food

Out of reach

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news@sfbg.com

On a sunny afternoon in Civic Center Plaza, a remarkable bounty covered a buffet table: coconut quinoa, organic mushroom tabouli, homemade vegan desserts, and an assortment of other yummy treats. The food and event were meant to raise awareness about public school lunches, although it was hard to imagine these dishes, brought by well-heeled food advocates, sitting under the fluorescent lights of a San Francisco public school cafeteria.

The spread was for the Slow Food USA Labor Day “eat-in,” a public potluck meant to publicize the proposed reauthorization of the Child Nutrition Act, national legislation that regulates the food in public schools. The crowd was in a festive, light-hearted mood. There was a full program of speeches by sustainability experts and a plant-your-own-vegetable-seeds table set up in one corner of the plaza.

A bedraggled couple who appeared homeless made their way through the jovial crowd and started scooping up the food in a way that suggested it had been a long time since their last roasted local lamb shish kebob. Their presence shouldn’t have been a surprise; most events involving free trips down a food table are geared toward a different demographic in this park, which borders the Tenderloin.

In a flash, an event volunteer was on the case, nervous in an endearingly liberal manner. “Sir,” she began. “This food is for the Child Nutrition Act.” And then she paused, searching for what to say next. I imagined her thinking: “Sir, this food is to raise awareness about the availability of sustainable food to the lower classes, not to be eaten by them,” or, “Sir, this good, healthy, local food is not for you.”

But there was no good way to say what she meant to convey. She knew it, and delivered her final line hurriedly before walking away. “If you could just, well, just don’t take like 25 things, okay?” Indifferent to the volunteer’s unspoken reprimand, the couple continued to eat, ignoring the whispers and stares of the social crusaders around them, who all seemed to take issue with their participation in this carefully planned political action.

It was a telling scene from a movement that has yet to really confront its class issues. Though organic grocery stores and farmers markets have sprung up on San Francisco’s street corners, it remains to be seen whether our current mania for sustainable, local food will positively affect the lower classes, be they farm workers or poor families.

Even iconic food writer Michael Pollan acknowledges the challenge the sustainability movement faces in widening its relevance for the poor, citing the high cost of local and organic food as just one of the issues that Slow Foodies and their allies must tackle before they can count the “good food” movement a success.

LOCAL ORGANIC LABOR

For the average heirloom tomato eater, the words “organic farm” often conjure up an idyllic agrarian picture: happy communes of earnest farmers growing veggies straight from the goodness of their hearts. In reality, a lot of the people who plant, tend, and harvest produce are poorly paid Latino immigrants. And it might come as a surprise that those who work on small or organic farms often face the same exploitative working conditions as those in conventional agriculture.

To learn how organic farm workers should be treated, consider Swanton Berry Farm, whose fields stretch out along the coastal highway just north of Santa Cruz. Swanton was the first organic farm in California to sign a contract with the United Farm Workers, a move that highlights the owners’ conviction that farm workers be viewed as skilled professionals. Employees are offered ownership shares in the farm and are provided health insurance, retirement plans, comfortable housing, and unlimited time off to attend to pressing family matters.

“Organic is a lot cleaner. Working with pesticides, you have to worry about wearing gloves and covering your skin. Here, you can pick that strawberry right off the plant and eat it,” Adelfo Antonio told the Guardian. He has worked these fields for 20 years, the last five as a supervisor. His high regard for his job and employers is apparent. As we talked, he kept at least one eye fixed on his coworkers, who stretched plastic sheets across the dirt of the field to protect their rows of seed from the coming autumn winds.

Antonio said he appreciates the culture of mutual respect on this farm. “People like how they are treated here. When conflicts come up, our management is open to working through them,” he said. A few minutes later, a break was called, illustrating his point. There had been some disruptive behavior in the company housing and a discussion ensued between the crew and one of the farm’s owners about house rules. The group formulated a plan to avoid trouble in the future.

But Swanton’s egalitarian fields are the exception among American organic farms. The average salary of the estimated 900,000 farm workers in California — the birthplace of the organic and farm labor movements in the U.S. — is around $8,500, more than $2,000 below the federal poverty line.

In 2006, the California Institute for Rural Studies put out a rare study of working conditions on the state’s 2,176 organic farms that suggested that in some respects, workers are better off on conventional farms. Although the average wage was higher on organic fields — $8.20 for entry-level work, compared with $7.91 on conventional farms — traditional agriculture outstripped organic on certain employee benefits. A mere 36 percent of organic businesses were found to provide health insurance to their employees, as opposed to 46 percent on conventional farms.

Unable to rely on chemicals for pest control, organic farms often face higher labor costs in the fields. “Wages and benefits should always be viewed in the wider context of sustainability, and that includes a farm’s ability to stay in business from one year to the next, i.e. its profitability,” said Jane Baker, a spokesperson for California Certified Organic Farmers, the state’s major organic certification agency.

The inequity faced by farm workers belies the fact that the organic movement began as an alternative to the industrialized food system. “Back then, we never would have imagined that you’d be buying an organic product that was built on the backs of workers. For us, social justice was every bit as important as the environmental part,” said Marty Mesh, an organic farmer since 1973 and executive director of Florida Certified Organic Growers & Consumers.

Mesh was involved in the debates over the U.S. Department of Agriculture’s first codification of the National Organic Program. He said that although many farmers advocated for regulations surrounding working conditions, the federal government found it hard to stomach labor stipulations. Many involved felt their inclusion would hurt the growth of the organic industry. So the social movement aspect of organic farming was left on the cutting room floor.

That has not been the case overseas. The International Federation of Organic Agriculture Movements, whose organic label is recognized worldwide, adopted explicit social justice language in its basic standards in 2003, stating in their “Principles of Organic Agriculture” document that “organic agriculture should provide everyone involved with a good quality of life and contribute to … reduction of poverty.”

CCOF now offers a dual track certification process wherein California farms can forgo specific IFOAM requirements. The lack of guidelines of worker treatment has led to some problems. “We’ve seen many of the same issues on organic farms that we do in conventional agriculture, on small and big farms alike,” Michael Marsh, directing attorney of California Rural Legal Assistance, told us. CRLA is an organization that regularly provides low cost legal assistance to agricultural workers, whom Marsh has seen bring charges against organic farmers for cases of sexual harassment, underpayment, and job safety concerns.

Sometimes the organic label is even used to justify vioutf8g workers rights. In 2003, the California Legislature considered a bill that would ban “stoop labor,” activities like hand-weeding which require working in bent positions that can cause musculoskeletal degeneration. Organic farmers’ associations lobbied against the bill, claiming that pesticide-free agriculture would suffer under such restrictions. Also, although chemical pest-killers are banned from organic farming, some popular natural pesticides like copper and sulfur have been known to cause irritation of the throat, eyes, and respiratory system.

“This is one of the hardest nuts to crack in the sustainable food world,” said Michael Dimock, executive director of Roots of Change, a San Francisco-based foundation that has developed campaign strategies for improving agricultural working conditions. Three years ago, Dimock left his post as chairman at Slow Food USA, at a time when farm labor conditions “were generally not at the top of the list. Slow Food as an organization is just beginning to figure out what it can do in a meaningful way on this issue.”

Roots of Change has found some success in identifying farm labor challenges and possible solutions through a series of worker-grower forums. It has pinpointed immigration reform as one key to progress. Anywhere from 50 to 90 percent of farm workers in California are undocumented, which puts even fair bosses at risk of being prosecuted for employing illegal immigrants.

Many farm owners turn to labor contractors — essentially agricultural temp agencies — to supply field hands. Use of these middle men largely shields the owner from legal responsibility for illegal hiring, but “the bad farm labor contractors cheat workers, take their pay, and risk their health and safety,” Dimock said.

Some Californian farm labor contractors have become notorious for their disregard of minimum wage and other labor standards, taking advantage of workers who are discouraged to seek help for fear of deportation. The role played by irresponsible contractors is one of many issues that can remain unseen by the buyers of food from farms that rely on the inadequate public information available on agricultural working conditions.

WHEN BUSINESS AND LABOR COLLABORATE

Food management company Bon Appetit in Palo Alto has built a good reputation as a sustainable company, buying its produce and other foodstuffs as locally and organically as possible. “I’ve learned a lot working here,” said Jon Hall, head chef of Bon Appetit’s University of San Francisco cafeteria. “In other kitchens, if you can get something for five cents a pound cheaper, that’s what you buy. If I did that here, people would notice. [My bosses at Bon Appetit] would say, ‘Why’d you buy that?’ ”

But when Bon Appetit executives decided to take on the issue of worker treatment on the farms that supplied their food, they found it difficult to find reliable information on the subject. “We always felt like there was something there that needed to be done and change that needed to take place,” said vice president Maisie Greenwalt. “But we didn’t know who to talk to.”

Her cue to act came from the Coalition of Immokalee Workers, a group from Immokalee County, Fla. The farm workers’ organization brought nationwide publicity to the slavery-like conditions in the area’s tomato fields. Greenwalt accompanied the group on an information-gathering trip to Immokalee and saw firsthand the places where recent immigrants were held to work against their will, living in squalor and being paid little as $20 a week.

Greenwalt saw the travesty as a wake-up call. Collaborating with the Immokalee activists, Bon Appetit developed a workers’ rights contract that all their tomato suppliers must now sign. “After Bon Appetit sent me the contract, I sort of at first didn’t see the point. But then I spoke with the [Coalition of Immokalee Workers] and it made sense. Worker abuse has been around for centuries,” said Tom Wilson of Alderman Farms, one of the company’s tomato growers.
Greenwalt says Bon Appetit cafeterias were prepared to eliminate tomatoes from their menus. “Every chef and manager I talked to said they would rather not serve tomatoes than serve the tomatoes that were coming from these conditions.” But every one of their suppliers signed, agreeing to conditions such as a mandatory worker-controlled safety committee and a “minimum fair wage.”

The success convinced Bon Appetit that this style of food buyer participation is crucial to making positive progress on farm worker treatment. The company is now conducting a nationwide survey of working conditions on organic farms. “Labor’s not a new issue,” said Carolina Fojo, one of the company’s researchers. “But for some reason, people are just now talking about it. We’ve found it can be a sensitive topic for a lot of farmers.”

Visually, Hall’s USF food court is similar to traditional college eateries. But plate-side, Bon Appetit’s commitment to sustainability is clear; specials vary seasonally and food is sourced locally whenever possible. The price for a semester’s meal plan is $3,810, more than twice that of San Francisco State University. Hall’s customers, college students who may eat three meals a day here, often approach him with questions about their food. Queries range from where to how the food was grown, but in no instances that Hall has been aware of, about the workers who grew it.

Labor issues are not the popular cause these days, at least in the sustainable food movement. Unlike the “eat local” and organic food movements, equitable treatment of farm workers has yet to spawn trendy slogans for tote bags or a book on the best-seller list.

One UC Santa Cruz study found that, when asked to rank their concern about food system related topics, Central Coast grocery shoppers assigned higher concern levels to animal treatment on farms than that of humans. But Hall is confident this will change as Bon Appetit and others continue to bring attention to the economically disadvantaged on the front lines of our local and organic food systems.

“This is the next frontier,” he said. “I can see it brewing.”

SERVING THE CHILDREN

In school cafeterias across the city, a different low-income group has its own challenges fitting into the sustainable food movement. San Francisco Unified School District manages one of the city’s most important food sources.

Every school day, Student Nutrition Services dishes out 31,000 cafeteria meals; of those, 84 percent go to students who qualify for free lunch or for the reduced price of $2 for elementary school students. It is not a stretch to say that for many of these kids, this is their one chance at healthy food for the day — certainly their only chance to learn about local and organic food. But the school district faces one of the major issues the sustainability movement has yet to resolve. Local and organic food costs a lot to produce, which makes it more expensive. If pricing was more socially equitable and accounted for living wages for farm workers, costs might rise even more. This is a problem. Federal funds supply about $2.49 for each free student lunch in San Francisco and less for the meals of students who do not qualify for reduced prices. After logistical costs like labor and transportation are accounted for, 90 cents per meal is left over for the food itself.

This is not enough to fund a menu like Hall’s. Given the numbers, it should come as no surprise that examining an average SFUSD school lunch — as San Francisco Chronicle food critic Michael Bauer did in his Oct. 29 “Between Meals” online column — turns up a lot of recently thawed, bland food matter. But this is not to say that cafeteria meals have not seen progress. Student Nutrition Services eliminated junk food in 2003, signaling a new attention to nutrition on a menu previously dominated by pizza and french fries.

Unlike working conditions for farm workers, school lunches have the benefit of visibility to middle class consumers and activists. Demonstrable efforts are being made to send some of that 90-cent budget toward local food. But with such a limited budget, institutions like SFUSD can only address a small slice of what is important about sustainable food. Yes, efforts are being put toward buying kids local, pesticide-free food that doesn’t further jeopardize their future by using excessive fossil fuel on transportation. But these limited efforts do nothing to affect the social aspect of sustainability — those who produce the food are again left invisible.

The school salad bar program, started in 2007, uses organic and local vegetables in its buffet line as much as possible. The majority of the bars are strategically located in schools where more than half the student body qualifies for free and reduced-price lunches, a response to a Community Healthy Kids survey that put the number of ninth-graders who had eaten a single vegetable in the last week at 29 percent. Student reaction to the bars has been encouraging. Many poor families credit them with increasing the amount of produce in their kids’ diets.

“This program is an anomaly,” said Paula Jones, director of San Francisco Food Systems. “Other schools around the country just don’t see things like this.”

But a generation’s worth of antitax sentiment has limited the variety of the salad bars and other attempts at getting fresh food onto kids’ lunch trays. Due to high labor costs, the school district buys pre-chopped vegetables, severely limiting sourcing options. In the meantime, another generation of low-income kids is growing up on processed, packaged foods. Jones said making sustainable food available to all children is an issue the community must help take on. “The bottom line is, it’s going to take a lot of people talking about this to realize this is not just the school district’s problem.”

Jones’ organization works on getting healthy food to the city’s underserved populations. Nutritionally, this is the salient mission of our age. Despite its current vogue, only 10 percent of Americans buy organic, and shoppers who consistently choose healthy foods usually find themselves spending 20 percent more. Several California studies have indicated that socioeconomically depressed neighborhoods have disturbingly high rates of food insecurity and obesity.

Despite the enormity of the challenge, Jones remains positive. “We lead in this issue. San Francisco is ready, and we have the will.” She counts among the city’s biggest successes in this area the fact that all farmers markets, typically more expensive than average supermarkets, now accept food stamps.

THE FRESHEST FOR THE POOREST

On a bright autumn Wednesday, market assistant manager John Fernandez stands outside his “office,” a white van with the Heart of the City logo. The Heart of the City Farmers Market takes place in a plaza just between City Hall and the Tenderloin twice a week, year-round. Fernandez said it has the highest food stamp sales — second only to that of the Hollywood market — in California and has played a role in allowing low income families and individuals in the area to fit local and organic food into their budget.

Fernandez has worked here for 13 years, and said that the use of food stamps has doubled since last summer. Most of his food stamp customers are families and individuals coming back week after week. They pass by the van to have Fernandez swipe their food stamp cards through a machine and hand them the yellow plastic coins used to buy everything from persimmons to what is far and away the market’s most popular item: the live chickens that squawk from cages at one end of the line of stalls.

Efreh Ghanen was one of the shoppers we talked to who felt that being able to use her food stamps at the farmers market had improved the health of her family. Ghanen, who shops with her mother and sister, likened Heart of the City to the Yemeni markets where they bought their food growing up. “The honey, fruit, and vegetables here are fresher,” she said. “They just taste better.”

“I definitely wouldn’t be able to shop here if it weren’t for the food stamp program,” echoed Shana Lancaster. She teaches at Paul Revere Elementary School in Bernal Heights, a position funded through AmeriCorps whose low pay automatically qualifies her for the food stamp program. She selects an armful of organic Gala apples while noting the value of shopping local for working people like herself. “I like supporting the farmers. Everyone here at the market has a story. These days, everyone is struggling.”

But both Lancaster and Ghanen tell us that when they can’t afford to shop at the farmers markets, they head straight for corporate retailers like Safeway and Walgreens, buying whatever they need to get by.

Programs like these are essential if the sustainability movement is to remain relevant and widen its reach. Just as the environment will degrade if industrial agriculture continues unabated, so too will local and organic food sources falter if the majority of our society cannot afford to buy their wares.

In the end, the obstacles are about class. Low-income groups, be they the people who grow the organic food or the schoolchildren who benefit from eating it, need to become more of a focus of the “good food” movement. What Slow Foodies and other activists must keep in mind is that over-accessorizing a cause (as with esoteric artisan products and exclusive dining experiences) makes it less a vehicle for change and more like reshuffling of the same old injustices. Social change, by definition, has to be for everyone. Because elitism tastes as bad as it always has.

For more information, check out “Fair Food: Field to Table,” a multimedia project recently released by the California Institute for Rural Studies. CIRS is one of the leading researchers of working standards on Californian farms and its data is found throughout this article. Watch the Fair Food documentary for free at www.fairfoodproject.org.

Tony’s Pizza Napoletana

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paulr@sfbg.com

Carrying coals to Newcastle is hard work, so when we’ve finished up, how about some pizza to refresh ourselves? And where would we begin the search — North Beach, the Newcastle of pizza? No, too obvious. Chic pizza these days is found practically everywhere in the city except North Beach — in Dogpatch, in Glen Park, in the Mistro, and the Marina. Why would anyone go to North Beach?
Well, one good reason would be Tony’s Pizza Napoletana, which has an air of Neapolitan or Roman authenticity that goes far beyond the pies themselves and is really unmatched in this respect by any of the newer places, despite their commendable pizzas. While I am not a huge fan of trying to recreate the foods and styles of other places — restaurants are not zoo exhibits, and the best way to have authentic food experiences is to travel to the places where those experiences are indigenous — Tony’s is relaxed enough in look and atmosphere, and intense enough about the food, to become an authentic experience in its own right. It feels unforced and right, like a place that’s been there forever yet is as fresh as if it opened yesterday. (It actually opened early in the summer in the longtime home of La Felce.)
One of the underrated joys of North Beach is the display of fabulous, oversized culinary apparatus — the kind of implements you could never have in your own home, unless you’re Pat Kuleto. One example is the coffee roaster in the window of Caffe Roma, and another is the pizza oven — I should say, one of the pizza ovens, since there are three — at Tony’s, which isn’t in a window, but you can get a booth quite nearby and watch the action.
The oven of which I speak is gas-fired (no, not coal-fired, this isn’t Newcastle) and has an attractive dome covered in a mosaic of red tiles. The oven’s heat is steady and fierce, and as the clad-in-white pizzaioli — led by owner Tony Gemignani — wield their long-handled peels, you have a brief sense of men working in a foundry, except that what emerges from the heat isn’t a sequence of gold ingots but of pizzas, and pizzas in a surprising variety of shapes and forms.
At most of the newfangled places, pizza takes its familiar form, as a yeast-leavened wheat dough rolled into a thin disk and topped with various combinations of sauces, cheese, vegetables, and meat before being baked. You might luck out and spot a calzone, in which the disk is folded over on itself to form a mezzaluna-shaped pocket. But nowhere else are you likely to find stromboli, a sort of pizza roulard in which the pie is rolled up into a log, baked, then sliced into rounds like a büche de Noel. Tony’s Romanos Original 1950 version ($11) is stuffed with ham, pepperoni, sliced Italian sausage, sweet peppers, and mozzarella and American cheeses — and if that isn’t rich enough, the crust acquires a pastry-like flakiness, perhaps from the rolling.
Also plenty rich-looking are the Sicilian-style pies, which are baked in square pans, like focaccia, and heavily laden with toppings. They look like party platters as they emerge from the oven and are rushed to large, clamorous tables of partiers. Smaller parties, though, can probably make do with the more svelte, conventional pies, among them the margherita ($18), which is probably the signature Italian pizza, and also Tony’s, and is baked in a 900-degree wood-fired oven.
The margherita also is so simple that there isn’t much maneuvering room. You have your crust, your tomato sauce, a few blobs of mozzarella, and some basil leaves. Not much to go wrong; not much to stand out, either. Tony’s tomato sauce is tangy, the basil leaves lightly blistered but still basically fresh and fragrant, the coins of melted mozzarella like reflections of a full moon on the still surface of a pond. One’s attention, then, is drawn to the crust, and it is gorgeous: a thin but not too thin mat, soft but not droopy and blistered just enough on the bottom to lend character. I would hesitate to say Tony’s is the best margherita pizza I’ve ever eaten only because I’ve eaten so many good ones, and in part this must say something about the soundness of the recipe. I’ve never had a better one than Tony’s, can I put it that way?
Since humans do not live by pizza alone — or bread (and the bread is excellent, with pesto, EVOO, and chopped garlic for dipping) — there is also a host of unleavened items on the menu, including pastas, small plates, and salads. An antipasto-style plate of white Italian anchovies ($10) couldn’t be plumper, nestled on their bed of fresh arugula leaves like middle-aged, bleached-out snowbirds surrounded by palm fronds on a Florida beach in February while, nearby, lurks a clutch of Calabrese peppers — sort of like blood-red pepperoncini, sweet with a bit of bite. They could be snowbirds who’ve been in the sun way too long.
For a salad, how about spinach ($10) with pine nuts, goat cheese, slivers of red onion, a balsamic reduction, and EVOO? All immaculately fresh and nicely balanced, though the sweet-tooth found the balsamic a bit too sweet, and I thought the price was a little dear for what was, in the end, ordinary.
The sweet-tooth did like the chocolate truffle cake ($7 for a massive, ship’s-prow slice), which was refreshingly not all that sweet. Sometimes it’s best to carry fewer coals to Newcastle, particularly if the coals are sugary.

TONY’S PIZZA NAPOLETANA
Wed.-Sun., noon–11 p.m.
1570 Stockton, SF
(415) 835-9888
www.tonyspizzanapoletana.com
AE/DS/MC/V
Beer and wine
Noisy
Wheelchair accessible

Alerts

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alerts@sfbg.com

Wednesday, Dec. 2

Battle for Whiteclay
Attend a screening and discussion of this documentary, which follows Native American activists to Nebraska’s state capitol to end alcohol sales to residents of the Pine Ridge Indian Reservation by stores in the neighboring town of Whiteclay. The film serves as an inside look at the conflict between Native Americans’ rights and state and local governments’.
7:30 p.m., $6 suggested donation
Artists’ Television Access
992 Valencia, SF
(415) 821-6545

Thursday, Dec. 3

Die-in for Bhopal
Join a die-in to commemorate the 25th anniversary of Union Carbide’s (now Dow Chemical) gas tragedy in Bhopal, India. Honor the thousands who died in the tragedy and protest the abandoned chemicals that continue to pollute the groundwater.
Noon, free
Union Square
Powell at Geary, SF
Bhopal.net
Prison Reduction Plan
Michael Bien, lead counsel in Coleman vs. Schwarzenegger, answers questions about the implementation of the California Prison Population Reduction plan. Judges in the case ordered the state to reduce its inmate population because of prison overcrowding. Sponsored by the Californians United for a Responsible Budget (CURB) Coalition.
6 p.m., free
CURB Office
1904 Franklin, # 504, Oakl.
(510) 444-0484

Friday, Dec. 4

Oaktown on wheels
Participate in a community bike ride through Oakland to display, promote, and celebrate healthy transportation. Ride ends at the Art Murmur community street party
6 p.m., free
Meet at Frank Ogawa Plaza
14th and Broadway BART station, Oakl.

Saturday, Dec. 5

Celebrate free clinic opening
Attend opening day of the Mabuhay Health Clinic and its services, a free, student-run community health clinic that aims to reduce health disparities in the SoMa district. The clinic is in partnership with the South of Market Health Center, the Bayanihan Community Center, and UCSF. Sup. Chris Daly and staff from Mayor Gavin Newsom’s office will be present. Also features food and entertainment.
2 p.m., free
Mabuhay Health Clinic
1010 Mission, SF
(415) 336-5277
Backpacks for the people
Help assemble "warm wishes" packs filled with gloves, socks, scarves, and more to be distributed to 4,000 homeless men, women, and children in the Bay Area.
8 a.m., free
Unity in Marin
600 Palm Drive, Novato
(415) 472-0211

Sunday, Dec. 6

Help class-war prisoners
Attend this fundraiser for the Partisan Defense Committee’s Class-War Prisoners Stipend Fund, which helps victims of racist prison and death sentences. Featuring a buffet, door prizes, silent art auction, and more.
3 p.m., $10
Women’s Building
3543 18th St., SF
(510) 839-0852
Fast for our climate
Send a message to the U.N. Conference on Climate Change in Copenhagen that the world needs to make a strong commitment to reduce emissions at this afternoon of fun sans food. Show solidarity with 21 other countries staging hunger strikes.
1 p.m., free
U.N. Plaza
Market at Hyde, SF
(484) 319-1115<0x00A0><cs:5>2<cs:>
Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alerts@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Music Listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

*Baroness, Earthless, Iron Age Bottom of the Hill. 9pm, $14.
Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.
Dashboard Confessional, New Found Glory Slim’s. 8:30pm, $28.
“Duane Allman Birthday Tribute” Boom Boom Room. 9:30pm, $10. With members of Poor Man’s Whiskey, New Monsoon, Tracorum, and more.
Hiwatters, Middle Class Murder, DariusTX Red Devil Lounge. 8pm, $5-15.
*King City, Mission Street Stranglers, Black Crown String Band Annie’s Social Club. 8pm, $6.
Mass Fiction, Actors, Farewell Typewriter Elbo Room. 9pm, $6.
Mt. St. Helens Vietnam Band, Growlers, My First Earthquake Rickshaw Stop. 8pm, $12.
Luke Rathbone Hotel Utah. 9pm, $12.
David Jacob Strain Biscuits and Blues. 8pm, $15.
“Ten Out of Tenn” Independent. 8pm, $15. With Trent Dabbs, Matthew Perryman Jones, Jeremy Lister, and more.

JAZZ/NEW MUSIC

“B3 Wednesdays” Coda. 9pm, $7. With David Mathews Trio featuring Barry Finnerty.
Cat’s Corner Savanna Jazz. 7pm, $5-10.
Alasdair Fraser and Natalie Haas Yoshi’s San Francisco. 8pm, $22.
Gil Cohen Jazz Duo Moussy’s, 1345 Bush, SF; (415) 441-1802. 6pm, free.
Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.
Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Realistic Orchestra Yoshi’s San Francisco. 10:30pm, $14.
Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Gregory Alan Isakov, Patrick Park Café du Nord. 9:30pm, $12.
Bluegrass Country Jam Plough and Stars. 9pm. With Jeanie and Chuck.
“Long Night’s Moon presented by Singbird Festival” El Valenciano, 152 Valencia, SF; (415) 826-9561. 8:30pm, $7. Featuring Uni and Her Ukulele, Dina Maccabee Band, Whiskey and Women, and Paper Crocodiles.

DANCE CLUBS

Afreaka! Attic, 3336 24th St; souljazz45@gmail.com. 10pm, free. Psychedelic beats from Brazil, Turkey, India, Africa, and across the globe with MAKossa.
Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.
DJ Rebellious Jukebox Hemlock Tavern. 9pm, free.
Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.
Hump Night Elbo Room. 9pm, $5. The week’s half over – bump it out at Hump Night!
Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.
Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.
RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.
Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.
Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 3

ROCK/BLUES/HIP-HOP

Agent Orange, Jokes for Feelings, Black Dream Thee Parkside. 9pm, $10.
Alma Desnuda, Highway Robbers, Grace Woods, Earl J. Rivard Great American Music Hall. 8pm, $13.
Soul Burners Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Cold Cave, Former Ghosts, Veil Veil Vanish Bottom of the Hill. 9pm, $10.
Grannies, Turbonegra, Inoculators, Tempramentals Annie’s Social Club. 8pm, $7.
Leigh Gregory and Memory’s Mystic Band, Martin Bisi, Dominique Leone Hemlock Tavern. 9pm, $7.
“A Holiday Benefit: Music for the Kids” Independent. 8pm, $20-35. With Greasetraps. Benefits buildOn.
Less Than Jake, Fishbone, Cage Regency Ballroom. 7pm, $22.
New Maps of the West, Honey, Lambs Bollyhood Café. 8pm, $5.
NOFX, Wax, Dead to Me, Nathan Maxwell and the Original Bunny Gang Slim’s. 8pm, $40.
Split Lip Rayfield, Kemo Sabe Rickshaw Stop. 8pm, $15.
Li’l Dave Thompson Biscuits and Blues. 8pm, $15.
bay area
Throwback Thurs 4 Last Day Saloon, 120 5th St., Santa Rosa; (707) 545-2343. 9pm, $12. Featuring Skee-lo, Rappin’ 4-Tay, and At All Costs.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.
Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.
Goapele Yoshi’s San Francisco. 8 and 10pm, $26.
Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.
Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Al Marshal Quintet Coda. 9pm, $7.
49 Special Atlas Café. 8pm, free.
Valerie Orth Dolores Park Café. 8pm, $10 sliding scale.
Shannon Céilí Band Plough and Stars. 9pm.
“Songwriters in the Round” Hotel Utah. 8pm, $8. With Heather Combs, Damond Moodie, Jesse Brewster, and Rick Hardin.
“Tibet Day” Presentation Theater, University of San Francisco, 2350 Turk, SF; (415) 422-5093. Documentary viewing and concert.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and guests Nappy G and Motion Potion spin Afrobeat, Tropicália, electro, samba, and funk.
Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.
Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.
Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.
Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.
Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.
Holy Thursday Underground SF. 10pm, $5. Bay Area electronic hip hop producers showcase their cutting edge styles monthly.
Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.
Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.
Lacquer Beauty Bar. 10pm-2am, free. DJs Mario Muse and Miss Margo bring the electro. Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.
Popscene 330 Ritch. 10pm. With a live performance by stellastarr*.
Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.
Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.
Studio SF Triple Crown. 9pm, $5. Keeping the Disco vibe alive with authentic 70’s, 80’s, and current disco with DJs White Girl Lust, Ken Vulsion, and Sergio.

FRIDAY 4

ROCK/BLUES/HIP-HOP

“Battle of the Bands Finals” DNA Lounge. 5:30pm, $12. With Death Between Seasons, Draconian Winter, Gravy Trainwreck, and more.
Black Crowes, Truth and Salvage Company Fillmore. 9pm, $51.50.
Damage Inc, Paradise City, Aaron Pearson Red Devil Lounge. 8pm, $10.
Damn Near Dead Abbey Tavern, 4100 Geary, SF; (415) 221-7767. 9pm, free.
“Dead Hensons Finale Extravaganza” Bottom of the Hill. 9:30pm, $12. With Thunderbleed aka Blind Vengeance and DJ Adam Infantacide.
Dragon Smoke, Ronkat and Katdelic Independent. 9pm, $30.
Forever the Sickets Kids, Rocket Summer, Sing It Loud, My Favorite Highway, Artist vs. Poet Regency Ballroom. 6:30pm, $18.
DJ Lebowitz Madrone Art Bar. 6-9pm, free.
Legendary Stardust Cowboy, Two Tears, Touch-Me-Nots Hemlock Tavern. 9:30pm, $7.
Charlie Musselwhite Biscuits and Blues. 8 and 10pm, $35.
La Plebe, Nothington, Hooks, Frankenstein L.I.V.S. Annie’s Social Club. 8:30pm, $8.
Poi Dog Pondering, Geographer Slim’s. 9pm, $24.
Raw Deluxe Coda. 10pm, $10.
Robin Yukiko Band Brainwash, 1122 Folsom, SF; (415) 861-2663. 8pm, free.
Threes and Nines, Dialectic, Rockodile Hotel Utah. 9pm, $8.
J. Tillman, Pearly Gate Music Great American Music Hall. 9pm, $13.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Black Market Jazz Orchestra Top of the Mark. 9pm, $10.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
“Jazzcracker and Other Delights: Tchaikovsky with a Jazz Twist!” Aidan’s Episcopal Church, 101 Gold Mine Dr, SF; 1-800-838-3006, www.performanceshowcase.com. 8pm, $20. With the Terry Disley Experience.
Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.
Kally Price Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

FOLK/WORLD/COUNTRY

Las Bomberas de la Bahia, Blanca Sandoval, LoCura Brava Theater, 2781 25th St.; (415) 648-1045. 8pm, $16.
Adrian Emberly Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Encuentro del Canto Popular festival Accion Latina, 2958 24th St., SF; (415) 648-1046. Featuring LoCura, Rincon Pabon, De La Fe, and more.
Goapele Yoshi’s San Francisco. 8 and 10pm, $28.
Kounterfeit Change Rock-It Room. 9pm.
Pine Needles Plough and Stars. 9pm.
Rocky Dawuni and the Revelation Project, Pleasuremaker Band, DJs Jeremy Sole and
Señor Oz Elbo Room. 10pm, $12.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.
Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.
Deeper 222 Hyde, 222 Hyde, SF; (415) 345-8222. 9pm, $10. With DJs Jason Short, Moniker, and more spinning dubstep and techno.
Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.
Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.
Floor Score Siberia, 314 11th St., SF; (415) 552-2100. 10pm, $6. With DJs Robot Hustle and Stanley Frank spinning fluoro, disco, and homo all night.
Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.
Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.
M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.
Oldies Night Knockout. 9pm, $2-4. Doo-wop, one-hit wonders, and soul with DJs Primo, Daniel, and Lost Cat.
Polaris Mezzanine. 10pm, $20. A night of dubstep, glitch and bass heavy dance music featuring DJs Max Ulis, Ana Sia, Heyoka, Billy the Robot, and more.
Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

SATURDAY 5

ROCK/BLUES/HIP-HOP

“Bay Area Derby Girls: Cinco de Malo Prom 2009” Thee Parkside. 9pm, $15.
Black Crowes, Truth and Salvage Company Fillmore. 9pm, $51.50.
Black Hollies, Shys, Hot Lunch Bottom of the Hill. 10pm, $10.
Marcus Foster, Blue Roses Elbo Room. 6pm, $12.
*Husbands, Th’ Losin Streaks, Primitivas El Rio. 10pm, $8.
Midnight Strangers, Spyrals, Tasso Hemlock Tavern. 9:30pm, $6.
*Red Meat, Drunk Horse, East Bay Grease Annie’s Social Club. 9pm.
Sic Wolf, Maniac Martyrs, Lost Puppy Thee Parkside. 3pm, free. Benefit for the Lyon Martin Women’s Clinic.
Two Tears, Ebonics, Dirty Cupcakes Knockout. 5-9pm, $5.
“The Vandals Christmas Formal” Slim’s. 9pm, $16. Also with Voodoo Glow Skulls and Knock Out.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.
Aram Denesh and the Superhuman Crew Coda. 10pm, $10.
Emily Anne’s Delights Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.
Goapele Yoshi’s San Francisco. 8 and 10pm, $28.
“Jazz Jam Session with Uptime Jazz Group” Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.
Ricardo Scales Top of the Mark. 9pm, $15.

FOLK/WORLD/COUNTRY

Adam Aijala, Larry Keel Hotel Utah. 7:30pm, $18.
Anna Ash and the Family Tree Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Bluegrass Bonanza Plough and Stars. 9pm.
BRWN BFLO, Bang Data, Rico Pabón and De La Fé Brava Theater, 2781 25th St.; (415) 648-1045. 8pm, $16.
Cirkestra Accordion Apocalypse, 2626 Jennings, SF; (415) 596-5952. 9:30pm, $10.
Encuentro del Canto Popular festival Accion Latina, 2958 24th St., SF; (415) 648-1046. Featuring LoCura, Rincon Pabon, De La Fe, and more.
Go Van Gogh Café International, 508 Haight, SF; (415) 552-7390. 7:30pm, free.
Adrian Legg, Teja Gerken Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $20.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.
Debaser Knocout. 10pm, $5. Arrive wearing a flannel before 11pm and get in free to this 90s dance party with DJ Jamie Jams and Emdee of Club Neon.
Everlasting Bass 330 Ritch. 10pm, $5-10. Bay Area Sistah Sound presents this party, with DJs Zita and Pam the Funkstress spinning hip-hop, soul, funk, reggae, dancehall, and club classics.
Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.
Gemini Disco Underground SF. 10pm, $5. Disco with DJ Derrick Love and Nicky B. spinning deep disco.
HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.
Leisure Paradise Lounge. 10pm, $7. DJs Omar, Aaron, and Jet Set James spinning classic britpop, mod, 60s soul, and 90s indie.
New Wave City DNA Lounge. 9pm, $7-12. Eighties dance party with Skip and Shindog.
Rebel Girl Rickshaw Stop. 10pm, $5. “Electroindierockhiphop” and 80s dance party for dykes, bois, femmes, and queers with DJ China G and guests.
Saturday Night Soul Party Elbo Room. 10pm, $10. Sixties soul on 45s with DJs Lucky, Phengren Oswald, and Paul Paul.
So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.
Soundscape Vortex Room, 1082 Howard, SF. With DJs C3PLOS, Brighton Russ, and Nick Waterhouse spinning Soul jazz, boogaloo, hammond grooves, and more.
Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

SUNDAY 6

ROCK/BLUES/HIP-HOP

Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.
Dollyrots, Perfect Machines, Departed Bottom of the Hill. 8:30pm, $10.
Generalissimo, Police Teeth, Truxton Kimo’s. 9pm, $6.
Pat Johnson and the Creeps Knockout. 10pm, $6.
Kit Ruscoe Group, Hydrogen Babies, Nice, Man’s Red Fire, Electric Googie Dawgz Café du Nord. 8pm, $10.
*Marduk, Nachtmystium, Mantic Ritual, Black Anvil, Merrimack DNA Lounge. 8pm, $20.
Rademacher, Golden Ghost, Woolly Moon Hemlock Tavern. 9pm, $6.
Jonathan Richman, Tommy Larkins Great American Music Hall. 8pm, $15.
Johnny Vernazza Biscuits and Blues. 8pm, $15.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.
Noel Jewkes, Josh Workman, Chuck Metcalf Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.
Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

FOLK/WORLD/COUNTRY

“Acoustic Country Christmas” Slim’s. 7pm, $17. With Sara Evans, Darryl Worley, and Mallory Hope.
Jesse DeNatale, Allison Lovejoy Amnesia. 8pm, $7-10.
Goapele Yoshi’s San Francisco. 2 and 7pm, $5-26.
Quin and friends Plough and Stars. 9pm.
Sacred Profanities Thee Parkside. 4pm, free.

DANCE CLUBS

Afterglow Nickies, 466 Haight, SF; (415) 255-0300. An evening of mellow electronics with resident DJs Matt Wilder, Mike Perry, Greg Bird, and guests.
DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.
Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, J Boogie, and guest Dub Gabriel.
Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.
Honey Soundsystem Paradise Lounge. 8pm-2am. “Dance floor for dancers – sound system for lovers.” Got that?
Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.
Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.
Lowbrow Sunday Delirium. 1pm, free. DJ Roost Uno and guests spinning club hip hop, indie, and top 40s.
Religion Bar on Church. 3pm. With DJ Nikita.
Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 7

ROCK/BLUES/HIP-HOP

Califone Great American Music Hall. 8pm, $16.
Grand Lake, Bad Assets, Pine Away Knockout. 10pm, $5.
“Not So Silent Night Competition” Bottom of the Hill. 8pm, $8. Bands TBA.

JAZZ/NEW MUSIC

Nick Culp Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.
Christopher O’Riley Yoshi’s San Francisco. 8pm, $30.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!
Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.
Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.
King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.
Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.
Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.
Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.
Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 8

ROCK/BLUES/HIP-HOP

Average White Band Yoshi’s San Francisco. 8 and 10pm, $25.
California Honeydrops Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.
Robert Francis Café du Nord. 9:30pm, $10.
Long Thaw, Downfalls, Pegataur Bottom of the Hill. 9pm, $8.
Nervous Tics, Aversions, Complaints Knockout. 9:30pm, free.

FOLK/WORLD/COUNTRY

Devine’s Jug Band, The Gas Men, Sean Corkery Club Waziema, 543 Divisadero, SF; (415) 999-4061. 8pm, free.
Fiddle Jam Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.
Barry O’Connell, Vinnie Cronin and friends Plough and Stars. 9pm.

JAZZ/NEW MUSIC

“Booglaloo Tuesday” Madrone Art Bar. 9:30pm, $3. With Oscar Myers.
Dave Parker Quintet Rasselas Jazz. 8pm.
“Jazz Mafia Tuesdays” Coda. 9pm, $7. With Spaceheater’s Blast Furnace.
Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Kate Waste, and Trashed Tracy.
Drunken Monkey Annie’s Social Club. 9pm, free. Weekly guest DJs and shot specials.
Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.
La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.
Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the science and art of music all night.
Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.
Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.
Shout at the Devil Red Devil Lounge. 8pm, free. Karaoke with a smoke machine and cheap drinks.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Events Listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2
Healthy Holiday Drinking Ferry Building, One Ferry Building, SF; (415) 291-3276 x103. 5:30pm, $30. Enjoy a holiday happy hour featuring Jim Beam cocktails made with early winter produce, samples of eight exotic liquor cocktails, and hors d’oeuvres from local restaurants. Vote for your favorite drink and be entered to win farmers market prizes.
The Moment of Psycho BookShop, 80 West Portal, SF; (415) 564-8080. 7pm, free. Hear film critic and historian David Thomson discuss his latest book The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder about the ways Hitchcock challenged Hollywood and altered our expectations for film.

THURSDAY 3
Handmade Ho Down 1015 Folsom, 1015 Folsom, SF; www.handmadehodown.com. 6pm, free. Bay Area artists selling their handmade goods on Etsy.com team up to present a night of shopping, holiday cocktails, and DJ music. Some proceeds to benefit DrawBridge.
High-Tech and the Written Word Mechanics’ Institute, 57 Post, SF; (415) 393-0100. Bay Area literary, publishing, and tech/media authorities come together to discuss the future of the book and printed word in the world of the internet and merging technologies. Featuring Daniel Handler, Brenda Knight, John McMurtrie, Annalee Newitz, Scott Rosenberg, and Oscar Villalon, moderated by Alan Kaufman.

FRIDAY 4
Green Sight and Sound Mina Dresden Gallery, 312 Valencia, SF; www.me-di-ate.net. 6pm, $35. Enjoy some ecoculture at this event featuring an art exhibition and silent auction of small works by environmental artists, wine, appetizers, and sweets from Bay Area purveyors, and live music performances.
Bay Area
Light Up the Holidays Jack London Square, Broadway at Embarcadero, Oak.; (510) 645-9292 x221. 5:30pm, free. Usher in the holiday season at this community event featuring an interactive palm tree light show, live dance and theater performances, live music, and more.

SATURDAY 5
Artist Bazaar Precita Eyes Mural Arts and Visitors Center, 2981 24th St., SF; (415)-285-2287. 7pm, free. Shop for some affordable original artwork by local artists while enjoying music by DJ Special K, a book signing by Precita Eyes Muralists, and affordable refreshments.
City Dance Cowell Theater, Fort Mason Center, SF; (415) 297-1172. 8pm, $15-23. Check out top-quality Bay Area dance performances with the Zhukov Dance Theater, Soul Sector, Loose Change, Funkanometry SF, and DS Players.
Deco the Halls Concourse Exhibition Center, 635 8th St., SF; (650) 599-DECO. Sat. 10am-6pm, Sun. 11am-5pm; $10. Attend the largest Art Deco and Modernism sale in the country featuring furniture, accessories, pottery, glass, art, books, jewelry, clothing, and more.
SF Camerawork Auction SF Camerawork, 2nd floor, 657 Mission, SF; (415) 512-2020. 1pm, $30. Bid on photographic art that fits a variety of budgets and interests from artists Robert Mapplethorpe, Todd Hido, Catherine Opie, and more. Proceeds help support SF Camerawork’s’ exhibition space, mentoring program for at-risk youth, and journal.
Slow Crab and Oyster Festival Potrero Hill Neighborhood House, 953 De Haro, SF; (415) 957-1313 x2. 6pm, $65. Celebrate the start of Dungeness Crab season at this dinner cooked by student chefs from the California Culinary Academy (CCA) featuring speakers, live blues music, and local beer.
Third Street Warehouse Sale 665 22nd St., SF; (415) 561-9703. 8:30am-4:30pm, free. Dozens of Bay Area designers and manufacturers are offering discounts on samples, overruns, and inventory of all kind of products from home décor and pet, to clothing and jewelry. Down the street at the same time, Rickshaw Bagworks (904 22nd St., SF; (415) 904-8368) is hosting a Flapjack Festival shopping and pancake event.
BAY AREA
Farmers’ Market Fair Civic Center Park, Center at Martin Luther King Jr. Way, Berk.; (510)548-3333. 10am-4pm, free. Shop for local crafts while stocking up on organic produce at this farmers’ market featuring live music throughout the day.
Fungus Fair Lawrence Hall of Science, Centennial Drive, Berk.; (510) 642-5132. Sat-Sun 10am-5pm, $6-12. Get up close to hundreds of wild mushrooms, eat edible mushrooms, learn cultivation techniques, watch culinary demonstrations, and become your own Mycologost (mushroom scientist) at this fair celebrating it’s 40th year.
Project Censored Book Release Odd Fellows Hall, 535 Pacific, Santa Rosa; (707) 874-2695. 6pm, $20. Celebrate the release of the 34th annual Project Censored, a list compiled by students and faculty at Sonoma State University of the most important news stories of the year censored by the mainstream media. To read this year’s stories, visit www.projectcensored.org.

SUNDAY 6
Passive Aggressive Artists Television Access (ATA), 992 Valencia, SF; (415) 863-2141. 5pm, $5-10 sliding scale. Attend SoEx’s 8th annual film and video screening juried by Andrea Grover featuring work from film and video artists Brian Andrews, Marlene Angeja, Miguel Arzabe, Clark Buckner, and more.
Winterfest 2009 SOMArts Gallery, 934 Brannan, SF; (415) 431-BIKE. 6pm; $15 for SFBC members, $40 for general public, includes a one year SF Bike Coalition membership. Enjoy a festive evening with fellow bike enthusiasts featuring New Belgium beer, DJs, food vendors, and deals on bikes, gear, art, and local bike crafts.
MONDAY 7
Double-Consciousness San Francisco Center for Psychoanalysis, 4th floor, 2340 Jackson, SF; (415) 563-5815. 7:30pm, free. Hear E. Victor Wolfenstein, Ph.d., psychoanalyst, author, and professor of political science at UCLA, explore double-consciousness and the subversion of love in Toni Morrison’s Tar Baby.
Save the Ant, Save the World Atlas Café, 3049 20th St., SF; (415) 648-1047. 7pm, free. Find out more about the huge role that ants play in our ecosystem at this talk where Dr. Brian Fisher will describe the unique behaviors and adaptations of these charismatic creatures.

Film Listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Louis Peitzman, Lynn Rapoport, Ben Richardson, Matt Sussman, and Laura Swanbeck. The film intern is Fernando F. Croce. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide at www.sfbg.com. For complete film listings, see www.sfbg.com.

OPENING

Armored Matt Dillon, Laurence Fishburne, and Jean Reno star in this action flick about a group of armored-truck workers who plot to steal $42 million. (1:28) Shattuck.
Brothers One’s a decorated Marine (Tobey Maguire) and one’s a fuckup (Jake Gyllenhaal) in this remake of a 2004 Danish film. (1:50) Embarcadero, Presidio, Shattuck, Sundance Kabuki.
*Collapse Michael Ruppert is a onetime LAPD narcotics detective and Republican whose radicalization started with the discovery (and exposure) of CIA drug trafficking operations in the late 70s. More recently he’s been known as an author agitator focusing on political cover-ups of many types, his ideas getting him branded as a factually unreliable conspiracy theorist by some (including some left voices like Norman Solomon) and a prophet by others (particularly himself). This documentary by Chris Smith (American Movie) gives him 82 minutes to weave together various concepts — about peak oil, bailouts, the stock market, archaic governmental systems, the end of local food-production sustainability, et al. — toward a frightening vision of near-future apocalypse. It’s “the greatest preventable holocaust in the history of planet Earth, our own suicide,” as tapped-out resources and fragile national infrastructures trigger a collapse in global industrialized civilization. This will force “the greatest age in human evolution that’s ever taken place,” necessitating entirely new (or perhaps very old, pre-industrial) community models for our species’ survival. Ruppert is passionate, earnest and rather brilliant. He also comes off at times as sad, angry, and eccentric, bridling whenever Smith raises questions about his methodologies. Essentially a lecture with some clever illustrative materials inserted (notably vintage educational cartoons), Collapse is, as alarmist screeds go, pretty dang alarming. It’s certainly food for thought, and would make a great viewing addendum to concurrent post-apocalyptic fiction The Road. (1:22) Lumiere, Shattuck. (Harvey)
La Danse: The Paris Opera Ballet Famed documentarian Frederick Wiseman turns his camera on the storied ballet company. (2:38) Elmwood, Smith Rafael.
The End of Poverty? Martin Sheen narrates this doc about the root causes of poverty. (1:46) Four Star.
Everybody’s Fine Robert De Niro works somewhere between serious De Niro and funny De Niro in this portrait of a family in muffled crisis, a remake of the 1991 Italian film Stanno Tutti Bene. The American version tracks the comings and goings of Frank (De Niro), a recently widowed retiree who fills his solitary hours working in the garden and talking to strangers about his children, who’ve flung themselves across the country in pursuit of various dreams and now send home overpolished reports of their achievements. Disappointed by his offspring’s collective failure to show up for a family get-together, he embarks on a cross-country odyssey to connect with each in turn. Writer-director Kirk Jones (1998’s Waking Ned Devine) effectively underscores Frank’s loneliness with shots of him steering his cart through empty grocery stores, interacting only with the occasional stock clerk, and De Niro projects a sense of drifting disconnection with poignant restraint. But Jones also litters the film with a string of uninspired, autopilot comic moments, and manifold shots of telephone wires as Frank’s children (Kate Beckinsale, Drew Barrymore, and Sam Rockwell) whisper across the miles behind their father’s back — his former vocation, manufacturing the telephone wires’ plastic coating, funded his kids’ more-ambitious aims — feel like glancing blows to the head. A vaguely miraculous third-act exposition of everything they’ve been withholding to protect both him and themselves is handled with equal subtlety and the help of gratingly precocious child actors. (1:35) Presidio. (Rapoport)
*Everything Strange and New See “Triumph of the Underdog.” (1:24) Roxie.
Serious Moonlight From a screenplay by the late actor, writer, and director Adrienne Shelly, Curb Your Enthusiasm’s Cheryl Hines constructs a few scenes from a marriage in various kinds of jeopardy. The caddish-seeming Ian (Timothy Hutton) is on the verge of leaving his powerhouse-lawyer wife of 13 years, Louise (Meg Ryan), for a considerably younger and somewhat dimmer woman (Kristen Bell) when Louise throws a wrench in his plans with the help of a well-aimed flower pot and a roll of duct tape (are there any household problems this miracle material can’t solve?) What follows, with the unpredictable assistance of a gardener (Justin Long) who wanders onto the scene, is a sort of marathon couple’s-counseling session under duress that largely takes place within the confines of their bathroom — a roomy space, but rather smaller than your average therapist’s office. It’s not always easy to be in such close quarters with the pair as they rehash their relationship — a lot of decibels bounce off the walls as Ian yells and Louise endeavors to force him to recall, and feel, what he once felt. And while the circumstances, and the camera, give Ryan and Hutton the opportunity to leisurely express their characters’ conversational and interrelational habits, the larger issues are too much to work through all at once. The faint overlying tone of darker comedy and a scattering of physical gags restrain us from much emotional involvement, the backstory of the marriage gets pieced together in large, unlikely sections, and the film feels like an exercise or a sketch, rather than a deeply considered undertaking. (1:35) Opera Plaza. (Rapoport)
Transylmania Holy Vlad, another vampire movie? At least this one’s a spoof. (1:32).
Up in the Air After all the soldiers’ stories and the cannibalism canards of late, Up in the Air’s focus on a corporate ax-man — an everyday everyman sniper in full-throttle downsizing mode — is more than timely; it’s downright eerie. But George Clooney does his best to inject likeable, if not quite soulful, humanity into Ryan Bingham, an all-pro mileage collector who prides himself in laying off employees en masse with as few tears, tantrums, and murder-suicide rages as possible. This terminator’s smooth ride from airport terminal to terminal is interrupted not only by a possible soul mate, fellow smoothie and corporate traveler Alex (Vera Farmiga), but a young tech-savvy upstart, Natalie (Anna Kendrick), who threatens to take the process to new reductionist lows (layoff via Web cam) and downsize Ryan along the way. With Up in the Air, director Jason Reitman, who oversaw Thank You for Smoking (2005) as well as Juno (2007), is threatening to become the bard of office parks, Casual Fridays, khaki-clad happy hours, and fly-over zones. But Up in the Air is no Death of a Salesman, and despite some memorable moments that capture the pain of downsizing and the flatness of real life, instances of snappily screwball dialogue, and some more than solid performances by all (and in particular, Kendrick), he never manages to quite sell us on the existence of Ryan’s soul. (1:49) (Chun)

ONGOING

Art and Copy (1:30) Roxie.
*Bad Lieutenant: Port of Call New Orleans (2:01) Lumiere, Shattuck, Smith Rafael, Sundance Kabuki.
The Blind Side When the New York Times Magazine published Michael Lewis’ article “The Ballad of Big Mike” — which he expanded into the 2006 book The Blind Side: Evolution of a Game —nobody could have predicated the cultural windfall it would spawn. Lewis told the incredible story of Michael Oher — a 6’4, 350-pound 16-year-old, who grew up functionally parentless, splitting time between friends’ couches and the streets of one of Memphis’ poorest neighborhoods. As a Sophomore with a 0.4 GPA, Oher serendipitously hitched a ride with a friend’s father to a ritzy private school across town and embarked on an unbelievable journey that led him into a upper-class, white family; the Dean’s List at Ole Miss; and, finally, the NFL. The film itself effectively focuses on Oher’s indomitable spirit and big heart, and the fearless devotion of Leigh Anne Tuohy, the matriarch of the family who adopted him (masterfully played by Sandra Bullock). While the movie will delight and touch moviegoers, its greatest success is that it will likely spur its viewers on to read Lewis’ brilliant book. (2:06) Cerrito, 1000 Van Ness, Presidio, Sundance Kabuki. (Daniel Alvarez)
*Capitalism: A Love Story (2:07) Red Vic, Roxie.
Christmas with Walt Disney (:59) Walt Disney Family Museum.
Coco Before Chanel (1:50) Opera Plaza, Shattuck.
Defamation (1:33) Roxie.
Disney’s A Christmas Carol (1:36) 1000 Van Ness.
*An Education (1:35) Albany, Embarcadero, Piedmont.
*Fantastic Mr. Fox A lot of people have been busting filmmaker Wes Anderson’s proverbial chops lately, lambasting him for recent cinematic self-indulgences hewing dangerously close to self-parody (and in the case of 2007’s Darjeeling Limited, I’m one of them). Maybe he’s been listening. Either way, his new animated film, Fantastic Mr. Fox, should keep the naysayer wolves at bay for a while — it’s nothing short of a rollicking, deadpan-hilarious case study in artistic renewal. A kind of man-imal inversion of Anderson’s other heist movie, his debut feature Bottle Rocket(1996), his latest revels in ramshackle spontaneity and childlike charm without sacrificing his adult preoccupations. Based on Roald Dahl’s beloved 1970 book, Mr. Foxcaptures the essence of the source material but is still full of Anderson trademarks: meticulously staged mise en scène, bisected dollhouse-like sets, eccentric dysfunctional families coming to grips with their talent and success (or lack thereof).(1:27) Elmwood, Empire, Four Star, Marina, 1000 Van Ness, SF Center, Sundance Kabuki. (Devereaux)
*Good Hair (1:35) Opera Plaza.
The Maid (1:35) Clay, Shattuck.
The Men Who Stare at Goats (1:28) 1000 Van Ness, Roxie, Shattuck.
*The Messenger (1:45) Albany, Opera Plaza, Smith Rafael.
*Michael Jackson’s This Is It (1:52) 1000 Van Ness, SF Center.
New York, I Love You (1:43) Lumiere.
Ninja Assassin (1:33) 1000 Van Ness, Shattuck.
Old Dogs (1:28) Elmwood, Oaks, 1000 Van Ness.
Pirate Radio (2:00) Elmwood, 1000 Van Ness, Piedmont, Presidio, Sundance Kabuki.
Planet 51 (1:31) Oaks, 1000 Van Ness.
*Precious: Based on the Novel Push By Sapphire (1:49) SF Center, Shattuck, Sundance Kabuki.
Red Cliff (2:28) Embarcadero, Shattuck, Smith Rafael.
The Road (1:53) Embarcadero, California, Piedmont.
*A Serious Man (1:45) California, Embarcadero, Piedmont.
2012 (2:40) California, Empire, 1000 Van Ness.
The Twilight Saga: New Moon (2:10) Cerrito, Empire, 1000 Van Ness, Presidio, SF Center, Sundance Kabuki.
(Untitled) (1:30) Bridge, Shattuck.
*William Kunstler: Disturbing the Universe (1:30) Shattuck.

REP PICKS

The Cardinal In 1963 Otto Preminger was an old-guard titan of prestige Hollywood projects as yet unaware he’d just passed his peak. That this three-hour epic of priestly life got six Oscar nominations –- winning none, including what was only Preminger’s second go at Best Director –- testifies more to its scale and expense than to any great enthusiasm from press or public. Soon the famously tyrannical director would be considered by many a dinosaur in need of extinction so that new, less lumbering species could invigorate the medium. He did go away, too, or at least became irrelevant, via a painful late-career stretch of movies. Still, as a next-to-last effort (preceding 1965 John Wayne war spectacular In Harm’s Way) from his “superproduction” period, the seldom-revived Cardinal is not without interest. Based on a 1950 novel by Henry Morton Robinson, it charts the steady rise of idealistic but occasionally self-doubting Boston priest Stephen Fermoyle (Tom Tryon). Taking him from humble beginnings to Vatican insiderdom, the episodic narrative features Carol Lynley as a sister who becomes (for forbidden love of a Jew) a fallen woman; John Huston, Burgess Meredith, Raf Vallone, and Josef Meinrad as mentoring fellow men of the cloth; Ossie Davis as a black Georgia priest whose agitation against racism attracts KKK violence; and Romy Schneider as the Viennese girl who nearly lures Stephen from his vocation, then encounters him years later as a married woman threatened by the Gestapo. There’s also a completely unnecessary musical sequence with “Bobby (Morse) and His Adora-Belles,” a Passion of the Christ-like whipping scene, and other sporadic incongruities. For the most part, however, The Cardinal is all too steady of pulse, its 175 minutes consistently interesting yet without cumulative power. That’s long been blamed on Tryon, a tall, handsome, placid actor who fails to communicate a difficult role’s inner turmoil. But it’s also the producer-director’s fault. He hews to the cinematic era’s disinterest in real period atmosphere, renders gritty episodes corny, and demonstrates no stage-management flair for big setpieces like a late Nazi riot. Nonetheless, the film’s seriousness about church politics –- especially conflicting personal ethics and institutional necessity –- remains potent. This Film on Film Foundation screening features a very rare surviving 35mm widescreen Technicolor print, and is shown as a sidebar to but not an official part of the PFA’s current Preminger retrospective. (2:55) Pacific Film Archive. (Harvey)

*“Four by Hungarian Master Miklós Janksó” See “They Were Expendable.”

Thread Fashion Show

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Photo and text by Ariel Soto

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Fashionistas flocked to Fort Mason in search of the perfect outfit during a weekend long fashion event called Thread, held November 21 and 22. There were not only innovative designs and luscious accessories but also four runway shows to ogle over. At one of the runway extravaganzas, designers Arka Clothing, Nicacelly, and WHERE were featured on the catwalk. A live singer accompanied each set of models, which sounds cool, but honestly was rather distracting and made it difficult to enjoy the clothes being showcased. Beyond the clothing, there was also live painting and printmaking and yummy homemade food, creating an event that had a little bit of something for just about everybody.

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Things We Like

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Yoshi’s Fillmore

The Fillmore district was an epicenter of the golden age of West Coast jazz, and this huge, luxurious, recent addition to the area is reviving the spirit of that bygone era for thousands of delighted musicophiles and newbies. Dine on delicious sushi, grab a couple of cool cocktails, and sink into the tuneful, improvisatory vibes with live shows nightly. Don’t be surprised if you find yourself taking in performances by (or sitting next to) some of the Bay’s jazz greats. 1330 Fillmore. (415) 655-5600, www.yoshis.com
Neighborhood: Fillmore. Muni: 22 Fillmore, 38 Geary

Glen Canyon Park

A stunning shot of Northern California nature lies smack-dab in the middle of the city. This huge preserve in the Glen Park neighborhood offers outdoor activities, unusual wildlife, sports utilities, and the opportunity to get away from it all without the car-rental fees. Pack a couple of buttery chocolate croissants from nearby Destination Baking Company in the Glen Park Village shopping area and commune with nature (and gooey pastry) for an afternoon.
Bosworth and Elk
Neighborhood: Glen Park. Muni: 44 O’Shaughnessy. BART: Glen Park

Ton Kiang

Chinatown gets all the press when it comes to Chinese cuisine in this town — deservedly so — but locals also flock to this Outer Richmond neighborhood fave from 10:30 a.m. to 9 p.m. daily to dive into some of the city’s best dim sum. That means the large two-story dining room gets a little packed and noisy, but who cares when you’re gorging on delectable hai kim (shrimp-stuffed crab claws) and siu lung bao (Shanghai meat dumplings)?
5821 Geary. (415) 752-4440, www.tonkiang.net
Neighborhood: Outer Richmond. Muni: 38 Geary

Temple

If you’re into giant, after-hours nightlife experiences with a spiritual edge, this recently opened megaclub will grab you body and soul (without completely draining your wallet). Techno, tribal, electronica, hip-hop – even guided meditation and peace conferences – all find a home in the bangin’ multiple rooms of this green-certified palace. Check the basement “catacombs” for the latest sounds, grab a bite at attached Thai restaurant Prana, and don’t forget your latest dancing shoes.
540 Howard. www.templesf.com www.templesf.com
Neighborhood: SoMa. Muni: 27 Bryant

Zante Pizza and Indian Cuisine

It’s one thing to claim to invent a curious dish like “Indian pizza” – but quite another to have it turn out quite so amazingly. Zante in the Outer Mission has been serving this unique, crispy-crusted delicacy for years; it’s a San Francisco classic. Choose your toppings from an expansive, unusual list that includes spinach, tandoori chicken, cauliflower, eggplant, and more. The restaurant also features savory traditional Indian foods (the veggie samosas will knock your socks off). If you can’t make it in, Zante delivers to most of the city seven days a week.
3489 Mission. (415) 821-3949, www.zantespizza.com
Neighborhood: Outer Mission. Muni: 14 Mission

Fiona’s Sweet Shoppe

Ah yes, the famous Union Square, where the tumult of international commercialism, in the form of a gazillion department stores and tourist traps, can certainly overwhelm. When you’ve had enough browsing, or just need a sweet refresher, head a few blocks northeast to this incredibly cute, tiny candy store on Sutter Street. Scrumptious old school confections like English toffee and Dutch licorice abound, each piece individually wrapped and displayed in adorable jars.
214 Sutter. (415) 399-9992, www.fionassweetshoppe.com
Neighborhood: Downtown. Muni: 30 Stockton, 45 Union

Harry Denton’s Starlight Room

An oldie but still very-goodie. This dazzling bar and nightclub on the 21st floor of the Sir Francis Drake Hotel has an atmosphere that occasionally rises into glitzy high camp, but with 360-degree views of the glimmering city at night through floor-to-ceiling plate glass windows – well, all aboard the disco-go-round! Among all the polished Art Nouveau decor, the 1930s-style ladies room is a definite must-see. Sundays play host to the raucous “Sunday’s a Drag” brunch and gender-illusionist showcase – a stunning buffet if ever there was one.
450 Powell. (415) 395-8595, www.harrydenton.com
Neighborhood: Downtown. Muni: 38 Geary, 30 Stockton

Upper Playground

An art gallery, a fashion label, a men’s and women’s boutique – Upper Playground, whose various outlets take up approximately an entire block of Fillmore Street in Lower Haight, is the streetwise hipster’s one-stop dream. Local graffiti artists line up to design for Upper Playground’s numerous lines of T-shirts, hats, jackets, and accessories (including cheeky dildos and shot glasses), or to display their latest graphic works. When you’re done fingering monogrammed fleece in downtown’s tourist traps, this is the place to collect real SF souvenirs.
220 Fillmore. (415) 861-1960, www.upperplayground.com
Neighborhood: Lower Haight. Muni: 30

The Buena Vista

Whether or not the talented gents of the Buena Vista bar and cafe brought the everdreamy Irish coffee to America (as has been claimed), this well-appointed bar is well worth visiting for its cozy, old-timey atmosphere in the heart of North Beach – and for that lovely, steaming concoction of Irish whisky and specially prepared cream. Fog? What fog? You’ll slice right through it with a couple of warm ones in your belly.
2765 Hyde. (415) 474-5044. www.thebuenavista.com
Neighborhood: North Beach. Cable Car: Powell and Hyde

Ritual Coffee Roasters

With its anti-establishment logo, interesting art, tattooed baristas devoted to coffee culture, and scenester customers devoted to their laptops, Ritual embodies several generations of quintessential San Franciscan culture – from the summer of love to the dot com boom (2.0) – with a decidedly funky Mission District flair. This is where to plug in, foam up, and get connected, whether you’re new in town or ready to launch that quirky startup.
1026 Valencia, SF. (415) 641-1024, www.ritualroasters.com
Neighborhood: Mission. Muni: 14 Mission, 26 Valencia. BART: 24th Street

Zeitgeist

Rain or shine, this world-famous dive always seems packed with hipsters, hippies, bikers, anarchists, burners, European exchange students, and anyone else willing to brave notoriously surly service from punk-rock bartenders. The payoff? A chance to sip stellar Bloody Marys or draught imports on a beer garden-style bench in the expansive backyard. Sunday afternoons are especially raucous, and feature a shamelessly carnivorous barbeque.
199 Valencia, SF. (415) 255-7505, myspace.com/zeitgeistsf
Neighborhood: SoMa. Muni: 22 Fillmore, 26 Valencia

AsiaSF

Sleek, upscale, stylish – and fabulously gender-bending. Chichi drinks and high-end food are part of the deal, but AsiaSF’s real draw is its spectacular, theatrical, during-dinner shows featuring gorgeous, jaw-dropping gender illusionists – high-kicking, hair-flipping, and lip-synching with flair atop the long, thin bar. A restaurant and club perfect for celebrations, special occasions, and other-side-of-the-mirror titillation.
201 Ninth St., SF. (415) 255-2742, www.asiasf.com
Neighborhood: SoMa. Muni: F Line, 14 Mission, 19 Polk. BART: Civic Center Station

Bottom of the Hill

Situated deep in the deceptively charming industrial district of Potrero Hill, this live music venue, bar, and restaurant is known to music fans worldwide as one of the best places in San Francisco to see live bands. With a roster of performers that reads like Pitchfork’s Who’s Who of Indie Rock (and local acts soon to be included), an intimate stage, cheap cover, and a comfortable smoking patio, it’s a good bet seven days a week.
1233 17th St., SF. (415) 621-4455, www.bottomofthehill.com
Neighborhood: Potrero Hill. Muni: 19 Polk, 22 Fillmore

TransportedSF

San Francisco’s take on the tour bus, this biodiesel-fueled, decked-out VW is one part party, one part educational tool (by day, as Das Frachtgut), and all parts experience. Hop aboard for a movie-, DJ-, or dinner-themed trip with other strangers in the know, or rent it out for your own private fete. Either way, you’ll see several San Francisco landmarks, from peeks at Ocean Beach to a great view of your purple-haired fellow rider.
Pick up at Shine (call for schedule), 1337 Mission, SF. (415) 424-1058, www.transportedsf.com
Neighborhood: SoMa and all over. Muni: F Line, 14 Mission, 26 Valencia

Japantown

Japanese immigrants flocked to the area in Western Addition between Van Ness Avenue and Fillmore 100 years ago, and Japanophiles have been following their lead ever since. You can’t miss Japan Center, a three-block mall featuring shops that sell rare Japanese products, a multiplex theater, and a memorial designed by a world-renowned architect. Highlights include noodles at Suzu Ya, the baths and spa at Kabuki Springs, and oodles of anime figurines and samurai swords.
Between Geary, Polk, Laguna, and Fillmore, SF. www.sfjapantown.org
Neighborhood: Fillmore. Muni: 38 Geary

Beat Museum

If there’s one thing North Beach is known for more than its Italian roots, it’s for being the adopted home of the Beat Generation. This shop and museum is dedicated to all things Kerouac-and-friends, from documentaries upstairs to Beat bobbleheads (downstairs). An interesting education for curious on-the-roaders and a treasure trove for serious, finger-snapping fanatics looking to get groovy.
540 Broadway, SF. (800) 537-6822, www.thebeatmuseum.org
Neighborhood: North Beach. Muni: 20 Columbus, 41 Union, 45 Union/Stockton

Casanova Lounge

Hip, crowded, and unapologetically ironic (read: velvet nudes on the walls), Casanova, a full-service dive bar, is a Mission flagship. Crimson lighting and comfortable couches give it a slight boudoir/opium den feel, while lots of standing room and loud DJ music keep a casual vibe. And yes, it’s a meat market, but also a great place to meet well-versed, impeccably accessorized locals.
527 Valencia, SF. (415) 863-9328, www.casanovasf.com
Neighborhood: Mission. Muni: 22 Fillmore, 26 Valencia, BART: 16th Street

Appetite: A feast of beast, coffee on the road

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Dessert course from One Market’s Weekly Beast Goat Dinner

11/27-28 – Weekly Beast (Suckling Pig) menu at One Market
Burnt out on turkey? Friday and Saturday take a different turn with One Market’s Weekly Beast dinner. The animal changes weekly, from duck to rabbit to goat; this weekend offering suckling pig from Marin Farms. Sourcing local animals, Chef Mark Dommen cooks five-course meals using varied parts of the animal. Compared to other such multi-course meals around town, after trying their goat dinner, I find at $49 per person, it’s a deal, and only $20 to add on four wine pairings. You can also order a la carte if five courses sounds like too much. Start with Pig’s Head Terrine, move on to Crispy Pig Trotters with foie gras, Suckling Pig Confit with house-made sauerkraut, then Spit-Roasted Suckling Pig Leg. Dessert is Cornmeal Waffles with maple brown butter emulsion, frozen custard ice cream, and (wait for it) pig in the form of candied bacon. Yes, you’ll continue decadent Thanksgiving feasting with… even more decadent feasting. If you’re out of town, there’s always Muscovy Duck next weekend.
11/27-28; make reservations during dinner hours, 5:30-9pm
$49 per person / $20 wine pairings
One Market
1 Market, SF
415-777-5577

www.onemarket.com

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Go Coffee Go, mail order artisanal coffees

Go, Coffee, Go
Ok, coffee addicts: launched just last week is a new website/service started by SF locals, Scott Pritikin and Elise Papazian, that keeps gourmet coffee cravings satiated even when you don’t have access to the best. GoCoffeeGo delivers anywhere in the US, and this is signifcant because of the kind of coffees they sell: the likes of our own Ritual, Barefoot in Santa Clara, Santa Cruz’ Verve, and Metropolis in Chicago. This means whether you can’t buy a regional favorite here or are visiting family someplace bereft of fine coffee, it’s all sent to you. It’s ideal to set up a regular home delivery so you’re never out of stock, while trying different roasters around the country. Though they’ll continue to add vendors, Pritikin and Papazian are committed to artisan, regional coffees, having spent endless hours in big US cities and small towns on the hunt for the best local roasters and beans. Set up an account and feel the buzz.
www.gocoffeego.com

Recklessly defensive

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le.chicken.farmer@gmail.com

CHEAP EATS I like to live like I like to love: with my back to the wall, my skirt hiked up, and my hair a mess. Come to think of it, I like to play ping-pong and soccer that way too, but rarely wear skirts to games.

In case they never see me again, my soccerish pals Alice Shaw the Person and Elbie wanted to buy me brunch after our 3-3 tie last Sunday. It was the first game of the new season, but I’m going to miss the second and third, as well as the fourth through tenth, and quite possibly all of next season, come to think of it, and the next after that. And … hey, you never know.

When I went to Berlin last summer, there were isolated pockets of concern that I wouldn’t come back. This time it’s an all-out rumor. Everyone in the world, myself included, seems to think my return ticket might maybe be just for show. My friends who have actually met my Romeo, Romea, are convinced of it.

We make a damn good couple.

And I haven’t been helping matters by quitting my nanny gigs, subletting my shack, and giving away half my things. I’m even selling my car, Alice Shaw the Car, to Alice Shaw the Person’s little sister, which seems to make a certain sense, but certainly not financial sense. Funny, everything I have ever done that was by-the-books sound, advisable, or fiscally responsible has blown up in my face.

On the other hand, my soccer team won two championships in a row, and yes I am still thank you in love. But it’s a tricky proposition, living insanely without going insane. It’s like playing like I play: recklessly defensive. Sometimes you overcommit and slip and then your back-to-the-wall is skidding across the grass while the other team scores.

I wish I could take my soccer team to Germany with me, because they tend to pick me up, so to speak. But they’re all Brazilian and would struggle with the language. And the weather. And the style of play.

Anyway, I’m unaccustomed to winning, and a little disappointed because all we get for it is a T-shirt and a team photo. Otherwise, it’s almost the same as losing: you shake the other team’s hands and say the exact same thing they say, "Good game, good game," and then you go get beers or pancakes or something, or both. I don’t know, maybe there are other differences.

The real problem is that our league plays on Sundays, in the morning, so where are you going to get fed and watered afterward without having to wait in line?

Sports bars! It took me many years to figure this out, and then … I didn’t figure it out. Someone else did. I think it was Elbie’s guy who suggested the Fiddler’s Green after last game, and after this one I was hurrying down Haight Street to get in line at the Pork Store when I noticed Martin Mack’s, other side of the street, a block or so away. And it was empty, even though there was football and soccer and more football on TV. It was a sea of empty tables in there, and, yes, they serve brunch.

So I called Alice Shaw the Person’s cell phone and said, "Forget it. Forget the Pork Store."

And that was how I came to discover boiled bacon and cabbage. It was on the specials board, along with Guinness and beef stew, and I forget what else. Me and Elbie ordered those two things, and Alice got the Irish breakfast, and it was all a lot of too-much food for all of us, even though we’d just run around like we did.

Ten bucks apiece.

My dish came with unannounced but not unwelcome potatoes, mashed. The bacon scared me at first, not because it was Irish bacon, or boiled, but because it was smothered in this parsley-specked creamy white sauce that screamed mayonnaise. The waitressperson told me two or three times, no mayo, before I would taste it. And then I tasted it and it was awesome. If there was mayonnaise in it, I now love mayonnaise.

Stranger things have happened.

MARTIN MACK’S

Mon.–Sun., 10 a.m.–2 a.m.

1568 Haight, SF

(415) 864-0124

Full bar

AE/D/MC/V

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

Noodle Theory

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paulr@sfbg.com

The migratory patterns of restaurants might not be as riveting or significant as those of birds, but they do offer their little quirks and joys. When an Oakland restaurant opens a second front across the bay, in the city — The City, our very own — one sits up and takes notice. I am talking about Noodle Theory, which is the first Oakland, or indeed East Bay, restaurant to hop across our little mare nostrum that I can think of in quite a while, or maybe ever. Since the 1989 earthquake and the realignment of regional dining habits (the city was largely cut off for a month by the Bay Bridge closure), most of the traffic has gone the other way — city restaurants opening in the suburbs, where increasing numbers of diners are. (Also Chronicle subscribers; do we detect a pattern here?) In this sense, Noodle Theory is a kind of reverse commuter.

With a name like Noodle Theory, you would expect … noodles, and lots of them, and Noodle Theory delivers. Executive chef (and owner) Louis Kao’s menu is a brief primer on the noodles of east Asia, including soba, udon, and ramen. (Noodles, as it happens, are an ancient presence in east Asian cuisine, although it’s apparently a myth that Marco Polo introduced them to Italy.) But the food extends beyond noodles, and many of the noodly dishes display a worldly sophistication that transcends memories of those packs of instant ramen so many of us subsisted on as undergraduates.

The look of the restaurant suggests the basic Asian, even Japanese, tendency of things. (The space’s previous occupant was, in a small irony, a Thai restaurant.) The long, deep dining room, which includes the bar, is screened from the street by a pair of slatted rosewood panels that look like upright futon frames. One wall is upholstered in squares of rust-red leather, while the other consists largely of a floated sheet of iridescent green fabric. The basic effect is one of uncluttered sleekness that also manages to be slightly warm. One glance tells you that you’re somewhere in the Marina, and you’d certainly be pardoned for supposing you had ended up in a sushi bar.

The tableware, too, exudes a minimalist high style: oversized plates and bowls of white porcelain, some hemispherical, others rectangular or square. Some of this must be purely for show, but there’s also a functionality angle, since many of the dishes are complex compilations of noodles, broth, and feature ingredients, like the Szechuan-style oxtails ($13), braised in red wine and served in a deep round bowl with ramen and bok choy. I associate Szechuan style with chili heat, but there was none here, just the deep, brown, Burgundian richness of the braising liquid and tender meat on its knuckles of bone. Despite an ostensible Chinese provenance, the dish was like a cross between osso buco, beef Burgundy, and pho. And that was fine.

Less soupy were a set of pan-seared duck-breast flaps ($16) nested in a tangle of chubby wheat noodles. The noodles glistened with a thick coating of the coconut red curry sauce that is a staple in Thai cooking. The most striking quality of the sauce was its heat; despite its shy, orange-pink, nursery-room tint, it packed a real chili charge that left us smacking our lips for relief.

Many of the smaller dishes, even if noodleless, bring their own pleasures. Each table gets a complimentary dish of soy-seasoned edamame to nibble on, and as much as I love bread and butter, there’s much to be said for healthful nibble food that’s also tasty. If the edamame isn’t enough, then perhaps a bowl of dry-sautéed green beans ($6), a wealth of plump torpedoes nicely blistered and generously seasoned with ginger, garlic, and scallions. And the dinner menu offers quite sophisticated starter courses, such as tabs of grilled Hawaiian butterfish ($10), set up like a lean-to over a salad of ramen noodles and wakame (the translucent green threads of seaweed familiar to sushi lovers), with a wading pool of wasabi cream to one side.

All noodles might be starch, but at Noodle Theory, not all starch is noodles. There’s a wonderful soft bun, for instance, that serves as the basis for the chicken katsu sandwich ($10), whose guts consist of a panko-crusted filet and a purplish smear of Asian slaw. The bun was fabulous and the filet juicy-crisp, while the slaw slightly disappointed despite its rich color. But the taro-root chips on the side gave some consolation.

As for sweet starch: how about the doughnut holes ($8), a stack of a half-dozen or so beignet-like disks, dusted with sugar and ready for dipping into either butterscotch or chocolate ganache sauce? In addition to being one of the few items on the menu without a discernible Asian influence, the doughnut holes are sublime and nicely proportioned. They’re just enough for two people to share without feeling that they will soon need CPR or being so bloated that they will have to lie down on a futon to sleep it off.

NOODLE THEORY

Lunch: Mon., Wed.–Fri., 11:30 a.m.–3 p.m.;

Sat.–Sun., 11:30 a.m.–5 p.m.

Dinner: Mon., Wed.-Sat., 5–10 p.m.; Sun., 5–-9 p.m.

3242 Scott, SF

(415) 359-1238

www.noodletheory.com

Beer and wine

AE/MC/V

Noisy

Wheelchair accessible

Should taxpayers subsidize desalination?

0

rebeccab@sfbg.com

GREEN CITY Should the state of California hand over a multimillion dollar tax break to a company that is poised to build the largest desalination facility on the continent, just north of San Diego? That question will be decided early next year when Poseidon Resources, a water-infrastructure developer, formally submits its request for more than $500 million in tax-exempt bonds to the California Debt Limit Allocation Committee (CDLAC).

The decision will demonstrate whether California is willing to roll out the red carpet for desalination, an energy-intensive technology that has many questioning whether it’s a wise path to take. Proposals for desalination projects are cropping up across the state, including one for a smaller facility in Marin County, and water bonds recently approved by the Legislature as part of the state’s historic water package include $1 billion earmarked for water recycling and desalination.

With the state well into a three-year drought that has left some agricultural operations high and dry, calls for new reliable water sources such as desalination plants are only growing louder. But critics worry that the private operations will suck in tax dollars the way their intake pipes suck in saltwater, and they’re urging decision-makers to focus on more cost-effective strategies like low-flow showerheads, waterless urinals, drought-proof landscaping, or other comparatively thrifty ways to address water shortages. Poseidon’s Carlsbad desalination plant is projected to be the largest project of its kind in California, but it’s also just the beginning of an emerging trend.

A coalition of organizations, including the Sierra Club, Service Employees International Union, and Food & Water Watch, has been sounding the alarm that San Diego’s Carlsbad Desalination Project is a bad deal that shouldn’t be encouraged with public subsidies in the form of tax-exempt bonds. "Our group, along with most of our partners and allies, are not anti-desalination," says Renee Maas, who works for Food & Water Watch in Los Angeles. "But we think it should be a last resort," after opportunities for conservation have been exhausted.

"Aside from doing nothing about conservation and continuing to require huge amounts of energy for transmission, these plants also have no real community benefit, minimal job creation, and, most importantly, a questionable success and effectiveness," members of Service Employees International Union Local 721 wrote in a letter to the Metropolitan Water District, Southern California’s water wholesaler. "We believe we can conserve more water by installing waterless urinals across L.A. County than we would obtain from the proposed desalination plant."

Yet the facility boasts a long list of powerful endorsements, including that of Gov. Arnold Schwarzenegger, a member of CDLAC. The governor was listed as a supporter on a preliminary application submitted to the three-member committee. The two other committee members are State Treasurer Bill Lockyer and State Controller John Chiang.

The facility already has its ducks in a row, with permits approved and a contract with MWD to provide as much as 10 percent of San Diego’s water supply (MWD also agreed to $350 million in subsidies for the plant over 25 years). Poseidon expects the plant to be up and running by 2012. According to company spokesperson Scott Maloni, the project will proceed even if the state rejects its request for tax-exemption.

The plant will use ocean water as a raw ingredient to produce fresh drinking water by pushing the saltwater through reverse-osmosis membranes. With a capacity for producing an estimated 50 million gallons of drinking water a day, the hulking facility will share a site with a 52-year-old beachfront power plant equipped with an antiquated system that draws in ocean water to cool its machinery. Heated seawater issuing out the tail end of the power plant will be pumped into the desalination system and converted to tap water.

Although the plant will provide a localized freshwater source in a dry region without impacting ecologically sensitive rivers or wetlands, it comes with a steep price tag and requires a tremendous amount of electricity. Proponents estimate that the energy consumption in a single day would be the equivalent to the energy used by 16,790 homes. But Maas says even this estimate is low, because if the power plant’s water-cooling system is phased out by 2017, as state law mandates, then the desalination facility would have to start with cold water instead, requiring a substantial power boost. Poseidon spokesperson Scott Malone disputed this claim, telling the Guardian, "The plant will require 28-30 MW to operate during warm water or cold water operations."

Cost and energy consumption aren’t the only concerns advocacy groups have raised. Mark Schlosberg, a program director at Food & Water Watch in San Francisco, considers Poseidon’s last foray into desalination, in Tampa Bay, Fla., to be a cautionary tale. According to an article in the St. Petersburg Times, the plant opened five years late, cost $40 million more than expected, and hasn’t ever hit its target of supplying an average of 25 million gallons a day as originally promised. After Poseidon’s business partner for that affair went bankrupt, a public utility had to take control of the facility.

"They have a bad track record on desalination," Schlosberg said. "It never performed close to its advertised capacity."

Asked about the challenges in Tampa Bay, Maloni said, "Before Poseidon was bought out, the project was 30 percent constructed, on time and on budget. After Tampa Bay Water took over, the plant wasn’t constructed as designed and later failed to pass performance testing."

Critics have also decried the high cost projections for water. San Diego County now uses water imported from northern territories via the State Water Project, at a cost of around $750 per acre-foot (an acre-foot is 325,851 gallons), according to San Diego County Water Authority figures. Poseidon estimates that the water from its plant will cost about $1,300 per acre-foot, but has promised not to charge customers more than the price of imported water. Two years ago, Poseidon told the California Coastal Commission that it intends to absorb its losses "for an unknown number of years" until the price of imported water rises enough to equal the cost of desalinated water.

"Poseidon has entered into 30-year contracts with nine different San Diego County public water agencies that guarantee the cost of the desalinated water will never cost more than the agencies would otherwise pay for imported water," Maloni told the Guardian. "This pricing structure is possible because imported water rates are projected to increase significantly in the years to come, while the cost of desalinating water will stay relatively flat."

Shlosberg’s organization requested public records from the Tampa Bay facility so they could calculate a price estimate that they say is more realistic. Food & Water Watch hired James Fryer, an environmental scientist, to crunch the numbers. Fryer concluded that if the Carlsbad project experienced the same pitfalls as Tampa Bay, the water would cost $3,507 per acre-foot — a sky-high projection. If it ran without those bugs, it would still cost $2,175 per acre-foot, he determined.

The overarching question, in Maas’ view, is whether the state is willing to take conservation seriously enough to put water-saving measures into practice before subsidizing costly, energy-guzzling technology. "By sitting a desalination plant, it really distracts people from solutions that are more environmentally sustainable," she said. "The average water use per person per day is 200 gallons, and 60 percent of it goes to landscaping. With this desalination plant, people think, ‘we don’t have to change our habits.’"

Music listings

0

Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, and the Thanksgiving holiday falls within this week, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 25

ROCK/BLUES/HIP-HOP

Deastro, Max Tundra, White Cloud Bottom of the Hill. 9pm, $14.

Del Tha Funky Homosapien, Bukue One, Serendipity Project, Hopie Spitshard Great American Music Hall. 9pm, $22.

Dubstar, Equipto, Bored Stiff El Rio. 8pm, $10.

Shane Dwight Biscuits and Blues. 8pm, $15.

*Laudanum, Black Ganion, Lethe, Worm Ouroboros Annie’s Social Club. 9pm, $7.

Joe Perry Fillmore. 8pm, $39.50.

Psychic Reality, Sex Worker, Jealousy Hemlock Tavern. 9pm, $6.

Shantytown, Whiskey Pills Fiasco Red Devil Lounge. 8pm, $8.

*Vader, Decrepit Birth, Amenta, Warbringer, Augury DNA Lounge. 8pm, $24.

Vinyl, Rondo Brothers, Monophonics Independent. 9pm, $15.

JAZZ/NEW MUSIC

Michael Chase Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Richard Bean and Sapo, Manzo, Machala Slim’s. 8pm, $13.

Brent Jordan Plough and Stars. 9pm.

Diana Gamero, Makru Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $10-12.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Nako, Omar, and Justin.

Dark Sparkle Café du Nord. 10pm, $5. Ten-year anniversary of the dance/electronic/glam party.

Fringe Madrone Art Bar. 9pm, free. With DJs subOctave and Blondie K mixing indie music videos.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 26

JAZZ/NEW MUSIC

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Michael Gold Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

DJ Carolyn Keddy Hemlock Tavern. 9pm, free.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Gymnasium Matador, 10 6th St., SF; (415) 863-4629. 9pm, free. With DJ Violent Vickie and guests spinning electro, hip hop, and disco.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Late Night Thanksgiving Bingotopia Knockout. 9pm-midnight. Play for drinks, dignity, and dorky prizes with host Yule Be Sorry.

Meat DNA Lounge. 9:30pm, $2-5. Industrial with BaconMonkey, Netik, and Chaank.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 27

ROCK/BLUES/HIP-HOP

Hatebreed, Trivium, Cannibal Corpse, Chimaira, Unearth Warfield. 3pm, $30. Also with Whitechapel, Born of Osiris, Hate Eternal, and Dirge Within.

Hoptown, Fancy Dan Band, Elektrik Sunset, Andy Mason Hotel Utah. 9pm, $6.

Karl Denson’s Tiny Universe, Robert Walter’s 20th Congress Independent. 9pm, $25.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

Lilofee, Danny James and Pear, Ferocious Few Hemlock Tavern. 9:30pm, $7.

Bobby Long Elbo Room. 7:30pm, $15.

Norma Jean, Horse the Band, Chariot, Arsonists Get All the Girls Slim’s. 7:30pm, $17.

Peaches, Amanda Blank Regency Ballroom. 9pm, $27.

EC Scott Biscuits and Blues. 8 and 10pm, $20.

Simian Mobile Disco, JDH and Dave P Mezzanine. 9pm, $25.

Dave Smallen, Soft White Sixties, Lite Brite Bottom of the Hill. 9:30pm, $12.

Stereo Freakout, Nuck Fu, Benvenue, Amply Hostile DNA Lounge. 5:30pm, $12. Also with Cires, Dear Sincerely, Faded, Wee the Band, Vague Blur, and Exit 27.

Stone Vengeance, Proffessor, Space Vacation, Holy Grail Annie’s Social Club. 9pm, $8.

Toots and the Maytals, Ray Fresco Fillmore. 9pm, $26.

Tragik El Rio. 10pm, $10.

Gaby V, Trevor Garrod, Matt Layton Red Devil Lounge. 8pm, $10.

BAY AREA

Laurie Berkner Band Paramount Theatre. 11am, $25.

Lovemakers, Silverswans, Chambers Uptown. 9pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Books, Manring Kassin Darter Noe Valley Ministry, 1021 Sanchez, SF; www.noevalleymusicseries.com. 8:15pm, $18.

Terrence Brewer Shanghai 1930. 7:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

Savanna Jazz Trio Savanna Jazz. 8pm, $5.

Tuck and Patti Yoshi’s San Francisco. 8 and 10pm, $22.

FOLK/WORLD/COUNTRY

Makru Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Pine Box Boys, Trainwreck Riders, Earl Brothers, Mighty Crows Café du Nord. 8pm, $15.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Savoy Family Cajun Band Great American Music Hall. 9pm, $20.

Isaac Schwartz Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Joe "Kimo" West with Patrick Landeza Union Room at Biscuits and Blues. 8:30pm, $10.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Alcoholocaust Presents Riptide Tavern. 9pm, free. DJ What’s His Fuck spins old-school punk and other gems.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Biscuits and Gravy Elbo Room. 10pm, free. Hip-hop, funk, reggae, and salsa with DJs Vinnie Esparza and B-Cause.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm. Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Lucky Road Amnesia. 9pm, $6-10.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

6 to 9 800 Larkin, 800 Larkin, SF; (415) 567-9326. 6pm, free. DJs David Justin and Dean Manning spinning downtempo, electro breaks, techno, and tech house. Free food by 800 Larkin.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. Teen beat, twisters, surf rock, and other 60s sounds with DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 28

ROCK/BLUES/HIP-HOP

Business, Control, Harrington Saints Thee Parkside. 9pm, $13.

California Honeydrops Biscuits and Blues. 8 and 10pm, $20.

Quinn Deveaux Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dizzy Balloon, Jakes, Luke Franks or the Federalists, Scene of Action Rickshaw Stop. 8pm, $10.

Lemon Sun, Leopold and His Fiction, Siddhartha Hemlock Tavern. 9:30pm, $7.

Loquat, New Up, Cons, Lindy Lafontainte Red Devil Lounge. 8pm, $10.

Lucabrazzi Knockout. 10pm, $6.

Mario, Mishon Fillmore. 8pm, $35.

New Riders of the Purple Sage, Moonalice Great American Music Hall. 9pm, $25.

Parade Route, Neighborhood Bullies, Better Maker Thee Parkside. 3pm, free.

Straight No Chaser Palace of Fine Arts, 3301 Lyon, SF; www.ticketmaster.com. 8pm, $29.50.

Xienhow, Enzyme Dynamite, Zeps and Damaniz, Mike Swift Elbo Room. 10pm, $5.

Zepparella, Dave Rude Band, Solid Bottom of the Hill. 10pm, $12.

JAZZ/NEW MUSIC

Andrew Oliver Trio Red Poppy Art House. 8pm, $10-15.

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

"Jazz Jam Session with Uptime Jazz Group" Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.

Jessica Johnson Shanghai 1930. 7:30pm, free.

Marlena Teich Jazz Band Shanghai 1930. 8pm, $5.

Ricardo Scales Top of the Mark. 9pm, $15.

Tuck and Patti Yoshi’s San Francisco. 8 and 10pm, $22.

FOLK/WORLD/COUNTRY

Los Boleros Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7:30, $10; 11:45pm, $12.

California Honeydrops, Kally Price Band Amnesia. 9pm, $7.

Gas Men Plough and Stars. 9pm.

Toshio Hirano Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Ricardo Peixoto and Carlos Oliveira Red Poppy Art House. 8pm, $15-20.

BAY AREA

Big Sandy and His Fly-Rite Boys, Red Meat, B Stars Uptown. 9pm, $12.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Barracuda 111 Minna. 9pm, $5-10. Eclectic 80s music with Djs Damon, Phillie Ocean, and Mod Dave, plus free 80s hair and make-up by professional stylists.

Blowoff Slim’s. 10pm. $15. Hosted and DJ’d by Bob Mould and Rich Morel.

Bootie DNA Lounge. 9pm, $6-12. Mash-ups with Adrian and Mysterious D, Dada, and more, plus a live performance by Smash-Up Derby.

Go Bang! Deco SF, 510 Larkin St; (415) 346-2025. 10pm, $5. Recreating the diversity and freedom of the 70’s/ 80’s disco nightlife with special guest DJs Ken Vulsion and Ash Williams and DJs Flight, Nicky B., Sergio and Stanley.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Reggae Gold Club Six. 9pm, $15. With DJs Daddy Rolo, Jah Yzer, Serg, and Polo Mo’qz spinning dancehall.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Thanksgiving Recovery Mighty. 10pm, $25. Featuring the 2010 Bare Chest Calendar Men.

SUNDAY 29

ROCK/BLUES/HIP-HOP

Japandroids, Surfer Blood Rickshaw Stop. 7pm, $12.

Jordan Epcar, Light Machine, Evening Post Hotel Utah. 8pm, $6.

Murder of Lilies, Ferocious Few, Fake Your Own Death, Delle Vellum Café du Nord. 8pm, $10.

Nebula, Dusted Angel, Radio Moscow Annie’s Social Club. 6pm.

Justin Nozuka, Sam Bradley, Elizabeth and the Catapult Great American Music Hall. 7:30pm, $21.

Rooney, Tally Hall, Crash Kings Slim’s. 8pm, $16.

Sandwitches, Pale Hoarse Rite Spot, 2099 Folsom, SF; (415) 552-6066. 6pm, free.

JAZZ/NEW MUSIC

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.

Linda Kosut Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Savanna Jazz Trio and jam Shanghai 1930. 7:30pm, $5.

Tuck and Patti Yoshi’s San Francisco. 2 and 7pm, $5-22.

FOLK/WORLD/COUNTRY

Los Boleros Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7:30 and 11:45pm, $10-12.

Fire Whiskey Thee Parkside. 4pm, free.

John Sherry, Kyle Thayer, and friends Plough and Stars. 9pm.

DANCE CLUBS

Brass Liberation Orchestra, Rumen Sopov Amnesia. 9pm, $7-10.

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJ Sep, Maneesh the Twister, and guest Adam Twelve.

45 Club the Funky Side of Soul Knockout. 10pm, free. With dX the Funky Gran Paw, Dirty Dishes, and English Steve.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 30

ROCK/BLUES/HIP-HOP

David Archuleta, Benton Ball Warfield. 7pm, $45.50.

Build Them to Break, Self Centered, Bullet Vibe El Rio. 8pm, $5.

Vic Chesnutt Band, Warpaint, Liz Durret Great American Music Hall. 8pm, $18.

Grayskul, Language Arts Crew, Bastard Patriots, Brahma Lagah Elbo Room. 9pm, $7.

JAZZ/NEW MUSIC

Build, George Hurd Ensemble, Jack Dubowsky Ensemble Café du Nord. 8pm, $10.

Robert Deguijl Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Panique Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Wobbly World Yoshi’s San Francisco. 8pm, $16.

FOLK/WORLD/COUNTRY

Open mic Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Starlings Amnesia. 8:30pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Death Guild DNA Lounge. 9:30pm, $3-5. Goth, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with DJs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 1

ROCK/BLUES/HIP-HOP

Black Crowes, Truth and Salvage Company Fillmore. 8pm, $51.50.

Conspiracy of Beards, Stitchcraft, King City Café du Nord. 8:30pm, $10.

Little Girls, Weekend Hemlock Tavern. 9pm, $6.

Spandex Tiger, Sideshow Fiasco, Kajillion Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Dave Parker Quintet Rasselas Jazz. 8pm.

Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Dark Party Mighty. 9:30pm, $12. An electronic dance project featuring Eliot Lipp and Leo123.

Drunken Monkey Lounge Annie’s Social Club. 9pm, free. Guest DJs and shot specials.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaetón.

Mixology Aunt Charlie’s Lounge, 133 Turk, (415) 441-2922. 10pm, $2. DJ Frantik mixes with the Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

Film listings

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Michelle Devereaux, Max Goldberg, Dennis Harvey, Johnny Ray Huston, Louis Peitzman, Lynn Rapoport, Ben Richardson, Matt Sussman, and Laura Swanbeck. The film intern is Fernando F. Croce. For rep house showtimes, see Rep Clock. For first-run showtimes, see Movie Guide.

OPENING

Christmas with Walt Disney Specially made for the Presidio’s recently opened Walt Disney Family Museum, this nearly hour-long compilation of vintage Yuletide-themed moments from throughout the studio’s history (up to Walt’s 1966 death) is more interesting than you might expect. The engine is eldest daughter Diane Disney Miller’s narrating reminiscences, often accompanied by excerpts from an apparently voluminous library of high-quality home movies. Otherwise, the clips are drawn from a mix of short and full-length animations, live-action features (like 1960’s Swiss Family Robinson), TV shows Wonderful World of Disney and Mickey Mouse Club, plus public events like Disneyland’s annual Christmas Parade and Disney’s orchestration of the 1960 Winter Olympics’ pageantry. If anything, this documentary is a little too rushed –- it certainly could have idled a little longer with some of the less familiar cartoon material. But especially for those who who grew up with Disney product only in its post-founder era, it will be striking to realize what a large figure Walt himself once cut in American culture, not just as a brand but as an on-screen personality. The film screens Nov 27-Jan 2; for additional information, visit http://disney.go.com/disneyatoz/familymuseum/index.html. (:59) Walt Disney Family Museum. (Harvey)

*Fantastic Mr. Fox "See 21st Century Fox." (1:27) Four Star, Marina.

Ninja Assassin Let’s face it: it’d be nigh impossible to live up to a title as awesome as Ninja Assassin –- and this second flick from V for Vendetta (2005) director James McTeigue doesn’t quite do it. Anyone who’s seen a martial arts movie will find the tale of hero Raizo overly familiar: a student (played by the single-named Rain) breaks violently with his teacher; revenge on both sides ensues. That the art form in question is contemporary ninja-ing adds a certain amount of interest, though after a killer ninja vs. yakuza opening scene (by far the film’s best), and a flashback or two of ninja vs. political targets, the rest of the flick is concerned mostly with either ninja vs. ninja or ninja vs. military guys. (As ninjas come "from the shadows," most of these battles are presented in action-masking darkness.) There’s also an American forensic researcher (Noemie Harris) who starts poking around the ninja underground, a subplot that further saps the fun out of a movie that already takes itself way too seriously. (1:33) (Eddy)

Oh My God? See "Pray Tell." (1:38) Lumiere.

Old Dogs John Travolta and Robin Williams play lifelong friends, business partners, and happily child-free bachelors whose lives change when the latter is forced to care for the 7-year-old twins (Conner Rayburn, Ella Bleu Travolta) he didn’t know he’d sired. You know what this will be like going in, and that’s what you get: a predictable mix of the broadly comedic and maudlin, with a screenplay that feels half-baked by committee, and direction (by Walt Becker, who’s also responsible for 2007’s Wild Hogs) that tries to compensate via frantic over-editing of setpieces that end before they’ve gotten started. The coasting stars seem to be enjoying themselves, but the momentary cheering effect made by each subsidiary familiar face –- including Seth Green, Bernie Mac, Matt Dillon, Ann-Margret, Amy Sedaris, Dax Shepard, Justin Long, and Luis Guzman, some in unbilled cameos –- sours as you realize almost none of them will get anything worthwhile to do. (1:28) Oaks. (Harvey)

Red Cliff All Chinese directors must try their hands at a historical epic of the swords and (arrow) shafts variety, and who can blame them: the spectacle, the combat, the sheer scale of carnage. With Red Cliff, John Woo appears to top the more operatic Chen Kaige and a more camp Zhang Yimou in the especially latter department. The body count in this lavishly CGI-appointed (by the Bay Area’s Orphanage), good-looking war film is on the high end of the Commando/Rambo scale. The endless, intricately choreographed battle scenes are the primary allure of this slash-’em-up, whittled-down version of the Chinese blockbuster, which was released in Asia as a four-hour two-parter. Yet despite some notably handsome cinematography that rivals that of the Lord of the Rings trilogy in its painterliness, seething performances by players like Tony Leung and Fengyi Zhang, and recognizable Woo leitmotifs (a male bonding-attraction that’s particularly pronounced during Leung and Takeshi Kaneshiro’s zither shred-fests, fluttering doves, a climactic Mexican standoff, the added jeopardy of a baby amid the battle), the labyrinthian complexity of the story and its multitude of characters threaten to lose the Western viewer –- or anyone less than familiar with Chinese history –- before strenuous pleasures of Woo’s action machine kick in. The completely OTT finale will either have you rolling your eyes its absurdity or laughing aloud at its contrived showmanship. Despite Woo’s lip service to the virtues of peace and harmony, is there really any other way, apart from the warrior’s, in his world? (2:28) Embarcadero, Smith Rafael. (Chun)

The Road After an apocalypse of unspecified origin, the U.S. –- and presumably the world –- is depleted of wildlife and agriculture. Social structures have collapsed. All that’s left is a grim survivalism in which father (Viggo Mortensen) and son (whimpery Kodi Smit-McPhee) try to find food sources and avoid fellow humans, since most of the latter are now cannibals. Flashbacks reveal their past with the wife and mother (Charlize Theron) who couldn’t bear soldiering on in this ruined future. Scenarist Joe Penhall (a playwright) and director John Hillcoat (2005’s The Proposition) have adapted Cormac McCarthy’s novel with painstaking fidelity. Their Road is slow, bleak, grungy and occasionally brutal. All qualities in synch with the source material –- but something is lacking. One can appreciate Hillcoat and company’s efforts without feeling the deep empathy, let alone terror, that should charge this story of extreme faith and sacrifice. The film just sits there –- chastening yet flat, impact unamplified by familiar faces (Robert Duvall, Guy Pearce, Molly Parker) road-grimed past recognition. (1:53) Embarcadero, California, Piedmont. (Harvey)

Sophie’s Revenge Zhang Ziyi stars as the titular woman who seeks you-know-what after her boyfriend dumps her. (1:47) Four Star.

ONGOING

Art and Copy Doc maker Doug Pray (1996’s Hype!, 2001’s Scratch, 2007’s Surfwise) uses the mid-twentieth century’s revolution in advertising to background an absorbing portrait of the industry’s leading edge, with historical commentary, philosophical observations, and pop-psych self-scrutiny by some of the rebel forces and their descendants (including locals Jeff Goodby and Rich Silverstein). We see the ads that made a permanent dent in our consciousness over the past five decades. We hear conference-room tales of famous campaigns, like "Got Milk?" and "I Want My MTV." And during quieter interludes, stats on advertising’s global cultural presence drift on-screen to astonish and unnerve. Lofty self-comparisons to cave painters and midwives may raise eyebrows, but Pray has gathered some of the industry’s brighter, more engaging lights, and his subjects discuss their métier thoughtfully, wittily, and quite earnestly. There are elisions in the moral line some of them draw in the process, and it would have been interesting to hear, amid the exalted talk of advertising that rises to the level of art, some philosophizing on where all this packaging and selling gets us, in a branding-congested age when it’s hard to deny that breakneck consumption is having a deleterious effect on the planet. Instead the film occasionally veers in the direction of becoming an advertisement for advertising. Still, Art and Copy complicates our impressions of a vilified profession, and what it reveals about these creatives’ perceptions of their vocation (one asserts that "you can manufacture any feeling that you want to manufacture") makes it worth watching, even if you usually fast-forward through the ads. (1:30) Roxie. (Rapoport)

*Bad Lieutenant: Port of Call New Orleans Consider that ridiculous title. Though its poster and imdb entry eliminate the initial article, it appears onscreen as The Bad Lieutenant: Port of Call New Orleans. That’s the bad lieutenant, not to be confused with Abel Ferrara’s 1992 Bad Lieutenant. The bad lieutenant has a name: Terence McDonagh, and he’s a police officer of similarly wobbly moral fiber. McDonagh’s tale — inspired by Ferrara and scripted by William Finkelstein, but perhaps more important, filmed by Werner Herzog and interpreted by Nicolas Cage — opens with a snake slithering through a post-Hurricane Katrina flood. A prisoner has been forgotten in a basement jail. McDonagh and fellow cop Stevie Pruit (Val Kilmer) taunt the man, taking bets on how long it’ll take him to drown in the rising waters. An act of cruelty seems all but certain until McDonagh, who’s quickly been established as a righteous asshole, suddenly dives in for the rescue. Unpredictability, and quite a bit of instability, reigns thereafter. Every scene holds the possibility of careening to heights both campy and terrifying, and Cage proves an inspired casting choice. At this point in his career, he has nothing to lose, and his take on Lt. McDonagh is as haywire as it gets. McDonagh snorts coke before reporting to a crime scene; he threatens the elderly; he hauls his star teenage witness along when he confronts a john who’s mistreated his prostitute girlfriend (Eva Mendes); he cackles like a maniac; he lurches around like a hunchback on crack. Not knowing what McDonagh will do next is as entertaining as knowing it’ll likely be completely insane. (2:01) Embarcadero, Shattuck, Smith Rafael, Sundance Kabuki. (Eddy)

The Blind Side When the New York Times Magazine published Michael Lewis’ article "The Ballad of Big Mike" — which he expanded into the 2006 book The Blind Side: Evolution of a Game —nobody could have predicated the cultural windfall it would spawn. Lewis told the incredible story of Michael Oher — a 6’4, 350-pound 16-year-old, who grew up functionally parentless, splitting time between friends’ couches and the streets of one of Memphis’ poorest neighborhoods. As a Sophomore with a 0.4 GPA, Oher serendipitously hitched a ride with a friend’s father to a ritzy private school across town and embarked on an unbelievable journey that led him into a upper-class, white family; the Dean’s List at Ole Miss; and, finally, the NFL. The film itself effectively focuses on Oher’s indomitable spirit and big heart, and the fearless devotion of Leigh Anne Tuohy, the matriarch of the family who adopted him (masterfully played by Sandra Bullock). While the movie will delight and touch moviegoers, its greatest success is that it will likely spur its viewers on to read Lewis’ brilliant book. (2:06) Cerrito, 1000 Van Ness, Presidio, Sundance Kabuki. (Daniel Alvarez)

*Capitalism: A Love Story Gun control. The Bush administration. Healthcare. Over the past decade, Michael Moore has tackled some of the most contentious issues with his trademark blend of humor and liberal rage. In Capitalism: A Love Story, he sets his sights on an even grander subject. Where to begin when you’re talking about an economic system that has defined this nation? Predictably, Moore’s focus is on all those times capitalism has failed. By this point, his tactics are familiar, but he still has a few tricks up his sleeve. As with Sicko (2007), Moore proves he can restrain himself — he gets plenty of screen time, but he spends more time than ever behind the camera. This isn’t about Moore; it’s about the United States. When he steps out of the limelight, he’s ultimately more effective, crafting a film that’s bipartisan in nature, not just in name. No, he’s not likely to please all, but for every Glenn Beck, there’s a sane moderate wondering where all the money has gone. (2:07) Red Vic, Roxie. (Peitzman)

Coco Before Chanel Like her designs, Gabrielle "Coco" Chanel was elegant, très chic, and utterly original. Director Anne Fontaine’s French biopic traces Coco (Audrey Tautou) from her childhood as a struggling orphan to one of the most influential designers of the 20th century. You’ll be disappointed if you expect a fashionista’s up close and personal look at the House of Chanel, as Fontaine keeps her story firmly rooted in Coco’s past, including her destructive relationship with French playboy Etienne Balsar (Benoît Poelvoorde) and her ill-fated love affair with dashing Englishman Arthur "Boy" Capel (Alessandro Nivola). The film functions best in scenes that display Coco’s imagination and aesthetic magnetism, like when she dances with Capel in her now famous "little black dress" amidst a sea of stiff, white meringues. Tautou imparts a quiet courage and quick wit as the trailblazing designer, and Nivola is unmistakably charming and compassionate as Boy. Nevertheless, Fontaine rushes the ending and never truly seizes the opportunity to explore how Coco’s personal life seeped into her timeless designs that were, in the end, an extension of herself. (1:50) Opera Plaza, Shattuck. (Swanbeck)

Defamation When you begin to perceive all criticism as persecutorial, you might forget it’s possible to be wrong. That’s the worry driving Yoav Shamir’s Defamation, opening theatrically following a stormy reception at July’s San Francisco Jewish Film Festival. The documentarian (2003’s Checkpoint) says that as an Israeli Jew he’s never actually experienced anti-Semitism. So he sets out to explore that prejudice’s status quo — or so he claims, somewhat disingenuously. Because Defamation‘s real agenda is positing anti-Semitism as a distorted, exploited, propagandic bludgeon used to taint any critique of Israeli government policies or the foreign lobbies supporting them. This is a theory bound to inflame angry emotions, not least the "self-hating Jew" accusation. It must be said that Shamir lays himself at risk — à la Michael Moore — of selectively gathering only evidence that supports his agenda. Anti-Semitism certainly does exist today, in many different forms, around the world. And if Defamation‘s deliberate omissions and occasional snarky tone hamper its case, Shamir nonetheless makes legitimately troubling points. His most controversial interviewee is Norman Finklestein, whose book The Holocaust Industry got him pilloried as a Holocaust denier (untrue) and quite likely cost him his teaching position. The son of Shoah survivors, he thinks "the Nazi Holocaust is now the main ideological weapon for launching wars of aggression" and that "pathological narcissism" desensitizes many American Jews to other people’s sufferings. The author can be persuasively reasonable. To Defamation‘s credit, however, it doesn’t yell "Cut!" when Finklestein whips himself into a crank-case frenzy that masochistically self-destructs his credibility. Absolute righteousness ain’t pretty, anywhere on the political spectrum. (1:33) Roxie. (Harvey)

Disney’s A Christmas Carol (1:36) 1000 Van Ness.

*An Education The pursuit of knowledge — both carnal and cultural — are at the tender core of this end-of-innocence valentine by Danish filmmaker Lone Scherfig (who first made her well-tempered voice heard with her 2000 Dogme entry, Italian for Beginners), based on journalist Lynn Barber’s memoir. Screenwriter Nick Hornby breaks further with his Peter Pan protagonists with this adaptation: no man-boy mopers or misfits here. Rather, 16-year-old schoolgirl Jenny (Carey Mulligan) is a good girl and ace student. It’s 1961, and England is only starting to stir from its somber, all-too-sober post-war slumber. The carefully cloistered Jenny is on track for Oxford, though swinging London and its high-style freedoms beckon just around the corner. Ushering in those freedoms — a new, more class-free world disorder — is the charming David (Peter Sarsgaard), stopping to give Jenny and her cello a ride in the rain and soon proffering concerts and late-night suppers in the city. He’s a sweet-faced, feline outsider: cultured, Jewish, and given to playing fast and loose in the margins of society. David can see Jenny for the gem she is and appreciate her innocence with the knowing pleasure of a decadent playing all the angles. The stakes are believably high, thanks to An Education‘s careful attention to time and place and its gently glamored performances. Scherfig revels in the smart, easy-on-eye curb appeal of David and his friends while giving a nod to the college-educated empowerment Jenny risks by skipping class to jet to Paris. And Mulligan lends it all credence by letting all those seduced, abandoned, conflicted, rebellious feelings flicker unbridled across her face. (1:35) Albany, Embarcadero, Piedmont. (Chun)

*Good Hair Spurred by his little daughter’s plaintive query ("Daddy, how come I don’t have good hair?"), Chris Rock gets his Michael Moore freak on and sets out to uncover the racial and cultural implications of African-American hairstyling. Visiting beauty salons, talking to specialists, and interviewing celebrities ranging from Maya Angelou to Ice-T, the comic wisecracks his way into some pretty trenchant insights about how black women’s coiffures can often reflect Caucasian-set definitions of beauty. (Leave it to Rev. Al Sharpton to voice it ingeniously: "You comb your oppression every morning!") Rock makes an affable guide in Jeff Stilson’s breezy documentary, which posits the hair industry as a global affair where relaxers work as "nap-antidotes" and locks sacrificially shorn in India end up as pricey weaves in Beverly Hills. Maybe startled by his more disquieting discoveries, Rock shifts the focus to flamboyant, crowd-pleasing shenanigans at the Bronner Bros. International Hair Show. Despite such softball detours, it’s a genial and revealing tour. (1:35) Opera Plaza. (Croce)

*The House of the Devil Ti West’s The House of the Devil is a retro thrillfest quite happy to sacrifice the babysitter to the Dark Lord. "Based on true unexplained events" (uh-huh), the buzzed-about indie horror has fanboy casting both old school (Dee Wallace, Mary Woronov, Tom Noonan — all performing seriously rather than campily) and new (AJ Bowen of 2007’s The Signal and mumblecore regular Greta Gerwig). Its heroine (Jocelin Donahue), a 1980 East Coast collegiate sophomore desperate for rent cash so she can escape her dorm roomie’s loud nightly promiscuity, signs on for a baby- (actually, grandma-) sitting gig advertised on telephone poles. For tonight. During a lunar eclipse. Bad move. Devil takes its time, springing nothing lethal until nearly halfway through. Its period setting allows for ultratight jeans, feathered hair, rotary dialing, a synth-New Wavey score, and other potentially campy elements the film manages to render respectfully appreciative rather than silly. Ultimately, it isn’t significantly better than various fine indie horrors of recent vintage and various nationality that went direct to DVD. (Quality, let alone originality, aren’t necessarily a commercial pluses in this genre.) But it is dang good, and that cuts it above most current theatrical horror releases. (1:33) Lumiere. (Harvey)

The Maid In an upper-middle class subdivision of Santiago, 40-year-old maid Raquel (Catalina Saavedra), perpetually stony and indignant, operates a rigorous dawn-to-dusk routine for the Valdez family. Although Raquel rarely behaves as an intimate of her longtime hosts, she remains convinced that love, not labor, bonds them. (Whether the family shares Raquel’s feelings of devotion is highly dubious.) When a rotating cast of interlopers is hired to assist her, she stoops to machinations most vile to scare them away — until the arrival of Lucy (Mariana Loyola), whose unpredictable influence over Raquel sets the narrative of The Maid on a very different psychological trajectory, from moody chamber piece to eccentric slice-of-life. If writer-director Sebastián Silva’s film taunts the viewer with the possibility of a horrific climax, either as a result of its titular counterpart — Jean Genet’s 1946 stage drama The Maids, about two servants’ homicidal revenge — or from the unnerving "mugshot" of Saavedra on the movie poster, it is neither self-destructive nor Grand Guignol. Rather, it it is much more prosaic in execution. Sergio Armstrong’s fidgety hand-held camera captures Raquel’s claustrophobic routine as it accentuates her Sisyphean conundrum: although she completely rules the inner workings of the house, she remains forever a guest. But her character’s motivations often evoke as much confusion as wonder. In the absence of some much needed exposition, The Maid’s heavy-handed silences, plaintive gazes, and inexplicable eruptions of laughter feel oddly sterile, and a contrived preciousness begins to creep over the film like an effluvial whitewash. Its abundance makes you aware there is a shabbiness hiding beneath the dramatic facade — the various stains and holes of an unrealized third act. (1:35) Clay, Shattuck. (Erik Morse)

The Men Who Stare at Goats No! The Men Who Stare at Goats was such an awesome book (by British journalist Jon Ronson) and the movie boasts such a terrific cast (George Clooney, Kevin Spacey, Jeff Bridges, Ewan McGregor). How in the hell did it turn out to be such a lame, unfunny movie? Clooney gives it his all as Lyn Cassady, a retired "supersolider" who peers through his third eye and realizes the naïve reporter (McGregor) he meets in Kuwait is destined to accompany him on a cross-Iraq journey of self-discovery; said journey is filled with flashbacks to the reporter’s failed marriage (irrelevant) and Cassady’s training with a hippie military leader (Bridges) hellbent on integrating New Age thinking into combat situations. Had I the psychic powers of a supersoldier, I’d use some kind of mind-control technique to convince everyone within my brain-wave radius to skip this movie at all costs. Since I’m merely human, I’ll just say this: seriously, read the book instead. (1:28) 1000 Van Ness, Presidio, Shattuck, Sundance Kabuki. (Eddy)

*The Messenger Ben Foster cut his teeth playing unhinged villains in Alpha Dog (2006) and 3:10 to Yuma (2007), but he cements his reputation as a promising young actor with a moving, sympathetic performance in director Oren Moverman’s The Messenger. Moverman (who also co-authored the script) is a four-year veteran of the Israeli army, and he draws on his military experience to create an intermittently harrowing portrayal of two soldiers assigned to the U.S. Army’s Casualty Notification Service. Will Montgomery (Foster) is still recovering from the physical and psychological trauma of combat when he is paired with Tony Stone (Woody Harrelson), a by-the-book Captain whose gruff demeanor and good-old-boy gallows humor belie the complicated soul inside. Gut-wrenching encounters with the families of dead soldiers combine with stark, honest scenes that capture two men trying to come to grips with the mundane horrors of their world, and Samantha Morton completes a trio of fine acting turns as a serene Army widow. (1:45) Albany, Smith Rafael. (Richardson)

*Michael Jackson’s This Is It Time –- and a tragic early death –- has a way of coloring perception, so little surprise that these thought pops into one’s head throughout This Is It: when did Michael Jackson transform himself into such an elegant, haute-pop sylph? Such a pixie-nosed, lacy-haired petit four of music-making delicacy? And where can I get his to-die-for, pointy-shouldered, rhinestone-lapeled Alexander McQueen-ish jacket? Something a bit bewitching this way comes as Michael Jackson –- now that he’s gone, seemingly less freakish than an outright phenomenon –- gracefully flits across the screen in this final (really?) document of his last hurrah, the rehearsals for his sold-out shows at O2 Arena in London. This Is It is far from perfect: this grainy video scratchpad of a film obviously wasn’t designed by the perfectionist MJ to be his final testament to pop. Director Kenny Ortega does his best to cobble together what looks like several rehearsal performances with teary testimonials from dancers (instilled with the intriguing idea that they are extensions of the surgery-friendly Jackson’s body onstage), interviews with musicians, minimal archival footage, and glimpses of Jacko protesting about being encouraged to "sing through" certain songs when he’s trying to preserve his voice, urging the band to play it "like the record," and still moving, dancing, and gesticuutf8g with such grace that you’re left with more than a tinge of regret that "This Is It," the tour, never came to pass. It’s a pure, albeit adulterated, pleasure to watch the man do the do, even with the gaps in the flow, even with the footage filtered by a family intent on propping up the franchise. Amid the artistry and kitsch, critics, pop academics, and superfans will find plenty to chew over –- from Jackson’s curiously timed physical complaints as the Jackson 5 segment kicks in, to the surreally CGI-ed, golden-age-of-Hollywood mash-up sequence. (1:52) 1000 Van Ness, Presidio, SF Center, Shattuck. (Chun)

New York, I Love You A dreamy mash note to the city that never sleeps, New York, I Love You is the latest installment in a series of omnibus odes to world metropolises and the denizens that live and love within the city limits. Less successful than the Paris, je t’aime (2006) anthology — which roped in such disparate international directors as Gus Van Sant and Wes Craven, Alfonso Cuaron and Olivier Assayas — New York welcomes a more minor-key host of directors to the project with enjoyable if light-weight results. Surely any bite of the Big Apple would be considerably sexier. Bradley Cooper and Drea de Matteo tease out a one-night stand with legs, and Ethan Hawke and Maggie Q generate a wee bit of verbal fire over street-side cigs, yet there’s surprisingly little heat in this take on a few of the 8 million stories in the archetypal naked city. Most memorable are the strangest couplings, such as that of Natalie Portman, a Hasidic bride who flirtatiously haggles with Irrfan Khan, a Jain diamond merchant, in a tale directed by Mira Nair. Despite the pleasure of witnessing Julie Christie, Eli Wallach, and Cloris Leachman in action, many of these pieces — written by the late Anthony Minghella, Israel Horovitz, and Portman, among others — feel a mite too slight to nail down the attention of all but the most desperate romantics. (1:43) Lumiere, Shattuck. (Chun)

*Paranormal Activity In this ostensible found-footage exercise, Katie (Katie Featherson) and Micah (Micah Sloat) are a young San Diego couple whose first home together has a problem: someone, or something, is making things go bump in the night. In fact, Katie has sporadically suffered these disturbances since childhood, when an amorphous, not-at-reassuring entity would appear at the foot of her bed. Skeptical technophile Micah’s solution is to record everything on his primo new video camera, including a setup to shoot their bedroom while they sleep — surveillance footage sequences that grow steadily more terrifying as incidents grow more and more invasive. Like 1999’s The Blair Witch Project, Oren Peli’s no-budget first feature may underwhelm mainstream genre fans who only like their horror slick and slasher-gory. But everybody else should appreciate how convincingly the film’s very ordinary, at times annoying protagonists (you’ll eventually want to throttle Micah, whose efforts are clearly making things worse) fall prey to a hostile presence that manifests itself in increments no less alarming for being (at first) very small. When this hits DVD, you’ll get to see the original, more low-key ending (the film has also been tightened up since its festival debut two years ago). But don’t wait — Paranormal‘s subtler effects will be lost on the small screen. Not to mention that it’s a great collective screaming-audience experience. (1:39) Metreon, 1000 Van Ness. (Harvey)

*Paris Cédric Klapisch’s latest offers a series of interconnected stories with Paris as the backdrop, designed — if you’ll pardon the cliché — as a love letter to the city. On the surface, the plot of Paris sounds an awful lot like Paris, je t’aime (2006). But while the latter was composed entirely of vignettes, Paris has an actual, overarching plot. Perhaps that’s why it’s so much more effective. Juliette Binoche stars as Élise, whose brother Pierre (Romain Duris) is in dire need of a heart transplant. A dancer by trade, Pierre is also a world-class people watcher, and it’s his fascination with those around him that serves as Paris‘ wraparound device. He sees snippets of these people’s lives, but we get the full picture — or at least, something close to it. The strength of Paris is in the depth of its characters: every one we meet is more complex than you’d guess at first glance. The more they play off one another, the more we understand. Of course, the siblings remain at the film’s heart: sympathetic but not pitiable, moving but not maudlin. Both Binoche and Duris turn in strong performances, aided by a supporting cast of French actors who impress in even the smallest of roles. (2:04) Opera Plaza. (Peitzman)

Pirate Radio I wanted to like Pirate Radio, a.k.a., The Boat That Rocked –- really, I did. The raging, stormy sounds of the British Invasion –- sex, drugs, rock ‘n’ roll, and all that rot. Pirate radio outlaw sexiness, writ large, influential, and mind-blowingly popular. This shaggy-dog of a comedy about the boat-bound, rollicking Radio Rock is based loosely on the history of Radio Caroline, which blasted transgressive rock ‘n’ roll (back when it was still subversive) and got around stuffy BBC dominance by broadcasting from a ship off British waters. Alas, despite the music and the attempts by filmmaker Richard Curtis to inject life, laughs, and girls into the mix (by way of increasingly absurd scenes of imagined listeners creaming themselves over Radio Rock’s programming), Pirate Radio will be a major disappointment for smart music fans in search of period accuracy (are we in the mid- or late ’60s or early or mid-’70s –- tough to tell judging from the time-traveling getups on the DJs, played by Philip Seymour Hoffman and Rhys Darby, among others?) and lame writing that fails to rise above the paint-by-the-numbers narrative buttressing, irksome literalness (yes, a betrayal by a lass named Marianne is followed by "So Long, Marianne"), and easy sexist jabs at all those slutty birds. Still, there’s a reason why so many artists –- from Leonard Cohen to the Stones –- have lent their songs to this shaky project, and though it never quite gets its sea legs, Pirate Radio has its heart in the right place –- it just lost its brains somewhere along the way down to its crotch. (2:00) 1000 Van Ness, Piedmont, Sundance Kabuki. (Chun)

Planet 51 (1:31) Oaks, 1000 Van Ness.

*Precious: Based on the Novel Push By Sapphire This gut-wrenching, little-engine-that-could of a film shows the struggles of Precious, an overweight, illiterate 16-year-old girl from Harlem. Newcomer Gabourey Sidibe is so believably vigilant (she was only 15 at the time of filming) that her performance alone could bring together the art-house viewers as well as take the Oscars by storm. But people need to actually go and experience this film. While Precious did win Sundance’s Grand Jury and Audience Award awards this year, there is a sad possibility that filmgoers will follow the current trend of "discussing" films that they’ve actually never seen. The daring casting choices of comedian Mo’Nique (as Precious’ all-too-realistically abusive mother) and Mariah Carey (brilliantly understated as an undaunted and dedicated social counselor) are attempts to attract a wider audience, but cynics can hurdle just about anything these days. What’s most significant about this Dancer in the Dark-esque chronicle is how Damien Paul’s screenplay and director Lee Daniels have taken their time to confront the most difficult moments in Precious’ story –- and if that sounds heavy-handed, so be it. Stop blahging for a moment and let this movie move you. (1:49) SF Center, Shattuck, Sundance Kabuki. (Jesse Hawthorne Ficks)

*The September Issue The Lioness D’Wintour, the Devil Who Wears Prada, or the High Priestess of Condé Nasty — it doesn’t matter what you choose to call Vogue editor-in-chief Anna Wintour. If you’re in the fashion industry, you will call her — or at least be amused by the power she wields as the overseer of style’s luxury bible, then 700-plus pages strong for its legendary September fall fashion issue back in the heady days of ’07, pre-Great Recession. But you don’t have to be a publishing insider to be fascinated by director R.J. Cutler’s frisky, sharp-eyed look at the making of fashion’s fave editorial doorstop. Wintour’s laser-gazed facade is humanized, as Cutler opens with footage of a sparkling-eyed editor breaking down fashion’s fluffy reputation. He then follows her as she assumes the warrior pose in, say, the studio of Yves St. Laurent, where she has designer Stefano Pilati fluttering over his morose color choices, and in the offices of the magazine, where she slices, dices, and kills photo shoots like a sartorial samurai. Many of the other characters at Vogue (like OTT columnist André Leon Talley) are given mere cameos, but Wintour finds a worthy adversary-compatriot in creative director Grace Coddington, another Englishwoman and ex-model — the red-tressed, pale-as-a-wraith Pre-Raphaelite dreamer to Wintour’s well-armored knight. The two keep each other honest and craftily ingenious, and both the magazine and this doc benefit. (1:28) Presidio. (Chun)

*A Serious Man You don’t have to be Jewish to like A Serious Man — or to identify with beleaguered physics professor Larry Gopnik (the grandly aggrieved Michael Stuhlbarg), the well-meaning nebbishly center unable to hold onto a world quickly falling apart and looking for spiritual answers. It’s a coming of age for father and son, spurred by the small loss of a radio and a 20-dollar bill. Larry’s about-to-be-bar-mitzvahed son is listening to Jefferson Airplane instead of his Hebrew school teachers and beginning to chafe against authority. His daughter has commandeered the family bathroom for epic hair-washing sessions. His wife is leaving him for a silkily presumptuous family friend and has exiled Larry to the Jolly Roger Motel. His failure-to-launch brother is a closeted mathematical genius and has set up housekeeping on his couch. Larry’s chances of tenure could be spoiled by either an anonymous poison-pen writer or a disgruntled student intent on bribing him into a passing grade. One gun-toting neighbor vaguely menaces the borders of his property; the other sultry nude sunbather tempts with "new freedoms" and high times. What’s a mild-mannered prof to do, except envy Schrodinger’s Cat and approach three rungs of rabbis in his quest for answers to life’s most befuddling proofs? Reaching for a heightened, touched-by-advertising style that recalls Mad Men in look and Barton Fink (1991) in narrative — and stooping for the subtle jokes as well as the ones branded "wide load" — the Coen Brothers seem to be turning over, examining, and flirting with personally meaningful, serious narrative, though their Looney Tunes sense of humor can’t help but throw a surrealistic wrench into the works. (1:45) California, Embarcadero, Empire, Piedmont. (Chun)

2012 I don’t need to give you reasons to see this movie. You don’t care about the clumsy, hastily dished-out pseudo scientific hoo-ha that explains this whole mess. You don’t care about John Cusack or Woody Harrelson or whoever else signed on for this embarrassing notch in their IMDB entry. You don’t care about Mayan mysteries, how hard it is for single dads, and that Danny Glover and Chiwetel Ejiofor jointly stand in for Obama (always so on the zeitgeist, that Roland Emmerich). You already know what you’re in store for: the most jaw-dropping depictions of humankind’s near-complete destruction that director Emmerich –- who has a flair for such things –- has ever come up with. All the time, creative energy, and money James Cameron has spent perfecting the CGI pores of his characters in Avatar is so much hokum compared to what Emmerich and his Spartan army of computer animators dish out: the U.S.S. John F. Kennedy emerging through a cloud of toxic dust like some Mary Celeste of the military-industrial complex, born aloft on a massive tidal wave that pulverizes the White House; the dome of St. Paul’s flattening the opium-doped masses like a steamroller; Hawaii returned to its original volcanic state; and oodles more scenes in which we are allowed to register terror, but not horror, at the gorgeous destruction that is unfurled before us as the world ends (again) but no one really dies. Get this man a bigger budget. (2:40) California, Empire, Marina, 1000 Van Ness. (Sussman)

The Twilight Saga: New Moon Oh my God, you guys, it’s that time of the year: another Twilight chapter hits theaters. New Moon reunites useless cipher Bella (Kristen Steward) and Edward (Robert Pattinson), everyone’s favorite sparkly creature of darkness. Because this is a teen wangstfest, the course of true love is kind of bumpy. This time around, there’s a heavy Romeo and Juliet subplot and some interference from perpetually shirtless werewolf Jacob (Taylor Lautner). Chances are you know this already, as you’ve either devoured Stephenie Meyer’s book series or you were one of the record-breaking numbers in attendance for the film’s opening weekend. And for those non-Twilight fanatics — is there any reason to see New Moon? Yes and no. Like the 2008’s Twilight, New Moon is reasonably entertaining, with plenty of underage sexual tension, supernatural slugfests, and laughable line readings. But there’s something off this time around: New Moon is fun but flat. For diehard fans, it’s another excuse to shriek at the screen. For anyone else, it’s a soulless diversion. (2:10) Cerrito, Empire, 1000 Van Ness, Presidio, SF Center. (Peitzman)

(Untitled) The sometimes absurd pretensions of the modern art world have –- for many decades –- been so easily, condescendingly ridiculed that its intelligently knowing satire is hard to come by. (How much harder still would it be for a fictive film to convey the genius of, say Anselm Kiefer? Even Ed Harris’ 2000 Pollock less vividly captured the art or its creation –- better done by Francis Ford Coppola and Nick Nolte in their 1989 New York Stories segment –- than the usual tortured-artist histrionics.) Bay Arean Jonathan Parker attempts to correct that with this perhaps overly low-key witticism. Erstwhile Hebrew Hammer Adam Goldberg plays a composer of painfully retro, plink-plunk 1950s avant-gardism. (His favorite instrument is the tin bucket.) His lack of success is inevitable yet chafes nonetheless, because he’s a) humorlessly self-important, and b) sibling to a painter (Eion Bailey) whose pleasant, unchallenging abstracts are hot properties amongst corporate-art buyers. But not hot enough for his gorgeous agent (Marley Shelton), who puts off showing him at her Chelsea gallery in favor of cartoonishly "edgy" artists –- like soccer hooligan Vinnie Jones as a proponent of lurid taxidermy sculpture –- and takes a contrary (if unlikely) fancy to Goldberg. (How could her educated like not know his music is even less cutting-edge than the brother’s canvases?) (Untitled) holds interest, but it’s at once too glib and modest –- exaggerative sans panache. This is equivalently if differently problematic from Parker’s 2005 Henry James-goes-Marin County The Californians. It can’t compare to his 2001 feature debut, the excellent Crispin Glover-starring translation of Melville’s Bartleby to Rhinoceros-like modern office culture. (1:30) Bridge, Shattuck. (Harvey)

Where the Wild Things Are From the richly delineated illustrations and sparse text of Maurice Sendak’s 1963 children’s book, director Spike Jonze and cowriter (with Jones) Dave Eggers have constructed a full-length film about the passions, travails, and interior/exterior wanderings of Sendak’s energetic young antihero, Max. Equally prone to feats of world-building and fits of overpowering, destructive rage, Max (Max Records) stampedes off into the night during one of the latter and journeys to the island where the Wild Things (voiced by James Gandolfini, Catherine O’Hara, Forest Whitaker, Chris Cooper, Lauren Ambrose, Paul Dano, and Michael Berry Jr.) live — and bicker and tantrum and give in to existential despair and no longer all sleep together in a big pile. The place has possibilities, though, and Max, once crowned king, tries his best to realize them. What its inhabitants need, however, is not so much a visionary king as a good family therapist — these are some gripey, defensive, passive-aggressive Wild Things, and Max, aged somewhere around 10, can’t fix their interpersonal problems. Jonze and Eggers do well at depicting Max’s temporary kingdom, its forests and deserts, its creatures and their half-finished creations from a past golden era, as well as subtly reminding us now and again that all of this — the island, the arguments, the sadness — is streaming from the mind of a fierce, wildly imaginative young child with familial troubles of his own, equally beyond his power to resolve. They’ve also invested the film with a slow, grim depressive mood that can make for unsettling viewing, particularly when pondering the Maxes in the audience, digesting an oft-disheartening tale about family conflict and relationship repair. (1:48) 1000 Van Ness, Sundance Kabuki. (Rapoport)

*William Kunstler: Disturbing the Universe A middle-class suburban lawyer radicalized by the Civil Rights era, Kunstler became a hero of the left for his fiery defenses of the draft-card-burning Catonsville Nine, the Black Panthers, the Chicago Twelve, and the Attica prisoners rioting for improved conditions, and Native American protestors at Wounded Knee in 1973. But after these "glory days," Kunstler’s judgment seemed to cloud while his thirst for "judicial theatre" and the media spotlight. Later clients included terrorists, organized-crime figures, a cop-killing drug dealer, and a suspect in the notorious Central Park "wilding" gang rape of a female jogger –- unpopular causes, to say the least. "Dad’s clients gave us nightmares. He told us that everyone deserves a lawyer, but sometimes we didn’t understand why that lawyer had to be our father" says Emily Kunstler, who along with sister Sarah directed this engrossing documentary about their late father. Growing up under the shadow of this larger-than-life "self-hating Jew" and "hypocrite" –- as he was called by those frequently picketing their house –- wasn’t easy. Confronting this sometimes bewildering behemoth in the family, Disturbing the Universe considers his legacy to be a brave crusader’s one overall –- even if the superhero in question occasionally made all Gotham City and beyond cringe at his latest antics. (1:30) Opera Plaza, Shattuck. (Harvey)

Dive In: I’m sensing a theme

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Bar reviewer Kristen Haney seeks to separate hipster wannabes from real-life dives in this weekly column. Check out her last installment here.

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Hold the fancy schmancy mixers. At Butter, strawberry soda is better.

Themed establishments frequently leave a bad taste in my mouth. Images of Disneyland and their exorbitant prices, or that one time I had a drunk waitress at Rainforest Café who checked my I.D. by listening to it, do little to dispel my notion that themed equals over-hyped-waste-of-time. However, introduce alcohol, reduce prices, grime it up a bit, and you’ve got me singing a different tune. There are a few places that keep it kitsch without coming across as hokey, and where you don’t have to pay extra for novelty décor and drinks. And that’s a theme I can jump aboard.

Butter:

Finally, a place where you can celebrate trailer park chic and the white trash within. Quality mixers for cocktails include Tang, Sunny D, and grape and strawberry sodas. If you’re more of a purist, you can sip the ubiquitous award-winning Pabst on draft, or opt for a tall boy, complete with paper bag. The food includes a number of microwaved specialties, like tater tots and Frito pie, or you can go really gourmet and get a deep fried PB & J or Twinkie. Go before 10 p.m. any Thursday through Sunday for happy hour prices and to avoid a cover charge.

354 11th St, SF
(415) 863-5964
http://www.smoothasbutter.com/

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Watch hipsters at Double Dutch try to figure out how kids in the ’80s attached their iPods to boom boxes like these.

Double Dutch

Vintage ghetto blasters, ‘80s kicks, and street art adorn the interior of this bar and dance spot. Designed to bring to mind the New York street scene of the same decade that brought us hair metal and acid wash jeans, Double Dutch is a fun take on the traditional nightclub. The dance floor gets packed and sweaty with patrons dancing along to hip hop tracks from a decade they were just old enough to experience the end of, imitating the same break dance moves featured in the pictures of the people plastered to the wall. If you’re nostalgic for house parties where your friend DJing knew how to cut it better than the jokes spinning in the clubs, Double Dutch is more than happy to give you a pleasant case of déjà vu.

3192 16th St, SF
(415) 346-5699
http://www.thedoubledutch.com

Sweet on sour Filipino popcorn in Honolulu

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Garlicky goodness. All photos by Kimberly Chun.

By Kimberly Chun

Biggest food find in Honolulu this Thanksgiving: “Filipino Loco” popcorn.

My bro clued me into the phenom at the very popular shaved ice stand Shimazu Store. The shop is located on a somewhat scruffy, paved-over, truck-heavy stretch of School Street near downtown Honolulu.

But lo, Shimazu manages to survive and thrive by carrying some of the most unusual flavors on the isle: creme brulee, chocolate peanut butter cup, green tea, lilikoi, root beer float, red velvet cake (!), and zillions more. You can get them with all the add-ons: ice cream, azuki beans, and mochi balls buried within; the mountain of multi-colored shaved ice drizzled with evaporated milk without.

But the weirdest, most wonderful item at Shimazu Store has to be their selection of fresh popcorn: furakake popcorn (embellished with Japanese crackers), red dirt popcorn (don’t ask), and the fabulous “Filipino Loco” variety. The corn itself is flavored with an inspired blend of vinegar, garlic, and salt and then topped with a layer of pork rinds. Sour, salty, greasy good fun. OK, I confess, I did say, “I feel like killing myself” after a few handfuls. But what a way to go.

SHIMAZU STORE
Tues.-Sun., 10 a.m.-6:30 p.m.
330 N. School St., Honolulu

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Pinkie’s and Bento 415: Casual food gets a new twist

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By Megan Gordon

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I already have my favorite neighborhood spots for coffee and the occasional sandwich. Done. Once I find something good, I rarely stray — kind of like driving routes or apartments. Since I’ve been working in Potrero Hill a few days a week, my spots are Farley’s for a darn strong latte and Hazel’s for great breakfast burritos and huge turkey sandwiches.

But driving in this morning, I spotted something new on the horizon: Pinkie’s Bakery.

Pinkie’s isn’t new to San Francisco. Owner Cheryl Burr’s been baking in her wholesale space for years now, supplying delicious bread to local restaurants, and decadent baked goods to farmer’s markets. But what is new is Pinkie’s as a retail space. Burr opened the doors yesterday, November 19, along with close friend Chris Beerman from Bento 415.

Presents of mind

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culture@sfbg.com

Gang, put away those Halloween costumes ’cause it’s that time of year again: gift list time. And oh lordy, do we Americans love us some holiday season! It’s gotten to the point that the annual orgy of consumerism, though somewhat abated this year (the National Retail Federation says projected per-person spending will fall to a piddling $682.74), has become an important crutch for our gimpy economy. Basically your ducats make a difference. With that in mind, the question becomes: what kind of difference are they making? May I hereby propose that this year we work through our list of the naughty and nice not at the big box corporate megaliths but with the groups that work to make our community more socially just, culturally rich, and environmentally friendly? Here’s some ideas for gifts that give back.

GIVE ME SHELTER CAT RESCUE


One of the most life-changing gifts you could give this year would be that of a furry new life partner. No, I’m not suggesting a gift certificate for Lone Star Saloon, I’m talkin’ ’bout shelter cats. But if your loved one’s not quite prepared for litter boxes and wet food, perhaps she’s ready for wine glasses and corkscrews. Give Me Shelter Cat Rescue teams up this year with urban winery Crushpad to offer choice pours like Meow Merlot and Calico Cabernet (bottles from $22-$28), meaning the commitment-shy animal lover can support kitty cats without actually owning one. Bonus: they can get sauced at the same time.

(415) 297-4301, www.givemesheltersf.org, www.wine.crushnet.com/givemeshelter

SAN FRANCISCO FOOD BANK


With more families’ finances dancing the recession stutter-step, the Food Bank has had to step up its game and provide even more for less. Help them help the 150,000 San Franciscans at risk of going hungry this holiday season by buying your favorite foodie into the SF Food Bank Chef-for-a-Day program. For just $150 ($65 of which goes straight to the Bank), food-minded philanthropists get the chance to help and hang out with chef Bob Helstrom during the lunch shift at Kuleto’s Italian Kitchen. The day includes a souvenir cookbook and a special lunch for two prepared by Helstrom himself.

900 Pennsylvania, SF. (415) 282-1900, www.sffoodbank.org

SF BICYCLE COALITION


The hundreds of tourists who blaze their bike saddles over the Golden Gate Bridge everyday probably don’t know the debt they owe to the San Francisco Bicycle Coalition. These activists are the folks behind winning two-wheel access to the bridge and carfree days in Golden Gate Park, not to mention the 201 miles of bike lanes in our city. The coalition also provides free urban cycling classes and hooks up underserved communities with bike safety gear. Totally rad, right? Want an equally rad gift idea? Buy your biker buddy a Coalition membership ($35-$100), which gets them discounts at a ton of bike shops in town, free bike trailer rentals, and 10 percent off at Rainbow Grocery when they ride there — all while supporting SF cyclist’s favorite organization.

995 Market, Suite 1550, SF. (415) 431-2453, www.sfbike.org

RAINBOW GROCERY


Started as an ashram in 1975, Rainbow Grocery isn’t a nonprofit in the strict sense — but the lack of 501(c)(3) designation belies the fact that Rainbow makes San Francisco a better place. The workers’ cooperative hawks the wares of small local farmers and sells naught but the healthiest, most socially equitable edibles. To support Rainbow’s efforts, I highly suggest do-it-youselfing a food basket from here for your friend on the healthy living tip (or your friend who’s gotta get on the healthy living tip). It also has a kickin’ gift section if you need a quick one-off. One of my favorite holiday-ready items? Rainbow’s line of screenprinted bags from Jaguar Moon ($5.99–$15.99), a refugee artists’ collective that produces organic sacks from recycled material.

1745 Folsom, SF. (415) 863-8620, www.rainbowgrocery.org; www.jaguarmoonbags.com

GOLDEN GATE NATIONAL PARK CONSERVANCY


What’s crazy about San Francisco is that in this epicenter of art, culture, music, food, and all kinds of urbanity at its finest, given 20 minutes and a functional vehicle, you can find yourself in the heart of America’s most gorgeous natural hang-outs. We have Golden Gate National Park Conservancy to thank for the continued awesomeness of places like Tennessee Valley and Muir Woods — and thank them you can by doing your holiday shopping at the Warming Hut Park Store and Cafe, the little shop/shack tucked away by the Golden Gate Bridge. The store sells gorgeous posters glorifying the day trips all around us ($9.95–$190), as well as bits of SF park history, like the Conservancy’s own We Hold The Rock, a book detailing the badass Native American Alcatraz occupation 30-some years back. In other words, perfect gifts for the radical nature lover on your list, and for the Conservancy too.

Presidio Building, 983 Marin Dr., SF. (415) 561-3040, www.store.parksconservancy.org/store

Creativity Explored

Helping the developmentally disabled find their voice through art since 1983, Creativity Explored’s annual art sale is an amazing opportunity to buy sensational pieces by undiscovered artists. Prices are friendly for those with financial disabilities as well.

3245 16th St, SF. (415) 863-2108, www.creativityexplored.org

LA COCINA


Supporting the right of women to take charge of their lives and finances, La Cocina easily surpasses its neighboring yuppie eateries and corner taquerias for the title of the Mission’s coolest kitchen. The space rents to budding food entrepreneurs and hosts delicious classes on subjects from tamale making to the exhilaration of home canning. This year buy your beloved eater one of La Cocina’s much lauded gift boxes, which range from $20–$100 and feature pear butter and fruit drinks from the new local food businesses that call La Cocina home.

2948 Folsom, SF. (415) 824-2729, www.lacocinasf.org

826 VALENCIA


C’mon people, we’ve got to support our local independent pirate store. Whether it’s lard, eye patches ($4–$5), or posters emblazoned with truisms for surviving life in this scurvy-filled world ($20 for such design gems as "Cannons don’t sink ships: Pirates with cannons sink ships"), 826 Valencia has got you covered. Better still, the shopfront’s proceeds go directly to the booty within the building’s hull: Dave Eggers’ writing workshop for San Francisco youngsters that has spawned sister programs the country over. Pirate flags and punctuation pointers? A match destined to take the high seas.

826 Valencia, SF. (415) 642-5905, www.826valencia.org/store

FERRY PLAZA FARMERS MARKET


Know someone who’s dragging their feet on the farmers market craze? Support your local small agriculturist and the culinary trend that’s turning our city into a locavore fantasyland by getting them a bag of wooden gift coins for fruit and veggie buying, tucked into a reusuable produce bag and available at the Ferry Plaza market on Tuesdays, Thursdays, and Saturdays, or at the CUESA office inside the Ferry Building.

1 Ferry Building, SF. (415) 291-3276 x103, www.cuesa.org

UNDER ONE ROOF


OK fine, sometimes it’s OK to go to the mall. But I’m lifting my moratorium on the sole condition that you use it on Under One Roof’s holiday store at Westfield Centre. The shop, which is mainly staffed by volunteers and has a year-round location at 518A Castro, has been benefiting San Francisco’s HIV/AIDS community since 1990 with its sales. Brave the melee at Westfield for the shop’s killer selection of Christmas tree ornaments (starting at $8.95), SF/Castro-themed clothes, and a heap of toys for the shorter set.

Westfield San Francisco Centre, 865 Market, SF. (415) 978-9877, www.underoneroof.org

Good work

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culture@sfbg.com

The phrase "less fortunate" takes on new meaning in times like these, when everyone’s bank accounts and job opportunities seem more bleak than they used to. But according to the clichéd-yet-still-beneficent spirit of almost every holiday story ever told, this is the perfect time of year to contemplate those who truly are less fortunate than we are. (Cupboards full of ramen? Sucks. But having cupboards in which to put ramen? Rocks.) Why not get some perspective by giving your time and energy to those whose straits are even more dire than yours? Check out some of our favorite volunteer opportunities below, or visit www.volunteerinfo.org for an extensive list of Bay Area organizations that need manpower.

CAFÉ GRATITUDE


This Bay Area institution gives patrons yet another way to find personal affirmation with its five-year-old tradition of offering free Thanksgiving meals served by volunteer community members and staff. This year, four locations are participating, each expecting to feed at least 300 people. Want to get involved? No need to RSVP. Just show up at one of the restaurants below with friends and family any time between 11 a.m. and 3 p.m., ready to work — and eat — until the food is gone.

2400 Harrison Street, SF. (415) 830-3014; 1730 Shattuck, Berk. (510) 725-4418; 2200 Fourth St., San Rafael. (415) 578-4928; 206 Healdsburg Ave, Healdsburg. (707) 723-4461; www.cafegratitude.com

GLIDE MEMORIAL UNITED METHODIST


There are plenty of ways to support this noble — and notable — organization year-round, including volunteering at any one of Glide’s daily free meals. (Just visit the Web site and sign up for a breakfast, lunch, or dinner shift. Larger groups also can e-mail lgraybill@glide.org.) If you’d like to get involved in other Glide programs — which need everything from nurses and doctors to clerical assistants and ensemble singers — all you need to do is attend a Volunteer Information Session, held the first Wednesday of select months. But the holidays are an especially important time to support the nonprofit founded by philanthropist Lizzie Glide in 1929 and reborn under the Rev. Cecil Williams during the 1960s. Though all Thanksgiving shifts are filled, Glide still needs volunteers to help with the Toy Sort and Transfer on Dec. 16, 17, 19, and 20; Christmas Eve meal prep; Christmas Day meal service; and especially breakfast and lunch shifts in the days after Christmas, when volunteers are notoriously scarce.

330 Ellis, SF. (415) 674-6000, www.glide.org

FOOD RUNNERS


Founded by Mary Risley of Tante Marie’s Cooking School, this organization’s goal is to help alleviate hunger and waste by delivering excess food from restaurants to local shelters and food programs. The award-winning nonprofit can always use groups and individuals to commit to regular or on-call deliveries — or phone and computer work — year-round, including the holiday season.

2579 Washington, SF. (415) 929-1866, www.foodrunners.org

HANDS ON BAY AREA


Want to help your local community, but not sure where or what you want to do? HandsOn Bay Area specializes in linking potential volunteers with local nonprofits, schools, and parks for high-impact, group-based volunteer projects (though there are plenty of opportunities for individuals too). To get involved, register as a HOBA volunteer at its Web site, complete the online orientation, and then sign up for any open opportunity on the Project Calendar. You can search more than 100 options by project attributes, impact area, or county. Open projects in San Francisco in November and December include working with seniors at Canon Kip Senior Center, sprucing up the Conservatory of Flowers, helping at the Harbor House, and working with families at the Ronald McDonald House.

www.hoba.org

ONE BRICK


Like HandsOn Bay Area, this nonprofit connects volunteers with opportunities. But this Bay Area-based organization (with other branches in New York, Chicago, D.C., Minneapolis, and Seattle) adds a twist: "commitment-free volunteering" and post-event gatherings at restaurants or cafes, all of which appeals particularly to those in their 20s and 30s. Opportunities range anywhere from prepping outreach supplies for the homeless to ushering audience members during a special Berkeley Rep program. Or you can get involved on the ground level. As a 100 percent volunteer-run operation, One Brick can always use help with event management, PR and marketing, development and fundraising, and web design.

237 Kearny, SF. www.onebrick.org

ROCKET DOG RESCUE


This all-volunteer nonprofit’s mission is to save homeless and abandoned animals from euthanasia at overcrowded Bay Area shelters. Even if you can’t help by fostering a dog, you can support the organization by providing animal transportation, getting involved with outreach, helping to host a fundraising happy hour (a recent event featured free makeovers and spa pampering at the Body Shop in the Castro), working at weekend adoption fairs (held the first three Sundays of every month), or signing up for one of the many tasks it takes to keep such an operation running.

(415) 642-4786, www.rocketdogrescue.org

Drunk on holiday spirit

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>culture@sfbg.com


I have to admit it. I love Christmas. I don’t mean the day, or even the presents, though those both have their charm. But I love the whole damn holiday season and everything that comes with it. Little white lights wrapped around trees downtown, fake icicles dangling from apartment windows, plastic nativity scenes in storefronts and Muzak versions of "The Little Drummer Boy" playing in elevators. I like spray snow and real snow and cheap batting that’s meant to look like snow. Ribbons and dangling ornaments, train sets and Santa scenes, really sappy Christmas movies featuring washed-up TV stars. This time of year, I even like the mall.


I’m not sure who to blame this obsession on: My Jewish dad, who considered Christmas a national holiday and therefore only celebrated the season (not the reason)? My Christian agnostic mom, who could never find the right denomination but always found the best Christmas Eve candlelight service, complete with bell choir and carols? Or perhaps it’s something innate in me that made me love the cold weather and warm drinks, the dark nights and bright lights, finding it all comforting and safe and magical. There’s certainly an element of fantasy that’s consistently charmed me: as a kid, my favorite game of Pretend was called Tinsel Fairies – one whose garland outfits and Christmas Tree scenery rendered it purely seasonal. And now, my favorite game of Pretend is called Boyfriend at Christmas – a whimsical daydream that involves mistletoe, a fireplace, and that elusive creature: a man who likes this crap as much as I do.


Whatever the reason, while most people are gearing up for their "Christmas decorations in November?!?" complaints, I’m getting out my calendar to schedule two months of awesome. In fact, I attempted to make a spreadsheet of every holiday fair, festival, and destination I wanted to hit this year, but it turns out there are too many to fit into one calendar year. (Seriously, planners, what’s up with Dec. 5? Does everything have to happen the first weekend of the month?) Instead, I’ve compiled a list of those places, shows, and events that I simply cannot miss.


Marlena’s

Best known as a drag bar, I’ve had my eye on this Hayes Valley watering hole for years, thanks to its Christmas tradition of drowning the place in Santa figurines (more than 800 of them) and twinkling lights. Add an enclosed smoking area, pool table, and amazing jukebox and it’s the perfect stop for a bit of holiday cheer any day of the week.

488 Hayes, SF. (415) 864-6672, www.marlenasbarsf.com


Union Square Ice Rink

Sure, there’s an outdoor ice skating rink at the Embarcadero too, but I prefer this one, situated beneath the giant tree amidst the glittering lights of San Francisco’s downtown. Despite the often annoying music, it’s one of the most beautiful spots to celebrate the holidays in the city. Now if only my pretend boyfriend would come with me and hold my hand&ldots;

Nov. 11-Jan. 18. Sun.-Thurs., 10 a.m.-10 p.m.; Fri.-Sat., 10 a.m.-11:30 p.m. $4.50-$9.50 for 90 minute sessions. ($4-$5 for skate rentals.) 555 Pine, SF. (415) 781-2688, www.unionsquareicerink.com


Let it Snow!

As much as I love this season, even I get sick of the predictable storylines of the Christmas Carol/Nutcracker/Miracle on 34th Street trinity (and their endless adaptations). This year, I’m looking forward to watching the Un-Scripted Theater Company weave an entirely unique story, based on audience participation, and present it in spontaneous Broadway song-and-dance fashion.

Nov. 19-Dec. 19, except Nov. 21 and 26. 8 p.m., $8-$20. Thurs.-Fri., 8 p.m.; Sat., 3 and 8 p.m. SF Playhouse, Stage 2, 533 Sutter, SF. (415) 869-5384, www.un-scripted.com


Black Rock Artumnal Gathering

Considering that Christmas Camp was one of the first theme camps at Burning Man, it seems only fitting to ring in the season with a playa-related event. This gorgeous gala benefiting the Black Rock Arts Foundation – an organization that supports Burning Man-style art outside of Burning Man — features performances by Fou Fou HA! and Lucent Dossier, beats by Freq Nasty, and visuals by Shrine and Andrew Jones.

Nov. 20, dinner at 6 p.m., late entry at 9 p.m. $35-$200. Bently Reserve, 400 Sansome, SF. (415) 626-1248, blackrockarts.org


Dickens Fair

The endless iterations of Dickens’ Christmas tale might get stale (OK, fine. I’ll never tire of Bill Murray in Scrooged), but the festivity of the story’s setting never will. I can’t wait to don my Victorian finest (acquired from La Rosa on Haight Street) and get my Christmas geek on with dance parties, Christmas shops, holiday food and drinks, and hundreds of costumed players roaming winding lanes.

Nov. 27 and Sat.-Sun. through Dec. 20. 11 a.m.-7 p.m. $10-$22. Cow Palace Exhibition Halls, 2600 Geneva Ave, SF. (800) 510-1558, www.dickensfair.com


San Francisco Motorized Cable Car Holiday Lights Tour

So maybe we don’t have horse drawn carriages, but we do have those charming cable cars. Why not channel a West Coast version of Christmas in Central Park by grabbing a blanket and some roasted chestnuts and boarding festively-decorated public transportation for a tour of the city’s lights, including Fisherman’s Wharf, Polk Street Shops, the tree and menorah at Union Square, and stops to appreciate the Golden Gate Bridge?

Nov. 27-Dec. 15, Wed.-Sun., 5 and 7 p.m. Dec. 16-Jan. 3, 5 and 7 p.m. daily. $14-$24. Departs from either Fisherman’s Wharf or Union Square, www.buysanfranciscotours.com/tours/holiday_lights_tour_ccc.html


Women’s Building Celebration of Craftswomen

Who doesn’t love a good holiday crafts fair? Especially one that supports such a good cause. This four-day event features unique hand-made crafts and art pieces by more than 200 female American artists, all supplemented with live music, gourmet food, and a benefit silent auction.

Nov. 28-29, Dec. 5-6, 10 a.m.-5 p.m., $6.50-$12. Herbst Pavilion, Fort Mason Center, SF. (650) 615-6838, www.celebrationsofcraftwomen.org


Vandals Christmas Formal

The punk rock veterans host this year’s version of their legendary holiday show, where they’ll play nearly their entire Oi! To the World album, including (if we’re lucky) that heart-warming family classic "Christmas Time for My Penis." Now the only question is where to get a studded corsage.

Dec. 5, 8 p.m. $16 G.A.; $40.95 with dinner. Slim’s, 333 11th St., SF. www.slims-sf.com


Cantare Con Vivo Choral Concert

My mom has a Master’s in music, so it’s probably no surprise that I can’t make it through a holiday season without seeking out some classic carols. This year, I’ll forego Handel’s Messiah for this stunning 100-voice ensemble, accompanied by brass and organ.

Dec. 6, 3 – 5 p.m. $10-$40. First Presbyterian Church, 27th and Broadway, Oakl. (510) 836-0789, www.cantareconvivo.org


The Making of Mister Magoo’s Christmas Carol

Author Darrell Van Citters discusses his book about the first-ever animated Christmas special, a ’60s classic that’s all but forgotten to new generations.
Dec. 8, 7:30 p.m.-9:00 p.m., free. Cartoon Art Museum, 655 Mission, SF. (415) CAR-TOON, www.cartoonart.org

Santacon
The only thing more delightful than the sight of hundreds of Santas drinking, dancing, and causing a rukus in public is being one of those Santas. Perhaps the best known and loved creation of the Cacophony Society, this annual bar crawl/flash mob/guerilla art piece has become one of my favorite holiday traditions (at least, the parts I can remember). Plus, as a walking and transportation tour led by volunteers, it’s a fantastic way to see parts of the city I’d rarely visit otherwise.
Dec. 12, times and locations TBA. www.santarchy.com

Dance-Along Nutcracker
This year sees Tchaikovsky’s characters translated through a Western lens with "Blazing Nutcrackers," a Wild West-themed participatory dance event with accompaniment by the San Francisco Lesbian/Gay Freedom Band. My plan? To channel Clara, by way of Mae West.
Dec. 12, 2:30 p.m. and 7:00 p.m. gala, Dec. 13, 11 a.m. and 3 p.m. $16-$50. Yerba Buena Center for the Arts Forum, 701 Mission, SF. (415) 978-2787, www.dancealongnutcracker.org

MOCHA Makers’ Studio: Adult Art Night
Call it a throwback to my days doing Sunday School crafts (at any one of several churches), but there’s something appealing about learning to make paper – and then make holiday cards or 3-D shapes and sculptures – while enjoying beer, wine, and each other at this kids’ night for grown-ups.
Dec. 17, 7:30 p.m.-10:30 p.m., $5. Museum of Children’s Art, 538 Ninth St., Oakl. (510) 465-8770, www.mocha.org

Carols in the Caves
For more than 20 years, David Auerbach – better known as The Improvisator – has been sharing the solstice spirit by playing his impressive bevy of instruments in natural caverns and wine cellars. Wondrous, reverent, and – especially during the audience participation part – fun, this is the event I’m perhaps looking forward to most. (But don’t tell the Vandals.)
Weekends Dec.19-Jan. 10. $40-$65. Various wineries. (707) 224-4222, www.carolsinthecaves.com

Have different taste than I do? (Apparently, that’s possible.) Check out our events, music, and stage listings throughout the holiday season. For information on tree lightings at places like city hall, check out www.sanfrancisco.com. And if you’re a fan of Christmas Tree Lanes, visit www.lightsofthevalley.com, a not-for-profit Website compiling information on more than 460 decorated homes in 105 cities, to be updated the day after Thanksgiving.

Keeping up with the Waters’: Berkeley’s way ahead of SF on the school garden game

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By Caitlin Donohue

edible schoolyard 3 1109.jpg
Look how stoked these Berkeley kids are on their badass school garden program- now where is SF’s?

As San Francisco public schools struggle to keep their salad bars stocked with a few local and organic options, Berkeley kids are benefiting from their town’s legendary reputation for sustainable grubbing.

Alice Waters, doyenne of natural food living and Californian cuisine, adopted Martin Luther King, Jr. middle school all the way back in 1994 and since then has helped to implement a school garden program that I dare say puts a lot of commercial produce growing operations to shame.

The Edible Schoolyard stands on an acre of ground adjacent to King school and plays host to such a variety of organic food that it could supply… well, an Alice Waters’ restaurant for one thing. They’ve got a cavalcade of trees bearing everything from olives to apples, a tea garden, oyster, shiitake and portabello mushrooms, amaranth, quinoa, egg laying fowl, berries and veggies of all stripes. They also have a cider press, a nifty composting system and even a rainwater catchment program set up that saves 200 gallons of water per inch of rain.

Students get the chance to learn all about creating a sustainable food system through a three year schedule of classes that teaches them everything from composting to cooking. The garden also offers community classes on similar subjects (next up: backyard mushroom cultivation!)

edible schoolyard 2 1109.jpg
Restaurantuer Alice Waters keeps Berkeley’s King middle school kids up on their quinoa fix

Adieu, Amuse Bouche guy

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By Rachel Sadon
amusebouche.jpg
Street-food vendor Murat Celebi-Ariner, owner of the Amuse Bouche cart and a beloved local figure in the Mission, was deported last week back to his native France, but you still have one last chance this Saturday to sample his wares and support his family.

The mini-muffin whiz was picked up by Immigration and Customs Enforcement (ICE) agents on Oct. 28 for overstaying the 90 day Visa Waiver Program. Though recently married to an American citizen, Murat failed to file for Adjustment of Status. After his detention, the couple filed for deferred action and belatedly applied for a green card, while locals united in support. However, their requests were denied and Celebi-Ariner flew back to France on Nov. 12.

His wife, Pelin, will be joining him and recently sent out an e-mail announcing a moving-out sale. She writes:

Dear Friends, Home is where the heart is. Thus, this home must change hands, along with everything in it. This Saturday from 10am to 2pm, stop in to browse our moving out sale and have some complimentary muffins and chai. We will even have Amuse Bouche memorabilia for sale 😉

3269 22nd St. #1
between Mission and Valencia

see you then,
Pelin

The popular proprietor was an early participant in the growing food cart scene and could be found around the neighborhood selling a variety of tarts, quiches, and pita pockets. For one dollar Murat would provide you with “the ultimate recession buster breakfast” – chai and a mini-muffin – alongside a sign with the sage advice to “make your mouth happy.”

Au revoir Murat… good luck charming the French with your tasty treats.

Music Listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 18

ROCK/BLUES/HIP-HOP

Actionslacks, Love is Chemicals, Ex-Boyfriends Bottom of the Hill. 9pm, $8.

Cheetahs on the Moon, Bodice Rippers, Sugarbutt Tiger Annie’s Social Club. 9pm, $6.

Collisionville, Control-R, Pomegranate El Rio. 8pm, $5.

Comeback Kid, Gravemaker, Mother of Mercy, Dead Swan Thee Parkside. 8pm, $12.

Confunkshun Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-888-468-3399. 8pm, $30-35.

Elm, Midday Veil, Sequin Trails Hemlock. 9pm, $6.

Frail, Lleggs Harlot, 46 Minna, SF; (415) 777-1077. 9pm, $5.

Joe Krown Trio Biscuits and Blues. 8pm, $18.

*Judgement Day, La Fin du Monde, Grayceon Annie’s Social Club. 8:30pm, $7.

*King Khan and BBQ Show, Those Darlins Independent. 8pm, $15.

Nitzer Ebb, King Loses Crown Slim’s. 8pm, $25.

Chris Pierce, Amber Rubarth, Corb Lund Hotel Utah. 8:30pm, $10.

Julian Plenti, I’m in You Great American Music Hall. 8pm, $16.

Saints of Ruin Red Devil Lounge. 8pm, $8-10.

Society of Rockets, Conspiracy of Beards, Lotus Feet Elbo Room. 9pm, $7.

BAY AREA

Raphael Saadiq, Anjulie, Melanie Fiona Fox Theater. 7:30pm, $39.50.

JAZZ/NEW MUSIC

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Marcus Shelby Jazz Jam Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Michael Browne Trio Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

Shana Morrison Yoshi’s San Francisco. 8pm, $14.

Tamika Nicole Yoshi’s San Francisco. 10:30pm, $14.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Freddy Clarke, Wobbly World Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30, $10.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Leigh Gregory Plough and Stars. 9pm.

Erin McKeown, Sonya Kitchell Café du Nord. 8:30pm, $15.

Amber Rubarth Hotel Utah. 8pm, $10-12.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Daddy Rolo, Young Fyah, Irie Dole, I-Vier, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 19

ROCK/BLUES/HIP-HOP

Chris Brown Fillmore. 7pm, $38.50.

Confunkshun Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-888-468-3399. 8pm, $30-35.

*Ensiferum, Hypocrisy, Blackguard DNA Lounge. 8pm, $22.

Hidden Cameras, Gentleman Reg, Winter’s Fall Bottom of the Hill. 9pm, $14.

Kevin Russell Trio Biscuits and Blues. 8pm, $15.

Meta, Ana Lucia, Burnt Thumbs El Rio. 9pm, $6.

Microfiche, Elle Nino, Camp Out, Hey Young Believer Hotel Utah. 9pm, $6.

Neon Indian, Love X Nowhere Rickshaw Stop. 8pm, $10-12.

Peter Bjorn and John, El Perro Del Mer Great American Music Hall. 9pm, $23.

Railcars, Samuelroy, Pregnant, Felt Drawings Thee Parkside. 9pm, $6.

Röyksopp, Jon Hopkins Regency Ballroom. 8pm, $32.

Silian Rail, Grand Lake, Ash Reiter Hemlock Tavern. 9pm, $7.

Tainted Love Red Devil Lounge. 8pm, $15.

0th, Kurione, Paper Legs, William Winat, Weasle Walter, and John Gruntfest Trio Amnesia. 9pm, $6.

BAY AREA

Them Crooked Vultures, Mini Mansions Fox Theater. 8pm, $49.50.

JAZZ/NEW MUSIC

Joe Bagale, Crystal Monee Hall Yoshi’s San Francisco. 10:30pm, $10.

Margie Baker Shanghai 1930. 7pm, free.

Al Coster Trio and jam session Savanna Jazz. 8pm, $5.

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Laurent Fourgo Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7:30pm, free.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Stephen Merriman Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Battlin’ Blue Birds Dolores Park Café. 7:30pm, free.

Bluegrass Old Time Jam Atlas Café. 8pm, free.

Classical Revolution Amnesia. 6pm, free.

Frisky Frolics Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Jim Lauderdale Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 8:15pm, $22.

Jueves Flamencos Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:15pm, $10; 9:30pm, $12.

Mission 3 Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Tipsy House Plough and Stars. 9pm.

Worried Minds Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, B Lee, and special guest Beto spin Afrobeat, Tropicália, electro, samba, and funk featuring an album listening party for Tito Rodriguez.

Bingotopia Knockout. 7:30-9:30pm, free. Play for drinks, dignity, and dorky prizes with Lady Stacy Pants.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Echo-A-Gogo Knockout. 10pm, free. Vintage dub reggae with DJ Lucky and friends.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and guest. Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Solid Club Six. 9pm, $5. With resident DJ Daddy Rolo and rotating DJs Mpenzi, Shortkut, Polo Mo’qz and Fuze spinning roots, reggae, and dancehall.

FRIDAY 20

ROCK/BLUES/HIP-HOP

Billy and Dolly with Tell-Tale Hearts, Michael Zapruder, Paul Bertolino Hotel Utah. 9pm, $10.

Confunkshun Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-888-468-3399. 7 and 9:30pm, $30-35.

Disco Biscuits Fillmore. 9pm, $25.

Dolorata, Audrey Howard and the Misters, View from Space Bottom of the Hill. 10pm, $10.

*El Dopa, Cretaceous Annie’s Social Club. 9:30pm, $8.

Eternal Tapestry, Barn Owl, Moon Duo, Real Estate Hemlock Tavern. 9pm, $8.

Fiery Furnaces, Cryptacize, Dent May Slim’s. 9pm, $16.

Girls Swedish American Hall (upstairs from Café du Nord). 8pm, $15.

Houston Jones Noe Valley Ministry, 1021 Sanchez, SF; (415) 454-5238. 8:15pm, $19.

DJ Lebowitz Madrone Art Bar. 6-9pm, free.

*McCabe and Mrs. Miller, Paul and John Make-Out Room. 7pm, $7.

New Thrill Parade, Tape Deck Mountain, Red Pony Clock, Monnone Alone, Borneo Amnesia. 9pm, $8.

Peter Bjorn and John, El Perro Del Mer Great American Music Hall. 9pm, $23.

Sleepytime Gorilla Museum, Faun Fables Independent. 9pm, $18.

Earl Thomas and the Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

Zoo Station Red Devil Lounge. 8pm, $10.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Patti Austin Yoshi’s San Francisco. 8 and 10pm, $30-38.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Bryan Girard Quartet Cliff House Restaurant, 1090 Point Lobos, SF; (415) 386-3330. 7pm, free.

Stephanie Crawford Savanna Jazz. 8pm, $8.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

T.D. Skatchit and Company Community Music Center, 544 Capp, SF; (415) 647-6015. 8pm, $10.

Terry Disley Experience Shanghai 1930. 7:30pm, free.

FOLK/WORLD/COUNTRY

Seth Augustus Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Andrew Skewes Cox Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Toshio Hirano Mercury Café, 201 Octavia, SF; (415) 252-7855. 7:30pm, free.

Forro in the Dark, Nneka, DJ Felina Café du Nord. 9:30pm, $12-15.

49 Special Plough and Stars. 9pm, $6-10 sliding scale.

International Studies Academy (ISA) Concert Dolores Park Café. 7:30pm, free.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Rolando Morales and group Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 10pm.

Samba Da Elbo Room. 10pm, $15.

Lee Vilenski Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $15. With DJs Jeffrey Paradise and Richie Panic spinning dance music.

Conspirator 103 Harriet, 103 Harriet, SF; (415) 431-3609. 10pm, $20. Disco Biscuits after party.

Deep Fried Butter, 354 11th St., SF; (415) 863-5964. DJs jaybee, David Justin, and Dean Manning spinning indie, dance rock, electronica, funk, hip hop, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

510’s Finest Presents: King Thee Parkside. 10pm, $4.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

House of Voodoo Medici Lounge, 299 9th St., SF; (415) 501-9162. 9pm, $5. With DJs Voodoo, Purgatory, and more spinning goth, industrial, deathrock, and glam.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Juan Maclean DJ Set (Tribute to Gerhardt Fuchs), Parallels, DJs Eug and J. Montag Mezzanine. 9pm, $13.

Oldies Night Knockout. 9pm, $2-4. Doo-wop, one-hit wonders, and soul with DJs Primo, Daniel, and Lost Cat.

Pirate Cat Radio Benefit Triple Crown. 8pm, $10. Proceeds to help pay recent fines imposed by the FCC.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

The Present Club Six. 9pm, $15. Featuring performances by Luckyiam PSC, The Bayliens, Wordplay, and more with DJs Franky Fresh, Beast, and more spinning hip hop.

SATURDAY 21

ROCK/BLUES/HIP-HOP

"A&R Live: Major Label Showcase" Thee Parkside. 9pm, $15.

Confunkshun Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-888-468-3399. 7 and 9:30pm, $30-35.

Disco Biscuits Fillmore. 9pm, $25.

*Municipal Waste, Off with Their Heads, Phobia, Cauldron Slim’s. 8pm, $15.

Okay-Hole with Sixteens, Sleeping Desires, Soft Shoes and the Socks Amnesia. 9pm, $7.

Old Canes, Top Critters, Mylo Jenkins House of Shields. 9pm, $5.

Perfect Machines, Sassy!!!, Lady Sinatra, Live Evil, Rockfight Hotel Utah. 9pm, $8.

Rod Piazza and the Mighty Flyers Biscuits and Blues. 8 and 10pm, $22.

Pie Rats, Yes Gos, Light Machine Thee Parkside. 3pm, free.

"SFxSD" El Rio. 3pm-2am, $5-7. With Lucky Jesus, Long Live Logos, Butterfly Bones, DJ Calisto John, Lilofee, Transfer, and Music for Animals.

Shuteye Unison, New Trust, Grandchildren Hemlock Tavern. 9:30pm, $7.

Slick 46, Harrington Saints, Memphis Murder Men Annie’s Social Club. 9pm, $8.

Snoop Dogg, DJ Quik, Nipsey Hussle, Hustle Boys Warfield. 8pm, $53-63.

Thao with the Get Down Stay Down, Portland Cello Project, David Schultz Independent. 9pm, $17.

Keller Williams Great American Music Hall. 9pm, $25.

BAY AREA

Keb’Mo’, Solomon Burke Paramount Theatre. 8pm, $20-65.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Patti Austin Yoshi’s San Francisco. 8 and 10pm, $38.

Graham Connah Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

George Cole’s Band Red Poppy Art House. 8pm, $15-20.

"Jazz Jam Session with Uptime Jazz Group" Mocha 101 Café, 1722 Taraval, SF; (415) 702-9869. 3:30-5:30pm, free.

Octomutt, Lily Taylor Rite Spot, 2099 Folsom, SF; (415) 552-6066. 9pm, free.

Sandra Aran Group Shanghai 1930. 7:30pm, free.

Ricardo Scales Top of the Mark. 9pm, $15.

Suzanna Smith and band Savanna Jazz. 8pm, $8.

FOLK/WORLD/COUNTRY

Bossa 5-0 Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Culann’s Hounds Plough and Stars. 9pm.

Forro in the Dark, Boca Do Rio, DJ Felina Café du Nord. 9:30pm, $12-15.

George Cole Quintet Red Poppy Art House. 8pm, $15-20. Gypsy swing and American songbook.

Jaguares, Los Cenzontles Regency Ballroom. 9pm, $55.

Outside In Festival Bollyhood Café, 3372 19th St., SF; (415) 643-3558. 7pm, $5. Featuring food, dance arts, and music with a live performance from Mucho Axé and DJs Fausto and EKG.

Peruvian Night Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7:30pm, 11:45pm. With Lalo Isquierdo, Luis Valverde, Miguel Sisniegas, and Luis Ramos.

BAY AREA

Café Tacuba Fox Theater. 8pm, $35.50-39.50.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Booty Bassment Knockout. 10pm-2am, $5. Hip-hop with DJs Ryan Poulsen and Dimitri Dickenson.

Cock Fight Underground SF. 9pm, $6. Locker room antics galore with electro-spinning DJ Earworm and hostess Felicia Fellatio.

Dead After Dark Knockout. 6-9pm, free. With DJ Touchy Feely.

DJ Nu-Mark Mighty. 9pm, $5 before 11pm with canned good. With DJs Haylow, Platurn, and Ant 1.

Black and White Affair Butterfly Lounge, Pier 33, 1400 Embarcadero, SF; www.partywithpure.com. 10pm, $20. DJs spinning mainstream hip hop and top 40s.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

M80 Mission Rock Café, 817 Terry Francois, SF; (415) 626-5355. 10pm, $15. Disco Biscuits after party. Shuttle service available from the Fillmore.

P vs M Madrone Art Bar. 7pm, $5. DJs Dave Paul and Jeff Harris spinning a Prince vs. Michael marathon.

Saturday Night Live Fat City, 314 11th St; selfmade2c@yahoo.com. 10:30pm.

Saturday Night Soul Party 10pm, $10. With DJs Lucky, Phengren Oswald, and Paul Paul spinning 60s soul.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Villainy DNA Lounge. 9pm, $8-10. Electro, indie, new wave, gothic, and industrial with Tomas Diablo, Party Ben, and Starr.

SUNDAY 22

ROCK/BLUES/HIP-HOP

"Concerts First Next Big Thing" Slim’s. 11am, $15.

Confunkshun Rrazz Room, Hotel Nikko, 222 Mason, SF; 1-888-468-3399. 7pm, $30-35.

Fanfarlo, Freelance Whales, Mumlers Rickshaw Stop. 8pm, $13.

*"Heathenfest" DNA Lounge. 7:30pm, $22. With Eluveitie, Belphegor, Alestorm, Vreid, and Kivimetsan Druidi.

Il Gato, Radio Fantastique, Gerardo Balistreiri Amnesia. 9pm, $7-10.

Lake, Karl Blau, Half-Handed Cloud Hemlock Tavern. 9pm, $8.

Slick 46, Memphis Murder Men, Shootin’ Lucy, Shelby Cobra Thee Parkside. 8pm, $7.

Thrice, Dear Hunter, Polar Bear Club Regency Ballroom. 7:30pm, $24.

BAY AREA

KISS, Buckcherry Oracle Arena, 7000 Coliseum Wy, Oakl; www.ticketmaster.com. 7:30pm, $17.50-125.

JAZZ/NEW MUSIC

Patti Austin Yoshi’s San Francisco. 2 and 7pm, $5-38.

Terry Disley Washington Square Bar and Grill, 1707 Powell, SF; (415) 433-1188. 7pm, free.

Lua Hadar with Jason Martineau Bliss Bar, 4026 24th St, SF; (415) 826-6200. 4:30pm, $10.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Savanna Jazz Trio and jam Savanna Jazz. 9:30pm, $5.

FOLK/WORLD/COUNTRY

b Foundation Great American Music Hall. 8pm, $10.

Bone Cootes, Old Hangtown Rite Spot, 2099 Folsom, SF; (415) 552-6066. 6pm, free.

Jack Gilder, Kevin Bemhagen, Richard Mandel, and friends Plough and Stars. 9pm.

Il Gato, El Radio Fantastique, Gerardo Balestrieri Amnesia. 9pm, $7-10.

Halau O Keikiali’I Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7:30pm, $10.

International Youth Music Initiative Jewish Community Center of San Francisco, 3200 California, SF; (415) 292-1233. 7pm, $15.

Iration, Tomorrow’s Bad Seeds, B Foundation Great American Music Hall. 8pm, $15.

Josh Klipp, Joe Stevens El Rio. 3-6pm, $5-10.

Jay Lingo and the Kick Balers Thee Parkside. 4pm, free.

Lior Tsarfaty and friends Red Poppy Art House. 7pm, $10-15.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with Nickodemus Meets Spy from Cairo, Freyja, Calamity Sam, and DJ Sep.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 23

ROCK/BLUES/HIP-HOP

Dir En Gray Fillmore. 8pm, $23.

Holy Shit, Sleeptalks, Quite Polite Knockout. 9pm, $7.

Mr. Gnome, Songs for Snakes, Disastroid Elbo Room. 9pm, $6.

BAY AREA

Wolfmother, Heartless Bastards, Thenewno2 Fox Theater. 7:30pm, $29.50.

JAZZ/NEW MUSIC

Colour Yoshi’s San Francisco. 8pm, $8-12.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Andrew Oliver Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Richard Rite Spot, 2099 Folsom, SF; (415) 552-6066. 8pm, free.

FOLK/WORLD/COUNTRY

Barefoot Nellies Amnesia. 8:30pm, free.

Lavay Smith and Her Red Hot Jug Band, Divine’s Jug Band Café du Nord. 8pm, $10.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Knockout. 5-9pm, free. With host Deadbeat.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 24

ROCK/BLUES/HIP-HOP

Dirty Penny, Death Valley High, Three Weeks Clean Elbo Room. 9pm, $7.

Glassines, Friendly Skies El Rio. 8pm, free.

Gwar, Job for a Cowboy, Red Chord Regency Ballroom. 8pm, $25.

Lahar Boom Boom Room. 9:30pm, free.

Lilys, Astral, LSD and the Search for Gold Bottom of the Hill. 9pm, $12.

Pale Hoarse, Kathryn Anne Davis, Sweet Chariot, DJ Donnelle Knockout. 9pm, $5.

Them Hills, Neal Morgan Hemlock Tavern. 9pm, $6.

Warren G, Dam-Funk, U-N-I Independent. 9pm, $25.

JAZZ/NEW MUSIC

"Booglaloo Tuesday" Madrone Art Bar. 9:30pm, $3. With Oscar Myers.

Dave Parker Quintet Rasselas Jazz. 8pm.

Euliptian Quartet Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

Larry Vuckovich New Blue Balkan Ensemble Yoshi’s San Francsisco. 8pm, $14.

Ricardo Scales Top of the Mark. 6:30pm, $5.

Soraya Trio Rite Spot, 2099 Folsom, SF; (415) 552-6066. 8pm, free.

FOLK/WORLD/COUNTRY

Honeycomb Climate Theater, 285 9th St., SF; (415) 704-3260. 8pm, $7-15 sliding scale.

Song Session Plough and Stars. 9pm. With Vince Keehan and friends.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Goth, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

Drunken Monkey Lounge Annie’s Social Club. 9pm, free. Guest DJs and shot specials.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

La Escuelita Pisco Lounge, 1817 Market, SF; (415) 874-9951. 7pm, free. DJ Juan Data spinning gay-friendly, Latino sing-alongs but no salsa or reggaeton.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Stump the Wizard Argus Lounge. 9pm, free. Interactive DJ games with What’s His Fuck and Craigums.

Womanizer Bar on Church. 9pm. With DJ Nuxx.