Fillmore

How they do it in New York: ‘Brooklyn Boheme’ premieres, SFNY goes out with a bang

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Do people within a “scene” ever recognize it at the time? Does that self-awareness kill the vibe, or is it essential in forming a group identity? Perhaps the answers can be gleaned at the Thu/12 Bay Area premiere of hip-hop writer Nelson George’s latest flick Brooklyn Boheme — a documentary filled with glimpses of baby Rosie Perez, Erykah Badu, and Talib Kweli in the thick of their Fort Greene, Brooklyn heyday. The show’s being thrown down by SFNY,  the three-year event series concluding this week that has connected SF and NYC with promises of slick DJs in fancy hotels and bicoastal culture swap. 

Hip-hop historian Jeff Chang interviewed George about the period he explores in Boheme. In that exchange, George’s top five moments from Fort Greene circa mid-’80s to ’90s make it sound like a dream: 

“1. I had a book party for The Death of Rhythm & Blues at my place at 19 Willoughby Avenue in 1988 that attracted a very eclectic group of folks, from Russell Simmons to Melba Moore to supermodels. It was a very fun, memorable party.

2. Chris Rock coming over to that same apartment to pitch me the film that eventually became CB4.

3. Sneaking around one night to the apartments of two women who lived around the corner from each other for booty calls. A very risky, but exciting night.”

Judging from the trailer, Brooklyn Boheme is an insider’s look at the kids everyone wanted to be like in the ’90s. Yeah, that’s Michael Jordan hanging with Spike Lee, what? Mos Def — sorry, Yasiin Bey — pre-Hitchhiker’s Guide to the Galaxy, visual artist Lorna Simpson reminiscing on the productivity that came from hanging out around densely-packed, extravagantly brilliant people (Lorna, I’m down for tips on how to do this if you’re offering.) The snapshot of the temporary community is made even more poignant with the knowledge of what came about in the neighborhood later on. The trailer acknowledges that Fort Greene has become synonymous with gentrification. Blame it on the artists… 

After the flick, head to the Clift Hotel for sets by KM/FM (King Most, FA, and Marky), Wonway Posibul (Latin Soul Brothers-Thinkbeat Radio), Haylow (Roy Ayers Project-70/30), and Jerry Nice (Groove Merchant Records). 

Brooklyn Boheme premiere

Thu/12 8pm; $5 movie only, $15-$45 movie and afterparty

Clay Theater 

2261 Fillmore, SF


SFNY wrap party-Brooklyn Boheme afterparty

Thu/12 10pm-2am

Clift Hotel 

495 Geary, SF

sfny6.eventbrite.com

Heads Up: 8 must-see concerts this week

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You’ve got a midweek day off? You’re stoked. Go see some live music with that hard-earned free time. Oh, and happy independence, America. That’s what we’re celebrating, correct?

Eat a barbecued tofu dog slathered in relish and drink some park beers in celebration of such things as country pride and days without responsibility. Then fill those Bay Area music venues, checking in on America’s favorite proto-punk troubadour, Mali’s favorite virtuoso progeny, the Big Time Freedom Fest, woozy dream poppers, a punk rock museum benefit, and more.

Here are your must-see Bay Area concerts this week/end:

Jonathan Richman
Last time the Modern Lover cult hero Jonathan Richman did a slew of shows at the Make-Out Room, he brought drummer Tommy Larkins to the outings, performed for hours on end, sang in multiple languages, chatted awkwardly, mixed up his pacing and flipped his set list so time floated by without a lull. He also danced samba-like solo – twisting his thin frame as a contortionist. Who’s to say this round should be any different? We know Larkins is back at least.
Mon/2-Tue/3, 7:30pm, $15
Make-Out Room
3225 22nd St., SF
(415) 647-2888
www.themakeoutroom.com
http://www.youtube.com/watch?v=XjFU98mEem4

Vieux Farka Toure
The son of Ali Farka Toure, Malian singer-guitarist is legend in his own right. Oft referenced as a “guitar virtuoso” or more specifically  “The Hendrix of the Sahara,” Vieux’s graceful, quick-fingered guitar skills rival those of the rock’n’roller regime, yet he blends in traditional West African influences. Fresh off the Touré-Raichel Collective (his collaborative album and tour with Israeli musician Idan Raichel), Vieux this time swings into town solo, his strumming again center stage.
Mon/2, 8pm, $22
Yoshi’s SF
1330 Fillmore, SF
(415) 655-5600
www.yoshis.com
http://www.youtube.com/watch?v=IecSMEH9ZVg

“Big Time Freedom Fest”
What’s more deliciously new America than the string-lit back patio at El Rio? That’s where dreams are made and shattered. People fall in momentary beat-fueled lust, cheap beers with lime wedges are sipped en masse, and fried food is gobbled up without a second thought. It’s tradition, years in the making. This seventh annual Big Time Freedom Fest features some awesome local heavy-hitters: Religious Girls, Tartufi, Finn Riggins, Battlehooch, and Night Call, all for $8, in the outdoor heavy-hung fog.
Wed/4, 3:30pm, $8
El Rio
3158 Mission, SF
(415) 282-3325
www.elriosf.com
http://www.youtube.com/watch?v=7mMUsyZY4kA

Giraffage, James & Evander
“Glitchy” seems to be the key word for San Francisco’s electronically-constructed solo project, Giraffage. I’m on board. Those little glitchy effects break up otherwise endless ambient affairs, spinning the act from dream-pop to hip-hop in a cotton candy pillow. Tonight’s a co-headlining set with fellow Bay Area suspected Ambien-poppers, James & Evander. That “synth/stoner pop” Oakland act released magical debut LP Bummer Pop last month. How many more pops can we squeeze in this show description? Pop.
With Astronautica, Young Pharaohs
Thu/5, 9pm, $6
Milk Bar
1840 Haight, SF
(415) 387-6455
www.milksf.com
http://www.youtube.com/watch?v=MrrL0sYLgA0

Liars
“This year’s WIXIW (say wish-you) finds Liars reinventing the wheel again, to produce their most synthified affair yet; picture the rocktronic fusion of Kid A-era Radiohead, approached with the finely calibrated ambience of Bjork’s Vespertine, Trent Reznor’s swagger, and Tom Waits’ lumbering dynamics.” – Taylor Kaplan 
With Cadence Weapon
Thu/5, 8pm, $22.50
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.slimspresents.com
http://www.youtube.com/watch?v=ggR6RuBh8I0

Shana Falana
Formerly of San Francisco, the now New York-based psychedelic dream popper Shana Falana returns to her beloved Bay in support of new In the Light EP, bringing along a new multimedia show. Falana’s lilting church choir-like vocals matched to looping guitar and percussion gives the impression of a surreal religious experience deep in the X-Files woods. I want to believe.
With Kelley Stoltz, the She’s, B and Not B
Fri/6, 9pm, $15
Cafe Du Nord
2170 Market, SF
(415) 861-5016
www.cafedunord.com
http://www.youtube.com/watch?v=MUqgXal-knk

Punk Rock Museum Benefit
Given punk’s lasting impact on so many musical branches, and influence on the raw sounds of countless beloved acts, a Punk Rock Museum seems absolutely necessary. Why didn’t we think of this? The new museum – spearheaded by Taquila Mockingbird and based in LA – has been established to “further preserve the punk rock genre.” For this show, parts of the museum travel to San Francisco. There will be a mix pieces (photographs, old fliers, art by the likes of Winston Smith, etc.) from the permanent museum collection, and of course, live music to carry on the legend: Debora Iyall (of Romeo Void), Metal Circus (A tribute to Husker Du), and Meri St. Mary and the Housecoats. Also, DJ Big Nate will be spinning classic punk cuts.
Sat/7, 9pm, $15
Thee Parkside
1600 17th St., SF
(415) 252-1330
www.theeparkside.com
http://www.youtube.com/watch?v=ePIImGMjn_8

Cool Ghouls
Local psych-rockers Cool Ghouls seem to be everywhere lately, opening up Noise Pop retrospective shows, making appearances at lots of local venues, playing Save KUSF benefits; a.k.a traveling around town with beer-fueled, good-time rock’n’roll in tow. They’ve got a bright and free EP currently up for grabs on their Tumblr, an upcoming slot at the Independent before Sonny and the Sunsets, and a full-length LP coming in the fall; this Hemlock show is a good chance to check out the five-piece in smallish setting.
With LA Witch, the Sister Ruby Band
Sun/8, 9pm
Hemlock Tavern
1131 Polk Street, SF
(415) 923-0923
www.hemlocktavern.com

Our Weekly Picks: June 27-July 3

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WEDNESDAY 27

“Turbulence (a dance about the economy)”

Breaking down the proscenium is one thing. Favoring installations over stage presentation is another. But messing with the distinction of representation and participation is something else entirely. No one I know of so radically questions the very essence of performance as does Keith Hennessy. What do you call it when in the process of creation, the viewer disappears into the action? For Hennessy it’s a political act. “Turbulence, (a dance about the economy),” which he describes as a “collaborative failure,” was already in the making when Occupy Wall Street exploded. Just as in life, during the “Turbulence” presence at CounterPULSE last December, some people stepped up, others left, the majority sat and waited. (Rita Felciano)

8pm, free

CounterPULSE

1310 Mission, SF

(415) 626-2060

www.counterpulse.org


THURSDAY 28

Andy Rourke of the Smiths (DJ set)

Your inner disco dancer better not be dead, because Smiths bassist Andy Rourke is coming to town, with a crate of records in tow. Ever since he moved to NYC from across the pond, Rourke has become a fixture in the city’s DJ circuit. Instead of aiming for a unified sound with his sets, he jumps impulsively between pop, funk, and electronica, compiling a vibrantly erratic patchwork quilt of his musical influences. Will Rourke tip his hat to the Mozfather with a few beloved Smiths numbers when we least expect it? Only one way to find out, so, clubgoers of the world unite! (Taylor Kaplan)

With Aaron Axelsen and Omar

10pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

Russian Circles

These dudes produce a lot of noise for just three people. The Chicago-based Russian Circles employ heavy use of effects pedals to layer their instrumental, wallowing metal, creating a deep pitß of sound. Their songs seamlessly transition from chugging, mathematical guitar riffs to soft, melodic interludes. In concert, the band is impressively able to replicate and expand upon their complex recorded work, which features enough tempo, time signature, and key shifts to awe anyone with a basic understanding of music theory. It’s metal for the thinking (wo)man, but not to worry, it still shreds. (Haley Zaremba)

With Deafheaven, And So I Watch You From Afar

8pm, $14

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com


FRIDAY 29

“The Official Blues Brothers Revue”

With an all-star musical cast and the comedic genius of John Belushi and Dan Aykroyd, the beloved 1980 film The Blues Brothers paired one of the best soundtracks of all time with an action packed storyline that continues to thrill. The movie — which screens at the Paramount Theatre in Oakland on Friday night — has also inspired a top notch musical tribute show, “The Official Blues Brothers Revue,” featuring the talents of Wayne Catania and Kieron Lafferty as Jake and Elwood, all with the approval of Belushi’s estate and Aykroyd. So put on your suits, shades, and fedoras and get ready to join the boys this weekend on their “mission from God!” (Sean McCourt)

Fri/29-Sat/30, 8 and 10pm, $25–$35

Yoshi’s

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com

 

Pepper 19-Year Anniversary

It’s been 19 years since a gaggle of scruffy dance-and-drink fanatics took over Monday nights at Don’s Different Ducks bar in the Lower Haight, spun some funky house records, and imbibed with abandon, often using the plywood-covered pool table as a dance floor. Pepper, they called it, and although it’s moved around a lot since the Don’s days (it was one of the Guardian’s favorite roving parties of the 1990s), it’s still held strong, retaining its ragtag aura even as its players have become lionized. For this installment, at 222 Hyde in the Tenderloin, DJ Charlotte the Baroness returns from her new home in Chicago to join originator Toph One, fresh out of the hospital after a tragic hit-and-run, on the decks with the Pepper family. Good friends, good fortune, new faces, no-holds-barred dancing. (Marke B.)

9pm, $5

222 Hyde, SF

(415) 345-8222

www.222hyde.com

 

Dent May

She visits from Brooklyn, he attempts to show her a fun time. “You Can’t Force a Dance Party,” from 2009’s The Good Feeling Music of Dent May & His Magnificent Ukulele, wryly introduced May as an affective personality to rival Jonathan Richman and Jens Lekman. It’s not hard to see the autobiographical elements in his music when he sings of his native state, “For you I’ll try so hard to make you see, it ain’t so bad in Mississippi.” Dropping out of NYU, May returned home to work on music and helped found the Cats Purring arts collective/”infotainment cult.” With his new release, Do Things — a slice of sun that sounds like the product of playing with a drum machine after listening to “Wouldn’t It Be Nice” on repeat/acid — May proves that the party is wherever he goes. (Prendiville)

With Quintron and Miss Pussycat

9pm, $9–$12

New Parish

579 18th St., Oakl.

www.thenewparish.com

 

Sat/30 9:30pm, $10–$12

With Quintron and Miss Pussycat, Shannon and the Clams

Elbo Room

647 Valencia, SF (415) 552-7788

www.elbo.com

 

Sandwell District

The SF techno scene blossomed nicely in spring, a kaleidoscope of pixellated textures, live experiments, and visiting representatives of a global scene unburdened from any anti-intellectual strains by the rise of pop EDM. There was also some damn good dancing to be had, no lie. Perhaps auguring a summer full of even deeper, and, perhaps, harder sounds, a showcase from Berlin’s Sandwell District label kicks the season off with some sophisticated boom-boom from Function, Rrose, and Silent Servant at Public Works, presented by the As You Like It party crew. Entrancing UK slow-burn disco king Mark E gives something to swing our skirts to upstairs, and the whole shebang kicks off with the debut of Amélie Ravalec’s documentary Paris/Berlin: 20 Years of Underground Techno. (Marke B.)

9pm, $15–$20

Public Works

161 Erie, SF

(415) 932-0955

www.ayli-sf.com


SATURDAY 30

The Slow Motion Cowboys

The music of the Slow Motion Cowboys has a subtle summery ease — it makes you want to pick up a banjo and play along, perhaps while sipping some lemonade out on the porch. You’d close your eyes and strum along to the sounds of upright bass, gentle guitar picking, baritone ukulele, and fiddle. The group’s original songwriting style and arrangements capture that wistful feeling of yearning that so characterizes classic folk and bluegrass music. While contemporary enough to strike interest in a city audience, their sound is country enough to provide you with much needed peace of mind on a Saturday night out on the town. (Shauna C. Keddy)

6pm, $8–$10

Amnesia

835 Valencia, SF

(415) 970- 0012

www.amnesiathebar.com

 

Kafana Balkan

Admit it: you could use a lot more woozy oompah-pah in your life, a splash of wheeling fiddle-dee-dee, soaring hurrah, and bouncey bass arpeggio. Forget the automated four-four march of your quotidian existence, and whirl away from the rat race like a romanticized gypsy, a musical nomad free of the cubicle, the log-in, the comments section, the endless update. Kafana Balkan, one of our best Romani-inspired parties, mixes gypsy tunes and strong drink with a wee bit of playa dust to conjure non-stop ecstatic dancing: this blowout with live powerhouses Brass Menazeri and Fishtank Ensemble (and fantastic DJ Zeljko) is just the ticket to chase away any reality blues. (Marke B.)

9pm, $15

Great American Music Hall

859 O’Farrell, SF.

www.slimspresents.com


SUNDAY 1

Party Hard(ing)

When it comes to the high stakes game of gentrification, the Divisadero Corridor — lovingly dubbed DivCo by the passels of farmers market-minded individuals that have repopulated the once-African American, once-Western Addition — is betting high. The neighborhood has the critical mass of sustainability activists needed to launch high profile wars against big bank incursion, and drive the conversation on what kinds of new businesses belong on their street. The Harding Theater at 616 Divisadero is a new battle site. Neighborhood groups hope to thwart the efforts of condo developers and make it a community space. Today, come party and fundraise to that end with local vendors, barbers, musicians, and chefs in a gorgeous Alamo Square mansion. (Caitlin Donohue)

7-10pm, $20

Westerfield Mansion

1988 Fulton, SF

Facebook: Party Hard(ing)

www.nddivis.org

 

Lower Dens

Ever since Lower Dens made some year-end lists with 2010’s Twin Hand Movement, bandleader Jana Hunter has kept Kraftwerk’s Radio-Activity in heavy rotation. And, it shows. The Baltimore outfit’s breakthrough follow-up record, Nootropics, doubles down on thick, Krautrockabilly grooves, with the Zen-like propulsion of Lou Reed cruising the Autobahn. The production aesthetic is fascinating in its ability to sound both dry and soaked in reverb, and the album’s second half reveals a newfound interest in Musique concrète, giving the material an artier edge. Sure, they’ve upped their studio game, but the question remains: how will the band rock these songs in a live setting? (Kaplan)

With No Joy, Alan Resnick

8pm, $15

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com


MONDAY 2

The Casualties

Punk’s not dead! The Casualties made sure of it when they formed in New York in 1990 with the purpose of bringing punk back to its roots, in the style of the Exploited and pre-Rollins Black Flag. More than 20 years and eight studio albums later, they’re following through on their proclamation “The punx are fucking here/ You know who we are/ We’re here til the end/ Die hards! Die hards!” With over two decades to perfect their stage dives and liberty spikes, the Casualties are guaranteed to deliver a killer show. Expect some brutal circle pits. (Zaremba)

With Nekromantix, Down By Law, Lower Class Brats, the Sheds

7pm, $16

Oakland Metro Opera House

630 Third St, Oakl.

(510) 763-1146

www.oaklandmetro.org

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Win a pair of tickets to the premiere of Brooklyn Boheme and the SFNY Wrap Party afterwards

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SFNY brings BK-to-the-BAY with the Bay Area premiere of Brooklyn Boheme, a feature documentary by Diane Paragas and Nelson George, at the historic Clay Theatre in the Fillmore District of San Francisco. Brooklyn Boheme pays homage to the black arts movement that flourished in Fort Greene, Brooklyn throughout the mid-80′s and 90′s. Brooklyn Boheme speaks to experiences familiar to many artistically significant neighborhoods across the US – the formation of a thriving community in the wake of inequality and marginalization, the creative potential of those communities, and the effects of gentrification as a result of various forms of urban renewal. Writer, historian, director, and Brooklyn resident Nelson George will be in attendance for an intimate discussion following the film.

Join San Francisco’s freshest DJ’s for the official after-party and the very last SFNY event, to be held at a secret location deep in the heart and soul of the City. For the past three years, SFNY has successfully connected local independent artists and businesses by providing opportunities for creative collaborations amongst attendees. With five milestone events to date, KM/FM has had the privilege of rocking alongside some of NYC’s most distinguished selectors at some of NYC’s most iconic designer hotels. SFNY humbly invites the left coast to do the right thing one last time… for more information about the event click here.

Enter for your chance to win a pair of tickets by emailing sfbgpromos@sfbg.com with the title as ‘SFNY’ and include your name and mailing address. One lucky winner will receive a pair off tickets to the event.  Winner will be announced on Monday, July 2nd.

Thursday, July 5, 7pm doors open, 8pm screening, 9:30pm discussion with Nelson George @ the Clay Theater, 2261 Fillmore Street, SF | $15
SFNY Wrap Party Secret Location, TBA, 10pm-2am • 21+

That’s amore

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virginia@sfbg.com

APPETITE After moving from Southern California to New Jersey at age 14, I learned what a true city was when I discovered New York City. Whenever in that New York state of mind, I miss its boundless energy, frank people, eclectic neighborhoods, and, yes, East Coast-style Italian. I reminisce about family dinners filling up on mountains of cheese, doughy pasta, and impeccable red sauce — which, to achieve perfection, should exhibit both sweet and savory notes. In both NYC and NJ, it was often perfect. (I miss you, Cafe L’Amore).

It can be challenging getting my red sauce Italian fix here. I crave old school, heartwarming places, whether drinking a Manhattan in the brilliant time capsule of Joe’s of Westlake, dining on Gaspare’s “real deal” lasagna, Mozzeria’s oozing, baked mozzarella, or a plate of my beloved guanciale (pig jowl bacon) and garlic-heavy spaghetti alla matriciana at Ristorante Marcello. Enter Original Joe’s, a reborn San Francisco classic appealing to a blessedly broad demographic, satisfying East Coast cravings.

You couldn’t be blamed for initially assuming the sizable Original Joe’s off North Beach’s idyllic Washington Square Park is a tourist destination or primarily for older clientele. There is a more mature set dining here, a factor I welcome and at times seek out intentionally. But families, couples, residents, and tourists alike mingle in this new home for a restaurant founded here in 1937, yet closed since a 2007 fire at its Tenderloin location. Though impossible to replicate the original locale’s dive-y 1970s charm, the new space feels more old school NYC than modern-day tourist trap. Roomy red leather booths and a tuxedoed waitstaff immediately comfort.

The food surprises with an amped-up dose of quality compared to the old days on Taylor. A market price crab cocktail is expensive at $25 but the crab is clean and plentiful. A daily special of fresh burrata and Spring pea salad could have come from any current SF restaurant. Joe’s Italian chopped salad ($15.95) ends up being one of the quickest transports East. Ordering it to share, it arrives split, a half portion plenty for one. Chopped romaine is doused in Italian dressing, with garbanzo beans, olives, cherry tomatoes, silvers of salami, provolone, fennel, and the necessary pepperoncini. It’s brighter — and almost as satisfying — than heavier, loaded versions I used to fill up on back in Jersey.

As in the old Joe’s, there’s plenty of tender, juicy beef, from flat iron steak ($24) to a porterhouse (25 oz. at $44) and prime rib on Saturdays. But when in such an setting, I crave red sauce. It doesn’t get much comfier than spaghetti with meat sauce ($13.95) or meatballs ($16.95). Even if Joe’s is not the superlative version, it hits the spot, as does classic ravioli ($16.95), although I tend to prefer Jackson Fillmore’s housemade ravioli over the years. Another way to my East Coast Italian heart is parmigiana, whether chicken, veal, or eggplant. Here I’m drawn to the eggplant ($16.95), not too smoky, layered in cheese, breading, and, of course, red sauce.

I was tickled to find that $6 cocktails, including simple but revered favorites like a whiskey sour or negroni, are actually well-made — completely unexpected and at this price, one of the best drink values in town for solid classics.

Another unexpected pleasure is impeccable spumoni for dessert ($5 for a few generous scoops). Often in spumoni, unnatural cherry, chocolate and pistachio ice cream flavors are cluttered with nuts and candied fruits in what feels like a dated flavor that should be relegated to the past. Joe’s version delivers authentic, rich flavor with smattering of crumbled pistachios on top, demanding me to rethink, and once again enjoy, this classic ice cream rumored to have Neapolitan roots.

Joe’s isn’t revolutionary gourmet or cutting edge cuisine, but what it does, it does well. Its clientele reminds me of the history and sense of place San Francisco possesses that makes it one of the truly great cities in the world, now ideally situated in a neighborhood that fiercely maintains reverence for and ties to that history. Amid SF’s influx of tech-attracted newbies, Joe’s attracts that breed we often forget is here: the San Francisco native. Feeling like a family/group restaurant first and foremost, it’s a place I’d bring visiting family and Sicilian relatives with hefty portions and friendly service. But I’ve also had a cozy date night with my husband here, transported to decades past… but with fresher ingredients.

ORIGINAL JOE’S

601 Union, SF.

415-775-4877

www.originaljoessf.com

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

 

Our Weekly Picks: June 13-19

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WEDNESDAY 13

Rappin’ 4-Tay

More Champagne, Mr. 4-Tay? It’s been almost 20 years since Anthony Forté dropped the infectious Bay Area anthem “Playaz Club,” but I think it’s safe to assume the answer is still a resounding, “Yes.” Born and raised in the Fillmore District of San Francisco, the rapper will be performing at Mezzanine for the Tupac Birthday Celebration in honor of what would have been the fallen artist’s 41st name day. Presented by local emcee and activist Sellassie, a bevy of hip-hop stars will be joining Forté in the spotlight as they remember a musical pioneer. In 1996, Forté was featured on the track “Only God Can Judge Me” on Shakur’s critically acclaimed album, All Eyez on Me. Party forecast: Mostly cloudy with a heavy chance of champagne. (Julia B. Chan)

With Mac Mall, Ray Luv, Spice 1

8pm, $15 advance

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

Action Bronson

This NY-based loudmouth foodie rapper is not for the easily offended. When Action Bronson is not creating social media scandals (a too-far Instagram photo he’s since deleted and apologized for) or spitting tongue-in-cheek verses, Bronson, a former gourmet chef, can be found filming his YouTube cooking series Action in the Kitchen. Bronson’s appeal stems from his ability to seamlessly mix elaborate food imagery into otherwise raunchy-style verse. Who doesn’t want to listen to a song about both “bitches” and prosciutto? (Haley Zaremba)

9pm, $17

With Richie Cunning, Davinci

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com


THURSDAY 14

Turtle Power Nightlife

Get aquatic at the Cal Academy of Sciences with a turtle-powered installment of their Thursday NightLife series. The diverse array of performances and activities offered will surely keep your head swimming: watch dance troupe Capacitor performing an excerpt from “Okeanos” (a portrait of the ocean as body, environment, resource, metaphor, and force), then show your skills in the classic Teenage Mutant Ninja Turtles Nintendo game. Talk to conservation groups and sea turtle researcher J. Nichols; next observe the sea turtle skulls on your own. Check out a dive show in the Philippine Coral Reef, and finally, take in some movies in the Planetarium (Sea Turtle Spotlight and Earthquake). Turtle power indeed! (Shauna C. Keddy)

With DJ Jaysonik (Hottub/Le Heat)

6pm, $10–<\d>$12

California Academy of Sciences

55 Music Concourse Drive

Golden Gate Park, SF

(415) 379-8000

www.calacademy.org

 

The Slippery Slope

Take the lounge-lizard persona of Tom Waits circa Nighthawks at the Diner, sprinkle it with some surf and exotica overtones, and dunk it in the heady atmosphere of a David Lynch score; you might end up with something like Oakland’s the Slippery Slope. This self-described “psychedelic cabaret” ensemble recently expanded to a 10-piece, with the addition of a horn section, hinting at a funkier, groovier approach. However, with its sultry vocals, reverb-soaked guitars, and vast sense of space intact, the Slippery Slope’s warped vision of lounge music remains front and center. (Taylor Kaplan)

With the Bodice Rippers, Go Van Gogh

9pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com


FRIDAY 15

“DEEPER Architectural Meditations”

Site-specificity is a specialty of Lizz Roman and Dancers, and their upcoming CounterPULSE show, “DEEPER Architectural Meditations,” will not be an exception. Expect to see a side of CounterPULSE you might never have previously taken note of, as Lizz and her merry troupe reveal the hidden nooks and crannies of the space with their body of work, not to mention with their bodies. Exposing not just the architectural complexities of CounterPULSE but also those of the irresistible impulse to interact communally with our immediate environment, the Lizz Roman team will perform all over the CounterPULSE space with live backing from WaterSaw and guest DJ Jerome Lindner. (Nicole Gluckstern)

Through July 1, 8pm, $20–<\d>$25

CounterPULSE

1310 Mission, SF

(415) 626-2060

www.counterpulse.org

 

How to Dress Well

Like the rest of us, Tom Krell must dream in light and shadows. Unlike the rest of us, he is able to translate those dreams into signature ethereal compositions full of dark emotions and R&B passions. Experimental pop producer How to Dress Well has been well received among critics, bloggers, and music lovers alike since popping onto the radar by posting his own tunes online in 2009. Krell’s singing voice can be described as pleasant but when coupled with his piercing falsetto, is a force steeped in textures. His lo-fi, DIY approach to an urban-sounding kind of electronic music is well done and the result is hypnotic. Touring in anticipation of his Acéphale debut album Total Loss, Krell recently released first single “Ocean Floor for Everything.” (Chan)

With Babe Rainbow, Finally Boys 9pm, $14 Rickshaw Stop 155 Fell, SF (415) 861-2011 www.rickshawstop.com

 

Sarah Jaffe

Sarah Jaffe’s smoky voice should be a good kickoff for your weekend. Jaffe is an enthralling musician — this Texas crooner’s voice is as layered as her music is driving. She’s currently touring in support of her recently released album The Body Wins, hailed by Interview Magazine as “show[ing] a new shade of musical maturity.” Let her denser, still emotional sounds draw you in, and let the newfound musical complexity she displays on this album wrap around you like a balmy summer night. Secret Colours opens, a fun dance-rock band with a pyschedelic, “newgaze,” and garage rock sound. (Keddy)

9pm, $12

New Parish

570 18th St., Oakl.

(510) 444-7474

www.thenewparish.com

 

San Francisco Black Film Festival

The San Francisco Black Film Festival kicks off tonight with Robert Townsend’s latest: based-on-a-true-story drama In the Hive, about a group of at-risk teens struggling to continue their educations (with the help of tough-love administrators played by Loretta Devine and Michael Clarke Duncan). The rest of the fest includes a “Focus on Fathers Family Day” featuring a new short doc by Kevin Epps; a games and animation-focused program topped off by a panel with Leo Sullivan (Fat Albert) and Morrie Turner (Wee Pals); and, of course, a huge slate of features and shorts, on a wide-cast net of subjects: pick-up basketball, hip-hop in Ghana, “good hair,” and more. Don’t miss mockumentary Thugs, The Musical — comedian Kevin Avery’s show biz satire in the vein of Townsend’s 1987 Hollywood Shuffle. (Cheryl Eddy)

Fri/15-Sun/17, $5–<\d>$50

Various venues, SF

www.sfbff.org


SATURDAY 16

Motion City Soundtrack

So pop-punk didn’t die with Avril Lavigne’s career after all. More than 15 years after its conception and 10 years past its life expectancy, Minneapolis rock band Motion City Soundtrack just released Go, its fifth studio album. Leaked by Epitaph Records almost a month early, the record is a continuation of singer Justin Pierre’s established flare for sunny melodies and pitch-black lyrics. With song titles such as “Everyone Will Die” and “The Worst is Yet to Come” listeners might expect to hear something much heavier than the danceable tracks that the quintet has become known for. Instead, Pierre explores his many neuroses in a soaring falsetto that promises to get stuck in your head. No headbanging required. (Zaremba)

8pm, $22

With the Henry Clay People, the Front Bottoms

Slim’s

333 11th St, SF

(415) 255-0333

www.slimspresents.com


SUNDAY 17

Emily Jane White and Mariee Sioux

Lucky us, Amoeba Music is offering a free showcase for its Home Grown Independent Artist Series stars of May and June: Emily Jane White and Mariee Sioux. Sioux’s music is focused on narratives and sparse guitar work. White is also noted for her vocals and story-like lyrics. White’s third album, Ode to Sentience, finds her compositions as lush as ever, filled out with organ, pedal steel guitar, and electric guitar. In still images, White is often seen walking in a forest or sitting pensively by a pond, like some sort of mystical being in a painting — and her music allows you to close your eyes and picture that you too are traveling through a misty forest filled with rich stories and woodland creature secrets. Sioux and White will weave tales at this afternoon show. (Keddy)

4pm, free

Amoeba Music

2455 Telegraph, Berk.

(510) 549-1125

www.amoeba.com

 

Marduk

Formed in Sweden in 1990, legendary black metal group Marduk was designed, in the words of founding member Morgan Hakansson, to be “the most blasphemous metal act ever.” Although they draw from similar lyrical themes as other groups in their genre, with the requisite references to Satanism and gore, Marduk adds several other diabolical layers, notably adding historical imagery and themes from World War II in more recent recorded offerings. Last year’s Iron Dawn EP continued the band’s mighty campaign for metal dominance, and local fans won’t want to miss the only Northern California appearance on this blitzkrieg, er, tour. (Sean McCourt)

With 1349, Withered, Weapon, Black Fucking Cancer, DJ Rob Metal.

6:30pm, $25

DNA Lounge

375 11th St., SF.

(415) 626-1409

www.dnalounge.com

 

Lemonade

The boys are back in town! The former Mission dwelling, burrito scarfing, epic house party throwing trio — better known as Lemonade — is rolling back into San Francisco behind the release of the beautifully emotive and love-laced LP Diver. Now based in Brooklyn, singer Callan Clendenin, drummer Alex Pasternak, and bassist Ben Steidel (who is currently playing keyboards for their live shows) are embarking on pretty pop territory as the latest full-length finds them coasting on warm waves of synth melodies, tropical sensibilities, and a lush ambience layered in R&B grooves and coos — in easy-to-digest, 3-to-5 minute increments. The Rickshaw show will see the guys playing mostly newer tunes, with an ensuing dance party all but assured. (Chan)

With LE1F, Water Borders

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, 71 Stevenson Street, Second Floor, SF, CA 94105 or email (paste press release into email body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Alerts

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yael@sfbg.com

THURSDAY 14

Solitary confinement at Pelican Bay, Audre Lourde Room, Women’s Building, 3548 18th St., SF; www.womensbuilding.org. 6:30pm, free. This panel discussion on the use of solitary confinement in the criminal justice system comes soon after a class action lawsuit challenging solitary confinement in California prisons. The Center for Constitutional Rights filed the lawsuit, Ruiz v. Brown, May 31 on behalf of prisoners at Pelican Bay State Prison. The plaintiffs have spent between 10 and 28 years in solitary confinement, generally spending at least 22 hours per day alone in windowless cells, and often denied letters, visits, any sunlight, or time spent outdoors. Many of the plaintiffs also participated in last year’s hunger strikes against inhumane conditions in prison, including solitary confinement. This lawsuit may be the crucial next step in their fight.

FRIDAY 15

India to Ireland, Sports Basement, 1590 Bryant, SF; www.indiatoireland.org. A brother and sister who rode bicylces12,000 km from India to Ireland are back with photos and stories. See what they saw and hear the tales at this fundraiser for Room to Read. The international nonprofit works “to promote literacy and gender equality in education by establishing libraries, constructing classrooms, publishing local-language children’s books, training educators and supporting girls’ education.”

SATURDAY 16

Art, culture and resistance, Redstone building, 2940 16th St., SF; www.norcalsocialism.org. 6pm, $5-10 suggested donation. What’s the music of today’s social justice movement? If it’s anyone, it’s The Coup, and frontman Boots Riley. Riley has written and performed powerful and revolutionary music for decades, from hip hop edutainment concerts that promoted efforts like the Women’s Economic Project Agenda and Copwatch to traveling guerilla hip hop concerts in protest of Prop 21 in 2000. Recently, he’s been organizing with Occupy Oakland. In July, he’ll be teaching a workshop at the Socialism 2012 conference in Chicago; the next month his book, Lyrics in Context, will be released. On Saturday he’ll discuss a tradition he helps to keep alive in Oakland: how art and resistance work together. Refreshments and mingling to follow.

Juneteenth festival, parade starts at African American Arts & Culture Complex, 762 Fulton St., SF; www.sfjuneteenth.org. Parade at 11am, festival runs through June 17. Start summer off right with the biggest Juneteenth festival on the West Coast. Juneteenth commemorates the announcement of the abolition of slavery and celebrates African American heritage, and this year will mark the 62nd annual Juneteenth in the Fillmore District. The two-day festival kicks off with a parade, followed by a family-friendly weekend complete with a classic car and motorcycle show, basketball games, fashion show, petting zoo, pony rides, live entertainment, community info booths and health fair, and more.

SUNDAY 17

African American veterans and the Civil Rights Movement, Niebyl-Proctor Marxist Library, 6501 Telegraph, Oakl; www.marxistlibr.org. 10:30am-12:30pm, free. Despite growing up in a United States that still had Jim Crow laws, African Americans fought in wars throughout the 20th century. When many of them returned and joined in civil rights and black liberation movements, however, they risked their lives once again. Perhaps best known is Medgar Evers, civil rights leader and World War II soldier who was assassinated by a Ku Klux Klan member in 1963. This event will explore the many veterans who joined civil rights struggles, their reasons for doing so, and how, in many cases, experiences in military service prompted involvement in the struggle back home. It will also feature a screening of the documentary Negroes With Guns, which follows the life of Army and Marine Corps veteran Robert F. Williams, who later took up arms against violent racist groups like the KKK as part of his work with the Black Armed Guard.

Destroyer’s Dan Bejar on Orson Welles, desert island records, and more

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Destroyer’s Dan Bejar is a songwriter’s songwriter, revered within indie rock circles for his dense, erratic lyric sheets, and sharp, confrontational vocal delivery. So, naturally, when he dove head-first into synth-laden yacht-rock on last year’s Kaputt, the Interwebs went abuzz.

The current Destroyer lineup is set to grace the Fillmore next Tuesday, for their second SF appearance since the album’s release. I interviewed Bejar about the upcoming tour over the phone last week, and unsurprisingly, he’s quite a talker. So much so, that my Destroyer feature in this week’s issue only scratched the surface.

For more juice on Kaputt, musings on Dean Martin and Orson Welles, and an impulsive list of desert island records, read on:

SFBG Your lyrics and your vocal delivery on Kaputt evoke this really strong sense of personality and point of view that I haven’t quite heard on another Destroyer record. I’ve read comparisons to Humphrey Bogart, to Bill Murray, to Dean Martin. Any way you cut it, there’s this sense of cool detachment at the center that makes people think of specific personalities. Were the lyrics on Kaputt, written and delivered with an established personality in mind?

Dan Bejar That’s kind of an interesting question. I think of them as kind of the most natural and least constructed lyrics and vocal turns that I’ve ever done. So, it’s funny that they evoke a strong sense of persona, because what I was trying to evoke was as much blankness as possible.

Just like, iterate the words, and try and hit the notes, and leave as much room for the music, you know? And, the sense of space was always very important. There’s probably half the word count that there is on any other Destroyer album.

It’s kinda like… that’s actually the exact opposite of how I picture it, but you never know when your intentions and when the reality of what you’re doing match up. I just tried to keep it real natural and simple. Maybe I am a Dean Martin character and I just don’t know it. Which would be cool, but you’d think someone would have told me by now.

http://www.youtube.com/watch?v=puu3IvKnSb4&ob=av2e

SFBG Another big talking point in discussing your career is these transitions, namely Kaputt and Your Blues in 2004. Are there any artists, musicians, you take inspiration from when you’re making a stylistic shift with your career?

DB You mean, like people who have jumped around a lot, and not fallen on their face completely, doing it?

SFBG Right.

DB I don’t know… I don’t really think of it as that, that forest, or like me putting on different Halloween costumes. I just think the traditional rock-band model didn’t really fit, you know? I think, if you look at the career of most singer-songwriter types, any of them who’ve managed to last more than ten years, they’ve probably jumped around a fair bit.

I think, for the most part Kaputt‘s an exception, the writing and the singing is fairly consistent. If you scroll the credits of Destroyer records, all nine of them, you’ll probably find a lot of the same names, you know, but just doing different stuff, or in different formations.

I kind of like the jazz model, where everyone plays on different records, and it’s just more like, session based, as opposed to everyone having to dress up in leather jackets and act like a gang. Most of my inspiration comes from Miles Davis, on a daily basis, anyway.

SFBG There’s a rhythm and a density to your lyrics, that people compare to… Bob Dylan’s thrown around a lot, Joni Mitchell sometimes. But, beyond songwriters, are there any authors, or actors, or public figures, whose patterns of speech and word choice you take inspiration from in your work?

DB Beyond authors?

SFBG Authors included.

DB Oh, authors included. Just beyond songwriters, yeah. There’s too many to choose from. That was the entire project of Destroyer, from the first record up until Kaputt, where the project kind of shifted to become, like I said before, like a singer, and not a chest with poetry.

But, before then, the entire thing was to try and insert words that you would find from outside of a typical rock song, into a typical rock song. That was, kind of, half the thing… Whether it was, like, Orson Welles, or Shakespeare. Or, actually, specifically, Orson Welles’ Shakespeare. That’d be a good one. [Laughs].

Actually, most of Destroyer is inspired by Orson Welles’ take on Shakespeare… [but] I will say that Kaputt is the first record to take most of its inspiration from nonverbal things.

SFBG When you come through San Francisco to tour, hang out, whatever, what do you like doing here?

DB Man, I’d love to have an actual free day in San Francisco, just to walk around. Generally, when I’m on tour, I don’t take too much advantage of where I am. I’m more like a gladiator who paces the bus, or a dank back-room and then is let out of his cage to go onstage. I might hit a bookstore or something.

Finally, Bejar’s impulsive list of five records he finds inspiring, right now. In no particular order:

The Tony Bennett / Bill Evans Album (1975)
– Bark Psychosis: Hex (1994)
– Charlie Haden: Liberation Music Orchestra (1969)
– The Church: Priest=Aura (1992)
– Cliff Martinez: Solaris OST (2002)

Destroyer
With Sandro Perri, Colossal Yes
Tue/5, 9pm, $25
Fillmore
1805 Geary, SF
(415) 346-6000
www.thefillmore.com

Live Shots: Spiritualized at the Fillmore

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The guy working security at the Fillmore Wednesday night gave all the photographers in the pit the fingers. Two. Letting them know that rather than the usual three songs, they’d only be allowed to stay there and shoot the first couple. Coming from some bands this sort of announcement would be enough to send the photogs into a hurried panic, but as Spiritualized set the pace with “Hey Jane,” the almost nine-minute rocker that opens latest album Sweet Heart Sweet Light, it was clear the show wouldn’t be so rushed.

It also set a theme for the night. “Hey Jane, when you gonna die?” the band – with extra soul coming from a pair of backup singers – sang over and over. Death isn’t a new topic for Spiritualized, a group (largely Jason Pierce) that’s always combined psychedelic self-realization with gospel influenced calls for salvation. But with Sweet Heart Sweet Light, an album that came about as Pierce struggled with life threatening pneumonia and a degenerative liver disease, the topic seems to have a new gravity.

There was a fairly logical thread early in the set as the band transitioned across albums thorough “Lord Let It Rain on Me,” “Headin’ for the Top Now,” and “Walking With Jesus.” Midway through “Walking” – a bit of rhythm and blues accentuated with harmonica and a whirling organ worthy of a wildly enthusiastic church revival or Allman Brothers concert on Venus – the music got quieter, slower, and darker. Pierce’s vocals were in focus and as he sang “I know I’ve done wrong but I could have done worse.” The song dates back to the Spaceman 3 days, and the line now comes with a lot of weight.

At one point, relatively early in the set, during “Rated X” the person standing behind me told their friend, “This show is kind of boring me to death.” Minority opinion. Even after Spiritualized played their arguably most well-known song, “Ladies and Gentlemen We’re Floating in Space,” having already played for a reasonable amount of time (outside of jam band standards,) the sold out crowd was still thick.

The closer for the night was “Cop Shoot Cop.” It certainly runs on, from a strolling piano groove with light guitars and drums, to a raging wash of guitar and drums with light piano, effectively exhausting the audience’s attention span, so that when it was over the lights were ready to come on.

But for me the real goodbye was “So Long You Pretty Thing,” the final track off of the latest album. Not (just) because of my vanity, but because it – as tenderly beautiful as anything Pierce has put out – is also a reminder that every time you see a band could be the last.

Ugh, that’s depressing, but I guess that alternation between desperation and hope is pretty central to Spiritualized. So I’ll keep in mind the other line from “Walking With Jesus” – that Pierce has been singing for decades – “It’s a long, long time between now and my death.” Maybe it’s a mantra.

Set List:
Hey Jane
Lord Let It Rain On Me
Headin’ For The Top Now
Walking With Jesus
Oh Baby
Rated X
Born Never Asked
Electric Mainline
Soul On Fire
I Am What I Am
Ladies And Gentlemen We Are Floating In Space
Mary
Stay With Me
She Kissed Me (It Felt Like A Hit)
Come Together
–Encore–
So Long You Pretty Thing
Cop Shoot Cop

Opener:
Whether her normal mode or to fit the bill, country singer Nikki Lane sang everything–songs about marriage, a move to California, or taking a walk of shame–with the same solemn tone, strumming her acoustic guitar. Her banter was a little more cheery. “I used to collect Fillmore posters,” the singer said. “I only stopped because some burned up in an apartment I had in L.A.” Then she smiled and added, “Now I have one with my name on it.”

Danzig on Doyle, his fans, Verotik, and that Metallica anniversary

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Glenn Danzig has spawned a cult following with his dark and brooding voice, and the sinisterly seductive imagery of his lyrics. From the early days – some 35 years back – as front person for horror punk icons the Misfits, to metal-infused Samhain, and finally to the eponymous Danzig, where he achieved a degree of mainstream success, he has taken macabre themes, blasted them with an obsessive sheen, and come up with some of the most hauntingly memorable songs this side of hell.

Danzig comes to the Warfield on Sunday night on the second stop of a brief two-week tour that finds the 56-year-old icon reuniting with Misfits guitarist Doyle Wolfgang Von Frankenstein. Doyle comes as a special guest for a handful of concerts that promise to feature a set of classic tunes with his old band mate.

Speaking over the phone from Los Angeles, the man who has made a living bellowing songs like “All Hell Breaks Loose,” “Skulls,” “Twist of Cain,” “Mother” and countless others is for the most part fairly soft-spoken, and keeps his responses short and to the point.

When first asked about the upcoming show with Doyle, he simply said, “We do a Danzig set, and then about two-thirds of the way in we bring out Doyle and do a bunch of old stuff.”

Later on though, Danzig did agree that the music he’s made has had a lasting impact on those who grew up listening to it, along with kids today just now discovering the Misfits and Samhain, or even newer solo releases such as 2010’s Deth Red Sabaoth.

“That’s the great part, because no one sees all the bullshit you have to go through, so when people come up and tell you what your stuff means to them, it’s pretty cool.”

Danzig was in San Francisco most recently last December, when he was a special guest at Metallica’s 30th anniversary run at the Fillmore, singing “Die Die, My Darling” and “Last Caress,” two Misfits tunes that Metallica covered in their early days as a band.

“I hadn’t seen those guys in a while, and James called me up, and was telling me that the kids were getting to see it for $19.81 total — they were doing it for all the right reasons. I think they just wanted to let fans have a great time, and it was a lot of fun, I got to see a lot of old friends.”

Speaking of covers, Danzig himself is currently finishing up work on an as-yet-untitled album of cover songs, the first of which, “Devils Angels,” is available to listen to on his website. The record, which is due out in the late summer or early fall, is one of many projects that the singer has on his plate at the moment, or hopes to in the near future.

Once the covers album is completed and released, Danzig plans to record Black Aria III, the latest in a series of classical solo projects, and then set about working on the next Danzig record.

In addition to making music, Danzig has been writing several different horror and fantasy-themed comic books over the years, published by his own company, Verotik. One of his titles, Ge Rouge, has been in the development stages of being made into a film for several years, but has run into differing problems.

“We had it going with one production company, but we had to yank it because it just wasn’t going anywhere with them — eventually you get tired of doing all these re-writes on it, and you just say, ‘Look man, either you’re doing this or you’re not doing it!’” says Danzig.

“We had a bunch of other people that wanted to see it, but we couldn’t show it to them because we had a contract – once we’re out of the contract we can start showing it to other people. And I’m always writing scripts, so…we’ll see,” he laughs.

Danzig
Sun/27, 8pm, $35-$38
Warfield
982 Market St, SF
www.thewarfieldtheatre.com

Lindsey Buckingham’s live show comes down to one

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With an arsenal of a dozen guitars and several amplifiers lined up behind him, Lindsey Buckingham wasted no time delving into his extensive catalog of songs Monday night at the Fillmore.

Striding up to a lone microphone stand wearing his signature blue jeans, v-neck t-shirt, and black leather jacket, the singer and guitarist launched into an hour and 15 minute set that spanned a broad spectrum of his career, covering a wide swath of solo material in addition to some of the mega hits he created as a member of Fleetwood Mac.

After running through the first couple of tunes and warming up his formidable finger picking skills, the 62-year old Buckingham took a short break to talk about his current tour across the country, contrasting the differences between performing with what he called the “big machine” — Fleetwood Mac — and “the small machine” — his solo outings.

Remarking that when he started out on his own, he would often take a sizable backing band with him, but over the years he has decreased the number of players, with his last major tour featuring a trio, and that this trek finds him venturing out by himself.

Aside from a few songs that he played along with to a pre-recorded backing track, such as “Go Your Own Way,” it was just Buckingham, his stellar guitar playing, and his still-powerful voice providing the sonic soundscape that filled the historic auditorium, proving beyond a doubt that he was capable of carrying the show all on his own, with a highly vocal and appreciative audience to encourage him.

At times, it felt strange to look at the stage and see only one person performing with the amount of energy and excitement being generated. During songs such as “Big Love” and “Go Insane,” Buckingham made a variety of impassioned facial expressions while playing, and yelled and clapped at the crowd when he finished.

When the Palo Alto native came back out for an encore, he walked along the front of the stage, high-fiving and shaking hands with his fans, before telling the audience that it “you guys really do make it feel like home here.”

Then adding, “There’s so much history in this place, and with all the music that has come out of this city, I’m just proud to be a small part of it.”

With Monday’s show in the books, Buckingham can be assured that he is still very much a vivacious and viable contributor to that ongoing legacy.

Our 2012 Small Business Awards

5

WOMEN IN BUSINESS

KELLY MALONE, WORKSHOP AND INDIE MART

In a tech-obsessed society, our hands navigate today’s gleaming gadgets more often than those of yesteryear: a sewing machine, say, or a manual drill. DIY goddess Kelly Malone has spent years trying to change that — and in so doing has created a business that serves as a cultural touchstone for the budding Divisadero Street corridor.

Malone’s brick-and-mortar shop is named Workshop (1798 McAllister, SF. 415-874-9186. www.workshopsf.org), and it’s a place where aspiring crafters receive hours of instruction in oft-neglected skills like sewing, knitting, and terrarium-making — all while drinking Pabst Blue Ribbon and meeting new friends. After receiving an enthusiastic response from her Indie Mart (www.indie-mart.com), a handmade craft fair she started six years ago in the backyard of her Mission digs, Malone saw a need for a hub for would-be crafters.

“I wanted to create a space that was super ‘hit it and quit it,'” she says. “Where you could come in and take a class, but you didn’t necessarily need to become some expert knitter. A place for people to sit down and get their hands dirty, learn to make something, and get inspired.”

Malone started Workshop on scant funding. Instead of relying on bank loans, she looked to her immediate community for investors. “I’ve started every business without money, which has forced me to really put myself out there and grow my businesses by meeting people and being super-passionate about what I do,” she says.

Malone says having a big budget to open her businesses would have been fun, but saving her pennies and having flea markets and garage sales to pay for sewing machines gives her more street cred, DIY all the way.

And like our favorite kind of businesspeople, Malone hardly sees her enterprises as a sterile way to make a quick buck. “I’m never going to get rich off these businesses, but if I get to the point where I can have a couple people on staff like I do now, and have enough to pay bills and go get some beers, hey, that’s good enough for me.” (Mia Sullivan)

CHAIN ALTERNATIVE

SPORTS BASEMENT

Although based locally, Sports Basement (www.sportsbasement.com) is technically a chain, as it now boasts four locations: an 80,000 square-foot building at the old commissary in the Presidio, SoMa’s brick-and-wood location, a store in Sunnyvale that once mimicked the inside of a computer (look for the remaining “ESC” keyboard sign), and another nearing Mount Diablo in Walnut Creek. But beyond the fact that it offers the only real alternative to national conglomerates when it comes to one-stop athletic and outdoor gear, the retail company is fiercely dedicated to its Bay Area community. Plus, its cozy, with hand-painted cardboard signs detailing specials, comfy couches, and super-friendly staff.

Founder Eric Prosnitz came up with the Sports Basement idea in an effort to create a more personalized experience in an off-price retail outlet, something tailored more closely to Northern California’s environment. Products change every week, discounts rule, and employees are encouraged to treat customers as individuals with a continuum of outdoor lifestyle needs. And the Basement recognizes that it’s an expansive company with the power to affect various neighborhoods. Last year, its locations hosted more than 2,000 community groups at 7,000 events, averaging around four events per store per day. Ten-15% of the retail space serves as free community space. Examples: Walnut Creek holds a fundraiser in the form of a kid apparel fashion show, Sunnyvale hosts ASHA for India, an organization dedicated to providing education for underprivileged children in India; Bryant St. houses the AIDS Lifecycle organization, and Presidio is the meeting spot for Golden Gate Mother’s Group — just to mention a few.

Aaron Schweifler, Director of Operations at Sports Basement, says the staff is encouraged to be creatively autonomous, and hopes each store will provide a shopping experience that can “wow” local residents. We are wowed! (Soojin Chang)

TENANT ADVOCATE

GREG MARKOULIS, AMERICAN INDUSTRIAL CENTER

In 1975, Greg Markoulis of American Industrial Center (2345 Third St., SF. www.aicproperties.com) was scouring San Francisco to find a new home for his family’s 25-year-old shoe manufacturing company. When American Can Company, one of the city’s oldest and busiest industrial complexes, offered an attractive deal on a vacant Third Street building, Markoulis gladly took them up. The new abode reinvigorated the company, transforming it from a street corner location to a community space housing more than 285 businesses — now including graphic designers, commercial photographers, architects, light industrial manufacturers, a winery, a yoga center, a martial arts studio, and a medley of Web-based companies and art collectives. That expansive spirit soon spread, helping to reinvigorate the entire Dogpatch area, which had suffered a lengthy period of industrial decline.

Thirty-seven years later, AIC still keeps the family ethos alive. When making executive decisions, Greg Makoulis says the company’s priorities align much more with how relatives interact with one another rather than those of a typical business. “The ideas of the oldest generation with the most experience are considered first,” says Markoulis.

As this side of town is rapidly undergoing gentrification, he could very well have sold the building to a corporation. But he sees his tenants as valuable community members, not just paychecks. Markoulis thrives on finding working solutions to accommodate his tenants, and respects the fact that people’s needs are ever-changing. Markoulis describes AIC’s priority to be “giving everyone a stable place to operate in.”

In Markoulis’ experience, one of the biggest challenges that AIC has faced over the years has to do with the cost and time for newly opening businesses to acquire permits. He hopes to see changes in San Francisco’s building and planning department, because he thinks a faster turnaround would help foster employment opportunities. (Soojin Chang)

CULTURE CHAMPION

DON ALAN, HEMLOCK TAVERN AND CASANOVA LOUNGE

“I think the challenge for San Francisco is to take care of the venues that its got,” says Don Alan of the ever-shrinking live music scene here. Alan has contributed enormously to the preservation of live rock in the City by the Bay with his raucous Hemlock Tavern space in Polk Gulch (1131 Polk, SF. 415-923-0923, www.hemlocktavernsf.com) on the site of former gay bar the Giraffe. He’s also a preservationist of dive bar ambiance, opening Mission District favorite Casanova Lounge, full to the brim of attractive indie young ‘uns on the make.

Alan got his rock start in the on community radio in Madison, WI, soon coming to SF and opening storied live bluegrass and jazz cafe Radio Valencia. “We opened the Casanova while we still had Radio Valencia and we realized that a bar format would work better for live entertainment than a cafe format,” Alan says. “We opened the Hemlock in 2001 after we closed Radio Valencia. I was really excited about having a space like this. I was very interested in having a kind of old Wisconsin tavern feel because that’s where I grew up. It was perfect for me, finding a space that had a small venue so we didn’t have to be concerned about getting 200 people in every night, so we could book the kind of music that we wanted and to have a big enough bar to support that.”

“But basically this is a subsidized entertainment operation. The money is made at the Hemlock’s bar and the culture happens in the back room with the shows. The culture wouldn’t happen without this up here.” So go buy a beer or eight, already, and then take in one of those rarer-and-rarer raging shows. (Mirissa Neff)

EMPLOYEE-OWNED BUSINESS AWARD

MANDELA FOODS COOPERATIVE

“In high school, all I wanted was there to be a place to find fruits and vegetables,” says Mandela Foods Cooperative (1430 Seventh St., Oakl. 510-452-1133, www.mandelafoods.com) worker-owner James Berk. “I never thought I’d be the one that could provide that. It’s an interesting place to be in.”

Before the store opened, Berk’s native West Oakland was a food dessert. A dependence on convenience stores for nutrition was leading to rampant bad health in his community, so when the opportunity arose to be a part of a for-profit, organic-heavy grocery store in Mandela Marketplace, he took it. Responding to the neighborhood’s request, the shop employs and is owned by community residents. These worker-owners make all the shop’s decisions in group meetings, aiming for consensus when it comes to many essential issues.

Now, nearly three years after opening its doors, Mandela Foods Cooperative is a neighborhood staple. The majority of customers live within a radius of a few blocks and come to snap up bestselling items like orange juice, coconut water, and kale (a vegetable Berk said he had never heard of before working at the store.)

Ready-made food is also popular, from full plate meals to sandwiches that neighbors drop in to buy, despite a Subway next door. Though the shop’s focus continues to be on organic, naturally-produced foods, worker-owners see a need for a greater diversity of products: cheap staples alternating with more spendy products geared towards sustainable foodies. Business is stronger than ever right now, too — Berk says the small shop is on pace to break even this year.

So how is it banding with your neighbors to bring the rest of the block ingredients for a healthy diet? About as positive as you’d imagine it to be. “There’s a unity here that I’m not accustomed to,” says Berk. (Caitlin Donohue)

ARTHUR JACKSON DIVERSITY IN SMALL BUSINESS AWARD

CHERYL BURR, PINKIE’S BAKERY AND CITIZEN’S BAND

Cheryl Burr has no idea why her first bakery boss left her 16-year old self in charge of the pastries. “I would never have let a teenager do that at my business!” she chuckles. But really, the guy was showing prescience — Burr and business partner Chris Beerman, who originally shared space in a bakery-bento retail window in Potrero Hill, opened the doors of their Pinkie’s Bakery (1196 Folsom, SF. 415-556-4900, www.pinkiesbakerysf.com) in SoMa nearly three years ago and have been tickling sweet teeth with their skills there ever since.

“I’ve always been a super-strong personality,” Burr tells us, sitting in the sunny table area of Pinkie’s. Though the Asian American breadsmith built a respectable career in high-class kitchens around the city, there came a moment when she wanted to be able to execute her own vision. “I’ve gotten to this point in my career where I didn’t want to answer to anybody.”

So she took control of her own trajectory, renting space in a commercial kitchen, starting her own hustle. Burr supplied pies to wholesale accounts, mainly friends of friends she’d met through her years in the restaurant business. Her commercial space is part of a culinary reinvigoration of the neighborhood around Seventh Street and Folsom. Pinkie’s is a stone’s throw from Bloodhound Bar, Sightglass Coffee, Radius restaurant, Terroir wine bar and more. “There is definitely a sense of community and partnership around here,” says Burr, who will sometimes refer to the strip as “Folsoma.”

Pinkie’s is also a room away from Citizen’s Band, Beerman and Burr’s freshly-sourced diner. The same customers that come for Burr’s famous levain bread and apple butter morning buns can now also order a dinner of poutine with wild mushroom gravy and crispy pork belly right next door.

“We want to continue to refine what we’re doing here,” Burr says when asked about her future business plans. Did that young woman on her first baking job envision the success of her own bread basket? She smiles. “I’m not entirely sure what I envisioned, but it’s different.” (Caitlin Donohue)

GOLDEN SURVIVOR AWARD

PHIL’S ELECTRIC

During World War II, Phil Sidari was commissioned to make artificial limbs for disabled US veterans returning home. The shortage of finished goods during wartime also prompted Sidari to begin constructing small appliances out of spare parts. Thus, 61 years ago, Phil’s Electric (2701 Lombard, SF. 415-921-3776, www.philselectric.com) was born.

Sidari passed away at the ripe old age of 103, but his friends Vicki and Bob Evans took the reins in the 1970s when Phil decided to retire. Vicki says the store has gone through quite a few changes over the years, including a relocation 28 years ago from Fillmore Street to a quiet corner near the gates of the Presidio.

The shop is intimate, homey, and entirely a family affair. Bob and Vicki’s sons Tom and Ken help their parents run the business and provide excellent customer service to their patrons. Phil’s Electric specializes in the repair of vacuums and lamps but also sells coffee makers, blenders, vacuums, razors, and a host of other small electronic items.

Yet the rise of cheap, disposable electronics has made it difficult a business that’s founded on, well, fixing things. “In the past, almost everything got repaired, but that’s changing,” says Vicki. “For example, you can buy a Cuisinart coffeemaker that, after its warranty, there are no parts for it. So you throw it out. Whereas, say 12 years ago, we would have had a part for that and fixed it for you.”

Phil’s Electric also faces stiff competition from the Internet and larger stores. But it does have some advantages. “Internet companies are working out of a warehouse somewhere, so they don’t really have any commitment to the neighborhood or the city or the community,” Vicki says. And the unique thing about San Franciscans, according to Vicki, is our interest in supporting neighborhood businesses. “If we moved this to a suburban area, I don’t know if we’d have that many loyal customers.”

Vicki’s favorite part about the business? The human aspect and her autonomy. “You can interact with your customers and really try to be flexible and meet people’s needs.” (Mia Sullivan)

SMALL BUSINESS ADVOCATE

CALIFORNIA MUSIC AND CULTURE ASSOCIATION

Two years ago, during the climax of the police and regulatory crackdown on San Francisco nightlife that we dubbed the “War of Fun,” the California Music and Culture Association (www.cmacsf.org) was formed to advocate for all the club owners, promoters, DJs, and other creatures of the night who create our urban soundtrack and culture.

Since then, CMAC has become powerful advocate on behalf of nightlife, demonstrating an influence on Mayor Ed Lee and other city leaders and promoting an understanding at City Hall of the important role played by nightlife, which a recent Controller’s Office report found accounts for $4.2 billion in annual economic activity.

“As the recent Controller’s report demonstrated, the small businesses that make up the nightlife economy have a huge impact on the overall economy, and we’re happy the city is starting to realize this,” Alix Rosenthal, co-chair of the CMAC board, told us.

Now, with the help of newly hired Executive Director Laura Hahn, CMAC hopes to move from playing defense against crackdowns and punitive legislation to playing offense by expanding its membership and developing a proactive agenda that will help nightlife and its purveyors flourish.

“Now that we don’t have our back against the wall, we’re trying to expand,” Hahn told us. “We want to bring it to even smaller business owners like individual DJs, promoters, and individual musicians — the backbone of nightlife in San Francisco.”

But not matter what new realms CMAC gets into, small business advocacy will always be at the core of its mission. As Hahn said, “We want to focus on standing up for the little guys who don’t have people fighting for them in City Hall.” CMAC will host the 2012 San Francisco Nightlife Awards, Thursday, May 31 at Mezzanine, doing even more to bring local nightlife to the fore. (Steve Jones)

GOOD NEIGHBOR

SHANNON AMITIN, FARM:TABLE

“People always ask me if I ever consider expanding,” Shannon Amitin, owner of farm:table (754 Post, SF. 415-292-7089, www.farmtablesf.com) says over the phone, although I swear I can hear his eyes twinkling. “I usually laugh and say, ‘Yes, but only if I can find a much smaller space.'”

The joke — or rather the good fortune — here is that Amitin’s bustling Tenderloin cafe and restaurant squeaks just shy of 265 square feet, with a large communal table for sharing some of the best gourmet dishes in the area. Those dishes are delectably evanescent: the three-year-old resto’s changing daily menu is Tweeted each morning for your rising and shining appetite. Featured as I write this: polenta cake + yukon potato hash + soft egg, asiago + rooftop herb frittata.

“Rooftop”? Yep, farm:table harvests most of its herbs and many greens from its roof, adding a bit of green to the neighborhood. Coming soon, another bit of green in the form of a farm:table parklet, whose funding was secured via, what else, Kickstarter. Farm:table itself has become a community hub for nightlife characters, nonprofit advocates, and office workers.

And yes, there is delicious coffee. Amitin cut his teeth dripping cups of Blue Bottle behind the original’s counter, but became disillusioned when Blue Bottle tipped from a friendly experiment into a chain-aspirational juggernaut. “I saw what I didn’t want to do,” he says. “That’s what led me to something small and personal. I have really good people working for me, in a vibrant area, with a crowd that’s open to new flavors. I want to keep that magic.” (Marke B.)

READERS’ CHOICE

PINK BUNNY

It’s been open less than a year, yet Marina luxury erotic goods boutique Pink Bunny (1772 Union, SF. 415-441-7399, www.pinkbunny.biz) has hopped into our readers’ hearts — and possibly other parts as well. Founder and CEO Serene Martinez showcases quality adult toys from the likes of Jimmyjane and gorgeous lingerie in a lovely, well-curated space. Union Street, get kinky!

 

Our Weekly Picks: May 16-22, 2012

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WEDNESDAY 16

>> “Andy Cohen: Bravo’s Man of Moxie”

Without Andy Cohen, there’d be no Bethenny and no NeNe. The world would know nothing of Vicki’s “love tank” or pinot grigio-chugging Ramona. In addition to unleashing the Real Housewives series, Bravo’s Executive Vice President of Development and Talent (or “talent,” as the case may be) also exec-produces Top Chef and hosts his own talk show, the gleefully goofy Watch What Happens Live. Now, Cohen’s an author, with Most Talkative: Stories from the Front Lines of Pop Culture, a breezy autobiography detailing his life in showbiz, from early run-ins with the Bakkers and the Buttafuocos to the many, many Housewives. The book’s stuffed with dish — expect even more when Cohen takes the Castro stage. (Cheryl Eddy)

7:30pm, $25–$80

Castro Theatre

429 Castro, SF

www.commonwealthclub.org

 

>> The Dandy Warhols

On “Enjoy Yourself” off 2012’s This Machine, a posturing singer looks back enviously: “I used to be cool/used to be a fool/Too cool for rules man/too cool for school.” Call it a rockers lament. But once the rest of the band drowns the whiner out for a shout along chorus — “So look at yourself/Enjoy your health/Let everybody else be everybody else/and really enjoy yourself now” — it becomes something else: the pull-your-head-out-your-ass and feel good song of the summer. The eighth studio album in eighteen years for Portland, Oreg.’s the Dandy Warhols, This Machine finds the band learning from the past and aging gracefully. (Ryan Prendiville)

8pm, $25 Fillmore 1850 Geary, SF (415) 346-6000 www.thefillmore.com

 

THURSDAY 17

>> “Low Down”

Alex Ketley and Ben Levy: two choreographers, both ambitious, fiercely talented, and willing to go where ever ideas take them. So where are they going? Ketley, in addition to darting all over the country doing commissions, has a flair for the far-out. A few years ago he choreographed the California landscape; he has also created a work in which he danced the syntax of a Carol Snow essay. Levy, whose company celebrates its first decade this weekend, has created edgy dances from the disarmingly comedic to the lurking nightmares. Bringing together these so very different guys is a desire to challenge their own craft by subjecting it to a collaborative process neither of them has tried previously. That just may be enough for a piece they call “Low Down.” (Rita Felciano)

Thu/17-Sat/19, 8pm; Sun/20, 2pm, $18–$50

Z Space

450 Florida, SF

(800) 838-3006

www.zspace.org

 

>> “Broke & Classy: Broke-Ass Stuart’s 10 Year Anniversary of Living in SF”

I doubt Stuart Schuffman is so broke-ass anymore. The man has written frugal culture guides for San Francisco and New York City, he’s got a popular blog chock full of fun things to do for penny-pinchers, and he has trotted around the country profiling artists and musicians on his own IFC show. Surely that qualifies as a media empire, right? But I can’t begrudge B-AS. He opened my eyes to the tasty treats of the Tamale Lady and created that pick-me-up mantra: “You are young, broke and beautiful.” Local musical acts usher in 10 years of Stuart’s low-money living in San Francisco. (Kevin Lee)

With Judgement Day, Birds & Batteries, Rach W and DJ Carnita 8pm, $3, Must RSVP Public Works 161 Erie (415) 932-0955 www.publicsf.com

 

>> Ane Brun

Norway’s Ane Brun is perhaps best known in the U.S. to Peter Gabriel fans, having opened for his recent New Blood Tour. But an award-winning songwriter in Europe with four studio and two live albums so far, Brun deserves attention here for all her work, including most recent release, It All Starts With One. Not only a showcase for her majestically touching voice set against gently pulsing rhythms and sparse orchestration, the album also features guests Jose Gonzalez on the entrancing “Worship” and First Aid Kit adding backup vocals to the rolling percussion “Do You Remember.” (Prendiville)

With Gemma Ray, Elin Ruth Sigvardssun

8:30pm, $14-16

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

FRIDAY 18

>> Sleepy Sun

Sleepy Sun emerged in 2009 after creating an LP laden with distorted guitar lines, fuzzy vocals, and compositional head nods to Led Zeppelin best taken with psychedelics and ’70s nostalgia. While Spine Hits (2012) features some serious reverb, the album the group released three years later calls to mind ’90s alt rock and the open road; with tracks that feel like epic love ballads after odes to outdoorsy adventure. Lead vocalist Bret Constantino has called his band’s changing sound its “natural evolution.” And judging by the genuine, passionate voice and catchy, seamlessly constructed melodies Spine Hits purveys, I don’t doubt him. (Mia Sullivan)

With Assemble Head in Sunburst Sound, Some Ember, DJ Britt Govea

9pm, $15

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

>> UK with Terry Bozzio

Bay Area-born and raised drummer extraordinaire Terry Bozzio has performed with Frank Zappa, Missing Persons, Jeff Beck, Fantomas, and a host of other musicians over the years. Recognized as one of the best drummers in modern times, he has recorded a variety of instructional videos, been honored by Guitar Center’s RockWalk in Hollywood, and has created some of the most insane custom drum sets ever seen on stage. Be sure to see Bozzio’s amazing talents on display live tonight as he performs with the reunited prog rock supergroup UK, which also features John Wetton (King Crimson, Asia) and Eddie Jobson (Frank Zappa, Roxy Music). (Sean McCourt)

8pm, $65–$99

Regency Ballroom

1290 Sutter, SF

(415) 673-5716

www.theregencyballroom.com

 

>> The Sahara Tent Party ft. Switch and Sinden

Producer-DJ Switch is best known for his work alongside Diplo in Major Lazer and for producing the pulsating dynamic music behind Sri Lankan singer M.I.A. As Major Lazer, the British duo has brought a Jamaican dance flavor to Beyonce, Santigold, and Christina Aguilera and are apparently collaborating with No Doubt on a release slated for September. Producing in studios as far and wide as Jamaica and India, Switch has blended dancehall infused beats with slick rhymes from a wide net of vocalists. Co-headliner and fellow Brit Sinden brings a soulful, multi-genre vibe rooted in house music. (Lee)

With 5kinandBone5, Vin Sol, Them Jeans, and more 10pm, $10–$20 1015 Folsom (415) 431-1200 www.1015.com

 

>> Plants and Animals

If Plants and Animals were a person, writes the band, their albums would metaphorically mirror said person’s journey through life. Parc Avenue (2008) represents the Montreal-based indie rock trio as a child, La La Land (2010) as an angsty teenager, and The End of That, released this February, exudes “unmasked” early 20s confidence. Warren Spicer, Matthew Woodley, and Nicholas Basque began playing together and experimenting with instrumental music in 2002. Now, 10 years later, they’ve evolved into post-classic rockers and bearers of soft, ambient harmonization as well as fiery, nostalgic jams like recent hit single “Lightshow.” (Sullivan)

With Cannons and Clouds, Owl Paws

10pm, $12

Bottom of the Hill

1233 17 St., SF

(415) 621-4455

www.bottomofthehill.com

 

SATURDAY 19

>> Saturday Night Soul Party

Always wanted to check out one of San Francisco’s longest running soul events but stayed away because of potential throngs in the Mission on the weekend? Well here’s your chance for an easy introduction to the Saturday Night Soul Party. Crowds are likely to be sparse in the neighborhood thanks to the lemmings planning to get up early the next morning to make their annual pilgrimage to the breakers, so dance the night away carefree to Disc Jockeys Lucky, Paul Paul, and Phengren Oswald, spinning ’60s soul all night, exclusively on good old vinyl ’45s. Show up wearing a suit and tie or skirt or dress and get half off the cover charge. (McCourt)

10pm, $5–$10

Elbo Room

647 Valencia, SF

(415) 552-7788

www.elbo.com

 

>> SUNDAY 20

Pansy Division

One of San Francisco’s favorite early ’90s queercore pop punk acts is back, and on tonight of all nights. The steaming pile of hot mess that will rise up post-B2B is enough to make any local puke, but keep it in (or clean it off) and go out anyways. It’ll make you feel much better and brighter catching melodic pop punk, than hiding from the masses on the couch with a cheap wine hangover and a blanket pulled up tight. And perhaps it’ll refresh your memories of the crustier old days in the city before so many bubbles burst and barely clothed, underage dubsteppers swarmed the post-race streets seeking Four Loko and warm blood. Don’t be a Bad Boyfriend, show the gent a good time. (Emily Savage)

With Swann Danger

8:30pm, $12

Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

MONDAY 21

>> “Neuroscience of Zen”

What exactly happens to your mind when you undergo meditation? Turns out that meditating Buddhist monks tend to elongate the time they exhale, which calms the mind. Stanford University researcher Phillippe Goldin has studied the effects of mindfulness meditation and stress reduction on brain function. San Francisco Zen Center Abbot Ryushin Paul Haller has taught Buddhist practices for two decades in San Francisco and has led programs to assist with depression and recovery. Together, Goldin and Haller blend academic studies and their own worldly experiences to discuss the intersection of the mind and the spirit. (Lee)

8pm, $22–$26

Herbst Theatre

401 Van Ness, SF

(415) 392-4400

www.cityboxoffice.com

 

**The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

2012 Summer Fairs and Festivals

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Through May 20

San Francisco International Arts Festival Various venues. (415) 399-9554,www.sfiaf.org. Check website for prices and times. Celebrate the arts, both local and international, at this multimedia extravaganza.

 

May 19

Asian Heritage Street Celebration Larkin and McAllister, SF. www.asianfairsf.com. 11am-6pm, free. Featuring a Muay Thai kickboxing ring, DJs, and the latest in Asian pop culture, as well as great festival food.

Uncorked! San Francisco Wine Festival Ghirardelli Square, 900 North Point, SF. (415) 775-5500,www.ghirardellisq.com. 1-6pm, $50 for tastings; proceeds benefit Save the Bay. A bit of Napa in the city, with tastings, cooking demonstrations, and a wine 101 class for the philistines among us.

May 19-20

Maker Faire San Mateo Event Center, San Mateo, www.makerfaire.com. $8–$40. Make Magazine’s annual showcase of all things DIY is a tribute to human craftiness. This is where the making minds meet.

Castroville Artichoke Festival Castroville. (831) 633-2465 www.artichoke-festival.com. 10am-5pm, $10. Pay homage to the only vegetable with a heart. This fest does just that, with music, parades, and camping.

 

May 20

Bay to Breakers Begins at the Embarcadero, ends at Ocean Beach, SF, www.zazzlebaytobreakers.com 7am-noon, free to watch, $57 to participate. This wacky San Francisco tradition is officially the largest footrace in the world, with a costume contest that awards $1,000 for first place. Just remember, Port-A-Potties are your friends.

 

May 21

Freestone Fermentation Festival Salmon Creek School, 1935 Bohemian Hwy, Sonoma. (707) 479-3557, www.freestonefermentationfestival.com. Noon-5pm, $12. Answer all the questions you were afraid to ask about kombucha, kefir, sauerkraut, yogurt, and beer. This funky fest is awash in hands-on demonstrations, tastings, and exhibits.

 

May 26-27

San Francisco Carnaval Harrison and 23rd St., SF. www.sfcarnaval.org. 10am-6pm, free. Parade on May 27, 9:30am, starting from 24th St. and Bryant. The theme of this year’s showcase of Latin and Caribbean culture is “Spanning Borders: Bridging Cultures.” Fans of sequins, rejoice.

 

June 2-3

Union Street Eco-Urban Festival Union Street between Gough and Steiner, SF. (800) 310-6563, www.unionstreetfestival.com. 10am-6pm, free. See arts and crafts created with recycled and sustainable materials and eco-friendly exhibits, along with two stages of live entertainment and bistro-style cafes.

 

June 9-17

San Mateo County Fair San Mateo County Fairgrounds, 2495 S. Delaware, San Mateo, www.sanmateocountyfair.com. 11am-10pm, $6–$30. Competitive exhibits from farmers, foodies, and even technological developers, deep-fried snacks, games — but most important, there will be pig races.

 

June 8-10

Queer Women of Color Film Festival Yerba Buena Center for the Arts, 701 Mission, SF. (415) 752-0868,www.qwocmap.org. Times vary, free. Three days of screenings from up-and-coming filmmakers with unique stories to tell.

 

June 10

Haight Ashbury Street Fair Haight between Stanyan and Ashbury, SF, www.haightashburystreetfair.org. 11am-5:30pm, free. Celebrating the cultural history and diversity of one of San Francisco’s most internationally celebrated neighborhoods, the annual street fair features arts and crafts, food booths, three musical stages, and a children’s zone.

June 10-12

Harmony Festival, Sonoma County Fairgrounds, 1350 Bennett Valley, Santa Rosa, www.harmonyfestival.com. One of the Bay Area’s best camping music festivals and a celebration of progressive lifestyle, with its usual strong and eclectic lineup of talent.

 

June 16-17

North Beach Festival, Washington Square Park, SF. (415) 989-2220, www.northbeachchamber.com. free. This year will feature more than 150 art, crafts, and gourmet food booths, three stages, Italian street painting, beverage gardens and the blessing of the animals.

Marin Art Festival, Marin Civic Center, 3501 Civic Center Drive, San Rafael. (415) 388-0151, www.marinartfestival.com. 10am-6pm, $10, kids under 14 free. Over 250 fine artists in the spectacular Marin Civic Center, designed by Frank Lloyd Wright. Enjoy the Great Marin Oyster Feast while you’re there.

 

June 22-24

Sierra Nevada World Music Festival, Mendocino County Fairgrounds Booneville. (916) 777-5550, www.snwmf.com. $160. A reggae music Mecca, with Jimmy Cliff, Luciano, and Israel Vibration (among others) spreading a message of peace, love, and understanding.

 

June 23-24

Gay Pride Weekend Civic Center Plaza, SF; Parade starts at Market and Beale. (415) 864-FREE, www.sfpride.org. Parade starts at 10:30am, free. Everyone in San Francisco waits all year for this fierce celebration of diversity, love, and being fabulous.

Summer SAILstice, Encinal Yacht Club, 1251 Pacific Marina, Alameda. 415-412-6961, www.summersailstice.com. 8am-8pm, free. A global holiday celebrating sailing on the weekend closest to the summer solstice, these are the longest sailing days of the year. Celebrate it in the Bay Area with boat building, sailboat rides, sailing seminars and music.

 

June 24-August 26

Stern Grove Festival, Stern Grove, 19th Ave. and Sloat, SF. (415) 252-6252,www.sterngrove.org, free. This will be the 75th season of this admission-free music, dance, and theater performance series.

July 4

4th of July on the Waterfront, Pier 39, Beach and Embarcadero, SF.www.pier39.com 12pm-9pm, free. Fireworks and festivities, live music — in other words fun for the whole, red-white-and-blue family.

July 5-8

High Sierra Music Festival, Plumas-Sierra Fairgrounds, Lee and Mill Creek, Quincy. www.highsierramusic.com. Gates open 8am on the 5th, $185 for a four-day pass. Set in the pristine mountain town of Quincy, this year’s fest features Ben Harper, Built To Spill, Papodosio, and more.

 

July 7

Oakland A’s Beer Festival and BBQ Championship, (510) 563-2336, oakland.athletics.mlb.com. 7pm, game tickets $12–$200. A baseball-themed celebration of all that makes a good tailgate party: grilled meat and fermented hops.

 

July 7-8

Fillmore Street Jazz Festival, Fillmore between Jackson and Eddy, SF. (800) 310-6563, www.fillmorejazzfestival.com.10am-6pm, free. The largest free jazz festival on the Left Coast, this celebration tends to draw enormous crowds to listen to innovative Latin and fusion performers on multiple stages.

July 19-29

Midsummer Mozart Festival, Herbst Theater, 401 Van Ness, SF (also other venues in the Bay Area). (415) 627-9141,www.midsummermozart.org. $50. A Bay Area institution since 1974, this remains the only music festival in North America dedicated exclusively to Mozart.

 

July 21-22

Renegade Craft Fair, Fort Mason Center, Buchanan and Marina, SF. (415) 561-4323, www.renegadecraft.com. Free. Twee handmade dandies of all kinds will be for sale at this DIY and indie-crafting hullabaloo. Like Etsy in the flesh!

 

July 21-22

Connoisseur’s Marketplace, Santa Cruz and El Camino Real, Menlo Park. Free. This huge outdoor event expects to see 65,000 people, who will come for the art, live food demos, an antique car show, and booths of every kind.

July 23-August 28

The San Francisco Shakespeare Festival, Various locations, SF. (415) 558-0888, www.sfshakes.org. Free. Shakespeare takes over San Francisco’s public parks in this annual highbrow event. Grab your gang and pack a picnic for fine, cultured fun.

July 27-29

Gilroy Garlic Festival, Christmas Hill Park, Miller and Uvas, Gilroy. (408) 842-1625,www.gilroygarlicfestival.com. $17 per day, children under six free. Known as the “Ultimate Summer Food Fair,” this tasty celebration of the potent bulb lasts all weekend.

 

July 28-29

27th Annual Berkeley Kite Festival & West Coast Kite Championship, Cesar E. Chavez Park at the Berkeley Marina, Berk. (510) 235-5483, www.highlinekites.com. 10am-5pm, free. Fancy, elaborate kite-flying for grown-ups takes center stage at this celebration of aerial grace. Free kite-making and a candy drop for the kiddies, too.

July 29

Up Your Alley Fair, Dore between Howard and Folsom, SF. (415) 777-3247,www.folsomstreetfair.org., 11am-6pm, free with suggested donation of $7. A leather and fetish fair with vendors, dancing, and thousands of people decked out in their kinkiest regalia, this is the local’s version of the fall’s Folsom Street Fair mega-event.

 

July 30-August 5

SF Chefs Food and Wine Festival, Union Square, SF. (415) 781-5348, www.sfchefsfoodwine.com. Various times and prices. Taste buds have ADD too. Let them spiral deliciously out of control during this culinary fair representing over 200 restaurants, bars, distilleries, and breweries.

 

August 4-5

Aloha Festival, San Mateo Event Center, 1346 Saratoga, San Mateo. (415) 281-0221, www.pica-org.org. 10am-5pm, free. You may not be going to Hawaii this summer, but this two-day festival of crafts, island cuisine, Polynesian dance workshops, and music performances might just do the trick.

Art and Soul Oakland, Frank Ogawa Plaza, 14th and Broadway, Oakl. www.artandsouloakland.com. $10 adv.; $15 at door. Sample delectable treats, joyfully scream through a carnival ride, get a purple unicorn painted on your forehead — all while rocking out to live jazz, R&B, acoustic, and gospel performances.

Nihonmachi Street Fair, Post between Laguna and Fillmore, SF. www.nihonmachistreetfair.org. 10am-6pm, free. Community outreach infuses every aspect of this Japantown tradition — meaning those perfect garlic fries, handmade earrings, and live performances you enjoy will also be benefitting a number of great nonprofit organizations.

 

August 5

Jerry Day 2012, Jerry Garcia Amphitheater, 40 John F. Shelley, SF. (415) 272-2012, www.jerryday.org. 11am, free; donate to reserve seats. Founded in 2002 when a dilapidated playground in the Excelsior was being transformed to what is now Jerry Garcia Amphitheater, Jerry Day continues as an art and music event brimming with local San Franciscan roots.

 

August 10-12

Outside Lands Music Festival Golden Gate Park, SF. www.sfoutsidelands.com. $225 regular 3-day ticket. Musical demi-gods like Stevie Wonder and Neil Young are headlining this year, and the rest of the jaw-dropping lineup makes us wish it were 2035 already so we can clone ourselves and be at opposite sides of the park at once.

 

August 11

Festa Coloniale Italiana, Stockton between Union and Filbert, SF. (415) 440-0800, www.sfiacfesta.com. 11am-6pm, free. When the moon hits your eye, like a big pizza pie, that’s amore. When you dance down North Beach, visiting every food truck you encounter, you’re in love.

 

August 18

Russian River Beer Revival and BBQ Cookoff, Stumptown Brewery, 15045 River, Guerneville. (707) 869-0705, www.stumptown.com. Noon-6pm, $55. You can’t really go wrong attending a festival with a name like this one. Entry fee includes live music, beer, cider, BBQ tastings, and your resurrection.

San Francisco Street Food Festival, Folsom from 20th to 26th St.; 25th St. from Treat to Shotwell, SF. (415) 824-2729, www.sfstreetfoodfest.com. 11am-7pm, free. You may think there is nothing quite as good your own mother’s cooking, but the vendors at La Cocina’s food fair are up for the challenge.

 

August 25

The Farm Series: Late Summer Harvest, Oak Hill Farm, 15101 California 12, Glen Ellen. (415) 568-2710, www.18reasons.org. 9am-5pm, $50. Head to Sonoma with Bi-Rite’s head farmer and produce buyer to check out Family Farm and Oak Hill Farm. Lunch is included in the ticket price and carpool drivers will be reimbursed for gas.

 

August 25-26

Bodega Seafood Art and Wine Festival, 16855 Bodega, Bodega. (707) 824-8717, www.winecountryfestivals.com. $12 advance, $15 at gate. The seaweed is usually greener on somebody else’s lake — but not this weekend. Have your crab cake and eat it too during this crustaceous celebration of food, wine, beer, and art.

 

September 8-9

Ghirardelli Chocolate Festival, Ghiradelli Square, 900 North Point, SF. (800) 877-9338, www.ghiradelli.com. Noon-5pm, $20. It’s finally time to put your at-home ice cream noshing skills to the test. For two-days only, chocolate lovers unite to celebrate all that is good in life — and by that we mean eating contests, chef demonstrations, and local dessert samplings.

 

September 9

EcoFair Marin 2012, Marin County Fairgrounds and Lagoon Park, Civic Center, San Rafael. (415) 499-6800, www.ecofairmarin.org. 10am-6pm, $5. This sustainability event brings together speaker presentations, exhibitions by energy reducing and conserving business leaders, and tasty raw and vegan food vendors, as a community effort to help bring about a healthier planet.

 

September 14-16

Ceramics Annual of America: Exhibition and Art Fair, Festival Hall, Fort Mason, Buchanan at Marina, SF. (877) 459-9222, www.ceramicsannual.org. $10. Contemporary ceramics from Korea, China, Mexico, Australia, and Italy, as well as top American artists’ works, will be showcased in this one-of-a-kind art show. Tours and discussions regarding the clay medium will be provided as a way to foster knowledge regarding the clay medium.

 

September 16

Comedy Day, Sharon Meadow, Golden Gate Park, SF. (415) 820-1570, www.comedyday.com. Noon-5pm, free. There are two secret cures for depression: sunlight and laughter. Comedy Day brings the two antidotes together for a cheery day of priceless (literally, it’s free) entertainment.

 

September 21-23

Eat Real Festival, Jack London Square, Oakl. (510) 250-7811, www.eatrealfest.com. Free. Processed foods really do have a bunch of weird named ingredients that trigger horrific thoughts in one’s imagination. At Eat Real, suspicion is taken out of the eating experience, as everything is handmade, fresh, and local — so you can just eat.

 

September 22

Superhero Street Fair, Islais Creek Promenade, Caesar Chavez at Indiana, SF. www.superherosf.com. 2pm-midnight, $10-20 suggested donation. Fantasy and reality merge through live music performances, a climbing wall, sideshows, interactive games, and a cobblestone walkway of art. The festival hopes to set the World Record for the largest number of superheroes in one location — or at least put Nick Fury to shame.

 

September 23

Folsom Street Fair, Folsom between Seventh and 12th Streets, SF. (415) 777-3247, www.folsomstreetfair.com. 11am-6pm, free. Time to get out that spiked collar and latex gloves once again. Don’t forget your nipple clamps or the vibrating magic wand, either! Might as well bring out the leather whip and chains too — not that you’ve been anticipating this huge fetish extravaganza all year or anything.

 

September 29-30

Polk Street Blues Festival, Polk between Jackson and California, SF. (800) 310-6563, www.polkstreetbluesfestival.com. 10am-6pm, free. The blues festival will feature two stages, a marketplace of crafts and food booths, and enough saxophones and harmonicas to get you rollin’ and tumblin’.

 

September 30

Petaluma’s Fall Antique Faire, Fourth Street and Kentucky from B Street to Washington, Petaluma. (707) 762-9348, www.petalumadowntown.com. 8am-4pm, free. Watch as downtown Petaluma transforms in to an antique marketplace of estate jewelry, furniture, art, and collectables from over 180 dealers.

 

October 4-14

Mill Valley Film Festival, California Film Institute, 1001 Lootens, San Rafael. (415) 383-5256, www.mvff.com. $13.50 per screening. The 11-day festival presents international features, documentaries, shorts, and children’s films, as well as workshops and seminars dedicated to the art of film-making.

 

October 5-7

Hardly Strictly Bluegrass, Golden Gate Park, John F. Kennedy at Marx Meadow, SF. www.strictlybluegrass.com. Free. Warren Hellman has left us in February, but the bluegrass music festival he gifted to San Francisco goes on in memory of its esteemed founder.

 

October 6

Steampunk Oktoberfest Ball, Masonic Lodge of San Mateo, 100 North Ellsworth, San Mateo. (650) 348-9725, www.peers.org/steampunk.html. 8pm, $15 adv.; $20 at door. Steampunk is a combination of modern technology and Victorian fashion tastes. Think steam-powered airships and breathable corsets. Nineteenth century waltzes, mazurkas, and polkas set the soundtrack to this year’s revelry of costumes, dancing, and anachronistic inventions.

 

October 7

Castro Street Fair, Castro at Market, SF. (415) 841-1824, www.castrostreetfair.org. 11am-6pm, donations collected at entry. Founded by Harvey Milk in 1974, this community street festival joins hundreds of craft vendors, various stages of live entertainment, and an impressive array of outfits and wigs as a celebration of the Castro’s ever-growing diversity.

 

October 13-14

Treasure Island Music Festival, Treasure Island, SF. www.treasureislandfestival.com. $69.50 for single day tickets; $125 for regular 2-day tickets. For those who are normally discouraged by large music festivals because of the usual mobs of people, this is the event for you. The festival always sports a great bill of performers, all of which you can enjoy while having a relaxing a picnic on the grass, watching the sunset fall over the Golden Gate Bridge. The lineup will be revealed later this summer.

 

October 15

Noe Valley Harvest Festival, 24th St. between Church and Sanchez, SF. (415) 519-0093, www.noevalleyharvestfestival.com. 10am-5pm, free. Fall into autumn’s welcoming leaves — there will be circus performers, dog costume contests, jack-o-lantern decorating booths, and a pumpkin patch to make you forget all about your fleeting summer crush.

 

October 26-28

International Vintage Poster Fair, Fort Mason Center, SF. (800) 856-8069, www.posterfair.com. $15. This is the only show in the world that offers over 15,000 original vintage posters. Throw out your duplicate copy, and run here now.

Lindsey Buckingham sows his own seeds

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For nearly 45 years, Lindsey Buckingham has been writing and performing songs with an indelible impact on rock’n’roll; and several of those tracks are nearly universally considered to be among the pillars of the classic rock pantheon.

Perhaps best known for his work with Fleetwood Mac, Buckingham wrote or co-wrote tunes such as “Go Your Own Way” and “The Chain” with the band, and his guitar work and vocals propelled the songs to the hit single and anthem status they eventually achieved.

In addition to his work with Fleetwood Mac, the Bay Area-born and raised musician has recorded several excellent solo records, and contributed a host of tracks to well-known film soundtracks, including “Holiday Road” for National Lampoon’s Vacation.

In recent years, Buckingham has become the subject of a running gag on Saturday Night Live, with comedian Bill Hader doing a impersonation of Buckingham on the faux talk show “What Up With That” where the host (played by Kenan Thompson) always introduces Hader’s Buckingham as his final guest, but never actually lets him speak, cutting him off for ridiculous dance numbers and other outrageous situations to end the show.

Hader does his best serious and pouting expression, leading the host to plead with him not to be mad, ultimately causing the perpetually leather jacket and v-neck t-shirt clad Hader to smile, but still, never talk.

A highlight of the May 2011 “episode” of “What Up With That” was the surprise appearance of the real Buckingham himself, playing guitar and speaking up for his impersonator, resulting in the one of the funniest sketches in SNL in some time.

Buckingham’s ever-evolving musical talents are no joke, however, as the powerhouse guitarist and singer released his latest solo album Seeds We Sow last year. He comes to the Bay for a special one man show at the Fillmore, which promises to touch on both his solo efforts, and a variety of Fleetwood Mac classics.

Lindsey Buckingham
Mon/14, 8pm, $39.50
Fillmore
1805 Geary, SF
(415) 346-6000
www.thefillmore.com

SFIFF 2012: gone but not forgotten

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It’s been a week since the San Francisco International Film Festival ended, but after 15 days largely spent sitting in the dark at the Kabuki, submerged in a flood of cinematic storytelling, the afterimages are still taking up considerable space in my brain.

And questions remain, like: Why didn’t anyone from Lauren Greenfield’s crew on the documentary The Queen of Versailles report time-share mogul David Siegel or his wife, Jackie, to the Orlando-area SPCA for casually sitting down to brunch and letting their family’s pet python roam unchaperoned through a house filled with fluffy white purse dogs?

And what was going through moderator Audrey Chang’s head when a post-screening Q&A for Maria Demopoulos and Jodi Wille’s cult doc The Source devolved into a noisy, chaotic processing session for an audience filled with former cult members? And did other audience members exit the theater after watching Jessica Yu’s Last Call at the Oasis feeling paralyzingly hyperaware of their gigantic, sloshing waterprint, knowing that any one action they might be about to take — be it using the Sundance Kabuki Cinemas restroom, riding the 22 Fillmore home, or going out for a much-needed cocktail to take the edge off incipient doom — likely represented dozens of gallons’ worth of heedless water use?
 
And a last pressing question: Will anyone see to it that Mosquita y Mari, written and directed by Aurora Guerrero, reaches more-disparate theater screens after it finishes its festival circuit? (In the wake of its January Sundance screening, it did get picked up for DVD and VOD distribution by Wolfe Releasing.)

First-time feature director Guerrero has set her sweet and sorrowful, semiautobiographical coming-of-age film in LA’s Huntington Park neighborhood, where Latina teenagers Yolanda (aka Mosquita; played by Fenessa Pineda) and Mari (Venecia Troncoso) form an unlikely friendship that drifts silently and slowly toward a more ambiguous state. Beautifully shot and scripted, using young local nonprofessionals for much of the cast, Mosquita y Mari tells a small, poignant tale exceedingly well, carefully weaving its tenuous love story into the larger settings of neighborhood and school and two immigrant households whose younger generations find themselves struggling to navigate the track laid down by their parents.

Like many of its cohorts in this year’s SFIFF program, the film demonstrates the benefits of living amid the Bay Area’s small galaxy of annual festivals — and richly deserves to travel farther afield.

Steady WATERS

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MUSIC Van Pierszalowski’s story writes itself: musician finds love in picturesque European city, swims in fjords, writes a fuzzy grunge-inflected record about it and his travels, and calls the band WATERS (appearing Thu/10 at the Fillmore). “I met a girl,” he says from the road. “And I just wanted to get back over there. It was a place to work on songs, refocus.”

Even his story before the present wrote itself: young man travels to Alaska to fish with his father and creates chilly, acoustic folk soundscapes, names the band Port O’Brien after an Alaskan Bay.

This all happened. Only life isn’t all one big linear story, and Pierszalowski isn’t nearly so precious as implied within these tales. He never stopped writing songs between the break-up of Port O’Brien and formation of WATERS. He was bouncing back and forth between Oslo and San Francisco for two years, with stops here and there in New York and Alaska, also Dallas in spring of 2011 to record a full-length with producer John Congleton (St. Vincent, Bill Callahan).

His first and latest album for WATERS — Out in the Light — came out last September to a flurry of positive reviews, tales of rebirth, etc. The record produced anthemic “For the One” (and its trippy dreamcatcher-based video), which kicks off with a slow buzz breaking into a chainsaw pop guitar line, and Pierszalowski pleading, “Oh my god I thought I was a free man out on road,” later in chorus, “when I wake up/and I take you with me/I’ve seen too much of old/And I’m not waiting.”

So what happens after the initial burst of new-band hype? Pierszalowski is still in love, and touring much of the year. When home in the Bay Area for brief snippets of time, he and the girl — Marte Solbakken — live together, and frequent Dynamo Donuts for sustenance. “I live up there on Potrero Hill. Everything’s there, that’s our home.”

While Pierszalowski is ringleader and songwriter, the current incarnation of the band — drummer Nicholas Wolch and bassist Alexander Margitich, both from Santa Rosa, guitarist Aaron Bradshaw, and Solbakken on keys and singing — has been touring the States together for some time.

This summer they’ll be back in Oslo briefly, and before that, more tours, including an opening slot for Delta Spirit, which brings the band to the Fillmore this week. Following that, there’s another tour with Nada Surf in June.

They’ll traverse the wide-open plains and rather familiar coasts of the U.S. — when not fishing in Alaska, Pierszalowski was raised in tiny coastal Cambria, just south of the Hearst Castle.

He wasn’t a surfer like many of the locals, so he found solace in music, taking inspiration from a long line of iconic guitarists and singers, starting with Billie Joe Armstrong in junior high, moving up to Joey Ramone, Thom Yorke, Neil Young, Will Oldham, and his most consistant inspiration, Kurt Cobain.

“I’ve always gone on record as saying In Utero is my favorite record of all time,” he says. Nirvana was an influence on Port O’Brien’s sound and a huge influence on WATERS.

So what’s next? Pierszalowski is feeling the pressure to start creating new music again, has written a few songs on the sly, and is already fantasizing about the next record — he’s hoping to get back in the studio at the end of the year. It’s his life on the road with the one that he loves, but it’s not just a simple fairytale. There are donuts involved.

WATERS

With Delta Spirit

Thu/10, 8pm, $20

Fillmore

1805 Fillmore, SF

www.thefillmore.com

Our Weekly Picks May 2-8, 2012

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WEDNESDAY 2

Loom of Ruin reading

Sam McPheeters has a way with language that has translated from lyrics to journalism and now: his first official solo novel, The Loom of Ruin. The former frontperson of a trilogy of punk and experimental acts (Born Against, Men’s Recovery Project, Wrangler Brutes) has long written columns for the likes of Vice, and put out his own fanzines. But his first published output came at age 12 — a local legends book assembled with a pal. Now he comes full circle, back to book publishing, though this time it’s a bit different. He’s rather grown, and writing exquisitely detailed dark Los Angeles fiction about the angriest man in the world. Far from grumpy himself — the facetious gent was once known to recite Patrick Henry’s famous speech — McPheeters brings his words to the Bay this week on a book tour, including a spoken word stop at the Secret Alley tonight at 7pm after Needles+Pens. (Emily Savage)

5-7pm, free

Needles+Pens

3253 16th St., SF

(415) 255-1534

www.needlesandpens.com

 

Thu/3, 7:30pm, free

1234Go Records

420 40 St., Oakl.

(510) 985-0325

www.1234gorecords.com

 

Edward Sharpe & the Magnetic Zeros

If Alex Ebert were the best version of himself (a selfless hero akin to Superman or Jesus) he’d be Edward Sharpe. Ebert, Edward Sharpe & the Magnetic Zero’s crazy-haired front man/only guy I’ve seen successfully pull off the shirtless blazer look, dreamt up this alternate identity after getting over a serious drug addiction and shirking his reverence to the punkish concept of rebellion. On stage this ten-piece folky, psychedelic rock tribe looks like a ragtag flurry of ecstasy. There’s a lot going on when these guys perform, but somehow it’s always hard to take your eyes off Jade Castrinos, whose sultry voice and free form movements lull you into a blissful, calming trance. (Mia Sullivan)

With Aaron Embry

8pm, $32.50

Fox Theater

1807 Telegraph, Oakl.

(510) 302-2250

www.thefoxoakland.com

 

El Clásico: More Than a Game

Spain may have won the last World Cup, but as a new documentary by Kelly Candaele and students from Chico State University shows, there’s no love lost between passionate fans of the country’s two biggest club teams. When Real Madrid and FC Barcelona clash (in a game so monumental it is referred to as “El Clásico”), they bring to the field some of the world’s greatest players (Messi! Ronaldo!) — and decades of history that go way beyond fútbol and into weighty areas of national identity and politics. Even Barça fans still reeling from certain late-April results will enjoy this 55-minute exploration of one of Europe’s greatest sports rivalries. (Cheryl Eddy)

7pm, $5–$10

Mission Cultural Center

2868 Mission, SF

www.missionculturalcenter.org

 

THURSDAY 3

Electric Shepherd & OUTLAW

When Bay Area psychedelic rock groups Electric Shepherd & OUTLAW get together, their sound is something like the Doors meeting up with Jimi Hendrix on a tribalistic march and then starting to jam with a death metal version of Phish. If you carry deep-seated nostalgia for the epic rock shows you missed during the ’60s — or listen to the Velvet Underground’s Bootleg series on repeat — you should probably check these guys out. Expect luscious guitar riffs, sexy bass lines, compulsory dancing, and a wonderfully spaced out experience. (Sullivan)

With Blues for Carl Sagan, and Douglas

9pm, $6

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

FRIDAY 4

Predator and The Thing

Though it may be hard to believe for those of us who grew up watching them, two classic sci-fi flicks from the 1980s have come upon major milestones anniversaries. To celebrate, Jesse Hawthorne Ficks’ Midnites For Maniacs series is hosting a night not to be missed, with a 25th anniversary screening of Predator and a 30th anniversary screening of John Carpenter’s The Thing. Featuring some of the best creature designs and special effects of the era thanks to visionaries Stan Winston and Rob Bottin, both films re-defined the genre, and have continued to stand the test of time. A Boy & His Dog (1975) also screens.(Sean McCourt)

7:30pm, $13

Castro Theatre

429 Castro St., SF

(415) 621-6120

www.midnitesformaniacs.com

 

JackHammer Disco with Tiga, Damian Lazarus, & Light Year

Let’s indulge in some squelchiness, shall we? Montreal-based Tiga and UK-born, Los Angeles resident Damian Lazarus share an affinity for acid-y, electro house. In the early 2000s, Lazarus played a prominent role at the UK label City Rockers, where he oversaw the release of Tiga & Zyntherius’ cover of Corey Hart’s “Sunglasses at Night.” Since gaining fame from that release, Tiga has been a busy producer and remixer, keeping a Euro-glam tone reminiscent of the synth-y works Giorgio Moroder pushed in the ’70s. Recent Lazarus works have a more stripped-down, minimal feel that sometimes wander into leftfield, like in his 2009 album Smoke the Monster Out. (Kevin Lee)

With Light Year 10pm, $15–<\d>$20 Public Works 161 Erie, SF (415) 932-0955 www.publicsf.com

 

FRIDAY 4

It’s Casual

Here in the Bay Area, we like to complain about public transportation. There are BART horror stories and Muni diaries tossed around like old war stories, used as social currency. But really, when you compare our rapid transit systems with the snarled mess of cars elsewhere in California, we come out on top. That’s why LA-based hardcore group It’s Casual got so much traction with an ode to its own local bus line, “The Red Line.” The song, and sentiment, struck a nerve: “The freeways/are not so nice.” The band itself is growly loud, with classic Southern California punk hooks. Tonight it opens for beloved shit-stirrers Early Man (note: the two bands will release a split seven-inch come May 22). Take the 22 Fillmore to the show and write a song about it. (Savage)

With Early Man, Shock Diamond, Satya Sena

9pm, $8

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

SATURDAY 5

CreaturesCon

Seemingly rising from the grave like so many of the monsters and ghouls that it showcased over a 14-year run on local television, the beloved Bay Area show Creature Features is being resurrected once again to satiate fans’ undying thirst for the creepy, kooky, and campy. John Stanley, who hosted the KTVU program from 1979-’84, will be on hand for CreaturesCon One, a day of special screenings, Q&As, and more, along with archivist and documentary filmmaker Tom Wyrsch and Ernie Fosselius of Hardware Wars fame. For all you monster kids out there, this will be a nightmare, er, dream come true. (McCourt)

3-10pm, $10

Historic Bal Theater

14808 East 14th St., San Leandro

www.creaturescon.com

 

Father John Misty

I always wonder about the drummer. They’re usually the life of the party but, at the same time, are often concealed behind a wall of instruments, and you rarely hear them sing, or say, anything. Ex-Fleet Foxes drummer Joshua Tillman has said that drumming for his former superstar band began to bore him. So he exited, took up the moniker “Father John Misty,” and started creating lush, lyrically based Americana folk ballads laden with lucid imagery and social commentary. He played SXSW this year, made a surprise appearance at Café Du Nord in April, and his debut, Fear Fun, came out Tuesday. (Sullivan)

With Har Mar Superstar, Worth Taking

10pm, $12

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

 

SUNDAY 6

Omar Sosa Afreecanos Quartet

Talk about versatility. Cuban pianist and composer Omar Sosa splits his time between Oakland and Spain and incorporates musical influences from just about everywhere in between. On last year’s Calma: Solo Piano &… Sosa displayed his introspective and meditative side with floating piano melodies flanked by the occasional electronic accent or sampled sound. Contrast the solo effort on Calma with Sosa’s performance as lead of the Afreecanos Quartet, where technical dynamism becomes the name of the game. At live shows, Sosa becomes a grinning whirlwind, playing classical piano on one hand and electronic piano on another, trading looks and body language with his fellow musicians, and fostering a joyful, collective, improvisational spirit. (Lee)

With Marque Gilmore, Childo Tomas and Peter Apfelbaum

1pm, free

Yerba Buena Gardens

760 Howard, SF

(415) 543-1718

www.ybgfestival.org


MONDAY 7

“La Bamba: Latinos in Vintage Rock, Pop, and Soul”

Local rock music historian and author Richie Unterberger, whose books include White Light/White Heat: The Velvet Underground Day by Day and Music USA: The Rough Guide, will once again share his extensive knowledge with music fans at his presentation “La Bamba: Latinos in Vintage Rock, Pop, and Soul.” Featuring film clips of performers such as Ritchie Valens, Santana, Linda Ronstadt, and Los Lobos, the evening promises to be a unique look at the contributions of Latinos in rock from the earliest days of the 1950s up through the ’80s. (McCourt)

6:30-8:30pm, free

SF Public Library, Mission Branch

300 Bartlett, SF

www.sfpl.org

 

TUESDAY 8

Steve Coll

Longtime journalist Steve Coll won a Pulitzer Prize and widespread acclaim for his 2004 account on the CIA and the agency’s history in Afghanistan leading up to 9/11. In his latest investigative effort, Private Empire: ExxonMobil and American Power, Coll explores the global influence of the Texas-based oil corporation. According to Coll, big-money donations and a sophisticated DC lobbying machine have allowed ExxonMobil to shift the debate on climate change. At the same time, the oil corporation continues to expand its foothold in developing countries. A two-time Pulitzer Prize winner, Coll currently serves as president of the New American Foundation, a nonprofit, nonpartisan think tank that maintains a significant presence in California. (Lee)

In conversation with Greg Dalton

6pm, $7–$20

Commonwealth Club

595 Market, SF

(415) 597-6700

www.commonwealthclub.org

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 487-2506; or e-mail (paste press release into e-mail body — no text attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Music Listings

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Music listings are compiled by Emily Savage. Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 2

ROCK/BLUES/HIP-HOP

Breathe Owl Breathe, Victoria Williams Brick and Mortar Music Hall. 9pm, $10-$12.

Fezant, Stratic, Blood Wedding Hemlock Tavern. 9pm, $6.

Full Time Beret Make-Out Room. 8pm, $8.

Kids on a Crime Spree, James & Evander, Adios Amigo Bottom of the Hill. 9pm, $8.

La Panique, Buzzmutt Knockout. 10pm.

Manicato Elbo Room. 9pm, $5.

Jason Marion vs. Lee Huff Johnny Foley’s Dueling Pianos. 9:30pm.

Kelly McFarling, Lia Rose, Fox & Woman Rickshaw Stop. 8pm, $10-$12.

James Morrison, HoneyHoney Fillmore. 8pm, $25.

Overkill, God Forbid, Suidakra, Diamond Plate Regency Ballroom. 8pm, $30.

Pro Blues Jam with Keith Crossan & Ron Hacker Biscuits and Blues. 8 and 10pm, $15.

Terry Savastano Johnny Foley’s. 9pm, free.

Ty Segall, White Fence, Shannon and the Clams, Mallard Independent. 8pm, $12.

JAZZ/NEW MUSIC

Cat’s Corner with Nathan Dias Savanna Jazz. 9pm, $10.

Chris Amberger Trio & Jazz Jam Yoshi’s Lounge. 6:30 and 9:30pm.

Cosmo AlleyCats Le Colonial, 20 Cosmo Place, SF; www.lecolonialsf.com. 7-10pm.

Dink Dink Dink, Gaucho, Michael Abraham Amnesia. 7pm, free.

Michael Parsons Revolution Cafe, 3248 22nd St., SF; (415) 642-0474. 8:30pm.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. DJs Daneekah and Green B spin reggae and dancehall with weekly guests.

KUSF-in-Exile DJ Night: Andre Monarch, 101 Sixth St., SF; www.savekusf.com. 5:30-9:30pm.

Mary Go Round Lookout, 3600 16th St, SF; www.lookoutsf.com. 10pm, $5. Drag with Suppositori Spelling, Mercedez Munro, and Ginger Snap.

Megatallica Fiddler’s Green, 1333 Columbus, SF; www.megatallica.com. 7pm, free. Heavy metal hangout.

Spilt Milk Milk Bar. 9pm, free. With Wentworth, YR SKULL, Citizen Zain, Shaky Premise, Taylor Fife.

THURSDAY 3

ROCK/BLUES/HIP-HOP

A B & the Sea, Tommy & the High Pilots, Yellow Red Sparks Great American Music Hall. 8pm, $13-$15.

Chris Baio, popscene DJs Rickshaw Stop. 10pm, $10-$12.

Willis Earl Beal, Yassou Benedict Cafe Du Nord. 9pm, $12.

Trace Bundy Swedish American Hall. 8pm, $17-$20.

Electric Shepherd & OUTLAW, Blues for Carl Sagan, Douglas Hemlock Tavern. 9pm, $6.

Flytraps, Standard Poodle, Hight Anxiety! Thee Parkside. 9pm, $5.

Katie Herzig, Andrew Belle Independent. 8pm, $15.

Lee Huff vs. Jason Marion Johnny Foley’s Dueling Pianos. 9:30pm.

John Lawton Trio Johnny Foley’s. 9pm, free.

Misisipi Mike and the Midnight Gamblers, Heeldraggers Amnesia. 9pm, $7-$10.

Mumble Mumble, Myonics, Party Land, Tint Sub-Mission. 9:30pm, $2.

Silian Rail, Whiskerman, Michael Musika Bottom of the Hill. 9pm, $10.

“Stevie Ray Vaughan Tribute” Biscuits and Blues. 8 and 10pm, $20. With Alan Iglesias & Crossfire.

Yellow Dubmarine Brick and Mortar Music Hall. 9pm, $7-$12.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Ned Boynton Trio Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm, free.

Dino Piranha Revolution Cafe, 3248 22nd St., SF; (415) 642-0474. 8:30pm.

Savanna Jazz Jam Savanna Jazz, 2937 Mission, SF; www.savannajazz.com. 7:30pm, $5.

FOLK/WORLD/COUNTRY

Deciders Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm, free.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music, dancing, and giveaways.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5. With DJ/host Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk.

Get Low Som., 2925 16th St, SF; (415) 558-8521. 10pm, free. Jerry Nice and Ant-1 spin Hip-Hop, 80’s and Soul with weekly guests.

KUSF-in-Exile DJ Night Lucky 13, 2140 Market, SF; www.savekusf.com. 8pm.

Supersonic Lookout, 3600 16th St., SF; www.lookoutsf.com. 9pm. Global beats paired with food from around the world by Tasty. Resident DJs Jaybee, B-Haul, amd Diagnosis.

Thursdays at the Cat Club Cat Club. 9pm, $6 (free before 9:30pm). Two dance floors bumpin’ with the best of 80s mainstream and underground with DJ’s Damon, Steve Washington, Dangerous Dan, and guests.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 4

ROCK/BLUES/HIP-HOP

Amen Dunes Elbo Room. 10pm.

Seth Augustus Revolution Cafe, 3248 22nd St., SF; (415) 642-0474. 8:30pm.

Battlehooch, White Cloud, B Hamilton Brick and Mortar Music Hall. 9pm, $7-$10.

“Cowpokes, Gunslingers & Outlaw Country” Red Devil Lounge. 9pm, $13. With Good Luck Thrift Store Outfit, Vandella.

Curren$y, Styles P, Jets, Smoke DZA, Fiend 4 Da Money Regency Ballroom. 8pm, $22.

Early Man, It’s Casual, Shock Diamond, Satya Sena Thee Parkside. 9pm, $8.

Rachel Goodrich, Raffa & Rainer, Jascha & Spiff Amnesia. 8pm, $7-$10.

Lee Huff, Greg Zema, Jason Marion Johnny Foley’s Dueling Pianos. 9:30pm.

Toh Kay, Dan Potthast, Sycarmore Smith Cafe Du Nord. 8pm, $15.

Lambchop Great American Music Hall. 9pm, $20.

Marchforth Marching Band, Diego’s Umbrella Independent. 9pm, $20.

Rocky Votolato, Devotionals, Kevin Long Bottom of the Hill. 9pm, $12.

Ruins Alone, Bronze, Bill Orcutt Hemlock Tavern. 9:30pm, $10.

“Stevie Ray Vaughan Tribute” Biscuits and Blues. 8 and 10pm, $20. With Alan Iglesias & Crossfire.

Steep Canyon Rangers, Carrie Rodriguez Slim’s. 9pm, $21.

Trainwreck Riders, Passage Walkers, Bobby Joe Ebola and the Children MacNuggits, Apogee Sound Club Rickshaw Stop. 8pm, $10-$12.

X-Static Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Terry Disely Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 5:30-8:30pm, free.

Live Dubstep Orchestra Brava Theater, 2781 24th St., SF; www.brava.org. 8pm, $30.

Martin Luther with Siddhartha Yoshi’s SF. 10:30pm, $18.

FOLK/WORLD/COUNTRY

Taste Fridays 650 Indiana, SF; www.tastefridays.com. 8pm, $18. Salsa and bachata dance lessons, live music.

DANCE CLUBS

Braza! Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Sabo, Kento, Elan spin Brazilian, Batucada, Samba.

Demdike Stare, Tropic Of Cancer, Water Borders Public Works. 9pm, $10.

Duniya Dancehall Bissap, 3372 19th St, SF; (415) 826 9287. 10pm, $10. With live performances by Duniya Drum and Dance Co. and music by Wontanara Revolution. DJ Juan Data spins bhangra, bollywood, dancehall, African, and more.

Jackhammer Disco with Tiga, Damian Lazarus, Light Year Public Works. 10pm, $20.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Lucio K SOM. 10pm, $10. With DJs Elan and Zamba.

Oldies Night Knockout. 9pm, $2-$4. DJs Primo and Baddass Daniel B.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

120 Minutes Elbo Room. 10pm. With DJs S4NtA MU3rTE, Nako, and Planet Death.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Pledge: Fraternal Lookout. 9pm, $3-$13. Benefiting LGBT and nonprofit organizations. Bottomless kegger cups and paddling booth with DJ Christopher B and DJ Brian Maier.

Retro Attack DNA Lounge. 9pm, $10. DJs Lex and Tripp spin ’80s and ’90s.

Strangelove: Star Wars Night Cat Club. 9:30pm, $3-$7. Goth, industrial, and electro with DJs Tomas Diablo, Bryan Hawk, Sage, and Mz. Samantha.

SATURDAY 5

ROCK/BLUES/HIP-HOP

Antonette G Make-Out Room. 8pm, $7.

Casy & Brian, Hides, Dark Materials, Rare Leather Thee Parkside. 9pm, $6.

“Cinco De Mayo with Historical Merkin Society” Grant and Green. 10pm, free.

Copperwire, Bocafloja Rickshaw Stop. 9pm, $12.

Dirty Ghosts, Dante Vs. Zombies Cafe Du Nord. 9:30pm, $10.

Father John Misty, Har Mar Superstar Bottom of the Hill. 10pm, $12.

Fucking Buckaroos Riptide, 3639 Taraval, SF; www.riptidesf.com. 10 and 11:15pm, free.

Grubstake, Disastroid, Bam! Vox 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm, free.

Marchforth Marching Band, Diego’s Umbrella Independent. 9pm, $20.

Redwood Wires, Blacktooth Thee Parkside. 3pm, free.

Mark Sultan, Burnt Ones, Primitive Hearts Hemlock Tavern. 9:30pm, $10.

Super Natural, Rabbles Make-Out Room. 7:30pm, $8.

Top Secret Band Johnny Foley’s. 9pm, free.

Trespassers, Windy Hill, Faux Renwah, Melody Walker Great American Music Hall. 8pm, $15.

Greg Zema, Jason Marion,Lee Huff Johnny Foley’s Dueling Pianos. 9:30pm.

Zepparella, Pockit, California Wildebeest Slim’s. 9pm, $16.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Rosanne Cash Herbst Theatre, 401 Van Ness, SF; www.sfjazz.org. 8pm, $30-$70.

Tin Cup Serenade Revolution Cafe, 3248 22nd St., SF; (415) 642-0474. 8:30pm.

FOLK/WORLD/COUNTRY

Bobbito Garcia, La Misa Negra Brick and Mortar Music Hall. 9pm, $12-$15.

G.S. Sachdev and Swapan Chaudhuri Palace of Fine Arts Theatre, 3301 Lyon, SF; www.palaceoffinearts.org. 8pm, $25-$65.

Craig Ventresco & Meredith Axelrod Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 4-6pm, free.

“Yoshi’s Cinco De Mayo Party: Mexican Institute of Sound DJ set” Yoshi’s SF. 10:30pm, $15.

DANCE CLUBS

Bootie SF: Cinco De Mayo Mashup Party DNA Lounge. 9pm, $10-$20. With DJs Faroff, Mad Murdock, John! Jiohn!, and more.

Cinco De Ill Public Works. 10pm, $20. With DJ Icey, Keith Mackenzie, DJ Fixx, DJ Hero, and more.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys .

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Haceteria Deco Lounge, 510 Larkin, SF; www.decosf.com. 9pm, free before 10:30pm, $3 after. With MegaLo.

Icee Hot with Levon Vincent Public Works Loft. 10pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With DJs Lucky, Paul Paul, and Phengren Oswald.

SUNDAY 6

ROCK/BLUES/HIP-HOP

Tommy Castro Biscuits and Blues. 8 and 10pm, $20.

HowellDevine Revolution Cafe, 3248 22nd St., SF; (415) 642-0474. 8:30pm.

Jeff Landau and Genevieve Wolff Brainwash Cafe, 1122 Folsom, SF; www.brainwash.com. 7pm, free.

Meshuggah, Baroness & Decapitated Fillmore. 8pm, $29.50.

North Fork, Cry!, Spiral Electric Hemlock Tavern. 9pm, $6.

Peelander-Z DNA Lounge. 8pm, $18.

Jason Reeves, Amber Rubarth, Andy Kong Cafe Du Nord. 8pm, $10.

Terry Savastano Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Kally Price Old Blues and Jazz Band Amnesia. 8pm. $5.

Kenny Garrett Quartet Yoshi’s SF. 6 and 8pm, $22.

Michael Nelson Rrazz Room. 8pm, $25.

Noertker’s Moxie Quintet Musicians’ Union Hall, 116 Ninth St., SF; www.noertker.com. 7:30pm, free.

Savanna Jazz Jam Savanna Jazz, 2937 Mission, SF; www.savannajazz.com. 7pm, $5.

Tango No. 9 with Dmitri Matheny Bliss Bar, 4026 24th St., SF; www.blissbarsf.com. 4:30pm, $10.

FOLK/WORLD/COUNTRY

Omar Sosa Afreecanos Quartet Yerba Buena Gardens, 760 Howard, SF; www.ybgfestival.org. 1pm, free.

Twang Sunday Thee Parkside. 4pm, free. With Silver Threads.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. Dub, dubstep, roots, and dancehall with DJ Sep, Vinnie Esparza, and J. Boogie.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2. Raise money for LGBT sports teams while enjoying DJs and drink specials.

La Pachanga Blue Macaw, 2565 Mission, SF; www.thebluemacawsf.com. 6pm, $10. Salsa dance party with live Afro-Cuban salsa bands.

MONDAY 7

ROCK/BLUES/HIP-HOP

Damir Johnny Foley’s. 9pm, free.

Garrick Davis, Fabulous FunkyBand Osteria, 3277 Sacramento, SF; www.osteriasf.com. 7pm, free.

Negura Bunget, Eclipse Eternal, Din Brad Thee Parkside. 8pm, $12.

Skinny Singers, John Fullbright, Breathe Owl Breathe Cafe Du Nord. 8pm, $12. Communion.

Luke Sweeney’s Wet Dreams, Dry Magic, Paula Frazier Trio Brick and Mortar Music Hall. 9pm, free.

Wombats, Static Jacks, Neighborhood Great American Music Hall. 8pm, $16.

JAZZ/NEW MUSIC

Bossa Nova Tunnel Top, 601 Bush, SF; (415) 722-6620. 8-11:30pm, free. Live acoustic Bossa Nova.

Marco Eneidi Make-Out Room. 8pm.

Tommy Igoe Big Band Rrazz Room. 7:30pm, $25.

FOLK/WORLD/COUNTRY

Bluegrass Mondays Amnesia. 9pm, free. With Belle Monroe and Her Brewglass Boys.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

Krazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

So Fresh Elbo Room. 9pm, $5. With Edison, West Coast Trade School, Rand Warchild, Javie Mosley & the Know Notes, Matt Bloom, and more. Benefits Rob Strawder.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop from 1960s-early ’90s with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 8

ROCK/BLUES/HIP-HOP

Allo Darlin,’ Wave Pictures, SorryEverAfter Rickshaw Stop. 8pm, $10-$12.

DragonForce, Holy Grail, Huntress Slim’s. 7:30pm, $20.

Jezabels, Imagine Dragons, Benjamin Frances Lefwich Independent. 8pm, $14.

Origin, Cattle Decapitation, Battlecross, Aborted, Decrepit Birth, Rings of Saturn DNA Lounge. 6:30pm, $25.

Post Paint, Michael Beach Hemlock Tavern. 9pm, $6.

Carina Round Cafe Du Nord. 9:30pm, $12.

JAZZ/NEW MUSIC

Bombshell Betty and Her Burlesqueteers, Fromagique Elbo Room. 9pm, $10.

Crown Syncopators Pier 23. 5-8pm.

Dave Scott Quartet Revolution Cafe, 3248 22nd St., SF; (415) 642-0474. 8:30pm.

Gaucho Bottle Cap, 1707 Powell, SF; www.bottlecapsf.com. 7-10pm, free.

Kenny Garrett Quartet Yoshi’s SF. 8pm, $18.

Valerie Simpson Rrazz Room. 8pm, $45-$55.

DANCE CLUBS

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Post-Dubstep Tuesdays Som., 2925 16th St, SF; (415) 558-8521.10pm, free. DJs Dnae Beats, Epcot, Footwerks spin UK Funky, Bass Music.

Study Hall John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane. 

Heads Up: 7 must-see concerts this week

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Are you ready for another folk revival? It’s definitely here, in fact, this is a rather late post about such things – New York Magazine just did a spread including Mumford & Sons, the Head the Heart (whose June 1 show at the Fillmore is already sold out), and the Lumineers, for chrissakes.

It was the startling revelation elsewhere that Alex Ebert of Edward Sharpe & the Magnetic Zeros was also the formerly angular-haircut-having leader of electroclashy IMA Robot that really got me thinking about about all this. Could it already be time for New Weird America 2.0?  (Grain of salt: Mumford & Sons are from England.) That last round was only a handful of years ago – Devendra, all those acts on the pages of beloved Arthur Magazine, et. al. –  though this batch seems decidedly less weird. These acts, as NY Mag points out, have broader crossover appeal.

It makes sense, recessions seem to bring out the twang in folks, and many of these beard-and-suspenders types rose up around 2009 or later. What else brought this to the forefront of my thoughts? This week in the Bay Area, the debatable leaders of this relatively newish pack, Edward Sharpe & the Magnetic Zeros, make their first visit since that Railroad Revival tour with Mumford & Sons last year.

Also this week, New York’s jazzier swing folk duo Two Man Gentlemen Band – I’m stretching here – takes the steamboat (we wish) to San Francisco. And of course, there are shows with our own homegrown fiddlers, banjo-pickers, and boot-wearers. As always, a few tangentially related or just plain totally unrelated acts made the list below.

Here are your must-see Bay Area concerts this week/end:

Breathe Owl Breathe
The dreamy folk pop trio brings inherent playfulness – they wrote a children’s book –  to frosty despair, mixing somber lyrical content with lush vocal harmonies, subtle elegant strumming with the sporadic hand clapping.
With Victoria Williams
Wed/2, 9pm, $10-$12
Brick and Mortar Music Hall
1710 Mission, SF
(415) 800-8782
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=YTEkELB7mFk

Edward Sharpe & the Magnetic Zeros
On stage this ten-piece folky, psychedelic rock tribe looks like a ragtag flurry of ecstasy. (Mia Sullivan)
With Aaron Embry
Wed/2, 8pm, $32.50
Fox Theater
1807 Telegraph, Oakl.
(510) 302-2250
www.thefoxoakland.com
http://www.youtube.com/watch?v=DHEOF_rcND8&ob=av2n

Trainwreck Riders
The punk-tinged alt-country rockers have been together since 2000 (under the TR name as of 2004) and the born-and-bred San Franciscans have gained a steady local following thanks to moxie, bluegrass spirit, and encouraged sing-alongs. Noteworthy: the whole evening lineup is packed with Bay Area up-and-comers, so it’s an excuse to watch the whole show.
With Passage Walkers, Bobby Joe Ebola and the Children MacNuggits, Apogee Sound Club
Fri/4, 8pm, $10-$12
Rickshaw Stop
155 Fell, SF
(415) 861-2011
www.rickshawstop.com
http://www.youtube.com/watch?v=9MzDqtjCQkA

Battlehooch
The song and video for “Pickin’ Fields”  (the first release of the band’s single series) are reason enough to fall in pleasantly bemused love with the “shape-shifting” orchestral folk rockers. The San Francisco six-piece buzzes through genres, and in the process, riles up crowds.
With White Cloud, B Hamilton
Fri/4, 9pm, $7-$10.
Brick and Mortar Music Hall
1710 Mission, SF
(415) 800-8782
www.brickandmortarmusic.com
http://www.youtube.com/watch?v=EiKCUPBeREE

Father John Misty and Har Mar Superstar
This is a weird (read: awesome) lineup – Father John Misty is the darkly folk rock ex-Fleet Foxes drummer and Har Mar Superstar is a swarthy, sex-soaked R&B god recently caught live with ’80s-esque backup singers and a surprise Blood Orange appearance. Well, I guess they both do have that sexy thing going on.
Sat/5, 10pm, $12
Bottom of the Hill
1233 17th St., SF
(415) 621-4455
www.bottomofthehill.com
NSFW http://www.youtube.com/watch?v=iS84BMFszW0

Again, NSFW http://www.youtube.com/watch?v=g98QXm42mmA

Two Man Gentlemen Band
Former street performers are always the best entertainers. And with their years playing to unwilling pedestrians, the Two Man Gentlemen Band’s Andy Bean (singer, tenor guitar, banjoist) and Fuller Condon (upright bass) have learned to pluck out crowd pleasers: jazzy, irreverent dixieland swing with a knowing wink. They come in support of recently released LP Two At A Time.
Sun/6, 9pm, $10
Amnesia
853 Valencia, SF
(415) 970-0012
www.amnesiathebar.com
http://www.youtube.com/watch?v=-c85RZ5biws&feature=fvwrel

Meshuggah
Swedish. Extreme. Metal. And holy hell is it fast. Not folk in the slightest, but well worth a trip the Fillmore.
With Baroness & Decapitated
Sun/6, 8pm, $29.50
Fillmore
1805 Geary, SF
(415) 346-6000
www.thefillmore.com
http://www.youtube.com/watch?v=4A_tSyJBsRQ

Our Weekly Picks April 25-May 1

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WEDNESDAY 25

>> Norm Talley

It’s been a good decade since the Detroit Beatdown sound was unleashed on the world via an eponymous triple-disc release on the UK’s Third Ear Records, which collected the works of several integral Motor City dance music producers. In truth, the Beatdown sound wasn’t so much a cohesive style — although it did reflect the spinetingling synthesis of Detroit’s hypnotic, unhurried house sound with the Zen-like disco-funk loopiness that was earning Moodymann and Theo Parrish rabid followers at the time — than a foray into bumpin’ erotic grooviness, no matter the tempo or sample source. An uptick in Beatdown sound reverence has lead to recent tours by many of the original players, including Norm Talley, who will bring almost 30 years worth of decks magic to the incredibly welcoming Housepitality weekly party. (Marke B.)

9pm, $5 before 11pm, $10 after

Icon

1192 Folsom, SF

(415) 626-4800

www.housepitalitySF.com


>> Eric Erlandson

As the guitarist for Hole, Eric Erlandson was at the center of alternative rock explosion of the early ’90s, a member of one of the most popular bands of the time, and a friend and confidant to one of the scene’s most influential players, Nirvana’s Kurt Cobain. With the 18th anniversaries of both the suicide of Cobain and the release of Hole’s hit record Live Through This passing this month, Erlandson has just released his first book, Letters To Kurt (Akashic Books) a touching and enlightening collection of prose poems addressed to his departed friend. He’ll read from the book and do an acoustic performance tonight. (Sean McCourt)

7:30pm, free

Moe’s Books

2476 Telegraph, Berk.

(510) 849-2087

www.moesbooks.com

 

In conversation with Andi Mudd

Thu/26, 7pm, free

City Lights

261 Columbus, SF

(415) 362-8193

www.citylights.com

 

>> “A Change of the World: In Memory of Adrienne Rich”

The iconic contemporary poet — how many of those have we got left, friend? — passed away at her home in Santa Cruz last month. But Adrienne Rich’s legacy of strong-willed, powerfully voiced feminism, radical lesbian activism, perfectly illuminated quotidian details, and, hopefully, incredible control of poetic form, is set to be carried on for generations, beginning with this huge tribute at the SF Main Library from notable Bay Area wordsmiths. Join Elana Dykewomon, Aaron Shurin (whose latest volume, Citizen, is a stunner), Jewelle Gomez, Justin Chin, Kevin Killian, Toni Mirosevich, and oodles more as they resurrect Rich’s voice and offer their own oblations on the rough altar of her inspiring genius. OMG she would hate that I got all over-dramatic with the language back there. (Marke B.)

6pm, free

Hormel Gay and Lesbian Center at the SF Main Library

100 Larkin, SF

www.sfpl.org

 

 

>> “John Waters in Conversation”

Oh hell yes. Sometimes San Francisco resident John Waters (if you’ve spotted him on Muni, I am sooo jealous) visits California College of the Arts to screen 2004 sex-com A Dirty Shame, which features a typically eclectic cast (including Waters regulars Mink Stole and Patricia Hearst, and Selma Blair’s memorable, uh, udders). The “Pope of Trash” (he’s also an author, occasional actor, hilarious solo performer, and photographer) hangs out after to chat about his filmmaking career — and the fact that this killer event is free (part of CCA’s Cinema Visionaries program and Design and Craft Lecture Series) is just icing on the poo. Er, cake. (Cheryl Eddy)

7-9pm, free

Timken Lecture Hall

California College of Arts

1111 Eighth St., SF

(415) 703-9563

www.cca.edu

 

THURSDAY 26

>> “Bloomsbury/It’s Not Real”

In the early part of the 20th century and for a short period only, the London neighborhood of Bloomsbury became a center of civilized thought. In their salons its members argued about poetry, painting, and history. They passionately believed in Art and embraced total freedom — artistic, sexual, personal. Some of them became famous; others dropped by the wayside. Yet in retrospect, Bloomsbury looks like a small Shangri-la. Or was it? Jenny McAllister has been popping the balloons of pretense for close to 20 years, creating dance theater pieces that are as witty as they are humorous. In “Bloomsbury Group/It’s Not Real” she and her 13th Floor Dance Theater introduces us to some of those peculiar characters that called Bloomsbury home. (Rita Felciano)

Thu/26-Sun/29, 8pm, $18–$23

ODC Theater

3153 17th St., SF

(415) 863-9834

www.odctheater.org


>> The Touré-Raichel Collective

Israeli pianist Idan Raichel and Malian guitarist Vieux Farka Touré forged a friendship after crossing paths at a Germany airport in 2008. The Israeli pop star, known for culling from many worldly influences, had been a fan of Vieux’s father, legendary guitarist Ali Farka Touré. Raichel beckoned the younger Touré to visit him in Tel Aviv for a jam session. Their serendipitous collaboration resulted in The Tel Aviv Session, an acoustic, improvisational masterwork. Throughout Tel Aviv, Touré sets the stage with dramatic strumming and guitar-picking, while Raichel engages with his own meticulous, twinkling ripostes. The duo’s casual chemistry facilitates a rare and absolutely mesmerizing interplay fused together by impeccable technique. (Kevin Lee)

8pm, $25–$85 Herbst Theatre 401 Van Ness, SF (415) 392-4400

www.cityboxoffice.com

 

>> Trippple Nippples

Poised to make a splash at SXSW this year with its hyperkinetic live show, Tokyo’s Trippple Nippples unfortunately had to cancel due to visa complications. The band is now making up for lost time with a string of West Coast shows that includes a Thursday stop at Thee Parkside. A mix of psychedelic performance art, electronics. and in-your-face noise rock, the group has caused a stir in Japan, in addition to finding endorsements from American artists such as Pharrell, who recently championed it in Vice’s mini-documentary, Tokyo Rising. Check out the Dan Deacon-esque slice of kaleidoscopic electropop “LSD” for a taste. (Landon Moblad)

With Ass Baboons of Venus and Ghost Town Refugees

9pm, $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

>> Afrolicious Five-Year Anniversary

Give it up for unstoppable, adorable DJ brothers Señor Oz and Pleasuremaker, a.k.a. Oz and Joey McGuire. A half-decade ago, when the idea of mixing as many global dance music styles into one party as possible was still pretty radical, the bros’ Afrolicious party went one better with live instrumentation (often courtesy of Joey’s band, Pleasuremaker, which drops a new full-length later this year), remarkable guest stars, and a fantasy Latin funk sheen. Best of all, Afrolicious pumped a welcoming, soulful, old-school smiley vibe — free of the slightly sour, scene-y sting of other such endeavors. Afrolicious anniversary parties burst apart at the seams with guest-star goodies and span two wild nights. This one is no exception, with resident percussionists Qique and Diamond, Brazilian drum troupe Fogo Na Roupa, DJs New Life and Sergio, and more. (Marke B.)

Thu/26-Fri/27, 9:30pm, $10

Elbo Room

647 Valencia, SF

(415) 552-7788

www.elbo.com

 

FRIDAY 27

>> “First Breath — Last Breath”

Bad Unkl Sista, participators in arts-party mega-fare (like Maker Faire, for instance), take over Z Space this weekend for the world premiere of a new performance work, “First Breath — Last Breath,” directed, choreographed, and costumed by founder and artistic director Anastazia Louise, a Butoh-trained dancer and dance teacher who honed her skills in the “wearable art” costuming department as a core member of the Carpetbag Brigade from 2000 to 2009. A sensory-stimulating meditation on life and death, the piece promises an apt element of the unscripted in its hybrid spectacle of dance, Butoh, aerial work, couture, percussive scenic design, film, and music. (Robert Avila)

Fri/27, 8pm; Sat/28, 2 and 8pm, $35

Z Space

450 Florida, SF

(415) 209-5569

www.badunklsista.com

 

SATURDAY 28

>> Jim Gaffigan

Comedian and actor Jim Gaffigan could pontificate on any subject, but his delightful treatises on bacon bits, Cinnabons, and other dubious delectables rank as fan favorites. “I’ve never eaten a Hot Pocket and been like, ‘I’m glad I ate that,'” he opines during a popular sermon on the sloppy snack. Followers gravitate toward his languid style and natural inclination to poke fun at his own comedy, especially through whiny, one-line asides he whispers as an aghast faux audience member. New 75-minute stand-up routine “Mr. Universe” is available for $5 as an online stream, $1 of which will go toward The Bob Woodruff Foundation in support of veterans and their families. (Lee)

Sat/28, 7:30 and 10pm; Sun/29, 7pm, $39.75–$49.75 Warfield 982 Market, SF (415) 567-2060 www.thewarfieldtheatre.com

 

>> “Dear Howard, I Love You But I’m Leaving You For Bryant”

You know how friends get your help moving with a little beer and a few laughs? Artists go all out in this regard. This joint fundraiser between the Garage and THEOFFCENTER benefits the new home for the Garage at 715 Bryant. The current Garage space at 975 Howard was literally that in 2007 when Joe Landini moved in and converted it into his “safehouse” for local artists, an ambitious low-rent breeding ground for dance, theater, and performance. The name stays but the venue changes to a more accommodating space nearby. In celebration, the Garage plays, parades, parties, and moves this Saturday in cunningly pragmatic programming that starts at 975 Howard and ends, via “procession,” with a bash at the new digs. (Avila)

The Garage

6pm, performance

975 Howard, SF

8pm, procession

8:30pm, party

715 Bryant, SF

www.715bryant.org

 

MONDAY 30

>> Marshall Crenshaw

Singer-songwriter-guitarist extraordinaire Marshall Crenshaw has been writing and making records for more than 30 years now, first gaining mainstream exposure with his 1981 hit “Someday, Someway.” In 1987, he portrayed Buddy Holly in the film La Bamba, playing an excellent cover of Holly’s then-obscure outtake “Crying, Waiting, Hoping,” virtually turning the song into his own, one which remains a staple in his live shows to today. The past few years have seen Crenshaw nominated for a Golden Globe for Best Original Song for the title track he wrote for the movie Walk Hard: The Dewey Cox Story, and the release of the album Jaggedland—don’t miss your chance to see him at this unique solo performance. (McCourt)

8pm, $18

Yoshi’s

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com

 

TUESDAY 1

>> Treat Social Club

On a blustery evening in March, organizers Finn Kelly and Adam Theis invited their friends to converge inside a hangar-like space in the Mission for Treat Social Club’s inaugural event. No one knew quite what to expect but once inside revelers found themselves swaying to Realistic Orchestra’s moody silent film score, awed by fabulous visuals, and mesmerized by the aerial choreography Amanda Boggs. It was an auspicious start for the monthly series and with performances by tap dancer Tyler Knowlin, and an aerial piece that will be influenced by crowd participation, the second edition promises to be just as tantalizing as the first. (Mirissa Neff)

7:30pm, $10-20

Go Game Headquarters

400 Treat (Suite F), SF

www.treatsocialclub.com

 

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