By Justin Juul
Tax season is here, and math is hard. That’s why you need to get on the Math Bus.
PS — If you don’t know what internet phenomenon this is spoofing, you really need to watch more porn.
For those of us in the free speech and free press line of work, China’s censorship of the internet is a major practical and theoretical issue. Here is a reasoned approach by Peter Scheer, executive director of the California First Amendment Coalition (CFAC). B3
Make no mistake, China’s censorship of the internet is a crime against liberty on a mass scale. Still, American firms can’t just steer clear of the world’s biggest market. What to do?
By Peter Scheer
A milestone of sorts was passed in the first quarter of this year when China blew past the United States to become the biggest internet market in the world. At 225 million users, and still growing at double-digit rates, China’s internet is a business opportunity so grand and irresistible that it can blind normally circumspect people to the moral compromises that cooperation with Chinese government authorities inevitably entails.
I experienced this first-hand when, about a year ago, I made inquiries at the China offices of a number of American law firms to ask for help in comparing internet search results for searches performed inside China–within the “Great Firewall” of government censorship, as it is called–with the same searches performed from locations outside China (and therefore outside the firewall). The law firms demurred, explaining, with commendable candor at least, that they could not risk being observed submitting to Google and Yahoo search terms like “Tiananmen Square” or “Falun Gong”.
Mind you, these were American-trained litigators, the kind of lawyers who barely flinch in the face of a grand jury subpoena, and who spend their careers pushing back against the demands of government authorities. While usually immune to intimidation, they nonetheless feared the repercussions to themselves, their firms, and their clients from the mere act of typing a few search terms into an internet-connected computer. So seductive are the business opportunities in China that the risk of losing them transforms even hardened litigators into wimps.
In conversations with internet entrepreneurs and investors active in China, one often hears arguments that are more rationalization than logic. An internet CEO recently told me that freedom of speech is a “relative” value that, despite its appeal in western democracies, is not appropriate to China. Popular variations on this theme are that freedom of speech is an unaffordable luxury in a country that must be single-minded in its pursuit of economic development; that the people of China are more interested in consumer goods than personal and political freedom; and that westerners’ pressure on China to be more tolerant of dissent is a form of cultural imperialism.
Let’s be clear: Freedom of speech, freedom of political choice, and the rule of law are not relative values; they are absolutes. China’s regime of internet censorship is, without question, a crime against individual liberty on a truly mass scale. That it coexists with a fast-modernizing economy offering its people considerable choice in the economic sphere only makes the curtailment of personal freedom more offensive because less excusable. China does not need to suppress speech to achieve its economic goals. China’s leaders are more cynical than that. They maintain censorship solely to preempt challenges to their monopoly on political power.
This can be seen in the government’s censorship policies. Websites based inside China are subject to content restrictions that are, by design, so uncertain and unpredictable that they force internet companies to censor themselves. Standards that are unknown and unknowable, backed by the threat of license-revocation for companies and jail for individuals, create a pervasive fear that is far more effective than direct regulation at muting opposition to the government and its policies.
Websites based outside China, meanwhile, are subject to blocking by the Great Firewall based not on their content, but on their capacity to create, inside China, large, voluntary online communities that are independent of the government. These include nearly all blogging services, wikipedia and wiki platforms generally (wikileaks included), social networking websites and peer-to-peer technologies of all kinds, including photo-sharing and video-sharing businesses. In other words, the full panoply of internet 2.0 technologies.
Websites commanding vast audiences for user-generated content are seen by authorities as a grave threat. The Chinese government’s worst nightmare, after all, is a lone and anonymous Tibetan uploading to YouTube grainy cellphone videos of rioting police.
What should American internet companies do? To point out that doing business in China is morally compromising is not to say that companies must forswear the world’s biggest market–hardly a realistic option, in any event, for premier internet firms like Google, Yahoo, MSN, and Amazon. And while these companies might prefer to compete in China remotely–basing their servers outside the Great Firewall–government policies force them to set up shop inside China.
Those policies manipulate the firewall to degrade the performance of websites based outside China. Because all data from foreign websites pass through bottlenecks connecting China’s internet with the outside world, and because sensors at those bottlenecks further degrade transmissions across the firewall, non-Chinese websites are experienced from inside China as performing v-e-r-y
s-l-o-w-l-y.
This performance deficit is so substantial–and puts non-Chinese websites at such a huge disadvantage relative to their competitors inside China–that foreign websites must establish a presence inside the firewall. Indeed, Google, despite misgivings, established Google.cn within China in 2007 mainly for this reason, while Yahoo and Amazon crossed the firewall by investing in their Chinese domestic rivals.
American internet companies doing business in China should, for starters, acknowledge the extent of their self-censorship, not hide it or rationalize it or pretend that it is something other than the intensely unpleasant compromise that it is. Spare us the tortured and hypocritical justifications. It helps for companies to admit their complicity; to clarify that all is not as it should be or appears to be; to openly assert their disagreement with Chinese government policies (if they do, indeed, disagree); and to disclose specifics about how their content has been altered to avoid displeasing authorities.
U.S. firms also should do everything they reasonably can to protect their Chinese customers from the surveillance–and worse–of Chinese government authorities. If customer data and identifying information can be stored outside the firewall, beyond the reach of Chinese regulators and courts, they should be, even though that may involve greater costs. While this step does not assure protection of anonymous users (since control of a company’s license to operate in China gives the government considerable de facto leverage, quite apart from territorial limits on subpoenas and other legal processes), it is still meaningful.
If off-shoring of confidential user information is not feasible, companies must take steps to warn their customers about the risks of using their service. And finally, where warnings are not possible or go unheeded, companies should force customers to give their real names when using their websites–which will, in turn, force users to think carefully about what they say or do online. Ironically, the barring of anonymity is the surest means of getting users to appreciate the risks of saying what the government doesn’t want to hear.
Doing business on China’s internet is a messy, though potentially very lucrative, activity. Some companies may be so put off by the messiness that they stay away. For most, however, that is not a viable option. They must learn to be both honest with themselves and honest with their customers.
—-
Peter Scheer, a lawyer and journalist, is CFAC’s executive director. CFAC is involved in a legal initiative to use the World Trade Organization to force China to suspend its censorship of the internet on grounds it violates international treaties on free trade.
Permalink
Social Bookmarking
Add to: Digg Add to: Del.icio.us Add to: Reddit Add to: StumbleUpon Add to: Slashdot Add to: Furl Add to: Yahoo Add to: Spurl Add to: Google Add to: Technorati Add to: Newsvine Add to: Ma.Gnolia
CFAC Blog Posts
Add to Technorati Favorites
Copyright © CFAC:
We don’t want to drag all this us vs. them stuff up again — especially since, like, we won — but something uncanny has occurred. Village Voice Media honcho/bully Mike Lacey has been in some mighty hot water since he chose to use the “n-word” in a speech to a roomful of journalists on the anniversary of Martin Luther King’s assassination. (Watch the video!).
Perhaps worst of all, he was trying to be cool.
That immediately put us in mind of a similar gaffe by former Cincinnati Reds owner Marge Schott, one which lead to her eventual downfall. So, like the Internet-savvy alt.weekly we are, we dialed up the Intertubez — and look!
MARGE SCHOTT

Like we said, uncanny.
› a&eletters@sfbg.com
ESSAY In a journal entry dated Dec. 27, 1835, from his 1840 book Two Years before the Mast, student-turned-seafarer Richard Henry Dana recorded his first impressions of the area we know as the City, while his ship, The Alert, traveled through the Golden Gate:
We passed directly under the high cliff on which the presidio is built … from whence we could see large and beautifully wooded islands and the mouths of several small rivers … hundreds of red deer, and [a] stag, with his high branching antlers, were bounding about, looking at us for a moment and then starting off …
Dana arrived in the Bay Area after one era had ended and before another began. Until the coming of the Spaniards a generation earlier, some 10,000 people, members of around 40 separate tribes, lived between Big Sur and San Francisco, in the densest Native American population north of Mexico. Despite the existence among them of as many as 12 different languages, the people collectively referred to now as the Ohlone lived in relative peace for some 4,500 years.
On his first visit, Dana predicted that the Bay Area would be at the center of California’s prosperity. When he returned more than 30 years later in 1868, he discovered that his hotel was built on landfill that had been dumped where The Alert first landed.
Then in middle age, Dana wrote, "The past was real. The present all about me was unreal." Making his way through the crowded streets where the new city he’d predicted was being built, he remarked, "[I] seemed to myself like one who moved in ‘worlds not realized.’" Thus Dana became one of the first to articulate the peculiar San Franciscan combination of nostalgia for a lost past and despair over an unrealized future.
The past and future are always alive here. On his first visit, Dana wrote in his notebook about the great city to come. But like many residents of SF today, he slept on the cold, hard ground.
In George Stewart’s 1949 science fiction classic Earth Abides, a mysterious disease has killed 99 percent of the Earth’s population; the main character, Ish, roams the City and East Bay until he finds a wife. Stewart’s book ends in a Twilight Zone scenario, as an old, feeble Ish now the last living pre-plague American watches in dismay while his illiterate offspring hunt and frolic like the Ohlone, wearing animal skins and fashioning arrowheads from bottle caps.
After a wildfire, Ish notices that a library has been spared. All the information is still in there, he thinks. "But available to whom?"
Perhaps the knowledge Ish once begged his children to learn can be found in 1970’s The Last Whole Earth Catalog. Its 450-plus yellowing Road Atlassize pages contain terse recommendations of publications about plant identification, organic gardens, windmills, vegetable dyes, edible mushrooms, goat husbandry, and childbirth, while also sharing the fundamentals of yoga, rock climbing, making music with computers, space colonization, and of course! the teachings of Buckminster Fuller.
The initial Whole Earth Catalog sought to reconcile Americans’ love of nature and technology. In Counterculture Green: The Whole Earth Catalog and American Environmentalism (University Press of Kansas, 303 pages, $34.95), author Andrew Kirk credits its creator, Stewart Brand, with bringing a sense of optimism to environmentalism. A character in Tom Wolfe’s 1968 Electric Kool-Aid Acid Test, Brand embodied the cultural intersection of acid and Apple at mid-1960s Stanford University. Kirk examines Brand’s 1965 "America Needs Indians" festival, his three-day Trips Festival in 1966, and his time riding the bus as one of Ken Kesey’s Merry Pranksters.
Counterculture Green correctly suggests that Brand’s utopian lifestyle has a hold on our imagination. But Brand was a leader of the counterculture, not a revolutionary. He believed that the market economy, not political change, would usher in a better world. While today’s market at the behest of individuals has started to demand renewable energy or sustainable growth, it also has brought us the SUV, suburban sprawl, and the highest fuel prices in history. Apple may empower the individual or want consumers to believe it does but at 29, Silicon Valley has the highest concentration of Superfund sites in the country.
Brand deserves credit for intuiting the peculiar "machine in the garden" Bay Area we live in today, a place perhaps more "California Über Alles" than utopian. It’s far from the postmarket SF envisioned in Ernest Callenbach’s 1975 novel Ecotopia, which is set in 1999, nearly 20 years after Northern California, Oregon, and Washington have seceded from the United States to form the titular nation. A colleague of Brand’s, Callenbach bases his society on ideas from the Whole Earth Catalog, but for one major difference Ecotopia comes into being not through the free market but through an environmental revolution. (I won’t spoil it, but here’s a hint: it starts in Bolinas!)
While Callenbach’s future sometimes resembles a mixture of the Haight Street Fair and Critical Mass, there are twists. Ancient creeks have been unearthed, and on Market Street there is a "charming series of little falls, with water gurgling and splashing, and channels lined with rocks, trees, bamboos and ferns." Ecotopians have instituted a 20-hour work week that involves dismantling dystopian relics such as gas stations. There is a surplus of food produced close to home. Materials that do not decompose are no longer used. This new world is no wilderness it reconciles civilization and nature. Yet perhaps its most radical idea is that humans can create a utopia without help from a plague, apocalyptic war, or earthquake.
The 1906 San Francisco earthquake leveled 4.7 square miles or 508 city blocks. It destroyed 28,188 structures, including City Hall, the Hall of Justice, the Hall of Records, the County Jail, the Main Library, five police stations, and more than 40 schools. Yet strangely, many apocalyptic tomes including recent ones such as the speculative nonfiction best-seller The World Without Us and the born-again Christian Left Behind series are reluctant to imagine a totally destroyed San Francisco.
In contrast, Chris Carlsson’s 2004 utopian novel, After the Deluge (Full Enjoyment Books, 288 page, $13.95), suggests the City is at its most charming when at least partially in ruins, like the old cities of Europe. In Carlsson’s post-economic SF of 2157, rising sea levels from global warming submerge much of the Financial District, yet the City adapts by serving old skyscrapers now converted into housing with a network of canals.
After the Deluge‘s vision of reduced work, free bikes, and creeks unearthed from beneath streets borrows from Callenbach’s Ecotopia. Yet Carlsson seems to have his most fun imagining a city transformed by ruins: take a subtle comment on the Federal Building at Seventh and Market streets. In Carlsson’s map of SF circa 2157, the monstrosity that some call the Death Star is simply labeled "The Ruins."
Similarly, the photographs in After the Ruins 1906 and 2006: Rephotographing the San Francisco Earthquake and Fire (University of California Press, 134 pages, $24.95) appear to delight in the City’s impermanence. Mark Klett presents famous images of the smoldering city in 1906 alongside carefully shot contemporary photographs from the same vantage points. Cleverly, these images are arranged in a manner that suggests the ruins aren’t just the past but also an inevitable future.
The aftermaths of SF’s earthquakes are often described in utopian terms, as if cracks in the landscape revealed the possibility of a better world. In After the Ruins, a 1906 quake survivor remembers cooperation not seen since the days of the Ohlone:
A spirit of good nature and helpfulness prevailed and cheerfulness was common. The old and feeble were tenderly aided. Food was voluntarily divided. No one richer, none poorer than his fellow man.
In an essay accompanying After the Ruins, Rebecca Solnit recollects the 1989 earthquake similarly:
The night of the quake, the liquor store across the street held a small barbecue … I talked to the neighbors. I walked around and visited people. That night the powerless city lay for the first time in many years under a sky whose stars weren’t drowned out by electric lights.
Greta Snider’s classic early ’90s punk and bike zine Mudflap tells of a utopia for bicyclists created by the 1989 Loma Prieta quake. Until torn down, a closed-off section of damaged Interstate 280 became a bike superhighway where one could ride above the City without fear of cars. Earthquakes are seen to have utopian potential in SF, because, like protests or Critical Mass, they stop traffic. In 1991, Gulf War protestors stormed the Bay Bridge, shutting down traffic on the span for the first time since the 1989 quake. Perhaps in tribute to the utopian possibilities of both events, William Gibson’s 1993 book Virtual Light imagines a postquake-damaged Bay Bridge as a home for squatter shanties and black market stalls.
Carlsson’s new nonfiction book, Nowtopia (AK Press, 288 pages, $18.95), explores new communities springing up in the margins of capitalist society. Subtitled How Pirate Programmers, Outlaw Bicyclists, and Vacant-Lot Gardeners Are Inventing the Future Today, it looks for seeds of post-economic utopia in places such as the SF Bike Kitchen and the Open Source software movement. According to Carlsson, these communities "manifest the efforts of humans to transcend their lives as wage-slaves. They embrace a culture that rejects the market, money, and business. Engaging in technology in creative and experimental ways, the Nowtopians are involved in a guerilla war over the direction of society."
A founder of Critical Mass, Carlsson praises the biofuels movement and bicycle culture for promoting self-sufficiency through tools. With its optimism and endorsement of technology, Nowtopia occasionally evokes the Whole Earth Catalog. Yet unlike Brand’s tome, it focuses on class and how people perform work in today’s society. Carlsson finds that in their yearning for community, people will gladly perform hours of unpaid labor on behalf of something they love that they believe betters the world.
Within today’s SF, Carlsson cites Alemany Farm as an example of nowtopia. Volunteers took over an abandoned SF League of Urban Gardeners (SLUG) farm next to the Alemany Projects, farming it for several years before the City gave them official permission. "Instead of traditional political forms like unions or parties, people are coming together in practical projects," Carlsson writes. "They aren’t waiting for an institutional change from on-high, but are getting on with building the new world in the shell of the old."
Ironically, the only literature that truly envisions the complete destruction of large areas of the City are the postwar plans of the San Francisco Redevelopment Agency. In 1956, it began the first of two projects in the Fillmore, slashing the neighborhood in two with a widened Geary Boulevard and demolishing over 60 square blocks of housing. Some 17,500 African American and Japanese American people saw their homes bulldozed.
With their dreams of "urban renewal," the heads of SF-based corporate giants such as Standard Oil, Bechtel, Del Monte, Southern Pacific, Wells Fargo, and Bank of America reimagined the City as a utopia for big business. The language of a Wells Fargo report from the ’60s evokes the notebooks of Dana: "Geographically, San Francisco is a natural gateway for this country’s ocean-going and airborne commerce with the Pacific area nations." Likewise, Prologue for Action, a 1966 report from the San Francisco Planning and Urban Renewal Association, might have been written by dystopian visionary Philip K. Dick:
If SF decides to compete effectively with other cities for new "clean" industries and new corporate power, its population will move closer to "standard White Anglo-Saxon Protestant" characteristics. As automation increases the need for unskilled labor will decrease…. The population will tend to range from lower middle-class through upper-class…. Selection of a population’s composition might be undemocratic. Influence on it, however, is legal and desirable.
This dream of turning San Francisco into a perfect world for business required that much of the existing city be destroyed. First, the colorful Produce District along the waterfront was removed in 1959, its warmth and human buzz replaced by the four identical modern hulks of the Embarcadero Center. Beginning in 1966, some 87 acres of land south of Market including 4,000 housing units were bulldozed to make way for office blocks, luxury hotels, and the Moscone Center.
The dark logic of the Redevelopment Agency’s plans are projected into the future in the profoundly bleak science fiction of Richard Paul Russo’s Carlucci series from the ’90s. Russo’s books are set in a 21st-century SF entirely segregated by class and health. The Tenderloin is walled off into an area where drug-addicted and diseased residents kill each other or await death from AIDS or worse. Access to all neighborhoods is restricted and even the series’ hero, stereotypical good cop Frank Carlucci, submits to a full body search in order to enter the Financial District because he lacks the necessary chip implant to be waved through checkpoints.
Russo’s nightmares have their real side today, and many dreams found in Ecotopia and the Whole Earth Catalog composting, recycling, widespread bicycling, urban gardening, free access to information via the Internet, Green building design have also come to pass. (There is even a growing movement to unearth creeks like the Hayes River, which runs under City Hall.) Pat Murphy’s 1989 novel, The City Not Long After, imagines these opposing visions of the city will continue even after a plague wipes out all but one-thousandth of SF’s population. In Murphy’s book, those still alive turn the City into a backdrop for elaborate art projects, weaving ribbon and lace from Macy’s across downtown streets and painting the Golden Gate Bridge blue. This artists’ utopia is threatened when an army of survivors from Sacramento marches into SF. But the last forces of America, unlike the dot-com invaders of the ’90s, prove no match for the artists, who use direct action tactics and magic to rout Sacramento in an epic showdown at Civic Center Plaza.
In Carlsson’s After the Deluge, several people enter a bar called New Spec’s on Fulton Street. The walls are covered with old SF ephemera. One character explains to Eric, a newcomer, "Its all about nostalgia, a false nostalgia." Was the City a better place before the war, before the earthquakes, or before it was even the City? So many utopian visions of the future evoke a simpler past that one wonders if believing in one is the same as longing for the other. It’s a question that would make sense, once again, to Philip K. Dick.
Perhaps no fiction about a future SF captures utopian yearning as well as Dick’s decidedly dystopian works, because his stories, though full of futuristic gadgets, are really about the ways human characters relate to them. Do Androids Dream of Electric Sheep? (1968) is set in a radically depopulated postwar SF of 2021. The air is filled with radioactive dust and the streets are hauntingly empty as humans race to colonize Mars. Main character Rick Deckard is a bounty hunter assigned to "retire" humanlike androids, yet he’s mostly concerned about his electric sheep. Because there are almost no animals left on Earth, owning a fake one helps a striver like Deckard keep up appearances.
In 1962’s The Man in the High Castle, Dick imagines life in SF after the Nazis and Japanese have won World War II. Nostalgia haunts this story, too. Protagonist R. Childan makes his living selling rare prewar Americana to rich Japanese collectors. Not much has changed in this alternate SF, though. Market Street is still a place of "shooting galleries [and] cheap nightclubs with photos of middle-aged blondes holding their nipples between their wrinkled fingers and leering." While most utopian futures look to the past, Dick’s dystopian futures are all eerily about the present.
So how does Mr. Childan deal with the pain of living in a world where Nazis have won the war? How else? "To inspire himself, he lit up a marijuana cigarette," Dick writes, "excellent Land-O-Smiles brand."
Erick Lyle is the editor of Scam magazine. His book, On the Lower Frequencies: A Secret History of the City, is out now on Soft Skull Press.
NOWTOPIA BOOK RELEASE PARTY
Wed/9, 7:30 p.m.; $20 suggested donation (includes book, reading/discussion, and contribution to site)
CounterPULSE
1310 Mission, SF
(415) 626-2060
› andrea@altsexcolumn.com Dear Andrea: I have a friend who claims to be asexual. Although women (and occasionally men) have expressed romantic interest in him, he never seems to want to pursue a physical relationship or any kind of intimate relationship at all. He says he’s quite happy, but I’m confused. Doesn’t everyone have some level of sexual desire? Or is there really an asexual community out there which is happy to be untouched? What do you know about this? Love, A OK? Dear A OK?: Oh, lots. I wrote about asexuality a few years ago following a big cover story about it in New Scientist [11/03/04], in the course of which I discovered that the movement’s Web master and spokesperson, David Jay, is not only local but went to my alma mater with a close friend of mine and therefore is practically family. So I know everything about it! OK, I don’t know everything but I can answer questions. Most people, barring those rarities like the This American Life interviewee I call "The Man with No Testosterone," may have "some level" of sexual desire flickering away in there somewhere. But if that flame is sufficiently dim or sufficiently unappealing to the flickeree, he or she may chose to ignore it altogether. Some, though, have searched their psyches and failed to detect even the faintest flicker of interest, and they may feel fine about that. It seems to me that the most reasonable reaction to people who feel fine is to feel fine back at them. Still, asexuality remains somewhat of a hard sell. For whatever reason, many people sexual people find it hard to accept the idea that nobody is under any obligation either to feel desire or to act on it. Most of us are accustomed both to wanting sex and to wanting to want sex. (Desire disorders are the new erectile dysfunction expect to see, say, Michelle Obama starring in a commercial for a breakthrough treatment in a few years.) How can people have no desire to feel desire? Aren’t they broken? Don’t they want to be fixed? Shouldn’t they want to be fixed? If you take these sane, rational adults at their word, that word is no. As I was procrastinating answering your question a friend mentioned she knew an asexual woman who’d been interviewed about it on TV, which led me to this YouTube clip where you can see many of the asexuality movement’s big names (well, it’s a small pond, but these are the people who are most frequently interviewed and featured on Web sites and the like) telling their stories and proudly proclaiming their lack of interest in getting in your pants. (I can’t remember the chant I made up for them the last time I wrote about this: "We’re A / We’re OK / Now just go away," maybe?) I can’t promise that this clip or any of the others available online is any better than any other 4.5 minutes given a serious but potentially salacious subject on a typical TV magazine show. After the interviews the reporter turns to the camera and dutifully chirps, "Of course, some experts doubt even the existence of asexuality!" Of course they do! There are experts who will appear on these shows to doubt the existence of air if it gets them on TV. And then there’s the odious sexologist Joy Davidson, who offers this take while wearing an awful lot of lipstick: Presenter: Can labeling oneself asexual become a self-fulfilling prophecy? Davidson: You might as well label yourself not curious, unadventurous, narrow-minded, blind to possibilities…. That’s what happens when you label yourself as … sexually neutered. Well, they didn’t label themselves that way, lady. You did. Davidson’s insistence that people who don’t want to have sex must be in some way damaged reminds me, irritatingly, of another well-known sex therapist I heard claiming that Viagra and friends cause as much damage to a relationship as they repair, and that if you really want to overcome erectile dysfunction you have to see a therapist. But Davidson is meaner. So, yes, your friend is probably telling the truth, and yes, there is such a community of "out" asexuals, albeit largely online (but there’s no shame in that all hail the Internet’s awesome community-building powers!). The one thing you’re wrong about is the supposition that such people eschew intimacy of any sort. There are folks like that, of course, but we’d do better to call them "hermits." Asexuals have intense friendships and even romantic relationships. They identify, in many cases, as straight or gay, although it’s hard not to imagine an asexual lesbian, for instance, as someone who’s particularly interested in not having sex with women. You could get a little woozy thinking that way. I do have to admit wondering whether asexuals like David Jay could be having as much "fun" as they routinely claim to have. "We’re having too much fun to have sex!" How much fun does anyone have, really, who isn’t, say, a professional skateboarder or a four-year-old? Who has the time? Love, Andrea For an older column on this subject, see www.altsexcolumn.com/index.php?article=373 Andrea is home with the kids and going stir-crazy. Write her a letter! Ask her a question! Send her your tedious e-mail forwards! On second thought, don’t do that. Just ask her a question.
A-gain
› cheryl@sfbg.com
It was June 2007, and the Friday night crowd at Thee Parkside was primed for brutality. When headliners Hatchet took the stage, two of my senses immediately spiked: my hearing, which seemed not long for the world, and my sight, which couldn’t believe that such aggressive thrash was emanating from what appeared to be a quintet of teenagers.
Well, not quite. As of March 2008, the median age of the North Bay band was 20.2, with vocalist Marcus Kirchen, 23, and lead guitarist Julz Ramos, 22, bringing up the average. Guitarist Sterling Bailey and drummer Alex Perez are both 19, and bassist Dan Voight is 18. Granted, Death Angel drummer Andy Galeon was 14 when The Ultra-Violence (Enigma) was released in 1987. Nonetheless, by ’87, not even half of Hatchet were born.
Raised in the postHeadbanger’s Ball era, its members forged their own paths to a place that local metalheads can both recognize and appreciate. "Hatchet is breathing new life into a scene that has been pretty dead for a long time," Shaxul, owner of San Francisco’s Shaxul Records, told me over e-mail. "They pay homage to ’80s thrash metal and they do a great job. I think they are about as relevant as a band can get in what you would call the ‘Bay Area thrash metal underground.’ Especially since they are the ones carrying it right now!"
Kicking back around a table at Thee Parkside one recent afternoon, Ramos Hatchet’s main songwriter, though Kirchen pens most of the lyrics and all members contribute to the overall process recalled getting Metallica’s Black Album (Elektra, 1991) at age 10 or 11, and discovering Master of Puppets (Elektra, 1986) soon after. Possessing a similar story, the 11-year-old Kirchen also checked into Metallica kindred like Exodus and Testament.
Growing up in the Internet age has its advantages: Bailey and Kirchen joined Hatchet after answering Craigslist ads, and the band hooked up with their label, Metal Blade, via MySpace.
One day the group logged on to read a message beginning, "’Hello from Metal Blade,’" Ramos said. "We were scratching our heads ‘Is this a joke?’ That was the label that I always [wanted] to be on, because they are strictly metal. They’re not gonna try and change anything, or steer you in another direction."
Hatchet’s album, Awaiting Evil, was recorded in Petaluma and is tentatively due out May 31, with a tour in the works for later this year. Thematically, the disc addresses dark topics: what Ramos described as "a post-apocalyptic world future." Musically, Kirchen promised, "it’s gonna crush."
Staunch fans of the original Bay Area thrash bands, Hatchet is proud to be part of the scene’s legacy but they don’t see themselves as imitating what came before. "Even though a lot of [our music] is reminiscent of [earlier bands], it really takes from that and stems into new directions," Kirchen explained. "I think it helps that we’re coming along about 20 years down the line, because there’s so much that’s happened in metal since then.
"When I listen to bands like Exodus or Vio-lence, I hear such a difference it’s all thrash, but it’s different," he added. "If you were to put Hatchet into that, you couldn’t say ‘Hatchet sounds like Exodus’ or ‘Hatchet sounds like Testament.’ You’d say ‘Hatchet sounds like Hatchet.’" While their sound does owe a certain debt to the thundering riffs and drumbeats of bands like Exodus and Testament as well as Slayer, Metallica, and even Iron Maiden Hatchet’s enthusiasm is a large part of their appeal. It’s music made by metal fans, for metal fans, with the stage barely keeping the two groups apart.
"When you think of Hatchet, you think Heavy Metal Parking Lot (1986). At the shows, we thrash together. We bring that vibe where everybody’s included," Kirchen said. And my experiences seeing them live bear this out, particularly at a January Fat City show that included a rambunctious pit of Hatchet-aged fans.
"That’s really key in developing this young crowd," continued Kirchen, "that feeling of all these kids coming together to be a part of something. We really throw away the rock-star vibe. I think that separates us from a lot of the older bands who’ve been playing for a long time, and they have the thing built up to, ‘We’re untouchable.’ We don’t want to be like that. We want to be down-to-earth."
HATCHET
April 25, 7 p.m., check Web site for price
Balazo Gallery
2183 Mission, SF
› annalee@techsploitation.com TECHSPLOITATION By the time English truly is a dominant language on the planet, it will no longer be English. Instead, say a group of linguists interviewed in a recent article by Michael Erard in New Scientist, the language will fragment into many mutually-unintelligible dialects. Still, some underlying documents will supply the grammatical glue for these diverse Englishes, the way Koranic Arabic does for the world’s diverse Arabic spinoff tongues. English-speakers of the future will be united in their understanding of a standard English supplied by technical manuals and Internet media. People like me, native English speakers, are heading to the ashcan of history. By 2010, estimates language researcher David Graddol, 2 billion people on the planet will be communicating in English but only 350 million will be native speakers. By 2020, native speakers will have diminished to 300 million. My American English, which I grew up speaking in an accent that matched what I heard on National Public Radio and 60 Minutes, is already difficult for many English-speakers to understand. Hence the rise of Internet English. This is the simple English of technical manuals and message boards full of slang and technical terminology, but surprisingly free of strange idioms. It’s usually also free of the more cumbersome and weird aspects of English grammar. For example, a future speaker of English would be unlikely to understand the peculiar way in which I express the past tense: "I walked to the store." Adding a couple of letters (ed) to the end of a verb to say that I did something in the past? Weird. Hard to hear; hard to say. It’s much more comprehensible to say: "I walk to the store yesterday." And indeed, that’s how many non-native speakers already say it. It’s also the way most popular languages like the many dialects of Chinese express tense. The whole practice of changing the meaning of a word by adding barely audible extra letters well, that’s just not going to last. When I read about the way English is changing and fragmenting, it has the opposite effect on me than what you might expect. Although I am the daughter and granddaughter of English teachers and spent many years in an English department earning a PhD, I relish the prospect of my language changing and becoming incomprehensible to me. Maybe that’s because I spent a year learning to read Old English, the dominant form of English spoken 1,000 years ago, and I realize how much my language has already changed. But my glee in the destruction of my own spoken language isn’t entirely inspired by knowing language history. It’s because I want English to reflect the lives of the people who speak it. I want English to be a communications tool like the Internet, a thing that isn’t an end in itself but a means to one. Once we all acknowledge that there are many correct Englishes, and not just the Queen’s English or Terry Gross’s English, things will be a lot better for everybody. I’ll admit sometimes I feel a little sad when my pal from Japan doesn’t get my double entendres or idiomatic jokes. I like to play with language, and it’s hard to be quite so ludic when language is a tool and nothing more. But that loss of English play is more than made up for by the cross-cultural play that becomes possible in its stead, jokes about kaiju and non-native snipes at native customs. (My favorite: said Japanese pal is bemused by American Christianity, and one day exclaimed in frustration, "God, Godder, Goddest!") For those of us who spend most of our days communicating via the Internet, using language as the top layer in a technological infrastructure that unites many cultures, the Englishes of the future are already here. In some ways they make a once-uniform language less intelligible. In other ways, they make us all more intelligible to one another. Annalee Newitz (annalee@techsploitation.com) is a surly media nerd whose English is obsolete.
English is dead
By A.J. Hayes
My name is Tony H. and I’m a fantasy baseball player.
There I said it.
Actually I haven’t been an active participant in fantasy ball in more than a decade, but sometimes the urge to seek out “post-hype sleepers” and under-the-radar bargains in fantasy publications is so strong that I have to leave Barnes & Nobles immediately
Apparently, I will be a fantasy baseball player for life.

Evil?
It all started innocently enough back in 1993, when a co-worker introduced me to his in-house league. Figuring it was another way to put my absorption of all things baseball to use and earn some pocket cash at the same time, I showed up at the “draft” – held in a clandestine conference room on the Saturday morning before the start of the baseball season – with a rough idea of what I wanted my team to look like and three crisp twenties from the ATM.
I felt like a real big-league general manager at the draft, and the blueberry bagels weren’t so bad either.
Being a Giants fan, my goal was to select as many San Francisco players as reasonably possible and then flesh out the rest of the squad with pre-inter-league play American Leaguers. That way, there would be no conflict of interest with my team and my team.
That first season I managed to land Barry Bonds to play the outfield and selected fellow -Giants Robby Thompson and Royce Clayton as my keystone combo. The rest of the squad was filled out with the likes of Joe Carter, Mo Vaughn, Lance Johnson and Paul O’Neill. I made one or two exceptions to my rule, selecting National League players such as catcher Joe Oliver, outfielder Bernard Gilkey and a couple of senior circuit pitchers including a youngish Curt Schilling and Steve Avery of the Braves.
When the season began I became ensconced in baseball like never before – raising in the early – pre-internet — hours to scour the morning boxes and tabulate “my guys” total bases, their RBI output and stolen bases.
It made going to work a bit more fun, especially when I would pass one of my fellow fantasy players in the hall after Chuck Finley threw one of his league leading 13 complete games that season – that’s a lot of extra points – or Tom Henke racked up another save.
But by mid-season, the fun turned into serious business. I blew a gasket when Felix Jose failed to live up to the hype with another 0-for-5 game and when Ben McDonald hit the skids after I inserted him back into my starting lineup.
The real life Giants meanwhile were having an amazing campaign in ’93.
› le_chicken_farmer@yahoo.com
CHEAP EATS It’s a swirly, soupy thing, life, and I would like to be less dizzy in it but there’s this furiously pointless Ping-Pong game, nonstop, between my head and my gut. Fortunately, I’m a fan of the sport. And of spin, and slams.
Cousin Choo-Choo Train says I am never quite satisfied unless my dinner guests go home a little nervous, on top of everything else. And it’s true that I like to err on the side of salmonella, that I have no respect whatsoever for trichinosis, and that E. coli could be the latest Internet gadgetry for all I care. Still, no one has ever puked because of my cooking.
And if that ain’t a claim to fame … if I’m misclaiming it if I just don’t know then please tell me so’s I can change my ways. I don’t mean to make anyone sick, just nervous. Just a little bit nervous, like, hmm, I wonder if I might wind up in the emergency room. But then you don’t. Like that.
A lot of people don’t like to eat with me. In many cases their reasons are valid, like they’re vegetarian, or don’t know me. Other people keep coming back, keep going home nervous, and keep coming back.
This is called a sense of adventure. I know you have one, dear reader, or you wouldn’t be reading Cheap Eats. You’d be hoping your parachute opens, or surfing where sharks are something really really boring.
Speaking of boring, one of my oldest, meat-eatingest friends wrote to remind me, after I got soft a couple columns ago and accidentally wrote about a one-year-old client of mine who I love, and who loves flowers, that "there’s only one thing more boring than listening to cat-loving freaks talk about their freakin’ cats … "
The ellipses are his. I’m pretty sure he didn’t mean chickens, though, because I’ve been writing about chickens ever since I was a teenager, no lie, and we’ve been in writing workshops and bands together. Surely he’d have said something before now, like, "Whoa! Chickens are boring."
Besides which it just ain’t true. So he must have meant either babies or flowers. Probably both. Together. Cute little flower-loving babies. Boring unless they’re yours (or your client) according to people.
So, OK, so how am I going to make it up to my Cheap readership, this un-farmerly lapse of coolness? Why, it’s almost too easy! By treating you all to something so freakin’ fascinating, so exciting, so universally bacon that even the most jaded cynic will have to turn his NASCAR cap around afterward, read it again, shake his head, and go, "Whoa! Chickens are boring, compared to this."
The subject of which I speak, of course, is My First Mammogram. I thought I was going to say Food Poisoning. But everything changed when I went to the mailbox just now and there was a letter from the medics re: my March 3 breast imaging examination:
Blah blah blah, there’s something in there, yadee-yada, they believe it’s benign, but…. And these ellipses are mine because my brain by now was awhirl with horror and general aghastness at the thought that two weeks had passed since My First Mammogram without me writing about it!
Well: Everyone said it hurts like hell, especially for small-breasted women. They described mean-fingered, banjo-faced technicians leveraging practical white nursing shoes into your sternum, grabbing one nipple in both hands and yanking and flattening you out like pie crust, in some cases using marble rolling pins to coerce you into the picture.
"Are you currently pregnant?" my mammogrammer asked.
It was the kindest thing anyone ever said to me and I told her so, then realized that she probably had to ask, by law, even if you had a mustache. In any case, she was a dear, and it didn’t hurt one bit. I like pie.
And, no, I ain’t afraid of no probably benign notes in the mail. I know just what it was they saw in there: a ping-pong ball. I’m game. Next time they look, I know, it will be exactly the same size, only in a whole different place.
My new favorite restaurant is Roadside BBQ on Geary in the Richmond. Sockywonk’s been barking it up for a long time so I finally grabbed her and shook her and made her take me there. And pay. What I like, besides sweet tea, tangy no-mayo slaw, and great fries, is that it uses apple wood for smoke, in addition to the more common hickory and mesquite. Apple smoke is my favorite kind of smoke. Smoked chicken sandwich with avocado and cilantro, and you can get your ‘cue in a salad, which is something else I love.
ROADSIDE BBQ
Sun.Thu., 11:30 a.m.10 p.m.; Fri.Sat., 11:30 a.m.11 p.m.
3751 Geary, SF
(415) 221-7427
Beer and wine
AE/D/MC/V
› andrea@altsexcolumn.com
Dear Andrea:
I have a bit of a moral dilemma. I am a submissive. Sometimes I correspond with, or even meet up with, people I find on the Internet for no-strings-attached fun. I always feel like I’m in control of my life, even when I’m chained up and blindfolded, and I think that it’s a healthy (enough) expression of my sexuality. However, I am also about to start training to be a teacher of kids under age 10.
Obviously, the two parts of my life have no relation to each other. But is it possible to pursue interests that could varyingly be described as "niche" or "perverted," and at the same time be a responsible caregiver to children? Do you think it is possible for my private life not to get in the way of my professional development?
Love,
Tied up in Knots
Dear Knots:
Of course I do. I’d better. I’m a retired pervert (I have no time!), and still writing this column and consorting with every stripe of (harmless) freak you can or can’t imagine. If I thought that knowing the people I know or admitting in public to having belonged to clubs which would now no longer have me as a member posed any sort of threat to my children ever! you better believe I’d be out of Pervertville and living in the suburbs wearing those weird sneaker-loafers (snoafers) that normal moms wear before you could say "I shop at Talbots." Happily, I don’t have to. There’s nothing about your hobby which should impede your ability to be the bestest teacher of little kids you can be. There’s nothing wrong with your hobby! Your question does set off some alarm bells, but I have no question that you can be not only a good person, but a self-directed one, fully in control of your life, if not your limbs while still enjoying being caught in any number of compromising positions.
What does worry me is the online hooking-up for activities that leave you helpless to defend yourself. I understand that some might find the very phrase "helpless to defend yourself" kind of hot (hell, I find the phrase kind of hot), and I’m also aware that real life is not an episode of Law and Order: Sleazy Exploitative Plotlines Unit. But seriously, I would not let strangers tie me up, and I wouldn’t mind if you didn’t, either. If you live in a major metropolitan area, you can join a club or take classes or otherwise meet people who would love to tie you up, and, even more important, meet other people who know those people. The chance that any of these Internet strangers might wish you harm is admittedly slight, but there are bad people in this world. Please try not to meet any.
The other thing about strangers, of course, is that you don’t know very much about them, including where they work and whom they know, which brings us to our next area of worry: how to keep your two worlds from ever, ever meeting. I’m imagining the principal at your new school arriving, toy bag in hand, to administer a good caning to that girl he met on the Internet (Or are you a guy? It doesn’t matter either way.) That scenario is far-fetched, granted, but you’ll be wanting needing, actually to keep your two lives rigorously separate from now on, if you aren’t already. I said your personal proclivities should not affect your ability to be a great teacher, and indeed they should not (if you find yourself so drawn to the alleged Dark Side that you can’t get it together to sleep or do lesson plans or get up for work in the morning, we’ll have another talk), but that depends utterly upon your ability to keep your secret self secret.
I am not a huge fan of the deep dark secret any more that I am big on urging people to blab to Aunt Babs at Sunday supper about their previous night’s exploration of scrotal inflation and anal electrodes: to everything its proper time and place, I say. You, though, are going to have to learn to be spectacularly discreet. Perverts are not a protected class, and people with little exposure to these things haven’t the faintest idea how to separate the lurid and usually deadly "whips and chains" depicted on Law and Order from the usual run of kink-sex reality, which is slightly less dangerous than golf thanks to fewer lightning strikes. Should they discover that one of those whips-and-chains people is gasp teaching the children, I can assure you that they will not be interested in becoming educated about it. They will be interested in having you drawn and quartered, and not in a fun way. Go ahead with your plans, but do shut up about it.
Love,
Andrea
Andrea is home with the kids and going stir-crazy. Write her a letter! Ask her a question! Send her your tedious e-mail forwards! On second thought, don’t do that. Just ask her a question.
By Ailene Sankur
A friend sent me the blog “Stuff White People Like,” and it’s probably the funniest thing on the Internet right now. White people are ridiculous! (Myself included, even though, technically, I’m Middle Eastern…Anyhow…)
A few eerily right on, brilliantly funny ones:
![]()
Hosts are expected to deliver a magical evening. The food must be homemade with fresh, organic ingredients, the music must be just right (ambient, new, but not too loud), and the decorations inside the house should be subtle but elegant.
Everything must be perfect. One copy of US Weekly, a McDonalds wrapper, a book by John Grisham, a Third Eye Blind CD, or an Old School DVD can undo months and maybe even years of work.
I read this after a dinner party with at good friends’ house. I call them D squared (Dee and Drew) and they always make amazing meals. Last week it was blood orange and onion pork shoulder roast, breaded cauliflower ( I will include the recipe at the bottom because you really should make it at home), sautéed broccoli rabe, and a salad with a simple Dijon vinaigrette. Vampire Weekend, Regina Spektor, and Cat Power played—at a pleasantly low volume.

By Justin Juul
You never know what kind of crazy shit your brain’s going to tell you to do when Saturn comes back into the picture and starts demanding attention. Some of us start thinking about babies and tract homes while others spin off in the opposite direction and become workaholics or barflys.
My friend, Jason Lewis of Lollyphile, did something even stranger. On the dawn of his 29th year, he suddenly decided to become a confectioner. He spent hours and days mixing flavors in his basement and self-promoting on the Internet until finally, success! His first run of Absinthe flavored lollipops was met with critical acclaim, eventually reaching full-blown awesomeness when the people over at Penthouse Magazine decided to run a review. A less ambitious man may have stopped there, but my friend is “very special” so he immediately started planning a slow takeover of the gourmet candy industry. He’s gonna be the next Willy Wonka. I can feel it.
I tried to get Lewis on the phone to discuss his outlook on candy, life, and world affairs, but he was too busy boiling lard or something. I did manage to squeeze this little e-interview out of him though. Enjoy.

SFBG: What’s your stance on candy from Japan? How can you ever hope to compete with brands like Pocky, Black Black, and Cubyrop?
So, while Japan’s candies have awesome names, brand recognition, and the loyalty of several billion people, I’ve got deity cred.
SFBG: What do you do when you’re not turning meat and controlled substances into candy?
Lewis: I reverse the process. Candy into meat and liquor. I transubstantiate stuff all the time.

“Bacon lollipops? Why not!”
By Paula Connelly
Panel titled: How Piracy will save the music industry
Jason Schwartz, founder of a digital music label called Robber Baron Music, and Randy Saaf, the founding CEO of an internet piracy prevention technology company called MediaDefender, Inc, discussed the conflicting viewpoints of the record labels and millions of music consumers. Schwartz’ music label acts as an internet marketing outlet that offers free music downloads in conjunction with artist donation options. This is beneficial to the artist because it gets people listening to an artists’ music while cataloging the downloader’s demographics for tour negotiation leverage. This is the future of the music industry. The labels are cut out. They know it. They’re angry.
by Paula Connelly
A Guitar Hero break in between panel discussions
I’m not convinced that the web is breaking down boundaries. At the SXSW Interactive Media conference there was a sea of iPhone engaged people who represent the first generation to really harness the experience of growing up with the web and bring it to the business realm. Those who have been the most successful have achieved web fame status. On the web, success is measured by attention based on site user volume, and although that directly translates to advertising dollars it is not the most important component of internet fame. I know that I should be happy about this glorification of knowledge. I should feel optimistic that web celebrity is the result of talent stemming from mathematical and scientific ability. The truth of the matter is, we are in the middle of a revolution whether we like it or not. And as I take refuge in an Austin cafe, far, far away from the fray, I realize that something about it all makes me feel really uncomfortable.
› annalee@techsploitation.com
TECHSPLOITATION One of the social traditions that’s carried over quite nicely from communities in the real world to communities online is revolution. You’ve got many kinds of revolt taking place online in places where people gather, from tiny forums devoted to sewing, to massive Web sites like Digg.com devoted to sharing news stories.
And while they may be virtual, the protests that break out in these digital communities have much in common with the ones that raise a ruckus in front of government buildings: they range from the deadly serious to the theatrically symbolic.
How can a bunch of people doing something on a Web site really be as disruptive or revolutionary as those carrying signs, yelling, and storming the gates of power in the real world? By way of an answer, let’s consider three kinds of social protest that have taken place in the vast Digg community.
According to Internet analysis firm ComScore, Digg has 6 million visitors per month who come to read news stories rounded up from all over the Web. About half of those visitors log in as users to vote on which stories are the most important: the one with the most votes are deemed "popular," and make it to Digg’s front page to be seen by millions. A smaller number of people on Digg about 10 percent choose to become submitters of stories, searching the Web for interesting things and posting them to be voted on in categories that range from politics to health. Digg’s developers use a secret-sauce algorithm to determine at what point a story has received enough votes to make it popular and worthy of front-page placement.
You can imagine that a community like this one, devoted to the idea of democratically generated news and controlled by a secret algorithm, might be prone to controversy. And it is.
Two years ago, I was involved in what I would consider one type of user revolt on Digg. It was a prank that I pulled off with the help of an anonymous group called User/Submitter. The group’s goal was to reveal how easy Digg makes it for corrupt people to buy votes and get free publicity on Digg’s front page. My goal was to see if U/S really could get something on the front page by bribing Digg users with my cash. So I created a really dumb blog, paid a couple hundred dollars to U/S, and discovered that you could indeed buy your way to the front page. Think of it as an anarchist prank designed to show flaws in the so-called democracy of the system.
But there have also been massive grassroots protests on Digg, one of which I wrote about in a column more than a year ago. Thousands of Digg users posted a secret code, called the Advanced Access Content System key, that could be used as part of a scheme to unlock the encryption on high definition DVDs. The goal was to protest the fact that HD DVDs could only be played in "authorized" players chosen by Hollywood studios. So it forced people interested in HD to replace their DVD players with new devices. It was a consumer protest, essentially, and a very popular one. Hollywood companies sent Digg cease-and-desists requesting that they take down the AACS key whenever it was posted, but too many users had posted it. There was no way to stop the grassroots protest. Digg’s founders gave up, told the community to post the AACS key to their hearts’ content, and swore they would fight the studios to the end if they got sued (no suit ever materialized).
Another kind of protest that’s occurred on Digg came just last month, and it was a small-scale rebellion among the people who submit stories and are therefore Digg’s de facto editors. After Digg developers changed the site’s algorithm so that it was harder to make stories popular, a group of Digg submitters sent a letter to Digg’s founders saying they would stop using the site if the algorithm wasn’t fixed. You could compare this protest to publishing an editorial in a newspaper it reflected grassroots sentiment but was written by a small minority of high-profile individuals. Though the company didn’t change its algorithm, this protest did result in the creation of town hall meetings where users could ask questions of Digg developers and air their grievances.
Each of these kinds of protests has its correlates in the real world: the symbolic prank, the grassroots protest, and the angry editorial. So forgive me if I laugh at people who say the Internet doesn’t foster community. Not only is there a community there, but it’s full of revolutionaries who fight for freedom of expression.
Annalee Newitz (annalee@techsploitation.com) is a surly media nerd who wants a revolution.