Occupy

Alerts

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Submit political events to be listed in Alerts at alert@sfbg.com or tweet us @SFBG_alerts.

WEDNESDAY 3

Protest Obama fundraiser outside the Getty mansion 2870 Broadway, SF. tinyurl.com/c2mkope. 5:30pm, free. Environmentalists opposing the Keystone XL oil pipeline will protest in San Francisco’s wealthy Pacific Heights neighborhood, where President Barack Obama will dine with the city’s upper crust for a Democratic Party fundraiser. Credo Action – the advocacy arm of telecom Credo Mobile – is mobilizing the protest in tandem with the Sierra Club, 350.org and Friends of the Earth.

Community meeting to save City College Pitcher Room, City College Southeast Campus, 1800 Oakdale, SF. info@saveccsf.org. 6pm, free. Students and community supporters who are engaged in the ongoing fight to save City College of San Francisco as an affordable and accessible educational resource are planning major actions in coming weeks. Join them for this informational and strategy session to preserve this important institution.

THURSDAY 4

Public forum with David Graeber Namaste Hall, California Institute for Integral Studies, 1453 Mission, SF. 7pm, free. An anthropologist from the University of London, author David Graeber is credited with helping to lay the intellectual framework underlying the Occupy Wall Street movement. His work includes Debt: The First 5000 Years, a tome exploring wealth inequality through the ages. Graeber’s talk will be on “Austerity and its Discontents.”

FRIDAY 5

Panel talk on global affirmative action Room 132, UC Berkeley School of Law, 215 Boalt Hall, Berk. tinyurl.com/ckc6qdu. 4-6pm, free. RSVP. Many fear that an upcoming Supreme Court ruling will spell the end of affirmative action admission programs for public colleges and universities. This panel will discuss global affirmative action law, with presenters from the European Commission, the University of Sydney School of Law, and Berkeley Law.

Forum with Dr. Ignacio Chapela Niebyl Proctor Library, 6501 Telegraph Ave, Oakl. SpeakOut-Now.org. 7pm, $3 donation. Dr. Ignacio Chapela, Associate Professor of Microbial Ecology at UC Berkeley, has been studying the impact of genetically modified plants and the misuse of science and its impact on our planet. Join this Speak Out Now forum to hear Chapela’s vision for how science could be used for more positive ends.

SUNDAY 7

Book talk: Beyond Walls and Cages Modern Times Bookstore Collective, 2919 24th St, SF. www.occupyu.org. 6pm, free. As part of Modern Times’ ongoing Occupy U workshop series, this book discussion will explore how prisons, criminalization and militarization facilitate wealth and power inequalities. Join editors Jenna M. Loyd, Matt Mitchelson, and Andrew Burridge in discussion of their book, Beyond Walls And Cages: Prisons, Borders, and Global Crisis.

 

Internet Cat Video Festival pussyfoots its way to Oakland

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The druggish trip of a heavy Youtube session: you start out looking for that innovative new TED Talk and find yourself, hours later, fixated on a video of sloths in a bucket. How you got there you don’t know.

Sleepy sloths are dangerous to productivity but delve into the endless abyss of cat videos on the web and you might not see the sun for a week. This brings us to our next point of fact: The Internet Cat Video Festival is coming to Oakland May 11, and you can buy tickets starting today.

The EVENT will be held at the Great Wall of Oakland – the large-scale urban projection installation on West Grand Avenue between Broadway and Valley Streets. Proceeds will benefit the East Bay SPCA, so you can feel marginally good about the obsession you share with every other person within swiping distance of an Internet device.

Last year’s fest

The festival got its start last year as a modest award ceremony event organized by the Walker Arts Center in Minnesota. Modest as in over 10,000 people showed up to the center’s grassy field for furry fun. Turns out people really like cats. This year the festival is touring nationally. 

The main event doesn’t start until 8:30pm on May 11, but there will be enough feline festivities to occupy the entire day. Jewelry, clothing, artwork, and meow kitsch will be available from an array of vendors as part of the fest’s “arts and cats” area. Live bands will be playing cat-themed music – more specifics on this later. There will even be a cat-themed aerial performance by the Great Wall’s artist in residence Bandaloop – a pioneer in vertical dance group. Food trucks, etc. 

Those who like their cat vids screened in a more, ahem, exclusive environment should check out the VIP preview screening of the festival’s offerings at the Oakland Museum of California on May 10 at 7pm in the James Moore Theatre. Following the screening will be short talks from the Walker Art Center’s program director Scott Stulen and OMCA’s senior art curator Rene deGuzman. 

The VIP screening may be your best bet if you’re not a crowd kitty. 5,000 or so people are expected to head to Oakland for the big day. 

Internet Cat Video Festival

May 11, festival starts at 2pm, screenings at 8:30pm, $10-75

Great Wall of Oakland

Broadway and W Grand, Oakl.

www.oaklandcatvidfest.com

The FBI and Occupy

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A federal judge will decide March 15 whether to dismiss a lawsuit by the ACLU and the Bay Guardian seeking access to FBI records showing the agency’s involvement with the Occupy movement.

As if often the case, the FBI’s legal motions tell an interesting story that sheds light on what some of the still-unreleased documents might show.
The filings make it clear that the FBI was not only spying on the Occupy movement but was sharing data with local law-enforcement agencies — and at some point may have classified some part of the Occupy movement as international terrorists.

The Guardian and the ACLU have been fighting for more than a year to get the agency to release its complete files on Occupy. After a March 8, 2012 Freedom of Information Act request yielded only a few pages, and the FBI claimed it had no more documents, the ACLU filed suit.

In a declaration dated March 15, 2013, David M. Hardy, chief of the FBI’s Information Section, confirms that the agency was sharing information on Occupy with other police agencies. He states that “The mention of the FBI sharing intelligence with another agency doesn’t mean that the document becomes and intelligence or planning document. It is simply documenting that information was shared.”

Among the documents that the feds did release is a Nov. 2, 2011 memo discussing the FBI’s contact with the Port of Stockton Police Department to “share intelligence about Occupy protesters targetting the Port of Oakland.”

And of course, the fact that the FBI is sharing intelligence means that it was gathering intelligence as well.

By law, the FBI can only investigate when there are federal crimes or federal statutes involved, and the vast majority, if not all, of the Occupy actions in cities all over the country were local in nature. Occupy was a famously diverse group of community-based organizations that had no national structure or leadership. In the few instances were Occupy protesters were charged with crimes — mostly in cases of civil disobedience or minor vandalism — there were no federal laws even remotely involved.

In his declaration, however, Hardy defends the FBI’s refusal to release some documents by saying that “the FBI’s general investigative authority … and its general authority to collect records …. provides the statutory basis for the FBI’s role in providing services and support to state and local law enforcement agencies in investigating crimes and terrorism related to the enforcement of federal laws. The FBI is also assigned the lead role in investigating terrorism and in the collection of terrorism threat information within the United States.”

The case is before Judge Susan Illston.

Noise Pop 2013: Califone, ‘Scene Unseen,’ and DIIV

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Will 2013 be the year that Noise Pop began downsizing? Or, is the festival simply adjusting its focus towards smaller, rising acts? Either way, this year’s lineup was surprising from the get-go, eschewing the name-brand, Flaming Lips-y headliners in favor of rising, blog-friendly outfits like Toro Y Moi and DIIV. Sadly, I couldn’t occupy nine venues at a time, so here’s a rundown of the Noise Pop shows I did see this past weekend.

CALIFONE
Having listened to Califone‘s records for over a decade, yet never seen it live, I was curious about the band’s strategy in translating its studio material to the stage. From its introductory statement, Roomsound (2001), to the extended freakout-jams of Heron King Blues (2004), to last year’s Sometimes Good Weather Follows Bad People, Califone’s sound has always been production-oriented, augmenting the rustic twang of blues and roots music with an equally faded, rusted, precarious palette of electronic sound. No one merges the old and the new quite like Califone in the studio; the band’s records are visionary, but sadly, its live show didn’t quite measure up.

My first impression: no electronics. Frontperson Tim Rutili’s four-piece band consisted simply of two guitars, bass, and drums, leaving behind a significant part of the Califone identity. While this stripped-down approach isn’t necessarily a bad move, it requires a batch of songs strong enough to resonate after being whittled down to their skeletal forms.

While certain pieces thrived under the minimal treatment (“The Orchids,” “Electric Fence,” “Bottles and Bones”) others began spinning their wheels after a while (“Ape-Like,” “All Tied,” by Rutili’s side project Red Red Meat), without electronic ornamentation to keep the dynamics compelling. Yet, whenever the instrumentation was lacking, Rutili’s raspy voice and slide guitar came to the rescue, and picked up most of the slack.

While I would’ve liked to see them approach their studio material with more ambition and imagination, Rutili and Co. certainly made the trip to Cafe Du Nord worthwhile.

SCENE UNSEEN
After Califone, I headed to 1015 Folsom to catch the last two sets of Scene Unseen, the club’s attempt to piece together the remnants of the “chillwave” scene of summer 2010. NYC’s Washed Out and recent Bay-Area transplant Toro Y Moi played DJ sets, one after the other, both of which seemed to amount to little more than standing in front of a MacBook, and pushing play. So, those seeking a “performance” were likely disappointed. However, both musicians put on competent, engaging sets, showing a deft understanding of flow and dynamics, and putting the crowd into a well-controlled frenzy.

Washed Out‘s crowd-pleasing-est moment was likely Todd Terje’s “Inspector Norse,” the space-disco extravaganza that every critic seemed to embrace in 2012. The best thing I heard for the first time was “Holding On” by Classixx, a house anthem that played like a poor-man’s “Digital Love” by Daft Punk, yet trounced most of the competition.

Toro Y Moi’s set was more diverse, and less reliant on four-on-the-floor percussion than Washed Out’s. Jumping from a Larry Levan remix of Positive Force’s “We Got the Funk,” to Daphni, Purity Ring, Mariah Carey, and most memorably, Ginuwine’s “Pony,” the lack of genre-specificity was reminiscent of Anything in Return, Toro Y Moi’s new LP that rejects the notion of chillwave for something warmer, more personable, and harder to classify.

It seems that Washed Out and Toro Y Moi have differing priorities at this point, with one staying comfortably within the confines of chillwave, and the other exploring beyond its boundaries. As a result, there wasn’t much of a unifying scene to be found at Scene Unseen, but it was a treat to see both artists, in a one-two punch.

DIIV
One of the most promising groups within the current revival of shimmery, glassy dream-pop, NYC’s DIIV put on a truly impressive show for a one-album band. While it simply doesn’t have enough material at this point for an all-killer-no-filler, hour-long set, the band showed a great ability to adapt its recordings for the stage. Upping the tempos on a handful of songs, and veering into some extended jams, it managed to subvert expectations constantly, however slightly, making for a way more compelling show than a note-for-note playthrough of its 2012 debut Oshin would have been.

“Air Conditioning” was a big highlight, rejecting the laid-back swagger of the studio version, for a fast, propulsive, borderline-motorik groove that recalled the Velvet Underground and Ride. “Wait” and “How Long Have You Known?” were similarly impressive, rounding out the slam-dunk middle section of Oshin. The big surprise of the night came with a cover of Stereolab’s “Blue Milk,” (Bradford Cox’ favorite song, perhaps), a number that fit in seamlessly with the band’s glassy, shiny guitar sound, yet pushed its penchant for droney, chugging dynamics to a new extreme.

However, the elephant in the room: a lot of DIIV’s material sounds the same. Tracks like “Past Lives,” “Earthboy,” and “Sometime,” feature slight variations on the same guitar melody, and I’m still not sure how that makes me feel.

Whether its music is modular, lazy, or just underdeveloped this early in the game, there’s no doubt the band has a lot of room for refinement. Despite that, it was pretty thrilling to witness DIIV at (hopefully) the start of its lifespan, hungry to put its potential on display.

What Obama said — and what he meant

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OPINION The words in President Obama’s State of the Union speech were often lofty, spinning through the air with the greatest of ease. But let’s decode the president’s smooth oratory in the realms of climate change, war and civil liberties.

“For the sake of our children and our future, we must do more to combat climate change.”

We’ve done so little to combat climate change — we must do more.

“I urge this Congress to get together, pursue a bipartisan, market-based solution to climate change…”

Climate change is an issue that can be very good for Wall Street. Folks who got the hang of “derivatives” and “credit default swaps” can learn how to handle “cap and trade.”

“The natural gas boom has led to cleaner power and greater energy independence. We need to encourage that.”

Dual memo. To T. Boone Pickens: “Love ya.” To environmentalists who won’t suck up to me: “Frack you.” (And save your breath about methane.)

“After a decade of grinding war, our brave men and women in uniform are coming home.”

How’s that for an applause line? Don’t pay too much attention to the fine print. I’m planning to have 32,000 U.S. troops in Afghanistan a year from now, and they won’t get out of there before the end of 2014. And did you notice the phrase “in uniform”? We’ve got plenty of out-of-uniform military contractors in Afghanistan now, and you can expect that to continue for a long time.

“We don’t need to send tens of thousands of our sons and daughters abroad, or occupy other nations. Instead, we’ll need to help countries like Yemen, Libya and Somalia provide for their own security, and help allies who take the fight to terrorists, as we have in Mali. And, where necessary, through a range of capabilities, we will continue to take direct action against those terrorists who pose the gravest threat to Americans.”

We don’t need flag-draped coffins coming home. We’re so civilized that we’re the planetary leaders at killing people with remote control from halfway around the world.

“We must enlist our values in the fight. That’s why my administration has worked tirelessly to forge a durable legal and policy framework to guide our counterterrorism efforts.

I’m sick of taking flak just because I pick and choose which civil liberties I want to respect. If I need to give a bit more information to a few other pliant members of Congress, I will.

“The leaders of Iran must recognize that now is the time for a diplomatic solution, because a coalition stands united in demanding that they meet their obligations. And we will do what is necessary to prevent them from getting a nuclear weapon.”

Maybe it’s just about time for another encore of “preemptive war.”

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

Solomon: What Obama said–and what he meant–about climate change, war and civil liberties

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By Norman Solomon

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

The words in President Obama’s “State of the Union” speech were often lofty, spinning through the air with the greatest of ease and emitting dog whistles as they flew.

Let’s decode the president’s smooth oratory in the realms of climate change, war and civil liberties.

“For the sake of our children and our future, we must do more to combat climate change.”

We’ve done so little to combat climate change — we must do more.

“I urge this Congress to get together, pursue a bipartisan, market-based solution to climate change…

Climate change is an issue that can be very good for Wall Street. Folks who got the hang of “derivatives” and “credit default swaps” can learn how to handle “cap and trade.” The corporate environmental groups are on board, and maybe we can offer enough goodies to big corporations to make it worth their while to bring enough of Congress along.

“The natural gas boom has led to cleaner power and greater energy independence. We need to encourage that.”

Dual memo. To T. Boone Pickens: “Love ya.” To environmentalists who won’t suck up to me: “Frack you.” (And save your breath about methane.)

“That’s why my administration will keep cutting red tape and speeding up new oil and gas permits.”

Blow off steam with your demonstrations, you 350.org types. I’ll provide the platitudes. XL Keystone, here we come.

“After a decade of grinding war, our brave men and women in uniform are coming home.”

How’s that for an applause line? Don’t pay too much attention to the fine print. I’m planning to have 32,000 U.S. troops in Afghanistan a year from now, and they won’t get out of there before the end of 2014. And did you notice the phrase “in uniform”? We’ve got plenty of out-of-uniform military contractors in Afghanistan now, and you can expect that to continue for a long time.

“And by the end of next year, our war in Afghanistan will be over.”

If you believe that, you’re the kind of sucker I appreciate — unless you think “our war in Afghanistan” doesn’t include killing people with drones and cruise missiles.

“Beyond 2014, America’s commitment to a unified and sovereign Afghanistan will endure, but the nature of our commitment will change. We’re negotiating an agreement with the Afghan government that focuses on two missions: training and equipping Afghan forces so that the country does not again slip into chaos, and counterterrorism efforts that allow us to pursue the remnants of al Qaeda and their affiliates.”

We’re so pleased to help Afghan people kill other Afghan people! Our government’s expertise in such matters includes superb reconnaissance and some thrilling weaponry, which we’ll keep providing to the Kabul regime. And don’t you love the word “counterterrorism”? It sounds so much better than: “using the latest high-tech weapons to go after people on our ‘kill lists’ and unfortunately take the lives of a lot of other people who happen to be around, including children, thus violating international law, traumatizing large portions of the population and inflicting horrors on people in ways we would never tolerate ourselves.”

“We don’t need to send tens of thousands of our sons and daughters abroad, or occupy other nations. Instead, we’ll need to help countries like Yemen, Libya and Somalia provide for their own security, and help allies who take the fight to terrorists, as we have in Mali. And, where necessary, through a range of capabilities, we will continue to take direct action against those terrorists who pose the gravest threat to Americans.”

We don’t need flag-draped coffins coming home. We’re so civilized that we’re the planetary leaders at killing people with remote control from halfway around the world.

We must enlist our values in the fight. That’s why my administration has worked tirelessly to forge a durable legal and policy framework to guide our counterterrorism efforts. Throughout, we have kept Congress fully informed of our efforts. And I recognize that, in our democracy, no one should just take my word for it that we’re doing things the right way. So, in the months ahead, I will continue to engage Congress to ensure not only that our targeting, detention and prosecution of terrorists remains consistent with our laws and system of checks and balances, but that our efforts are even more transparent to the American people and to the world.”

I’m sick of taking flak just because I pick and choose which civil liberties I want to respect. If I need to give a bit more information to a few other pliant members of Congress, I will. The ones who get huffy about the Bill of Rights aren’t going to get the time of day from this White House. I recognize that some of my base is getting a bit upset about this civil-liberties thing, so I’ll ramp up the soothing words and make use of some prominent Democratic members of Congress who are of course afraid to polarize with me. Don’t underestimate this president; I know how to talk reverentially about our great nation’s “checks and balances” as I undermine them.

“The leaders of Iran must recognize that now is the time for a diplomatic solution, because a coalition stands united in demanding that they meet their obligations. And we will do what is necessary to prevent them from getting a nuclear weapon.”

Maybe it’s just about time for another encore of “preemptive war.”

Norman Solomon is co-founder of RootsAction.org and founding director of the Institute for Public Accuracy. His books include “War Made Easy: How Presidents and Pundits Keep Spinning Us to Death.” He writes the Political Culture 2013 column.

 

Will it fly? Drones in Alameda County and (almost) San Francisco

During what one official called the “show-and-tell” portion of a public hearing held yesterday by a committee of the Alameda County Board of Supervisors, a representative from the Sheriff’s Office held up a drone so the crowd of 100 or so attendees could have a look. The small, lightweight device consisted of a plastic box to house technical equipment, a camera, and four spidery legs affixed with tiny black propellers.

“It’s cuute!” someone exclaimed. But that was likely a sarcastic wisecrack – concerned citizens had packed the board chambers in hopes of convincing the two-person Public Protection Committee that the civil liberties implications of surveillance drones were too great to justify flying them over Oakland and other cities. 

Last summer, Alameda County Sheriff Gregory Ahern submitted a Department of Homeland Security (DHS) grant request for an “unmanned aircraft system” (UAS), police-speak for drone. The agency intends to purchase one or two, depending on the manufacturer, for uses ranging from thermal imagery to crime detection.

The Sheriff now seeks supervisors’ approval, and is working to secure a Certificate of Authorization (COA) from the Federal Aviation Administration, required for aircraft flown at 400 feet. But the Sheriff’s plan has been met with strong resistance from civil liberties advocates worried that drones would open the gates to aerial surveillance and runaway data collection.

Concerns revolve around surveillance

Representatives from the Northern California chapter of the American Civil Liberties Union (ACLU), the Electronic Frontier Foundation (EFF) and the grassroots Alameda County Against Drones voiced myriad concerns about what they viewed as flimsy privacy protections put forward by the department. “The potential concerns with drones are too great to justify any use of drones at all in Alameda County,” said Nadia Kayyali of Alameda County Against Drones.

In turn, Sheriff representatives sought to defend its plan to use the devices, at one point practically asking critics to think of the children.

“We get several hundred calls a year for search and rescue, and deployment of our teams, to find lost children, lost hikers, or elderly persons,” Capt. Tom Madigan explained, and his co-presenter even referenced the case of famed kidnap victim Jaycee Dugard as a possible scenario where a drone could have been deployed. Commander Tom Wright assured supervisors that the drones would not be equipped with weapons, and stated that UAS devices would “not be used for indiscriminate mass surveillance.”

Yet the use of drones for surveillance and intelligence gathering lies at the heart of the controversy. “Data collected in the name of search and rescue could be retained for intelligence gathering and analysis,” ACLU staff attorney Linda Lye warned in comments delivered to the Public Protection Committee. “In conjunction with other existing policies, this would lead to the submission of UAS-collected data to the Northern California Regional Intelligence Center, also known as a ‘fusion center,’ where data – in some instances, about constitutionally protected activity –are stockpiled and analyzed in the name of so-called terrorism prevention.”

According to documents obtained by EFF and MuckRock News, the Sheriff’s Office indicated in its grant request that the unmanned aircraft could be used for “surveillance (investigative and tactical),” “intelligence gathering,” “suspicious persons” or “large crowd control disturbances,” the latter bringing to mind street clashes that flared up in downtown Oakland in 2011 when riot police sought to crush protests organized under the banner of Occupy Oakland. 

If the Alameda County Sheriff’s Department obtains drones, the unmanned aircraft could be deployed anywhere from Monterey to the Oregon border, Madigan noted, if regional law enforcement agencies determined that emergency circumstances warranted jurisdictional waivers.

Technology advancing

Unlike helicopters, drones can gather high-resolution footage and other kinds of data without detection, transmitting live video feed to a command post for real-time viewing. While the Sheriff’s Department is eyeing drones that travel a quarter of a mile from base with a 25-minute flight time capacity, the technology is advancing quickly. It’s technically possible for drones to be equipped with facial recognition technology, radar, or license-plate readers.

Those growing capabilities are part of the reason civil liberties advocates are so focused on hammering out strong privacy safeguards. “We’re wading into uncharted waters here,” Lye cautioned, noting that any privacy safeguards established for these drones would apply to more advanced models down the line. “We have to bake in the privacy safeguards into this template.”

The Alameda County Board of Supervisors held off on approving a drone purchase by the Sheriff Department late last year when faced with controversy. It was originally included as an agenda item before any public meeting had been scheduled, but was later removed after civil liberties advocates intervened. At a December meeting, Undersheriff Richard Lucia told supervisors that including drone approval on the agenda had been “an oversight.”

If Alameda County obtains a drone, it will be the first California law enforcement agency to do so. Several other cities are proceeding cautiously: Last week, for example, Mayor Mike McGinn of Seattle canceled a drone program amid heated controversy.

San Francisco also sought a drone 

Meanwhile, the Alameda County Sheriff’s Department is not the only Bay Area law enforcement agency eyeing unmanned aircraft devices. According to a document unearthed by an EFF and MuckRock News, the San Francisco Police Department (SFPD) submitted a $100,000 funding request to the Bay Area Urban Areas Security Initiative for a “remote pilot video camera,” basically a drone, that could be outfitted to “transmit real-time, geo-coded data to command centers.” The SFPD initially hoped to clear the FAA approval process by June of 2013, according to the document. However, its funding request was rejected. (It is unclear why San Francisco’s funding request for a drone was more than three times the funding request submitted by Alameda County.)

The grant request form notes that Lieutenant Thomas Feledy of the SFPD’s Homeland Security Unit sought funding for “the deployment of mobile compact video cameras in the visual and infrared spectrum … to provide live overhead views of critical infrastructure” in the event of a terrorist attack or natural disaster.

“It was rejected,” Officer Albie Esparza told the Guardian when we called SFPD media relations to ask about it. “And we have no plans of getting a drone.”

Out of place

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news@sfbg.com 

In his State of the City address last week, Mayor Ed Lee cheerfully characterized San Francisco as “the new gravitational center of Silicon Valley.” He touted tech-sector job creation. “We have truly become the innovation capital of the world,” Lee said, “home to 1,800 tech companies with more than 42,000 employees — and growing every day.”

From a purely economic standpoint, San Francisco is on a steady climb. But not all residents share the mayor’s rosy outlook. Shortly after Lee’s speech, renowned local author Rebecca Solnit published her own view of San Francisco’s condition in the London Review of Books. Zeroing in on the Google Bus as a symbol of the city’s housing affordability crisis, she linked the influx of high-salaried tech workers to soaring housing costs. With rents trending skyward, she pointed out, the dearth of affordable housing is escalating a shift in the city’s cultural fabric.

“All this is changing the character of what was once a great city of refuge for dissidents, queers, pacifists and experimentalists,” Solnit wrote. “It has become increasingly unaffordable over the past quarter-century, but still has a host of writers, artists, activists, environmentalists, eccentrics and others who don’t work sixty-hour weeks for corporations — though we may be a relic population.”

LIMITED OPTIONS

The issue of housing in San Francisco is highly emotional, and there is perhaps no greater flashpoint in the charged debate than Ellis Act evictions.

When the housing market bounces upward, Ellis Act evictions tend to hit long-term tenants whose monthly payments, protected by rent control, are a comparative bargain. Even if they’ve submitted every payment on time and upheld every lease obligation for 20 years, these renters can find themselves in the bind of being forced out.

And they don’t just lose their homes; often they lose their community. San Francisco has become so expensive that many Ellis Act victims are tossed out of this city for good.

Enacted in 1986, the state law allows a landlord to stop renting units, evict all tenants, and sell the building for another purpose. Originally construed as a way for landlords to “go out of business” and move into their properties, the Ellis Act instead gained notoriety as a driving force behind a wave of evictions that slammed San Francisco during the tech boom of the late 90s. Between 1986 and 1995, just 29 Ellis evictions were filed with the San Francisco Rent Board; in the 1999-2000 fiscal year alone, that number ballooned to a staggering 440.

Under the current tech heyday, there are indications that Ellis Act evictions are gaining fresh momentum. The San Francisco Rent Board recorded 81 this past fiscal year, more than double that of the previous year, and there appears to be an upward trend.

TIC CONTROVERSY

Buildings cleared via the Ellis Act are typically repackaged as tenancies-in-common (TIC), where several buyers jointly purchase a multi-unit residence and each occupy one unit. Realtors often market TICs as a path to homeownership for moderate-income individuals, creating an incentive for buyers to enter into risky, high-interest shared mortgages in hopes of later converting to condos with more attractive financing.

The divide between TIC owners and renters came into sharp focus at a contentious Jan. 28 hearing, when a Board of Supervisors committee met to consider legislation that would allow some 2,000 TIC units to immediately convert to condos without having to wait their turn in a requisite lottery system.

One TIC owner said he was financially burdened, but had only entered into the arrangement because “I wanted to stay here and raise my family, but we couldn’t afford a single family home.” Yet tenants brought their own set of concerns to the table, saying the temptation to create TICs was putting a major dent in the city’s finite stock of rent-controlled units — the single greatest source of affordable housing in San Francisco.

“My feeling is, let’s stop doing TICs,” Tommi Avicolli Mecca, a tenants right activist with the Housing Rights Committee, told the Guardian following the hearing. “The city has to just start making sure that the condos that are built are the kind of thing [TIC buyers] can afford. Instead, we cannibalize our rental stock? That’s a reasonable way? You evict one group of people to house another: How does that make sense?”

The grueling five-hour hearing illustrated the sad fact that San Franciscans in a slightly better economic position were being pitted against economically disadvantaged renters. The two groups were bitterly divided, and all seemed weary, furious, and frustrated by their housing situations.

The condo-conversion legislation, co-sponsored by Sups. Scott Wiener and Mark Farrell, did not move forward that day. Instead, Board President David Chiu made a motion to table the discussion until Feb. 25, to provide time for “an intensive negotiation process.” Chiu, who rents his home, added: “While I myself would like to become a homeowner someday … I do not support the legislation in its current form.”

Sup. Jane Kim sought to appeal to the tenants as well as the TIC owners. “It’s very tragic that we have set up a situation where [TICs and renters] are pitted against one another,” she said. She hinted at what a possible alternative to might look like. “We should be looking at a ban of scale,” she said. “If we allow 1,800 potential units to go thru this year, are we willing to do a freeze for the next 8 to 10 years?”

It’s unclear what will happen in the next few weeks, but if this legislation makes it back to the full board in some form, the swing votes are expected to be Sups. London Breed, Malia Cohen and Norman Yee.

CASH OR EVICTION?

New protections were enacted following the late-90s frenzy to discourage real-estate speculators from using the Ellis Act to turn a profit on the backs of vulnerable seniors or disabled tenants. Yet a new wave of investors has discovered they can persuade tenants to leave voluntarily, simply by offering buyouts while simultaneously wielding the threat of an Ellis Act eviction. “The process got more sophisticated,” explains San Francisco Rent Board Deputy Director Robert Collins.

Once a tenant has accepted a check in lieu of eviction, rent-controlled units can be converted to market rate, or refurbished and sold as pricey condos, without the legal hindrances of an eviction blemish. Buyouts aren’t recorded with the Rent Board, and the agency has no real guidance for residents faced with this particular dilemma. “We don’t have the true number on buyouts,” says Mecca. “We don’t know how many people have left due to intimidation.”

Identity-wise, renters impacted by the Ellis Act defy categorization. A contingent of monolingual Chinese residents rallied outside City Hall recently to oppose legislation they believed would give rise to evictions; in the Mission, many targeted tenants are Latinos who primarily speak Spanish. From working immigrants, to aging queer activists, to disabled seniors, to idealists banding together in collective houses, the affected tenants do have one thing in common. When landlords or real-estate speculators perceive that their homes are more valuable unoccupied, their lives are susceptible to being upended by forces beyond their control.

The upshot of San Francisco’s affordability crisis is a cultural blow for a city traditionally regarded as tolerant, forward thinking, and progressive. In the words of Rose Eger, a musician who faces an Ellis Act eviction from her apartment of 19 years, “it changes the face of who San Francisco is.

Out of the Castro

By Tim Redmond

You can’t get much more Castro than Jeremy Mykaels. The 62-year old moved to the neighborhood in the early 1970s, fleeing raids at gay bars in Denver. He played in a rock band, worked at the old Jaguar Books, watched the rise of Harvey Milk, saw the neighborhood transform and made it his home.

He’s lived in a modest apartment on Noe Street for 17 years, and for the past 11 has been living with AIDS. Rent control has made it possible for Mykaels, who survives on disability payments, to remain in this city, in his community, close to the doctors at Davis Hospital who, he believes, have saved his life.

And now he’s going to have to leave.

In the spring of 2011, his longtime landlords sold the building to a real-estate investment group based in Union City — and the new owners immediately sought to get rid of all the tenants. Two renters fled, knowing what was coming; Mykaels stuck around. In September of 2012, he was served with an eviction notice, filed under the state’s Ellis Act.

He’s a senior, he’s disabled, his friends are mostly dead and his life is in his community — but none of that matters. The Ellis Act has no exceptions.

Mykaels spent a fair amount of his life savings fixing up his place. The walls are beige, decorated with nice art. Dickens the cat, who is chocolate brown but looks black, wanders in and out of the small bedroom. Mykaels has been happy there and never wanted to leave; “this,” he told me, “is where I thought I would live the rest of my life.”

There’s no place in the Castro, or even the rest of the city, where he can afford to move. Small studios start at $2,500 a month, which would eat up all of his income. There is, quite literally, nowhere left for him to go.

“A lot of my friends have died, or moved to Palm Springs,” he said. “But this is where my doctors are and where I’m comfortable. I’m not going to find a support system like this anywhere else in the world.”

Mykaels is the face of San Francisco, 2013, a resident who is not part of the mayor’s grand vision for bringing development and high-paying jobs into the city. As far as City Hall is concerned, he’s collateral damage, someone whose life will have to be upended in the name of progress.

But Mykaels isn’t going easily. The former web designer has created a site — ellishurtsseniors.org — that lists not only his address (460 Noe) and the names of the new owners (Cuong Mai, William H. Young and John H. Du) but the addresses of dozens of other properties that are facing Ellis Act evictions. His message to potential buyers: Boycott.

“Do not buy properties where seniors or the disabled have been evicted for profit by real estate speculators using the Ellis Act,” the website states.

Mykaels is a demon researcher — his site is a guide to 31 properties with 94 units where seniors or disabled people are being evicted under the Ellis Act. In some cases, individuals or couples are filing the eviction papers, but at least 14 properties are owned by corporations or trusts.

Mai told me that he knew a disabled senior was living in the building when he and his two partners bought it, but he said his plan all along was to evict all the tenants and turn the three-unit place into a single-family house. He said he hasn’t decided yet whether to sell building; “I might decide to live there myself.” (Of course, if he wanted to live there himself, he wouldn’t need the Ellis Act.)

Mai said he “felt bad about the whole situation,” and he had offered to buy Mykaels out. The offer, however, wouldn’t have covered more than a few months of market rent anyplace else in the Castro.

By law, Mykaels can stay in his apartment until September. If he can’t stave off the eviction by then, San Francisco will lose another longtime member of the city community.

 

Dark days in the Inner Sunset

By Rebecca Bowe

The living room in Rose and Willie Eger’s Inner Sunset apartment is where Rose composes her songs and Willie unwinds after playing baseball in Golden Gate Park. Faded Beatles memorabilia and 45 records adorn the walls, and a prominently displayed poster of Jimi Hendrix looms above a row of guitar cases and an expansive record collection.

It’s a little worn and drafty, but the couple has called this 10th Ave. apartment home for 19 years. Now their lives are about to change. On Jan. 5, all the tenants in their eight-unit building received notice that an Ellis Act eviction proceeding had been filed against them.

“The music that I do is about social and political things,” explains Rose, dressed from head-to-toe in hot pink with a gray braid swinging down her back. Determined to derive inspiration from this whole eviction nightmare, she’s composing a song that plays with the phrase “tenants-in-common.”

Cindy Huff, the Egers’ upstairs neighbor, says she began worrying about the prospect of eviction when the property changed hands last summer. Realtor Elba Borgen, described as a “serial evictor” in online news stories because she’s used the Ellis Act to clear several other properties, purchased the apartment building last August, through a limited liability corporation. The notice of eviction landed in the mailbox less than six months later. (Borgen did not return Guardian calls seeking comment.)

“With the [average] rent being three times what most of us pay, there’s no way we can stay in the city,” Huff says. “The only option we would have is to move out of San Francisco.” She retired last year following a 33-year stint with UCSF’s human resources department. Now, facing the prospect of moving when she and her partner are on fixed incomes, she’s scouring job listings for part-time work.

The initial notice stated that every tenant had to vacate within 120 days, but several residents are working with advocates from the Housing Rights Committee in hopes of qualifying for extensions. Huff and the Egers are all in their fifties, but some tenants are seniors—including a 90-year-old Cuban woman who lives with her daughter, and has Alzheimer’s disease.

Willie works two days a week, and Rose is doing her best to get by with earnings from musical gigs. Both originally from New York City, they’ve lived in the city 35 years. When they first moved to the Sunset, it resembled something more like a working-class neighborhood, where families could raise kids. The recent tech boom has ushered in a transformation, one that Rose believes “changes the face of who San Francisco is.” Willie doesn’t mince words about the mess this eviction has landed them in. “I call it ‘Scam-Francisco,'” he says.

The trio recently joined tenant advocates in visiting Sup. Norman Yee, their district supervisor, to tell their stories. Yee, who is expected to be one of the swing votes on an upcoming debate about condo-conversion legislation vehemently opposed by tenant activists, reportedly listened politely but didn’t say much.

As for what the next few months have in store for the Egers? “I can’t really visualize the outcome,” Rose says. “I can only visualize the day-to-day fight. And that’s scary.”

 

Fighting for a home in the Mission

By Tim Redmond

Eleven years ago, Olga Pizarro fell in love with Ocean Beach. A native of Peru who was living in Canada, she visited the Bay Area, saw the water and decided she would never leave.

Fast forward to today and she’s built a home in the Mission, renting a small room in a basement flat on Folsom Street. The 55-year-old has lived in the building for eight years; polio has left her wearing a leg brace and she can’t climb stairs very well, but she still rides her bike to work at the Golden Gate Regional Center. She’s a sociologist by training; the walls in her room are lined with bookshelves, with hundreds of books in Spanish and English.

The place isn’t fancy, and it needs work, but it’s hard to find a ground-floor apartment in the Mission that’s affordable on a nonprofit worker’s salary. Since 2011, when she moved in, she and her three housemates have been protected by rent control. And Pizarro’s been happy; “I love the neighborhood,” she told me.

The letter warning of a pending eviction arrived Jan. 16. A new owner of the building wants to turn the place into tenancies in common and is prepared to throw everyone out under the Ellis Act. There’s no place else in town for Pizarro to go.

“I’ve looked and looked,” she said. “The cheapest places are $2,500 a month or more. Maybe I’ll have to move out of the city.”

Pizarro’s building is owned by Wai Ahead, LLC, a San Francisco partnership registered to Carol Wai and Sean Lundy. I couldn’t reach Wai or Lundy, but their attorney, Robert Sheppard, had plenty to say. “San Francisco is going the way of New York,” he told me. “Manhattan is full of co-ops that used to be rentals, and lower-income people are moving to Brooklyn and Queens. That’s happening here with Oakland and further out.” He argued that TICs, like co-ops, provide home-ownership opportunities for former renters.

Sheppard, who for years represented tenants in eviction cases, said the Ellis Act is law, and America is a capitalist country, and “as long as there is a private housing market, there will be shifts of people as the housing market shifts.” He agreed that it’s not good for lower-income people to lose their homes, but “the poor will always be hurt by a changing economy. It’s called evolution.”

Pizarro told me she’s shocked at how expensive housing has become in the Mission. “It’s gotten so gentrified,” she said. “People show up in their BMWs. It’s starting to feel very isolated.”

She’s fighting the eviction. “I didn’t intend it to be this way,” she explained. “I just want to live here.” Lacking any family in the area, the Mission has become her community — “and I’m frustrated by the violence of how expensive it is.”

 

Affordability goes out of style

By Rebecca Bowe

Hester Michael is a fashion designer, and her home doubles as a project space for creating patterns, sewing custom clothing, weaving cloth, and painting. She’s lived in her Outer Sunset two-bedroom unit for almost two decades, but now she faces an Ellis Act eviction. Michael says she initially received notice last June. The timing was awful -– that same month, her husband passed away after a long battle with terminal illness.

“I’ve been here 25 years. My friends are here, and my business. I don’t know where else to go, or what else to do,” she says. “I just couldn’t picture myself anywhere else.”

Michael rents the upstairs unit of a split single-family home, a kind of residence that normally isn’t protected by rent control. Yet she leased the property in 1994, getting in under the wire before that exemption took effect. Since she pays below-market-rate rent in a home that could be sold vacant for top dollar, a target was essentially inscribed on her back when the property changed hands in 2004. That’s about when her long battle with the landlords began, she says.

From the get-go, her landlords indicated that she should look for a new place, Michael says, yet she chose to remain. The years that followed brought things falling into disrepair, she says, and a string of events that caused her feel intimidated and to fear eviction. Finally, she consulted with tenant advocates and hired an attorney. A complaint filed in superior court alleges that the property owners “harassed and retaliated [Michael] when she complained about the defective and dangerous conditions …telling [her] to move out of the property if she did not like the dangerous conditions thereat … repeatedly making improper entries into [the] property, and wrongfully accusing [her] of causing problems.”

Records show that Angela Ng serves as attorney in fact for the property owner, Ringo Chung Wai Lee. Steven Adair MacDonald, an attorney who represents both landlords and tenants in San Francisco housing disputes, represents the owners. “An owner of a single family home where the rent is controlled and a fraction of market has virtually no other choice but to terminate the tenancy,” MacDonald said when the Guardian reached him by phone. “They’ve got to empty it, and the only way to empty it is the Ellis Act.”

While Michael received an extension that allows her to remain until June 5, she fears her custom sewing business, Hester’s Designs, will suffer if she has to move. There’s the issue of space. “I have so much stuff in this house,” she says. And most of her clients are currently located close by, so she doesn’t know where her business would come from if she had to relocate. “A lot of my clients don’t have cars,” she says, “so if I live in some suburb in the East Bay, forget it. I’ll lose my business.”

The prospect of eviction has created a major dilemma for Michael, who first moved to San Francisco in 1987. While moving to the East Bay seems untenable, she says renting in San Francisco feels out of reach. “People are renting out small, tiny bedrooms for the same price as I pay here,” she says. With a wry laugh, she adds: “I don’t think there’s any vacant apartments in San Francisco -– unless you’re a tech dude and make seven grand a month.”

Alerts

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THURSDAY 31

Saluting Bradley Manning: Book event with Daniel Ellsberg

First Congregational Church of Berkeley, 2345 Channing, Berk. (510) 967-4495, tinyurl.com/salute-BM. 7:30-9:30pm, $12 advance, $15 door. Hosted by KPFA Radio, this book event features appearances by renowned whistleblower Daniel Ellsberg, his wife Patricia, and Kevin Gosztola, co-author of Truth and Consequences: The US vs. Bradley Manning. Learn the story of whistle-blower Bradley Manning, the Army private accused of leaking classified information to Wikileaks. Tickets may be purchased in advance at Pegasus Books, Marcus Books, Mrs. Dalloway’s, Moe’s Books, Walden Pond, DIESEL, A Bookstore, and Modern Times.

Spaghetti dinner for the 99 percent

Unitarian Universalist Center, 1187 Franklin, SF. (415) 595-7306, www.sf99percent.org. 6pm, $20 general, $10 students & seniors. A fundraiser for foreclosure fighters! Featuring political satirist Will Durst, plus speakers from Alliance of Californians for Community Empowerment, Occupy Bernal and Occupy Noe. 8pm screening of HEIST: Who Stole the American Dream? Followed by Q&A with co-producer Don Goldmacher. Benefits educational projects of Unitarian-Universalists for Peace-SF and the SF 99% Coalition.

FRIDAY 1

Protest: Don’t frack our public wildlands

Federal building, 450 Golden Gate, SF. (415) 436-9682, www.biologicaldiversity.org. Noon-1:30pm, free. Fracking is a dangerous drilling technique that could impact air quality and pollute waterways. The federal Bureau of Land Management (BLM) is auctioning of rights to drill and frack California wildlands. Join the Center for Biological Diversity in showing the BLM that Californians oppose this harmful practice.

SATURDAY 2

Panel discussion: rethinking juvenile justice

Congregation Sherith Israel, 2266 California, SF. (415) 346-1720 x24, edrucker@sherithisrael.org. 12:30pm, free. Reservations required. Join representatives from SF’s juvenile justice community for Kiddush, lunch, and a panel discussion on breaking the cycle of incarceration for young offenders. Participants include SF Superior Court Judge Jeffrey Ross; USF Professor Kimberly Richman;Center on Juvenile & Criminal Justice Executive Director Dan Macallair; Huckleberry Youth Programs Executive Director Bruce Fisher; Director of Juvenile Justice Programs at Huckleberry Denise Coleman; Director Huckleberry Community Assessment and Referral Center Gavin O’Neill; Former Youth Offender and Community Activist Felix Lucero.

Oakland Debtors’ Assembly

Eastside Arts Alliance, 2277 International, Oakl. (415) 568-6037, www.strike-debt-bay-area.tumblr.com. 2-4:30pm, free. Join this teach-in hosted by Strike Debt Bay Area and begin to rethink debt — not as an issue of individual shame, but as a political platform for collective resistance and action. Learn about debt resistance, share resources and skills, and join others in imagining and creating a world based on the common good, not Wall Street profits.

Roe v. Wade anniversary inspires flash mob, pro-choice rally, and pro-life march in SF

Remember when a dance revolution broke out in Justin Herman Plaza during Occupy San Francisco? This coming Saturday, the same choreographers behind that flash mob for economic justice plan to reignite the public square, this time with a flash mob organized in collaboration with the Silver Ribbon Campaign to commemorate the 40th Anniversary of Roe v. Wade.

“Roe v. Wade is an invitation to really celebrate women, women’s rights and women’s reproductive rights,” says Magalie Bonneau-Marcil, director of Oakland nonprofit Dancing without Borders, who will direct the Jan. 26 flash mob. She expects between 400 and 500 dancers to descend upon the plaza.

The performance is part of a larger event, Women Life & Liberty, organized to commemorate the landmark Supreme Court decision that made abortion legal in the United States. The Trust Women Silver Ribbon Campaign is organizing the free celebration in tandem with the National Organization for Women and a coalition of more than 20 local partners.

“Our sense was, it’s an opportunity to claim and reclaim, and revive our activism around the issues that this event is about,” Silver Ribbon Campaign Director Ellen Shaffer told the Guardian. The rally is part of a national effort that has also launched an “online march” for reproductive rights.

Birth control champion Sandra Fluke, who became the center of a firestorm after being lambasted by Rush Limbaugh for testifying before Congress on the need for access to birth control, will speak at the rally.  Other speakers will include filmmaker and Webby Awards Founder Tiffany Shlain, and San Francisco Supes Malia Cohen, David Campos, David Chiu and Eric Mar, who joined the board in adopting a December resolution commemorating the 40th anniversary of Roe v. Wade.

Meanwhile, an international campaign to end violence against women will also play a role in this weekend’s events. Upon returning to the Bay Area after a dance festival in Europe, Bonneau-Marcil says she saw Eve Ensler’s music video promoting VDay’s 1 Billion Rising Campaign, created to spark a global movement to end violence against women. “I was so moved,” she says.

Inspired, she began making preparations for the Jan. 26 performance and an upcoming Feb. 14 flash mob, to be staged in front of San Francisco City Hall in league with VDay’s global movement.

With recent outrage fueled by the rape and fatal attack in India, the public performances are timely. Bonneau-Marcil describes the public dance gatherings as a way for participants to “share a prayer to create a world free of violence and sexual oppression.” 

But there’s likely to be drama, as the Women Life & Liberty celebration is one of two dueling events. Walk for Life West, essentially the polar opposite of the Trust Women Silver Ribbon Campaign, is being spearheaded by San Francisco pro-lifers Dolores Meehan and Eva Muntean. Now in its ninth year, the annual event will bring hordes of anti-abortion activists to San Francisco, wielding dead fetus photos. They’ll travel from as far away as Nevada, Canada and “all over the Midwest,” according to Muntean. “We have 200 buses coming from all over the West Coast,” she said.

The anti-abortion rally will feature speakers such as Rev. Clenard Childress, who has built a career out of telling right wing Christians that the pro-choice movement is racist. (Seems Childress also spends his spare time penning inflammatory columns suggesting that acceptance of LGBT rights is “a sign of the end times.”)

The pro-life rally will converge at Civic Center Plaza and progress to – where else? – Justin Herman Plaza. There, according to the event page, revelers from the transformative flash mob may still be celebrating. Expect an awkward buzz kill.

This being San Francisco, plans are already being hatched to counter-protest the anti-abortion event. (Muntean emphasized that Walk for Life West should not be interpreted as counter-protest to the Women Life & Liberty event, by the way.)

Stop Patriarchy, made of up activists who are pro-choice, anti-Democratic party, and even anti-pornography since they deem it to be part of the war on women, plans to stage “boisterous and confrontational political protests throughout the week, taking on the Pro-Lifers who will be in San Francisco,” according to a press release. They’ll be there counter-protesting the Walk for Life with banners and signs declaring, “Abortion On Demand and Without Apology!”

Bonneau-Marcil, the flash mob director, says she’s trying to stay out of any back-and-forth that may come from warring factions. “We’re not pointing fingers,” she says. Instead, she’s on a mission to help dancers move in harmony to “access a place where, it’s not about opinions. It’s just about remembering who we are as human beings.”

The Women, Life & Liberty rally will be held at Justin Herman Plaza from 10 a.m. to noon. The Dancing Without Borders flash mob performance will take place at 11:30. Anyone can join the flash mob after attending two rehearsals: more info here. The Walk for Life West rally will converge at 12:30 at Civic Center Plaza and begin the procession to Justin Herman at 1:30. More info here, here and here.

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THURSDAY 24

Forum: What’s Next for Progressives

Unitarian-Universalist Center, 1187 Franklin, SF. tinyurl.com/pdasf-prog. 7-9pm, free. “Why wait years to challenge the rightward momentum coming from the top of the Democratic Party?” Author and activist Norman Solomon writes in a recent essay. “There is no better time to proceed … than right now.” At this public forum sponsored by the San Francisco chapter of Progressive Democrats of America, Solomon will join panelists Karen Bernal, chair of the Progressive Caucus of the California Democratic Party, and Jodi Reid, executive director of the California Alliance for Retired Americans, in an exchange of ideas for advancing progressive ideals in national politics.

MONDAY 28

Rally to Stop Attack on Rent Control City Hall, 1 Dr. Carlton B. Goodlett, SF. tinyurl.com/for-tenants. 12pm, free. Join housing activists for a rally on the steps of City Hall to fend off proposed legislation that could result in an increase in tenant evictions to make way for condominiums. After the rally, make your voice heard at a public hearing of the Board of Supes Land Use Committee at 1 p.m.

MONDAY 28

Benefit for Strike Debt Roxie Theatre 3117 16th St., SF. tinyurl.com/no-debtBA. 7:30-9:30pm, $10. “You Are Not A Loan” is a fundraiser for Strike Debt Bay Area, a regional chapter of the Occupy Wall Street-affiliated Strike Debt, created to “foster resistance to all forms of debt imposed on us by the banks.” Featuring performances by the legendary Jello Biafra, comedians Sean Keane, Kevin O’Shea and others; drag star Lil’ Miss Hot Mess, and more.

SATURDAY 26

Roe v Wade: 40th Anniversary Celebration Justin Herman Plaza, SF. 10am-noon, free. Join this community celebration for women’s rights. Featuring appearances by Dancing without Borders’ One Billion Rising Dance Flash mob, balloon twisters, airbrush tattoos, a facepainter, Bubble artist Sterling the Bubblesmith, live music by Trapdoor Social, pro-choice banners and speeches by legal abortion pioneer Pat Maginnis and other community advocates. Silver Ribbon to Trust Women coalition.

Peace corps

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arts@sfbg.com

DANCE In a pre-rehearsal conversation at the ODC Commons, choreographer Robert Moses says that his newest piece, Nevabawarldapece (“never be a world of peace”– premiering at YBCA Fri/25-Sun/27), is “a dance about protest movements.” The evening-length work is set on ten dancers and is a collaboration between Moses and Obie and Bessie winning writer-performer Carl Hancock Rux; activist and singer-composer Laura Love; and MacArthur Fellow and blues musician Corey Harris. The trio will perform live during this weekend’s world premiere at Yerba Buena Center for the Arts.

The impetus for Neva, explains Moses, came less from the specifics of historic revolutions and contemporary challenges to the social order than from the people who gave their all attempting to bring about fundamental change — only to see their efforts dissipated, co-opted, or met with failure. “It’s about idealism, the loss of it, and then what you do? What are you left with if the rage, the energy, and all the sacrifices you have made fall by the wayside? Can you pick up and keeping moving forward? I don’t know,” he says.

Moses and Love, who is in town for her first look at the company, discussed leaders like Malcolm X, James Brady, and Nat Turner, but also contemporary movements like Occupy Wall Street, the Arab Spring, and environmental activism. Referencing Sisyphus’ rock, Moses says, “When it falls, it’s hard to go down that mountain and pick it up again. It takes courage and energy to roll it and believe that this time it just might stay up.”

For Love the choice is clear. “I have moments of disillusionment, and moments when I believe that we can have justice. Right now I am more afraid not to act than to act.” She remembers a banner at a recent Freedom of Choice rally that said: “I can’t believe that we have to do this again.”

Neva had been in the back of Moses’ mind for a long time. “It’s a big idea,” he admits. So he was pleasantly surprised that when he called his now collaborators and described exactly what he wanted to explore, everybody agreed to participate. For Love, it was Moses’ willingness to not restrict her role. (Moses laughs, “I can’t do what she does, so why would I restrict her?”)

Love and Harris sent him musical suggestions; Hancock Rux emailed texts he had written. Moses has yet to determine Neva’s final shape. For instance, he has two versions of one of Love’s banjo tunes. He also wants to hear Hancock Rux’s voice reading text. “I don’t want to pin myself down, because when we get together I want to see how context and content push against each other.”

Heading into rehearsal, he chuckles, “Yeah, the piece is finished … and it is not.” A thread, he knows, will emerge when everybody finally meets in the studio a few days before the premiere. Right now, he explains, the dancers have between 30 and 40 choreographic sections from which choices will be made.

In the studio on this particular afternoon, the dancers work on three of these pieces. As other couples observe and copy, Moses refines small gestures — a handgrip, a leg stretch, an overhead lift — on tiny Norma Fong and lanky Brendan Barthel. Then Crystaldawn Bell, softly but intensely, talks the company through a section that she has developed based on a solo which Moses had created for senior dancer Katherine Wells. Finally, Moses gives newcomer Jeremy Bannon-Neches five minutes to keep teaching to the company a piece he had choreographed for him. “The teaching is good experience,” Moses notes.

Dripping with sweat, tired to the point of exhaustion, and throwing themselves with every ounce of their being into fierce, volatile, and ever-changing movement challenges, the dancers are an odd contrast to the studio’s serene and neutral environment. They are also unstoppable — just like those who are willing to commit whatever it takes to make their ideals come to life.

NEVABAWARLDAPECE

Fri/25-Sun/27, 8pm, $25-$50

Yerba Buena Center for the Arts

Lam Research Theater

700 Howard, SF

www.ybca.org

www.robertmoseskin.org

Oakland to decide on controversial stop-and-frisk advocate Bill Bratton

On Tuesday, Oakland City Council will consider approving a $250,000 contract for an outside security consulting team, which could include controversial roving police chief and private security contractor William Bratton. With Oakland’s understaffed police department facing a 23 percent rise in violent crime over the past year, the Council’s Public Safety Committee unanimously recommended last week that the full Council approve a new round of funding for Boston-based police consultant Strategic Policy Partnership LLC. The firm intends to bring on Bratton as part of a new team of private policing experts to advise OPD.

At the five-hour Public Safety Committee meeting on Jan. 15, Oakland activists crowded into the chamber to voice concerns that Bratton—a nationally known proponent of “zero tolerance” policing and New York City’s extremely controversial stop-and-frisk policy—would be tapped as a member of the consulting team. Pressure from the community prompted committee members to tack on a provision suggesting that an alternative to Bratton be considered in the final contract.

Oakland Mayor Jean Quan and Police Chief Howard Jordan both voiced enthusiastic support for Bratton’s appointment.  In a letter sent last Wednesday urging the Council to approve the contract, Quan wrote: “Bratton is uniquely suited to helping us perfect how that system works here.” She went on to promise that racial profiling would not be tolerated in Oakland.

Oakland attorney Dan Siegel, a former legal advisor to Quan, expressed dismay over Bratton’s possible consultancy to a lively group of protesters outside last Tuesday’s meeting. “Stop-and-frisk does not work,” he said. “Bratton is exactly what we do not need in the city of Oakland.”

Although Bratton did not attend last Tuesday’s meeting, he has publicly expressed interest in working in Oakland, despite the vocal opposition.  “I’m still very desirous of working in Oakland … I think the assistance that I can provide will be of value to the city,” Bratton told the Oakland Tribune following Wednesday’s protests.

From Boston, to Los Angeles, to New York, Bratton has implemented and championed a controversial mix of anti-crime measures, making him one of the nation’s most divisive and visible law enforcement officials. 

Lauded by supporters as America’s “Top Cop,” he has twice served as president of the influential Police Executive Research Forum (PERF), which was responsible for coordinating a police response to the Occupy Wall Street Movement. He also serves as vice chair of the Homeland Security Advisory Council.

Serving as police chief in New York from 1994 to 1996 and Los Angeles from 2002 to 2009, Bratton built a national reputation as an outspoken proponent of stop-and-frisk, a tactic often linked with racial profiling. According to data compiled by the New York ACLU, the procedure disproportionally targets black and Latino residents. Earlier this month, a U.S. District Court Judge in New York deemed stop-and-frisk to be unconstitutional and issued an injunction limiting the policy in the Bronx. In July, when San Francisco Mayor Ed Lee suggested exploring stop-and-frisk in San Francisco, local civil liberties advocates balked.

Bratton is also an unabashed supporter of zero-tolerance policing, a method that stems from the “broken-windows theory” and encourages police to make arrests for minor infractions such as graffiti, litter, panhandling, prostitution or other petty offenses which are presumed to create an environment that breeds serious crime.

Bratton’s controversial tactics have been credited with reducing crime rates during his tenure in New York and Los Angeles. His work to diversify the LAPD and build closer ties between police and the community also drew praise from the Los Angeles chapter of the ACLU.

But in Oakland, local police reform advocates question the long-term efficacy of Bratton’s methods.

Rachel Herzing, co-director of Oakland-based Critical Resistance, an advocacy group that is part of a coalition of local organizations mobilizing against Bratton, charges that he deals in “quick fixes.” In the long run, she argues, his methods do not reduce crime but rather relocate it.

Bratton’s “all cops, no services approach does not work anywhere, and will not work in Oakland,” Herzing told the Guardian. “The aggressive sweeps Bratton is known for in New York ultimately just displace people, and drive them away from essential services. [These tactics] aren’t appropriate policing responses.”

The public outcry at last Tuesday’s Public Safety Committee meeting drew responses from new Council members Lynette Gibson McElhaney and Dan Kalb. McElhaney, whose District 3 includes some of the city’s lower-income neighborhoods plagued with high crime rates, told colleagues that Bratton may come with “too much baggage.” Ultimately, McElhaney said, his presence in Oakland might prove to be counterproductive.

Speaking to the Guardian on Jan. 21, McElhaney said she was not yet sure if she would vote to approve the contract. “We are wrestling with some very big issues here,” she said.  “I am clearly concerned about some of Bratton’s tactics but I am also interested in his results in some of the cities he has worked in. I do know he has lowered homicide rates.”

She added that the overarching goal of addressing crime in Oakland should not be lost in the debate surrounding Bratton. “There’s the totality of the contract I’m considering… in the end, I’m more interested in the outcome as opposed to the individuals.”

In an effort to diffuse controversy at the Jan. 15 meeting, McElhaney and Kalb successfully amended the committee recommendation to urge Strategic Policy Partnership to consider potential alternatives to Bratton.

But given Bratton’s national profile and controversial approach to policing, his inclusion in the consulting contract will likely take center stage at the full Council Meeting on Tuesday. Both Bratton’s opponents and supporters plan to arrive in force at Tuesday’s Council meeting, and as of yet it’s uncertain which side will prevail.

Despite settlement, Wells Fargo still in housing activists’ crosshairs

Federal regulators cut a deal with 10 major banks to “speed up housing relief,” major news outlets reported earlier this week – but to exactly no one’s surprise, the amount promised to struggling homeowners is a pittance compared with the overwhelming losses sustained during the foreclosure crisis. National consumer advocates criticized the deal as a lost opportunity to demand some accountability from Wall Street. In San Francisco, neighborhood activists with Occupy Bernal dismissed the agreement as falling short and vowed to continue campaigning against Wells Fargo, a primary mortgage lender based in San Francisco and one of the 10 financial institutions to sign on. 

The bank settlement replaced a mandatory, independent foreclosure review process that financial institutions were required to take on following revelations of widespread abuses, like robo-signing. Created to benefit homeowners who faced foreclosure in the wake of these shady lending practices, the program was ultimately chalked up as a failure for being too slow, costly and ineffective. Not only did it reach just a tiny fraction of those eligible to file claims, said Bruce Mirken of the Greenlining Institute, but “as of the end of the year, nobody had actually gotten any money.”

Instead of continuing down that fraught path, big lenders such as Bank of America, Wells Fargo, JPMorgan Chase and others agreed to shell out $8.5 billion to settle the claims. Under a process that remains far from clear, payments are supposed to be distributed among 3.8 million struggling households nationwide – some of whom went through foreclosure in 2009 and 2010, and others currently in danger of losing their homes.

Local housing activists were cynical. “Wells Fargo and the other big banks have agreed to paying principal reductions and affordable permanent loan modifications about 20 times. They haven’t done it yet, and they’re not going to do it unless we make ’em,” said Buck Bagot, a neighborhood activist who has been organizing around foreclosure issues with Occupy Bernal. In San Francisco alone, more than 1,200 foreclosed properties turned up in a quick search on Trulia.com – many listed at prices exceeding $500,000.

The situation is far worse in the East Bay. From 2006 to 2011, one out of every 14 Oakland households faced foreclosure and had their property reverted back to the bank, according to data compiled by the Urban Strategies Council, an Oakland-based nonprofit working on anti-poverty issues. East Oakland was hit hardest, with data visualizations showing between 165 and 409 properties per census tract that had reverted back to lenders in 2008. (You can view detailed geographic foreclosure data compiled by the Council here.)

“The amount of wealth that has been sucked out of communities is astonishing,” said Mirken, of the Greenlining Institute, a Berkeley-based research advocacy organization focused on economic justice. “It’s not at all clear that the $8.5 billion is at all in relation to the trillions in wealth that was drained from communities in the foreclosure crisis.” In California there are currently 208,435 foreclosed homes up for sale, according to data recently accessed on housing tracking site RealtyTrac, with average price listings of around $273,000. The amount that stands to be gained by selling off bank-owned properties exceeds the total settlement payout by many orders of magnitude. 

Mirken said he was glad the banks are promising at least some form of relief to struggling homeowners, even if it’s small potatoes. “I’m not dismissing this as nothing,” he said. “But it feels like the response has never matched the scale of the problem.”

Meanwhile, some nationwide consumer advocates blasted the deal. “The capped pool of cash payments is wholly inadequate in light of the scale of the harm,” said Alys Cohen, staff attorney for the National Consumer Law Center. “If the reviews had been done right the first time, banks would have been on the hook to pay far more to homeowners, even though the planned scheme fell far short of full compensation.”

Occupy Bernal staged a protest at the Bayview branch of Wells Fargo several weeks ago in an effort to draw attention to abusive lending practices that disproportionately affected African American, Asian and Latino homeowners. Bagot told the Guardian there are more to come. As for the bank settlement deal, he scoffed: “These governmental chickens live in the chicken coop that’s run by the fox.”

Ficks’ picks

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1. Cosmopolis (David Cronenberg, Canada/France/Portugal/Italy) During the five times I watched this brilliantly slow-burning, transcendental flick, I saw dozens of audience members fall asleep, walk out early, and complain all the way down the corridor of the Embarcadero Center Cinema hallways. I had to watch it that many times (plus read the book and have countless late-night discussions) just to try and wrap my brain around this era-defining exploration of what it means to be a (hu)man in the Y2Ks. Robert Pattinson proved he’s a truly spectacular actor, Paul Giamatti has never been better, and David Cronenberg is only getting better as he gets older.

2. In the Family  (Patrick Wang, US, 2011) Self-distributed due to its length (169 minutes), this is a stunningly haunting and devastating work. Viewers with the patience to stick with it are rewarded with a genuinely achieved emotional volcano that I can only relate to John Cassavetes’ greatest films. A truly landmark film, in both style and content.

3. The Master  (Paul Thomas Anderson, US) Of all the films that Anderson has boldly attempted, audaciously experimented with, and (perhaps most importantly) been critically embraced for, The Master is a balanced period piece that combines both poetic and historical elements with a couple of truly profound performances by Joaquin Phoenix and Philip Seymour Hoffman. This is not a film only about Scientology, or about just one master. This is a film that asks many questions, but supplies few answers.

4. The Comedy (Rick Alverson, US) Perhaps containing the most mean-spirited characters of the decade, this harrowingly insightful satire of the hipster generation’s compulsion to heap irony upon irony inspired many an audience member to exit mid-film. But the many who dared to remain (including fans of the film’s lead actor, Tim Heidecker, from Tim and Eric Awesome Show, Great Job!) may have found themselves forced to question their own heartless (and even sociopath) tendencies.

Director Rick Alverson’s perceptive use of a contemporary antihero is quite comparable to the counterculture characters of the 1970s: Robert De Niro in Taxi Driver (1976), Peter Falk in Husbands (1970), and Jack Nicholson in Five Easy Pieces (1970). And since The Comedy was not necessarily made to be enjoyed, it will probably, sadly, take 20 years for people to recognize that there is no finer film to define this generation.

5. Florentina Hubaldo CTE (Lav Diaz, Philippines) With this six-hour film, Lav Diaz has created yet another minimalist masterpiece that few will even attempt to watch — 20 people started out in the Yerba Buena Center for the Arts’ screening, and only 10 finished it. Diaz has a monumental goal in mind for his character, and his film’s length is a major part of achieving it. I am not sure if there will ever be a time when six-hour character studies will be all the rage, but until then, Diaz is paving an uncharted road for others to follow.

6. Shanghai (Dibakar Banerjee, India) This Hindi remake of Costa-Gavras’ monumental political thriller Z (1969) may not have French New Wave cinematographer Raoul Coutard behind the camera, but Shanghai‘s director of photography Nikos Andritsakis adds his own brand of raw intensity. For his part, writer-director Banerjee creates an even more complicated look at the state of politics in the age of the modern terrorist. Seemingly inspired by fellow director Ram Gopal Varma’s career of gritty political dramas, Banerjee is an international director to watch.

7. Holy Motors (Leos Carax, France) The perfect companion to David Cronenberg’s Cosmopolis, this film contains a tour de force performance by the almighty Denis Lavant (of Claire Denis’ 1999 Beau Travail), with Michel Piccoli, Eva Mendes, Édith Scob, and Kylie Minogue in supporting roles. Unique, surreal, and completely inspired, this day-in-the-life journey will make you want to watch it again as soon as it ends.

8. The Grey  (Joe Carnahan, US) The best existential “animal attacking human” flick since David Mamet’s 1997 cult classic The Edge. It’s a film that showcases Liam Neeson as he tapes glass to his fists to battle a pack of giant wolves — and manages to be emotionally stirring at the same time. Make sure to keep watching all the way through the credits.

9a. Your Sister’s Sister (Lynn Shelton, US, 2011) Lynn Shelton’s follow-up to her genre-defining bromance Humpday (2009) is a pitch-perfect indie that attempts to dig deep within its dark and confused characters. Depressed and confused thirtysomething Jack (played by Mark Duplass, master of casual awkwardness) heads off to a remote island to figure out his life. The only trouble: his best friend (a mesmerizing Emily Blunt) also has a lesbian sister (Rosemarie DeWitt) who is already there doing her own soul searching. With this contemplative, honest, and hilarious film, Shelton is turning out to be quite a splendid voice for our current generation of progressive pitfallers.

9b. Jeff, Who Lives At Home (Jay Duplass and Mark Dupass, US) They’ve done it again! With Jeff, the mumblecore masters (2005’s The Puffy Chair; 2010’s Cyrus) construct a stoner comedy-existential trip for the man-child generation. While inspiring outstanding performances from Jason Segal and Ed Helms (both the best they’ve ever been), playing brothers, a poignantly performance by Susan Sarandon as their mother raises this wonderfully earned sentimental indie flick to the ranks of family dramas like Jodie Foster’s Home for the Holidays (1995) and her most recent overlooked gem, The Beaver (2011).

10. Lotus Community Workshop (Harmony Korine, US) His next film, Spring Breakers (due out next year), is poised to become Harmony Korine’s most accessible film to date; it’s a T&A-filled exploitation film, led by James Franco as a grimy, gold-grilled-grinning, dreadlocked drug dealer who lives to prey on bikini-clad young girls. But 30-minute meta-masterpiece Lotus Community Workshop, which played the San Francisco International Film Festival earlier this year (as part of omnibus film The Fourth Dimension), is maybe Korine’s greatest film to date. The almighty Val Kilmer plays a dirt bike-riding, fanny-pack wearing, roller-rink guru named Val Kilmer — and yep, it’s as mind-blowing as it sounds.

11. ParaNorman  (Chris Butler and Sam Fell, US) This stop-motion animated film surprised parents who felt its PG rating should have been PG-13 — and it inspired gasps and even yells (from adults!) in every screening I attended. Daringly shot on a Canon 5D Mark II DSLR Camera and released in a fully utilized 3D, this ode to midnight movies is a kids’ film that will stand the test of time and should rank right alongside Shaun of the Dead (2004) and Army of Darkness (1992): horror parodies that transcended their own self-awareness and become classics themselves.

12-14 [tie]. A Simple Life (Ann Hui, Hong Kong, 2011), Amour (Michael Haneke, Austria/France/Germany), The Turin Horse (Béla Tarr and Ágnes Hranitzky, Hungary/France/Germany/Switzerland/US, 2011) Ann Hui’s simple, straightforward tale of a woman’s choice to check herself into a retirement home after suffering a stroke will probably get overshadowed by Michael Haneke’s wonderfully minimalist approach to an elderly couple’s decline after one of them experiences the same ailment. Meanwhile, Béla Tarr’s final film is for acquired tastes only; it’s a cyclical journey with a rural couple, who eat potatoes, are isolated in a stormy darkness, and care for their horse. All three films lay out a terrifyingly realistic blueprint of old age.

15. Compliance  (Craig Zobel, US) No film at the 2012 Sundance Film Festival encountered as much controversy as Compliance. At the first public screening, an all-out shouting match erupted, with one audience member yelling “Sundance can do better!” You can’t buy that kind of publicity. Every screening that followed was jam-packed with people hoping to experience the most shocking film at the fest. And it doesn’t disappoint: Zobel unleashes an uncomfortable psychological mindfuck on the viewer all the way through to the stunning final 15 minutes, which are even more shocking than all the twists and turns that came before.

16. The Kid With a Bike (Jean-Pierre Dardenne and Luc Dardenne, Belgium/France/Italy, 2011) Can these Belgian brothers make a bad film? Seriously? Like their Palme D’Or winners Rosetta (1999), The Son (2002), and L’enfant (2005), Kid is yet another hypnotic, neo-realist portrait of modern-day youth. Every character makes unexpected yet inevitable decisions. No moment is false. The Dardennes create movies that make life feel more real.

17. Beasts of the Southern Wild ( Benh Zeitlin, US) Fantastical special effects created by 31 students at San Francisco’s own Academy of Art University (yes, I am biased), plus star Quvenzhané Wallis as Hushpuppy, a precocious six-year-old searching to understand a world post-Katrina, post-race, and more importantly post-childhood. Combining David Gordon Green’s George Washington (2001), Spike Jonze’s Where the Wild Things Are (2008) and perhaps even Julie Dash’s Daughters of the Dust (1991), Zeitlin has created a haunting enigma for modern audiences that deserves multiple viewings. But even though it won multiple prizes at the 2012 Sundance Film Festival, will it get the Oscar attention it deserves?

18. Universal Soldier: Day of Reckoning (John Hyams, US) When Jean-Claude Van Damme started this franchise back in 1992, it was a nice little combo of First Blood (1982), The Terminator (1984) and Robocop (1987). Twenty years later, the series’ fourth entry is co-written, co-edited, and directed by John Hyams, the son of Peter Hyams, who directed JCVD classics Timecop (1994) and Sudden Death (1995) — and man oh man does he deliver a tough and gritty little action sci-fi film. Van Damme takes on an even darker role than his scene-stealing turn in Expendables 2; with a cleverly subversive script, eloquently choreographed fight scenes (one of which gives Dolph Lundgren some pretty priceless moments), and a denouement that has to be seen to be believed, you may be rooting for this VOD released genre film as much as I am — not to mention Indiewire, which called it “One of the Best Action Movies of the Year!”

19. John Carter (Andrew Stanton, US) With a budget of $250 million, this epic based on Edgar Rice Burroughs stories brought the Walt Disney company to its knees by only making $73 million back. If you saw the film in 3D, you might be confused as to why no one bothered to see it. In my opinion (having watched it twice), John Carter achieves everything James Cameron’s Avatar (2009) did, as far as sci-fi extravaganzas go, but it also has an inspired story and a charming cast: Taylor Kitsch, Lynn Collins, Samantha Morton, and Willem Dafoe. This is possibly this generation’s Ishtar (1987), and like Elaine May’s infamous still-unavailable bomb, John Carter is actually enjoyable; it’ll need a decade or two for audiences to find it as one of the most enjoyable CGI spectacles in recent years.

20. The Dark Knight Rises (Christopher Nolan, US) [SPOILER ALERT!] I found The Dark Knight Rises hard to dismiss as just another money-making super-hero adaptation. After multiple viewings, I’ve come to think of the conclusion to the trilogy as the finest of the three. I’ve also had time to puzzle over the film’s intricate plot.

While many fellow critics seemed to find the film’s political handlings of Bane’s Occupy/French Revolution movement to be flimsy and even irresponsible, I would argue that the film works in a more complicated way toward politics. If Bane’s misguided revolution fell flat, then it would be important to look at Catwoman’s anarchist ways. And about that — did she put her selfishness aside to start over with a broke Bruce Wayne, or is the closing sequence just Alfred’s fantasy? (And if the latter is true, did Batman actually blow himself up in the end?)

And then there’s Blake, who bests the pathetic Deputy Commissioner, then turns his back on the well-meaning yet lying-to-the-people Commissioner Gordon. Though Blake knows he has to quit the police force amid such corruption, he can’t dismiss his urge to help the helpless and downtrodden — after all, he’s an orphan from the streets — and Robin is born. He’s alone (no butlers down in that cave anymore …), and will need to figure out what to do in Gotham City — a town that’s always wild at heart and weird on top.

(Note: list compiled prior to viewing Zero Dark Thirty or Les Misérables.)

Best Actor of 2012
Matthew McConaughey for Bernie (Richard Linklater, US, 2011), Killer Joe (William Friedkin, US, 2011), Magic Mike (Steven Soderbergh, US, 2011), and The Paperboy (Lee Daniels, US)

Best Unreleased Films of 2012

The Act of Killing (Joshua Oppenheimer, Christine Cynn, and Anonymous, Denmark/Norway/UK)

Black Rock (Katie Aselton, USA)

Berberian Sound Studio (Peter Strickland, UK)

Pilgrim Song (Martha Stephens, US)

The Lords of Salem (Rob Zombie, US)

Jesse Hawthorne Ficks programs the Midnites for Maniacs series, which emphasizes dismissed, underrated, and overlooked films. He is the Film History Coordinator at Academy of Art University.

The end of the world as we know it

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steve@sfbg.com

It’s easy to dismiss all the hype surrounding the auspicious date of December 21, 2012. There’s the far-out talk of Mayan prophecy and the galactic alignment. There’s the pop-culture lens that envisions the apocalypse. There are the extraterrestrials, about to return.

But even the true believers in Mayan folklore and its New Age interpretations say there’s no end of the world in sight. Time doesn’t end when the Mayan cycle concludes; it’s actually a new beginning.

And even some of the most spiritually inclined on the 12/21 circuit agree that it’s highly unlikely that anything of great moment will happen during this particular 24-hour period in history. The sun will rise and set; the winter solstice will pass; we’ll all be around to see tomorrow.

In fact, instead of doomsday, the most optimistic see this as a signpost or trigger in the transformation of human consciousness and intentions. Their message — and it isn’t at all weird or spacey or mystical — is that the world badly needs to change. And if all the attention that gets paid to this 12/21 phenomenon reminds people of what we have to do to save the planet and each other, well — that’s worth getting excited about.

Check out the news, if you can bear it: Global warming, mass extinctions, fiscal cliffs, social unrest. Now stop and turn the channel, because we’re also writing another story — technological innovation, community empowerment, spiritual yearning, social exploration, and global communication.

Both ancient and modern traditions treat the days surrounding the solstice is a time for reflection and setting our intentions for the lengthening, brightening days to come. And if we take this moment to ponder the course we’re on, maybe the end of the world as we know it might not be such a bad thing.

THE LONG VIEW

The ancient Mayans — who created a remarkably advanced civilization — had an expansive view of time, represented by their Long Count Calendar, which ends this week after 5,125 years. Like many of our pre-colonial ancestors whose reality was formed by watching the slow procession of stars and planets, the Mayans took the long view, thinking in terms of ages and eons.

The Long Count calendar is broken down into 13 baktuns, each one 144,000 days, so the final baktun that is now ending began in the year 1618. That’s an unfathomable amount of time for most of us living in a country that isn’t even one baktun old yet. We live in an instantaneous world with hourly weather forecasts, daily horoscopes, and quarterly business cycles. Even the rising ocean levels that we’ll see in our lifetimes seem too far in the future to rouse most of us to serious action.

So it’s even more mind blowing to try to get our heads around the span of 26,000 years, which was the last time that Earth, the sun, and the dark center of the Milky Way came into alignment on the winter solstice — the so-called “galactic alignment” anticipated by astrologists who see this as a moment (one that lasts around 25-35 years, peaking right about now) of great energetic power and possibility. The Aztecs and Toltecs, who inherited the Mayan’s calendar and sky-watching tradition, also saw a new era dawning around now, which they called the Fifth Sun, or the fifth major stage of human development. For the Hindus, there are the four “yugas,” long eras after which life is destroyed and recreated. Ancient Greece and early Egyptians also understood long cycles of time clocked by the movement of the cosmos.

Fueled by insights derived from mushroom-fueled shamanic vision quests in Latin America, writer and ethnobotanist Terence McKenna developed his “timewave” theories about expanding human consciousness, using the I Ching to divine the date of Dec. 21, 2012 as the beginning of expanded human consciousness and connection. And for good measure, the Chinese zodiac’s transition from dragon to snake also supposedly portends big changes.

In countries with strong beliefs in myth and mystical thinking, there’s genuine anxiety about the Dec. 21 date. A Dec. 1 front page story in The New York Times reported that many Russians are so panicked about Armageddon that the government put out a statement claiming “methods of monitoring what is occurring on planet Earth” and stating the world won’t end in December.

Here in the US, the National Aeronautics and Space Administration was also concerned enough about mass hysteria surrounding the galactic alignment and Mayan calendar that it set up a “Beyond 2012: Why the World Won’t End” website and has issued press statements to address people’s eschatological concerns.

So what’s going to happen? There are authors, scholars, and researchers who have devoted big chunks of their lives to the topic. Two of the most prominent are Daniel Pinchbeck, author of 2012: The Return of Quetzacoatl and star of the documentary film 2012: A Time for Change and John Major Jenkins, who has written nearly a dozen books on 2012 and Mayan cosmology over the last 25 years.

“I never proposed anything specific was going to happen on that date. I think of it as a hinge-point on the shift,” Pinchbeck told me.

But there are those who hope and believe that the end of 2012 marks an auspicious moment in human evolution — or at least that it represents a significant step in the transformation process — and they seem fairly patient and open-minded in their perspectives on the subject.

“The debunking type isn’t some rational skeptic. They are true believers in the opposite,” Jenkins said. “We don’t know what’s going to happen. We’ve been filtering 2012 through some kind of Nostradomus filter.”

Jenkins and others like him have been clear in stating that they aren’t expecting the apocalypse. Instead, they emphasize the view by the Mayans and other ancient thinkers that this is a time for renewal and transformation, the dawning of a new era of cooperation.

“I think the Maya understood that there are cycles of time,” Jenkins said. “2012 was selected by the Maya to target this rare procession of the equinoxes.”

If the ancients had a message for modern people, it was to learn from our observations about what’s going on all around us. As Jenkins said, “They recognized their connection to the natural world and the connection of all things.

ACHIEVING SYNTHESIS

Many Bay Area residents are now headed down to Chichen Itza, Mexico, where the classic Mayans built the Pyramid Kukulkan with 365 faces to honor the passing of time — and where the Synthesis 2012 Festival will mark the end of the Mayan calendar with ceremonies and celebrations.

“It’s probably one of the most pointed to and significant times ever,” Synthesis Executive Producer Michael DiMartino told me, noting that his life’s work has been building to this moment. “As a producer, I’m very focused on the idea of spiritual unity and events with intention.”

DiMartino told me he believes in the significance of the galactic alignment and the ending of the Mayan calendar, but he sees the strength of the event as bringing together people with a wide variety of perspectives to connect with each other.

“We’re at a crossroads in human history, and the crossroads are self-preservation or self-destruction,” he said. “Synthesis 2012 is the forum to bring people together into a power place.”

Debra Giusti, who is co-producing Synthesis, started the Bay Area’s popular Harmony Festival in 1978, and co-wrote the book Transforming Through 2012. “Obviously, the planet has been getting out of balance and there is a need to go back to basics,” Giusti told me.

They are reaching out to people around the world who are doing similar gatherings on Dec. 21, urging them to register with their World Unity 2012 website and livestream their events for all to see. “We are launching this whole global social network to help develop solutions,” DiMartino said. (You can also follow my posts from Chichen Itza on the sfbg.com Politics blog).

Two of the keynote speakers at Synthesis 2012 are a little skeptical of the significance of the Mayan calendar and the galactic alignment, yet they are people with spiritual practices who have been working toward the shift in global consciousness they say we need.

“It’s more of a marker along the way,” Joe Marshalla, an author, psychologist, and researcher, told me. “We’ve been in this transition for almost 30 years.”

Marshalla said his speech at the festival will be about using certain memes to focus people’s energy on creating change, starting with letting go of the thoughts and structures that divide us from each other and the planet and replacing them with a new sense of connection.

“Everyone is waking up to the deeply held knowledge of the one-ness of all the planet, that we are in this together,” Marshalla said. “I think the world is waking up to the fact there are 7 billion of us and there are a couple hundred thousand that are running everything.”

Caroline Casey, host of KPFA’s “Visionary Activist Show” and a keynote speaker at the Synthesis Festival, takes a skeptical view of the Mayan prophecies and how New Age thinkers have latched onto them. “Everything should be satirized and there will be plenty of opportunities for that down there,” she said, embracing the trickster spirit as a tool for transformation.

But the goal of creating a new world is one she shares. “Yes, let’s have empire collapse and a big part of that is domination and ending the subjugation of nature,” she said. Rob Brezsny, the San Rafael resident whose down-to-earth Free Will Astrology column has been printed in alt-weeklies throughout the country for decades, agrees that this is an important moment in human evolution, but he doesn’t think it has much to do with the Mayans.

“My perspective on the Mayan stuff tends to be skeptical. It might do more harm than good,” Brezsny told me. “It goes against everything I know, that it’s slow and gradual and it takes a lot of willpower to do this work.”

READING THE STARS

The ancient Maya based their calendar and much of their science and spirituality on observations of the night sky. Over generations, they watched the constellations slowly but steadily drifting across the horizon, learning about a process we now know as precession, the slight wobble of the Earth as it spins on its axis.

Linea Van Horn, president of the San Francisco Astrological Society, said there is something simple and powerful about observing natural cycles to tap into our history and spirituality. “All myth is based in the sky, and one of the most powerful markers of myth is precession,” she said.

DiMartino said it wasn’t just the Maya, but ancient cultures around the world that saw a long era ending around now. “They each talk about the ending and beginning of new cycles,” he said. “Prophecies are only road signs to warn humanity about the impacts of certain behaviors.”

Casey’s a bit more down-to-Earth. “This has nothing to do with the galactic center,” Casey said, decrying the “faux-hucksterism” of such magical thinking, as opposed to the real work of building our relationships and circulating important ideas in order to raise our collective consciousness.

Van Horn has been focused on this galactic alignment and its significance for years, giving regular presentations on it since 2004. “The earth is being flooded with energies from the galactic center,” she said.

Issac Shivvers, an astrophysics graduate student and instructor at UC Berkeley, confirmed the basic facts of the alignment with the galactic center and its rarity, but he doesn’t believe it will have any effect on humans.

“The effect of the center region of the galaxy on us is negligible,” he said, doubting the view that cosmic energies play on people in unseen ways that science can’t measure. In fact, Shivvers said he is “completely dismissive” of astrology and its belief that alignments of stars and planets effect humans.

Yet many people do believe in astrology and unseen energies. A 2009 poll by the Pew Research Center’s Forum on Religion & Public Life found that 25 percent of Americans believe in astrology. A similar percentage also sees yoga as a spiritual practice and believes that spiritual energy is located in physical things, such as temples or mountains.

This moment is really about energy more than anything else. It’s about the perception of energies showering down from the cosmos and up through the earth and human history. It’s about the energy we have to do the hard work of transforming our world and the vibrational energy we put out into the world and feel from would-be partners in the process ahead.

“If you’re a liberal person without a spiritual grounding, it does look pretty bleak,” Pinchback said, noting the importance of doing the inner work as the necessary first step to our political transformation.

And both Casey and Brezsny believe in rituals. “Humans have been honoring the winter solstice for 26,000 years,” she said. “Every winter solstice is a chance to say what is our guiding story that we want to illuminate.”

GLOBAL TIPPING POINT

The world is probably not going to end on Dec. 21 — but it could end in the not-too-distant future for much of life as we know it if we don’t change our ways. Humans are on a collision course with the natural world, something we’ve known for decades.

In the last 20 years, the scientific community and most people have come to realize that industrialization and over-reliance on fossil fuels have irreversibly changed the planet’s climate and that right now we’re just trying to minimize sea level rise and other byproducts — and not even with any real commitment or sense of urgency.

The latest scientific research is even more alarming. Scientists have long understood that individual ecosystems reach tipping points, after which the life forms within them spiral downward into death and decay. But a report released in June by the Berkeley Initiative in Global Change Biology has found that Earth itself has a tipping point that we’re rapidly moving toward.

“Earth’s life-support system may change more in the next few decades than it has since humans became a species,” said the report’s lead author, Anthony Barnosky, a professor of integrative biology at UC Berkeley.

While the Earth has experienced five mass extinctions and other major global tipping points before, the last one 11,700 years ago at the end of the last ice age, Barnoksy said, “today is very different because humans are actually causing the changes that could lead to a planetary state shift.”

The main problem is that humans simply have too big a footprint on the planet, with each of us disturbing an average of 2.27 acres of the planet surface, affecting the natural world around us in numerous ways. The impact will intensify with population growth, triggering a loss of biodiversity and other problems.

“The big concern is that we could see famines, wars, and so on triggered by the biological instabilities that would occur as our life-support system crosses the critical threshold towards a planetary-state change,” Barnosky said. “The problem with critical transitions is that once you shift to a new state, you can’t simply shift into reverse and go back. What’s gone is gone for good, because you’ve moved into a ‘new normal.'”

Barnoksy said he’s not sure if the trend can be reversed, but to minimize its chances, humans must improve our balance with nature and avoid crossing the threshold of transforming 50 percent of the planet’s surface (he calculates that we’ll hit that level in 2025, and reach 55 percent by 2045). That would require reducing population growth and per-capita resource use, speeding the transition away from fossil fuels, increasing the efficiency of food production and distribution, better protection and stewardship of natural areas, and “global cooperation to solve a solve global problem.”

His conclusion: “Humanity is at a critical crossroads: we have to decide if we want to guide the planet in a sustainable way, or just let things happen.”

Perhaps it’s not merely a coincidence that our knowledge of the need for a new age is peaking in 2012. “It’s not surprising the world is in a crisis as we approach this date,” Jenkins said. “I don’t know how it works, but there is a strange parallel with what the ancient Maya foresaw.”

But the change that we need to make isn’t about just buying a Prius, composting our dinner scraps, and contributing to charities. It requires a rethinking of an economic system that requires steady growth and consumption, cheap labor, unlimited natural resources, and the free flow of capital.

“Basically, we are going to have to have a rapid shift in global consciousness,” Pinchbeck said. “You would not be able to create a sustainable economy with the current monetary system. It’s just not possible.”

Yet to even contemplate that fundamental flip first requires a change in our consciousness because, as Pinchbeck said, “We have created a stunted adult population that isn’t able to think in terms of collective responsibility.”

Brezsny said humanity shouldn’t need a galactic alignment or Mayan prophecy to feel the compelling need to take collective action: “I can’t think of any bigger wake-up call than to know that we’re in the middle of the biggest mass extinction since the dinosaur age.”

What comes next is really about how humans use and guide their energies, or as DiMartino said, “We, through our actions and intentions, create the world and take the path that we are creating.”

CATASTROPHISM HAS LIMITS

It may be the end of the world as we know it, but sounding that warning may not be the best way to motivate people to action, according to a new book, Catastrophism: The Apocalyptic Politics of Collapse and Rebirth.

Two of the book’s authors — Sasha Lilley, a writer and host of KPFA’s “Against the Grain,” and Eddie Yuen, an Urban Studies instructor at the San Francisco Art Institute — recently spoke about the limits of catastrophism as a catalyst for political change at Green Arcade bookstore.

Christian conservatives have long sounded the apocalyptic belief that Jesus will return any day now. Yet Lilley said those on the left have had a long and intensifying connection to catastrophism — “seen as a great cleansing from which a new society is born” — based mostly around the belief that capitalism is a doomed economic system and the view that global warming and other ecological problems are reaching tipping points.

As committed progressives, Lilley and Yuen share these basic beliefs. “Capitalism is an insane system,” Lilley said, while Yuen said climate change and loss of biodiversity really are catastrophes: “We are living in an absolutely catastrophic moment in the history of the planet.”

Yet they also think it’s a fallacy to assume capitalism will collapse under its own weight or that people will suddenly — on Dec. 21 or at any other single moment — decide to support drastic reductions in our carbon emissions. These changes require the long, difficult work of political organizing — which has been underway for a long time — whereas Lilley called catastrophism “the result of political despair and lack of faith in our ability to take mass radical action.”

It’s tempting to believe that capitalism is one crisis away from collapse, or that people will be ripe for revolution as economic conditions inevitably get worse, but Lilley said that history proves otherwise. “Capitalism renews itself through crisis,” she said, whether it was the collapse of the banking system in 2008 or weathering the anti-globalization and Occupy Wall Street protests.

Sounding the alarm that capitalism and climate change will devastate communities doesn’t motivate people to action.

“It focuses on fear as a motivating force, but I think it really backfires on the left,” Lilley said. “It’s really immobilizes people…It’s paralyzing and deeply problematic.”

In fact, she said, “It’s important that we don’t succumb to what’s been called the left’s Rapture.”

DEATH AND REBIRTH

So what if the sky doesn’t fall Dec. 21 — and solutions don’t fall from the sky either? Are we are just going to die?

Yes, we are, at least in old forms, a process that can be cause for celebration and empowerment.

“Really, what’s happening is a psychological death, an identity death of what it means to be human on the planet,” Marshalla said.

He compared it to the five stages of grief identified by author Elizabeth Kubler-Ross: denial, anger, bargaining, depression, and then finally acceptance. Marshalla thinks humans are in the depression stage, verging on accepting that our old way of life is dying.

Part of that acceptance involves embracing new self-conceptions. When humans developed the prefrontal lobe in our brains, it allowed us to not only climb to the top of the food chain, but to achieve unprecedented control over the natural world.

But at this point, we’ve become too smart for our good, rationalizing behavior that our heart knows is out of balance, causing us to forget essential truths that we once knew, such as our power to create our reality and the humility to live in harmony with the natural world.

We learn apathy and competitiveness the same way we can learn empowerment and cooperation. “The goal is to bring on that peaceful, loving state of mind where we see all of us as equal,” Marshalla said, noting that it doesn’t really matter whether that’s achieved through traditional religion, meditation, political organizing, or belief in ancient prophecies and energies showering down from the galactic center.

“It’s less about being right than finding any way to lift us up, so whatever thoughts take us there,” he said. “It’s whatever causes us to realize that shift is upon us.”

Whether the universe and mythology have anything to do with it, the hold they have on human imagination, belief, and intention is still a powerful force — and maybe it can create self-fulfilling prophecies that a new age of global consciousness and cooperation is dawning.

“That’s the best thing the Dec. 21 date can be, a ritual of acknowledging that we’re in the midst of a fundamental transformation,” Brezsny said. “The activists believe this may be a good moment, a good excuse to have a transformative ritual and to take advantage of that. We need transformative rituals.”

The ancient Mayans and the energies of the galactic center may not deliver the solutions we need, although I’m certainly willing to wait a few days — or even a few years — to receive this moment with an open heart and open mind. Why not? Let’s all bring our own visions and prophets, mix them into the cauldron, and watch what bubbles up.

Stage might

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arts@sfbg.com

YEAR IN THEATER In addition to Christmas lights, the seasonal landscape would not be the same without a thick, shiny coating of awards. We reflect on some highs (and a few lows) from the year in theater with a nod of appreciation here, a nod of respect there, or just a nod, short and involuntary, before the house lights jolt us awake again.

Best theme, or, the year of living nervously Every year it seems like an unplanned, unintentional theme emerges from the collective theatrical hive mind, and this year it was definitely our ever-uneasy relationship with technology. From Mugwumpin’s Future Motive Power, an electric ode to the oft-overlooked genius of inventor Nikola Tesla; to Josh Costello’s dynamic adaptation of Cory Doctorow’s tech-age YA novel Little Brother at Custom Made Theatre Co.; to a stunning revival of Philip Glass’ 1976 opera Einstein on the Beach — technology’s omnipresence seeped onto the stage.

An incomplete list of other plays that variously explored this theme in 2012: Machine at the Crucible, FWD: Life Gone Viral at the Marsh, The Hundred Flowers Project at Crowded Fire, Status Update at Center REP, She Was a Computer by Cara Rose DeFabio, Zombie Vixens From Hell by Virago Theatre Company, and a quintet of newly-translated August Strindberg chamber plays at Cutting Ball Theater. (Nicole Gluckstern)

Best ensemble Choreographer-performer Keith Hennessy’s experimental project Turbulence (a dance about the economy) was the most unusual and fascinating piece to appear this year, hands down, and it featured a deceptively chaotic eruption of performances by a highly skilled ensemble of artist-generators whose sheer present-mindedness made me toss out my zafu in frustration. (Robert Avila)

Best “The Peasants are Revolting!” Just like a case of herpes, you just can’t keep a good revolution down, and who better to tackle the over-the-top outrageousness and poke-to-the-establishment’s-eye of Peter Weiss’ Marat/Sade than the wild and wily Thrillpeddlers? Set in a dilapidated insane asylum spray-painted with “Occupy” slogans and bathroom humor, starring the Marquis de Sade (Jeff Garrett) and a fully engaged complement of rabble and aristocracy, and stuffed with show tunes and moments of questionable taste, Marat/Sade played out like it was written expressly for the notoriously ribald and exhibitionistic Thrillpeddlers, right down to the “copulation pantomime.” (Gluckstern)

Pithiest acronym for a musical: Actor-musician-playwright DavEnd’s rowdy and saucy and smart new musical F.A.G.G.O.T.S. the Musical, directed by D’Arcy Drollinger, had a very long title (Fabulously Artistic Guys Get Overtly Traumatized Sometimes: The Musical!) but all too short a run when it premiered this year at CounterPULSE — so it was great to learn it’s coming back in February 2013. (Avila)

Best armchair cultural revolution The experience of watching The Hundred Flowers Project at Crowded Fire was like being trapped in a distilled version of Mao’s Great Proletarian Cultural Revolution, and all its ostentatious unpredictability. An unstable yet mesmerizing territory of shifting alliances and heightened paranoia, implicating even the colluding silent majority of the audience, Christopher Chen’s epic sprawl created a landscape of Big Brother totalitarianism with the deceptively innocuous building blocks of social media technology and theatricality. A recurring theme in the piece is that of zeitgeist, and Chen admirably captured the nervous implications of our own. (Gluckstern)

Best couple to give George and Martha a run for their money Megan Trout and Joe Estlack as Beth and Jake in Sam Shepard’s A Lie of the Mind at Boxcar Theatre. Trout and Estlack were powerhouses, terrifying and devastating by turns, but director Susannah Martin’s production was a winner all around, fitting nicely into Boxcar’s generally outstanding four-play Sam Shepard festival. (Avila)

Most glam-infused baker’s dozen Another from Boxcar: its summertime take on beloved rock musical Hedwig and the Angry Inch was certainly the most vibrant live production of it I’ve ever seen. Filling the stage with 12 Hedwigs and one very kickass Yitzhak (Anna Ishida), director Nick A. Olivero enhanced the rock club vibe with his unique line-up of “fractured” Hedwigs in skintight gear dripping with sweat and glitter, a guest DJ, and plenty of interaction with the rowdy Hed-heads who packed the house. (Gluckstern)

Best supporting cast Rami Margron in Precious Little at Shotgun. A fine three-member ensemble (also featuring Zehra Berkman and Nancy Carlin) was made to seem much larger thanks especially to Margron’s nimble work as, alternately, a streetwise graduate student, the nebbishy daughter of an aging research subject, a chirpy medical counselor, a relentlessly talkative little girl, and an entire crowd of visitors to the zoo. (Avila)

Most pleasurable peeks behind the mask Although the subject matter of each play were completely different, what The Elaborate Entrance of Chad Deity (at Aurora Theatre) and Truffaldino Says No (at Shotgun Players) had in common was their unmasking of traditionally disguised figures whose role in life is to entertain: professional wrestlers and commedia dell’arte stock characters. Masks off, a pair of truly memorable characters emerged — fall guy in the ring Macedonio “Mace” Guerra (Tony Sancho), and Truffaldino (William Thomas Hodgson), set to follow in the pratfalling footsteps of his father, the famous Arlecchino (Stephen Buescher). While neither play was entirely without flaw, these winsome protagonists bore their respective identity crises with wit, bravery, and heart. (Gluckstern)

Most prescient debut Mojo Theatre. It was in the immediate aftermath of Hurricane Sandy, many miles away from the storm’s path, in an obscure upstairs theater of the old Redstone Building on 16th Street, that Lost Love, a little jewel of an existentialist comedy from director-playwright Peter Papadopoulos, marked the San Francisco debut of impressive newcomers Mojo Theatre — and prefigured the day’s events with humane intelligence and uncanny meteorological instincts. (Avila)

Best example of “I might as well have slept in and just read the press release” The art of the interview is a delicate balance of research and serendipity, and just as important as knowing what questions to ask is knowing when to let the subject take the lead — which made interviewing the truly legendary playwright Eve Ensler on her newest piece, Emotional Creature (performed at Berkeley Rep), so frustrating. She never deviated from her well-worn script with any fresh insights, to the point where it didn’t seem to matter what my questions were. My only consolation is the fact that every other interview I’ve read with Ensler on the topic has unfolded almost word-for-word the same as my own — so at least I know I’m not alone. (Gluckstern)

Sexiest scene in which the actors don’t move (but the stage does) Alex Moggridge and Marilee Talkington at a slowly rotating pub table in Mark Jackson’s Salomania at Aurora. Eros and Thanatos seemed in a slow dance with each other in this striking flirtation between a jaded frontline soldier and a war widow recently liberated from stultifying domesticity. (Avila)

Most graceful bow Becoming Grace at the Jewish Theatre. Naomi Newman’s potent solo play, built from the words and writing of author Grace Paley, closed the 34th and final season of San Francisco’s esteemed Jewish Theatre (formerly Traveling Jewish Theatre). (Avila)

Best musical theater collaboration The Ratcatcher at the Imaginists. This Santa Rosa company is a must see for lovers of smart, intimate, community-based theater, and their latest, a re-telling of the Pied Piper of Hamelin legend, is a pitch-perfect dystopian fairytale featuring a memorable cast and an irresistible musical score by full-partners in the production, the Crux. It’s worth the drive, but here’s hoping they bring it down to SF sometime. (Avila)

Best death scene Michael Zavala in Phaedra’s Love at Bindlestiff Studio. Do It Live!’s worthy production of Sarah Kane’s reworking of the Hippolytus myth climaxes with Hippolytus (a hipster hedonist in Zavala’s capable rendering), castrated and disemboweled, but finally interested in life. (Avila) *

 

Short takes by Robert Avila:

Best impersonation of a pervy authority figure Sara Moore as Mr. Roper in Three’s Company at Finn’s Funhouse

Best argument for going color blind Red at Berkeley Rep

Best approximation of a teenager Ann Lawler as Theresa in 100 Saints You Should Know, at Theater Rhino

Worst approximation of teenagers Jesus in India, at the Magic Theatre

Best actual teenagers Director Nick A. Olivero’s excellent, age-appropriate cast in Dog Sees God at Boxcar

Most existentially satisfying use of a digital delay Sara Kraft’s TRUTH++ at the This Is What I Want festival at SOMArts

Best lounge act without a lounge Anne McGuire (and Anne McGuire) and Wobbly in Music Again at San Francisco Museum of Modern Art