Festival Archives — Page 32 of 135 — San Francisco Bay Guardian Archive 1966

Cristian Mungiu on his stark, stunning ‘Beyond the Hills’

Sue Vaughan

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March 12, 2013

Cristian Mungiu on his stark, stunning ‘Beyond the Hills’

Cristian Mungiu — one of the main reasons everyone’s all excited about the Romanian New Wave — follows up his Palme d’Or winner, 2007’s 4 Months, 3 Weeks and 2 Days, with another stark look at a troubled friendship between two women. Beyond the Hills‘ Voichita and Alina (Cosmina Stratan and Cristina Flutur, who shared the Best Actress prize at the 2012 Cannes Film Festival; for his part, Mungiu won Best Screenplay) were BFFs and, we slowly realize, lovers while growing up at a Romanian orphanage.

When they aged out of the facility, the reserved Voichita moved to a rural monastery to become a nun, and the outburst-prone Alina pinballed around, doing a stint as a barmaid in Germany before turning up in Voichita’s village, lugging emotional baggage of the jealous, needy, possibly mentally ill, and definitely misunderstood variety. It can’t end well for anyone, as all involved — dismissive local doctors, Alina’s no-longer-accommodating foster family, the priest (Valeriu Andriuta), and the other nuns — would rather not spend any time or energy caring for a troubled, destitute outsider. Even Voichita can only look on helplessly as an exorcism, a brutal and cruel procedure, is decided upon as Alina’s last, best hope.

Based on a real 2005 incident in Moldavia, Mungiu’s unsettling film is a masterpiece of exquisitely composed shots, harsh themes, and naturalistic performances. I conducted the following email interview with Mungiu ahead of Beyond the Hills‘ Fri/15 Bay Area release.

http://www.youtube.com/watch?v=cL_5U73udXM

San Francisco Bay Guardian Both Beyond the Hills and 4 Months, 3 Weeks and 2 Days are about female friendships — troubled female friendships, to be specific, with shared secrets and repressed emotions. What interests you about these relationships, and telling these kinds of stories?

Cristian Mungiu My films are story-driven rather than character driven and I always start from some true story that I heard about. So, as much as these films could be depicted as films about female relationships, for me the starting points were different. For 4 Months, I mostly wanted to talk about freedom, compromise, responsibility, and circumstances when such an important issue as maternity is involved. In Beyond the Hills I was interested in understanding how violence progresses in a small community and I needed to talk about different kinds of love, social responsibility, and indifference, about the differences between religion and superstition, about the relationship between the level of education and free will.

I don’t think in terms of male/female characters when I think about my characters: I believe that as a storyteller, you either understand the human nature or you don’t — gender is irrelevant.

SFBG Both films also deal with medical issues, though in Beyond the Hills Alina’s suffering is more abstract and seems to be tied into a number of factors: her illness is mental, not physical; also, she is poor and has no family looking out for her. Does the portrayal of doctors and hospitals in Beyond the Hills reflect Romania’s treatment of “outsiders,” and what do you hope audiences take away from this?

CM It would be wrong to consider that the portrayal of the doctors in Beyond the Hills can be generalized to all doctors in Romania nowadays. I don’t think that any film should be taken as a relevant portrait of a country — it would be the same mistake we use to make in the ’80s, thinking about US as being primarily a country of mobsters (after watching The Godfather — that was very popular and highly appreciated).

I would rather say that Beyond the Hills speaks about dysfunctional institutions in general, about the side effects of incompetence and of superstitions in society — and it shows how empathy for the one next to you is influenced by poverty and how the decision to help him is influenced by your level of education.

SFBG Beyond the Hills might show the most realistic (and therefore, probably one of the scariest), take on an exorcism ever filmed. Why did you choose to take on a topic that’s primarily horror-movie element? Is it true the film is based on a true incident, and how did you hear about it?

CM The film is inspired by a couple of non-fictional novels documenting a real incident that happened in Romania in 2005. It was on the first page on the newspapers for weeks and months, it shattered the Romanian public opinion, and it generated a more general debate about the role of religion in the modern society and about some of the rituals in churches.

The film’s the main story line is quite close to what happened in reality so I didn’t choose to bring in an exorcism scene — it was pretty much there already — I just tried to treat it as non-spectacular and as realistic as possible, as it was important for me to avoid the possible tabloid perspective about this issue. It is part of a certain kind of realism that we are looking for in our films — a realism which is present at all levels — from the way of treating the subject to the
way of shooting and to handling filmic time — every scene is depicted in just one continuous shot in the film, no matter how complex or long it is.

SFBG Nuns are another familiar movie element — I’m thinking of everything from The Sound of Music to Sister Act to (most closely) Black Narcissus. How do you go about recreating such a private, closed-off world, and what were the challenges involved in doing that?

CM The greatest challenge always is to fight stereotypes: yours and others. I based my portrayal of the nuns on my observation about religious people, about the psychology of people living in small isolated communities and on my experience of talking to institutionalized children – but at the end of the day, again, we need to understand that nuns are also human beings with emotions, fears, doubts, and so on.

One of the major challenges was to instruct the actresses about the appropriate behavior and attitude their character would have in each given situation and to specifically ask them never to be judgmental about their characters. The screenplay was already depicting in detail most of the monastery routine — and before the shooting we sent the girls to a monastery — to spend some time with some real nuns because there are small things that, as an actor, you need to notice yourself.

SFBG The stark, austere landscape of Beyond the Hills is practically a character in the story. How did you find that location and what approach did you take to filming to heighten the story’s elements? I especially appreciated how key moments — Alina being carried into the church, for instance — happen in the background of long shots.

CM We started by visiting the site of the real incident and then we scouted for a barren hill with some solemnity, no electricity poles around — and having a direct view to a small town. It was quite a complicated scouting and finally we came across this hill — some 100 kilometers up- north Bucharest — where we built the whole Monastery and all the surrounding buildings.

When you decide to only shoot long takes you need to learn how to use the depth of field, the off camera, and the sound. My idea was that it’s more important to show the characters’ reaction to what happens than what happens — and therefore I decided for example that in the most of the violent scenes we’ll be with the camera on the nuns and not on Alina. A crucial decision regards the wideness of the framing — we try to match it always with the content of the scene and with its degree of intimacy. But filmmaking is not a science and you need to keep your mind free and your eyes open, to experiment on the set and to feel which is the most powerful and appropriate way of shooting each moment.

SFBG What does the title mean to you?

CM It refers to realities which are not in full view, which happen somewhere deep down — in our mind or in the world — but I don’t think film titles should be perfectly explicit in connection to the story.

Beyond the Hills opens Fri/15 in Bay Area theaters.

Live Shots: Passion Pit, Icona Pop, Matt and Kim at the Bill Graham

Tony Robles

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March 11, 2013

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Swedish duo Icona Pop made the typical announcement about being really happy to finish up its tour in San Francisco, last Thursday at the Passion Pit/Icona Pop/Matt and Kim show at the Bill Graham Civic Auditorium.

Things likely have changed for Icona Pop, which specializes in bouncy, dubstep-inflected pop about “heartbreak,” particularly since the song “I Love It”* was appropriately included in the episode of HBO’s Girls where TV’s most self-centered character** goes on a coke binge.

Icona Pop received its biggest, swelling crowd response closing its set with the track, essentially the millionth song to say YOLO in recent memory. I’d say it has the potential to be the “song of its generation,” but only if we can all agree that that whole concept needs revising.***

Matt and Kim played Girl Talk (or at least a mega-mashup-mix of Black Sabbath, Timbaland beats, Jay Z 1.0, etc.) while warming up. Matt wore a Big Freedia t-shirt. Just a couple clues that the pair is similarly oriented towards audience response.

Snippets of familiar hits – Alice DeeJay’s “Do You Think You’re Better Off Alone” comes to mind, as well as Dr.Dre and Snoop**** – were occasionally mixed in with their own music, which most often has the same twinkling piano and rudimentary drum beat. Fun often came at the cost of sticking slavishly to trends, which would explain the “Harlem Shake” section of the show.

I want to dislike the duo, but somehow the two members remain really shiny, seemingly unpretentious musicians who have done their best to scale up from fine china-shattering house parties to festival sized performances and still be engaging. (The equipment mounted cameras they use make them seem slightly less like rockstars and more like contestants on a reality TV show, still slightly shocked by the exposure.) Even slightly criticizing them makes me feel like the time I tossed a kitten down a staircase. (I was 6.)

The last time I went to see Passion Pit – at the Warfield during the Manners tour – well, it was on what would retroactively be a first date, and in part because of the lame soul revue opener and my general nervousness, I drank way too much alcohol and ended high up in my balcony seat, where the show on stage seemed to consist of firing strobes lights directly at the audience. So, yeah, it was a lot of fun.

And, of course, I was very interested to see what a Passion Pit concert is actually like. Well, things started off maximally with “I’ll be Alright,” Manners single “The Reeling”, “Carried Away,” and the pretty “Moth Wings.” Then singer Michael Angelakos moved into a slight lull of twee balladry with “Love Is Greed,” a potentially devastating song for anyone that grew up on watching too many Disney movies*****, and “It’s Not My Fault, I’m Happy”, eventually rising back up to peak with the two best songs from sophomore album Gossamer, the R.Kelly-esque “Constant Conversations” and the politipop masterpiece “Take a Walk”******. It was a good performance, with Angelakos stalking the stage throughout and the band actually jamming a little bit on “Mirrored Sea.”

Passion Pit ended with “Sleepyhead” and “Little Secrets” as the encore. There were bubbles and confetti, but ultimately it all may not have been as memorable as forgetting.

*I like to imagine this song is borrowing the chorus structure of 10cc’s “Dreadlock Holiday,” but somehow I doubt it.
**Besides maybe Walter White.
***How can someone three years younger than me not know of Mr. T?
****Or David Axelrod/David McCallum.
*****At one point in the night, Angelakos began singing slowly and for a split second I was expecting this.
******Also on Girls, last night.

Noise Pop 2013: YACHT, Shock, and Future Twin at Slim’s

Tony Robles

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March 6, 2013

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When I went to see YACHT, a couple years ago during the Treasure Island Music Festival, it was playing outdoors in the afternoon, and it seemed like the wrong time and place. Last year at the Fox, the conceptual electropop band seemed stifled by the combination of the large venue and sparse crowd, and also mired by the same lackluster audio conditions that made headliner Hot Chip sound like it was playing underwater. But Saturday at Slim’s, on my last night of Noise Pop, it seemed just…

Fuck, I’ve wandered into the Goldilocks cliché.

Anyway, YACHT likes to keep it personal. Personable? The duo of Jona Bechtolt and Claire L. Evans (bolstered by other band members on tour) affect a borderline cultish air — utopian ideals were all over its last album Shangri-La and lead track, um, “Utopia” — that plays better when the audience is kept close, in a intimate venue.

“Ahhh, your hair is so long!” a woman in the sold out crowd screamed, when singer Evans first appeared on stage during the sound check, dark roots showing under what was previously close cropped and bleached blonde. It struck me as the kind of thing you say to a close friend you haven’t seen in a while. (“She’s much better looking than the last time I saw her,” someone else near me judged later in the show.)

This friendly rapport makes a lot of sense, given how much effort the group makes towards fostering it. Hopping off stage and tangling the crowd up in a mic cord has basically become a rock party trick at this point (probably because it’s an almost foolproof way to charm the crowd). Evans employed it as a starter, but went on to continually flatter fans and solicit questions, indulging in requests for hugs and spare beers. Throughout this course of events, singer, multi-instrumentalist, and YACHT founder Bechtolt competed for the larger cult of personality with a hopped-up glee.

Somewhat listless at the Fox performance, YACHT was nothing but efficient on Saturday. Maybe it was limited on time to begin with, but the set clicked by, highlighted by high-energy renditions of “I Walked Along” and “Utopia” — better than any I’ve heard.

An obvious encore followed (right after Bechtolt assured someone — probably the guy up front waving a sticker sheet and Sharpie since the sound check —that he’d sign anything five minutes after the show was over) with “Ring the Bell,” a super snappy version of shout-along “Psychic City,” and “Second Summer.” It was all done with an intentionality that could be either super endearing to a fan or off-putting viewed as an outsider, but I’m increasingly finding myself group with the former.

Openers

Shock: “We only have two minutes left and our songs are like seven minutes,” singer and bassist Terri Loewenthal of Shock said, after playing three tracks of slinky synth funk with slow vocals and lots of glissando. Five or so minutes later, the ground finished its set and she added, “So that was the short version.” Which was pretty satisfying.

Future Twin: Future Twin was precociously San Francisco, noting that one song was about trying to find affordable housing and cracking dead on delivery jokes about the nudity ban only applying out on the streets. But with dynamic singer and guitarist Jean Yaste — whose voice recalls equally parts Corin Tucker and Exene Cervenka — and drummer Antonio Roman-Alcala, this band can get away with saying whatever it wants during mic breaks. Its upcoming benefit for the Roxie at the Verdi Club with Thee Oh Sees and Sonny and the Sunsets has it in good company.

Tussle: It’s been three years since I last saw Tussle at Milk Bar, and given the recordings the group released since then I had high expectations to see it much improved. But trouble with setting up a ton of equipment and subsequent delays really hobbled its start, and the group never seemed to quite overcome it. Unintentional tempo shifts seemed common, the double drummers never quite seemed to sync, and the generally structureless songs seemed to only end when every member came to the sudden realization that someone else was cuing them to wrap it up.

Girl gang

Andrew Lam

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March 5, 2013

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caitlin@sfbg.com

WOMEN’S HISTORY MONTH There’s all of not much planned, officially speaking, for Women’s History Month this year in San Francisco. A March 6 ceremony honored a lady from each district in the Board of Supervisor’s chamber, a reception followed with refreshments and Ed Lee’s mustache proclaimed she who is Woman of the Year. (His selection hadn’t been announced by the time we went to press, but I’m pulling for a double honoree this year: fashion babe twins Marian and recently-deceased Vivian Brown.)

Truth is, not many people seem stoked on the commemorative month, which was officially created in 1987 and annually proclaimed by the President starting in 1994. The Atlantic ran a story last week that accused Women’s History Month as a symbol of irrelevant tokenism. Honestly, throughout the course of assembling this list I was surprised at just how few explicit Women’s History Month events are taking place in the Bay.

Maybe having a month doesn’t solve the problems that plague women these days, but in my book that doesn’t mean we should scrap the thing altogether. We have a proclamation, let’s use it!

Here’s some ways to do just that. Sure, little of the happenings on this page are so backwards-looking as to fit neatly into the “History Month” rubric. But the debut exhibition of an art collective on the rise (Black Salt Collective, March 17), a demonstration that’ll morph into cross-cultural performance in honor of domestic workers’ rights (Domestic Workers Bill of Rights demonstration and performance, Fri/8), a quilting show (SF Quilters Guild biennial show and sale, Sat/9-Sun/10) — the fact is, we’re making history every day. This month we just have extra encouragement to do so.

HER GIRL FRIDAY

This group from Brooklyn holds readings that promise salient takeaways for women in the media world, and its first West Coast event should be rad: editrix par excellence (who has mad Tumblr game, folks) Ann Friedman headlines, with chronicler of Latin America Martina Castro, multimedia journalist Katy Newton, and sex trade filmmaker Mimi Chakorova. One-time Guardian art director DJ Mirissa Neff will be posted up behind a mixer to soundtrack the thing, and: cocktails.

Thu/7, doors open 6pm, readings 7pm, free. 111 Minna, SF. facebook.com/hergirlfriday

“WHAT ABOUT THE CHILDREN?”

A mother and Black Panther who emerged from incarceration to become a professor of sociology, Ericka Huggins seems well qualified to speak on the power of restorative justice. She teaches relaxation and resiliency workshops for schools and community groups, so this talk promises to be a feel-good look at the tough problem that is our justice system.

Thu/7, 7-9pm, $15. California Institute of Integral Studies, 1453 Mission, SF. www.ciis.edu

DOMESTIC WORKERS BILL OF RIGHTS DEMONSTRATION AND PERFORMANCE

Join the magically diverse coalition of women, people of color, and youth groups to celebrate AB 241, proposed legislation that would shore up the rights of domestic workers in the state of California. Speakers will hoist bullhorns in front of the Federal Building, then everyone is welcome to Sixth Street’s Filipino community center, where cross-cultural performances will celebrate International Women’s Day.

Fri/8, rally 5pm, SF Federal Building, 450 Golden Gate, SF. Performances 8pm, Bayanihan Community Center, 1010 Mission, SF. www.babaesf.org

OAKLAND INTERNATIONAL WOMYN’S DAY FESTIVAL

Start your day with an ashtanga yoga class at this fest, then stick around for a day of rad artists: Culture Shock’s hip-hop dance, neo-soul funkster Mama Crow, rapper-political science student Kaila Love, queer bluesperson Enajite Loicy Pela, and more. The day’s theme is raising awareness about violence against women, transfolks, people of color, everyone.

Sat/9, 11am-5pm, free. The Web, 355 12th St., Oakl. www.iwdfest.com

“SEVEN FLOWERS FOR SEVEN MURALISTS”

In honor of the original seven female muralists who created the breathtaking “MaestraPeace” work that covers the outside of this community center, the Women’s Building is inviting all comers to deck its sidewalk with chalk to create a massive bouquet of flowers.

Sat/9, 1-2pm, free. Women’s Building, 3543 18th St., SF. www.womensbuilding.org

STOP VIOLENCE AGAINST WOMEN RALLY AND MARCH

From Ohio to India, we’re seeing so many attacks against women worldwide that something’s gotta be done. Anti-violence demonstrations and marches, like this one hosted by Women Organized to Resist and Defend (WORD) have seen great turnout of late, so go add your voice to its hue and cry.

Sat/9, noon, free. Dolores Park, 19th St. and Guerrero, SF. www.defendwomensrights.org

SF QUILTERS GUILD BIENNIAL SHOW AND SALE

From Gee’s Bend to knit graffiti posterchild Magda Sayeg, textile art has long been used by women trying to make a (needle)point. Not all the quilts at the SF Quilters Guild’s biennial showing will be militant, but they do speak to the mastery of what is often dismissed as “mere” folk art. Check out the impressive works of stitch, along with quilting challenges and demonstrations. Master quilt appraiser Nancy Bavor will also be on hand to evaluate any piece that you bring in, for a fee.

Sat/9, 10am-5pm; Sun/10, 10am-4pm, $9-10 two-day ticket. Concourse Exhibition Center, 635 Eighth St., SF. www.sfquiltersguild.org

WOMEN WHO CODE MEET-UP

The tech community’s ability to throw successful happy hour networking events is unrivaled. Jump into the tide for Women’s Month with this group, which is open to all female-identified people hoping to fine-tune or share their coding skills. Bring a project, or jump in on one of the tutorials providing for all skill levels. Remember to register as a meet-up member and RSVP before you head over.

Tuesdays, 6:30pm, free. March 12 location: Apportable Inc., 371 Fifth St., SF. www.meetup.com/Women-Who-Code

MAQUILAPOLIS

A documentary following women workers who refuse to take social injustice sitting down. One of the film’s stars is Carmen Durán, a maquiladora at one of Tijuana’s poverty wage-paying factories run by multinational corporations. When her company up and leaves for Indonesia’s even looser labor laws, Durán goes activista.

March 13, 7pm, $5-10 donation suggested. 2969 Mission, SF. www.answersf.org

VIVA LA VIDA

Indulge your Fridamania with this Spanish language play, which revolves around an intimate monologue delivered by Frida Kahlo herself, as the iconic Mexican artist preps a Dia de los Muertos party for Diego Rivera, Leon Trotsky, and father of surrealism André Breton.

March 16, 7pm, $16. Mission Cultural Center for Latino Arts, 2868 Mission, SF. www.missionculturalcenter.org

BLACK SALT COLLECTIVE LAUNCH SHOW

A jewelry maker raised in Bolivia, a painter who takes inspiration from her work with disabled adults, a multimedia artist set alit by the third eye, black soul, and the natural world — this is Black Salt Collective, which officially starts its journey with today’s exhibition. Pick up some art, sip some sangria, and reflect on what it means to represent “culture” — the stated goal of this all-female group is to express contemporary identity without the baggage of Western world anthropology tropes.

March 17, 1-7pm, free. Artists’ Television Access, 992 Valencia, SF. blacksaltcollective.tumblr.com

“KNOW YOURSELF, LOVE YOURSELF: SEXUAL EMPOWERMENT FOR WOMEN”

Sex educators Jessi Fischer and Julianne Carroll want to help you untangle the mess of messages we get about what female sexuality is supposed to be. Madonna-whore, no more! After this workshop, hopefully that’ll be the case in your grey matter.

March 18, 6:30-8:30pm, $20-25. Good Vibrations, 1620 Polk, SF. www.goodvibes.com

LAS TRES MARIAS

Musicians Cynthia Alexander, Diana Gameros, and Radmilla Cody weave together their experiences as a border town Mexican, a Filipina, and a former Miss Navajo Nation to create musical works that explore migration and economic struggle.

March 22, 8pm, $20-25. La Peña Cultural Center, 3105 Shattuck, Berk. www.lapena.org

HALF THE SKY

Based on a book by New York Times journalist Nicholas Kristhof, this documentary roams 10 countries (deploying the talents of Hollywood actresses like Eva Mendes, America Ferrara, and Gabrielle Union as hosts) to create a panoramic look at global women’s issues today. Full disclosure: the event is sponsored by the Guardian and Renaissance Entrepreneurship Center — and I’m hosting a post-screening discussion. Please note the cocktail half-hour before movie.

March 25, doors 6:30, screening 7pm, free. Artists’ Television Access, 992 Valencia, SF. tinyurl.com/halftheskyscreening

SISTER SPIT: THE NEXT GENERATION READING

The queer, feminist, awesome Sister Spit collective has been making some serious moves of late. Ali Liebegott just published Cha-Ching! through City Lights Sister Spit imprint (it’ll be feted at that book store on March 27) and founder Michelle Tea’s young adult novel A Mermaid in Chelsea Creek (due out this spring) is amaze-balls — and we get to hear them read for free today? Lit history, folks, before your eyes.

March 31, 2pm, free. San Francisco Main Library, 100 Larkin, SF. www.sfpl.org

Rep Clock

Andrew Lam

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March 5, 2013

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Schedules are for Wed/6-Tue/12 except where noted. Director and year are given when available. Double features marked with a •. All times pm unless otherwise specified.

AQUARIUM OF THE BAY Pier 39, SF; www.oceanfilmfest.org. $8-150. “San Francisco International Ocean Film Festival,” over 50 ocean-inspired films from around the world, Thu-Sun.

BERKELEY UNITARIAN FELLOWSHIP HALL 1924 Cedar, Berk; www.greensangha.org. $10. “Plastics 360: Film Night,” short films about plastic waste, Thu, 7.

BRAVA THEATER CENTER 2781 24th St, SF; sfbff.blogspot.com. $12. “San Francisco Bulgarian Film Festival,” first annual event featuring six films from Bulgaria, Sat-Sun.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. Chasing Ice (Orlowski, 2012), Wed, 2:30, 4:45, 7, 9. •Cabaret (Fosse, 1972), Thu, 2:25, 7, and Pennies from Heaven (Ross, 1981), Thu, 4:45, 9:20. •The Outside Man (Deray, 1972), Fri, 7, and The Terminator (Cameron, 1984), Fri, 9:10. Peaches Christ Productions presents: Paris is Burning (Livingston, 1990), Sat, 8. With a pre-show ball and guest Latrice Royale, Sat, 8. Advance tickets ($22-42) at www.peacheschrist.com. •Days of Heaven (Malick, 1978), Sun, 2, 8, and Heaven’s Gate (Cimino, 1980), Sun, 4.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Amour (Haneke, 2012), call for dates and times. Happy People: A Year in the Taiga (Herzog and Vasyukov, 2012), call for dates and times. Quartet (Hoffman, 2012), call for dates and times. “Oscar Nominated Shorts: Animation, Documentary, and Live Action,” call for dates and times.

“CINEQUEST” Various venues, San Jose; www.cinequest.org. $5-50. The 23rd annual film fest honors a slew of stars in addition to screening global films and highlighting new film technology. Through Sun/10.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $9-10. “Midnight Movies:” The Room (Wiseau, 2003), Sat, midnight. With host Sam Sharkey.

“EAST BAY INTERNATIONAL JEWISH FILM FESTIVAL” Various East Bay venues; www.eastbayjewishfilm.org. $10. Forty films total, with special focuses on Jewish-Muslim relations and musicals. March 9-17.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. $6-10. “Parkway Classics:” Quadrophenia (Roddam, 1979), Thu, 9pm; “Thrillville:” “Sci-Fi Bob’s Psychotronix Film Festival,” Sun, 6. “Documentary Series:” Flag Wars (Bryant and Poitras, 2003), Tue, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Alfred Hitchcock: The Shape of Suspense:” The Paradine Case (1947), Wed, 7; Rope (1948), Fri, 7; I Confess (1953), Fri, 8:40; Lifeboat (1944), Sun, 5. “Werner Schroeter: Magnificent Obsessions:” Palermo or Wolfsburg (1980), Thu, 7; Deux (2002), Sat, 8:30. “And God Created Jean-Louis Trintignant:” Violent Summer (Zurlini, 1959), Sat, 6:30. “Filmmaker Provocateur: Jean Rouch:” Moi, un noir (1958), Sun, 3. “Documentary Voices:” “Latin American Legacies: Films of Leandro Katz,” Tue, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. “Hollywood Before the Code: Deeper, Darker, Nastier!”: •Lady Killer (Del Ruth, 1933), Wed, 8, and Night World (Henley, 1932), Wed, 6:30, 9:40; “Tribute to Screen Legend Lyle Talbot with Margaret Talbot in Person:” •Fog Over Frisco (Dieterle, 1934), and Heat Lightning (Le Roy, 1934), Thu, 6:30, 9:40. The Jeffrey Dahmer Files (Thompson, 2012), Wed-Thu, 7. Birth Story: Ina May Gaskin and the Farm Midwives (Lamm and Wigmore, 2011), March 8-14, 7, 9:15 (also Sat-Sun, 3, 5).

SAN FRANCISCO PUBLIC LIBRARY 100 Larkin, SF; www.irishamericancrossroads.org. Free. “Crossroads Irish American Festival:” Nights in Shanaglish (Tighe, 2012), Sat, 1 (live Irish musical performance; film at 1:45).

VOGUE 3290 Sacramento, SF; www.cinemasf.com. $10. “Rendez-vous with French Cinema:” Augustine (Winocour, 2012), Fri, 5 and Tue, 5; You, Me, and Us (Doillon, 2012), Fri, 7:30 and March 13, 7:30; Rich is the Wolf (Odoul, 2012), Sat, 5 and Tue, 7:30; Granny’s Funeral (Podalydès, 2012), Sat, 7:30 and March 14, 5; You Will Be My Son (Legrand, 2012), Sun, 3:30; The Suicide Shop (Leconte, 2012), Sun, 7 and March 14, 7:30; Journal de France (Depardon and Nougaret, 2012), Mon, 5; Persecution (Chéreau, 2012), Mon, 7:30 and March 13, 5.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “International Buddhist Film Festival Showcase 2013:” KanZeOn (Cantwell and Grabham, 2011), Sat, 2; The Mourning Forest (Kawase, 2007), Sat, 4; Olo, The Boy from Tibet (Iwasa, 2012), Sun, 2; Tokyo Waka (Haptas and Samuelson, 2011), Sun, 4. *

Our Weekly Picks: March 6-12

Andrew Lam

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March 5, 2013

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WEDNESDAY 6

Sixth Annual International Juried Plastic Camera Show

These days, every smartphone-toting amateur can create his or her own hazy vignette to remind us of those groovy days before digital photography. But Instagram and its peers always stop short in their quest for that special quality that only real lo-fi technology — cameras constructed of plastic and the occasional piece of tape — can achieve. In its sixth Plastic Camera Show, RayKo Photo center will exhibit the best 90 photos chosen from thousands of international submissions, with a special focus on Los Angeles-based Thomas Alleman’s black-and-white images that his plastic camera manages to render in a mood that is both cinematic and sordid. Instagram has nothing on these photos. (Laura Kerry) Through April 22 6-8pm opening, free RayKo Photo Center

428 Third St., SF

(415) 495-3773

www.raykophoto.com

THURSDAY 7

University Dance Theatre

Student recitals are just one of a number of campus spring rituals. The University Dance Theatre’s at SF State University is no exception. This year’s program, besides showing new works by alumni, faculty, and advanced students, is very much worth trip out into the fog belt. KT Nelson, Co-Artistic Director of ODC/Dance, with whom State has an ongoing relationship, is setting her Transit on student performers. Transit is witty, wistful, and wondrous; sort of a love letter to harried urban lives. Max Chen’s fantastical, multipurpose bikes also pay tribute to the City’s favorite mode of transportation. Nelson knows that spectacular props can steal a show; she didn’t let it happen. Transit focuses its lively energy on where it belongs — the dancing. (Rita Felciano)

Through Sat/9, 8pm, $8–$15

San Francisco State University

Creative Arts Building

1600 Holloway Ave.

(415) 338-2467

creativestate.sfsu.edu

San Francisco International Ocean Film Festival

To celebrate its 10th year, the San Francisco International Ocean Film Festival is assembling the following: a Cousteau (Jean-Michel, son of Jacques, who will be a special guest at the opening-night gala); a documentary about the first lady of surfing (Brian Gillogly’s Accidental Icon: The Real Gidget); and a shark-themed program highlighted by Steve Dilaridan’s adorably-titled animated short I’m Going to Bite Someone. And that ain’t even taking into account the rest of the over 50 ocean-themed films from some 14 countries. Dive in! (Cheryl Eddy)

Through Sun/10, most films $8–$14 (opening gala, $150)

Bay Theater

Aquarium of the Bay

Pier 39, SF

www.oceanfilmfest.org

FRIDAY 8

The Hush Sound

Chicago’s the Hush Sound was “discovered” in 2005 by Pete Wentz via Panic! At the Disco’s Ryan Ross, but don’t hold that against it. The group’s simple boy-girl harmonies and catchy melodies are at once sincere and whimsical, creating a timeless, folk-tinged pop sound. When the band formed, core songwriters Greta Salpeter and Bob Morris were essentially still children, going to school and lifeguarding, respectively. In the years and three albums that followed, the band mercifully never lost its youthful nature. Now, after a five-year hiatus, the Hush Sound is finally back with a new album in the works — and its ready to relive its youth. (Haley Zaremba)

With the Last Royals, Sydney Wayser

8pm, $15

Great American Music Hall

859 O’Farrell

(415) 885-0750

www.slimspresents.com

Pickwick

A Youtube comment on the song “Blackout” from Pickwick’s record, Myths Vol. 3, reads “these fucking albums are nowhere to be found.” Though one should usually ignore Youtube comments, in this case we say, Kamelbutiken, you have a point. For the past year, the band has sold out shows in its native Seattle and earned spots in notable festivals, gaining hype only through the release of a series of seven-inch vinyl records and online videos. It’s hard to believe that with all the recognition they’ve earned, March 12 marks the release of the band’s official debut album. While the soul-and-folk-infused rock the band makes is still nowhere to be found, find Pickwick live at the Independent. (Kerry)

With Radiation City, Sandy’s

9pm, $15

Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

Melt! with Machinedrum

Futuristic beats producer Travis Stewart, a.k.a. Machinedrum, takes cues as much from hip-hop and jungle rhythms as from the current dubstep/wobble craze. The American-born Berlin resident has produced for rising Harlem star Azealia Banks and counts rhymesayer Theophilus London and UK-based dream-techno star Lone as collaborators. Machinedrum keeps his productions quick and tightly-woven, typically floating catchy melodies and some sonorous vocal samples alongside shuffling beats. The multi-faceted Stewart has also earned respect for his recent reinterpretations of giants in their respective genres, Scottish electronic duo Boards of Canada and psychedelic jazzist Sun Ra. (Kevin Lee)

With French Fries, Dark Sky, and more

10pm, $17.50–$20

1015 Folsom, SF

(415) 431-1200

www.1015.com

SATURDAY 9

San Francisco Bulgarian Film Festival

With directors like Cristi Puiu (2005’s The Death of Mr. Lazarescu) and Cristian Mungiu (whose latest, Beyond the Hills, opens March 15) leading the charge, the Romanian New Wave is a well-established phenomenon. So it stands to reason that next-door neighbor Bulgaria would also be eager to come into its own, cinematically speaking — and the inaugural San Francisco Bulgarian Film Festival is here to share some of the country’s recent triumphs with local audiences. Included in the two-day fest are Bulgaria’s 2011 Oscar submission, Tilt, about friends who dream of opening a bar amid the country’s tumultuous early 1990s; and contemporary drama Love.Net, a hit at the 2011 Bulgarian National Film Festival. (Eddy)

Through Sun/10, $12

Brava Theater Center

2781 24th St, SF

sfbff.blogspot.com

Garry Winogrand retrospective

Legend has it that Garry Winogrand would shoot an entire roll of film in a single block, barely pausing or taking his eye away from his Leica camera’s viewfinder until he reached the end. As a result, his body of work presents barely mediated views of daily life in postwar America. And it presents a lot of them. Winogrand produced so many rolls of film that he never saw an estimated 250,000 images contained on them before his untimely death in 1984. In a retrospective that will travel the globe after leaving San Francisco, SFMOMA will display about 100 of these never-before-seen prints, adding to an already prolific and important collection. We’re lucky to get to see so many streets through Winogrand’s eyes. (Kerry)

Through June 2

$9–$18

SFMOMA

151 Third St., SF

(415) 357-4000

www.sfmoma.org

Flogging Molly

Don’t let Flogging Molly fool you: everything about the band may seem wonderfully drunk and Irish, but like any other illusion, it actually hails from Los Angeles. Vocalist Dave King, however, is a bona fide Irishman, and his thick brogue is the perfect addition to Flogging Molly’s Celtic-flavored punk madness. Whether or not you want to listen to songs about drunken pirates and whiskey in your free time, its live show is a spectacle that anyone could and should enjoy. Though the band has been together and touring since the ’90s, it hasn’t slowed down one iota. That x-factor that makes some live shows over-the-top fun simply can’t be spoken for. Grab a bottle of Jameson and go see for yourself. You can thank me later. (Zaremba)

With Mariach El Bronx, Donots

7:30pm, $32.50

Fox Theater

1807 Telegraph, Oakland

(510) 302-2250

www.thefoxoakland.com

MONDAY 11

Efterklang The Danish band Efterklang first gained international plaudits with its soaring 2007 LP Parades on the Leaf Label Ltd and such triumphant, symphonic battle cries as “Mirador” and “Caravan.” Since switching labels to 4AD Ltd., Efterklang has (somewhat regrettably) corralled that bright energy and fostered a more direct, intimate sound. Legend has it that the Danish trio wandered through an abandoned Norwegian coal mining settlement near the North Pole formerly operated by the Soviet Union. The band’s journey and field recordings became source material for last year’s Piramida, in which frontperson Clasper Clausen drops his voice an octave and embarks on mysterious stories of exploration and melancholy. (Lee)

With Nightlands

8pm, $15

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

San Francisco Moth StorySLAM: Secrets

The Moth: “True Stories Told Live.” Where else could we listen to strangers, alone on a stage with their words, telling fantastical-but-true personal stories of Jewish mobster uncles, family embezzlement, Montgomery Clift’s wishes from beyond the grave, the whiskey-soaked life of a rookie reporter, the cult of Radical Honesty, and sexual awakenings during midlife crises? The NY-born series — in which reading from notes is a major no-no — has been going strong since 1997, with monthly StorySLAMs (open mics) in LA, Chicago, Louisville, and Seattle, among other cities. The San Francisco Moth StorySLAM launches today at the Rickshaw Stop and will continue on the second Monday of every month. The first round’s theme is “secrets” so come prepared to divulge the dirt. And as podcast host Dan Kennedy always notes, “we hope you have a story-worthy week.” (Full of secrets you’re willing to share.) (Emily Savage)

7pm, $8

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

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Music listings

Andrew Lam

-

March 5, 2013

0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 6

ROCK/BLUES/HIP-HOP

Boats, Catbees, Surgeon Generals Elbo Room. 9pm, $7.

BOY, Gambles Swedish American Hall. 7:30pm, $15.

Brown Shoe 50 Mason Social House, SF; ww.50masonsocialhouse.com. 8pm, free.

Family Stone Yoshi’s SF. 8pm, $30.

Marcus Foster, Sean Rowe, Ruston Kelly Bottom of the Hill. 7pm, $14.

Great Big Sea Fillmore. 8pm, $35.

Guido vs Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Junius, Silver Snakes, Form and Fate, Death Valley High DNA Lounge. 7pm, $13.

Nu Sensae, Synthetic ID, Straight Crime Hemlock Tavern. 8:30pm, $8.

Polecat, Lonesome Locomotive Brick and Mortar Music Hall. 9pm, $7-$10.

Sam Chase, Cosmic Suckerpunch, Neckbeard Boys Rickshaw Stop. 7:30pm, $10.

Terry Savastano Johnny Foley’s. 9pm, free.

Timeflies Regency Ballroom. 8pm, $23.

Simon Townshend, Jameson and Co. Cafe Du Nord. 9pm, $15.

Why?, Astronautalis, Dream Tiger Great American Music Hall. 9pm, $18.

Mitch Woods Chapel, 777 Valenica, SF; www.thechapelsf.com. 8pm, free.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Freddie Hughes Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Reuben Rye Rite Spot Cafe. 8:30pm.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com.7-9pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Cash IV Gold Double Dutch, 3192 16th St, SF; www.thedoubledutch.com. 9pm, free.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

THURSDAY 7

ROCK/BLUES/HIP-HOP

Assembly of Dust, Strange Folk Acoustic Duo Independent. 8pm, $17.

Darwin Deez, Caged Animals, Marqiss Bottom of the Hill. 9pm, $12.

Sky Ferreira, guest DJs from Passion Pit Rickshaw Stop. 10pm, $13-$15.

Gunshy Johnny Foley’s. 9pm, free.

Chris James and the Showdowns, Mavalour, American Professionals, Emmett Peixoto Brick and Mortar Music Hall. 8pm, $5-$8.

Rhett Miller Yoshi’s SF. 8pm, $26.

Passion Pit, Matt and Kim Bill Graham Civic Auditorium. 7:30pm, $39.50.

Pharmacy, Spyrals, Shivas Hemlock Tavern. 8:30pm, $7.

Subcontinental Drift Cafe Du Nord. 8pm, $5.

Rags Tuttle vs Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Linda Moody, Mana Maddy Rite Spot Cafe. 8:30pm.

Chris Siebert Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

FOLK/WORLD/COUNTRY

Jinx Jones and Jessica Rose Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm, free.

Misisipi Mike and the Midnight Gamblers Amnesia. 9pm, $7.

Maurice Tani and Mike Anderson, Aireene Espiritu and Paul Olguin Lost Church, 65 Capp, SF; www.thelostchurch.com. 8pm, $10.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $8. DJ Pleasuremaker spins Afrobeat, Tropicália, electro, samba, and funk.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Nick Curly and Manju Masi Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

Ritual Temple. 10pm-3am, $5. Two rooms of dubstep, glitch, and trap music.

Supersonic Lookout, 3600 16th St., SF; www.lookoutsf.com. 9pm. Global beats paired with food from around the world by Tasty. Resident DJs Jaybee, B-Haul, amd Diagnosis.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

Twitch DNA Lounge. 10pm, $5-$8. With Lie, Koban, and resident DJs Justin, Omar, and Rachel Aiello.

FRIDAY 8

ROCK/BLUES/HIP-HOP

Niki Bluhm and the Gramblers, Easy Leaves Bimbo’s. 9pm, $20.

Chum (Phish tribute) Boom Boom Room. 8pm, $10.

DJ Afrika Bambaataa, DJ Jah Styles Yoshi’s SF. 10:30pm, $28.

Hush Sound, Last Royals, Sydney Wayser Great American Music Hall. 8pm, $13-$15.

Legendary Stardust Cowboy, Johnny Legend, Girls with Guns, Gaviotas Cafe Du Nord. 9pm, $8.

G. Love and Special Sauce Fillmore. 9pm, $25.

Major Powers and the Lo-Fi Symphony, Bend Sinister, Hungry Skinny Thee Parkside. 9pm, $10.

New Diplomat, Rags and Ribbons, Via Coma Bottom of the Hill. 9:30pm, $12.

Andre Nickatina, Smoov-E, Mumbls Slim’s. 9pm, $30.

Orchid, Glitter Wizard, Hell Fire DNA Lounge. 9pm, $12.

Parokya ni Edgar, Gloc9, Mocha Girls DNA Lounge. 7pm, $65.

Pickwick, Radiation City, Sandy’s Independent. 9pm, $15.

Stickers, Pony Time Hemlock Tavern. 9:30pm, $7.

Jeff V., Jason Marion, Nathan Temby Johnny Foley’s Dueling Pianos. 9pm, free.

Zodiac Death Valley, Down and Outlaws, Disappearing People, Black Cobra Vipers Elbo Room. 9pm, $10.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Hammond Organ Soul Blues Party Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Larry Ochs and Nate Wooley Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 7:30pm, $10-$15.

Richard Rite Spot Cafe. 8:30pm.

FOLK/WORLD/COUNTRY

Lagos Roots Afrobeat Ensemble Brick and Mortar Music Hall. 9pm, $7-$10.

Quijerema Red Poppy Art House. 7:30pm, $12-$15.

DANCE CLUBS

Gramatik, Russ Liquid Public Works. 10pm, $30.

Heartbeat John Collins, 138 Minna,SF; www.johncolins.com. 9pm. Hip-hop, R&B, reggae, soul, and dancehall.

Hot Mouth Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Indie Slash Amnesia. 10pm. With DJ Danny White.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Melt Party 1015 Folsom. 10pm, $17.50. With Machinedrum, French Fries, Dark Sky, Tchphnx, DJ Dials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

SATURDAY 9

ROCK/BLUES/HIP-HOP

Adios Amigo Hotel Utah. 8pm.

Anna Ash, Song Sparrow Research Amnesia. 6:30pm.

Biv and the Mnemonics Milk Bar. 10pm, $7.

DRI, Zero Bull Shit, Nerv Slim’s. 9pm, $17.

Hans Eberbach Castagnola’s, 286 Jefferson, SF; www.castagnolas.com. 4pm, free.

James Hunter Six, Relatives Bimbo’s. 9pm, $25.

Jaunting Martyrs, Rogers, Victoria and the Vaudevillains Bottom of the Hill. 9pm, $10.

KMFDM, Legion Within Independent. 9pm, $25.

La Gente, Locura Boom Boom Room. 8pm, $10.

Little Black Dress Affair (Notorious BIG tribute) Yoshi’s SF. 10:30pm, $18.

Monophonics, Ployrhythmics Great American Music Hall. 9pm, $17-$19.

Rank/Xerox, Violent Change, Pure Bliss El Rio. 9pm, $7.

"San Francisco A Cappella Festival" Palace of Fine Arts, 3301 Lyon, SF; www.harmony-sweepstakes.com. 8pm.

Shout Out Out Out, Lenz, Kinship Thee Parkside. 9pm, $8.

Six60 Brick and Mortar Music Hall. 9pm, $13-$15.

Nathan Temby, Jeff V., Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Top Secret Band Johnny Foley’s. 9pm, free.

Emily Jane White, Ora Cogan Hemlock Tavern. 9:30pm, $8.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Kitten on the Keys Rite Spot Cafe. 9pm.

Lavay Smith Royal Cuckoo, 3203 Mission, SF; www.royalcuckoo.com. 7:30-10:30pm, free.

Mischief 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm. Hunny Bunny and Her Hot Toddies, live bands, burlesque, and more.

FOLK/WORLD/COUNTRY

"By Daylight" ODC Theater, 351 Shotwell, SF; www.odcdance.org. 3pm. With Gautam Tejas Ganeshan.

Earl Brothers, Trespassers, Emily Bonn and the Vivants Cafe Du Nord. 9pm, $12. SF Bluegrass and Old-Time Fesitval.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 4-6pm, free.

DANCE CLUBS

Bootie SF: French Kisses with DJ Reno DNA Lounge. 9pm, $10-$15.

Braza! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, $10. Brazilian dance party with Daz-I-Kue.

Club Gossip Cat Club. 9pm, free before 9:30pm, $5-$8 after. With VJs Shon, Low Life, Damon, and more.

Cockblock Seventh Anniversary Party Rickshaw Stop. 10pm, $10.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Phutureprimitive, ill-esha, Archnemesis, Johny5 Inner Mission, 2050 Bryant, SF; Facebook: Smash and Grab. 9pm, $10.

Scotty Boy Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Tormenta Tropical, Shawn Reynaldo and Oro11 Elbo Room. 10pm.

2 Men Will Move You Amnesia. 9pm.

SUNDAY 10

ROCK/BLUES/HIP-HOP

"ABBA the Concert: A Tribute to ABBA" Regency Ballroom. 8pm, $45-$59.50.

Blasters, Cash Prophets, Stigma 13, Twilight Drifters DNA Lounge. 9pm, $15. Benefit for Scarlett’s special needs and Rett Syndrome.

Cradle of Filth, Faceless, Decapitated, Agonist Fillmore. 8pm, $26.50.

Karina Denike, Billy and Dolly Rite Spot Cafe. 8:30pm.

"Gorilla Music Battle of the Bands" DNA Lounge. 5:30pm, $12. With Hope in Disguise, Nightrail, Ocelot, Trecelence, and more.

Jose James presents "No Beginning No End." Brick and Mortar Music Hall. 9pm, $17-$20.

Bernie Jungle, Verms, Sister Exister Hemlock Tavern. 6pm, $6.

Letlive, HRVRD, Night Verses Bottom of the Hill. 8pm, $14.

Terry Savastano Johnny Foley’s. 9pm, free.

Emile Welman Cafe Du Nord. 8:30pm, $15-$18.

JAZZ/NEW MUSIC

Oz Noy, Dave Weckl and Anthony Jackson Yoshi’s SF. 6pm, $16; 8pm, $22.

William Parker and Lisa Mezzacappa’s Bait and Switch Center for New Music, 55 Taylor, SF; www.centerfornewmusic.com. 2pm, $10-$25.

FOLK/WORLD/COUNTRY

Shirley Kazuyo Muramoto with Murasaki Ensemble Old First Church, 1751 Sacramento, SF; www.oldfirstconcerts.org. 4pm, $14-$17.

DANCE CLUBS

Deep Fried Soul Dance Party Boom Boom Room. 8pm, free.

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Ludichris, reggae set by DJ Ren the Vinyl Archeologist.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 11

ROCK/BLUES/HIP-HOP

Autre Ne Veut, Majical Cloudz, Bago Independent. 9pm, $12.

Damir Johnny Foley’s. 9pm, free.

Efterklang, Nighlands Great American Music Hall. 8pm, $15.

Frightened Rabbit Fillmore. 8pm, $23.

JAZZ/NEW MUSIC

Dawn Oberg Rite Spot Cafe. 8:30pm.

FOLK/WORLD/COUNTRY

Toshio Hirano Amnesia. 9pm, free.

Leche De Tigre, Palavra Elbo Room. 9pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $3-$5. Gothic, industrial, and synthpop with Decay, Joe Radio, and Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 12

ROCK/BLUES/HIP-HOP

Joe Ely, Joe Pug Slim’s. 8pm, $21.

Goh Nakamura, Kevin Large, Trevor Garrod Cafe Du Nord. 9pm, $8.

Great Apes, Bad Liar, Rats Rest, True Mutants Knockout. 9pm, $6.

Carrie Manolakos Yoshi’s SF. 8pm, $22.

Papa Bear and the Easy Love Amnesia. 9:30pms.

Benoit Pioulard, Young Moon Hemlock Tavern. 8:30pm, $8.

Stan Erhart Band Johnny Foley’s. 9pm, free.

Kim Walker-Smith, Derek Johnson Warfield. 7pm, $25-$35.

JAZZ/NEW MUSIC

Chris Amberger and Aaron Garner Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com.7-9pm, free.

Bombshell Betty and her Burlesqueteers Elbo Room. 9pm, $10.

Frisky Frolics Rite Spot Cafe. 8:30pm.

DANCE CLUBS

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

On the Cheap listings

Andrew Lam

-

March 5, 2013

0

Submit items at listings@sfbg.com. For further information on how to submit items for listings, see Picks

WEDNESDAY 6

RayKo’s sixth annual plastic camera show RayKo Photo Center, 428 Third St., SF. www.raykophoto.com. Through April 22. Opening reception: 6-8pm, free. You’d never these cameras’ non-pro status by the breathtaking images they are capable of creating. Highlighted in this year’s RayKo show is LA-based artist Thomas Alleman, who began using a Holga camera in 2001 to document the aftermath of 9/11. His dreamy, dramatic prints perfectly pinpoint the dysfunctional beauty of these toy cameras.

“Beyond THC: Cannabidiol and the future of medical marijuana” Commonwealth Club of California, 595 Market, SF. www.commonwealthclub.org. 5:30pm, $12 members, $7 students, $20 nonmembers. Martin A. Lee, author of Smoke Signals — which focuses on the social history of cannabis — will be speaking about the benefits of cannabidiol (CBD), a non-psychoactive component of marijuana that lacks the “high” effect of THC and contains key medicinal benefits. Lee will discuss how the medical marijuana industry has responded to the discovery of CBD and sign copies of his book afterward.

THURSDAY 7

Robot NightLife California Academy of Sciences, 55 Music Concourse, SF. www.calacademy.org. 6-10pm, $12. This beloved weekly museum soiree delves into sci-fi this evening with a focus on robots. Managing director of Silicon Valley Robotics will speak to the local innovation and commercialization of robots and Academy curator Gary Williams will show off footage of deep-sea corals from Pillar Point Harbor. A robotic performance by art group Survival Research Labs and exceptional designs by robot design studio BeatBots are also on tonight’s schedule.

“Art Star” Otis Lounge, 25 Maiden Lane, SF. www.otissf.com. 10pm-2am, free. If you’re looking to submerge yourself into the city’s art community, head over to Otis Lounge to meet and network with artsy individuals at this monthly first Thursday event. Whether you make, buy, sell, or just love art, all creatives are welcome.

Community dinner St. Cyprian’s Episcopal Church, 2097 Turk, SF. www.saintcyprianssf.org. 7pm, free. Hungry, cash-strapped health nuts listen up. This free dinner created from USF’s garden and local farmers markets is open to everyone and anyone interested. The event lacks any motivation beyond a heartfelt effort to bring the community together through wholesome food.

Writerscorps Live with Tamim Ansary Contemporary Jewish Museum, 736 Mission, SF. www.sfartscommission.org. 6:30-7:30pm, free. Award-winning youth writing program WritersCorps has partnered with the CJM for a multi-generational live reading. Author Tamim Ansary will read from his memoir West of Kabul, East of New York, based on his family’s immigration from Afghanistan to San Francisco. The reading will also showcase WritersCorps teaching artist Minna Dubin and students from Downtown High School, Aptos Middle School, Mission High School, and more.

First Thursday with OM Cocktails Hang Street Gallery, 567 Sutter, SF. www.hangart.com. 6-8pm, free. Organic mixology — premixed in the bottle? Will wonders never cease. Check out this brand’s coconut-lychee cocktails and more at Hang Street’s First Thursday reception.

FRIDAY 8

East Bay Bike Party, location TBA. 7:30, free. eastbaybikeparty.wordpress.com. It’s time to go green, literally. The theme of this month’s East Bay group rideout is the favored color of enviro-fans and Kermit the Frog alike. Whether you want to channel your inner leprechaun or bike around as giant pot leaf, the possibilities are endless. If you’re a Bike Party virgin make sure to also look over the code of conduct to help keep the event as community-friendly as possible.

SATURDAY 9

White Walls gallery 10th anniversary show White Walls, 886 Geary, SF. www.whitewallssf.com. Through April 6. Opening reception 7-11pm, free. Town’s best-known “urban art” gallery hosts this retrospective of a decade of boundary-breaking work within its wall (kind of — the gallery recently moved to a larger space on Geary Street). Check out works from Shepard Fairey, ROA, Apex, Ferris Plock, and of the best who have plied works there.

“Doctors on Board” Oakland Marriott City Center, 1001 Broadway, Oakl. www.pmfmd.com/doctors-on-board. 6am-6:30pm, free to students. Application required. The Physicians Medical Forum is hosting a day of workshops and skills training session helping African American students to attend medical school and residency programs. Prominent physicians will provide information about medical school preparation, medical specialties, and life as a physician.

“Quilt San Francisco” Concourse Exhibition Center, 635 Eighth St., SF. www.sfquiltersguild.org Also Sun/10. 10am-4pm, $10 for two-day pass. This two-day exhibit, organized by the San Francisco Quilters Guild, vividly showcases the revitalization of the traditional art form. 400 quilts and special exhibits will shown the many artistic dimensions of wearable art and modern stitching. There will also be a children’s corner, where kids can get marching orders for a treasure hunt that will lead them to special quilts in the show.

Irish-American children’s hour of music, song and dance San Francisco Public Library, Fisher Children’s Center, 100 Larkin, SF. 11am, free. www.sfpl.org. Crossroads, an annual Irish-American festival timing to open up St. Patrick’s Day season, invites the kiddos to learn traditional Irish dance taught by instructors from the Brosnan School of Irish Dance.

Fourth annual World Naked Bike Ride Meet at Justin Herman Plaza, Market and Embarcadero, SF. www.worldnakedbikeride.org. 11am-4pm, free. Protest global dependency on oil and find out what its like to pedal through Fisherman’s Wharf in the buff. All are welcome to take part — even clothed riders — but those in the buff earn extra badass points, given the uncertain status of the ride under the city’s new anti-public nudity ordinance.

“Permutation Unfolding” Root Division, 3175 17th St., SF. www.rootdivision.org. Opening reception 7-10pm, free. Bring the kids to the opening of this group exhibition exploring the biomorphic formations that can spring from the artistic process (we’re not sure what that means either.) There will be an all-ages creativity station, a perfect place to craft while Markus Hawkins spins an auditory web in an 8pm performance.

SUNDAY 10

Exploratorium’s On the Move Fest Mission District location: Buena Vista Horace Mann School, 3351 23rd St., SF. 11am-4pm, free; Bayview location: Bayview Opera House Ruth Williams Memorial Theatre, 4705 Third St., SF. 11am-4pm; Embarcadero location: Pier 15, 11am-10pm. www.exploratorium.edu. All locations offer free admission. Everyone’s favorite on-hiatus science museum is sending 10 trucks tricked out with the kind of wacky, hands-on exhibits its know for to the Mission, Bayview, and the Embarcadero for a day of science, music, and food. In both Bayview and the Mission, enjoy itinerant filmmaking, projects that encourage attendees to sport costumes and act out a special script which will then be chopped, screwed, and shown to the public.

TUESDAY 12

“Stars of Stand-up Comedy” Neck of the Woods, 406 Clement, SF. www.dannydechi.com. 8pm, $10. Comedian and pencil musician (exactly what that means we are not quite sure, please report back if you go) Danny Delchi is hosting tonight’s show. Long-time Niners field announcer Bob Sarlatte and the quirky Mr. Mystic will be performing alongside a number of other top Bay Area comedians.

Persian New Year Festival Persian Center, 2029 Durant, Berk. www.anotherbullwinkelshow.com. What better way to welcome spring than to jump over a bonfire? Head over to the Persian Center to take part in this ritual that has been passed down since Zoroastrian times. Accompanying the fiery activity will be Persian food, music, and dancing.

Trouble down under: SF indie film banned in Australia

Andrew Lam

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March 5, 2013

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Trouble down under: SF indie film banned in Australia

Cuddle porn, banned in Oz? The Australian Classification Board took exception with auteur Travis Mathews’ tender look at life and love among gay men in San Francisco — which included explicit sex scenes. Film fanatics at the Melbourne Queer Film Festival, Sydney’s Queer Screen, and the Brisbane Queer Film Festival will be missing out on Mathew’s work — I Want Your Love was scheduled to screen at all three this year.

Look, James Franco is sad too. “This seems really silly,” the actor says, wearing an absolutely interestingly patterned t-shirt and blonde head of hair in the video statement below. “I don’t think we’d be having this conversation if he’d made a very violent film.” Franco and Mathews recently collaborated on the film Interior. Leather Bar., inspired by the 40 minutes of S&M footage excised from the 1980 Al Pacino film Cruising:

Just as it did in 2010 with Bruce LaBruce’s gay bloodbath LA Zombie, the Classification Board deemed I Want Your Love‘s sexual content “gratuitous.” The term struck a chord with I Want Your Love‘s supporters, who may fail to see the connection between their film’s depictions of real-life gay sex and LaBruce’s necrophiliac plotline/erect zombie prosthetics.

“This is movie about gay life and relationships,” wrote the president of local gay porn company Naked Sword, Tim Valenti, in an editorial for Huffington Post that will be posted later today (we are sneaky/his press person sent us the op-ed text early-like.) Naked Sword produced I Want Your Love. “If we wanted to just sell sex, we could have made another porno,” Valenti writes. “But where’s the challenge in that?”

You can check out I Want Your Love on the Naked Sword website. Here’s Marke B.’s review of the flick from when it screened at the 2012 Frameline Fest:

I Want Your Love (Travis Mathews, US, 2011) Local director Travis Mathews’ first full-length feature — produced by porn impresario Jack Shamama and the good, pervy folks at Naked Sword — is so beautifully shot, edited, paced, and true to life for a certain young, scruffy, artsy fag demographic (not to mention brimming with explicit sex scenes) that you probably won’t notice that hardly anything happens plotwise. A cute performance artist named Jesse, played by one of our top performance artists also named Jesse, is getting ready to move back to Ohio due to those all-too-familiar San Franciscan money woes, but maybe also to forge some deeper connection to life. That’s about it. The true joy here is seeing most of the Bay Area’s gay underground arts scene nailing peripheral roles: Brontez Purnell hilariously steals the movie, cute naked gay boys abound, and the whole thing really does come off as a lovely West Coast boho version of last year’s UK indie hit Weekend, with more fog and condoms.

Stardust tea in Japantown: Crown and Crumpet re-opens in a quicker format

Andrew Lam

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March 5, 2013

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The beloved tearoom Crown and Crumpet Tea Room – which closed down its previous Ghirardelli Square location nine months ago – reopened in the first floor lobby of Japanatown’s New People entertainment hub and shopping center.

After deciding not to renew the lease on their waterfront space, Crown and Crumpet owners, husband and wife team Amy and Chris Dean were asked to open up a Japantown location by the folks behind New People. To the Deans the neighborhood seemed like a natural fit.

“We partner with the J-Pop festival and have a lot of fans like Lolita girls who love Crown and Crumpet and Japantown as well,” Amy Dean tells me on my trip to the shop on its first day up and running. “Because we collaborate with them a lot they asked if we would open up a Crown and Crumpet here.”

The new space is significantly smaller than its old location, which is why it has appropriately enough, been packaged a “tea stop café” as opposed to a tearoom. Dean explains, “we wanted to make it a little different so that people would know it is a casual, quicker version of our old shop. It’s a quicker experience but you still get afternoon tea.”

Crown and Crumpet is currently working to create cinema snacks and bento boxes for the movie theater in New People’s basement. The casual vibe is reflected in the shop’s prominent positioning of its to-go service, and it’s on the way to selling Blue Bottle coffee. (As of right now, Amy and Chris are working to get their degree from Blue Bottle’s training program before they can start brewing).

But though the small space might not allow for as much lingering as the Ghirardelli Square location, but that doesn’t mean vistors won’t want to stick around. From the giant teacup clock hanging on the wall to trademark floral-and-polka-dot tablecloths to the staff’s coordinating aprons, Crown and Crumpet’s a sweet sight.

The three-tiered afternoon tea was the standard order among customers on the afternoon I visited. Amy Dean personally explained each item on the plates as she simultaneously ran around working out some standard opening day kinks. The service was stacked: petit fours on top, crumpets and a scone in the middle, and sandwiches on the bottom level of the tray.

I opted to try out their signature stardust black tea, which was delightfully sweet but more importantly, sparkled! The blend has tiny silver shimmering specks in it.

Crown and Crumpet is still working to open up a bigger location, similar to its former site. The Deans aim to open that up before Christmas in the Union Square neighborhood. “We tentatively have a space where we hope to include a library area for the men as well as a party room,” Dean says.

There is no denying Crown and Crumpet’s Tea Stop Café offers a different experience compared to the old shop. But with 110 reservations on the books for its second day of service, and 62 visitors by the time I visited on Friday, it would seem customers still have a sweet spot for the place. “It’s really amazing that we have so many people that love us,” says Dean. “There are other tearooms in San Francisco but we really pay attention to details, the charm, and whimsicalness of it all.”

Crown and Crumpet Tea Room 1746 Post, SF. (415) 771-4252, www.crownandcrumpet.com

Noise Pop 2013: Califone, ‘Scene Unseen,’ and DIIV

Tony Robles

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March 5, 2013

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Will 2013 be the year that Noise Pop began downsizing? Or, is the festival simply adjusting its focus towards smaller, rising acts? Either way, this year’s lineup was surprising from the get-go, eschewing the name-brand, Flaming Lips-y headliners in favor of rising, blog-friendly outfits like Toro Y Moi and DIIV. Sadly, I couldn’t occupy nine venues at a time, so here’s a rundown of the Noise Pop shows I did see this past weekend.

CALIFONE
Having listened to Califone‘s records for over a decade, yet never seen it live, I was curious about the band’s strategy in translating its studio material to the stage. From its introductory statement, Roomsound (2001), to the extended freakout-jams of Heron King Blues (2004), to last year’s Sometimes Good Weather Follows Bad People, Califone’s sound has always been production-oriented, augmenting the rustic twang of blues and roots music with an equally faded, rusted, precarious palette of electronic sound. No one merges the old and the new quite like Califone in the studio; the band’s records are visionary, but sadly, its live show didn’t quite measure up.

My first impression: no electronics. Frontperson Tim Rutili’s four-piece band consisted simply of two guitars, bass, and drums, leaving behind a significant part of the Califone identity. While this stripped-down approach isn’t necessarily a bad move, it requires a batch of songs strong enough to resonate after being whittled down to their skeletal forms.

While certain pieces thrived under the minimal treatment (“The Orchids,” “Electric Fence,” “Bottles and Bones”) others began spinning their wheels after a while (“Ape-Like,” “All Tied,” by Rutili’s side project Red Red Meat), without electronic ornamentation to keep the dynamics compelling. Yet, whenever the instrumentation was lacking, Rutili’s raspy voice and slide guitar came to the rescue, and picked up most of the slack.

While I would’ve liked to see them approach their studio material with more ambition and imagination, Rutili and Co. certainly made the trip to Cafe Du Nord worthwhile.

SCENE UNSEEN
After Califone, I headed to 1015 Folsom to catch the last two sets of Scene Unseen, the club’s attempt to piece together the remnants of the “chillwave” scene of summer 2010. NYC’s Washed Out and recent Bay-Area transplant Toro Y Moi played DJ sets, one after the other, both of which seemed to amount to little more than standing in front of a MacBook, and pushing play. So, those seeking a “performance” were likely disappointed. However, both musicians put on competent, engaging sets, showing a deft understanding of flow and dynamics, and putting the crowd into a well-controlled frenzy.

Washed Out‘s crowd-pleasing-est moment was likely Todd Terje’s “Inspector Norse,” the space-disco extravaganza that every critic seemed to embrace in 2012. The best thing I heard for the first time was “Holding On” by Classixx, a house anthem that played like a poor-man’s “Digital Love” by Daft Punk, yet trounced most of the competition.

Toro Y Moi’s set was more diverse, and less reliant on four-on-the-floor percussion than Washed Out’s. Jumping from a Larry Levan remix of Positive Force’s “We Got the Funk,” to Daphni, Purity Ring, Mariah Carey, and most memorably, Ginuwine’s “Pony,” the lack of genre-specificity was reminiscent of Anything in Return, Toro Y Moi’s new LP that rejects the notion of chillwave for something warmer, more personable, and harder to classify.

It seems that Washed Out and Toro Y Moi have differing priorities at this point, with one staying comfortably within the confines of chillwave, and the other exploring beyond its boundaries. As a result, there wasn’t much of a unifying scene to be found at Scene Unseen, but it was a treat to see both artists, in a one-two punch.

DIIV
One of the most promising groups within the current revival of shimmery, glassy dream-pop, NYC’s DIIV put on a truly impressive show for a one-album band. While it simply doesn’t have enough material at this point for an all-killer-no-filler, hour-long set, the band showed a great ability to adapt its recordings for the stage. Upping the tempos on a handful of songs, and veering into some extended jams, it managed to subvert expectations constantly, however slightly, making for a way more compelling show than a note-for-note playthrough of its 2012 debut Oshin would have been.

“Air Conditioning” was a big highlight, rejecting the laid-back swagger of the studio version, for a fast, propulsive, borderline-motorik groove that recalled the Velvet Underground and Ride. “Wait” and “How Long Have You Known?” were similarly impressive, rounding out the slam-dunk middle section of Oshin. The big surprise of the night came with a cover of Stereolab’s “Blue Milk,” (Bradford Cox’ favorite song, perhaps), a number that fit in seamlessly with the band’s glassy, shiny guitar sound, yet pushed its penchant for droney, chugging dynamics to a new extreme.

However, the elephant in the room: a lot of DIIV’s material sounds the same. Tracks like “Past Lives,” “Earthboy,” and “Sometime,” feature slight variations on the same guitar melody, and I’m still not sure how that makes me feel.

Whether its music is modular, lazy, or just underdeveloped this early in the game, there’s no doubt the band has a lot of room for refinement. Despite that, it was pretty thrilling to witness DIIV at (hopefully) the start of its lifespan, hungry to put its potential on display.

Noise Pop 2013: The Crystal Ark at the Mezzanine

Tony Robles

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March 4, 2013

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“Dude, a satchel? That’s the gayest shit I’ve ever seen.”
“What?” I asked.
“Your purse,” he said, pointing to my camera bag, as his apparent girlfriend giggled and tried to cover his mouth. “That’s so fucking gay. Are you from America?”
“Thank you,” I said, as I finished putting in my ear plugs, mostly disinterested but half curious what he made of the two guys making out 10 feet across the dance floor.

Given that the last time I was in this situation, at Mezzanine to see NYC’s disco band the Crystal Ark supported by “San Francisco’s coveted queer DJ collective” Honey Soundsystem, was during Pride weekend, this was an odd encounter. But I’d already expected the crowd to be a little off, given that it was seemingly a late addition to the Noise Pop Festival and had to compete with packed, sold-out events in the vicinity.

Maybe the couple came out for the free Toro y Moi/Washed Out club night/email farm going on over at 1015 Folsom, and got turned off by the massive line. Maybe they were just visiting from out of town, and Mezzanine was close to their hotel. In any case, a short time into the band’s set, I couldn’t see them around, and presumed they left early.

Whatever. The Crystal Ark would be pretty central in a Venn diagram of my musical tastes. Gavin Russom is easily the fifth most significant member of now-defunct LCD Soundsystem, which doesn’t mean much except for obsessives (guilty.) With The Crystal Ark, he combines his synth expertise with Latin percussion and a trio of female singers in a way that recalls both ESG and Fania All-Stars. Plus, an additional utopian/spacey theme that suckers me.

http://www.youtube.com/watch?v=P3X2NAqqUCM

Still, to be honest, the first time I saw the band I was a little disappointed. Mainly because it seemed to take at least a half an hour before it livened up and built into the kind of fluid groove you want from a group like that. Friday, the Crystal Ark seemed much improved. Coming to the stage with the slight awkwardness that comes with being the headlining band with no real opener, Russom proceeded with introductions, saying that they were glad to be back at Mezzanine, noting that “This is a wild city. I’ve only been two blocks, but I’ve seen a lot of wild shit.” (Presumably arriving via Sixth Street rather than Mint Plaza.)

But a few minutes into their new single “Rain,” the band seemed ready to go, with the chorus “C’mon, and show me what’s the best you got,” being an obvious challenge to the small crowd.

This time around the band was also smaller, consisting of Russom, a single percussionist and a group of singers-dancers led by Viva Ruiz. But the performance and connection to the audience was improved.

Throughout the night Ruiz would alternate between English and Spanish, at one point dedicating what I’d failed to realized was a pro-immigration song, “We Came To (Work)” to her father and “We the fucking people.”

Despite the smaller size, the sound was bigger and more synchronized. After finishing with the appropriate “Ascension” and the refrain “the time has come,” it was a little disappointing seeing the club shut down – opposed to last time where the Pride crowd and Honey Soundsystem kept things going – and Russom was packing up his gear. When I complimented him on the show, he attributed it to having released their album and having more time to focus on performing. Now they just have to find the right crowd.

Happy Women’s History Month, dammit let’s celebrate

Andrew Lam

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March 1, 2013

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Happy Women’s History Month, dammit let’s celebrate

Officially, the city of San Francisco will celebrate Women’s History Month with a ceremony honoring a female representative from each district on March 19 at the Board of Supervisors’ legislative chambers, followed by a reception at the Public Utilities Building at which the Mayor will proclaim a Woman of the Year. If you can stand the excitement, click here for more info.

Let’s not stop there, shall we?

Obama’s proclamation of this year’s WHM directed people to a carefully curated, perfectly dull website. Are we over Women’s History Month? Does the holiday — officially created in 1987 and proclaimed by the President annually starting in 1994 — amount to mere tokenism, as the Atlantic proclaimed today?

We’re all hanging out waiting for feminism’s fourth wave at this point, and with the Republicans having been roundly shamed in the 2012 national elections, most of the activist ire in this city gravitates towards causes with more traction in 2013. (Though this may be changing. See: local author Rebecca Solnit’s teaser for her upcoming book on the global pandemic of violence against women, which will at the least get the blogosphere roiling.) Call this a positive move towards intersectionality if you will.

But I can’t help but think: they gave us a goddamn month, shouldn’t we use it?

It’d be great if March had as many exciting events as February did for Black History Month, which saw a film festival, library events, four-day food and drink extravaganzas in the Bay Area. Excuses to come together, explicitly, in the name of women are rare — though I don’t even think they have to have a History Month (or International Women’s Day, which is March 8) on them to be amazing.

Check the newspaper on Wednesday for our complete list of recommendations on places to kick for Women’s History Month, and even more XX-chromosoned culture than usually through March. I suggested printing t-shirts for your feminist gang now. For now, here’s a couple cool, not necessarily Women’s History Month-specific ways people are recognizing women’s accomplishments this year:

– Retroactive awesome: last week, the City and the NAACP joined forces to honor 93-year old swing dancer Norma Miller at Saint John Coltrane African Orthodox Church. She’s known as the “Queen of Swing” and now travels the world speaking about her life and jazz culture. She’s danced in everything from the Marx Brothers’ A Day at the Races (1937) to Spike Lee’s Malcolm X (1992), and shows up in the Ken Burn’s jazz documentary.

– Mirus Gallery is in the final days of “The Looking Glass: Refraction Through the Female Gaze”, in which 17 female artists interpret the female form, messing with the art world’s standard depictions of woman as vessel for whatever the hell conceit the painter/illustrator/sculptor is trying to get across. Kimberly Brooks, Rachel Walker, Mercedes Helnwein, Claire Pestaille, and Casey O’Connell all have pieces in the show.

Through Sat/2. Mirus Gallery, 540 Howard, SF. www.mirusgallery.com

– Mother and head of the SF Fire Department Joanne Hayes-White has been named grand marshall of this year’s St. Patrick’s Day parade. Hayes-White made tne news in 2005 when her husband called 911 after she raised lumps on his head with a pint glass, and then again in 2011 when her wages started being garnished for spousal support. Something about supporting her husband and raising her kids just didn’t sit right with her #badass

– Tonight is the First Friday opening of “Titti Trifecta”, an all-female group show at Moco Gallery in Oakland. Expect single mom sculptures, artisanal dildos, and a month-long program of artist talks, feminist film, and DIY sex toy workshops.

Through March 31. Opening reception Fri/1, 7pm, free. Moco Gallery, 371 17th St., Oakl. Facebook: Moco

– International Women’s Day is March 8, but the only women’s demonstration we’ve heard of so far will take place on March 9 at Dolores Park. Women Organized to Resist and Defend (WORD) is organizing this rally and march to bring attention to violence against women. From Ohio to India, this year’s been a doozy, and past anti-violence march turnouts have indicated that people are starting to turn out for their right to be safe. (On a related note, check out this Time photo essay by Sara Naomi Lewcowicz, for which Lewcowicz embedded with a couple who before her lens became the poster children for domestic abuse.)

March 9, noon, free. Dolores Park, 19th St. and Guerrero, SF. www.defendwomensrights.org

Check Wednesday’s newspaper for our full list of woman-y stuff during the month of March — and send any event you’re stoked on to caitlin@sfbg.com

Pies at the ready: Seniors prep for this weekend’s Black Cuisine Festival

Andrew Lam

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February 28, 2013

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“This is the hippest, hottest senior center in the city,” said a volunteer as she shredded chicken. Dr. George W. Davis Senior Center was in full cooking mode, preparing for Sat/2’s Black Cuisine Festival. There were sweet potato pies baking in the oven, fresh-battered catfish sizzling in oil, and pans of corn bead cooling on tables, waiting to be crumbled into a chicken dressing. The smells were intoxicating.

This community knows how to put on a food festival. Saturday will mark the 33rd year of the center’s food festival, and I was excited to get a sneak peek of Saturday’s dishes. So were the volunteers. I’ve never seen a group of octogenarians jump up and rush a table as fast as they did. These old-timers know good soul food — and how to ensure it tastes just as good as their parents’ cooking.

This weekend’s event will be packed with things to do, see, hear, and eat with two music stages, a kid’s area, a marketplace selling locally made goods, VIP lounge, cook-off contest with prizes, and of course, plenty of classic black cuisine, dished up by Big Mama’s Kitchen. For those squeemish about the idea of eating traditional black cuisine, be assured: Big Mama’s Light also offers vegan and low-fat options.

Reverand Hall gave us a tour of the senior center before frying us up some of his fabulous catfish, giving me a chance to meet some of the people that the Senior Center provides for. Sitting down with a group of women making dolls to sell at the fair, I learned how they come to the Center every day to visit friends, take classes, use the computers, share in daily meals, go on field trips, and play bingo (of course). Going to the festival is their annual ritual, and, for so many reasons, they told me I just had to go.

Listen to your elders and come out this Saturday, have a plate, and support Bay View Hunters Point Multipurpose Senior Services. Bon appetit!

Black Cuisine 2013

Sat/2, 11am-7pm, $25

Dr. George W. Davis Senior Center

1706 Yosemite, SF

www.bhpmss.org

Noise Pop 2013: Cruel Summer, Lake, and the Blank Tapes at Hemlock

Tony Robles

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February 28, 2013

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It’s a low-key kind of Noise Pop year compared to the past three or four, without the huge, attention-grabbing headliners of yore (looking at you, Flaming Lips at Bimbo’s), but Wednesday’s show at the Hemlock Tavern could have been nuzzled in nicely in any very early NP lineups, which is what made it feel authentically true to the inherent spirit of the festival.

No pomp or glitz, no big names or sold-out, packed-to-the-gills chaos. I initially went to see Olympia, Wash.’s Lake, a twee, lo-fi indie pop quartet with great hooks, but found much enjoyment out of the two bands that sandwiched that act (Cruel Summer and Blank Tapes), perhaps even more so?

I arrived early in Cruel Summer‘s set; I’m told the jangly San Francisco act had only played a few songs to the neatly packed in Hemlock crowd. There were casually smiling faces stretching from the front of the stage back to the sound guy, however there wasn’t that trademark Hemlock hot stink just yet. You could stretch your legs out without knocking into a sweaty mess. Though I detected a wafting hippie scent.

Cruel Summer, which consists of two hard-rocking ladies out front (bespectacled lead singer-guitarist Thea Chacamaty and bassist Chani Hawthorn), along with guitarist Josh Yule and bassist Sean Mosley, created a rolling wave of reverb and noise – so loud it drowned out the vocals – in a “dreamy gazey noisey hazy wavey gravy” way, as the band is wont to describe it. During the loud-sound-wave a few heads in the audience bopped and jerked hard, meeting each thundering drum hit with a nod of approval. Cruel Summer’s been around since 2011, but could easily fit in with ’80s shoegaze scenes or ’90s K Records stock.

The latter goes for second band Lake as well. Actually, Lake is currently on the K roster. And it fits right in. An aside: when I was first learning there was music being made beyond pop radio (‘sup KIIS-FM?) in my early, impressionable tweens, I had a friend with an older sister who was of the super cool girl alternative guild. She and her friends were in to riot grrrl, and twee, and K, and Kill Rock Stars, and the like. They wore cardigans, boat stripes, short skirts with nubby tights, and thick-framed glasses, and had glittery Fenders and drum kits. I feel like the older sis and her crew would’ve dug both Cruel Summer and Lake.

http://www.youtube.com/watch?v=wO4ZA7ezlEg&feature=youtu.be

Anyway, Lake played mostly new songs last night, some that had sexy Bossa nova bass lines – the bass was noticeable after Lake asked the crowd if anything needed to be turned up louder. Some got so funky a few people noodled along to the beat. The four band members switched instruments a few times during the set, and three traded off covering male/female lead vocals, including Eli Moore and his wife, the sweet-voiced Ashley Eriksson, who also played keyboards.

Next up was the Blank Tapes; the trio also traded off male/female harmonies and pop hooks, but with a garage-rooted rock’n’roll edge – that was also due in part to standing drummer Pearl Charles smacking just two drums, a floor tom and a snare, often with a mighty thwack. This is also when the scent changed from hippie to pizza, as someone brought in a delicious-smelling pie, and I got jealous.

The dynamic between Charles and Blank Tapes pied-piper/multi-instrumentalist Matt Adams reminded one of my show-going companions of the famed Lee Hazlewood-Nancy Sinatra collaboration. Though on looks alone, it could’ve been Lindsay Weir and Ginger Baker. The band – which has the advantage of a rotating lineup and addresses in both LA and SF – sounded great, alive and full of energy, pumping up an already pleased crowd with crackling beach garage songs like bubbly “Coast to Coast” (a new single on Oakland’s Antenna Farm Records), a song I feel like must be called “Beach Party,” and tracks off 2012’s Sun’s Too Bright (Burger Records) tape. Live, the songs seemed far less relaxed than recorded versions.

It’s the way I imagine Noise Pop began, 21 years back, with talented, eclectic, lo-fi, noise-pop-genre-specific acts from up and down the West Coast huddled in a favorite little local venue, beating the shit out of their instruments. No fuss, no muss.

Hot sexy events: transman awardwinners and vibrator art

Andrew Lam

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February 27, 2013

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Hot sexy events: transman awardwinners and vibrator art

Somehow in the course of things I missed out on blogging about this year’s Tranny Awards, LA’s porn industry hat-tip to the best in transgender adult film. This year was particularly special — for the first time transmen were honored with their own award category, sponsored by relatively new site FTM Fucker, whose founder is angel-faced James Darling. OG beefcake FTM actor Buck Angel won, appropriately enough. Hopefully in future years there will be new FTM stars at his level.

In other news… my lord, has anyone checked out the James Deen store recently? Who cares if that NY Mag article sinks The Canyons. Fleshlights, baby panda t-shirts, posters — the bulge in Deen’s (back) pocket should be sizable regardless of box office returns, thanks to his legions of Deenagers, a term that apparently has little to do with age.

Anyways, sex events.

“Bling My Vibe”

Who says no to creating a work of art with a $3 vibrating dildo? Not this writer — check out my handiwork, and that of other Bay Area artists and sexy local celebs at this sex toy art show on view ’til the end of the month. Check out the contest page for early looks at the competition.

Fri/1-March 31, free. Good Vibrations, 1620 Polk, SF. tinyurl.com/blingmyvibe

Gay Men’s Sketch art show

Mark I. Chester’s erotic sketch class in SoMa churns out some top-notch renderings of gay male sexuality, so for fans of muscle, leather, kink, and lust should head to this exhibition of his pupils’ best works. Not all of the drawings at this show are erotic — Chester’s class makes up merely a subset of the work — but all promise gorgeous men in artistic poses.

Fri/1, 8-10pm reception, free. Magnet, 4122 18th St., SF. www.markichester.com

The Great Church of Holy Fuck

The name, the fact that this production is helmed by Annie Danger, queer trans utopia-seeker, the promise of nudity — surely these will add to a truly religious interactive theater experience.

Fri/1-Sun/3, 8pm, $15. Counterpulse, 1310 Mission, SF. www.counterpulse.org

Bondage A Go-Go

DJs Damon and Tomas Diablo make this fetish disco the place for non-chafe leather. Tonight’s happening is a celebration of 20 years of kinky dancefloor exploits.

Sat/2, 9pm, $15. 111 Minna, SF. bagg20-efbevent.eventbrite.com

International Sex Workers Rights Day picnic

The Sex Workers Outreach Project and St. James’ Infirmary are hosting this gathering of past and present sex workers and their allies in celebration of this day of commemoration, which started in 2001 at sex worker festival in Calcutta, India.

Sun/3, 11am-2pm, free. Dolores Park, 19th St. and Guerrero, SF. www.swopbay.org

“Porn-Star-Gazing”

Twitter has changed a lot of things, but perhaps nothing as much as the relationship between porn stars and their fans. The industry is notorious for its all-access policy on the social network — and really, it’s just one of many places where you can see the evolving relationship between adult actors and their audience. At today’s panel discussion, porn performers Lorelei Lee, Mickey Mod, Conner Habib, Richard Pacheco, and CJ Laing will chat with sexologist Carol Queen about the different ways different kinds of porn stars talk with their fans. The event was inspired by the Nina Hartley fanmail exhibit currently gracing the Center’s walls.

Sun/3, 7pm, donations suggested. Center for Sex and Culture, 1349 Mission, SF. www.sexandculture.org

Nite Trax: Is Beatport the new Wal-Mart of techno?

Jesse Hawthorne Ficks

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February 27, 2013

3

Nite Trax: Is Beatport the new Wal-Mart of techno?

When I heard that super-popular, infuriatingly designed dance music download site Beatport had partnered with Shazam earlier this month, I wanted to write something about how the valuable mystery of the underground might be compromised by anyone being able to hold a phone up to immediately identify and download a track. And then I wanted to contrast some of the fun measures DJs might take to prevent their tracklists (one of the few proprietary things left that can really distinguish a good DJ) from being exposed, with the simple joy of finally stumbling upon a song you’d been looking for for 22 years that instantly projects you into your gloriously wasted youth because yay Internet. The partnership might not be so bad, after all, if it leads to new discoveries and interesting subversions.

Beatport has a lot of crappy mainstream tracks on it, and the back catalogue is incredibly spotty, but it has some great stuff, too, and it’s giant. (I go there once in a while to hear what a sizable audience is listening to and catch up on new releases.) And it does at least nominally reward musicmakers with some money and exposure, an opportunity to sell their handmade bedroom creations. It’s kind of like Etsy for pimply boys. If Beatport-Shazam helps people find and buy some great new tracks, then fine. I also remember how cute the Denver-based Beatport was in the beginning, its candy-raver-like representatives handing me alien-looking free download credit cards at Pride and Love Parade and the Detroit Electronic Music Festival. Awww.

But then I read this super-annoying but awesomely candid Billboard interview with Beatport CEO Matthew Adell about the partnership, and thought, “Hey, if they’re gonna treat underground music as just a big business to be repackaged and monetized, (albeit one they seem to enjoy at least a little), then they can defend the Shazam partnership from angry DJs their own damn selves.”

Because of course, despite its catalogue of music independently made and emblemmatic of underground party vibes, Beatport, like all music distribution, IS a business — a supervaluable one that considers itself in competition with iTunes and has exploded with the emergence of the boringly important pop-EDM phenomenon.

And now it has been bought by megacorp SFX Entertainment, part of “a plan to to build a $1 billion empire centered on the electronic dance music craze.”

OK then: take all the Guetta and Swedish House Mafia imitators you want, SFX Entertainment — but leave our Silent Servant and Donato Dozzy alone! SFX had already built an empire based on the live rock performance boom of the ’90s and sold it to Clear Channel, which became the basis of Live Nation. Clear Channel was/is pretty damned evil. Will all the colorful characters of underground house and techno find themselves crushed by the wheels of industry? Will there be a rebel gospel house Pearl Jam, a UK dub-bass Prince in our future, fighting against the machine?

I’m merely a mindless consumer of all this music, though, dancing my heart out. Beatport is great, but when I (very rarely) DJ, I frantically run down to the Black Pancake record store in the Lower Haight, or purchase web-only tracks from Juno or Stompy or, gasp, record label sites themselves when Beatport surrenders no search returns.

So I turned to outspoken longtime label and production honcho Chris Lum of Harlum Muziq and legendary Moulton Studios to see what he thought. He replied in the form of a Facebook note — and as usual, he had plenty of thoughtful and passionate things to say about the general matter. I’m printing his response in full below, hoping to start a dialogue going about how the mainstream embrace of dance music, and just a particular type of dance music at that, is changing the industry and, quite possibly, the party.

Chris Lum:

In a 2009 Rolling Stone article, the great writer Matt Taibbi said this about Goldman Sachs. “The first thing you need to know about Goldman Sachs is that it’s everywhere. The world’s most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money”.

This quote read round the world was the 1st thing that popped into my mind. You see, a few interesting things in the world of dance music happened to me over the last several days. It starts with me, getting re-acquainted with my roots as pure fan of house by way of sweating on a dance floor for a few blissful hours this past Saturday at Mighty. Who was I dancing to? Just a young lad known as “The Godfather Of House.” You know, the guy with a street named after him in Chicago. The brief moment of disconnecting myself from the man who’s been working in the industry for 20 years and reconnecting with the young man who was turned on by the music was profound. During that evening a conversation with [local DJ] Franky Boissy lead to him sharing a film with me called “Keep On Dancing. The God Father Of Disco.” This documentary is about a man very few of today’s younger set have ever heard of. A man by the name of Mel Cheren.

Mel was the man behind a seminal label called West End, the early investor in a little NYC club called “Paradise Garage” and supporter of a wee popular DJ named Larry Levan. He’s also the guy that worked with Tom Moulton on getting the first 12″ record to the marketplace. Mel’s place in the lineage of todays dance music industry can not be overstated. It is men like Mel Cheren and the David Mancusos of the 1970’s that inspired the likes of Frankie Knuckles. Who in turn laid the foundation for what we call house for the last 30+ years. In fact, it may arguable that Mel and Westend is a vital part of hip hop/rap history. Think of this period as a star going supernova. A brilliant flash of light and energy that travels light years in it’s reach and creates the building blocks for future stars that then give life on their own.

The documentary ought to be required viewing for anyone claiming to be in this industry. (See it here.)

Flash forward to last night when I started to see the links to the news about the purchase of Beatport. Mind you, my views to follow are less about Beatport as a single company and more about what this represents to the industry and more importantly the culture that it defines. As a label owner and artist I have ZERO issue with Beatport. I have a friend who works there and he’s all about music. He’s a lifer actually, everyone I have ever met from Beatport is nice, passionate, smart and deserving of respect. Try and hold off on the “Beatport sucks anyway” comments. They add nothing to the discussion and are not that smart. As a customer, I also spend my money there. Again, the views expressed herein are not about Beatport. They are about the pinnacle of a trend going for about 10-15 years now. What is that trend?

Let’s put Taibbi’s quite next to one from NYTimes music writer Ben Sisario’s report on the Beatport sale:

Matt Taibbi – “The world’s most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money”.

Ben Sisario – “SFX Entertainment, the company led by the media executive Robert F. X. Sillerman, has agreed to buy the music download site Beatport, part of the company’s plan to build a $1 billion empire centered on the electronic dance music craze.”

Anything pop out to you there? It does to me. You see, what struck a chord to me in the Mel Cheren movie was contemplating a time where the leaders of a particular part of the industry were actually participants and creators in the culture. They were often the vanguard of creativity, taste, trend and style. They lived in it. They were it. Even in my early halcyon days of the early to mid ’90s, you had the cultural leaders enjoying commercial success from their work. There were few “carpetbaggers.”

Events like Wicked, Stompy, Funky Techno Tribe, Toon Town, etc, were created, run, nurtured and profited by those directly and deeply involved in the community. The same held true in the Mel Cheren era. These people lived and breathed the culture and their economic success was a result of the creative contributions they gave to the people.

What we have hear in this Beatport purchase is the reverse trend of the last decade +. That of pure economic exploitation of a counter-culture, the pasteurization of color, homosexuality, avant garde(ness), danger, edge. You know, all things that will scare average white americans and get in the way of higher ROI’s. Those that seek to buy out these companies do so with the same mentality Bain Capital seeks “opportunities” to “capitalize” on “trends” (aka craze). Much like Taibbi’s vampire squid, they will monopolize areas of the industry of highest return and devour the meat until only the carcass is left to fight over by the vultures in our culture. What we have now are MBAs making creative decisions. Carpetbaggers flying in on private jets to anoint the next big thing with the same techniques used to roll out a new soft drink product. Boardroom meetings and that special detachment to the history and culture of “their market” that only those in the elite class have.

Of course, it very well be that this is a uniquely American story. I’m not on the ground enough as a touring DJ playing in various sized venues and visiting local record stores to gauge the health of the dance music culture abroad. From the outside it appears as though it’s vibrant and flourishing. With opportunities available to a “middle” “class” of innovative, creative, hard working people create something wonderful for their community. We have a few left here in SF and the states as well. But from a long view of 22 years experiencing this culture, it seems the trend has become: Every year we lose a few more of those who have earned a place at the table while replacing them with consolidation, media mergers,buyouts and exploitative practices.

Before you select few chime in with “Stop worry and do your own thing. This does not matter” (I already know who you are). Let me state that I have been having private conversations for almost two years now with people that you would “assume’ are kicking ass. People that are making amazing modern music, running labels with great releases, great new artists. People that are working their asses off. Grinding, hustling, traveling, gigging, etc. All the things that you would tell someone to just “go do.” Even those held up as “doing it” are barely holding onto something worth doing. Like America, there used to exists a solid middle class in this culture. People who could pursue a passion, do it well, hell even do it locally only (hello Larry Levan) and earn enough to not be broke, invest in their craft and provide people joy from the ability to do what they were put on earth to do. Now we don’t. We have the 1% and the 99%. There are still different levels of the 99% but it ain’t the 1%.

And guess what, unless you are connected and have a million + to give to the 1%, your talent will not give you that access.

Most of my concern over this trend has been on the demise of any culture of dance music in America. There are some who will argue the point that mass exposure leads to more opportunities for all or that the business practices of the elite have no bearing on others. I would argue however that same trends we’ve seen with the mom and pop business trying to compete with the Wallmarts is what we are seeing in dance music land. You, see, we love $ in america. It’s our national religion. We love to have as much of it as we can. We love spend it we when we have and save it when we don’t. Because C.R.E.A.M (look it up), the huge media companies get to dictate what the industry does if the industry wants some of their $. This effects everything from booking fee’s for acts, access to artists, access to publishing rights, cost of entry for starting a business, access to promotional streams and local license and permit fees.

Over time it squeezes out the local businesses and leaves only the monolith. You ever travel through the states and pull into these little towns and all there is a Wal-mart, and a chain stores? The people in those towns are always sold a lie. Let us come here and “help” this town with tax revenue and jobs. Then the town gets no tax revenue and shitty low wage soul sucking jobs. It’s the same thing here with Clear Channel buying beatport. With Ultra buying the Salsoul & Westend Catalogs. With livenation dominating the landscape with it’s festivals. With local municipalities giving access and support to the large corporate entities while continuing to squeeze and pressure the small, local business.

Say what you will. I think this one little news item marks the official end the American dance music story. It’s over folks. Anything you thought was left in a real way is merely a hologram of what once was. In the current climate, we will not see the rise of another Mel Cheren, Larry Levan, Ron Hardy, shit, even the next Frankie Knuckles. Todays EDM is sterile, straight, un-offensive, milquetoast, and conformist. No one representing a true revolutionary spirit will be allowed on the big stage. If you doubt me, ask the Dixie Chicks how Clear Channel dealt with them the year after 9/11.

I’m your fan

Jesse Hawthorne Ficks

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February 27, 2013

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arts@sfbg.com

MUSIC Like most love affairs, there was little indication on our first encounter that it would turn into a lifelong infatuation. I was 17, methodically singing my way through a book of folk tunes, one of which was his first real hit, “Suzanne”. Though I admired it for its lyrical content, it weighed heavy on my range, and I soon moved on to other songs.

When I stumbled across him again, years later, it was as if we had never met. He was older, rougher, seemingly more jaded. His brutal ode “The Future” was dominating the indie-radio airwaves, hot on the heels of its appearance in Oliver Stone’s bombastic Natural Born Killers. When my then-roomie confessed a fondness for his music, it turned that single song on the radio into a sort of clarion call — the key, perhaps, to winning my flatmate’s frustratingly platonic heart. From that time, Leonard Cohen became a constant presence in my life, hovering at the periphery of countless triumphs, challenges, and betrayals, a companionship of almost 20 years that has spanned the globe, and almost every kind of circumstance.

There’s no one song or phase of Cohen’s music that seems to universally predicate the shift from uninitiated or fair-weather fan to true believer. For some it is the Cohen of the 1960s, whose laborious finger-picking and reedy, untrained voice lent equal gravitas to meticulously-plotted stories of resistance fighters and blowjobs, transcendence and squalor. For others it’s the synth-infused litanies to the naked body and the painful futility of the excess of the ’80s, or the flintier, world-weary renegade poised for flight of the early ’90s. Even the most contemporary of Cohen’s “masks,” the “lazy bastard in a suit,” currently rides a wave of almost unprecedented popularity, particularly in the US where he has mostly languished on the fringes of recognition until the last few years.

Underpinned by the spare minimalism of poetry written by a man for whom silence has played a pivotal role as much as language has (including a five-year long retreat at the Mt. Baldy Zen Center), his 2012 album Old Ideas brims over with themes that have appeared in almost every Cohen album over the last 40 years — bittersweet entanglement, elevation of the spirit, the struggles of the flesh — and marks a decided turning point in Cohen’s life, both personal and professional. An old Zen master of the music business arguably at the height of his powers: depression vanquished and horizons expanding exponentially.

Local author, rock journalist, and Leonard Cohen biographer (I’m Your Man, Ecco, 2012), Sylvie Simmons had her first encounter with Cohen in her adolescence as well, but for her the attraction was more immediate.

“The day I hit puberty was the day I heard my first Leonard Cohen record,” she confides over the phone when I call to get her side of her most famous subject. And though “it was outside my usual taste,” she found herself listening to his songs again and again, even today. Now deeply immersed in her own exhaustive world book tour, she’s even found a new thing to be impressed by: Cohen’s unflinching dedication to the road. “He’s got the kind of schedule that would kill an 18-year-old,” she says with a laugh. “He’s definitely a better man than I!”

Seeing Leonard Cohen perform at the Montreal Jazz Festival in ’08, after years of worshiping from afar, will always remain one of my most luminous memories. The prodigal son gone good, working the hometown crowd for an epic three-and-a-half hours, holding his hat over his heart as we applauded each song until our hands were sore, bowing his head humbly again and again, prophet as fellow supplicant. By a twist of good fortune, I managed to see him twice more on that tour — in Oakland and in Paris — and each time, though the controlled orchestration of the event revealed itself more and more, so did the sense of sheer joy emanating from both the stage and the audience, an orgy of admiration, and, a real rarity in the business, of gratitude.

Simmons has an explanation for this gracious humility as well. “He just loves life on the road,” Simmons explains. “He told me it was wonderful…’for a man my age to have a feeling of full employment’.” I rather suspect that this weekend’s events will be just as wonderful for us as they will be for him. Thank you, Leonard Cohen, for being our man.

“THE NIGHT BEFORE LEONARD” WITH SYLVIE SIMMONS

Fri/1, 6pm, free

Marsh Berkeley Cabaret

2120 Allston Way, Berk.

(415) 641-0235

www.themarsh.org

LEONARD COHEN

Sat/2 and Sun/2, 8pm, $71.50–$253

Paramount Theatre

2025 Broadway, Oakl.

(510) 465-6400

www.paramounttheatre.com

Giving consent to capitalism

Andrew Lam

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February 26, 2013

15

caitlin@sfbg.com

SEX “BDSM so quickly and easily gets painted with a broad brush,” said porn performer and author (her piece this week on Jezebel, “How I Became a Feminist Porn Star” is not to be missed) Dylan Ryan.

I’d called her in the wake of last week’s SF Weekly cover story (“Gag Order,” 2/20/13), which included some healthy critiques of Kink.com, the local porn company often held up as the standard when it comes to shooting kinky sex.

The piece also included testimony that was run without being fact-checked from certain ex-Kink employees — and that aside, the article was clearly timed to capitalize on controversy surrounding owner Peter Acworth’s recent drug and gun arrest. (ATTN: Weekly, you need not call into question the “strict code of ethical behavior and transparency” a pornographer is known for when it is discovered that said pornographer does cocaine, nor when he fires guns in the bowels of a building made for that purpose.)

The Weekly’s investigation continues. Hopefully it will help move conversation forward on how to make better porn.

As Ryan — who has shot for Kink.com for nearly 10 years — pointed out, the trouble with porn wars is that they can be skewed into a referendum on whether such-and-such porn (and often, by extension, the sexual desire it portrays) should exist.

So real quick, let’s use this moment to convene members of our occasionally dysfunctional, but forever-forward thinking sex work community. The question: can sexual consent exist when you’re doing it for the money? Who is in charge of making sure everyone’s needs are respected?

“When capitalism is involved, it makes the situation…interesting,” wrote performer Maxine Holloway [after protesting and ceasing to shoot for Kink.com when it removed base pay for web cam models, Holloway settled out of court with the company. Her voice appears in the Weekly article.] “As models we want to perform well, we want to push our boundaries, we want to get paid, and we want to be hired again and again.”

But, she continued, “money can be a perfectly legitimate reason to consent. Most people would not agree to show up at their nine-to-five job if they were not being paid an agreed amount of money.”

Ryan re-enforced the importance of the shoot’s producers stating clear run times, expectations, and other matters with performers before filming. After that point: “it’s a fine line, but so much of the onus is on the person to be their own agent.”

Locally, performer Kitty Stryker has examined these issues in her “Safe/Ward” consent workshops. And Holloway wrote she hopes to create an “industry standards” rating system that could guide performers to responsible producers. “Porn performers are not inherently victims and producers are not inherently exploitive,” she cautioned.

“These things can be positive, sexually healthy,” Ryan continued. “Every performance I do is about showing women how much fun I’m having.” Would that all debate on ethical porn started off with how its participants want to demystify, and excise shame from, sexuality — instead of drug charges.

THIS WEEK’S SEX EVENTS

“Bling My Vibe” Fri/1-March 31, free. Good Vibrations, 1620 Polk, SF. tinyurl.com/blingmyvibe.

Who says no to creating a work of art with a $3 vibrating dildo? Not this writer — check out my handiwork, and that of other Bay Area artists and sexy local celebs at this sex toy art show on view ’til the end of the month.

The Great Church of Holy Fuck Fri/1-Sun/3, 8pm, $15. Counterpulse, 1310 Mission, SF. www.counterpulse.org. The name, the fact that this production is helmed by Annie Danger, queer trans utopia-seeker, the promise of nudity — surely these will add to a truly religious interactive theater experience.

International Sex Workers Rights Day picnic Sun/3, 11am-2pm, free. Dolores Park, 19th St. and Guerrero, SF. www.swopbay.org. The Sex Workers Outreach Project and St. James’ Infirmary are hosting this gathering of past and present sex workers and their allies in celebration of this day of commemoration, which started in 2001 at sex worker festival in Calcutta, India.

Rep Clock

Andrew Lam

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February 26, 2013

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Schedules are for Wed/27-Tue/5 except where noted. Director and year are given when available. Double features marked with a •. All times pm unless otherwise specified.

ALBANY COMMUNITY CENTER 1249 Marin, Albany; www.albanyfilmfest.org. $1-5. "Albany FilmFest," short and super-short films, Sat, noon-7.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $10. "Noise Pop Presents:" Punk in Africa (Jones and Maas, 2012), Thu, 7; Taken By Storm: The Art of Storm Thorgerson and Hipgnosis (Bogawa, 2011), Thu, 9 and Sun, 4; What Did You Expect? The Archers of Loaf Live at Cat’s Cradle (Bechard, 2012), Fri, 7; Bad Brains: A Band in DC (Logan and Stein, 2012), Fri, 9; Let Fury Have the Hour (D’Ambrosio, 2012), Sun, 2.

BALBOA 3630 Balboa, SF; www.cinemasf.com. $10. "Balboa Theatre’s 87th Birthday Bash:" Peter Pan (Brenon, 1924), Sun, 4, 7. Evening show features a live vaudeville performance; both shows include birthday treats.

BAY MODEL 2100 Bridgeway, Sausalito; www.tiburonfilmfestival.com. Free. •Watershed: Exploring a New Water Epic for the New West (Decena, 2012), and Over Troubled Waters (Fisher, 2012), Tue, 6. With filmmakers in person.

BERKELEY CITY COLLEGE AUDITORIUM 2050 Center, Berk; www.mecaforpeace.org. $10. Tears of Gaza (Løkkeberg, 2010), Thu, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •8 1/2 (Fellini, 1963), Wed, 2:30, 7, and Modern Romance (Brooks, 1981), Wed, 5:05, 9:30. •The Central Park Five (Burns, Burns, and McMahon, 2012), Thu, 2:30, 7, and The Investigation of a Citizen Above Suspicion (Petri, 1970), Thu, 4:45, 9:15. •Ghostbusters (Reitman, 1984), Fri, 7, and The Entity (Furie, 1982), Fri, 9. "Scary Cow Short Film Festival," Sat, 3. More info and tickets at www.scarycow.com. •The Great Escape (Sturges, 1963), Sun, 1, 7, and The Magnificent Seven (Sturges, 1960), Sun, 4:30. "Nitey Awards 2013," Mon, 7pm. More info and tickets at www.niteyawards.com. Chasing Ice (Orlowski, 2012), Tue-Wed, call for times.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Amour (Haneke, 2012), call for dates and times. Happy People: A Year in the Taiga (Herzog and Vasyukov, 2012), call for dates and times. Quartet (Hoffman, 2012), call for dates and times. "Oscar Nominated Shorts: Animation, Documentary, and Live Action," call for dates and times. "World Ballet on the Big Screen:" "An Evening with Crystal Pite from the Netherlands Dance Theater," Sun and Tue, 6:30. This event, $15. "International Buddhist Film Festival Showcase 2013," Fri-Sun. More info and schedule at www.buddhistfilmfoundation.org.

"CINEQUEST" Various venues, San Jose; www.cinequest.org. $5-50. The 23rd annual film fest honors a slew of stars in addition to screening global films and highlighting new film technology. Through March 10.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $9-10. "Midnight Movies:" Black Devil Doll (Lewis, 2007), Sat, midnight. With host Miss Misery.

COUNTERPULSE 1310 Mission, SF; www.counterpulse.org. $5. Community Action Center (Steiner and Burns, 2010), Thu. 8. Followed by a discussion with co-director A.L. Steiner hosted by Laura Arrington, Margit Galanter, and Keith Hennessy.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. $6-10. "Parkway Classics:" Blue Velvet (Lynch, 1986), Thu, 9pm; "Thrillville:" "TV in Acidland," with Johnny Legend, Sun, 6. "Documentary Series:" Alone Up There (Shaul, 2012), Tue, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. "Chronicles of Inferno: Japan’s Art Theater Guild:" A Man Vanishes (Imamura, 1967), Wed, 7. "Alfred Hitchcock: The Shape of Suspense:" Spellbound (1945), Fri, 7; Notorious (1946), Fri, 9:10; Under Capricorn (1949), Sun, 5. "And God Created Jean-Louis Trintignant:" …And God Created Woman (Vadim, 1956), Sat, 6:30. "Werner Schroeter: Magnificent Obsessions:" The Bomber Pilot (1970), Sat, 8:30; Malina (1991), Sun, 7:15. "Documentary Voices:" "Poetic Vision: Films of Vlatko Gilic," Tue, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. "Noise Pop Presents:" Turning: A Music Documentary Featuring Antony and the Johnsons (Atlas, 2012), Wed, 7; A Little Light: A Celebration of the Music and Legacy of Bob Mould (Mitchell, 2012), Wed, 9. "Frameline Encore Screening Series:" Maggots and Men (Cronenwett, 2009), Thu, 7. Rust and Bone (Audiard, 2012), Wed-Thu, 7 (also Thu, 9:20). Sound City (Grohl, 2013), Wed, 9:20; Thu, 9:30. "Hollywood Before the Code: Deeper, Darker, Nastier!": •Five Star Final (LeRoy, 1931), Fri, 8, and Blood Money (Brown, 1933); •Dr. Jekyll and Mr. Hyde (Mamoulian, 1931), Sat, 3, 8; Murders in the Rue Morgue (Florey, 1932), Sat, 1:30, 6:30; and Black Moon (Neill, 1934), Sat, 5, 9:50; •Shanghai Express (von Sternberg, 1932), Sun, 3:30, 7:30, and Waterloo Bridge (Whale, 1931), Sun, 1:45, 5:30, and 9:30; •Torch Singer (Hall and Somnes, 1933), Mon, 8, and Safe in Hell (Wellman, 1931), Mon, 6:20, 9; •Man’s Castle (Borzage, 1933), Tue, 8, and Virtue (Buzell, 1932), Tue, 6:30, 9:40. The Jeffrey Dahmer Files (Thompson, 2012), March 1-7, 7.

RUSSIAN CENTER AUDITORIUM 2460 Sutter, SF; www.crimeaftercrime.com. Free. Crime After Crime (Potash, 2011), Sun, 6:30.

VORTEX ROOM 1082 Howard, SF; Facebook: The Vortex Room. $10. "For Your Vortex Only:" •Love Slaves of the Amazons (Siodmak, 1957), Thu, 9, and Quest for Love (Thomas, 1971), Thu, 11.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. "Fragments of Japanese Underground Cinema 1960-1974:" Crazy Love (Okabe, 1968), Thu, 7:30.

Our Weekly Picks: February 27- March 5, 2013

Andrew Lam

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February 26, 2013

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WEDNESDAY 27

Lisa Fagan and Alison Williams

At the Garage, you get to see a lot of choreography in progress, which is a pleasure in itself because you can imagine what the final product might be like. Not this time. Lisa Fagan and Alison Williams — friends and colleagues, who first met during that hotbed of incubation, ODC’s Pilot Programs — are offering finished work. The evening, about an hour of choreography, comes with a bonus. Fagan calls her trio, Full Grown Baby Lemon, “a dance work of fiction,” and it has a definitely odd set of characters. Williams’ Edit promises to be rollicking duet between pop and geology. That’s where the bonus comes in. Her music will be live and includes an after-performance dance party where you can dive into dubstep. (Rita Felciano)

8pm, $10–$20

Garage

715 Bryant, SF

www.brownpapertickets.com

Fresh and Onlys

Noise Pop borrows its name from a mid-1980s genre that merges contradictions. Noise is edgy and gritty; pop is sunny and easily digestible. The Fresh and Onlys, a San Francisco band that has taken off since its ’08 formation, represents a ’13 incarnation of these oppositions. In “20 Days and 20 Nights,” the opener of last fall’s Long Slow Dance, “I cry” repeats over and over against bright harmonies and an upbeat piano hook, leaving the listener to bop along to the singer’s misery. It is an intriguing sensation caused by the balanced mix of grit and sunshine that continues throughout the vibrant album. The band invites you to bop along to its Noise Pop contradictions at Bottom of the Hill. (Laura Kerry)

With R. Stevie Moore, Plateaus, Burnt Ones

8pm, $14

Bottom of the Hill

1233 17th St., SF

(415) 621-4455

www.bottomofthehill.com

Ceremony

Through the progression of its three studio albums, Rohnert Park’s Ceremony has evolved from unbridled, no-nonsense bursts of hardcore punk to a more slow-burning and equally devastating aggression. While it’s certainly not unusual for punk bands to shine on stage rather than on recordings, Ceremony’s live show takes the cake. Vocalist Ross Farrar is reminiscent of Ian Curtis as he lurches, jerks, and occasionally collapses across the stage, moaning, howling, and screeching as guitarist Anthony Anzaldo and bassist Andy Nelson leap and high-kick around him. The result is a cacophonous and tightly-coiled energy that is deliciously cathartic and at times transcendent in the pissed-off way only a punk band from the suburbs can produce. (Haley Zaremba)

With Terry Malts, Comadre, Perfect Ruin, Synthetic ID

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

THURSDAY 28

Other Minds 18

Noise Pop isn’t the only contemporary music and art festival rolling into town this week. Other Minds, an annual event that invites composers and artists to share their avant-garde work, launches its 18th year on Thursday with performances of music from far-away places such as Denmark and India. Each of the three nights includes a panel discussion and a performance to fully engage the world of music outside the mainstream. Don’t come to Other Minds expecting the same finger-snapping tunes as the other festival in town; do come to hear some innovative music and to learn something along the way. (Kerry)

Through Sat/2, 7pm, $30-$115 (festival pass)

Jewish Community Center

3200 California, SF

(415) 292-1200

www.otherminds.org

Punk in Africa

How much do you know about origins of global underground punk scenes? Beyond the live shows, Noise Pop always shows a handful of creative takes on the usual music doc; Punk in Africa is no exception. It explores a too-infrequently examined continent’s aggressive punk roots, from “the underground rock music of early 1970s Johannesburg, the first multi-racial punk bands formed in the wake of the Soweto Uprising and the militant anti-apartheid hardcore and post-punk bands of the ’80s to the rise of celebratory African-inspired ska bands, which sprang up from Cape Town to Maputo in the democratic era of the ’90s.” It also spotlights current acts battling political bombs with explosive lyrics and pounding drumbeats in Zimbabwe and South Africa. (Emily Savage)

7pm, $10

Artists’ Television Access

992 Valencia, SF

(415) 824-3890

www.atasite.org

FRIDAY 1

Peter

Following last November’s potent For the Love of Emptiness (danced by Jorge De Hoyos), San Francisco-based choreographer Sara Shelton Mann presents the second solo in her fascinating “Eye of Leo Series.” Peter reteams the long esteemed, ever-searching Mann with video-light designer David Slaza, joined by composer Robbie Beahrs and performer Jesse Hewit. In these highly dynamic collaborations, Mann is wont to hover on the fringes, interacting variously with the performance space. “I open the ground and track it as a guide and follow the progress of the terrain chosen by the individual,” explains Mann. “Some chose the difficult path, some chose the surreal dream of extinction, some the practice of perfection. . . . I have chosen and I do not choose. People find me. I have become a hermit in a cage and those who find me have to find the key to the door.” (Robert Avila)

Through Sat/2, 8pm, $15

Joe Goode Annex

499 Alabama, SF

www.brownpapertickets.com

www.sarasheltonmann.org

Shih Chieh Huang: Synthetic Seduction

If a work of art had a spirit soundtrack, what would it be? Considering the use of industrial materials such as plastic bags, electrical sensors, and colored lights, one would expect Shih Chieh Huang’s installations to play to the the robotic pop of Daft Punk. Past pieces, though, including one at the National Museum of Natural History, achieve an organic quality that recalls the sound of being submerged in water. Continuing to explore the creation of technological landscapes while engaging in the theme of psychedelia, the artist’s Yerba Buena Center for the Arts installation conjures the image of a Jimi Hendrix solo played backwards over a heart monitor. Huang’s art certainly dances to the beat of its own drummer. (Kerry)

Through June 30 Noon, $10

Yerba Buena Center for the Arts

(415) 978-2700

www.ybca.org

SATURDAY 2

“Voices of Afghanistan”

Ustad Farida Mahwash and Homayoun Sakhi — both legends in their own right — will return to Cal Performances tonight (for the first time in two years) for a pleasant and educational evening of live traditional and contemporary Afghan music. Mahwash, a popular vocalist in her home country known as “the voice of Afghanistan,” will sing over rubâb virtuoso Sakhi and his ensemble in Wheeler Auditorium. The Sakhi Ensemble is a quartet employing instruments such as the harmonium, tula, doyra, tabla, and Sakhi’s rubâb — a lute-like instrument played with a bow that’s one of Afghanistan’s national instruments; it’s likely the sound you imagine when you think of mesmerizing Middle Eastern music. (Savage)

8pm, $36

Wheeler Auditorium, UC Berkeley Campus

Bancroft Way at Telegraph, Berk.

(510) 642-9988

www.calperformances.org

Sonny and the Sunsets

San Francisco’s Sonny Smith has already done more in the past few years than most of us will accomplish in our lifetime. The singer-songwriter-illustrator-playwright has more side projects than Jack White and a seemingly bottomless reserve of creative energy. In 2010, Smith released 200 songs at once that he had recorded for his 100 Records exhibition, and instead of swearing off music for a period like an exhausted person might, he soon began writing the next Sunsets album, worked on 100 Records: Vol. 3 (released this January) and began planning another exhibition, basing songs off protest signs. This project, tentatively titled “Protest Factory,” is still gestating, but last year saw the release of the Sunsets’ third full-length album, which carried on Smith’s tradition of engaging narrative lyrics, though with a surprisingly fantastic country twist. (Zaremba)

With Magic Trick, Cool Ghouls, Dune Rats

Bottom of the Hill

9pm, $12

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

SUNDAY 3

“Balboa Birthday Bash”

San Francisco is all about celebrating the newest, hottest place — that pizza restaurant where you wait a full hour for a gourmet pie; that bar where each drink is hand-crafted using 11 exotic ingredients. So why not tip your top hat to an 87-year-old veteran: the Balboa Theatre, keeping the avenues cinematically rockin’ since Feb. 7, 1926? The party gets started at 4pm today with a 35mm screening of the 1924 silent version of Peter Pan, featuring live accompaniment by Frederick Hodges; come to the evening show for a repeat screening, plus a live vaudeville show, birthday prizes, and treats. Roaring Twenties attire encouraged! (Cheryl Eddy)

4 and 7pm, $10

Balboa Theatre

3630 Balboa, SF

www.cinemasf.com

“Tom Fest” Benefit for Tom Mallon

While he may not be a household name, Tom Mallon had a huge influence and impact on the San Francisco music scene, beginning the mid-1970s. As a musician, Mallon has performed with American Music Club and Toiling Midgets among others, and as a producer and engineer, he provided acts with low-cost studio time and guidance that helped document the work of countless artists. A host of musicians he has worked with over the years are performing tonight at “TomFest,” a special tribute and benefit concert for Mallon and his family (along with the SF Brain Tumor Support Group at UCSF), including Chuck Prophet, Toiling Midgets, Fright Wig, Penelope Houston, Ugly Stick, Peter Case, members of American Music Club, and many more. (Sean McCourt)

7:30pm, $25

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

On the Cheap Listings

Andrew Lam

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February 26, 2013

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WEDNESDAY 27

On the Cheap listings compiled by Cortney Clift. Submit items at listings@sfbg.com. For further information on how to submit items for listings, see Picks.

After Hours at the Conservatory of Flowers Golden Gate Park, 100 John F. Kennedy, SF. www.conservatoryofflowers.org. 6-10pm, $13. The Conservatory is romantic during the day, but add drinks, an award-winning violinist, and special access to its old Victorian greenhouse, and it’s downright swoon-worthy. Jill Tracy will be playing violins from the 17th, 18th, and 19th centuries and talking about the natural materials used to make them. A musical séance is also set to take place, channeling compositions from beloved treasures that you, the audience, will supply.

THURSDAY 28

Tears of Gaza screening Berkeley City College, 2050 Center, Berk. www.mecaforpeace.org. 7-9:30pm, $10. A documentary recording the effects of the 2008-’09 three-week bombing of Gaza by Israeli military (backed by US-made weapons). In this emotional film, Norwegian director Vibeke Lokkeberg and Palestinian cameramen show us the devastating effects of war on civilians. The screening will be followed by a panel discussion including a Palestinian refugee, a former resident of Gaza, and Barbara Lubin, an aid worker who was in Gaza during the assault.

FRIDAY 1

Gay Men’s Sketch art show Magnet, 4122 18th St., SF. www.markichester.com. Opening reception: 8-10pm, free. To celebrate 25 years of weekly meetings and sketch sessions that celebrated the male form, Gay Men’s Sketch wanted to put together a best-of showing of its work. 21 artists were responsible for these pieces, rendered in pencil, pastel, ink, watercolor, and even with an iPad. If you’re in the mood for something a little saucier there will also be work from Hot Draw! a subgroup of Gay Men’s Sketch that focuses on erotic, explicit poses.

Tall ship sailings at Jack London Square Jack London Square, Oakl. www.jacklondonsquare.com. 4-5pm, $3 donation requested. Grab your sea legs and hop on board two historic seafarers. The Lady Washington is a replica of one of the first US ships to explore North America’s west coast. The Hawaiian Chieftain is a steel-hulled replica of a typical 19th century coastal trader. The vessels are set to sail into town on Thu/28 and stay through Feb. 6. For just $3, you can take a tour of the tall ships and speak with the crew.

“Titti Trifecta” MOCO, 371 17th St., Oakl. mocoart.tumblr.com. Opening reception 6-10pm. In celebration of Women’s History Month, head to this all-female show and enjoy art, free wine, hors d’oeuvres, and live music. Later this month the exhibit will host a DIY sex toy workshop, an artist talk entitled “Slut, Cunt, Bitch, Whore,” and a feminist film night.

“UNPLUG SF: Device-Free Drinks” Inner Mission, 2050 Bryant, SF. www.unplugsf.com. 7pm-midnight, free. Feel like a screen-free night out? UNPLUG SF wants to help. Check your phone at the Digital Detox cell phone check-in station and receive a reboot cell phone sleeping bag. While your phone takes a break grab a non-Instagrammed cocktail and step into the analog zone of typewriters and board games. Enjoy community art, live music and vinyl DJs spinning soul, Motown, and oldies.

SATURDAY 2

“Free Your Mind” black literary festival San Francisco Main Library, 100 Larkin, SF. www.sfpl.org. 11am-5pm, free. An eclectic day-long program for families at the library. Check out a performance by author Kirk Waller and a presentation on African American genealogy, meet revolutionary authors, and take in a keynote talk by Oba T’Shaka, a civil rights leader who spent 38 years as a SF State professor.

“Muni Diaries Live” Elbo Room, 647 Valencia, SF. munidiarieslive9.eventbrite.com. Doors open at 6pm. Show starts at 7pm, $12. Advance ticket purchase suggested. Even if you’ve ridden the Muni just once chances are you probably saw something weird. With usual sightings of crazy cat ladies and men with no pants, a trip on the Muni is anything but boring. Join fellow bus goers (and even a BART operator) as they share their wackiest stories. The evening will also include the second Muni Haiku Battle where writer James Nestor will fight to keep his crown as champion.

Babylon Salon spring reading Cantina SF, 580 Sutter, SF. www.cantinasf.com. Doors open at 7pm, show starts at 7:30pm, free. Hugo Award-winning science fiction author Terry Bisson and Tamin Ansary, scribe of West of Kabul, East of New York will perform readings from their acclaimed works. Transmedia artist and Lady Gaga blogger Kate Durbin, author of The Plume Hunter Renee Thompson, and short story author Rashaan Alexis Meneses will also be reading.

SUNDAY 3

Escape from Alcatraz Triathlon Marina Green, 500 Marina, SF. www.escapefromalcatraztriathlon.com. Race starts at 7:30am, fitness expo 6:30am-2:30pm. If your New Year’s resolution has long since given way to take-out and TV-filled evenings, pre-register for (or just set up a folding chair and cooler to watch) the Escape from Alcatraz Triathlon for some serious motivation. 2,000 triathletes will complete a 1.5-mile swim from Alcatraz to the San Francisco shoreline, an 18-mile bike ride around the Presidio and an eight-mile run in Golden Park, finishing back at the Marina Green. There will also be a fitness expo throughout the weekend featuring dozens of vendors, products, demos, and more.

TUESDAY 5

Bay Bridge Grand Lighting Ceremony Embarcadero, 4 Embarcadero Center, SF. facebook.com/thebaylights. 8pm, free. Designed by artist Leo Villareal, the Bay Lights is a light sculpture set to sparkle everyday from dusk to midnight for two years on the San Francisco Bay Bridge’s west span. 25,000 white individually programmed LED lights will create intricate algorithms and patterns. Head over to the waterfront this evening to be one of the first to take in this monumental moment.

Our 50 favorite San Francisco bars — all on one page!

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February 26, 2013

12

Our 50 favorite San Francisco bars — all on one page!

From splashy dives to upscale classics (and everything in between) — our favorite spots to grab a drink

This week’s cover story in the paper highlights 50 great bars we love (along with 30 honorable mentions and 10 East Bay favorites). That’s a lot of pages on the Internet! here it all is on one handy page — grab a drink and scroll with us to watering hole bliss. (You can also flip through the digital edition of the paper here.)

PS For this list we concentrated specifically on bars (including those at restaurants and hotels), leaving you to judge the cocktails at music venues and dance clubs on their own merits.

PRICE RANGE KEY:

$ (cocktails generally under $10)

$$ (cocktails generally $10-14)

$$$ (cocktails generally $15 and above)

NOTABLE KEY:

Cocktail Destination: Noteworthy cocktails

Spirits Selection: Extensive or well-curated spirits selection

Memorable Atmosphere: Worth drinking here for the atmosphere

Wine Sanctuary: Exceptional wine list

Beer Haven: Exceptional beer list

Gourmet Bites: Notable food

Dive: Classic, standout dive bar

Classic: An SF staple, standard-setter

Mellow: Particularly laid back, good for conversation

Music: Live music destination

15 ROMOLO

North Beach, $–$$

Cocktail Destination, Gourmet Bites, Spirits Selection

Consistently one of SF’s best cocktail bars, 15 Romolo commands an uphill alley in North Beach with some of the most balanced and inventive drinks in town. The laidback, dim space (with fab jukebox), reflects pre-Prohibition spirit but isn’t obnoxiously theme-y. Many of our city’s top bartenders started here, going on to launch other bars. Romolo’s brunch — boozy waffle shots! — and food menu rank among the most satisfying bar food in existence. Hello, peanut butter bacon burgers!

15 Romolo, SF. (415) 398-1359, www.15romolo.com

ALEMBIC

Upper Haight, $–$$

Cocktail Destination, Gourmet Bites, Spirits Selection

As Alembic currently faces significant changes (bar manager Daniel Hyatt’s exit after nearly seven years, expansion into the Red Vic space next door), time will tell if it remains the iconic bar it has been for the past 7 years. Still serving impeccable New Orleans classic cocktails, Hyatt’s unique, forward-thinking cocktails, and underrated, gourmet food, Alembic’s spirits collection, particularly American whiskey, has been one of its key strengths since day one.

1725 Haight, SF. (415) 666-0822, www.alembicbar.com

AQ

SoMa, $$

Cocktail Destination, Gourmet Bites, Spirits Selection, Memorable Atmosphere, Wine Sanctuary

AQ’s lovely brick-walled, high ceiling restaurant evolves its decor with the season, while the bar changes vintage glassware and bar top: burnt copper for fall, marble in winter. Seasonal cocktail classics are infused with subtle twists while original cocktails are incredibly creative, unusual. The wine list is extensive, heavy on the Loire Valley but offering an international range.

1085 Mission, SF. (415) 341-9000, www.aq-sf.com

AUB ZAM ZAM

Upper Haight, $

Classic, Dive

Faded 1930s Arabian Nights theme and legendarily grumpy bartenders have set this boozy cocktail den apart for decades. This piece of cocktail history birthed countless stories of now deceased Bruno, who would kick people out for ordering a vodka martini — or for any reason that suited him. It’s friendlier now, thank goodness. And there’s been no upgrades to decor, the jukebox still belts out Tony Bennett and Tom Waits, drinks remain stiff, and there’s almost always a seat waiting for you. It’s nice knowing just a few places remain averse to change.

1633 Haight, SF. (415) 861-2545

AUNT CHARLIE’S LOUNGE

Tenderloin, $

Classic, Dive, Memorable Atmosphere

Everything you thought about gay bars was wrong — or else exactly right. This wonderfully worn-in, carpeted little cave in the Tenderloin is bursting with character and crazy seasonal decor. Grittily glamorous Hotboxxx Girls drag shows on Friday and Saturday evenings are a must for the too-hip and the just-visiting alike.

133 Turk, SF. (415) 441-2922, www.auntcharlieslounge.com

BAR AGRICOLE

SoMa, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Good luck getting a bar seat in this ultra-cool, eco-chic bar-restaurant, minimalist yet dramatic under shimmering light installations, serving forward-thinking food. Reserve a table in the front garden, arrive early, or just wait your turn at the bar and you’ll be blessed with impeccable rum and rhum agricole cocktails alongside a range of pristinely-executed classics from Thad Vogler and crew.

355 11th St., SF. (415) 355-9400, www.baragricole.com

BENDER’S

Mission, $

Beer Haven, Dive

A stalwart favorite of fixie riders, rock mavens, and those weary of fighting for space a Zeitgeist — or hey, folks just looking for a good, stiff drink in a mercifully concept-free atmosphere with room to sit down. Bender’s stands out with a tasty beer selection and tater tots and tacos to die for.

806 Van Ness, SF. (415) 824-1800, www.bendersbar.com

BIG

TenderNob, $$$

Cocktail Destination, Memorable Atmosphere

Truly tiny under red velvet-draped ceiling, the ironically named Big fills up quickly, but overcrowding is somehow kept at bay, making it, at times, an intimate spot for a cocktail. Though pricey, the menu-less bar is about seeing what house syrups have been made that day (mirepoix, corn?), what spirit you might be in the mood for, and what two talented bartenders can craft on the spot.

761 Post, SF.

THE BIG 4

Nob Hill, $$$

Classic, Gourmet Bites, Memorable Atmosphere, Mellow, Musical

May rumors of the Huntington Hotel’s new owners doing away with this fantastic, historic bar — the jewel of Nob Hill — be untrue. For decades, the Big 4, named for the Central Pacific Railroad’s “big fiour” tycoons, has been the archetypal old school bar in a restaurant. Its dark wood setting and fireplace evoking an ur-capitalist gentleman’s club and martini lounge set to the nightly, live piano strains of Michael Parsons (Sundays it’s Steve Klawiter).

1075 California, SF. (415) 771-1140, www.big4restaurant.com

BIX

Financial District, $$

Classic, Cocktail Destination, Musical

One of the more dazzling dining rooms in town. You enter thick curtains off a downtown alley into Bix’s dramatic space — like walking into a Thin Man movie. Live jazz and beautiful Negronis confirm you’ve entered another, jazzier era, one Bix has faithfully preserved since 1988. Here’s to many more decades.

56 Gold, SF. (415) 433-6300, www.bixrestaurant.com

BLACKBIRD

Castro, $–$$

Cocktail Destination

The Castro is one of the most social neighborhoods in SF, rife with numerous watering holes and gathering places. But not until Blackbird was there a cocktailian’s haven, serving elegant drinks — with a well-curated wine ist to match — utilizing house made pistachio orgeat, hibiscus-infused brandy, and other handcrafter ingredients.

2124 Market, SF. (415) 503-0630, www.blackbirdbar.com

BOURBON AND BRANCH

Tenderloin, $$

Cocktail Destination, Memorable Atmosphere, Mellow, Spirits Selection,

Love or hate the new speakeasy bars, Bourbon and Branch, now eight years old, was one of the earliest progenitors of the theme outside of NYC. And despite owner Future Bars’ notable other bars (Tradition, Local Edition), B&B remains the best. Rarely is a bar this transporting: ring a doorbell next to an unmarked door and enter the 1920s. This reservations-only hideaway guarantees a seat, a romantic escape for conversation and quality drink. Its bar-within-a-bar, Wilson and Wilson, is likewise one of SF’s best, digging even deeper into housemade ingredients and unusual combinations. Consider it the impressive place to take out-of-towners for a drink.

501 Jones, SF. (415) 346-1735, www.bourbonandbranch.com

BROKEN RECORD

Excelsior, $

Spirits Selection, Dive, Gourmet Bites

This dive in the outer reaches of SF draws whiskey fans from afar. With every chef who sets up shop in Broken Record’s back room, kick-ass bar food (Southern BBQ, elevated burgers) results. From pool table to patio, it’s everything you want in a dive bar and more, including laid back bartenders, a genuine vibe, and more than 250 whiskies at reasonable prices.

1166 Geneva, SF. (415) 963-1713, www.facebook.com/brokenrecordsf

CANTINA

Union Square, $–$$

Cocktail Destination

Pioneering South and Central American cocktails, Cantina has been keeping it real for years with refreshing drinks highlighting tequila, mezcal, cachaca, and pisco (owner Duggan McDonnell is also one of the creators of Campo Encanto Pisco). Cantina’s basement hosts all kinds of events, a community gathering place.

580 Sutter, SF. (415) 398-0193, www.cantinasf.com

CHURCH KEY

North Beach, $–$$

Beer Haven, Mellow

Church Key is a breath of fresh air amid the party bars, classic dives, strip clubs, and cocktail spots of North Beach. With cozy upstairs mezzanine, it’s a beer lovers dream of revolving drafts and bottles in an unpretentious setting where one can actually talk with friends.

1402 Grant, SF. (415) 963-1713

CLUB DELUXE

Upper Haight, $

Music, Gourmet Bites

Blonde wood walls, black and white tile, red booths, dim lighting — an environment virtually unchanged for decades. These are reasons to love Club Deluxe but supreme is multiple nightly sets of some of the best live jazz in SF, from bossa nova to bepop and blues. You don’t come here for the drinks but recent addition of Chef Thomas Martinez offers fantastic food. One can comfortably linger over a shot of whiskey, jazz, and gourmet plates.

1511 Haight, SF. (415) 552-6949, www.sfclubdeluxe.com

COMSTOCK SALOON

North Beach, $–$$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere, Spirits Selection

Showcasing SF’s Barbary Coast era with vintage ceiling fans, Victorian couch sidling up to a pot belly stove, and the original trough (ahem, to piss in back in the day) lining a dramatic wood bar, “Saloon Keepers” Jeff Hollinger and Jonny Raglin honor the history of Comstock’s gorgeous, two-room, 1907 space. It’s a memorable a date night and a casual, neighborhood hangout. Whether cozy in a bar booth or at a table in the wainscoted dining room, food from Chef Carlos Espina is as thoughtful as the classic cocktails.

155 Columbus, SF. (415) 617-0071, www.comstocksaloon.com

DOSA

Mission, Fillmore, $–$$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Besides serving some of the best upscale South Indian food anywhere, Dosa’s two locations also craft a unique cocktail menu unlike any, heavy on Indian spices and flavor profiles, including its own house gin produced by local distiller Old World Spirits: cardamom-rich Blade Gin.

Dosa on Fillmore: 1700 Fillmore, SF. (415) 441-3672

Dosa on Valencia: 995 Valencia, SF. (415) 642-3672, www.dosasf.com

EDINBURGH CASTLE

Tenderloin, $

Classic, Dive

This quintessential SF dive bar has been around for years, akin to classic British pubs, occasionally rowdy, generally low key, ever-ready with a pint. In that spirit, its serves fish and chips in newspaper and facilitates offbeat community with readings, ’60s dance club nights, and legendary trivia quizzes.

950 Geary, SF. (415) 885-4074, www.castlenews.com

ELIXIR

Mission, $–$$

Cocktail Destination

When partying or sports-loving crowds descend, the already small bar gets cramped, in a space dating back to 1858. Boasting an impressive whiskey collection, Elixir is run by cocktail pioneer H. Joseph Ehrmann, and talented bar managing duo Shea Shawnson and Nick DesEnfants. The cocktail menu is a mix of 1800s saloon classics, Elixir favorites like H.’s Celery Cup No. 1, and rotating seasonal drinks.

3200 16th St., SF. (415) 552-1633, www.elixirsf.com

FAT ANGEL

Fillmore, $–$$

Beer Haven, Wine Sanctuary, Gourmet Bites

Part romantic European café, part comfortable neighborhood pub, Fat Angel manages to be dream neighborhood beer and wine bar in one. Above average bar bites, friendly staff, and changing draft beers and wines listed on a large chalkboard under dramatic chandelier ensure you’ll want to linger for hours.

1740 O’Farrell, SF. (415) 525-3013 www.fatangelsf.com

GITANE

Financial District, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Just about the sexiest bar and setting in the city, Gitane has been strong on spirits collection, wine list, and cocktails from day one, with upscale regional Spanish cuisine making it a real date night. 6 Claude Lane, SF. (415) 788-6686, www.gitanerestaurant.com

HEAVEN’S DOG

SoMa, $–$$

Cocktail Destination, Gourmet Bites, Spirits Selection

Undergoing a significant overhaul, Heaven’s Dog showcases the cocktail expertise of one of our great barmen, Erik Adkins. The bar at Asian-influenced Heaven’s Dog restaurant has been tended by some of SF’s top bartenders, most recently supervised by Ethan Terry (of AQ, 15 Romolo, Comstock). One of the best places for classic Charles H. Baker cocktails anywhere, its latest incarnation will focus on original creations alongside Charles Phan’s cuisine (of Slanted Door fame).

1148 Mission, SF. (415) 863-6008, www.heavensdog.com

THE HIDEOUT

Mission, $

Cocktail Destination

Through longtime Mission favorite Dalva is a hidden back room, The Hideout, a getaway for cocktail geeks who disdain pretension. With guest bartending appearances by local and visiting drink masters, bar staff display an adept hand at elegant but never fussy cocktails, shaken or stirred to loud, classic tunes of the ’70s and ’80s.

3121 16th St., SF. (415) 252-7740

HI TOPS

Castro, $–$$

Memorable Atmosphere, Gourmet Bites

It’s a new gay sports bar — a recent shot in Sports Illustrated featuring two men in 49ers jerseys kissing toppled barriers. But why stop there? The vintage ’60s gym decor, eclectic atmosphere, and twists on game night bites have upped the sports bar game. And yes, there’s a cocktail with Muscle Milk as base.

2247 Market, SF. (415) 551-2500, www.hitopssf.com

HOG & ROCKS

Mission, $$

Cocktail Destination, Gourmet Bites

Hog & Rocks has been a popular watering hole for American whiskey and unfussy cocktails lovers, happy over platters of oysters and ham. Once the bar was commandeered by Michael Lazar consulting with Scott Beattie, it became a special place for bracing cask strength Old Fashioneds, or tall rocks refreshers accented by garden fresh and preserved fruits and herbs. Lazar and Beattie (who also put together the drink menu at the new Hi Lo across the street) have made it a casual yet festive cocktail destination.

3431 19th St., SF. (415) 550-8627, www.hogandrocks.com

HOTEL BIRON

Hayes Valley, $–$$

Wine Sanctuary, Mellow

Hotel Biron is an intimate, romantic wine bar drawing people to a nondescript alley near busy Market Street for years, featuring monthly rotating local artists in a candlelit, narrow space. Grab a couch or bistro chair with friends in this late night sanctuary for French and Californian wines.

45 Rose, SF. (415) 703-0403, www.hotelbiron.com

JASPER’S CORNER TAP

Union Square, $–$$

Cocktail Destination, Gourmet Bites

Need a meet-up location with friends or colleagues near Union Square? One open all day, that’ll please the beer geek, the wine lover, the cocktail aficionado? Oh, and that serves reasonably priced, tasty gastropub food? Not too tall an order, since Jasper’s came along. Thanks to bar manager Kevin Diedrich, one of our city’s great bartenders, some of the most thoughtful, fun cocktails in the city are here.

401 Taylor, SF. (415) 775-7979, www.jasperscornertap.com

LITTLE SHAMROCK

Inner Sunset, $

Dive, Pub, Classic, Mellow

Though there’s no shortage of Irish pubs in town, Little Shamrock stands out, going strong since 1894. Just off Golden Gate Park, this is garage sale, eclectic comfort expressed in a hodgepodge of couches, chairs, tables, inviting one to linger over Guinness on tap, board games, backgammon, warm fireplace, and free popcorn.

807 Lincoln Way, SF. (415) 661-0060

MAGNOLIA BREWERY

Upper Haight, $–$$

Beer Haven, Gourmet Bites

Operating as a busy gastropub, Magnolia arguably crafts the best local SF beer (not bottled) since 1997. Beermaster and restaurateur, Dave McLean, who also owns Alembic and an upcoming Dogpatch brewery, is behind the world-class brews. Serving cask-conditioned ales long before it was trendy, experimenting in a range of styles and categories, he makes sure there’s a beer for everyone. McLean is a key figure in furthering SF and California beers from his roles in the SF Brewers Guild and Outside Lands’ Beer Lands.

1398 Haight, SF. (415) 1398 Haight, SF. www.magnoliapub.com

MARTUNI’S

Soma, $$

Classic, Memorable Atmosphere, Music

Who doesn’t love a piano bar? Characters belt out showtunes in the back of this velvet-draped classic, while spiffy bartenders shake or stir some killer martinis upfront. It’s a little bit classy, a little bit seedy, and all San Francisco.

4 Valencia, SF. (415) 241-0205, martunis.ypguides.net

MAVEN

Lower Haight, $–$$

Cocktail Destination, Gourmet Bites

Kate Bolton brought a deft hand with cocktails (formed at fine dinging bars like Michael Mina) when she became bar manager at Maven, Lower Haight’s best new cocktail outpost. Elegant yet unfussy drinks and an equally strong food menu — with helpful, adventurous beer pairings — make it a winning, all-around stop.

598 Haight, SF. (415) 829-7982. www.maven-sf.com

MONK’S KETTLE, ABBOT’S CELLAR

Mission, $–$$

Beer Haven, Gourmet Bites, Memorable Atmosphere

Opened by the same team, these temples to beer feature proper glassware, storing temperatures, and impeccable selections (bottle and draft) of rare beers from around the globe. Both are strong restaurants, whether the always-crowded, gastropub-like Monk’s, which has been one of our city’s best beer bars for years, or the newer, more upscale Abbot’s Cellar.

Monk’s: 3141 16th St., SF. (415) 865-9523, www.monkskettle.com

Abbot’s: 742 Valencia, SF. (415) 626-8700, www.abbotscellar.com

MOSTO

Mission, $–$$

Cocktail Destination, Spirits Selection

An agave spirits collection of more than 300 bottles is reason enough to visit Mosto. A generous list of tequila and mezcal cocktails, neighboring Tacolicious restaurant’s guac and queso and laid back, urban cantina feel confirm it’s a top tequila bar.

741 Valencia, SF. www.mostosf.com

OCCIDENTAL CIGAR BAR

Financial District, $–$$

Classic, Mellow

Since 2001, cozy Occidental is a rare smoking bar and our pick for top cigar bar. Besides a strong spirits list heavy on the whiskies, its historical connection goes back to the 1860s in the space’s former incarnation as the Occidental Hotel, where Professor Jerry Thomas, who helped established bartending as a craft, is purported to have once bartended. Woodcut etchings of his groundbreaking Bon Vivants Companion cocktail book line smoke-tinged walls of the bar where you can bring in your own cigars or choose from the humidor collection.

471 Pine, SF. (415) 834-0485, www.occidentalcigarclub.com

PRESS CLUB

Downtown, $$

Wine Sanctuary, Memorable Atmosphere

Press Club’s subterranean setting right off Market Street downtown is an unusual one. With a vast space in which to find a quiet corner or celebrate with a crowd, consider it the chic lounge of wine bars, serving a changing list of international wines, flights (like “Italy vs. USA”), beers, and bites, featuring monthly vintners and brewers with focused tastings. It’s a central, notable place to meet up with out-of-towners and colleagues.

20 Yerba Buena Lane, SF. (415) 744-5000, www.pressclubsf.com

RANGE

Mission, $–$$

Cocktail Destination, Gourmet Bites

A drink and dining stalwart from the early days when Brooke Arthur ran the small bar, to current manager Jeff Lyon’s touch, which has kept the intimate bar in Range’s restaurant on the drink lover’s map. Spirit-heavy or seasonal drinks (like an Ojo del Tigre with blood orange and tequila) are delicious and impeccably crafted.

842 Valencia, SF. (415) 282-8283

RICH TABLE

Hayes Valley, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Besides being one of the top new restaurants in the city (and country), Rich Table opened with a short but sharp cocktail list showcasing herbs and spirits. Once Jason “Buffalo” LoGrasso was brought on as bar manager, the cocktail list, including unforgettable dessert cocktails, grew, becoming a special drink outpost… if you can snag a seat at the bar.

199 Gough, SF. (415) 355-9085, www.richtablesf.com

RIO GRANDE

Tenderloin, $–$$

Cocktail Destination, Memorable Atmosphere

From the Bon Vivants, this urban cantina-meets-roadhouse pours cheap, canned beers and skillful cocktails, heavy on tequila and whiskey, under glistening walls and stripper poles. A live music stage and cowhide confirm the roadhouse vibe, while the bar livens up a seedy stretch of Market Street.

1108 Market, SF.

ROYAL CUCKOO

Outer Mission, $–$$

Memorable Atmosphere, Music

Dimly lit, sexy Royal Cuckoo is a hodgepodge of mid-century thrift store lamps, paintings, and furniture accented with shades of red. A strong small batch spirits selection and in-house Hammond organ star in a space reminiscent of great New Orleans bars: no cover for excellent live music (all centered around the Hammond). All for the cost of a stiff drink… and there always seems to be a seat.

3202 Mission, SF. (415) 550-8667, www.royalcuckoo.com

RYE

Tenderloin, $

Cocktail Destination

With smoking “cage” patio out front and center-of-Tenderloin locale, Rye has been churning out quality cocktails — and some of the city’s best bartenders — long before many current upstarts were even in planning stages. Masterminds Jon Gasparini and Greg Lindgren (who also opened 15 Romolo, Rye on the Road, Rosewood) ensure Rye remains an unpretentious neighborhood hangout serving drinkable cocktails, like that ever-popular basil gimlet.

688 Geary, SF. (415) 474-4448, www.ryesf.com

SMUGGLER’S COVE

Hayes Valley, $–$$

Cocktail Destination, Memorable Atmosphere, Spirits Selection

This tri-level tropical escape, from owner Martin Cate, launched many a copycat. Smuggler’s Cove upped the game for Tiki bars, with playful reverence to Tiki history and, yes, kitschy décor. The extensive cocktail menu covers everything from pre-Castro Havana to original Don the Beachcomber creations. We’ve traveled to rum bars in other cities who tell us they were inspired to curate their rum collection based on Smuggler’s incredible, 200+ rums in every style and category.

650 Gough, SF. (415) 869-1900, www.smugglerscovesf.com

SPECS TWELVE ADLER MUSEUM

North Beach, $

Classic, Dive, Mellow

An ode to SF history filled with colorful locals and eye-popping knickknacks, this dive is an institution tucked away off busy Columbus Ave. For decades, Specs encourages conversation and community with cheap drinks and a warm welcome, treating everyone like regulars.

12 Saroyan Pl., SF. (415) 421-4112

TOMMY’S

Outer Richmond, $–$$

Dive, Classic, Spirits Selection

Since 1965, Tommy’s has stocked the most extensive collection of 100% agave tequila outside of Mexico. Julio Bermejo, like his father Tommy and mother Elmy before him, stays true to the familial roots of this old school Mexican restaurant, virtually unchanged since the ’60s. Tommy’s famed classic margarita, dusty, rare bottles of tequila stacked under the bar, Tommy’s Tequila Masters club, a divey-perfect back bar… all explain why Tommy’s is an SF institution. Watch for the release of Julio’s own long-anticipated tequila. There’s only one Tommy’s.

5929 Geary Blvd, SF. (415) 387-4747, www.tommystequila.com

TORONADO

Lower Haight, $

Beer Haven, Classic, Dive, Gourmet Bites

One of SF’s best beer bars since it opened more than 20 years ago, Toronado has stayed true to its dive-y roots. Sometimes-gruff bartenders can be overlooked for an ever-impressive selection of dozens of beers on tap from around the globe. Toronado launched a rarity: a Barleywine Festival, featuring over 50 draft barleywines every February. Paired with Rosamunde’s sausages from next door, the killer duo is an SF institution.

547 Haight, SF. (415) 863-2267, www.toronado.com

TOSCA

North Beach, $

Classic, Memorable Atmosphere

What would North Beach be without Tosca? Surviving Prohibition with its “house cappuccinos” (brandy and hot chocolate), Tosca’s Italian-only jukebox and elegantly faded decor have worn the better part of a century with grace. Saved from tragically closing, it will be given new life at the hands of NY chef April Bloomfield. Here’s praying Tosca’s one-of-a-kind space, sacred celebrity back room, and espresso machine remain as is, though food and new-and-improved cocktail menu are predicted to be part of Bloomfield’s take-over.

242 Columbus, SF. (415) 986-9651, www.toscacafesf.com

TRICK DOG

Mission, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

The new kid on the Mission block feels like it has been around awhile, both from the years anticipating its opening and the crew behind it: SF’s great barmen, The Bon Vivants. Fan through a Pantone color swatch menu of original cocktails, impeccably made, and chow on Chester Watson’s winning food (Peruvian popcorn or Fernet ice cream?) Just get there at early if you want to avoid the crowds.

3010 20th St., SF. (415) 471-2999, www.trickdogbar.com

TWO SISTERS BAR & BOOKS

Hayes Valley, $–$$

Cocktail Destination, Gourmet Bites, Mellow

Like the ultimate European neighborhood bar, two actual sisters modeled this spot after all day café-bars from their European travels. Closet-sized and lined with books, there’s always jazz playing on the stereo and a warm greeting. Affordable, homey food is as lovely as the cocktails featuring local and small batch spirits.

579 Hayes, SF. (415) 863-3655, www.2sistersbarandbooks.com

VESUVIO

North Beach, $

Classic, Dive, Memorable Atmosphere

Beat poet hangout, eclectic mishmash of creaky wood booths, nooks, knick-knacks and colorful personalities, Vesuvio is not so much about the drinks as the character. Just like Tosca and Specs across the street (three completely different vibes), Vesuvio has been around for decades, drawing longtimers and tourists alike. It maintains a bar personality all its own, a historical landmark that remains alive and vibrant today.

255 Columbus, SF. (415) 362-3370 www.vesuvio.com

ZEITGEIST

Mission, $

Beer Haven, Dive

Service can be downright gruff. Lines can snake down the block. Just to enter a biker-friendly dive mobbed with bike messengers, black-clad rockers, and scruffy hipsters? Hell, yes. The punk-spirited biergarten out back is one of SF’s legendary gathering places where locals and visitors alike assemble around communal picnic tables over Bloody Marys, basic burgers, brats, and beers.

199 Valencia, SF. (415) 255-7505, www.zeitgeistsf.com

HONORABLE MENTIONS

83 Proof, SoMa

Bar 888, SoMa

Barrel Room, Union Square

Barrique, Financial District

Beretta, Mission

Casanova, Mission

City Beer Store, SoMa

Connecticut Yankee, Potrero Hill

Green’s Sports Bar, Russian Hill

Harry Denton’s, Union Square

Hidden Vine, Financial District

Horseshoe Tavern, Marina

Iron & Gold, Bernal Heights

La Mar, Embarcadero

La Trappe, North Beach

Li Po, Chinatown

Napper Tandy, Mission

Noc Noc, Lower Haight

Nopa, Western Addition

Pause Wine Bar, Hayes Valley

Pisco Latin Lounge, Mission

Riptide, Outer Sunset

Rock Bar, Outer Mission

Quince, Financial District

Slanted Door, Embarcadero

St. Vincent, Mission

The Page, Lower Haight

Tony Nik’s, North Beach

Upcider, Polk Gulch

Yield Wine Bar, Dogpatch

EAST BAY TOP 10

Forbidden Island

Honor Kitchen & Cocktails

Prizefighter

New Easy

Bar Three Fifty-Five

Heinold’s First & Last Chance Saloon

The Trappist

Beer Revolution

Hotsty Totsy

Flora

The G50: San Francisco’s top bars

-

February 26, 2013

5

virginia@bayguardian.com

Choosing 50 best bars in this city of ours is no easy feat. Historically one of the groundbreaking drinking towns, in the 1800s we nurtured wild Barbary Coast saloons and Professor Jerry Thomas (the first and ultimate bartender to elevate and publicize the craft), and were the first to import and bring pisco to fame. American wine, craft beer (Anchor Steam), and craft spirits first entered public consciousness in our region. Breathtaking views, a legacy of boundary-pushing entrepreneurs, avant-garde cultures, and a pioneering food movement decades old — how could we not be a drinking town? Whether you long to hit the town old school like Nick & Nora, play tunes on the jukebox with rounds of beers, taste the latest in cocktail experimentation, compare wine flights, or linger over conversation with friends… SF has something to suit every mood. Out of hundreds, these 50 have set standards, become beloved favorites, shaped city culture, or just serve a damn good drink.

PS For this list we concentrated specifically on bars (including those at restaurants and hotels), leaving you to judge the cocktails at music venues and dance clubs on their own merits.

>>SEE THIS LIST ON ONE PAGE

PRICE RANGE KEY:

$ (cocktails generally under $10)

$$ (cocktails generally $10-14)

$$$ (cocktails generally $15 and above)

NOTABLE KEY:

Cocktail Destination: Noteworthy cocktails

Spirits Selection: Extensive or well-curated spirits selection

Memorable Atmosphere: Worth drinking here for the atmosphere

Wine Sanctuary: Exceptional wine list

Beer Haven: Exceptional beer list

Gourmet Bites: Notable food

Dive: Classic, standout dive bar

Classic: An SF staple, standard-setter

Mellow: Particularly laid back, good for conversation

Music: Live music destination

15 ROMOLO

North Beach, $–$$

Cocktail Destination, Gourmet Bites, Spirits Selection

Consistently one of SF’s best cocktail bars, 15 Romolo commands an uphill alley in North Beach with some of the most balanced and inventive drinks in town. The laidback, dim space (with fab jukebox), reflects pre-Prohibition spirit but isn’t obnoxiously theme-y. Many of our city’s top bartenders started here, going on to launch other bars. Romolo’s brunch — boozy waffle shots! — and food menu rank among the most satisfying bar food in existence. Hello, peanut butter bacon burgers!

15 Romolo, SF. (415) 398-1359, www.15romolo.com

ALEMBIC

Upper Haight, $–$$

Cocktail Destination, Gourmet Bites, Spirits Selection

As Alembic currently faces significant changes (bar manager Daniel Hyatt’s exit after nearly seven years, expansion into the Red Vic space next door), time will tell if it remains the iconic bar it has been for the past 7 years. Still serving impeccable New Orleans classic cocktails, Hyatt’s unique, forward-thinking cocktails, and underrated, gourmet food, Alembic’s spirits collection, particularly American whiskey, has been one of its key strengths since day one.

1725 Haight, SF. (415) 666-0822, www.alembicbar.com

AQ

SoMa, $$

Cocktail Destination, Gourmet Bites, Spirits Selection, Memorable Atmosphere, Wine Sanctuary

AQ’s lovely brick-walled, high ceiling restaurant evolves its decor with the season, while the bar changes vintage glassware and bar top: burnt copper for fall, marble in winter. Seasonal cocktail classics are infused with subtle twists while original cocktails are incredibly creative, unusual. The wine list is extensive, heavy on the Loire Valley but offering an international range.

1085 Mission, SF. (415) 341-9000, www.aq-sf.com

AUB ZAM ZAM

Upper Haight, $

Classic, Dive

Faded 1930s Arabian Nights theme and legendarily grumpy bartenders have set this boozy cocktail den apart for decades. This piece of cocktail history birthed countless stories of now deceased Bruno, who would kick people out for ordering a vodka martini — or for any reason that suited him. It’s friendlier now, thank goodness. And there’s been no upgrades to decor, the jukebox still belts out Tony Bennett and Tom Waits, drinks remain stiff, and there’s almost always a seat waiting for you. It’s nice knowing just a few places remain averse to change.

1633 Haight, SF. (415) 861-2545

AUNT CHARLIE’S LOUNGE

Tenderloin, $

Classic, Dive, Memorable Atmosphere

Everything you thought about gay bars was wrong — or else exactly right. This wonderfully worn-in, carpeted little cave in the Tenderloin is bursting with character and crazy seasonal decor. Grittily glamorous Hotboxxx Girls drag shows on Friday and Saturday evenings are a must for the too-hip and the just-visiting alike.

133 Turk, SF. (415) 441-2922, www.auntcharlieslounge.com

BAR AGRICOLE

SoMa, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Good luck getting a bar seat in this ultra-cool, eco-chic bar-restaurant, minimalist yet dramatic under shimmering light installations, serving forward-thinking food. Reserve a table in the front garden, arrive early, or just wait your turn at the bar and you’ll be blessed with impeccable rum and rhum agricole cocktails alongside a range of pristinely-executed classics from Thad Vogler and crew.

355 11th St., SF. (415) 355-9400, www.baragricole.com

BENDER’S

Mission, $

Beer Haven, Dive

A stalwart favorite of fixie riders, rock mavens, and those weary of fighting for space a Zeitgeist — or hey, folks just looking for a good, stiff drink in a mercifully concept-free atmosphere with room to sit down. Bender’s stands out with a tasty beer selection and tater tots and tacos to die for.

806 Van Ness, SF. (415) 824-1800, www.bendersbar.com

BIG

TenderNob, $$$

Cocktail Destination, Memorable Atmosphere

Truly tiny under red velvet-draped ceiling, the ironically named Big fills up quickly, but overcrowding is somehow kept at bay, making it, at times, an intimate spot for a cocktail. Though pricey, the menu-less bar is about seeing what house syrups have been made that day (mirepoix, corn?), what spirit you might be in the mood for, and what two talented bartenders can craft on the spot.

761 Post, SF.

THE BIG 4

Nob Hill, $$$

Classic, Gourmet Bites, Memorable Atmosphere, Mellow, Musical

May rumors of the Huntington Hotel’s new owners doing away with this fantastic, historic bar — the jewel of Nob Hill — be untrue. For decades, the Big 4, named for the Central Pacific Railroad’s “big fiour” tycoons, has been the archetypal old school bar in a restaurant. Its dark wood setting and fireplace evoking an ur-capitalist gentleman’s club and martini lounge set to the nightly, live piano strains of Michael Parsons (Sundays it’s Steve Klawiter).

1075 California, SF. (415) 771-1140, www.big4restaurant.com

BIX

Financial District, $$

Classic, Cocktail Destination, Musical

One of the more dazzling dining rooms in town. You enter thick curtains off a downtown alley into Bix’s dramatic space — like walking into a Thin Man movie. Live jazz and beautiful Negronis confirm you’ve entered another, jazzier era, one Bix has faithfully preserved since 1988. Here’s to many more decades.

56 Gold, SF. (415) 433-6300, www.bixrestaurant.com

BLACKBIRD

Castro, $–$$

Cocktail Destination

The Castro is one of the most social neighborhoods in SF, rife with numerous watering holes and gathering places. But not until Blackbird was there a cocktailian’s haven, serving elegant drinks — with a well-curated wine ist to match — utilizing house made pistachio orgeat, hibiscus-infused brandy, and other handcrafter ingredients.

2124 Market, SF. (415) 503-0630, www.blackbirdbar.com

BOURBON AND BRANCH

Tenderloin, $$

Cocktail Destination, Memorable Atmosphere, Mellow, Spirits Selection,

Love or hate the new speakeasy bars, Bourbon and Branch, now eight years old, was one of the earliest progenitors of the theme outside of NYC. And despite owner Future Bars’ notable other bars (Tradition, Local Edition), B&B remains the best. Rarely is a bar this transporting: ring a doorbell next to an unmarked door and enter the 1920s. This reservations-only hideaway guarantees a seat, a romantic escape for conversation and quality drink. Its bar-within-a-bar, Wilson and Wilson, is likewise one of SF’s best, digging even deeper into housemade ingredients and unusual combinations. Consider it the impressive place to take out-of-towners for a drink.

501 Jones, SF. (415) 346-1735, www.bourbonandbranch.com

BROKEN RECORD

Excelsior, $

Spirits Selection, Dive, Gourmet Bites

This dive in the outer reaches of SF draws whiskey fans from afar. With every chef who sets up shop in Broken Record’s back room, kick-ass bar food (Southern BBQ, elevated burgers) results. From pool table to patio, it’s everything you want in a dive bar and more, including laid back bartenders, a genuine vibe, and more than 250 whiskies at reasonable prices.

1166 Geneva, SF. (415) 963-1713, www.facebook.com/brokenrecordsf

CANTINA

Union Square, $–$$

Cocktail Destination

Pioneering South and Central American cocktails, Cantina has been keeping it real for years with refreshing drinks highlighting tequila, mezcal, cachaca, and pisco (owner Duggan McDonnell is also one of the creators of Campo Encanto Pisco). Cantina’s basement hosts all kinds of events, a community gathering place.

580 Sutter, SF. (415) 398-0193, www.cantinasf.com

CHURCH KEY

North Beach, $–$$

Beer Haven, Mellow

Church Key is a breath of fresh air amid the party bars, classic dives, strip clubs, and cocktail spots of North Beach. With cozy upstairs mezzanine, it’s a beer lovers dream of revolving drafts and bottles in an unpretentious setting where one can actually talk with friends.

1402 Grant, SF. (415) 963-1713

CLUB DELUXE

Upper Haight, $

Music, Gourmet Bites

Blonde wood walls, black and white tile, red booths, dim lighting — an environment virtually unchanged for decades. These are reasons to love Club Deluxe but supreme is multiple nightly sets of some of the best live jazz in SF, from bossa nova to bepop and blues. You don’t come here for the drinks but recent addition of Chef Thomas Martinez offers fantastic food. One can comfortably linger over a shot of whiskey, jazz, and gourmet plates.

1511 Haight, SF. (415) 552-6949, www.sfclubdeluxe.com

COMSTOCK SALOON

North Beach, $–$$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere, Spirits Selection

Showcasing SF’s Barbary Coast era with vintage ceiling fans, Victorian couch sidling up to a pot belly stove, and the original trough (ahem, to piss in back in the day) lining a dramatic wood bar, “Saloon Keepers” Jeff Hollinger and Jonny Raglin honor the history of Comstock’s gorgeous, two-room, 1907 space. It’s a memorable a date night and a casual, neighborhood hangout. Whether cozy in a bar booth or at a table in the wainscoted dining room, food from Chef Carlos Espina is as thoughtful as the classic cocktails.

155 Columbus, SF. (415) 617-0071, www.comstocksaloon.com

DOSA

Mission, Fillmore, $–$$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Besides serving some of the best upscale South Indian food anywhere, Dosa’s two locations also craft a unique cocktail menu unlike any, heavy on Indian spices and flavor profiles, including its own house gin produced by local distiller Old World Spirits: cardamom-rich Blade Gin.

Dosa on Fillmore: 1700 Fillmore, SF. (415) 441-3672

Dosa on Valencia: 995 Valencia, SF. (415) 642-3672, www.dosasf.com

EDINBURGH CASTLE

Tenderloin, $

Classic, Dive

This quintessential SF dive bar has been around for years, akin to classic British pubs, occasionally rowdy, generally low key, ever-ready with a pint. In that spirit, its serves fish and chips in newspaper and facilitates offbeat community with readings, ’60s dance club nights, and legendary trivia quizzes.

950 Geary, SF. (415) 885-4074, www.castlenews.com

ELIXIR

Mission, $–$$

Cocktail Destination

When partying or sports-loving crowds descend, the already small bar gets cramped, in a space dating back to 1858. Boasting an impressive whiskey collection, Elixir is run by cocktail pioneer H. Joseph Ehrmann, and talented bar managing duo Shea Shawnson and Nick DesEnfants. The cocktail menu is a mix of 1800s saloon classics, Elixir favorites like H.’s Celery Cup No. 1, and rotating seasonal drinks.

3200 16th St., SF. (415) 552-1633, www.elixirsf.com

FAT ANGEL

Fillmore, $–$$

Beer Haven, Wine Sanctuary, Gourmet Bites

Part romantic European café, part comfortable neighborhood pub, Fat Angel manages to be dream neighborhood beer and wine bar in one. Above average bar bites, friendly staff, and changing draft beers and wines listed on a large chalkboard under dramatic chandelier ensure you’ll want to linger for hours.

1740 O’Farrell, SF. (415) 525-3013 www.fatangelsf.com

GITANE

Financial District, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Just about the sexiest bar and setting in the city, Gitane has been strong on spirits collection, wine list, and cocktails from day one, with upscale regional Spanish cuisine making it a real date night. 6 Claude Lane, SF. (415) 788-6686, www.gitanerestaurant.com

HEAVEN’S DOG

SoMa, $–$$

Cocktail Destination, Gourmet Bites, Spirits Selection

Undergoing a significant overhaul, Heaven’s Dog showcases the cocktail expertise of one of our great barmen, Erik Adkins. The bar at Asian-influenced Heaven’s Dog restaurant has been tended by some of SF’s top bartenders, most recently supervised by Ethan Terry (of AQ, 15 Romolo, Comstock). One of the best places for classic Charles H. Baker cocktails anywhere, its latest incarnation will focus on original creations alongside Charles Phan’s cuisine (of Slanted Door fame).

1148 Mission, SF. (415) 863-6008, www.heavensdog.com

THE HIDEOUT

Mission, $

Cocktail Destination

Through longtime Mission favorite Dalva is a hidden back room, The Hideout, a getaway for cocktail geeks who disdain pretension. With guest bartending appearances by local and visiting drink masters, bar staff display an adept hand at elegant but never fussy cocktails, shaken or stirred to loud, classic tunes of the ’70s and ’80s.

3121 16th St., SF. (415) 252-7740

HI TOPS

Castro, $–$$

Memorable Atmosphere, Gourmet Bites

It’s a new gay sports bar — a recent shot in Sports Illustrated featuring two men in 49ers jerseys kissing toppled barriers. But why stop there? The vintage ’60s gym decor, eclectic atmosphere, and twists on game night bites have upped the sports bar game. And yes, there’s a cocktail with Muscle Milk as base.

2247 Market, SF. (415) 551-2500, www.hitopssf.com

HOG & ROCKS

Mission, $$

Cocktail Destination, Gourmet Bites

Hog & Rocks has been a popular watering hole for American whiskey and unfussy cocktails lovers, happy over platters of oysters and ham. Once the bar was commandeered by Michael Lazar consulting with Scott Beattie, it became a special place for bracing cask strength Old Fashioneds, or tall rocks refreshers accented by garden fresh and preserved fruits and herbs. Lazar and Beattie (who also put together the drink menu at the new Hi Lo across the street) have made it a casual yet festive cocktail destination.

3431 19th St., SF. (415) 550-8627, www.hogandrocks.com

HOTEL BIRON

Hayes Valley, $–$$

Wine Sanctuary, Mellow

Hotel Biron is an intimate, romantic wine bar drawing people to a nondescript alley near busy Market Street for years, featuring monthly rotating local artists in a candlelit, narrow space. Grab a couch or bistro chair with friends in this late night sanctuary for French and Californian wines.

45 Rose, SF. (415) 703-0403, www.hotelbiron.com

JASPER’S CORNER TAP

Union Square, $–$$

Cocktail Destination, Gourmet Bites

Need a meet-up location with friends or colleagues near Union Square? One open all day, that’ll please the beer geek, the wine lover, the cocktail aficionado? Oh, and that serves reasonably priced, tasty gastropub food? Not too tall an order, since Jasper’s came along. Thanks to bar manager Kevin Diedrich, one of our city’s great bartenders, some of the most thoughtful, fun cocktails in the city are here.

401 Taylor, SF. (415) 775-7979, www.jasperscornertap.com

LITTLE SHAMROCK

Inner Sunset, $

Dive, Pub, Classic, Mellow

Though there’s no shortage of Irish pubs in town, Little Shamrock stands out, going strong since 1894. Just off Golden Gate Park, this is garage sale, eclectic comfort expressed in a hodgepodge of couches, chairs, tables, inviting one to linger over Guinness on tap, board games, backgammon, warm fireplace, and free popcorn.

807 Lincoln Way, SF. (415) 661-0060

MAGNOLIA BREWERY

Upper Haight, $–$$

Beer Haven, Gourmet Bites

Operating as a busy gastropub, Magnolia arguably crafts the best local SF beer (not bottled) since 1997. Beermaster and restaurateur, Dave McLean, who also owns Alembic and an upcoming Dogpatch brewery, is behind the world-class brews. Serving cask-conditioned ales long before it was trendy, experimenting in a range of styles and categories, he makes sure there’s a beer for everyone. McLean is a key figure in furthering SF and California beers from his roles in the SF Brewers Guild and Outside Lands’ Beer Lands.

1398 Haight, SF. (415) 1398 Haight, SF. www.magnoliapub.com

MARTUNI’S

Soma, $$

Classic, Memorable Atmosphere, Music

Who doesn’t love a piano bar? Characters belt out showtunes in the back of this velvet-draped classic, while spiffy bartenders shake or stir some killer martinis upfront. It’s a little bit classy, a little bit seedy, and all San Francisco.

4 Valencia, SF. (415) 241-0205, martunis.ypguides.net

MAVEN

Lower Haight, $–$$

Cocktail Destination, Gourmet Bites

Kate Bolton brought a deft hand with cocktails (formed at fine dinging bars like Michael Mina) when she became bar manager at Maven, Lower Haight’s best new cocktail outpost. Elegant yet unfussy drinks and an equally strong food menu — with helpful, adventurous beer pairings — make it a winning, all-around stop.

598 Haight, SF. (415) 829-7982. www.maven-sf.com

MONK’S KETTLE, ABBOT’S CELLAR

Mission, $–$$

Beer Haven, Gourmet Bites, Memorable Atmosphere

Opened by the same team, these temples to beer feature proper glassware, storing temperatures, and impeccable selections (bottle and draft) of rare beers from around the globe. Both are strong restaurants, whether the always-crowded, gastropub-like Monk’s, which has been one of our city’s best beer bars for years, or the newer, more upscale Abbot’s Cellar.

Monk’s: 3141 16th St., SF. (415) 865-9523, www.monkskettle.com

Abbot’s: 742 Valencia, SF. (415) 626-8700, www.abbotscellar.com

MOSTO

Mission, $–$$

Cocktail Destination, Spirits Selection

An agave spirits collection of more than 300 bottles is reason enough to visit Mosto. A generous list of tequila and mezcal cocktails, neighboring Tacolicious restaurant’s guac and queso and laid back, urban cantina feel confirm it’s a top tequila bar.

741 Valencia, SF. www.mostosf.com

OCCIDENTAL CIGAR BAR

Financial District, $–$$

Classic, Mellow

Since 2001, cozy Occidental is a rare smoking bar and our pick for top cigar bar. Besides a strong spirits list heavy on the whiskies, its historical connection goes back to the 1860s in the space’s former incarnation as the Occidental Hotel, where Professor Jerry Thomas, who helped established bartending as a craft, is purported to have once bartended. Woodcut etchings of his groundbreaking Bon Vivants Companion cocktail book line smoke-tinged walls of the bar where you can bring in your own cigars or choose from the humidor collection.

471 Pine, SF. (415) 834-0485, www.occidentalcigarclub.com

PRESS CLUB

Downtown, $$

Wine Sanctuary, Memorable Atmosphere

Press Club’s subterranean setting right off Market Street downtown is an unusual one. With a vast space in which to find a quiet corner or celebrate with a crowd, consider it the chic lounge of wine bars, serving a changing list of international wines, flights (like “Italy vs. USA”), beers, and bites, featuring monthly vintners and brewers with focused tastings. It’s a central, notable place to meet up with out-of-towners and colleagues.

20 Yerba Buena Lane, SF. (415) 744-5000, www.pressclubsf.com

RANGE

Mission, $–$$

Cocktail Destination, Gourmet Bites

A drink and dining stalwart from the early days when Brooke Arthur ran the small bar, to current manager Jeff Lyon’s touch, which has kept the intimate bar in Range’s restaurant on the drink lover’s map. Spirit-heavy or seasonal drinks (like an Ojo del Tigre with blood orange and tequila) are delicious and impeccably crafted.

842 Valencia, SF. (415) 282-8283

RICH TABLE

Hayes Valley, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

Besides being one of the top new restaurants in the city (and country), Rich Table opened with a short but sharp cocktail list showcasing herbs and spirits. Once Jason “Buffalo” LoGrasso was brought on as bar manager, the cocktail list, including unforgettable dessert cocktails, grew, becoming a special drink outpost… if you can snag a seat at the bar.

199 Gough, SF. (415) 355-9085, www.richtablesf.com

RIO GRANDE

Tenderloin, $–$$

Cocktail Destination, Memorable Atmosphere

From the Bon Vivants, this urban cantina-meets-roadhouse pours cheap, canned beers and skillful cocktails, heavy on tequila and whiskey, under glistening walls and stripper poles. A live music stage and cowhide confirm the roadhouse vibe, while the bar livens up a seedy stretch of Market Street.

1108 Market, SF.

ROYAL CUCKOO

Outer Mission, $–$$

Memorable Atmosphere, Music

Dimly lit, sexy Royal Cuckoo is a hodgepodge of mid-century thrift store lamps, paintings, and furniture accented with shades of red. A strong small batch spirits selection and in-house Hammond organ star in a space reminiscent of great New Orleans bars: no cover for excellent live music (all centered around the Hammond). All for the cost of a stiff drink… and there always seems to be a seat.

3202 Mission, SF. (415) 550-8667, www.royalcuckoo.com

RYE

Tenderloin, $

Cocktail Destination

With smoking “cage” patio out front and center-of-Tenderloin locale, Rye has been churning out quality cocktails — and some of the city’s best bartenders — long before many current upstarts were even in planning stages. Masterminds Jon Gasparini and Greg Lindgren (who also opened 15 Romolo, Rye on the Road, Rosewood) ensure Rye remains an unpretentious neighborhood hangout serving drinkable cocktails, like that ever-popular basil gimlet.

688 Geary, SF. (415) 474-4448, www.ryesf.com

SMUGGLER’S COVE

Hayes Valley, $–$$

Cocktail Destination, Memorable Atmosphere, Spirits Selection

This tri-level tropical escape, from owner Martin Cate, launched many a copycat. Smuggler’s Cove upped the game for Tiki bars, with playful reverence to Tiki history and, yes, kitschy décor. The extensive cocktail menu covers everything from pre-Castro Havana to original Don the Beachcomber creations. We’ve traveled to rum bars in other cities who tell us they were inspired to curate their rum collection based on Smuggler’s incredible, 200+ rums in every style and category.

650 Gough, SF. (415) 869-1900, www.smugglerscovesf.com

SPECS TWELVE ADLER MUSEUM

North Beach, $

Classic, Dive, Mellow

An ode to SF history filled with colorful locals and eye-popping knickknacks, this dive is an institution tucked away off busy Columbus Ave. For decades, Specs encourages conversation and community with cheap drinks and a warm welcome, treating everyone like regulars.

12 Saroyan Pl., SF. (415) 421-4112

TOMMY’S

Outer Richmond, $–$$

Dive, Classic, Spirits Selection

Since 1965, Tommy’s has stocked the most extensive collection of 100% agave tequila outside of Mexico. Julio Bermejo, like his father Tommy and mother Elmy before him, stays true to the familial roots of this old school Mexican restaurant, virtually unchanged since the ’60s. Tommy’s famed classic margarita, dusty, rare bottles of tequila stacked under the bar, Tommy’s Tequila Masters club, a divey-perfect back bar… all explain why Tommy’s is an SF institution. Watch for the release of Julio’s own long-anticipated tequila. There’s only one Tommy’s.

5929 Geary Blvd, SF. (415) 387-4747, www.tommystequila.com

TORONADO

Lower Haight, $

Beer Haven, Classic, Dive, Gourmet Bites

One of SF’s best beer bars since it opened more than 20 years ago, Toronado has stayed true to its dive-y roots. Sometimes-gruff bartenders can be overlooked for an ever-impressive selection of dozens of beers on tap from around the globe. Toronado launched a rarity: a Barleywine Festival, featuring over 50 draft barleywines every February. Paired with Rosamunde’s sausages from next door, the killer duo is an SF institution.

547 Haight, SF. (415) 863-2267, www.toronado.com

TOSCA

North Beach, $

Classic, Memorable Atmosphere

What would North Beach be without Tosca? Surviving Prohibition with its “house cappuccinos” (brandy and hot chocolate), Tosca’s Italian-only jukebox and elegantly faded decor have worn the better part of a century with grace. Saved from tragically closing, it will be given new life at the hands of NY chef April Bloomfield. Here’s praying Tosca’s one-of-a-kind space, sacred celebrity back room, and espresso machine remain as is, though food and new-and-improved cocktail menu are predicted to be part of Bloomfield’s take-over.

242 Columbus, SF. (415) 986-9651, www.toscacafesf.com

TRICK DOG

Mission, $$

Cocktail Destination, Gourmet Bites, Memorable Atmosphere

The new kid on the Mission block feels like it has been around awhile, both from the years anticipating its opening and the crew behind it: SF’s great barmen, The Bon Vivants. Fan through a Pantone color swatch menu of original cocktails, impeccably made, and chow on Chester Watson’s winning food (Peruvian popcorn or Fernet ice cream?) Just get there at early if you want to avoid the crowds.

3010 20th St., SF. (415) 471-2999, www.trickdogbar.com

TWO SISTERS BAR & BOOKS

Hayes Valley, $–$$

Cocktail Destination, Gourmet Bites, Mellow

Like the ultimate European neighborhood bar, two actual sisters modeled this spot after all day café-bars from their European travels. Closet-sized and lined with books, there’s always jazz playing on the stereo and a warm greeting. Affordable, homey food is as lovely as the cocktails featuring local and small batch spirits.

579 Hayes, SF. (415) 863-3655, www.2sistersbarandbooks.com

VESUVIO

North Beach, $

Classic, Dive, Memorable Atmosphere

Beat poet hangout, eclectic mishmash of creaky wood booths, nooks, knick-knacks and colorful personalities, Vesuvio is not so much about the drinks as the character. Just like Tosca and Specs across the street (three completely different vibes), Vesuvio has been around for decades, drawing longtimers and tourists alike. It maintains a bar personality all its own, a historical landmark that remains alive and vibrant today.

255 Columbus, SF. (415) 362-3370 www.vesuvio.com

ZEITGEIST

Mission, $

Beer Haven, Dive

Service can be downright gruff. Lines can snake down the block. Just to enter a biker-friendly dive mobbed with bike messengers, black-clad rockers, and scruffy hipsters? Hell, yes. The punk-spirited biergarten out back is one of SF’s legendary gathering places where locals and visitors alike assemble around communal picnic tables over Bloody Marys, basic burgers, brats, and beers.

199 Valencia, SF. (415) 255-7505, www.zeitgeistsf.com

HONORABLE MENTIONS

83 Proof, SoMa

Bar 888, SoMa

Barrel Room, Union Square

Barrique, Financial District

Beretta, Mission

Casanova, Mission

City Beer Store, SoMa

Connecticut Yankee, Potrero Hill

Green’s Sports Bar, Russian Hill

Harry Denton’s, Union Square

Hidden Vine, Financial District

Horseshoe Tavern, Marina

Iron & Gold, Bernal Heights

La Mar, Embarcadero

La Trappe, North Beach

Li Po, Chinatown

Napper Tandy, Mission

Noc Noc, Lower Haight

Nopa, Western Addition

Pause Wine Bar, Hayes Valley

Pisco Latin Lounge, Mission

Riptide, Outer Sunset

Rock Bar, Outer Mission

Quince, Financial District

Slanted Door, Embarcadero

St. Vincent, Mission

The Page, Lower Haight

Tony Nik’s, North Beach

Upcider, Polk Gulch

Yield Wine Bar, Dogpatch

EAST BAY TOP 10

Forbidden Island

Honor Kitchen & Cocktails

Prizefighter

New Easy

Bar Three Fifty-Five

Heinold’s First & Last Chance Saloon

The Trappist

Beer Revolution

Hotsty Totsy

Flora