Fillmore

Emotions in motion

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arts@sfbg.com

FILM Imagine being trapped, No Exit–style, on a city bus — let’s say Muni’s dreaded “Double Deuce” Fillmore for the sake of creative visualization — in the midst of a dozen or so out-of-control teenagers hell-bent on humiliating and terrorizing their peers and, if you have an obvious human frailty, you as well. Sound like fun? Well, Michel Gondry’s The We and the I puts you there (dramatically speaking, at least) and is often surprisingly just that. To paraphrase Sartre, “Hell is other people … on the bus,” but thankfully we get to take the trip from the safety of cushy theater seats and comfy couches.

Arguably minor Gondry (unlike 2011’s abominable The Green Hornet, whose failure can only be described as major), it’s a nice little palate cleanser in anticipation of his upcoming, much-publicized “return to form,” the Audrey Tautou–starring Mood Indigo, a film that looks to be as visually lush and romantic as The We and the I is stripped down.

Almost all of the film takes place on the aforementioned city bus as it crawls around the mean streets of New York City’s Bronx borough, ostensibly to take home kids (all played by nonprofessional actors, all minorities) after their last day of school. One or two of them do disembark early, but most seem stuck on a fossil-fueled existential journey of the damned. At about the 70-minute mark it’s hard not to wonder if the disgruntled bus driver isn’t just tooling around in circles past the same storefronts à la Joel Barish’s mind trips in Gondry’s Eternal Sunshine of the Spotless Mind (2004) — just exactly how big is the Bronx anyway? “Drop out, get your GED, join the army. I don’t give a fuck,” the driver tells a confused girl. It’s clear that the kids suffer from this kind of general adult apathy, but most bear it with a hard-edged bravado that belies their vulnerability.

That particularly applies to the trio of bullies at the back of the bus, who treat both the kids and the adults with equal-opportunity disdain. They smash an arty boy’s acoustic guitar, hurl insults while sneaking smokes, and even shame a middle-aged guy with a cleft palette. But most of their ire is saved for Teresa (Teresa Lynn), a slightly chubby, obviously troubled girl who shows up wearing a laughably bad blonde wig after being MIA from school for weeks. Teresa becomes the emotional heart of the story after it’s revealed her relationships with several kids on the bus are more complicated than initially thought.

Those kids include a drama-queen sexpot with apparent self-harming issues, a refreshingly upfront couple of gay teens, and a gaggle of giggling girls who toss around a water bra like a football. (The girls, tellingly, are just as aggressive as the boys.) Geek and bully alike connect regularly through the preferred teen method of communication: social media, specifically in the form of a YouTube video of a local doofus named Elijah repeatedly falling on his ass. Some joys are universal.

Visually, The We and the I marks a departure for Gondry. While his films always have a low-fi, arts-and-crafts vibe full of DIY quirk, this one generally eschews his love of handmade ephemera. (A major exception is the boom box rejiggered to resemble a tiny bus, which tools around to Young MC’s “Bust A Move” during the opening credits.) There is a touch of fast-motion and papier-mâché goofiness, but mostly the whole thing is done in a straightforward, verité style.

The tone, however, is pure Gondry: dopey-funny and sophisticatedly unsophisticated. You get the sense that, unlike his tony New York–loving counterparts Wes Anderson and Noah Baumbach, Gondry is a true populist. The We and the I is certainly nothing if not populist. But it’s also about the individual — specifically who we are inside and outside of an often-grueling social system. Despite some hiccups, like an unnecessarily dark third-act revelation, it’s more or less successful in illuminating the joys, cruelties, and uncertainties of life, which remain viscerally real after the sun sets and we finally get off the bus, vulnerable as ever in our solitude. 

THE WE AND THE I opens Fri/22 in Bay Area theaters.

The devil’s business

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cheryl@sfbg.com

FILM Ten years after its release (and more than 15 years since Jim Van Bebber started working on it), the legendary cult film The Manson Family returns for special theatrical screenings in conjunction with a remastered Blu-ray release. Also on the bill: short film Gator Green, Van Bebber’s most recent project.

Personal circumstances have the Ohio native living in Florida these days. “I’m like, goddammit, I’m down here — I gotta make a movie! So that’s what I’m up to with Gator Green,” he drawls over the phone. “It’s about a Vietnam veteran who swindles his way into this alligator farm from the Seminole Indians in 1973, and abuses every right. It’s the worst portrait of America I can think of.”

Strong words coming from the guy who made The Manson Family, maybe the most gruesomely realistic study of the hippie cult, crafted with an eye for detail that speaks to true-crime scholarship of the highest order. His fascination with Charles Manson is a long-standing one, having begun in the late 1970s when the Helter Skelter miniseries aired.

“It was a big fuckin’ deal,” he remembers. He was still in elementary school at the time. “This is back in the day when you only had three channels. I was not allowed to watch the film, so I had to ask my friends on the playground, ‘What was that about?’ It kind of haunted me.”

Unlike Helter Skelter, which is based on the best-seller written by Manson prosecutor Vincent Bugliosi, Van Bebber’s film focuses on the months of drug-fueled delirium (“a crazy, psychotic rush to absolute zero”) prior to the Family’s crime spree.

“How can you touch Helter Skelter, which is basically a great depiction of the trial? I decided to do everything leading up to that. If you watched them together, it would be a great double feature — Manson 101.”

He began The Manson Family after finding underground success with 1988’s Deadbeat at Dawn, which he wrote, produced, directed, and starred in. (He has a similar stack of credits on Manson, too.) At the time, he’d recently seen Geraldo Rivera’s infamous jailhouse interview with a ranting, tongue-twisting Manson.

“I flipped out,” he chuckles. “I mean, are you kidding me?” Conveniently, he already had a friend who resembled Manson; the rest of the cast — many of whom appear fully nude and/or screaming, covered in blood, etc. — came from the theater department at Wright State University, where he was a student.

“I was very up-front with everybody. I was like, this is gonna be freaky,” he says. “We dove into it without the entire budget in place, and it became this ongoing thing. Thankfully we wrapped the photography within, like, four years. But then it was an eternal struggle to see it fully realized. I got plenty of offers, ‘Ok, let’s just slam this into the DVD market. But first, we gotta cut out this one scene …'”

Determined to stay true to his vision — dark and nightmarish though it was — Van Bebber held out until he met producers David Gregory and Carl Daft. “They got it done the right way. They’re warriors. And I’m pleased that it’s finding its Blu-ray home.”

Looking ahead, he hopes to expand Gator Green into a feature. “I’m just gonna keep going. I was born to make films, and that’s just what I do. Sometimes it takes me a long time, but it’s always worth it.”

 

PERMANENT VACATION

Another sordid tale from the Sunshine State beckons in Harmony Korine’s Spring Breakers. The idea of enfant terrible emeritus Korine — 1997’s Gummo, 2007’s Mister Lonely, 2009’s Trash Humpers — directing something so utterly common as a spring break movie is head-scratching enough, even more so compounded by the casting of teen dreams Vanessa Hudgens, Selena Gomez, and Ashley Benson as bikini-clad girls gone wild. James Franco co-stars as drug dealer Alien, all platinum teeth and cornrows and shitty tattoos, who befriends the lasses after they’re busted by the fun police.

“Are you being serious?” Gomez’s character asks Alien, soon after meeting him. “What do you think?” he grins back. Unschooled filmgoers who stumble into the theater to see their favorite starlets might be shocked by Breakers‘ hard-R hijinks. But Korine fans will understand that this neon-lit, Skrillex-scored tale of debauchery and dirty menace is not to be taken at face value. The subject matter, the casting, the Britney Spears songs, the deliberately lurid camerawork — all are carefully-constructed elements in a film that takes not-taking-itself-seriously, very seriously indeed. Korine has said he prefers his films to make “perfect nonsense” instead of perfect sense. Spring Breakers makes perfect nonsense, and it also makes nonsense perfect.

After a slo-mo opening sequence of generic partying stuffed with the three Bs (boobs, beer, beach), Spring Breakers shifts to a crummy town in Southern Nowheresville, home to bored college students Brit (Benson), Candy (Hudgens), Cotty (Rachel Korine, wife of the director), and Faith (Gomez). (Can you guess which one is the Christian?) The friends moan about the spring break they’re being denied due to lack of funds, until a plan to rob a fast-food restaurant emerges, and Spring Breakers’ prevailing visual motif — ski mask-wearing hot chicks with guns — is born. It’s one of the film’s many “jokes without a punch line” (another favorite Korine pursuit) that the girls’ college life already resembles one big party — they’re already kinda living spraaaannng braaakkke forevaa, as Alien is fond of saying.

That’s important, because there’s a reason spring break is typically just a one-week affair. For most, full-tilt crazy is only a safe state of being when there’s a clearly-defined endpoint. School begins again; as your liver starts to repair itself, you’re left with a peeling sunburn, stories to tell, maybe a questionable new tattoo. For these girls, spring break is elevated into a chance to “find ourselves, to find out who we are,” according to one of Faith’s dreamy voice-overs. For certain among the group, it’s a quest that leads to some very dark places. Is that a good idea? What do you think? But don’t think too hard, now: to quote Alien again, “Bikinis and big booties, y’all … that’s what life is about.”

THE MANSON FAMILY

Fri/22-Sat/23, midnight, $9-10

Clay Theater

2261 Fillmore, SF

www.landmarktheatres.com

SPRING BREAKERS opens Fri/22 in Bay Area theaters.

Rep Clock

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Schedules are for Wed/13-Tue/19 except where noted. Director and year are given when available. Double features marked with a •. All times pm unless otherwise specified.

ANSWER COALITION 2969 Mission, SF; www.answersf.org. $5-10 (no one turned away for lack of funds). “International Women’s Day Showing:” Maquilapolis (Funari and de la Torre, 2006), Wed, 7.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $7. “Other Cinema:” “Psycho-Geography,” with works by Olivia Wyatt and Marke Brecke, Sat, 8:30.

BALBOA 3630 Balboa, SF; cinemasf.com/balboa. $7.50-10. Citizen Hearst (Iwerks, 2012), Thu, 7:30; Sun, 1.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. Cloud Atlas (Tykwer, Wachowski, and Wachowski, 2012), Wed, 1, 4:30, 8. CAAMfest, Thu and Sun. Visit www.caamedia.org for complete schedule and ticket info. •The Paperboy (Daniels, 2012), Fri, 7, and Magic Mike (Soderbergh, 2012), Fri, 9:05. •The Rocky Horror Picture Show (Sharman, 1975), Sat, 2:30, 7, and Moulin Rouge! (Luhrmann, 2001), Sat, 4:30, 9:15. Les Misérables (Hooper, 2012), Mon-Tue, 1, 4:30, 8.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Amour (Haneke, 2012), call for dates and times. 56 Up (Apted, 2012), call for dates and times. Happy People: A Year in the Taiga (Herzog and Vasyukov, 2012), call for dates and times. Quartet (Hoffman, 2012), call for dates and times. A Fierce Green Fire (Kitchell, 2012), March 15-21, call for times.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $9-10. “Midnight Movies:” The ABCs of Death (Various, 2012) Fri-Sat, midnight.

“EAST BAY INTERNATIONAL JEWISH FILM FESTIVAL” Various East Bay venues; www.eastbayjewishfilm.org. $10. Forty films total, with special focuses on Jewish-Muslim relations and musicals. Through Sun/17.

ELLEN DRISCOLL PLAYHOUSE 325 Highland, Piedmont; www.diversityfilmseries.org. Free. Lives Worth Living (Neudel, 2011), Wed, 7.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. $6-10. “New Parkway Classics:” Austin Powers: International Man of Mystery (Roach, 1997), Thu, 9pm. “New Parkway Family Classics:” The 5,000 Fingers of Dr. T (Rowland, 1953), Fri, 4; Sat, 11am. “Late Night:” Birdemic (Nguyen, 2010), Fri, 11:30; “Sequinsomnia Burlesque,” Sat, 11:30. “Thrillville:” 20 Million Miles to Earth (Juran, 1957), Sun, 6. “International Cinema:” All About My Mother (Almodóvar, 1999), Mon, 7:15. “Doc Night:” Lives Worth Living (Neudel, 2011), Tue, 6:30 (free screening); Birth Story: Ina May Gaskin and the Farm Midwives (Lamm and Wigmore, 2011), Tue, 7:15.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Werner Schroeter: Magnificent Obsessions:” Salome (1971), Wed, 7. “Alfred Hitchcock: The Shape of Suspense:” Vertigo (1958), Thu, 7. CAAMfest 2013, March 15-23. Visit www.caamedia.org for complete schedule and ticket info.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. Birth Story: Ina May Gaskin and the Farm Midwives (Lamm and Wigmore, 2011), Wed-Thu, 7, 9:15. Happy People: A Year in the Taiga (Herzog and Vasyukov, 2012), Wed-Thu, 7. The Jeffrey Dahmer Files (Thompson, 2012), Wed-Thu, 8:50. “Math Films Mathathon:” Taking the Long View: The Life of Shiing-Shen Chern (Csicsery, 2010), Mon, 7:45; Julia Robinson and Hilbert’s Tenth Problem (Csicsery, 2008), Mon, 6:30, 9.

VICTORIA THEATER 2961 16th St, SF; www.jakesdead.com. $10. Jake’s Dead (Graham, 2013), Sat, 8.

VOGUE 3290 Sacramento, SF; www.cinemasf.com. $10. “Rendez-vous with French Cinema:” Persecution (Chéreau, 2012), Wed, 5; You, Me, and Us (Doillon, 2012), Wed, 7:30; Granny’s Funeral (Podalydès, 2012), Thu, 5; The Suicide Shop (Leconte, 2012), Thu, 7:30.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “Human Rights Watch International Film Festival:” Bidder 70 (Gage and Gage, 2012), Thu, 7:30.

The Performant: Whose story?

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Sifting through the past at The SF History Expo

If history is a tale written by the victors, one wonders who San Francisco’s victors are. A chimeral concept as much as a destination, represented by a Phoenix rising from its own destruction, San Francisco has been lauded as a land of opportunity and “the city that knows how,” and detracted as “ingrown (and) self-obsessed,” a “golden handcuff,” and a “Babylon-by-the-Bay” ever since it surfaced in the national consciousness. A city where eccentrics are celebrated, “family values” extend beyond heteronormativity, and the very real threat of natural disaster colors the mundane with an idealized wash of importance.

This past weekend, the San Francisco Museum and Historical Society’s SF History Expo offered a gateway to the various and colliding stories of San Francisco for people interested in delving into what lies below the surface of the present day, assembling around forty exhibitors and presenters in once spot, to confab, to network, to recruit, and to educate.

Held in San Francisco’s Old Mint, built in 1874 and a rare survivor of the 1906 earthquake, just wandering around the building is a rare treat. The lower level is a veritable warren of small rooms, former vaults with ominously heavy doors, slippery stone floors, old graffiti, and no ventilation, situated off a long brick corridor lined with gas lamps.

Upstairs the rooms are larger, airier, with high ceilings and plenty of light streaming in through large windows, encircling a rather bleak courtyard like a prison exercise yard with high sandstone walls. Crowded with exhibitors, the smallish rooms overflowed with maps, pamphlets, sepia-toned photographs, and glass cases of ephemera,

In a central room, folks from Actions Past in period dress gave demonstrations of Victorian parlor arts, while down the hall the volunteers from the San Francisco Maritime National Historical Park encouraged people to hoist the mainsail on a scale model of historic scow schooner the Alma. At one end of the hall, four neighborhood historical societies from Portrero, Bernal, Visitacion Valley, and the “Western Neighborhoods” (including the faraway lands of the Sunset and the Outer Richmond) shared one room, while on the opposite end the “Guardians of the City,” a historical society dedicated to the Police and Fire departments, rubbed elbows with proponents of “alternative” histories, Shaping San Francisco/FoundSF and Thinkwalks.

Despite this welcome nod to the stories of the typically underrepresented, it did highlight the fact that of all the neighborhood and community historians in attendance, there was hardly a radical element to be found. To be fair, organizations such as the Chinese Historical Society and the GLBT Historical Society did have tables, so the event wasn’t completely devoid of more-than-geographic diversity, but it still could have used a few more nods to the Tenderloin, the Bayview, the Fillmore—or even just a single Sister of Perpetual Indulgence in Victorian drag.

Still, the value of assembling so many various stories under one roof shouldn’t be underestimated. If we consider history not as a static and one-sided document, but a constantly evolving perspective, then the opportunity to compare and contrast a variety of viewpoints has to start somewhere, and who better to spearhead the conversation than a roomful of enthusiasts each advocating the awareness and preservation of a different one?

Most important and interesting to the conversation was probably the attendance of so many amateur historians who gathered around each exhibit to share their personal perspectives on the overviews being offered. One hopes that their contributions to the collective chronicle will not go uncollected, so that future voices will not go unheard.

Rep Clock

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Schedules are for Wed/6-Tue/12 except where noted. Director and year are given when available. Double features marked with a •. All times pm unless otherwise specified.

AQUARIUM OF THE BAY Pier 39, SF; www.oceanfilmfest.org. $8-150. “San Francisco International Ocean Film Festival,” over 50 ocean-inspired films from around the world, Thu-Sun.

BERKELEY UNITARIAN FELLOWSHIP HALL 1924 Cedar, Berk; www.greensangha.org. $10. “Plastics 360: Film Night,” short films about plastic waste, Thu, 7.

BRAVA THEATER CENTER 2781 24th St, SF; sfbff.blogspot.com. $12. “San Francisco Bulgarian Film Festival,” first annual event featuring six films from Bulgaria, Sat-Sun.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. Chasing Ice (Orlowski, 2012), Wed, 2:30, 4:45, 7, 9. •Cabaret (Fosse, 1972), Thu, 2:25, 7, and Pennies from Heaven (Ross, 1981), Thu, 4:45, 9:20. •The Outside Man (Deray, 1972), Fri, 7, and The Terminator (Cameron, 1984), Fri, 9:10. Peaches Christ Productions presents: Paris is Burning (Livingston, 1990), Sat, 8. With a pre-show ball and guest Latrice Royale, Sat, 8. Advance tickets ($22-42) at www.peacheschrist.com. •Days of Heaven (Malick, 1978), Sun, 2, 8, and Heaven’s Gate (Cimino, 1980), Sun, 4.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Amour (Haneke, 2012), call for dates and times. Happy People: A Year in the Taiga (Herzog and Vasyukov, 2012), call for dates and times. Quartet (Hoffman, 2012), call for dates and times. “Oscar Nominated Shorts: Animation, Documentary, and Live Action,” call for dates and times.

“CINEQUEST” Various venues, San Jose; www.cinequest.org. $5-50. The 23rd annual film fest honors a slew of stars in addition to screening global films and highlighting new film technology. Through Sun/10.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $9-10. “Midnight Movies:” The Room (Wiseau, 2003), Sat, midnight. With host Sam Sharkey.

“EAST BAY INTERNATIONAL JEWISH FILM FESTIVAL” Various East Bay venues; www.eastbayjewishfilm.org. $10. Forty films total, with special focuses on Jewish-Muslim relations and musicals. March 9-17.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. $6-10. “Parkway Classics:” Quadrophenia (Roddam, 1979), Thu, 9pm; “Thrillville:” “Sci-Fi Bob’s Psychotronix Film Festival,” Sun, 6. “Documentary Series:” Flag Wars (Bryant and Poitras, 2003), Tue, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Alfred Hitchcock: The Shape of Suspense:” The Paradine Case (1947), Wed, 7; Rope (1948), Fri, 7; I Confess (1953), Fri, 8:40; Lifeboat (1944), Sun, 5. “Werner Schroeter: Magnificent Obsessions:” Palermo or Wolfsburg (1980), Thu, 7; Deux (2002), Sat, 8:30. “And God Created Jean-Louis Trintignant:” Violent Summer (Zurlini, 1959), Sat, 6:30. “Filmmaker Provocateur: Jean Rouch:” Moi, un noir (1958), Sun, 3. “Documentary Voices:” “Latin American Legacies: Films of Leandro Katz,” Tue, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. “Hollywood Before the Code: Deeper, Darker, Nastier!”: •Lady Killer (Del Ruth, 1933), Wed, 8, and Night World (Henley, 1932), Wed, 6:30, 9:40; “Tribute to Screen Legend Lyle Talbot with Margaret Talbot in Person:” •Fog Over Frisco (Dieterle, 1934), and Heat Lightning (Le Roy, 1934), Thu, 6:30, 9:40. The Jeffrey Dahmer Files (Thompson, 2012), Wed-Thu, 7. Birth Story: Ina May Gaskin and the Farm Midwives (Lamm and Wigmore, 2011), March 8-14, 7, 9:15 (also Sat-Sun, 3, 5).

SAN FRANCISCO PUBLIC LIBRARY 100 Larkin, SF; www.irishamericancrossroads.org. Free. “Crossroads Irish American Festival:” Nights in Shanaglish (Tighe, 2012), Sat, 1 (live Irish musical performance; film at 1:45).

VOGUE 3290 Sacramento, SF; www.cinemasf.com. $10. “Rendez-vous with French Cinema:” Augustine (Winocour, 2012), Fri, 5 and Tue, 5; You, Me, and Us (Doillon, 2012), Fri, 7:30 and March 13, 7:30; Rich is the Wolf (Odoul, 2012), Sat, 5 and Tue, 7:30; Granny’s Funeral (Podalydès, 2012), Sat, 7:30 and March 14, 5; You Will Be My Son (Legrand, 2012), Sun, 3:30; The Suicide Shop (Leconte, 2012), Sun, 7 and March 14, 7:30; Journal de France (Depardon and Nougaret, 2012), Mon, 5; Persecution (Chéreau, 2012), Mon, 7:30 and March 13, 5.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “International Buddhist Film Festival Showcase 2013:” KanZeOn (Cantwell and Grabham, 2011), Sat, 2; The Mourning Forest (Kawase, 2007), Sat, 4; Olo, The Boy from Tibet (Iwasa, 2012), Sun, 2; Tokyo Waka (Haptas and Samuelson, 2011), Sun, 4. *

 

Music Listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 20

ROCK/BLUES/HIP-HOP

Apopka Darkroom. Bleached Palms Hemlock Tavern. 8:30pm, $6.

Guido vs Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Jesus and the Rabbies, Cello and the Beggers Who Give Boom Boom Room. 8pm, $10.

Keith Crossan Blues Showcase with Tom Lindsay Biscuits and Blues. 8pm, $15.

Leftover Salmon Great American Music Hall. 9pm, $29-$34.

Terry Savastano Johnny Foley’s. 9pm, free.

Shannon and the Clams, Mallard, Blasted Canyons, Swiftumz Brick and Mortar Music Hall. 9pm, $10-$100. Benefit for 23 Street/Capp fire victim Ursula Rodiriguez.

Sir Richard Bishop Independent. 8pm, $15.

Spell, Rosa Grande, Future Space and Time Elbo Room. 9pm, $6.

Spooky Flowers, Standard Poodle, Big Long Now Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Daniel Seidel Plough and Stars. 9pm.

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

THURSDAY 21

ROCK/BLUES/HIP-HOP

Meg Baird, Daniel Bachman, Luke Sweeney Hemlock Tavern. 8:30pm, $7.

Steve Bernstein/Sex Mob, Deep Space Quartet, Klaxon Mutant Allstars Brick and Mortar Music Hall. 9pm, $10-$13.

Coheed and Cambria, Between the Buried and Me, Russian Circles Warfield. 8pm, $32.

Robert DeLong, Neighbourhood Rickshaw Stop. 9:30pm, $13-$15.

Doro, Sister Sin, Bottom Thee Parkside. 9pm, $16.

John Lawton Trio Johnny Foley’s. 9pm, free.

Kid Ink, DJ Jack DNA Lounge. 8pm, $20

Lisa Loeb, Satellite Independent. 7:30pm, $25.

Night Marchers, Intelligence, Mrs. Magician Cafe Du Nord. 8:30pm, $12.50-$15.

Pansy Division El Rio. 8:30pm.

Papa Bear’s Birthday Bonanza with Baby Bear, Easy Love, Mowgli’s, Whiskerman, Sufis Great American Music Hall. 8:30pm, $14.

JC Rockit vs Guido Johnny Foley’s Dueling Pianos. 9pm, free.

Salvador Santana, Scribe Project Slim’s. 8pm, $16.

Chris Slebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

“Stevie Ray Vaughan Tribute” Biscuits and Blues. 8 and 10pm, $20. With Alan Iglesias and Crossfire.

Our Vinyl Vows, Pounders, Dangermaker Bottom of the Hill. 9pm, $10.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Gustaf Sjokvist Chamber Choir Grace Cathedral, 1100 California, SF; www.cityboxoffice.com. 7:30pm, $15-$50.

Gayle Lynn and Her Hired Hands Atlas Cafe, 3049 20th, SF; www.atlascafe.net. 8pm, free.

Tipsy House Plough and Stars. 9pm.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. DJs-hosts Pleasuremaker and Senor Oz spin Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more.

Twista, King Most, Ant-1 1015 Folsom, SF; www.1015folsom.com. 9pm, free with RSVP.

FRIDAY 22

ROCK/BLUES/HIP-HOP

ALO, Diego’s Umbrella Fillmore. 9pm, $22.50.

Dave Alvin and the Guilty Ones, Marshall Crenshaw Great American Music Hall. 8pm, $22.

Back Pages Johnny Foley’s. 9pm, free.

Big Sandy and His Fly-Rite Boys Elbo Room. 9pm, $18.

Jules Broussard Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Con Brio, Justin Ancheta Band Independent. 9pm, $18.

Funk Revival Orchestra Boom Boom Room. 8pm, $15.

Indians, Night Beds, Cat Martino Brick and Mortar Music Hall. 9pm, $12.

Limousines, Doe Eye DNA Lounge. 9pm, $20.

Midtown Social, Sufis Cafe Du Nord. 9:30pm, $10.

Sellassie and Rakim 1015 Folsom, SF. 9pm, $20.

Seshen, Guy Fox, Ash Reiter Rickshaw Stop. 9pm, $10.

Somebody’s Darling, David Luning, Elliot Randall, Andrew Blair Thee Parkside. 9pm, $8.

“Stevie Ray Vaughan Tribute” Biscuits and Blues. 8 and 10pm, $20. With Alan Iglesias and Crossfire.

Tambo Rays, Sunbeam Rd., Thralls Hemlock Tavern. 9:30pm, $7.

Wallpaper, Con Bro Chill, Jhameel Slim’s. 9pm, $16-$18.

Greg Zema, Jeff V., Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10. Live music, gypsy punk, belly dancing.

Get Offa My Lawn Plough and Stars. 9pm.

Inspector Gadje, Gomorran Social Aid and Pleasure Club, La Dee Da Bottom of the Hill. 9pm, $15.

“One Great City: Alexandra Iranfar and Timothy Sherren” Unitarian Universalist Society of SF Chapel, 1187 Franklin, SF; www.tangentsguitarseries.com. 7:30pm, $10-$15.

Trio Troubadour Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 7pm, free.

DANCE CLUBS

DJ Sneak, Doc Martin, James What Public Works. 9:30pm, $20.

Hegemoney presents Lil Texas, B. Bravo, Swerve, Trill Team 6, Pyramids/Ka$hmir F8, 1192 Folsom, SF. 9pm, $5-$10.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

SATURDAY 23

ROCK/BLUES/HIP-HOP

ALO, California Honeydrops Fillmore. 9pm, $22.50.

Blues Ambassadors Biscuits and Blues. 8 and 10pm, $22.

Burn River Burn, Disastroid, Fortress Thee Parkside. 9pm, $8.

Foxtail Somersault, Tomihira, Astral, United Ghosts Bottom of the Hill. 9pm, $10.

Fusion Johnny Foley’s. 9pm, free.

Hammond Organ Soul Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Middle Class Murder, Imperial Pints Thee Parkside. 3pm, free.

Permanent Collection, Cobalt Cranes, Legs Hemlock Tavern. 9:30pm, $7.

Phenomenauts, La Plebe, Dirty Hand Family Band, Bruises Slim’s. 9pm, $15.

Radical Something Brick and Mortar Music Hall. 6:30pm, $12-$30.

Rangda, Blues Control Chapel, 777 Valencia, SF; www.chapelsf.com. 9pm, $18-$22.

Revivalists, Great White Buffalo, Solwave Independent. 9pm, $14.

Spindrift, Gram Rabbit, Matthew Tow, Pow! Brick and Mortar Music Hall. 10pm, $10-$12.

Tracorum and Sean Leahy Boom Boom Room. 9pm, $10.

Jeff V., Jason Marion, Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

Tyrone Wells, Graham Colton, Brett Young Great American Music Hall. 8pm, $18.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

FOLK/WORLD/COUNTRY

Culann’s Hounds Plough and Stars. 9pm.

Sex With No Hands Connecticut Yankee. 10pm, $5.

DANCE CLUBS

Bootie SF: Rihanna Mashup Night DNA Lounge. 9pm, $10-$15. With A Plus D, Smash-Up Derby, and more.

120 Minutes Elbo Room. 10pm, $10. With Venus X, resident DJs S4NtA MU3rTE and Chauncey CC.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Temptation Cat Club. 9:30pm. $5-$8. Indie, electro, new wave video dance party.

SUNDAY 24

ROCK/BLUES/HIP-HOP

Brickbat, Hank IV, Hot Lunch, Mitchell and Manley Bottom of the Hill. 3pm, $15. Benefit for Scott Jones.

Bex Marshall Biscuits and Blues. 7 and 9pm, $15.

David Crosby, Marty Balin and Friends, MC Country Joe McDonald Great American Music Hall. 8pm, $50. Benefit for Slick Aguilar.

Judgement Day, Satya Sena, Iron Mountain, Armed for Apocalypse Hemlock Tavern. 6pm, $8.

Spencer Moody, Corey Brewer Hemlock Tavern. 10:30pm, $7.

Morrissey Davies Symphony Hall, 201 Van Ness, SF. 8pm, $49.50-$89.50.

Grant-Lee Philips, Garrin Benfield Cafe Du Nord. 9pm, $20.

Residents Bimbo’s. 8pm, $35.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Swingin’ Utters, Inciters, Impalers Slim’s. 8pm, $16.

Velvet Acid Christ, Twilight Garden, Vile Augury DNA Lounge. 9pm, $14.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 6:30pm, free.

Jack Gilder, Darcy Noonan Plough and Stars. 9pm.

Heel Draggers Amnesia. 8pm, $5-$10.

Twang Sunday Thee Parkside. 4pm, free. With Mad Mama and the Bonafide Few, Rocketship Rocketship.

DANCE CLUBS

Deep Fried Soul Dance Party Boom Boom Room. 8pm, free.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Vinnie Esparza, Jah Yzer.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

Scraps! DJ Night Chapel, 777 Valencia, SF; www.chapelsf.com. 8:30pm, free.

MONDAY 25

ROCK/BLUES/HIP-HOP

Roem Baur Osteria, 3277 Sacramento, SF; (415) 771-5030. 7pm, free with RSVP.

Down Dirty Shake, Mean Streets, Han Cholo, Broonies Elbo Room. 9pm.

Surfer Blood, Grand Rapids, Aaron Axelson Brick and Mortar Music Hall. 8pm, $10.53.

Touche, Starskate, Teenage Sweater Cafe Du Nord. 9pm, $7.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-5. Gothic, industrial, and synthpop with Joe Radio, Decay, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 26

ROCK/BLUES/HIP-HOP

Animal Friend, Turn Me on Dead, Treehouse Orchestra Bottom of the Hill. 9pm, $8.

Bobb Saggeth, Killbossa, SFO+H Amnesia. 9pm, $10.

Body/Head, Horsebladder, Burmese, Noel Von Harmonson Rickshaw Stop. 8pm, $15.

Butt Problems, Secret Secretaries, Sweat Lodge Knockout. 9:30pm, $6.

John Garcia Band Biscuits and Blues. 8 and 10pm, $15.

Jason Lytle of Grandaddy, Jenny-O, Will Sprott Brick and Mortar Music Hall. 8pm, $14.

Philistines, Nomad, Control-R Elbo Room. 9pm, $5.

Qumran Orphics, Eye of Satan Hemlock Tavern. 8:30pm, $6.

Soul Mechanix Boom Boom Room. 8pm, $5.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Stick to Your Guns, Vera Project, Saint Vernon, Murder DNA Lounge. 8pm, $15.

Used, We Came As Romans, Crown the Empire, Mindflow Fillmore. 7pm, $27.50.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

FOLK/WORLD/COUNTRY

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 9:30pm, $5-$12.

Seisiun Plough and Stars. 9pm.

DANCE CLUBS

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

Win Tickets: Midnight Movies at the Clay Theatre

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This week: The Room!

The Room is an electrifying American black comedy about love, passion, betrayal and lies, starring writer/director Tommy Wiseau as a successful banker with a great respect for – and dedication to –the people in his life, especially his future wife Lisa (Juliette Danielle). As the film depicts friendships and relationships in the lives of its five major characters, it raises life’s real and most-asked question: “Can you really trust anyone?” A midnight cult sensation, this quirky black comedy has been running for over 10 years in Los Angeles and is ready to take the rest of the country by storm. You’ll want to be there for the devastation it will leave in its wake!

Purchase advance tickets here. To see The Room for free, email your full name to sfbgpromos@sfbg.com with “Room” in the subject by Thur/7. Winners will receive confirmation via email while supplies last.

Saturday, February 9 at 11:55pm @ Landmark’s Clay Theatre, 2261 Fillmore, SF | $10 General/$9 student with valid ID

 

 

 

 

On the Om Front: In the name of love

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It’s February—feeling a little love in your heart? Srutih Asher Colbert’s been feeling the love all year long. She’s a Bay Area yoga teacher (and hairdresser) who raised $24,000 in one year through grassroots fundraising to fight sex trafficking in India, where she’ll be going next week to volunteer her time to the cause.

Om Front talked to her about how, and why, she undertook the challenge.

SFBG Wow. You raised $24,000 in one year. Tell us about the organization you raised the money for.

COLBERT Off The Mat and Into the World is a yoga-based organization [founded by internationally-acclaimed yoga teacher/activist Seane Corn]. It initiates different projects around the world to create sustainable change. The idea is that people take their yoga practice “off the mat and into the world” to become leaders in their community and use that leadership to make a difference. Every year, Off the Mat conducts something called the Seva Challenge, in which people everywhere are challenged to raise at least $20,000 for a particular cause. If you can raise the money, you are invited to go on a trip with Off the Mat to volunteer your time to that cause.

SFBG  What inspired you to do the 2012 Seva Challenge?

COLBERT  The cause this year is to stop sex trafficking in India. Sex trafficking is happening all over the world, but there are over 3 million girls in India alone that are being held prisoner and being raped on a daily basis. Some of them have been tricked by being promised a job in the factory and then they end up in a brothel. Some of them have been sold by their own parents. There are so many ways they can be coerced. I have two daughters and it hit close to home to think that my eight year old daughter could be trafficked for sex. I wanted to see if I could help stop that kind of action. I didn’t think I’d be able to raise $20,000 but I thought I would try!

SFBG  So, how did you do it?

COLBERT I reached out to everyone in my yoga community, students and teachers, and planned all of these events. I don’t know how I did it, but it all added up in the end. Some of the events I held were a benefit Kirtan [chanting event] with Ananda Rasa and Prajna Vieira at the Sivananda Yoga Center; a yoga-DJ-dance party at Equinox in Palo Alto, where I teach; and a Thanksgiving benefit class at Namaste Yoga in Oakland with Vickie Russell Bell. I sold Stop Slavery Now tee-shirts, and held a cocktail party and a silent auction. Also, [legendary kirtan singer] Krishna Das did an amazing fundraiser in NYC on the Bhajan Boat and he donated his whole portion to me for the cause. It was incredible.


Thanksgiving benefit class at Namaste Yoga in Oakland with Vickie Russell Bell

SFBG  What was the biggest fundraiser?

COLBERT  It was actually at my hair salon, Monica Foster Salon, in Palo Alto. I got everyone to work on a Monday when we’re usually closed, and they all donated their proceeds, over $4000 altogether, to Off the Mat.

SFBG  So you’re going to India then?

COLBERT Yes! I’ve never been to India and I am so thrilled that I get this opportunity. We leave on February 17 for 10 days in Kolkata. We’ll be working every day with the local charities that are partnered with Off the Mat to help rescue girls, and teach them trades like jewelry-making. We’ll also be helping to build a new room onto a dance-and-yoga therapy center that helps these girls transition back into society.

It’s an interesting time to be going to India to do this work. After the recent gang rape in India, there’s been an uprising of women banding together saying we’re not going to stand for this anymore. It feels really good that we can be part of that timing and affect some social change.

SFBG  Is your fundraising effort over?

COLBERT  Technically, yes, but people are still giving me cash and writing me checks! We’re asked to bring a donation bag over with us filled with first aid supplies, art supplies, and things to draw with, that we can give to the different charities—so I’ve been using the additional funds for that. Once that bag is full, I’ll give the remaining money to Off the Mat.


Colbert with yoga teacher Vickie Russell Bell (left) at Namaste Yoga

SFBG  What has this year of fundraising taught you?

COLBERT That I am not in control of anything. Every fundraiser, I would think it would go this way or that way—and it was never like that. I would think there would be 75 people there and in walked 12. Or I thought a person was going to give me $5 and he gave me $500. I had to learn to not try to control things, and to just be in the present moment with what is.

SFBG  You’re leaving on February 17. Nice timing for Valentine’s Day, eh?

COLBERT Yes, but every day should be Valentine’s Day! Every day we should all be giving each other as much love as we can, helping each other and holding each other up.

If you want to donate to Off the Mat or learn about the 2013 Seva Challenge, visit www.offthematintotheworld.org.

Karen Macklin is a writer and yoga teacher in San Francisco — her On the Om Front column appears biweekly here on SFBG.com.


It’s All About Love
Yoga and Spirituality Listings by Joanne Greenstein

Seven Month Chakra Awakening Intensive with Anodea Judith

Open your heart through the chakras. Award winning author and internationally renowned teacher Anodea Judith is coming to the Bay Area to lead a series of seven workshops on the seven chakras over seven months.  Each month will focus on one of the chakras, offering asana practice, bioenergetic exercises, breathing techniques, guided trance journeys, chanting, art, music and more to clear blockages and active chakra energy.  Workshops will be supplemented by weekly emails.
Sat 2/9 – Sat 2/13, 1:00 – 5:45 PM, Yoga Kula SF, 3030A 16th, SF with 2 sessions at Yoga Kula Berkeley, 1700 Shattuck, Berkeley, $90/workshop or $560 for all 7.  Livestream also available at $45/sessionor $285 for all sessions. yogakula.com/chakra-awakening

Valentine’s Day Contact Yoga Class with Alok Rocheleau and Anjuli Mahendra
Open your heart through touch.  Connect physically, emotionally and spiritually through partner yoga, contact improvisation and Thai massage.
Thurs/14, 7:30 – 10:00 PM, Mindful Body, 2876 California, SF, $70 per couple in advance/$80 at the door. www.themindfulbody.com/main/workshopsevents.htm

Celebration of Heart with Deborah Lee
Open your heart through movement.  Flow through a series of poses designed to help you release tension, improve your posture and connect to your heart. 
Sun/10, 2:00 – 4:15 PM, Yogaworks, 1823 Divisadero, SF, $20 in advance/$30 at the door. More info here.

Kirtan with David Newman (Durga Das)
Open your heart through song.  David and his wife Mira will lead a fun, joyous evening of call-and-response chanting letting you access your heart space. 
Fri/15, 8:00 – 10:00 PM, Urban Flow, 1543 Mission, SF, $20 in advance/$25 at the door. www.urbanflowyoga.com/workshop.html
 

Tantra & Massage Valentine’s Workshop with Dee Dussault
Open your heart through connection.  Explore and deepen your relationship through these workshops for couples. On day one, learn tantric practices to enhance the intimacy, energy, communication and sensuality in your relationship.  On day two, improve your love-making through tantric massage, breathing and visualization.  Day two is clothing optional, with a non-genital focus.
Tantra Workshop: Expanding Erotic Energy
Sat/16, 1:30 – 4:30 PM, 548 Fillmore, SF, $45
Sensual Massage: Conscious Intimate Touch
Sun/17, 2:00 – 5:00 PM, 548 Fillmore, SF, $45
More info here.

Rep Clock

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Schedules are for Wed/30-Tue/5 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

BAY MODEL 2100 Bridgeway, Sausalito; www.tiburonfilmfestival.com. Free. "Tiburon Film Society:" Banganà (Sincich, 2012), Tue, 6.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. Noir City: The 11th Annual San Francisco Film Noir Festival: •The Sniper (Dmytryk, 1952), Wed, 1:30, 7, and Experiment in Terror (Edwards, 1962), Wed, 3:30, 9; •The Other Woman (Haas, 1954), Thu, 7:30, and The Come-On (Birdwell, 1956), Thu, 9:15; •Man in the Dark (Landers, 1953), Fri, 7:30, and Inferno (Ward Baker, 1953), Fri, 9; •Street of Chance (Hively, 1942), Sat, 1, 6; The Chase (Ripley, 1946), Sat, 2:35, 7:30; and The Window (Tetzlaff, 1949), Sat, 4:20, 9:15; •Smooth as Silk (Barton, 1946), Sun, 12:30; Mary Ryan, Detective (Berlin, 1949), Sun, 1:50; Strange Impersonation (Mann, 1946), Sun, 3:20; and Fly By Night (Siodmak, 1942), Sun, 4:45; •Night Editor (Levin, 1946), Sun, 7:30, and High Tide (Reinhardt, 1947), Sun, 9. More info at www.noircity.com; advance tickets ($10-15) at www.brownpapertickets.com.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Amour (Haneke, 2012), call for dates and times. Quartet (Hoffman, 2012), call for dates and times. The Rabbi’s Cat (Sfar and Delesvaux, 2011), call for dates and times. Sparrows (Beaudine, 1926), Thu, 7. With live piano accompaniment and introduction by Mary Pickford expert Christel Schmidt. This event, $12. "World Ballet on the Big Screen:" "An Evening With Sol León and Paul Lightfoot from the Netherlands Dance Theater," Sun and Tue, 6:30. This event, $15.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $9-10. "Midnight Movies:" Night of the Living Dead (Romero, 1968), Sat, midnight. With host Miss Misery.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, milibrary.org/events. $10 (reservations required as seating is limited). "CinemaLit Film Series: Hollywood Dames: In the Name of Love:" Letter from an Unknown Woman (Ophüls, 1948), Fri, 6.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. Free. "Documentary Film Series:" The Loving Story (Buirski, 2011), Tue, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. "Film 50: History of Cinema: The Cinematic City:" Metropolis (Lang, 1926), Wed, 3:10. With lecture by Marilyn Fabe; advance tickets (special pricing: $5.50-$11.50) recommended as programs often sell out. "Alfred Hitchcock: The Shape of Suspense:" North by Northwest (1959), Wed, 7; Suspicion (1941), Fri, 9. "Campus Connections: Playwright-Director Stan Lai:" The Peach Blossom Land (1992), Thu, 7. "The Sounds of Silence:" Silence (Collins, 2012), Fri, 7; "A Kind of Hush: Experimental Works," Sun, 5. "Screenagers: 15th Annual Bay Area High School Film and Video Festival," Sat, 3. "On Location in Silent Cinema:" Études sur Paris (Sauvage, 1928), Sat, 6. "African Film Festival 2013:" How to Steal 2 Million (Vundla, 2011), Sat, 8:20; Our Beloved Sudan (Elsanhouri, 2011), Sun, 2:30; Broken Stones (Felin, 2012), Tue, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. Beware of Mr. Baker (Bulger, 2012), Wed-Thu, 7, 9. Yes, We’re Open (Wong, 2012), Wed, 7:15. First Generation (Fenderson and Fenderson, 2011), Thu, 7. Presented by ScholarMatch with a post-screening discussion moderated by Dave Eggers. Sound City (Grohl, 2012), Jan 31-Feb 6, call for times. Dorothy Vernon of Haddon Hall (Neilan, 1924), Fri, 7:15. With introduction by Mary Pickford expert Christel Schmidt. "SF Sketchfest:" The Bitter Buddha (Feinartz, 2012), Sat, 1, with subject Eddie Pepitone in person, Sat, 1; "The Benson Movie Interruption:" The Notebook (Cassavetes, 2004), Sat, 4:20; "On Cinema with Tim Heidecker and Gregg Turkington:" Beyond the Doors (Buchanan, 1984), Sat, 7; "Olde English: The Exquisite Corpse Project with Colin Mahan in ‘Preview: The Movie!’," Sat, 10; American Splendor (Springer Berman and Pulcini, 2003), Tue, 9. More info and advance tickets (these events, $15-20) at www.sfsketchfest.com. "Superbowl XLVII: Men in Tights," Sun, 3. Superbowl viewing party; $10 donation to benefit SF IndieFest and the Roxie. "A Tribute to Arch Hall, Jr:" The Choppers (Jason, 1961), Mon, 6:30; The Sadist (Landis, 1963), Mon, 8; Wild Guitar (Steckler, 1962), Mon, 9:45. Hosted by Johnny Legend.

SUNDANCE KABUKI 1881 Post, SF; www.sundancecinemas.com. $15. "Sundance Film Festival USA:" In a World… (Bell, 2012), Thu, 7:15. With director Lake Bell in person.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. "The Wooster Group On Screen:" Rumstick Road (1977), Sun, 2.

Our Weekly Picks: January 30-February 5

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WEDNESDAY 30

Testament

Bay Area thrash metal legend Testament has been unleashing its sonic assault, and inspiring untold legions of fans, for nearly 30 years now. Propelled by the powerful lead single “Native Blood,” which draws from singer Chuck Billy’s Native American roots and experiences, the band’s newest album, Dark Roots of Earth (Nuclear Blast) was released last summer, and features the band’s signature frenzied formula for pit-inducing anthems. With longtime members Eric Peterson, Greg Christian, and Alex Skolnick joined by former Death drummer Gene Hoglan, don’t miss the band as it kicks off a new titanic tour right here in the city. (Sean McCourt)

With Overkill, 4Arm, the Butlers

6:45pm, $32.50

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

Local Natives

Local Natives stole our collective hearts in 2009 with their self-funded debut Gorilla Manor, an irresistible slice of unearthly folk rock, before cruelly fading into the background. Finally, four years later, they’ve resurfaced with a sophomore effort, Hummingbird. Though the Orange Country-bred group recorded the album in Brooklyn, the California sunshine still shines through its meandering, ethereal soundscapes. The band’s songs draw heavily from indie peers Grizzly Bear and Fleet Foxes, but manage to add a refreshing, summery glow to the reverb-heavy pop murk. The album, which was produced by Aaron Dessner of the National, promises to translate well to a live format, keeping the band’s trademarked harmonies in place while also allowing vocalist Kelcey Ayer’s dreamy falsetto to soar. (Haley Zaremba)

With Superhumanoids

8pm, $25

Fox Theater

1807 Telegraph, Oakland

(510) 302-2250

www.thefoxoakland.com


THURSDAY 31

“The Eyes: San Francisco Beat Film” If you’ve already read Dharma Bums, had a drink at Vesuvio’s, or paid homage to Beat culture in the number of other ways available in San Francisco, here’s something different. Beat artists such as Bruce Conner, Wallace Berman, and ruth weiss made movies that captured the living, breathing world of their generation. Complementing the Jay DeFeo retrospective (on view until February 2), the five short films that SFMOMA will screen tonight are intriguing not only as historical documents, but also as an expansion of the artistic vocabulary of dislocation and spontaneity that contribute to the Beat Generation’s continuing allure. (Laura Kerry)

7pm, $10

SFMOMA, Phyllis Wattis Theater

151 Third St., SF

(415) 357-4000

www.sfmoma.org

 

Geographer

As a fiercely dedicated San Franciscan, I often feel obligated to rep local acts and tout their worth over artists from, say, Los Angeles. Out of all our hometown heroes, however, few deserve my praise as much as the wonderfully spaced-out indie outfit Geographer. The trio combines digital, analog, and a bit of experimentation to create gorgeous, lush pop songs that break the mold while still managing to stick in your head. Though Geographer has racked up a fair amount of buzz both locally and nationally over five years, it somehow continues to be one of the Bay Area’s best-kept secrets. So throw on your Niners jersey, pedal your fixie to the Fillmore, and show your SF pride by shoegazing your heart out. (Zaremba)

With Midi Matilda, ON AN ON

8pm, $20

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com


FRIDAY 1

“Ice Cream Girl”

It’ll be like a Lisa Frank trapper-keeper, come to life. Paint Pens in Purses, an all-female urban art collective, will present its newest collection this weekend: “Ice Cream Girl” — a blend of “urban, contemporary, and low-brow artwork” created by lady-artists from across the country. There will be Lauren Max’s photography, works by Tofusquirrel, who brings vibrant, cartoonish ice cream critters (with cheeky names like Mr. Pattymint Cone, and Sherby Sprinkles); and colorful drawings by curator Shayna Yasuhara, among works by other artists. Oh, and Paint Pens in Purses will raffle off four of Dayna Gilbert and Yasuhara’s two-foot-tall ice cream buddies. Plush! Plus, this thing has free drinks. (Emily Savage)

8pm, free

D-Structure

520 Haight, SF

www.paintpensinpurses.com

 

Killers

Don’t go to see Killers if you want a smoothly polished performance. Do go to observe two deeply-thinking artists, Jesse Hewit and Laura Arrington, work on finding a vehicle to tackle questions as fundamental as living and dying. The performance is likely to be rough, messy, and fierce. Don’t be surprised if some of it also looks fragile, that’s the nature of living — and performing. Hewit and Arrington —calling themselves Jarry for this project — have worked alongside one another, but separately for several years. Now their energies are flowing together for what at this point is a two-act creation: first a funeral, than a killing. Originally, they had called the project Adult — perhaps not very sexy, but accurately describing the two of them and what they do. (Rita Felciano)

Through Sun/3, 8pm

CounterPULSE

1310 Mission St., SF

$10-30

www.counterpulse.org

 

Life and Death Label Showcase

I spent a couple weeks of the new year coveting Mexico’s BPM festival; not just the beaches of Playa del Carmen, but some talent-packed, label-centric showcases. Particularly the one from Italy’s Life and Death, an upstart label that’s forging a deep-dug sound somewhere between the soulful, well-paced grooves of NYC’s Wolf+Lamb collective, and the smart, deep tech of Germany’s Kompakt. Luckily, label founder DJ Tennis is taking a scenic trip back to Rome, stopping in town for a stacked lineup that includes ever-playful Thugfucker, Berlin’s rising duo Tale of Us, and SF’s own PillowTalk. With each act individually known for putting its own spin on the party, expectations here are high. (Ryan Prendiville)

With Jimmy Edgar, Adnan Sharif

9pm, $15

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

w00tstock

Geeks were picked on for generations. With the advent of the 21st century computer age and mainstream successes of all manner of tech-related products, and even the acceptance of watching sci-fi and reading comic books, we can now proudly come together for a celebration of our collective nerdiness! Join Adam Savage from Mythbusters, Wil Wheaton from Star Trek: The Next Generation, and singers Paul and Storm for a night of comedy, music, readings, and much more — all embracing geek pride. Be sure to think of clever cover band names and prepare for double-entendre sing-alongs about sailors, because when it comes to being one of the funniest groups of geeks around, they sure ARRGHH! (McCourt)

7pm, $35.

Marines Memorial Theatre

609 Sutter, Second Floor, SF

www.sfsketchfest.com


SATURDAY 2

Driss Ouadah

In Fences IV, Algerian artist Driss Ouadahi depicts a hazy sky with pink-tinted clouds behind the delicate geometry of a fence. Sounds picturesque, right? But the chain-links expand to the borders of the canvas, trapping and disorienting the viewer. In “Trans-Location,” the artist’s latest show largely comprised of cityscape paintings, Ouadahi builds on this tension between promise and enclosure. The gridded and abstracted architectural spaces invite the viewer in but ultimately fail to allow them passage or clarity. Viewable from the comparatively accessible architectural space of Hosfelt Gallery, the works enacts an elegant commentary on modernity’s failure to deliver its political and social promises. And the paintings look cool too. (Kerry)

Through Mar. 23

Reception 4-6pm, free

Hosfelt Gallery

260 Utah, SF

(415) 495-5454

www.hosfeltgallery.com

 

Adam Green and Binki Shapiro

Opposites do attract. Adam Green is a so-called “anti-folk” Manhattanite with an extensive catalog of foul-mouthed, tongue-in-cheek ballads and admirably humble beginnings as Kimya Dawson’s counterpart in the Moldy Peaches. Binki Shapiro hails from LA, is a retro fashion icon and former member of Brazilian-American supergroup Little Joy, along with her ex-boyfriend and Strokes drummer Fabrizio Moretti. The duo’s vastly different backgrounds and musical leanings don’t seem compatible at first glance, but in practice they blend beautifully. During the writing of the record, both Green and Shapiro were going through romantic rough patches, which ultimately pushed the musicians to help write each other’s breakup albums, creating a finished product rife with earnestness and vulnerability. (Zaremba)

With the Range of Light Wilderness

9pm, $18

The Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com


SUNDAY 3

Vieux Farka Toure

It should be enough to say that Vieux Farka Touré follows the footsteps of his father, the late, Grammy-winning Ali, or that he’s known as “the Hendrix of the Sahara.” But not quite. In “Gido (featuring John Scofield)” — yes, of jazz-rock fame — an acoustic guitar expertly noodles in a Malian scale, a bend on an electric cues bass and drums, then the two guitars continue to converse. It’s tempting to fashion this into some metaphor about the melding of African music and Western rock, and though this wouldn’t be misplaced, the main takeaway from “Gido” and the whole album, The Secret (2011), is that it sounds great. As Yoshi’s will prove, Touré creates his own breed of music, and he does it well. (Kerry)

With Markus James

7pm, $25

Yoshi’s

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Music Listings

0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 30

ROCK/BLUES/HIP-HOP

Big Bones and Chris Siebert Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Cellar Doors, Spyrals, POW! Bottom of the Hill. 9pm, $8.

Dandelion War, Caledcott Elbo Room. 9pm.

Jeremy Jones Band Boom Boom Room. 8pm, $5.

Judy Experience, Miss Massive Snowflake, Little Debbie Brick and Mortar Music Hall. 9pm, $5-$8.

Keith Crossan Blues Showcase Biscuits and Blues. 8pm, $15.

Rin Tin Tiger, Lower 48, Standard Poodle Cafe Du Nord. 8:30pm, $8.

Spanish Channel Hotel Utah. 8pm, $7.

Testament, Overkill, 4Arm, Butlers Fillmore. 6:45pm, $32.50.

Mycle Wastman, Austin Jenckes Yoshi’s SF. 8pm, $20.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $40-$45.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com. 7pm,free.

FOLK/WORLD/COUNTRY

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Obey the Kitty: Miss Kittin, Justin Milla, Dang Dang Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

THURSDAY 31

ROCK/BLUES/HIP-HOP.

Roem Baur Hotel Utah. 9pm, $10.

Ben Fold Five, Nataly Dawn Warfield. 8pm, $42-$45.

Bill Champlin Yoshi’s SF. 8pm, $24.

Dengue Fever, Maus Haus Independent. 8pm, $8.

Fox and Woman, Brooke D, Indianna Hale Amnesia. 9pm, $7-$10.

Kyle Glass Band, Adversary, Shaufrau Brick and Mortar Music Hall. 9pm, $10-$15.

John Nemeth Biscuits and Blues. 8 and 10pm, $20.

Radar Bros, Michael Zapruder Hemlock Tavern. 8:30pm, $10.

Struts, New York City Queens, Wicked Mercies Thee Parkside. 9pm, $8.

Aly Tadros 50 Mason Social House, SF; www.50masonsocialhouse.com. 9pm.

Team Candy, Cure for Gravity, Hope Chest Bottom of the Hill. 9pm, $10.

Urban Cone, In the Valley Below, Tom Odell Rickshaw Stop. 9pm, $12.

JAZZ/NEW MUSIC

Ralph Carney’s Serious Jazz Project Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, free.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $40-$45.

Two Sides of Joshua Raoul Brody Lost Church, 65 Capp, SF; www.thelostchurch.com. 8pm.

FOLK/WORLD/COUNTRY

Bluegrass and old time jam Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm, free.

Irvin Dally, Aly Tadros Hotel Utah. 9pm, $10.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $10. With Senor Oz and Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Worthy, Ambey Reyn Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Darling Nikki Slate Bar, 2925 16th St, SF; www.slate-sf.com. 9pm, free. Queer dance party.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 1

ROCK/BLUES/HIP-HOP

Aristocrats Biscuits and Blues. 8 and 10pm, $30.

Tommy Castro and the Painkillers, Paul Thorn Slim’s. 9pm, $20.

Bart Davenport, Hot Lunch, Lenz, Puce Moment, DJ Neil Martinson Cafe Du Nord. 9pm, $8-$10.

Destroyer (Kiss tribute), Butlers, Cruella Great American Music Hall. 9pm, $12.

Funkin’ Fridays with Swoop Unit Amnesia. 6pm.

Hammond Organ Soul Blues Party Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

He’s My Brother She’s My Sister, Sioux City Kid, Song Preservation Society Independent. 9pm, $15.

Jrod Indigo 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm, $5.

Chris M, Nathan Temby, Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

Mister Loveless, Churches, Birdmonster Bottom of the Hill. 9pm, $15.

Rappin’ 4-Tay, Black C, Cellski, Berner Brick and Mortar Music Hall. 9pm, $5-$8.

Porter Robinson, Seven Lions, Penguin Prison Warfield. 9pm, $30-$40.

Robert Walter’s Brand New Slang Boom Boom Room. 8pm, $15.

Warm Soda, Cocktails, DSTVV Hemlock Tavern. 9:30pm, $6.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Leela James: In the Spirit of Etta Yoshi’s SF. 8pm, $30; 10pm, $25.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 7 and 9:30pm, $40-$45.

Neurohumors, SF Latin Jazz Society Connecticut Yankee. 9pm, free.

FOLK/WORLD/COUNTRY

Canyon Johnson Plough and Stars. 9pm, $6.

Kardash Red Poppy Art House. 8pm, $10-$15.

Lagos Roots AfroBeat Ensemble Elbo Room. 10pm.

DANCE CLUBS

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Twitch DNA Lounge. 10pm, $5-$8. With Max and Mara, Vice Device, resident DJs Justin, Omar, and more.

SATURDAY 2

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 9pm, free.

Marco Benevento, Mike Dillon Independent. 9pm, $16.

Jules Broussard Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Chris Cain Biscuits and Blues. 8 and 10pm, $20.

Dos Four, Mestiza, DJ Walt Digz Brick and Mortar Music Hall. 9pm, $7-$10.

Adam Green and Binki Shapiro, Rage of Light Wilderness Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15-$18.

Paul Kelly, Kail Baxley Cafe Du Nord. 9pm, $17-$20.

Mad Maggies 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm, free.

Reckless Kind Riptide. 9pm, free.

Shady Maples, Goodnight Texas, Heavy Guilt Bottom of the Hill. 9:30pm, $10.

Nathan Temby, Chris M, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Two Gallants, Akron/Family Fillmore. 9pm, $22.50.

Ultimate Bearhug, Josh Hoke Amnesia. 9pm.

Robert Walter’s Brand New Slang Boom Boom Room. 8pm, $15.

Wood Brothers, Seth Walker Great American Music Hall. 9pm, $22-$25.

Wounded Lion Hemlock Tavern. 9:30pm, $8.

Zeparella, Gretchen Menn Band, Stars Turn Me On Slim’s. 9pm, $16.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 7 and 9:30pm, $40-$45.

FOLK/WORLD/COUNTRY

Kafana Balkan sixth anniversary, Inspector Gadje Rickshaw Stop. 9pm, $15.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 4-6pm, free.

DANCE CLUBS

Bootie SF: West Coast DJ Battle DNA Lounge. 10pm, $15. With DJs Tripp, ShyBoy, Destrukt, and more.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys.

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Haceteria Deco Lounge, 510 Larkin, SF; www.decosf.com. 9pm, free before 11pm, $3 after.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With Lucky, Paul Paul, Phengren Oswald, and more.

Swank: Pheeto Dubfunk and Friends Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

SUNDAY 3

ROCK/BLUES/HIP-HOP

DJ Horizons Hemlock Tavern. 10pm, free.

Hammond Organ Soul Blues Party Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

JAZZ/NEW MUSIC

Cyril Guiraud American Quartet Bliss Bar, 4026 24 St, SF; www.blissbarsf.com. 4:30pm, $10.

Kally Price Old Blues and Jazz Band Amnesia. 8pm, $5.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 9pm, free.

Vieux Farka Toure, Markus James Yoshi’s SF. 7pm, $25.

Cieran Marsden and Friends Plough and Stars. 9pm, $6.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Maneesh the Twister

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 4

ROCK/BLUES/HIP-HOP

Love Dimension, SXO, Victoria Victrola and the Vaudevilles Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

"Cool Music – Clear Water" SF Conservatory of Music, 50 Oak, SF; www.leftcoastensemble.org. 8pm, $15-$30.

FOLK/WORLD/COUNTRY

Roy Schneider Osteria, 3277 Sacramento, SF; www.kcturnerpresents.com. 7pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $5. With Decay, Joe Radio, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 5

ROCK/BLUES/HIP-HOP

Alvon Biscuits and Blues. 8 and 10pm, $15.

Suzanne Cronin and Friends Plough and Stars. 9pm, $6.

Hey Ocean! Cafe Du Nord. 8pm, $8.

JRo Project Boom Boom Room. 8pm, $5.

Benjamin Francis Leftwich, We Became Owls, Owl Paws Bottom of the Hill. 9pm, $12.

Painted Palms, Yalls, Doom Bird, Ears of the Beholder (DJ) Brick and Mortar Music Hall. 9pm, free.

Rec-League, Illusion of Self, Genie, Zig Zag Robinson, Cozmost, DJ Mr Bean Elbo Room. 9pm, $7.

Replica, Diehard, Light, New Flesh Knockout. 9:30pm, $6.

Sean Smith Amnesia. 9:30pm.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

"Three Men and a Baby…Grand!" Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $35.

FOLK/WORLD/COUNTRY

Chris Amberger and Aaron Garner Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com. 7pm,free.

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8:30pm, $5-$12.

Ultra World X-Tet Yoshi’s SF. 8pm, $15.

Heads Up: 7 must-see concerts this week

2

This week holds big, anticipated-return shows like Local Natives at the Fox and Cody ChesnuTT at the Independent, new pairings like Adam Green and Binki Shapiro at the Chapel, an anniversary celebration at BAGel Radio’s locally curated Bottom of the Hill night with Mister Loveless and CHURCHES, legendary Malian offspring Vieux Farka Touré at Yoshi’s, and a possible faux listing (Jackie-O Motherfucker is supposedly playing Casa Sanchez).

Only time will tell. Go out, Bay Area music lovers, into the chilly night, and report back to us.

Here are your must-see Bay Area concerts this week/end:

Cody ChesnuTT
The soul troubadour returns. Aside from his debut double-album, The Headphone Masterpiece (Ready Set Go), Roots collaboration, and brief 2010 EP Black Skin No Value (Vibration Vineyard), singer-songwriter Cody ChesnuTT just hasn’t been on the radar enough, given his powerful pipes. He brought it all back in late 2012, releasing socially-conscious soul gem, Landing on a Hundred (Redeye Label), which he’s touring on now.
Tue/29, 8pm, $15
Independent, 628 Divisadero, SF
www.theindependentsf.com
https://www.youtube.com/watch?v=CAlAmbewaZo

Local Natives
“Local Natives stole our collective hearts in 2009 with their self-funded debut Gorilla Manor, an irresistible slice of unearthly folk rock, before cruelly fading into the background. Finally, four years later, they’ve resurfaced with a sophomore effort, Hummingbird. Though the Orange Country-bred group recorded the album in Brooklyn, the California sunshine still shines through its meandering, ethereal soundscapes. The band’s songs draw heavily from indie peers Grizzly Bear and Fleet Foxes, but manage to add a refreshing, summery glow to the reverb-heavy pop murk. The album, which was produced by Aaron Dessner of the National, promises to translate well to a live format, keeping the band’s trademarked harmonies in place while also allowing vocalist Kelcey Ayer’s dreamy falsetto to soar.” — Haley Zaremba
With Superhumanoids
Wed/30, 8pm, $25
Fox Theater
1807 Telegraph, Oakland
(510) 302-2250
www.thefoxoakland.com
https://www.youtube.com/watch?v=L1dFjloBZYo

Jackie-O Motherfucker
[Disclaimer: I’ve found this show on two different punk listservs, yet nowhere else thus far. Got a call in to the shop.] Experimental, ’90s-born Portland act Jackie-O Motherfucker live at Mexican restaurant, Casa Sanchez, where I can also eat chips and salsa during the set? That’ll do just fine, thank you.
With You Nori, Cuttle Buttle, Baus.
Thu/31, 7:30pm, free
Casa Sanchez
2778 24 St, SF.
www.casasanchezfood.com

Brass Menažeri
The 12-year-old Balkan dance party band bids farewell at this final concert, with two live sets. Check this week’s issue (Wed/30) for more on the group’s demise.
Fri/1, 9pm, $15
New Parish
579 18th St., Oakl.
www.thenewparish.com
https://www.youtube.com/watch?v=twGgff89eno

BAGel Radio Anniversary Show

Ted Leibowitz has been doing Internet radio far longer than the majority of your favorite podcast hosts. His indie rock-oriented Internet radio station, BAGel Radio, is turning 10 this year. So the station founder-music director is throwing this show with local rock bands including Pixies-honoring Mister Loveless, angsty Churches, tender Birdmonster. A lineup worth showing up early for.
Fri/1, 9:30pm, $12
Bottom of the Hill,
1233 17th St., SF
www.bottomofthehill.com.
https://www.youtube.com/watch?v=n990CcF_uuA

Adam Green and Binki Shapiro
“Opposites do attract. Adam Green is a so-called “anti-folk” Manhattanite with an extensive catalog of foul-mouthed, tongue-in-cheek ballads and admirably humble beginnings as Kimya Dawson’s counterpart in the Moldy Peaches. Binki Shapiro hails from LA, is a retro fashion icon and former member of Brazilian-American supergroup Little Joy, along with her ex-boyfriend and Strokes drummer Fabrizio Moretti. The duo’s vastly different backgrounds and musical leanings don’t seem compatible at first glance, but in practice they blend beautifully. During the writing of the record, both Green and Shapiro were going through romantic rough patches, which ultimately pushed the musicians to help write each other’s breakup albums, creating a finished product rife with earnestness and vulnerability.” — Haley Zaremba
With the Range of Light Wilderness
Sat/2, 9pm, $18
The Chapel
777 Valencia, SF
(415) 551-5157
www.thechapelsf.com
https://www.youtube.com/watch?v=WrbeDDiU92g

Vieux Farka Touré
“It should be enough to say that Vieux Farka Touré follows the footsteps of his father, the late, Grammy-winning Ali, or that he’s known as “the Hendrix of the Sahara.” But not quite. In “Gido (featuring John Scofield)” — yes, of jazz-rock fame — an acoustic guitar expertly noodles in a Malian scale, a bend on an electric cues bass and drums, then the two guitars continue to converse. It’s tempting to fashion this into some metaphor about the melding of African music and Western rock, and though this wouldn’t be misplaced, the main takeaway from “Gido” and the whole album, The Secret (2011), is that it sounds great. As Yoshi’s will prove, Touré creates his own breed of music, and he does it well.” — Laura Kerry
With Markus James
Sun/3, 7pm, $25
Yoshi’s
1330 Fillmore, SF
(415) 655-5600
www.yoshis.com
https://www.youtube.com/watch?v=YMI46WhdjRE