoos? Or plans for a new tat?
SARA: I’m planning. I have an appointment with my favorite artist in Portland to finish up a piece that will take up nearly half of my arm. Sometimes I want to get rid of them all, and other times I want to finish them. An ex-girlfriend keeps telling me I’m just over analyzing myself because I’m single—I’m dating myself. When you’re dating someone, you get positive affirmation from someone who loves you. Do you like my tattoos? Yes. Am I a bum? No. But now, I have to tell myself I’m not a bum in the mirror.

Tegan and Sara

Fri/5, 8pm

$35

Fox Theater

1807 Telegraph, Oakl.

www.thefoxoakland.com

Editorial: Where landlords, developers, and cars are king

David Talbot
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EDITORIAL Are cars more important than people? Is it OK to evict a tenant just to make space for a garage? Should new garages be designed to preserve on-street parking too? Seems like a no-brainer to us. But legislation by Sup. David Chiu that would put some limits on the expansion of garages — an increasing problem in Chinatown and North Beach — has infuriated some real estate interests, and it’s possible that this eminently reasonable bill might fail.

It’s a sad statement on San Francisco politics, and the implications go way beyond this one planning measure.

The problem has its roots in the Ellis Act, the state law that allows landlords to clear all the tenants out of a building, then sell it to wealthier people who want to buy their units as tenants in common (TICs). The Ellis Act has been responsible for thousands of San Franciscans losing their homes — and a new twist has been developing in Chiu’s district.

In the crowded Chinatown-North Beach area, parking is at a premium and people who are buying TICs want a place to put their cars. So landlords and speculators are throwing out tenants not just for new owners, but to make room for garages.

Chiu’s law — which would apply only in parts of District 3 — would deny building owners a permit to construct a new garage if a tenant was evicted under the Ellis Act in the past 10 years. And it would require a conditional use authorization from the City Planning Department for any new garage construction.

Chiu also wants new rules for curb cuts — the openings in sidewalks that allow cars to drive into garages. The cuts would have to be as small as possible and designed to preserve on-street parking.

On a larger level, the bill would make it easier to construct new housing without parking — a significant change in how San Francisco has handled off-street parking for many years. Instead of mandating garages in new apartment buildings, Chiu wants to discourage them. He’s saying, in essence, that space for people is more important than space for cars.

That’s a logical step in a city that is trying to enforce a transit-first policy. It’s a small piece of a larger political battle to transform a city planning system that for too long has been driven by the needs of the private automobile. It should have passed unanimously and Mayor Newsom should sign it into law.

In fact, the bill passed on first reading Feb. 9, with only Sups. Sean Elsbernd and Carmen Chu voting against it. But Sup. Bevan Dufty now says he has concerns about the measure, and Chiu has agreed to postpone the final vote until March 9.

Dufty’s a key vote, because it’s likely at this point that the mayor will veto the measure. And with Elsbernd and Chu opposed and Michela Alioto-Pier still out with health problems, supporters can’t override a veto without Dufty.

We couldn’t reach Dufty, but supporters of the bill say he wants the measure watered down to eliminate the conditional use requirement — which would force city planners to check and make sure the builder or landlord was following the rules — and replace it with a discretionary review requirement, which would allow the garage construction unless someone objected. That puts the burden on the tenants (who in many cases are low income people whose primary language isn’t English) to protect themselves. And it would undermine much of the power of the bill.

It’s insane for Dufty to oppose a reasonable measure that only applies to a small part of one district, protects vulnerable tenants, and pushes the city away from further automobile dependence. It’s insane that the mayor is expected to veto the bill. It’s insane that it’s even an issue. And if the ordinance fails, it will be a sign that even in San Francisco, in 2010, landlords, developers, and cars are still king.

 

Obits for sale

David Talbot
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Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century. Contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.

Like most daily newspapers these days, the San Francisco Chronicle is hustling to increase declining profit margins.  But let me offer some advice to my former employer: Quit gouging grieving readers as part of your profit chasing. I mean those who pay the Chronicle for running their loved ones’ death notices on the paper’s obituary pages.

Sure, the paper’s not making anywhere near as much as it once did from other classified ads, but don’t try to make up for it by outrageously exploiting the saddened friends and families of the recently deceased.

The basic price for death notices is $16 per printed line per day – $112 per column inch (about seven lines of type).  Those 1×1½ inch photos that sit atop many obits cost about $135 more. If you also want the obit on the Chronicle’s website, that will be another $25, please. And if you want the obit to run for a longer period, for say a week, that can get quite pricey – as much as  $784 per inch.

On a typical day this week, 40 notices ran on the Chronicle’s three pages of paid obits, 21 with photos. They ranged from two to 14 inches each and cost from about $225 to about $1570 to run for that one day. That’s right – $1570, plus the $135 charge for those with photos.

Like all papers, the Chronicle also runs unpaid news obituaries of particularly prominent people that are researched and written by the newspaper’s staffers or by an outside news agency that serves the paper. The paid obits are usually written by members of the deceased’s family or by employees of the mortuary that’s involved.

So, it’s like this: If you’re well known, it probably won’t cost your family or friends a dime to notify the public and remind people of your life story. But if you’re just plain folks, it’ll cost family or friends – and probably cost them dearly.  But at least your story will be told by friendly observers, eager to stress the good over the bad, eager to give you a proper send-off – if they can afford the Chronicle’s price for doing so.

Dick Meister, former labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century. Contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.

Rep Clock

David Talbot
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Schedules are for Wed/3–Tues/9 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $10. "Disposible Film Festival": Artist Spotlight: Buttons Vol 2 by Red Bucket Films," Fri, 8; "Artist Spotlight: Ben Slotover and Peter Waldeck," Sat, 2; "Artist Spotlight: Alex Itin," Sat, 3:30; "Disposible Film Workshop," Sun, noon. "Other Cinema: Cinéma Abattoir," Sat, 8:30. Co-presented by San Francisco Cinematheque.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. "Independent Filmmakers Screening Nite," Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. The Red Shoes (Powell and Pressburger, 1948), Wed-Thurs, 7, 9:40 (also Wed, 1:30, 4:15). Alice in Wonderland (Burton, 2010), March 5-April 1, 1, 4, 7, 9:45. No screenings March 11 or 14.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. Broken Embraces (Almodóvar, 2009), call for dates and times. An Education (Scherfig, 2009), call for dates and times. Fish Tank (Arnold, 2009), call for dates and times. North Face (Stölzl, 2008), call for dates and times. "The Cinema of Jan Troell:" TBA, Wed, 7; As White as Snow (2001), Thurs, 7; Here is Your Life (1966), Fri, 7; The Emigrants (1971), Sat, 2; The New Land (1972), Sat, 7. The Most Dangerous Man in America: Daniel Ellsgerg and the Pentagon Papers (Ehrlich and Goldsmith, 2009), March 5-11, call for times. "Oscar Night America," Sun, 3:30. Live Academy Awards telecast; this event, $55.

ELMWOOD 2966 College, Berl; (510) 433-9730, www.rialtocinemas.com. $10. Until the Light Takes Us (Aites and Ewell, 2008), March 5-11. Call or check website for times.

EXPLORATORIUM 3601 Lyon, SF; www.exploratorium.edu. $15. "After Dark: Distortion," psychedelic animation by local filmmaker Kerry Laitala and "visual music" by the late musicologist Harry Smith, Thurs, 6.

GOETHE-INSTITUT 530 Bush, SF; www.goethe.de/sanfrancisco. $7. "Michael Haneke: Cinema of Provocation:" The Piano Teacher (2001), Wed, 6:30.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Money as Debt: Part One, Wed, 7:30.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. "CinemaLit Film Series: Star Power, A Month of Meryl Streep:" The French Lieutenant’s Woman (Reisz, 1981), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. "Film 50: History of Cinema:" Rashomon (Kurosawa, 1950), Wed, 3. "Jan Troell in Person:" Everlasting Moments (2008), Thurs, 7. "Love Letters and Live Wires: Highlights from the GPO Film Unit (1936-1939)," Fri, 7; Tues, 7:30. "Joseph Losey: Pictures of Provocation:" M (1951), Fri, 8:40 and Sat, 6:30; The Big Night (1951), Sat, 8:45; The Boy With Green Hair (1948), Sun, 3.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. The Beaches of Agnès (Varda, 2008), Wed, 2, 7, 9:20. Precious: Based on the Novel Push By Sapphire (Daniels, 2009), Thurs-Sat, 7, 9:20 (also Sat, 2, 4:20). The Muppet Movie (Frawley, 1979), Sun-Mon, 7:15, 9:20 (also Sun, 2, 4). 35 Shots of Rum (Denis, 2008), March 9-10, 7:15, 9:25 (also March 10, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Leonard Cohen: Live at the Isle of Wight 1970 (Lerner), Wed-Thurs, 6:40, 8, 9:30. My Son, My Son, What Have Ye Done (Herzog, 2009), Wed, 8:50. Precious: Based on the Novel Push by Sapphire (Daniels, 2009), Wed, 6:45. "Disposible Film Festival: Competitive Shorts," Thurs, 8. Check website for Fri-Tues program information.

SAN FRANCISCO CINEMATHEQUE Dolby Screening Room, 100 Potrero, SF; www.sfcinema.org. Free. "Hey! A Dean Snider Birthday Celebration, Part One," Wed, 7:30. New Nothing Cinema, 16 Sherman, SF; www.sfcinema.org. Free. "Hey! A Dean Snider Birthday Celebration, Part Two," Wed, 8:30. San Francisco Museum of Modern Art, 151 Third St, SF; www.sfcinema.org. $5 or free with museum admission ($12). "75 Years in the Dark: Material and Illusion," Thurs, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. "Human Rights and Film:" 8 (Various directors, 2009), Thurs, 7:30.

Music listings

David Talbot
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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 3

ROCK/BLUES/HIP-HOP

Backyard Tire Fire, Arcadio Hotel Utah. 9pm, $10.

Jello Biafra and the Guantanamo School of Medicine, Fracas, Abu Ghraib Bottom of the Hill. 9pm, $12.

Big John Bates and the Voodoo Dollz, Quarter Mile Combo, Reverend Deadeye Thee Parkside. 8pm, $7.

For Fear the Hearts of Men Are Failing, Cousin Chris Show, Jamie Wong El Rio. 8pm, $5.

Generalissimo, Cartographer, Assistant Cobra Elbo Room. 9pm, $7.

Guitar Shorty Biscuits and Blues. 8pm, $15.

La Corde, Stirling Says, Only Sons Hemlock Tavern. 9pm, $6.

Jason Movrich Abbey Tavern, 4100 Geary, SF; (415) 221-7767. 9pm, free.

Phantogram Rickshaw Stop. 8pm, $10.

Snoop Dogg Fillmore. 8pm, $55.

*Alan Toussaint Great American Music Hall. 8pm, $35.

FOLK/WORLD/COUNTRY

Bluegrass Country Jam Plough and Stars. 9pm.

Faye Blais, Sarah Burton Café Royale, 800 Post, SF; (415) 441-4099. 8pm, free.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night!

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Mary-Go-Round LookOut, 3600 16th St., SF; (415) 431-0306. 10pm, $5. A weekly drag show with hosts Cookie Dough, Pollo Del Mar, and Suppositori Spelling.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJ Carlos Mena and guests spinning afro-deep-global-soulful-broken-techhouse.

THURSDAY 4

ROCK/BLUES/HIP-HOP

Big Light, Everest, Guns for San Sebastian Independent. 8pm, $14.

Chauncey Evans Quintet Coda. 9pm, $7.

Dashing Suns, Sunbeam Rd. Adobe Books, 3166 16th St, SF; http://adobebooksbackroomgallery.blogspot.com. 7pm, free.

Lloyd Gregory Biscuits and Blues. 8pm, $15.

Gun and Doll Show, Pollux Rickshaw Stop. 8pm, $20. Benefit for the George Mark Children’s House.

*Hunx and His Punkettes, Splinters, Magic Bullets Amnesia. 9pm, $7.

Midlake, Matthew and the Arrogant Sea Great American Music Hall. 9pm, $18.

Ash Reiter, Tippy Canoe and Mikie Lee Prasad, Anna Ash Hemlock Tavern. 9pm, $6.

*Saviours, Lecherous Gaze, Futur Skullz Eagle Tavern. 10pm, $8.

Rocky Votolato, Adam Stephens, Tin Can Notes Bottom of the Hill. 9pm, $14.

Veil Veil Vanish Popscene at 330 Ritch. 10pm.

JAZZ/NEW MUSIC

"Other Minds Festival of New Music" Kanbar Hall, Jewish Community Center of San Francisco, 3200 California, SF; www.otherminds.org. 8pm, $35.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 8 and 10pm, $16-24.

FOLK/WORLD/COUNTRY

Circle R Boys Atlas Café. 8pm, free.

Heather Combs, Matthew Hansen, Dave Gleason Hotel Utah. 8pm, $8.

Shana Morrison Café du Nord. 8pm, $15.

Shannon Céilí Band Plough and Stars. 9pm.

Oliver Rajamani Ensemble Swedish American Hall (upstairs from Café du Nord). 8pm, $20.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker and Señor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Electric Feel Lookout. 9pm, $2. With DJs subOctave and Blondie K spinning indie music videos.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Good Foot Yoruba Dance Sessions Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. A James Brown tribute with resident DJs Haylow, A-Ron, and Prince Aries spinning R&B, Hip hop, funk, and soul.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro.

Love Them Phishes DNA Lounge. 8pm, $15-20. Gypsy punk with Alxndr, Bombgoddess, Ra-So, and Globalruckus.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Peaches Skylark, 10pm, free. With an all female DJ line up featuring Deeandroid, Lady Fingaz, That Girl, and Umami spinning hip hop.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 5

ROCK/BLUES/HIP-HOP

Barcelona, Mata Leon, Lia Rose Slim’s. 9pm, $15.

Barn Owl, Carlton Melton, Electric Jellyfish Hemlock Tavern. 9:30pm, $7.

Diego’s Umbrella, Yung Mars, Funky C Café du Nord. 9:30pm, $12.

Flexx Bronco, Corruptors, Spitting Cobras, All Bets on Death Bottom of the Hill. 9pm, $10.

Galactic feat. Cyril Neville and Big Freedia Fillmore. 9pm, $29.50.

Joe Henry, Dayna Stephens Great American Music Hall. 9pm, $20.

Hightower, Lozen, Sugar Sugar Sugar Pissed Off Pete’s, 4528 Mission, SF; www.pissedoffpetes.com. 10pm, $5.

*Hillstomp, Luke Franks, Black Crown Stringband Rickshaw Stop. 8:30pm, $12.

*No Bunny, TV Ghost, Outdoorsmen, Mom Thee Parkside. 9pm, $8.

Jackie Payne and Steve Edmonson Band Biscuits and Blues. 8 and 10pm, $20.

Melonumba, Cloverleaf Drive DNA Lounge. 5:30pm, $12.

Stockholm Syndrome, These United States Independent. 9pm, $25.

Tremor Low, Alright Class, Photons, Grand Atlantic Hotel Utah. 9pm, $6.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

"Other Minds Festival of New Music" Kanbar Hall, Jewish Community Center of San Francisco, 3200 California, SF; www.otherminds.org. 8pm, $35.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 8 and 10pm, $20-28.

Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

SFJAZZ Collective Palace of Fine Arts Theatre, 3301 Lyon, SF; www.sfjazz.org. 8pm, $25-60.

Shotgun Wedding Symphony Coda. 10pm, $10.

FOLK/WORLD/COUNTRY

Audiodub, Kapakahi Elbo Room. 10pm, $12.

Jarrod Gorbel Swedish American Hall (upstairs from Café du Nord). 7:30pm, $12.

Prasant Radhakrishnan’s VidyA Red Poppy Art House. 8pm, $15.

Quinn DeVeaux and the Blue Beat Review Plough and Stars. 9pm.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With rotating DJs spinning dubstep and techno.

Dirty Rotten Dance Party Madrone Art Bar. 9pm, $5. With DJs Morale, Kap10 Harris, and Shane King spinning electro, bootybass, crunk, swampy breaks, hyphy, rap, and party classics.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Good Life Fridays Apartment 24, 440 Broadway, SF; (415) 989-3434. 10pm, $10. With DJ Brian spinning hip hop, mashups, and top 40.

Hot Chocolate Milk. 9pm, $5. With DJs Big Fat Frog, Chardmo, DuseRock, and more spinning old and new school funk.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Rockabilly Fridays Jay N Bee Club, 2736 20th St., SF; (415) 824-4190. 9pm, free. With DJs Rockin’ Raul, Oakie Oran, Sergio Iglesias, and Tanoa "Samoa Boy" spinning 50s and 60s Doo Wop, Rockabilly, Bop, Jive, and more.

Strangelove Cat Club, 1190 Folsom, SF; (415) 703-8965. 9pm, $6. With DJs Tomas Diablo, Lowlife, Fact50, and Death Boy spinning goth and industrial.

SATURDAY 6

ROCK/BLUES/HIP-HOP

Appleseed Cast, Dreamend Bottom of the Hill. 10pm, $14.

Badstrip, Pins of Light, Space Vacation Thee Parkside. 9pm, free.

Mike Beck and the Bohemian Saints Riptide. 9pm, free.

Mike Doughty, Christina Courtin Slim’s. 9pm, $22.

Galactic feat. Cyril Neville and Big Freedia Fillmore. 9pm, $29.50.

Little Teeth, Hermit Thrushes, Woom Hemlock Tavern. 9pm, $7.

McCabe and Mrs. Miller Makeout Room. 7pm.

Natron Blue, FishBiteFish, Bro Hotel Utah. 9pm, $7.

Elliot Randall and the Deadmen, Famous, Cyndi Harvell Café du Nord. 9pm, $12.

Stockholm Syndrome, These United States Independent. 9pm, $25.

Joe Louis Walker Biscuits and Blues. 8 and 10pm, $22.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

George Cole Quintet and Fishtank Ensemble Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $20.

Tim Nunn and Blake McGee Meridian Gallery, 535 Powell, SF; www.meridiangallery.org. 8pm, $10.

"Other Minds Festival of New Music" Kanbar Hall, Jewish Community Center of San Francisco, 3200 California, SF; www.otherminds.org. 8pm, $35.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 8 and 10pm, $28.

Rev Allstars Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Brent Amaker and the Rodeo, Apache Thunderbolt Amnesia. 9pm, $7.

George Cole and the Fishtank Ensemble Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 8:15pm, $22.

Dust Bowl Cavaliers vs Misisipi Rider Plough and Stars. 9pm.

Qadim Ensemble Red Poppy Art House. 8pm, $15-$20.

Shackleton, Eskmo, Eprom, Kush Arora Darkroom, Club Six. 10pm, $15. Playing live bass music.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Debaser Knockout. 11pm, $5. Wear your flannel and get in free before 11pm to this party, where DJ Jamie Jams and Emdee play alternative hits from the 1990s.

Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

*J-Boogie’s Dubtronic Science with Skins and Needles featuring DJ Jeph and Max MacVeety Coda. 10pm, $10.

Kontrol Endup, 401 6th St., SF; (415) 541-9422. 10pm, $20. With resident DJs Alland Byallo, Craig Kuna, Sammy D, and Nikola Baytala spinning minimal techno and avant house.

Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.

New Wave City DNA Lounge. 9pm, $7-12. "Ladies of the 80s" dance party with Skip and Shindog.

Pure Behrouz Mighty. 10pm, $15. With DJs Behrouz, Julius Papp, and Rooz spinning house.

Rebel Girl Rickshaw Stop. 10pm, $5. "Electroindierockhiphop" and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.

Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul with DJs Lucky, Phengren Oswald, and Paul Paul.

So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.

Social Club LookOut, 3600 16th St., SF; (415) 431-0306. 9pm. Shake your money maker with DJs Lee Decker and Luke Fry.

Soundscape Vortex Room, 1082 Howard, SF. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 7

ROCK/BLUES/HIP-HOP

Abe Vigoda, Lovvers, High Castle Bottom of the Hill. 9pm, $10.

"Battle of the Bands" DNA Lounge. 5:30pm, $10-12. With High Like Five, Sol, Supernaculum, Animojams, and more.

Black Dahlia Murder, Obscura, Augery, Hatesphere Slim’s. 7pm, $15.

Killswitch Engage, Devil Wears Prada, Dark Tranquillity Warfield. 7:30pm, $32.

Lindsay Mac Band, Natalia Zuckerman Hotel Utah. 8pm, $12.

Leslie and the Lys, Christopher the Conquered, Planet Booty Rickshaw Stop. 8pm, $14.

*Shrinebuilder, Harvestmen, A Storm of Light Independent. 8pm, $17.

Two Dollars Out the Door, Birthday Suits, Rank/Xerox Hemlock Tavern. 9pm, $5.

JAZZ/NEW MUSIC

Kate McGarry Trio with Keith Granz and Clarence Penn Swedish American Hall (upstairs from Café du Nord). 7pm, $25.

Le Jazz Hot Café Royale, 800 Post, SF; (415) 441-4099. 6pm, free.

Poncho Sanchez Band with Nicholas Payton Yoshi’s San Francisco. 5 and 7pm, $5-28.

FOLK/WORLD/COUNTRY

Shane Cooley Kimo’s. 6pm, $5.

Frank French Sherman and Clay, 647 Mission, SF; (415) 543-1888. 4pm, free.

Raul Malo Café du Nord. 8:30pm, $20.

"Te Gusto Musical" Coda. 8pm, $10. With Hector Lugo and Mixta Criolla.

Linda Tillery and the Cultural Heritage Choir, Eric Bibb Great American Music Hall. 8pm, $21.

Quin and friends Plough and Stars. 9pm.

Wooden Fish Ensemble Old First Concerts, 1751 Sacramento, SF; (415) 474-1608. 4pm, $14-$17. Celebrating the music of Hyo-shin Na.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Vinnie Esparza, and guest Selector Shockman.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Good Clean Fun LookOut, 3600 16th St., SF; (415) 431-0306. 3pm, $2. With drink specials, DJs and tasty food.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th St; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 8

ROCK/BLUES/HIP-HOP

Anuhea and the Green Band, Sage Broadway Studios. 8pm, $40.

Blank Tapes, Mystery Lights, Nectarine Pie, Manhattan Murder Mystery Elbo Room. 9pm, $6.

Delta Spirit, We Barbarians, Elephant Micah Bottom of the Hill. 9pm, $12.

Dirty Heads, Simpkin Project, Pacific Dub Slim’s. 8pm, $15.

Amber Rubarth, Jim Bianco, Ryan Auffenberg Café du Nord. 9:30pm, $12.

DANCE CLUBS

Bacano! Som., 2925 16th St., SF; (415) 558-8521. 9pm, free. With resident DJs El Kool Kyle and Santero spinning Latin music.

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. With DJ Gordo Cabeza and guests playing all Motown every Monday.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 9

ROCK/BLUES/HIP-HOP

Black Rebel Motorcycle Club, Whigs Slim’s. 8pm, $30.

*Cave Singers, Dutchess and the Duke, Moondoggies Independent. 8pm, $14.

Clientele, Wooden Birds Great American Music Hall. 8pm, $15.

Extra Life, Ora Corgan, Chelsea Wolfe, Neighbors Hemlock Tavern. 9pm, $7.

Dominique Leone, 3 Leafs, William Winant Amnesia. 7pm, $8.

Fromagique Elbo Room. 9pm, $8. Live band and burlesque show.

Little Boots, Dragonette, Class Actress Fillmore. 8pm, $20.

Jared Mees and the Grown Children, Rock Cookie Bottom Grant and Green. 9pm, free.

Holly Miranda Café du Nord. 9:30pm, $10.

Sevendust, Drowning Pool, Digital Summer, Flood Regency Ballroom. 7:30pm, $27.

*Mike Watt and the Missingmen, Lite, Low Red Land Bottom of the Hill. 9pm, $12.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Stage listings

David Talbot
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0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Caddyshack: Live! Dark Room, 2263 Mission; 401-7987, brownpapertickets.com. $5-$20. Opens Fri/5. Runs Fri-Sat, 8pm. Through March 27. The Dark Room presents Jim Fourniadis’ live adaptation of the iconic movie.

Death Play EXIT Theatre, 156 Eddy; 289-6766, www.thunderbirdtheatre.com. $15-$20. Opens Sun/7. Runs Thurs-Sat, 8pm. Through March 27. Thunderbird Theatre Company presents the third installment in the critically acclaimed sketch comedy series "Serve By Expiration" by Sang S. Kim.

Men Who Have Fallen In and Out of Love with Me Off-Market Theatre, 965 Mission; www.fallenmadlyinlove.com. Opens Fri/5. Runs Fri-Sat, 8pm. Through March 20. Award-winning SF playwright and journalist Beth Soloway teams up with her daughter for the world premiere of this comedy about romance.

Now and at the Hour EXIT Stage Left, 156 Eddy; 673-3847, www.theexit.org. $15-$25. Opens Fri/5. Runs Fri-Sat, 8pm. Through March 27. EXIT presents the subtly unnerving show by theatrical magician Christian Cagigal.

Something You Might Want Stagewerx Theatre, 533 Sutter; catchynametheatre.org. $16. Opens Fri/5. Runs Fri-Sat, 8pm; Sun, 3pm. Through March 28. CatchyNameTheatre presents this dark comedy written and directed by Jim Strope.

The Sugar Witch New Conservatory Theatre Center, 25 Van Ness; 861-4914, www.nctcsf.org.

Opens Sat/6. Runs various days and times through April 4. NCTC presents the premiere of Nathan Sanders’ crime story.

BAY AREA

Singin’ in the Rain Julia Morgan Center for the Arts, 2640 College Ave, Berk; www.berkeleyplayhouse.org. Opens Sun/7. Runs Fri-Sun, times vary. Through March 21. Berkeley Playhouse presents an exciting stage adaptation of the ’20s classic.


ONGOING

Bay One Acts Festival Boxcar Theatre, 505 Natoma; 776-7427, www.threewisemonkeys.org. $12-$24. Dates and times vary. Through March 13. Three Wise Monkeys presents eleven short plays by Bay Area playwrights, including Cris Barth, Stuart Bousel, and Lauren Yee.

Beauty of the Father Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $30. Thurs-Sat, 8pm. Through March 13. Off-Broadway West’s season opener offers the Bay Area a first look at the somewhat messy but ultimately rewarding 2006 drama by Cuban American Pulitzer Prize–winner Nilo Cruz ("Anna in the Tropics"). Set in contemporary Andalusia, in the south of Spain, it’s the story of an aging painter named Emiliano (Durand Garcia) whose best friend and near-constant companion is the ghost of Federico García Lorca (Michael Carlisi), poet and playwright long ago murdered by the fascists during the Spanish Civil War. Emiliano also lives with his mostly platonic sweetheart (Jeanette Sarmiento), whom he plans to marry after she divorces his other housemate, a young Moroccan immigrant named Karim (Chris Holland) who is tied to her for the green card but is also Emiliano’s sometime lover. When his long-estranged ex-wife back in the U.S. dies, he invites his grown daughter (Natasha Chacon) to come live with him, feeling the urge "to father her" again. She arrives for an indefinite stay instead, shedding the gloom of her mother’s death in the embrace of life under the Andalucian sun—and a smitten Karim in particular. There’s some piquancy to the unraveling of this romantic ménage, and real poetry in the language and perspective afforded through the magical realistic presence of Lorca, but despite Cruz’s muscular writing and ambitious thematic canvas, the drama flags at points and sometimes seems unsure of where it would take us or even the proper tone or color to employ. Nevertheless, artistic director Richard Harder helms a strong cast, which helps make the going worthwhile. (Avila)

*The Caucasian Chalk Circle A.C.T., 415 Geary; www.act-sf.org. $10-$82. Tues-Sat, 8pm; Wed, Sat, and Sun, 2pm. Through March 14. After bringing his acclaimed pared-down "Sweeney Todd" to ACT in 2007, director John Doyle returns with Bertolt Brecht’s inspired take on the biblical Judgment of Solomon, a story whose faith in the essential decency of people—especially those not completely corrupted by power over, and under, others—is here counterpart to a damning and rousing dissection of war, politics and the justice system/racket. Newly translated in fresh and piquant tones by Domenique Lozano, the text rings with contemporary significance, including a chiding reference to "change we can believe in" that neatly updates Brecht’s radical insistence on popular action over hopeful acquiescence to powerful leaders. The set is a junk-strewn yard, with various bits of theater rigging doubling as stage properties (like a descending bank of stage lights during a battle sequence). The ensemble cast, meanwhile, sings profusely—a cappella or to its own spare accompaniment—and renders characters in a hodgepodge of accents not entirely arbitrary (rulers talking like New York mobsters, for example, or upper-class war refugees speaking like Southern belles). The comedy can veer distractingly toward the hammy, and there’s probably a bit too much stylized abstraction at the outset (hard to imagine anyone unfamiliar with the story understanding exactly what’s going on from the chorus), but despite faults this is a welcome, timely production, engagingly realized in Doyle’s winkingly "makeshift" staging and the bold, eclectic performances he garners from ACT’s core company members, conservatory students and associates. (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

The Gilded Thick House, 1695 18th St. www.thegilded.com. $18-$30. Thurs/4, 7pm; Fri/5-Sat/6, 8pm; Sun/7, 2pm. The Curiouser Group presents a new musical by Reynaldi Lolong.

The Greatest Bubble Show on Earth Marsh, 1062 Valencia. (800) 838-3006, www.themarsh.org. $7-$50. Sun, 11am. Through April 3. The Amazing Bubble Man returns with his extraordinary family-friendly show.

Hearts on Fire Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through May 16. Teatro ZinZanni celebrates its 10th anniversary with this special presentation featuring Thelma Houston, El Vez, and Christine Deaver.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Sat, 8:30pm; Sun, 7pm. Through April 11. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

Mirrors In Every Corner Intersection for the Arts, 446 Valencia; 626-2787, www.theintersection.org. Thurs-Sun, 8pm. Through March 21. Intersection for the Arts, Campo Santo, and the Living Word Project present the world premiere of Chinaka Hodge’s provocative show exploring race and identity from new perspectives.

Oedipus el Rey Magic Theatre, Building D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-$55. Days and times vary. Through March 14. Luis Alfaro transforms Sophocles’ ancient tale into an electrifying myth, directed by Loretta Greco.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through April 24. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs-Fri, 8pm; Sat, 5pm. Through April 18. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Suddenly Last Summer Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $15-$35. Thurs-Sat, 8pm. Through March 27. Actors Theatre presents one of Tennessee Williams’ finest and most famous plays.

What Just Happened? The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $20-$50. Fri-Sat, 8pm. Through March 13. The Marsh presents Nina Wise’s improvisation-based sow about personal and political events which have transpired over the previous 24 hours.

What Mama Said About ‘Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-$25. Thurs-Sun, 8pm. Through July 30. Writer/performer/activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)


BAY AREA

An Anonymous Story by Anton Chekhov Berkeley City Club, 2315 Durant, Berk; (510) 558-1381, centralworks.org. $14-$25. Thurs-Sat, 8pm; Sun, 5pm. Through March 28. Central Works presents a new play adapted from the Checkhov novella.

Beebo Brinker Chronicles Brava Theater Center, 2781 24th St; 641-2822, www.brava.org. $20-$30. Thurs-Sun, 8pm. Through March 13. The regional premiere of Kate Moira Ryan and Linda S. Chapman’s play adapted from a series of pulp novels.

Concerning Strange Devices from the Distant West Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $13.50-$27. Days and times vary. Through April 11. Berkeley Rep presents a sexy and intriguing new show from Naomi Iizuka.

*East 14th Laney College Theatre, 900 Fallon St, Oakl. www.east14thoak.eventbrite.com. $10-$50. Fri-Sat, 8:30pm. Through March 28. Also at the the Marsh Berkeley in March. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is "be yourself"—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: "I just thought he was really into hats." But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future "somebody." (Avila)

*Learn to be Latina La Val’s Subterranean, 1834 Euclid, Berk. impacttheatre.com. $10-$20. Thurs-Sat, 8pm. Through March 27. Impact Theatre continues its 14th season with the world premiere of Enrique Urueta’s play.


PERFORMANCE

AIRspace Queer Performance Showcase The Garage, 975 Howard; 885-4006, 975howard.com. Wed-Thurs, 8pm. $10-$20. Kirk Read, Philip Huang, Baruch Porras-Hernandez, Dominika Bednarska, Jorge De Hoyos, and Awilda Rodriguez Lora perform.

"All Star Magic & More" SF Playhouse, Stage 2, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 7pm. Ongoing. Magician RJ Owens hosts the longest running magic show in San Francisco.

30th Anniversary Celebration of New Works African American Art and Culture complex, 762 Fulton; 292-1850, www.culturalodyssey.org/tickets. Thurs-Sat, 8pm; Sun, 3pm. Through March 14. $20. In celebration of Black History Month and National Women’s Month, Cultural Odyssey presents a festival featuring The Love Project, The Breach, and Dancing with the Clown of Love.

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-$20. The Theatresports show format treats audiences to an entertaining and engaging night of theater and comedy presented as a competition.

"Celestial Science" EXIT Theatre, 156 Eddy; 440-8825, www.stallionmagic.com. Wed-Sat, 8pm. $15-$25. Stallion presents an interstellar voyage designed to empower, enlighten, erich, and encourage.

Don Carbone Dark Room, 2263 Mission; 401-7987, darkroomsf.com. Sat, 10pm. $8. The absurdist writer and performer presents an evening of two award-winning solo performances.

"In the Loop" Space Gallery, 1141 Polk; audreyheller.com. Sat, 8pm. Space Gallery presents a multi-media event featuring looped photography, video, installations, dance, and music.

"A Musical Seance" Hypnodrome, 575 10th St; www.brownpapertickets.com. Sun-Mon, 7:30pm. $20. Jill Tracy and Paul Mercer present their latest collaboration.

PianoFight Studio 250 at Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. Through March 29. $20. The female-driven variety show Monday Night ForePlays returns with brand new sketches, dance numbers, and musical performances.

"Reply/catalog for circles and unfinished cities" The Garage, 975 Howard; 885-4006, 975howard.com. Fri-Sat, 8pm; Sun, 4pm. $10-$20. RAW presents this performance work by Tableau Stations/Floor of Sky.

"Sex and the Bible: The Opera (Part I)" Community Music Center, 544 Capp; (707) 474-7273, www.goathall.org. Fri-Sat, 8pm; Sun, 7pm. Through March 14. $10-$15. San Francisco Cabaret Opera presents the world premiere of Mark Alburger’s 8-=minute work-in-progress.

"Slaughter City" Ezellerbach Playhouse, UC Berkeley Campus, Berk; (510) 642-8827, tdps.berkeley.edu. Fri-Sat, 8pm; Sun, 2pm. Through March 14. $10-$15. UC Berkeley’s Department of Theater, Dance, and Performance Studies presents a play by Naomi Wallace.

"Unscripted: unscripted" Off-Market Theater, Studio 205, 965 Mission; 869-5384, www.un-scripted.com. Thurs-Sat, 8pm. Through March 13. The Un-Scripted Theater Company kicks off its eighth season with an improvised improv show.

Virgin Play Series Locations vary. Mon, 6pm. Through March 29. Magic Theatre presents Martha Heasley Cox’s series of staged readings of works currently in development.

Zambaleta Carnaval Zambaleta, 2929 19th St; www.zambaleta.org. Sat, 11am-11pm. Free. San Francisco’s new school for world music and dance will transform its campus into an eclectic all-day jam session celebrating the spirit of Carnaval.


BAY AREA

"Hamlet: Blood in the Brain" Oakland Tech Auditorium, 4351 Broadway, Oakl; (510) 548-9666, www.calshakes.org. Mon, 6:30pm. California Shakespeare Theater and Oakland Tech High School host an evening of select scenes from the Advanced Drama Department’s award-winning production moderated by Jonathan Moscone.
"Something to be Proud of" PMCCA, 1428 Alice, Oakl; www.ticketweb.com. Sat, 7pm. $10-$20. Malonga Casquelourd Center for the Arts Dimensions Extensions Performance Ensemble presents this youth performance.
Upright Citizens Brigade Pan Theater, 2135 Broadway, Oakl; www.pantheater.com. Fri, 8 and 9:10pm. Ongoing. $14-$18. Upright Citizens Brigade Touring Co. brings the NYC funny to Oakland with this improve comedy show with guest performing troupes.

Events listings

David Talbot
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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 3

Confessions of a Teenage Jesus Jerk City Lights Bookstore, 261 Columbus, SF; (415) 362-8193. 7pm, free. Attend this reading and book signing with local author Tony DuShane about his experience growing up as a Jehova’s Witness, a novel which he anticipates will get him shunned from his family still involved in the church.

Susan Stamberg Jewish Community Center of San Francisco, 3200 California, SF; (415) 292-1233. 8pm, free with pre-registration. Listen to NPR Special Correspondent Susan Stamberg speak on everything from Jewish mothers to the little-known story of the Jews of Shanghai.

Understanding the Opposition to Same-Sex Marriage San Francisco Center for Psychoanalysis, 4th floor auditorium, 2340 Jackson, SF; (415) 563-5815. 7:30pm, free. Attend this lecture where Gary Grossman, Ph.D. will discuss the psychological impact of marriage on lesbian and gay couples, in addition to the role of homophobia, prejudice, and unconscious anxieties in arguments supporting traditional marriage.

BAY AREA

Practical Applications of Mythology Northbrae Community Church, 941 The Alameda, Berk.; (510) 526-3805. 7:30pm, free. Hear Dr. Carolyn West discuss the role myths play in the human psyche and in art, music, poetry, and ritual.

THURSDAY 4

Alfonso Gatto Italian Cultural Institute, Suite 200, 425 Washington, SF; (415) 788-7142 ext.18. 6:30pm, free. Celebrate the 100th anniversary of painter, poet, essayist, critic, editor, and film actor Alfonso Gatto. Jack Hirschman and actress Antonella Soldaini will read a selection of Gatto’s poems from the anthology Magma, the first major English translation of poems by Gatto.

My Refuge House Project 1, 251 Rhode Island, SF; (415) 938-7173. 6pm, free. Attend this fundraising event for My Refuge House, an organization devoted to the rehabilitation of people freed from sex trafficking.

FRIDAY 5

"Challenges and Possibilities in South Asia" California Institute of Integral Studies, 4th floor, room 425, 1453 Mission, SF; (415) 575-6254. 6:30pm, free. Hear Meenakshi Ganguly, from the Human Rights Watch, discuss the possibilities for advocacy in South Asia when examining the human rights violations that occur there and the possibilities for justice.

"Foursquared" Project 1, 251 Rhode Island, SF; (415) 938-7173. 7pm, free. Enjoy the work of local artists at this opening for this collaborative exhibit "Foursquared," featuring a mural created using differing mediums by artists Chorboogie, Jet Martinez, David Choong Lee and Apex.

Girldrive: Criss-crossing America, Redefining Feminism Modern Times Bookstore, 888 Valencia, SF; (415) 282-9246. 7pm, free. Hear Nona Willis Arnowitz and Emma Bee Bernstein discuss their cross country road trip where they chronicled the struggles, concerns, successes, and insights of young women grappling to define and fight for gender equality.

Monster Drawing Rally Verdi Club, 2424 Mariposa, SF; (415) 863-2141. 6pm, $10-$20 donation. Observe over 130 artists in the act of creation and get the opportunity to purchase each work of art for $60, minutes after its completion, at this fundraiser to support Southern Exposure’s exhibitions and artists in education programs.

SATURDAY 6

Babylon Salon Cantina SF, 580 Sutter, SF; (415) 398-0195. 7:30pm, free. Attend this reading and performance series featuring authors Peter Orner, Toni Mirosevich, Kemble Scott, and more reading and discussing their recent works.

"Beyond Breast Cancer" Golden Gate Club, 135 Fisher Loop, Presidio, SF; 1-888-315-5988. 8am, $20. Hear cancer experts and survivors controversial mammography guidelines, the latest treatments, side-effect management, and more at this conference for breast cancer survivors, their families and friends, and medical professionals.

Crystal Fair Fort Mason Conference Center, Building A, 99 Marina, SF; (415) 383-7837. Sat. 10am-6pm,Sun. 10am-4pm; $6. Enjoy this exhibition and sale of crystals, minerals, beads, jewelry, and other accessories of the healing arts.

"Embracing the Cycles of Womanhood" Women’s Building, 3543 18th St., SF; (415) 469-5425. 2pm, $10-$25 sliding scale. Join in a body, mind, and spirit celebration of being a woman at this Women’s Day celebration featuring information about menstrual cycle hormones, salsa dancing, first period stories, and how to go with the flow of your period.

Miraloma Cooperative Nursery School St. Mary’s Cathedral, St. Mary’s Event Center, 111 Gough, SF; (415) 585-6789. 6pm, $15. Help raise funds for this parent-run cooperative with an auction of items like getaways, tickets, and activities.

BAY AREA

March Madness Craft Sale Knit One One, 3360 Adeline, Berk.; (510) 420-8706. 10am, free. Find nifty, unusual gorgeous goodies from crafters including Bead Origami, Leon Leaf, Panoply, Eristotle, Kimono Momo, Papa Vert, and more.

SUNDAY 7

Heeb Magazine at the Oscars Elixir, 3200 16th St., SF; (415) 552-1633. 5pm, free. Celebrate the year in Jewish and Israeli cinema, including Inglourious Basterds, A Serious Man, and Ajami, at this Oscar- watching party sponsored by Heeb magazine featuring drink specials and a live broadcast of the Oscars.

BAY AREA

How to Defeat Your Own Clone Diesel, A Bookstore, 5433 College, Oak.; (510) 653-9965. 3pm, free. Hear Kyle Kurpinski and Terry D. Johnson, two bioengineering experts, discuss their new funny and informative book on how to survive and thrive in an age of weird science.

MONDAY 8

Howard Zinn Herbst Theater, 401 Van Ness, SF; (415) 392-4400. 8pm, $20. Join Alan Jones to celebrate the life and work of Howard Zinn, historian, activist, social critic, and award-winning author of A People’s History of the United States.

Where landlords, developers, and cars are king

David Talbot
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Where landlords, developers, and cars are king

EDITORIAL Are cars more important than people? Is it okay to evict a tenant just to make space for a garage? Should new garages be designed to preserve on-street parking too? Seems like a no-brainer to us. But legislation by Sup. David Chiu that would put some limits on the expansion of garages — an increasing problem in Chinatown and North Beach — has infuriated some real estate interests, and it’s possible that this eminently reasonable bill might fail.

It’s a sad statement on San Francisco politics, and the implications go way beyond this one planning measure.

The problem has its roots in the Ellis Act, the state law that allows landlords to clear all the tenants out of a building, then sell it to wealthier people who want to buy their units as tenants in common (TICs). The Ellis Act has been responsible for thousands of San Franciscans losing their homes — and a new twist has been developing in Chiu’s district.

In the crowded Chinatown-North Beach area, parking is at a premium and people who are buying TICs want a place to put their cars. So landlords and speculators are throwing out tenants not just for new owners, but to make room for garages.

Chiu’s law — which would apply only in parts of District 3 — would deny building owners a permit to construct a new garage if a tenant was evicted under the Ellis Act in the past 10 years. And it would require a conditional use authorization from the City Planning Department for any new garage construction.

Chiu also wants new rules for curb cuts — the openings in sidewalks that allow cars to drive into garages. The cuts would have to be as small as possible and designed to preserve on-street parking.

On a larger level, the bill would make it easier to construct new housing without parking — a significant change in how San Francisco has handled off-street parking for many years. Instead of mandating garages in new apartment buildings, Chiu wants to discourage them. He’s saying, in essence, that space for people is more important than space for cars.

That’s a logical step in a city that is trying to enforce a transit-first policy. It’s a small piece of a larger political battle to transform a city planning system that for too long has been driven by the needs of the private automobile. It should have passed unanimously and Mayor Newsom should sign it into law.

In fact, the bill passed on first reading Feb. 9, with only Sups. Sean Elsbernd and Carmen Chu voting against it. But Sup. Bevan Dufty now says he has concerns about the measure, and Chiu has agreed to postpone the final vote until March 9.

Dufty’s a key vote, because it’s likely at this point that the mayor will veto the measure. And with Elsbernd and Chu opposed and Michela Alioto-Pier still out with health problems, supporters can’t override a veto without Dufty.

We couldn’t reach Dufty, but supporters of the bill say he wants the measure watered down to eliminate the conditional use requirement — which would force city planners to check and make sure the builder or landlord was following the rules — and replace it with a discretionary review requirement, which would allow the garage construction unless someone objected. That puts the burden on the tenants (who in many cases are low income people whose primary language isn’t English) to protect themselves. And it would undermine much of the power of the bill.

It’s insane for Dufty to oppose a reasonable measure that only applies to a small part of one district, protects vulnerable tenants, and pushes the city away from further automobile dependence. It’s insane that the mayor is expected to veto the bill. It’s insane that it’s even an issue. And if the ordinance fails, it will be a sign that even in San Francisco, in 2010, landlords, developers, and cars are still king.

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