Kids

Purple penetrator

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› a&eletters@sfbg.com

Being rich and famous dupes so many into thinking they have profound life wisdom that must be shared. Is it simple narcissism? Is it that when material desires are fulfilled too easily, spirituality becomes the top high-end item left to acquire?

Guy Ritchie may do stupid things, like remaking Lina Wertmüller’s reactionary-in-1974 Swept Away as a 2002 vehicle for his wife, Madonna, whose acting kills entire movies on contact. But he’s also clever, at least regarding surfaces. Yet there’s usually nothing beneath them, unless in-joke movie references count as deep. Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000) are deliriously, obnoxiously showy exercises in hyperworked camera, editing, and soundtrack. Their affectedly cool ‘tude is wrought of pissing-contest testosterone, compiled genre clichés, and Ritchie’s training in music videos and TV commercials. Love ’em or leave ’em, these movies are elaborate toys for boys, their pulp roots elevated to artier status by Brit exoticism and a big bag of stylistic tricks. Tricks, you’ll recall, are for kids.

After those samey successes and one stinging flop, Ritchie was ripe to expand his range. He and Madonna developed as sentient beings too, what with childbearing and third world adoption and all that kabbalah stuff.

Yet one wonders: has spiritual evolution given Ritchie more depth as an artist? Merely considering the question hurts.

Ritchie’s latest movie, Revolver, premiered at the 2005 Toronto Film Festival to howls of derision. More than a year later, it’s here, and — like Richard Kelly’s similarly dissed, delayed, and recut Southland Tales — it’s still terrible. Not just because it’s an unsalvageable mess, but also because it’s an expression of ersatz profundity that confirms a shallow intellect. This being Ritchie, his big stab at insight regarding the human condition arrives as a hyperstylized gangster movie, albeit with less smug jokiness than before and a stinking new pantsload of pretension.

Ritchie’s usual muse Jason Statham plays Jake Green, just released from seven years in prison and eager to avenge himself on the casino kingpin (Ray Liotta) who put him there. He signs on with nasty loan sharks Vincent Pastore and André Benjamin, who promise to abet his vengeance — but at a high price. Soon everyone wants to kill Jake, but he kills them instead. It’s all just bullet-riddled bodies flying through space. Senseless as a thriller, Revolver could be enjoyed for its textural luxuriance — Ritchie does have a gift for constructing dynamic scene-by-scene aesthetics — if not for the paralyzing pomposity that hitches onto this empty cargo train.

Revolver is so transparently about nothing that its final revelations become inadvertent punch lines at the auteur’s expense. We’re told "the ultimate con" is the ego, Jake’s own "worst enemy" his bad-boy self. That’s before the epilogue. (Warning: it involves Deepak Chopra.) There isn’t enough pot in the world to make such quasi-philosophical wankery provoke the intended whoa.

The idea of Ritchie liberating himself from the trap of ego is contradicted by every frame of this self-consciously flashy and vain movie. Revolver inhabits a fantasy man’s-man world. It’s a painful example of wannabe mysticism — riddled with kabbalah and numerological references — and it’s exactly as enlightened about women as a mid-’60s James Bond flick. Female cast members are displayed mute, surgically enhanced, open mouthed, and variably unclad, like porn models. The sole older woman (Francesca Annis) is a retro lesbian-sadist caricature modeled on Lotte Lenya in 1963’s From Russia with Love. She paws cringing younger female slaves who recall the runway look-alikes in Robert Palmer’s "Addicted to Love" video.

Revolver also finds time to be racist, via Tom Wu’s stereotyped Asian crime boss, Lord John. Why bother distinguishing? This movie is a massive, great-looking embarrassment. But Ritchie is probably so insulated he can assure himself it’s merely misunderstood. That’s his loss. *

REVOLVER

Opens Fri/7 in Bay Area theaters

Hotlines

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› superego@sfbg.com

SUPER EGO Gurl, my phones have been ringing themselves right out of my brand-new Safeway paper bag purse. The pink one, the silver one, the little lavender one I usually keep tucked in my Dita Von Teese fringed mesh teddy — they’re all off the hook, jingling like sequins in daylight. Bitches are chatty — scandal for the holidays, how novel — and you know I’d rather gag on Josh Groban or jack off to the L.L. Bean winter catalogue than keep the gossip from you.

Besides the dish that a certain local magazine is paying clubs to have its "personalities" staff the door at parties (drag queens as product placement — I love it) and the rumors flying around that many long-running weekly parties are shutting down (congratulations, Miss Trannyshack 2007 Pollo Del Mar!), there’s some serious nightlife shit going down. The "not in my backyard" whiners of our gloriously gentrifying city are squawking up a storm, and the San Francisco Police Department and the Board of Supes might actually be listening.

After-hours clubs and restaurants are feeling the heat (North Beach barhoppers may have to do without their postparty slices of pizza soon, and possibly any new bars as well), some up-and-coming neighborhoods may be zoned to exclude any nightlife or "adult" establishments, and I’m even hearing that new bars with liquor license transfers are being pressured to shout "Last call!" at midnight. Say quoi???

On top of all that, violence. Several bars have been brazenly robbed of late, and most clubs are rightly reminding their patrons to stay aware of their turbulent surroundings. Yet nothing can stop the dance floor love. Be careful out there, don’t mix up your mace and your mascara, and check out some great parties — before we’re all forced to boogie softly in our bedrooms.

TURN IT ON


Folks I know and trust have been living for Love It! Wednesdays at Icon Ultra Lounge lately. And given the DJ lineups that often include some of my new faves like No Battles, the dirtybird boys, and way-too-cute Tee Cardaci, I can hardly deny them their bliss. I’ll even be partaking gladly of it Dec. 5, when San Francisco’s very own tidal wave of techno, DJ Alland Byallo, washes over the dance floor to showcase his new label, Nightlight Music. Joining him will be Berlin-via-Detroit techno nomad (technomad?) Lee Curtis, whose live set of tweaky synths, sticky bass, and lo-fi disarray will surely rock the fuzzy Kangols off the crowd. Also glowing lively: a tag team live–versus-DJ set by Nightlight stablemates Jason Short and Clint Stewart. Brutal with the millimeter, kids.

CUMBIN’ AT YA


Cumbia electro-hop? Ah si, it’s happening. And global-eared local DJs Disco Shawn and oro11, of the new label Bersa Discos, are bringing it straight up. "We both went down to Buenos Aires and discovered this crazy experimental cumbia scene," Disco Shawn recently MySpaced me. "Bedroom producers were mixing the classic Latin American sound with electro, hip-hop, dancehall…. We’re bringing this music to the other side of the equator, to unleash it on gringo nightlife." Feel the tap-tap-typhoon of the Bersa Discos boys’ awesome cumbiaton discoveries at their new monthly, Tormenta Tropical, Dec. 7 at Club Six, as well as other synced-up styles of electro Sudamericano, baile funk, and live spazzy hip-hop from the mind-blowing Official Tourist.

TIEFIN’ OUT


Surely one of the best video mashups in the cyberverse is "Tiefschwarz Is Burning" on YouTube, wherein some enterprising goofball laid UK electropop sweetness Chikinki’s "Assassinator 13 (Ruede Hegelstein Remix)" over scenes from Paris Is Burning. The hypnotic minimal techno tune, which turns out, oddly, to be the perfect soundtrack for voguing ’80s downtown queens — RIP Willie, Anji, Pepper, Venus — was taken from Teutonic duo Tiefschwarz’s Essential Mix for BBC’s Radio 1, and before this explanation gets any more complicated, just look it up and fall into a Yubehole about it, already. Better yet, check out Tiefschwarz live (they’re hot, they’re brothers — why not?), courtesy of Blasthaus at Mighty on Dec. 15. German techno soul isn’t, amazingly, oxymoronic.

NIGHTLIGHT MUSIC SHOWCASE AT LOVE IT! WEDNESDAYS

Wed/5, 9 p.m.–2 a.m., $5

Icon Ultra Lounge

1192 Folsom, SF

(415) 626-4800

www.myspace.com/loveitwednesdays

www.nightlight-music.com

TORMENTA TROPICAL

Fri/7, 9 p.m.–2 a.m., $5

Dark Room, Club Six

60 Sixth St., SF

(415) 861-1221

www.clubsix1.com

www.myspace.com/bersadiscos

TIEFSCHWARZ

Dec. 15, 9 p.m.–2 a.m., $20

Mighty

119 Utah, SF

(415) 762-0151

www.blasthaus.com

www.tiefschwartz.net

Sleep tight

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› andrea@altsexcolumn.com

Dear Andrea:

I am newly married and have a great, fulfilling sex life with my husband. A while ago, I told him that I’m really turned on by the thought of him rousing me out of sleep with sex. Months have passed since I told him my fantasy, and, thinking he just wasn’t interested, I recently asked him why he hadn’t tried it yet. His response was "I have, but every time I do, you mumble incoherent stuff and roll over." I’m really bummed that I don’t remember his advances, and even more bummed that my deep slumber is depriving me of potentially awesome sex! Is there anything I can do about this issue, or is this a fantasy that must remain only in the mind?

Love,

Sleepy

Dear Sleep:

I’m not sure if it’s my job to rate people’s fantasies, but hey, what the heck? Good fantasy. It just ever so gingerly starts to poke a toe into kinkier water: unconsciousness, inability to give consent, a little bit of the more wholesome sort of necrophilia — good stuff! — and yet it’s very sweet, very harmless, and very married. I give it a 9, and I’m sorry it’s been such a bust for you so far. Happily, though, you’ve hardly exhausted the possibilities. Give it here, and let’s see what we can do.

Your poor sweet husband is doing the equivalent of the would-be dom who, when the disappointed bottom complains, "You had me all tied up! You had a flogger! Why didn’t you whip me?" says, "Um, you said, ‘Please don’t!’<0x2009>" That’s why we have safe words: not so much so the top will stop as so he or she will start. The main problem, obviously, is that you have not worked out with your husband what you mean by rousing, nor have you determined just how awake you have to be in order to for him to continue his ministrations. If you’re going to push it toward my (admittedly, liberally editorialized) version above, then you hardly need be conscious at all. You’ve also apparently failed to give him explicit permission to wake you up. Which was sort of the point, wasn’t it? Your husband is simply being too considerate, and if he’s to take the role of the sort of brute who would rouse a lady from her slumbers just to satisfy his base lusts, he’d better get with the program: either he wakes you or he has his way with your somnolent self. Either way, he has to press the issue. He can’t just let you snore on! Talk about unclear on the concept. Apparently he needs express permission to pester you, so grant it and go to bed.

As I was answering this, something about it began to seem familiar, and after a while I realized I was remembering that long, deeply strange period in Alt.Sex.Column’s history (starting, I think, in 2004) when sleep sex and sleep rape simply would not go away and leave us alone. There was the guy who’d mounted his male partner in the latter’s sleep; there was the story of the woman who’d get in her car, drive to bars, and pick up strangers for sex, all in her sleep; and there was this guy who claimed he’d had accidental anal sex with his wife in her sleep and is still kind of freaking me out at several years later:

Since then I have done this again, with a growing sense of excitement. She will stir and wake up … so I always get out before she wakes. I want to do it when she’s awake but I don’t know how to tell her…. [February 2004]

He didn’t wait for my answer ("She will kill you!") before he confessed to her and then seemed a little surprised when she nearly killed him. And there was the molesting priest who had the boy sleep over repeatedly, got him drunk, took him out to bars and parties, and did who knows what to him under cover of night, then blamed it all on some sort of parasomnia. What I don’t think I ever followed up on, though, was whether those stories about sleep-driving, sleep-slutting around, and so on, were ever tied retroactively to use of Ambien and similar sleep drugs, which, it was revealed last year, can certainly have that sort of effect on the poor, hapless, really tired people who take them. If Ambien can (and it can, it can) cause people to wander down to the kitchen in the wee hours to stuff their faces, why couldn’t it make people stuff other things as well, all unawares?

None of which has anything to do with you, Nice Married Lady. You simply want to be roused by something, well, arousing. And you have every right to be, if you ask me.

Love,

Andrea

Andrea is home with the kids and going stir-crazy. Write her a letter! Ask her a question! Send her your tedious e-mail forwards! On second thought, don’t do that. Just ask her a question.

Canadian astronaut

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› marke@sfbg.com

REVIEW Kids are bored. They’re hanging on the sidewalk outside a nightclub, splashed in sick amber light. Many of the usual suspects are here: the skinny postgoth chick in golden heels, the stereotypical Russian-looking muffin top trapped on a crappy date, the about-to-ralph dude in an untucked striped Oxford, some rasta hoppers, a hipster gal in rave flats and a trucker cap. Most are smoking and none look happy, except maybe the tranny-licious blond who’s about to skate the cover, glimpsed in the doorway flirting with the bouncers. She looks as fake as the rest of the scene.

I mean, what club is this? Yes, the breakdown of rigid nightlife subcultures has accelerated in recent years (no one can be only one thing in the Internet age) but these kids — part Marina, part Mission, part Oakland, part imaginary — would never traffic the same joint, let alone one that looks like a cheap storefront with Styrofoam gargoyles over the door, a tacky wrought-iron gate, and, oh yeah, a hilariously retro surveillance camera trained on them. Gross. Or paradise?

When I heard the San Francisco Museum of Modern Art is displaying Vancouver-born photographer Jeff Wall’s gigantic In Front of a Nightclub (2006) as part of its retrospective of the artist’s three-decade career, my little ivory feet got tingly. Not just because I live in Clubland, but also because I trust Wall to get it right. Most club photographers have reeled back from Nan Goldin’s tear-jerking parties of grief in the ’80s to grease those spinning Warhol wheels again, dazzled by outsize personalities, druggy outfits, and pantomimed omnisexuality. But Wall’s a major artist with his own agenda, which looks so hard at the mundane, the normal, and the pointless that it often shoots right through into revelation. The humdrum apocalypse of a bad night out in a parallel universe fits perfectly. The picture is sensational.

This is a nice time for a Wall retrospective, mostly because his monumental intelligence — which ranges far beyond nightlife — provides a nifty alternative to both the tawdry macho "heroism" of the Matthew Barney–Damien Hirst–Jeff Koons art world establishment bonanzas and the current indie scene’s seemingly endless slide into infantilism and abnegation. No quilts made of dryer lint, deliberately embarrassing emotional outbursts, or snaps of naked skater chums for Wall. No scaling atria with Björk in tow either.

That doesn’t mean Wall lacks hipster cred: his first exhibited picture, 1978’s The Destroyed Room, provided the cover art and title for Sonic Youth’s 2007 collection of B-sides. But the Édouard Manet–like social commentary of Wall’s gorgeously staged scenes — a Cops-worthy outdoor argument in a run-down tract-home neighborhood, day laborers posed on a "cash corner" under flabbergasting winter skies, open-sore industrial operations in the pristine Canadian wilderness, an asshole mocking an Asian man while his girlfriend squints in the sun — and an eye that combines William Eggleston’s rough-and-tumble photographic haphazardness with the natty mannerism of ’70s photorealist painting seem revelatory, if a tad safe, in these times of numbed, numbing self-projection.

Trained in art history and drenched in way too much theory, the 60-year-old Wall works on a grand scale. His typical Cibachrome prints are several feet across, mounted on light boxes — an idea he ripped off from bus shelter advertising — and full of compositional winks at old masters and references to dense sociological notions. Much of this work heretically clings to the old-fangled notion of transcendence, that even the most mundane things, if examined closely enough, can send the metaphorical mind — the soul — soaring into space. Sure, he’s not above filling a grave in a Jewish cemetery with fluorescent pink sea urchins (Flooded Grave [1998–2000]), packing an entire basement ceiling with burned-out lightbulbs (After "Invisible Man" by Ralph Ellison, the Prologue [2001]), or reimagining a platoon of slaughtered Russian soldiers in Afghanistan chatting as their innards spill out (Dead Troops Talk [1992]). Those are the kinds of blockbuster photoconceptualist images that made him famous and provide instant shivers to first-time viewers.

The real metaphysics come in Wall’s luminescent details, when he’s in hyperreal mode. He’s like a Martian poet, glossing the earthly everyday with a cosmic eeriness. In Insomnia (1994), possibly the most tweaked-out photograph ever, an empty plastic bottle of dish soap, under flickering kitchen lights, resembles a beckoning angel. A tiny octopus flopped onto a kid’s school desk, in An Octopus (1990), somehow summons all the horror in the world. Filthy linoleum roils biblically under a discarded mop in Diagonal Composition No. 3 (2000). And in Sunken Area (1996), the white vinyl siding of a trashy house morphs into abstraction, its glowing lines swooning into the room. It made me dizzy, and I had to sit down. *

JEFF WALL

Through Jan. 27, 2008

San Francisco Museum of Modern Art

151 Third St., SF
Mon.–Tues. and Fri.–Sun., 11 a.m.–5:45 p.m.; Thurs., 10 a.m.–8:45 p.m.; $7–<\d>$12.50 (free first Tues.)

(415) 357-4000
www.sfmoma.org

Etienne on my mind: the singer-songwriter’s sendoff

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etienne de rocher sml.bmp

By Chris DeMento

On Friday night, Nov. 30, I caught Etienne de Rocher’s farewell tribute at the Rickshaw Stop. It went off all mellow, with candlelight and whatnot. Seems your boy is off to Athens, Geo., to buy property and raise his kids, kick it with his broski, and find a porchswing or something.

Et il me manque deja: I’m a sucker for the sounds of the overeducated. He did a most academic Slick Rick, despite botching a few lines. (This is a compliment.) And his old stuff, stuff I’d never heard before, the once-upon-a-time stuff he used to play with the same buddies who showed up to honor him on Friday evening, conjured perfect images of budding intelligentsia in khakis, Rod Levers, beanies, and shit-eating grins cutting Latin or some AP class to get high, eat Popeye’s, play video games, and bust arch freestyles over instrumental B-side cuts from Public Enemy EPs – underwrought, expropriated gesticulations and the stuff of preparedness’ memory.

Gala, a café acquaintance of mine was there – a smarty-party to herself with some great advice for me: indulge. I’d never seen de Rocher before so that’s certainly what I did, in my Boathouse warm-up pants, Stan Smiths, and an Extra Tasty Crispy mustache, my virgin ears teething against the literary tropes. I was picking up what de Rocher and friends were putting down, like the rest of the packed, booksmart house.

You’re getting warmer

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>>CLICK HERE FOR OUR SPECIAL GLOBAL CLIMATE CHANGE REPORT

› news@sfb.com

I remember so well the final morning hours of the Kyoto conference. The negotiations had gone on long past their scheduled evening close, and the convention center management was frantic — a trade show for children’s clothing was about to begin, and every corner of the vast hall was still littered with the carcasses of the sleeping diplomats who had gathered in Japan to draw up the first global treaty to curb greenhouse gas emissions. But when word finally came that an agreement had been reached, people roused themselves with real enthusiasm — lots of backslapping and hugs.

A long decade after the first powerful warnings had sounded, it seemed that humans were finally rising to the greatest challenge we’d ever faced.

The only long face in the hall belonged to William O’Keefe, chairman of the Global Climate Coalition, otherwise known as the American coal, oil, and car lobby. He’d spent the week coordinating the resistance, working with Arab delegates and Russian industrialists to sabotage the emerging plan. And he’d failed. "It’s in free fall now," he said, stricken. But then he straightened his shoulders and said, "I can’t wait to get back to Washington, where we can get things under control."

I thought he was whistling past the graveyard. In fact, he knew far better than the rest of us what the future would hold. He knew it would be at least another decade before anything changed.

TEN YEARS WARMER


The important physical-world reality to remember about the 10 years after Kyoto is that they included the warmest years on record. All of the warmest years on record.

In that span of time we’ve come to understand that not only is the globe warming but we’d also dramatically underestimated the speed and the amount of that warming. By now the data from the planet outstrips the scientific predictions on an almost daily basis. Earlier this fall, for instance, the seasonal Arctic sea ice melt beat the old record — by mid-August. Then the ice kept melting for six more weeks, losing an area the size of California every week.

"Arctic Melt Unnerves the Experts," the headline in the New York Times reported. And the scientists were shaken by rapid changes in tundra permafrost systems, not to mention rainforest systems, temperate soil carbon-sequestration systems, and oceanic acidity systems.

Planetary climate change has gone from being a problem for our children to a problem for right about now, as evidenced by, oh, Hurricane Katrina, California wildfires, and epic droughts in the Southeast and Southwest. And that’s just in the continental United States. Go to Australia sometime: it’s gotten so dry there that native Aussie Rupert Murdoch recently announced his News Corp. empire is going carbon neutral.

The important political-world reality to remember about the 10 years after Kyoto is that we haven’t done anything.

Oh, we’ve passed all kinds of interesting state and local laws, wonderful experiments that have begun to show just how much progress is possible. But in Washington DC, nothing. No laws at all. Until last year, when the GOP surrendered control of Congress, even the hearings were a joke, with "witnesses" like novelist Michael Crichton.

And as a result, our emissions have continued to increase. Worse, we’ve made not the slightest attempt to shift China and India away from using coal. Instead of making an all-out effort to provide the resources for them to go renewable, we’ve stood quietly by and watched from the sidelines as their energy trajectories shot out of control: these days the Chinese are opening a new coal-fired plant every week. History will regard even the horror in Iraq as just another predictable folly compared to this novel burst of irresponsibility.

A HINT OF A MOVEMENT


If you’re looking for good news, there is some.

For one thing, we understand the technologies and the changes in habit that can help. The past 10 years have seen the advent of hybrid cars and the widespread use of compact fluorescent lightbulbs. Wind power has been the fastest-growing source of electricity generation throughout the period. Japan and Germany have pioneered, with great success, a subsidy scheme required to put millions of solar panels on rooftops.

Even more important, a real movement has begun to emerge in this country. It began with Katrina, which opened eyes. Then Al Gore gave those eyes something to look at: his movie made millions realize just what a pickle we are in. Many of those millions, in turn, became political activists.

Earlier this year six college students and I launched stepitup07.org, which has organized almost 2,000 demonstrations in all 50 states. Last month the student climate movement drew 7,000 hardworking kids from campuses all over the country for a huge conference. We’ve launched a new grassroots coalition, 1sky.org, that will push Congress and the big Washington environmental groups.

All of this work has tilted public opinion — new polls have energy and climate change showing up high on the list of issues that voters care about, which in turn has made the candidates take notice. All of the Democrats are saying more or less the right things, though none of them, save John Edwards, is saying them with much volume.

THE RACE OF ALL TIME


Now it’s a numbers game. Can we turn that political energy into change fast enough to matter?

On the domestic front the numbers look like this: we’ve got to commit to reductions in carbon emissions of 80 percent by 2050, and we’ve got to get those cuts under way quickly and reduce emissions by 10 percent in the next few years. The marketplace will help — if we send it the message that carbon carries a cost. But only government can do that.

Two more numbers we’re pushing for: zero, which is how many new coal-fired power plants we can afford to open in the US, and five million, which is how many green jobs Congress needs to provide for the country’s low-skilled workers. All that insulation isn’t going to stuff itself inside our walls, and those solar panels won’t crawl up to the rooftops by themselves. We can’t send the work to China, and we can’t do it with the click of a mouse; this is the last big chance to build an economy that works for most of us.

Internationally, the task is even steeper. The Kyoto Accord, which we ignored, expires in a couple of years. Negotiations begin this month in Bali, Indonesia, to strike a new deal, and it’s likely to be the last bite at the apple we’ll get — if we miss this chance, the climate is likely to spiral out of control. We have a number here too: 450, as in parts per million of carbon dioxide. It’s the absolute upper limit on what we can pour into the atmosphere, and it will take a heroic effort to keep from exceeding it.

This is a big change — even 10 years ago, we thought the safe limit might be 550. But the data is clear: the Earth is far more finely balanced than we thought and our peril much greater. Our foremost climate scientist, the National Aeronautics and Space Administration’s James Hansen, testified under oath in a courtroom last year that if we don’t stop short of that 450 redline, we could see the sea level rise 20 feet before the century is out. That’s civilization challenging. That’s a carbon summer to match any nuclear winter anyone ever dreamed about.

It’s a test, a kind of final exam for our political, economic, and spiritual systems. And it’s a fair test — nothing vague or fuzzy about it. Chemistry and physics don’t bargain. They don’t compromise. They don’t meet us halfway. We’ll do it or we won’t. And 10 years from now we’ll know which path we chose.

Bill McKibben, a scholar in residence at Middlebury College, is an author and environmentalist who frequently writes about global warming. McKibben’s essay was commissioned by the Association of Alternative Newsweeklies. Approximately 50 AAN member papers will be publishing the essay this week.

Happy challah-days

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› molly@sfbg.com

It’s almost Christmas, and I’m the happiest little Jew in San Francisco. Well, OK. Half Jew. Semi-Semite. Hebrew-speaking nogophile with a passion for sleek menorahs and gaudily decorated pine trees.

Yup, I’m that special kind of American hybrid created by a Christian mom and a Jewish dad — and not just the usual Jewish-as-Jewish-can-be dad, but the kind whose family has also been celebrating Christmas for generations. (Dad said it’s because Christmas might as well be a national holiday. I have a theory about assimilation … but that’s another story.) Which means I have tons of experience appreciating both Judeo-Christian wintertime holidays, and also appreciating only the best parts of both.

With Mom, a music major who was skeptical about organized religion but always spiritual, Christmas has only ever been about Jesus inasmuch as the hymns that mention him are pretty. And since she spent my childhood years single, our Christmas traditions were based on convenience and good company — takeout Chinese and silly Blockbuster comedies on Christmas Eve — rather than convention. And with über-Reform Dad, it was traditional ornaments on a Douglas fir inside the house (yay, Christmas!) and blue lights hanging from the eaves outside (yay, Hanukkah!). But the holidays — and their particular ways of celebrating them — were always important to both my parents; and, not surprisingly, to me.

Of course, I learned all the crappy things about the holidays too: obligatory gifts (given and received), obligatory time spent with relatives you hate, and obligatory good moods when you feel like burning the tree right down. Bad Muzak. Obnoxious store displays. Unashamed consumerism that’s as sickening as too much Manischewitz. And that’s not even mentioning the annoying and arbitrary elevation of Hanukkah to a significant holiday so spoiled Jewish kids don’t envy their spoiled gentile friends.

But despite all that, and thanks to my upbringing, I’ve learned to love the parts of the holidays that are worth loving: twinkling lights and candles, the scents of greenery and cinnamon, perfectly crisp latkes and perfectly iced sugar cookies, and the fact that most people are at least trying to think of someone other than themselves, whether it’s starving Somalian strangers or their own significant others.

In fact, it wouldn’t be hard to argue that I’ve become more attached to this time of year than my parents ever were. As a kid, I’d get so sad when Christmas was over that my mom would keep a tiny tree in my room until February. And I continued celebrating Hanukkah with my college friends long after my Dad’s stepfamily lost interest. This year I fully expect to attend at least one progressive Hanukkah celebration, as well as burden my roommates with tinsel-covered shrubbery for at least a month. I’m also making my gifts and getting my St. Nick suit ready for some Santarchy on Dec. 15.

Which is to say, I face this holiday season as our guide does — with a good dose of ambivalence and skepticism, and an equal dose of cheer and goodwill. We hope it’ll help you do the same. May your gifts come from your heart, your celebrations feed your soul, and your attempts to ignore this season’s drawbacks kick some serious ass. *

In the spirit

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› culture@sfbg.com

Beyond the lingering lines of the Westfield San Francisco Centre and past the furiously paced gift wrappers of Stonestown Galleria, like a lost menorah in a holiday haystack, there lies the oft-forgotten meaning of all of this mistletoe madness: the act of giving. The Guardian knows that decades of doling out dollars for obligatory gifts can make even the most blissful person feel like Scrooge. So this year, akin to the chain-clad ghost of Jacob Marley, we’re here to remind you that the Tiny Tims of the Bay Area need your help more than that tubby teen cousin of yours needs another toy. Here are some ways you can make a real difference for someone’s holiday:

HANDS ON BAY AREA


The local chapter of this international alliance of volunteer organizations is a great place to start for would-be civil servants. Its Holiday Help program connects prospective volunteers with various holiday festivities, like the Support for Families of Children with Disabilities skating party, which gives the city’s disabled kids a chance to get onto the ice for a little winter fun. Volunteers help them maneuver on the rink, whether in wheelchairs, on folding chairs, with tennis shoes, or on old-fashioned ice skates. Can’t skate? No problem — you can hand out desserts and gifts. Go to the Web site, register, then show the kids that pirouette you think you can still do.

(415) 541-7716, www.handsonbayarea.org

THE VOLUNTEER CENTER


This Bay Area organization serves more than 1,500 nonprofits in San Francisco and San Mateo counties, providing do-gooders with plenty of ways to make the world a better place. The preeminent local organization to find onetime and ongoing volunteer opportunities has far-ranging humanitarian prospects. Check out its Web site to make a real change in someone’s life — and see a real change in your own.

www.volunteercenter.net

THE SALVATION ARMY


A tried-and-true supporter of the holiday spirit, the Salvation Army has lifted hearts in the Bay Area for more than 120 years. Help one of the country’s most established and effective charity organizations by collecting donations as an iconic bell ringer, becoming a personal shopper for a low-income parent, or preparing and delivering holiday meals to the needy. Or play Santa at Toy ‘n’ Joy, an event that turns a warehouse into a wonderland where needy parents choose from unwrapped toys to give to their families. You can also ship toys to Santa Clara for the Caltrain Holiday Train Toy Collection. Contact Leya Copper at volunteer@tsagoldenstate.org for all of the info you need to help stuff stockings that would otherwise go empty.

www.salvationarmyusa.org

CITY IMPACT


You might not find Santa’s workshop in the heart of the Tenderloin, but you’ll meet plenty of his collaborators at this faith-based community center. During the holiday season, City Impact kicks into gear by enlisting hundreds of volunteers to help with its annual Christmas toy giveaway and Christmas Day Block Party, held on a closed-off street near Jones and Eddy and featuring a "message of hope," a warm meal, and grocery handouts. Check the Web site for information on how to register to help the homeless.

(415) 292-1770, www.sf911.com

SAN FRANCISCO SPCA


It may not deal in reindeer, but the San Francisco Society for the Prevention of Cruelty to Animals does dip its paws into holiday cheer. The animal advocates annually decorate the windows of Macy’s Union Square store with adorable and adoptable critters. Volunteers greet the public, solicit donations, provide information about adoption, and, of course, frolic with all of the fuzzy little orphans. The event runs through Jan. 1, 2008.

(415) 554-3000, www.sfspca.org

Getting involved with any of these groups should add some good old-fashioned, what-it’s-all-really-about cheer to your holiday season. And if you really want to maximize your impact, keep these things in mind when volunteering:

(1) Always register for an event before showing up.

(2) Expect some dirty work. Volunteering isn’t all about handing out toys to kids. You may need to do a number of unglamorous duties associated with setting up big events.

(3) Consider volunteering more than two hours out of your busy year or making a contribution to an organization that speaks to your heart. How about Wavy Gravy favorite the Seva Foundation (1786 Fifth St., Berk.; 510-845-7382, www.seva.org), which gives aid to needy people internationally — from health support in Guatemala to eye care in Tanzania? Or Heifer International (www.heifer.org), through which you can send gifts of llamas, rabbits, and goats to communities that need them? And don’t forget local nonprofits, including those helping to clean up the oil spill. *

I’m dreaming of a green Christmas

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› culture@sfbg.com
In the words of Rev. Billy, mock evangelist and star of the newly released documentary What Would Jesus Buy?, the dreaded “shopocalypse” is upon us. If he and his Choir of Stop Shopping had their way, we would all be blissfully exchanging simple gestures of peace and love for the holidays rather than heaps of overly packaged plastic stuff.
But if you already know deep in your gut that peace and love just aren’t going to cut it for your demanding sweetheart, whining child, or needy pet, procuring green gifts from local Bay Area shops is the next best thing. Consult this well-edited list to help you navigate the buying frenzy, thrill your giftees, and sidestep some of the residual guilt. For extra points, pass on the parking pandemonium and try riding your bike or taking public transit to your shopping destinations.
ADULTS

  • Treat your pals or paramour to a rejuvenating treatment at Evo Spa (216 Strawberry Village, Mill Valley; 415-383-3223, www.evo-spa.com), a green, holistic beauty and wellness haven in Mill Valley. Evo also carries paraben-free and organic skin care products.
  • Keep everyone on your list well hydrated with SIGG nontoxic, ecofriendly water bottles (Lombardi Sports, 1600 Jackson, SF; 415-771-0600, www.lombardisports.com). They’re crack-resistant, reusable, and recyclable, and their lining is 100 percent leach free, ensuring all your giftee will taste is their favorite libation.
  • Help those busy parents in your life clean up their act with a visit from Greenway Maid (415-674-3266, www.greewaymaid.com), a local, worker-owned green cleaning service that uses only ecofriendly cleaning products.
  • Get your honeybunch a Gremlin clutch (Eco Citizen, 1488 Vallejo, SF; 415-614-0100, www.ecocitizenonline.com) to help her tackle those San Francisco hills in style. Made from recycled car upholstery fabric from 1975 AMC Gremlins, this hot-rod handbag will sizzle on your lady’s arm.
  • Invite your family and friends to hop on the localvore bandwagon with a subscription to Farm Fresh to You (1-800-796-6009, www.farmfreshtoyou.com). Each box contains seasonal organic produce — grown at small, local, sustainable farms and delivered right to your door.
  • Wrap your darling in a Flow Scarf (Branch Home, 245 S. Van Ness, SF; 415-341-1824, www.branchhome.com) by Hiroko Kurihara, handcrafted in the East Bay from European Union–ecologically certified virgin wool. For each scarf sold, one is donated to help those who are homeless or in transition.

KIDS

  • The Recycled Plastic Radio Flyer Earth Wagon (Green Home, 850 24th Ave., SF; 877-282-6400, www.greenhome.com) is the ultimate gift for that budding environmentalist in your life. The body of the wagon is made from 100 percent recycled postconsumer high-density polyethylene. More than 230 plastic milk jugs were diverted from landfills to make each Earth Wagon.
  • Bundle your baby in Kate Quinn 100 percent certified organic cotton clothing or entertain your favorite tots with Plan Toys (Lavish, 540 Hayes, SF; 415-565-0540, www.shoplavish.com), made from preservative-free rubber woods and decorated with nontoxic paints.
  • Warm the tootsies of your loved ones with Eco-terric 100 percent organic felt wool slippers from Kyrgyzstan (Green Home Center, 1812 Polk, SF; 415-567-3700, www.thegreenhomecenter.net).

PETS

  • Reduce, reuse, and rewoof with Planet Dog’s RecyleBone and RecycleBall (Bow Wow Meow, 2150 Polk, SF; 415-440-2845, www.bowwowmeow.net) chew toys, made from 100 percent recycled materials.
  • Thrill your kitty with a cat tree by Everyday Studio (Branch Home, 245 S. Van Ness, SF; 415-341-1824, www.branchhome.com). Made right here in San Francisco, these modern scratching posts offer good-looking design and a nontoxic paint finish.
  • Help a friend take care of their dog’s dirty business with Business Bags by Spike (Osso & Co., 501 Broderick, SF; 415-447-8543, www.eurocanine.com). These biodegradable poo bags are fully compostable and biodegrade.

STOCKING STUFFERS

  • Reduce your friends’ junk mail by up to 90 percent and have 10 trees planted on their behalf! Sign them up at Green Dimes (www.greendimes.com).
  • Wow them with one-of-a-kind wood rings by Natalie Trujillo (Paxton Gate, 824 Valencia, SF; 415-824-1872, www.paxtongate.com), handcrafted from found wood pieces and garden clippings.
  • Give the gift that keeps giving. Jimi Wallets (Branch Home, 245 S. Van Ness, SF; 415-341-1824, www.branchhome.com) are made from 100 percent recycled plastic, come in a variety of colors, and are priced so you won’t burn a hole in yours.
  • Send ecofriendly Night Owl Paper Goods holiday cards (Lavish, 540 Hayes, SF; 415-565-0540, www.shoplavish.com), made from sustainably harvested wood.
  • Surprise someone special with a super Kobo soy candle (Spring, 2162 Polk, SF; 415-673-2065, www.astorecalledspring.com). Each has a burn time of 70 hours and is healthier for indoor air quality than petroleum-based candles.
  • For the person who has everything, there’s Plant-Me Pets (Branch Home, 245 S. Van Ness, SF; 415-341-1824, www.branchhome.com). These squeaky toys have seeds for eyes and are made from compostable natural latex rubber. Should they ever outstay their welcome in the home, their owners can simply plant them in soil and watch ’em sprout.

Good things, small packages

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A do-it-yourself guide to making teeny tiny fashion hats

San Francisco artist Nifer Fahrion, best known for her adorable felted-wool critters (check out ShroomMates lapel pins and Gizzy the Data Worm 4G USB flash drive, among others, at www.NifNaks.com), gives Guardian readers an exclusive step-by-step guide to making those miniature hats that are all the rage with the hip kids these days:

As you may have noticed, adorable tiny hats, also know as fascinators, have started to become all the rage lately for the hipsters, period costumers, and brides alike. Unfortunately, very few of us can afford those custom-made ones in the boutiques. That’s why I’ve been making my own for the last year or so out of (shhhhh!) cardboard, fabric, and empty food/beverage containers — and no one is the wiser.

These cute little hats make a unique and personal gift to that fashion-savvy friend. They are also easy to make, so you can whip one up to match that rockin’ holiday cocktail dress!

niferfahrion.jpg

DIY-not? Music meet food – food meet music

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musicinmykitchenart.jpg

By Chris DeMento

“There’s nothing glamorous about having shows in your kitchen,” says Brianna Toth, 24. Crediting the likes of George Chen (and Club Sandwich) for the inspiration to program all-ages concerts at somewhat unconventional spots, Toth extols the simplicity of the monthly event she puts on at her 22nd Street apartment. Her abode sits atop an overpriced tapas joint, across from a lame happy hour, down there in the somewhat unconventional Mission.

The series is called Music in My Kitchen. No red tape, no velvet rope, no plus-one waistoids mugging about, mostly. Mostly it’s about new sounds, good food, and sharing. Local caterer-chef Leif Hedendal cooks the spread. The musicians play for free, and donations are placed in a plastic jug, and the suggested price is never more than $10 per head. It’s usually $7 – enough to cover the cost of the food. She programs all kinds of performers, anything from soupy folk to harsh-noise acid-gravy. The audience brings its own Sunny D or whatever.

What could be better than discovering some kid’s sound while dispatching strangely flavored bean curd, profiling in a metal folding chair, making eyes at the pretty bangs across the room, sharing two-tone-tile floorspace with the other cool kids while polishing one’s climbless karabiner ego? A win-win-win, really: cheap eats and music treats for the audience, nodding heads for the band, street cred for the homemaker-promoter.

Young people and their ideas for SF

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youthcom.jpg
Everyone gets all misty about kids. They’re the future and our greatest natural resource, blah, blah, blah — or so they say. That’s why voters placed Prop. H a few years ago, which sent tens of millions of dollars in city money over to the school district. But are we willing to actually listen to what young people have to say? Because they have some pretty good ideas sometimes.
For example, the San Francisco Youth Commission earlier this month unanimously approved resolutions calling for some of that Prop. H money to go toward free Muni passes for students, new bike racks at schools that don’t now have adequate facilities, and a study of health impacts on young people related to the asbestos dust Lennar has been kicking up next to schools on Hunters Point.
The Community Advisory Committee on Prop. H is holding a hearing tomorrow to discuss recommendations for allocating $15 million in Prop. H money and the youth and their supporters plan to be there (Saturday, 1:30 p.m. at 555 Franklin Street). For more information, contact the Youth Commission office at YC office at 554.6446 or email kevin.liao@sfgov.org and diana.pang@sfgov.org. Because it’s all about the children, right?

Talk talk

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› a&eletters@sfbg.com

"I don’t like things that are about what they are."

The title character of Hannah Takes the Stairs says this to a coworker. The quip, though, constitutes something of a wink from the film’s director, Joe Swanberg, a leading light of a group of loose-knit DIY filmmakers regrettably known by the mumblecore moniker. That label is regrettable because it’s the kind of arch categorization that begets overbroad criticisms, chief among them the charge of navel-gazing, though in this film’s case the protagonist beats the critics to the punch.

Such flashes of self-awareness are essential for Hannah Takes the Stairs, a film that, it must be said, spends an awful lot of time attending characters who don’t have much to say. Chicago’s Swanberg is one of the most productive (with three features to his credit at age 26) and formally restless of the mumblecore set, and while Hannah isn’t quite so wracking as his other movies (LOL, Kissing on the Mouth), it seems more encompassing than its ilk. Fellow mumblecore directors Andrew Bujalski (Funny Ha-Ha, Mutual Appreciation) and Mark Duplass (The Puffy Chair) costar, and the screenplay is credited to all of the involved parties, with improvisation and riffing being de rigueur for Swanberg’s sticky dialogue.

The participants confirm what is abundantly obvious from the substance of the film. Hannah incorporates all of the trademarks of this pseudomovement, including characterization (diffident postcollegiate bumblers), theme (shrugging through love and work), style (what critic J. Hoberman aptly — if harshly — described as the intersection of The Real World, Seinfeld, and The Blair Witch Project), pacing (constant streams of smoke-screen talk), and tone (not funny ha-ha). And yet the film reminds me in some ways of those Woody Allen made in the late ’70s (Manhattan especially), the ones that walk and talk like the New York nebbish comedies you expect but that in later viewings are heavier and more downbeat than you remember.

So perhaps when Hannah refers to her "chronic dissatisfaction," she betrays something about the roiling sensibilities at work here. The character, played by the sharp-eyed Greta Gerwig, moves through three hopelessly underrealized relationships during the course of the film: the first with Mike (Duplass), an unemployed scruffster, the next with Paul (Bujalski), an unnerving coworker, and the last with Matt (Kent Osborne), her other coworker. She floats through these relationships errantly, unreliable in love and crumpled without it. The narrative’s tumble makes the breakups indistinguishable from the romances — surely part of the point of Swanberg’s compressed (85 minutes) triptych.

The film does not offer a detailed interior portrait of its heroine, but it draws a clear enough map of her face and her fate to make for some well-pitched situational comedy. The humor is in the ingenious physical framings of the various love triangles (Jules and Jim is a frequent reference point for these films), the way characters interact with certain basic props for counterpoint (Hannah crunches on ice cubes through the first breakup), and the steady stitch of repeated scenes, deployed to underscore something like exhaustion.

The episodic narration will rankle some, as will certain schoolboy poses. Swanberg has already received flak for certain smug touches in Hannah, such as a childlike papier-mâché credits sequence. I’m as allergic to indie earnestness as the next, but I think Swanberg, while of that school, is too critical to give it a free pass. During their courtship, Hannah and Paul have a heartfelt conversation through a Slinky: typical cutesiness, except that in context it signals the characters’ real inability to communicate.

And then there are the bodies. It’s hard to accuse Swanberg of sentimentality when he casts his actors’ forms in such harsh light. Coming of age is more often conveyed with exuberance than pale flesh, yet in this the director is resolute (and the nudity is refreshingly egalitarian). I was taken with Bujalski’s soulful rendering of threadbare living quarters in Mutual Appreciation, but Swanberg’s unsparing lens cuts closer to the bone.

Needless to say, then, that Hannah Takes the Stairs isn’t eager to indulge its characters, and it certainly doesn’t present them with convenient outs. Swanberg’s warts-and-all approach may not be for everyone, but it’s an important redress of Knocked Up‘s mismatched fantasy. These kids are all right, even when they’re not. *

HANNAH TAKES THE STAIRS

Thurs/29–Mon/3

See Rep Clock for showtimes

Red Vic Movie House

1727 Haight, SF

(415) 668-3994

www.redvicmoviehouse.com

Homocision follow-up

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› andrea@altsexcolumn.com

Dear Readers:

You want to talk about homophobia! That’s cool. So do I, especially if it means we don’t have to talk about circumcision, which — really, honestly, wow. People, some perspective here. I was watching Delicatessen the other night — you know, the surreal French horror-comedy about the landlord–cum–deli owner who keeps his meat locker stocked the same way Mrs. Lovett got her mince for pies in Sweeney Todd, my all-time favorite piece of musical theater? So I was watching that, and as the evil proprietor advanced on Granny with his cleaver, I suddenly remembered that at least one of you had called me a butcher, of all things, over the circumcision issue. If I weren’t laughing so hard at the image of my husband, myself, and the sweet, rather distracted gray-bearded mohel in his greasy black hat advancing on our helpless babe with a gleaming cleaver, I might’ve been offended. Another reader suggested that we did it to appease a magical being in the sky. I will have you know, sir, that I don’t believe in an MBITS any more than you believe in my (and my partner’s) ability to make a good decision for our kid. We did it, more or less, for tradition’s sake and to help our son connect with his ancestry, and to keep him from being burdened with the only foreskin at Jew Camp when he gets there. And that’s enough of that. Here are some recent responses to the homophobia columns:

I believe homophobia is rooted in some baser instincts among animals — as you said, we are wired to notice differences. We then perceive (or install) hierarchy as a self-esteem mechanism and — even more primordially — as a method of establishing some basis of feeling superiority as a potential mate. As animals we seek, by instinct, someone to feel we are superior to, so we can enhance our perception of our viability among competitors. The next step is to communicate that notion to potential mates and competitors. From that gesture we create culture in our tribes. Although today we love to believe that (for example) sending an e-mail to a writer proves our sophistication, it has not been that long since we were clubbing one another over the head for food.

Yeah, sorta, maybe. Although I’m convinced that human culture is founded on both our need and our capacity to tell us from them (what do you think circumcision was for, anyway? Isn’t it just a primal version of "shirts versus skins?") for both good and, increasingly, ill, there’s really nothing in it for a male animal who gets all puffed up and furious over the mere existence of another male who presents no threat. What a waste of energy. I’m not quite seeing homophobia as a mating strategy. But that was interesting, so thanks. Next we have:

My theory is that it is all about warfare — does that sound crazy? Let me explain. Long ago, there were probably different peoples at war with each other. One of them needed to demonize the other in some way, as warring parties do. Perhaps one of the cultures was strictly heterosexual and the other not. Thus, the hetero rulers locked onto homosexuality as something to demonize. The winner of the war appears to have been the hetero side, which perhaps explains the heavy homophobia throughout history. A stronger war-related reason might be the necessity of military secrecy. Without the serious taboo, there would be spies literally sucking the military secrets out of people (pun intended). It may also have been a smart political tactic of the rulers. I am going to assume that people who think independently are more likely to deviate from sexual norms. Those independent thinkers are most likely the biggest threat to a controlling, ruling entity. What better way to isolate these troublemakers than with sexual taboos?

Not a chance in hell, but thanks for writing! Have you ever heard of Occam’s razor?

More seriously, there are dozens of theories attempting to explain homophobia (or, more accurately, heterosexism), most of which make more sense than the above but none of which will ever be definitive, because different people hate for different reasons and because some pervasive human beliefs are so old that they have been lost in prehistory. Basically, though, the answer’s going to be a mixture of societal discomfort with sexuality in general (heterosexual intercourse excepted, what with the carrying on of the species thing), sexism, and the need to keep categories neat and distinctions distinct. I don’t think it’s hard to understand where homophobia might come from. It’s why we can’t make it go back there that’s bothering me.

Love,

Andrea

Andrea is home with the kids and going stir-crazy. Write her a letter! Ask her a question! Send her your tedious e-mail forwards! On second thought, don’t do that. Just ask her a question.

Graf legend

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On Aug. 15, on what would have been the late Mike "DREAM" Francisco’s 38th birthday, his old-school graffiti pal SPIE ONE honored his slain partner in the best way he knew how: by creating new street art, on 24th Street between Capp and Lilac in the Mission.

But it’s not just on anniversaries when SPIE thinks about DREAM, the widely respected Bay Area graffiti artist who was gunned down in the East Bay in 2000. "I think about DREAM every day. A lot of us do. It keeps me going sometimes. He was a positive spirit," SPIE said in mid-November. "And it’s pretty amazing how DREAM’s legacy just keeps growing. He has become this really important figure to a lot of youths out here who may never have even met him." That influence will inevitably grow with the publication of a comprehensive book on DREAM that SPIE and others are working on meticulously.

Like DREAM, SPIE is an integral figure in the history of Bay Area graffiti. Born and raised in San Francisco’s Excelsior–Outer Mission District, SPIE remembers the birth of graf in the city. "The graffiti really took off around ’84 in San Francisco," he recalled. That same year he started bombing, first as a solo artist and later with the crews KKW and ACT, which he joined while attending McAteer High School. "McAteer was very unique because a lot of different kids from different neighborhoods all seemed to gravitate there … from the avenues, Hunters Point," he said of the Diamond District school whose courtyard was used as a "writer’s bench." "Some kids would cut school from Lincoln or Washington and cut up there, meeting in the afternoon. We didn’t have a big fence around the school, so it was very loose to come on and off the campus." Others unexpectedly showed up too. "We knew a lot of folks that would find easy ways to escape Juvenile Hall across the street, and they’d be chilling too at the writer’s bench in their county orange, their sandals ready to run through Glen Park Canyon," SPIE said, laughing.

In 1987, when writers from all over the Bay Area converged on the Powell Street BART station for an informal graffiti meeting, SPIE first met Alameda artist DREAM, who’d already been tagging under various names for a few years. "In the book will be one of the first DREAM sketches that he ever did. It was on his court papers," SPIE said. "He just got caught when he was like 16 years old, and he was sitting in court and did a DREAM piece on the court paper!" In the two decades since that meeting, the laws against graffiti have gotten much tougher, and many youths have been tried as adults. "With just over $400 worth of damage, a kid could be arrested and prosecuted as a felon," SPIE said.

Consequently, for writers like SPIE, who requested anonymity for this story, the stakes are high when they do illegal street art. It’s a lot less stressful for him to do legit pieces like the recent city of San Francisco–sponsored mural on 24th Street between Capp and Lilac, which he did with Homies Organizing the Mission to Empower Youth. The bright, block-long collaborative painting — which includes art by Nancy Pili, Marina Prez-Wong, and Mike Trigger — is, like much of SPIE’s work, politically charged. "Overall, it is about solidarity between communities of color and oppressed people … and a commentary on fences and borders around the world, including the Mexican-American border," SPIE explained. "The fence that goes around the parking lot gave us the basis for this theme about fences, walls, and prisons…. It’s like the gating and jailing of a community."

It’s a timely work, appearing at a moment when San Francisco and its developers seem intent on erasing its underground-art past. "They buffed everything out at China Basin and a lot of other places in the city," SPIE said, concerned about the forces that are "pushing the public artists into the far reaches of the city."

For more information on SPIE, DREAM, and the forthcoming book, go to www.dreamtdk.com.

Feed our students well

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› news@sfbg.com

GREEN CITY Not long ago a green vegetable was a rare and startling sight on a lunch tray at a San Francisco school. Carnival-style food was the standard, with corn dogs as a regular entrée, packaged apple turnovers as the "fruit" course, and fried potatoes as the staple vegetable.

School lunches have come a long way since 2003, when San Francisco Unified School District parent volunteers, staff, students, public health professionals, and other community supporters joined together to begin creating the school district’s Wellness Policy. Lunches are fresher, tastier, healthier, and leaner, and the SFUSD’s "no empty calories" policy has been a role model in the nationwide effort to improve school food.

But even after all of those changes, a high school group recently surveyed more than 2,000 of their peers and learned that students still complain that school food doesn’t taste fresh and costs too much, and some question how nutritious it is.

So a growing movement argues it’s time to take the next step: the greening of school meals. Surely a food-savvy, health-conscious, environmentally aware city like San Francisco, which is located in one of the world’s most fertile agricultural regions, should be feeding its kids fresh, local organic produce at every meal.

But there’s an obstacle, and it’s green too. Government reimbursement for a free school lunch is just $2.71, nearly half of which goes to pay for labor. Other fixed overhead eats up another large chunk, leaving just about $1 to pay for the meal itself, including 34¢ for the required milk.

No wonder it’s hard to respond to requests for fresher, healthier food and more of it. New salad bars placed in three schools as part of a pilot program address these concerns, offering students mixed greens and raw vegetables, several kinds of fresh fruit, and whole grain breads and muffins, in addition to the hot entrée. When the first salad bar was created last year at Balboa High School, the average number of students eating its cafeteria lunch every day increased 26 percent, with virtually all of the new diners low-income students.

But that $1 per meal won’t cover a salad bar at every school, which is the SFUSD’s goal. The cost of just the equipment for a salad bar — the bar itself, added refrigeration and sinks, a couple more tables — can run more than $10,000 per school, depending on how much work needs to be done to reconfigure the lunch line. Organic produce drives the meal cost higher too.

Unfortunately, the SFUSD doesn’t have that money. Because it’s currently left to the school district to provide meals, the SFUSD must require that the Student Nutrition Department budget break even or else cut into classroom funds to cover the deficit.

The good news is that thanks to grants from the Department of Children, Youth and Their Families and Mayor Gavin Newsom, salad bars are being started in 25 SFUSD schools this year, stocked with seasonal, local produce. Still, despite this additional funding, only about 25 percent of district students will have access to the salad bars. Social justice demands that every student have equal access to a healthier school meal.

Most city officials and the greater community probably aren’t even aware of the situation. It’s time to put the need to feed our children adequately on the radar of the whole community and ask officials to step in with funding to ensure that our children can eat well without sacrificing classroom resources to cover the cost of their food. The Public Education Enrichment Fund, better known as Proposition H, provides a growing pot of city money aimed at improving the schools, and part of it could be used to fund the opening of more salad bars, so more school kids can enjoy the benefits of fresh produce and whole grains.

Providing the money to put salad bars in every school would pay off in healthier kids and related positive effects. Better nutrition is linked with higher academic achievement, improved behavior, and other benefits.

Let’s become a city that commits to teaching our children well, feeding them well, and promoting a greener food system. *

Paula Jones and Caroline Grannan are members of the SFUSD Student Nutrition and Physical Activity Committee.

Comments, ideas, and submissions for Green City, the Guardian‘s weekly environmental column, can be sent to news@sfbg.com.

Barbie hits the skids!

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By Amber Peckham

Do you think that microchips are snacks enjoyed with cheese dip while watching the local monster truck rally?

Do you think that the word Iraq refers to a woman with large breasts?

These are only some of the questions asked at www.trailertrashdoll.com, the Web site of Gibby Novelties LLC. They sell, you guessed it, dolls. Barbie and Ken the way we always knew they should be; crass, uneducated, and parents of a whole mess of kids, spouting nonsense around the cigarette clamped between black and empty gums.

trashdolls2.jpg

There are three trailer trash dolls currently being manufactured by the company. The first is simply “Trailer Trash Doll”, a blonde, pigtailed girl reminiscent of Daisy Duke on a bad makeup day. Then there’s “Trash Talkin’ Turleen”, a mother of seven (and one more perpetually on the way) with an attitude hotter than those rollers in her hair. Last, but certainly not least, is the newest addition to the trailer park, “Jer Wayne Junior”. This heartthrob of the Heartland sports a gin-u-ine mullet, and even has a tattoo immortalizing his first and only true love, NASCAR. Turleen and Jer Wayne are the dolls that speak, pearls of wisdom like “T’aint nothin’ sadder than a double-wide with no beer!” and “Pour me a double, I’m drinkin’ fer two.”

Company owner Daniel Gibby says “We recognize the need to have a little laugh and be light hearted during these trying times and we hope our dolls fit the bill!”

For the hillbilly in your home, no gift could be more ideal; a piece of talking plastic to stick on the mantelpiece. It’s almost like y’all went to Graceland.

www.trailertrashdoll.com

Editor’s Notes

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› tredmond@sfbg.com

Sup. Aaron Peskin hates billboards, and mostly I agree with him — the whole damn world feels like a commercial these days, and it’s nice to be able to walk around a few parts of the city and not be surrounded by giant illuminated ads. But as Election Day approached this fall, I felt like something was missing from San Francisco.

October in this city used to mean brightly colored campaign festoonery on lampposts, utility poles … anywhere anyone could legally stick a sign promoting or attacking a candidate or ballot measure. Yeah, it got a bit ugly, and yeah, it was one more way that people with money were able to get their message out and get a leg up on the people who weren’t well funded. And it was always a mess in late November, when the campaigns conveniently forgot to take their posters down. But it also, I think, served to remind everyone that an election was coming up.

That doesn’t matter so much when the office of the president of the United States is on the ballot, because most people at least know that’s going on. But this year only about 30 percent of voters bothered to go to the polls — and since San Francisco has elections at least twice per year and not all of them feature a high-profile race, it’s not a bad idea to do something festive to get everybody thinking about them.

So while I didn’t oppose Peskin’s ordinance banning campaign signs on public property, I’m thinking maybe we should modify it a bit. I’m not sure exactly how; maybe we set aside a small amount of money from the public campaign fund and give local artists modest grants to come up with wild and colorful posters announcing the election and encouraging people to vote. We let churches and nonprofits hang signs celebrating anniversaries and special events — why not public art celebrating our semiannual bout of obsessive democracy?

Just a thought.

And here’s another:

I have friends who are employed in the world of philanthropy (that is, they either administer grants or seek them), and we were all complaining the other day about how people like Bill Gates get to set international health policy. When Gates decides something’s a problem, it suddenly has vast resources — and his opinion about world health isn’t always shared by experts in the field.

In a better world we would tax Gates and Microsoft at a level that would provide adequate resources for our elected representatives to make choices about global problems, but these days the rich don’t pay taxes yet they can set policy. So I had a suggestion:

What if Gates decided to give, say, a billion dollars to some needy urban public school district? I don’t know — Detroit or Jackson, Miss., … or San Francisco. My friends, who understand how these things work, said I was nuts; much of that money would immediately be lost to corruption.

Maybe — but what if it weren’t a lump sum? What if the Bill and Melinda Gates Foundation just doubled the annual budget of the San Francisco Unified School District for the next 10 years? What if the "project," so to speak, was to demonstrate how effective the public sector can be at educating kids if the resources are available?

And maybe after 10 years the Gates folks could do a massive public relations campaign and people would realize that higher taxes for public schools might make for a better society.

Happy Thanksgiving. *

Green City: Early puberty’s toxic causes and effects

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› news@sfbg.com

GREEN CITY As if growing up weren’t hard enough, a new report published by San Francisco’s Breast Cancer Fund says girls, particularly African American girls, are hitting puberty earlier — and it’s lasting longer.

Environmental toxins, obesity, and psychological stressors are all cited as possible reasons for the trend in the report written by Ithaca College professor Sandra Steingraber. It was commissioned about a year ago to put together what she calls "pieces of a big jigsaw puzzle."

Steingraber found that many girls now start to develop breasts as early as eight years old — two years earlier than they did a few decades ago. On average, however, girls begin menstruating only a few months earlier than they once did — making puberty a lengthier process.

The consequences of growing up too soon are serious — depression and anxiety, eating disorders, sexual objectification, and early drug and alcohol abuse are just a few.

"As a mother of a nine-year-old girl," Steingraber says, "I was really impressed by the consequences, not just the causes. The world is not a good place for early-maturing girls."

The implications are not just psychological. According to Steingraber’s report, menarche before age 12 raises breast cancer risk by 50 percent.

"The data is pretty ample linking the two," she says. "The earlier a girl gets her breasts, the wider the estrogen window." Longer lifetime exposure to estrogen increases the risk of developing many forms of breast cancer.

Steingraber points to obesity and endocrine-disrupting chemicals (toxins that interfere with the hormonal system) as major factors in the new puberty equation. Phthalates, bisphenol A, and dioxin are a few of the culprits often cited by environmental health advocates as contributors to earlier puberty onset. These chemicals are often found in cosmetics and personal care products like shampoo, hand lotion, and sunscreen. They are also used in pesticides.

Dr. Tracey Woodruff, associate professor of reproductive health and environment at UC San Francisco, says the link has been researched and discussed anecdotally in scientific circles for the past 10 years, with the last major report issued in 1997.

A big obstacle to keeping kids safe, Woodruff says, is that most consumer products are not required to undergo US Food and Drug Administration approval before they are sold to the public, nor are companies required to disclose all ingredients.

"How chemicals are governed is somewhat archaic," Woodruff says.

Environmental health activists agree. In 2002 a national coalition of nonprofit organizations launched the Campaign for Safe Cosmetics, an initiative to educate the public and influence policy. Marisa Walker of the Breast Cancer Fund — a founding member organization — says manufacturers jump through big loopholes in federal law to hide ingredients by claiming that chemicals are trade secrets.

An Environmental Protection Agency–administered program to test new chemicals was created more than a decade ago, but progress has been slow at best. In June the EPA announced it was still seeking comment on a draft list of 73 pesticides to be evaluated under the new screening program. Chemicals in consumer products are not slated for review.

The program has received widespread criticism, and in September the US House Committee on Oversight and Reform issued a letter to the EPA expressing its concern: "EPA’s actions have been a continued failure to protect the American public from these chemicals." The seven-page letter also requests that the EPA take immediate action.

Meanwhile, Woodruff, Steingraber, and many environmental health advocates point to Europe and neighboring Canada as better models of protecting consumer health. Their policies have a heavier emphasis on precaution. Woodruff says prevention can mean the difference between responding to a change in hormone levels and coping with a birth defect.

"At what point is there enough information to take action?" Steingraber asks. "Chemicals are turning up in the urine of some of these girls, and while more research needs to be done, we can’t even do more research until the industry gives us more data. The time of saying, ‘Hmmm, that’s interesting,’ is over. It’s time to take action." *

Civil service bait and switch

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› gwschulz@sfbg.com

Roger Gainey thought he had what it takes to become a supervisor at the San Francisco Juvenile Probation Department.

He certainly met the basic criteria: "May be required to restrain hostile or agitated youth…. Requires ability to work in stressful situations…. Minimum four years of verifiable professional experience as a juvenile probation officer."

Gainey has worked as a probation officer in the department for eight years and received satisfactory performance evaluations from superiors. His big, muscular frame commands attention from people around him, even violent young toughs. But his soft facial features and cool manner seem to convey the thoughtful side necessary to work with directionless teens. "I’ve worked in all of the units," he told the Guardian, "pretty much throughout the whole department."

Most of all, Gainey, an African American, earned the top score on a difficult civil service exam that was offered in March for the first time since Gainey began at the department, beating 24 other applicants gunning for the same promotion.

So why did department managers skip over him and select four other applicants with lower scores on the combined written and oral test?

Alphanso Oliphant, who’s also black, believed he too possessed all of the right qualities to become a supervisor and lead 10 to 12 staffers in this often tense environment. He’s worked as a juvenile probation officer for 21 years and earned the second-highest score.

But he was also passed over for advancement.

Oliphant speaks deliberately, with a soothing voice, his visage distinguished by weary eyes and a slender moustache. He and Gainey wore well-pressed suits and detention center access badges around their necks as we met recently over lunch in West Portal, not far from the department’s central office on Woodside Avenue.

"I’ve had numerous supervisors," Oliphant said. "Not one has ever, ever raised the issue of inability to perform, inability to communicate properly, inability to work with the families. That’s all verifiable."

Gainey’s current assignment involves working with about 40 young people at a Juvenile Probation Department–affiliated school known as the Principal Center Collaborative Campus, where many of the students have drug and alcohol problems and require mental health services.

Oliphant is a court officer responsible for presenting the department’s recommendations for cases appearing on the docket each day — the top task he can perform under his current job classification.

The department first announced the available supervisory positions in January, and three days’ worth of examinations were taken by applicants this spring. But in the week following the test period, a personnel manager for the department named Samuel Kinghorne made an agreement with a union representative from the Operating Engineers Local 3 (who did not return calls seeking comment) to change a long-standing civil service rule reguutf8g how individuals are promoted.

The cornerstone of the city’s civil service system is its merit component. By requiring that applicants for available positions be given exams, the city can ensure that those with the highest qualifications will get the job. The Civil Service Commission here is one of the oldest in the nation, in fact, first formed in 1900 as a response to the entrenched municipal cronyism rampant in cities around the nation, including San Francisco.

For years top scorers on civil service exams were selected for open positions under what’s known as the rule of three. It required managers to promote from among those who earned the highest scores, which surely would have meant new jobs for Oliphant and Gainey.

The rule of three became official city policy in San Francisco nearly 20 years ago, and the concept has existed at the federal level for decades as a way to prevent patronage and favoritism.

At the time the job openings were announced, however, the Juvenile Probation Department was negotiating with Local 3 over an alternative selection process called the rule of the list, which is permitted under city guidelines only if applicants are notified of the change at the time the job openings are announced. The rule change allowed managers — in this case juvenile probation chief William Sifferman — to promote from a much larger group of applicants, including those who had earned lower scores on the exam.

But the change was not agreed on until months later, just after the tests were taken, leading Oliphant and Gainey to believe the department tinkered with the promotion process only after it learned who had made it to the top of the list.

"When a black man is in a position to make that touchdown, the goal line moves," Oliphant said. "The goal line moved here."

Department personnel analyst Barry Biderman, who was involved in the negotiated rule change, says it took months to settle because he was simply having trouble getting in touch with the union. "I had left messages with the union a number of times," he said. "The formal letter just took a while to sign."

Sam Kinghorne, who finalized the change with the union, insisted there was "nothing illegal about that" but mostly refused to comment, pointing to union grievances filed by Oliphant and Gainey. "You guys are barking up the wrong tree," Kinghorne said. "I’m not going to give you a spicy story. But remember that it’s up to the appointing officer to [make the selection]."

That’s true. As long as the rule of the list is in place, the department head can pick whomever he wants for the job from among those who passed the test, narrowly or not. The decision maker was Sifferman, but he called it a "personnel matter" and refused to explain why he selected four people for promotions other than Gainey and Oliphant, including one applicant who scored a 937 to Gainey’s 1060.

"I followed the process as it was described in the job announcements and all of the procedures that were outlined there," Sifferman said.

Carl Bellone, a longtime public administration professor at California State University, East Bay, concedes that the rule of the list may "lend itself to more potential for abuse" than the rule of three.

The trick is finding a balance between a century of civil service rules designed to ensure clean government and the reality that top test scorers may not always be the best candidates. "Ironically, a lot of people wanted to go to the rule of the list for affirmative action reasons," Bellone said. "You can go lower on the list to select a woman or African American."

But the rule of the list can also allow managers and politicians to limit promotions to loyalists who will do their bidding, or exclude those who aren’t afraid to openly criticize an agency’s performance.

"It completely and totally … prostitutes the promotional process," said Gary Delagnes, president of San Francisco Police Officers Association, which has long resisted the rule of the list. "If you give an exam — any exam — and you tell the person that finished number one, ‘We’re not going to give you this promotion, because we don’t think you’re up to the task,’ then what’s the point? You might as well go in alphabetical order."

Regardless of motive, the move by Juvenile Probation Department managers at least looks unseemly, considering Oliphant and Gainey are black (one African American woman was selected; the rest were not black). So each filed a complaint with the federal Equal Employment Opportunity Commission and the San Francisco Civil Service Commission.

The timing of the new selection rule "suggests the change was made solely to give management the ability to exclude certain individuals from promotion and allow other, lower scoring individuals, to [advance]," Gregg Adam, a lawyer for the duo, wrote to civil service officials and the San Francisco Department of Human Resources in August.

The union that agreed to the rule change didn’t even represent Gainey and Oliphant — Local 3’s rank and file are supervisors, the title the men were hoping to attain. Officials at the Human Resources Department looked into the matter but insisted in a report called for by Adam that management had done nothing wrong. The Juvenile Probation Department was unaware of the test results before it changed the promotion policy because its outside consulting firm hadn’t graded them yet, the September report concluded. It also said that the rule of three policy allows for a slightly broader pool of eligibility when more than two positions are vacant.

On the other hand, the report does acknowledge that managers began grading the oral portion of the exams right away. And the list of those who were promoted wasn’t unveiled until August, long after the tests were first administered and all of the scores were in. But "there was no evidence" that the rules were changed in an attempt to discriminate against Gainey and Oliphant, according to the report.

Anita Sanchez, executive officer of the Civil Service Commission, recently finished a probe for her department and told us she believes the Juvenile Probation Department management’s claim that they had no idea who had earned top scores on the test before broadening the list of applicants eligible for promotion.

But Gainey and Oliphant say the experience has soured them on the Juvenile Probation Department.

"A lot of the kids were rooting for me at the [Principal Center Collaborative Campus]…. They were all cheering me on," Gainey said. "Then all of a sudden they found out I didn’t get it. The kids were more hurt than I was." *

Dammit

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› andrea@altsexcolumn.com

Dear Andrea:

I’m a woman, and my partner is too. We’ve agreed that for now, when we have sex outside our relationship, we’ll have safe(r) sex. Another woman I’m dating is a major squirter, as in I need goggles and a raincoat. Next time we want to use a harness. However, I’m concerned that there’s no safe way; when she comes (and she comes bucketloads), won’t her ejaculate get into me?

I’ve thought about wrapping up with Saran Wrap and making a hole for the dildo, but that still doesn’t seem like it would stop it all. Are there any studies on STDs present in female ejaculate? And even if there are none, how possible is it that her ejaculate will throw off my pH balance (I have a very sensitive system)? Also, some got in my eye. What are the possible risks involved in that?

Love,

Wearing a Raincoat

Dear Coat:

I’ve encountered the goggles-and-a-raincoat type, in close quarters, and ever since have laughed great big belly laughs whenever I see a safer-sex pamphlet or demo showing someone lightly draping a lady’s lady parts with a scrap of latex the size of a playing card (same as the recommended serving of protein in most diet plans) and daintily lapping at it as though normal people have sex without making any sudden movements or producing more than a teaspoon of fluid at a time (and very obedient fluid at that). Not only is this sort of exercise unrealistic, but it doesn’t even look fun. But there it is, having outlived its ’90s heyday, refusing to die.

Some colleagues and I were sharing some similar laughs over the sorts of tricks each of us have had to teach at some point, usually as (or to) college students. There’s the one where you cut up the glove to make a dental dam kind of thing with a teeny protuberance, like an appendix, where the thumb used to be (stick your tongue in there and wiggle it around and try not to feel like you’re involved in some kind of freaky scene with a hobbit-hole full of wee folk). Or the one where you wear a garter belt upside down or backward, using the clips to hold a dam flaccidly in place over the site whence one of your girlfriend’s deluges may be erupting soon. It’s all so absurd, and has been taught so earnestly and for so long. I don’t even think we’re ready to use the past tense here, unfortunately, as I still find those sad little crafts projects all over the Internet whenever I’m out looking for updated, useful STD information. (Check out this hilarious link: www.freepatentsonline.com/20030150463.html.)

All of which brings us to the fact that female ejaculation is still such a hotly debated topic that you can find many denials that it exists, even among supposed experts, and if it may not exist, I doubt it’s been tested for STDs. Personally, I think it’s an unlikely candidate for a disease transmitter, barring any local infections, which would cause it to be carrying a lot of white blood cells. If it were a good way to spread HIV, then the much-trumpeted "imminent" woman-to-woman epidemic of the ’90s would have arrived — and, of course, it never did. This is your health, however, and your promise to your partner that you will not expose yourself to anything (or anything avoidable, anyway). So here are my suggestions: (1) That trick where she gets herself off while squatting directly above you? Don’t do that. (2) Whatever you’re doing, have her warn you before she makes like a human bidet, so you can duck. (3) The cling-film* diaper may work better if you use a female condom (they are lubed with silicone, which is inert and unlikely to mess you up) at the same time, although you will sound like a theaterful of candy-wrapper rustlers and smell and taste like nothing at all, which many people do not consider a reasonable trade-off. (4) There are highly engineered, very expensive latex novelties that you might find useful. And last: (5) Close your eyes and avert your head. Again, I think it extremely unlikely that she could pass anything to you, but eyes are a good enough conduit. Does she have anything? Have you asked her?

Seriously, I don’t think any of this is really necessary, but again, you promised no body fluids, and those are some ways to avoid them. Another approach, of course, would be to declare fem-jack fluid not scary and renegotiate. I would.

Love,

Andrea

* If you’ve never seen or heard Nigella Lawson pronounce the phrase cling film, you won’t know why I insist on saying it even though I’m far more American than apple pie. Check it out.

Andrea is home with the kids and going stir-crazy. Write her a letter! Ask her a question! Send her your tedious e-mail forwards! On second thought, don’t do that. Just ask her a question.

Fetus frenzy

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› culture@sfbg.com

If you live in San Francisco and are in possession of a conventional vagina, you are most likely pregnant. And if you’re not pregnant, you’re either anxious to become so or have just pinched out a baby and are looking toward closing the deal on numbers two and three before you hit 40. If none of the above applies, I, a new mother myself, give you permission to ignore that self-righteous pregnant bitch eyeing your Muni seat and openly admit the following: SF was edgier when it was just a bunch of wayward freaks in crotchless ass pants.

Now, thanks to a surge in results-oriented fucking among the white, heterosexual ruling class, this city has become overrun with decaf-latte-sipping, thousand-dollar-stroller-pushing, CFO–Noe Valley–ish, overly together supermoms who will tear you multiple assholes if you even think about stepping near their two-legged petri dish specimens. One might be tempted to label this phenomenon a baby boom. That assumption, however, is incorrect. What we are witnessing in San Francisco — and everywhere else inhabited by Gen Xers with money — is a parent boom.

In the past, parents were simply identified as people who raised children. That era, which lasted roughly 200,000 years, has ended. Parents now practice the rarified art of parenting. Parents who parent must adopt a specific parenting style — one that’s far more complex than a hairstyle and infinitely more expensive. Parenting requires ongoing investment in sleep and breast-feeding consultants, childproofing contractors, European-designed gear, six-week courses, endless manuals and magazines, and, depending on one’s sacred style, couture bedding and nursery decor that can run well over five grand. This is quite a change of direction for Generation X, to which I belong, whose members were blacking out in Cow Hollow bars and smoking out of two-foot Mission District bongs throughout the ’90s. But my generation’s escapist persona — equal parts political indifference, obsessive consumerism, hedonistic self-absorption, and Diff’rent Strokes references — did not abate or even truly evolve when we threw the birth control in the trash. It only found new life, literally.

We, the latchkey slackers who postponed being parents until our ovaries wept, are acutely aware that whatever decisions we make regarding our children are direct reflections of ourselves. It is therefore imperative to properly accessorize one’s child; only by doing so can one ensure the child is a better accessory. The right stroller, carrier, preschool waiting list, parenting philosophy, and even diaper — all denote much more than any sensible person would care to know.

THE BABY GAP


Oh, wait. I forgot to mention the babies: it appears there are many of them. Commercial sidewalks in Noe Valley, Cole Valley, Hayes Valley, and beyond buzz with kitten-eyed freshies sucking the rubberized life out of pacifiers, frazzled mommies in yoga pants and camel toes pushing behemoth, double-wide prams, nannies chatting on cell phones while small barbarians stick organic Cheerios up their noses. Top preschools are waitlisted for several years. Babysitters are harder to find than a pimple on a newborn’s butt. Is it good for San Francisco’s soul that kiddie boutiques outnumber bondage shops and Polk Street glory holes? It’s an epidemic, cry my nonparent friends, some of whom have been accosted by pompous moms and dads for accidentally bumping into strollers or smoking on the street. Ever think of denying an All-Important Holy Mother with Child your seat on the 1 California? Want to be knifed by a stay-at-home mom from precious Laurel Heights?

Funny thing is, the evidence of a baby boom is largely anecdotal. Statistics paint a very different picture. A disturbing March 2006 report by Coleman Advocates for Children and Youth, "Families Struggle to Stay: Why Families Are Leaving San Francisco and What Can Be Done," reveals that we have the lowest child population of any American city. And of San Francisco’s 100,000 children, most reside in the city’s poorest districts — including traditionally working-class neighborhoods that are becoming increasingly chic. Coleman Advocates also estimates that 39,000 families with children are in need of affordable housing.

"The issue is not if there is a baby boom trend in San Francisco," Coleman Advocates’ Ingrid Gonzales e-mailed me. "The real issue is whether these [lower-income] families stay or are eventually pushed out of San Francisco because of a lack of affordable family housing or access to a quality public school education. Stats show that families leave when their children reach kindergarten age. Coleman Advocates and our families say that this is not OK — families should have a right to stay in the city they call home."

Somehow I doubt the parents buying the $1,890 Cabine infant dresser at Giggle on Chestnut Street are too worried about making rent. In fact, a May article in the New York Times reports that San Francisco is second only to Manhattan in toddlers born to wealthy white families, defined as those that pull in an average of $150,763 per year. And consider this Coleman Advocates finding: there was a 45 percent drop in the number of black families with children in San Francisco from 1990 to 2000, while around the same time 90 percent of the people moving into the city did not have children and — surprise, surprise — were mostly rich and white. This development pretty much paralleled the period of the dot-com boom. At the risk of making light of an alarming situation, is it safe to posit that the dot-com bust inspired semiemployed white professionals to buy a lot of lube?

CLASH OF THE CODDLERS


So what creates this illusion of a baby boom? Probably an uptick in showy, hyperactive parenting. Weekends at Children’s Playground in Golden Gate Park provide insight into the phenomenon. There parents can be found earnestly — one might even say aggressively — parenting. They really put their all into it ("it" being what our parents haphazardly did with us) as they push their bewildered offspring in swings, making sure to "Wheee!" with more enthusiasm than a redneck at a NASCAR rally — an apt metaphor, because this brand of parenting is a competitive sport. "How old is she? Is she standing on her own? Can she walk yet? Does she speak French, and can she crap in the can?" someone always wants to know, hungrily eyeing your baby as if she were a delicious wild Alaskan king salmon fillet.

But blessed be, developmental superiority is not the only way to make other parents feel like shit. Fleets of luxury Dutch strollers are parked around the playground’s grassy knolls, each exceeding my share of rent by $300. I’ve seen nannies pull toys from Coach and Louis Vuitton diaper bags, kids scale the jungle gym dressed in Little Marc coats, white babies in $40 organic cotton T-shirts emblazoned with a grossly ironic image of a black woman’s face.

This excess of money breeds paranoia. Even on the warmest days, Caitlin-Courtney-Penelope-Emily-Aurelia-Shiloh-Mackenzie can be observed crawling in the playground’s cool sand, fully dressed in the very best of Zutano’s and Petit Bateau’s wide-brim hats, thick socks and booties, long-sleeve shirts, and pants in order to prevent the wretched elements, formerly known as blue sky and sunshine, from attacking the child’s not-so-invisible bubble. And rest assured, many of the playground’s nannies — almost entirely middle-aged mothers and grandmothers of color — have been fingerprinted and subjected to invasive criminal background checks. Long gone are the days when parents hired any ol’ teenage stoner to watch their kids.

LAVISH AND LACK


I feel embarrassed to be here, I often think. Because I know I’m part of the problem. I didn’t come to San Francisco for the money — I was born here and spent most of my childhood in that new epicenter of ultraparenting, Noe Valley — and I don’t have a nursery, a full-size kitchen, or even a hallway in my shared one-bedroom Sunset apartment. (This is not a "poor me" moment; my lifestyle is a choice.) But I did spend $300 on a labor and newborn preparation course, during which I suffered video after video of goopy babies cannonballing forth from untamed bush. I paid a woman $200 to teach me how to breast-feed and another $50 to join a local e-mail list through which upper-crust women seek help in finding dinner party entertainment for hire and live-in au pairs. I can cite Halle Berry’s prenatal test results but no statistics from the war in Iraq. I have secretly chuckled at ugly babies. I have wanted to know if your baby can stand alone yet and why she’s so much smaller than mine. I’ve purchased nearly 20 books on pregnancy, breast-feeding, natural birth, cosleeping, infant health, starting solids, potty training, how to stay hot, and how to fix my gut.

Pediatric records indicate I was not reared by wild dogs, yet I can’t figure out how to assume the most primal of all roles — motherhood — without hitting the ATM.

In her 2007 manifesto against the $20 billion baby-to-toddler industry and the disastrous effects it has on our children, Buy, Buy Baby (Houghton Mifflin) author Susan Gregory Thomas credits Gen X’s overspending and unhealthy micromanaging to the way in which we, the products of broken homes and TVs as babysitters, were raised: "The commercialization and neglect of young people results not only in fears of abandonment and bank-breaking shopping habits in adulthood to fill the void but also in a deep, neurotic sense of attachment to, and protection of, one’s own children and home."

Gregory Thomas’s assessment strikes me as painfully true and spurs the question: what kind of people will our babies become? Will they, as older children and adults, invariably expect and demand the best, no matter the appropriateness of the circumstance? Will they be terrified of public schools and public transportation and — worse — people with a different color skin? How will they ever travel abroad, and will they condescend to people who have less? Surely the parents who buy their baby the $1,700 Moderne crib intend only to give their child the finest they can offer. Every child is worthy of that grand intention. Yet, as my friend and mother-mentor Billee Sharp pointed out, the more extravagant the gifts, the harder the parents must work to provide them, resulting in less time spent with their kids. Lavishness, in this sense, becomes empty compensation for a shortage of available love.

IT TAKES AN INTERNET?


Being a new parent is much harder than it seems. If we’re overcompensating, it’s largely because we don’t know what else to do. If it takes a village to raise a child, what happens when all you have is DSL? During my pregnancy and the first three months of my daughter’s life, my husband and I lived in relative isolation in Brooklyn, away from family and a network of close friends that could offer knowledge and day-to-day help. The books, the classes, and the breast-feeding consultant filled the gaps that real support would have provided. (I certainly had two boobs but no idea where to put them: In the baby’s mouth? Are you serious?) In the absence of genuine community, we follow the only guidelines available to us and do the best we can manage. While nothing is less appealing to me than having to be someone’s friend simply because we both piss our pants when we sneeze, artificially constructed social networks like mommy groups, daddy groups, play groups, and Yahoo e-mail groups fulfill a real need for disconnected urbanites whose families typically reside thousands of miles away.

Learning to be a parent without geographic and strong emotional links to our families, then, becomes a complicated process of untangling the skein of too much information. From the moment a woman discovers she is pregnant, she and her partner are encouraged to believe they are totally, utterly retarded when it comes to being parents. The reality-TV experts, the how-to books, the product-driven Web sites and magazines cater to a deep, unrelenting distrust of ourselves, and they have the tragic effect of obliterating whatever parenting intuition and knowledge that we, as living creatures, already have in our DNA.

My path to reclaiming motherhood began with an injured wrist. Everything I had read warned that I would roll over my child and kill her if we slept together in one bed. To prevent this tragedy, my husband and I bought a sleigh bed attachment for our bed that kept me at least a foot away from my child. Each night that I listened to her breathe without being able hold her brought an agony so intense that I became profoundly depressed. I was desperate to pull her close to my body, like every mammal mother does, like our ancestors did long before they stopped growing pubic hair on their backs. In my longing to be nearer to my child, I contorted my left wrist under my head as I slept, perhaps to stop my murderous hands from accidentally touching the person I love most. With my wrist in a splint and steroid shots in my hand, I sobbed to my mother over the phone, "I can sleep with my cats, but why not with my own child?"

The night I brought my daughter into bed marked the beginning of my departure from the fear-and-product-based mommy mainstream. Within weeks a friend turned me on to the instinctive-parenting ideas put forth in Jean Liedloff’s The Continuum Concept (Addison Wesley, 1986), a fascinating book that details the author’s travels to Venezuela, where she studied the parenting methods of the indigenous Yequana Indians, who, remarkably, have never considered shopping for child-rearing clues on Babycenter.com. Admittedly, my and my husband’s current touchy-feely, indigenous-inspired style is a little fringe lunatic, and, as Gregory Thomas might suggest, it’s probably no coincidence that we both come from broken homes. But life-changing insights that require no investment in stylish baby gear are available to us. We only have to be willing to look.

BEYOND THE BUBBLE


One of the most affecting messages I have received about the depth of real parental love came to me in the form of a damp newspaper abandoned on the subway in New York City. Elizabeth Fitzsimons’s essay "My First Lesson in Motherhood," published in the New York Times Modern Love section this Mother’s Day, chronicles the journalist’s trip to China, where she and her husband picked up their adopted infant daughter, who, it turned out, had debilitating health defects. Fitzsimons was warned that her daughter might have Down’s syndrome, might never walk, and will likely be tethered to a colostomy bag for the rest of her life. "I knew this was my test," Fitzsimons writes, "my life’s worth distilled into a moment. I was shaking my head ‘No’ before [the doctors] finished explaining. We didn’t want another baby, I told them. We wanted our baby, the one sleeping right over there. ‘She’s our daughter,’ I said. ‘We love her.’ "

Fitzsimons’s fierce, truly unconditional love for a child she did not create becomes even more striking when contextualized in these fertility and pregnancy-obsessed times. We all want our children to be healthy, to outlive us, to be content, and to exist in a safe, peaceful world. These desires are pretty basic. Clearly, though, there’s a worrisome glitch in the parent boom trend: it has nothing to do with the well-being of children who are biologically not ours. This newfound love for babies is entirely insular, concerned only with one’s genetic family, one’s own perfect, beautiful, well-fed, well-dressed child. Look inside a pregnancy or parenting magazine and you will find that most lack any semblance of social perspective as they offer tired takes on recycled, useless information: "How to lose the baby weight in three days!" "Ten tips for getting back the magic in the bed!"

But the truth is that while middle-class women squabble about whether to breast-feed or bottle-feed, 39,000 families with children in this city are in dire need of affordable homes. For every day we bicker over stay-at-home moms versus mothers who work full-time, four children in this country will die from abuse or neglect, and eight more will be killed at the hand of someone operating a gun, according to Children’s Defense Fund statistics.

The self-centeredness of Gen X parents manifests as blindness to these sad realities, and here I indict myself again. Why do I only act on behalf of my child when I have the means to do something that could help other, less fortunate children? Maybe the answer is too painful to consider. Maybe I’d rather shop for a new sling instead. *

Gobblin’ Cobain

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› kimberly@sfbg.com

SONIC REDUCER For too many, Thanksgiving is all about high-priced, high-stress flights home for the holidays, foul fowl, sad slipcovers, and relatives who rove the spectrum from irksome to inspirational. Why the last? I have to say that one miserable Turkey Day spent on the outskirts of Des Moines, Iowa, meeting a squeeze’s enraged and estranged parents while his jock brother dented my Geo Metro during a show-off game of tag football brought me closer to thoughts of suicide than ever before. Thanksgiving: the most annoying event before and since Oracle OpenWorld (only with a tad fewer leering conventioneers)? Discuss.

So it’s fitting, then, that soon-to-be uncomfortably bloated thoughts once again turn to the late Kurt Cobain with the Nov. 30 theatrical release of Kurt Cobain about a Son and the Nov. 30 droppage of Unplugged in New York, the DVD release of Nirvana’s 1993 MTV Unplugged appearance. I watched both 14 years to the day after the band’s Unplugged taping, on Nov. 18. If I weren’t already terrified of tying on the turducken, I’d be totally spooked by the synchronicity: are you sure Halloween is over?

AJ Schnack’s doc About a Son reads like a ghostly document: Cobain’s disembodied voice floats over its entirety, drawn from tapes of 1992–93 interviews conducted by coproducer Michael Azerrad for his book Come as You Are: The Story of Nirvana (Main Street, 1993). Beneath the songwriter’s thoughts, Schnack chooses to float images of everyday romance and poetry captured in Cobain’s northwestern haunts: power lines shoot across the sky, dead birds rot beneath burnished sunsets, kids play music in alleyways. Relying on an evocative score by Steve Fisk and Ben Gibbard and songs by Queen, David Bowie, and others that are related to the interviews, Schnack eschews Nirvana’s music and even their photographic image until the very end. He prefers to immerse the viewer in the edited, intimate thoughts of Cobain, who can genuinely touch and surprise a listener with stories of how he felt abandoned by his father and his honesty about his misanthropy (coworkers "get on my nerves so bad I either have to confront them and tell them I hate their guts or ignore them"), heroin use (of his $400 per day self-medicating efforts to stem his chronic stomach pain, he says, "I was healthier and fatter than I am now"), and hatred of the media ("the most ruthless life form on Earth"). By turns moving and excruciating, About a Son raises as many questions as it answers.

Eerily dovetailing with About a Son by way of a cover of Bowie’s "The Man Who Sold the World" and a Queen joke regarding ex–Germs guitarist Pat Smear, the Unplugged performance has long been loaded with the stuff of quintuple-putf8um legend and fan speculation regarding Cobain’s death, which occurred just four months after the program aired on Dec. 14, 1993 on MTV. How else to parse the lyrical references to guns, the white lily set decorations (Cobain’s idea), and the set list’s intermittent aura of doom? In any case, Nirvana completists will want to snag this for the unedited 66-minute concert, which includes two numbers excised from the original 44-minute broadcast: Nirvana’s "Something in the Way" and the Meat Puppets’ "Oh Me." The mistakes and occasional sour notes remain. I was surprised by the general lack of energy in the band; the ordinarily forceful Dave Grohl sounds painfully unsure on brushes. But the conviction, seriousness, and soulfulness of Cobain’s vocal performance make this entire endeavor worthwhile — despite the gritted-teeth grin and protruding tongue that follow the first few songs.

You strain to hear the dialogue between the band members and betwixt Cobain and the audience. When the band seems to dither over the last song, one female audience member yells, "<0x2009>‘Rape Me’!" "Is that Kennedy?" someone asks, referring to the noxious alterna-VJ of the day. "I don’t think MTV will let us play that," Cobain replies with an insouciant, knowing air. If you’re still looking for that classic Gen X cynicism, look no further than MTV, which seems to have ditched music programming in general.

So why did Cobain sing for his TV dinner in the first place? Was it simply because In Utero (DGC, 1993) wasn’t selling well? Just months before his passing, Cobain already looked like another pop idol prepping to die young and leave a gorgeous corpse. Or not. Nonetheless, here, bird-boned with downcast eyes, he edges closer to that beautiful boy outlined in Elizabeth Peyton’s paintings, ready to assume his place in a pantheon of perpetually doodled, iconographic heartthrobs, right after Jim Morrison and James Dean. Nirvana was a great band — but as so many know who were there, cognizant, and occasionally coherent when Nevermind (Geffen, 1991) hit, there were lots of great bands. Ever the authentic article, Cobain knew this as much as any other, which is why he always gave a hand to forebears, bringing on the Meat Puppets (much to the disappointment of MTV, according to an accompanying DVD short) and sporting a T-shirt of the SF all-female art-punk combo Frightwig for this performance. Did it simply take Cobain’s dramatic death to, as an MTV executive dork opines in the short, turn an "interesting, eclectic performance" into "a masterpiece"? Neither of these spooked offerings really fits that descriptor, but for the faithful they might do till another comes along. *

KURT COBAIN ABOUT A SON

Opens Nov. 30

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www.landmarktheatres.com

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Goodbye, Jim Rivaldo

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rivaldo.jpg

The City Hall rotunda was packed last night for the Jim Rivaldo memorial. I knew him as a political guy, a campaign consultant and activist with a strange and wonderful sense of humor and a big heart. But many of the people who spoke, including Judge Ellen Chaitin, her husband, defense lawyer V. Roy Lefcourt, and their two children, talked about Jim as a part of the family, an honorary uncle who loved kids and acted like a kid himself, to the very end. There were, safe to say, plenty of tears — and plenty of smiles and laughs as the speakers reminded us of how fun, and funny, he was. Which would have made Jim Rivaldo very happy.

Thanks to Luke Thomas for the photo.